All language subtitles for The.Last.Night.at.Tremore.Beach.S01E07

I've been calling. Where were you?

My dad.

He got to talking and... anyway.

I cooked you dinner.

I should've called. I'm sorry.

Are you sure you're okay?

I don't know.

I don't understand
why you haven't gotten rid of me yet.

Because I love you.

There. I said it.

I love you too.

I'll close up and we can go to sleep.

Yeah.

...with some passing clouds.

The forecast in the north
indicates we'll have a sunny morning

with intermittent clouds.

Clouds will gradually increase
throughout the afternoon,

covering almost the entirety
of Asturias and Galicia.

However, the low-pressure front
is not expected to reach the coast

or cause storms or heavy rain.

This week began
with severe instability in the north,

but it's expected to end on a stable note
and with a drop in temperature.

That's all. Now it's time for the news.

...according to an anonymous source,
may soon be closed.

Twenty years ago, a promising
young pianist had a car accident.

Estrella Escudé, 21, was on her way home
after winning a scholarship

to study at the Royal British Conservatory
in London,

when she lost control of her vehicle.

The victim's father, Ramiro Escudé,

the owner of a construction company
linked to extortion cases,

always maintained that his daughter
was not alone when she had the accident,

and that an alleged companion
was at the wheel and fled the scene.

This hypothesis was never proven,
so the case was closed as an accident.

But time could end up
proving the father right,

as an anonymous source
claims to be able to prove

that the unfortunate woman
was not driving the car,

and that whoever was behind the wheel
fled without helping her.

- The police are investigating this theory...
- Álex.

Are you okay?

Yes.

Álex!

My little girl!

My little girl!

Our condolences.

THE LAST NIGHT AT TREMORE BEACH

EPISODE 7
WE HAVE TO GO

The news on TV changes everything.

This can't be a coincidence.

What if the piece
that connects it all is Ramiro?

If I find out I'm right one day,
I'm capable of anything.

RAMIRO KNOWS
REVENGE?

And what if what happens
isn't about Leo and María, but me?

Kauffman said it was all
like a grand opera in my head.

Don't run away from your visions.
Try to find out what they're telling you.

We'll play it and provoke it.

Today's Monday, March 6.

It all starts with a big storm.

It rains fish.

You don't know why yet,

but it all happens
when the fence is broken.

You don't know when it breaks.

All you know is that, when María arrives,
the fish have stopped falling.

María knocks on my door.

She is hurt.

What happened?

Leo.

Is Leo already dead?

María dies in my house.

But the police find her body at hers,
next to Leo's body. Why?

Who moves the body there?

Back, before the fish,
Leo and María are alive in their house.

Then your men arrive in the red van.

You were spying on me.

You know I caught you.

And that's what triggers the events.

There's someone else.

Someone gets out of the van.

A sixth man who heads here.

He's the ringleader.

Is it you, Ramiro?

Are you after me?

Are you seeking revenge
for Estrella's death? Is that it?

But why kill Leo and María? Why?

Perhaps... your thugs
went into the wrong house.

They were expecting to find me.
They can't leave witnesses.

They kill Leo.

María escapes. But how?

And why?

If your men thought they were in my house,
why are you coming here?

Maybe...

Maybe you know exactly where I live.

Leo and María could call the police.
They were in your way.

You wanted to take care of it yourself,
right? I wouldn't blame you.

You disappear.
You disappear right in front of me.

Wait.

You never get here.

When María gets here,

the fish have stopped falling,
and you're not here.

María coming here wasn't in your plans.
You hide.

You fear that María
could call the police, or me.

Maybe...

María saves my life unknowingly.

Some pieces don't fit.

You don't leave. No one leaves.

It's not this one. It's the other house!

After the shooting, someone gets
in the van and comes here.

Do I put María in the trunk,
or am I the epicenter of my own vision?

Why be merciless with Leo?

Why drag María's body to her house?

Me... Where am I?

Why don't I do something to stop it?
Nothing makes sense.

