Original subtitles

(gentle mystical music)

(mysterious music)

(dramatic mysterious music)

(dark mystical music)

(dark mystical music)

(gentle mystical music)

(mysterious music)

(gentle mysterious music)

(dark suspenseful music)

(mysterious music)

(gentle music) (people chattering)

- Oin and tonic, Matt?

- [Matt] Thanks.

- [Annie) Another, Jane?

- That's all right, I can get it.

- No, no, no, no, let me.

I'm the camp follower, just here to serve.

(man speaking in foreign Ianguage)

(Matt speaking in foreign Ianguage)

- Jane, come have another look at these.

Look at that cartouche.

His son's name, the name's been chiseled out.

- Yes. And a new one cut in.

- Cheers.

Dr. Ingemark reckons the new name

was added much later,

maybe as much as 20 years.

He's carbon-dating it now.

- You think this refers to his daughter?

But there's no evidence at all.

- Except here and here, here.

The name of every royal child's been changed.

- Matt, you're guessing.

- Of course I'm guessing.

What do you think we do for a living?

But I'm sure of one thing though.

There was a royal child's name was erased

years after its birth.

It could have been a daughter.

Could have been the queen our mad Dutchman found.

(bright mystical music)

(Annie moans)

- [Annie) She worships you. It's disgusting.

- Annie, she's important to my work.

Trained assistants are damned hard to come by.

- (scoffs) She wasn't.

If you'd led an expedition

into the interior of Australia,

she'd learn aborigine

and how to make a fire with two sticks.

You're off with her every day,

both of you scratching around in that blasted valley,

and all because some 17th-century Dutchman

wrote a stupid story

about discovering a dead queen

that nobody else in the whole of Egyptology's ever heard of?

I mean, how do you know Van Horn ever really existed?

God! You never spend any time with me.

I sometimes wonder

if this isn't an immaculate conception.

- If this tomb exists,

it'll be the most important discovery since Tutankhamen.

The nameless queen!

- Oh, but she's dead. At least grant me that.

I'm gonna have your child.

- At Ieast not for another two months.

- Oh, so as soon as the baby's born,

some great miracle will occur

and you'll suddenly put us somewhere

on your Iist of priorities?

No, Matt, that's not the case, and you know it.

(people chattering) (wind howling)

- [Jane] Where did you find this?

(man speaking in foreign Ianguage)

- [Jane] Oh. Show me on the map.

(man speaking in foreign Ianguage)

(engine puttering)

(brakes squeaking)

- [Man] The other side.

- [Jane] Well, what was he doing

on the other side of that tomb?

You must stay-

- Sorry I'm Iate. Anne's not feeling well.

(people chattering)

(Matt groans)

It's got to be here somewhere.

Van Horn said, "a large gully on the western side."

- Van Horn said it in high Dutch. I said gully.

Meanings change.

Could have been cleft or watercourse. Valley.

- What's the matter, Janey?

Come on, Iet's go for a ride.

You see, Anne's been spoiled all her Iife.

That makes some things especially difficult for her.

- Like being civil?

- Well, everything upsets her just now.

She feels ugly and in the way.

She's probably frightened.

You're out here with me all day.

She sits back there in the camp

with nothing to do but fear the worst.

- It's alright, Matt.

You don't have to apologize, not to me.

- Well, I was only trying to-

- It's okay.

I feel sorry for her.

She's trying to compete with the ghost of an ancient queen

who may not even exist.

She's trying to grab the attention of a man

who's haunted by the dead.

- I told her last night,

trained assistants are hard to come by.

Sympathetic assistants are a minority of one.

(dog howls)

Maybe we just haven't gone far enough.

(wind howls) (pickax thudding)

(eerie music) (rocks rattling)

(mysterious music)

- Matthew!

Matthew!

(mysterious music)

- Can you make it out?

- Well, bits and pieces.

"Here the gods come not at any summons.

"The nameless one must be forever alone.

"Do not

"approach the nameless one

"lest your soul be withered.

