1 00:00:02,412 --> 00:00:05,458 [ DOG BARKING IN DISTANCE ] 2 00:00:09,156 --> 00:00:11,941 [ FAN WHIRRING ] 3 00:00:11,985 --> 00:00:18,032 [ WATER RUNNING ] 4 00:00:18,076 --> 00:00:20,470 [ WATER CONTINUES ] 5 00:00:26,126 --> 00:00:27,388 [ TURNS WATER OFF ] 6 00:00:59,501 --> 00:01:01,153 [ TURNS FAN OFF ] 7 00:01:03,286 --> 00:01:04,982 [ FAN WINDS DOWN ] 8 00:01:30,176 --> 00:01:31,526 [ DOOR OPENS ] 9 00:01:47,712 --> 00:01:50,279 CLEAR. 10 00:02:09,686 --> 00:02:12,122 [ DOOR OPENS ] 11 00:02:12,166 --> 00:02:15,430 [ GUNSHOTS ] 12 00:02:15,474 --> 00:02:17,605 [ BUZZER ] Man over P.A.: STAND DOWN. EXERCISE COMPLETE. 13 00:02:17,649 --> 00:02:19,868 DAMN. WE'LL GET YOU GUYS NEXT TIME. 14 00:02:19,912 --> 00:02:21,173 WE WON? 15 00:02:21,216 --> 00:02:24,263 [ APPLAUSE ] 16 00:02:29,223 --> 00:02:31,224 [ SIGHS ] 17 00:02:31,268 --> 00:02:33,139 F.B.I.'s HAVING A GOOD SHOWING THIS YEAR. 18 00:02:33,183 --> 00:02:35,097 THANK YOU. 19 00:02:35,140 --> 00:02:37,273 COLONEL?YES? 20 00:02:38,579 --> 00:02:41,319 I BELIEVE YOU HAVE SOMETHING FOR ME. 21 00:02:49,064 --> 00:02:51,240 WEEK'S NOT OVER YET. 22 00:02:51,284 --> 00:02:52,590 BRING IT ON. 23 00:02:54,982 --> 00:02:56,897 [ SIGHS ] 24 00:03:05,556 --> 00:03:07,862 THIS IDEA YOU HAVE ABOUT QUITTING, 25 00:03:07,905 --> 00:03:09,385 WERE YOU EVER GONNA BRING IT UP AGAIN? 26 00:03:09,429 --> 00:03:11,561 WELL, IT'S JUST A THOUGHT. 27 00:03:11,605 --> 00:03:13,606 FOR THE RECORD, I ENJOY WHAT WE DO. 28 00:03:13,649 --> 00:03:15,085 WELL, YOU MIGHT ENJOY PARIS 29 00:03:15,129 --> 00:03:17,131 OR LEARNING PEDAL STEEL GUITAR. 30 00:03:17,173 --> 00:03:18,784 PEDAL STEEL GUITAR? 31 00:03:18,827 --> 00:03:22,308 THE WORLD IS INFINITE IN ITS POSSIBILITIES. 32 00:03:22,351 --> 00:03:25,093 IT'S NOT GONNA BE AS EASY TO WALK AWAY AS YOU THINK. 33 00:03:25,137 --> 00:03:27,007 WHY DO YOU SAY THAT? 34 00:03:27,051 --> 00:03:29,923 YOU ENJOY THE MENTAL STIMULATION FAR MORE THAN YOU LET ON. 35 00:03:29,967 --> 00:03:31,576 AGENT LISBON. 36 00:03:31,620 --> 00:03:33,056 COLONEL RAYMOND. 