1 00:00:14,160 --> 00:00:15,840 RETURNING OFFICER: Being the returning officer 2 00:00:15,920 --> 00:00:17,760 for the Wakefield constituency, 3 00:00:17,800 --> 00:00:19,160 I hereby give notice 4 00:00:19,200 --> 00:00:21,160 that the total number of votes recorded 5 00:00:21,200 --> 00:00:23,840 for each candidate are as follows... 6 00:00:23,920 --> 00:00:25,720 ♪ ("OUR HOUSE" BY CROSBY, STILLS, NASH and YOUNG PLAYING) ♪ 7 00:00:25,800 --> 00:00:29,160 ...Dooling, David Michael, Liberal Democrat, 8 00:00:29,680 --> 00:00:33,080 5,153. 9 00:00:33,160 --> 00:00:35,680 (CROWD CHEERING, APPLAUDING) 10 00:00:35,720 --> 00:00:36,960 CROWD MEMBER 1: Well done. 11 00:00:38,320 --> 00:00:41,160 RETURNING OFFICER: Stokes, Nancy, Green Party, 12 00:00:41,840 --> 00:00:45,040 2,322. 13 00:00:45,120 --> 00:00:47,440 - CROWD MEMBER 2: Yeah! - (CROWD APPLAUDING) 14 00:00:49,160 --> 00:00:52,800 RETURNING OFFICER: Muck, Reginald Henry Ferrers de Chartley Norton, 15 00:00:52,880 --> 00:00:54,400 Conservative Party, 16 00:00:54,440 --> 00:00:57,600 - 16,454. - Yes! 17 00:00:57,680 --> 00:00:59,000 (CROWD CHEERING) 18 00:00:59,080 --> 00:01:02,600 (CROWD APPLAUDING) 19 00:01:02,640 --> 00:01:06,200 RETURNING OFFICER: Skibber, Peter Gary, Reform UK, 20 00:01:06,280 --> 00:01:09,720 7,356. 21 00:01:09,800 --> 00:01:12,400 (CROWD MEMBERS CHEERING) 22 00:01:13,600 --> 00:01:17,160 RETURNING OFFICER: Binface, Count, the Count Binface Party, 23 00:01:17,720 --> 00:01:19,960 309. 24 00:01:20,039 --> 00:01:22,320 (SCATTERED APPLAUSE) 25 00:01:23,760 --> 00:01:27,000 Bevan, Jennifer, Labour Party. 26 00:01:27,039 --> 00:01:31,400 - 17,892. - (CROWD CHEERING LOUDLY) 27 00:01:31,440 --> 00:01:35,360 I declare Jennifer Bevan the MP for Wakefield. 28 00:01:36,840 --> 00:01:39,640 ♪ Our house ♪ 29 00:01:39,720 --> 00:01:43,080 ♪ Is a very, very Very fine house ♪ 30 00:01:43,120 --> 00:01:44,440 ♪ With two cats... ♪ 31 00:01:44,479 --> 00:01:47,280 JENNIFER BEVAN: After nearly an entire generation 32 00:01:47,320 --> 00:01:49,160 of Conservative austerity, 33 00:01:49,240 --> 00:01:52,600 the winds of change are finally at our backs... 34 00:01:52,680 --> 00:01:55,440 (CROWD CHEERING, APPLAUDING) 35 00:01:57,240 --> 00:02:00,600 ♪ And our ♪ 36 00:02:00,680 --> 00:02:04,200 ♪ La-la, la-la-la-la-la ♪ 37 00:02:04,240 --> 00:02:06,680 - ♪ La-la-la-la-la... ♪ - (HENRY MUCK SOBBING) 38 00:02:06,760 --> 00:02:09,280 Hey, hey, listen. 39 00:02:09,360 --> 00:02:11,880 At least you don't have to keep fucking Margaret Thatcher now. 40 00:02:11,960 --> 00:02:14,080 (BOTH LAUGH) 41 00:02:14,120 --> 00:02:15,480 YASMIN KARA-HANANI: Hey. 42 00:02:16,440 --> 00:02:17,520 (SOBS, CHUCKLES) 43 00:02:18,600 --> 00:02:19,760 Thing is, 44 00:02:21,640 --> 00:02:22,800 I'm an omnivore. 45 00:02:23,920 --> 00:02:25,680 I liked fucking Maggie T. 46 00:02:26,800 --> 00:02:28,079 She liked it too. 47 00:02:28,160 --> 00:02:30,280 (BOTH LAUGH) 48 00:02:30,760 --> 00:02:32,440 Aw, I'm so sorry. 49 00:02:32,520 --> 00:02:34,400 ♪ With two cats in the yard ♪ 50 00:02:34,440 --> 00:02:36,520 ♪ Life used to be so ♪ 51 00:02:36,600 --> 00:02:38,800 - (CURTAINS RATTLING) - ♪ (SONG STOPS ABRUPTLY) ♪ 52 00:02:38,880 --> 00:02:40,160 (GROANS) 53 00:02:40,640 --> 00:02:42,560 Oh, fuck. 54 00:02:43,200 --> 00:02:44,320 (GROANS) 55 00:02:44,400 --> 00:02:45,880 You'll miss elevenses. 56 00:02:45,960 --> 00:02:48,760 Time is it? (SIGHS) 57 00:02:48,840 --> 00:02:51,920 Your uncle's been dressed and prowling around downstairs 58 00:02:52,000 --> 00:02:53,520 for about five hours. 59 00:02:53,600 --> 00:02:55,440 - (HENRY GROANS) - (BED CREAKING) 60 00:02:56,560 --> 00:02:58,120 I stayed in London last night. 61 00:02:58,600 --> 00:02:59,680 Claridge's. 62 00:02:59,760 --> 00:03:02,560 (GROANS) That sounds expensive. 63 00:03:02,600 --> 00:03:04,600 - Yeah, well, big bed for one. - (CURTAIN RATTLING) 64 00:03:04,680 --> 00:03:05,720 I can do that. 65 00:03:08,320 --> 00:03:09,520 (HENRY SIGHS) 66 00:03:09,600 --> 00:03:11,800 (BIRDS CHIRPING IN DISTANCE) 67 00:03:13,800 --> 00:03:15,600 We're celebrating you tonight. 68 00:03:17,360 --> 00:03:19,840 I'd really rather not have to explain away your absence 69 00:03:19,880 --> 00:03:21,560 at your 40th as well. 70 00:03:24,000 --> 00:03:27,520 Molly, can you, um, fetch my breeks? 71 00:03:27,560 --> 00:03:29,400 Don't worry if they're not ironed or anything. 72 00:03:29,480 --> 00:03:32,280 I really thought we might get a moment's privacy. 73 00:03:32,360 --> 00:03:33,680 Are you gonna be peg-totty? 74 00:03:33,760 --> 00:03:35,520 No, actually, I, um... 75 00:03:35,560 --> 00:03:38,760 I have to receive that lovely queer florist from Mells. 76 00:03:38,840 --> 00:03:39,960 - Do you, uh... - (CURTAINS RATTLING) 77 00:03:40,000 --> 00:03:42,120 I just said that I would do that! 78 00:03:44,760 --> 00:03:45,960 Yasmin. 79 00:03:47,640 --> 00:03:50,240 You have to let her fulfill her function. 80 00:03:53,040 --> 00:03:54,880 Just let her do the fucking curtains. 81 00:03:54,960 --> 00:03:58,000 ♪ (DRAMATIC OPERATIC MUSIC PLAYING) ♪ 82 00:03:59,320 --> 00:04:00,320 Right. 83 00:04:01,160 --> 00:04:02,520 Happy birthday, darling. 84 00:04:02,600 --> 00:04:03,840 (HENRY GROANS) 85 00:04:09,160 --> 00:04:11,200 - MOLLY: I'm sorry, sir. - (GRUNTS) 86 00:04:13,560 --> 00:04:14,800 No, don't worry. 87 00:04:16,560 --> 00:04:17,720 She's learning. 88 00:04:19,920 --> 00:04:21,560 Oh, fuck. 89 00:04:22,720 --> 00:04:26,000 - ♪ (MUSIC FADES) ♪ - (BIRDS CHIRPING IN DISTANCE) 90 00:04:26,080 --> 00:04:30,520 (CLOCK TICKING) 91 00:04:37,280 --> 00:04:39,960 Alexander, have you been introduced 92 00:04:40,040 --> 00:04:41,720 to Jennifer Bevan yet? 93 00:04:42,800 --> 00:04:46,159 Junior minister. The young lady we lost to. 94 00:04:46,240 --> 00:04:47,800 I, um... I had her at a dinner last month. 95 00:04:47,880 --> 00:04:50,600 ALEXANDER NORTON: I'm surprised that none of the senior ministers 96 00:04:50,640 --> 00:04:51,800 have reached out yet. 97 00:04:51,840 --> 00:04:54,040 It's been ten weeks already. 98 00:04:54,080 --> 00:04:56,240 YASMIN: Well, Labour don't think they need the tabloids. 99 00:04:56,720 --> 00:04:58,400 We backed them. 100 00:04:58,480 --> 00:05:00,680 Only after you knew they'd win. (CHUCKLES) 101 00:05:02,280 --> 00:05:04,120 So you think I'm yesterday's man? 102 00:05:04,200 --> 00:05:05,200 YASMIN: No. 103 00:05:05,840 --> 00:05:07,880 No. Not at all. 104 00:05:09,720 --> 00:05:11,200 But maybe not tomorrow's. 105 00:05:16,440 --> 00:05:19,160 You could say that legacy media 106 00:05:19,240 --> 00:05:21,800 isn't exactly courting the voters of tomorrow. 107 00:05:21,840 --> 00:05:25,440 I think Jenni could help on that front. 108 00:05:25,520 --> 00:05:28,440 So I've invited her to Henry's birthday party tonight. 109 00:05:30,400 --> 00:05:31,520 - NORTON: Good. - YASMIN: Hmm. 110 00:05:31,600 --> 00:05:33,280 (CLOCK CONTINUES TICKING) 111 00:05:34,080 --> 00:05:38,280 ♪ (TENSE MUSIC PLAYING) ♪ 112 00:05:42,880 --> 00:05:45,760 (WATCH TICKING RHYTHMICALLY) 113 00:05:47,040 --> 00:05:49,000 YASMIN: It was in your father's credenza. 114 00:05:51,000 --> 00:05:52,240 I had it serviced. 115 00:05:57,800 --> 00:05:59,640 Will you, uh... Will you excuse me? 116 00:06:02,320 --> 00:06:03,640 (CHAIR SCRAPES) 117 00:06:13,400 --> 00:06:14,560 We'll get him there. 118 00:06:17,560 --> 00:06:20,720 - (BREATHES SHAKILY) - (DOG BARKING IN DISTANCE) 119 00:06:22,000 --> 00:06:23,800 ♪ (MUSIC FADES) ♪ 120 00:06:27,200 --> 00:06:29,520 BEACH BEACH: Beautiful day for a birthday, sir. 121 00:06:30,600 --> 00:06:32,440 - (SHOTGUN THUDDING) - (CHUCKLES SOFTLY) 122 00:06:33,080 --> 00:06:34,240 (SHOTGUN THUDDING) 123 00:06:36,159 --> 00:06:38,040 BEACH: Was there something I could help with, sir? 124 00:06:39,600 --> 00:06:41,760 No, I was just, um... I was just cleaning my gun. 125 00:06:41,840 --> 00:06:43,200 BEACH: Leave it to me, sir. 126 00:06:46,560 --> 00:06:48,159 Beach, the, um... 127 00:06:48,240 --> 00:06:49,960 lock on the armory's a little sticky. 128 00:06:50,040 --> 00:06:52,320 Maybe a touch of WD-40? 129 00:06:52,400 --> 00:06:53,680 BEACH: Very good, sir. 130 00:06:53,760 --> 00:06:54,880 (SHOTGUN THUDDING) 131 00:06:56,760 --> 00:06:57,760 You know what? 132 00:06:58,560 --> 00:06:59,560 Better yet... 133 00:07:02,000 --> 00:07:03,400 - change the lock. - (KEYS JANGLING) 134 00:07:06,600 --> 00:07:10,040 We have, uh... We have guests coming. 