All language subtitles for South.of.Hell.S01E06.Take.Life.Now.1080p.AMZN.WEB-DL.DDP.2.0.H.264-edge2020

- How long are you gonna
keep blaming me for Spencer?

- I'm ready to spend some time
with someone.

- Last time
I got close to a guy,

it didn't work out
too well.

Oh, my God!

He was the only man
I ever really loved.

I want to,
but I'm just not ready yet.

- Crazy things
are happening to me.

I need to know the truth
about my mother.

- Grace, you're the most
perfect woman I have ever seen.

- Stay away from David.

- I think I'm in love with her.

- You just made
the biggest mistake.

- There was another man
here.

Came back about
a year later.

Tell me where to
find him.

- The rune is the mark
of an angel.

Grace is an angel.

- Maria's strong
enough to defeat Enos.

- She's not.

We need both of them,
devil and angel, to stop Enos.

If I have to use
the devil's tools to do good,

then Hell wins.
- [chant in foreign language]

- You Miss Gracie?
- Yes.

- I'm here to help you
find your mother.

[birds chirping]

[intense music]

[Sea at Last's "Might Flood"]

¶ ¶

- ¶ Lay me down ¶

¶ Upon the road ¶

¶ And hold ¶

¶ My hands...¶

- They say love
is our greatest weapon,

that it can slay
our darkest fears.

- ¶ And the fall winds cry ¶

¶ And the bricks will die ¶

¶ And the thirst will come ¶

- Maria was growing stronger,

fighting back
against the limits

of Abigail's control.

Her will, forged
by the heat of battle

and the flames of desire...

- I wish you could see
how perfect you look right now.

- I like what I'm seeing.

- Are you sure
you're ready for this?

- Let's find out.
- ¶ We go ¶

¶ Down we go ¶

¶ Little feet kicking
from a single blow ¶

- ¶ It's how we are ¶

- ¶ Naked in the moon
with a feather song ¶

- ¶ Down we go ¶

- ¶ Stones in our pockets
from the night before ¶

- ¶ That's how we are ¶

- ¶ Broken with the crown
of the mighty flood ¶

- Spencer--
[gasps] Oh...

- Spencer?

That hurt a little.

- Maria!

I looked everywhere.
I don't know where she is.

- David, tell me
what's going on.

- Grace is gone.

Now Bledsoe can't find Tetra.

Something's happened.

[dramatic music]

- It's always darkest
before the light,

but the opposite
is just as true.

The world doesn't stop spinning
once the sun finally rises.

The darkness simply
waits for its next turn.

[ominous music]

And there are some places
at the end of the world

where light is just a memory,

and shadows rule eternal.

[ominous music]

¶ ¶

[engine revs]

- Please, have a seat.

- Is my mom
going to meet us here?

- Don't worry.
You're in good hands.

Someone will be here shortly
to take us to her.

- What'll you have?

- Two coffees,

and the little lady
will have the soup du jour

and whatever bread
you got left.

[ominous music]

¶ ¶

- What is this place?

- Why, it's just
your average neighborhood diner.

- I'm not hungry.

- Let me give you
a little life lesson, kid.

- Wh--

- Hey!
- Never say no to a meal.

- I didn't mean to spill it.
[glass shatters]

Please, please!
[screams]

Aah!

- You never know
when it might be your last.

- Uhh...aah...aah!

[Cross My Heart's
"Wild Side"]

¶ ¶

- ¶ I've been
on my best behavior ¶

¶ But I've heard
that good girls finish last ¶

¶ Mm, mm ¶

¶ And once you're gone ¶

¶ They say no one
can save you ¶

¶ But who knows? ¶

¶ If I go, I may never want
to ever come back ¶

¶ Oh, I just want to dance
with the Devil tonight ¶

¶ I want to know
what it feels like ¶

¶ I want to close my eyes,
put my hands in the sky ¶

¶ I want to walk
on the wild side ¶

¶ I want to dance
with the Devil tonight ¶

¶ I want to know
what it feels like ¶

¶ I want to close my eyes,
put my hands in the sky ¶

¶ I want to walk
on the wild side, oh ¶

[dramatic music]

¶ ¶

[doors slam]

- What happened?