I don't even know if it's you, Ramiro.

But if it's not you, who the hell is it?

Think, Álex. Think.

I have to decipher the puzzle
before the next storm.

Before the fish rain down.

But when will that be?

The fence.

The broken fence
is the point of no return.

But when will it break?

Let's go!

Or do I, in my own delirium,

leave death in my path like you did, Mom?

Stop, Elvira!

- Dad!
- No!

It's happening.

Again.

Tuesday, March 7.

It'll happen tomorrow.

At midnight.

María's dead.

The door to my house is open.

The ground is full of fish.

The fence is broken.

I'm in that moment when someone
comes out of Leo and María's house...

and heads here.

Why?

Relax, Álex.

Relax.

This is not happening.

Control it.

This is different. I'm inside the vision.

But they can't see me.

Relax.

Gather the events.

My wrist is not wounded yet.

He's looking for someone.

Me?

Where am I?

I know María will fall into my arms,

but I don't see myself anywhere.

Maybe...

Maybe I don't put her in the truck.

Or maybe it's

a projection of my vision.

Maybe...

I don't know.

He's approaching the barn.

He aims.

Impossible.

Paula! What are you doing here?

It stopped raining.

There are still fish on the ground.

How is that possible?

I'm still inside the premonition.

It's 7:00 a.m.

The cars aren't here anymore.

The bodies aren't either.

What the...?

They've taken the bodies to a field.

They've dug a huge hole.
They'll bury the bodies here.

My kids...

The color of their uniforms is different.

Paula.

Judy.

They're putting the shovels in a red van.

María's body isn't here. They must've
already taken her to the house with Leo.

Paula, Judy, and the kids are dead.

There's a car.

There's a car I've never seen before,
and a black van too.

There's a man wearing a mask.

He's giving instructions.

He seems to be the ringleader.
The sixth man.

He's the sixth man. Who are you, asshole?

There's another body.

God, it's fucking carnage.

It's a woman. I don't know her.

She has... She has a birthmark
or a burn on her face.

There's something on her waist...
something that holds a gun.

There's a man. He's bald.

He has a beard.

I don't know who they are

or why they're here.

There's another body in the black van.

Ramiro, if it's you,
this body can only belong to one person.

Who...?

It's me.

It's me.

Why?

Why do you kill us all?

- The pit.
- Mom, please!

You're in danger.

She saw it!

What have they done to you?

She told you.

Leave this house before it's too late.

Fuck the pieces. Fuck everything.

Impossible.

Impossible.

Not again.

I have to change the events.

LEO
CALL FAILED

- Álex, where are you? Are you all right?
- I had to go to my house.

Your house? Why?

Take the kids to the airport.

The airport? What?

Paula called me.

She needs the kids with her tomorrow.

There was a family emergency.

Please, Judy.

Buy tickets to Amsterdam, please.

I'm not going anywhere
until you tell me what's going on.

Please. Trust me.

Okay? Buy a ticket for yourself too.

Judy?

Yes, Álex. I'll see you there.

What are you doing?

Slow down.

What if...?

What if...?

What if Mom was right?

Bea, Bruno. You have to get up.

What if...

What if it's not a possibility...

but something
that will inevitably happen?

Álex!

What are we?

Slow down!

Calm down. It's okay.

Relax.

It's okay.

It's okay. Calm down.

What happened?

You don't remember?

I had an accident.

Yes. You drove into the opposite lane.

- The other driver?
- They're safe.

As are you. It's a miracle you're alive.

You've tempted fate again.

You only have a few bruises and scratches.

- What's this? Get them off me.
- Calm down. You'll hurt yourself.

Why am I tied down?

You were unconscious when you arrived,
but then got worked up.

I had to sedate you.

I'll untie you.

Promise me you'll remain calm. Okay?

Okay.

What time is it?

- How long have I been unconscious?
- It's after 11:00 a.m.

The accident was early in the morning.
I need my things.

- I have to make a call.
- No, your things aren't here.

