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RETURNING OFFICER:
Being the returning officer
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00:00:15,920 --> 00:00:17,760
for the Wakefield constituency,
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00:00:17,800 --> 00:00:19,160
I hereby give notice
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00:00:19,200 --> 00:00:21,160
that the total number
of votes recorded
5
00:00:21,200 --> 00:00:23,840
for each candidate
are as follows...
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00:00:23,920 --> 00:00:25,720
♪ ("OUR HOUSE" BY CROSBY,
STILLS, NASH & YOUNG PLAYING) ♪
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00:00:25,800 --> 00:00:29,160
...Dooling, David Michael,
Liberal Democrat,
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00:00:29,680 --> 00:00:33,080
5,153.
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00:00:33,160 --> 00:00:35,680
(CROWD CHEERING, APPLAUDING)
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CROWD MEMBER 1: Well done.
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00:00:38,320 --> 00:00:41,160
RETURNING OFFICER:
Stokes, Nancy, Green Party,
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00:00:41,840 --> 00:00:45,040
2,322.
13
00:00:45,120 --> 00:00:47,440
- CROWD MEMBER 2: Yeah!
- (CROWD APPLAUDING)
14
00:00:49,160 --> 00:00:52,800
RETURNING OFFICER: Muck, Reginald Henry Ferrers
de Chartley Norton,
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00:00:52,880 --> 00:00:54,400
Conservative Party,
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00:00:54,440 --> 00:00:57,600
- 16,454.
- Yes!
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00:00:57,680 --> 00:00:59,000
(CROWD CHEERING)
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00:00:59,080 --> 00:01:02,600
(CROWD APPLAUDING)
19
00:01:02,640 --> 00:01:06,200
RETURNING OFFICER:
Skibber, Peter Gary, Reform UK,
20
00:01:06,280 --> 00:01:09,720
7,356.
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00:01:09,800 --> 00:01:12,400
(CROWD MEMBERS CHEERING)
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RETURNING OFFICER: Binface,
Count, the Count Binface Party,
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00:01:17,720 --> 00:01:19,960
309.
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00:01:20,039 --> 00:01:22,320
(SCATTERED APPLAUSE)
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00:01:23,760 --> 00:01:27,000
Bevan, Jennifer, Labour Party.
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00:01:27,039 --> 00:01:31,400
- 17,892.
- (CROWD CHEERING LOUDLY)
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00:01:31,440 --> 00:01:35,360
I declare Jennifer Bevan
the MP for Wakefield.
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♪ Our house ♪
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00:01:39,720 --> 00:01:43,080
♪ Is a very, very
Very fine house ♪
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00:01:43,120 --> 00:01:44,440
♪ With two cats... ♪
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JENNIFER BEVAN: After nearly
an entire generation
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of Conservative austerity,
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00:01:49,240 --> 00:01:52,600
the winds of change
are finally at our backs...
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00:01:52,680 --> 00:01:55,440
(CROWD CHEERING, APPLAUDING)
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00:01:57,240 --> 00:02:00,600
♪ And our ♪
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00:02:00,680 --> 00:02:04,200
♪ La-la, la-la-la-la-la ♪
37
00:02:04,240 --> 00:02:06,680
- ♪ La-la-la-la-la... ♪
- (HENRY MUCK SOBBING)
38
00:02:06,760 --> 00:02:09,280
Hey, hey, listen.
39
00:02:09,360 --> 00:02:11,880
At least you don't have to keep
fucking Margaret Thatcher now.
40
00:02:11,960 --> 00:02:14,080
(BOTH LAUGH)
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00:02:14,120 --> 00:02:15,480
YASMIN KARA-HANANI: Hey.
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00:02:16,440 --> 00:02:17,520
(SOBS, CHUCKLES)
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Thing is,
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I'm an omnivore.
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00:02:23,920 --> 00:02:25,680
I liked fucking Maggie T.
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She liked it too.
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00:02:28,160 --> 00:02:30,280
(BOTH LAUGH)
48
00:02:30,760 --> 00:02:32,440
Aw, I'm so sorry.
49
00:02:32,520 --> 00:02:34,400
♪ With two cats in the yard ♪
50
00:02:34,440 --> 00:02:36,520
♪ Life used to be so ♪
51
00:02:36,600 --> 00:02:38,800
- (CURTAINS RATTLING)
- ♪ (SONG STOPS ABRUPTLY) ♪
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00:02:38,880 --> 00:02:40,160
(GROANS)
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Oh, fuck.
54
00:02:43,200 --> 00:02:44,320
(GROANS)
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00:02:44,400 --> 00:02:45,880
You'll miss elevenses.
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00:02:45,960 --> 00:02:48,760
Time is it? (SIGHS)
57
00:02:48,840 --> 00:02:51,920
Your uncle's been dressed
and prowling around downstairs
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00:02:52,000 --> 00:02:53,520
for about five hours.
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00:02:53,600 --> 00:02:55,440
- (HENRY GROANS)
- (BED CREAKING)
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00:02:56,560 --> 00:02:58,120
I stayed in London last night.
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00:02:58,600 --> 00:02:59,680
Claridge's.
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00:02:59,760 --> 00:03:02,560
(GROANS) That sounds expensive.
63
00:03:02,600 --> 00:03:04,600
- Yeah, well, big bed for one.
- (CURTAIN RATTLING)
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00:03:04,680 --> 00:03:05,720
I can do that.
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00:03:08,320 --> 00:03:09,520
(HENRY SIGHS)
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00:03:09,600 --> 00:03:11,800
(BIRDS CHIRPING IN DISTANCE)
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00:03:13,800 --> 00:03:15,600
We're celebrating you tonight.
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00:03:17,360 --> 00:03:19,840
I'd really rather not have
to explain away your absence
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00:03:19,880 --> 00:03:21,560
at your 40th as well.
70
00:03:24,000 --> 00:03:27,520
Molly, can you,
um, fetch my breeks?
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00:03:27,560 --> 00:03:29,400
Don't worry if they're not
ironed or anything.
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00:03:29,480 --> 00:03:32,280
I really thought we might get
a moment's privacy.
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00:03:32,360 --> 00:03:33,680
Are you gonna be peg-totty?
74
00:03:33,760 --> 00:03:35,520
No, actually, I, um...
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00:03:35,560 --> 00:03:38,760
I have to receive that lovely
queer florist from Mells.
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00:03:38,840 --> 00:03:39,960
- Do you, uh...
- (CURTAINS RATTLING)
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00:03:40,000 --> 00:03:42,120
I just said
that I would do that!
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00:03:44,760 --> 00:03:45,960
Yasmin.
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00:03:47,640 --> 00:03:50,240
You have to let her
fulfill her function.
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00:03:53,040 --> 00:03:54,880
Just let her do
the fucking curtains.
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00:03:54,960 --> 00:03:58,000
♪ (DRAMATIC OPERATIC
MUSIC PLAYING) ♪
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00:03:59,320 --> 00:04:00,320
Right.
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00:04:01,160 --> 00:04:02,520
Happy birthday, darling.
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00:04:02,600 --> 00:04:03,840
(HENRY GROANS)
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00:04:09,160 --> 00:04:11,200
- MOLLY: I'm sorry, sir.
- (GRUNTS)
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00:04:13,560 --> 00:04:14,800
No, don't worry.
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00:04:16,560 --> 00:04:17,720
She's learning.
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00:04:19,920 --> 00:04:21,560
Oh, fuck.
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00:04:22,720 --> 00:04:26,000
- ♪ (MUSIC FADES) ♪
- (BIRDS CHIRPING IN DISTANCE)
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00:04:26,080 --> 00:04:30,520
(CLOCK TICKING)
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00:04:37,280 --> 00:04:39,960
Alexander,
have you been introduced
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00:04:40,040 --> 00:04:41,720
to Jennifer Bevan yet?
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00:04:42,800 --> 00:04:46,159
Junior minister.
The young lady we lost to.
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00:04:46,240 --> 00:04:47,800
I, um... I had her
at a dinner last month.
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00:04:47,880 --> 00:04:50,600
ALEXANDER NORTON: I'm surprised that
none of the senior ministers
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00:04:50,640 --> 00:04:51,800
have reached out yet.
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00:04:51,840 --> 00:04:54,040
It's been ten weeks already.
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00:04:54,080 --> 00:04:56,240
YASMIN: Well, Labour don't think
they need the tabloids.
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00:04:56,720 --> 00:04:58,400
We backed them.
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00:04:58,480 --> 00:05:00,680
Only after you knew they'd win.
(CHUCKLES)
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00:05:02,280 --> 00:05:04,120
So you think
I'm yesterday's man?
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00:05:04,200 --> 00:05:05,200
YASMIN: No.
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00:05:05,840 --> 00:05:07,880
No. Not at all.
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00:05:09,720 --> 00:05:11,200
But maybe not tomorrow's.
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00:05:16,440 --> 00:05:19,160
You could say that legacy media
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00:05:19,240 --> 00:05:21,800
isn't exactly courting
the voters of tomorrow.
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00:05:21,840 --> 00:05:25,440
I think Jenni could help
on that front.
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00:05:25,520 --> 00:05:28,440
So I've invited her to Henry's
birthday party tonight.
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00:05:30,400 --> 00:05:31,520
- NORTON: Good.
- YASMIN: Hmm.
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00:05:31,600 --> 00:05:33,280
(CLOCK CONTINUES TICKING)
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00:05:34,080 --> 00:05:38,280
♪ (TENSE MUSIC PLAYING) ♪
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00:05:42,880 --> 00:05:45,760
(WATCH TICKING RHYTHMICALLY)
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00:05:47,040 --> 00:05:49,000
YASMIN: It was
in your father's credenza.
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00:05:51,000 --> 00:05:52,240
I had it serviced.
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00:05:57,800 --> 00:05:59,640
Will you, uh...
Will you excuse me?
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00:06:02,320 --> 00:06:03,640
(CHAIR SCRAPES)
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00:06:13,400 --> 00:06:14,560
We'll get him there.
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00:06:17,560 --> 00:06:20,720
- (BREATHES SHAKILY)
- (DOG BARKING IN DISTANCE)
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00:06:22,000 --> 00:06:23,800
♪ (MUSIC FADES) ♪
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00:06:27,200 --> 00:06:29,520
BEACH BEACH: Beautiful day
for a birthday, sir.
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00:06:30,600 --> 00:06:32,440
- (SHOTGUN THUDDING)
- (CHUCKLES SOFTLY)
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00:06:33,080 --> 00:06:34,240
(SHOTGUN THUDDING)
123
00:06:36,159 --> 00:06:38,040
BEACH: Was there something
I could help with, sir?
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00:06:39,600 --> 00:06:41,760
No, I was just, um...
I was just cleaning my gun.
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00:06:41,840 --> 00:06:43,200
BEACH: Leave it to me, sir.
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00:06:46,560 --> 00:06:48,159
Beach, the, um...
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00:06:48,240 --> 00:06:49,960
lock on the armory's
a little sticky.
128
00:06:50,040 --> 00:06:52,320
Maybe a touch of WD-40?
129
00:06:52,400 --> 00:06:53,680
BEACH: Very good, sir.
130
00:06:53,760 --> 00:06:54,880
(SHOTGUN THUDDING)
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00:06:56,760 --> 00:06:57,760
You know what?
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00:06:58,560 --> 00:06:59,560
Better yet...
133
00:07:02,000 --> 00:07:03,400
- change the lock.
- (KEYS JANGLING)
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00:07:06,600 --> 00:07:10,040
We have, uh...
We have guests coming.
135
00:07:10,120 --> 00:07:11,760
Who knows
what ancient antipathies
136
00:07:11,840 --> 00:07:13,640
will have people
sprinting for the armory, eh?