135 00:07:10,120 --> 00:07:11,760 Who knows what ancient antipathies 136 00:07:11,840 --> 00:07:13,640 will have people sprinting for the armory, eh? 137 00:07:13,680 --> 00:07:15,600 BEACH: (CHUCKLES SOFTLY) Very good, sir. 138 00:07:15,680 --> 00:07:18,880 ♪ (BROODING DRAMATIC MUSIC PLAYING) ♪ 139 00:07:28,000 --> 00:07:30,440 Do you realize your behavior is unacceptable? 140 00:07:32,280 --> 00:07:36,200 This listlessness is one thing, but when it manifests as apathy 141 00:07:36,280 --> 00:07:38,920 for your life, your wife... 142 00:07:39,000 --> 00:07:40,560 No one expects you to be uxorious, 143 00:07:40,640 --> 00:07:41,840 but you're being callous. 144 00:07:42,640 --> 00:07:44,680 What's the path out of this? 145 00:07:44,760 --> 00:07:48,680 SSRIs, CBT, another cocktail of acronyms, 146 00:07:48,760 --> 00:07:51,440 praying for the right dosage at the right interval. 147 00:07:51,520 --> 00:07:52,840 Some other arsehole telling me 148 00:07:52,920 --> 00:07:55,040 to make sure my eyes see sunlight first thing. 149 00:07:55,120 --> 00:07:56,120 Why don't you try lithium again? 150 00:07:56,200 --> 00:07:57,520 'Cause it made me fat. 151 00:07:57,600 --> 00:07:58,880 Better than this. 152 00:07:58,960 --> 00:08:01,440 - Do you love her? - Of course I fucking do. 153 00:08:02,640 --> 00:08:04,000 The lithium muted everything. 154 00:08:04,080 --> 00:08:05,360 I mean, you try living your life 155 00:08:05,400 --> 00:08:06,640 without feeling the upper reaches 156 00:08:06,720 --> 00:08:08,200 of any emotion. 157 00:08:08,280 --> 00:08:11,680 Oh no. Oh no. Hang on a moment. (LAUGHS) 158 00:08:12,640 --> 00:08:14,120 Your father wouldn't have indulged. 159 00:08:14,200 --> 00:08:15,640 Well, no fucking shit! 160 00:08:16,960 --> 00:08:18,960 He didn't end up indulging it in himself either. 161 00:08:19,040 --> 00:08:21,440 You need to find some structure! 162 00:08:21,480 --> 00:08:22,920 There's only so much she'll take. 163 00:08:23,000 --> 00:08:24,080 (HENRY CHUCKLES) 164 00:08:24,120 --> 00:08:25,840 Where's she gonna go, really? 165 00:08:26,400 --> 00:08:27,600 (CHUCKLES SOFTLY) 166 00:08:27,680 --> 00:08:30,920 Fuck my father and his genetic inheritance. 167 00:08:32,000 --> 00:08:33,760 Today was always going to be difficult. 168 00:08:35,240 --> 00:08:36,720 - He loved you. - No. 169 00:08:37,480 --> 00:08:38,679 No, no, no. 170 00:08:39,200 --> 00:08:40,360 He left me. 171 00:08:41,480 --> 00:08:43,280 Do you know what would have been more loving? 172 00:08:43,360 --> 00:08:45,080 A fucking vasectomy. 173 00:08:47,440 --> 00:08:49,760 I sometimes think about what you saw. 174 00:08:51,360 --> 00:08:53,600 It was an unimaginable horror. 175 00:08:53,680 --> 00:08:56,640 - (SCOFFS SOFTLY) - ♪ (TENSE MUSIC PLAYING) ♪ 176 00:08:57,360 --> 00:08:58,720 (SHOTGUN COCKING) 177 00:09:04,240 --> 00:09:06,160 HENRY: What if I finished you here? 178 00:09:12,520 --> 00:09:15,480 The dislocation you feel isn't going anywhere. 179 00:09:15,560 --> 00:09:18,200 Normal people don't feel like this! 180 00:09:18,280 --> 00:09:20,440 You can ignore it, numb it, drown it out, 181 00:09:20,480 --> 00:09:21,680 or... 182 00:09:22,720 --> 00:09:25,080 integrate it into your life. 183 00:09:26,080 --> 00:09:27,280 Step by step. 184 00:09:28,560 --> 00:09:29,680 Day by day. 185 00:09:30,400 --> 00:09:31,560 One day... 186 00:09:32,800 --> 00:09:35,480 you'll find you've walked out of the woods. 187 00:09:35,520 --> 00:09:39,600 ♪ (RHYTHMIC DRUMMING OVERLAPPING) ♪ 188 00:09:47,000 --> 00:09:48,200 (GUNSHOT ECHOING) 189 00:09:48,240 --> 00:09:51,240 ♪ ("YOU AND ME" BY PENNY AND THE QUARTERS PLAYING) ♪ 190 00:09:56,040 --> 00:09:58,360 ♪ You and me ♪ 191 00:09:58,440 --> 00:10:00,680 ♪ You and me ♪ 192 00:10:00,720 --> 00:10:03,600 ♪ Nobody baby But you and me... ♪ 193 00:10:03,680 --> 00:10:05,480 - (KNOCKING ON DOOR) - HENRY: Hmm. 194 00:10:05,560 --> 00:10:07,080 (DOOR OPENS) 195 00:10:07,120 --> 00:10:09,760 ♪ My, my, my, my My, my, my, my... ♪ 196 00:10:09,840 --> 00:10:11,720 - (SOFTLY) Hi. - ♪ ("YOU AND ME" CONTINUES IN BACKGROUND) ♪ 197 00:10:11,800 --> 00:10:14,760 Um, my aunt sent a very late RSVP, 198 00:10:14,800 --> 00:10:16,200 so she's coming. 199 00:10:18,280 --> 00:10:19,560 She's on Charles's side. 200 00:10:21,800 --> 00:10:23,560 She as problematic as him? 201 00:10:31,040 --> 00:10:32,640 I really want us to start looking 202 00:10:32,680 --> 00:10:34,320 at each other properly again. 203 00:10:36,240 --> 00:10:37,640 I want... 204 00:10:37,680 --> 00:10:40,160 I want you to see me. 205 00:10:40,240 --> 00:10:42,600 I want to look at you and I want you to look at me. 206 00:10:42,680 --> 00:10:43,960 You know, actually look at me. 207 00:10:50,640 --> 00:10:51,680 Stand up. 208 00:10:55,840 --> 00:10:57,000 (YASMIN SIGHS) 209 00:11:07,520 --> 00:11:10,960 - ♪ Oh, oh-oh-oh-oh ♪ - (WATER TRICKLING) 210 00:11:11,040 --> 00:11:15,640 - ♪ Nobody baby but you and me ♪ - ♪ Hey, hey, hey ♪ 211 00:11:15,720 --> 00:11:19,760 - ♪ You and me ♪ - ♪ My, my, my, my, my, my.. ♪ 212 00:11:20,360 --> 00:11:22,680 (WATER SPLASHING) 213 00:11:23,480 --> 00:11:24,680 (YASMIN CLEARS THROAT) 214 00:11:25,720 --> 00:11:27,720 ♪ Oh, oh-oh-oh-oh ♪ 215 00:11:27,800 --> 00:11:30,640 ♪ Nobody baby but you and me ♪ 216 00:11:30,720 --> 00:11:32,480 - ♪ Hey, hey, hey ♪ - (CHUCKLES SOFTLY) 217 00:11:32,560 --> 00:11:35,440 - ♪ You and me ♪ - ♪ My, my, my, my, my ♪ 218 00:11:35,480 --> 00:11:39,400 - ♪ My, my, my ♪ - ♪ Nobody baby but you and me ♪ 219 00:11:39,480 --> 00:11:40,640 (YASMIN CHUCKLES) 220 00:11:40,680 --> 00:11:47,360 ♪ When love is real You don't have to show it... ♪ 221 00:11:48,560 --> 00:11:53,160 (WATER SPLASHING RHYTHMICALLY) 222 00:11:55,120 --> 00:11:58,960 - (EXHALES SOFTLY) - (WATER CONTINUES SPLASHING) 223 00:11:59,000 --> 00:12:01,400 (HENRY BREATHING DEEPLY) 224 00:12:01,480 --> 00:12:03,520 (WATER CONTINUES SPLASHING) 225 00:12:03,600 --> 00:12:06,640 (HENRY BREATHES HEAVILY) 226 00:12:06,720 --> 00:12:09,440 - (SPLASHING QUICKENS) - (BATHTUB SQUEAKS) 227 00:12:09,480 --> 00:12:10,520 Yasmin, stop. 228 00:12:10,600 --> 00:12:12,760 - It’s okay... - Just... Please. Please. Please stop. 229 00:12:13,760 --> 00:12:18,320 ♪ (VOCALIST VOCALIZING) ♪ 230 00:12:20,120 --> 00:12:21,480 Look, if you want to fuck other men, 231 00:12:21,520 --> 00:12:22,600 you can, all right? 232 00:12:28,800 --> 00:12:30,720 YASMIN: (SIGHS) You have a 2:00 p.m. with Whitney. 233 00:12:32,280 --> 00:12:33,400 (SIGHS) 234 00:12:36,040 --> 00:12:39,520 - ♪ You and me, baby ♪ - (DOOR SLAMS) 235 00:12:39,600 --> 00:12:40,960 ♪ (SONG CONCLUDES) ♪ 236 00:12:41,040 --> 00:12:43,760 ♪ (DISCORDANT NOTES PLAY ON HARPSICHORD) ♪ 237 00:12:43,840 --> 00:12:45,080 (INDISTINCT CHATTER) 238 00:12:45,160 --> 00:12:48,840 TOUR GUIDE: The Grey Lady, Lady Henrietta Fairfax, 239 00:12:48,880 --> 00:12:51,600 is the house's most famous ghost. 240 00:12:51,680 --> 00:12:54,840 She died of a broken heart when her paramour, 241 00:12:54,920 --> 00:12:57,720 her valet, was murdered by her husband. 242 00:13:01,320 --> 00:13:03,360 Her husband, headless, 243 00:13:03,440 --> 00:13:05,640 is also said to stalk the grounds. 244 00:13:05,720 --> 00:13:07,040 Oh, I'm sorry, Sir Henry. 245 00:13:07,120 --> 00:13:08,680 Yeah, you're not meant to be in this part 246 00:13:08,760 --> 00:13:10,280 of the fucking house! 247 00:13:10,360 --> 00:13:13,160 - (CLOCK TICKING) - (TOUR GUIDE HESITATES) 248 00:13:13,240 --> 00:13:15,040 HENRY: I'm sorry, can you, uh... 249 00:13:16,680 --> 00:13:18,080 Can you just leave me alone? 250 00:13:21,440 --> 00:13:22,640 TOUR GUIDE: Come on now, children. 251 00:13:22,680 --> 00:13:24,920 Let's go down this corridor, quick as you like now. 252 00:13:27,000 --> 00:13:30,320 (TOUR GUIDE TALKING INDISTINCTLY) 253 00:13:42,560 --> 00:13:47,400 ♪ (PLAYING "MUSIC FOR THE FUNERAL OF QUEEN MARY") ♪ 254 00:14:14,800 --> 00:14:16,480 Mr. Halberstram to see you, sir. 255 00:14:16,560 --> 00:14:18,280 At Lady Muck's invitation. 256 00:14:18,360 --> 00:14:20,720 ♪ (CONTINUES PLAYING) ♪ 257 00:14:23,040 --> 00:14:25,000 - Put your clothes on, Henry. - ♪ (STOPS PLAYING) ♪ 258 00:14:25,880 --> 00:14:29,720 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 259 00:14:36,320 --> 00:14:37,800 WHITNEY HALBERSTRAM: How are you, Sir Henry? 260 00:14:40,480 --> 00:14:42,240 One hundred percent well. 261 00:14:48,640 --> 00:14:50,200 I'm here to ask you one single thing. 