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1
00:00:06,107 --> 00:00:08,279
- PREVIOUSLY ON
"SWITCHED AT BIRTH"...
- REGINA, UM,
2
00:00:08,279 --> 00:00:10,641
ANYTHING
IN THE HOUSE IS YOURS.
WE HAVE A FULL BAR--
3
00:00:10,641 --> 00:00:12,213
I'M SOBER, KATHRYN.
4
00:00:12,213 --> 00:00:14,585
I'VE BEEN SOBER FOR
11 AND A HALF YEARS.
5
00:00:14,585 --> 00:00:18,089
- WHAT ARE YOU DOING?
- TRYING TO FIGURE OUT
WHAT TO DO WITH MYSELF
6
00:00:18,089 --> 00:00:20,351
NOW THAT I'M NO LONGER
A HAIRDRESSER.
7
00:00:20,351 --> 00:00:23,554
- REGGIE?
- HI! WHAT'S IT BEEN,
15 YEARS?
8
00:00:23,554 --> 00:00:26,197
- YEAH.
- KATHRYN, THIS IS ZANE.
9
00:00:26,197 --> 00:00:27,328
ZANE, KATHRYN.
10
00:00:27,328 --> 00:00:29,560
WHY DON'T WE CALL A TRUCE?
11
00:01:20,711 --> 00:01:23,284
( sighs )
HI! SHOULDN'T YOU
STILL BE AT SCHOOL?
12
00:01:23,284 --> 00:01:24,685
MY LAST CLASS
WAS STUDY HALL.
13
00:01:24,685 --> 00:01:28,159
HEY, DO YOU HAVE ANY OF THOSE
SEA-SALT PITA CHIP THINGIES?
14
00:01:28,159 --> 00:01:29,820
YEAH.
WAIT WAIT WAIT!
15
00:01:29,820 --> 00:01:32,363
- WASH YOUR HANDS.
- OH, SORRY.
16
00:01:32,363 --> 00:01:34,695
I'M DOING
POTTERY WITH REGINA--
THROWING CLAY.
17
00:01:34,695 --> 00:01:37,328
IT'S SUPER
WET AND SHAPEY.
18
00:01:37,328 --> 00:01:40,201
- SHE CAN DO THAT
WITH HER HANDS?
- THAT'S THE COOL PART.
19
00:01:40,201 --> 00:01:43,534
SHE JUST TELLS ME
WHAT TO DO AND I DO IT.
20
00:01:43,534 --> 00:01:45,836
IT'S LIKE I'M HER HANDS.
TOTAL VULCAN MIND MELD.
21
00:01:45,836 --> 00:01:48,479
WELL, I'M GONNA BE MAKING
TURKEY MEATBALLS LATER.
22
00:01:48,479 --> 00:01:50,211
MAYBE YOU CAN COME
AND BE MY HANDS.
23
00:01:50,211 --> 00:01:51,742
THAT'S HILARIOUS.
YOU KNOW WHAT--
24
00:01:51,742 --> 00:01:53,344
I THINK I'M JUST GONNA
HAVE DINNER OVER THERE
25
00:01:53,344 --> 00:01:55,746
'CAUSE WE STILL MIGHT BE,
LIKE, IN THE ZONE.
26
00:01:55,746 --> 00:01:58,349
ONCE MORE INTO THE CLAY!
27
00:03:21,232 --> 00:03:24,735
"AND HOW DO YOU PROPOSE
PAYING FOR THIS NEW
RESOURCES BOARD?"
28
00:03:24,735 --> 00:03:26,677
UH, WELL...
29
00:03:26,677 --> 00:03:29,940
- ( sighs )
- THROUGH THE CLOSING
30
00:03:29,940 --> 00:03:32,713
- OF LOOPHOLES--
- CLOSING OF TAX LOOPHOLES
IN THE STATE TAX CODE
31
00:03:32,713 --> 00:03:35,646
- WILL GENERATE
THE NECESSARY REVENUES.
- OKAY. OKAY.
32
00:03:35,646 --> 00:03:37,618
HEY, CAN I INTERRUPT
FOR A SECOND?
33
00:03:37,618 --> 00:03:39,890
- ABSOLUTELY YOU MAY.
- SO I'M THINKING ABOUT APPLYING
34
00:03:39,890 --> 00:03:41,892
- TO WASHINGTON UNIVERSITY.
- OH!
35
00:03:41,892 --> 00:03:44,455
- WASH U.
- BUT IT'S COMPETITIVE,
36
00:03:44,455 --> 00:03:47,258
SO A FAMILY CONNECTION
37
00:03:47,258 --> 00:03:49,800
- WOULD REALLY HELP OUT.
- OKAY.
38
00:03:49,800 --> 00:03:52,663
GRANDPA BILL WENT
TO WASH U, DIDN'T HE?
39
00:03:52,663 --> 00:03:55,336
TOBY, YOU GET GOOD GRADES,
40
00:03:55,336 --> 00:03:57,608
YOU'RE GOING TO A GOOD SCHOOL.
YOU'RE GONNA BE FINE.
41
00:03:57,608 --> 00:04:01,642
HONEY, HE'S NOT WRONG.
THESE DAYS YOU HAVE TO
PRESS EVERY ADVANTAGE.
42
00:04:01,642 --> 00:04:04,475
A RECOMMENDATION
FROM SOMEONE WHO HASN'T
BEEN THERE IN 40 YEARS?
43
00:04:04,475 --> 00:04:06,947
- WHAT GOOD IS THAT GONNA DO?
- CAN I AT LEAST ASK, THOUGH?
44
00:04:06,947 --> 00:04:10,921
- I MEAN, WHAT'S THE HARM?
- WELL, IT'S YOUR APPLICATION.
45
00:04:10,921 --> 00:04:13,684
DO WHAT YOU WANT.
46
00:04:13,684 --> 00:04:15,726
I NEED A BATHROOM BREAK.
BE RIGHT BACK.
47
00:04:17,958 --> 00:04:21,332
WELL, I KNOW GRANDPA BILL
ISN'T COMING OVER
48
00:04:21,332 --> 00:04:23,994
FOR SUNDAY DINNERS,
BUT I CAN'T EVEN ASK
FOR A FAVOR?
49
00:04:23,994 --> 00:04:27,668
HE SAID YES.
I'D JUST RUN WITH THAT.
50
00:04:27,668 --> 00:04:30,941
TWO VODKA ROCKS,
ONE WITH A TWIST. HANG ON.
51
00:04:41,552 --> 00:04:43,584
EXCUSE ME.
YOU'RE WITH ZANE, RIGHT?
52
00:04:43,584 --> 00:04:45,716
- UM...
- OH, SORRY.
53
00:04:45,716 --> 00:04:47,588
NOT ASKING
FOR A STATUS UPDATE.
54
00:04:47,588 --> 00:04:49,660
IT'S JUST COULD YOU TAKE
THIS TRAY UP TO THE GUYS?
55
00:04:49,660 --> 00:04:51,562
I'M A LITTLE
SLAMMED HERE.
56
00:04:51,562 --> 00:04:53,594
- SURE.
- YOU ARE OVER 21, RIGHT?
57
00:04:53,594 --> 00:04:55,626
( chuckles )
NICE TRY.
58
00:04:55,626 --> 00:04:59,299
A LITTLE FLATTERY
TO GREASE THE WHEELS.
YOU KNOW WHAT? HERE.
59
00:04:59,299 --> 00:05:00,601
FOR YOU.
60
00:05:00,601 --> 00:05:02,803
I CALL IT
A "HEADLESS HORSEMAN."
61
00:05:02,803 --> 00:05:04,975
- LET ME KNOW WHAT YOU THINK.
- OKAY.
62
00:05:07,778 --> 00:05:10,310
Zane:
NO, MAN, IT'S NOT LIKE THAT.
I TOLD YOU.
63
00:05:10,310 --> 00:05:13,644
HEY, IF I'M GONNA
SELL MY SOUL, I AT LEAST
WANT TO RIDE IN A LIMO.
64
00:05:13,644 --> 00:05:15,846
WHO IS
SELLING THEIR SOUL?
65
00:05:15,846 --> 00:05:18,749
ZANE'S TRYING TO BOOK US
INTO SOME CORPORATE DEATH MARCH.
66
00:05:18,749 --> 00:05:21,321
IT'S EVENT, STAN.
IT'S AN EVENT.
67
00:05:21,321 --> 00:05:23,724
YOU CALL IT WHAT YOU WANT,
I DON'T DO BACKGROUND MUSIC.
68
00:05:23,724 --> 00:05:26,627
TRY BEING UNEMPLOYED.
THAT'LL GET YOU OVER
YOUR INTEGRITY.
69
00:05:26,627 --> 00:05:29,730
PLEASE. HE'S A DRUMMER.
THEY'RE NEVER UNEMPLOYED.
70
00:05:29,730 --> 00:05:32,903
HERE IS TO WORKING
FOR AN HONEST LIVING.
71
00:05:32,903 --> 00:05:34,705
- Regina: HEAR HEAR.
- SALUT.
72
00:05:35,636 --> 00:05:37,938
- IS THAT YOURS?
- OH, UM...
73
00:05:38,939 --> 00:05:40,741
I'M ON A CLEANSE.
74
00:05:40,741 --> 00:05:42,613
I GOTTA HIT
THE LITTLE DRUMMER'S ROOM.
75
00:05:45,446 --> 00:05:47,948
- I LIKED YOUR SET.
