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-[THEME MUSIC PLAYING]
2
00:00:12,838 --> 00:00:15,841
-♪ SOME PEOPLE STAND
IN THE DARKNESS ♪
3
00:00:16,973 --> 00:00:20,933
♪ AFRAID TO STEP
INTO THE LIGHT ♪
4
00:00:21,064 --> 00:00:24,546
♪ SOME PEOPLE NEED
TO HELP SOMEBODY ♪
5
00:00:24,676 --> 00:00:27,984
♪ WHEN THE EDGE OF
SURRENDER'S IN SIGHT ♪
6
00:00:28,115 --> 00:00:30,769
♪ DON'T YOU WORRY
7
00:00:31,422 --> 00:00:34,904
♪ IT'S GONNA BE ALL RIGHT ♪
8
00:00:36,949 --> 00:00:38,821
♪ 'CAUSE I'M ALWAYS READY
9
00:00:38,951 --> 00:00:42,303
♪ I WON'T LET YOU
OUT OF MY SIGHT ♪
10
00:00:45,393 --> 00:00:47,786
♪ I'LL BE READY
11
00:00:47,917 --> 00:00:49,353
♪ I'LL BE READY
12
00:00:49,484 --> 00:00:51,355
♪ NEVER YOU FEAR
13
00:00:51,486 --> 00:00:53,357
♪ NO DON'T YOU FEAR
14
00:00:53,488 --> 00:00:56,273
♪ I'LL BE READY
15
00:00:56,839 --> 00:00:59,668
♪ FOREVER AND ALWAYS ♪
16
00:00:59,798 --> 00:01:02,627
♪ I'M ALWAYS HERE
17
00:01:20,993 --> 00:01:22,691
♪ 'CAUSE I'M ALWAYS READY
18
00:01:22,821 --> 00:01:26,173
♪ I WON'T LET YOU
OUT OF MY SIGHT ♪
19
00:01:29,611 --> 00:01:31,787
♪ I'LL BE READY
20
00:01:31,917 --> 00:01:33,615
♪ I'LL BE READY
21
00:01:33,745 --> 00:01:35,399
♪ NEVER YOU FEAR
22
00:01:35,530 --> 00:01:37,532
♪ NO DON'T YOU FEAR
23
00:01:37,662 --> 00:01:40,491
♪ I'LL BE READY
24
00:01:41,013 --> 00:01:43,842
♪ FOREVER AND ALWAYS ♪
25
00:01:43,973 --> 00:01:46,976
♪ I'M ALWAYS HERE
26
00:02:01,469 --> 00:02:06,430
[OMINOUS MUSIC]
27
00:02:27,669 --> 00:02:30,454
[ALARM BLARES]
28
00:02:30,585 --> 00:02:32,021
-YOU TRIPPED
THE DAMN ALARM.
29
00:02:32,152 --> 00:02:33,631
-LET'S GET OUT OF HERE.
30
00:02:33,762 --> 00:02:36,504
-[ALARM BLARES]
31
00:03:16,370 --> 00:03:21,375
-[POLICE SIRENS WAIL]
32
00:03:34,214 --> 00:03:36,390
-[HEAVY BREATHING]
33
00:04:13,775 --> 00:04:15,124
-[METAL DETECTOR WHINES]
34
00:04:34,665 --> 00:04:35,623
-MORNING, IAN.
35
00:04:36,232 --> 00:04:37,407
-MORNING.
36
00:04:37,973 --> 00:04:39,583
-WHAT? WHAT'S THE MATTER?
WHAT ARE YOU LOOKING AT?
37
00:04:41,019 --> 00:04:45,415
-TRUTH, BEAUTY,
THE AMERICAN DREAM.
38
00:04:46,547 --> 00:04:48,200
AH. WOULD YOU LIKE
A SARDINE?
39
00:04:48,331 --> 00:04:49,767
-NO, THANK YOU.
40
00:04:49,898 --> 00:04:51,552
-MY MOTHER, SHE, UH,
41
00:04:51,682 --> 00:04:53,205
USED TO FEED THESE TO ME
EVERY MORNING
42
00:04:53,336 --> 00:04:54,685
FOR BREAKFAST NO LESS.
43
00:04:54,816 --> 00:04:56,818
SHE WONDERED WHY I
TURNED OUT THIS WAY.
44
00:04:57,471 --> 00:04:59,386
ALL I WANTED WAS A
BOWL OF WHEATIES, MA!
45
00:04:59,516 --> 00:05:01,170
-HEY, I READ YOUR
POEM LAST NIGHT.
46
00:05:01,866 --> 00:05:03,346
-YOU DIDN'T LIKE IT,
DID YOU? I CAN TELL.
47
00:05:03,477 --> 00:05:05,087
ONLY, YOU'RE TOO
NICE TO LET ME KNOW,
48
00:05:05,217 --> 00:05:06,697
SO YOU'RE GONNA TELL
ME IT WAS BRILLIANT.
49
00:05:07,437 --> 00:05:08,525
-IT WAS.
50
00:05:12,094 --> 00:05:14,401
-AND, UH, WHAT MAKES YOU THINK
51
00:05:14,531 --> 00:05:15,924
I CARE WHAT YOU THINK?
52
00:05:16,054 --> 00:05:17,186
WHAT WAS YOUR FAVORITE PART?
53
00:05:17,839 --> 00:05:19,101
THE LAST VERSE, RIGHT?
54
00:05:19,841 --> 00:05:22,800
"THE DAY WAS MOVING WESTWARD
LEAVING COLORS IN THE SKY.
55
00:05:23,323 --> 00:05:26,238
"THE EASTERN BLACK WAS CHASING
HOLDING COLORS THAT HAD DIED.
56
00:05:26,369 --> 00:05:27,675
"THE DAY WAS RACING QUICKLY,
57
00:05:27,805 --> 00:05:29,416
"BUT COULD NOT
OUTRUN THE NIGHT.
58
00:05:29,546 --> 00:05:32,157
AND I RODE ALONG THE SEASHORE
TO THE CAVERNS OF DELIGHT."
59
00:05:32,810 --> 00:05:34,334
-YOU'RE A VERY TALENTED WRITER.
60
00:05:34,943 --> 00:05:35,900
-THANKS TO YOU.
61
00:05:36,553 --> 00:05:38,163
-ME? WHAT HAVE I
GOT TO DO WITH IT?
62
00:05:38,294 --> 00:05:40,209
-YOU HAVE EVERYTHING
TO DO WITH IT.
63
00:05:40,340 --> 00:05:43,734
YOU'RE MY INSPIRATION.
YOU'RE MY IDEAL.
64
00:05:44,648 --> 00:05:45,954
YOU'RE MY MUSE.
65
00:05:46,084 --> 00:05:47,129
-OH, IAN.
66
00:05:47,259 --> 00:05:48,609
-NO, YOU REALLY ARE.