- Only God knows.

- [sighs]
Tetra, no.

Where's her body?
- A neighbor called,

a parishioner walking her dog
through the church grounds.

Called me before calling
the police.

- Am I dead?

- No, you're alive,

but that won't last long
if you don't behave yourself

and do exactly
what old Monty says.

- Is that you?

- Montclair
St. Claire Éclair.

I know what you're thinking.

Three names in the South,
serial killer...

My parents
just had a sense of humor.

I'm a ferryman.

- Ferryman.
What is that?

- The term's a little
out of fashion these days.

Most of us drive diesel
instead of rowing a skiff,

but my job hadn't changed much
over the years.

And you are quite
a special passenger.

Don't worry--I'm gonna
deliver you to your mama.

- There has to be a connection
between Tetra and Grace missing.

- You were the last one
who saw her.

What did Grace say?

- We argued.

- About what?

Her being with me?
- Yes.

- Mar, I don't even know how you
can look at this hypocrite

after what he did last night.
- Stop it.

- I know I've made mistakes,

but I don't have time
to beg anyone's forgiveness

until we find Grace first.

Tetra promised--

she promised me last night
she'd protect my baby.

- That book, like the ones
Dad used on Sangolo.

This was a ritual--
a blood sacrifice.

Maybe Tetra was trying to help.
- Come on, Mar.

You don't believe anything good
could come from something

that evil, do you?

- But I do now.

Look, it's this book.

The sign of the angel
is in it.

Tetra showed me,

and she said she saw it
on Grace's back,

said she's our only hope.

So I have to believe it.

[dramatic music]

- I have to believe it.

- Elijah.

- Bledsoe!

- I have to believe it.

I have to believe it.
I have to believe it.

- Are you okay?
- Have to believe it,

I have to believe it,
I have to believe it.

[distantly]
- What's happening?

- Believe this, Elijah.

Your little girl
is going to suffer.

[echoing]
- You okay?

- Her soul is going to
rot in Hell

for what you did to me,

and it's all...your...fault.
- [mumbling]

- Bledsoe.
Bledsoe, snap out of it.

Bledsoe!

What just happened?

- That book.
[breathes heavily]

- It's in some ancient language.

- What is that?

[dramatic chords]

- That tree.

[dramatic chords]

David, this map.

- Looks like some kind
of chapel.

- It's the same spot
where Dad built our old house.

- Tree is between...
the house,

so what's here?

- The shed.
[exhales]

- Oh, my.

That mark on your back--

it might as well be
a bull's-eye down here.

And if they knew an angel
was down here,

they'd be fighting
over which one

gets to cut out your heart.

Don't worry--I'll keep you safe
'til our ride gets here.

'Til then,
just keep your head down.

- What do you want?
What do you want?

What do you want?
What do you want?

What do you want?
What do you want?

What do you want?
What do you want?

[suspenseful music]

¶ ¶

- Something wrong?

[infomercial music]

- Life not working out
the way you hoped?

Is eternity not looking
any better?

Don't let anyone else
decide your fate.

Take life back.

Take life now
and let me show you how.

- You look nervous.

- Is this Hell?

- Think of this place
as a holding room...

everyone waiting
to hear their fate.

No one know which way's up,
which way's down.

Only God
and the Devil know that,

but they're so caught up
in their own quarreling,

they forgot
about all these people.

Some of these people been
waiting here a long, long time.

- Ooh!
[woman laughs]

- And on that note,
Old Monty must say hello

to his beautiful,
sweet bride.

Be back.

I killed her
on our wedding night.

[chuckles]
Just joking,

but it was a tragic accident.