- I LIKED HAVING YOU HERE.
76
00:05:47,948 --> 00:05:51,952
YOU ARE NOT GONNA CALL ME
A "MUSE" AT ANY POINT,
ARE YOU?
77
00:05:51,952 --> 00:05:54,785
- NOT OUT LOUD, NO.
- ( laughs )
78
00:05:56,587 --> 00:05:58,589
I'M GONNA HAVE
TO GO PRETTY SOON.
79
00:05:58,589 --> 00:06:01,762
NO NO-- YOU GOTTA
STAY FOR MY NEXT SET.
80
00:06:01,762 --> 00:06:04,435
ZANE, I HAVE TO MAKE
BREAKFAST AT 7:00 A.M.
81
00:06:04,435 --> 00:06:07,538
OKAY, I TURN ON
A COFFEE POT,
BUT STILL.
82
00:06:07,538 --> 00:06:08,739
LOOK, REGGIE,
YOU'RE HERE.
83
00:06:08,739 --> 00:06:11,371
THE NIGHT'S YOUNG.
THE MUSIC'S GOOD.
84
00:06:11,371 --> 00:06:13,774
I WILL HAVE YOU HOME
BY MIDNIGHT.
85
00:06:13,774 --> 00:06:16,046
I PROMISE.
86
00:06:16,046 --> 00:06:17,948
( sighs )
87
00:06:17,948 --> 00:06:19,850
CAN I GET A CLUB SODA?
88
00:06:19,850 --> 00:06:22,553
AND, HERE,
YOU CAN TAKE THIS.
89
00:06:38,028 --> 00:06:39,670
WHAT?
90
00:06:44,735 --> 00:06:47,107
"GRAVES"?
UH, NO.
91
00:06:47,107 --> 00:06:50,080
I-- THROWING CLAY.
92
00:06:50,080 --> 00:06:52,613
POTTERY?
93
00:06:52,613 --> 00:06:55,516
MY MOM
IS TEACHING ME.
94
00:06:58,789 --> 00:07:01,051
UH, PAINTING MOSTLY.
95
00:07:01,051 --> 00:07:03,654
BUT, YEAH.
YOU?
96
00:07:26,517 --> 00:07:27,748
OKAY.
97
00:07:27,748 --> 00:07:29,980
YEAH,
I'LL CHECK IT OUT.
98
00:07:33,684 --> 00:07:35,786
- HEY.
- HEY THERE.
99
00:07:35,786 --> 00:07:37,728
I, UH-- I HEARD
100
00:07:37,728 --> 00:07:40,891
THAT YOU PLAY.
AND I STARTED A LITTLE
101
00:07:40,891 --> 00:07:43,694
PICKUP GAME AT LUNCH.
SO YOU SHOULD JOIN.
102
00:07:43,694 --> 00:07:47,968
I REALLY HAVEN'T PLAYED MUCH
SINCE THEY CUT OUR
BASKETBALL TEAM.
103
00:07:47,968 --> 00:07:50,701
YOU KNOW WHAT?
IF YOU CAN DRIBBLE
OR YOU CAN SHOOT
104
00:07:50,701 --> 00:07:53,203
YOU'RE GONNA BE THE M.V.P.
OF THIS TEAM.
I PROMISE YOU.
105
00:07:53,203 --> 00:07:55,205
( laughing )
106
00:07:55,205 --> 00:07:57,908
SO IT LOOKS LIKE
YOU'RE STARTING TO FEEL
AT HOME HERE?
107
00:07:57,908 --> 00:08:00,881
YEAH, YOU KNOW, WHEN LIFE
GIVES YOU LEMONS...
108
00:08:00,881 --> 00:08:02,853
WAIT-- HEY!
WE'RE NOT LEMONS.
109
00:08:02,853 --> 00:08:04,615
BAD CHOICE OF WORDS.
110
00:08:04,615 --> 00:08:06,617
- BAD A.S.L.!
- ( laughing )
111
00:08:06,617 --> 00:08:09,590
STUPID EXPRESSION ANYWAY
BECAUSE I DON'T EVEN
LIKE LEMONADE
112
00:08:09,590 --> 00:08:11,722
- OR LEMONS.
- OH, THAT'S TOO BAD.
113
00:08:11,722 --> 00:08:15,065
BECAUSE MY LEMON MERINGUE
IS AWESOME!
114
00:08:15,065 --> 00:08:17,528
- MMM! HEY MAN.
- ( both chuckle )
115
00:08:17,528 --> 00:08:19,530
SO NO LUNCHTIME HOOPS.
116
00:08:19,530 --> 00:08:21,802
WHAT ABOUT
A LITTLE ONE-ON-ONE
AFTER SCHOOL MAYBE?
117
00:08:27,507 --> 00:08:31,542
ACTUALLY I HAVE PLANS
AFTER SCHOOL WITH TRAVIS.
118
00:08:31,542 --> 00:08:33,684
DO YOU KNOW TRAVIS?
HE'S DEAF?
119
00:08:33,684 --> 00:08:36,146
WE'RE GONNA TAKE OUT
MY FOOD TRUCK.
120
00:08:36,146 --> 00:08:37,688
ALL RIGHT.
121
00:08:48,599 --> 00:08:49,630
HEY.
122
00:08:51,101 --> 00:08:52,663
SO THAT'S IT.
123
00:08:55,766 --> 00:08:58,008
DOES THE PLAY
TAKE PLACE IN--
124
00:08:58,008 --> 00:09:00,811
I DON'T KNOW THE SIGN
FOR "DUNGEON"--
125
00:09:00,811 --> 00:09:03,013
LIKE A CASTLE BASEMENT?
126
00:09:21,992 --> 00:09:24,194
UH...
127
00:09:26,797 --> 00:09:29,740
YOU KNOW
WHAT YOU COULD DO?
PROJECTIONS.
128
00:09:29,740 --> 00:09:34,244
MAYBE SOME SOVIET PHOTOS
OR ARTWORK OR SOMETHING.
129
00:09:34,244 --> 00:09:37,678
OH!
YOU COULD HANG FABRIC
130
00:09:37,678 --> 00:09:41,612
IN LIKE STRIPS,
YEAH, SOMETHING SHEER,
131
00:09:41,612 --> 00:09:43,053
THAT WAY IT HAS
ALL THESE LAYERS.
132
00:09:46,787 --> 00:09:50,661
STUDENTS?
STUDENTS, CAN WE GATHER
TOGETHER PLEASE?
133
00:09:50,661 --> 00:09:53,363
I'M SORRY TO INFORM YOU
THAT YOUR DIRECTOR
134
00:09:53,363 --> 00:09:56,967
WILL NOT BE ABLE TO CONTINUE
WITH THIS PRODUCTION.
135
00:09:56,967 --> 00:10:01,872
AS YOU KNOW,
CARLTON HAS BROUGHT IN
SOME NEW PROGRAMS,
136
00:10:01,872 --> 00:10:05,836
AND WE'VE HAD
TO ELIMINATE OTHERS.
137
00:10:05,836 --> 00:10:07,778
AND IN SPITE
OF THESE CHANGES,
138
00:10:07,778 --> 00:10:10,911
WE ARE STILL STRUGGLING
FINANCIALLY.
139
00:10:10,911 --> 00:10:14,885
AND, AS DIFFICULT AS IT IS
FOR ME TO TELL YOU THIS,
140
00:10:14,885 --> 00:10:18,088
WE WILL NOT BE ABLE TO DO
141
00:10:18,088 --> 00:10:20,721
THE SPRING PRODUCTION
THIS YEAR.
142
00:10:27,998 --> 00:10:30,801
NO, NO ONE HAS BEEN FIRED.
143
00:10:30,801 --> 00:10:35,365
WE CANNOT PAY
THE DIRECTOR'S SALARY
AND HE HAD TO MOVE ON.
144
00:10:35,365 --> 00:10:39,870
I THANK YOU ALL
FOR YOUR ENERGY
145
00:10:39,870 --> 00:10:43,173
AND YOUR PASSION
AND YOUR UNDERSTANDING.
146
00:10:43,173 --> 00:10:45,746
WE'LL TRY AGAIN
NEXT YEAR.
147
00:10:46,847 --> 00:10:49,880
I'M REALLY SORRY.
148
00:12:02,853 --> 00:12:05,996
AND JUST LIKE THAT,
THE ENTIRE DRAMA
PROGRAM GETS CUT?
149
00:12:05,996 --> 00:12:07,958
IT WASN'T REALLY
A WHOLE PROGRAM.
150
00:12:07,958 --> 00:12:09,900
IT WAS MORE OF
AN AFTER-SCHOOL THING.
151
00:12:09,900 --> 00:12:11,461
YOU KNOW, SWEETIE,
IF YOU WANT TO PAINT SETS,
152
00:12:11,461 --> 00:12:13,403
THERE'S THIS REALLY GREAT
PROGRAM AT BUCKNER.
153
00:12:13,403 --> 00:12:15,766
WELL-FUNDED IN PART BY US,
I MIGHT ADD.
154
00:12:15,766 --> 00:12:18,068
DAD, I AM NOT GOING
BACK TO BUCKNER.
155
00:12:18,068 --> 00:12:19,870
THAT'S THE BUMMER
ABOUT THIS WHOLE THING.
156
00:12:19,870 --> 00:12:22,242
I WAS FINALLY STARTING
TO FIT IN AT CARLTON
157
00:12:22,242 --> 00:12:24,074
AND NOW THIS IS
YET ANOTHER THING
158
00:12:24,074 --> 00:12:26,877
THAT WAS KILLED OFF
BY THE HEARING KIDS.