37 00:03:33,099 --> 00:03:37,189 WE MET AT A SEMINAR -- 38 00:03:37,233 --> 00:03:38,800 UH, COLONEL RAYMOND, THIS IS PATRICK JANE. 39 00:03:38,843 --> 00:03:41,715 HE WORKS AS A CONSULTANT WITH THE TEAM. 40 00:03:41,758 --> 00:03:44,500 THAT WAS SOME FINE WORK BACK THERE 41 00:03:44,544 --> 00:03:46,196 CLEARING THOSE ROOMS JUST NOW. 42 00:03:46,240 --> 00:03:47,894 IF YOU EVER DECIDE YOU'RE TIRED OF THE BUREAU, 43 00:03:47,937 --> 00:03:49,548 I CAN HAVE A SPACE FOR YOU. 44 00:03:49,591 --> 00:03:51,984 THAT'S FLATTERING. THANK YOU. 45 00:03:52,027 --> 00:03:55,074 NOW IF YOU'LL EXCUSE ME, 46 00:03:55,116 --> 00:03:55,987 [ CHUCKLES ] YEAH. 47 00:04:02,427 --> 00:04:05,124 DID -- DID YOU EVER HAVE A FLING WITH THAT GUY? 48 00:04:05,168 --> 00:04:06,517 WHAT? 49 00:04:06,561 --> 00:04:08,650 OF COURSE NOT. SORRY. 50 00:04:08,693 --> 00:04:10,520 IT'S JUST STRANGE. 51 00:04:10,564 --> 00:04:13,523 STRANGE THAT I DIDN'T HAVE A FLING WITH COLONEL RAYMOND? 52 00:04:13,567 --> 00:04:16,220 YEAH, THERE'S SOMETHING GOING ON THERE. 53 00:04:17,657 --> 00:04:19,396 YOU DON'T KNOW? 54 00:04:19,440 --> 00:04:21,007 KNOW WHAT? 55 00:04:21,050 --> 00:04:22,791 HIS WIFE WAS MURDERED EIGHT MONTHS AGO. 56 00:04:22,835 --> 00:04:24,139 REALLY? 57 00:04:24,183 --> 00:04:26,838 IT WAS ALL OVER THE NEWS. 58 00:04:26,881 --> 00:04:28,708 DID THEY CATCH ANYONE? 59 00:04:28,752 --> 00:04:31,581 YEAH, THEY ARRESTED SOMEBODY RIGHT AFTER. 60 00:04:31,624 --> 00:04:33,017 I NEED A SHOWER. 61 00:04:33,059 --> 00:04:35,845 [ INDISTINCT CONVERSATIONS ] 62 00:04:38,411 --> 00:04:40,892 EIGHT MONTHS AGO, HUH? 63 00:04:49,203 --> 00:04:59,907 ♪♪♪ 64 00:04:59,951 --> 00:05:02,648 THE MURDER OF COLONEL RAYMOND'S WIFE IS CLOSED. 65 00:05:04,215 --> 00:05:05,608 HMM. 66 00:05:05,651 --> 00:05:07,783 SO YOU'RE NOT INTERESTED IN HEARING MY THEORY? 67 00:05:11,350 --> 00:05:13,875 OKAY. WHAT'S YOUR THEORY? 68 00:05:13,918 --> 00:05:15,354 WELL, I DON'T HAVE ONE YET, 69 00:05:15,398 --> 00:05:17,530 BUT THAT'S WHY WE NEED TO LOOK INTO IT. 70 00:05:17,573 --> 00:05:18,748 EXCUSE ME. SORRY. 71 00:05:18,792 --> 00:05:20,488 CHO NEEDS YOU TO SIGN THIS. 72 00:05:20,532 --> 00:05:22,403 [ CLEARS THROAT ] 73 00:05:22,446 --> 00:05:23,926 SO YOU DON'T HAVE ANYTHING? 74 00:05:23,970 --> 00:05:25,840 NO. AT THIS POINT, I'M JUST CURIOUS. 75 00:05:25,884 --> 00:05:27,755 CURIOSITY KILLED THE CAT. 76 00:05:32,716 --> 00:05:34,760 ALSO CURED POLIO. 77 00:05:34,804 --> 00:05:38,242 AARON RAYMOND IS NOT JUST A COLONEL IN THE MARINES. 78 00:05:38,285 --> 00:05:40,243 HE'S A DECORATED WAR HERO. 79 00:05:40,286 --> 00:05:42,637 AND THEY'VE ALREADY ARRESTED A MAN FOR THE MURDER. 