Original subtitles

[ DOG BARKING IN DISTANCE ]

[ FAN WHIRRING ]

[ WATER RUNNING ]

[ WATER CONTINUES ]

[ TURNS WATER OFF ]

[ TURNS FAN OFF ]

[ FAN WINDS DOWN ]

[ DOOR OPENS ]

CLEAR.

[ DOOR OPENS ]

[ GUNSHOTS ]

[ BUZZER ] Man over P.A.: STAND DOWN. EXERCISE COMPLETE.

DAMN. WE'LL GET YOU GUYS NEXT TIME.

WE WON?

[ APPLAUSE ]

[ SIGHS ]

F.B.I.'s HAVING A GOOD SHOWING THIS YEAR.

THANK YOU.

COLONEL?YES?

I BELIEVE YOU HAVE SOMETHING FOR ME.

WEEK'S NOT OVER YET.

BRING IT ON.

[ SIGHS ]

THIS IDEA YOU HAVE ABOUT QUITTING,

WERE YOU EVER GONNA BRING IT UP AGAIN?

WELL, IT'S JUST A THOUGHT.

FOR THE RECORD, I ENJOY WHAT WE DO.

WELL, YOU MIGHT ENJOY PARIS

OR LEARNING PEDAL STEEL GUITAR.

PEDAL STEEL GUITAR?

THE WORLD IS INFINITE IN ITS POSSIBILITIES.

IT'S NOT GONNA BE AS EASY TO WALK AWAY AS YOU THINK.

WHY DO YOU SAY THAT?

YOU ENJOY THE MENTAL STIMULATION FAR MORE THAN YOU LET ON.

AGENT LISBON.

COLONEL RAYMOND.

WE MET AT A SEMINAR --

UH, COLONEL RAYMOND, THIS IS PATRICK JANE.

HE WORKS AS A CONSULTANT WITH THE TEAM.

THAT WAS SOME FINE WORK BACK THERE

CLEARING THOSE ROOMS JUST NOW.

IF YOU EVER DECIDE YOU'RE TIRED OF THE BUREAU,

I CAN HAVE A SPACE FOR YOU.

THAT'S FLATTERING. THANK YOU.

NOW IF YOU'LL EXCUSE ME,

[ CHUCKLES ] YEAH.

DID -- DID YOU EVER HAVE A FLING WITH THAT GUY?

WHAT?

OF COURSE NOT. SORRY.

IT'S JUST STRANGE.

STRANGE THAT I DIDN'T HAVE A FLING WITH COLONEL RAYMOND?

YEAH, THERE'S SOMETHING GOING ON THERE.

YOU DON'T KNOW?

KNOW WHAT?

HIS WIFE WAS MURDERED EIGHT MONTHS AGO.

REALLY?

IT WAS ALL OVER THE NEWS.

DID THEY CATCH ANYONE?

YEAH, THEY ARRESTED SOMEBODY RIGHT AFTER.

I NEED A SHOWER.

[ INDISTINCT CONVERSATIONS ]

EIGHT MONTHS AGO, HUH?

♪♪♪

THE MURDER OF COLONEL RAYMOND'S WIFE IS CLOSED.

HMM.

SO YOU'RE NOT INTERESTED IN HEARING MY THEORY?

OKAY. WHAT'S YOUR THEORY?

WELL, I DON'T HAVE ONE YET,

BUT THAT'S WHY WE NEED TO LOOK INTO IT.

EXCUSE ME. SORRY.

CHO NEEDS YOU TO SIGN THIS.

[ CLEARS THROAT ]

SO YOU DON'T HAVE ANYTHING?

NO. AT THIS POINT, I'M JUST CURIOUS.

CURIOSITY KILLED THE CAT.

ALSO CURED POLIO.

AARON RAYMOND IS NOT JUST A COLONEL IN THE MARINES.

HE'S A DECORATED WAR HERO.

AND THEY'VE ALREADY ARRESTED A MAN FOR THE MURDER.

SO WHAT MAKES YOU THINK THAT MAN DIDN'T COMMIT THE CRIME?

WELL, I'M NOT SURE THAT HE DIDN'T.

I'M JUST SAYING, THERE IS --

THERE IS SOMETHING OFF ABOUT THIS COLONEL RAYMOND.

[ SIGHS ]

LISBON, WHAT DO YOU THINK?

IF JANE SAYS IT'S WORTH LOOKING INTO,

THEN IT'S WORTH LOOKING INTO.

YOU KNOW TO TRUST HIS INSTINCTS.

NO INTERROGATIONS, NO SEARCHES.

IF YOU WANT TO TALK TO ANYONE, USE A COVER STORY.

A CIVIL RIGHTS CASE FOR THE MAN WHO WAS ARRESTED MAYBE.

RAYMOND IS NOT TO LEARN THAT WE ARE LOOKING INTO THIS.