262 00:14:52,640 --> 00:14:54,040 What do you want to do next? 263 00:14:55,800 --> 00:14:56,800 (CHUCKLES SOFTLY) 264 00:14:56,840 --> 00:14:58,080 ♪ (MUSIC FADES) ♪ 265 00:15:00,480 --> 00:15:03,440 Uh, I needed the entire party machine 266 00:15:03,480 --> 00:15:04,840 and my uncle 267 00:15:04,880 --> 00:15:06,520 to win a safe seat by-election. 268 00:15:08,080 --> 00:15:12,560 I was an MP for six months, prison minister for 72 days. 269 00:15:13,320 --> 00:15:15,120 Oh, and I, um... 270 00:15:15,160 --> 00:15:18,560 I ran a public utility into administration. 271 00:15:18,640 --> 00:15:21,120 WHITNEY: Lumi didn't fail 'cause of the clarity of your vision. 272 00:15:21,200 --> 00:15:22,600 Your timing was off. 273 00:15:23,520 --> 00:15:24,640 That's it. 274 00:15:27,040 --> 00:15:28,400 You had the highest approval ratings 275 00:15:28,440 --> 00:15:29,520 of any cabinet minister, 276 00:15:29,600 --> 00:15:31,240 your commitment to leveling up in the north, 277 00:15:31,280 --> 00:15:33,360 you pushed to renationalize the probation service 278 00:15:33,440 --> 00:15:35,000 against your party's tribal instincts. 279 00:15:36,640 --> 00:15:37,600 The agenda was working. 280 00:15:37,680 --> 00:15:40,080 You were just, uh, undermined 281 00:15:40,120 --> 00:15:44,320 by the prime minister's myopic decision 282 00:15:44,400 --> 00:15:45,600 to call an early election. 283 00:15:49,800 --> 00:15:52,360 I failed upwards, and then failed totally. 284 00:15:52,440 --> 00:15:53,720 There are no second acts. 285 00:15:55,600 --> 00:15:56,760 In American life. 286 00:15:58,400 --> 00:16:00,440 I'm not sure the same can be said for the Brits. 287 00:16:02,080 --> 00:16:04,600 I'm a fraud touched by success. 288 00:16:05,840 --> 00:16:08,200 No. You're just telling the wrong story. 289 00:16:09,320 --> 00:16:11,720 You're a success who believes he's a fraud. Really... 290 00:16:13,080 --> 00:16:14,520 You're a leader in your bones. 291 00:16:17,680 --> 00:16:20,280 And what great man has lived a life without friction? 292 00:16:21,440 --> 00:16:25,720 ♪ (INTRIGUING DRAMATIC MUSIC PLAYING) ♪ 293 00:16:25,800 --> 00:16:28,800 (BIRDS CHIRPING IN DISTANCE) 294 00:16:37,360 --> 00:16:40,680 (SPUTTERS, LAUGHS) 295 00:16:42,560 --> 00:16:43,840 You can't be serious with this shit, Yas. 296 00:16:43,880 --> 00:16:44,960 I look like Elton John. 297 00:16:45,040 --> 00:16:47,840 No, you look fucking adorable. 298 00:16:47,920 --> 00:16:49,720 (CHUCKLES) 299 00:16:49,800 --> 00:16:53,000 Did you, um, have a nice meeting with Whitney? 300 00:16:56,600 --> 00:16:58,440 Could there be a role for you at Tender? 301 00:16:59,960 --> 00:17:02,000 Did you brief him on how to puff me up? 302 00:17:03,000 --> 00:17:05,240 YASMIN: Anything he said about you, he believes. 303 00:17:08,680 --> 00:17:10,440 (CHUCKLES) 304 00:17:10,480 --> 00:17:13,160 It's just the shoes. (CHUCKLES) 305 00:17:24,599 --> 00:17:26,760 I really want you to sleep in here tonight. 306 00:17:30,840 --> 00:17:32,080 (HESITATES) 307 00:17:35,720 --> 00:17:37,400 People are waiting downstairs. 308 00:17:44,440 --> 00:17:45,680 (DOOR CREAKS) 309 00:17:46,960 --> 00:17:48,080 (DOOR SHUTS) 310 00:17:49,480 --> 00:17:54,240 ♪ ("I.O.U." BY FREEEZ PLAYING) ♪ 311 00:18:08,440 --> 00:18:10,200 OTTO MOSTYN: You look spectacular, darling. 312 00:18:10,280 --> 00:18:11,400 Thank you. 313 00:18:12,160 --> 00:18:14,320 (INDISTINCT CHATTER) 314 00:18:14,400 --> 00:18:17,360 Sorry. Sorry. (CHUCKLES) 315 00:18:17,960 --> 00:18:19,760 Sorry. Auntie! 316 00:18:19,840 --> 00:18:21,080 Oh my God. 317 00:18:21,160 --> 00:18:23,040 Yasmin! 318 00:18:23,080 --> 00:18:25,920 - You look gorgeous. - No, you look gorgeous. 319 00:18:26,000 --> 00:18:27,280 OTTO: Start with the macro, 320 00:18:27,320 --> 00:18:30,440 - then go micro. - I am so glad you're here. 321 00:18:30,520 --> 00:18:32,240 (LAUGHS) 322 00:18:32,320 --> 00:18:33,320 Probably best not to joke 323 00:18:33,360 --> 00:18:34,760 about absent 40-year-olds in this house. 324 00:18:34,840 --> 00:18:36,520 CORDELIA HANANI-SPYRKA: Otto's aged into his looks. 325 00:18:37,360 --> 00:18:40,000 - He's fucking disgusting. - (LAUGHS) 326 00:18:40,080 --> 00:18:41,160 (CHUCKLES) 327 00:18:42,240 --> 00:18:44,400 - Oh, thank you. - Thank you. 328 00:18:44,480 --> 00:18:46,320 OTTO: Her cunt was so wet, 329 00:18:46,400 --> 00:18:48,360 you could use it to poach a monkfish. 330 00:18:50,040 --> 00:18:51,440 (WHISPERS) I've met someone. 331 00:18:51,520 --> 00:18:52,960 - What? - (WHISPERS) He's young. 332 00:18:53,760 --> 00:18:54,880 Does Uncle Piotr know? 333 00:18:54,960 --> 00:18:56,880 But I'm... I'm, um... 334 00:18:56,960 --> 00:18:58,320 I'm having really strong feelings 335 00:18:58,400 --> 00:19:00,720 of life beginning again. 336 00:19:00,800 --> 00:19:02,440 I mean, I know I'm older, but I'm... 337 00:19:02,520 --> 00:19:03,680 I feel younger. 338 00:19:04,720 --> 00:19:06,400 That probably makes me a terrible person. 339 00:19:06,480 --> 00:19:08,560 - YASMIN: No! - I just... (CHUCKLES) 340 00:19:13,640 --> 00:19:15,440 (WHISPERS) Can I tell you what he says to me? 341 00:19:15,520 --> 00:19:16,800 YASMIN: (CHUCKLES) Yeah. 342 00:19:18,240 --> 00:19:20,240 He says, "Bend over so I can see it." 343 00:19:20,320 --> 00:19:21,640 (BOTH LAUGH) 344 00:19:21,680 --> 00:19:22,760 Fuck. 345 00:19:24,160 --> 00:19:26,880 And just hearing this 29-year-old 346 00:19:26,960 --> 00:19:28,680 giving me these little orders... 347 00:19:28,760 --> 00:19:31,000 honestly, it's fucking better 348 00:19:31,080 --> 00:19:32,480 than any one of my children being born. 349 00:19:32,520 --> 00:19:33,800 I mean, I'm just kidding, but... 350 00:19:33,880 --> 00:19:35,960 (BREATHES DEEPLY) ...maybe I'm not. 351 00:19:36,040 --> 00:19:38,200 Does it make me a bad mother to want to be fucked? 352 00:19:38,280 --> 00:19:40,320 - No, I don't think so. - (SIGHS) 353 00:19:40,400 --> 00:19:42,720 How are the first few months of married life? 354 00:19:46,560 --> 00:19:48,520 I'm a spectator and a caregiver. 355 00:19:50,360 --> 00:19:53,520 Darling, that's not a partnership. 356 00:19:53,600 --> 00:19:56,840 You... You cannot be too afraid of what you'll lose. 357 00:19:56,920 --> 00:19:58,520 You'll become too pliant, 358 00:19:58,600 --> 00:20:00,720 and then you will lose it. It's self-fulfilling. 359 00:20:02,760 --> 00:20:04,480 (INDISTINCT CHATTER) 360 00:20:04,560 --> 00:20:05,880 (WHISPERS) It doesn't matter 361 00:20:05,920 --> 00:20:08,720 how much a man tells you that he loves you. 362 00:20:08,800 --> 00:20:10,680 You never give them unconditional love 363 00:20:10,720 --> 00:20:12,560 because they will weaponize it. 364 00:20:12,640 --> 00:20:14,400 Yeah, yeah, yeah, they worship us 365 00:20:14,480 --> 00:20:16,440 and they fill us up with their secrets 366 00:20:16,520 --> 00:20:18,200 and load us up with their insecurities 367 00:20:18,280 --> 00:20:20,880 and then they fuck all their fears into us. 368 00:20:21,480 --> 00:20:23,960 And then they kill us. 369 00:20:24,640 --> 00:20:26,000 Over and over. 370 00:20:26,080 --> 00:20:28,920 Lovers, fathers, husbands. 371 00:20:29,000 --> 00:20:31,840 It is the historical common denominator. 372 00:20:32,520 --> 00:20:34,480 They love murdering women. 373 00:20:34,560 --> 00:20:36,920 ♪ (FOREBODING MUSIC PLAYING) ♪ 374 00:20:38,240 --> 00:20:40,920 A little dispassion, it could save you. 375 00:20:41,760 --> 00:20:42,960 Get off your knees. 376 00:20:46,320 --> 00:20:49,640 ♪ (MUFFLED DANCE MUSIC PLAYING IN DISTANCE) ♪ 377 00:20:51,560 --> 00:20:52,800 (OWL HOOTING) 378 00:20:52,880 --> 00:20:54,200 (GASPS) 379 00:20:57,480 --> 00:21:00,160 KITCHEN STAFF 1: Make sure those sprouts are blanched properly, please. 380 00:21:00,240 --> 00:21:01,360 No cranberry sauce, 381 00:21:01,440 --> 00:21:02,920 Lord Norton abhors it, remember. 382 00:21:03,000 --> 00:21:05,840 - (INDISTINCT CHATTER) - KITCHEN STAFF 2: Oy, oy! 383 00:21:07,320 --> 00:21:08,480 (NORTON CLEARS THROAT) 384 00:21:10,160 --> 00:21:11,200 Neat trick. 385 00:21:12,280 --> 00:21:14,400 "'Labour's tax plans are anti-business, ' 386 00:21:14,480 --> 00:21:16,160 says British Industry Federation." 387 00:21:16,240 --> 00:21:17,560 We're just printing what we're told. 388 00:21:17,640 --> 00:21:19,600 But the prominence of that headline is alarmist. 389 00:21:19,680 --> 00:21:20,920 You're talking us into a recession. 390 00:21:21,000 --> 00:21:23,200 I'm trying to stop you governing us into a recession. 