All language subtitles for Chickens.Come.Home.1931

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>> AH.

>> GOOD MORNING, MR. HARDY.

>> AH, GOOD MORNING, MR. KINSEY.

I WOULD LIKE TO SEE MY GENERAL

MANAGER, MR. LAUREL.

>> ALL RIGHT, MR. HARDY.

>>

OOH! OOH!

WHERE HAVE YOU BEEN?

>> I WAS IN THE SAMPLE ROOM.

>> SIT DOWN.

TAKE DOWN MY ACCEPTANCE SPEECH.

"FRIENDS, FELLOW CITIZENS, AND"

UH...

AND, UH...

"COLLEGIANS.

AND SO FORTH, AND SO FORTH, AND

SO ON."

UH, PUT THAT IN BRACKETS.

"AND SO FORTH."

>> LISTEN, KID, I CRAVE A LOT OF

SERVICE.

>> OH, I BEG YOUR PARDON.

DID YOU WISH TO SEE SOMEONE?

>> SAY, WHAT DO YOU THINK I CAME

TO THIS JOINT FOR -- TO TEST OUT

YOUR ACOUSTICS?

I WANT TO SEE MR. HARDY, AND I

WANT TO SEE HIM RIGHT AWAY, YOU

GET ME?

>> YES, MA'AM.

>> SAY, WHAT ARE YOU LOOKING

AT?!

COME ON! GET BUSY!

>> A LADY'S HERE TO SEE YOU,

MR. HARDY.

>> TUT, TUT, TUT, TUT!

I'M TOO BUSY.

IN THE MIDST OF MY CAMPAIGN, I

CANNOT SEE ANYONE!

>> YES, SIR.

>> NOW READ WHAT YOU HAVE.

>> SO, MR. HARDY'S TOO BUSY TO

SEE ME, IS HE?

HE'S IN CONFERENCE, IS HE? HA!

DON'T MAKE ME LAUGH!

HE'LL SEE ME!

>> "NO, NO, NO," APOTHECARY.

>> "IT IS MY AIM..."

>> "MY AIM..."

>> "...TO KEEP OUR CITY

CLEAN..."

>> "...CITY CLEAN..."

>> "...OF ALL VICE."

APPLAUSE.

THAT'LL OPEN THEIR EYES.

>>

JUST THE SAME OLD APPLE-CHEEKED

BOY.

>> YES...

CLOSE THE DOOR.

>> SCRAM!

>> AFTER ALL THESE YEARS.

WHAT IS IT YOU WANT?

>> LADIES MUST LIVE.

>> NO, SIR.

NOT ONE PENNY.

NOT EVEN A NICKEL!

NOT ONE KOPECK.

AND FURTHERMORE...

HA HA HA HA HA!

GET OUT.

GET OUT!

>>

>> OH!

>> WELL? HOW ABOUT IT?

>> YOU CAN'T BLUFF ME.

THAT WAS IN MY GILDED YOUTH, MY

PRIMROSE DAYS -- BEFORE I WAS

MARRIED.

>>

DOESN'T MEAN A THING.

YOU HAVEN'T CHANGED A BIT, BABY.

>> WHY, THIS IS PREPOSTEROUS --

AN OUTRAGE!

YOU CAN'T GET AWAY WITH IT!

>> OH, NO?

OH, WOULDN'T THAT LOOK GRAND ON

THE FRONT PAGE?

>> OHH --

>> OH, I CAN SEE THE HEADLINES

NOW.

"WRONGED WOMAN COMES OUT OF THE

PAST TO ACCUSE LEADING CITIZEN."

>> OH.

>> AND WITH YOU RUNNING FOR

MAYOR?

PERFECT!

>> OH, GABRIEL, BLOW YOUR HORN.

YES, MR. HARDY?

>>

GET OUT OF HERE!

GO ON, GET OUT OF HERE!

IT'S A MISTAKE!

GET BACK TO YOUR DESKS AND GO TO

WORK!

LISTEN.

I'M A MAN OF DECISIONS, AND I'VE

MADE ONE.

I'LL MEET YOU TONIGHT AT 7:00

AND MAKE A SETTLEMENT -- A FINAL

SETTLEMENT.

>> THE MAYOR IS HIMSELF AT LAST.

NOW YOU'RE TALKING.

>> WHY, GOOD MORNING,

MRS. HARDY.

>> HELLO, DEAR.

BY THE WAY, HOW'S YOUR MOTHER?