ANYONE FINDS OUT THAT WE'RE INVESTIGATING HERE,

IT'S OVER.

DEAL.

DEAL.

POUND IT.

[ CHUCKLES ]

THANK YOU, SIR.

[ TELEPHONE RINGS ]

YOU WANT A COFFEE OR SOMETHING?

I'M GOOD, THANKS.

YEAH, IT SUCKS ANYWAY.

I GOT TO TELL YOU,

I'M NOT THRILLED TO HAVE MY WORK CHECKED BY THE F.B.I.

I'M NOT THRILLED TO BE HERE.

MIND IF I ASK WHY?

THE MAN YOU CHARGED WITH THE CRIME,

TO FILE A CIVIL RIGHTS VIOLATION AGAINST YOUR DEPARTMENT.

CIVIL RIGHTS VIOLATION? FOR WHAT?

YOU TELL ME.

WE CAUGHT YOUR MAN JEFFERSON

IN NICOLE RAYMOND'S CAR

ONE DAY AFTER SHE WAS MURDERED.

THE VICTIM'S WALLET WAS IN THE CAR,

AS WELL AS JEWELRY STOLEN FROM THE HOUSE.

MURDER SCENE HAD SIGNS OF A BREAK-IN.

SLAM DUNK.

YOU LOOK AT ANY OTHER SUSPECTS? THE HUSBAND, MAYBE?

YEAH, YEAH, 9 TIMES OUT OF 10, HUSBAND DID IT.

THIS IS TIME NUMBER 10.

HOW CAN YOU BE SO SURE?

CHECK THIS OUT.

AARON RAYMOND'S CAR WAS IN THE SHOP THAT DAY.

THEY TOOK NICOLE'S CAR.

SHE DROPPED HIM OFF AT WORK.

THEY GOT CAUGHT IN A RED LIGHT CAMERA.

M.E. SAYS BASED ON LIVER TEMP,

NICOLE RAYMOND WAS KILLED NO EARLIER THAN 10:00 A.M.

AARON RAYMOND GOT TO WORK THAT DAY AT 9:00.

WE GOT CONFIRMATION HE NEVER LEFT.

YOU WANNA TELL ME HOWHE COULD BE THE KILLER?

[ GATE DOOR CREAKS ]

WHAT'S THIS ABOUT?[ GATE LOCKS ]

WE WANTED TO TALK TO YOU ABOUT NICOLE RAYMOND'S DEATH.

[ SCOFFS ] WHY?

ZACH, THE F.B.I. ASSURES ME THIS IS AN OFF-THE-RECORD CHAT.

THEY JUST WANT TO HEAR OUR SIDE.

[ CLICKS TONGUE ] YEAH, RIGHT.

WHY DON'T YOU TELL US WHAT YOU WERE DOING

BEFORE YOU WERE ARRESTED?

I WAS LIVING IN A HALFWAY HOUSE.

ALL RIGHT? BAGGING GROCERIES. [ SIGHS ]

THEN I MOVED IN WITH A FRIEND -- YOU KNOW, COUCH SURFING.

HE GOT A NEW GIRLFRIEND, SHE DIDN'T LIKE ME,

SO I HAD TO MOVE OUT.

YOU WERE HOMELESS.

SHORT-TERM.

I MEAN, YEAH, I COULD HAVE MOVED BACK INTO THE HALFWAY HOUSE,

BUT THEM PEOPLE BE ON YOUR CASE, AND...

WHAT WERE YOU DOING THE DAY OF THE ARREST?

[ SCOFFS ]

LOOK, I FOUND THE CAR. ALL RIGHT?

KEYS IN IT AND EVERYTHING.

IS IT REALLY STEALING IF SOMEONE JUST LEAVES SOMETHING LIKE THAT?

YOU'VE BEEN ARRESTED THREE TIMES.

SHOPLIFTING, POSSESSION.

SO?

IT'S NOT CRAZY TO THINK YOU MIGHT TRY

ROBBING SOMEBODY'S HOUSE.

LET'S JUST CUT RIGHT TO IT. DID YOU KILL NICOLE RAYMOND?

[ SIGHS ]

MAN, I NEVER KILLED ANYBODY.

WHAT?

WELL, WHAT DO YOU THINK?

YOU BELIEVE HIM?

AGENTS.

IT LOOKS BAD, BUT ZACH DIDN'T DO THIS.

HE'S PROBABLY GONNA GET THE NEEDLE.

IF HE'S TELLING THE TRUTH,

THEN RAYMOND KILLED HIS WIFE

AND THEN DUMPED THE CAR IN A BAD NEIGHBORHOOD

JUST HOPING SOMEBODY WOULD STEAL IT.

WELL, THAT'S NOT OUTSIDE THE REALM OF POSSIBILITY.

EVERY GOOD PLAN NEEDS A LITTLE BIT OF LUCK.

WE SHOULD GO VISIT THE CRIME SCENE.