67
00:05:48,739 --> 00:05:50,001
EVERY TIME I LOOK
AT YOU, THE WORDS
68
00:05:50,132 --> 00:05:51,481
AND THE RHYMES, THE PASSION,
69
00:05:51,612 --> 00:05:53,701
IT JUST, IT FLOWS
FROM MY SOUL, SHAUNI.
70
00:05:54,571 --> 00:05:55,833
-I HAVE TO GET BACK TO WORK.
71
00:05:57,835 --> 00:05:58,706
-RIGHT.
72
00:06:00,272 --> 00:06:01,970
AND I'LL BE AT MY OFFICE.
73
00:07:03,335 --> 00:07:04,293
-BEGGS.
74
00:07:04,989 --> 00:07:07,252
-LITTLE BUDDY.
WHERE THE HELL HAVE YOU BEEN?
75
00:07:07,383 --> 00:07:08,776
-LET GO.
76
00:07:09,559 --> 00:07:10,604
-WHERE'S THE BOX?
77
00:07:11,343 --> 00:07:12,606
-IT'S BURIED UNDER THAT TOWER.
78
00:07:15,522 --> 00:07:17,175
THE PLACE WAS
CRAWLING WITH COPS.
79
00:07:17,306 --> 00:07:18,655
I HAD TO STASH IT SOMEWHERE.
80
00:07:19,743 --> 00:07:21,702
-I OUGHTA KILL YOU
RIGHT HERE AND NOW.
81
00:07:22,442 --> 00:07:24,705
WE'D BE IN MEXICO BY NOW
IF YOU HADN'T SCREWED UP.
82
00:07:24,835 --> 00:07:26,489
-JUST CONTROL YOURSELF,
BEGGS.
83
00:07:26,620 --> 00:07:28,273
NOBODY KNOWS IT'S THERE.
84
00:07:28,404 --> 00:07:29,666
ALL WE'VE GOT TO DO IS WAIT
FOR THE CROWDS TO LEAVE.
85
00:07:42,592 --> 00:07:43,941
-BE RIGHT BACK.
86
00:08:07,574 --> 00:08:10,925
-I LOST IT SOMEWHERE...
SOMEWHERE RIGHT ABOUT HERE.
87
00:08:11,055 --> 00:08:12,274
I THINK.
88
00:08:13,797 --> 00:08:14,711
-WE GOT PROBLEMS.
89
00:08:23,372 --> 00:08:24,373
-SO WHAT DO YOU THINK?
90
00:08:25,374 --> 00:08:26,897
GOD, I HOPE YOU CAN FIND IT.
91
00:08:27,028 --> 00:08:28,420
IT'S LIKE MY FAVORITE
NECKLACE.
92
00:08:28,551 --> 00:08:29,944
I'VE WORN IT EVERY DAY.
93
00:08:30,074 --> 00:08:31,511
-WELL, YOU'D BE NAKED
WITHOUT IT, RIGHT?
94
00:08:31,641 --> 00:08:33,251
-[METAL DETECTOR SQUEALS]
-YEAH.
95
00:08:33,382 --> 00:08:34,252
-HEY, HEY, HEY.
96
00:08:34,383 --> 00:08:36,211
WHAT IS THIS, HUH?
97
00:08:36,341 --> 00:08:37,734
WHAT IS THIS?
98
00:08:37,865 --> 00:08:39,867
LOOK AT THIS.
LOOK AT THIS.
99
00:08:41,825 --> 00:08:42,957
EUREKA!
100
00:08:43,087 --> 00:08:45,089
BACK...
BY POPULAR DEMAND.
101
00:08:45,220 --> 00:08:47,614
FOR YOU, MY LOVE.
-IAN, THANK YOU.
102
00:08:52,836 --> 00:08:53,750
-THANK YOU.
103
00:09:12,552 --> 00:09:13,857
-CLASS MEETS THE
DAY AFTER TOMORROW.
104
00:09:13,988 --> 00:09:15,729
HOBIE AND I WON'T
BE BACK UNTIL THEN.
105
00:09:15,859 --> 00:09:17,818
-MITCH, I CAN DO IT.
NO PROBLEM.
106
00:09:17,948 --> 00:09:19,863
-YOU'RE SURE?
-IT'S MY DAY OFF!
107
00:09:20,734 --> 00:09:22,910
-YOU SURE YOU KNOW HOW
TO TEACH WINDSURFING CLASS?
108
00:09:23,040 --> 00:09:24,607
-[SCOFFING]
IN MY SLEEP.
109
00:09:24,738 --> 00:09:27,001
HEY LISTEN, YOU'VE GOT
NOTHING TO WORRY ABOUT.
110
00:09:27,131 --> 00:09:28,655
NOTHING AT ALL.
111
00:09:28,785 --> 00:09:30,570
OKAY, NOW YOU GO ON AND
BE A LITTLE INDIAN GUIDE,
112
00:09:30,700 --> 00:09:32,441
AND I'LL TAKE CARE
OF EVERYTHING.
113
00:09:32,572 --> 00:09:34,617
-ALL RIGHT, BEN'S GOT
ALL THE INFORMATION
114
00:09:34,748 --> 00:09:35,923
WHERE THE CLASS MEETS.
115
00:09:36,053 --> 00:09:37,359
-WOULD YOU GET OUT
OF HERE ALREADY?
116
00:09:37,925 --> 00:09:38,752
-OKAY.
117
00:09:49,327 --> 00:09:50,111
-HEY, IAN.
118
00:09:50,241 --> 00:09:51,199
-HI.
119
00:09:51,852 --> 00:09:54,115
-SO, DID YOU HAVE
A PRODUCTIVE DAY?
120
00:09:54,245 --> 00:09:56,987
-WELL, I DIDN'T GET A
WHOLE LOT OF WRITING DONE,
121
00:09:57,118 --> 00:10:00,600
BUT I FOUND MYSELF
A CORKSCREW.
122
00:10:01,426 --> 00:10:04,952
I FOUND MYSELF A, WELL,
HALF A WATCH ANYWAY.
123
00:10:05,082 --> 00:10:07,171
-PRETTY.
-AND A $1.27 IN CHANGE.
124
00:10:07,694 --> 00:10:08,912
IN HERE.
125
00:10:09,043 --> 00:10:12,133
AND UM, WELL I--
I MADE THIS FOR YOU.
126
00:10:14,875 --> 00:10:16,659
-HEY, THAT'S NOT BAD.
127
00:10:18,269 --> 00:10:20,707
-ONE MAN'S TRASH IS
ANOTHER MAN'S TREASURE.
128
00:10:21,229 --> 00:10:23,231
-THAT'S VERY SWEET
OF YOU, IAN. THANK YOU.
129
00:10:23,797 --> 00:10:25,450
-YOU'RE WELCOME.
-WOW.