137
00:07:13,680 --> 00:07:15,600
BEACH: (CHUCKLES SOFTLY)
Very good, sir.
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00:07:15,680 --> 00:07:18,880
♪ (BROODING DRAMATIC
MUSIC PLAYING) ♪
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00:07:28,000 --> 00:07:30,440
Do you realize your behavior
is unacceptable?
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00:07:32,280 --> 00:07:36,200
This listlessness is one thing,
but when it manifests as apathy
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00:07:36,280 --> 00:07:38,920
for your life, your wife...
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00:07:39,000 --> 00:07:40,560
No one expects you
to be uxorious,
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00:07:40,640 --> 00:07:41,840
but you're being callous.
144
00:07:42,640 --> 00:07:44,680
What's the path out of this?
145
00:07:44,760 --> 00:07:48,680
SSRIs, CBT,
another cocktail of acronyms,
146
00:07:48,760 --> 00:07:51,440
praying for the right dosage
at the right interval.
147
00:07:51,520 --> 00:07:52,840
Some other arsehole telling me
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00:07:52,920 --> 00:07:55,040
to make sure my eyes
see sunlight first thing.
149
00:07:55,120 --> 00:07:56,120
Why don't you try lithium again?
150
00:07:56,200 --> 00:07:57,520
'Cause it made me fat.
151
00:07:57,600 --> 00:07:58,880
Better than this.
152
00:07:58,960 --> 00:08:01,440
- Do you love her?
- Of course I fucking do.
153
00:08:02,640 --> 00:08:04,000
The lithium muted everything.
154
00:08:04,080 --> 00:08:05,360
I mean, you try living your life
155
00:08:05,400 --> 00:08:06,640
without feeling
the upper reaches
156
00:08:06,720 --> 00:08:08,200
of any emotion.
157
00:08:08,280 --> 00:08:11,680
Oh no. Oh no.
Hang on a moment. (LAUGHS)
158
00:08:12,640 --> 00:08:14,120
Your father
wouldn't have indulged.
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00:08:14,200 --> 00:08:15,640
Well, no fucking shit!
160
00:08:16,960 --> 00:08:18,960
He didn't end up indulging it
in himself either.
161
00:08:19,040 --> 00:08:21,440
You need to find some structure!
162
00:08:21,480 --> 00:08:22,920
There's only so much
she'll take.
163
00:08:23,000 --> 00:08:24,080
(HENRY CHUCKLES)
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00:08:24,120 --> 00:08:25,840
Where's she gonna go, really?
165
00:08:26,400 --> 00:08:27,600
(CHUCKLES SOFTLY)
166
00:08:27,680 --> 00:08:30,920
Fuck my father
and his genetic inheritance.
167
00:08:32,000 --> 00:08:33,760
Today was always
going to be difficult.
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00:08:35,240 --> 00:08:36,720
- He loved you.
- No.
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00:08:37,480 --> 00:08:38,679
No, no, no.
170
00:08:39,200 --> 00:08:40,360
He left me.
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00:08:41,480 --> 00:08:43,280
Do you know what would have
been more loving?
172
00:08:43,360 --> 00:08:45,080
A fucking vasectomy.
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00:08:47,440 --> 00:08:49,760
I sometimes think
about what you saw.
174
00:08:51,360 --> 00:08:53,600
It was an unimaginable horror.
175
00:08:53,680 --> 00:08:56,640
- (SCOFFS SOFTLY)
- ♪ (TENSE MUSIC PLAYING) ♪
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00:08:57,360 --> 00:08:58,720
(SHOTGUN COCKING)
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00:09:04,240 --> 00:09:06,160
HENRY:
What if I finished you here?
178
00:09:12,520 --> 00:09:15,480
The dislocation you feel
isn't going anywhere.
179
00:09:15,560 --> 00:09:18,200
Normal people
don't feel like this!
180
00:09:18,280 --> 00:09:20,440
You can ignore it,
numb it, drown it out,
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00:09:20,480 --> 00:09:21,680
or...
182
00:09:22,720 --> 00:09:25,080
integrate it into your life.
183
00:09:26,080 --> 00:09:27,280
Step by step.
184
00:09:28,560 --> 00:09:29,680
Day by day.
185
00:09:30,400 --> 00:09:31,560
One day...
186
00:09:32,800 --> 00:09:35,480
you'll find you've walked
out of the woods.
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00:09:35,520 --> 00:09:39,600
♪ (RHYTHMIC DRUMMING
OVERLAPPING) ♪
188
00:09:47,000 --> 00:09:48,200
(GUNSHOT ECHOING)
189
00:09:48,240 --> 00:09:51,240
♪ ("YOU AND ME" BY PENNY
AND THE QUARTERS PLAYING) ♪
190
00:09:56,040 --> 00:09:58,360
♪ You and me ♪
191
00:09:58,440 --> 00:10:00,680
♪ You and me ♪
192
00:10:00,720 --> 00:10:03,600
♪ Nobody baby
But you and me... ♪
193
00:10:03,680 --> 00:10:05,480
- (KNOCKING ON DOOR)
- HENRY: Hmm.
194
00:10:05,560 --> 00:10:07,080
(DOOR OPENS)
195
00:10:07,120 --> 00:10:09,760
♪ My, my, my, my
My, my, my, my... ♪
196
00:10:09,840 --> 00:10:11,720
- (SOFTLY) Hi.
- ♪ ("YOU AND ME" CONTINUES IN BACKGROUND) ♪
197
00:10:11,800 --> 00:10:14,760
Um, my aunt sent a
very late RSVP,
198
00:10:14,800 --> 00:10:16,200
so she's coming.
199
00:10:18,280 --> 00:10:19,560
She's on Charles's side.
200
00:10:21,800 --> 00:10:23,560
She as problematic as him?
201
00:10:31,040 --> 00:10:32,640
I really want us
to start looking
202
00:10:32,680 --> 00:10:34,320
at each other properly again.
203
00:10:36,240 --> 00:10:37,640
I want...
204
00:10:37,680 --> 00:10:40,160
I want you to see me.
205
00:10:40,240 --> 00:10:42,600
I want to look at you
and I want you to look at me.
206
00:10:42,680 --> 00:10:43,960
You know, actually look at me.
207
00:10:50,640 --> 00:10:51,680
Stand up.
208
00:10:55,840 --> 00:10:57,000
(YASMIN SIGHS)
209
00:11:07,520 --> 00:11:10,960
- ♪ Oh, oh-oh-oh-oh ♪
- (WATER TRICKLING)
210
00:11:11,040 --> 00:11:15,640
- ♪ Nobody baby but you and me ♪
- ♪ Hey, hey, hey ♪
211
00:11:15,720 --> 00:11:19,760
- ♪ You and me ♪
- ♪ My, my, my, my, my, my.. ♪
212
00:11:20,360 --> 00:11:22,680
(WATER SPLASHING)
213
00:11:23,480 --> 00:11:24,680
(YASMIN CLEARS THROAT)
214
00:11:25,720 --> 00:11:27,720
♪ Oh, oh-oh-oh-oh ♪
215
00:11:27,800 --> 00:11:30,640
♪ Nobody baby but you and me ♪
216
00:11:30,720 --> 00:11:32,480
- ♪ Hey, hey, hey ♪
- (CHUCKLES SOFTLY)
217
00:11:32,560 --> 00:11:35,440
- ♪ You and me ♪
- ♪ My, my, my, my, my ♪
218
00:11:35,480 --> 00:11:39,400
- ♪ My, my, my ♪
- ♪ Nobody baby but you and me ♪
219
00:11:39,480 --> 00:11:40,640
(YASMIN CHUCKLES)
220
00:11:40,680 --> 00:11:47,360
♪ When love is real
You don't have to show it... ♪
221
00:11:48,560 --> 00:11:53,160
(WATER SPLASHING RHYTHMICALLY)
222
00:11:55,120 --> 00:11:58,960
- (EXHALES SOFTLY)
- (WATER CONTINUES SPLASHING)
223
00:11:59,000 --> 00:12:01,400
(HENRY BREATHING DEEPLY)
224
00:12:01,480 --> 00:12:03,520
(WATER CONTINUES SPLASHING)
225
00:12:03,600 --> 00:12:06,640
(HENRY BREATHES HEAVILY)
226
00:12:06,720 --> 00:12:09,440
- (SPLASHING QUICKENS)
- (BATHTUB SQUEAKS)
227
00:12:09,480 --> 00:12:10,520
Yasmin, stop.
228
00:12:10,600 --> 00:12:12,760
- It’s okay...
- Just... Please. Please. Please stop.
229
00:12:13,760 --> 00:12:18,320
♪ (VOCALIST VOCALIZING) ♪
230
00:12:20,120 --> 00:12:21,480
Look, if you want
to fuck other men,
231
00:12:21,520 --> 00:12:22,600
you can, all right?
232
00:12:28,800 --> 00:12:30,720
YASMIN: (SIGHS) You have
a 2:00 p.m. with Whitney.
233
00:12:32,280 --> 00:12:33,400
(SIGHS)
234
00:12:36,040 --> 00:12:39,520
- ♪ You and me, baby ♪
- (DOOR SLAMS)
235
00:12:39,600 --> 00:12:40,960
♪ (SONG CONCLUDES) ♪
236
00:12:41,040 --> 00:12:43,760
♪ (DISCORDANT NOTES PLAY
ON HARPSICHORD) ♪
237
00:12:43,840 --> 00:12:45,080
(INDISTINCT CHATTER)
238
00:12:45,160 --> 00:12:48,840
TOUR GUIDE: The Grey Lady,
Lady Henrietta Fairfax,
239
00:12:48,880 --> 00:12:51,600
is the house's
most famous ghost.
240
00:12:51,680 --> 00:12:54,840
She died of a broken heart
when her paramour,
241
00:12:54,920 --> 00:12:57,720
her valet,
was murdered by her husband.
242
00:13:01,320 --> 00:13:03,360
Her husband, headless,
243
00:13:03,440 --> 00:13:05,640
is also said
to stalk the grounds.
244
00:13:05,720 --> 00:13:07,040
Oh, I'm sorry, Sir Henry.
245
00:13:07,120 --> 00:13:08,680
Yeah, you're not meant
to be in this part
246
00:13:08,760 --> 00:13:10,280
of the fucking house!
247
00:13:10,360 --> 00:13:13,160
- (CLOCK TICKING)
- (TOUR GUIDE HESITATES)
248
00:13:13,240 --> 00:13:15,040
HENRY: I'm sorry, can you, uh...
249
00:13:16,680 --> 00:13:18,080
Can you just leave me alone?
250
00:13:21,440 --> 00:13:22,640
TOUR GUIDE:
Come on now, children.
251
00:13:22,680 --> 00:13:24,920
Let's go down this corridor,
quick as you like now.
252
00:13:27,000 --> 00:13:30,320
(TOUR GUIDE
TALKING INDISTINCTLY)
253
00:13:42,560 --> 00:13:47,400
♪ (PLAYING "MUSIC FOR
THE FUNERAL OF QUEEN MARY") ♪
254
00:14:14,800 --> 00:14:16,480
Mr. Halberstram to see you, sir.
255
00:14:16,560 --> 00:14:18,280
At Lady Muck's invitation.
256
00:14:18,360 --> 00:14:20,720
♪ (CONTINUES PLAYING) ♪
257
00:14:23,040 --> 00:14:25,000
- Put your clothes on, Henry.
- ♪ (STOPS PLAYING) ♪
258
00:14:25,880 --> 00:14:29,720
♪ (SUSPENSEFUL MUSIC PLAYING) ♪
259
00:14:36,320 --> 00:14:37,800
WHITNEY HALBERSTRAM:
How are you, Sir Henry?
