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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:56,824 --> 00:00:59,760 [BIRDS CHIRPING] 2 00:01:03,431 --> 00:01:06,134 [COUNTRY MUSIC PLAYING ON RADIO] 3 00:01:14,442 --> 00:01:15,843 [SPUTTERING] 4 00:01:17,911 --> 00:01:20,481 I CAN'T BELIEVE IT. 100 BUCKS AND THE THING STILL DOESN'T WORK. 5 00:01:20,514 --> 00:01:23,851 OH, DOES IT MATTER? I SORT OF ENJOY SAUNAS IN THE MIDDLE OF SUMMER. 6 00:01:23,884 --> 00:01:25,719 AW, COME ON. DON'T BE THAT WAY. 7 00:01:25,753 --> 00:01:27,788 YOU KNOW YOU ENJOY HUNTING ANTIQUES JUST AS MUCH AS I DO. 8 00:01:27,821 --> 00:01:29,723 I KNOW. 9 00:01:29,757 --> 00:01:32,826 IT'S JUST IT ALWAYS SEEMS WE'RE ON SOME BACK ROAD SOMEWHERE. 10 00:01:32,860 --> 00:01:34,395 THAT'S WHERE THE BEST PIECES ARE FOUND. 11 00:01:34,428 --> 00:01:35,596 YOU KNOW THAT. 12 00:01:35,629 --> 00:01:36,764 DO ME A FAVOR. 13 00:01:36,797 --> 00:01:38,399 WHAT'S THAT? 14 00:01:38,432 --> 00:01:40,434 - IF WE FIND SOME REALLY GOOD BARGAINS... - MM-HMM? 15 00:01:40,468 --> 00:01:41,902 PROMISE ME THAT WE'LL BUY A NEW TRUCK 16 00:01:41,935 --> 00:01:43,771 WITH AIR CONDITIONING THAT WORKS. 17 00:01:43,804 --> 00:01:48,476 ALL RIGHT, ALL RIGHT. I PROMISE, I PROMISE. AND CHEER UP, HUH? 18 00:01:48,509 --> 00:01:49,743 OH! THIS IS IT. 19 00:01:49,777 --> 00:01:51,679 - YEAH. - TURN RIGHT AT THE NEXT ROAD. 20 00:01:59,787 --> 00:02:03,657 Auctioneer: HIGH BID $75, $80 BID FOR IT. $80 BID. NOW $90. 21 00:02:03,691 --> 00:02:06,860 $90 BID FOR IT... [AUCTIONEERING CONTINUES] 22 00:02:11,632 --> 00:02:12,900 Auctioneer: GOING ONCE, 23 00:02:12,933 --> 00:02:14,302 GOING TWICE, 24 00:02:14,335 --> 00:02:16,270 AND SOLD! 25 00:02:16,304 --> 00:02:19,740 THE NEXT ITEM UP IS THIS BEAUTIFUL TABLE. 26 00:02:19,773 --> 00:02:21,842 THE PIECE IS ALL HAND-CARVED, 27 00:02:21,875 --> 00:02:26,247 AND WE'VE PLACED ITS ORIGIN TO BE SOMEWHERE IN THE MID TO LATE 1880s. 28 00:02:26,280 --> 00:02:27,881 IT BEARS ITS CRAFTER'S MARK. 29 00:02:27,915 --> 00:02:29,683 IT NEEDS TO BE STRIPPED, 30 00:02:29,717 --> 00:02:32,653 BUT THERE'S A FINE PIECE OF FURNITURE UNDER THAT PAINT. 31 00:02:32,686 --> 00:02:34,755 I'M GOING TO START THE BIDDING AT $50. 32 00:02:34,788 --> 00:02:37,258 - $50. - $50 BID FOR IT. 33 00:02:37,291 --> 00:02:39,193 - 55. - HIGH BID 50-- 55'S THE BID FOR IT. 34 00:02:39,227 --> 00:02:41,195 - 55, $60 BID FOR IT. - 60? 35 00:02:41,229 --> 00:02:43,397 HIGH BID 65, $70 BID FOR IT. 36 00:02:43,431 --> 00:02:45,499 $70'S THE MONEY. BID NOW AT 80. 37 00:02:45,533 --> 00:02:46,967 - $80 BID FOR IT. HIGH BID 80. - 85! 38 00:02:47,000 --> 00:02:48,636 85'S THE BID FOR IT. 39 00:02:48,669 --> 00:02:50,771 85, GOING 90. BID 90? 90 GOING... 40 00:02:50,804 --> 00:02:52,706 [AUCTIONEERING CONTINUES] 41 00:03:36,450 --> 00:03:39,019 WELL, THAT'S THE LAST OF IT, SVEN. 42 00:03:39,052 --> 00:03:41,589 SIGN ON THE BOTTOM LINE. 43 00:03:41,622 --> 00:03:43,391 YOUR MEN MADE REAL GOOD TIME THIS TRIP. 44 00:03:43,424 --> 00:03:44,825 WELL, YOU CAN THANK JACK FOR THAT. 45 00:03:44,858 --> 00:03:46,260 HE WANTED TO GET BACK BEFORE THE WEATHER CHANGED 46 00:03:46,294 --> 00:03:47,561 OR SOMETHING LIKE THAT. 47 00:03:47,595 --> 00:03:50,030 OH, CHARLES, DON'T YOU BE TELLING TALES 48 00:03:50,063 --> 00:03:51,765 ABOUT WHO WANTED TO GET BACK TOO SOON. 49 00:03:51,799 --> 00:03:53,667 YOU'RE THE ONE WHO FORGOT HIS LONG JOHNS, REMEMBER? 50 00:03:53,701 --> 00:03:56,470 [LAUGHTER] 51 00:03:56,504 --> 00:03:58,906 ANYWAY, THANK YOU FOR BRINGING THE TABLE. IT'S BEAUTIFUL. 52 00:03:58,939 --> 00:04:01,442 WELL, SORRY IT TOOK SO LONG. WE WERE PRETTY BUSY. 53 00:04:01,475 --> 00:04:03,010 LISTEN TO ME, CHARLES, 54 00:04:03,043 --> 00:04:05,779 IF YOU DECIDE TO BECOME A CRAFTSMAN FULL-TIME, 55 00:04:05,813 --> 00:04:07,881 I'LL BUY ANYTHING YOU CAN MAKE. 56 00:04:07,915 --> 00:04:10,851 THAT'S VERY KIND, SVEN, BUT I JUST DO IT FOR A HOBBY. 57 00:04:10,884 --> 00:04:12,586 WE'D BETTER BE GETTING BACK. 58 00:04:12,620 --> 00:04:14,522 YOU'RE GOING TO BE FREEZING YOUR SEAT OFF FOR SURE. 59 00:04:14,555 --> 00:04:15,956 YOU'RE RIGHT, JACK. 60 00:04:15,989 --> 00:04:17,658 THANKS AGAIN. WE'LL SEE YOU NEXT WEEK. 61 00:04:17,691 --> 00:04:18,792 THANK YOU. 62 00:04:35,876 --> 00:04:37,277 IT'S STARTING TO TURN COLD. 63 00:04:39,747 --> 00:04:40,881 YOU ALL RIGHT? 64 00:04:40,914 --> 00:04:42,850 RUBBING THAT ARM OF YOURS ALL DAY. 65 00:04:42,883 --> 00:04:45,018 I FEEL A LITTLE TINGLY. 66 00:04:45,052 --> 00:04:46,820 WELL, MUST BE THE COLD. 67 00:04:48,556 --> 00:04:49,890 BESIDES OLD AGE, OF COURSE. 68 00:04:49,923 --> 00:04:51,492 HA HA! COME ON, JACK. 69 00:04:51,525 --> 00:04:53,861 SOUNDS LIKE YOU'RE READY FOR A ROCKING CHAIR. 70 00:04:53,894 --> 00:04:55,863 SOMETIMES IT DON'T SEEM THAT FAR OFF. 71 00:04:55,896 --> 00:04:57,731 AH, YOU WORK CIRCLES AROUND THE YOUNG'UNS 72 00:04:57,765 --> 00:04:59,900 IN WALNUT GROVE, AND YOU KNOW IT. 73 00:04:59,933 --> 00:05:02,803 YEAH...MAYBE. 74 00:05:02,836 --> 00:05:06,874 YOU KNOW, I'M GOING TO BE PUSHING 60 IN A FEW MORE YEARS. 75 00:05:06,907 --> 00:05:09,643 THE END OF THAT OLD TUNNEL IS GONNA BE STARING RIGHT AT ME. 76 00:05:11,379 --> 00:05:12,813 AND YOU'LL SEE. 77 00:05:12,846 --> 00:05:14,114 WHEN YOU GET TO BE AS OLD AS ME, 78 00:05:14,147 --> 00:05:17,117 YOU'RE GOING TO FEEL THE SAME WAY. 79 00:05:17,150 --> 00:05:18,986 WELL, THANKS FOR THE ADVICE, METHUSELAH. 80 00:05:19,019 --> 00:05:20,388 [LAUGHING] 81 00:05:20,421 --> 00:05:22,089 WHAT DO YOU SAY WE STOP AND MAKE CAMP? 82 00:05:22,122 --> 00:05:24,825 BUILD A LITTLE FIRE AND YOU CAN WARM UP THOSE OLD BONES OF YOURS. 83 00:05:24,858 --> 00:05:27,395 - LET'S DO IT. - [LAUGHS] 84 00:05:39,973 --> 00:05:42,943 [THUNDER] 85 00:05:51,419 --> 00:05:53,687 IF WE'D KNOWN IT WAS THIS BAD, WE COULD HAVE STAYED IN A HOTEL ROOM. 86 00:05:53,721 --> 00:05:54,655 YEAH. 87 00:05:56,123 --> 00:05:57,691 EH, WE'LL JUST HAVE TO MAKE DO. 88 00:05:57,725 --> 00:05:58,959 - CHARLES? - YEAH? 89 00:06:00,628 --> 00:06:02,129 LEAVE THE LAMP FOR A MINUTE, WILL YOU? 90 00:06:04,131 --> 00:06:05,566 SURE. 91 00:06:08,902 --> 00:06:10,704 DO YOU EVER WANT TO DO SOMETHING DIFFERENT... 