130
00:10:25,581 --> 00:10:28,584
[PEOPLE ARGUING]
131
00:10:29,977 --> 00:10:31,065
-OH BOY.
132
00:10:31,892 --> 00:10:32,980
-DUTY CALLS.
133
00:10:33,110 --> 00:10:34,416
-I'LL SEE YOU LATER.
-OKAY.
134
00:10:35,896 --> 00:10:37,419
-HEY, HEY, HEY, HEY!
135
00:10:38,986 --> 00:10:41,684
[MEN ARGUE]
136
00:10:42,946 --> 00:10:43,817
-UNTIL TOMORROW.
137
00:11:12,497 --> 00:11:18,068
[METAL DETECTOR SQUEALING]
138
00:12:26,484 --> 00:12:27,703
-WHERE IS IT?
139
00:12:27,834 --> 00:12:29,357
-IT'S HERE, SOMEWHERE.
140
00:12:29,879 --> 00:12:31,446
JUST KEEP DIGGING.
141
00:12:41,804 --> 00:12:44,328
-BROOKE, THAT STORM
OFF OF BAJA
142
00:12:44,459 --> 00:12:45,547
IS STILL MAKING SOME
NOISE, SO WE'RE GONNA
143
00:12:45,677 --> 00:12:47,070
HAVE TO MOVE THE TOWERS
BACK AGAIN
144
00:12:47,201 --> 00:12:48,680
ON ALL SOUTH-FACING BEACHES.
145
00:12:49,246 --> 00:12:50,726
-OKAY. I'LL SPREAD THE WORD.
146
00:12:51,640 --> 00:12:53,990
-THANKS.
YOU'RE BEAUTIFUL.
147
00:12:55,426 --> 00:12:57,298
-YOU SURE YOU GOT
THE RIGHT TOWER?
148
00:12:57,428 --> 00:12:59,082
MAYBE IT WASN'T NUMBER 12.
149
00:12:59,213 --> 00:13:01,781
-IT WAS NUMBER 12,
BEGGS, BELIEVE ME.
150
00:13:01,911 --> 00:13:03,347
IT'S NOT SOMETHING
THAT I'D FORGET.
151
00:13:03,478 --> 00:13:05,045
-WELL THEN, MAYBE YOU
NEVER BURIED THE JEWELS.
152
00:13:05,175 --> 00:13:06,786
MAYBE YOU RIPPED ME OFF.
153
00:13:07,438 --> 00:13:08,962
-THINK I'D BE THAT STUPID?
154
00:13:09,092 --> 00:13:10,659
TAKE IT EASY, BEGGS.
155
00:14:09,109 --> 00:14:10,806
-AH, SUCH SPLENDOR.
156
00:14:11,372 --> 00:14:12,547
FROM AN ADMIRER, I TAKE IT.
157
00:14:12,677 --> 00:14:15,376
-THERE'S NO CARD.
-SECRET ADMIRER.
158
00:14:16,029 --> 00:14:17,987
-THERE'S SO MANY HERE, I
CAN'T EVEN COUNT THEM ALL.
159
00:14:18,553 --> 00:14:21,686
-THERE'S, UM,
THERE'S 137 OF THEM.
160
00:14:23,297 --> 00:14:24,602
-YOU SENT THESE FLOWERS?
161
00:14:25,168 --> 00:14:26,996
-THAT'S ALL THE
FLOWER SHOP HAD LEFT.
162
00:14:28,868 --> 00:14:30,391
-WHAT'S THIS ALL ABOUT, IAN?
163
00:14:30,957 --> 00:14:34,961
-IT'S ABOUT LOVE AND ROMANCE
AND ELEGANCE, PERFECTION.
164
00:14:36,440 --> 00:14:38,529
AND THE SALE OF MY FIRST POEM!
165
00:14:39,269 --> 00:14:40,357
-YOU SOLD POEM?
166
00:14:40,488 --> 00:14:41,619
-YES!
167
00:14:42,925 --> 00:14:43,883
-THAT'S GREAT.
168
00:14:45,188 --> 00:14:46,973
CONGRATULATIONS.
-THANK YOU.
169
00:14:47,103 --> 00:14:48,626
I COULDN'T HAVE
DONE IT WITHOUT YOU.
170
00:14:50,846 --> 00:14:51,891
-SEE YA.
171
00:14:52,848 --> 00:14:54,284
-HEY, BEN.
172
00:14:54,415 --> 00:14:55,764
-HARVEY, WHAT'S ALL
THIS I'VE BEEN HEARING
173
00:14:55,895 --> 00:14:58,462
ABOUT YOU TEACHING
A CLASS FOR MITCH?
174
00:14:59,681 --> 00:15:01,204
-WELL, HE ASKED ME
TO DO HIM A FAVOR.
175
00:15:01,335 --> 00:15:02,640
WHAT COULD I SAY?
176
00:15:03,206 --> 00:15:04,338
-YOU COULD SAY
THAT YOU DON'T KNOW
177
00:15:04,468 --> 00:15:05,948
THE FIRST THING
ABOUT WINDSURFING.
178
00:15:06,818 --> 00:15:08,211
-WELL, I WOULDN'T GO THAT FAR.
179
00:15:08,342 --> 00:15:10,387
-HAVE YOU EVEN
BEEN UP ON A BOARD?
180
00:15:11,214 --> 00:15:12,215
-IT'S BEEN AWHILE.
181
00:15:13,956 --> 00:15:15,958
BUT I'M GOOD WITH KIDS.
182
00:15:16,089 --> 00:15:18,091
-OH, I'M SURE.
183
00:15:18,221 --> 00:15:20,745
ESPECIALLY WHEN THEY COME
FROM THE MAYFIELD SCHOOL
FOR GIRLS.
184
00:15:21,703 --> 00:15:23,748
-HEY, I'M DOING A
FAVOR FOR A FRIEND.
185
00:15:23,879 --> 00:15:24,924
-[CACKLING] YEAH.
186
00:15:33,715 --> 00:15:35,064
-HI, HEY.
187
00:15:35,717 --> 00:15:37,110
YOU GUYS LIKE POETRY?
188
00:15:37,240 --> 00:15:38,154
LISTEN TO THIS, HUH?
189
00:15:38,285 --> 00:15:39,590
THIS IS BEAUTIFUL.
190
00:15:39,721 --> 00:15:41,853
"THE SEA CAN TAKE
A MAN'S LAST BREATH
191
00:15:41,984 --> 00:15:43,420
AS WELL AS GUIDE HIM HOME."
192
00:15:43,551 --> 00:15:44,769
"I LOVE THE..."
193
00:15:44,900 --> 00:15:46,206
-WE HATE POETRY.
194
00:15:47,816 --> 00:15:49,557
-OH. WELL.
195
00:15:50,340 --> 00:15:51,863
-HOW MUCH YOU WANT
FOR THAT THING?
196
00:15:52,429 --> 00:15:54,344
-METAL DETECTOR?