159
00:12:26,877 --> 00:12:30,981
THAT'S WHAT THEY SAID?
THEY CUT THE PLAY BECAUSE
OF THE HEARING PROGRAM?
160
00:12:30,981 --> 00:12:32,382
THEY MIGHT AS WELL HAVE.
161
00:12:32,382 --> 00:12:34,855
YOU KNOW WHAT?
I'M JUST-- I'LL BE--
162
00:12:34,855 --> 00:12:38,288
- BACK FOR DINNER.
- I'M GONNA MAKE A COUPLE
OF CALLS ABOUT THIS.
163
00:12:38,288 --> 00:12:40,831
OH, MOM, NO.
I WOULDN'T.
164
00:12:40,831 --> 00:12:42,492
HONESTLY,
IT'S A DONE DEAL.
165
00:12:42,492 --> 00:12:45,335
HAVE YOU NOT SEEN
YOUR MOTHER IN ACTION?
NOTHING IS A DONE DEAL.
166
00:12:45,335 --> 00:12:48,168
FIGHTING FOR ARTS
IN PUBLIC EDUCATION?
167
00:12:48,168 --> 00:12:50,841
THEY BETTER WATCH OUT.
168
00:12:50,841 --> 00:12:53,303
HEY! CAN I TALK
TO YOU GUYS?
169
00:12:53,303 --> 00:12:55,946
- CHANGING OF THE GUARDS.
- NO, STAY.
170
00:12:55,946 --> 00:13:00,010
I WANT TO TAKE
THE FOOD TRUCK OUT AGAIN
TOMORROW AFTER SCHOOL.
171
00:13:00,010 --> 00:13:02,152
SWEETIE, WE TALKED
ABOUT THIS, OKAY?
172
00:13:02,152 --> 00:13:04,955
YOU ARE TOO YOUNG TO BE
SETTING UP SHOP BY YOURSELF.
173
00:13:04,955 --> 00:13:08,859
MY MOM SAID IT WAS OKAY.
AND I WON'T BE ALONE.
I'M GOING WITH TRAVIS.
174
00:13:10,420 --> 00:13:12,823
REGINA SAYS IT'S OKAY...
175
00:13:12,823 --> 00:13:15,996
OKAY, BUT I WANT YOU
BACK HERE BY 9:00.
176
00:13:15,996 --> 00:13:17,527
- OKAY, OF COURSE.
- ALL RIGHT.
177
00:13:17,527 --> 00:13:19,169
YES.
THANK YOU!
178
00:13:28,939 --> 00:13:30,380
HEY HEY!
179
00:13:30,380 --> 00:13:33,844
WHY ALL THE SECRET
SIGNING?
180
00:13:33,844 --> 00:13:35,445
NOTHING!
181
00:13:36,987 --> 00:13:39,219
SO WHY WASH U, HUH?
182
00:13:39,219 --> 00:13:41,421
- WELL, YOU WENT THERE.
- ( chuckles )
183
00:13:41,421 --> 00:13:43,924
I KIND OF LIKE
THE IDEA OF KEEPING UP
A FAMILY TRADITION.
184
00:13:43,924 --> 00:13:46,426
WELL, YOUR FATHER
DIDN'T GO THERE.
185
00:13:46,426 --> 00:13:47,928
HE DIDN'T GO ANYWHERE.
186
00:13:49,860 --> 00:13:54,364
I GUESS SOMETIMES
FAMILY TRADITIONS
SKIP GENERATIONS.
187
00:13:56,867 --> 00:14:00,470
- SO WHAT ELSE DO YOU HAVE?
- WHAT DO YOU MEAN?
188
00:14:00,470 --> 00:14:03,073
WELL, YOU DID TWO YEARS
OF LACROSSE AND QUIT.
189
00:14:03,073 --> 00:14:05,876
YOU HAVE ANY OTHER
EXTRACURRICULARS?
190
00:14:05,876 --> 00:14:08,178
ARE YOU FLUENT
IN ANY LANGUAGES?
191
00:14:08,178 --> 00:14:10,480
A.S.L.-- SIGN LANGUAGE.
192
00:14:10,480 --> 00:14:13,884
- EVER SINCE
DAPHNE-- MY SISTER--
- YEAH, I KNOW WHO YOU MEAN.
193
00:14:15,956 --> 00:14:19,489
WELL, MUSIC REALLY
TAKES UP MOST OF MY TIME.
194
00:14:19,489 --> 00:14:22,592
- I HAVE A BAND--
- A ROCK AND ROLL BAND, I BET.
195
00:14:22,592 --> 00:14:25,435
YEAH!
WELL, ALTERNATIVE ROCK,
BUT YEAH.
196
00:14:25,435 --> 00:14:28,638
YOU KNOW, THE KIDS
YOU'RE COMPETING AGAINST--
197
00:14:28,638 --> 00:14:32,142
THEY'VE BEEN DOING SOLOS
WITH THE ST. LOUIS SYMPHONY.
198
00:14:32,142 --> 00:14:34,144
- WELL, THAT'S--
- AND I JUST READ
199
00:14:34,144 --> 00:14:36,646
ABOUT A KID
WHO SPENT HIS SUMMER
200
00:14:36,646 --> 00:14:39,449
EXCAVATING MAYAN RUINS
IN GUATEMALA
201
00:14:39,449 --> 00:14:42,512
AND THEN GOT
THE FINDINGS PUBLISHED
IN AN ARCHAEOLOGY JOURNAL.
202
00:14:44,654 --> 00:14:47,017
SO FROM WHERE I SIT,
203
00:14:47,017 --> 00:14:49,990
THERE'S JUST NOT MUCH HERE
TO DISTINGUISH YOU
204
00:14:49,990 --> 00:14:52,292
FROM HUNDREDS OF OTHER KIDS
WHO ARE APPLYING.
205
00:14:52,292 --> 00:14:55,595
WELL, THAT'S WHY I WANTED
TO ASK FOR YOUR HELP.
206
00:14:57,367 --> 00:14:58,528
CAN I HAVE SOME KETCHUP?
207
00:15:03,003 --> 00:15:04,904
- DO YOU HAVE
ANY USE FOR THIS?
- Kathryn: NO.
208
00:15:04,904 --> 00:15:06,206
I USE AN ELECTRIC.
209
00:15:07,437 --> 00:15:10,010
OH, UM, SORRY.
ANYWAY, THIS MEETING?
210
00:15:10,010 --> 00:15:13,083
YEAH, IT'S THIS AFTERNOON.
AND I PLAN ON GOING INTO
THAT PRINCIPAL'S OFFICE
211
00:15:13,083 --> 00:15:17,087
WITH A BATTERING RAM.
AND I WOULD LOVE TO HAVE
MORE PARENTS WITH ME.
212
00:15:17,087 --> 00:15:19,349
I AM SO WITH YOU
ON SAVING ARTS PROGRAMS.
213
00:15:19,349 --> 00:15:22,052
BUT I CAN'T THIS AFTERNOON.
I HAVE A JOB INTERVIEW.
214
00:15:22,052 --> 00:15:24,924
- THAT'S TERRIFIC. WHERE?
- ANSWERING PHONES AT A SPA.
215
00:15:24,924 --> 00:15:27,958
THAT COULD BE FUN--
DISCOUNTED MASSAGES?
216
00:15:27,958 --> 00:15:29,599
AT THIS POINT,
I'LL TAKE ANYTHING.
217
00:15:29,599 --> 00:15:31,931
BECAUSE CLEARLY I NEED
TO GET OUT OF THE HOUSE.
218
00:15:33,263 --> 00:15:35,265
SO ARE YOUR ARMS
HURTING?
219
00:15:35,265 --> 00:15:36,967
( sighs )
220
00:15:36,967 --> 00:15:38,038
NOT IF I DON'T USE THEM.
221
00:15:39,939 --> 00:15:42,272
AND DON'T WORRY,
I'M NOT DEPRESSED.
222
00:15:42,272 --> 00:15:45,075
I'M JUST IN MY ROBE
BECAUSE I WAS OUT LATE.
223
00:15:45,075 --> 00:15:47,047
REALLY?!
IS THIS WITH...?
224
00:15:47,047 --> 00:15:50,650
ZANE.
I SAW HIS BAND
LAST NIGHT.
225
00:15:50,650 --> 00:15:53,123
I KNEW IT.
DID I CALL IT OR WHAT?
226
00:15:53,123 --> 00:15:56,726
YOU DID.
I'M JUST NOT SURE IT'S
THE RIGHT CALL FOR ME.
227
00:15:56,726 --> 00:15:59,289
- WHY NOT?
- LOOK AT MY LIFE.
228
00:15:59,289 --> 00:16:03,633
THIS ISN'T EXACTLY THE TIME
FOR ME TO BE HANGING OUT
AND LISTENING TO JAZZ,
229
00:16:03,633 --> 00:16:07,337
AND ARGUING ABOUT ART
AND POLITICS AND THEN
GOING OUT FOR PANCAKES.
230
00:16:07,337 --> 00:16:09,099
WHY NOT?
231
00:16:09,099 --> 00:16:11,041
BECAUSE I'M NOT IN MY 20s.
232
00:16:11,041 --> 00:16:13,273
I NEED A JOB,
A PLACE OF MY OWN
233
00:16:13,273 --> 00:16:16,046
AND A HUSBAND
WHO ISN'T OUT GETTING
OTHER PEOPLE PREGNANT.