80 00:05:42,680 --> 00:05:45,595 SO WHAT MAKES YOU THINK THAT MAN DIDN'T COMMIT THE CRIME? 81 00:05:45,639 --> 00:05:47,162 WELL, I'M NOT SURE THAT HE DIDN'T. 82 00:05:47,205 --> 00:05:48,598 I'M JUST SAYING, THERE IS -- 83 00:05:48,642 --> 00:05:52,427 THERE IS SOMETHING OFF ABOUT THIS COLONEL RAYMOND. 84 00:05:52,470 --> 00:05:55,777 [ SIGHS ] 85 00:05:55,821 --> 00:05:57,605 LISBON, WHAT DO YOU THINK? 86 00:05:57,649 --> 00:06:00,041 IF JANE SAYS IT'S WORTH LOOKING INTO, 87 00:06:00,085 --> 00:06:01,434 THEN IT'S WORTH LOOKING INTO. 88 00:06:01,477 --> 00:06:02,783 YOU KNOW TO TRUST HIS INSTINCTS. 89 00:06:05,132 --> 00:06:08,874 NO INTERROGATIONS, NO SEARCHES. 90 00:06:08,918 --> 00:06:11,660 IF YOU WANT TO TALK TO ANYONE, USE A COVER STORY. 91 00:06:11,703 --> 00:06:14,575 A CIVIL RIGHTS CASE FOR THE MAN WHO WAS ARRESTED MAYBE. 92 00:06:14,618 --> 00:06:18,447 RAYMOND IS NOT TO LEARN THAT WE ARE LOOKING INTO THIS. 93 00:06:18,490 --> 00:06:21,406 ANYONE FINDS OUT THAT WE'RE INVESTIGATING HERE, 94 00:06:21,450 --> 00:06:23,059 IT'S OVER. 95 00:06:24,583 --> 00:06:25,845 DEAL. 96 00:06:25,888 --> 00:06:27,454 DEAL. 97 00:06:29,891 --> 00:06:31,501 POUND IT. 98 00:06:31,545 --> 00:06:35,069 [ CHUCKLES ] 99 00:06:35,113 --> 00:06:36,679 THANK YOU, SIR. 100 00:06:47,601 --> 00:06:48,950 [ TELEPHONE RINGS ] 101 00:06:50,907 --> 00:06:52,561 YOU WANT A COFFEE OR SOMETHING? 102 00:06:52,605 --> 00:06:53,780 I'M GOOD, THANKS. 103 00:06:53,823 --> 00:06:55,563 YEAH, IT SUCKS ANYWAY. 104 00:06:55,607 --> 00:06:58,610 I GOT TO TELL YOU, 105 00:06:58,653 --> 00:07:01,612 I'M NOT THRILLED TO HAVE MY WORK CHECKED BY THE F.B.I. 106 00:07:01,655 --> 00:07:04,092 I'M NOT THRILLED TO BE HERE. 107 00:07:04,136 --> 00:07:06,137 MIND IF I ASK WHY? 108 00:07:06,180 --> 00:07:09,531 THE MAN YOU CHARGED WITH THE CRIME, 109 00:07:09,575 --> 00:07:12,055 TO FILE A CIVIL RIGHTS VIOLATION AGAINST YOUR DEPARTMENT. 110 00:07:12,098 --> 00:07:14,534 CIVIL RIGHTS VIOLATION? FOR WHAT? 111 00:07:14,578 --> 00:07:15,927 YOU TELL ME. 112 00:07:15,971 --> 00:07:18,582 WE CAUGHT YOUR MAN JEFFERSON 113 00:07:18,626 --> 00:07:20,801 IN NICOLE RAYMOND'S CAR 114 00:07:20,844 --> 00:07:22,629 ONE DAY AFTER SHE WAS MURDERED. 115 00:07:22,672 --> 00:07:25,239 THE VICTIM'S WALLET WAS IN THE CAR, 116 00:07:25,282 --> 00:07:27,676 AS WELL AS JEWELRY STOLEN FROM THE HOUSE. 