"Beware the man

"who comes from under northern skies

"and shall let loose that evil

"once more upon the world,

"for the nameless one

"must not live again."

The nameless one.

Oh, Matthew.

Could it be her?

(men chanting in foreign Ianguage)

(stones rattling)

(men chanting in foreign Ianguage)

- Yeah!

(people chattering)

Look! A door.

Those rocks were covering it.

(mysterious music)

(pickax thudding) (Annie screaming)

(wind howling)

(Annie groaning)

(pickax thudding) (Annie screaming)

(Annie groaning) (wind howling)

Give us a hand, Janey.

Push!

(both groaning)

It's going.

(Annie screams) (wind howling)

(dramatic music) (dog howling)

(dark mysterious music)

We found it.

- Look! Van Horn's work.

- He must have broken in through here.

- Couldn't we just sneak a look?

- No. We've got to notify Cairo.

She's been dead 3,000 years.

She'II wait for us.

- At Ieast Iet's find out her name.

"Daughter of the sun.

"Beloved of osiris.

"Queen of the Egypts.

"Kara.

Kara."

(gentle music)

(mystical music)

(engine puttering)

- [Matt] AII my Iife, ever since I was a boy, I...

If old Van Horn's even one-quarter right.

(Jane laughing)

(gentle music)

(mysterious music)

(people chattering)

(dramatic music)

Annie!

(Annie moaning)

(people chattering)

Be careful of her.

- Shouldn't I come with you?

I could help steady her.

- No, you stay here.

She can't be in labor.

The baby isn't due for two months.

- Well, why don't I...

Why don't I )ust-

- I can manage.

(mysterious music)

(engine roaring) (dramatic music)

(tense dramatic music)

(dramatic music)

Annie.

Can she hear me?

- [Doctor] No.

(traffic whooshing) (car horns honking)

- This is the Cairo museum, Dr. El Sadek.

He can get a message to my camp anytime.

- You are going back to the desert?

- Is there anything I can do for her here?

- [Doctor] That is for you to decide.

- Please.

Darling,

I must.

(door thudding)

(wind howling)

(hammer tapping)

(Annie screaming)

(Annie screaming)

(mysterious music)

- [Jane] What is it, Matt?

What do you see?

(quiet suspenseful music)

(Matt grunting)

(quiet suspenseful music)

Wait! Wait a minute.

- [Matt] I can't.

(quiet suspenseful music)

- [Doctor] Oxygen!

(doctor speaking in foreign Ianguage)

(eerie music)

(quiet eerie music)

(dramatic suspenseful music)

- It's intact.

It's all there, everything.

(clock ticking)

- Mucus extractor.

(clock ticking)

(oxygen whooshing)

(eerie music)

- Anubis.

(quiet eerie music)

- Where's my baby?

I want to see my baby.

I want to see my baby.

(oxygen whooshing)

(doctor speaking in foreign Ianguage)

(quiet dramatic music)

- Matt!

- I must.

Just this much.

(quiet suspenseful music)

(baby crying)

(nurse gasps)

(quiet mysterious music) (baby squawking)

(eerie music)

- It's true.

Everything Van Horn said was true.

(baby crying)

(mysterious music)

What, Matt?

(dramatic music)

(babies crying)

- She's completely healthy.

(baby crying)

- I didn't know I was going to feel like this.

I thought I'd be so happy.

- All new mothers cry, Mrs. Corbeck.

- [Annie) She's so tiny.

- Beautiful.

Thank you.

- When I woke up, you weren't there.

You weren't there.

(people chattering)

- Excuse me. I've just found a couple of fascinating things.

First, the hieroglyphics in the tomb.

Over and over again, the same phrase, "live again."

- Yes, but.

Christ! The reporters were bad enough.

Look at those damn tourists.

- [Jane] We just have to face it, Matt.

She's not ours any longer.

You are now an optional extra between the Aswan Dam

and the Valley of the Kings.

- [Matt] Optional extra.

(eerie music)

(people chattering) (mystical music)

(dramatic music)

(man speaking in foreign language)

- Dr. Corbeck?

The premature removal of the contents

of this tomb is most irregular.