234
00:16:17,377 --> 00:16:19,309
SORRY.
235
00:16:19,309 --> 00:16:21,481
I KNOW YOU'RE GOING
THROUGH A LOT RIGHT NOW,
236
00:16:21,481 --> 00:16:24,084
BUT THAT'S EXACTLY
WHY YOU NEED TO GO OUT.
237
00:16:24,084 --> 00:16:26,386
SEE, THIS IS MY POINT.
WHEN TIMES ARE TOUGH
238
00:16:26,386 --> 00:16:28,988
THAT'S WHEN YOU NEED
CREATIVITY THE MOST.
239
00:16:28,988 --> 00:16:31,621
STIMULATION,
INSPIRATION,
240
00:16:31,621 --> 00:16:35,225
EXPRESSION--
THESE ARE THE THINGS
THAT RENEW US
241
00:16:35,225 --> 00:16:38,298
AND KEEP US GROWING
SO WE CAN FIGHT THROUGH
ANOTHER DAY.
242
00:16:38,298 --> 00:16:41,000
YOU ARE READY TO TALK
TO THAT PRINCIPAL,
AREN'T YOU?
243
00:16:42,372 --> 00:16:43,603
YEAH.
244
00:16:43,603 --> 00:16:46,676
I APPRECIATE THE VALUE
OF ARTS IN EDUCATION,
245
00:16:46,676 --> 00:16:48,708
- KATHRYN, I DO.
- I KNOW YOU DO--
246
00:16:48,708 --> 00:16:50,710
BUT THAT DOESN'T
BALANCE MY BUDGET.
247
00:16:50,710 --> 00:16:54,614
AND IF I DON'T BALANCE
MY BUDGET, THEN THERE IS
NO MORE CARLTON.
248
00:16:54,614 --> 00:16:57,747
THEN GIVE IT TO US.
LET THE PARENTS
TAKE OVER THE PLAY
249
00:16:57,747 --> 00:17:00,090
AND YOU JUST WORRY
ABOUT SAVING THE SCHOOL.
250
00:17:00,090 --> 00:17:02,622
PLEASE!
IT WOULD MEAN
SO MUCH TO THEM.
251
00:17:02,622 --> 00:17:04,424
WE JUST LOST
THE DIRECTOR.
252
00:17:04,424 --> 00:17:07,297
I DON'T HAVE A SALARY
OR A PRODUCTION BUDGET.
253
00:17:07,297 --> 00:17:09,799
I THINK THE SHIP HAS
SAILED ON THIS ONE.
254
00:17:11,761 --> 00:17:13,263
- Daphne: THANK YOU.
- ♪ I TURNED THE CORNER ♪
255
00:17:13,263 --> 00:17:15,535
♪ AND I SAW YOUR SMILE ♪
256
00:17:15,535 --> 00:17:18,768
♪ IT TAKES ME BACK,
TAKES ME BACK FOR A WHILE ♪
257
00:17:18,768 --> 00:17:20,510
♪ TO A PLACE ♪
258
00:17:21,771 --> 00:17:23,673
♪ I FEEL LIKE I BELONG ♪
259
00:17:25,675 --> 00:17:29,119
♪ YOU GOT ME LAUGHING,
LAUGHING LIKE YOU ALWAYS DO ♪
260
00:17:29,119 --> 00:17:32,552
♪ IT'S REALLY SIMPLE,
BUT I DIG THE THINGS YOU DO ♪
261
00:17:32,552 --> 00:17:35,185
♪ A LITTLE WINK ♪
262
00:17:35,185 --> 00:17:37,827
♪ JUST LIGHTS UP THE ROOM ♪
263
00:17:39,689 --> 00:17:41,531
♪ YOU GOT A GLOW ♪
264
00:17:41,531 --> 00:17:45,064
♪ FROM HEAD TO TOE... ♪
265
00:17:46,196 --> 00:17:48,668
- ( vocalizing )
- ( laughing )
266
00:17:48,668 --> 00:17:51,271
♪ IT'S SUCH A GOOD TIME. ♪
267
00:17:51,271 --> 00:17:53,243
HI, HOW CAN I HELP YOU?
268
00:17:53,243 --> 00:17:54,744
UH, TWO OF THE SPECIALS.
269
00:17:54,744 --> 00:17:56,676
OKAY, SPICY
OR REGULAR?
270
00:17:56,676 --> 00:17:58,608
- SPICY.
- SPICY.
271
00:18:04,854 --> 00:18:06,416
YEAH.
272
00:18:06,416 --> 00:18:08,688
- IS HE THROWING
GANG SIGNS AT YOU?
- NO NO,
273
00:18:08,688 --> 00:18:11,761
- IT'S SIGN LANGUAGE.
WE'RE DEAF.
- FOR REAL?
274
00:18:11,761 --> 00:18:14,164
- BUT YOU HEARD WHAT I SAID.
- I READ YOUR LIPS.
275
00:18:14,164 --> 00:18:15,525
COOL.
276
00:18:15,525 --> 00:18:17,697
WHO DO YOU WORK FOR?
I'VE NEVER SEEN
THIS TRUCK BEFORE.
277
00:18:17,697 --> 00:18:19,699
- OH, IT'S MINE.
- YOURS?
278
00:18:19,699 --> 00:18:21,271
- MM-HMM.
- DAMN.
279
00:18:21,271 --> 00:18:23,733
I CAN HEAR AND SEE PERFECT--
ALL I GOT IS AN OLD BIKE.
280
00:18:23,733 --> 00:18:25,705
( laughs )
281
00:18:27,477 --> 00:18:29,639
HEY, YOU KNOW
WHAT YOU SHOULD DO?
PUT YOUR PICTURE
282
00:18:29,639 --> 00:18:31,841
ON THE SIDE OF THE TRUCK,
CALL IT "DEAF HOT TACOS."
283
00:18:31,841 --> 00:18:34,844
WITH A FACE LIKE YOURS,
GUYS WILL BE LINING UP
AROUND THE BLOCK.
284
00:18:34,844 --> 00:18:37,517
THANKS. ENJOY.
285
00:18:46,756 --> 00:18:49,759
OOH, SCARY.
286
00:18:49,759 --> 00:18:51,831
I'M SORRY
ABOUT THE MESS.
287
00:18:51,831 --> 00:18:53,763
I PROMISE I'M GOING
TO CLEAN IT UP.
288
00:18:53,763 --> 00:18:56,736
NO, IT'S FINE.
IT'S NICE HAVING
YOU WORK HERE.
289
00:18:58,708 --> 00:19:01,771
I HATE TO BOTHER YOU
WHILE YOU'RE IN "THE ZONE,"
290
00:19:01,771 --> 00:19:03,713
BUT I JUST WANTED
TO TELL YOU
291
00:19:03,713 --> 00:19:06,145
THAT SOME WONDERFULLY
COMMITTED CARLTON PARENT
292
00:19:06,145 --> 00:19:08,418
SPOKE TO PRINCIPAL ROSE
THIS AFTERNOON
293
00:19:08,418 --> 00:19:11,321
AND IT LOOKS LIKE
THE PLAY IS BACK ON.
294
00:19:11,321 --> 00:19:14,554
- SERIOUSLY?
WHO DID THAT?
- ME.
295
00:19:14,554 --> 00:19:17,227
THAT'S AMAZING!
THANK YOU.
296
00:19:17,227 --> 00:19:19,589
REHEARSALS START
TOMORROW AFTER SCHOOL,
297
00:19:19,589 --> 00:19:21,361
AND I AM SO EXCITED!
298
00:19:21,361 --> 00:19:23,833
WHY ARE YOU SO EXCITED?
299
00:19:23,833 --> 00:19:28,438
WELL, AS YOU KNOW,
THEY HAD TO CUT THE SALARY
OF THE DIRECTOR
300
00:19:28,438 --> 00:19:31,641
BECAUSE OF THE BUDGET,
SO IT BECAME A VOLUNTEER
POSITION.
301
00:19:31,641 --> 00:19:34,444
- YOU VOLUNTEERED.
- YEAH.
302
00:19:34,444 --> 00:19:36,376
IT'S JUST
A STOPGAP MEASURE.
303
00:19:36,376 --> 00:19:40,250
ARE YOU REALLY QUALIFIED
TO DO SOMETHING LIKE THIS?
304
00:19:40,250 --> 00:19:43,683
I'VE BEEN IN A LOT OF PLAYS
AND I DIRECTED THE HOLIDAY
PAGEANT AT THE CHURCH--
305
00:19:43,683 --> 00:19:46,386
RIGHT, UH...
YEAH, I KNOW.
306
00:19:47,657 --> 00:19:49,419
I'M SURE IT'S GONNA BE FINE.
307
00:19:50,860 --> 00:19:53,763
HEY, HOW DID IT GO
WITH YOUR GRANDFATHER?
308
00:19:54,924 --> 00:19:56,826
UH, ACTUALLY NOT SO GOOD.
309
00:19:56,826 --> 00:19:59,529
WHAT DO YOU MEAN?
IS HE GOING TO MAKE
THE CALL OR WHAT?
310
00:19:59,529 --> 00:20:02,302
I DON'T KNOW.
HE DIDN'T SAY.
311
00:20:02,302 --> 00:20:05,735
HUH.
SO WHAT DID HE SAY?
312
00:20:05,735 --> 00:20:08,508
THAT I AM NOT
WASH U MATERIAL.