391 00:21:23,280 --> 00:21:24,400 I think about my readers, 392 00:21:24,480 --> 00:21:25,880 and their often meager pay packets. 393 00:21:25,960 --> 00:21:28,000 I think what Jenni is trying to say 394 00:21:28,080 --> 00:21:29,600 is that her party won't be bullied 395 00:21:29,680 --> 00:21:30,760 by your headlines 396 00:21:30,800 --> 00:21:33,920 just because they won't come and kiss the ring. 397 00:21:34,000 --> 00:21:36,400 So you brought her here to do it for them? 398 00:21:36,440 --> 00:21:38,040 Jenni's her own woman. 399 00:21:38,120 --> 00:21:40,120 More plainly, Lisa Dearn is a business secretary 400 00:21:40,200 --> 00:21:41,640 who is anti-business. 401 00:21:41,720 --> 00:21:44,240 I don't know what it says about the state of the country 402 00:21:44,280 --> 00:21:45,960 that the wealth divide between North 403 00:21:46,040 --> 00:21:47,760 and South Kensington is now wider 404 00:21:47,840 --> 00:21:49,160 than North and South Korea, 405 00:21:49,760 --> 00:21:52,240 but economics, 406 00:21:52,320 --> 00:21:54,920 fundamentally, is a question of public humor and moods, 407 00:21:54,960 --> 00:21:56,560 and it's a question of tone. 408 00:21:56,600 --> 00:21:59,040 Currently, you still set it, and I see that, 409 00:21:59,120 --> 00:22:01,280 even if Lisa chooses to imagine a world 410 00:22:01,360 --> 00:22:03,440 in which that's no longer the case. 411 00:22:03,520 --> 00:22:09,520 ♪ ("SUITE FOR JAZZ ORCHESTRA NO. 2" BY DMITRI SHOSTAKOVICH PLAYING) 412 00:22:23,600 --> 00:22:27,240 ♪ ("SUITE FOR JAZZ ORCHESTRA NO. 2" CONTINUES) ♪ 413 00:22:45,280 --> 00:22:47,360 WHITNEY: I understand this is the greatest collection 414 00:22:47,440 --> 00:22:48,800 of Turners outside of Petworth. 415 00:22:49,960 --> 00:22:53,440 HENRY: Yeah, well, life wasn't a romance then 416 00:22:53,520 --> 00:22:55,920 and it isn't a romance now, so... 417 00:22:56,920 --> 00:22:59,040 Well, Nietzsche killed God. 418 00:22:59,960 --> 00:23:01,640 Factories started burning coal. 419 00:23:02,520 --> 00:23:04,200 It was game over for community. 420 00:23:04,280 --> 00:23:06,000 It was just the beginning for men like us. 421 00:23:08,600 --> 00:23:10,400 Men like... us? 422 00:23:11,520 --> 00:23:13,040 WHITNEY: You want something you don't have. 423 00:23:13,120 --> 00:23:14,800 I want everything you have already. 424 00:23:14,840 --> 00:23:16,280 That's all the fraternity we need. 425 00:23:17,840 --> 00:23:20,040 My wife suggested 426 00:23:20,120 --> 00:23:23,600 you wanted to offer me some small, 427 00:23:23,680 --> 00:23:25,600 non-exec role at Tender. 428 00:23:25,680 --> 00:23:29,120 We were in the process of doing an executive parade for CEO, 429 00:23:29,160 --> 00:23:31,120 but I convinced my board we could expedite it. 430 00:23:33,920 --> 00:23:35,840 Move fast and break things is fine 431 00:23:35,920 --> 00:23:37,160 for the first decade of a company, 432 00:23:37,240 --> 00:23:39,320 but longevity in Britain is about access. 433 00:23:41,960 --> 00:23:43,520 I'm building a one-stop shop. 434 00:23:44,960 --> 00:23:47,640 An in-your-pocket democratic financial institution 435 00:23:47,720 --> 00:23:48,920 for everyone from the working man 436 00:23:49,000 --> 00:23:50,880 to the wealthiest plutocrat, inclusive. 437 00:23:52,480 --> 00:23:54,640 To call it a bank would be to undersell it. 438 00:23:54,680 --> 00:23:55,880 It's a bank killer. 439 00:23:56,680 --> 00:23:57,760 And I need a partner. 440 00:23:59,160 --> 00:24:00,840 A native partner. 441 00:24:02,520 --> 00:24:05,720 A CEO who can triangulate our political and media message. 442 00:24:05,760 --> 00:24:08,640 You started your rehabilitation in politics. 443 00:24:08,720 --> 00:24:10,800 I want you to finish it with me. 444 00:24:16,360 --> 00:24:19,880 Well, all they have is that boat. 445 00:24:19,960 --> 00:24:22,640 ♪ ("SUITE FOR JAZZ ORCHESTRA NO. 2" CONTINUES) ♪ 446 00:24:39,040 --> 00:24:42,040 ♪ (MUSIC SWELLS) ♪ 447 00:24:45,560 --> 00:24:46,960 - (SNORTING) - ♪ (MUSIC STOPS ABRUPTLY) ♪ 448 00:24:47,040 --> 00:24:48,120 (DOOR OPENS) 449 00:24:48,200 --> 00:24:50,000 ♪ ("FASCINATED" BY COMPANY B PLAYING OVER SPEAKERS) ♪ 450 00:24:50,080 --> 00:24:51,400 (TAPPING ON TABLE) 451 00:24:51,440 --> 00:24:52,440 Oh my God. 452 00:24:54,040 --> 00:24:56,880 Why the fuck are you not fucking dressed? 453 00:24:56,960 --> 00:24:58,880 - Fuck's sake. - You need me to dress you now? 454 00:24:58,960 --> 00:25:00,360 You're not enough of a fucking infant? 455 00:25:00,440 --> 00:25:02,880 Yeah, and engineering meetings for me? 456 00:25:02,920 --> 00:25:05,080 Henry, if someone admires your talent enough 457 00:25:05,160 --> 00:25:06,880 to offer you a new purpose in life... 458 00:25:06,920 --> 00:25:08,880 Sorry, sorry, sorry. "Talent"? 459 00:25:08,920 --> 00:25:10,200 What fucking talent? 460 00:25:10,280 --> 00:25:12,720 Tell me, why did we buy that shed in Wakefield 461 00:25:12,760 --> 00:25:15,960 - if you didn't even vote for me? - Oh, grow up. I've never voted. 462 00:25:16,000 --> 00:25:17,640 What fucking difference would my vote make? 463 00:25:17,720 --> 00:25:19,360 What, for the proletariat? 464 00:25:19,440 --> 00:25:21,400 Oh, I'm sorry. Uh, too close to home? 465 00:25:23,480 --> 00:25:24,720 What does that mean? 466 00:25:24,800 --> 00:25:27,880 It means my circumstances are fixed. 467 00:25:27,960 --> 00:25:29,440 They're fucking cast iron. 468 00:25:29,520 --> 00:25:30,920 There's only one consequential thing 469 00:25:31,000 --> 00:25:32,680 - I can do with my life. - Oh, God, Henry, 470 00:25:32,760 --> 00:25:36,680 what is this suicide-as-poetry bullshit? 471 00:25:36,720 --> 00:25:39,800 Do you realize that oblivion won't be macho? 472 00:25:39,880 --> 00:25:43,120 It won't be cinematic, you stupid fucking idiot! 473 00:25:43,200 --> 00:25:44,840 It will be procedural. 474 00:25:44,920 --> 00:25:47,560 It will be boring, and it will be small. 475 00:25:47,640 --> 00:25:49,960 Another event for me to organize. 476 00:25:50,920 --> 00:25:52,400 A few tears, a black dress, 477 00:25:52,480 --> 00:25:54,840 and then the rest of my fucking life. 478 00:25:54,920 --> 00:25:58,480 Because despite loving you, which I think I still do, Henry, 479 00:25:58,560 --> 00:25:59,520 I will forget you. 480 00:25:59,600 --> 00:26:01,480 I will fucking forget you! I promise you! 481 00:26:01,560 --> 00:26:03,680 So you don't seem to understand. 482 00:26:03,760 --> 00:26:05,240 I can't get out from under this! 483 00:26:05,320 --> 00:26:07,640 - Where was the romance in your father's death? - (MUTTERS) My father... 484 00:26:07,680 --> 00:26:09,440 Hmm? Where was the fucking glamour in that one? 485 00:26:09,480 --> 00:26:11,120 How dare you ask me that? 486 00:26:11,200 --> 00:26:13,080 You told me he walked out onto the moor 487 00:26:13,120 --> 00:26:14,200 one morning and was alone. 488 00:26:14,280 --> 00:26:15,640 It's not true, is it, Henry? 489 00:26:15,720 --> 00:26:16,880 Your uncle told me. 490 00:26:16,920 --> 00:26:19,240 He also told me that he frittered everything away 491 00:26:19,320 --> 00:26:20,920 and lived here under his brother-in-law's charity. 492 00:26:20,960 --> 00:26:22,160 Shut the fuck up! 493 00:26:22,200 --> 00:26:23,960 You don't understand what the fuck you're talking about! 494 00:26:24,000 --> 00:26:25,120 Don't touch me! 495 00:26:25,160 --> 00:26:26,760 You want to be so fucking self-involved 496 00:26:26,840 --> 00:26:28,600 and self-pitying that you are... 497 00:26:28,640 --> 00:26:30,680 Look at you. You're fucking disabled. 498 00:26:30,760 --> 00:26:32,720 (PANTS) Not me. 499 00:26:33,880 --> 00:26:35,520 If you don't take Whitney's offer, 500 00:26:35,600 --> 00:26:38,000 we are going to have a serious conversation, 501 00:26:38,040 --> 00:26:40,360 and it won't be emotional like this. 502 00:26:40,440 --> 00:26:42,640 It will be fucking practical! Do you hear me? 503 00:26:42,680 --> 00:26:44,080 Where are you gonna go? 504 00:26:44,880 --> 00:26:46,000 What, you're gonna walk back 505 00:26:46,080 --> 00:26:48,000 into the slur of your family's name? 506 00:26:48,080 --> 00:26:50,120 We have a watertight prenup. 507 00:26:50,160 --> 00:26:52,200 Oh. Roll up your sleeve. 508 00:26:53,760 --> 00:26:55,360 Hmm? 509 00:26:55,400 --> 00:26:57,640 Go on. Roll up your fucking sleeve, do it. 510 00:26:57,720 --> 00:27:00,120 ♪ ("FASCINATED" CONTINUES PLAYING) ♪ 511 00:27:09,960 --> 00:27:12,080 There's a clause in our prenup about you using. 512 00:27:12,720 --> 00:27:14,720 What about the adultery clause? 