>> OH, SHE'S JUST FINE, THANK

YOU.

>> Hey! The wife!

>> OH!

>> THIS IS INSANE!

WHAT'S THE BIG IDEA?!

WHY ARE YOU THROWING ME AROUND

FOR?!

>> OH!

>> WHAT'S THE BIG IDEA?!

>> OH, I JUST LOVE...

>> OLIVER, DARLING!

OLIVER, DARLING.

>> HELLO, HONEY.

>> I JUST DROPPED IN, DEAR, TO

TELL YOU I'M GIVING A DINNER

PARTY TONIGHT AT 7:00.

I INVITED THE JUDGE AND HIS WIFE

AND ALL THOSE PEOPLE THAT'LL BE

SO HELPFUL TO YOU IN YOUR

CAMPAIGN.

>> WELL, YOU WON'T BE ABLE TO

GO.

>> YOU WON'T BE ABLE TO GO?

>> UH, HE MEANS, DEAR, THAT WE

WERE WORKING LATE TONIGHT, AND,

UH, W-WE -- WELL, I'LL BE RIGHT

THERE.

>> AND HOW IS MRS. LAUREL?

>> OH, FINE, THANK YOU.

>> I'D LOVE TO MEET HER

SOMETIME.

>> NEITHER DO I, TOO.

>> U-UH, NOW, SWEETHEART, IF

YOU'LL COME, I'LL OPEN THE DOOR

FOR YOU.

>> WHY, OLIVER.

>> MERRY CHRISTMAS, SWEETHEART.

>> CHRISTMAS?

BUT, OLIVER, IT'S ONLY JULY.

>> OH I-I KNOW.

I-IT'S ONE OF THE PLANKS OF MY

PLATFORM -- DO YOUR CHRISTMAS

SHOPPING EARLY.

>>

JUST THE SAME LITTLE

APPLE-CHEEKED BOY.

OH, ISN'T THAT BEAUTIFUL?

I MUST SEE HOW IT LOOKS.

>> OHHHHHHHHH!

OH!

>> OH, IT'S LOCKED.

>>

>> WHERE'S THE KEY?

>> YES, WHERE IS THE KEY?

OHHHHH!

>> OH, THERE IT IS.

>> SO IT IS.

>> OH, ISN'T IT BEAUTIFUL?

>> Y-YES. IT IS LOVELY, DARLING.

>> OH, OLIVER, YOU'RE SUCH A

DARLING!

OH, ISN'T THAT --

>> NOW, IF YOU'LL JUST GO.

IT'S PRETTY -- VERY PRETTY.

>> OLIVER, DARLING.

GOODBYE, DADDY, AND DON'T

FORGET -- 7:00 SHARP.

>> I WON'T, DEAR. GOODBYE.

>> SAY! WHAT'S THE BIG IDEA?!

>> I'M SORRY.

I HAVE ANOTHER APPOINTMENT.

WE'LL HAVE TO CALL THE WHOLE

THING OFF.

>> OH, IS THAT SO?

WELL, THERE'S WHERE I LIVE.

YOU BE THERE AT 7:00, OR ELSE!

>> ALL RIGHT.

>>

>> WHAT ABOUT HER FUR?

>> Shh!

>> YES. WHAT ABOUT IT?

>> WELL, WHAT ABOUT IT?

>> OH, WELL.

THAT'S JUST ANOTHER LITTLE ITEM

WE'LL TAKE UP AT 7:00.

GOODBYE.

>> WELL...

>> HERE'S ANOTHER NICE MESS I

GOT YOU INTO.

>> YES, AND YOU'RE GONNA GET ME

OUT OF IT.

HERE.

GO OVER TO HER APARTMENT AND

KEEP HER ENTERTAINED, AND I'LL

TRY TO GET THERE LATER.

>> WHAT ABOUT MY WIFE?

>> CALL HER UP AND TELL HER

YOU'RE WORKING.

>> YOU DON'T KNOW MY WIFE.

SHE WOULDN'T BELIEVE THAT.

>> WELL, IF SHE WAS DUMB ENOUGH

TO MARRY YOU, SHE'D BELIEVE

ANYTHING.

COME HERE.

>> FAR BE IT FOR ME,

MRS. LAUREL, TO TALK ABOUT

ANYONE, BUT DON'T TRUST ANY MAN.

I'VE HAD FIVE OF THEM, AND I

KNOW.

>> PARDON ME JUST A MOMENT.