313
00:20:08,508 --> 00:20:12,942
- HE SAID THAT?
- WELL YEAH, THAT I'M...
314
00:20:12,942 --> 00:20:15,585
LIKE EVERYBODY ELSE
THAT'S APPLYING.
315
00:20:15,585 --> 00:20:17,787
DID YOU TELL HIM
ABOUT YOUR MUSIC?
316
00:20:17,787 --> 00:20:21,421
I TRIED, BUT HE JUST
KEPT CALLING IT A HOBBY.
317
00:20:21,421 --> 00:20:23,453
HONESTLY,
I DON'T EVEN CARE.
318
00:20:23,453 --> 00:20:25,295
OKAY, YOU KNOW WHAT?
LISTEN TO ME.
319
00:20:25,295 --> 00:20:27,897
YOUR MUSIC, YOUR BAND--
THESE ARE THINGS
320
00:20:27,897 --> 00:20:29,929
THAT ARE GOING TO SET
YOUR APPLICATION APART.
321
00:20:29,929 --> 00:20:31,561
AND YOUR GRANDFATHER...
322
00:20:34,734 --> 00:20:36,906
( clears throat )
HE'S NOT THE KIND OF MAN
323
00:20:36,906 --> 00:20:38,768
TO OFFER
A LOT OF APPROVAL.
324
00:20:38,768 --> 00:20:40,840
HE'S GOT HIS OWN IDEAS
325
00:20:40,840 --> 00:20:42,742
ABOUT HOW THINGS
SHOULD GO.
326
00:20:42,742 --> 00:20:46,015
AND IF YOU WANT
TO GO YOUR OWN WAY--
LIKE, LET'S SAY,
327
00:20:46,015 --> 00:20:49,449
TURN DOWN
A FOOTBALL SCHOLARSHIP
TO THE UNIVERSITY OF IOWA
328
00:20:49,449 --> 00:20:51,481
TO PLAY BASEBALL
IN THE MAJOR LEAGUES--
329
00:20:51,481 --> 00:20:53,683
NO AMOUNT OF SUCCESS
330
00:20:53,683 --> 00:20:55,355
WILL MAKE HIM
COME AROUND.
331
00:20:55,355 --> 00:20:57,827
ALL HE SEES
332
00:20:57,827 --> 00:20:59,829
IS THAT YOU DIDN'T
DO IT HIS WAY.
333
00:21:03,393 --> 00:21:06,436
WELL, IF I DID IT HIS WAY,
I'D BETTER START
HIGH SCHOOL AGAIN.
334
00:21:06,436 --> 00:21:08,368
NOW YOU LISTEN TO ME.
335
00:21:08,368 --> 00:21:10,770
THIS AFTERNOON,
YOU PUT IT OUT
OF YOUR HEAD.
336
00:21:10,770 --> 00:21:14,904
YOU FINISH THOSE APPLICATIONS.
HE DOES NOT GET TO DERAIL YOU.
337
00:21:14,904 --> 00:21:17,777
- BUT, DAD, I--
- NO BUTS, TOBY.
338
00:21:17,777 --> 00:21:20,780
YOU GET
THOSE APPLICATIONS IN.
339
00:21:31,561 --> 00:21:32,892
SO WHAT WAS
THE THEORY AGAIN?
340
00:21:32,892 --> 00:21:35,625
FAMILY CONNECTIONS ARE GONNA
HELP TOBY GET INTO COLLEGE?
341
00:21:35,625 --> 00:21:37,597
- DID HE TALK TO YOUR DAD?
- OH YEAH.
342
00:21:37,597 --> 00:21:40,670
JUST LONG ENOUGH
TO START THINKING HE DOESN'T
HAVE A SHOT AT GETTING IN.
343
00:21:40,670 --> 00:21:43,903
- HOW DID HE DO THAT?
- I KNOW EXACTLY HOW HE DID IT.
344
00:21:46,776 --> 00:21:49,879
PEERING OVER HIS GLASSES
LIKE YOU BOTH KNOW
IT'S THE TRUTH,
345
00:21:49,879 --> 00:21:52,782
AND IF YOU CAN'T ADMIT IT,
YOU'RE A COWARD.
346
00:21:52,782 --> 00:21:54,984
OKAY,
347
00:21:54,984 --> 00:21:56,946
WE KNOW TOBY.
348
00:21:56,946 --> 00:22:00,820
HE MAY GET PUSHED OFF
HIS AXIS FOR A DAY OR TWO,
349
00:22:00,820 --> 00:22:02,522
BUT HE'LL THINK ABOUT IT
350
00:22:02,522 --> 00:22:04,424
AND HE'LL COME BACK
STRONGER THAN EVER.
351
00:22:04,424 --> 00:22:07,096
- YOU SURE ABOUT THAT?
- HE'S NOT LIKE YOU, JOHN.
352
00:22:07,096 --> 00:22:10,029
- WHAT'S THAT SUPPOSED TO MEAN?
- IT MEANS HE DIDN'T GROW UP
353
00:22:10,029 --> 00:22:11,861
HAVING TO DEFEND HIMSELF
ALL THE TIME.
354
00:22:11,861 --> 00:22:15,004
HE HAS A LOVING FATHER
355
00:22:15,004 --> 00:22:17,106
WHO SUPPORTS HIM.
HE'LL TAKE IT IN
356
00:22:17,106 --> 00:22:19,869
AND THEN REMEMBER
WHO HE IS.
357
00:22:20,870 --> 00:22:23,012
REGGIE, COME ON,
IT'S NOT EVEN
MIDNIGHT YET.
358
00:22:23,012 --> 00:22:25,074
WHAT, IS YOUR CAR GONNA
TURN INTO A PUMPKIN?
359
00:22:25,074 --> 00:22:27,417
HAVE YOU SEEN MY CAR?
BECAUSE THAT WOULD BE
AN IMPROVEMENT.
360
00:22:27,417 --> 00:22:30,950
OKAY, HAVE YOU
HAD THE MARTINIS
AT THE GREEN MILL?
361
00:22:30,950 --> 00:22:33,983
- BECAUSE IF YOU HAVEN'T--
- ZANE, I GOTTA GET HOME.
362
00:22:33,983 --> 00:22:36,856
DO YOU UNDERSTAND?
RESPONSIBILITY,
DAUGHTER,
363
00:22:36,856 --> 00:22:40,359
- CRAPPY JOBS TO APPLY FOR.
- ALL OF WHICH WILL STILL
BE THERE
364
00:22:40,359 --> 00:22:42,662
- AFTER THE MARTINI.
- ( laughs )
365
00:22:42,662 --> 00:22:45,565
HAVE YOU EVEN HAD A DAY JOB?
366
00:22:45,565 --> 00:22:47,437
UH, HELL YES.
367
00:22:47,437 --> 00:22:50,540
REUPHOLSTERING FURNITURE
IN MY UNCLE'S SHOP.
I WAS MISERABLE.
368
00:22:50,540 --> 00:22:53,102
BY THE WAY,
IT'S NOT LIKE I'M LIVING
A LIFE OF LEISURE HERE.
369
00:22:53,102 --> 00:22:55,545
BUT IT'S A HELL
OF A LOT MORE FUN.
370
00:22:57,006 --> 00:22:58,578
( sighs )
371
00:22:58,578 --> 00:23:00,750
YOU KNOW WHAT?
372
00:23:02,552 --> 00:23:05,985
MAYBE I'M JUST
NOT IN A FUN PLACE
IN MY LIFE RIGHT NOW.
373
00:23:05,985 --> 00:23:07,917
UH-OH.
374
00:23:07,917 --> 00:23:09,919
YOU LIVE IN OZ,
375
00:23:09,919 --> 00:23:12,922
AND I AM IN KANSAS
376
00:23:12,922 --> 00:23:15,565
IN, LIKE, THE MIDDLE
OF A TORNADO.
377
00:23:15,565 --> 00:23:18,628
- HOLD ON--
- AND HONESTLY? I DON'T EVEN
LIKE JAZZ ALL THAT MUCH.
378
00:23:18,628 --> 00:23:20,770
( chuckles )
379
00:23:20,770 --> 00:23:22,872
THERE SHE IS.
380
00:23:22,872 --> 00:23:25,134
THERE'S THE GIRL
I REMEMBER.
381
00:23:25,134 --> 00:23:27,707
I THINK SHE IS
LONG GONE.
382
00:23:27,707 --> 00:23:29,839
YOU DON'T THINK
I HAVEN'T CHANGED EITHER?
383
00:23:29,839 --> 00:23:32,742
I HAVE TWO GROWN GIRLS.
I HAVE AN EX-WIFE.
384
00:23:32,742 --> 00:23:35,044
I'M PUTTING TOGETHER GIGS
WEEK TO WEEK.
385
00:23:35,044 --> 00:23:37,447
I KNOW.
386
00:23:38,848 --> 00:23:40,950
AND I REALLY LIKE
HANGING OUT WITH YOU.
387
00:23:40,950 --> 00:23:42,992
BUT...
388
00:23:42,992 --> 00:23:45,194
I GOTTA DEAL
WITH THE TORNADO.
389
00:23:54,133 --> 00:23:56,065
( sighs )
390
00:24:00,540 --> 00:24:02,171
TAKE CARE OF YOURSELF.
391
00:24:22,091 --> 00:24:23,933
( exhales )
392
00:25:06,976 --> 00:25:09,278
- HEY THERE.