260
00:14:40,480 --> 00:14:42,240
One hundred percent well.
261
00:14:48,640 --> 00:14:50,200
I'm here to ask you
one single thing.
262
00:14:52,640 --> 00:14:54,040
What do you want to do next?
263
00:14:55,800 --> 00:14:56,800
(CHUCKLES SOFTLY)
264
00:14:56,840 --> 00:14:58,080
♪ (MUSIC FADES) ♪
265
00:15:00,480 --> 00:15:03,440
Uh, I needed
the entire party machine
266
00:15:03,480 --> 00:15:04,840
and my uncle
267
00:15:04,880 --> 00:15:06,520
to win a safe seat by-election.
268
00:15:08,080 --> 00:15:12,560
I was an MP for six months,
prison minister for 72 days.
269
00:15:13,320 --> 00:15:15,120
Oh, and I, um...
270
00:15:15,160 --> 00:15:18,560
I ran a public utility
into administration.
271
00:15:18,640 --> 00:15:21,120
WHITNEY: Lumi didn't fail 'cause of the clarity
of your vision.
272
00:15:21,200 --> 00:15:22,600
Your timing was off.
273
00:15:23,520 --> 00:15:24,640
That's it.
274
00:15:27,040 --> 00:15:28,400
You had
the highest approval ratings
275
00:15:28,440 --> 00:15:29,520
of any cabinet minister,
276
00:15:29,600 --> 00:15:31,240
your commitment to leveling up
in the north,
277
00:15:31,280 --> 00:15:33,360
you pushed to renationalize
the probation service
278
00:15:33,440 --> 00:15:35,000
against your party's
tribal instincts.
279
00:15:36,640 --> 00:15:37,600
The agenda was working.
280
00:15:37,680 --> 00:15:40,080
You were just, uh, undermined
281
00:15:40,120 --> 00:15:44,320
by the prime minister's
myopic decision
282
00:15:44,400 --> 00:15:45,600
to call an early election.
283
00:15:49,800 --> 00:15:52,360
I failed upwards,
and then failed totally.
284
00:15:52,440 --> 00:15:53,720
There are no second acts.
285
00:15:55,600 --> 00:15:56,760
In American life.
286
00:15:58,400 --> 00:16:00,440
I'm not sure the same
can be said for the Brits.
287
00:16:02,080 --> 00:16:04,600
I'm a fraud touched by success.
288
00:16:05,840 --> 00:16:08,200
No. You're just telling
the wrong story.
289
00:16:09,320 --> 00:16:11,720
You're a success who believes
he's a fraud. Really...
290
00:16:13,080 --> 00:16:14,520
You're a leader in your bones.
291
00:16:17,680 --> 00:16:20,280
And what great man has lived
a life without friction?
292
00:16:21,440 --> 00:16:25,720
♪ (INTRIGUING DRAMATIC
MUSIC PLAYING) ♪
293
00:16:25,800 --> 00:16:28,800
(BIRDS CHIRPING IN DISTANCE)
294
00:16:37,360 --> 00:16:40,680
(SPUTTERS, LAUGHS)
295
00:16:42,560 --> 00:16:43,840
You can't be serious
with this shit, Yas.
296
00:16:43,880 --> 00:16:44,960
I look like Elton John.
297
00:16:45,040 --> 00:16:47,840
No, you look fucking adorable.
298
00:16:47,920 --> 00:16:49,720
(CHUCKLES)
299
00:16:49,800 --> 00:16:53,000
Did you, um, have a nice meeting
with Whitney?
300
00:16:56,600 --> 00:16:58,440
Could there be a role
for you at Tender?
301
00:16:59,960 --> 00:17:02,000
Did you brief him
on how to puff me up?
302
00:17:03,000 --> 00:17:05,240
YASMIN: Anything he said
about you, he believes.
303
00:17:08,680 --> 00:17:10,440
(CHUCKLES)
304
00:17:10,480 --> 00:17:13,160
It's just the shoes. (CHUCKLES)
305
00:17:24,599 --> 00:17:26,760
I really want you
to sleep in here tonight.
306
00:17:30,840 --> 00:17:32,080
(HESITATES)
307
00:17:35,720 --> 00:17:37,400
People are waiting downstairs.
308
00:17:44,440 --> 00:17:45,680
(DOOR CREAKS)
309
00:17:46,960 --> 00:17:48,080
(DOOR SHUTS)
310
00:17:49,480 --> 00:17:54,240
♪ ("I.O.U."
BY FREEEZ PLAYING) ♪
311
00:18:08,440 --> 00:18:10,200
OTTO MOSTYN: You look
spectacular, darling.
312
00:18:10,280 --> 00:18:11,400
Thank you.
313
00:18:12,160 --> 00:18:14,320
(INDISTINCT CHATTER)
314
00:18:14,400 --> 00:18:17,360
Sorry. Sorry. (CHUCKLES)
315
00:18:17,960 --> 00:18:19,760
Sorry. Auntie!
316
00:18:19,840 --> 00:18:21,080
Oh my God.
317
00:18:21,160 --> 00:18:23,040
Yasmin!
318
00:18:23,080 --> 00:18:25,920
- You look gorgeous.
- No, you look gorgeous.
319
00:18:26,000 --> 00:18:27,280
OTTO: Start with the macro,
320
00:18:27,320 --> 00:18:30,440
- then go micro.
- I am so glad you're here.
321
00:18:30,520 --> 00:18:32,240
(LAUGHS)
322
00:18:32,320 --> 00:18:33,320
Probably best not to joke
323
00:18:33,360 --> 00:18:34,760
about absent 40-year-olds
in this house.
324
00:18:34,840 --> 00:18:36,520
CORDELIA HANANI-SPYRKA:
Otto's aged into his looks.
325
00:18:37,360 --> 00:18:40,000
- He's fucking disgusting.
- (LAUGHS)
326
00:18:40,080 --> 00:18:41,160
(CHUCKLES)
327
00:18:42,240 --> 00:18:44,400
- Oh, thank you.
- Thank you.
328
00:18:44,480 --> 00:18:46,320
OTTO: Her cunt was so wet,
329
00:18:46,400 --> 00:18:48,360
you could use it
to poach a monkfish.
330
00:18:50,040 --> 00:18:51,440
(WHISPERS) I've met someone.
331
00:18:51,520 --> 00:18:52,960
- What?
- (WHISPERS) He's young.
332
00:18:53,760 --> 00:18:54,880
Does Uncle Piotr know?
333
00:18:54,960 --> 00:18:56,880
But I'm... I'm, um...
334
00:18:56,960 --> 00:18:58,320
I'm having
really strong feelings
335
00:18:58,400 --> 00:19:00,720
of life beginning again.
336
00:19:00,800 --> 00:19:02,440
I mean, I know
I'm older, but I'm...
337
00:19:02,520 --> 00:19:03,680
I feel younger.
338
00:19:04,720 --> 00:19:06,400
That probably makes me
a terrible person.
339
00:19:06,480 --> 00:19:08,560
- YASMIN: No!
- I just... (CHUCKLES)
340
00:19:13,640 --> 00:19:15,440
(WHISPERS) Can I tell you
what he says to me?
341
00:19:15,520 --> 00:19:16,800
YASMIN: (CHUCKLES) Yeah.
342
00:19:18,240 --> 00:19:20,240
He says,
"Bend over so I can see it."
343
00:19:20,320 --> 00:19:21,640
(BOTH LAUGH)
344
00:19:21,680 --> 00:19:22,760
Fuck.
345
00:19:24,160 --> 00:19:26,880
And just hearing
this 29-year-old
346
00:19:26,960 --> 00:19:28,680
giving me these little orders...
347
00:19:28,760 --> 00:19:31,000
honestly, it's fucking better
348
00:19:31,080 --> 00:19:32,480
than any one
of my children being born.
349
00:19:32,520 --> 00:19:33,800
I mean, I'm just kidding, but...
350
00:19:33,880 --> 00:19:35,960
(BREATHES DEEPLY)
...maybe I'm not.
351
00:19:36,040 --> 00:19:38,200
Does it make me a bad mother
to want to be fucked?
352
00:19:38,280 --> 00:19:40,320
- No, I don't think so.
- (SIGHS)
353
00:19:40,400 --> 00:19:42,720
How are the first few months
of married life?
354
00:19:46,560 --> 00:19:48,520
I'm a spectator and a caregiver.
355
00:19:50,360 --> 00:19:53,520
Darling, that's not
a partnership.
356
00:19:53,600 --> 00:19:56,840
You... You cannot be too afraid
of what you'll lose.
357
00:19:56,920 --> 00:19:58,520
You'll become too pliant,
358
00:19:58,600 --> 00:20:00,720
and then you will lose it.
It's self-fulfilling.
359
00:20:02,760 --> 00:20:04,480
(INDISTINCT CHATTER)
360
00:20:04,560 --> 00:20:05,880
(WHISPERS) It doesn't matter
361
00:20:05,920 --> 00:20:08,720
how much a man tells you
that he loves you.
362
00:20:08,800 --> 00:20:10,680
You never give them
unconditional love
363
00:20:10,720 --> 00:20:12,560
because they will weaponize it.
364
00:20:12,640 --> 00:20:14,400
Yeah, yeah, yeah,
they worship us
365
00:20:14,480 --> 00:20:16,440
and they fill us up
with their secrets
366
00:20:16,520 --> 00:20:18,200
and load us
up with their insecurities
367
00:20:18,280 --> 00:20:20,880
and then they fuck
all their fears into us.
368
00:20:21,480 --> 00:20:23,960
And then they kill us.
369
00:20:24,640 --> 00:20:26,000
Over and over.
370
00:20:26,080 --> 00:20:28,920
Lovers, fathers, husbands.
371
00:20:29,000 --> 00:20:31,840
It is the historical
common denominator.
372
00:20:32,520 --> 00:20:34,480
They love murdering women.
373
00:20:34,560 --> 00:20:36,920
♪ (FOREBODING MUSIC PLAYING) ♪
374
00:20:38,240 --> 00:20:40,920
A little dispassion,
it could save you.
375
00:20:41,760 --> 00:20:42,960
Get off your knees.
376
00:20:46,320 --> 00:20:49,640
♪ (MUFFLED DANCE MUSIC
PLAYING IN DISTANCE) ♪
377
00:20:51,560 --> 00:20:52,800
(OWL HOOTING)
378
00:20:52,880 --> 00:20:54,200
(GASPS)
379
00:20:57,480 --> 00:21:00,160
KITCHEN STAFF 1: Make sure those sprouts
are blanched properly, please.
380
00:21:00,240 --> 00:21:01,360
No cranberry sauce,
381
00:21:01,440 --> 00:21:02,920
Lord Norton abhors it, remember.
382
00:21:03,000 --> 00:21:05,840
- (INDISTINCT CHATTER)
- KITCHEN STAFF 2: Oy, oy!
383
00:21:07,320 --> 00:21:08,480
(NORTON CLEARS THROAT)
384
00:21:10,160 --> 00:21:11,200
Neat trick.
385
00:21:12,280 --> 00:21:14,400
"'Labour's tax plans
are anti-business, '
386
00:21:14,480 --> 00:21:16,160
says British
Industry Federation."
387
00:21:16,240 --> 00:21:17,560
We're just
printing what we're told.
388
00:21:17,640 --> 00:21:19,600
But the prominence
of that headline is alarmist.
389
00:21:19,680 --> 00:21:20,920
You're talking us
into a recession.
390
00:21:21,000 --> 00:21:23,200
I'm trying to stop you
governing us into a recession.
391
00:21:23,280 --> 00:21:24,400
I think about my readers,
392
00:21:24,480 --> 00:21:25,880
and their often
meager pay packets.