117 00:07:27,720 --> 00:07:29,677 MURDER SCENE HAD SIGNS OF A BREAK-IN. 118 00:07:29,721 --> 00:07:31,679 SLAM DUNK. 119 00:07:31,723 --> 00:07:34,420 YOU LOOK AT ANY OTHER SUSPECTS? THE HUSBAND, MAYBE? 120 00:07:34,463 --> 00:07:36,814 YEAH, YEAH, 9 TIMES OUT OF 10, HUSBAND DID IT. 121 00:07:36,857 --> 00:07:38,032 THIS IS TIME NUMBER 10. 122 00:07:38,075 --> 00:07:39,772 HOW CAN YOU BE SO SURE? 123 00:07:39,816 --> 00:07:41,426 CHECK THIS OUT. 124 00:07:41,469 --> 00:07:43,427 AARON RAYMOND'S CAR WAS IN THE SHOP THAT DAY. 125 00:07:43,470 --> 00:07:44,776 THEY TOOK NICOLE'S CAR. 126 00:07:44,820 --> 00:07:46,778 SHE DROPPED HIM OFF AT WORK. 127 00:07:46,822 --> 00:07:49,432 THEY GOT CAUGHT IN A RED LIGHT CAMERA. 128 00:07:49,475 --> 00:07:52,174 M.E. SAYS BASED ON LIVER TEMP, 129 00:07:52,217 --> 00:07:56,307 NICOLE RAYMOND WAS KILLED NO EARLIER THAN 10:00 A.M. 130 00:07:56,351 --> 00:07:58,831 AARON RAYMOND GOT TO WORK THAT DAY AT 9:00. 131 00:07:58,874 --> 00:08:00,876 WE GOT CONFIRMATION HE NEVER LEFT. 132 00:08:03,399 --> 00:08:06,141 YOU WANNA TELL ME HOWHE COULD BE THE KILLER? 133 00:08:11,797 --> 00:08:13,973 [ GATE DOOR CREAKS ] 134 00:08:18,063 --> 00:08:19,717 WHAT'S THIS ABOUT?[ GATE LOCKS ] 135 00:08:19,761 --> 00:08:22,458 WE WANTED TO TALK TO YOU ABOUT NICOLE RAYMOND'S DEATH. 136 00:08:22,501 --> 00:08:25,113 [ SCOFFS ] WHY? 137 00:08:25,156 --> 00:08:28,506 ZACH, THE F.B.I. ASSURES ME THIS IS AN OFF-THE-RECORD CHAT. 138 00:08:28,550 --> 00:08:31,247 THEY JUST WANT TO HEAR OUR SIDE. 139 00:08:31,291 --> 00:08:33,075 [ CLICKS TONGUE ] YEAH, RIGHT. 140 00:08:36,991 --> 00:08:38,427 WHY DON'T YOU TELL US WHAT YOU WERE DOING 141 00:08:38,471 --> 00:08:40,951 BEFORE YOU WERE ARRESTED? 142 00:08:40,994 --> 00:08:43,780 I WAS LIVING IN A HALFWAY HOUSE. 143 00:08:43,823 --> 00:08:47,086 ALL RIGHT? BAGGING GROCERIES. [ SIGHS ] 144 00:08:47,130 --> 00:08:50,741 THEN I MOVED IN WITH A FRIEND -- YOU KNOW, COUCH SURFING. 145 00:08:50,785 --> 00:08:52,351 HE GOT A NEW GIRLFRIEND, SHE DIDN'T LIKE ME, 146 00:08:52,395 --> 00:08:53,875 SO I HAD TO MOVE OUT. 147 00:08:56,137 --> 00:08:57,138 YOU WERE HOMELESS. 148 00:08:58,747 --> 00:09:00,836 SHORT-TERM. 149 00:09:00,880 --> 00:09:03,099 I MEAN, YEAH, I COULD HAVE MOVED BACK INTO THE HALFWAY HOUSE, 150 00:09:03,143 --> 00:09:06,232 BUT THEM PEOPLE BE ON YOUR CASE, AND... 151 00:09:06,275 --> 00:09:08,668 WHAT WERE YOU DOING THE DAY OF THE ARREST? 