HELLO?

OH, HELLO, STANLEY, DEAR.

>> I WON'T BE HOME FOR DINNER,

MAMA.

>> WHO SAYS SO?!

>> MR. HARDY.

VERY IMPORTANT BUSINESS.

YEAH.

HE'S IN A JAM.

YEAH --

>> HELLO? MRS. LAUREL?

THIS IS MR. HARDY.

UH, I'M SORRY, BUT IT'S

IMPERATIVE -- POSITIVELY

IMPERATIVE THAT STANLEY WORKS

TONIGHT.

SOMETHING TO DO WITH MY

CAMPAIGN.

>> IS THAT SO?

WELL, I DON'T CARE ANYTHING

ABOUT YOUR CAMPAIGN.

LISTEN.

YOU TELL HIM FOR ME THAT IF HE

ISN'T HOME FOR DINNER, I'LL

BREAK HIS ARM!

>> UH, THANK YOU SO MUCH FOR

YOUR COOPERATION.

GOODBYE.

THERE YOU ARE. NOTHING TO IT.

>> DID SHE SAY I COULD STAY OUT?

>> WHY, CERTAINLY.

AND FURTHERMORE, SHE SAID THAT

AS LONG AS YOU WERE WITH ME, YOU

COULD GO AS FAR AS YOU LIKED.

NOW, YOU GO OVER TO THE

APARTMENT AND KEEP THIS

TROUBLEMAKER IN A GOOD HUMOR

UNTIL I CAN GET THERE.

YOU KNOW -- GET ORGANIZED.

WHAT ARE YOU GONNA DO?

>> I'M GOING TO CALL AND THANK

MAMA.

>> OHHHHH!

GET OUT.

>> OH, MARIE?

>> YES, MADAM?

>> WHEN YOU LET HIM IN, BEAT IT.

>> YES, MADAM.

WON'T YOU STEP IN?

>> AH, JOHNNY ON THE SPOT --

PROMPTLY AT 7:00.

WHAT ARE YOU DOING HERE?!

>> MR. HARDY SENT ME OVER.

HE TOLD ME TO GET ORGANIZED.

>> HE WHAT?!

>> HE TOLD ME TO KEEP YOU BUSY

SO YOU WOULDN'T ANNOY HIM.

>> OH.

HE'S TRYING TO PUT ONE OVER ON

ME, IS HE?

WHERE IS HE?

>> HE'S HOME.

>> OH.

WHAT'S HIS NUMBER?

>> I WON'T TELL YOU.

>> OH, YOU WON'T TELL ME, HUH?

>> NO.

>> OH, YES, YOU WILL.

>> OH, NO, I WON'T.

>> OH, YES, YOU WILL!

>> YOU CAN'T BLUFF ME.

>> YOU'LL TELL ME HIS NUMBER!

>> I WON'T!

>> YOU WILL TELL ME HIS NUMBER!

>> NO!

>> WHAT'S HIS NUMBER?!

>> ABSOLUTELY NO!

>> WHAT IS HIS NUMBER?!

>> GRANITE 3648!

>> THANK YOU.

GIVE ME GRANITE 3648.

>> OH, FRANK, DEAR, TELL THE

FOLKS THE STORY ABOUT THE MAN

WITH THE PAST.

>> OH!

>> YES, MA'AM.

JUST HOLD THE WIRE.

EXCUSE ME, MR. HARDY.

YOU'RE WANTED ON THE TELEPHONE.

>>

TELL THEM I'M ENGAGED.

>> SHE SAYS IT'S VERY IMPORTANT.

>>

PARDON ME, PLEASE.

JUST A MOMENT.

EXCUSE ME. I'LL BE RIGHT BACK.

HELLO?

>> WELL, YOU WALLEYED PIKE,

WHAT'S THE BIG IDEA OF SENDING

THIS DUMBBELL OVER TO ME?

YES, YES, I KNOW, BUT GET THIS.

IF YOU'RE NOT OVER HERE RIGHT

AWAY, I'M COMING OVER TO THAT

JOINT OF YOURS AND PULL OFF THE

FRONT DOOR!

>> Shh! I've got company.

As soon as I can get away, I'll

come right over.

Don't worry.

Everything's gonna be all right.

>> WELL, IT BETTER BE ALL RIGHT!

AND MAKE IT SNAPPY!

SHUT UP!

>>

>> DO YOU MIND IF I SMOKE?