IT'S NOT FOR SALE.
197
00:15:55,041 --> 00:15:56,042
-HERE'S 50.
198
00:15:57,957 --> 00:15:59,959
-WELL, THAT'S A VERY
GENEROUS OFFER...
199
00:16:00,089 --> 00:16:00,829
-PLUS, ANOTHER 50.
200
00:16:01,525 --> 00:16:03,440
-YOU JUST BOUGHT
YOURSELF A METAL DETECTOR.
201
00:16:09,620 --> 00:16:11,971
GOOD METAL DETECTOR,
AS A MATTER OF FACT.
202
00:16:33,514 --> 00:16:34,776
HEY, HEY.
-HEY.
203
00:16:34,906 --> 00:16:36,169
HALF DAY TODAY, HUH?
-SPLIT SHIFT.
204
00:16:36,299 --> 00:16:37,735
I'M GONNA FINISH
UP AT HEADQUARTERS.
205
00:16:37,866 --> 00:16:39,041
-AH, I WAS HOPING YOU
COULD READ MY NEW POEM.
206
00:16:39,172 --> 00:16:40,260
-YEAH, GREAT. HERE.
207
00:16:40,390 --> 00:16:41,783
-BUT I HAVEN'T
FINISHED IT YET.
208
00:16:41,913 --> 00:16:42,914
-OKAY, I'LL READ IT TOMORROW.
209
00:16:43,045 --> 00:16:43,915
-NO, NO, NO, NO, NO.
210
00:16:44,655 --> 00:16:45,917
YOU SEE, IT'S A
VERY NOCTURNAL POEM.
211
00:16:46,048 --> 00:16:47,571
IT MUST BE READ AT NIGHT
FOR MAXIMUM EFFECT.
212
00:16:48,268 --> 00:16:50,400
SO WITH THAT IN MIND,
213
00:16:50,531 --> 00:16:52,620
I WAS HOPING
MAYBE WE COULD HAVE DINNER?
214
00:16:52,750 --> 00:16:54,883
UH, POSSIBLY GO DANCING?
215
00:16:56,493 --> 00:17:00,367
-UM, IAN I THINK YOU MIGHT HAVE
THE WRONG IDEA HERE.
216
00:17:00,497 --> 00:17:02,108
I'M INVOLVED WITH SOMEBODY.
217
00:17:02,630 --> 00:17:03,718
-SO BRING HIM ALONG.
218
00:17:04,458 --> 00:17:06,112
-I'M VERY INVOLVED
WITH SOMEBODY.
219
00:17:06,242 --> 00:17:07,635
WE LIVE TOGETHER
220
00:17:07,765 --> 00:17:09,419
AND WE'RE BOTH
VERY MUCH IN LOVE.
221
00:17:09,550 --> 00:17:11,595
-AH, BUT DOES HE
TAKE YOU DANCING?
222
00:17:11,726 --> 00:17:12,857
SEE, I LOVE TO DANCE.
223
00:17:12,988 --> 00:17:14,468
AND I KNOW YOU DO, TOO.
224
00:17:15,251 --> 00:17:16,774
-AND HOW DO YOU
KNOW I LOVE TO DANCE?
225
00:17:16,905 --> 00:17:18,515
-BECAUSE IT'S
WRITTEN ALL OVER YOU.
226
00:17:18,646 --> 00:17:20,256
I CAN SEE IT IN YOUR HAIR
227
00:17:20,909 --> 00:17:22,084
AND IN YOUR EYES.
228
00:17:22,954 --> 00:17:24,739
AND YOUR FINGERTIPS.
229
00:17:27,655 --> 00:17:30,179
-WHOA, DON'T TELL ME
EDDIE GOT YOU ALL THOSE.
230
00:17:31,137 --> 00:17:32,442
NOT ON A LIFEGUARD'S SALARY.
231
00:17:34,227 --> 00:17:35,228
-THEY'RE FROM A FRIEND.
232
00:17:39,710 --> 00:17:42,670
HEY, NEWMIE, DO ME A FAVOR AND
KEEP THEM UNTIL YOU CLOSE UP.
233
00:17:42,800 --> 00:17:43,714
I'LL PICK THEM UP TONIGHT.
234
00:17:44,672 --> 00:17:45,499
-ALL RIGHT.
235
00:18:03,647 --> 00:18:04,866
-HEY, GO AND FIGURE THEY'D MOVE
236
00:18:04,996 --> 00:18:06,346
THE TOWER IN THE
MIDDLE OF THE NIGHT.
237
00:18:06,911 --> 00:18:08,565
-WE'RE NEVER GONNA
FIND THOSE JEWELS.
238
00:18:08,696 --> 00:18:09,697
THEY'RE GONE.
239
00:18:09,827 --> 00:18:10,959
AND WHY ARE THEY GONE?
240
00:18:11,090 --> 00:18:12,352
BECAUSE YOU'RE
A WORTHLESS FOOL.
241
00:18:12,482 --> 00:18:13,614
-I DON'T HAVE TO
TAKE THIS CRAP FROM...
242
00:18:13,744 --> 00:18:14,702
-THE HELL YOU DON'T!
243
00:18:17,183 --> 00:18:18,619
-MAN: GUYS, KNOCK IT OFF, MAN!
244
00:18:20,360 --> 00:18:22,013
-HEY! BREAK IT UP!
245
00:18:25,147 --> 00:18:26,148
-MAN: HEY, CHILL.
246
00:18:29,151 --> 00:18:30,587
-HEY, GET OFF.
247
00:18:31,327 --> 00:18:32,285
HOLD IT.
248
00:18:43,296 --> 00:18:44,166
-HI, SHAUNI.
249
00:18:46,429 --> 00:18:48,039
-EDDIE, WHAT ARE
YOU DOING HERE?
250
00:18:48,170 --> 00:18:49,650
I THOUGHT YOU WERE GONNA
TX WITH SOMEBODY TONIGHT?
251
00:18:49,780 --> 00:18:50,955
-I TRIED TO CHANGE
AND NOBODY WANTS
252
00:18:51,086 --> 00:18:52,479
TO WORK THE GRAVEYARD SHIFT.
253
00:18:52,609 --> 00:18:53,741
WHAT CAN I SAY?
254
00:18:53,871 --> 00:18:55,482
I'M STUCK, YOU KNOW?
255
00:18:55,612 --> 00:18:57,527
ESPECIALLY WITH MITCH
BEING ON THIS CAMPING TRIP.
256
00:18:58,049 --> 00:18:59,399
-I KNOW. I'M NOT BLAMING YOU.
257
00:18:59,529 --> 00:19:00,443
I UNDERSTAND.
258
00:19:01,314 --> 00:19:02,750
I JUST MISS BEING WITH YOU.
