All language subtitles for Doomsday.2008.Unrated.1080p.Blu-ray.Remux.VC-1.DTS-HD.MA.5.1-HDT

KANE: Like so many
epidemics before,

the loss of so many lives began
with a single microscopic organism.

It's human nature to seek even
the smallest comfort in reason

or logic for events
as catastrophic as these.

But a virus doesn't
choose a time or place.

It doesn't hate
or even care.

(SC REAM I N G)

It just happens.

(H O RN B LARI N G)

(H E I I CO PTE R WH I RRI N G)

(P EO P I E S H O UTI N G)

MAN ON MEGAPHONE:
Go back to your homes!

KANE: The Reaper virus spread
among the population of Glasgow

like a common cold.

There was no stopping it.

No cure. No vaccine.

It claimed the lives of
thousands in the first week.

Th is is the end of the world!

KANE: In an attempt to quell the
outbreak, martial law was implemented.

Roadblocks set up.
Curfews enforced.

KATH E RI N E : Come on , darl I ng .
We have to wal k now.

The airports, seaports
and borders were closed.

Scotland was placed
under quarantine.

The people were ordered to stay in their
homes, to a void tra vel, a void contact,

to sit it out and wait for
help that did not come.

(AL I C LAMO RI N G)

(S H O UTI N G)

Stay back!

You got to
let us th roug h!

Get out of the way ! Move ! Move ! Get
out of the way ! Wal k on , wi I I you ?

H ey, you ! You !
I'm tal ki ng at you!

Get down on
the floor now!

Don't shoot!

You fucker!

(AL I S H O UTI N G)

Fal I back ! Fal I back!

SO I D I E R:
Get out of the way!

P lease let us go!

O nward!

(SC REAMS)

Are you al I rig ht?

MAN : You bastard!

Look at me ,
darl I ng. Look at...

(C RYI N G)

(EXC LAI MS)

SO I D I E R 1 : Go ! Go ! Go!

(ALARM SO U N D I N G)

SO I D I E R 2 :
H old the I I ne!

(P EO P I E C LAMO RI N G)

Gas!

(SC REAM I N G)

Easy, g I rl. Come here.

H el p me!

P lease ! Take us with you!

Get back!

We're too heavy !
We have to get off now!

Step away from
the hel icopter!

G ive her a chance!

N o , wait !
What are you doi ng ?

Get back I n the
hel icopter! N ow!

Take the g I rl!

We have to go now!

H old tig ht, sweetheart !
Everyth I ng's goi ng to be okay!

Come on!

(G RU NTI N G)

Stay back!

Take th is!

So she' I I know!

H old on tig ht,
sweetheart!

Eden!

(SO B B I N G)

KANE: The wall stood 30 feet
high, clad in steel armor plating.

It followed the line of the ancient
Roman frontier, 2, 000 years before,

spanning 18 miles, east coast
to west, cutting Britain in half.

Coastal waters were mined and patrolled.
The skies were declared a no-fly zone,

and orders were given to shoot down any
aircraft in violation of the quarantine.

The idea was simple. Nobody
came out, and nobody went in.

They needn't ha ve worried
about the second part.

Those abandoned within the
quarantine zone were left to die.

Social order decayed
along with the corpses.

The streets ran with blood as
the people fought to stay alive.

The bodies burned in their thousands.
Looting, rape and murder became rife.

Fire spread as the cities were
plundered, and the last to die

became primal sa vages,
feeding on dogs, rats

and finally, on each other.

As the weeks turned to months,
the funeral pyres faded and died.

In time, all the lights
burned out,

consigning the country north of the wall
first to memory and eventually to history.

But just as the government had
turned its back on the hot zone,

so the rest of the world
turned its back on Britain.

With hundreds of thousands
unemployed, homeless and destitute,

the situation has reached
breaking point.

It now remains only
a matter of time

before the laws of nature
seek to redress the balance.

Targets are I n play.
MICHAELSON: Start recording.

(B E E P I N G)

S I nclai r, Richter is the
biggest slave trader I n the city.

I want h I m al ive.

You r cal I.

(G RU NTS)

Me and my boat, marooned
on th is fucki ng island 25 years.

It's a fu I I-ti me job , tryi ng
to prevent it fal I I ng apart.

Come. M I nd you r head.

Best I cou ld fi nd . Straig ht
from the g hetto. C heap. C lean.

H appy?

Very.

S h h.

What the fuck is th is?

You prick!

Get the case.

(SC REAMS)

D rop the g u n!

RI C HTE R: F ucki ng nancy-boy !
Where's you r partner? Tel I me!

I'm getti ng off th is boat
al ive . You go to hel I.

Get back ! Don't you
come any closer,

or I'll blow h is fucki ng
brai ns al I over th is boat!

S I nclai r, whatever
you do , don't shoot.

RI C HTE R: What the hel I
are you doi ng ? S I nclai r!

S he's fucki ng n uts !
Tel I her to back off!

I'm orderi ng you not
to shoot, S I nclai r!

Richter, you've got
one way out of th is!

P ut the g u n down ,
or she wi I I ki I I you!

You haven 't
got a chance!

I ' I I ki I I h I m , I swear!
S I nclai r, do not shoot!

S h it.

I ' I I never get
used to that.

I don't su ppose
you got a cigarette?

When are you goi ng to buy you r own ?
Do you know how m uch these th I ngs cost?

Why do you th I n k
I smoke you rs?

M ichaelson
was a good man.

N ot the g reatest
copper on the beat, but

a good man.