92 00:06:12,039 --> 00:06:13,841 JUST FOR THE SAKE OF DOING IT? 93 00:06:15,909 --> 00:06:16,977 I DON'T KNOW. LIKE WHAT? 94 00:06:18,779 --> 00:06:20,681 JUST... 95 00:06:20,714 --> 00:06:22,650 DIFFERENT. 96 00:06:22,683 --> 00:06:23,784 SOMETHING... 97 00:06:26,053 --> 00:06:27,421 WELL... 98 00:06:28,856 --> 00:06:30,524 IMPORTANT-LIKE. 99 00:06:34,227 --> 00:06:35,863 LEAVING YOUR STAMP... 100 00:06:37,230 --> 00:06:39,399 SO THE WORLD WILL KNOW YOU'VE BEEN THERE. 101 00:06:41,769 --> 00:06:43,103 YOU WANT TO BE FAMOUS, JACK? 102 00:06:44,772 --> 00:06:46,574 NO, NOTHING LIKE THAT. 103 00:06:46,607 --> 00:06:50,578 WELL...MAYBE JUST A LITTLE BIT. 104 00:06:50,611 --> 00:06:51,979 [LAUGHTER] 105 00:06:57,017 --> 00:06:58,185 I MEAN... 106 00:06:59,687 --> 00:07:02,155 YOU GET BORN... 107 00:07:02,189 --> 00:07:04,625 YOU GROW UP... 108 00:07:04,658 --> 00:07:07,761 YOU GET MARRIED, AND YOU BUILD A HOUSE OR TWO... 109 00:07:09,196 --> 00:07:11,565 HAVE CHILDREN... 110 00:07:11,599 --> 00:07:15,669 AND YOU WORK WHATEVER YOU CAN TO PAY FOR IT ALL-- 111 00:07:15,703 --> 00:07:18,438 FARMING, HAULING FREIGHT, WHATEVER. 112 00:07:21,008 --> 00:07:22,843 AND THE KIDS GROW UP. 113 00:07:25,278 --> 00:07:27,214 THEY MOVE AWAY. 114 00:07:30,751 --> 00:07:32,886 SUDDENLY, THERE YOU ARE. 115 00:07:32,920 --> 00:07:35,022 [THUNDER] 116 00:07:35,055 --> 00:07:38,458 YOU'RE FACING THE IDEA... 117 00:07:40,828 --> 00:07:44,598 THAT NEVER ONCE DID YOU DO SOMETHING... 118 00:07:45,999 --> 00:07:47,100 SPECIAL... 119 00:07:49,737 --> 00:07:52,072 JUST FOR YOU TO BE REMEMBERED BY. 120 00:07:57,811 --> 00:07:59,647 WELL, LIKE WHAT? 121 00:07:59,680 --> 00:08:01,949 I DON'T KNOW. THAT'S JUST IT. I DON'T KNOW! 122 00:08:01,982 --> 00:08:03,651 SOMETHING! SOMETHING... 123 00:08:07,888 --> 00:08:09,590 THAT LASTS... 124 00:08:11,959 --> 00:08:14,161 [THUNDER] 125 00:08:14,194 --> 00:08:16,263 THAT TELLS FOLKS THAT JACK PRESCOTT 126 00:08:16,296 --> 00:08:18,265 ONCE WALKED ON THIS EARTH... 127 00:08:20,701 --> 00:08:24,104 AND LEFT THIS BEHIND TO REMIND THEM. 128 00:08:30,878 --> 00:08:32,546 [THUNDER] 129 00:08:32,580 --> 00:08:34,682 WELL, YOU SURE ARE IN A MOOD, AREN'T YOU? 130 00:08:39,687 --> 00:08:41,021 YEAH. 131 00:08:42,890 --> 00:08:43,824 BOY, I... 132 00:08:45,793 --> 00:08:48,629 I'M NOT SURE I EVEN KNOW WHAT I'M TALKING ABOUT. 133 00:09:00,207 --> 00:09:01,675 GOOD NIGHT, CHARLES. 134 00:09:05,646 --> 00:09:07,047 GOOD NIGHT, JACK. 135 00:09:07,080 --> 00:09:08,181 Jack: UH, CHARLES? 136 00:09:09,950 --> 00:09:11,118 LEAVE THE LAMP. 137 00:09:19,960 --> 00:09:21,561 SURE. 138 00:09:30,871 --> 00:09:32,339 [THUNDER] 139 00:09:55,729 --> 00:09:57,731 [JACK GROANING] 140 00:10:01,969 --> 00:10:04,037 JACK...JACK, WHAT'S THE MATTER? 141 00:10:04,071 --> 00:10:06,173 MY ARM. I AIN'T FEELING IT. 142 00:10:06,206 --> 00:10:08,008 MY CHEST IS ON FIRE. 143 00:10:08,041 --> 00:10:09,710 - JUST LIE DOWN. - I CAN'T BREATHE! 144 00:10:09,743 --> 00:10:10,878 JUST LIE DOWN. 145 00:10:10,911 --> 00:10:11,945 I CAN'T BREATHE! 146 00:10:11,979 --> 00:10:13,681 - I CAN'T BREATHE! - JACK! 147 00:10:13,714 --> 00:10:16,717 - CHARLES, I CAN'T BREATHE! - JACK, JUST LIE DOWN! 148 00:10:16,750 --> 00:10:18,118 JUST LIE DOWN, JACK! 149 00:10:18,151 --> 00:10:20,888 - I CAN'T--I CAN'T-- - JACK, JUST LIE DOWN! 150 00:10:20,921 --> 00:10:22,656 - I CAN'T BREATHE! - JACK! 151 00:10:22,690 --> 00:10:24,925 [THUNDER] 152 00:10:30,698 --> 00:10:31,865 JACK! 153 00:10:35,235 --> 00:10:37,237 [THUNDER] 154 00:10:41,274 --> 00:10:43,110 JACK! 155 00:10:43,143 --> 00:10:44,211 JACK. 156 00:10:48,415 --> 00:10:49,750 JACK. 157 00:10:55,889 --> 00:10:57,290 JACK. 158 00:11:04,898 --> 00:11:10,237 Alden: WE RENDER TO YOU, O LORD, THE BODY OF YOUR SON JACK. 159 00:11:10,270 --> 00:11:13,140 WE ASK THAT YOU WELCOME HIM TO YOUR KINGDOM 160 00:11:13,173 --> 00:11:16,744 AND GIVE STRENGTH TO HIS LOVED ONES WHO ARE LEFT BEHIND. 161 00:11:16,777 --> 00:11:18,011 AMEN. 162 00:11:22,015 --> 00:11:25,318 NOW, MA, YOU MUST REALIZE THERE IS NO OTHER WAY. 163 00:11:25,352 --> 00:11:27,788 AND YOU CAN'T STAY HERE BY YOURSELF! 164 00:11:27,821 --> 00:11:29,022 NOW, SARA HAS AGREED-- 165 00:11:29,056 --> 00:11:32,192 MATTHEW. I'LL GET BY. 166 00:11:32,225 --> 00:11:34,061 I ALWAYS HAVE BEFORE. 167 00:11:34,094 --> 00:11:35,796 MOTHER, MATTHEW'S RIGHT. 168 00:11:35,829 --> 00:11:38,298 YOU CAN'T RUN THIS FARM BY YOURSELF. 169 00:11:38,331 --> 00:11:40,300 BESIDES, PA COULDN'T RAISE A CROP. 170 00:11:40,333 --> 00:11:42,035 WHAT MAKES YOU THINK YOU CAN? 171 00:11:42,069 --> 00:11:44,437 NOW, LISTEN HERE, BOTH OF YOU! 172 00:11:44,471 --> 00:11:46,940 NO, MA, YOU LISTEN. 173 00:11:49,843 --> 00:11:52,312 NOW, SARA AND I ARE ENTITLED TO OUR FAIR SHARE 174 00:11:52,345 --> 00:11:54,281 WITH THIS PLACE, TOO, 175 00:11:54,314 --> 00:11:55,515 AND THE ONLY WAY THAT ANY OF US 176 00:11:55,548 --> 00:11:57,250 ARE GOING TO GET IT IS TO SELL. 177 00:11:58,986 --> 00:12:01,354 I'LL NOT HAVE YOU SELLING 178 00:12:01,388 --> 00:12:04,057 WHAT YOUR FATHER SPENT YEARS BUILDING. 179 00:12:05,358 --> 00:12:07,194 I'M STAYING. 180 00:12:07,227 --> 00:12:10,097 MOTHER, YOU'RE COMING TO LIVE WITH ME, AND THAT'S FINAL. 181 00:12:10,130 --> 00:12:11,298 [KNOCK ON DOOR] 182 00:12:18,305 --> 00:12:19,773 OH, MR. INGALLS. 183 00:12:19,807 --> 00:12:21,341 MATTHEW, I'M SORRY TO DISTURB YOU. 184 00:12:21,374 --> 00:12:23,243 IS YOUR MOM UP TO TALKING FOR A MINUTE? 185 00:12:23,276 --> 00:12:27,380 OF COURSE, CHARLES. COME IN, COME IN. 186 00:12:27,414 --> 00:12:28,816 DOLPHIA. 187 00:12:28,849 --> 00:12:30,350 I JUST WANTED TO DROP BY 188 00:12:30,383 --> 00:12:32,786 AND LEAVE YOU THESE CARVING CHISELS JACK HAD LOANED ME. 189 00:12:32,820 --> 00:12:34,855 I THOUGHT YOU'D LIKE TO HAVE THEM. 190 00:12:34,888 --> 00:12:36,056 OH... 191 00:12:36,089 --> 00:12:37,925 YOU KEEP THEM, CHARLES. 