Yes. That's from the accident.

- You have a contusion, but no fractures.
- I have to get out of here.

Álex, I can't discharge you.

Two people want to talk to you first,
about your children.

Mr. De la Fuente?

Impossible.

I'm Inspector Calabria.

And Sergeant Ricciardo.

Set up the camera.

Am I under arrest?

No. There are no charges against you yet.
That'll depend on your cooperation.

We're just gathering information.
We're from the UDEV.

The Specialized and Violent Crime Unit.

Want some water?

Linden tea?

No, I want...

I want to see your badges.

If I'm not under arrest,
I'd like my phone back.

- We'll give it back.
- Thanks.

First, it'd be best if you help us.

Would you be so kind as
to answer some questions?

- About my kids, I suppose.
- That's right. And Judy Garmendia.

Do you mind if we record this?

How's the weather?

Excuse me?

Since I was rescued from the car,
has it rained?

Not a drop for days.

Could you check the weather report
for rain?

- Do you consent to the recording?
- Do what you want. Can you check it?

- Why do you think that's important?
- What does it say?

Five percent?

The weather here is changeable.
It'll rain.

What does that mean?

It means that...

if we're still here when the storm hits,
we'll all be in danger.

"We" will? Who?

It's complicated.

Take a seat, please.

Ricciardo, tell Mr. De la Fuente
what we have.

Let's see if, that way,
he decides to cooperate.

Just over seven hours ago,
you were pulled out of your car

after having an accident.

You were going way over the speed limit.

You had your
and your kids' passports on you.

But your kids have vanished.

We know they spent the night
in the hostel run by Judy Garmendia,

with whom you have
a romantic relationship.

But early this morning,
she hurriedly left her hostel,

forgetting her phone there.

Her employee found it this morning

and, like us, has no idea where she is.

So we suspect that her
and your kids' disappearance are related.

We want to know if your kids are okay
and where they are.

We know that you have priors for violence.

For example, about a year ago,
you beat up a coworker, a film director,

for no apparent reason.

You were struck by lightning.

The doctor says that, since then,
your mental state has been... unstable.

And, if that wasn't enough,

there's a history of mental illness
in your family. Your mother.

While you were unconscious,

we spoke to your father
and got an idea of the situation.

My father's here?

A unit is holding him at his house
in case your kids or Judy go there.

Hold me as long as you want, but I'm not
saying anything until tomorrow morning.

You don't realize
the gravity of the situation.

With your record, you're our main suspect.

I'd never hurt my kids,

or Judy, or anyone.

It all starts with a big storm.

It rains fish.

You don't know why,

but when it all happens
the fence is broken.

You don't know when it breaks.

All...

It was in your car when you were found.
We confiscated it.

Want to hear more?

They must've already taken her
to the house with Leo.

Paula, Judy, and the kids are dead.

You yourself say that your kids
and girlfriend are dead.

And you won't tell us where they are.

Tell me, Mr. De la Fuente,

if you were me, what would you think?

Can I...

have that linden tea?

It's an interesting recording. I want
to know what you think about this part.

It stopped raining.
There are still fish on the ground.

How is that possible?

I'm still inside the premonition.
It's 7:00 a.m.

Premonitions?

Yes.

That's why no one is dead. Yet.

But if you keep meddling, we'll all die.

Only a 5% chance.

It won't rain tonight.

Let alone fish.

Tell me about Judy Garmendia.

Her phone records say

she was the last person
you spoke to before your accident.

Since then,
she's been as unreachable as your kids.

Did you give Judy Garmendia instructions
to take them somewhere?

Mr. De la Fuente,
this attitude isn't helping you.

- Answer her.
- We want to know if your kids are okay.

- They are.
- Where?

Where are your kids, Álex?

For the last time,
tell me where the hell your kids are!

- They're in a safe place.
- I want proof.

I did what you said.
I gave Judy instructions. That's it.

So, you conspired with Judy
to hide your kids.

I didn't conspire with anyone.