513 00:27:14,800 --> 00:27:16,520 - (MUTTERS) - (SNORTS) 514 00:27:16,600 --> 00:27:18,640 (BREATHING HEAVILY) 515 00:27:20,920 --> 00:27:22,360 I have been unfulfilled. 516 00:27:23,280 --> 00:27:25,280 And I have never been unfaithful. 517 00:27:29,160 --> 00:27:30,640 You are in control. 518 00:27:33,200 --> 00:27:35,880 No one else. I can't fucking do anything! 519 00:27:36,720 --> 00:27:38,800 Please, Henry, please! 520 00:27:38,840 --> 00:27:40,800 Put your big boy clothes on, go downstairs, 521 00:27:40,880 --> 00:27:43,640 and just... just try and face our public. 522 00:27:44,600 --> 00:27:46,680 You know, when we were engaged... 523 00:27:48,280 --> 00:27:50,320 you couldn't keep your hands off me. 524 00:27:50,400 --> 00:27:51,960 (CHUCKLES) 525 00:27:52,040 --> 00:27:54,280 I mean, there are a million reasons 526 00:27:54,360 --> 00:27:56,600 that I fucking hate your drug use 527 00:27:56,680 --> 00:27:58,920 and your sad boy self-regard. 528 00:27:59,000 --> 00:28:00,120 But right now, 529 00:28:00,160 --> 00:28:03,960 I mean, it's simply because it fucking castrates you. 530 00:28:04,000 --> 00:28:08,800 If you can't find it in yourself to fuck me... fuck me... 531 00:28:08,840 --> 00:28:10,880 I mean, maybe you're already fucking dead. 532 00:28:16,440 --> 00:28:17,680 (DOOR OPENS) 533 00:28:19,000 --> 00:28:20,440 (DOOR SLAMS SHUT) 534 00:28:20,480 --> 00:28:22,280 ♪ ("FASCINATED" FADES) ♪ 535 00:28:22,360 --> 00:28:25,080 ♪ (FOREBODING MUSIC OVERLAPPING) ♪ 536 00:28:38,840 --> 00:28:45,520 ♪ (DRAMATIC DRUMMING) ♪ 537 00:28:47,160 --> 00:28:50,480 (PLASTIC BAG RUSTLING) 538 00:28:56,080 --> 00:28:58,680 - ♪ (SUSPENSEFUL MUSICAL STING) ♪ - OTTO: Don't follow me into the gents. 539 00:28:58,760 --> 00:29:00,280 Every time a socialist sees something big... 540 00:29:00,360 --> 00:29:02,880 - (HENRY BREATHES HEAVILY) - OTTO: ...and powerful they try and nationalize it. 541 00:29:02,920 --> 00:29:04,720 GUEST 1: Reform just has such an ugly ring to it, 542 00:29:04,800 --> 00:29:06,320 but of course so does the doorbell when... 543 00:29:06,400 --> 00:29:09,080 OTTO: Ah! It's the little prince! 544 00:29:09,160 --> 00:29:10,960 (GUESTS CHEERING) 545 00:29:11,000 --> 00:29:12,960 OTTO: Where the fuck have you been? 546 00:29:14,240 --> 00:29:15,800 About fucking time! 547 00:29:18,000 --> 00:29:19,040 GUEST 2: Silly tosser. 548 00:29:19,120 --> 00:29:20,600 You'd be late to your own fucking funeral. 549 00:29:20,680 --> 00:29:22,160 (GUESTS LAUGH) 550 00:29:22,240 --> 00:29:23,440 Holy shit! 551 00:29:23,480 --> 00:29:26,240 (GUESTS LAUGH) 552 00:29:27,880 --> 00:29:29,560 (INDISTINCT CHATTER) 553 00:29:30,640 --> 00:29:33,760 ♪ (FOREBODING MUSIC PLAYING) ♪ 554 00:29:34,320 --> 00:29:36,280 (LAUGHS) 555 00:29:40,200 --> 00:29:41,560 OTTO: What are you doing? 556 00:29:44,840 --> 00:29:46,200 What the fuck's wrong with her? 557 00:29:46,280 --> 00:29:49,280 - (OTTO LAUGHS) - (LAUGHS) 558 00:29:53,600 --> 00:29:57,760 You look a lot like the woman who I lost the election to. 559 00:29:58,960 --> 00:30:00,880 Now, who the fuck invited you? 560 00:30:03,160 --> 00:30:05,840 Already whored yourself out to my uncle, I see. 561 00:30:08,880 --> 00:30:10,640 Good for you. Good for you. 562 00:30:10,720 --> 00:30:13,120 - (GUESTS GASP) - You're embarrassing yourself. 563 00:30:13,160 --> 00:30:16,360 Yeah, well, that's a pity. Because I fucking love you. 564 00:30:21,360 --> 00:30:23,600 And I know I've been a disappointment to you. 565 00:30:26,960 --> 00:30:28,000 And to you. 566 00:30:34,400 --> 00:30:35,880 I'm sorry I couldn't have been 567 00:30:35,960 --> 00:30:38,240 more of the man you needed me to be. 568 00:30:38,280 --> 00:30:39,360 (GUESTS GASP, MURMUR) 569 00:30:39,440 --> 00:30:40,920 Fuck. (GRUNTS) 570 00:30:42,800 --> 00:30:45,720 (PANTS, GIGGLES) 571 00:30:47,280 --> 00:30:48,640 I didn't know you were coming. 572 00:30:48,720 --> 00:30:50,120 Oh, good, good. 573 00:30:50,160 --> 00:30:52,360 Look how happy you are to see me. 574 00:30:52,400 --> 00:30:54,640 The added spice of surprise. 575 00:30:54,720 --> 00:30:57,200 (CHUCKLES) 576 00:30:57,280 --> 00:30:59,920 - Long journey, Commander? - Oh, hellish, truly. 577 00:31:00,000 --> 00:31:01,800 I need the strongest of strong waters. 578 00:31:01,880 --> 00:31:03,360 You don't want to say hello to anyone? 579 00:31:03,440 --> 00:31:05,440 Please don't make me. Fuck no, that can wait. 580 00:31:05,520 --> 00:31:06,560 (LAUGHS) 581 00:31:09,320 --> 00:31:10,840 Shall we get the fuck out of Dodge? 582 00:31:10,880 --> 00:31:13,280 - Yeah. (CHUCKLES) - Boozer? 583 00:31:13,360 --> 00:31:15,480 - The Norton Arms! - A pint of plain, 584 00:31:15,520 --> 00:31:17,760 a scrap, a hand job off a local. 585 00:31:17,840 --> 00:31:19,320 - (CHUCKLES) - Elysium. 586 00:31:19,960 --> 00:31:21,280 Elysium! 587 00:31:22,280 --> 00:31:23,240 NORTON: Yasmin! 588 00:31:23,320 --> 00:31:25,960 ♪ ("CHRISTMAS IS IN THE AIR" PLAYING) ♪ 589 00:31:26,000 --> 00:31:27,760 I... I'm so sorry. 590 00:31:29,200 --> 00:31:31,600 This family hates birthdays. 591 00:31:38,760 --> 00:31:42,680 - ♪ Ooh, ooh ♪ - ♪ ("CHRISTMAS IS IN THE AIR" CONTINUES) ♪ 592 00:31:42,720 --> 00:31:45,080 Where did you land work-wise? 593 00:31:45,120 --> 00:31:47,280 Oh, fuck, I dunno. Between things. 594 00:31:47,320 --> 00:31:49,120 Gainful employment is a bourgeois pursuit, 595 00:31:49,200 --> 00:31:50,440 you know that. 596 00:31:50,520 --> 00:31:52,120 (LAUGHING) I don't know where the fuck "Commander" came from. 597 00:31:52,200 --> 00:31:54,520 Imagine me with the discipline to be a military man. 598 00:31:54,560 --> 00:31:56,600 Yeah, I sort of feel if I don't work, 599 00:31:56,680 --> 00:31:58,800 I may as well die, don't you? 600 00:31:58,880 --> 00:32:01,640 Tell me about the barmaids here. Active? 601 00:32:01,720 --> 00:32:04,800 I've found a spit-and-sawdust tryst with a local type 602 00:32:04,840 --> 00:32:06,280 tickles my reptilian brain. 603 00:32:06,360 --> 00:32:08,200 I suspected you were a cheat. 604 00:32:08,280 --> 00:32:09,840 - Oh, fuck off. - (LAUGHS) 605 00:32:09,880 --> 00:32:12,560 I don't see how any sentient mammal 606 00:32:12,640 --> 00:32:15,160 can be true to themselves and be faithful. 607 00:32:15,240 --> 00:32:16,400 Either way, you're living a lie. 608 00:32:16,480 --> 00:32:18,760 You may as well live the lie that gives the most pleasure. 609 00:32:18,840 --> 00:32:20,200 Even if you cause pain? 610 00:32:20,280 --> 00:32:23,040 I mean, fucking a model is the single greatest thing 611 00:32:23,120 --> 00:32:25,680 a man can do to stave feelings of his own mortality. 612 00:32:25,720 --> 00:32:27,720 But sometimes, sometimes... 613 00:32:28,720 --> 00:32:33,080 that ten-a-penny village girl lands perfectly 614 00:32:33,160 --> 00:32:36,400 on the nexus of arousal and disgust. 615 00:32:36,480 --> 00:32:39,520 They have everything to prove and you lack all shame. 616 00:32:39,600 --> 00:32:41,800 You fuck each other like angry pistons. 617 00:32:41,880 --> 00:32:44,440 Yeah, I can't say I've got much of a libido at the moment. 618 00:32:44,520 --> 00:32:47,240 Well, Viagra then. Pornography. 619 00:32:47,280 --> 00:32:49,960 Fucking take responsibility for yourself. 620 00:32:50,040 --> 00:32:51,720 I thought you were a cad. Huh? 621 00:32:51,800 --> 00:32:53,800 Look at me, look at me, fucking... 622 00:32:55,840 --> 00:32:58,600 - None of that darkness shit. - ♪ (EERIE MUSIC OVERLAPPING) ♪ 623 00:32:58,680 --> 00:33:00,240 Not tonight, you hear me? 624 00:33:01,360 --> 00:33:02,640 Fucking boring. 625 00:33:05,520 --> 00:33:06,600 ♪ (MUSIC CONCLUDES) ♪ 626 00:33:06,680 --> 00:33:08,760 HARPER STERN: You guys looked so happy at the wedding. 627 00:33:08,800 --> 00:33:10,480 (SNORTS) Well, that's the fucked up thing. 628 00:33:10,560 --> 00:33:11,600 We actually were. (SNIFFS) 629 00:33:11,640 --> 00:33:14,800 Henry was deliriously happy when he showed up. 630 00:33:15,640 --> 00:33:18,600 And then that night, I mean... 631 00:33:18,640 --> 00:33:22,120 (SCOFFS) I've never been fucked like that, ever. I swear. 632 00:33:22,200 --> 00:33:23,720 It... It was actually life-changing. 633 00:33:23,800 --> 00:33:24,760 (SNIFFS) 634 00:33:24,840 --> 00:33:26,280 ♪ (DANCE MUSIC PLAYING IN DISTANCE) ♪ 635 00:33:26,360 --> 00:33:27,880 (YASMIN SNORTS) 636 00:33:27,920 --> 00:33:29,560 (LIVELY CHATTER IN DISTANCE) 637 00:33:29,640 --> 00:33:32,320 You know, I just feel like all of this stuff... 