192 00:12:37,958 --> 00:12:41,895 JACK ONLY BOUGHT THEM BECAUSE HE ADMIRED YOUR WORK SO MUCH. 193 00:12:41,929 --> 00:12:44,865 HE THOUGHT MAYBE ONE DAY HE MIGHT GIVE IT A TRY, YOU KNOW? 194 00:12:46,967 --> 00:12:48,235 WELL, THANK YOU VERY MUCH. 195 00:12:50,203 --> 00:12:52,539 PUT THEM TO GOOD USE. 196 00:12:52,572 --> 00:12:54,241 JACK WOULD LIKE THAT. 197 00:12:57,110 --> 00:12:59,046 WELL, I'D LIKE TO CARVE HIM A PROPER GRAVE MARKER, 198 00:12:59,079 --> 00:13:01,348 IF IT'S ALL RIGHT WITH YOU. 199 00:13:01,381 --> 00:13:04,251 OH, YES, CHARLES. 200 00:13:04,284 --> 00:13:06,053 I'D BE SO GRATEFUL. 201 00:13:07,320 --> 00:13:08,421 I'LL DO IT, THEN. 202 00:13:10,190 --> 00:13:11,591 I'D BEST BE ON MY WAY. 203 00:13:11,624 --> 00:13:14,928 OH, WON'T YOU STAY A WHILE? HAVE SOME COFFEE. 204 00:13:14,962 --> 00:13:17,464 NO, I REALLY HAVE TO BE GETTING BACK. 205 00:13:17,497 --> 00:13:19,566 I'LL STOP BY AND SEE YOU IN A FEW DAYS. 206 00:13:19,599 --> 00:13:21,301 ALL RIGHT. 207 00:13:23,336 --> 00:13:25,305 - MATTHEW. - MR. INGALLS. 208 00:13:29,943 --> 00:13:33,080 Matthew: NOW, MOTHER, SARA HAS MADE A GENEROUS OFFER. 209 00:13:33,113 --> 00:13:36,083 Dolphia: I TOLD YOU, I'M NOT SELLING THIS FARM. 210 00:13:36,116 --> 00:13:38,218 Sara: HOW WILL YOU LIVE? WHERE WILL YOU GET THE MONEY? 211 00:13:38,251 --> 00:13:41,488 Dolphia: I'LL...WORK. I'LL TAKE IN SEWING. 212 00:13:41,521 --> 00:13:44,091 Matthew: LOOK, I'M NOT GOING TO ARGUE WITH YOU ANYMORE. 213 00:13:44,124 --> 00:13:47,260 NOW THE FARM IS AS MUCH OURS AS IT IS YOURS. 214 00:13:47,294 --> 00:13:49,096 NOW, I'M GOING TO CONTACT AN ATTORNEY AND SEE 215 00:13:49,129 --> 00:13:51,899 WHAT SARA AND I CAN DO ABOUT IT. 216 00:13:51,932 --> 00:13:54,467 Dolphia: YOU'D DO THAT TO YOUR OWN MOTHER? 217 00:13:54,501 --> 00:13:56,136 Matthew: YOU LEAVE ME NO CHOICE. 218 00:14:11,351 --> 00:14:12,886 HOW'S IT COMING? 219 00:14:12,920 --> 00:14:14,221 JUST ABOUT DONE. 220 00:14:14,254 --> 00:14:15,455 WHAT DO YOU THINK? 221 00:14:17,424 --> 00:14:19,326 CHARLES, IT'S BEAUTIFUL. 222 00:14:20,593 --> 00:14:22,362 DOLLY WILL BE SO PLEASED. 223 00:14:24,231 --> 00:14:26,633 YEAH, MAKE IT WORTH THE 3 DAYS IT'S TAKEN TO FINISH IT. 224 00:14:30,437 --> 00:14:32,239 YOU KNOW, IT'S FUNNY-- SOMEBODY DIES, 225 00:14:32,272 --> 00:14:35,008 YOU USUALLY FEEL SO HELPLESS. 226 00:14:35,042 --> 00:14:38,045 FOR ONCE, I REALLY FEEL LIKE I CAN DO SOMETHING. 227 00:14:38,078 --> 00:14:40,047 MUST BE A GOOD FEELING. 228 00:14:40,080 --> 00:14:41,181 YEAH. 229 00:14:42,549 --> 00:14:43,616 HE WAS A GOOD FRIEND TO ME. 230 00:14:45,953 --> 00:14:47,687 I'LL GET IT SET UP THIS AFTERNOON AND GO OVER TO DOLLY'S 231 00:14:47,720 --> 00:14:50,190 AND TAKE HER OUT TO SEE IT. 232 00:14:54,461 --> 00:14:56,029 I'LL LET YOU FINISH UP. 233 00:15:06,439 --> 00:15:09,042 [HAMMERING] 234 00:16:01,028 --> 00:16:02,662 [HAMMERING] 235 00:16:02,695 --> 00:16:05,465 [LAUGHING] 236 00:16:05,498 --> 00:16:07,500 NOW COME ON, YOU TWO. 237 00:16:07,534 --> 00:16:09,536 PICK UP SOME WOOD. TAKE IT INSIDE HERE. 238 00:16:19,046 --> 00:16:20,347 HOW ARE YOU? 239 00:16:20,380 --> 00:16:22,615 GOOD MORNING. NAME'S JOSH BENNETT. 240 00:16:22,649 --> 00:16:24,217 - OH, CHARLES INGALLS. - NICE TO MEET YOU. 241 00:16:24,251 --> 00:16:26,219 Woman: JOSH! I NEED YOUR HELP. 242 00:16:26,253 --> 00:16:27,587 RIGHT NOW, BERTIE. 243 00:16:27,620 --> 00:16:30,157 AS YOU CAN SEE, WE'RE JUST MOVING IN. 244 00:16:30,190 --> 00:16:32,625 YEAH. JUST WHEN WAS THE FARM SOLD? 245 00:16:32,659 --> 00:16:35,495 ABOUT 3 DAYS AGO. LAND AUCTION. 246 00:16:35,528 --> 00:16:37,630 SEEMS THERE WAS A DEATH, AND THE FAMILY NEEDED THE MONEY, 247 00:16:37,664 --> 00:16:39,232 SO I GOT THE PLACE REAL CHEAP. 248 00:16:40,600 --> 00:16:42,335 I SEE. 249 00:16:42,369 --> 00:16:44,471 WELL, I'D BETTER GET GOING. IT WAS NICE MEETING YOU. 250 00:16:45,838 --> 00:16:47,174 A PLEASURE. 251 00:16:51,311 --> 00:16:52,779 Josh: WHAT DO YOU NEED, HONEY? 252 00:17:37,690 --> 00:17:39,526 [CRICKETS CHIRPING] 253 00:18:04,151 --> 00:18:05,318 BEAUTIFUL NIGHT. 254 00:18:05,352 --> 00:18:06,653 YEAH. 255 00:18:08,388 --> 00:18:10,690 LATE, TOO. 256 00:18:10,723 --> 00:18:14,161 YOU SAID YOU WERE LEAVING EARLY IN THE MORNING. 257 00:18:14,194 --> 00:18:15,662 I'M JUST NOT SLEEPY. 258 00:18:19,499 --> 00:18:21,168 I KNOW IT'S HARD TO BELIEVE. 259 00:18:23,836 --> 00:18:27,240 ONLY TWO WEEKS AGO, JACK WAS TRYING TO TELL ME HIS THOUGHTS. 260 00:18:30,243 --> 00:18:33,613 I REALLY DIDN'T UNDERSTAND WHAT HE WAS SAYING AT THE TIME, BUT NOW I DO. 261 00:18:36,916 --> 00:18:40,420 HE SENSED IT WAS GOING TO TURN OUT THIS WAY. 262 00:18:40,453 --> 00:18:42,355 WHAT WAY? 263 00:18:42,389 --> 00:18:44,257 CHARLES, THE MAN DIED. 264 00:18:44,291 --> 00:18:46,259 AND ALL THERE IS TO REMEMBER HIM IS A GRAVE. 265 00:18:49,429 --> 00:18:50,763 AND ALL HIS CHILDREN WANTED 266 00:18:50,797 --> 00:18:52,799 WAS THE MONEY THEY COULD GET OUT OF THE HOUSE. 267 00:18:54,801 --> 00:18:56,736 THEY FORCED THEIR MOTHER TO GO WITH THEM. 268 00:19:00,973 --> 00:19:03,243 AND TODAY STRANGERS MOVED IN. 269 00:19:06,279 --> 00:19:08,147 A BRAND-NEW SIGN ON THE HOUSE. 270 00:19:12,452 --> 00:19:14,821 THE OLD ONE JUST THROWN IN THE DIRT, 271 00:19:14,854 --> 00:19:16,289 JUST TOSSED AWAY. 272 00:19:20,993 --> 00:19:22,962 AND NOTHING TO REMIND THE WORLD THAT JACK PRESCOTT 273 00:19:22,995 --> 00:19:24,464 WAS EVER HERE. 274 00:19:30,503 --> 00:19:32,472 AND, GOD, I DON'T WANT THAT TO HAPPEN TO ME. 275 00:19:36,008 --> 00:19:38,278 I DON'T WANT THAT TO HAPPEN TO ME. 276 00:19:45,952 --> 00:19:47,954 [DOG BARKING] 277 00:20:16,683 --> 00:20:18,751 GOOD AFTERNOON, SVEN. 278 00:20:18,785 --> 00:20:21,688 AH, CHARLES, YOU'RE EARLY. 279 00:20:21,721 --> 00:20:23,323 I HEARD ABOUT JACK. 280 00:20:24,991 --> 00:20:26,726 IT'S HARD TO BELIEVE. 281 00:20:26,759 --> 00:20:27,927 YEAH, IT SURE IS. 282 00:20:29,896 --> 00:20:31,431 LET ME SHOW YOU SOMETHING. 283 00:20:37,537 --> 00:20:39,672 HEY, YOU SOLD MY TABLE ALREADY! 284 00:20:39,706 --> 00:20:41,974 I SOLD IT FOR $12.50. 285 00:20:42,008 --> 00:20:44,477 $12.50? 286 00:20:44,511 --> 00:20:47,414 YOU CAN'T IMAGINE THE STIR THIS PIECE CAUSED. 287 00:20:47,447 --> 00:20:48,881 WELL, THAT'S WONDERFUL. 