393
00:21:25,960 --> 00:21:28,000
I think what Jenni
is trying to say
394
00:21:28,080 --> 00:21:29,600
is that her party
won't be bullied
395
00:21:29,680 --> 00:21:30,760
by your headlines
396
00:21:30,800 --> 00:21:33,920
just because they won't come
and kiss the ring.
397
00:21:34,000 --> 00:21:36,400
So you brought her here
to do it for them?
398
00:21:36,440 --> 00:21:38,040
Jenni's her own woman.
399
00:21:38,120 --> 00:21:40,120
More plainly, Lisa Dearn
is a business secretary
400
00:21:40,200 --> 00:21:41,640
who is anti-business.
401
00:21:41,720 --> 00:21:44,240
I don't know what it says
about the state of the country
402
00:21:44,280 --> 00:21:45,960
that the wealth divide
between North
403
00:21:46,040 --> 00:21:47,760
and South Kensington
is now wider
404
00:21:47,840 --> 00:21:49,160
than North and South Korea,
405
00:21:49,760 --> 00:21:52,240
but economics,
406
00:21:52,320 --> 00:21:54,920
fundamentally, is a question
of public humor and moods,
407
00:21:54,960 --> 00:21:56,560
and it's a question of tone.
408
00:21:56,600 --> 00:21:59,040
Currently, you still set it,
and I see that,
409
00:21:59,120 --> 00:22:01,280
even if Lisa chooses
to imagine a world
410
00:22:01,360 --> 00:22:03,440
in which that's
no longer the case.
411
00:22:03,520 --> 00:22:09,520
♪ ("SUITE FOR JAZZ ORCHESTRA NO. 2"
BY DMITRI SHOSTAKOVICH PLAYING)
412
00:22:23,600 --> 00:22:27,240
♪ ("SUITE FOR JAZZ ORCHESTRA NO. 2"
CONTINUES) ♪
413
00:22:45,280 --> 00:22:47,360
WHITNEY: I understand
this is the greatest collection
414
00:22:47,440 --> 00:22:48,800
of Turners outside of Petworth.
415
00:22:49,960 --> 00:22:53,440
HENRY: Yeah, well,
life wasn't a romance then
416
00:22:53,520 --> 00:22:55,920
and it isn't
a romance now, so...
417
00:22:56,920 --> 00:22:59,040
Well, Nietzsche killed God.
418
00:22:59,960 --> 00:23:01,640
Factories started burning coal.
419
00:23:02,520 --> 00:23:04,200
It was game over for community.
420
00:23:04,280 --> 00:23:06,000
It was just the beginning
for men like us.
421
00:23:08,600 --> 00:23:10,400
Men like... us?
422
00:23:11,520 --> 00:23:13,040
WHITNEY: You want something
you don't have.
423
00:23:13,120 --> 00:23:14,800
I want everything
you have already.
424
00:23:14,840 --> 00:23:16,280
That's all
the fraternity we need.
425
00:23:17,840 --> 00:23:20,040
My wife suggested
426
00:23:20,120 --> 00:23:23,600
you wanted
to offer me some small,
427
00:23:23,680 --> 00:23:25,600
non-exec role at Tender.
428
00:23:25,680 --> 00:23:29,120
We were in the process of doing
an executive parade for CEO,
429
00:23:29,160 --> 00:23:31,120
but I convinced my board
we could expedite it.
430
00:23:33,920 --> 00:23:35,840
Move fast
and break things is fine
431
00:23:35,920 --> 00:23:37,160
for the first decade
of a company,
432
00:23:37,240 --> 00:23:39,320
but longevity in Britain
is about access.
433
00:23:41,960 --> 00:23:43,520
I'm building a one-stop shop.
434
00:23:44,960 --> 00:23:47,640
An in-your-pocket
democratic financial institution
435
00:23:47,720 --> 00:23:48,920
for everyone
from the working man
436
00:23:49,000 --> 00:23:50,880
to the wealthiest plutocrat,
inclusive.
437
00:23:52,480 --> 00:23:54,640
To call it a bank would be
to undersell it.
438
00:23:54,680 --> 00:23:55,880
It's a bank killer.
439
00:23:56,680 --> 00:23:57,760
And I need a partner.
440
00:23:59,160 --> 00:24:00,840
A native partner.
441
00:24:02,520 --> 00:24:05,720
A CEO who can triangulate
our political and media message.
442
00:24:05,760 --> 00:24:08,640
You started your rehabilitation
in politics.
443
00:24:08,720 --> 00:24:10,800
I want you to finish it with me.
444
00:24:16,360 --> 00:24:19,880
Well, all they have
is that boat.
445
00:24:19,960 --> 00:24:22,640
♪ ("SUITE FOR JAZZ ORCHESTRA NO. 2"
CONTINUES) ♪
446
00:24:39,040 --> 00:24:42,040
♪ (MUSIC SWELLS) ♪
447
00:24:45,560 --> 00:24:46,960
- (SNORTING)
- ♪ (MUSIC STOPS ABRUPTLY) ♪
448
00:24:47,040 --> 00:24:48,120
(DOOR OPENS)
449
00:24:48,200 --> 00:24:50,000
♪ ("FASCINATED" BY COMPANY B
PLAYING OVER SPEAKERS) ♪
450
00:24:50,080 --> 00:24:51,400
(TAPPING ON TABLE)
451
00:24:51,440 --> 00:24:52,440
Oh my God.
452
00:24:54,040 --> 00:24:56,880
Why the fuck
are you not fucking dressed?
453
00:24:56,960 --> 00:24:58,880
- Fuck's sake.
- You need me to dress you now?
454
00:24:58,960 --> 00:25:00,360
You're not enough
of a fucking infant?
455
00:25:00,440 --> 00:25:02,880
Yeah, and engineering
meetings for me?
456
00:25:02,920 --> 00:25:05,080
Henry, if someone
admires your talent enough
457
00:25:05,160 --> 00:25:06,880
to offer you
a new purpose in life...
458
00:25:06,920 --> 00:25:08,880
Sorry, sorry, sorry. "Talent"?
459
00:25:08,920 --> 00:25:10,200
What fucking talent?
460
00:25:10,280 --> 00:25:12,720
Tell me, why did we buy
that shed in Wakefield
461
00:25:12,760 --> 00:25:15,960
- if you didn't even vote for me?
- Oh, grow up. I've never voted.
462
00:25:16,000 --> 00:25:17,640
What fucking difference
would my vote make?
463
00:25:17,720 --> 00:25:19,360
What, for the proletariat?
464
00:25:19,440 --> 00:25:21,400
Oh, I'm sorry.
Uh, too close to home?
465
00:25:23,480 --> 00:25:24,720
What does that mean?
466
00:25:24,800 --> 00:25:27,880
It means my circumstances
are fixed.
467
00:25:27,960 --> 00:25:29,440
They're fucking cast iron.
468
00:25:29,520 --> 00:25:30,920
There's only
one consequential thing
469
00:25:31,000 --> 00:25:32,680
- I can do with my life.
- Oh, God, Henry,
470
00:25:32,760 --> 00:25:36,680
what is this
suicide-as-poetry bullshit?
471
00:25:36,720 --> 00:25:39,800
Do you realize that oblivion
won't be macho?
472
00:25:39,880 --> 00:25:43,120
It won't be cinematic,
you stupid fucking idiot!
473
00:25:43,200 --> 00:25:44,840
It will be procedural.
474
00:25:44,920 --> 00:25:47,560
It will be boring,
and it will be small.
475
00:25:47,640 --> 00:25:49,960
Another event
for me to organize.
476
00:25:50,920 --> 00:25:52,400
A few tears, a black dress,
477
00:25:52,480 --> 00:25:54,840
and then the rest
of my fucking life.
478
00:25:54,920 --> 00:25:58,480
Because despite loving you,
which I think I still do, Henry,
479
00:25:58,560 --> 00:25:59,520
I will forget you.
480
00:25:59,600 --> 00:26:01,480
I will fucking forget you!
I promise you!
481
00:26:01,560 --> 00:26:03,680
So you don't seem to understand.
482
00:26:03,760 --> 00:26:05,240
I can't get out from under this!
483
00:26:05,320 --> 00:26:07,640
- Where was the romance in your father's death?
- (MUTTERS) My father...
484
00:26:07,680 --> 00:26:09,440
Hmm? Where was
the fucking glamour in that one?
485
00:26:09,480 --> 00:26:11,120
How dare you ask me that?
486
00:26:11,200 --> 00:26:13,080
You told me he walked out
onto the moor
487
00:26:13,120 --> 00:26:14,200
one morning and was alone.
488
00:26:14,280 --> 00:26:15,640
It's not true, is it, Henry?
489
00:26:15,720 --> 00:26:16,880
Your uncle told me.
490
00:26:16,920 --> 00:26:19,240
He also told me that he
frittered everything away
491
00:26:19,320 --> 00:26:20,920
and lived here under
his brother-in-law's charity.
492
00:26:20,960 --> 00:26:22,160
Shut the fuck up!
493
00:26:22,200 --> 00:26:23,960
You don't understand what the fuck
you're talking about!
494
00:26:24,000 --> 00:26:25,120
Don't touch me!
495
00:26:25,160 --> 00:26:26,760
You want to be
so fucking self-involved
496
00:26:26,840 --> 00:26:28,600
and self-pitying that you are...
497
00:26:28,640 --> 00:26:30,680
Look at you.
You're fucking disabled.
498
00:26:30,760 --> 00:26:32,720
(PANTS) Not me.
499
00:26:33,880 --> 00:26:35,520
If you don't
take Whitney's offer,
500
00:26:35,600 --> 00:26:38,000
we are going to have
a serious conversation,
501
00:26:38,040 --> 00:26:40,360
and it won't be
emotional like this.
502
00:26:40,440 --> 00:26:42,640
It will be fucking practical!
Do you hear me?
503
00:26:42,680 --> 00:26:44,080
Where are you gonna go?
504
00:26:44,880 --> 00:26:46,000
What, you're gonna walk back
505
00:26:46,080 --> 00:26:48,000
into the slur
of your family's name?
506
00:26:48,080 --> 00:26:50,120
We have a watertight prenup.
507
00:26:50,160 --> 00:26:52,200
Oh. Roll up your sleeve.
508
00:26:53,760 --> 00:26:55,360
Hmm?
509
00:26:55,400 --> 00:26:57,640
Go on. Roll up
your fucking sleeve, do it.
510
00:26:57,720 --> 00:27:00,120
♪ ("FASCINATED"
CONTINUES PLAYING) ♪
511
00:27:09,960 --> 00:27:12,080
There's a clause in our prenup
about you using.
512
00:27:12,720 --> 00:27:14,720
What about the adultery clause?
513
00:27:14,800 --> 00:27:16,520
- (MUTTERS)
- (SNORTS)
514
00:27:16,600 --> 00:27:18,640
(BREATHING HEAVILY)
515
00:27:20,920 --> 00:27:22,360
I have been unfulfilled.
516
00:27:23,280 --> 00:27:25,280
And I have never
been unfaithful.
517
00:27:29,160 --> 00:27:30,640
You are in control.
518
00:27:33,200 --> 00:27:35,880
No one else.
I can't fucking do anything!
519
00:27:36,720 --> 00:27:38,800
Please, Henry, please!
520
00:27:38,840 --> 00:27:40,800
Put your big boy clothes on,
go downstairs,
521
00:27:40,880 --> 00:27:43,640
and just... just try
and face our public.
522
00:27:44,600 --> 00:27:46,680
You know,
when we were engaged...
523
00:27:48,280 --> 00:27:50,320
you couldn't keep
your hands off me.