[ DIALING ]

HI, JUDY.

UH, MY GIRLFRIEND AND I ARE OUT HOUSE HUNTING

AND, UH, WE SAW A LOVELY PLACE ON ROOSEVELT.

WONDERING IF WE COULD TAKE A LITTLE PEEK INSIDE.

YEAH, WE'RE OUT FRONT.

SEE YOU SOON. BYE.

ON HER WAY.

AH.

OOH.

AS YOU CAN SEE, THIS HOUSE IS MOVE-IN READY.

[ DOOR CLOSES, SWITCH CLICKS ]

THERE'S A LOT TO LOVE ABOUT THIS PLACE,

BUT IF YOU ASK ME, THIS COZY LIVING AREA

IS A REAL DREAM.

HOW LONG HAS IT BEEN ON THE MARKET?

UM, A COUPLE MONTHS.

RALLY? AT THIS PRICE? WHAT'S THE CATCH?

[ LAUGHS ] WAIT UNTIL YOU SEE THE MASTER BATH.

IS THERE SOMETHING YOU'RE NOT TELLING US, JUDY?

OUT WITH IT.

OH. UM... [ HUFFS ]

WELL, UH, THERE WAS A DEATH HERE.

A MURDER.

OOH.

SHOULDN'T YOU HAVE TOLD US THAT TO BEGIN WITH?

ISN'T THERE A LAW ABOUT THAT?YEAH.

I-I DON'T KNOW IF IT'S MY RESPONSIBILITY --

UH, IF YOU DON'T MIND, PRIVATELY.MM.

OH. SURE. WELL, I HAVE SOME CALLS TO MAKE,

SO I'LL BE OUT IN MY CAR.

JUST TAKE YOUR TIME.

HMM.

[ DOOR CLOSES ]

UH, WINDOW WAS OPEN, SCREEN OUTSIDE.

THE COPS THINK THAT'S HOW JEFFERSON BROKE INTO THE HOUSE.

THROUGH HERE?UH-HUH.

OKAY.

[ CLATTERING ][ INHALES SHARPLY ]

UH, LISBON, TAKE A LOOK AT THIS.

[ CHILDREN PLAYING IN DISTANCE ]

HI!

MAYBE THERE WASN'T ANYBODY THERE THAT DAY.

MAYBE.

WHAT WAS THE WEATHER LIKE DAY OF THE MURDER?

[ EXHALES ] CRIME REPORT SAYS IT WAS...

MID 70s, CLEAR SKIES.

PERFECT DAY FOR THE PARK. WHICH BEGS A QUESTION.

WHY WOULD YOU BREAK IN THROUGH THAT WINDOW

WHEN YOU CAN BREAK IN AROUND THE SIDE THROUGH THERE,

HIDDEN FROM THE STREET?

NOW THE BODY WAS FOUND HERE,

WITH A HALF-FINISHED CROSSWORD PUZZLE AND A PEN.

SO WE CAN ASSUME THAT SHE WAS SITTING...THERE.

SHE WOULD HAVE HEARD HIM.

YES, SHE WOULD HAVE HEARD HIM.

BUT IF RAYMOND WAS THE KILLER...

VERY EASY TO PUSH THAT SCREEN OUT FROM THE INSIDE.

YEAH, BUT THE TIME OF DEATH, HE COULDN'T HAVE DONE IT.

SURE.

UH, LIVER TEMPERATURE, YES.

SHE HAD A FAN POINTED RIGHT AT HER,

LIKE IT WAS REALLY HOT.

BUT IT WAS MID 70s.

PERFECT DAY, FAN...

YOU EVER COOK A ROAST?

OF COURSE.

YEAH. SORRY.

MY AUNT USED TO DO IT THIS WAY --

SHE TURNED THE OVEN WAY UP HIGH.

YOU HEAT IT, YOU PUT THE ROAST IN,

AND THEN YOU TURN IT OFF.

SO MAYBE...

HE TURNS THE THERMOSTAT ALL THE WAY UP.

[ CLICKING ]

TELLS HER IT'S BROKEN.

[ SPEAKING INAUDIBLY ]

AND THEN HE TURNS THE THERMOSTAT OFF

AFTER HE KILLS HER.

THE ROOM AND NICOLE COOL OFF SLOWER,

MAKING IT SEEM LIKE SHE DIED LATER THAN SHE ACTUALLY DID.

EXACTLY.

WHAT ABOUT THE FAN?

HE TURNED OFF BOTH THE FAN AND THE THERMOSTAT.

[ CLICKING ]

AND THEN HE LEAVES.

THEN HE LEAVES.

UH --

THE FRONT DOOR.

LOOKS LIKE IT WAS WIPED DOWN.FOR PRINTS.

RAYMOND DOESN'T HAVE TO WORRY ABOUT PRINTS.

IT'S HIS HOUSE.WELL, MAYBE HE GOT BLOOD ON IT.