There's my beautiful bride.
- Monty.

- Oh, look at you.

Oh, my Lordy,
my goodness.

- If you want to make it
out of here alive, listen close.

That man you're with...
- [laughs]

- Look at that!
- Works for Enos.

A bus is pulling in soon
to take all the damned souls

from this place down to Hell,

and unless you do exactly
as I say, that ferryman's

gonna make sure you're onboard.
- Who are you?

- There's a loading dock behind
the diner through the back exit.

Someone will meet you there
who can get you out of here.

- How do I know
I can trust you?

- Tetra sent me.

- Where is she?
- Just hurry.

You don't have much time.

[tense music]

¶ ¶

[sighs]

- The book and its maps
were ancient,

yellowed by centuries.

When our father
chose this plot of dirt

to build our home,
did he already know

the evil secrets
that lay buried beneath?

- Son of a bitch--

keeps finding ways
to bring me back here.

Think he wants to make me
his little girl all over again.

- Or was it only after
that the darkness

began to infect him

like a poison seeping up
from the foul depths below?

[engine revs in background]

[horn honks]
[bus engine putters]

[brakes squeal]

- There's our ride,
sweetheart.

All right, everybody--
line up, line up!

- Don't even think about it,
cupcake.

Monty, I think our friend here
was about to dine and dash.

What a rude little girl.

- I warned you what'd happen
you didn't listen.

You all enjoy your last meal?

- [hisses]

- What do you want?
- What do you want?

What do you want?

What do you want?
- Time's a-wastin'.

- Tick, tock, tick, tock.
- The mouse ran up the clock.

[laughs manically]

- What do you want?
What do you want?

[bus horn honks]
- Everybody on the bus.

Hey!
- [grunts]

[woman laughs maniacally]

[laughs maniacally]

- [whispering]
Tick, tock, tick, tock.

- Nowhere to run,
little darlin'.

¶ I don't want to choose ¶

- ¶ I want you all for me ¶

- ¶ But this world
don't make sense ¶

¶ It's never easy ¶

¶ Someday I'll come for you ¶
- [breathes heavily]

[squeals]

- Shh! Quiet, quiet--
It's all right.

It's all right.
Tetra told me about you.

I'm a friend.

- Sometimes it's hard
to tell our friends

from our enemies...

or which is the more dangerous.

- David! Davey,
you son of a bitch.

This is your last chance.

[pounds on door]

Open this door!
[continues pounding]

- Nobody's home.

- Well, where is he?

- You feeling all right,
Charlotte?

Sheriff get you home safe
the other night?

- Don't worry about me.
I can take care of myself.

Where's David?

- I don't know.
Something happened.

- Is he okay?
- Yeah, David's fine.

I meant something happened with
that girl, the rev's daughter.

They're out looking for her.

- What the hell does he see
in that little church mouse?

- I know it's none
of my business,

but you ever think
maybe David's doing you a favor?

I'm sorry
if I'm outta line,

but you're smart,
and you're beautiful.

David's a good guy,
but he has problems too.

- I never did thank you

for giving me a ride home
the other night.

- It was no trouble.

- Maybe you're right
about David.

I suppose I should probably
be with someone

a little more responsible.

- Any guy would be lucky
to have you,

but my heart's taken already.

- There's a lot about Maria
that you don't know.

- All I know is how I feel.

- Whatever.

- Look maybe
you shouldn't drive.

[door slams,
car starts]

[clattering]

- What the hell is in here?

- I snuck in here once
when we were kids.

- I remember.
Dad almost killed you.

- I just wanted to see
what he was working on so hard.

He used to spend all night
in here sometimes.

- Right before things got bad.

[metal rattles]

- Something's there.

- Where?

both: Here.

- Here, help me.

[metal scraping]

[door handle rattles]

- It's locked.

- I need some air.

Abigail, does that door lead
where I think it leads?

- You bet.