What happened I n there?

(B E E PS)

See for you rself.

Whatever happened
to a good cause?

Can't remem ber
what she looked I I ke.

Al I I have is a name on an envelope and
an add ress of a place I can never go to.

I've watched you fig ht you r way
th roug h the ran ks , tooth and nai I.

And it's made you so
fu I I of piss and vi negar.

You carry on the way
you ' re goi ng ,

you ' re gon na wi nd u p one
seriously fucked-u p I nd ivid ual.

N ow, do me a favor.

P lease , go home .
Get some rest.

(S I RE N S WAI I I N G)

(AL I S H O UTI N G)

(P EO P I E SC REAM I N G)

(MAN CHATTERING ON RADIO)

Okay, let's do it!

(AL I G ROAN I N G)

Get back!

Get back!

(E I EVATO R B E I I D I N G S)

Than k you , Captai n ,
that wi I I be al I . S I r.

Canaris .
P ri me M I n ister.

H ow long ?
Two hou rs ago.

Wel I ? D DS were carryi
ng out a routi ne d rugs raid

when they fou nd
the I nfected victi ms.

It's the Reaper vi rus .
O h , my God.

It's back.

B loody H el I , George . What's
got you r kn ickers I n a twist?

N ational emergency, I'm afraid. B
riefi ng for the PM I n five m I n utes.

HATC H E R: Let's keep th is
I nformal and to the poi nt.

We al I know what's at stake ,
why you're here.

J ane.

I n 2023 , when the risi ng tidal waters
were th reaten I ng to flood London ,

we extended the Thames
flood barrier.

Li ke a castle moat,
th is system of canals

enci rcles the enti re capital
north of the river.

O u r I m med iate plan is to flood the
canals , blockade al I bridges , tu be I I nes

and rai I I I n ks
I n and out of the city.

You want to put 12 m I I I ion
people u nder lock and key?

Contai n ment is ou r absol ute priority.
We m ust I m plement martial law now.

Keep the people
off the streets

wh I le we secu re the blockade
and set u p med ical stations.

O n ly then can we beg I n the
evacuation . HATC H E R: Do it.

It's al I very wel I packi ng
people I nto thei r homes

I I ke so many
m I I I ion sard I nes ,

but you d rop a ki I ler vi rus
I nto that m ix,

and th is town is gon na
go tits-u p I n no short order.

O nce you start stacki ng bod ies
I n the streets , there' I I be pan ic,

pu bl ic d isorder, looti ng , rape ,
m u rder, and that's j ust for starters.

The death tol I wi I I
be u n I mag I nable ,

and by that ti me , there' I I be
absol utely fuck-al I we can do about it.

You have to th I n k of the m I
I I ions that we' I I be savi ng.

Are you tal ki ng about people?
O r pou nd notes?

C h ief N elson , wou ld
you joi n me I n my office?

If th is is a bol locki ng ,
make it q u ick.

I've got a job to do , I need
to be out there on the streets.

M ichael.

What we're about to show you
is h ig h ly confidential

and potential ly
volati le material.

When the wal I went u p , the
govern ment at that ti me , natu ral ly,

wanted to know what was
happen I ng on the other side.

So they re-tasked one of
thei r m I I itary satel I ites

to provide coverage
of Ed I n bu rg h and G lasgow.

For the past 30 years , it's
carried on taki ng pictu res ,

send I ng down what you 'd expect.
E m pty cities , deserted streets.

That is , u nti I th ree years
ago , when these tu rned u p.

HATC H E R: People.

O n the streets of G lasgow.

S u rvivors?
What else cou ld it be?

And if there are su rvivors ,
there m ust su rely be a cu re.

What we have to do
is get ou r hands on it.

We al ready have
a team stand I ng by.

Al I we need is somebody
to lead them.

Someone to take them I n ,
fi nd the cu re

and del iver it I nto ou r hands
before it's too late to tu rn the tide.

You don't know how many
su rvivors there are.

And the team m ig ht not fi nd them I n
ti me. They m ig ht not fi nd them at al I.

And they cou ld
sti I I be contag ious.

That's what the team 's
goi ng to fi nd out.

You've known for th ree fucki
ng years that they were u p there ,

but you swept it
u nder the carpet.

Scotland's dead have
long si nce been laid to rest.

Yesterday, if I tu rned u p on the
6 : 00 news with a su rvivor I n tow,

they'd have stru ng me u p from
the nearest I am p-post by the bal ls.

B ut if, I n 48 hou rs , I arrive
with a su rvivor and a cu re ,

su re they won't g ive a flyi
ng fuck about the su rvivor,

but they' I I be I I n I ng u p
to kiss my arse for that cu re.

I n pol itics , su rvival is ti m I
ng , and ou rs is ru n n I ng out.

We have 48 hou rs.

I need you r best man
on th is , rig ht away.

Al I rig ht.

I know someone who m ig ht
j ust fit the bi I I.

Get I n the car,
it's pissi ng down.

H ow long have they known ?
Long enoug h.

B ut that doesn't matter now.
Matters to me.

There are su rvivors
out there.

Th is is not some personal
q uest I'm send I ng you on.

Focus on you r m ission .
Who's beh I nd it? H atcher?

H atcher's got the swagger and the sm I les
, but it's Canaris who pu I ls the stri ngs.

H e's the power
beh I nd the th rone.

And he's not someone
you want to pick a fig ht with.

Who , me?
I'm serious.

If the truth got out, it wou ld
bri ng H atcher, the govern ment,

the whole fucki ng
system down.