By the terms of your permit,

the director of antiquities has to arrive from Cairo

before you're allowed to do any of this.

- Everything that should have been done is being done.

- This belongs not to you, Dr. Corbeck, but to Egypt.

(Matt speaking in foreign language)

- I shall inform Cairo!

(Matt speaking in foreign language)

- I shall stop this work

until this is settled, Dr. Corbeck.

(people chattering)

(people chattering)

(Matt speaking in foreign language)

(engine roaring)

( lift whirring)

(man speaking in foreign language)

(engine droning)

- Hamid, what the hell are you doing?

Hamid! - Stop!

(ropes creaking)

(Matt speaking in foreign language)

(rope creaking)

(Jane shouting) (man screaming)

(wind howling)

(body thudding)

(men chanting in foreign language)

- He was trying to stop me.

(bottle thudding)

(men chanting in foreign language)

(siren blaring)

You don't mind?

- No, of course I don't mind.

- Soon as the baby's able to leave, I'll collect you both.

- Margaret, Margaret. Her name is Margaret.

- Yes, yes, Annie.

I'm no use to you here.

- Meanwhile, you can be of use to yourself.

- I can.

- And to your precious Kara.

(fist thuds) (Matt groans)

And to Jane!

(people chattering)

My parents sent me those.

They're expecting us to visit them in the States

as soon as Margaret's well enough to travel.

Are you coming with us?

- [Matt] Annie, I can't just leave it now. Please.

(men singing in foreign language)

(people chattering)

- It's a great and wonderful find.

You've throughout behaved without fault.

Now, the contents of the tomb, of course,

belong to the nation, indeed, to the world,

but the government and the museum feel

that you should have one or two pieces.

And what about your new daughter?

May I present her with something

you can give to her when she becomes a young lady

and can appreciate it?

- Well, I,

I don't know how to thank you.

- Excuse me, sir,

but Mr. Corbeck is wanted urgently at the telephone.

- Mr. Corbeck, I'm sorry.

I tried to insist that she stay,

but she would not listen.

She just took the baby and left.

(somber music)

(bells chiming)

(quiet eerie music)

(suspenseful music)

(mysterious music)

(dark eerie music)

(mysterious music)

(suspenseful music)

(eerie music)

(glass cracking)

(suspenseful music)

(bells chiming) (birds chirping)

- Good morning, professor. - Good morning, Charlie.

- Mr. Whittier from the London Museum of Antiquities

is waiting to see you.

He's waiting for you upstairs.

- Thank you.

Good morning. - Good morning.

- [Matt] I almost finished rounding up that stuff

you asked me for last week.

Sorry I've taken so long.

There's a paper I want you to see.

- Actually, I'm not here about that.

The fact is...

Well, I'm afraid your great discovery's in trouble.

We've had a wire from Dr. Sadek.

Apparently some decay has set in.

Not severe, he said, but they've resealed the vacuum,

and they're working on bacterial and fungal analyses.

- I should go out there.

- They've got it all in hand.

- Yes, I expect they know a damn sight more

than I do about things like this.

But I'd like to

go back to Egypt.

My daughter has a birthday next week.

- Oh, yes?

(sirens wailing)

(Margaret laughing) - Hey, hey!

Whoa! Hoo!

(seals barking)

- [Woman] Come on!

(dingo growling)

(Margaret laughing)

(dingo whining) (eerie music)

(tense dramatic music) (dingo growling)

(suspenseful music) (birds chirping)

(mystical music)

(dramatic music)

(door clicking)

- First of the summer, Matt.

- [Matt] Oh, I've been looking forward to the roses.

Lovely, aren't they? - Mm.

- [Matt] Even better than last year.

- Oh, it's hot in here.

(birds chirping)

Ah!

- It's her birthday next week.

- [Jane] I know.

You're sending the hand mirror

from Kara's tomb, aren't you?

- How did you know?

- Because every other year at this time,

you send me out to buy her something.

(both laughing)

- She'll be 18.

- Yes.