Only angels and demons
can pass back out again,

and if that preacher's little
brat went through there,

then you need
to forget about her.

- I can't do that.
- I can't go down there.

I'm a traitor to my kind,
remember?

I show my face down there,
every demon will come after me,

and that means your ass too.

- Then don't show your face

if you're so afraid
of what will happen.

- Don't be stupid, Maria.

Without my help,
you'll get us both killed.

It's suicide.

- I'm not asking.

I'm the one in control here,

and I'm willing
to take that risk.

[dramatic music]

- My name is
Denmark Visi.

- Visi, I know you.

I've seen your statue
in Charleston.

You've been dead
for almost 200 years.

Killed trying to run
a rebellion.

- And I'm doing it again.

Separated by a few feet
of dirt doesn't mean the dead

and the living
can't help each other.

- Then I am dead, aren't I?
- No.

No, Grace, you're not.
You're in Purgatory.

It's a terrible place
run by very bad people

who brought you here
to send you to Hell.

- But where's Tetra?

- Tetra did what she had
to do to save you.

She loves you.

Look, we don't have
a lot of time.

People hope that justice will be
settled in the afterlife,

but it's just as corrupt
down here.

And now Enos is making a grab
for both worlds,

promising them life again,

this time, forever,
but it's a lie.

- I used to believe in people.
- We got to get you out of here.

- Wait--tell me,
is my mom really here,

or is this just
another one of Enos' lies?

- She's here,

but it's too dangerous
to see her.

- Why?

- Because if I take you there,
you might not make it back out.

[sighs]

- What is that?

- I found it in my old room.

I think maybe Mom
left it for me.

[ominous music]

¶ ¶

[wind rushes]

No, you can't.

Only angels and demons
can pass back through.

- How do you know that?
- Abigail told me.

- You can't trust her, Mar.

- I have to.
There's no other way.

[foreboding music]

¶ ¶

I promise
I'll bring her back.

[faint indistinct whispers]

[door slams]

[eerie music]

¶ ¶

- You had 66 straight quarters
of unprecedented growth.

What do you say
to analysts who say

you are due for a correction?

- Well I like
to be underestimated.

It motivates me.

You have nice legs.
- Thank you.

Some people call you bullish.

- Well, I would say
they're right.

I'm more bullish now
than I've ever been.

- So why are you so optimistic
about A&O's future?

- Because we are opening up
new territories,

and we're finding growth
in all markets.

We have majority interests
in liquor and tobacco,

aerospace, ammunitions,
education, textbooks.

We're bigger
than the Koch brothers.

Have you heard of them?
- Yes, I have.

- Well,
they're swinging dicks,

but we are
bigger than them now,

because I believe
that the sky's the limit.

You and me--should we screw?
- Are you any good?

- Oh, baby, I am the best.

[gunshot]

- Maria.

- Oh, my God, Spencer.

- Don't say another word,
not here.

Outside.

This place is filled
with his people.

If they find you here,
they'll kill us both.

- But you're already dead.

- Down here, there are
worse things than dying.

[eerie music]

¶ ¶

- This is where we wait.

Enos won't be looking here.

- What is this place?

- A weigh station.

It used to be the only road
from Purgatory down to Hell

'til so many souls
started passing through,

they had
to shut this place down.

They had to build a bigger
checkpoint off the highway,

but we fought back.

We opened this gate up
in secret, and now we use it

to smuggle the unfairly
condemned back out from Hell.

As soon as our man Kedon
gets here, he'll lead you back

up to the surface,
where you belong.

- I can't, not yet.

- What are you talking about?
- Not without my mother.

- There's no time, Grace.
- You have to take me to her.

- Do you understand if Enos gets
his hands on you, it's over?

- I came all this way.

I'm not leaving
until I find her.

- You realize what's at stake?

- [exhales]

- You shouldn't be here.

We're going
to take care of the girl.