And there's no way Canaris
is ever gon na let that happen.

O nce you're over that wal I ,
there's no ru les ,

no backu p .
Better that way.

Look after th is for me ,
wou ld you ?

Don't su ppose
you got a cigarette?

There's no smoki ng on the
hel icopter, and I don't smoke.

Fai r enoug h.

D r. Marcus Kane ,

he was lead I ng the research I nto
the vi rus when the gates were closed.

H e was trapped
I nside the hot zone.

H is lab was located I nside the q
uaranti ne com pou nd I n G lasgow.

If anybody was capable of
developi ng a cu re , it was h I m.

I suggest you start at the lab.
P ick u p the trai I from there.

You ' I I rendezvous with the
rest of the team at the wal I ,

then you ' I I proceed north
I n two armored transports.

Why not fly I n ? Scotland
is sti I I a no-fly zone.

H atcher needs to keep th is
as low profi le as possi ble.

So if we don't make it out,
no one wi I I know we went I n.

You've got 46 hou rs.

If you don't make it back, the
city of London and everybody I n it

wi I I be left to d ie.

If it's there ,
I ' I I fi nd it.

You ' I I need th is. It's a G PS locator
beacon. It' I I tel I us exactly where you are.

We' I I have a g u n sh I p stand
I ng by to extract you r team.

So m uch for low profi le.

O nce you have the cu re ,
it won't matter.

What happens if I don't
fi nd anyth I ng u p there?

Then you need n 't
bother com I ng back.

MAN ON PA: For your own
safety, return to your homes.

East London
is under martial law.

(CAR H O RN S H O N KI N G)

(P EO P I E C LAMO RI N G)

What the hel I are we
goi ng to do , Canaris?

Just cal m down
and I isten.

Even if,
by some m I racle ,

S I nclai r fi nds what she's looki
ng for and makes it back I n ti me ,

the fact remai ns , th is is
ou r fau lt, we made it happen.

Too many people cram med I nto g
hettos so tig ht they can barely move.

We created the perfect breed I ng
g rou nd for a vi rus to take place.

And the more we save now,

the more chance there is of the same
th I ng happen I ng al I over agai n.

N ow, we have an opportu n ity
to buy ou rselves breath I ng room.

What exactly are you suggesti ng
? We're at war, P ri me M I n ister.

It's basic com bat triage.

Leave the dyi ng to d ie.

With the whole
world watch I ng ?

With a I ie th is big , we can
get away with anyth I ng we want.

Major S I nclai r!
Good fl ig ht? F I ne.

Sergeant N orton .
Welcome to no-man's land.

Why cal I it that?

There's not another I ivi ng sou I for
m I les south of that wal I , except us.

What about
the sentries?

N o , the whole system was fu I
ly automated about 20 years ago.

N owadays they on ly expend
thei r am mo on the local wi ld I ife.

A team arrived two hou rs ago.
They're preppi ng thei r gear I nside.

Ask them to get su ited u p , Sergeant.
We're agai nst the clock on th is one.

Yes , si r!

H as the team been briefed ? I've
g iven them thei r assig n ments ,

objectives and the
fi le on D r. Kane.

Major S I nclai r. C hand ler. Armor
d ivision . I ' I I be you r d river today.

Yeah , they may be ug ly, but
they move I I ke sh it off a shovel.

Twi n V1 2 eng I nes ,
two-i nch armor plate ,

and they' I I take anyth I ng from 30
m m rou nds to chem ical weapons.

Just the ticket for a n ig ht on the
town . Where'd they fi nd these th I ngs?

READ : They patrol led the
hot zone , j ust north of the wal I.

When the system was automated ,
most of them were sold off for scrap.

These are the last
two I n service.

Major, meet Corporal Read .
Tan k d river.

Major.
Carry on , Corporal.

Riflemen . M I I ler,
Carpenter. BOTH : Major.

What have we got here?

CARP E NTE R: B io su its . Com
bat model. H ig h I m pact flexi-polymer.

G ives us total freedom of
movement and 24-hou r protection.

Just what a g I rl needs.

P rototype ,
si I icon foam g renade.

Th is is frontl I ne eq u I pment. N O RTO
N : A goi ng-away present from Canaris.

Are we expecti ng
trou ble?

Is there a problem ?
N o.

N o problem at al I , Major.

Good.

N O RTO N : Th is is ou r cargo
, Doctors Tal bot and Sti rl I ng.

S I N C LAI R: You were part of the
task force set u p to study the vi rus?

That's rig ht.
H ow do you do , Major?

I took over I n '24 .
Sti rl I ng joi ned me I n '31.

U nti I H atcher,
I n h is I nfi n ite wisdom ,

decided to pu I I the pl ug on the
whole prog ram th ree years ago.

Tried everyth I ng , of cou rse .
Just cou ld n't crack it.

I do hope th is tri p of you rs
is worth the risk, Major.

Apparently, someone
th I n ks so.

Al I rig ht, I isten u p!

I want everyone su ited , booted
and strapped . Back here I n 10.

O pen the gate!

MAN ON RADIO:
Sentry guns deactivated.

Al I rig ht, C hand ler.
Take us I n.

S h it !
C hand ler, what was that?

READ: Chandler,
why ha ve you stopped?

I th I n k we h it someth I ng .
Major.

READ: Say again ? I th I n k
you 'd better have a look at th is.

Al I rig ht, M I I ler.
S u it u p and check it out.

M I I I E R: Al I rig ht. S I N C
LAI R: C hand ler, send u p a flare.