638 00:33:32,400 --> 00:33:35,000 stuff is like not gonna get you the respect 639 00:33:35,080 --> 00:33:36,240 that you think you deserve. 640 00:33:36,320 --> 00:33:38,520 See, why would you say something like that? 641 00:33:38,560 --> 00:33:40,560 I mean, that kind of thing is gonna hurt my feelings. 642 00:33:40,640 --> 00:33:41,960 Like, why are you here? 643 00:33:42,040 --> 00:33:43,720 What the fuck do you mean, why am I here? 644 00:33:43,800 --> 00:33:44,920 You invited me, 645 00:33:45,000 --> 00:33:47,640 I have business interests here, and clearly, you're lonely. 646 00:33:48,360 --> 00:33:49,840 You're fucking lonely. 647 00:33:54,640 --> 00:33:56,480 Yeah, and so what if I am? 648 00:34:00,600 --> 00:34:02,520 (SIGHS) Fucking exhausting. 649 00:34:02,560 --> 00:34:04,040 I think we should both go to bed. 650 00:34:04,120 --> 00:34:05,480 Well, you can do what you want. 651 00:34:06,120 --> 00:34:08,760 (FOOTSTEPS DEPARTING) 652 00:34:10,400 --> 00:34:11,880 (FLOORBOARDS CREAKING) 653 00:34:11,960 --> 00:34:13,040 Hey. 654 00:34:15,400 --> 00:34:17,679 I just wanted to say thanks for helping me 655 00:34:17,760 --> 00:34:18,800 in the lion's den. 656 00:34:18,880 --> 00:34:19,960 (YASMIN CHUCKLES) 657 00:34:20,679 --> 00:34:23,239 Are you... okay? 658 00:34:24,440 --> 00:34:26,080 Yeah, are you? 659 00:34:27,239 --> 00:34:28,600 (INHALES) 660 00:34:28,679 --> 00:34:30,080 Yeah. (CHUCKLES) 661 00:34:33,600 --> 00:34:34,639 Do you... 662 00:34:35,639 --> 00:34:37,239 Oh. (CHUCKLES) 663 00:34:37,320 --> 00:34:39,159 I haven't boffed a line since uni. 664 00:34:40,199 --> 00:34:41,480 Good night. (CHUCKLES) 665 00:34:41,560 --> 00:34:42,600 Night-night. 666 00:34:42,679 --> 00:34:45,280 ♪ ("IS THAT ALL THERE IS?" BY PEGGY LEE PLAYING) ♪ 667 00:34:47,280 --> 00:34:49,840 - ♪ Is that all there is? ♪ - (INDISTINCT CHATTER) 668 00:34:51,679 --> 00:34:55,360 ♪ If that's all there is My friends ♪ 669 00:34:56,080 --> 00:34:59,880 ♪ Then let's keep dancing... ♪ 670 00:35:01,240 --> 00:35:03,320 HARPER: You know what I do, right? 671 00:35:07,880 --> 00:35:08,920 Tell me. 672 00:35:10,400 --> 00:35:11,480 (HARPER INHALES) 673 00:35:12,200 --> 00:35:13,760 I work for a fund. 674 00:35:15,000 --> 00:35:16,040 WHITNEY: Mm. 675 00:35:17,280 --> 00:35:18,600 You used to work for a fund. 676 00:35:20,600 --> 00:35:22,080 Is there something you want to ask me? 677 00:35:23,600 --> 00:35:24,800 Um... 678 00:35:26,760 --> 00:35:29,240 You built Tender with Jonah, right? 679 00:35:32,280 --> 00:35:35,040 How do you make a... a work relationship 680 00:35:35,080 --> 00:35:37,080 long-lasting and healthy? 681 00:35:38,880 --> 00:35:41,760 He was a mature MBA, post-computer science, 682 00:35:41,840 --> 00:35:43,920 post-a-lot-of-other-shit when we met. 683 00:35:43,960 --> 00:35:45,440 (BREATHES DEEPLY) 684 00:35:45,520 --> 00:35:46,880 He was a great fundraiser. 685 00:35:47,760 --> 00:35:50,840 Hmm. Those doors weren't open to you? 686 00:35:50,920 --> 00:35:53,200 (INDISTINCT CHATTER IN BACKGROUND) 687 00:35:53,840 --> 00:35:54,880 I, uh... 688 00:35:55,600 --> 00:35:56,800 I grew up poor. 689 00:35:57,800 --> 00:35:59,320 (CLEARS THROAT) 690 00:35:59,400 --> 00:36:00,840 HARPER: You don't read that way. 691 00:36:03,160 --> 00:36:04,240 I had a venture. 692 00:36:05,280 --> 00:36:06,440 - Pre-Stanford. - HARPER: Hmm. 693 00:36:06,480 --> 00:36:08,040 Funeral homes. I, uh... 694 00:36:08,960 --> 00:36:10,520 I noticed many had overheads and were running 695 00:36:10,600 --> 00:36:13,200 direct-cremation-only sub-brands, so... 696 00:36:13,280 --> 00:36:16,360 I bought one cheap, cut embalming, too expensive. 697 00:36:16,440 --> 00:36:18,280 Flowers too. Simple wood box. 698 00:36:18,320 --> 00:36:20,760 - No fancy casket. - No. 699 00:36:20,840 --> 00:36:23,680 People like to think of funerals as these loving, 700 00:36:23,760 --> 00:36:26,880 well-attended retrospectives, but that's a fucking myth. 701 00:36:27,800 --> 00:36:29,280 (INHALES) 702 00:36:29,360 --> 00:36:32,080 ♪ ("I HAD TOO MUCH TO DREAM LAST NIGHT" BY THE ELECTRIC PRUNES PLAYING) ♪ 703 00:36:32,160 --> 00:36:33,320 Yeah. 704 00:36:33,400 --> 00:36:34,520 I mean, you... 705 00:36:35,120 --> 00:36:36,520 It's resourceful. 706 00:36:37,160 --> 00:36:38,440 WHITNEY: Simple volume play. 707 00:36:38,480 --> 00:36:40,040 - Totally. - Margins are better 708 00:36:40,120 --> 00:36:41,600 burning bodies than burying them. 709 00:36:43,360 --> 00:36:44,360 HARPER: Hmm. 710 00:36:45,680 --> 00:36:46,760 WHITNEY: You gonna tuck me in? 711 00:36:46,840 --> 00:36:48,320 (CHUCKLES) 712 00:36:48,400 --> 00:36:49,520 Um... 713 00:36:51,480 --> 00:36:52,560 Not tonight. 714 00:36:55,160 --> 00:36:57,400 - ♪ Your eyes were filled with love ♪ - (CHUCKLES) 715 00:36:57,480 --> 00:36:59,680 ♪ The way they used to be ♪ 716 00:36:59,760 --> 00:37:01,640 - Good night. - Good night. 717 00:37:01,720 --> 00:37:07,480 ♪ Your gentle hand Reached out to comfort me ♪ 718 00:37:10,240 --> 00:37:11,640 ♪ (MUSIC RISES) ♪ 719 00:37:11,720 --> 00:37:13,880 (LAUGHTER, INDISTINCT CHATTER) 720 00:37:15,320 --> 00:37:17,080 ♪ ...I had too much to dream ♪ 721 00:37:18,600 --> 00:37:21,560 ♪ I'm not ready To face the light ♪ 722 00:37:21,640 --> 00:37:24,320 ♪ I had too much to dream ♪ 723 00:37:24,400 --> 00:37:25,680 ♪ Last night ♪ 724 00:37:26,520 --> 00:37:29,120 - (MOANING) - ♪ Last night ♪ 725 00:37:31,360 --> 00:37:33,440 ♪ I had too much To dream last night ♪ 726 00:37:33,520 --> 00:37:35,200 (MOANS LOUDLY) 727 00:37:35,280 --> 00:37:36,800 - ♪ Too much to dream ♪ - (MOANS) 728 00:37:37,240 --> 00:37:39,440 (LAUGHTER) 729 00:37:41,160 --> 00:37:43,960 - (OTTO LAUGHS) - ♪ ...I had too much to dream ♪ 730 00:37:44,040 --> 00:37:47,960 - OTTO: God. - (CORDELIA AND OTTO LAUGHING) 731 00:37:48,040 --> 00:37:50,640 - Well! Here. - (MINTS RATTLING) 732 00:37:50,680 --> 00:37:52,480 OTTO: A mint for the cock breath. 733 00:37:53,720 --> 00:37:56,120 You've got a better mouth than your brother. 734 00:37:56,160 --> 00:37:57,280 (SIGHS) 735 00:37:57,760 --> 00:37:58,920 (OTTO SIGHS) 736 00:37:58,960 --> 00:38:00,600 ♪ Oh, too much to dream... ♪ 737 00:38:00,680 --> 00:38:02,840 Do you want to know about Christ's best miracle? 738 00:38:02,920 --> 00:38:04,360 (INDISTINCT CHATTER) 739 00:38:04,400 --> 00:38:07,600 To have 12 good friends in your thirties, 740 00:38:07,680 --> 00:38:10,280 and only one of them sees fit to betray you. (LAUGHS) 741 00:38:10,360 --> 00:38:11,800 Molly, do you mind if we join you? 742 00:38:11,840 --> 00:38:13,240 - Sir Henry. - HENRY: Oh, no, no. 743 00:38:13,320 --> 00:38:16,200 No need for, um, titles tonight. Everybody's off the clock, eh? 744 00:38:16,240 --> 00:38:18,120 Oh, all equal indeed. 745 00:38:18,200 --> 00:38:20,320 Uh, next couple of rounds on me. 746 00:38:20,400 --> 00:38:22,880 - (PATRONS CHEER) - (LAUGHS) The factory boss is doling out tuppence 747 00:38:22,960 --> 00:38:24,920 as a Christmas bonus. How democratic. 748 00:38:25,000 --> 00:38:26,360 Yeah, give it a rest, old boy. 749 00:38:26,440 --> 00:38:30,080 Sir Henry, I'm sorry. I have a confession to make. 750 00:38:31,520 --> 00:38:35,880 Earlier, I hid your... your box. 751 00:38:37,200 --> 00:38:38,520 Your stuff, you know. 752 00:38:40,440 --> 00:38:42,880 So your guests wouldn't see. I hope it wasn't an overstep. 753 00:38:42,960 --> 00:38:45,400 ♪ ("MAGICAL MOMENTS" BY ANDERS JOHAN LEWEN AND ANDERS KAMPE PLAYING) ♪ 754 00:38:45,480 --> 00:38:47,080 Well, I could fire you for that. 755 00:38:48,520 --> 00:38:51,640 - ♪ Young and old ♪ - ♪ Young and old... ♪ 756 00:38:51,720 --> 00:38:53,560 You don't remember me, do you? 757 00:38:55,080 --> 00:38:56,480 I baptized you. 758 00:38:57,400 --> 00:39:01,560 And I married your parents. (CHUCKLES) 759 00:39:01,640 --> 00:39:03,920 I was the parish priest here for a while. 760 00:39:04,000 --> 00:39:07,360 But then, uh, I... I moved back to St. Mary's in Dundee, 761 00:39:08,360 --> 00:39:11,960 while you grew, I suppose. 762 00:39:13,520 --> 00:39:17,160 But then the Lord saw fit to move me back 763 00:39:17,200 --> 00:39:22,280 to this seat, in this pub, to celebrate his son's birth 764 00:39:22,360 --> 00:39:24,440 with all his beautiful sons and daughters. 765 00:39:24,480 --> 00:39:25,840 HENRY: Hey... Mate, mate, mate, mate, mate. 766 00:39:25,920 --> 00:39:27,440 Why don't you give it a rest, okay? 767 00:39:27,520 --> 00:39:28,760 She's not fucking interested. 