- Gracie.
- Yes, the angel.

That's why you came,
isn't it?

- I've spent every day thinking
about what I would say to you.

Spence, if I could trade
my life for yours...

I didn't know how to control--

- It doesn't matter now.
- It does matter, please--

- What do you expect?

That I forgive you
for what happened in Memphis?

All that drama
we experience in life,

what we think is tragic,
is nothing.

Down here is where you learn
how high the stakes

are up there.
- Can you remember?

Can you still feel
my love for you?

- Enos is gathering an army.

If he gets Grace into Hell,

then any hope of stopping him
goes with her.

- He's been busy
on our side too.

- Tetra told us.

- She's here?
- She's gone.

Gave her life
so she could warn us about Grace

when her soul stopped here
on its way down to Hell.

Denmark,
who's running the resistance--

they'll save Grace,

but you shouldn't have come.

It's too dangerous.

If anything
ever happened to you,

it would be bad for our cause.

[bus brakes squeak]

Come on,
I'll take you to them.

- [laughs]

- [sighs]

- David.

- Just can't sit here
feeling useless.

I should've done something.
- I know.

I want to walk back
through that gate

and bring them both
back myself.

- I'm not talking about that.

I'm talking about this house.

Growing up here,

my mom never wanted us to know
he was hurting her--

didn't want to scare us,
I guess.

I'd hear her crying
in her bedroom. I'd go knocking.

She'd come out all smiles,
pretending it was nothing.

I pretended to believe her.

- You were just a kid.
- I could've protected her.

- David, it's her job
to protect you, her children.

Just like it's my job
to protect Grace.

- I love her.
- I know you do.

By the way she looks at you,

she loves you too.
- Then what's the problem?

Who do you think
you're protecting?

- All of you.

You have no idea the burden
I've been carrying.

- Grace isn't a child anymore.

- Where's Visi?

- The angel said she wouldn't
leave until she saw her mother.

- He took her
across the border?

- Yes.

- Oh, this is bad.

If the other side finds out that
they've already crossed over

into the first circle of Hell...

- I'm not taking that chance.
I'm going after them.

- No, Visi knows
what he's doing.

He won't let
anything happen to her.

Our side can't risk
losing the angel and you.

- I'm not a chess piece.

- Listen to me, when a soul
gets killed down here,

it's gone forever.

- Grace is my friend.

I'm not leaving her behind.

[eerie music]

¶ ¶

- Last chance,
you sure you want to do this?

- Yes.

[metal clangs]

- Stay close.

- Where are we?

- This used
to be part of Purgatory

before the redistricting.

Now it's the first stop
in Hell.

[electrical blast]

She took her own life.

Now this is her eternity.

- Gracie?

My little girl,
is that you?

Please.

Gracie, don't judge me.

I always meant
to come back for you.

- All these things that are
happening to me,

the visions, the mark
on my back--who am I?

- You're an angel,
just like I was once.

- What is an angel
doing in a place like this?

- I was seduced
by a man, a mortal,

and I sacrificed everything
I was just to be with him.

- Dad did this to you?

- No, your father was
a brilliant and courageous man,

but when I met Elijah,

I was already married
to another man.

- Gracie.

Mom?

- Mommy's okay.

Mommy's okay.
[indistinct whispers]

- Mommy's okay.

- Spencer,
help me cut her down.

- You can't, Maria.
- It's my eternal punishment.

- David said you died
in a car accident.

Why didn't you say anything?
I mean, I could've--

- You were too young,

and I couldn't stand to live
with Enos in that place

any longer.
The Order of Everlasting.

So I ran away.

God, forgive me.

I just ran away.

I wanted a new life,
a new name.

- Claire.

- [sighs]

- Claire, I'm so sorry.

- You say something?

You started drinking again?

[sobs]

- I never stopped.

I just got better
at hiding things.

[glass shatters]

- I should never have
left you and David.