524
00:27:50,400 --> 00:27:51,960
(CHUCKLES)
525
00:27:52,040 --> 00:27:54,280
I mean, there are
a million reasons
526
00:27:54,360 --> 00:27:56,600
that I fucking hate
your drug use
527
00:27:56,680 --> 00:27:58,920
and your sad boy self-regard.
528
00:27:59,000 --> 00:28:00,120
But right now,
529
00:28:00,160 --> 00:28:03,960
I mean, it's simply because
it fucking castrates you.
530
00:28:04,000 --> 00:28:08,800
If you can't find it in yourself
to fuck me... fuck me...
531
00:28:08,840 --> 00:28:10,880
I mean, maybe you're
already fucking dead.
532
00:28:16,440 --> 00:28:17,680
(DOOR OPENS)
533
00:28:19,000 --> 00:28:20,440
(DOOR SLAMS SHUT)
534
00:28:20,480 --> 00:28:22,280
♪ ("FASCINATED" FADES) ♪
535
00:28:22,360 --> 00:28:25,080
♪ (FOREBODING MUSIC
OVERLAPPING) ♪
536
00:28:38,840 --> 00:28:45,520
♪ (DRAMATIC DRUMMING) ♪
537
00:28:47,160 --> 00:28:50,480
(PLASTIC BAG RUSTLING)
538
00:28:56,080 --> 00:28:58,680
- ♪ (SUSPENSEFUL MUSICAL STING) ♪
- OTTO: Don't follow me into the gents.
539
00:28:58,760 --> 00:29:00,280
Every time a socialist
sees something big...
540
00:29:00,360 --> 00:29:02,880
- (HENRY BREATHES HEAVILY)
- OTTO: ...and powerful they try and nationalize it.
541
00:29:02,920 --> 00:29:04,720
GUEST 1: Reform just has
such an ugly ring to it,
542
00:29:04,800 --> 00:29:06,320
but of course so does
the doorbell when...
543
00:29:06,400 --> 00:29:09,080
OTTO:
Ah! It's the little prince!
544
00:29:09,160 --> 00:29:10,960
(GUESTS CHEERING)
545
00:29:11,000 --> 00:29:12,960
OTTO:
Where the fuck have you been?
546
00:29:14,240 --> 00:29:15,800
About fucking time!
547
00:29:18,000 --> 00:29:19,040
GUEST 2: Silly tosser.
548
00:29:19,120 --> 00:29:20,600
You'd be late
to your own fucking funeral.
549
00:29:20,680 --> 00:29:22,160
(GUESTS LAUGH)
550
00:29:22,240 --> 00:29:23,440
Holy shit!
551
00:29:23,480 --> 00:29:26,240
(GUESTS LAUGH)
552
00:29:27,880 --> 00:29:29,560
(INDISTINCT CHATTER)
553
00:29:30,640 --> 00:29:33,760
♪ (FOREBODING MUSIC PLAYING) ♪
554
00:29:34,320 --> 00:29:36,280
(LAUGHS)
555
00:29:40,200 --> 00:29:41,560
OTTO: What are you doing?
556
00:29:44,840 --> 00:29:46,200
What the fuck's wrong with her?
557
00:29:46,280 --> 00:29:49,280
- (OTTO LAUGHS)
- (LAUGHS)
558
00:29:53,600 --> 00:29:57,760
You look a lot like the woman
who I lost the election to.
559
00:29:58,960 --> 00:30:00,880
Now, who the fuck invited you?
560
00:30:03,160 --> 00:30:05,840
Already whored yourself
out to my uncle, I see.
561
00:30:08,880 --> 00:30:10,640
Good for you. Good for you.
562
00:30:10,720 --> 00:30:13,120
- (GUESTS GASP)
- You're embarrassing yourself.
563
00:30:13,160 --> 00:30:16,360
Yeah, well, that's a pity.
Because I fucking love you.
564
00:30:21,360 --> 00:30:23,600
And I know I've been
a disappointment to you.
565
00:30:26,960 --> 00:30:28,000
And to you.
566
00:30:34,400 --> 00:30:35,880
I'm sorry I couldn't have been
567
00:30:35,960 --> 00:30:38,240
more of the man
you needed me to be.
568
00:30:38,280 --> 00:30:39,360
(GUESTS GASP, MURMUR)
569
00:30:39,440 --> 00:30:40,920
Fuck. (GRUNTS)
570
00:30:42,800 --> 00:30:45,720
(PANTS, GIGGLES)
571
00:30:47,280 --> 00:30:48,640
I didn't know you were coming.
572
00:30:48,720 --> 00:30:50,120
Oh, good, good.
573
00:30:50,160 --> 00:30:52,360
Look how happy you are
to see me.
574
00:30:52,400 --> 00:30:54,640
The added spice of surprise.
575
00:30:54,720 --> 00:30:57,200
(CHUCKLES)
576
00:30:57,280 --> 00:30:59,920
- Long journey, Commander?
- Oh, hellish, truly.
577
00:31:00,000 --> 00:31:01,800
I need the strongest
of strong waters.
578
00:31:01,880 --> 00:31:03,360
You don't want
to say hello to anyone?
579
00:31:03,440 --> 00:31:05,440
Please don't make me.
Fuck no, that can wait.
580
00:31:05,520 --> 00:31:06,560
(LAUGHS)
581
00:31:09,320 --> 00:31:10,840
Shall we get the fuck
out of Dodge?
582
00:31:10,880 --> 00:31:13,280
- Yeah. (CHUCKLES)
- Boozer?
583
00:31:13,360 --> 00:31:15,480
- The Norton Arms!
- A pint of plain,
584
00:31:15,520 --> 00:31:17,760
a scrap, a hand job off a local.
585
00:31:17,840 --> 00:31:19,320
- (CHUCKLES)
- Elysium.
586
00:31:19,960 --> 00:31:21,280
Elysium!
587
00:31:22,280 --> 00:31:23,240
NORTON: Yasmin!
588
00:31:23,320 --> 00:31:25,960
♪ ("CHRISTMAS IS IN THE AIR"
PLAYING) ♪
589
00:31:26,000 --> 00:31:27,760
I... I'm so sorry.
590
00:31:29,200 --> 00:31:31,600
This family hates birthdays.
591
00:31:38,760 --> 00:31:42,680
- ♪ Ooh, ooh ♪
- ♪ ("CHRISTMAS IS IN THE AIR" CONTINUES) ♪
592
00:31:42,720 --> 00:31:45,080
Where did you land work-wise?
593
00:31:45,120 --> 00:31:47,280
Oh, fuck, I dunno.
Between things.
594
00:31:47,320 --> 00:31:49,120
Gainful employment is
a bourgeois pursuit,
595
00:31:49,200 --> 00:31:50,440
you know that.
596
00:31:50,520 --> 00:31:52,120
(LAUGHING) I don't know where the fuck
"Commander" came from.
597
00:31:52,200 --> 00:31:54,520
Imagine me with the discipline
to be a military man.
598
00:31:54,560 --> 00:31:56,600
Yeah, I sort of feel
if I don't work,
599
00:31:56,680 --> 00:31:58,800
I may as well die, don't you?
600
00:31:58,880 --> 00:32:01,640
Tell me about the barmaids here.
Active?
601
00:32:01,720 --> 00:32:04,800
I've found a spit-and-sawdust
tryst with a local type
602
00:32:04,840 --> 00:32:06,280
tickles my reptilian brain.
603
00:32:06,360 --> 00:32:08,200
I suspected you were a cheat.
604
00:32:08,280 --> 00:32:09,840
- Oh, fuck off.
- (LAUGHS)
605
00:32:09,880 --> 00:32:12,560
I don't see
how any sentient mammal
606
00:32:12,640 --> 00:32:15,160
can be true to themselves
and be faithful.
607
00:32:15,240 --> 00:32:16,400
Either way, you're living a lie.
608
00:32:16,480 --> 00:32:18,760
You may as well live the lie
that gives the most pleasure.
609
00:32:18,840 --> 00:32:20,200
Even if you cause pain?
610
00:32:20,280 --> 00:32:23,040
I mean, fucking a model
is the single greatest thing
611
00:32:23,120 --> 00:32:25,680
a man can do to stave feelings
of his own mortality.
612
00:32:25,720 --> 00:32:27,720
But sometimes, sometimes...
613
00:32:28,720 --> 00:32:33,080
that ten-a-penny village girl
lands perfectly
614
00:32:33,160 --> 00:32:36,400
on the nexus
of arousal and disgust.
615
00:32:36,480 --> 00:32:39,520
They have everything to prove
and you lack all shame.
616
00:32:39,600 --> 00:32:41,800
You fuck each other
like angry pistons.
617
00:32:41,880 --> 00:32:44,440
Yeah, I can't say I've got much
of a libido at the moment.
618
00:32:44,520 --> 00:32:47,240
Well, Viagra then. Pornography.
619
00:32:47,280 --> 00:32:49,960
Fucking take responsibility
for yourself.
620
00:32:50,040 --> 00:32:51,720
I thought you were a cad. Huh?
621
00:32:51,800 --> 00:32:53,800
Look at me,
look at me, fucking...
622
00:32:55,840 --> 00:32:58,600
- None of that darkness shit.
- ♪ (EERIE MUSIC OVERLAPPING) ♪
623
00:32:58,680 --> 00:33:00,240
Not tonight, you hear me?
624
00:33:01,360 --> 00:33:02,640
Fucking boring.
625
00:33:05,520 --> 00:33:06,600
♪ (MUSIC CONCLUDES) ♪
626
00:33:06,680 --> 00:33:08,760
HARPER STERN: You guys looked
so happy at the wedding.
627
00:33:08,800 --> 00:33:10,480
(SNORTS) Well, that's
the fucked up thing.
628
00:33:10,560 --> 00:33:11,600
We actually were. (SNIFFS)
629
00:33:11,640 --> 00:33:14,800
Henry was deliriously happy
when he showed up.
630
00:33:15,640 --> 00:33:18,600
And then that night, I mean...
631
00:33:18,640 --> 00:33:22,120
(SCOFFS) I've never been
fucked like that, ever. I swear.
632
00:33:22,200 --> 00:33:23,720
It... It was
actually life-changing.
633
00:33:23,800 --> 00:33:24,760
(SNIFFS)
634
00:33:24,840 --> 00:33:26,280
♪ (DANCE MUSIC PLAYING
IN DISTANCE) ♪
635
00:33:26,360 --> 00:33:27,880
(YASMIN SNORTS)
636
00:33:27,920 --> 00:33:29,560
(LIVELY CHATTER IN DISTANCE)
637
00:33:29,640 --> 00:33:32,320
You know, I just feel
like all of this stuff...
638
00:33:32,400 --> 00:33:35,000
stuff is like not gonna
get you the respect
639
00:33:35,080 --> 00:33:36,240
that you think you deserve.
640
00:33:36,320 --> 00:33:38,520
See, why would you say
something like that?
641
00:33:38,560 --> 00:33:40,560
I mean, that kind of thing
is gonna hurt my feelings.
642
00:33:40,640 --> 00:33:41,960
Like, why are you here?
643
00:33:42,040 --> 00:33:43,720
What the fuck do you mean,
why am I here?
644
00:33:43,800 --> 00:33:44,920
You invited me,
645
00:33:45,000 --> 00:33:47,640
I have business interests here,
and clearly, you're lonely.
646
00:33:48,360 --> 00:33:49,840
You're fucking lonely.
647
00:33:54,640 --> 00:33:56,480
Yeah, and so what if I am?
648
00:34:00,600 --> 00:34:02,520
(SIGHS) Fucking exhausting.
649
00:34:02,560 --> 00:34:04,040
I think we should
both go to bed.