259
00:19:02,880 --> 00:19:03,881
I MEAN, I FEEL LIKE
EVERY TIME I'M GETTING
260
00:19:04,012 --> 00:19:05,883
OFF WORK, YOU'RE COMING ON.
261
00:19:06,014 --> 00:19:08,059
I FEEL LIKE WE'RE TWO
SHIPS PASSING IN THE NIGHT.
262
00:19:08,190 --> 00:19:09,539
-I KNOW AND I'M SORRY.
263
00:19:09,670 --> 00:19:10,888
THINGS ARE GONNA BE
BETTER, I PROMISE,
264
00:19:11,019 --> 00:19:12,542
AS SOON AS MITCH GETS BACK.
265
00:19:15,502 --> 00:19:16,372
GOTTA GO.
266
00:19:17,591 --> 00:19:19,419
I'M SORRY.
I REALLY AM SORRY.
267
00:19:19,549 --> 00:19:21,203
I'LL SEE YOU AT HOME, OKAY?
268
00:19:21,334 --> 00:19:22,291
THINGS ARE GONNA CHANGE.
269
00:19:22,422 --> 00:19:23,292
TRUST ME.
270
00:19:34,303 --> 00:19:35,391
-[SIGHS]
271
00:19:57,848 --> 00:19:58,893
-WELCOME.
272
00:19:59,023 --> 00:20:00,547
-WELCOME TO WHAT?
273
00:20:00,677 --> 00:20:01,548
-TO WHAT?
274
00:20:08,381 --> 00:20:09,904
TO THE CAVERNS OF DELIGHT.
275
00:20:15,257 --> 00:20:16,737
-WHAT DID YOU DO TO YOURSELF?
276
00:20:17,520 --> 00:20:20,741
-I SHOWERED. I SHAVED.
I CUT MY HAIR,
277
00:20:20,871 --> 00:20:23,222
I PUT ON MY TUX.
278
00:20:23,874 --> 00:20:24,788
-WHY?
279
00:20:24,919 --> 00:20:25,746
-WHY?
280
00:20:27,138 --> 00:20:28,139
WHY?
281
00:20:41,283 --> 00:20:44,155
I UH, I THOUGHT YOU MIGHT FIND
ME IRRESISTIBLE.
282
00:20:45,331 --> 00:20:47,333
-I FIND YOU
A LITTLE BIT CRAZY.
283
00:20:47,463 --> 00:20:50,945
-AH, SOMEWHAT DERANGED,
BUT I'M NOT CRAZY.
284
00:20:51,772 --> 00:20:52,773
HERE.
285
00:20:53,556 --> 00:20:55,428
-WE'RE NOT ALLOWED TO
DRINK ON THE BEACH, IAN.
286
00:20:56,255 --> 00:20:58,082
-JUST A SIP.
THAT'S ALL I ASK.
287
00:21:04,828 --> 00:21:06,265
-IAN, LISTEN...
288
00:21:06,395 --> 00:21:10,660
-TO DAYS OF EASE AND
NIGHTS OF PLEASURE.
289
00:21:17,319 --> 00:21:23,412
[WALTZ PLAYING]
290
00:23:54,737 --> 00:23:56,086
-I CAN'T DO THIS, IAN.
291
00:23:56,783 --> 00:23:58,045
-NO, NO--
SHAUNI, WAIT!
292
00:24:05,618 --> 00:24:07,315
[CHEERING]
293
00:25:03,763 --> 00:25:06,069
-GARNER, I DON'T
THINK THIS GUY DROWNED.
294
00:25:06,200 --> 00:25:07,593
DID YOU SEE THE
MARKS ON HIS NECK?
295
00:25:07,723 --> 00:25:09,072
-IT LOOKS LIKE SOMEBODY
CHOKED HIM TO DEATH
296
00:25:09,203 --> 00:25:11,292
WITH THEIR BARE HANDS.
297
00:25:11,422 --> 00:25:12,511
-NEWMIE, ARE YOU
SURE THIS IS THE GUY
YOU SAW FIGHTING AT TOWER 12?
298
00:25:12,641 --> 00:25:14,034
-HE WAS GETTING
HIS BUTT KICKED.
299
00:25:14,164 --> 00:25:15,383
I HAD TO PULL THE
OTHER GUY OFF OF HIM.
300
00:25:16,036 --> 00:25:18,168
-NEWMIE, I NEED YOU TO GO
WITH ME TO MAKE A POSITIVE ID.
301
00:25:18,299 --> 00:25:20,780
IN THE MEANTIME, IF I WERE YOU
I'D BE CAREFUL OUT THERE.
302
00:25:33,793 --> 00:25:37,884
[LADIES TALKING]
303
00:25:38,014 --> 00:25:38,841
-LADIES.
304
00:25:38,972 --> 00:25:40,800
GOOD AFTERNOON, HI.
305
00:25:40,930 --> 00:25:42,584
UH, GATHER AROUND,
LISTEN UP.
306
00:25:42,715 --> 00:25:44,455
HI, UH, MY NAME IS HARVEY
307
00:25:44,586 --> 00:25:45,979
AND I'M GOING TO BE
INSTRUCTING YOU
308
00:25:46,109 --> 00:25:47,850
IN THE FINER POINTS
OF WIND SURFING TODAY.
309
00:25:47,981 --> 00:25:49,504
BUT FIRST WHAT
I'D LIKE YOU TO DO
310
00:25:49,635 --> 00:25:51,375
IS WRITE DOWN YOUR NAMES
AND TELEPHONE NUMBERS
311
00:25:51,506 --> 00:25:52,594
FOR ME IF YOU WOULD.
312
00:25:52,725 --> 00:25:53,813
-[LAUGHTER]
-YEAH, RIGHT.
313
00:25:54,422 --> 00:25:56,990
-UH, STRICTLY
FOR SAFETY REASONS.
314
00:25:58,774 --> 00:26:00,776
AND THEN WE'LL GET
TO THE GOOD STUFF.
315
00:26:02,735 --> 00:26:04,867
GUYS, THE THING
TO REMEMBER IS,
316
00:26:04,998 --> 00:26:07,783
AS WITH ANY SPORT,
THE TOUGHEST PART
317
00:26:07,914 --> 00:26:09,002
IS GETTING STARTED.
318
00:26:09,698 --> 00:26:11,308
BUT ONCE YOU GET
THE HANG OF IT,
319
00:26:11,439 --> 00:26:13,702
IT COMES SECOND NATURE.
320
00:26:15,878 --> 00:26:19,403
IT'S REAL EASY, YOU JUST
GOTTA KEEP YOUR BALANCE.
321
00:26:19,534 --> 00:26:20,709
-THIS IS PATHETIC.
322
00:26:21,405 --> 00:26:23,451
-I'M GONNA TELL THE DEAN NOT
TO USE THE LIFEGUARDS AGAIN.
323
00:26:23,582 --> 00:26:25,366
OH, THIS GUY
DOESN'T HAVE A CLUE.