(mysterious music)

(dark suspenseful music)

Your socks are in your shaving kit.

There isn't another square inch in your case.

I hope nothing spills.

You have got your passport?

- Yes.

- I wish that triumph would get off my tail.

Oh, I put in your stomach pills

and there's some extra batteries for your tape.

- I'll only be gone a few days.

- Maybe.

(men singing in foreign language)

(man singing in foreign language)

(eerie music)

- It's hardly the happiest of homecomings.

But we are very glad to see you back.

- I'd forgotten how lovely she was.

- We have performed all the obvious tests.

So far, there is no evidence of damaging bacteria.

Dr. Khalid's next step is to take samples

from inside the wrappings.

- To cut the flesh itself?

- How else, Mr. corbeck, does one check on the possibility

of bacterial action?

- Samples from the wrappings, I should've thought.

- That has already been done.

- (laughs) Fungus.

Aerobic action.

Viral contamination.

- Mr. Corbeck, the tomb of Kara was your discovery,

perhaps the richest in all Egyptology.

For that, for your scholarship,

you have the admiration of the world,

but we have unparalleled experience

in the preservation of ancient artifacts.

Frankly, I'm unclear why you thought it necessary

to return to Egypt at this time.

- Of course.

Your skills are...

I'm sorry if I seemed abrupt,

but I must insist she come back to England with me.

- [Khalid] No, sir!

- Dr. Khalid, you said yourself the recorded weight

is down 300 grams in four weeks and accelerating.

- Absolutely out of the question!

And I will not put my signature to such a request!

- I may have to advise them that it is necessary.

- [Khalid] It isn't necessary!

I will take it up with the ministry this afternoon, now!

She must remain in Egypt!

(car horns honking)

- Look out!

(tires screeching)

(people shouting)

(woman screaming) (people shouting)

(engine puttering)

- Thanks a lot.

Bye.

(birds chirping)

(gentle music)

(gate creaking) (gentle music)

Mother, I, I want to go to England.

I have to see my father.

- Well, what's come over you?

You're right smack in the middle

of your last term at school.

- I have to see him.

(mysterious music)

- Why?

- I don't know.

I just do.

- Margaret, come here.

Come here.

Margaret.

Your father has a wife.

He deserted us for her.

- I'm going, mother.

- Margaret!

(sighs) You've got your grandfather's money.

You're of age.

I can't stop you,

but, but you'll break my heart.

- What about mine?

(footsteps tapping)

(ghostly breathing)

(mysterious music)

(dark suspenseful music)

(crate creaking)

- Yes.

(footsteps tapping)

(people faintly chattering)

One sees it in the statues,

particularly those of the Middle Kingdom.

In attempting to get under history's skin,

and, in particular, trying to understand

what made ancient man tick,

the cleanest and the surest way

is always to begin with the sheer physical,

or the environment,

the look, the smell, the natural wonders,

the natural dangers, the riches, and the scarcities,

all of which, necessarily,

determine the spirit of the place,

the spirit of the age.

In the case of ancient Egypt,

there was the sun, there was the desert,

and there was the Nile, father of rivers.

Had you lived in those times,

your special understanding of who you were,

where you might have come from,

and where you might possibly be going

would've been very naturally tied

to the magic and mystery,

as well as the certainty,

of the yearly rising and falling of that mighty river.

To your sensing the ordered rhythm of life, death,

and rebirth.

(people chattering) (footsteps clattering)

Margaret?

(both laughing)

- You found everything?

- Yes.

- You look lovely.

- [Margaret] Thank you.

- [Matt] Here, could, uh?

- Drink?

- No, thanks.

- Margaret, look behind you.

It's time you two met.

This is Queen Kara.

(clock ticking)

- [ Margaret] How old was she when she died?

- 18, exactly your age.

- [Margaret] But wasn't she very evil?

- (laughs) Well.

- "Here the gods come not at any summons.

"The nameless one must not live again.

"The nameless one must be forever alone.

"Do not approach the nameless one

"lest your soul be withered."

- You're quite right.

As far as we know, she was a very bad little lady.