Your father told us you've been
through a not-so-amicable divorce.

A turbulent separation.

- I'm protecting my people.
- Protecting them from whom?

From what I've seen.

From the people
you speak of in your recording?

Those who will supposedly appear
in a van tonight, at your house?

- From who else, if not?
- From Paula Baltierre, your kids' mother.

Who supposedly will also die today.
But she's traveling around Greece.

Have you talked to her?
Please, don't alert Paula.

Or she'll be in danger too.

- Is that a threat?
- It's not a threat!

Leave Paula alone
until everything has passed.

What will pass?

- The danger!
- What danger?

It's all in the recording, damn it!

You keep asking the same questions!

It's all there! Everything!

We know you're not happy

that your kids are living with your ex
and her partner in Amsterdam.

One theory is that you're trying
to separate them from her,

taking advantage of the fact
that she's far away.

I didn't see they'd look for my kids.

Every time I try to change
what I know will happen,

something always happens, damn it!

Like the accident.

I tried to leave Tremore and here I am.

Do you understand that
if their mother decides to press charges,

it'll all get nasty for you?

Who the hell are you two?

Who sent you?

This isn't a coincidence.

Do you know
you're an important piece of this puzzle?

I'm not going to let this be completed
because we'll all die.

Do you mean

this puzzle?

Yes. These are some of the pieces.

The broken fence.

The fence at my house broke today
when I left in the car.

Scratch.

I'm convinced that this wound here

is the one I saw the night
of the massacre and storm.

- How does that prove anything?
- Easy.

I got this wound in the accident. Right?

I was unconscious
until I woke up with this bandage.

I couldn't have ever seen the scar.

We were told you entered the hospital
conscious and violent.

- You could've seen it.
- I didn't.

The bandage was applied at the scene,
to stop the bleeding.

He was unconscious.
He couldn't have seen the wound.

The scar starts here.
It goes on this way, on a curve.

It has a kind of...

- No! I'll do it. You'll hurt yourself.
- Like a scab.

- Álex.
- Or pus or something like that.

Álex...

If you won't listen to me,
you two will suffer the consequences too.

Listen to me. One more threat,
and they'll put the straps on you.

See it?

Let's do the puzzle.

You say your kids are unreachable,
which was your decision.

You wanted it that way.
You say it's all related to these pieces.

To this one too?

- Ramiro.
- You have a contact named Ramiro.

- You called Ramiro?
- Yes. He's in Lisbon.

In Lisbon?

Mr. Escudé told us you were
his daughter's great love.

She died in a car accident.

What if I looked for answers
where there are none?

What if the piece
that connects it all is Ramiro?

And what if what happens
isn't about Leo and María, but me?

Why would Mr. Escudé be the key piece
to everything you say in the recording?

Is it because of this?

Estrella Escudé died in a car accident.
No one killed her.

My mother faked that accident.

My mother killed Estrella.

She did it to separate us.

Ramiro always suspected
it wasn't an accident.

Now it's confirmed.

I think he's the only one
who could carry out the massacre I saw.

It doesn't make sense any other way.
Only he can do it.

Since there's no sign
that your ex-wife has left Greece,

we're not afraid that she's in the pit.

In the pit? Really?

Are you listening to me?

The pit doesn't exist yet!

However, Miss Garmendia
and your kids are missing,

and you know something you won't tell us.

Their passports were in your car.
Do you know how this looks?

An attempt to pretend
that the kids are on a trip

when they're elsewhere,
such as the pit, for example.

Your neighbors can't be located because
they saw or heard something and ended up...

They spent the night at sea,
that's why they have no signal.

Have you tried using the radio?
Do I have to tell you how to do your job?

We tried to contact them. If they
were sailing, we might have reached them.

- Thank you.
- I'll go check.

- What?
- Listen.

We got a warrant to trace the location
of your cell phone last night,

so we'll find the location of the pit.
Mark its location.

You won't find anything.

Mark it.

- Get Garrido to check the location.
- Okay.

They've taken the bodies to a field.