650
00:34:04,120 --> 00:34:05,480
Well, you can do what you want.
651
00:34:06,120 --> 00:34:08,760
(FOOTSTEPS DEPARTING)
652
00:34:10,400 --> 00:34:11,880
(FLOORBOARDS CREAKING)
653
00:34:11,960 --> 00:34:13,040
Hey.
654
00:34:15,400 --> 00:34:17,679
I just wanted to say thanks
for helping me
655
00:34:17,760 --> 00:34:18,800
in the lion's den.
656
00:34:18,880 --> 00:34:19,960
(YASMIN CHUCKLES)
657
00:34:20,679 --> 00:34:23,239
Are you... okay?
658
00:34:24,440 --> 00:34:26,080
Yeah, are you?
659
00:34:27,239 --> 00:34:28,600
(INHALES)
660
00:34:28,679 --> 00:34:30,080
Yeah. (CHUCKLES)
661
00:34:33,600 --> 00:34:34,639
Do you...
662
00:34:35,639 --> 00:34:37,239
Oh. (CHUCKLES)
663
00:34:37,320 --> 00:34:39,159
I haven't boffed a line
since uni.
664
00:34:40,199 --> 00:34:41,480
Good night. (CHUCKLES)
665
00:34:41,560 --> 00:34:42,600
Night-night.
666
00:34:42,679 --> 00:34:45,280
♪ ("IS THAT ALL THERE IS?"
BY PEGGY LEE PLAYING) ♪
667
00:34:47,280 --> 00:34:49,840
- ♪ Is that all there is? ♪
- (INDISTINCT CHATTER)
668
00:34:51,679 --> 00:34:55,360
♪ If that's all there is
My friends ♪
669
00:34:56,080 --> 00:34:59,880
♪ Then let's keep dancing... ♪
670
00:35:01,240 --> 00:35:03,320
HARPER:
You know what I do, right?
671
00:35:07,880 --> 00:35:08,920
Tell me.
672
00:35:10,400 --> 00:35:11,480
(HARPER INHALES)
673
00:35:12,200 --> 00:35:13,760
I work for a fund.
674
00:35:15,000 --> 00:35:16,040
WHITNEY: Mm.
675
00:35:17,280 --> 00:35:18,600
You used to work for a fund.
676
00:35:20,600 --> 00:35:22,080
Is there something
you want to ask me?
677
00:35:23,600 --> 00:35:24,800
Um...
678
00:35:26,760 --> 00:35:29,240
You built Tender
with Jonah, right?
679
00:35:32,280 --> 00:35:35,040
How do you make a...
a work relationship
680
00:35:35,080 --> 00:35:37,080
long-lasting and healthy?
681
00:35:38,880 --> 00:35:41,760
He was a mature MBA,
post-computer science,
682
00:35:41,840 --> 00:35:43,920
post-a-lot-of-other-shit
when we met.
683
00:35:43,960 --> 00:35:45,440
(BREATHES DEEPLY)
684
00:35:45,520 --> 00:35:46,880
He was a great fundraiser.
685
00:35:47,760 --> 00:35:50,840
Hmm.
Those doors weren't open to you?
686
00:35:50,920 --> 00:35:53,200
(INDISTINCT CHATTER
IN BACKGROUND)
687
00:35:53,840 --> 00:35:54,880
I, uh...
688
00:35:55,600 --> 00:35:56,800
I grew up poor.
689
00:35:57,800 --> 00:35:59,320
(CLEARS THROAT)
690
00:35:59,400 --> 00:36:00,840
HARPER: You don't read that way.
691
00:36:03,160 --> 00:36:04,240
I had a venture.
692
00:36:05,280 --> 00:36:06,440
- Pre-Stanford.
- HARPER: Hmm.
693
00:36:06,480 --> 00:36:08,040
Funeral homes. I, uh...
694
00:36:08,960 --> 00:36:10,520
I noticed many had overheads
and were running
695
00:36:10,600 --> 00:36:13,200
direct-cremation-only
sub-brands, so...
696
00:36:13,280 --> 00:36:16,360
I bought one cheap,
cut embalming, too expensive.
697
00:36:16,440 --> 00:36:18,280
Flowers too. Simple wood box.
698
00:36:18,320 --> 00:36:20,760
- No fancy casket.
- No.
699
00:36:20,840 --> 00:36:23,680
People like to think of funerals
as these loving,
700
00:36:23,760 --> 00:36:26,880
well-attended retrospectives,
but that's a fucking myth.
701
00:36:27,800 --> 00:36:29,280
(INHALES)
702
00:36:29,360 --> 00:36:32,080
♪ ("I HAD TOO MUCH TO DREAM
LAST NIGHT" BY THE ELECTRIC PRUNES PLAYING) ♪
703
00:36:32,160 --> 00:36:33,320
Yeah.
704
00:36:33,400 --> 00:36:34,520
I mean, you...
705
00:36:35,120 --> 00:36:36,520
It's resourceful.
706
00:36:37,160 --> 00:36:38,440
WHITNEY: Simple volume play.
707
00:36:38,480 --> 00:36:40,040
- Totally.
- Margins are better
708
00:36:40,120 --> 00:36:41,600
burning bodies
than burying them.
709
00:36:43,360 --> 00:36:44,360
HARPER: Hmm.
710
00:36:45,680 --> 00:36:46,760
WHITNEY: You gonna tuck me in?
711
00:36:46,840 --> 00:36:48,320
(CHUCKLES)
712
00:36:48,400 --> 00:36:49,520
Um...
713
00:36:51,480 --> 00:36:52,560
Not tonight.
714
00:36:55,160 --> 00:36:57,400
- ♪ Your eyes were filled with love ♪
- (CHUCKLES)
715
00:36:57,480 --> 00:36:59,680
♪ The way they used to be ♪
716
00:36:59,760 --> 00:37:01,640
- Good night.
- Good night.
717
00:37:01,720 --> 00:37:07,480
♪ Your gentle hand
Reached out to comfort me ♪
718
00:37:10,240 --> 00:37:11,640
♪ (MUSIC RISES) ♪
719
00:37:11,720 --> 00:37:13,880
(LAUGHTER, INDISTINCT CHATTER)
720
00:37:15,320 --> 00:37:17,080
♪ ...I had too much to dream ♪
721
00:37:18,600 --> 00:37:21,560
♪ I'm not ready
To face the light ♪
722
00:37:21,640 --> 00:37:24,320
♪ I had too much to dream ♪
723
00:37:24,400 --> 00:37:25,680
♪ Last night ♪
724
00:37:26,520 --> 00:37:29,120
- (MOANING)
- ♪ Last night ♪
725
00:37:31,360 --> 00:37:33,440
♪ I had too much
To dream last night ♪
726
00:37:33,520 --> 00:37:35,200
(MOANS LOUDLY)
727
00:37:35,280 --> 00:37:36,800
- ♪ Too much to dream ♪
- (MOANS)
728
00:37:37,240 --> 00:37:39,440
(LAUGHTER)
729
00:37:41,160 --> 00:37:43,960
- (OTTO LAUGHS)
- ♪ ...I had too much to dream ♪
730
00:37:44,040 --> 00:37:47,960
- OTTO: God.
- (CORDELIA AND OTTO LAUGHING)
731
00:37:48,040 --> 00:37:50,640
- Well! Here.
- (MINTS RATTLING)
732
00:37:50,680 --> 00:37:52,480
OTTO:
A mint for the cock breath.
733
00:37:53,720 --> 00:37:56,120
You've got a better mouth
than your brother.
734
00:37:56,160 --> 00:37:57,280
(SIGHS)
735
00:37:57,760 --> 00:37:58,920
(OTTO SIGHS)
736
00:37:58,960 --> 00:38:00,600
♪ Oh, too much to dream... ♪
737
00:38:00,680 --> 00:38:02,840
Do you want to know
about Christ's best miracle?
738
00:38:02,920 --> 00:38:04,360
(INDISTINCT CHATTER)
739
00:38:04,400 --> 00:38:07,600
To have 12 good friends
in your thirties,
740
00:38:07,680 --> 00:38:10,280
and only one of them
sees fit to betray you. (LAUGHS)
741
00:38:10,360 --> 00:38:11,800
Molly, do you mind
if we join you?
742
00:38:11,840 --> 00:38:13,240
- Sir Henry.
- HENRY: Oh, no, no.
743
00:38:13,320 --> 00:38:16,200
No need for, um, titles tonight.
Everybody's off the clock, eh?
744
00:38:16,240 --> 00:38:18,120
Oh, all equal indeed.
745
00:38:18,200 --> 00:38:20,320
Uh, next couple of rounds on me.
746
00:38:20,400 --> 00:38:22,880
- (PATRONS CHEER)
- (LAUGHS) The factory boss is doling out tuppence
747
00:38:22,960 --> 00:38:24,920
as a Christmas bonus.
How democratic.
748
00:38:25,000 --> 00:38:26,360
Yeah, give it a rest, old boy.
749
00:38:26,440 --> 00:38:30,080
Sir Henry, I'm sorry.
I have a confession to make.
750
00:38:31,520 --> 00:38:35,880
Earlier, I hid your... your box.
751
00:38:37,200 --> 00:38:38,520
Your stuff, you know.
752
00:38:40,440 --> 00:38:42,880
So your guests wouldn't see.
I hope it wasn't an overstep.
753
00:38:42,960 --> 00:38:45,400
♪ ("MAGICAL MOMENTS" BY ANDERS JOHAN LEWEN
AND ANDERS KAMPE PLAYING) ♪
754
00:38:45,480 --> 00:38:47,080
Well, I could fire you for that.
755
00:38:48,520 --> 00:38:51,640
- ♪ Young and old ♪
- ♪ Young and old... ♪
756
00:38:51,720 --> 00:38:53,560
You don't remember me, do you?
757
00:38:55,080 --> 00:38:56,480
I baptized you.
758
00:38:57,400 --> 00:39:01,560
And I married your parents.
(CHUCKLES)
759
00:39:01,640 --> 00:39:03,920
I was the parish priest here
for a while.
760
00:39:04,000 --> 00:39:07,360
But then, uh, I... I moved back
to St. Mary's in Dundee,
761
00:39:08,360 --> 00:39:11,960
while you grew, I suppose.
762
00:39:13,520 --> 00:39:17,160
But then the Lord saw fit
to move me back
763
00:39:17,200 --> 00:39:22,280
to this seat, in this pub,
to celebrate his son's birth
764
00:39:22,360 --> 00:39:24,440
with all his beautiful sons
and daughters.
765
00:39:24,480 --> 00:39:25,840
HENRY: Hey... Mate,
mate, mate, mate, mate.
766
00:39:25,920 --> 00:39:27,440
Why don't you give it
a rest, okay?
767
00:39:27,520 --> 00:39:28,760
She's not fucking interested.
768
00:39:31,680 --> 00:39:32,720
Rich from you.
769
00:39:37,360 --> 00:39:39,520
- Excuse me?
- GEORGE: Nothing. I'll shut up.
770
00:39:40,480 --> 00:39:42,040
Yeah, he doesn't
know what he's saying.
771
00:39:42,560 --> 00:39:43,600
He's pissed.
772
00:39:45,200 --> 00:39:46,680
Tell him about his wife, Molly.
773
00:39:47,840 --> 00:39:49,240
MOLLY: George, shut up.
774
00:39:49,320 --> 00:39:51,080
- Nah, tell him.
- Tell me what?
775
00:39:51,160 --> 00:39:52,280
MOLLY: I think you should leave.
776
00:39:52,360 --> 00:39:54,640
Nah, if he wants to sit here
with us as one of us,
777
00:39:55,080 --> 00:39:56,520
he can take it.