324
00:26:25,496 --> 00:26:26,323
-WOMAN: THAT'S FOR SURE.
325
00:26:29,413 --> 00:26:30,676
-BUT IT'S A LOT OF FUN,
326
00:26:32,547 --> 00:26:33,548
ONCE YOU GET IT...
327
00:26:34,331 --> 00:26:35,202
ONCE...
328
00:26:35,985 --> 00:26:37,726
[LAUGHING]
329
00:26:38,640 --> 00:26:40,294
-OH, HE'S CUTE.
330
00:26:41,295 --> 00:26:43,166
-THIS IS RIDICULOUS.
LET'S GO, GIRLS.
331
00:26:43,297 --> 00:26:44,124
-LET'S GO.
332
00:26:44,254 --> 00:26:46,169
[LAUGHING]
333
00:26:47,562 --> 00:26:48,432
-GIRLS!
334
00:26:49,259 --> 00:26:50,652
I WAS, UH...
335
00:26:51,305 --> 00:26:53,742
I'M JUST SHOWING THE
WORST-CASE SCENARIO, YOU KNOW?
336
00:26:53,873 --> 00:26:56,092
I MEAN, I'M REALLY GOOD
AT THIS.
337
00:26:56,223 --> 00:26:57,790
-NO YOU'RE NOT, HARVEY.
338
00:26:58,442 --> 00:26:59,400
BUT I AM.
339
00:26:59,879 --> 00:27:00,967
OR WAS.
340
00:27:01,445 --> 00:27:03,839
NOW GIRLS, WOULD
YOU COME BACK HERE?
341
00:27:03,970 --> 00:27:05,406
I'D LIKE TO TALK TO
YOU JUST FOR A MINUTE.
342
00:27:05,536 --> 00:27:06,668
GIRLS!
343
00:27:09,671 --> 00:27:10,280
THANK YOU VERY MUCH.
344
00:27:10,411 --> 00:27:11,934
I'M LIEUTENANT EDWARDS.
345
00:27:12,500 --> 00:27:13,675
NOW, IF YOU ALL
WOULD LIKE
346
00:27:13,806 --> 00:27:15,503
TO STICK AROUND HERE
THIS AFTERNOON,
347
00:27:15,634 --> 00:27:17,461
I'D LIKE VERY MUCH
TO SHOW YOU
348
00:27:17,592 --> 00:27:19,289
A COUPLE OF THINGS
ABOUT WINDSURFING.
349
00:27:20,595 --> 00:27:22,292
ON THE UP-AND-UP, OKAY?
350
00:27:22,423 --> 00:27:23,554
GOOD.
351
00:27:25,078 --> 00:27:29,430
[SOFT ROCK PLAYING]
352
00:28:00,026 --> 00:28:03,899
♪ NO LIFE'S WORTH LIVING ON YOUR OWN
353
00:28:06,119 --> 00:28:09,862
♪ YOU'RE BETTER OFF SAFE AT HOME
354
00:28:11,298 --> 00:28:13,822
♪ BUT WINGS WERE MADE TO FLY
355
00:28:13,953 --> 00:28:19,349
♪ WINGS WERE MADE TO FLY
356
00:28:24,137 --> 00:28:28,532
♪ SHE FOLLOWS AS HE LEADS THE WAY
357
00:28:30,099 --> 00:28:34,234
♪ AND BITES THE WORDS SHE WANTS TO SAY
358
00:28:34,974 --> 00:28:37,890
♪ CUZ THIS WINGS WERE MADE TO FLY ♪
359
00:28:38,629 --> 00:28:42,851
♪ WINGS WERE MADE TO FLY
360
00:28:48,074 --> 00:28:50,946
♪ SHE CAN'T BREAK FREE THE CAGE
361
00:28:51,077 --> 00:28:53,819
♪ SHE HIDES HER TEARS IN THE RAIN
362
00:28:53,949 --> 00:28:58,127
♪ AND DREAM OF BLUER SKIES
363
00:28:59,172 --> 00:29:02,218
♪ CUZ WINGS WERE MADE TO FLY
364
00:29:02,349 --> 00:29:08,181
♪ WINGS WERE MADE TO FLY
365
00:30:14,900 --> 00:30:16,815
-I UNDERSTAND IF YOU DON'T
WANT TO TALK TO ME AGAIN.
366
00:30:19,469 --> 00:30:20,688
I FEEL LIKE, UH--
367
00:30:22,603 --> 00:30:23,778
I DON'T KNOW
WHAT I FEEL LIKE.
368
00:30:23,909 --> 00:30:25,258
I'VE NEVER
FELT THIS WAY BEFORE.
369
00:30:25,780 --> 00:30:26,912
I'M SORRY, SHAUNI.
370
00:30:27,390 --> 00:30:30,219
I HAD NO RIGHT TO IMPOSE
MY FANTASIES ON YOU.
371
00:30:30,350 --> 00:30:31,351
I CROSSED THE LINE.
372
00:30:32,308 --> 00:30:33,919
I'D HAVE DONE THE SAME
THING IF I WERE YOU.
373
00:30:34,702 --> 00:30:36,225
GET THE HELL AWAY
FROM THIS LUNATIC.
374
00:30:36,356 --> 00:30:37,748
HE'S OUT OF HIS MIND.
375
00:30:41,665 --> 00:30:43,058
LOOK, I JUST CAME
BACK HERE TO TELL YOU
376
00:30:43,189 --> 00:30:44,146
THAT I'M BACK IN MY MIND.
377
00:30:45,234 --> 00:30:47,802
AND I APOLOGIZE IF
I EMBARRASSED YOU
378
00:30:47,933 --> 00:30:49,499
OR CAUSED YOU ANY HURT.
379
00:31:15,264 --> 00:31:16,178
-COME HERE.
380
00:31:20,443 --> 00:31:22,097
LET'S PUT THIS
IN YOUR LAPEL.
381
00:31:29,061 --> 00:31:29,931
-THANKS.
382
00:31:31,977 --> 00:31:33,195
ARE YOU SURE
YOU DON'T FIND ME
383
00:31:33,326 --> 00:31:34,283
JUST A LITTLE BIT
IRRESISTIBLE?
384
00:31:35,328 --> 00:31:36,329
-I MISS THE STARVING POET.
385
00:31:36,807 --> 00:31:39,419
-YEAH, SO DO I.
386
00:31:41,856 --> 00:31:43,379
-SO, HOW'D YOU PAY
FOR ALL THIS ANYWAY?
387
00:31:43,945 --> 00:31:45,555
-AH, WHAT DOES IT MATTER?
388
00:31:46,121 --> 00:31:48,297
LIKE THE SONG SAYS,
"MONEY CAN'T BUY YOU LOVE".
389
00:31:49,646 --> 00:31:51,126
BUT IT WAS SURE WORTH A TRY.