152 00:09:09,887 --> 00:09:11,671 [ SCOFFS ] 153 00:09:13,585 --> 00:09:15,761 LOOK, I FOUND THE CAR. ALL RIGHT? 154 00:09:15,805 --> 00:09:17,545 KEYS IN IT AND EVERYTHING. 155 00:09:17,589 --> 00:09:20,373 IS IT REALLY STEALING IF SOMEONE JUST LEAVES SOMETHING LIKE THAT? 156 00:09:23,941 --> 00:09:25,943 YOU'VE BEEN ARRESTED THREE TIMES. 157 00:09:25,987 --> 00:09:27,335 SHOPLIFTING, POSSESSION. 158 00:09:27,378 --> 00:09:29,250 SO? 159 00:09:29,293 --> 00:09:30,642 IT'S NOT CRAZY TO THINK YOU MIGHT TRY 160 00:09:30,686 --> 00:09:32,774 ROBBING SOMEBODY'S HOUSE. 161 00:09:32,818 --> 00:09:35,646 LET'S JUST CUT RIGHT TO IT. DID YOU KILL NICOLE RAYMOND? 162 00:09:35,690 --> 00:09:39,084 [ SIGHS ] 163 00:09:39,127 --> 00:09:41,868 MAN, I NEVER KILLED ANYBODY. 164 00:09:49,657 --> 00:09:51,180 WHAT? 165 00:09:52,659 --> 00:09:54,749 WELL, WHAT DO YOU THINK? 166 00:09:54,792 --> 00:09:56,575 YOU BELIEVE HIM? 167 00:09:56,619 --> 00:09:58,055 AGENTS. 168 00:09:59,187 --> 00:10:01,971 IT LOOKS BAD, BUT ZACH DIDN'T DO THIS. 169 00:10:02,015 --> 00:10:07,759 HE'S PROBABLY GONNA GET THE NEEDLE. 170 00:10:07,802 --> 00:10:09,195 IF HE'S TELLING THE TRUTH, 171 00:10:09,238 --> 00:10:10,804 THEN RAYMOND KILLED HIS WIFE 172 00:10:10,848 --> 00:10:12,327 AND THEN DUMPED THE CAR IN A BAD NEIGHBORHOOD 173 00:10:12,371 --> 00:10:14,112 JUST HOPING SOMEBODY WOULD STEAL IT. 174 00:10:14,155 --> 00:10:16,983 WELL, THAT'S NOT OUTSIDE THE REALM OF POSSIBILITY. 175 00:10:17,027 --> 00:10:19,506 EVERY GOOD PLAN NEEDS A LITTLE BIT OF LUCK. 176 00:10:22,466 --> 00:10:24,249 WE SHOULD GO VISIT THE CRIME SCENE. 177 00:10:35,041 --> 00:10:37,217 [ DIALING ] 178 00:10:38,434 --> 00:10:40,045 HI, JUDY. 179 00:10:40,088 --> 00:10:41,960 UH, MY GIRLFRIEND AND I ARE OUT HOUSE HUNTING 180 00:10:42,003 --> 00:10:45,049 AND, UH, WE SAW A LOVELY PLACE ON ROOSEVELT. 181 00:10:45,092 --> 00:10:47,225 WONDERING IF WE COULD TAKE A LITTLE PEEK INSIDE. 182 00:10:48,225 --> 00:10:49,792 YEAH, WE'RE OUT FRONT. 183 00:10:49,835 --> 00:10:51,706 SEE YOU SOON. BYE. 184 00:10:53,533 --> 00:10:54,491 ON HER WAY. 185 00:10:54,534 --> 00:10:56,275 AH. 186 00:10:58,668 --> 00:11:00,104 OOH. 187 00:11:00,148 --> 00:11:02,236 AS YOU CAN SEE, THIS HOUSE IS MOVE-IN READY. 