>> I DON'T CARE IF YOU BURN UP!

>> DOESN'T SHE PLAY BEAUTIFUL?

>> OH, PERFECTLY BEAUTIFUL.

>> WELL, JUDGE, WHAT ABOUT A

NICE CIGAR?

>> I WOULD LOVE IT.

>> I KNEW YOU WOULD.

JUST A MOMENT.

NOW, WHERE ARE THOSE CIGARS?

IF YOU'LL EXCUSE ME, I'LL RUN

OUT AND GET SOME.

>> OH, DON'T TROUBLE, MR. HARDY.

>> WHY, IT'S NO TROUBLE AT ALL.

IT'S A PLEASURE.

IF YOU'LL EXCUSE ME, DARLING,

I'M GOING OUT TO GET SOME

CIGARS.

>> DON'T BE LONG, DEAR.

>> OH, I WON'T.

>> OH!

>>

HERE YOU ARE, JUDGE -- MY OWN

PRIVATE STOCK.

>> THANK YOU, MR. HARDY.

THANK YOU.

>> OH, PARDON ME.

>> HELLO?

>> OH!

OH, HOW DO YOU DO, MRS. HARDY?

I WANT TO TALK TO YOUR HUSBAND.

LIST-- GIVE ME THAT PHONE!

>> UH, PARDON ME, DEAR.

JUST A MOMENT. EXCUSE ME.

HELLO?

>> HEY, OLLIE!

YOU'LL HAVE TO HURRY!

I CAN'T GET ORGANIZED!

>> OH! ALL RIGHT!

>> WELL, WELL, WELL, WELL, WELL,

WELL.

GEE, IT'S GREAT TO HEAR FROM YOU

AGAIN.

YES.

I'LL BE AROUND AND SEE YOU

TOMORROW.

GOODBYE.

AN OLD SCHOOLMATE OF MINE.

WE USED TO ROOM TOGETHER.

U-UM, I THINK WE'D BETTER GO IN

AND SEE THE GUESTS.

>> HOW ABOUT SINGING ONE OF YOUR

OLD SONGS, MR. HARDY?

>>

WELL, THE PIPES ARE NOT JUST

WHAT THEY USED TO BE.

>> OH, DO, MR. HARDY.

YOU ARE SO IMPRESSIVE.

>> YES. DO SING, OLIVER.

YOU'RE SO IMPRESSIVE.

>> OH!

WELL!

>>

>> THAT'S LOVELY, MR. HARDY.

HOW ABOUT ANOTHER?

>>

>> HELLO!

>> OHHHHHH!

>> HEY, OLLIE!

>>

>> THINK UP A STORY!

SHE'S ON HER WAY OVER, AND I

CAN'T -- CAN'T STOP HER!

>> OH!

WRONG NUMBER!

ISN'T THAT ANNOYING?

>>

>>

>> YOU CAN'T GET OUT OF HERE!

>> WHAT DO MEAN I CAN'T GET OUT

OF HERE?!

OPEN THIS DOOR!

>> I WON'T OPEN IT!

>> YOU OPEN THIS DOOR!

>> I WILL NOT OPEN THAT DOOR!

>> YOU CERTAINLY WILL!

>> SEE? YOU CAN'T GET OUT.

>> ALL RIGHT.

I'LL USE THE OTHER DOOR!

WELL, YOU CERTAINLY CAN'T!

NOT --

GET AWAY FROM ME!

>> YOU CAN'T GO, I TELL YOU!

>> DON'T TELL ME I CAN'T GO!

LET ME OUT OF HERE!

LET ME OUT OF HERE!

WHAT --

LISTEN!

I'M GOING OVER TO HARDY'S HOUSE

IF IT'S THE LAST THING I DO!

DOWN!

>> MM-HMM.

JUST AS I EXPECTED.

SO, YOU'RE GOING OVER TO HARDY'S

HOUSE, ARE YOU?

YOU'RE GOING TO HAVE A WILD

PARTY, ARE YOU?

YOU LITTLE MONKEY!

I'LL TELL YOUR WIFE!

>> OH!

YOU'RE GETTING DIRTY, HUH?

TRYING TO BREAK MY NECK?

WELL, YOU CAN'T STOP ME!

I'M GOING TO HARDY'S!

GIVE ME THAT KEY.

GIVE ME THAT KEY.

YOU GIVE ME THAT KEY!

YOU GIVE ME THAT KEY!

GIVE IT! GIVE IT TO ME!