NO. HE'S TOO METICULOUS.

YOU'RE RIGHT.

MAYBE HE WAS WIPING OFF SOMEBODY ELSE'S PRINTS.

UH-HUH. OKAY. OKAY.

A WOMAN.[ DOOR CLOSES ]

IT HAD TO HAVE BEEN A WOMAN.

FOR THE RED LIGHT PHOTOGRAPH.

WE NEED TO FIND OUT WHO THAT WOMAN WAS IN THE CAR.

IT GIVES HIM MOTIVE. HOW DO WE FIND HER?

WELL, I THINK IT'S TIME I PAID OUR PAL RAYMOND A VISIT,

HAVE A LITTLE TALK ABOUT

"TACTICAL SOLUTIONS TO URBAN TERRORISM."

I TOLD YOU.TOLD ME WHAT?

YOU CAN'T QUIT. YOU'RE HAVING TOO MUCH FUN.

Judy: [ SPEAKS INDISTINCTLY ][ Normal voice ] JUDY.

OH!UH, I'M SORRY.

UH, I THINK WE'RE GONNA HAVE TO PASS ON THIS ONE.

NOT ENOUGH CLOSET SPACE.YOU HEARD THE WOMAN.

YES?

COLONEL RAYMOND.

[ DOOR CLOSES ]

THE F.B.I. CONSULTANT, RIGHT?

YOU HERE FOR THE SEMINAR?

OH, THAT'S NO WAY TO LEARN. I PREFER ONE-ON-ONE.

THAT'S WHY I'M HERE.

YOU NEED SOME ADVICE?

OH, GIVEN THE WAY YOUR BOYS PERFORMED

IN THAT GAME YESTERDAY, I THOUGHT

YOU MIGHT BE ASKING FOR ADVICE YOURSELF.

[ CHUCKLES ] YOUR AGENTS GOT LUCKY.

NOW I TRY TO TEACH MY MEN NOT TO LET THE OTHER SIDE

GET LUCKY LIKE THAT.

YEAH, I COULD HEAR YOUR MEN

WHISPERING THEIR PLANS BACK AND FORTH.

LET ME TELL YOU SOMETHING ABOUT PLANS, COLONEL.

THEY GET IN THE WAY OF INSTINCTS.

YOU DON'T BELIEVE IN BATTLE PLANS?

WELL, WASN'T IT NAPOLEON THAT ONCE SAID,

"NO PLAN SURVIVES THE FIRST SHOT"?

A STUDENT OF COMBAT.

MORE OF PEOPLE.

WELL, NAPOLEON DID ALL RIGHT IN HIS DAY,

BUT I'D TELL HIM THE SECRET TO THAT IS

NEVER LET YOUR OPPONENT FIRE THAT FIRST SHOT.

THAT'S A LITTLE UNSPORTING.

MAYBE THE ONLY REAL THING WE HAVE LEFT.

THAT'S THE STUPIDEST THING I'VE EVER HEARD.

YOU'RE TRYING TO PROVOKE ME.

WHY?

TO SEE HOW YOU REACT.

DID YOU LEARN SOMETHING?

YEAH.

I THINK I DID.

THANKS FOR YOUR TIME.

[ DOOR CLOSES ]

IT'S CALLED A RUNGU.

IT'S A MASAI WARRIOR WAR CLUB.

IT'S NORMAL DECOR FOR A SOLDIER.

YES, BUT THE AFRICAN ART

DOESN'T HAVE ANY ANALOG IN THE CRIME SCENE PHOTOS.

EXCUSE ME?

WELL, EVERYTHING ELSE IN THE OFFICE --

THE BOOKS, THE PHOTOS, THE PATRIOTIC ART --

ALL HAD SOMETHING SIMILAR IN THE HOUSE

THE WAY IT WAS DECORATED THE DAY OF THE MURDER.

BUT THERE WAS NO AFRICAN ART.

NO.

SO...MAYBE HE HAD A GIRLFRIEND,

AND MAYBE SHE HAD AN INTEREST IN AFRICAN ART.HUH.

SHOULD WE TAIL HIM?NO, HE'S A SOLDIER IN MILITARY INTELLIGENCE.

HE CAN SPOT A TAIL.

MOST AFFAIRS ARE WITH PEOPLE THAT YOU MEET

IN YOUR EVERYDAY LIFE.

THEY'RE FAMILIAR. WORKPLACE.

SO SHE'S A MARINE.

[ SIGHS ] WELL, THE WYNN COMPLEX HAS

OVER A THOUSAND GOVERNMENT EMPLOYEES,

EVERYTHING FROM THE N.S.A. TO THE POST OFFICE.

HOW DO WE NARROW THAT DOWN?

PREFERABLY SOMEONE THAT HASN'T BEEN INVOLVED

IN THE TRAINING EXERCISES.

THAT LEAVES OUT LISBON, YOURSELF.