(COWS MOO I N G)

Hey, Chandler, what's black
and white and spread all over?

I can't see any damage to the APC,
but your cow is a complete write-off.

Moo . Al I rig ht,
get back I nside.

You know that D r. Kane
was the best man I n h is field.

H is papers on vi rus research were req u I
red read I ng when I was I n med ical school.

Basical ly, he taug ht me
everyth I ng I know

but I never actual ly
met the man.

Th is fi le's been
closed for 25 years.

The govern ment tried to su ppress any
I nformation getti ng out of the hot zone.

D id n't want people to know
how bad th I ngs had got u p there.

KANE ON RECORDING: I don't
think we can stay here much longer.

Morality has abandoned
these people. The killing...

Seems he d ug I n with a
bu nch of stranded sold iers ,

fortified the hospital
as best they cou ld ,

kept u p reg u lar reports on the
army freq uency usi ng thei r come set

ti I I the power
went out permanently.

KANE: The fires ha ve spread,
the power supply is dwindling,

and our food and water
are running out fast.

At night we can hear the
distant cries of pain and anguish.

They've begun
to feed off each other.

It's medieval out there.

Ammunition is low.

The barricades won't
hold out much longer.

Our time has run out.

This is Dr. Marcus Kane
signing off.

What do the
n u m bers mean ?

S I N C LAI R: It's the n u m ber of
people I n each house that needed savi ng.

They were told to stay I n thei r
homes , that hel p wou ld come.

C lear.

Sti rl I ng , what do you
know about I I ne of fi re?

I'm a lab hou nd ,
not a com bat su rgeon.

That's al I we need.

Li ne of fi re is the ai r between
the target and the weapon

th roug h wh ich the bu I let
travels very fast.

It's also the last place you
want to be I n a fi re fig ht.

If anyth I ng happens , you get
beh I nd me q u ick. U nderstood ?

You wou ld n't want me to blow
you r brai ns out is what I u nderstood.

S I N C LAI R: Stand back.

N O RTO N : Al I rig ht,
check you r corners.

(B I RDS F I UTTE RI N G)

(M ETAL I I C C LAN G I N G)

We're clear.

NORTON: Read, Fresno, we 're
on the fifth floor, we 're going in.

Copy that,
everyth I ng q u iet here.

(S TA TIC CRA CKLING)

I th I n k the TV's buggered.

S I N C LAI R: Tal bot, Sti rl I ng .
You're u p.

TAL BOT: H ow the hel I are we su
pposed to fi nd anyth I ng I n th is mess?

N O RTO N :
Just keep looki ng.

CARP E NTE R: It wou ld hel p if
we knew what we were looki ng for.

STI RL I N G : Some evidence of
Kane's work. I ' I I know when I see it.

CARP E NTE R: Than ks .
That hel ps a bu nch.

N O RTO N :
S h ut it, Carpenter.

(S TA TIC CRA CKLING ON TV)

(EXC LAI MS)

Major! Major!
We got a I ive one!

S I N C LAI R: C hand ler, d id not copy
! Say agai n ! There's a fucking girl here!

O utside on the street!

TAL BOT: Whatever you do ,
do not touch her!

S I N C LAI R: C hand ler, keep
her I n sig ht, but do not approach her.

Repeat, do not approach her.

C hand ler!
What are you doi ng ?

You heard S I nclai r!
Get back I nside ! N ow!

S he needs hel p , Read ,
look at her! C hand ler, no!

N O RTO N : F resno , get you r
short, hai ry ass back I n the veh icle.

H ey, hey. It's okay. It's
gon na be okay. Whoa!

S I N C LAI R: C hand ler! Do you copy? Yeah
, she's al ive , Major, but on ly j ust.

Major, she m ust be isolated
so we can exam I ne her.

Al I rig ht,
let's get her I nside.

CARP E NTE R: Major, th is lab looks u ntouched . S
I N C LAI R: Take a look. We're rig ht beh I nd you.

S I N C LAI R: Tal bot,
get down now! C h rist!

(SC REAM I N G)

(MAC H I N E G U N F I RI N G)

(SC REAM I N G)

(MAC H I N E G U N F I RI N G)

S h it!

(EXC LAI M I N G)

N O RTO N : Read , emergency
EVAC ! N ow! Copy that!

I've reached Sti rl I ng . I
need my torch ! I need my torch!

Major!
C hecki ng the back door!

(G RU NTI N G)

S h it!

C hand ler get back I n the fucki
ng APC now! Okay, I'm movi ng!

(SC REAM I N G)

(MAC H I N E G U N F I RI N G)

F uck ! F uck ! F uck ! F uck!

C HAN D I E R: We're rol I I ng!

(AL I YE I I I N G)

We're not getti ng
out that way!

TAL BOT: J esus C h rist!

MARAU D E R:
B u rn , you fuckers!

F uck!

C hand ler, you're on fi re !
Don't I fucki ng know it!

Major, we are u nder attack !
I repeat, we are u nder attack!

(B E E P I N G)

(SC REAM I N G)

C HAN D I E R: Bastards!

(LAU G H I N G)

(G ROAN I N G)

(G RU NTI N G)

APC 1 is down!

S h it!

Repeat, APC 1 is down !
We've lost C hand ler!

F uck ! Get to the
elevator, su b level 1.

Get I n there . It won't
work, there's no power!

Get the fuck I n !
Move ! Move!

S I N C LAI R: Sergeant !
Cover fi re ! N O RTO N : Copy!