They've dug a huge hole.
They'll bury the bodies here.

- How many bodies are you talking about?
- This is useless.

The kids, Judy, Paula...?
How many bodies? How many corpses?

- You want to know?
- Yes.

There are two more people.

Until now, they were strangers.

Until now?

I know who they are.

I don't know how they fit into the puzzle.

Do you mean one of them? The masked men?

No.

You're the smart one,

right?

Play the recording.
You'll come to your own conclusions.

There's another body in the black van.

It's a woman.

I don't know her. She has...
She has a birthmark or a burn on her face.

There's something on her waist...
something that holds a gun.

There's a man. He's bald.

He has a beard. I don't know who they are
or why they're here.

I don't get it.

Are you insinuating

that the man and woman in the recording...?

Do you understand
the gravity of the situation?

You

are making it all happen

by holding me here
and looking for my kids.

Yesterday,

I couldn't have known
that you two would come here today.

Do you understand?

Well, your description is... very generic.

That matches a large part
of the population.

Yeah, sure.

That's why you suddenly got so nervous.

Right?

I saw both of you.

I recognized you right when I came in.

This whole time, I've been wondering

what piece of the puzzle you are.

Something goes really wrong
for you to end up dead.

I really hope

that this is no more
than a harmless delusion,

Mr. De la Fuente.

It's Paula Baltierre.

Your ex-wife.

- Álex!
- Listen to me.

- Where are they?
- Hey.

Where are my kids?

- I can't tell you. Everything's okay.
- "Okay"?

The police called me.

- I know.
- I want to speak to my kids.

Where are they?
Why is Bea's phone not working?

- Where are they?
- Listen.

I know I haven't earned your trust

and that this is hard to understand,
but trust me this one time.

- The police used the word "kidnap."
- The kids haven't been kidnapped!

They're with Judy.

Judy, your friend?

She's looking after them.
Listen to me. This is important!

Look, I'm changing the events

to stop what's going to happen
to protect all of us.

My God. I can't believe it.

- Listen.
- It's worse than I thought.

- What did you tell him?
- To call a taxi. He's going to Amsterdam.

- I'm going to Tremore.
- No, you're not.

When I get off the plane,
I expect to hug my kids!

Paula!

Hold her at the airport
or I won't be able to stop this massacre.

Please. For God's sake.

At least listen to me about one thing.
Just one thing.

Check my phone.
There's a photo of a man in a red van.

Please, don't judge me too early.
Check it out.

- This man?
- This man.

This man was spying on me last night. I'm...

He could be one of the men
working for Ramiro Escudé.

The five men wearing the balaclava,
from the puzzle.

Maybe you can check if he has a record,
to stop him from getting to us.

- Listen.
- To protect us.

We spoke to Mr. Escudé
and he has nothing to do with all this.

- He's lying!
- He's concerned.

He is convinced
that you wouldn't hurt anyone.

He's manipulating you!

He knows Estrella's death
wasn't an accident. He saw the news!

- What news?
- On TV yesterday.

He saw it on the news!
Like I did. Like everyone did.

He knows Estrella's death
wasn't an accident.

Please, check it out!

Please.

Check with Homicide.

Ruth...

Do it.

- You're the boss.
- Thanks.

Álex! Where are you going?

- Out of here! Why are you here?
- Calm down.

- Who are you?
- Leo Bazán and María Vargas.

You have to get out of Tremore.

Go to the airport.
Paula is flying in from Greece.

Go pick her up and leave Tremore!

We're here to help you.
Don't make it impossible.

- Calm down.
- Get out of here.

Why won't Judy answer the phone?
Where are your kids?

- Álex.
- Why are you asking that now?

- Álex, look at me.
- Listen.

Álex, where are your kids?

That's why they're here?

To pressure me?

Guys.

The police are using you.

The doctors don't know
what they're saying. Trust me.

- We trust you.
- Listen to me.

- Only me!
- Okay. But calm down.

If you go on like this,
you'll ruin your life.