I WAS THERE TUESDAY FOR MILITARY TRAINING.

HMM. OKAY. COULD YOU DO ME A FAVOR?HMM?

NEXT TIME WYLIE STEALS A GLANCE AT YOU, COULD YOU WAVE HIM IN?

WHAT?

[ TELEPHONE RINGING IN DISTANCE ]

[ CHUCKLES ]

[ BREATHES SHARPLY ]

STOP IT.

[ INDISTINCT CONVERSATIONS ]

HEY, I'M FROM I.T.

WHAT CAN I HELP YOU WITH?WRONG OFFICE.

ALL RIGHT. THANKS.

HEY. FROM I.T.

[ BLOWS AIR ]

[ KNOCKS ]

HI, I'M HERE FROM I.T.

THANK YOU.

[ KNOCK ON DOOR ]

COME IN.

HEY. I'M FROM I.T.

[ CLICKS MOUSE ]

IS THIS ABOUT CANDY PILOTS?

'CAUSE I KNOW YOU'RE NOT SUPPOSED TO DOWNLOAD GAMES.

I JUST -- I HAVE A LOT OF DOWN TIME.

WHAT? NO.

OH.

OKAY THEN. WHAT'S UP?

I'M HERE TO CHECK YOUR DATA STACKS.

WHAT'S A DATA STACK?

HUH?

I ASKED, WHAT'S A DATA STACK?

OH, RIGHT.

HERE, I'LL SHOW YOU.

DENISE SPARKS, 36.

SHE WORKS AS AN INFORMATION ANALYST FOR THE D.O.D.

COULD SHE AND RAYMOND HAVE CROSSED PATHS?

SHE DOES A WEEKLY ANTITERRORISM BRIEFING

FOR TOP BRASS, INCLUDING RAYMOND.

LOVE SPRINGS UP IN THE UNLIKELIEST OF PLACES.

I FOUND HER FACEBOOK PAGE.

SHE'S GOT LOTS OF PHOTOS OF HER IN AFRICA.

NO PICTURES OF HER AND A BOYFRIEND.

UH, COULD YOU PUT HER NEXT TO THE RED LIGHT PHOTO?

MM-HMM.

THAT COULD BE HER.

COULD YOU ENGINEER A MEETING?

GET A READ ON HER, SEE IF SHE'S OUR GIRL?

YEAH.WELL, WHY SHOULD I HAVE ALL THE FUN?

[ MACHINE WHIRS ]

WHAT WAS SHE LIKE?

I DON'T KNOW. SHE SEEMED NICE.

WE'RE JUST LOOKING FOR IMPRESSIONS.

SHE'S VERY CLEAN, WELL PUT TOGETHER.

MM-HMM.

MANICURED HANDS.

BUT SHE CHEWED THE SKIN AROUND HER NAILS.

WHAT DID SHE ORDER?

COFFEE, BLACK.

PAID CASH.

SHE WAITED UNTIL THE WOMAN BEHIND THE COUNTER

COULD SEE HER PUT HER TIP IN THE TIP JAR.

INTERESTING. I WONDER IF I DO THAT.

FOUR SUGARS. IT WAS A LOT.

YEAH, THAT IS A LOT. SO YOU TALKED TO HER.

YOU SAID, "I LIKE YOUR BAG." HOW'D YOU KNOW THAT?

WELL, IT WORKED. WE TALKED.

TELL ME ABOUT HER.

I DON'T KNOW. SHE'S RESERVED.

IT'S THE KIND OF QUIET WHERE MAYBE SHE COULD BE

A RAGING BITCH, OR SHE'S JUST SHY.

AND WHAT'S YOUR VERDICT?

YOU WANT ME TO SAY IF SHE'S A KILLER

BASED ON SPENDING ONE MINUTE WITH HER?

SURE.

WELL, HOW DO I DO THAT?

YOU JUST HAVE TO LISTEN TO IT.

1...2...

THE ANSWER IS YES. I DON'T NEED 3.

SHE COULD HAVE DONE IT.

EVERYTHING ABOUT HER,

IT JUST SEEMED LIKE SHE WAS WEARING A MASK.

OKAY THEN.

VERY NICE, AGENT LISBON.

THANK YOU.

[ FAINT GUNFIRE ]

SO THE THEORY IS

DENISE HELPED RAYMOND KILL HIS WIFE,

AND THEN SHE DRESSED UP LIKE HIM?

WELL, JANE THINKS THEY RAN THE RED LIGHT ON PURPOSE.

THE PHOTOGRAPH WOULD GIVE RAYMOND AN AIRTIGHT ALIBI.

CAN I SEE THAT?

YEAH.

DON'T DO IT FAST. DO IT RIGHT.

WE HAVE NOTHING APPROACHING HARD EVIDENCE.

YEAH, WELL, THAT'S WHERE YOU COME IN.

THIS IS WHERE THE RED LIGHT PHOTO WAS TAKEN.