S I N C LAI R: M I I ler, foam g renade
. N O RTO N : Whatever th is plan is ,

make it snappy !
S I N C LAI R: S hotg u n!

Major, what are
we doi ng I n here?

Goi ng down !
P u I I it now!

TAL BOT: Major, you are
com pletely I nsane!

F uck ! N O RTO N : C heck you
r corners ! C heck you r corners!

Move ! Move ! Move ! M I I
ler, get that fucki ng hatch open!

O h , sh it!

Get I n !
We've gotta go now!

N O RTO N : Move it, Read !
Go ! Go ! Go!

(SC REAM I N G)

STI RL I N G : Is anybody I nj u red ?
Is everybody okay?

TAL BOT: I'm okay.
M I I I E R: I'm fi ne.

What the fuck
happened back there?

Read's got m u lti ple
I m pact warn I ngs.

(GAS PS)

N O RTO N : Read !
STI RL I N G : Stop , stop the car!

N O RTO N : Read ! Look out!

(AL I YE I I I N G)

Sti rl I ng , you sti I I with
us? I'm okay, I'm okay.

Wel I , I th I n k I'm not!

What about Read ?
S he's dead!

F uck th is sh it, man ! F uck it ! S I N C LAI
R: Al I rig ht, g rab what you can and bai I out!

(MARAU D E RS SC REAM I N G)

(MARAU D E R SC REAMS)

(MAC H I N E G U N F I RI N G)

(SC REAM I N G)

M I I ler, cover N orton !
Coveri ng fi re!

Wait, wait, wait, tou rn iq
uet. I'm doi ng it ! I'm doi ng it!

N orton , al leyway !
Copy!

Sti rl I ng , go with h I
m ! H e needs my hel p!

Get over here ! Move it ! Go!

N O RTO N : Get beh I nd me !
M I I ler! Get Tal bot!

F uck ! Major, go!

Major, fucki ng go!

(G RU NTI N G)

Come on , then ,
you fuckers!

(G U N C I I C KI N G)

F uck!

I'm out!

Get you r hands off me ! STI RL I
N G : Tal bot ! We can't leave h I m.

Go ! Go ! Go !
Move it!

(MARAU D E RS SC REAM I N G)

Savages!

Th is one's for Sol.

(GAS P I N G)

S h it, man.

I'm sorry.
I am so sorry.

I got a bit carried away. B ut if
you keep goi ng on I I ke th is ...

(G RU NTI N G)

See? There I go agai n.

I am sorry.
I am so sorry.

B ut you are maki ng me
so fucki ng mad!

Just tal k to me.

Who are you ?

What the fuck is the matter
with you ? E njoy pai n , is that it?

'Cause you are fucki ng
aski ng for it!

N orton to S I nclai r, N orton
to S I nclai r, do you copy? Over.

N orton to S I nclai r, N
orton to S I nclai r, come I n.

Sooner or later, you ' re goi ng to
have to consider the possi bi I ity

that they're dead.

I'm sorry. I'm sorry
to be bl u nt, but...

We sti I I have a job to do ,
with or without Major S I nclai r.

Yeah , and rig ht now,
my job is you.

If anyth I ng happens to you
now, D r. Sti rl I ng , we're fucked.

(DOO R O P E N S)

Let's try agai n. Who are you ?
And where have you come from ?

N ow, I know that Kane d id
n't send you , so who d id ?

Where'd you get al I the fancy
gear from ? The tan ks. The g u ns.

Tal k to me!

D id you say Kane?

You need me to speak
a I ittle louder? Is that it?

Wel I , how's th is?

(SC REAM I N G)

F uck you!

We came over the wal I.

I fucki ng knew it.

I fucki ng knew it !
I knew he was fucki ng lyi ng!

Who was lyi ng ?
Kane!

You see , the bastard told us
there was noth I ng out there.

N o hope of salvation.

B ut I knew.

I knew that one day someone
wou ld come and prove h I m wrong.

If Kane's al ive ,
I need to fi nd h I m.

S h h.

Save you r breath .
You're with us now.

And you're al ive on ly
as long as we need you!

Wel I , you see , if you d
id come over that wal I ,

then you m ust've
plan ned on getti ng back.

We've tried before
and fai led.

I've seen too many of my
friends rush those gates ,

but before they cou ld even get
close , they were tu rned to fi re

and fel I as ash.

B ut with you here to lead us th roug
h , we are goi ng to go al I the way.

Lady, I cou ld
eat you rig ht u p.

(G ROAN I N G)

(G RU NTS)

You shou ld forget
about that bastard Kane!

H e's h istory.

B ut you , you are ou r
passport to the prom ised land.

I th I n k you're gon na
be sorely d isappoi nted.

I ' I I be the j udge of that.

(MARAU D E RS C LAMO RI N G O UTS I D E)

Can you hear that?

The hou nds are h u ng ry!

It's feed I ng ti me
at the fucki ng zoo!

(WH I STL ES)

We need th is one al ive .
Make su re she stays that way.

N ice watch.

(B E E P I N G)

Sol ! I heard what you said .
I need to speak with you!

You ' I I get you r tu rn !
Sol!

The wi nd of change
is blowi ng a h u rricane!

G ive them hel I!

(C HAI N SAW B UZZ I N G)

MAN : (SC REAM I N G)
N o , no ! N o , no ! N o , no!

(AL I C H E E RI N G)

Ladies and gentlemen!
Here he is, the head chef,

the big cheese,
the sunshine of your lives!

It's Sol!