There'll be a storm tonight.

It'll rain fish.
A red van will go to your house.

Unless you leave,
in a few hours you'll be executed.

You'll show up at my house and die!

I only asked you for one thing.
To let us live in peace.

I'll be downstairs.

Yes. We located her. She's with...

- Put me on with the inspector.
- Hold on.

- So?
- There's no reopening of Estrella's case.

- That's not true.
- And...

The Civil Guard wants to talk to you.

Inspector Ruth Calabria.

Agent García. We found her.

- Judy Garmendia?
- What?

- And the suspect's kids?
- Inspector.

- They're at the airport.
- Let me talk to her.

- Tell her she's going to talk to Álex.
- Okay.

- Judy!
- I don't understand.

- Where are you?
- It's okay. Are you and the kids okay?

This is madness.

Two Civil Guard officers held us
without explaining anything.

Listen to me.
Leave Tremore. Let me tell her...

- Miss Garmendia.
- Álex, are you there?

- This is Inspector Calabria.
- Álex?

- I'm with Álex.
- Is he at the police station?

- Get the kids out!
- He's in the hospital.

- Judy, what's wrong?
- It's okay.

- Don't worry.
- Come with me.

- Judy!
- Calm down.

He's been admitted
and is being held. He's safe.

In the hospital? Why is he there?

Please, get the kids
out of Tremore, please!

Get the kids out of Tremore, please!

- Bea, Bruno, the kids. Are they okay?
- Judy, please!

Yes, we're all okay.
But what's happening? I need to know.

My colleagues will drive you
to the police station.

We'll talk about everything there.

I need to talk to Álex.

- Keep them away from Tremore!
- Miss.

- Judy!
- I need to talk to Álex, please!

- I'll see you at the station.
- Judy!

If anything happens to my family,
you'll be responsible.

It's okay.

We'll tell your kids you had an accident,
and that you're staying in the hospital.

- He'll stay here, in custody.
- It's over.

For our part, we've had enough. Ricciardo.

- Come with me, Álex.
- Go with the doctor. It's okay.

- Álex!
- Put the gun down!

Don't move!

Don't move.

- Don't move.
- Calm down.

Stop, Álex.

- I want to...
- Put the gun down.

Álex.

I want my kids and Judy
on the first plane out!

Put the gun down.

- Don't move!
- Álex.

When Paula arrives from Greece,
she's not to leave the terminal.

Get María out of Tremore.

I will. This doesn't make any sense
and you know it.

- Álex.
- Please.

- Take it easy.
- Listen.

You're provoking this.
You're going to kill us all.

Don't worry. Give me the gun, Álex.

Look at me.

- No.
- Give me the gun.

You're going to kill us all.

Don't do it.

No!

No!

- No!
- Hold him! Hold him tight!

I was surprised to get that call.

I didn't expect to see you again.

I did.

I'm really sorry.

Estrella was everything to me.

I've been lied to all these years.

I...

played the wrong note so that
Estrella would win the scholarship.

That condemned her.

My mother knew the scholarship
would've gone to me if not for Estrella.

I tried to change my fate.

But I didn't succeed

because I was missing
a piece of the puzzle.

My mother.

What are you saying?

If it wasn't for me,
Estrella would still be alive.

And that suffocates me.

It's been suffocating me all these years.

I'm to blame for your daughter's death.

It was me.

- I know that you loved her.
- I condemned her.

I condemned her.

I tried to boycott my future
to hurt my mother.

I couldn't see...

If I'd seen the complete puzzle,

Estrella would still be alive.

But she died

and you wasted away
trying to find an answer

that you now have.

It was her.

It was my mother.

Do as you see fit with her. And with me.

But, please...

the others don't deserve your vengeance.

Please.

Álex?

Who were you talking to?

Where is he?

Who?

Ramiro. Estrella's father.

He was here.
You must've crossed paths with him.

The police didn't tell you anything?

I haven't spoken to the officers
who questioned you yet.

What do they have to tell me?