THEY DUMPED THE CAR HERE, WHERE JEFFERSON FOUND IT.

IT'S WALKING DISTANCE TO THE WYNN COMPLEX.

THEY WALKED THERE RIGHT AFTER THE MURDER?

IT'S THE ONLY WAY THE TIMING WORKS.

DENISE...

HAD TO CHANGE BACK INTO HER WORK CLOTHES AT SOME POINT.

NOTICE SHE'S NOT DRIVING.SO?

JANE'S THEORY IS SHE CHANGED CLOTHES IN THE CAR.

THEN SHE HAD TO THROW THEM AWAY.

MAYBE SHE THREW THEM OUT THE CAR WINDOW.

OR SHE PULLED OVER AND THREW IT AWAY IN A DUMPSTER.

I DON'T THINK THEY RISK GETTING OUT OF THE CAR.

[ GUNFIRE CONTINUES ]

EVEN IF JANE'S THEORY IS RIGHT,

THAT'S AT LEAST 5 MILES.

I CAN'T SEARCH 5 MILES.

YOU WON'T HAVE TO.

[ CLEARS THROAT ]

GO.

DON'T RUSH.

I-I MEAN, SHE WOULDN'T HAVE RUSHED.

AND WE WANT IT TO TIME OUT RIGHT.

SURE.

DONE.

[ SEAT BELTS CLICK ]

OKAY, SO NOW WHAT?

WE GRID SEARCH.

DIVIDE THE SIDE OF THE STREET INTO 1-FOOT SQUARES.

EXAMINE EVERY SQUARE CAREFULLY.

THAT'S GONNA TAKE A LONG TIME.

KEEP TALKING, IT'LL TAKE EVEN LONGER.

YOU HEARD NORTH, I HEAD SOUTH.

[ VEHICLES PASSING OVERHEAD ]

HELLO?

HELLO?!

F.B.I. ANYONE HOME?

[ BREATHING HEAVILY ]

VEGA?

I THINK I'VE GOT SOMETHING.

[ MOUSE CLICKING ]

AGENT LISBON.

MAY I HAVE A MOMENT OF YOUR TIME?

SURE. HAVE A SEAT.

SOMEPLACE PRIVATE.

HOW CAN I HELP YOU?

I JUST WANTED TO KNOW IF YOU THINK I MURDERED MY WIFE.

WELL, I CERTAINLY THINK YOU DID. HI.

THEN ARREST ME.

THAT'S WHAT I THOUGHT.

WHAT'S GOING ON HERE?

JUST GOT AMBUSHED.

A DETECTIVE RIOS CALLED ME.

HE WANTED TO KNOW IF THE F.B.I. HAD BEEN TOUCH

ABOUT A CIVIL RIGHTS CASE.

DO YOU KNOW ANYTHING ABOUT THIS LITTLE INVESTIGATION?

WELL, THAT'S A DAMN SHAME. I LIKED YOU.

THE INVESTIGATION ENDS NOW.

THANK YOU.

YOU SEEM LIKE A SMART PERSON.

KNOW WHEN YOU'VE OVERPLAYED YOUR HAND.

MY OFFICE. NOW.

WE'VE GOT THE FABRIC AT THE LAB RIGHT NOW, RUSH JOB.

IF IT HOLDS EITHER DENISE OR RAYMOND'S D.N.A.

OR SOME OF NICOLE'S BLOOD,

I THINK WE'VE GOT A REAL SHOT AT THIS.

A PIECE OF FABRIC FROM A HOMELESS ENCAMPMENT.

EVEN IF THE LAB TURNS UP ANYTHING,

YOU DON'T HAVE IT.

NOW I THINK THAT YOU AND JANE DID SOME NICE WORK,

BUT NOT ENOUGH TO REOPEN THE CASE.

NO PROSECUTOR IS GONNA GO AFTER THIS MAN

WITHOUT HAVING SOLID EVIDENCE.

WE'VE GOTTEN AS CLOSE AS WE CAN WORKING OFF THE BOOKS.

UH -- MAYBE IF YOU PUT US IN FRONT OF A JUDGE.

ANYTHING SHORT OF A CONFESSION,

AND THEY WILL NEVER REOPEN THE CASE.

I'M SORRY. IT'S OVER.

WHEN WE GET THE RESULTS FROM THE LAB,

WE'LL JUST TRY AGAIN.Jane: HMM.

ANYTHING SHORT OF A CONFESSION.

WHAT?

[ Whispers ] LET'S GO FOR THE CONFESSION.

[ CLICKS TONGUE ] HEY.

WHAT ARE YOU DOING HERE?

WELL, I GOT YOUR MESSAGE.

I DIDN'T SEND YOU A MESSAGE.

[ BUZZER ]

MORNING. UH, COULD YOU HAVE A SEAT, PLEASE?

I'M SORRY. PATRICK JANE, TERESA LISBON.