(POP MUSIC PLAYING)

(SC REAM I N G)

(CANCAN PLAYING)

(M U S I C STO PS)

(AL I C H E E RI N G)

Ladies and gentlemen,

I ha ve a rare treat
in store for you!

(C H E E RI N G)

Medium fucking rare!

Kane thought he could
tell us what to do,

and we told Kane,

"Fuck you! "

AL I : F uck you!

This is our city!

Whoever they send here,
we 're gonna catch them!

We 're gonna cook them!

And we 're gonna eat them!

Eat them , man!

Here we go!

(YE I I I N G)

N o ! N o ! N o!

B u rn h I m ! B u rn h I m!

P lease ! P lease ! N o ! N o!

Get off!

You bitch!

(SC REAMS)

(EXC LAI M I N G)

Yes!

(AL I YE I I I N G)

(B E E P I N G)

If you're h u ng ry, why not
try a piece of you r friend ?

S I N C LAI R: H ey!

What do I have to do
to get a d ri n k?

(G ROAN I N G)

P ut the key I n the lock,
and tu rn it very slowly.

(G RU NTS)

That wasn't so pai nfu I ,
was it?

(B E E P I N G)

(GAS PS)

(MAN G RU NTS)

Wait ! Get me out of here ,
and I can hel p you.

You can hel p me? Why?
What are you offeri ng ?

I heard you speaki ng to Sol.

You said you came
th roug h the wal I.

N o , no , no. P lease . Don't
leave me here ! H e' I I ki I I me.

You have to do better
than that, I'm afraid.

I can hel p you fi nd Kane.

You know where Kane is?
I shou ld. H e's my father.

If I fi nd out you're lyi ng ,

you ' I I wish that
I 'd left you here.

Fol low me , and you keep
you r bloody voice down.

Look out!

(G RU NTI N G)

(SC REAM I N G)

(WH I STL I N G)

S I N C LAI R: You can let go now.

Move it!

(GAS P I N G)

SINCLAIR: Come in, Sergeant! S I
nclai r, th is is N orton . Where are you ?

O n the move ! Meet us at
the station on Q ueen Street!

Station on
Q ueen Street, copy.

Come on.

F I nd her!

Come on!

J osh ua , it's okay!

You can trust her.
S he looks dangerous.

S he is.

N orton , do you copy?
Come I n.

It looks clear.

Go ! Go ! Go!

SO I : When I g rab you ,

I'm gon na ri p you r fucki ng
head off! Ru n , you I ittle fucker!

STI RL I N G : Come on !
Come on ! Come on!

Leg it!

Come on!

N O RTO N : Th is way!

F ucki ng move it!

F I re u p the eng I ne ! N orton
, if you can hear me , platform 4!

Are you com I ng or not?

Come on!

Come on ! Move it!

(SC REAM I N G)

(C RAC KI N G)

(EXC LAI MS)

Get on !
You fucker!

Come on , Sti rl I ng!

N o!

Come on!

(G ROAN S)

Sti rl I ng , get down!

N O RTO N : Come on!

Come on!

Move it!

Come on ! Ru n , Major! Faster!

Come on!

(SC REAM I N G) N o!

Where are you taki ng us?

Somewhere safe
for the moment.

S I N C LAI R: Sorry to piss I n you r ch I
ps , but we haven 't got ti me to play safe.

You said you 'd take us to Kane
, and I need to see h I m now.

I said I wou ld hel p you fi nd
h I m. I can't take you to h I m.

Why not?

Because he wi I I ki I I me.

And if he fi nds out where
you're from , he' I I ki I I you , too.

Ever si nce Sol left, he's become
suspicious of everyone , even me.

H is people are too afraid to defy h I m ,
and those who dare are tortu red or ki I led.

You're I ivi ng proof
of a world beyond that wal I.

Al I ou r I ives he told us
there was noth I ng out there.

You bei ng here makes h I m a I
iar. What were you doi ng I n the city?

I went to fi nd my brother. Sol
. That man iac is you r brother?

That is one fucked u p fam
I ly, man . They're at war.

And we're caug ht
rig ht I n the m idd le.

(TH U N D E R RU M B I I N G)

S I N C LAI R: What is th is place?

J OS H UA: A shortcut th roug h the mou
ntai n . CAL LY: We use it al I the ti me.

N O RTO N : Looks I I ke an old
m I I itary faci I ity or someth I ng.

CAL LY: Whatever it was , they left I n a h u
rry. D id n 't even bother to lock the doors.

J esus , what have they got
I n here , the Lost Ark?

N O RTO N : Don't know, mate , but
those blast doors are 12 I nches th ick.

Whatever it is , somebody
somewhere wanted it kept safe.

(RU M B I I N G)

Somebody's com I ng.

Telamon.

Ru n.

Wait, who or what is Telamon
? H e's Kane's executioner.

Come on. Come on.

Come on . You
can go , I'm stayi ng.

G ive me you r sidearm ,
and get out of sig ht.

You real ly don't
g ive a fuck, do you ?

I th I n k you r plan's sh it,
but I g uess I ' I I stand with you.

There's someth I ng
you don't see everyday.

(N E I G H I N G)

N o ! N o ! J osh ua!

N o ! N o ! N o!

STI RL I N G : Come on !
Come on ! Move!

Sergeant,
put down you r weapon.

We need to get to Kane the q u
ickest way possi ble , and th is is it.

Yeah , al I rig ht.
F uck it.

I hope you know
what you're doi ng.

(P EO P I E C H E E RI N G)

Wayward daug hter retu rns.