Because no one was here.

You're in a restricted area

after threatening everyone with a gun.

They transferred you to a psych ward.

Psych ward?

But...

Why?

I tried.

Álex, I tried and I never judged you.

But I can't take it anymore.

Me neither.

You lied to me.

The police arrested me for trying
to leave the country with your kids.

The news on TV.

What news?

Yesterday, before we went to bed,
do you remember?

The anonymous source in Estrella's case.

- We didn't watch the news, Álex.
- Yes.

No.

...a case that has yet to be solved...

The TV was on and you turned it off.

Álex?

Are you okay?

No.

You were in the bathroom.

You came out of the bathroom.

And the news was still on. The TV was on.

You had time to see the news.

I wasn't in the bathroom, Álex.

I locked up the hostel

and came upstairs.

I saw you weren't okay.

And we went to bed. Yes.

No.

No.

No.

I'm really sorry, Álex.

And my kids...?

Where are they?

Leo and María took them to lunch.

They think you had an accident,
that's all.

Later I'll take them to your house
to get their things.

- Paula will pick them up there.
- No, please.

They will go to Amsterdam.

Please...

I'm going to miss them.

It is real.

I wish everything had been different.

I wish.

Please, don't.

Judy, don't.

Doctor Jordán wants to speak to you.
Put this on.

This way, please.

Manuel! Manuel, please.

Fire!

Fire!

Don't worry.

We'll keep you isolated
from the other residents

until we're sure
how to tackle your syndrome.

Mr. De la Fuente,

understanding what's happening
is the first step to getting healthy.

- What do you think is happening?
- It's too soon for a clear diagnosis.

But your case is consistent
with multiple personality disorder.

In your situation, it's not unusual

to look for someone to blame
for the trauma.

In your case, you looked for a culprit
for Estrella's death.

- I wasn't looking to blame anyone.
- Not consciously.

But the facts show
that in all probability, your identity...

Let me be more graphic.

Your identity, your personality,

has split into another
whom you blame for Estrella's death,

because you feel responsible
for what happened to her.

But you're unable to accept the guilt.

What if I've looked for answers
where there are none?

What if the piece
that connects it all is Ramiro?

And what if what happens
isn't about Leo and María, but me?

Your second personality

is an emotional shield.

Álex, the Ramiro
you speak of in your recordings

is you.

The good news is that the angel of death
that you believe will come

to purge your sins is a pure invention.

Or do I, in my own delirium,
leave death in my path like you did, Mom?

Is that it?

It's all related to you.

Your words, not mine.

It won't rain tonight,
nor will anyone take revenge.

Álex, you and your people are safe.

A storm is coming.

Manuel.

Ramiro.

Just because all the pieces
of the puzzle don't fit

doesn't mean I'm not right.

RAIN OF FISH

Maybe Ramiro isn't even
a piece of the puzzle.

He may really be in Lisbon.

If it's not him, who is it?

Who the hell is the sixth man?

- And why does he want to kill us all?
- No one kills anyone, Álex.

María.

Leo.

Bruno.

Bea.

Judy. Paula.

The police officers.

And me.

How are we connected?

Manuel, look at me.

Is it a robbery? Is it...?

Are all our deaths by chance?
Attempted robbery.

Alicia, wake up.

Things get messy.

No. The officers said the robberies
in the area aren't violent.

It has to be much simpler than all that.

Let's see.

María knocks on my door.

That was my first vision.

The next puzzle piece is María and Leo
in their house. Alone.

They're both dead. It was very violent.

Álex.

Calm down, Manuel.

They're merciless with Leo.

Who would want to do such a thing?

- Calm down.
- And why?

- Is that you two?
- In Brazil. Yes, sir.

In Chile.

She was a different woman back then.
She hadn't even started to paint yet.

María came to me
because she was in trouble.

Souza.

We saw a photo of his corpse.

- Souza.
- María identified him.

He fooled them all.

The man with the glasses.

He was spying on them that whole time.
It's Souza. Souza is the sixth man.