- As far as you know?

- The name of every other ruler crops up again and again,

temples, tablets, inscriptions,

but all we know of Kara is from her own tomb.

Every other reference outside of that was destroyed.

That's probably why the tomb

was never discovered, never robbed.

Her father killed her lover,

forced her to marry him.

- Incest was very common.

- Only among the pharaohs.

Kara, anyway, took a hideous revenge.

- [Margaret] What did she do?

He was inspecting the building of his own tomb.

They always started building their tombs

as soon as they took the throne, often even earlier.

Somehow she arranged to have a stone block

cut loose and crush him to death.

Whereupon Queen Kara slaughtered everyone

who had ever spoken to her father.

She must've killed thousands.

- Why did no one stop her?

- They were terrified of her.

That's clearly why they tried to destroy her name,

to ensure her eternal damnation.

She was thought to have remarkable powers.

They even believed,

no doubt because she told them so,

that she had the ability to reincarnate herself.

- But didn't all the Egyptians believe in an afterlife?

- Ah, but Kara thought she could live again

in the real world.

- She left very detailed instructions.

"After 31 darkenings of the sun,"

the whole ritual was laid out.

Now, if we had the canopic jars.

If we had the seven-starred jewel

she wrote would be buried-

- Matt.

(mysterious music)

- You mean, follow these simple instructions,

and you can make a mummy come to life?

You're not serious.

- I was only trying to-

- Matt, no.

(eerie music) (wind whooshing)

- Well, give us in five sentences or less

the future history of the United States.

(both laughing) (bright music)

(dramatic suspenseful music)

Right in here.

Now, the vital organs, the heart, the lungs,

the viscera, were always removed and sealed up in jars.

Canopic jars, they're called.

In Kara's case, these jars were either stolen

or had never been put in the tomb in the first place.

In either event, we never found them.

Some of the jars are quite beautiful.

I've some photographs in a book here.

- Ah.

Oh, )just popped in to tell you our appointment

with the electron microscope's on Friday, 11 o'clock.

- Uh, Margaret, this is Paul Whittier.

Paul, this is my daughter Margaret.

- Hi.

- You're American, aren't you?

- How did you know?

- The one word, hi.

(Margaret laughs)

- Something I can do for you, Paul?

- Uh, not a thing.

Nice meeting you.

(telephone ringing)

(gentle music)

- [Margaret] It's for you, Margaret.

For me?

Nobody knows I'm here.

Hello?

Oh, hi.

- [Matt] She's very bright.

- And very pretty.

- [Matt] Yes, yes, I suppose she is.

- Suppose?

Come on, you're so proud of her, you can hardly speak.

- Guilty as charged.

- [Jane] I tell you, in two weeks

she'll need her own telephone.

- She's just a child.

- That was Paul.

He's taking me to the theater tomorrow night.

- Paul who?

- [Margaret] Paul Whittier.

- But you don't even know each other.

- Well, that's why we're going out tomorrow.

(gentle music)

(bell tolling) (people chattering)

- I loved the scene where he threw up.

- Mm.

It's interesting.

- Yes. It's incredibly moving.

- Yeah.

- Would you like, uh-

- Did I see you nod off for a few minutes?

- No. No, no, I was listening to the words.

They're so, um.

♪ Boring ♪

Yes.

- Isn't it?

- Incredibly boring.

- No. I mean, really dull.

- It's an expensive anesthetic.

- Let's go eat.

- Oh, thank god.

(Margaret laughs)

- [Margaret] I mean, he threw up onstage.

(train horn blaring)

(lens clicking)

- [Operator] Same again. See?

- Bring it up to So,000.

So the virus is 800 angstroms.

Middling size.

- Yes. Yes.

- So the virus is present in the wrappings,

it's present in the mummy case,

as well as in the sarcophagus.

Must be the virus that's causing the decay.

What we do is pack her up, ship her back to Cairo,

and let them eradicate the virus there.

Simple.

- There's no question of Kara being returned.

Paul, she remains in London. Is that understood?

I want her here.

At least until I've, until we have finished our work.