>> I WILL NOT!

>> YOU WILL, TOO!

YOU'LL GIVE ME THAT KEY!

GIVE ME THAT KEY!

>>

>> COME HERE!

GIVE ME THE KEY!

GIVE ME THAT KEY!

>> OH!

>> YOU GIVE ME THAT K--

UNGH! GIVE ME THAT KEY!

WHY, YOU GIVE ME THAT KEY!

AH! AH!

>> I'LL TELL YOUR WIFE!

>>

>> DON'T TOUCH ME, YOU

BLUEBEARD!

OH! OH!

>>

>> I'LL FIX YOU!

AAH!

OH!

>> WELL?

>> I JUST SAW YOUR HUSBAND WITH

A WILD WOMAN.

>> OH!

>> WENT OVER TO HARDY'S HOUSE TO

MAKE WHOOPEE!

>> OH, HE HAS, HAS HE?!

>> I KNEW THIS WOULD HAPPEN.

>> CHASING AROUND, IS HE?

DO YOU KNOW WHERE HARDY LIVES?

>> SURE.

>> WELL, YOU STAY HERE AND PHONE

FOR AN AMBULANCE!

OH!

I'M NOT HOME!

>> I WANT TO SEE MR. HARDY.

>> HE'S NOT HOME, MADAM.

>> THANK YOU!

>> D'OH!

>> OOH!

U-UH, MEET MR. AND MRS. LAUREL.

HOW DO YOU DO?

>> OH, MRS. LAUREL, I'M SO HAPPY

TO MEET YOU.

WON'T YOU STAY AWHILE?

>> NOTHING WOULD GIVE ME GREATER

PLEASURE.

>> MAY I HAVE YOUR WRAP?

>> CERTAINLY.

>> OHHHHHHH!

OOF!

>> IF YOU'LL EXCUSE US,

MRS. HARDY, WE'LL BE GOING.

>> I THINK SO, TOO.

>> OH, I'M SO SORRY, JUDGE.

MUST YOU LEAVE SO SOON?

EXCUSE ME, PLEASE.

>> Oh!

>> GOODBYE, MRS. HOLLIDAY.

GOOD NIGHT, MR. HOLLIDAY.

>> GOOD NIGHT, MR. HARDY.

>> HOW LOVELY THAT YOU CAME WITH

US.

>> CERTAINLY.

>> OH!

GOOD NIGHT, DEAR.

>> OH!

>>

>> GOODBYE, BOTH.

>> GOOD NIGHT, MY DARLING.

>> WE MUST GET TOGETHER

SOMETIME.

>> YOU LADIES CAN MAKE THE

ARRANGEMENTS.

>> WELL?

>> LEAVE MY HOUSE!

>>

>> LEAVE MY HOUSE!

>> NOT UNTIL I GET A SETTLEMENT.

>> I'LL MAKE A SETTLEMENT WITH

YOU, AND A FINAL SETTLEMENT!

I'LL SHOW YOU!

NOW YOU GET OUT OF MY HOUSE, OR

I'LL SHOOT YOU AND KILL MYSELF!

>> AAAAH!

>> OH!

>> OH! OH! OH!

>> OH! WHY...

WHAT'S HAPPENED?!

>> MRS. LAUREL JUST FAINTED!

>> WELL, DON'T STAND THERE!

>> WHAT WILL I DO?!

>> PUT HER ON THE COUCH!

ON THE COUCH!

OH, POOR THING.

SHE'LL BE ALL RIGHT.

I'M SURE OF IT.

>> OHHHHHHHH!

OHHHH!

>> OH, THIS IS TERRIBLE!

YOU AND MRS. LAUREL HAD BETTER

SPEND THE NIGHT HERE.

I'LL GO AND ARRANGE THE GUEST

ROOM.

>> WHAT'LL WE DO NOW?

>> LET'S GET HER OUT OF HERE

BEFORE MY WIFE COMES BACK!

PUT HER ON MY BACK, AND I'LL

CARRY HER OUT.

>> OLIVER?

>> OHHHHHHHH!

>> WAIT A MINUTE!

>> OLIVER!

>> WE'VE DECIDED TO GO HOME.

GOOD NIGHT.

>> OH-HO-HO-HO-HO!

>>

>> WHERE'S MY HUSBAND?!

>> WELL, WHO ARE YOU?

>> I'M MRS. LAUREL.

>> AHA!

>>

OH, YOU!

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