778
00:39:56,600 --> 00:39:57,960
(RAISES VOICE) Tell me what?
779
00:39:59,720 --> 00:40:03,480
Molly says that your wife
floats about the house all...
780
00:40:03,520 --> 00:40:04,680
all sad and angry
781
00:40:04,760 --> 00:40:06,640
'cause she knows
she doesn't belong in the house.
782
00:40:06,720 --> 00:40:07,880
(GEORGE GRUNTS)
783
00:40:08,960 --> 00:40:11,960
- (LIVELY CHATTER)
- (GEORGE BREATHES DEEPLY)
784
00:40:13,280 --> 00:40:15,600
And the lads
call her Stable Girl,
785
00:40:15,680 --> 00:40:19,160
'cause she likes horse cocks
and she likes it rough.
786
00:40:19,200 --> 00:40:21,800
(CHUCKLING) Rumor is she takes it up
the shitter dry
787
00:40:21,880 --> 00:40:23,960
and she sounds
like a North London yid.
788
00:40:30,360 --> 00:40:31,640
Shine your shoes, boy.
789
00:40:35,120 --> 00:40:37,760
- (SUPRISED CHATTER)
- (HENRY GRUNTS)
790
00:40:37,840 --> 00:40:40,160
- ♪ ("CHRISTMAS IS IN THE AIR" CONTINUES) ♪
- (HENRY GRUNTING)
791
00:40:40,240 --> 00:40:41,680
(HEAVY THUDS)
792
00:40:41,760 --> 00:40:44,680
(GRUNTS)
793
00:40:47,200 --> 00:40:49,200
♪ Oh, oh ♪
794
00:40:50,800 --> 00:40:52,720
♪ Ooh ♪
795
00:40:52,760 --> 00:40:59,080
♪ Reach out a hand
To stranger or friend ♪
796
00:41:00,200 --> 00:41:05,560
♪ Dreams might come true
Around the bend ♪
797
00:41:05,640 --> 00:41:07,640
♪ Ooh, ooh, ooh, ooh, ooh ♪
798
00:41:07,680 --> 00:41:10,600
- ♪ Magical moments ♪
- (HENRY BREATHING HEAVILY)
799
00:41:11,240 --> 00:41:14,680
♪ Mean so much ♪
800
00:41:14,760 --> 00:41:17,920
- ♪ Prepare and share ♪
- (CALM CHATTER)
801
00:41:18,000 --> 00:41:21,840
♪ With a loving touch ♪
802
00:41:21,920 --> 00:41:23,280
- (HENRY EXHALES)
- ♪ Magical moments... ♪
803
00:41:23,360 --> 00:41:25,320
(WHISPERS) I bet that's the best
you've felt in ages.
804
00:41:25,360 --> 00:41:31,120
♪ Happen to everyone
Ooh, ooh, ooh, ooh ♪
805
00:41:32,440 --> 00:41:34,880
- ♪ (SONG CONCLUDES) ♪
- (THE COMMANDER GIGGLES)
806
00:41:36,120 --> 00:41:38,920
♪ (SOFT JAZZ MUSIC PLAYING) ♪
807
00:41:41,640 --> 00:41:42,640
Oh...
808
00:41:43,680 --> 00:41:45,480
What's... What's going on?
809
00:41:46,960 --> 00:41:48,680
I actually don't think
you should be here.
810
00:41:48,760 --> 00:41:51,240
(CHUCKLES) I'm sorry.
What... What's happening?
811
00:41:51,320 --> 00:41:52,640
What are you...
What are you doing?
812
00:41:52,720 --> 00:41:54,800
- (TRUNK THUDS)
- (HESITATES) It's the middle of the night.
813
00:41:55,880 --> 00:41:58,360
Why didn't you come
to Charles's funeral?
814
00:41:58,400 --> 00:41:59,920
CORDELIA: I'm... I'm sorry, what?
815
00:42:02,280 --> 00:42:03,560
(SIGHS)
816
00:42:05,400 --> 00:42:07,800
You know, life... life, darling,
life got in the way.
817
00:42:07,880 --> 00:42:09,920
No, you worshipped him.
818
00:42:11,360 --> 00:42:13,160
I mean,
despite what everyone else said,
819
00:42:13,240 --> 00:42:16,200
you always told me
that he "walked on water."
820
00:42:16,280 --> 00:42:17,400
(TRUNK THUDS)
821
00:42:19,160 --> 00:42:20,920
Sorry, can you leave us?
822
00:42:21,840 --> 00:42:24,760
(LIVELY CHATTER IN DISTANCE)
823
00:42:25,600 --> 00:42:27,400
You must have heard the rumors.
824
00:42:28,920 --> 00:42:34,120
About, you know, his... tastes.
825
00:42:35,680 --> 00:42:37,200
(CORDELIA CHUCKLES)
826
00:42:37,240 --> 00:42:41,080
I mean, this... this culture
that is just sensationalizing
827
00:42:41,160 --> 00:42:42,640
the actions of high-profile men.
828
00:42:42,680 --> 00:42:44,240
I mean,
it just fits the orthodoxy.
829
00:42:44,320 --> 00:42:46,840
It's too...
I mean, it's too facile.
830
00:42:46,920 --> 00:42:48,320
- How convenient.
- CORDELIA: Really.
831
00:42:48,400 --> 00:42:51,520
I mean, your... your father,
my brother, he was...
832
00:42:52,480 --> 00:42:53,880
You know, he was
a true eccentric.
833
00:42:53,960 --> 00:42:55,160
He was a bon viveur.
834
00:42:55,240 --> 00:42:57,000
He didn't care
about life's borders
835
00:42:57,080 --> 00:42:58,760
or boundaries.
He just didn't care!
836
00:42:58,840 --> 00:42:59,880
With you?
837
00:43:03,480 --> 00:43:04,880
(SIGHS)
838
00:43:05,480 --> 00:43:08,080
(CORDELIA BREATHES DEEPLY)
839
00:43:10,680 --> 00:43:13,960
We had
a very Bohemian childhood.
840
00:43:16,240 --> 00:43:17,520
It was a different time.
841
00:43:21,160 --> 00:43:24,720
Well, for all of
your posturing successes,
842
00:43:24,800 --> 00:43:26,920
I mean, you just couldn't wait
to be their whore again.
843
00:43:28,840 --> 00:43:30,080
How'd he taste?
844
00:43:32,720 --> 00:43:35,240
(LAUGHS SOFTLY)
845
00:43:36,960 --> 00:43:38,040
(MINT RATTLING)
846
00:43:39,440 --> 00:43:41,000
- (MINT CLATTERING)
- CORDELIA: You tell me.
847
00:43:44,600 --> 00:43:46,640
- That's pathetic.
- (CORDELIA CHUCKLES SOFTLY)
848
00:43:51,880 --> 00:43:52,920
Oh.
849
00:43:54,480 --> 00:43:56,160
Your father told me...
850
00:43:57,440 --> 00:44:00,080
that he was going
to terminate you
851
00:44:00,160 --> 00:44:01,880
till he found out
you were a girl.
852
00:44:01,920 --> 00:44:04,640
♪ (DISCORDANT RENDITION
OF "SILENT NIGHT" PLAYING) ♪
853
00:44:04,720 --> 00:44:05,760
(CHUCKLES)
854
00:44:09,040 --> 00:44:10,520
Right. Well...
855
00:44:11,520 --> 00:44:14,200
I mean,
there are no taxis at this time.
856
00:44:14,280 --> 00:44:16,800
And I think it's going to be
quite a cold night.
857
00:44:16,840 --> 00:44:17,920
Merry Christmas.
858
00:44:28,040 --> 00:44:31,120
♪ (DISCORDANT RENDITION
OF "SILENT NIGHT" CONTINUES) ♪
859
00:44:39,320 --> 00:44:40,920
(YASMIN CLEARS THROAT)
860
00:44:40,960 --> 00:44:42,960
- Oh.
- YASMIN: You're Whitney's assistant, right?
861
00:44:43,480 --> 00:44:46,280
I'm sorry, uh, my lady.
862
00:44:46,360 --> 00:44:47,680
Um...
863
00:44:47,760 --> 00:44:49,440
Some staff walked by,
864
00:44:49,520 --> 00:44:51,080
but after I got Whitney
his stuff,
865
00:44:51,160 --> 00:44:52,600
no one knew what to do with me.
866
00:44:52,640 --> 00:44:54,040
I'll get a room made up.
867
00:44:56,720 --> 00:44:59,000
Or I could just get in with you.
868
00:45:03,160 --> 00:45:04,280
Okay, then.
869
00:45:05,520 --> 00:45:07,480
Oh, um... (CHUCKLES)
870
00:45:09,560 --> 00:45:12,440
Um, I was... I'm sorry.
871
00:45:12,520 --> 00:45:13,760
I was... I was kidding.
872
00:45:14,760 --> 00:45:15,760
Okay.
873
00:45:16,920 --> 00:45:19,160
So I'll get a room made up.
874
00:45:19,200 --> 00:45:21,600
♪ ("MY ONLY WISH" BY HENRIK
LARS WIKSTROM PLAYING) ♪
875
00:45:21,680 --> 00:45:25,240
- ♪ My only wish ♪
- ♪ My only wish ♪
876
00:45:25,320 --> 00:45:29,520
- ♪ That I want to come true ♪
- ♪ My only wish... ♪
877
00:45:29,600 --> 00:45:31,280
BARTENDER:
He'll clean up just fine.
878
00:45:31,360 --> 00:45:33,360
Shouldn't you call
the police or something?
879
00:45:34,120 --> 00:45:35,280
Don't worry about it.
880
00:45:35,360 --> 00:45:36,880
We all know
it was self-defense, sir.
881
00:45:37,880 --> 00:45:38,880
Pint?
882
00:45:38,920 --> 00:45:44,640
♪ All I want for Christmas ♪
883
00:45:44,720 --> 00:45:46,320
♪ Is to be... ♪
884
00:45:46,360 --> 00:45:47,960
PRIEST:
I buried your father, you know.
885
00:45:49,320 --> 00:45:50,360
Excuse me?
886
00:45:51,960 --> 00:45:54,440
PRIEST: I presided over
his funeral service.
887
00:46:00,400 --> 00:46:01,560
Aye, see.
888
00:46:01,640 --> 00:46:04,040
You remember my face
a little more now?
889
00:46:04,120 --> 00:46:05,840
'Cause I remember yours then.
890
00:46:09,080 --> 00:46:11,280
You underestimate
a child's maturity
891
00:46:11,320 --> 00:46:12,360
at your peril.
892
00:46:14,560 --> 00:46:16,720
When the first sod fell
on his casket,
893
00:46:16,760 --> 00:46:19,960
I could see you thinking,
"That could be my lot."
894
00:46:23,240 --> 00:46:24,280
Commander.
895
00:46:27,040 --> 00:46:29,400
Commander,
can I get you another?
896
00:46:30,440 --> 00:46:32,720
I wish I had gotten to you
that day.
897
00:46:34,040 --> 00:46:35,880
And... And said something.
898
00:46:35,960 --> 00:46:38,760
Words that I have turned to
for comfort
899
00:46:38,840 --> 00:46:40,920
when dark was at the door.
900
00:46:41,000 --> 00:46:47,720
- (WHISPERING INDISTINCTLY)
- ♪ All I want for Christmas ♪
901
00:46:47,800 --> 00:46:51,440
♪ Is to be ♪
902
00:46:52,000 --> 00:46:55,480
♪ To be with you ♪
903
00:46:58,080 --> 00:47:03,840
♪ I don't care for a trip
To outer space ♪
904
00:47:03,920 --> 00:47:06,520
♪ ("MY ONLY WISH"
CONTINUES IN DISTANCE) ♪
905
00:47:08,200 --> 00:47:09,800
THE COMMANDER:
Well, good to see you again.