- [Margaret] Father, dinner's ready.

(birds chirping)

Father?

Where are you?

- Oh, bits and pieces of me are scattered

about Egypt as usual.

- [Margaret] Why?

- I don't know.

I feel something, something-

- Lacking?

- Yeah, that's it, exactly. (laughs)

Never been to Egypt, have you?

- I was born there.

- No. I mean seen it, tasted the place.

The light, especially in the evenings,

there's nothing like it anywhere else on earth.

You should see it sometime.

(gentle mysterious music)

Yes.

(dramatic music)

You should see her tomb.

(gentle music)

(dramatic music)

(pensive music)

(quiet mysterious music)

(birds chirping)

(quiet thoughtful music)

(quiet mysterious music)

(dramatic music)

(gentle mysterious music) (engines puttering)

(gentle mysterious music)

(dogs howling)

(suspenseful music)

(tense suspenseful music)

- They used to bury the dead to the west

because of sunset.

- [Margaret] Oh, really?

- All over there, there are tombs.

- Oh, really? - Come on, Yussef.

(suspenseful music)

This leads down to the antechambers.

You see, this painting in particular. Margaret?

(suspenseful music)

You very nearly died when you were born,

did you know that?

- I know.

- Then I opened the coffin.

(suspenseful music)

- She married her father, didn't she?

She hated him.

(dramatic suspenseful music)

(Yussef speaking in foreign language)

(lever clicking)

(suspenseful music) (door grating)

(eerie music)

(door grating) (Yussef screaming)

(dramatic music)

Come on. I want to see this tomb of yours.

(fire crackling)

Father!

- Yussef!

He must've found a sirdab.

- [Margaret] A what?

- It's a sort of secret inner shrine.

There's quite often one.

We looked here, too, but we never found it.

- [Margaret] There's a mark in the dust.

Father.

- Yes.

I suppose, possibly, seven stars.

The ritual talks of seven stars.

(mystical music)

(door grating)

(dramatic music)

God!

(dramatic suspenseful music)

(door grating) (Margaret screaming)

(Matt panting)

- It could've killed you, too.

(mystical music)

- Canopic jars.

Lungs, liver.

Her heart.

It's all there.

Everything.

(suspenseful music)

"We wait the one.

"He who comes from,

"from under northern skies

"to bind him to our will

"until his death."

(eerie music)

(mysterious music)

Yes.

(engine rumbling) (wind howling)

(eerie music)

(door clicking)

Is that you, Janey?

- [Jane] Margaret's flat out.

Should I wake her for dinner?

- No, let her sleep.

(thoughtful music)

- Did El Sadek let you bring these out of Egypt?

Matt?

I know what they are, Matt.

- I know you know what they are.

(mysterious music)

(quiet suspenseful music)

- What's happened to you, Matt?

When you opened that tomb,

you didn't so much as touch a piece of copper wire.

They're priceless.

You know what's in that case, don't you?

A lifetime's work, your reputation.

All gone.

(suspenseful music)

(gentle mysterious music)

Matt?

(mystical music)

(dramatic music)

(eerie suspenseful music)

You're going to try the ritual, aren't you?

- Janey!

- Have you gone mad?

- Jane, don't.

- Matt, it's an obsession.

It's taking you over.

The jewel was in the sirdab, too.

The Jewel of the Seven Stars.

The Jewel, the canopic jars,

all her instructions.

"For a man from the north,

to carry out her...

Is there a child on earth who doesn't believe in magic?

- Oh, Matt.

- I don't.

I don't.

We are rational.

We're civilized.

We know the limits of nature.

We know...

Or are we just afraid to test our certainty,

our holy, scientific certainty

against that ancient queen's belief in magic?

(gentle music)

- [Astrologist] (laughs) I thought your interests

lay underground, dear chap.

- [ Matt] (laughs) But all the ancient Egyptians

wanted to end up up there.

I'm working on some prophetic writings

we found in the tomb.

The place has been carbon-dated at 1800 B.C.

- You want to know the number of total eclipses

visible in the Luxor area.