288 00:20:48,915 --> 00:20:50,983 MAYBE I'LL START ANOTHER ONE WHEN I GET BACK HOME. 289 00:20:51,017 --> 00:20:53,686 I WAS HOPING YOU'D SAY 10 OTHERS. 290 00:20:53,720 --> 00:20:55,455 10? COME ON, SVEN. YOU KNOW HOW LONG IT TOOK ME JUST 291 00:20:55,488 --> 00:20:56,656 TO MAKE THIS ONE. 292 00:20:56,689 --> 00:20:59,626 BUT YOU ONLY WORKED ON IT PART-TIME. 293 00:20:59,659 --> 00:21:01,361 DO YOU REMEMBER THE OFFER I MADE YOU? 294 00:21:01,394 --> 00:21:02,729 SURE. 295 00:21:02,762 --> 00:21:04,697 CHARLES, THERE'S A FORTUNE TO BE MADE HERE 296 00:21:04,731 --> 00:21:05,898 FOR YOU AND FOR ME. 297 00:21:05,932 --> 00:21:08,901 THE INGALLS NAME COULD BECOME FAMOUS. 298 00:21:08,935 --> 00:21:10,503 I FIGURED IT OUT. 299 00:21:10,537 --> 00:21:12,472 THERE'S THAT LARGE STORAGE ROOM OUT BACK. 300 00:21:12,505 --> 00:21:14,941 IT WOULD MAKE A PERFECT WORKSHOP. 301 00:21:14,974 --> 00:21:17,644 OF COURSE, YOU WOULD HAVE TO MOVE HERE, BUT... 302 00:21:17,677 --> 00:21:18,845 MOVE HERE? 303 00:21:18,878 --> 00:21:20,947 OF COURSE. HOW ELSE COULD IT WORK? 304 00:21:20,980 --> 00:21:24,917 I PROVIDE THE MEANS, YOU PROVIDE THE TALENT. 305 00:21:24,951 --> 00:21:28,087 AND IT'S A NICE TOWN WITH GOOD SCHOOLS. 306 00:21:28,120 --> 00:21:29,689 WELL, WHAT DO YOU SAY? 307 00:21:29,722 --> 00:21:31,358 ARE WE IN BUSINESS? 308 00:21:33,125 --> 00:21:35,428 I DON'T KNOW, SVEN. IT'S A BIG DECISION TO MAKE. 309 00:21:35,462 --> 00:21:38,565 I HAVE TO THINK ON IT A WHILE AND TALK IT OVER WITH MY FAMILY. 310 00:21:38,598 --> 00:21:40,032 OF COURSE. TALK TO THE FAMILY, 311 00:21:40,066 --> 00:21:41,701 BUT I WOULD LIKE TO START SOON. 312 00:21:43,903 --> 00:21:45,838 WELL, LET'S GET MY WAGON UNLOADED. I'LL BE ON MY WAY. 313 00:21:45,872 --> 00:21:47,640 MARK MY WORD, CHARLES. 314 00:21:47,674 --> 00:21:49,942 THE NAME OF INGALLS ON A FINE PIECE OF FURNITURE 315 00:21:49,976 --> 00:21:52,412 WILL MEAN SOMETHING FOR YEARS TO COME. 316 00:21:56,048 --> 00:21:57,417 I'LL THINK ABOUT IT. 317 00:22:06,993 --> 00:22:10,830 I KNOW IT WON'T BE EASY FOR EVERYONE HAVING TO MOVE TO MINNEAPOLIS, BUT... 318 00:22:10,863 --> 00:22:12,599 IT'S A ONCE-IN-A-LIFETIME CHANCE. 319 00:22:12,632 --> 00:22:13,866 I JUST CAN'T PASS IT UP. 320 00:22:15,535 --> 00:22:18,671 CHARLES, I CAN'T BELIEVE YOU'RE SERIOUS. 321 00:22:18,705 --> 00:22:19,839 YOU'RE READY TO GIVE UP THE FARM 322 00:22:19,872 --> 00:22:22,575 AND EVERYTHING WE'VE WORKED FOR? 323 00:22:22,609 --> 00:22:24,677 YES, I AM. 324 00:22:24,711 --> 00:22:25,978 BUT YOU'RE A FARMER. 325 00:22:26,012 --> 00:22:27,714 YOU'VE ALWAYS BEEN SATISFIED WITH THAT. 326 00:22:27,747 --> 00:22:29,115 WELL, I'M NOT ANYMORE. 327 00:22:31,150 --> 00:22:32,619 I MEAN, SUPPOSE SOMETHING HAPPENED TO ME. 328 00:22:32,652 --> 00:22:35,054 WHAT WOULD BECOME OF THIS PLACE? 329 00:22:35,087 --> 00:22:37,390 WELL, ALBERT'S NEAR GROWN. HE'D HELP OUT. 330 00:22:37,424 --> 00:22:39,559 OH, CAROLINE, ALBERT WANTS TO BE A DOCTOR. THAT'S HIS DREAM. 331 00:22:39,592 --> 00:22:41,794 I CAN'T ASK HIM TO GIVE THAT UP. 332 00:22:41,828 --> 00:22:43,663 BESIDES, WITH ALL THE MONEY I'D BE MAKING, 333 00:22:43,696 --> 00:22:45,565 WE COULD SEND HIM TO A BETTER SCHOOL. 334 00:22:47,734 --> 00:22:49,502 IT'S JACK, ISN'T IT? 335 00:22:51,438 --> 00:22:53,139 THAT'S WHAT ALL THIS IS ABOUT. 336 00:22:55,642 --> 00:22:58,811 YOU REALLY ARE AFRAID OF ENDING THE WAY HE DID. 337 00:23:01,113 --> 00:23:03,015 I GUESS THAT'S PART OF THE REASON. 338 00:23:03,049 --> 00:23:04,851 IT'S ALL OF IT, CHARLES. 339 00:23:10,156 --> 00:23:13,025 JACK PRESCOTT WAS A FINE MAN, 340 00:23:13,059 --> 00:23:15,695 BUT HE'S NO CHARLES INGALLS. 341 00:23:15,728 --> 00:23:17,564 IF HE WERE, HIS CHILDREN COULDN'T HAVE 342 00:23:17,597 --> 00:23:18,931 TURNED OUT THE WAY THEY DID. 343 00:23:22,602 --> 00:23:26,105 IF IT'S A LEGACY YOU'RE AFTER, CHARLES, 344 00:23:26,138 --> 00:23:28,407 YOU CAN'T DO BETTER THAN OUR CHILDREN. 345 00:23:34,981 --> 00:23:36,849 CAROLINE, I DON'T KNOW WHY I FEEL SO STRONGLY 346 00:23:36,883 --> 00:23:38,451 ABOUT THIS, BUT I DO. 347 00:23:41,153 --> 00:23:43,590 AND EVEN IF MY REASONS ARE WRONG, I HAVE TO TRY. 348 00:23:51,531 --> 00:23:52,899 CHARLES, I'M SCARED. 349 00:23:54,534 --> 00:23:55,668 OH, NOW, DON'T BE. 350 00:23:57,704 --> 00:24:00,039 LOOK, I'LL GO TO MINNEAPOLIS ALONE FOR 3 MONTHS. 351 00:24:00,072 --> 00:24:02,942 THAT WAY, I'LL KNOW WHETHER OR NOT THIS THING IS GOING TO WORK OUT. 352 00:24:02,975 --> 00:24:04,110 3 MONTHS? 353 00:24:04,143 --> 00:24:05,712 WITH THE MONEY I'M MAKING, 354 00:24:05,745 --> 00:24:07,780 WE CAN GET A HIRED HAND TO DO THE HEAVY WORK HERE. 355 00:24:07,814 --> 00:24:09,549 OH, CHARLES. 356 00:24:09,582 --> 00:24:12,084 CAROLINE, WHAT'S 3 MONTHS IN RETURN FOR A BETTER LIFE? 357 00:24:22,829 --> 00:24:25,197 IT'S WHAT YOU WANT? 358 00:24:27,867 --> 00:24:29,168 IT IS. 359 00:24:35,675 --> 00:24:37,076 THEN DO IT. 360 00:25:36,368 --> 00:25:39,939 "THE DEMAND FOR THE FURNITURE GROWS BY THE DAY. 361 00:25:39,972 --> 00:25:43,275 "WE'VE HIRED MORE HELP, BUT THE HOURS ARE STILL VERY LONG. 362 00:25:43,309 --> 00:25:46,045 "AND EVEN THOUGH THE DAYS ALL SEEM TO RUN TOGETHER, 363 00:25:46,078 --> 00:25:48,981 IT'S WORTH IT WHEN I THINK OF HOW SUCCESSFUL WE ARE." 364 00:25:51,684 --> 00:25:54,854 "I CAN NOW SEND YOU MORE MONEY TO HELP RUN THINGS THERE, 365 00:25:54,887 --> 00:25:57,089 "BUT I CAN'T WAIT FOR THE DAY WHEN WE'LL BE TOGETHER 366 00:25:57,123 --> 00:25:59,225 "HERE IN MINNEAPOLIS. 367 00:25:59,258 --> 00:26:04,030 "MY LOVE TO ALL. I MISS EACH OF YOU DEARLY. 368 00:26:04,063 --> 00:26:05,231 LOVE, PA." 369 00:26:06,966 --> 00:26:08,668 WELL... 370 00:26:08,701 --> 00:26:10,937 IT CERTAINLY SOUNDS AS IF THINGS ARE WORKING OUT THE WAY 371 00:26:10,970 --> 00:26:12,371 PA THOUGHT THEY WOULD. 372 00:26:12,404 --> 00:26:16,108 YEAH, BUT, STILL, MOVING TO MINNEAPOLIS... 373 00:26:16,142 --> 00:26:17,744 DON'T YOU WANT TO? 374 00:26:17,777 --> 00:26:19,111 I DON'T KNOW. 375 00:26:19,145 --> 00:26:21,781 - WELL, IT'S REAL BIG. - I'VE BEEN THERE. 376 00:26:21,814 --> 00:26:24,717 I KNOW WE'LL MISS ALL OUR FRIENDS. 