But I was desperate, and Enos
would've killed all three of us

if he ever caught me
leaving with you.

I tried to come back for you

after Grace was born,

but Enos caught me
before I could see you

and then...

after what he did--

taking my own life
was the only way to stop it.

- To stop what?

- You weren't the first woman
Enos chose as host for a demon.

- No.

- I never
had the strength you do.

I never learned to control it.

Even now,
it's still inside me.

Oh, please.
Go away now.

Oh, God,
it's happening again!

I can't control it!

- You have to try.

It's the only way.

- You three are the only ones
who can stop him.

The Trinity--blood of my blood!
- We can't stay here.

- Please, Mom,
I can't lose you again.

- Maria, it's time.
- [whimpers]

- Maria!

- Poor babies,
do you miss your mommy?

[laughs]

Don't worry, she'll never
leave you ever again.

- Look out!
Maria!

- ¶ I want you all for me,
it's never easy ¶

Remember, I used to sing
that to my babies,

to both of you.

Come give mommy a kiss,

just like the one
you gave your brother, David.

- No, no!

- There you are!

- We're out of time.
- Let's go!

- I'll find a way
to get you out of here.

I promise.

- We'll get the girl.

- [screaming]

- Gracie, go!
- We have to move.

- Enos already knows
you're here!

You got to get
to the checkpoint!

- He did that to my mom.
- They'll be here any minute.

I won't let them hurt you.

Come on.

- Madison, Joel!

Oh, my God.

- They got here first.

- Abigail!

- [exhales]

- They know she's here.

- Then all of Hell
will be after you.

- Take Grace.
I'll hold them off.

- You can't.
There's too many.

- Follow me.

[eerie music]

¶ ¶

Enos is installing his own
gateways up to the living world

for his demons to slip through.

We've destroyed every one
we could find.

¶ ¶

But here's one door
that can only be broken

from the other side!

[electricity sputters]

¶ ¶

It's right here!

- After you make it through,

you need to destroy the door
on the other side.

- Come with us.

[soft music]

- I'm sorry, Maria.
- No, please.

- This is as far
as the dead can go.

- No.

¶ ¶

Forgive me
for what I did to you.

- I knew about Abigail.

I went in eyes open,
and I don't regret any of it.

I miss you so much.

I love you.

- I love you, always.

- Maria, it's time
to let go now.

Believe me, you're
so much stronger than you think.

¶ ¶

[whimpers]

[door rattles aggressively]

- You gotta go!

You gotta go!
Go now, go!

Come on!

[door rattles aggressively]

[dramatic music]

¶ ¶

- David! David!

- Grace.
- David! The door--

Help me, help me.

- It won't hold!

Oh.
Oh.

- Take her outside!

- What are you gonna do?
- Just trust me!

- Okay.

- Bledsoe, you stay,
you son of a bitch.

- I really thought I lost you.
- David.

What?
- [sighs]

- What's wrong?

- [exhales]

There's something
you need to know.

- Why didn't you tell me?

- You saw Claire.
- Her name is Deanna.

My mother!

- Would you
have ever trusted me

if you knew I was the reason
she left you and David?

- Yes, but you chose to lie.

She tried
to come back for us.

[breathes heavily]
[dumps liquid]

- And maybe if I'd gone
with her, she's still be alive,

but I had our baby girl
to worry about.

So I let her go back
to that place alone.

I blame myself every day for
what happened to your mother.

- You want me
to forgive you?

[panting]

Get the hell out.

[dramatic music]

¶ ¶

Where's David?

- Love is our greatest weapon.

A loaded gun
pointed straight at our hearts.

- Things not working out
the way you planned?

You tired of letting
everybody down?

You feel like the whole world
has turned against you?

[chimes ring]

[Ode To Joy
plays on organ]

¶ ¶

[sniffs]

¶ ¶

Then this message,
Davey, is--

just for you.

¶ ¶

[dramatic music]

¶ ¶