768 00:39:31,680 --> 00:39:32,720 Rich from you. 769 00:39:37,360 --> 00:39:39,520 - Excuse me? - GEORGE: Nothing. I'll shut up. 770 00:39:40,480 --> 00:39:42,040 Yeah, he doesn't know what he's saying. 771 00:39:42,560 --> 00:39:43,600 He's pissed. 772 00:39:45,200 --> 00:39:46,680 Tell him about his wife, Molly. 773 00:39:47,840 --> 00:39:49,240 MOLLY: George, shut up. 774 00:39:49,320 --> 00:39:51,080 - Nah, tell him. - Tell me what? 775 00:39:51,160 --> 00:39:52,280 MOLLY: I think you should leave. 776 00:39:52,360 --> 00:39:54,640 Nah, if he wants to sit here with us as one of us, 777 00:39:55,080 --> 00:39:56,520 he can take it. 778 00:39:56,600 --> 00:39:57,960 (RAISES VOICE) Tell me what? 779 00:39:59,720 --> 00:40:03,480 Molly says that your wife floats about the house all... 780 00:40:03,520 --> 00:40:04,680 all sad and angry 781 00:40:04,760 --> 00:40:06,640 'cause she knows she doesn't belong in the house. 782 00:40:06,720 --> 00:40:07,880 (GEORGE GRUNTS) 783 00:40:08,960 --> 00:40:11,960 - (LIVELY CHATTER) - (GEORGE BREATHES DEEPLY) 784 00:40:13,280 --> 00:40:15,600 And the lads call her Stable Girl, 785 00:40:15,680 --> 00:40:19,160 'cause she likes horse cocks and she likes it rough. 786 00:40:19,200 --> 00:40:21,800 (CHUCKLING) Rumor is she takes it up the shitter dry 787 00:40:21,880 --> 00:40:23,960 and she sounds like a North London yid. 788 00:40:30,360 --> 00:40:31,640 Shine your shoes, boy. 789 00:40:35,120 --> 00:40:37,760 - (SUPRISED CHATTER) - (HENRY GRUNTS) 790 00:40:37,840 --> 00:40:40,160 - ♪ ("CHRISTMAS IS IN THE AIR" CONTINUES) ♪ - (HENRY GRUNTING) 791 00:40:40,240 --> 00:40:41,680 (HEAVY THUDS) 792 00:40:41,760 --> 00:40:44,680 (GRUNTS) 793 00:40:47,200 --> 00:40:49,200 ♪ Oh, oh ♪ 794 00:40:50,800 --> 00:40:52,720 ♪ Ooh ♪ 795 00:40:52,760 --> 00:40:59,080 ♪ Reach out a hand To stranger or friend ♪ 796 00:41:00,200 --> 00:41:05,560 ♪ Dreams might come true Around the bend ♪ 797 00:41:05,640 --> 00:41:07,640 ♪ Ooh, ooh, ooh, ooh, ooh ♪ 798 00:41:07,680 --> 00:41:10,600 - ♪ Magical moments ♪ - (HENRY BREATHING HEAVILY) 799 00:41:11,240 --> 00:41:14,680 ♪ Mean so much ♪ 800 00:41:14,760 --> 00:41:17,920 - ♪ Prepare and share ♪ - (CALM CHATTER) 801 00:41:18,000 --> 00:41:21,840 ♪ With a loving touch ♪ 802 00:41:21,920 --> 00:41:23,280 - (HENRY EXHALES) - ♪ Magical moments... ♪ 803 00:41:23,360 --> 00:41:25,320 (WHISPERS) I bet that's the best you've felt in ages. 804 00:41:25,360 --> 00:41:31,120 ♪ Happen to everyone Ooh, ooh, ooh, ooh ♪ 805 00:41:32,440 --> 00:41:34,880 - ♪ (SONG CONCLUDES) ♪ - (THE COMMANDER GIGGLES) 806 00:41:36,120 --> 00:41:38,920 ♪ (SOFT JAZZ MUSIC PLAYING) ♪ 807 00:41:41,640 --> 00:41:42,640 Oh... 808 00:41:43,680 --> 00:41:45,480 What's... What's going on? 809 00:41:46,960 --> 00:41:48,680 I actually don't think you should be here. 810 00:41:48,760 --> 00:41:51,240 (CHUCKLES) I'm sorry. What... What's happening? 811 00:41:51,320 --> 00:41:52,640 What are you... What are you doing? 812 00:41:52,720 --> 00:41:54,800 - (TRUNK THUDS) - (HESITATES) It's the middle of the night. 813 00:41:55,880 --> 00:41:58,360 Why didn't you come to Charles's funeral? 814 00:41:58,400 --> 00:41:59,920 CORDELIA: I'm... I'm sorry, what? 815 00:42:02,280 --> 00:42:03,560 (SIGHS) 816 00:42:05,400 --> 00:42:07,800 You know, life... life, darling, life got in the way. 817 00:42:07,880 --> 00:42:09,920 No, you worshipped him. 818 00:42:11,360 --> 00:42:13,160 I mean, despite what everyone else said, 819 00:42:13,240 --> 00:42:16,200 you always told me that he "walked on water." 820 00:42:16,280 --> 00:42:17,400 (TRUNK THUDS) 821 00:42:19,160 --> 00:42:20,920 Sorry, can you leave us? 822 00:42:21,840 --> 00:42:24,760 (LIVELY CHATTER IN DISTANCE) 823 00:42:25,600 --> 00:42:27,400 You must have heard the rumors. 824 00:42:28,920 --> 00:42:34,120 About, you know, his... tastes. 825 00:42:35,680 --> 00:42:37,200 (CORDELIA CHUCKLES) 826 00:42:37,240 --> 00:42:41,080 I mean, this... this culture that is just sensationalizing 827 00:42:41,160 --> 00:42:42,640 the actions of high-profile men. 828 00:42:42,680 --> 00:42:44,240 I mean, it just fits the orthodoxy. 829 00:42:44,320 --> 00:42:46,840 It's too... I mean, it's too facile. 830 00:42:46,920 --> 00:42:48,320 - How convenient. - CORDELIA: Really. 831 00:42:48,400 --> 00:42:51,520 I mean, your... your father, my brother, he was... 832 00:42:52,480 --> 00:42:53,880 You know, he was a true eccentric. 833 00:42:53,960 --> 00:42:55,160 He was a bon viveur. 834 00:42:55,240 --> 00:42:57,000 He didn't care about life's borders 835 00:42:57,080 --> 00:42:58,760 or boundaries. He just didn't care! 836 00:42:58,840 --> 00:42:59,880 With you? 837 00:43:03,480 --> 00:43:04,880 (SIGHS) 838 00:43:05,480 --> 00:43:08,080 (CORDELIA BREATHES DEEPLY) 839 00:43:10,680 --> 00:43:13,960 We had a very Bohemian childhood. 840 00:43:16,240 --> 00:43:17,520 It was a different time. 841 00:43:21,160 --> 00:43:24,720 Well, for all of your posturing successes, 842 00:43:24,800 --> 00:43:26,920 I mean, you just couldn't wait to be their whore again. 843 00:43:28,840 --> 00:43:30,080 How'd he taste? 844 00:43:32,720 --> 00:43:35,240 (LAUGHS SOFTLY) 845 00:43:36,960 --> 00:43:38,040 (MINT RATTLING) 846 00:43:39,440 --> 00:43:41,000 - (MINT CLATTERING) - CORDELIA: You tell me. 847 00:43:44,600 --> 00:43:46,640 - That's pathetic. - (CORDELIA CHUCKLES SOFTLY) 848 00:43:51,880 --> 00:43:52,920 Oh. 849 00:43:54,480 --> 00:43:56,160 Your father told me... 850 00:43:57,440 --> 00:44:00,080 that he was going to terminate you 851 00:44:00,160 --> 00:44:01,880 till he found out you were a girl. 852 00:44:01,920 --> 00:44:04,640 ♪ (DISCORDANT RENDITION OF "SILENT NIGHT" PLAYING) ♪ 853 00:44:04,720 --> 00:44:05,760 (CHUCKLES) 854 00:44:09,040 --> 00:44:10,520 Right. Well... 855 00:44:11,520 --> 00:44:14,200 I mean, there are no taxis at this time. 856 00:44:14,280 --> 00:44:16,800 And I think it's going to be quite a cold night. 857 00:44:16,840 --> 00:44:17,920 Merry Christmas. 858 00:44:28,040 --> 00:44:31,120 ♪ (DISCORDANT RENDITION OF "SILENT NIGHT" CONTINUES) ♪ 859 00:44:39,320 --> 00:44:40,920 (YASMIN CLEARS THROAT) 860 00:44:40,960 --> 00:44:42,960 - Oh. - YASMIN: You're Whitney's assistant, right? 861 00:44:43,480 --> 00:44:46,280 I'm sorry, uh, my lady. 862 00:44:46,360 --> 00:44:47,680 Um... 863 00:44:47,760 --> 00:44:49,440 Some staff walked by, 864 00:44:49,520 --> 00:44:51,080 but after I got Whitney his stuff, 865 00:44:51,160 --> 00:44:52,600 no one knew what to do with me. 866 00:44:52,640 --> 00:44:54,040 I'll get a room made up. 867 00:44:56,720 --> 00:44:59,000 Or I could just get in with you. 868 00:45:03,160 --> 00:45:04,280 Okay, then. 869 00:45:05,520 --> 00:45:07,480 Oh, um... (CHUCKLES) 870 00:45:09,560 --> 00:45:12,440 Um, I was... I'm sorry. 871 00:45:12,520 --> 00:45:13,760 I was... I was kidding. 872 00:45:14,760 --> 00:45:15,760 Okay. 873 00:45:16,920 --> 00:45:19,160 So I'll get a room made up. 874 00:45:19,200 --> 00:45:21,600 ♪ ("MY ONLY WISH" BY HENRIK LARS WIKSTROM PLAYING) ♪ 875 00:45:21,680 --> 00:45:25,240 - ♪ My only wish ♪ - ♪ My only wish ♪ 876 00:45:25,320 --> 00:45:29,520 - ♪ That I want to come true ♪ - ♪ My only wish... ♪ 877 00:45:29,600 --> 00:45:31,280 BARTENDER: He'll clean up just fine. 878 00:45:31,360 --> 00:45:33,360 Shouldn't you call the police or something? 879 00:45:34,120 --> 00:45:35,280 Don't worry about it. 880 00:45:35,360 --> 00:45:36,880 We all know it was self-defense, sir. 881 00:45:37,880 --> 00:45:38,880 Pint? 882 00:45:38,920 --> 00:45:44,640 ♪ All I want for Christmas ♪ 883 00:45:44,720 --> 00:45:46,320 ♪ Is to be... ♪ 884 00:45:46,360 --> 00:45:47,960 PRIEST: I buried your father, you know. 885 00:45:49,320 --> 00:45:50,360 Excuse me? 886 00:45:51,960 --> 00:45:54,440 PRIEST: I presided over his funeral service. 887 00:46:00,400 --> 00:46:01,560 Aye, see. 888 00:46:01,640 --> 00:46:04,040 You remember my face a little more now? 889 00:46:04,120 --> 00:46:05,840 'Cause I remember yours then. 890 00:46:09,080 --> 00:46:11,280 You underestimate a child's maturity 891 00:46:11,320 --> 00:46:12,360 at your peril. 892 00:46:14,560 --> 00:46:16,720 When the first sod fell on his casket, 893 00:46:16,760 --> 00:46:19,960 I could see you thinking, "That could be my lot." 894 00:46:23,240 --> 00:46:24,280 Commander. 895 00:46:27,040 --> 00:46:29,400 Commander, can I get you another? 896 00:46:30,440 --> 00:46:32,720 I wish I had gotten to you that day. 897 00:46:34,040 --> 00:46:35,880 And... And said something. 