377 00:26:24,751 --> 00:26:26,385 THAT'S TRUE. 378 00:26:26,418 --> 00:26:27,754 BUT WE'VE MOVED BEFORE, 379 00:26:27,787 --> 00:26:29,922 AND WE ALWAYS MADE NEW ONES. 380 00:26:29,956 --> 00:26:31,223 AS LONG AS WE'RE TOGETHER, 381 00:26:31,257 --> 00:26:33,926 I DON'T CARE WHERE WE MOVE. 382 00:26:33,960 --> 00:26:35,094 [KNOCK ON DOOR] 383 00:26:35,127 --> 00:26:36,195 OH, I'LL GET IT. 384 00:26:38,297 --> 00:26:40,232 GOOD AFTERNOON, YOUNG FELLOW. 385 00:26:40,266 --> 00:26:42,268 I'D LIKE TO TALK TO YOUR MA. 386 00:26:42,301 --> 00:26:43,836 Caroline: I'M MRS. INGALLS. 387 00:26:43,870 --> 00:26:46,405 OH, HOWDY, MA'AM. 388 00:26:46,438 --> 00:26:48,775 I READ THIS NOTICE IN TOWN 389 00:26:48,808 --> 00:26:50,943 ABOUT YOU NEEDING SOME FARM HELP. 390 00:26:50,977 --> 00:26:52,311 - OH? - HMM. 391 00:26:52,344 --> 00:26:54,413 OH, AM I TOO LATE? 392 00:26:54,446 --> 00:26:55,782 UH... 393 00:26:55,815 --> 00:26:58,651 WELL, NO, NOT EXACTLY... 394 00:26:58,685 --> 00:26:59,652 MISTER... 395 00:26:59,686 --> 00:27:02,054 COOPER. URIAH COOPER. 396 00:27:02,088 --> 00:27:04,156 THAT'S OUR LAST NAME, TOO. 397 00:27:05,457 --> 00:27:07,226 HEY, IS THAT SO? 398 00:27:07,259 --> 00:27:10,129 WELL, COULD BE WE'RE RELATED. 399 00:27:10,162 --> 00:27:13,032 I DON'T THINK SO. 400 00:27:13,065 --> 00:27:15,802 Caroline: TO BE PERFECTLY FRANK, MR. COOPER, 401 00:27:15,835 --> 00:27:17,670 YOU DON'T SEEM LIKE THE FARMING TYPE. 402 00:27:17,704 --> 00:27:20,272 OH, WELL, DON'T LET THESE TRAVELING DUDS 403 00:27:20,306 --> 00:27:22,108 FOOL YOU, MRS. INGALLS. 404 00:27:22,141 --> 00:27:25,244 OH, I'VE SPENT MY SHARE OF TIME BEHIND A PLOW AND HARROW. 405 00:27:27,446 --> 00:27:29,348 WELL... 406 00:27:29,381 --> 00:27:30,950 YOU ARE THE FIRST PERSON I'VE SEEN. 407 00:27:30,983 --> 00:27:33,319 YEAH, AND PROBABLY THE LAST. 408 00:27:33,352 --> 00:27:36,923 I MEAN, WITH THE WAGES THAT YOU'RE OFFERING TO PAY. 409 00:27:43,229 --> 00:27:44,430 ALL RIGHT, MR. COOPER. 410 00:27:46,298 --> 00:27:47,366 Caroline: WE'LL GIVE IT A TRY. 411 00:27:48,901 --> 00:27:50,837 NOW, THE UPPER FIELD NEEDS PLOWING, 412 00:27:50,870 --> 00:27:53,706 AND THE SIDE OF THE BARN NEEDS REPAIRING. 413 00:27:53,740 --> 00:27:55,041 YEAH, WELL, THE... 414 00:27:55,074 --> 00:27:56,308 WELL, THE DAY'S NEAR BURNED OUT, 415 00:27:56,342 --> 00:27:58,344 SO I'LL START WITH THE BARN. 416 00:27:58,377 --> 00:27:59,979 FINE. 417 00:28:00,012 --> 00:28:02,448 ALBERT, PLEASE SHOW MR. COOPER WHERE THE TOOLS ARE. 418 00:28:02,481 --> 00:28:03,883 Albert: YES, MA'AM. 419 00:28:23,235 --> 00:28:25,471 YEP, EMMA'S GOING TO BE REAL HAPPY. 420 00:28:25,504 --> 00:28:27,239 I'M SURE SHE WILL, MR. HASTINGS. 421 00:28:27,273 --> 00:28:31,210 NEVER PAID THAT MUCH FOR A SINGLE PIECE OF FURNITURE BEFORE. 422 00:28:31,243 --> 00:28:32,812 WORTH IT, THOUGH. 423 00:28:32,845 --> 00:28:34,080 GIDDYAP! 424 00:28:36,382 --> 00:28:38,284 EXCUSE ME, GENTLEMEN. 425 00:28:38,317 --> 00:28:40,820 I COULDN'T HELP BUT ADMIRE THAT TABLE. 426 00:28:40,853 --> 00:28:42,755 A FINE PIECE OF WORKMANSHIP. 427 00:28:42,789 --> 00:28:45,892 THANK YOU. THIS IS THE CRAFTSMAN RESPONSIBLE. 428 00:28:45,925 --> 00:28:47,126 OH, GLAD TO MEET YOU, MISTER... 429 00:28:47,159 --> 00:28:49,228 INGALLS. CHARLES INGALLS. 430 00:28:49,261 --> 00:28:50,362 I'M SVEN JOHANSSEN. 431 00:28:50,396 --> 00:28:52,865 ADDISON FISK. 432 00:28:52,899 --> 00:28:55,201 DO YOU HAPPEN TO HAVE ANOTHER ONE OF THOSE IN YOUR INVENTORY? 433 00:28:55,234 --> 00:28:56,969 AH, DON'T I WISH? 434 00:28:57,003 --> 00:28:59,005 THE WAITING LIST IS GETTING LONGER BY THE DAY. 435 00:28:59,038 --> 00:29:00,807 WHICH REMINDS ME, I'D BEST GET BACK TO WORK. 436 00:29:00,840 --> 00:29:02,241 PLEASURE TO MEET YOU, MR. FISK. 437 00:29:02,274 --> 00:29:04,310 OF COURSE, WE CAN PUT YOU ON THE LIST, 438 00:29:04,343 --> 00:29:06,913 BUT I COULDN'T PROMISE DELIVERY FOR SEVERAL MONTHS. 439 00:29:06,946 --> 00:29:09,148 OH, THAT'S TOO BAD. 440 00:29:09,181 --> 00:29:11,017 MY WIFE'S BIRTHDAY IS IN TWO WEEKS, 441 00:29:11,050 --> 00:29:14,386 AND SHE REALLY WOULD BE PLEASED. 442 00:29:14,420 --> 00:29:16,856 UH, MAY I ASK HOW MUCH YOU'RE CHARGING? 443 00:29:16,889 --> 00:29:18,858 $12.50. 444 00:29:18,891 --> 00:29:20,226 Mr. Fisk: HMM, VERY STEEP. 445 00:29:20,259 --> 00:29:22,194 WELL, SUPPLY AND DEMAND. 446 00:29:22,228 --> 00:29:25,998 OF COURSE. I'LL TELL YOU WHAT I'LL DO, MR. JOHANSSEN. 447 00:29:26,032 --> 00:29:28,835 I'LL GIVE YOU $12.50 NOW 448 00:29:28,868 --> 00:29:30,837 AND DOUBLE IT ON DELIVERY, 449 00:29:30,870 --> 00:29:32,571 IF YOU'LL PUT ME AT THE TOP OF YOUR LIST. 450 00:29:32,604 --> 00:29:34,506 DOUBLE? 451 00:29:34,540 --> 00:29:36,843 WELL, IT'S AS MUCH AS I CAN AFFORD. 452 00:29:36,876 --> 00:29:39,345 OH, IT'S VERY GENEROUS, TO BE SURE. 453 00:29:39,378 --> 00:29:41,047 COME. I'LL MAKE OUT THE ORDER. 454 00:30:02,401 --> 00:30:04,470 MORE PIE, MR. COOPER? 455 00:30:04,503 --> 00:30:06,973 OH, NO, THANK YOU. 456 00:30:07,006 --> 00:30:10,209 3 PIECES IS JUST ABOUT RIGHT. 457 00:30:10,242 --> 00:30:12,578 HOW'S THAT BARN WALL COMING, MR. COOPER? 458 00:30:12,611 --> 00:30:16,548 WELL, I'D BETTER BE TURNING IN EARLY. 459 00:30:16,582 --> 00:30:18,851 MORNING'S GOING TO COME AWFUL FAST. 460 00:30:20,652 --> 00:30:23,155 ABOUT THAT BARN WALL, MR. COOPER-- 461 00:30:23,189 --> 00:30:26,092 OH, I GET THESE TERRIBLE HUNGER PANGS AROUND MIDNIGHT. 462 00:30:26,125 --> 00:30:27,359 WOULD IT BE ALL RIGHT? 463 00:30:27,393 --> 00:30:28,560 OF COURSE! 464 00:30:28,594 --> 00:30:30,529 ABOUT THE BARN WALL... 465 00:30:30,562 --> 00:30:33,933 OH, SURE, SURE. SOMETIME TOMORROW. 466 00:30:33,966 --> 00:30:35,101 GOOD NIGHT. 467 00:30:44,110 --> 00:30:46,345 NEVER SAW ANYONE EAT SO MUCH. 468 00:30:46,378 --> 00:30:49,949 I WAS HOPING THAT PIE WOULD BE ENOUGH FOR TOMORROW. 469 00:30:49,982 --> 00:30:53,185 HE SURE IS TAKING HIS TIME WITH THAT BARN WALL. 470 00:30:53,219 --> 00:30:55,187 HOW'S IT LOOK TO YOU, ALBERT? 471 00:30:55,221 --> 00:30:57,556 LIKE PA'S GOING TO HAVE TO REDO IT. 472 00:30:57,589 --> 00:30:59,625 WELL... 473 00:30:59,658 --> 00:31:01,560 MAYBE HE'LL BE BETTER AT PLOWING. 