- DAMN, THOSE TACOS
WERE GOOD.
393
00:25:09,278 --> 00:25:11,911
- THANKS.
- WHAT DO YOU PUT IN THEM?
394
00:25:11,911 --> 00:25:13,242
MY SECRET INGREDIENT.
395
00:25:13,242 --> 00:25:16,185
HEY, HOW DO YOU SAY "TACO"
IN SIGN LANGUAGE?
396
00:25:16,185 --> 00:25:18,618
JUST HOW IT LOOKS--
LIKE THIS.
397
00:25:18,618 --> 00:25:20,049
THAT'S COOL.
398
00:25:20,049 --> 00:25:22,291
- WHAT'S YOUR NAME?
- DAPHNE.
399
00:25:22,291 --> 00:25:24,924
SO, DAPHNE,
400
00:25:24,924 --> 00:25:26,826
YOU WANNA
GO OUT SOMETIME?
401
00:25:28,157 --> 00:25:29,799
( faint rattling )
402
00:25:29,799 --> 00:25:31,060
UH...
403
00:25:33,833 --> 00:25:35,034
DO--
404
00:25:36,766 --> 00:25:38,908
NO, DON'T!
NO!
405
00:25:38,908 --> 00:25:42,812
- ( screaming )
- Guy: LET GO!
406
00:25:44,213 --> 00:25:45,915
- CATCH!
- C'MON, MAN! LET'S GO!
407
00:25:45,915 --> 00:25:49,118
( sobs, gasping )
408
00:26:49,278 --> 00:26:50,940
( groans )
409
00:26:57,216 --> 00:26:59,318
( crying )
410
00:27:05,394 --> 00:27:07,797
HEY.
411
00:27:07,797 --> 00:27:10,159
HOW DID IT GO THE PARK?
DID YOU HAVE ENOUGH SHRIMP?
412
00:27:11,160 --> 00:27:13,262
YEAH, WE HAD ENOUGH.
413
00:27:13,262 --> 00:27:16,105
- ARE YOU OKAY?
- YEAH, UM,
414
00:27:16,105 --> 00:27:18,637
I'M JUST TIRED.
I'M GOING TO GO TO BED.
415
00:27:18,637 --> 00:27:19,909
OKAY.
416
00:27:22,211 --> 00:27:24,413
( sighs )
417
00:27:31,650 --> 00:27:34,183
LOOKS LIKE IT.
418
00:27:37,126 --> 00:27:39,258
HELLO, EVERYBODY!
HELLO!
419
00:27:39,258 --> 00:27:41,791
UM, GATHER AROUND, PLEASE.
420
00:27:41,791 --> 00:27:44,033
COME ON, DON'T BE SHY.
421
00:27:44,033 --> 00:27:46,095
MY NAME IS KATHRYN.
422
00:27:46,095 --> 00:27:49,799
AND LET'S PUT ON A PLAY!
423
00:27:52,241 --> 00:27:54,974
I KNOW THAT YOU ALREADY
424
00:27:54,974 --> 00:27:59,278
STARTED REHEARSALS...
425
00:27:59,278 --> 00:28:00,910
UM, UH,
426
00:28:00,910 --> 00:28:02,782
THIS IS SO EXCITING.
427
00:28:02,782 --> 00:28:05,454
I HAVE MY OWN INTERPRETER.
428
00:28:09,688 --> 00:28:12,261
WE'RE ALL
STORYTELLERS, RIGHT?
429
00:28:12,261 --> 00:28:17,696
SO PLEASE,
JOIN ME FOR THE STORY
OF ROMEO AND JULIET.
430
00:28:20,199 --> 00:28:23,002
OKAY.
431
00:28:23,002 --> 00:28:25,204
THIS IS THE STORY BALL.
432
00:28:25,204 --> 00:28:28,107
WHEN YOU HOLD IT,
YOU HAVE
433
00:28:28,107 --> 00:28:30,179
THE POWER
OVER THE STORY.
434
00:28:30,179 --> 00:28:33,312
OKAY?
OH WAIT, I SEE--
435
00:28:33,312 --> 00:28:36,485
YOU HAVE TO SIGN
AND HOLD THE BALL--
THAT'S NOT GONNA WORK.
436
00:28:36,485 --> 00:28:39,218
SO OKAY.
437
00:28:40,249 --> 00:28:41,791
LET'S MAKE IT
438
00:28:41,791 --> 00:28:44,123
AN IMAGINARY BALL.
YEAH?
439
00:28:45,995 --> 00:28:49,198
ALL RIGHT,
HERE, BAY, CATCH!
440
00:28:50,199 --> 00:28:54,303
OKAY, UH...
ONCE THERE WAS
441
00:28:54,303 --> 00:28:57,036
A GIRL NAMED JULIET
442
00:28:57,036 --> 00:28:59,438
AND SHE DID NOT WANT TO
443
00:28:59,438 --> 00:29:03,342
MARRY THE GUY SHE WAS
SUPPOSED TO MARRY...
444
00:29:06,215 --> 00:29:08,818
Interpreter:
"SO SHE GOT INTO A SPACESHIP
445
00:29:08,818 --> 00:29:10,950
AND STARTS HEADING OFF
INTO SPACE."
446
00:29:10,950 --> 00:29:13,152
"WE'RE NOT TALKING ABOUT
GOING OFF INTO SPACE!
447
00:29:13,152 --> 00:29:15,284
THAT'S STUPID."
448
00:29:17,186 --> 00:29:20,289
"THE SOVIET UNION?
THAT WASN'T STUPID?"
449
00:29:20,289 --> 00:29:21,831
WAIT, HOLD IT, HOLD IT.
450
00:29:21,831 --> 00:29:25,294
WE DON'T USE
THE WORD "STUPID"!
ALL IDEAS ARE WELCOME!
451
00:29:25,294 --> 00:29:27,336
COME ON, EVERYBODY.
OKAY-- EXCUSE ME?
452
00:29:27,336 --> 00:29:29,498
EVERYONE, COME BACK,
PLEASE.
453
00:29:29,498 --> 00:29:32,271
YOU-- IN THE BLUE?
CAN SOMEONE GET HER ATTENTION?
454
00:29:32,271 --> 00:29:35,204
PLEASE.
OKAY, NOW WHO HAS THE BALL?
455
00:29:35,204 --> 00:29:37,276
WHO HAS
THE IMAGINARY BALL?
456
00:29:39,208 --> 00:29:40,409
YOU STAY HERE, OKAY?
457
00:29:47,156 --> 00:29:49,288
- HELLO.
- HEY.
458
00:29:50,319 --> 00:29:52,391
YOU AND TOBY
IN THE SAME WEEK.
459
00:29:52,391 --> 00:29:56,225
- IT MUST BE MY BIRTHDAY.
- YEAH, I WANTED TO TALK
TO YOU ABOUT THAT.
460
00:29:57,867 --> 00:30:01,130
YOU KNOW, I DON'T EVEN
HEAR FROM YOU PEOPLE
FOR SIX YEARS,
461
00:30:01,130 --> 00:30:03,802
AND THE DAY YOU SHOW UP,
YOU ASK ME FOR A FAVOR?
462
00:30:03,802 --> 00:30:05,574
CALLING YOU WASN'T MY IDEA.
463
00:30:05,574 --> 00:30:07,376
I TRIED TO TALK HIM
OUT OF IT.
464
00:30:07,376 --> 00:30:09,508
- I THOUGHT WE HAD
A NICE MEETING.
- OH YEAH?
465
00:30:09,508 --> 00:30:12,141
IS THAT WHAT YOU THINK?
YOU THINK IT WAS NICE?
466
00:30:12,141 --> 00:30:13,582
HE ASKED YOU
TO MAKE ONE CALL.
467
00:30:13,582 --> 00:30:16,085
- I KNOW WHAT HE ASKED ME.
- THEN WHY COULDN'T YOU DO IT
468
00:30:16,085 --> 00:30:18,217
WITHOUT ALL
THE LITTLE DIGS?
469
00:30:18,217 --> 00:30:20,189
I TOLD HIM
I'D MAKE THE CALL
470
00:30:20,189 --> 00:30:22,421
AFTER HE BEEFED UP
HIS RESUME.
471
00:30:22,421 --> 00:30:24,593
YOU WEREN'T SUPPOSED
TO CRITIQUE HIM.
472
00:30:24,593 --> 00:30:27,156
HE WASN'T ASKING
FOR YOUR OPINION.
473
00:30:27,156 --> 00:30:29,298
MAYBE, JUST MAYBE,
474
00:30:29,298 --> 00:30:31,330
HE WANTED
A LITTLE SUPPORT.
475
00:30:31,330 --> 00:30:33,963
HE'S GOT
SOME STIFF COMPETITION.
IF HE CAN'T TAKE THAT--
476
00:30:33,963 --> 00:30:36,305
OH YEAH-- YEAH RIGHT.
YEAH.
477
00:30:36,305 --> 00:30:39,168
THE BILL KENNISH
NO-BULL STRAIGHT TALK.
478
00:30:39,168 --> 00:30:42,211
WELL, THANK YOU FOR BEING
THE ONLY PERSON
479
00:30:42,211 --> 00:30:44,213
TO TELL IT TO HIM
LIKE IT REALLY IS.
480
00:30:44,213 --> 00:30:46,445
YOU TURNED OUT
ALL RIGHT.
481
00:30:46,445 --> 00:30:49,178
YOU CAN'T TAKE CREDIT
FOR ME.