188 00:11:02,279 --> 00:11:03,977 [ DOOR CLOSES, SWITCH CLICKS ] 189 00:11:04,020 --> 00:11:06,327 THERE'S A LOT TO LOVE ABOUT THIS PLACE, 190 00:11:06,370 --> 00:11:09,329 BUT IF YOU ASK ME, THIS COZY LIVING AREA 191 00:11:09,372 --> 00:11:10,939 IS A REAL DREAM. 192 00:11:10,983 --> 00:11:12,331 HOW LONG HAS IT BEEN ON THE MARKET? 193 00:11:12,374 --> 00:11:13,854 UM, A COUPLE MONTHS. 194 00:11:13,898 --> 00:11:16,117 RALLY? AT THIS PRICE? WHAT'S THE CATCH? 195 00:11:16,161 --> 00:11:19,337 [ LAUGHS ] WAIT UNTIL YOU SEE THE MASTER BATH. 196 00:11:19,380 --> 00:11:20,904 IS THERE SOMETHING YOU'RE NOT TELLING US, JUDY? 197 00:11:22,818 --> 00:11:24,645 OUT WITH IT. 198 00:11:24,689 --> 00:11:27,822 OH. UM... [ HUFFS ] 199 00:11:27,865 --> 00:11:30,433 WELL, UH, THERE WAS A DEATH HERE. 200 00:11:30,476 --> 00:11:32,173 A MURDER. 201 00:11:32,216 --> 00:11:33,739 OOH. 202 00:11:33,783 --> 00:11:35,349 SHOULDN'T YOU HAVE TOLD US THAT TO BEGIN WITH? 203 00:11:35,392 --> 00:11:37,873 ISN'T THERE A LAW ABOUT THAT?YEAH. 204 00:11:37,917 --> 00:11:41,136 I-I DON'T KNOW IF IT'S MY RESPONSIBILITY -- 205 00:11:41,180 --> 00:11:42,877 UH, IF YOU DON'T MIND, PRIVATELY.MM. 206 00:11:42,921 --> 00:11:44,878 OH. SURE. WELL, I HAVE SOME CALLS TO MAKE, 207 00:11:44,922 --> 00:11:46,575 SO I'LL BE OUT IN MY CAR. 208 00:11:46,619 --> 00:11:47,750 JUST TAKE YOUR TIME. 209 00:11:52,276 --> 00:11:53,494 HMM. 210 00:11:53,538 --> 00:11:54,581 [ DOOR CLOSES ] 211 00:12:00,151 --> 00:12:02,937 UH, WINDOW WAS OPEN, SCREEN OUTSIDE. 212 00:12:02,980 --> 00:12:05,764 THE COPS THINK THAT'S HOW JEFFERSON BROKE INTO THE HOUSE. 213 00:12:05,808 --> 00:12:07,636 THROUGH HERE?UH-HUH. 214 00:12:07,679 --> 00:12:10,029 OKAY. 215 00:12:10,072 --> 00:12:12,596 [ CLATTERING ][ INHALES SHARPLY ] 216 00:12:12,640 --> 00:12:15,990 UH, LISBON, TAKE A LOOK AT THIS. 217 00:12:16,034 --> 00:12:17,557 [ CHILDREN PLAYING IN DISTANCE ] 218 00:12:17,600 --> 00:12:18,644 HI! 219 00:12:20,037 --> 00:12:22,430 MAYBE THERE WASN'T ANYBODY THERE THAT DAY. 220 00:12:22,474 --> 00:12:23,996 MAYBE. 221 00:12:24,040 --> 00:12:25,911 WHAT WAS THE WEATHER LIKE DAY OF THE MURDER? 222 00:12:25,955 --> 00:12:30,741 [ EXHALES ] CRIME REPORT SAYS IT WAS... 223 00:12:30,784 --> 00:12:32,307 MID 70s, CLEAR SKIES. 224 00:12:32,350 --> 00:12:35,223 PERFECT DAY FOR THE PARK. WHICH BEGS A QUESTION. 