(G RU NTS)

You broug ht some friends.

Came over the wal I .
We want to see Kane.

(WH I M P E RI N G)

KAN E : I knew they'd be
watch I ng the cities.

That's why we chose th is
place . O ut of sig ht, out of m I nd.

I su ppose it was on ly
a matter of ti me

before they sent someone
to answer to the q uestion ,

"Why are you al ive
when you shou ld be dead ?"

That's what you want
to know, isn't it?

Ow!
Answer h I m!

Someth I ng along those I I nes.

Leave us.

The answer is easy.

I n the land of the I nfected ,
the I m m u ne man is ki ng.

So if th is is j ust a power
tri p , why stay h idden ?

Why not show you rselves?

You th I n k we chose to cast off
the apparel of ou r former existence?

N o , no , no .
We d id n't choose anyth I ng.

We were del ivered.

These wal ls arou nd you ,

they were bu I it to last.

And so shal I we . What we've bu I
it here from the ashes is pu re blood ,

u n I nfected by
the outside world ,

u nti I now.

H ave you fou nd the cu re?

(LAU G H S)

Even now you sti I I
cl I ng to hope.

If I were you , I wou ld
abandon any such thoug hts.

There's always hope .
B ut there is no cu re.

There never was.

We had prevai led here ,
not because of science ,

but th roug h natu ral selection .
S u rvival of the fittest.

We have earned
the rig ht to I ive here.

P u rged of the I I kes of you.

Take them away.

Don't you even want
to know why we're here?

(EXC LAI MS)

That you're here at al I
is si n enoug h.

It's the Reaper vi rus .
It's back.

And if he touches me one more ti me , I wi
I I ki I I h I m where he stands , I swear.

H ow dare they send you
here to ask for my hel p?

They started th is fi re.

They can bu rn I n it!

(P EO P I E C LAMO RI N G)

(WOMAN SC REAM I N G)

(S I RE N WAI I I N G)

(G ROAN S)

A UTOMA TED VOICE: Place
your right hand on the screen.

(B E E P I N G)

Now look into
the retinal scanner.

HATC H E R:
We're losi ng ou r city.

I better get out there.

It's ti me to get you out,
P ri me M I n ister.

(B E E PS)

A UTOMA TED VOICE:
Sub level 6.

(ALARM B LARI N G)

(EXC LAI MS)

H ow the hel I d id th is man ...

Isolate h I m . P ut h I m I
n h is office , and do it now.

G UARD : Move , si r.
I don't u nderstand how I ...

G UARD : Keep you r d istance !
Canaris , I ...

Canaris !
G UARD : Back away!

Canaris!

Good shot.

I was tryi ng to save h I m!

KAN E : You broug ht I m pu rity I
nto ou r world . You m ust be cleansed.

Do it.

CAL LY: P lease , Father. P lease.

Father, please ! N o!

(SO B B I N G)

Daddy ! N o ! Daddy!

Daddy!

(WH I M P E RI N G)

N o!

(SC REAM I N G)

(C LAMO RI N G)

You , tu rn arou nd.

Tie her hands.

S I nclai r, what d id they cal I
you before they cal led you Major?

Eden.

Wel I , Eden , I sti I I th
I n k th is is a sh it plan.

(G U N F I RES)

(P EO P I E C HANTI N G)

So , tel I me.

What's it I I ke
out there now?

What do you care?

I'm cu rious.

Same sh it, d ifferent era.

So we d id the rig ht th I ng , then , eh
, by keepi ng ou rselves to ou rselves.

Don't you mean tu rn I ng you r
back? You used to be a doctor.

At what poi nt
d id you stop cari ng ?

I used to be
an ideal sit, too.

That n ig ht that they
closed the gates.

That n ig ht,
I lost everyth I ng.

My wife , my fam I ly.

You don't know the pai n .
You chose to stay h idden.

You r wife and fam I ly
cou ld sti I I be out there.

You ever stop to th I n k
about thei r pai n ?

I haven't slept one n ig ht I n 25
years without rel ivi ng that moment.

Who the hel I are you to tal k to
me about pai n ? What do you know?

What d id you ever lose?

(P EO P I E C HANTI N G)

(D RU M B EATI N G)

(ROARI N G)

(AL I C H E E RI N G)

Bol locks!

(G RU NTI N G)

(DOO R O P E N I N G)

Daddy wants to see you.

FALCO : Step away!

(C RAC KI N G)

Don't fuck about, mate .
I'm not I n the mood.

Sti rl I ng , get the keys!

Back off.

(G RU NTS)

(C H E E RI N G)

O ut of the way,
you dozy twat!

I n there.

Doctor, not now.

N O RTO N : G renades. Lovely.
That' I I do n icely. Come on , Doctor!

(C ROWD EXC LAI M I N G)

(C ROWD BOO I N G)

I ' I I tel I you what I've lost.
I've lost my bloody m I nd.

Execute the prisoners ! N ow!

(P EO P I E SC REAM I N G)

Man the defenses !
We're u nder attack!

That's it.

N ice . Yeah ? Cool .
Come , come , come.

Where are they?
Where are they?

(SC REAM I N G)

F uckers!

You , fi n ish her off.

S h it.

(G U N F I RES)

KAN E : Cal ly!

STI RL I N G : Come on !
We have no ti me!

(EXC LAI M I N G)

Watch out. Come on .
Come on.

Get to the horses!

N O RTO N : Move it ! Move it!

Come on !
CAL LY: G rab the torches!

H ere you go .
Sergeant, jam the door.