474 00:31:07,967 --> 00:31:09,168 GOOD NIGHT. 475 00:31:11,070 --> 00:31:12,204 SEE YOU TOMORROW. 476 00:31:23,382 --> 00:31:25,484 A LONG DAY. 477 00:31:25,517 --> 00:31:27,553 IT SURE IS. 478 00:31:27,586 --> 00:31:30,156 CHARLES, YOU LOOK EXHAUSTED. 479 00:31:30,189 --> 00:31:31,323 THAT CAN'T BE HELPED. 480 00:31:31,357 --> 00:31:32,491 GOT TO FILL THESE ORDERS 481 00:31:32,524 --> 00:31:33,960 WHILE THEY'RE STILL COMING IN. 482 00:31:33,993 --> 00:31:35,627 YOU THINK THEY'LL STOP? 483 00:31:35,661 --> 00:31:37,063 YOU NEVER CAN TELL. 484 00:31:37,096 --> 00:31:38,697 OWNING ONE OF THESE TABLES HAS CAUGHT ON. 485 00:31:38,730 --> 00:31:40,566 BUT IT COULD BE JUST A FAD. 486 00:31:40,599 --> 00:31:43,102 I DON'T BELIEVE IN TAKING A GOOD THING FOR GRANTED. 487 00:31:43,135 --> 00:31:45,972 Sven: LET ME TELL YOU SOMETHING, CHARLES. 488 00:31:46,005 --> 00:31:47,606 YOU'RE WRONG ABOUT THESE. 489 00:31:47,639 --> 00:31:50,176 THE DESIGN, THE WORKMANSHIP-- 490 00:31:50,209 --> 00:31:52,111 THEY'RE TOO GOOD TO GO OUT OF FASHION. I KNOW. 491 00:31:52,144 --> 00:31:54,713 I'VE BEEN IN THIS BUSINESS FOR A LONG TIME, AND I KNOW. 492 00:31:54,746 --> 00:31:59,018 WE COULDN'T MAKE ENOUGH TO SATISFY THE DEMAND IF WE LIVE TO BE 100. 493 00:31:59,051 --> 00:32:01,653 WAIT A MINUTE. I DON'T INTEND TO BE WORKING THAT LONG. 494 00:32:01,687 --> 00:32:04,056 OH, WELL, MAYBE I EXAGGERATE. 495 00:32:04,090 --> 00:32:06,258 BUT WE ARE GOING TO BE RICH MEN. COUNT ON IT. 496 00:32:07,693 --> 00:32:10,662 I ONLY WISH WE HAD MORE WORK SPACE. 497 00:32:10,696 --> 00:32:14,466 WE COULD USE MORE MEN, BUT WHERE WOULD WE PUT THEM? 498 00:32:14,500 --> 00:32:16,268 I'VE BEEN THINKING ABOUT THAT. 499 00:32:16,302 --> 00:32:17,436 WHAT ABOUT A NIGHT SHIFT? 500 00:32:18,737 --> 00:32:20,372 YOU MEAN WORK AROUND THE CLOCK? 501 00:32:20,406 --> 00:32:22,008 Charles: SURE. WHY NOT? 502 00:32:22,041 --> 00:32:24,243 OH, YOU COULDN'T HANDLE A SCHEDULE LIKE THAT. 503 00:32:24,276 --> 00:32:26,078 AW, COME ON, SVEN. 504 00:32:26,112 --> 00:32:27,646 I'M IN HERE ALMOST ALL THE TIME ANYWAY. 505 00:32:27,679 --> 00:32:29,215 JUST PUT A COT OVER THERE IN THE CORNER. 506 00:32:29,248 --> 00:32:31,083 I'LL GRAB SLEEP WHENEVER I CAN. 507 00:32:33,052 --> 00:32:35,988 WELL, YOU'RE IN CHARGE. 508 00:32:36,022 --> 00:32:38,524 I'LL POST THE JOBS AT THE HIRING HALL TOMORROW. 509 00:32:38,557 --> 00:32:39,725 FINE. 510 00:32:39,758 --> 00:32:41,160 GOOD NIGHT. 511 00:32:41,193 --> 00:32:42,361 GOOD NIGHT, SVEN. 512 00:32:54,773 --> 00:32:56,175 [CRICKETS CHIRPING] 513 00:33:13,459 --> 00:33:14,560 ALBERT. 514 00:33:16,395 --> 00:33:18,564 WHY AREN'T YOU ASLEEP? 515 00:33:18,597 --> 00:33:19,531 I CAN'T. 516 00:33:21,533 --> 00:33:22,768 WHAT'S THE MATTER? 517 00:33:25,404 --> 00:33:27,539 IT'S THAT MR. COOPER. 518 00:33:27,573 --> 00:33:29,475 WHAT'D HE DO NOW? 519 00:33:29,508 --> 00:33:32,811 WELL, HE SURE CAN'T SEEM TO DO ANYTHING RIGHT. 520 00:33:32,844 --> 00:33:35,147 I WENT BY THE UPPER FIELD AFTER SCHOOL TODAY, 521 00:33:35,181 --> 00:33:37,383 AND HE HADN'T DONE ANYTHING. 522 00:33:37,416 --> 00:33:41,120 WHY SHOULD PA HAVE TO WORK SO HARD TO PAY SOMEBODY LIKE THAT? 523 00:33:41,153 --> 00:33:43,489 HE EATS ENOUGH FOR 3 PEOPLE. 524 00:33:43,522 --> 00:33:45,457 IT'S NOT RIGHT. 525 00:33:45,491 --> 00:33:47,193 I KNOW, 526 00:33:47,226 --> 00:33:49,695 BUT WE DO SO NEED THE HELP. 527 00:33:49,728 --> 00:33:52,564 I'VE ALREADY TALKED TO JAMES ABOUT THAT. 528 00:33:52,598 --> 00:33:54,700 BETWEEN THE TWO OF US, WE CAN HANDLE THINGS. 529 00:33:56,268 --> 00:33:57,703 AND DO YOUR CHORES 530 00:33:57,736 --> 00:33:59,271 AND DO YOUR HOMEWORK? 531 00:33:59,305 --> 00:34:02,641 IT WON'T BE EASY, BUT WE'LL MANAGE. 532 00:34:07,713 --> 00:34:10,216 ALL RIGHT, ALBERT. 533 00:34:10,249 --> 00:34:12,718 WITH YOUR PA AWAY, YOU'RE THE MAN OF THE HOUSE. 534 00:34:12,751 --> 00:34:14,453 NOW, YOU GO CHECK ON HIS WORK TOMORROW, 535 00:34:14,486 --> 00:34:16,655 AND IF YOU STILL FEEL THE SAME WAY, 536 00:34:16,688 --> 00:34:18,290 YOU TELL HIM WE'RE LETTING HIM GO. 537 00:34:20,659 --> 00:34:22,594 THANKS, MA. 538 00:34:22,628 --> 00:34:23,795 THANK YOU. 539 00:34:25,764 --> 00:34:27,833 - NOW GET SOME SLEEP. - OK. 540 00:34:27,866 --> 00:34:29,601 - GOOD NIGHT. - GOOD NIGHT. 541 00:34:42,748 --> 00:34:44,716 IS THIS YOUR IDEA OF AN HONEST DAY'S WORK, MR. COOPER? 542 00:34:44,750 --> 00:34:46,785 WHAT? HMM. 543 00:34:46,818 --> 00:34:49,321 OH, HELLO THERE, YOUNG FELLOW. 544 00:34:49,355 --> 00:34:51,890 WELL, I WAS JUST GIVING THE HORSE A BREATHER. 545 00:34:51,923 --> 00:34:54,260 UH, YEAH, IT'S STARTING TO GET PRETTY HOT. 546 00:34:54,293 --> 00:34:56,728 WELL, I JUST CHECKED ON HOW HOT THE HORSE IS. 547 00:34:56,762 --> 00:35:00,266 - HEH HEH! OH, YOU DID, HUH? - YES, I DID. 548 00:35:00,299 --> 00:35:02,734 AND I DON'T THINK WE'LL BE NEEDING YOUR HELP ANYMORE. 549 00:35:02,768 --> 00:35:06,905 - WHAT'S THAT? YOU SAYING I'M FIRED? - THAT'S IT. 550 00:35:06,938 --> 00:35:08,574 YEAH, WELL... 551 00:35:08,607 --> 00:35:11,777 WE'LL SEE WHAT YOUR MA HAS TO SAY ABOUT THAT. 552 00:35:11,810 --> 00:35:13,645 DON'T BOTHER. SHE LEFT IT UP TO ME. 553 00:35:13,679 --> 00:35:16,482 - GOOD-BYE, MR. COOPER. - HEY, HEY, NOW, HOLD ON. 554 00:35:16,515 --> 00:35:19,451 NOW, YOU OWE ME A HALF A DAY'S PAY FOR TODAY. 555 00:35:19,485 --> 00:35:21,820 FOR WHAT, SLEEPING UNDER THAT TREE? 556 00:35:21,853 --> 00:35:24,323 WE DON'T OWE YOU ANYTHING MORE FOR THAT, MR. COOPER. 557 00:35:24,356 --> 00:35:25,824 NOT EVEN SQUATTER'S RIGHTS. 558 00:35:25,857 --> 00:35:29,395 NOW, PLEASE, GET YOURSELF OFF THIS PROPERTY. 559 00:35:53,785 --> 00:35:54,920 MARVIN. 560 00:36:08,367 --> 00:36:09,701 SO THAT'S IT, HUH? 561 00:36:09,735 --> 00:36:10,902 WHAT DO YOU THINK? 562 00:36:10,936 --> 00:36:12,838 I SEE WHY THEY'RE SELLING. 563 00:36:12,871 --> 00:36:16,242 YEP. NOT BAD. 564 00:36:16,275 --> 00:36:18,377 NICE DESIGN, BUT SIMPLE, TOO. 565 00:36:18,410 --> 00:36:20,246 THAT'S THE IMPORTANT THING. 566 00:36:20,279 --> 00:36:21,880 WHAT'S OUR CAPABILITY? 567 00:36:21,913 --> 00:36:24,850 OH, 25, 30 A WEEK ON A REGULAR BASIS. 