225 00:12:35,266 --> 00:12:38,007 WHY WOULD YOU BREAK IN THROUGH THAT WINDOW 226 00:12:38,051 --> 00:12:41,358 WHEN YOU CAN BREAK IN AROUND THE SIDE THROUGH THERE, 227 00:12:41,402 --> 00:12:43,969 HIDDEN FROM THE STREET? 228 00:12:44,012 --> 00:12:46,492 NOW THE BODY WAS FOUND HERE, 229 00:12:46,535 --> 00:12:48,886 WITH A HALF-FINISHED CROSSWORD PUZZLE AND A PEN. 230 00:12:48,929 --> 00:12:51,931 SO WE CAN ASSUME THAT SHE WAS SITTING...THERE. 231 00:12:55,369 --> 00:12:56,674 SHE WOULD HAVE HEARD HIM. 232 00:12:56,717 --> 00:12:58,981 YES, SHE WOULD HAVE HEARD HIM. 233 00:12:59,024 --> 00:13:01,286 BUT IF RAYMOND WAS THE KILLER... 234 00:13:01,330 --> 00:13:04,724 VERY EASY TO PUSH THAT SCREEN OUT FROM THE INSIDE. 235 00:13:04,768 --> 00:13:06,900 YEAH, BUT THE TIME OF DEATH, HE COULDN'T HAVE DONE IT. 236 00:13:06,943 --> 00:13:11,599 SURE. 237 00:13:11,642 --> 00:13:13,209 UH, LIVER TEMPERATURE, YES. 238 00:13:17,256 --> 00:13:20,780 SHE HAD A FAN POINTED RIGHT AT HER, 239 00:13:20,823 --> 00:13:22,782 LIKE IT WAS REALLY HOT. 240 00:13:26,002 --> 00:13:27,438 BUT IT WAS MID 70s. 241 00:13:29,613 --> 00:13:33,138 PERFECT DAY, FAN... 242 00:13:33,182 --> 00:13:34,965 YOU EVER COOK A ROAST? 243 00:13:35,009 --> 00:13:36,314 OF COURSE. 244 00:13:36,358 --> 00:13:37,968 YEAH. SORRY. 245 00:13:38,012 --> 00:13:39,360 MY AUNT USED TO DO IT THIS WAY -- 246 00:13:39,403 --> 00:13:42,102 SHE TURNED THE OVEN WAY UP HIGH. 247 00:13:42,145 --> 00:13:44,668 YOU HEAT IT, YOU PUT THE ROAST IN, 248 00:13:44,712 --> 00:13:45,931 AND THEN YOU TURN IT OFF. 249 00:13:47,976 --> 00:13:51,239 SO MAYBE... 250 00:13:51,283 --> 00:13:54,459 HE TURNS THE THERMOSTAT ALL THE WAY UP. 251 00:13:54,502 --> 00:13:57,070 [ CLICKING ] 252 00:13:57,114 --> 00:13:58,766 TELLS HER IT'S BROKEN. 253 00:13:58,810 --> 00:14:01,247 [ SPEAKING INAUDIBLY ] 254 00:14:01,291 --> 00:14:02,639 AND THEN HE TURNS THE THERMOSTAT OFF 255 00:14:02,682 --> 00:14:04,728 AFTER HE KILLS HER. 256 00:14:04,771 --> 00:14:07,686 THE ROOM AND NICOLE COOL OFF SLOWER, 257 00:14:07,730 --> 00:14:11,255 MAKING IT SEEM LIKE SHE DIED LATER THAN SHE ACTUALLY DID. 258 00:14:11,299 --> 00:14:13,430 EXACTLY. 259 00:14:13,474 --> 00:14:15,737 WHAT ABOUT THE FAN? 260 00:14:15,780 --> 00:14:18,521 HE TURNED OFF BOTH THE FAN AND THE THERMOSTAT. 