Latitude, 0-7-0, 4-8-3.

And we're calculating from 1800 B.C.

to the present day.

There we are.

You know, a few years ago,

this information would've taken us a week to work out.

- (laughs) Well I haven't calculated a damn thing.

If I'm right though, the answer--

(computer printer whirring)

Is it 31?

- (laughs) 31 precisely.

Since you seem to know that already,

you'll be glad of scientific confirmation.

Are you alright?

- Another thing, the Great Bear, the seven stars,

do their positions alter,

change in relation to the earth?

- Yes. In laymen's terms, it has a sort of orbit.

- [Matt] Would you check it for me?

- Ursa Ma)or.

Position.

Right.

There we go.

(computer printer whirring)

Ah, that is interesting.

It's come full circle.

Relatively, it's in exactly the same position now

as it was then.

(eerie music)

(suspenseful music)

(quiet suspenseful music)

(traffic whooshing)

(telephone ringing)

- [Matt] Hello, Janey?

- Matt?

- Do something for me.

Quickly, before I change my mind.

I'm frightened.

There's a spare key to my safe taped

under the middle drawer in the bedroom.

Take it and smash the canopic jars.

- Smash- - Do it!

(telephone thudding) (suspenseful music)

(dramatic music)

(ominous music)

(eerie music)

(dingo breathing)

(ominous music)

(eerie music)

(electricity crackling) (wind roaring)

(ominous music)

(ghostly breathing)

(suspenseful music)

(ghostly growling)

(Jane screaming)

(Jane panting) (suspenseful music)

(snake hissing) (suspenseful music)

(key clicking)

(snake hissing) (Jane whimpering)

(wind howling)

(glass cracking) (Jane screaming)

(glass crashing) (body thudding)

(quiet suspenseful music)

(eerie music)

(Jane groaning)

(glass clattering)

(Jane gasps)

(Jane groans) (glass clattering)

(eerie music)

- [Priest] Pray for mercy to take unto himself

the soul of our dear sister here departed.

We therefore commit her body to the ground,

earth to earth, ashes to ashes, dust to dust.

(bell tolling) (birds chirping)

- Do you have any idea what you're doing to yourself?

To your daughter? Let alone this.

(eerie music)

Jane came to me the night she died.

She was frightened.

- Jane's death was...

You know that, an accident!

- Yes, I know that. The question is do you?

(mysterious music)

(engine puttering)

(eerie music)

(Margaret gasping)

(Margaret moaning)

(dark mysterious music)

(doors thudding)

(Margaret gasping)

- Can't you remember anything?

Well, whatever it was must've woken you, surely.

(birds chirping)

Anyway, keep this dressing on

for a few days and rest the arm.

- The blood wasn't there when I put this on last night.

It's not my blood, Paul.

What's happened to me?

Oh, for god's sake, help me.

I was in the house when Jane died.

I've, I've been too afraid to tell you or anyone,

but I don't feel like me anymore.

(dramatic music)

Who is that, Paul?

Do you know her?

I don't anymore.

(eerie music)

(Margaret screaming)

(Margaret sobbing)

(Margaret whimpering)

- But right now, talking to me here,

you don't feel different, do you?

So these feelings just come from time to time?

What's worrying you is you've heard of schizophrenia, right?

And you think you're,

that that might be your problem.

- I'm not in,

I'm not in control when that happens.

- Well, we all of us have times

when we're not in control of ourselves.

Look, there are millions of normal people

walking the streets who believe in the occult.

For instance, actually dozens of psychologists

studying the paranormal at this very moment.

So just because you find yourself believing

in unexplained events

doesn't necessarily mean a damn thing.

- This is ridiculous.

- What is?

- This soothing.

I didn't come here because I thought I was normal.

I know what I am.

I, I came because I'm frightened.

Because whether I want to believe it or not,

I have blackouts.

I wounded my own father.

I, I saw my face torn half away.

I'm terrified of myself, Dr. Richter.

(Margaret sobbing)

- All right, Margaret.

You are ill.

Now, I want you to go home, pack your bag,

and admit yourself to the clinic.