390
00:31:54,825 --> 00:31:56,044
I'M GONNA MISS YOU,
SHAUNI.
391
00:31:57,698 --> 00:31:59,265
YOU'LL ALWAYS BE
MY INSPIRATION.
392
00:32:14,541 --> 00:32:15,411
-EW.
393
00:32:15,542 --> 00:32:16,847
-I KNOW, HE'S BIZARRE.
394
00:32:20,895 --> 00:32:21,809
-IAN?
395
00:32:24,812 --> 00:32:25,726
IS THAT YOU?
396
00:32:27,771 --> 00:32:28,947
-UNFORTUNATELY.
397
00:32:29,686 --> 00:32:31,123
-I ALMOST DIDN'T
RECOGNIZE YOU.
398
00:32:32,080 --> 00:32:34,126
UH, FOUND THIS IN THE TRASH.
399
00:32:35,257 --> 00:32:36,258
DON'T YOU WANT IT NO MORE?
400
00:32:37,999 --> 00:32:39,958
-NO, JOE, IT'S A
PART OF MY PAST NOW.
401
00:32:40,828 --> 00:32:42,351
WHY DON'T YOU KEEP IT?
402
00:32:42,482 --> 00:32:44,310
WHO KNOWS, MAYBE YOU'LL
FIND YOUR DREAMS WITH IT.
403
00:33:10,118 --> 00:33:11,728
-WHY DIDN'T YOU TELL
ME ABOUT THE ROSES?
404
00:33:11,859 --> 00:33:13,208
-FOR ONE THING, I
HAVEN'T SEEN YOU.
405
00:33:13,339 --> 00:33:14,601
-SHAUNI, COME ON.
406
00:33:14,731 --> 00:33:15,689
-LOOK, IF IT BOTHERS
YOU THAT MUCH,
407
00:33:15,819 --> 00:33:17,734
I'LL THROW THEM AWAY, OKAY?
408
00:33:17,865 --> 00:33:19,171
-I DON'T WANT YOU
TO THROW THEM AWAY.
I HAPPEN TO LIKE ROSES.
409
00:33:19,301 --> 00:33:20,781
I JUST WANT TO KNOW
WHO THEY'RE FROM.
410
00:33:21,390 --> 00:33:22,696
-HIS NAME IS IAN.
411
00:33:22,826 --> 00:33:24,002
HE'S A POET.
412
00:33:24,132 --> 00:33:25,351
-A POET?
413
00:33:25,481 --> 00:33:26,613
-HE WRITES ON THE BEACH.
414
00:33:26,743 --> 00:33:28,310
HE'S VERY GOOD.
415
00:33:28,441 --> 00:33:29,659
HE'S BEEN GIVING ME
HIS POEMS TO READ.
416
00:33:30,356 --> 00:33:32,140
-SOUNDS LIKE A
REAL SENSITIVE GUY.
417
00:33:32,271 --> 00:33:34,751
-LOOK, EDDIE, THERE IS NO
REASON TO FEEL THREATENED.
418
00:33:34,882 --> 00:33:37,015
-I'M NOT THREATENED.
-HE SOLD HIS FIRST POEM AND
HE GOT A LITTLE CARRIED AWAY.
419
00:33:37,145 --> 00:33:39,104
-I RAN A CHECK ON YOUR
MAN'S FINGERPRINTS.
420
00:33:39,234 --> 00:33:40,757
THEY TURNED UP ALL
OVER A MOTORCYCLE
421
00:33:40,888 --> 00:33:42,803
THAT WAS USED IN A
BURGLARY NIGHT BEFORE LAST.
422
00:33:42,933 --> 00:33:44,152
-YOU TALKING ABOUT
THAT JOB UP IN MALIBU?
423
00:33:45,414 --> 00:33:46,981
-WHAT WAS STOLEN?
424
00:33:47,547 --> 00:33:49,288
-HALF A MILLION DOLLARS
WORTH OF JEWELRY.
425
00:33:51,812 --> 00:33:53,031
-DO YOU KNOW WHAT
KIND OF JEWELRY IT WAS?
426
00:33:53,161 --> 00:33:54,989
I MEAN, DO YOU THINK
IT WOULD REGISTER
427
00:33:55,120 --> 00:33:56,338
IN A METAL DETECTOR?
428
00:33:56,469 --> 00:33:58,253
-IT WAS ALL KEPT IN
AN ANTIQUE SILVER BOX.
429
00:33:58,384 --> 00:33:59,994
I IMAGINE THAT WOULD
REGISTER, YEAH.
430
00:34:02,997 --> 00:34:07,828
[ROCK MUSIC PLAYS]
431
00:34:20,058 --> 00:34:24,888
♪ WHEN I CALL YOUR NAME
432
00:34:27,630 --> 00:34:31,895
♪ DO YOU HEAR ME SING
433
00:34:33,593 --> 00:34:38,815
♪ YOU'RE THE ONLY ONE
WHO MAKES ME FEEL LIKE THIS ♪
434
00:34:40,861 --> 00:34:46,127
♪ GIVE YOU ANYTHING,
I PROMISE I WON'T MISS ♪
435
00:34:47,650 --> 00:34:51,219
♪ GIRL IT'S YOU
436
00:34:51,350 --> 00:34:54,527
♪ I WANT TO CALL MY OWN
437
00:34:54,657 --> 00:34:58,487
♪ AND IT'S TRUE
438
00:34:58,618 --> 00:35:02,056
♪ THIS LOVE IS SET IN STONE
439
00:35:02,187 --> 00:35:07,061
♪ CAUSE I CAN'T STOP HOLDING ON
TO THIS ROMANCE ♪
440
00:35:08,976 --> 00:35:14,112
♪ AND THE WAY YOU LAUGH,
IT PUTS ME IN A TRANCE ♪
441
00:35:15,417 --> 00:35:17,071
♪ GIVE ME A CHANCE
442
00:35:30,911 --> 00:35:35,220
♪ LAY BESIDE ME UNDERNEATH THE STARS
443
00:35:38,397 --> 00:35:42,705
♪ OPEN UP SO I CAN SEE YOUR SCARS
444
00:35:44,229 --> 00:35:48,015
♪ GIRL IT'S YOU
445
00:35:48,146 --> 00:35:51,279
♪ THAT I WANT TO CALL MY OWN
446
00:35:51,410 --> 00:35:54,891
♪ AND IT'S TRUE
447
00:35:55,022 --> 00:35:58,156
♪ THAT THIS LOVE IS SET IN STONE
448
00:35:58,286 --> 00:36:02,116
♪ GIRL IT'S YOU
449
00:36:02,247 --> 00:36:05,424
♪ HOW DO I GET YOU ALONE
450
00:36:05,554 --> 00:36:09,036
♪ AND IT'S TRUE
451
00:36:09,167 --> 00:36:12,474
♪ IT SINKS DOWN TO THE BONE
452
00:36:12,605 --> 00:36:15,956
♪ GIRL IT'S YOU
453
00:36:16,086 --> 00:36:19,568
♪ THAT I WANT TO CALL MY OWN
454
00:36:19,699 --> 00:36:23,398
♪ AND IT'S TRUE
455
00:36:23,529 --> 00:36:26,445
♪ THAT THIS LOVE IS SET IN STONE
456
00:36:46,378 --> 00:36:47,683
-HI.