898 00:46:35,960 --> 00:46:38,760 Words that I have turned to for comfort 899 00:46:38,840 --> 00:46:40,920 when dark was at the door. 900 00:46:41,000 --> 00:46:47,720 - (WHISPERING INDISTINCTLY) - ♪ All I want for Christmas ♪ 901 00:46:47,800 --> 00:46:51,440 ♪ Is to be ♪ 902 00:46:52,000 --> 00:46:55,480 ♪ To be with you ♪ 903 00:46:58,080 --> 00:47:03,840 ♪ I don't care for a trip To outer space ♪ 904 00:47:03,920 --> 00:47:06,520 ♪ ("MY ONLY WISH" CONTINUES IN DISTANCE) ♪ 905 00:47:08,200 --> 00:47:09,800 THE COMMANDER: Well, good to see you again. 906 00:47:11,920 --> 00:47:14,480 Thoroughly enjoyable diversion. 907 00:47:15,600 --> 00:47:19,080 (WIND HOWLING) 908 00:47:19,160 --> 00:47:21,320 I could do with never seeing you again. 909 00:47:22,560 --> 00:47:24,120 (BIRD CAWING IN DISTANCE) 910 00:47:28,360 --> 00:47:29,400 No. 911 00:47:31,040 --> 00:47:32,880 You'll see me soon. 912 00:47:37,800 --> 00:47:39,800 I feel we know each other well enough. 913 00:47:39,880 --> 00:47:42,240 ♪ (OMINOUS MUSIC PLAYING) ♪ 914 00:47:43,520 --> 00:47:45,560 THE COMMANDER: Will you let me show you where it hurts? 915 00:48:06,600 --> 00:48:09,080 PRIEST: (WHISPERING) Long before morning... 916 00:48:09,160 --> 00:48:11,920 you will know that what you are seeking to discover... 917 00:48:13,600 --> 00:48:15,720 was a thing you had known all along. 918 00:48:23,920 --> 00:48:26,440 (WATCH TICKING RHYTHMICALLY) 919 00:48:27,120 --> 00:48:30,560 THE COMMANDER: Very, very soon. 920 00:48:30,640 --> 00:48:35,400 ♪ (SOMBER DRAMATIC MUSIC PLAYING) ♪ 921 00:48:40,600 --> 00:48:44,040 (BIRDS CHIRPING) 922 00:48:59,080 --> 00:49:00,080 (DOOR SLAMS SHUT) 923 00:49:00,160 --> 00:49:04,240 ♪ (SOMBER DRAMATIC MUSIC CONTINUES) ♪ 924 00:49:11,360 --> 00:49:12,760 ♪ (MUSIC TURNS OMINOUS) ♪ 925 00:49:12,800 --> 00:49:13,840 (RATTLING) 926 00:49:28,520 --> 00:49:31,760 - (ENGINE STARTS) - (BREATHES DEEPLY) 927 00:49:37,520 --> 00:49:38,640 (ENGINE REVS) 928 00:49:38,720 --> 00:49:40,960 ♪ (OMINOUS MUSIC CONTINUES) ♪ 929 00:49:46,560 --> 00:49:47,640 (CHUCKLES SOFTLY) 930 00:49:50,720 --> 00:49:52,160 Shine your shoes, boy. 931 00:50:23,040 --> 00:50:26,640 PRIEST: The first person the coward deserts is himself. 932 00:50:27,640 --> 00:50:33,400 (ENGINE REVVING REPEATEDLY) 933 00:50:54,360 --> 00:50:56,400 (ENGINE CONTINUES REVVING) 934 00:51:01,200 --> 00:51:04,600 - (BIRDS CHIRPING) - (HAWK SCREECHES) 935 00:51:10,000 --> 00:51:13,720 PRIEST: Courage ceases to be courage if it wavers. 936 00:51:23,320 --> 00:51:27,280 We choose to be ruined rather than change. 937 00:51:27,360 --> 00:51:30,480 We would rather die afraid than be present 938 00:51:30,560 --> 00:51:35,040 for a single second, kill our illusions... 939 00:51:35,120 --> 00:51:39,000 (ENGINE REVVING REPEATEDLY) 940 00:51:42,240 --> 00:51:44,480 - ♪ (MUSIC FADES) ♪ - PRIEST: ...and live. 941 00:51:44,560 --> 00:51:46,600 YASMIN: (ECHOING) Henry. Henry! 942 00:51:46,680 --> 00:51:49,520 (FAINT BUZZING) 943 00:51:49,600 --> 00:51:52,880 (ENGINE RUMBLING) 944 00:51:55,720 --> 00:51:56,760 (SNIFFLES) 945 00:51:56,800 --> 00:52:01,240 (COUGHING) 946 00:52:06,240 --> 00:52:09,320 (COUGHING, WHEEZING) 947 00:52:10,240 --> 00:52:13,040 (GASPS HARSHLY, EXHALES) 948 00:52:13,080 --> 00:52:16,680 ♪ ("CAN'T TAKE MY EYES OFF YOU" BY ANDY WILLIAMS PLAYING) ♪ 949 00:52:17,440 --> 00:52:19,800 (HENRY LAUGHING) 950 00:52:19,880 --> 00:52:22,800 - ♪ You're just too good to be true ♪ - (CAR HORN HONKING) 951 00:52:22,880 --> 00:52:24,200 HENRY: Yasmin! 952 00:52:24,280 --> 00:52:27,200 ♪ Can't take my eyes Off of you ♪ 953 00:52:27,280 --> 00:52:28,560 ♪ You'd be like... ♪ 954 00:52:28,640 --> 00:52:29,840 HENRY: Yasmin! 955 00:52:30,920 --> 00:52:32,920 - Yasmin! - ♪ I want to hold you... ♪ 956 00:52:32,960 --> 00:52:34,280 Yasmin! 957 00:52:35,400 --> 00:52:38,400 ♪ At long last Love has arrived ♪ 958 00:52:38,440 --> 00:52:39,600 (DOOR OPENS) 959 00:52:39,680 --> 00:52:42,480 What? You scared the shit out of me! 960 00:52:43,840 --> 00:52:47,040 ♪ You're just too good To be true ♪ 961 00:52:47,120 --> 00:52:50,760 ♪ Can't take my eyes Off of you ♪ 962 00:52:50,840 --> 00:52:54,200 - ♪ Pardon the way that I stare ♪ - (BELT BUCKLE RATTLING) 963 00:52:54,280 --> 00:52:55,720 Henry, Henry, Henry. 964 00:52:57,800 --> 00:53:00,960 If you ever put me through that again... 965 00:53:01,960 --> 00:53:03,720 I am the one that will kill you. 966 00:53:03,760 --> 00:53:06,160 ♪ There are no words Left to speak ♪ 967 00:53:06,200 --> 00:53:10,040 ♪ But if you feel like I feel ♪ 968 00:53:10,120 --> 00:53:13,320 ♪ Please let me know That it's real ♪ 969 00:53:14,200 --> 00:53:16,720 ♪ You're just too good To be true ♪ 970 00:53:16,800 --> 00:53:17,840 (BELT BUCKLE RATTLING) 971 00:53:17,880 --> 00:53:20,600 ♪ Can't take my eyes Off of you ♪ 972 00:53:20,680 --> 00:53:21,880 (YASMIN MOANS) 973 00:53:23,960 --> 00:53:26,200 (BOTH MOANING) 974 00:53:30,160 --> 00:53:31,680 (MOANS) 975 00:53:38,600 --> 00:53:43,280 ♪ I love you, baby And if it's quite all right ♪ 976 00:53:43,360 --> 00:53:47,000 ♪ I need you, baby To warm the lonely night ♪ 977 00:53:47,040 --> 00:53:49,440 ♪ I love you, baby... ♪ 978 00:53:49,480 --> 00:53:50,480 (BOTH MOANING) 979 00:53:50,560 --> 00:53:53,040 - ♪ Trust in me when I say... ♪ - (MOANS) 980 00:53:54,200 --> 00:53:56,560 - (HENRY AND YASMIN MOANING) - Spring is coming. 981 00:53:56,640 --> 00:54:00,440 ♪ Don't bring me down, I pray Oh, pretty baby ♪ 982 00:54:00,480 --> 00:54:05,920 ♪ Now that I've found you, stay And let me love you, baby ♪ 983 00:54:05,960 --> 00:54:08,680 ♪ Let me love you ♪ 984 00:54:08,760 --> 00:54:10,360 (ENGINE REVS) 985 00:54:10,400 --> 00:54:12,960 ♪ You're just too good To be true ♪ 986 00:54:13,040 --> 00:54:14,160 ♪ (MUSIC FADES) ♪ 987 00:54:14,200 --> 00:54:15,760 (ENGINE STOPS) 988 00:54:18,200 --> 00:54:20,280 My father killed himself 989 00:54:20,360 --> 00:54:22,280 on the morning of his 40th birthday. 990 00:54:22,360 --> 00:54:24,160 (BIRDS CHIRPING) 991 00:54:25,600 --> 00:54:26,640 You beat him. 992 00:54:27,920 --> 00:54:29,760 Beat the cunt by a single sunrise. 993 00:54:29,840 --> 00:54:33,280 (CHUCKLES) Yeah. You're his senior. 994 00:54:40,680 --> 00:54:44,160 (KISSES) 995 00:54:48,400 --> 00:54:49,960 Happy birthday, darling. 996 00:54:54,080 --> 00:54:55,120 I've been thinking. 997 00:54:56,160 --> 00:54:57,760 You're gonna take Whitney's offer? 998 00:55:00,560 --> 00:55:02,080 If it's what's best for us. 999 00:55:06,200 --> 00:55:07,320 A man needs work. 1000 00:55:10,120 --> 00:55:12,080 I think that's why I'm here after all. 1001 00:55:13,720 --> 00:55:15,840 - To do good work. - YASMIN: (CHUCKLES) Yeah. 1002 00:55:23,080 --> 00:55:25,400 (ENGINE STARTS, REVS) 1003 00:55:32,840 --> 00:55:35,320 ♪ I want to run ♪ 1004 00:55:36,440 --> 00:55:38,920 ♪ I want to hide ♪ 1005 00:55:40,120 --> 00:55:43,760 ♪ I want to break down The walls ♪ 1006 00:55:43,840 --> 00:55:47,200 - (ENGINE REVVING) - ♪ That hold me inside ♪ 1007 00:55:47,280 --> 00:55:48,920 ♪ I want to reach out ♪ 1008 00:55:49,000 --> 00:55:50,880 (BOTH LAUGHING) 1009 00:55:51,520 --> 00:55:53,800 ♪ And touch the flame ♪ 1010 00:55:55,760 --> 00:55:58,960 ♪ Where the streets Have no name ♪ 1011 00:55:59,960 --> 00:56:02,600 (SHOUTS) Maybe we should try for a child! 1012 00:56:02,680 --> 00:56:09,120 ♪ I want to feel The sun on my face ♪ 1013 00:56:10,280 --> 00:56:16,840 ♪ I see the dust cloud disappear Without a trace ♪ 1014 00:56:18,000 --> 00:56:21,120 ♪ I want to take shelter ♪ 1015 00:56:21,200 --> 00:56:23,920 ♪ From poison rain ♪ 1016 00:56:25,600 --> 00:56:28,720 ♪ Where the streets Have no name ♪ 1017 00:56:29,560 --> 00:56:32,400 ♪ Ah ♪ 1018 00:56:32,440 --> 00:56:35,920 ♪ Where the streets Have no name ♪ 1019 00:56:36,000 --> 00:56:39,640 ♪ Where the streets Have no name ♪ 1020 00:56:39,680 --> 00:56:44,480 ♪ We're still building Then burning down love ♪ 1021 00:56:45,120 --> 00:56:47,800 ♪ Burning down love ♪ 1022 00:56:47,880 --> 00:56:51,120 ♪ And when I go there ♪ 1023 00:56:51,160 --> 00:56:55,520 ♪ I go there with you ♪ 1024 00:56:55,600 --> 00:56:58,840 ♪ Where the streets Have no name ♪ 1025 00:56:58,920 --> 00:57:02,440 ♪ Can't take my eyes Off of you ♪ 1026 00:57:19,160 --> 00:57:23,680 ♪ I love you, baby And if it's quite alright ♪ 1027 00:57:23,720 --> 00:57:26,960 ♪ I need you, baby To warm a lonely night ♪ 1028 00:57:27,040 --> 00:57:28,760 ♪ (SONG FADES) ♪