We'll do a week of tests, sessions,

and watch what happens when you have those blackouts.

- No!

- Oh, I think you should.

After all, you said yourself you attacked your father.

- My father.

My father?

May, maybe he's the one who needs a shrink.

Maybe, maybe he's the one,

him and his goddamn (growling).

(Margaret speaking in foreign language)

(suspenseful music)

I'm going to give you a sedative,

and what I want you to do is just relax.

(dramatic suspenseful music)

(Margaret roaring)

(blows thudding) (Dr. Richter moaning)

(Margaret screaming) (blows thudding)

(Dr. Richter groaning)

(body thudding)

(quiet suspenseful music)

(plane engine whining)

- St. Hugh's Hospital, Wimbledon.

- [Matt] There's no question of blame.

No, we are quite satisfied, doctor.

(pensive music)

Anne, thank you for coming.

You must be very tired.

I'm sorry.

- Matt.

I.

(gentle music)

(people chattering)

- I've just come back from hospital.

They said you haven't been there today.

- I'm going right now, you see. What about the tests?

- The encephalogram didn't show anything, the arteriogram.

They even tried an experimental beta blocker

to try and cut across whatever it is.

Your obsession with that!

You broke Margaret's sanity.

She actually believes that she's possessed by Kara.

She's terrified of the implications.

She's willing her own death.

- No.

She's trying to force me by threatening Margaret.

- Now tell me you're sane.

(suspenseful music)

- [Margaret] Please.

Please help me.

- Margaret?

Margaret?

- [Margaret] Help me.

Help me!

- Margaret?

It's not possible.

I can't.

- [Margaret] Dad, help me.

(pensive music)

(dramatic music)

- I will.

(Margaret sobbing)

(Margaret sobbing)

- It's, it's all right.

(dramatic music)

It's all right.

It'll be alright.

(suspenseful music)

(dark suspenseful music)

(dark eerie music)

(ominous music)

(dark suspenseful music)

(dark suspenseful music)

( lift whirring)

(gate thudding)

(dark suspenseful music)

(Matt groaning)

(mysterious music)

(door clicking)

(call button buzzing)

(thunder rumbling)

(fire crackling)

(eerie music)

(fire crackling)

- "Hail Osiris, the lord of eternity.

(eerie music)

"Hail Anubis, dweller of the tomb.

"Great god, chief of the holy dwelling,

"may you grant that Kara

"comes out from the underworld."

(quiet eerie music)

(fire whooshing)

My blood, through fire

to purify

your dust.

(glass crashing)

(dog whining)

(suspenseful music)

(dog growling)

- No! (dog whining)

- May the light from Anubis make you breathe again.

(eerie music)

May the light from Osiris make you beat again.

(suspenseful music)

- Go on, Father.

You know what to do.

- [Matt] Margaret, you're here.

- Go on!

- I can't.

- You must!

(suspenseful music)

- Yes, she kept her bargain.

(mysterious music)

All right.

(ominous music)

(eerie suspenseful music) (wrappings tearing)

(dramatic music)

May Anubis take away mine eyes

and open thine.

(dramatic music)

- Father.

- May Anubis open thy mouth.

(bones snapping) (suspenseful music)

And fill thy heart.

(bones cracking) (Matt sobs)

No.

She won't. She can't.

There's nothing there.

(dramatic music)

Wait.

Not, not in her.

She wouldn't. Don't take her!

Stop!

No, stop!

(dramatic music)

Stop!

Don't!

Don't! Don't!

(wind roaring) (dramatic music)

Don't!

No, no! (screaming)

Margaret.

(Matt gasps)

- Oh, no!

You're in there?

Yes, in there.

Oh, you evil bitch!

(Margaret hissing) (dramatic music)

(Margaret screaming)

(dramatic music) (Matt screaming)

(eerie music)

(gong tolling)

(pensive music)

(pensive music)

(mystical music)

(ominous music)

(dramatic music)

(gentle mysterious music)

(dramatic mysterious music)

(mysterious music)

(bright music)