Souza's men are going to kill Leo, María,
and all of us to not leave witnesses.

Calm down, Álex.

Calm down.

I need a phone.

Only emergency calls are allowed.

This is an emergency.
It's a matter of life or death.

Álex, please.

Stay here. Don't move, please.

Manuel, calm down!

Calm down!

Manuel, please!

Calm down! Come here!

Manuel, take it easy.

- Get down!
- Calm down!

Okay!

This is Leo.
Leave me a message and I'll call you back.

Leo! It's Álex.

I'm at the provincial hospital.
The storm is coming.

It's all coming true. I was right.
Except about one thing.

The red van. They're not coming for me.

It's Souza. It can only be him.

He faked his death and he fooled you all.

Find another gun.

If a van appears at your house,
get ready to use it.

Only you can save us all.

Leo?

Hey!

Stop!

11 TREMORE

Excuse me!

Excuse me, could you please help me?

Wait. Don't be scared.

Could you take me home?
I live on the hill. No, wait.

No.

- Excuse me, sir.
- What?

Can you see that man on the bar patio?

Yes, the man... The one with round glasses?

You see him?

Yes, of course.

Thank you.

They go by Leo Bazán and María Vargas.
I was just at their house.

He took out the trash and went back home.
It's late. They won't leave again.

There's no signal on the hill.
I couldn't call.

The GPS doesn't work. The weather's nuts.
We need to use a map.

Meet you at the gas station in 15.

The house is on this street.

This is the house.

Let's go.

Hey!

5 TREMORE

EL DIENTE LIGHTHOUSE 7

Are you all right?

- I ran out of gas.
- Do you live by the cliffs?

Are you heading there?
This road only goes to two places.

To the lighthouse or to two houses
above El Diente beach.

Is one of those houses yours?

- Get in. We'll take you.
- No. Thank you.

Wait!

Yes. Wait.

Open the door for him.

Is anyone expecting you?

No.

I live alone.

If it weren't for the rain, we'd be there.

You're good.
Just a little over a mile left.

Stupid fucking storm.

Stop here.

Can we drop you here?

Didn't you say you live alone?

I see lights on.

You know what?

I'll come with you.

They must be worried about you.

I'd rather go with you.

I have to tell Leo and María
something important.

Good night. Take care.

Don't do it. Please, don't do it.

Please.

If you go inside that house,
innocent people will die.

You'll end up killing me,
my kids, and more people.

And I know we're not Souza's target.

Please.

- Get out. Go home. No one is to come out.
- Please.

Don't bother using the landline.
It's still out.

Don't even think of going for help.

The landline?

Go on.

It's me.

It's always been me.

Bea!

Bruno!

Dad!

What are you doing here?

We have to go.
Get in the car. Where's Paula?

- She's almost here.
- You shouldn't be here! It's happening.

It's happening!

- Stop!
- Get in the car!

- Dad!
- I'm going to talk to Leo!

Let me go.

Leo, María, can you hear me?

Souza's men are here already.

There are five of them, with rifles.

Leo, if you got my message,

it's time to grab the gun. Qui...

Why aren't you moving?
Get in the car now! Let's go!

It's written, Álex.

It can't be changed.

What the hell is going on? Let's go now!

Álex, we're not going anywhere.

We're not alone.

Mr. De la Fuente.

They came with us.

They told us
you escaped from the hospital.

It's happening.

You have to believe me.

Please. You have to believe me.

Dad, I believe you.

The red van is already here.

Álex.

Cooperate.

Please.

Please.

I don't want to use it.

Your call.

María will soon
come through that door, hurt.

If we don't take her to the hospital,
she'll die.

It's already too late for Leo.

But if we hurry,

there may still be a chance for all of us.

Your hands, please.

Please.

I don't want to make a scene
in front of your kids.

What the hell?

Ruth!

You have to see this.

It's started.

The puzzle is complete.

We have to go.

Now.

Subtitle translation by: Molly Yurick