568 00:36:24,883 --> 00:36:28,687 THEY'LL BE AS GOOD AS THAT, BUT THEY'LL SELL REAL CHEAP. 569 00:36:28,720 --> 00:36:31,457 THAT'S JUST WHAT I WANTED TO HEAR. 570 00:36:31,490 --> 00:36:33,859 LET'S START BREAKING IT DOWN. 571 00:36:33,892 --> 00:36:35,227 OK. 572 00:37:02,388 --> 00:37:04,790 SVEN, WE'RE OUT OF JUST ABOUT EVERYTHING. I MADE A LIST HERE. 573 00:37:04,823 --> 00:37:07,693 IF YOU COULD PICK THESE THINGS UP FOR ME... 574 00:37:07,726 --> 00:37:09,261 IS THERE SOMETHING WRONG? 575 00:37:11,062 --> 00:37:12,864 I DON'T KNOW. 576 00:37:12,898 --> 00:37:14,566 IT'S STRANGE. 577 00:37:14,600 --> 00:37:17,035 HAVEN'T HAD A NEW ORDER ALL WEEK. 578 00:37:17,068 --> 00:37:20,506 WELL, IN A WAY, IT'S KIND OF A BLESSING. WE WERE BACKED UP. 579 00:37:20,539 --> 00:37:23,709 THAT'S WHAT I THOUGHT UNTIL THESE STARTED COMING IN. 580 00:37:23,742 --> 00:37:24,910 WHAT ARE THEY? 581 00:37:24,943 --> 00:37:26,545 ORDER CANCELLATIONS. 582 00:37:28,447 --> 00:37:31,283 I DIDN'T THINK MUCH ABOUT THE FIRST TWO. 583 00:37:31,317 --> 00:37:34,520 PEOPLE HAVE SECOND THOUGHTS AFTER ALL. BUT 5? 584 00:37:36,522 --> 00:37:38,824 YEAH, I SEE WHAT YOU MEAN. 585 00:37:38,857 --> 00:37:40,759 DO YOU SUPPOSE YOU WERE RIGHT? 586 00:37:40,792 --> 00:37:42,394 THAT INTEREST IN THAT PIECE OF FURNITURE 587 00:37:42,428 --> 00:37:44,430 WAS JUST A PASSING THING? 588 00:37:47,666 --> 00:37:48,900 I DON'T KNOW. I HOPE NOT. 589 00:37:51,002 --> 00:37:54,506 EITHER WAY, WE MUST TAKE PRECAUTIONS. 590 00:37:54,540 --> 00:37:56,375 THE NIGHT SHIFT WILL HAVE TO BE DISMISSED, 591 00:37:56,408 --> 00:37:57,443 AT LEAST FOR THE TIME BEING. 592 00:37:59,378 --> 00:38:00,912 IS IT ALL RIGHT IF I LET THE MEN FINISH OUT THE WEEK? 593 00:38:00,946 --> 00:38:02,781 ALL RIGHT. 594 00:38:02,814 --> 00:38:04,850 OH, AND, CHARLES... 595 00:38:04,883 --> 00:38:07,419 THE NEXT PIECE YOU FINISH... 596 00:38:07,453 --> 00:38:09,355 LET'S KEEP IT FOR DISPLAY. 597 00:38:09,388 --> 00:38:11,923 THAT DIDN'T SEEM NECESSARY IN THE PAST. 598 00:38:11,957 --> 00:38:13,058 IT IS NOW. 599 00:38:14,893 --> 00:38:17,729 YEAH, IT CAN'T HURT. I'LL GO TALK TO THE MEN. 600 00:38:34,680 --> 00:38:36,648 Caroline, voice-over: "DEAR CHARLES, THIS WILL HAVE TO BE SHORT 601 00:38:36,682 --> 00:38:37,916 "OR I'LL BE LATE FOR WORK. 602 00:38:37,949 --> 00:38:40,051 "I MUST BE HONEST, MY LOVE--I AM NOT SORRY 603 00:38:40,085 --> 00:38:41,853 "YOU HAD TO CLOSE DOWN THE NIGHT SHIFT. 604 00:38:41,887 --> 00:38:44,456 "WORKING SUCH LONG HOURS HAD ME TERRIBLY WORRIED. 605 00:38:44,490 --> 00:38:48,059 "NATURALLY, I HOPE THE BUSINESS DOESN'T GET ANY WORSE--I'M SURE NOT. 606 00:38:48,093 --> 00:38:52,564 "BY THE WAY, THE MAN I JUST HIRED DIDN'T WORK OUT, SO WE REPLACED HIM. 607 00:38:52,598 --> 00:38:54,866 "YOU JUST WOULDN'T BELIEVE THE DIFFERENCE. 608 00:38:54,900 --> 00:38:57,469 "EVERYTHING IS GETTING DONE PERFECTLY NOW. 609 00:38:57,503 --> 00:39:00,639 "HAVE TO RUSH. WE ALL MISS YOU AND LOVE YOU. 610 00:39:00,672 --> 00:39:01,973 CAROLINE." 611 00:39:18,590 --> 00:39:19,725 EXCUSE ME. 612 00:39:19,758 --> 00:39:21,427 OH, YES. CAN I HELP YOU? 613 00:39:21,460 --> 00:39:23,061 WHERE'D YOU GET THAT TABLE OUT THERE ON THE PORCH? 614 00:39:23,094 --> 00:39:25,631 - WHY DO YOU ASK? - THERE'S NO CRAFTSMAN'S MARK. 615 00:39:25,664 --> 00:39:29,000 WELL, NOW, THAT WOULD SURELY BE A COMPLIMENT TO THE MANUFACTURER. 616 00:39:29,034 --> 00:39:31,870 THOSE TABLES ARE MASS-PRODUCED. 617 00:39:31,903 --> 00:39:33,038 MASS-PRODUCED? 618 00:39:33,071 --> 00:39:34,906 THAT'S RIGHT. 619 00:39:34,940 --> 00:39:36,575 WHAT'S THAT TABLE SELL FOR? 620 00:39:36,608 --> 00:39:39,077 $4.95. INTERESTED IN PURCHASING ONE? 621 00:39:39,110 --> 00:39:40,779 NO, I'M NOT. 622 00:39:40,812 --> 00:39:42,614 I'M INTERESTED IN FINDING OUT WHO TURNS THEM OUT. 623 00:39:42,648 --> 00:39:44,049 OH, EAST FURNITURE. 624 00:39:44,082 --> 00:39:46,652 THEY'RE THE BIGGEST OUTFIT THIS SIDE OF MADISON. 625 00:39:46,685 --> 00:39:47,953 WHERE ARE THEY LOCATED? 626 00:39:47,986 --> 00:39:50,021 A FEW BLOCKS DOWN. 627 00:39:50,055 --> 00:39:51,423 THANK YOU. 628 00:39:51,457 --> 00:39:52,624 YOU'RE WELCOME. 629 00:40:01,032 --> 00:40:02,701 I'M LOOKING FOR THE MAN IN CHARGE. 630 00:40:02,734 --> 00:40:04,603 IF IT'S ABOUT A JOB, I'M THE MAN TO TALK TO. 631 00:40:04,636 --> 00:40:07,138 IT'S NOT ABOUT A JOB. IT'S ABOUT A BUSINESS OPPORTUNITY. 632 00:40:07,172 --> 00:40:08,540 OFFICE, OVER THERE. 633 00:40:16,882 --> 00:40:18,784 EXCUSE ME. I... 634 00:40:18,817 --> 00:40:21,620 WELL, WELL, MR. INGALLS. 635 00:40:21,653 --> 00:40:24,823 I THOUGHT I MIGHT BE GETTING A LITTLE VISIT FROM YOU. 636 00:40:24,856 --> 00:40:27,926 IS THIS HOW YOU MAKE YOUR LIVING, STEALING ANOTHER MAN'S DESIGN? 637 00:40:27,959 --> 00:40:29,595 STEALING. 638 00:40:29,628 --> 00:40:31,196 THAT'S A RATHER SERIOUS CHARGE. 639 00:40:31,229 --> 00:40:32,864 WELL, WHAT WOULD YOU CALL IT? 640 00:40:32,898 --> 00:40:37,068 GET TO THE POINT, INGALLS. WHAT DO YOU WANT, MONEY? 641 00:40:37,102 --> 00:40:39,170 FORGET IT. NOT A DIME. 642 00:40:40,639 --> 00:40:42,040 SUPPOSE I TAKE YOU TO COURT. 643 00:40:44,009 --> 00:40:45,176 FINE. HEH! 644 00:40:45,210 --> 00:40:47,513 WHO KNOWS? YOU MIGHT EVEN WIN. 645 00:40:47,546 --> 00:40:49,948 THAT IS, AFTER ALL THE APPEALS. 646 00:40:49,981 --> 00:40:54,185 MIGHT DRAG ON FOR SOME TIME, AND COURT COSTS ARE VERY EXPENSIVE. 647 00:40:54,219 --> 00:40:57,923 BUT IF THAT'S WHAT YOU WANT, I CAN AFFORD IT. 648 00:40:57,956 --> 00:40:59,057 CAN YOU? 649 00:41:01,727 --> 00:41:03,929 LET'S BE PHILOSOPHICAL ABOUT THIS, INGALLS. 650 00:41:05,196 --> 00:41:07,265 TIMES HAVE CHANGED. 651 00:41:07,298 --> 00:41:09,067 WE'RE IN THE INDUSTRIAL AGE NOW. 652 00:41:10,936 --> 00:41:13,104 A LOT OF MONEY TO BE MADE, 653 00:41:13,138 --> 00:41:17,543 TOO MUCH TO BE CONCERNED WITH CERTAIN NICETIES. 654 00:41:17,576 --> 00:41:20,245 LOOK, YOU'VE HAD A GOOD RUN. YOU'VE MADE A LITTLE MONEY. 655 00:41:20,278 --> 00:41:22,113 NOW IT'S MY TURN. 656 00:41:22,147 --> 00:41:24,115 BUSINESS IS BUSINESS. 657 00:41:24,149 --> 00:41:26,752 AFTER ALL, IT'S ONLY A DESIGN. 