906
00:47:11,920 --> 00:47:14,480
Thoroughly enjoyable diversion.
907
00:47:15,600 --> 00:47:19,080
(WIND HOWLING)
908
00:47:19,160 --> 00:47:21,320
I could do
with never seeing you again.
909
00:47:22,560 --> 00:47:24,120
(BIRD CAWING IN DISTANCE)
910
00:47:28,360 --> 00:47:29,400
No.
911
00:47:31,040 --> 00:47:32,880
You'll see me soon.
912
00:47:37,800 --> 00:47:39,800
I feel we know
each other well enough.
913
00:47:39,880 --> 00:47:42,240
♪ (OMINOUS MUSIC PLAYING) ♪
914
00:47:43,520 --> 00:47:45,560
THE COMMANDER: Will you let me show you
where it hurts?
915
00:48:06,600 --> 00:48:09,080
PRIEST: (WHISPERING)
Long before morning...
916
00:48:09,160 --> 00:48:11,920
you will know that
what you are seeking to discover...
917
00:48:13,600 --> 00:48:15,720
was a thing
you had known all along.
918
00:48:23,920 --> 00:48:26,440
(WATCH TICKING RHYTHMICALLY)
919
00:48:27,120 --> 00:48:30,560
THE COMMANDER: Very, very soon.
920
00:48:30,640 --> 00:48:35,400
♪ (SOMBER DRAMATIC
MUSIC PLAYING) ♪
921
00:48:40,600 --> 00:48:44,040
(BIRDS CHIRPING)
922
00:48:59,080 --> 00:49:00,080
(DOOR SLAMS SHUT)
923
00:49:00,160 --> 00:49:04,240
♪ (SOMBER DRAMATIC
MUSIC CONTINUES) ♪
924
00:49:11,360 --> 00:49:12,760
♪ (MUSIC TURNS OMINOUS) ♪
925
00:49:12,800 --> 00:49:13,840
(RATTLING)
926
00:49:28,520 --> 00:49:31,760
- (ENGINE STARTS)
- (BREATHES DEEPLY)
927
00:49:37,520 --> 00:49:38,640
(ENGINE REVS)
928
00:49:38,720 --> 00:49:40,960
♪ (OMINOUS MUSIC CONTINUES) ♪
929
00:49:46,560 --> 00:49:47,640
(CHUCKLES SOFTLY)
930
00:49:50,720 --> 00:49:52,160
Shine your shoes, boy.
931
00:50:23,040 --> 00:50:26,640
PRIEST: The first person
the coward deserts is himself.
932
00:50:27,640 --> 00:50:33,400
(ENGINE REVVING REPEATEDLY)
933
00:50:54,360 --> 00:50:56,400
(ENGINE CONTINUES REVVING)
934
00:51:01,200 --> 00:51:04,600
- (BIRDS CHIRPING)
- (HAWK SCREECHES)
935
00:51:10,000 --> 00:51:13,720
PRIEST: Courage ceases
to be courage if it wavers.
936
00:51:23,320 --> 00:51:27,280
We choose to be ruined
rather than change.
937
00:51:27,360 --> 00:51:30,480
We would rather die afraid
than be present
938
00:51:30,560 --> 00:51:35,040
for a single second,
kill our illusions...
939
00:51:35,120 --> 00:51:39,000
(ENGINE REVVING REPEATEDLY)
940
00:51:42,240 --> 00:51:44,480
- ♪ (MUSIC FADES) ♪
- PRIEST: ...and live.
941
00:51:44,560 --> 00:51:46,600
YASMIN: (ECHOING) Henry. Henry!
942
00:51:46,680 --> 00:51:49,520
(FAINT BUZZING)
943
00:51:49,600 --> 00:51:52,880
(ENGINE RUMBLING)
944
00:51:55,720 --> 00:51:56,760
(SNIFFLES)
945
00:51:56,800 --> 00:52:01,240
(COUGHING)
946
00:52:06,240 --> 00:52:09,320
(COUGHING, WHEEZING)
947
00:52:10,240 --> 00:52:13,040
(GASPS HARSHLY, EXHALES)
948
00:52:13,080 --> 00:52:16,680
♪ ("CAN'T TAKE MY EYES OFF YOU"
BY ANDY WILLIAMS PLAYING) ♪
949
00:52:17,440 --> 00:52:19,800
(HENRY LAUGHING)
950
00:52:19,880 --> 00:52:22,800
- ♪ You're just too good to be true ♪
- (CAR HORN HONKING)
951
00:52:22,880 --> 00:52:24,200
HENRY: Yasmin!
952
00:52:24,280 --> 00:52:27,200
♪ Can't take my eyes
Off of you ♪
953
00:52:27,280 --> 00:52:28,560
♪ You'd be like... ♪
954
00:52:28,640 --> 00:52:29,840
HENRY: Yasmin!
955
00:52:30,920 --> 00:52:32,920
- Yasmin!
- ♪ I want to hold you... ♪
956
00:52:32,960 --> 00:52:34,280
Yasmin!
957
00:52:35,400 --> 00:52:38,400
♪ At long last
Love has arrived ♪
958
00:52:38,440 --> 00:52:39,600
(DOOR OPENS)
959
00:52:39,680 --> 00:52:42,480
What? You scared
the shit out of me!
960
00:52:43,840 --> 00:52:47,040
♪ You're just too good
To be true ♪
961
00:52:47,120 --> 00:52:50,760
♪ Can't take my eyes
Off of you ♪
962
00:52:50,840 --> 00:52:54,200
- ♪ Pardon the way that I stare ♪
- (BELT BUCKLE RATTLING)
963
00:52:54,280 --> 00:52:55,720
Henry, Henry, Henry.
964
00:52:57,800 --> 00:53:00,960
If you ever put me
through that again...
965
00:53:01,960 --> 00:53:03,720
I am the one that will kill you.
966
00:53:03,760 --> 00:53:06,160
♪ There are no words
Left to speak ♪
967
00:53:06,200 --> 00:53:10,040
♪ But if you feel like I feel ♪
968
00:53:10,120 --> 00:53:13,320
♪ Please let me know
That it's real ♪
969
00:53:14,200 --> 00:53:16,720
♪ You're just too good
To be true ♪
970
00:53:16,800 --> 00:53:17,840
(BELT BUCKLE RATTLING)
971
00:53:17,880 --> 00:53:20,600
♪ Can't take my eyes
Off of you ♪
972
00:53:20,680 --> 00:53:21,880
(YASMIN MOANS)
973
00:53:23,960 --> 00:53:26,200
(BOTH MOANING)
974
00:53:30,160 --> 00:53:31,680
(MOANS)
975
00:53:38,600 --> 00:53:43,280
♪ I love you, baby
And if it's quite all right ♪
976
00:53:43,360 --> 00:53:47,000
♪ I need you, baby
To warm the lonely night ♪
977
00:53:47,040 --> 00:53:49,440
♪ I love you, baby... ♪
978
00:53:49,480 --> 00:53:50,480
(BOTH MOANING)
979
00:53:50,560 --> 00:53:53,040
- ♪ Trust in me when I say... ♪
- (MOANS)
980
00:53:54,200 --> 00:53:56,560
- (HENRY AND YASMIN MOANING)
- Spring is coming.
981
00:53:56,640 --> 00:54:00,440
♪ Don't bring me down, I pray
Oh, pretty baby ♪
982
00:54:00,480 --> 00:54:05,920
♪ Now that I've found you, stay
And let me love you, baby ♪
983
00:54:05,960 --> 00:54:08,680
♪ Let me love you ♪
984
00:54:08,760 --> 00:54:10,360
(ENGINE REVS)
985
00:54:10,400 --> 00:54:12,960
♪ You're just too good
To be true ♪
986
00:54:13,040 --> 00:54:14,160
♪ (MUSIC FADES) ♪
987
00:54:14,200 --> 00:54:15,760
(ENGINE STOPS)
988
00:54:18,200 --> 00:54:20,280
My father killed himself
989
00:54:20,360 --> 00:54:22,280
on the morning
of his 40th birthday.
990
00:54:22,360 --> 00:54:24,160
(BIRDS CHIRPING)
991
00:54:25,600 --> 00:54:26,640
You beat him.
992
00:54:27,920 --> 00:54:29,760
Beat the cunt
by a single sunrise.
993
00:54:29,840 --> 00:54:33,280
(CHUCKLES) Yeah.
You're his senior.
994
00:54:40,680 --> 00:54:44,160
(KISSES)
995
00:54:48,400 --> 00:54:49,960
Happy birthday, darling.
996
00:54:54,080 --> 00:54:55,120
I've been thinking.
997
00:54:56,160 --> 00:54:57,760
You're gonna
take Whitney's offer?
998
00:55:00,560 --> 00:55:02,080
If it's what's best for us.
999
00:55:06,200 --> 00:55:07,320
A man needs work.
1000
00:55:10,120 --> 00:55:12,080
I think that's why
I'm here after all.
1001
00:55:13,720 --> 00:55:15,840
- To do good work.
- YASMIN: (CHUCKLES) Yeah.
1002
00:55:23,080 --> 00:55:25,400
(ENGINE STARTS, REVS)
1003
00:55:32,840 --> 00:55:35,320
♪ I want to run ♪
1004
00:55:36,440 --> 00:55:38,920
♪ I want to hide ♪
1005
00:55:40,120 --> 00:55:43,760
♪ I want to break down
The walls ♪
1006
00:55:43,840 --> 00:55:47,200
- (ENGINE REVVING)
- ♪ That hold me inside ♪
1007
00:55:47,280 --> 00:55:48,920
♪ I want to reach out ♪
1008
00:55:49,000 --> 00:55:50,880
(BOTH LAUGHING)
1009
00:55:51,520 --> 00:55:53,800
♪ And touch the flame ♪
1010
00:55:55,760 --> 00:55:58,960
♪ Where the streets
Have no name ♪
1011
00:55:59,960 --> 00:56:02,600
(SHOUTS)
Maybe we should try for a child!
1012
00:56:02,680 --> 00:56:09,120
♪ I want to feel
The sun on my face ♪
1013
00:56:10,280 --> 00:56:16,840
♪ I see the dust cloud disappear
Without a trace ♪
1014
00:56:18,000 --> 00:56:21,120
♪ I want to take shelter ♪
1015
00:56:21,200 --> 00:56:23,920
♪ From poison rain ♪
1016
00:56:25,600 --> 00:56:28,720
♪ Where the streets
Have no name ♪
1017
00:56:29,560 --> 00:56:32,400
♪ Ah ♪
1018
00:56:32,440 --> 00:56:35,920
♪ Where the streets
Have no name ♪
1019
00:56:36,000 --> 00:56:39,640
♪ Where the streets
Have no name ♪
1020
00:56:39,680 --> 00:56:44,480
♪ We're still building
Then burning down love ♪
1021
00:56:45,120 --> 00:56:47,800
♪ Burning down love ♪
1022
00:56:47,880 --> 00:56:51,120
♪ And when I go there ♪
1023
00:56:51,160 --> 00:56:55,520
♪ I go there with you ♪
1024
00:56:55,600 --> 00:56:58,840
♪ Where the streets
Have no name ♪
1025
00:56:58,920 --> 00:57:02,440
♪ Can't take my eyes
Off of you ♪
1026
00:57:19,160 --> 00:57:23,680
♪ I love you, baby
And if it's quite alright ♪
1027
00:57:23,720 --> 00:57:26,960
♪ I need you, baby
To warm a lonely night ♪
1028
00:57:27,040 --> 00:57:28,760
♪ (SONG FADES) ♪
74454
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