457
00:36:48,510 --> 00:36:51,121
-OH GOD, IAN, YOU
SCARED ME HALF TO DEATH.
458
00:36:51,687 --> 00:36:52,819
-I'M SORRY.
459
00:36:52,949 --> 00:36:54,342
I THOUGHT IT MIGHT HAVE
BEEN WHOEVER DID THIS.
460
00:36:55,213 --> 00:36:57,215
-WHY DIDN'T YOU TELL ME
THAT YOU FOUND THESE JEWELS?
461
00:36:57,345 --> 00:36:58,651
WHY DIDN'T YOU CALL THE COPS?
462
00:36:59,739 --> 00:37:02,220
-BECAUSE I STARTED
BELIEVING IN MY OWN DREAMS.
463
00:37:02,785 --> 00:37:04,091
AND I THINK YOU DID, TOO.
464
00:37:06,093 --> 00:37:07,877
LAST NIGHT I HAD THIS
FEELING DEEP DOWN,
465
00:37:08,008 --> 00:37:09,227
I DON'T KNOW
WHERE IT CAME FROM,
466
00:37:09,792 --> 00:37:10,880
BUT I KNOW YOU FELT IT.
467
00:37:11,968 --> 00:37:13,013
-I'M CALLING THE POLICE.
468
00:37:16,973 --> 00:37:18,236
YEAH, THIS IS SHAUNI MCCLAIN.
469
00:37:18,366 --> 00:37:19,933
I'D LIKE TO SPEAK
TO GARNER, PLEASE.
470
00:37:20,325 --> 00:37:21,413
WELL, DO YOU KNOW
WHERE THE JEWELS ARE?
471
00:37:21,543 --> 00:37:23,066
DO YOU HAVE THEM?
ARE THEY GONE?
472
00:37:23,197 --> 00:37:24,546
-I HAD A FEELING THEY
MIGHT BE COMING BACK,
473
00:37:24,677 --> 00:37:26,331
-SO I HID THEM.
-WHERE?
474
00:37:26,461 --> 00:37:27,767
-OUTSIDE.
475
00:37:27,897 --> 00:37:28,724
-GARNER, IT'S SHAUNI.
476
00:37:28,855 --> 00:37:29,725
I FOUND IAN.
477
00:37:41,737 --> 00:37:42,738
[BLOWING]
478
00:37:49,658 --> 00:37:51,181
-TAKES YOUR BREATH
AWAY, DOESN'T IT?
479
00:37:52,835 --> 00:37:54,446
NO HEROICS, PLEASE.
480
00:37:54,576 --> 00:37:55,751
JUST HAND OVER THE BOX.
481
00:38:03,150 --> 00:38:04,107
THANK YOU.
482
00:38:05,065 --> 00:38:07,067
NOW, GET INSIDE.
483
00:38:24,040 --> 00:38:27,305
[FAST-PACED MUSIC]
484
00:39:30,629 --> 00:39:31,673
[YELLS]
485
00:39:40,160 --> 00:39:40,987
-I'M OKAY, I'M OKAY.
486
00:39:41,117 --> 00:39:42,292
GO ON. GET THAT SON OF A--
487
00:39:59,919 --> 00:40:01,877
-WHOAAAAAA!
488
00:40:12,671 --> 00:40:13,498
[GRUNTING]
489
00:40:40,220 --> 00:40:41,221
-HEY.
490
00:40:41,787 --> 00:40:43,266
-WHAT ARE YOU DOING HERE?
491
00:40:43,397 --> 00:40:44,093
I THOUGHT YOU WERE
SUPPOSED TO BE ON PATROL?
492
00:40:44,224 --> 00:40:45,660
-BEN RELIEVED ME.
493
00:40:45,791 --> 00:40:47,183
SAID IT LOOKED LIKE I
COULD USE A DAY OFF.
494
00:40:49,055 --> 00:40:49,925
WHATCHA GOT THERE?
495
00:40:51,274 --> 00:40:52,972
-IT'S JUST SOMETHING
SOMEBODY MADE FOR ME.
496
00:40:53,755 --> 00:40:54,669
-OH, I LIKE IT.
497
00:40:54,800 --> 00:40:55,757
IT'S COOL.
498
00:40:56,497 --> 00:40:57,367
-IT'S NO BIG DEAL.
499
00:40:57,498 --> 00:40:59,413
-UH-HUH, FROM IAN?
500
00:41:03,112 --> 00:41:04,810
IS THAT WHY YOU WENT
LOOKING FOR HIM?
501
00:41:05,767 --> 00:41:07,290
-I DIDN'T WANT HIM TO GET HURT.
502
00:41:09,467 --> 00:41:11,599
-SHAUNI, I KNOW GUYS
HIT ON YOU ALL THE TIME.
503
00:41:13,122 --> 00:41:14,559
AND I KNOW YOU KNOW
HOW TO DEAL WITH IT.
504
00:41:14,689 --> 00:41:16,517
BETTER THAN I DO,
AS A MATTER OF FACT.
505
00:41:19,694 --> 00:41:20,869
THIS ISN'T GOING
TO BOTHER ME AS
506
00:41:21,000 --> 00:41:22,131
LONG AS YOU CAN
LOOK ME IN THE EYE
507
00:41:22,262 --> 00:41:23,393
AND TELL ME YOU LOVE ME.
508
00:41:25,221 --> 00:41:27,267
YOU DO THAT, I'M FINE.
509
00:41:28,660 --> 00:41:30,183
-I LOVE YOU.
510
00:41:33,534 --> 00:41:35,493
[GIGGLES]
511
00:41:38,191 --> 00:41:40,846
-SO, WHAT DO YOU
WANT TO DO TONIGHT?
512
00:41:42,021 --> 00:41:42,935
HOW ABOUT A PLAY?
513
00:41:44,023 --> 00:41:44,893
HOW ABOUT A MOVIE?
514
00:41:45,807 --> 00:41:48,854
BETTER YET,
LET'S GO DANCING.
515
00:41:49,768 --> 00:41:52,335
NOW, WHEN WAS THE LAST TIME
YOU WERE OUT ON A DANCE FLOOR?
516
00:41:53,380 --> 00:41:54,947
-WHAT DO YOU SAY WE
JUST TURN IN EARLY?
517
00:41:56,470 --> 00:41:57,515
-I CAN LIVE WITH THAT.
518
00:42:02,476 --> 00:42:07,525
[END THEME PLAYS]
35141
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