N O RTO N : Go on!

Sergeant, check and see if
there's a backu p generator.

We're gon na need
someth I ng , and fast.

(G RU NTI N G)

Take you r pick.

Let's try that box.

(SC REAM I N G) N o!

Wel I , what are you looki ng
at? B reak that fucker down!

Whoa .
N ice color. I'll take it.

I ' I I get those blast doors open
. Sti rl I ng , Cal ly, fi I I her u p.

Where you goi ng ?
I'm gon na fi nd a phone.

H el p me with it.

H u rry u p ,
you lazy twats!

Come on!

Perfect.

Get I n the back !
What does it do?

I ' I I show you what it does.

(D IAL I N G P H O N E)

(P H O N E RI N G I N G)

N elson.

We got the package .
We're on ou r way.

Wel I , you 'd better
get here q u ick.

Canaris is I n charge now.
H atcher's dead.

P ut h I m on.

It's for you.

Yes?

You sti I I want you r prize?
Then fol low th is sig nal.

Trace the sou rce . Send the
coord I nates d I rectly to me.

Okay, that's it.

Let's go.

H old the fort
wh I le I'm away.

Th is is as far as you go .
We' I I hand le it from here.

U n-bloody-bel ievable!

F uck, yeah!

STI RL I N G :
P ut you r foot down!

S I N C LAI R: I'm ti red of ru
n n I ng from these bastards.

H old on!

(S I RE N WAI I I N G)

Yeah!

Step on it!

F ucker!

S h it !
J esus.

(TI RES SC RE EC H I N G)

(EXC LAI M I N G)

(BOTH SC REAM I N G)

Too fucki ng close.

You th I n k?

(MARAU D E RS SC REAM I N G)

(E N G I N ES REVVI N G)

H old on ,
we're goi ng for a ride.

Are you out of you r
fucki ng m I nd ?

(SC REAM I N G)

(SC REAM I N G)

F uck!

H ere they come.

Come on!

N o!

CAL LY:
N o ! N o ! N o!

(AL I SC REAM I N G)

N o ! N o!

(SC REAM I N G)

P lease.

P lease stop !
You ' I I ki I I us.

STI RL I N G : Cal ly!

Get off of her,
you bitch!

(SC REAM I N G)

(SC REAM I N G)

(SC REAM I N G)

(G U N F I RES)

Cal ly!

(SC REAMS)

(SC REAM I N G)

(SC REAMS)

O kay.

You I I ke pai n ?
Yeah.

H ave some of th is!

(SC REAM I N G)

P ut you r foot down!

SO I : N o.

Cal ly!

Cal ly ! Cal ly ! Cal ly!

(SC REAM I N G)

N o !
O h , sh it.

N o ! Stop!

(SO I SC REAM I N G)

You d I rty fuckers!

SO I : F uck!

(SC REAM I N G)

(SC REAM I N G)

(CAR ACC E I E RATI N G)

S h it!

(AL I SC REAM I N G)

(SC REAM I N G)

What the fuck's
goi ng on , S I nclai r?

They want my cu re.

(WATC H B E E P I N G)

Major S I nclai r.

You had me worried
for a wh I le.

Do you have it?

I've got it.

Where's the med ical team ?

Let's not make th is d ifficu
lt. You've done a good job.

We' I I take it from here.

Sti rl I ng ,
bri ng her out.

You have to forg ive Sti rl I ng .
H e's very I nvolved with h is work.

O kay. Let's go.

We u nderstand
the need for sacrifice.

The longer we leave it, the better shape
we' I I be I n once the d ust settles.

O nce the vi rus has eaten away the
dead flesh , then we' I I make ou r move.

Just a q uestion of ti m I ng .
Maki ng you the hero of the hou r.

You said you had the cu re .
Where is it?

S he's the cu re . The
su rvivors are I m m u ne.

We can use her blood
to make a vacci ne.

H and her over. S he's not
goi ng anywhere without me.

Captai n . STI RL I N
G : Get beh I nd me.

H and her over now.

Go with them.

I don't trust h I m.

There's no choice .
So that's it?

I've got noth I ng left
to bargai n with.

I've done my job.

N ow it's you r tu rn . A lot
of good people d ied for th is!

Is that al I
it was to you ?

A job?

That's rig ht.

N ow, take her and go.

(CAL LY S N I F F I I N G)

Roug h ride?
Roug h enoug h.

Don't su ppose
you've got a cigarette?

Come with me . I ' I I get you
al I the cigarettes you want.

P ity. I cou ld have used
someone I I ke you.

(B E E PS)

S he's so beautifu I.

You okay?

N ever better.

H ow'd you fi nd me?

I used to be
a pol iceman once.

I don't need it anymore.

Real ly?

D id Canaris get
what he wanted ?

H e d id.

I have a feel I ng he' I I be
hold I ng onto it for awh I le.

S h it.

Don't worry.

H e gave me someth I ng
I n retu rn.

Al I the evidence you ' I I
need to bri ng Canaris down.

H e wi I I come after you.

Wel I , then he' I I know
where to fi nd me.

(G RU NTS)

Come on.

(S I G H S)

(CAR LOC K B E E P I N G)

Just do me one favor.
D rive carefu I.

Be I ucky.

The longer we lea ve it, the better
shape we'll be in once the dust settles.

Once the virus has eaten away the
dead flesh, then we'll make our move.

SINCLAIR: Making you
the hero of the hour.

If you're h u ng ry,

try a piece
of you r friend!

(AL I SC REAM I N G)