482
00:30:49,178 --> 00:30:51,921
WHAT I'VE DONE,
I'VE DONE IN SPITE OF YOU.
483
00:30:51,921 --> 00:30:53,552
( chuckles )
484
00:30:53,552 --> 00:30:57,126
YOU CAME ALL THE WAY
OUT HERE TO PICK THAT
SAME OLD FIGHT WITH ME?
485
00:30:57,126 --> 00:30:59,188
SOME THINGS JUST
NEVER CHANGE, DO THEY?
486
00:31:01,160 --> 00:31:04,233
YOU KNOW,
487
00:31:04,233 --> 00:31:07,196
EVERY ONCE IN A WHILE
I ASK MYSELF IF I DID
THE RIGHT THING
488
00:31:07,196 --> 00:31:10,099
KEEPING YOU OUT
OF MY KIDS' LIVES.
489
00:31:10,099 --> 00:31:13,302
AND I JUST WANT TO THANK YOU
FOR REMOVING ANY OF THAT DOUBT
490
00:31:13,302 --> 00:31:15,174
ONCE AND FOR ALL.
491
00:31:24,513 --> 00:31:26,956
YES, HELLO, I WAS HOPING
TO SPEAK WITH CINDY?
492
00:31:28,988 --> 00:31:30,990
HI, CINDY,
THIS IS REGINA VASQUEZ.
493
00:31:30,990 --> 00:31:33,222
WE MET YESTERDAY ABOUT
THE RECEPTIONIST POSITION?
494
00:31:35,164 --> 00:31:37,626
OH, YOU FILLED IT.
495
00:31:39,028 --> 00:31:40,669
UH-HUH, RIGHT.
496
00:31:40,669 --> 00:31:43,402
WELL, I MEAN, I DON'T HAVE
SPECIFIC RECEPTIONIST EXPERIENCE
497
00:31:43,402 --> 00:31:46,105
BUT I RAN MY OWN BUSINESS
FOR 12 YEARS, WHICH I THOUGHT--
498
00:31:49,939 --> 00:31:52,181
WELL, IF YOU HAVE
ANY OTHER OPENINGS--
499
00:31:54,083 --> 00:31:56,185
( sighs )
500
00:31:56,185 --> 00:31:58,117
WELL, I WILL THINK
ABOUT THAT.
501
00:31:58,117 --> 00:31:59,148
THANKS SO MUCH.
502
00:32:00,519 --> 00:32:02,191
( groans )
503
00:32:46,095 --> 00:32:48,097
KATHRYN WANTED YOU
TO HAVE THIS.
504
00:32:52,171 --> 00:32:55,604
THEY ARE THE OUTLINES
TO THE STAGE.
505
00:32:55,604 --> 00:32:58,577
SHE'S LOOKING FOR NEW
SET-DESIGN IDEAS.
506
00:33:01,410 --> 00:33:03,482
"BUT BAY ALREADY
HAD A GREAT IDEA."
507
00:33:03,482 --> 00:33:07,286
- IT WAS JUST SOME PROJECTIONS.
- OH, THAT SOUNDS GREAT!
508
00:33:07,286 --> 00:33:10,389
- WHY DIDN'T YOU TELL ME?
- IT JUST HADN'T COME UP YET.
509
00:33:10,389 --> 00:33:12,591
OH. WE'LL TALK
ABOUT IT AT HOME.
510
00:33:12,591 --> 00:33:16,295
BUT I WANT YOU
TO KNOW THAT I AM
OPEN TO ALL IDEAS.
511
00:33:26,375 --> 00:33:29,538
YEAH. THAT'S MY MOM.
512
00:33:34,383 --> 00:33:37,146
SHE JUST WANTED TO.
513
00:33:37,146 --> 00:33:39,148
( sighs )
514
00:33:45,394 --> 00:33:50,059
THAT'S MY OTHER MOM.
THIS MOM DOESN'T REALLY
HAVE A LIFE OF HER OWN,
515
00:33:50,059 --> 00:33:53,202
SO SHE'S ALWAYS
PUTTING HERSELF INTO MINE.
516
00:34:02,311 --> 00:34:04,443
( exhales )
517
00:34:08,217 --> 00:34:09,548
MOM.
518
00:34:12,151 --> 00:34:14,153
IS THAT
WHAT YOU THINK OF ME?
519
00:34:14,153 --> 00:34:15,824
THAT I DON'T HAVE A LIFE?
520
00:34:15,824 --> 00:34:19,158
THAT I'M SOMEONE YOU NEED
TO APOLOGIZE FOR?
521
00:34:19,158 --> 00:34:20,559
NO.
522
00:34:20,559 --> 00:34:22,361
AND TO WHO?
523
00:34:22,361 --> 00:34:26,165
THAT MEAN GIRL?
HER OPINION MEANS
THAT MUCH TO YOU?
524
00:34:26,165 --> 00:34:28,537
I'M SORRY,
I WASN'T THINKING.
525
00:34:28,537 --> 00:34:30,539
I HAVE FEELINGS, BAY.
526
00:34:30,539 --> 00:34:33,672
I AM NOT JUST A ROBOT
WHO JUST PROVIDES FOR YOU
527
00:34:33,672 --> 00:34:36,305
AND THEN DISAPPEARS
UNTIL YOU NEED ME AGAIN.
528
00:34:36,305 --> 00:34:37,746
MOM-- MOM!
529
00:34:41,150 --> 00:34:42,751
THAT'S NOT WHAT I THINK.
530
00:34:42,751 --> 00:34:45,214
YOU THINK THAT BECAUSE
I AM NOT ARTISTIC
531
00:34:45,214 --> 00:34:47,756
OR INDEPENDENT ENOUGH
FOR YOU,
532
00:34:47,756 --> 00:34:50,289
YOU DON'T HAVE
TO BE KIND TO ME
OR SUPPORTIVE?
533
00:34:52,121 --> 00:34:54,092
BAY, I DID THIS FOR YOU.
534
00:34:54,092 --> 00:34:56,165
NO, YOU DIDN'T.
535
00:34:56,165 --> 00:34:57,866
I'M SORRY, MOM,
BUT YOU DID THIS FOR YOU.
536
00:34:57,866 --> 00:35:00,299
YOU ASKED ME
TO SAVE YOUR DRAMA CLUB!
537
00:35:00,299 --> 00:35:02,601
I DIDN'T ASK YOU TO JOIN IT!
IT WAS MY THING.
538
00:35:06,135 --> 00:35:09,708
IN TWO YEARS
YOU'RE GOING TO BE OUT
OF THE HOUSE FOREVER.
539
00:35:11,780 --> 00:35:14,743
AND THIS THAT WE HAVE
TOGETHER RIGHT NOW?
540
00:35:14,743 --> 00:35:16,415
IT'S GOING TO BE GONE.
541
00:35:18,487 --> 00:35:21,350
I JUST WANTED TO MAKE IT
LAST A LITTLE LONGER.
542
00:35:30,559 --> 00:35:32,531
( sighs )
543
00:35:38,407 --> 00:35:40,138
( crickets chirping )
544
00:37:18,337 --> 00:37:19,938
( exhales sharply )
545
00:37:25,614 --> 00:37:27,316
( Kathryn sighs )
546
00:37:29,848 --> 00:37:31,320
HEY.
547
00:37:32,681 --> 00:37:35,824
YOU'D THINK
I'D HAVE LEARNED
TO LABEL THESE BUTTONS.
548
00:37:35,824 --> 00:37:38,026
IT'S SO HARD
TO FIND A MATCH.
549
00:37:39,688 --> 00:37:41,690
I'M SORRY ABOUT WHAT
I SAID TO NATALIE.
550
00:37:43,792 --> 00:37:45,834
I KNOW THAT YOU HAVE A LIFE.
551
00:37:47,496 --> 00:37:49,538
YOU KNOW
YOU WEREN'T WRONG
552
00:37:49,538 --> 00:37:52,941
ABOUT ME BARGING IN
ON YOUR DRAMA CLUB.
553
00:37:52,941 --> 00:37:55,374
YOU DIDN'T ASK
FOR THAT.
554
00:37:55,374 --> 00:37:57,906
AND AS SOON AS I CAN
FIND A REPLACEMENT,
I'LL STEP DOWN.
555
00:37:57,906 --> 00:38:00,579
THAT'S NOT WHAT I WANT.
556
00:38:03,682 --> 00:38:06,855
SOMETIMES IT'S NOT JUST
ABOUT WHAT YOU WANT.
557
00:38:06,855 --> 00:38:09,488
I KNOW.
558
00:38:12,491 --> 00:38:15,624
I'M SORRY.
I FEEL SO BAD.
559
00:38:21,800 --> 00:38:24,302
HONEY, COME HERE.
560
00:38:26,335 --> 00:38:29,908
YOU ARE NOT
THE FIRST DAUGHTER
TO TORMENT HER MOTHER.
561
00:38:29,908 --> 00:38:31,840
( both laugh )
562
00:38:31,840 --> 00:38:34,583
I'LL GET OVER IT.
563
00:38:34,583 --> 00:38:37,085
( sniffles )
564
00:38:40,949 --> 00:38:44,423
- BUT I'M NOT SURE
I REALLY LIKE THIS NATALIE.
- ( chuckles )
565
00:38:44,423 --> 00:38:47,626
I DIDN'T EITHER...
AT FIRST,
566
00:38:47,626 --> 00:38:49,858
BUT SHE'LL COME AROUND.
