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[ominous music]
[needle whirs]
[whirring stops]
[LP scrapes on wrapper]
[footsteps receding]
[Metal door slams]
[intense music]
[rhythmic piano music]
[suitcase scrapes on ground]
Oh, good, you cleaned up.
I'm gonna clean up in his cabin.
You sure that's a good idea, evidence-wise?
You know I handle evidence for a living, right?
Look, these have gotta be Weston's.
What is it?
Purchase logs for his collection, maybe.
These are matrix codes.
Do you think he was trying to keep us
from finding it?
I think he was trying to protect this.
Another record?
Key two.
Look, look; I've seen those.
Where?
The record, the Linton Lacquer.
That's Linton's mark.
Most of these I've never seen on another record before.
Null head, does that mean something?
I have no idea.
Is there anything else in there that can help?
I can't understand what most of this means.
There isn't, wait.
Kill.
K, one, L, L.
Key One Linton Lacquer.
Is that a lily?
[thoughtful music]
Text Lana.
Thanks.
Just got reception.
Call later.
Can you find address for Lily Child?
Who were you talking to?
Nobody.
Where are we going?
I think I know somebody who might know
where Lily Child lives.
What do you think Weston meant?
I don't think Weston knew what Weston meant.
He said she was the apple, skin of the snake.
Case in point.
It happened again out there.
Like at my house, in the station.
If only I didn't black out this time,
and nobody exploded, like my partner.
I think Weston would beg to differ.
That was different.
He was going to kill me.
Yeah, he said that.
When you came back, I felt it,
the vibration go away,
or subside, or something, same thing at my house.
Whatever it is,
it gets stronger the further I get from you.
I just don't understand why.
[ominous music]
[buzzing]
[knocking on door]
[door creaking]
He usually just leave it open like this?
No, definitely not.
[light switch flicking]
Ian!
Stay here.
[crunching]
[ominous music]
Stay.
[suspenseful music]
[rattling]
[electric buzzing]
[screams]
[shrieking music]
It's not a circuit breaker.
Oh shit.
Etta?
[Etta crying]
This is murder.
He was murdered.
He didn't deserve this.
I know he meant a lot to you.
I'm sorry.
You said Sobern was dried out like a husk.
Yeah.
But your partner?
It was more like this.
So, how could one be dried out and the other ...
I mean, could your partner have heard the record?
No, I think that,
I think that had to do with me.
What do you mean?
You know when you feel light-headed?
It's like you're there but your not?
Like you're somewhere else?
No, like, normally I'm a wall,
but instead I'm a door,
and something is coming through.
So fast that this happens to anyone else around.
Perry? Did you come you come here before?
No.
I don't think so.
I mean, I can't have come here right?
When would I have come here?
I don't know.
Why is this happening to me?
F.R.M.
What's that?
Frequency Resonance Manipulation.
If you could find just the right frequency
for the human body, you could manipulate it
with resonance to vibrate all the moisture out of itself,
or shake it so hard and fast it explodes.
A weapon.
Like in Cuba.
Son of a bitch.
Fuck, god damn it Owen.
This is fucked!
I can't keep doing this.
Wait Etta.
No, don't.
I'm done.
I shouldn't have taken this job.
I'm going home to my girlfriend.
I'm sorry, I'm done.
Etta, please!
Please!
Please!
[Perry moaning in pain]
[Perry breathing heavily]
I think that if you're not here,
like, right here,
I'm gonna die.
If you're right,
and whatever's happening to me has
to do with frequency resonance,
whatever,
I think what happened to Owen, and my partner,
is going to happen again.
It's going to be a lot worse for anyone near me.
What about your client?
Can he help us?
Decker's rich, but he's not going to be able to help.
Well, it's got to be worth a shot.
Maybe he knows how to find Lily Child.
Alright.
[car door closes]
[door buzzes]
I'm dead aren't I?
He's probably just on a shoot or something.
Great.
My life's in the hands of an actor.
What do we do now?
We could ...
What is it?
Lily Child.
You're kidding me.
We should go now.
[tinkling music]
[phone ringing]
[Voicemail Recording] Etta Price.
Hey, Etta.
[Voicemail Recording] It's Lana, leave a message.
Lana, I'm still trying to get ahold of you.
I'm sorry, I'll explain when I see you, but ...
Where the fuck are you?
It's been two days.
I'll be home soon.
Okay, you may be in trouble or something.
If I'm not too late,
then yes.
Just call me, please.
The answer is yes.
I hope you're okay. Bye.
[phone buzzing]
Hello?
[intense music]
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