HE DIDN'T TELL YOU WE'RE INVESTIGATING YOU?

THIS IS OUTRAGEOUS.

I'M CALLING ABBOTT.

OH, FEEL FREE.

[ TOUCH SCREEN CLICKING ]

[ PHONE VIBRATING, RINGING ]HEH. OH. [ CHUCKLES ]

THAT'S EMBARRASSING. GUESS I PICKED UP THE WRONG PHONE.

YOU'LL HAVE TO TALK TO HIM LATER.

THEN I WANT MY LAWYER HERE.

YOU'LL BE TALKING TO YOUR LAWYER SOON ENOUGH.

[ SIGHS SHARPLY ] WE'LL GET TO THAT.

[ EXHALES ] YOU WANT TO TELL ME WHAT'S GOING ON?

YES. IN THIS BRIEFCASE, I HAVE A REPORT FROM THE CRIME LAB.

I SENT SOMETHING IN TO BE TESTED.

WHEN WE OPEN IT, WE WILL KNOW IF IT IMPLICATES

ONE OF YOU, OR BOTH OF YOU.

IF ONE OF YOU CONFESSES BEFORE I OPEN THE BRIEFCASE,

WE'LL CUT YOU A DEAL.

AFTER THE BRIEFCASE IS OPEN,

NO DEALS FOR ANYONE.

I'M GONNA OPEN THE BRIEFCASE IN FIVE MINUTES.

AND THAT FIVE MINUTES...

STARTS NOW.

YOU DON'T HAVE ANYTHING ON US.

WELL, WE'LL SOON SEE, WON'T WE?

[ Whispers ] SO EXCITING.

I'M WALKING OUT OF HERE.

GO.

WE SHOULD GO.

YOU SHOULD STAY.

YOU SHOULD STAY.

[ SIGHS ]

WE'LL SIT HERE FOR FIVE MINUTES,

LET THEM OPEN THE BRIEFCASE,

SEE THAT THEY DON'T HAVE ANYTHING ON US,

AND THEN WE WALK OUT OF HERE.

AARON --NOT A WORD.

DEFINITELY IN A RELATIONSHIP.YEP.

THAT'S NOT A CRIME.

THERE'S NO NEED --NO -- I LOVE HIM.

[ Lowered voice ] I LOVE YOU.

BUT NOW'S NOT THE TIME.

BUT YOU KNOW THAT I WOULD NEVER --

OF COURSE.

AND YOU KNOW.

IF EITHER OF YOU WAS SMART, THIS GAME WOULD BE OVER BY NOW.

DO YOU EVER LAY AWAKE AT NIGHT WONDERING

WHAT'S GONNA HAPPEN TO YOU WHEN HE GETS TIRED OF YOU,

JUST LIKE HE GOT TIRED OF NICOLE?

COLONEL, YOU'VE CARRIED OUT BATTLE PLANS BEFORE.

HOW HARD COULD THE PERFECT MURDER BE?

YOU DID A NICE JOB.

VERY NICE. ONE LITTLE MISTAKE.

WAS IT THE THERMOSTAT?

OR THE WIG.

OR WAS IT THE CLOTHES YOU THREW OUT THE WINDOW

ON -- WHERE WAS IT?

23rd STREET.23rd STREET.

HMM.

TIME WAITS FOR NO MAN... OR WOMAN.

[ Normal voice ] THIS IS --[ Normal voice ] STOP TALKING.

BUT, AARON --

[ Lowered voice ] WOMAN, I'M TELLING YOU.

WHAT IS IT YOU WANT TO SAY?

[ EXHALES, SWALLOWS ]

[ Whispers ] AARON...

[ Loudly ] DON'T BE STUPID!

MMM.

[ EXHALES ]

[ STAMMERS ]

[ INHALES SHARPLY ]

ALL RIGHT, I'LL TALK.

WE DID IT.

[ GASPS ] NO, YOUDID IT!

NO, HE'S THE ONE WHO DID IT! I DIDN'T DO IT! HE DID IT!

YOU...

[ SIGHS ]

[ TELEPHONE RINGS IN DISTANCE ]

NICOLE SAID SHE'D FIGHT THE DIVORCE.

SHE'D TAKE THE HOUSE, EVERYTHING.

WHAT RIGHT DID SHE HAVE?

U-UP UNTIL THE MOMENT SHE DID IT,

I DIDN'T THINK IT WOULD HAPPEN.

HE SAID IT WOULD BE ONE BAD DAY,

AND THEN A LIFETIME OF HAPPINESS.

[ BREATHS UNEVENLY ] H-HE TOLD ME

THAT SHE WOULD DRAG US BOTH THROUGH THE MUD,

THAT I'D BE LABELED A HOME WRECKER.

SHE SAID IT'D BE QUICK.

[ EXHALES ]

SHE WAS A DIFFERENT PERSON.