658 00:41:28,153 --> 00:41:30,756 NOW, IF YOU'LL EXCUSE ME, I'M BUSY. 659 00:41:39,030 --> 00:41:41,733 IT'S NOT JUST A DESIGN! IT'S MY DESIGN! IT'S GOT MY MARK ON IT! 660 00:41:41,767 --> 00:41:43,501 NOT ANYMORE! 661 00:41:56,047 --> 00:41:57,282 GET HIM! 662 00:42:14,666 --> 00:42:16,101 THROW HIM IN THE STREET! 663 00:42:24,109 --> 00:42:26,177 [SIGHS] 664 00:42:26,211 --> 00:42:28,346 MACHINES. 665 00:42:28,379 --> 00:42:30,281 THEY'LL BE A SCOURGE ON MANKIND. 666 00:42:32,150 --> 00:42:34,252 YEAH... 667 00:42:34,285 --> 00:42:35,854 CAN'T HAVE PROGRESS WITHOUT THEM... 668 00:42:37,388 --> 00:42:40,091 EVEN IF IT IS AT THE EXPENSE OF FOLKS LIKE YOU AND ME. 669 00:42:40,125 --> 00:42:41,292 DRINK? 670 00:42:41,326 --> 00:42:42,861 HMM? NO, THANKS. 671 00:42:44,930 --> 00:42:48,133 AT LEAST NOW BOTH OF US CAN RELAX A LITTLE. 672 00:42:48,166 --> 00:42:49,334 SKOAL. 673 00:42:49,367 --> 00:42:50,702 SKOAL. 674 00:42:53,672 --> 00:42:55,941 AHH! 675 00:42:55,974 --> 00:42:58,109 ESPECIALLY YOU. 676 00:42:58,143 --> 00:42:59,711 THE WAY YOU'VE BEEN GOING... 677 00:43:01,412 --> 00:43:04,149 YEAH, I DIDN'T REALIZE HOW TIRED I REALLY WAS. 678 00:43:07,418 --> 00:43:10,021 WELL, MAYBE WE'LL FIND ANOTHER WAY TO GET RICH. 679 00:43:11,790 --> 00:43:13,358 [CHUCKLING] 680 00:43:14,926 --> 00:43:16,962 [BOTH LAUGHING] 681 00:43:18,263 --> 00:43:19,965 OH, THIS HURTS. 682 00:43:26,938 --> 00:43:28,106 OH. 683 00:43:35,346 --> 00:43:36,715 OH, SVEN. 684 00:43:43,689 --> 00:43:45,256 [SIGHS] 685 00:43:45,290 --> 00:43:46,792 DO YOU KNOW SOMETHING, SVEN? 686 00:43:46,825 --> 00:43:47,926 WHAT? 687 00:43:49,194 --> 00:43:50,862 I'M GLAD IT'S OVER. 688 00:43:50,896 --> 00:43:53,732 HMM. YOU KNOW... 689 00:43:53,765 --> 00:43:55,433 IT'S A STRANGE THING. 690 00:43:55,466 --> 00:43:56,802 WHAT'S THAT? 691 00:43:56,835 --> 00:43:58,136 I AM, TOO. 692 00:43:58,169 --> 00:44:01,707 [LAUGHTER] 693 00:44:01,740 --> 00:44:03,909 WHEN ALL OF A SUDDEN, THERE'S... 694 00:44:03,942 --> 00:44:06,778 NO TIME IN YOUR LIFE FOR ANYTHING BUT WORK, 695 00:44:06,812 --> 00:44:08,780 HOW IMPORTANT CAN IT BE? 696 00:44:10,916 --> 00:44:12,050 NOT VERY. 697 00:44:15,220 --> 00:44:18,089 YOU KNOW WHY I STARTED ALL THIS? ALL THIS WORKING? 698 00:44:20,058 --> 00:44:21,893 BECAUSE I WANTED TO BE REMEMBERED. 699 00:44:24,162 --> 00:44:26,131 MY INITIALS ON A PIECE OF FURNITURE. 700 00:44:28,734 --> 00:44:30,802 I WANTED STRANGERS TO REMEMBER ME. 701 00:44:33,104 --> 00:44:34,472 I WASN'T EVEN GIVING MY OWN CHILDREN 702 00:44:34,505 --> 00:44:35,974 A CHANCE TO REMEMBER ME. 703 00:44:37,843 --> 00:44:39,845 WORKING THE WAY I WAS, THEY WOULDN'T EVEN KNOW ME. 704 00:44:44,149 --> 00:44:45,751 PEOPLE ARE SILLY. 705 00:44:49,921 --> 00:44:51,189 TO THE CHILDREN. 706 00:44:57,829 --> 00:44:58,930 TO THE CHILDREN. 707 00:45:15,881 --> 00:45:17,282 [DOOR OPENS] 708 00:45:17,315 --> 00:45:19,918 ALBERT! JAMES! DON'T FORGET TO WIPE YOUR FEET! 709 00:45:19,951 --> 00:45:21,386 [DOOR CLOSES] 710 00:45:23,254 --> 00:45:25,190 WELL, THE LEAST YOU COULD SAY IS "WELCOME HOME." 711 00:45:25,223 --> 00:45:27,125 CHARLES! OH! 712 00:45:28,526 --> 00:45:30,461 OH, I'VE MISSED YOU. 713 00:45:30,495 --> 00:45:32,163 OH, BUT WHAT HAPPENED? 714 00:45:32,197 --> 00:45:34,365 OH, THINGS JUST DIDN'T WORK OUT THE WAY I PLANNED. 715 00:45:34,399 --> 00:45:35,867 I'M SO SORRY. 716 00:45:35,901 --> 00:45:37,468 DON'T BE. YOU WERE RIGHT. 717 00:45:37,502 --> 00:45:40,538 THE CHILDREN ARE MY LEGACY. I DON'T NEED ANYTHING ELSE. 718 00:45:40,571 --> 00:45:44,009 - AND I MISSED YOU! OHH! - HA HA HA! 719 00:45:44,042 --> 00:45:46,177 YEAH, I LOOKED AROUND THE PLACE. THAT HIRED HAND DID A NICE JOB. 720 00:45:46,211 --> 00:45:48,213 "HANDS," CHARLES, NOT "HAND." 721 00:45:48,246 --> 00:45:50,315 YOU HIRED MORE THAN ONE? THAT'S A LITTLE EXPENSIVE. 722 00:45:50,348 --> 00:45:51,883 HMM, LOOK AT OUR BANK BOOK. 723 00:45:55,954 --> 00:45:59,024 WELL, THAT'S PRACTICALLY EVERY CENT I SENT YOU. 724 00:45:59,057 --> 00:46:00,291 JAMES AND ALBERT TOOK OVER. 725 00:46:01,459 --> 00:46:03,028 JAMES AND ALBERT DID EVERYTHING? 726 00:46:03,061 --> 00:46:05,063 EVERYTHING. 727 00:46:05,096 --> 00:46:07,065 MY, THOSE TWO. HEY, WHERE ARE THEY? 728 00:46:07,098 --> 00:46:09,500 - OUT IN THE CARROT FIELD. - I'M GOING TO SAY HI. 729 00:46:09,534 --> 00:46:11,369 - OH! - I'LL BE RIGHT BACK. 730 00:46:28,386 --> 00:46:30,321 Charles: HEY, YOU TWO! YOU WORKING HARD? 731 00:46:30,355 --> 00:46:32,390 - HEY, PA! - PA! 732 00:46:32,423 --> 00:46:33,892 Charles: HA HA! 733 00:46:35,961 --> 00:46:37,562 HA HA HA! HOW YOU DOING? 734 00:46:37,595 --> 00:46:39,197 TERRIFIC. HOW LONG CAN YOU STAY? 735 00:46:39,230 --> 00:46:40,598 WELL, AS LONG AS I CAN BE USEFUL. 736 00:46:40,631 --> 00:46:42,400 YOU MEAN WE'RE NOT GOING TO MINNEAPOLIS? 737 00:46:42,433 --> 00:46:44,335 THAT'S RIGHT. 738 00:46:44,369 --> 00:46:46,371 WE'RE NOT GOING TO MINNEAPOLIS. WE'RE STAYING RIGHT HERE. 739 00:46:49,140 --> 00:46:50,141 MIND IF I JOIN YOU? 740 00:46:50,175 --> 00:46:52,210 - MIND? - HECK, NO! 741 00:46:52,243 --> 00:46:54,279 - WELL, COME ON! LET'S GET TO WORK. - OK. 742 00:47:10,328 --> 00:47:11,296 [GAVEL POUNDS] 743 00:47:11,329 --> 00:47:13,398 GOING ONCE, GOING TWICE, 744 00:47:13,431 --> 00:47:16,067 AND SOLD TO THE LADY FROM CLEAR LAKE 745 00:47:16,101 --> 00:47:18,036 FOR $125. 746 00:47:20,271 --> 00:47:22,073 DO YOU KNOW WHO THAT MARK BELONGED TO? 747 00:47:22,107 --> 00:47:24,175 NO. WE GET A SIMILAR PIECE 748 00:47:24,209 --> 00:47:26,311 IN WITH THAT MARK FROM TIME TO TIME, 749 00:47:26,344 --> 00:47:28,613 BUT WE CAN'T SEEM TO TRACE IT DOWN. 750 00:47:28,646 --> 00:47:32,317 WELL, WHOEVER HE WAS, HE WAS A MAN WHO TOOK GREAT PRIDE IN HIS WORK. 751 00:47:32,350 --> 00:47:34,252 CAN'T ARGUE WITH YOU THERE. 752 00:47:34,285 --> 00:47:36,354 - WE'LL LOAD IT FOR YOU. - THANKS. 753 00:47:36,387 --> 00:47:38,356 I SURE WISH WE KNEW WHO MADE IT. 754 00:47:38,389 --> 00:47:39,490 Man: MAYBE WE WILL SOMEDAY. 755 00:47:41,259 --> 00:47:42,460 MAYBE WE WILL SOMEDAY. 49730

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