567
00:38:49,858 --> 00:38:52,601
MMM.
568
00:38:52,601 --> 00:38:54,903
I CAN'T WAIT.
( laughs )
569
00:38:56,334 --> 00:38:58,667
HEY, I GOT YOUR TEXT.
570
00:38:58,667 --> 00:39:00,509
HEY. SO,
571
00:39:00,509 --> 00:39:02,441
I HAVE BEEN IN TOUCH
WITH DARRYL,
572
00:39:02,441 --> 00:39:04,843
MY OLD BATTING COACH
WITH THE ROYALS.
HE'S A WASH U ALUM.
573
00:39:04,843 --> 00:39:07,045
TURNS OUT HIS BROTHER
IS A DEAN OVER THERE.
574
00:39:07,045 --> 00:39:09,748
HE WANTS TO SIT DOWN
WITH YOU AND CALL
HIS BROTHER
575
00:39:09,748 --> 00:39:11,780
WHO'S GOT A LITTLE PULL.
576
00:39:11,780 --> 00:39:14,453
- OH.
- C'MON!
THIS IS GREAT NEWS.
577
00:39:14,453 --> 00:39:16,755
YEAH, IT'S JUST--
578
00:39:16,755 --> 00:39:18,927
I DON'T KNOW.
I'VE BEEN THINKING.
579
00:39:18,927 --> 00:39:22,561
I ONLY APPLIED TO WASH U
BECAUSE MY COUNSELOR
SAID I SHOULD.
580
00:39:22,561 --> 00:39:25,964
- IF YOU DON'T
WANT TO GO THERE--
- ANY COLLEGE REALLY.
581
00:39:25,964 --> 00:39:30,098
I MEAN I ONLY APPLIED
BECAUSE THAT'S WHAT
YOU'RE SUPPOSED TO DO--
582
00:39:30,098 --> 00:39:33,442
AH, NO NO.
IT'S ABOUT GROWING UP
583
00:39:33,442 --> 00:39:34,773
AND STARTING LIFE
AS AN ADULT.
584
00:39:34,773 --> 00:39:37,406
BUT COLLEGE ISN'T
THE ONLY WAY TO DO THAT.
585
00:39:37,406 --> 00:39:39,748
YOU SAID YOU NEVER GREW UP
FASTER THAN THAT SUMMER
586
00:39:39,748 --> 00:39:42,881
YOU PLAYED BASEBALL
FOR THAT CAPE COD LEAGUE
WHEN YOU WERE 17.
587
00:39:42,881 --> 00:39:46,685
- I WAS ON A DIFFERENT PATH.
- I DON'T EVEN KNOW
IF I HAVE A PATH.
588
00:39:46,685 --> 00:39:48,587
SEE THAT RIGHT THERE?
589
00:39:48,587 --> 00:39:51,520
THAT IS EXACTLY WHAT
YOUR GRANDFATHER WANTED:
590
00:39:51,520 --> 00:39:54,693
GET UNDER YOUR SKIN
AND MAKE YOU DOUBT YOURSELF.
591
00:39:54,693 --> 00:39:57,426
DAD, THIS ISN'T ABOUT YOU
AND GRANDPA AND WHO'S RIGHT.
592
00:39:57,426 --> 00:39:59,798
IT'S ABOUT ME
AND WHAT I WANT.
593
00:39:59,798 --> 00:40:02,931
YOU KNOW WHAT,
IT'S OKAY TO BE NERVOUS
OR EVEN HAVE DOUBTS.
594
00:40:02,931 --> 00:40:05,103
COLLEGE IS A BIG CHANGE,
595
00:40:05,103 --> 00:40:07,776
BUT YOU HAVE THE ENTIRE
SUMMER AHEAD OF YOU.
596
00:40:07,776 --> 00:40:10,078
DO WHAT YOU WANT--
597
00:40:10,078 --> 00:40:12,881
TRAVEL, PLAY MUSIC,
LOAF AROUND.
598
00:40:12,881 --> 00:40:14,783
NO PRESSURE.
599
00:40:14,783 --> 00:40:17,646
YOU DO NOT HAVE TO MAKE UP
YOUR MIND RIGHT NOW.
600
00:40:18,947 --> 00:40:20,989
WELL, I HAVE MADE UP
MY MIND.
601
00:40:22,050 --> 00:40:23,922
I'M NOT GOING
TO COLLEGE NEXT YEAR.
602
00:40:28,897 --> 00:40:31,760
HEY. SO DID YOU DO
603
00:40:31,760 --> 00:40:33,962
A SET DESIGN IDEA?
604
00:40:37,966 --> 00:40:39,508
OH.
605
00:40:41,670 --> 00:40:44,012
NO, I GET IT.
606
00:40:54,082 --> 00:40:56,855
WE HAVE A PRETTY SERIOUS
SITUATION HERE.
607
00:40:56,855 --> 00:41:01,560
THE SCHOOL HAS NO MONEY
FOR ANY OF THIS-- NOTHING.
608
00:41:01,560 --> 00:41:04,793
NOT FOR SETS,
NOT FOR COSTUMES,
609
00:41:04,793 --> 00:41:06,635
NOT FOR INTERPRETERS
610
00:41:06,635 --> 00:41:08,967
AND DEFINITELY NOT
FOR DRAMA TEACHERS.
611
00:41:10,599 --> 00:41:13,001
SO WE NEED
TO BE DOING THIS,
612
00:41:13,001 --> 00:41:15,804
ALL OF US,
613
00:41:15,804 --> 00:41:18,206
SOLELY OUT OF LOVE.
614
00:41:19,978 --> 00:41:22,511
LOVE FOR THE THEATER,
615
00:41:22,511 --> 00:41:26,184
AND LOVE FOR WORKING
TOGETHER AS A TEAM--
616
00:41:26,184 --> 00:41:28,857
EACH OF US
WITH DIFFERENT TALENTS
617
00:41:28,857 --> 00:41:31,760
AND DIFFERENT IDEAS,
COMING TOGETHER
618
00:41:31,760 --> 00:41:34,763
TO CREATE SOMETHING
THAT JUST MIGHT BE...
619
00:41:36,224 --> 00:41:37,926
GREAT.
620
00:41:39,868 --> 00:41:43,271
SO IF YOU'RE READY
TO DO THIS WITH ME,
621
00:41:43,271 --> 00:41:46,004
THEN STAY.
AND IF YOU'RE NOT,
622
00:41:46,004 --> 00:41:47,906
THEN IT'S TIME TO GO.
623
00:41:59,247 --> 00:42:01,890
GOOD.
THEN LET'S GET STARTED.
624
00:42:01,890 --> 00:42:04,823
I'VE MADE SOME COPIES
OF THE OPENING SCENE...
625
00:42:05,824 --> 00:42:07,856
AND HERE YOU GO.
626
00:42:18,937 --> 00:42:22,711
- Zane: HEY.
- DID I MISS
YOUR WHOLE SET?
627
00:42:22,711 --> 00:42:24,242
PERFECT TIMING ACTUALLY.
628
00:42:24,242 --> 00:42:26,615
WE WERE JUST ABOUT TO GO
GET SOMETHING TO EAT.
629
00:42:26,615 --> 00:42:28,917
YOU GUYS GO.
I'M NOT THAT HUNGRY.
630
00:42:28,917 --> 00:42:30,819
Bartender:
AW MAN, JACKPOT!
631
00:42:30,819 --> 00:42:33,181
SOMEBODY LEFT LIKE
HALF A BORDEAUX.
632
00:42:33,181 --> 00:42:35,123
IT'S A $300 BOTTLE, PEOPLE.
633
00:42:35,123 --> 00:42:37,555
- WHO'S IN?
- CAN'T PASS THAT UP.
634
00:42:37,555 --> 00:42:39,087
REGINA?
635
00:42:43,832 --> 00:42:46,965
YOU KNOW, YOU LOOK
FANTASTIC TONIGHT.
636
00:42:46,965 --> 00:42:48,867
WHERE ARE
YOU GUYS HEADED?
637
00:42:50,268 --> 00:42:53,101
UH, EMERALD CITY.
638
00:42:53,101 --> 00:42:57,706
♪ IT'S JUST
A VACATION... ♪
639
00:43:00,849 --> 00:43:03,852
- Bartender: NICE, RIGHT?
- BEAUTIFUL.
640
00:43:03,852 --> 00:43:05,684
GUESS YOU'RE DONE
WITH THAT CLEANSE.
641
00:43:05,684 --> 00:43:08,817
ALL DONE.
642
00:43:08,817 --> 00:43:11,059
SO, REGINA,
WHAT DO YOU DO?
643
00:43:11,059 --> 00:43:13,722
COSMETOLOGY
FOR A LOT OF YEARS,
644
00:43:13,722 --> 00:43:17,225
BUT I'M OPEN TO SOMETHING
NEW RIGHT NOW.
645
00:43:17,225 --> 00:43:18,266
REGINA CAME HERE
646
00:43:18,266 --> 00:43:20,098
EVER SINCE T.J.
WAS RUNNING IT.
647
00:43:20,098 --> 00:43:23,672
- NO.
- ( Regina chuckles )
648
00:43:23,672 --> 00:43:25,874
YOU'RE THE ONE THAT
CAN DANCE, RIGHT?
649
00:43:25,874 --> 00:43:28,076
- OH, SHE CAN?
- I'VE HEARD OF HER!
650
00:43:28,076 --> 00:43:30,078
( conversation fades )
52324
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