[ BREATHS UNEVENLY ]

HE LET ME IN.

IT WAS SO HOT.

AND WHEN HE LET ME IN, HE GOT THE KNIFE OFF THE RACK.

HE SMILED WHEN HE DID IT.

HE ST--

HE STABBED HER.

[ FAN WHIRRING ]

HE SAID SOMETHING UNDER HIS BREATH WHEN --

WHEN HE KILLED HER.

[ SPEAKING INAUDIBLY ]

I DON'T KNOW WHAT.

HE STABBED HER.

I JUST --

JUST STOOD THERE...

[ Voice breaks ] AND WATCHED.

SHE WASN'T THE SAME PERSON.

CALL ZACH JEFFERSON'S ATTORNEY. GIVE HER THE GOOD NEWS.

GOT IT.

JANE, WHICH ONE WAS IT?

UH, WHAT DO YOU MEAN?

WHO STABBED NICOLE? WAS IT RAYMOND OR DENISE?

I DON'T KNOW.

YOU DON'T KNOW?

NO. DOES IT MATTER?

W-WELL, W-WHAT... WELL, WHAT'S IN THAT?

DID YOU REALLY GET EVIDENCE ON ONE OF THEM?

WHICH ONE WAS IT?GOOD NIGHT.

ARE YOU AT ALL CURIOUS ABOUT WHAT'S IN THAT BRIEFCASE?

HAVEN'T STOPPED THINKING ABOUT IT FOR A SECOND.

SHOULD WE TAKE A LOOK?

AH, I DON'T KNOW.

COME ON, LET'S TAKE A LOOK.

OKAY.

[ LATCH CLICKS ]

Jane: MEOW!

[ CHUCKLING ] SORRY?

Lisbon: OKAY. ADMIT IT.

ADMIT WHAT?

YOU ENJOYED YOURSELF.

YOU LOVE THIS JOB AS MUCH AS I DO.

WELL, I LOVE EGGS, BUT THAT DOESN'T MEAN

I WANNA EAT NOTHING BUT OMELETS FOR THE REST OF MY LIFE.

FAIR ENOUGH. WHAT WAS THE ALTERNATIVE?

WHAT'S THE ALTERNATIVE FOR US?

YOU TALK ABOUT QUITTING, BUT WHAT ARE WE GONNA DO?

WHAT'S THE PLAN?WELL, I DON'T HAVE ONE AS YET.

WELL, THAT'S A PROBLEM, ISN'T IT?

MAYBE WE JUST NEED TO QUIT AND SIT STILL FOR A WHILE.

LET LIFE HAPPEN.

LET A PLAN TAKE SEED.

WAIT FOR PLAN SEEDS TO GROW? WE'D DRIVE EACH OTHER CRAZY.

MAYBE. MAYBE NOT. MAYBE WE'D BE VERY HAPPY.

WON'T KNOW UNTIL WE TRY.

AREN'T YOU HAPPY NOW?

WELL, I AM HAPPY FOR THE FIRST TIME

IN YOU KNOW HOW LONG, BUT I'M SCARED.

JANE, ONE OF US COULD GET RUN OVER BY A BUS TOMORROW.

NOT IF WE'RE ON A BEACH IN POLYNESIA.

BUSES CAN'T GO ON SAND.

YOU COULD GET EATEN BY A SHARK.

NOT IF YOU DON'T GO IN THE WATER.

YEAH, THEY HAVE PALM TREES AND HAMMOCKS AND COCKTAILS

AND SUNSETS, PINEAPPLES...

AND ENDLESS BOREDOM, SUNBURN, BUGS THE SIZE OF HELICOPTERS.

I'VE BEEN ON VACATION.

IT WAS AN EXAMPLE OF WE COULD AVOID BUSES.[ PEN SCRATCHING ]

BUT WE COULD DO ANYTHING WE WANT.

WE COULD LEARN TO SAIL, BUY A BOAT, SAIL AROUND THE WORLD.

[ LAUGHS ] YEAH, RIGHT.

W-WHAT? I ALWAYS WANTED TO DO THAT.

A LOT OF PEOPLE DO IT.

I MEAN, WECOULD DO IT.

AS IN WHALES AND STORMS AND PIRATES? SCURVY?

AND BESIDES, I GET SEASICK.

YOU DO?YEAH.

HOW BADLY?

PRETTY BAD.OH.

MAYBE YOU'D GET OVER THAT.

WE ARE NOT SAILING AROUND THE WORLD.

ALL RIGHT.

BEEKEEPING? WHO DOESN'T LIKE HONEY?

OH, YOU JUST COME UP WITH THE BEST IDEAS. BEEKEEPING?

WELL, I THINK YOU'D LOOK VERY CUTE

IN ONE OF THOSE LITTLE BEEKEEPING SUITS.

HOW IS THAT ROMANTIC? [ SPEAKS INDISTINCTLY ]

YEAH?