261 00:14:18,565 --> 00:14:20,697 [ CLICKING ] 262 00:14:23,134 --> 00:14:25,136 AND THEN HE LEAVES. 263 00:14:25,179 --> 00:14:27,137 THEN HE LEAVES. 264 00:14:27,180 --> 00:14:28,355 UH -- 265 00:14:28,399 --> 00:14:30,227 THE FRONT DOOR. 266 00:14:30,270 --> 00:14:33,403 LOOKS LIKE IT WAS WIPED DOWN.FOR PRINTS. 267 00:14:33,446 --> 00:14:35,491 RAYMOND DOESN'T HAVE TO WORRY ABOUT PRINTS. 268 00:14:35,534 --> 00:14:37,667 IT'S HIS HOUSE.WELL, MAYBE HE GOT BLOOD ON IT. 269 00:14:37,710 --> 00:14:39,886 NO. HE'S TOO METICULOUS. 270 00:14:39,930 --> 00:14:43,498 YOU'RE RIGHT. 271 00:14:43,541 --> 00:14:46,848 MAYBE HE WAS WIPING OFF SOMEBODY ELSE'S PRINTS. 272 00:14:46,891 --> 00:14:49,937 UH-HUH. OKAY. OKAY. 273 00:14:49,981 --> 00:14:51,417 A WOMAN.[ DOOR CLOSES ] 274 00:14:51,460 --> 00:14:54,072 IT HAD TO HAVE BEEN A WOMAN. 275 00:14:54,115 --> 00:14:57,291 FOR THE RED LIGHT PHOTOGRAPH. 276 00:14:57,335 --> 00:14:59,292 WE NEED TO FIND OUT WHO THAT WOMAN WAS IN THE CAR. 277 00:14:59,336 --> 00:15:01,686 IT GIVES HIM MOTIVE. HOW DO WE FIND HER? 278 00:15:01,729 --> 00:15:03,818 WELL, I THINK IT'S TIME I PAID OUR PAL RAYMOND A VISIT, 279 00:15:03,862 --> 00:15:05,428 HAVE A LITTLE TALK ABOUT 280 00:15:05,471 --> 00:15:07,734 "TACTICAL SOLUTIONS TO URBAN TERRORISM." 281 00:15:07,778 --> 00:15:09,300 I TOLD YOU.TOLD ME WHAT? 282 00:15:09,344 --> 00:15:11,650 YOU CAN'T QUIT. YOU'RE HAVING TOO MUCH FUN. 283 00:15:11,694 --> 00:15:14,043 Judy: [ SPEAKS INDISTINCTLY ][ Normal voice ] JUDY. 284 00:15:14,087 --> 00:15:16,437 OH!UH, I'M SORRY. 285 00:15:16,480 --> 00:15:17,873 UH, I THINK WE'RE GONNA HAVE TO PASS ON THIS ONE. 286 00:15:17,916 --> 00:15:20,657 NOT ENOUGH CLOSET SPACE.YOU HEARD THE WOMAN. 287 00:15:33,102 --> 00:15:34,407 YES? 288 00:15:35,408 --> 00:15:36,888 COLONEL RAYMOND. 289 00:15:36,931 --> 00:15:38,062 [ DOOR CLOSES ] 290 00:15:38,106 --> 00:15:40,891 THE F.B.I. CONSULTANT, RIGHT? 291 00:15:40,934 --> 00:15:43,284 YOU HERE FOR THE SEMINAR? 292 00:15:43,327 --> 00:15:46,548 OH, THAT'S NO WAY TO LEARN. I PREFER ONE-ON-ONE. 293 00:15:46,591 --> 00:15:48,505 THAT'S WHY I'M HERE. 294 00:15:48,549 --> 00:15:50,116 YOU NEED SOME ADVICE? 295 00:15:50,159 --> 00:15:51,551 OH, GIVEN THE WAY YOUR BOYS PERFORMED 296 00:15:51,594 --> 00:15:53,248 IN THAT GAME YESTERDAY, I THOUGHT 297 00:15:53,292 --> 00:15:55,163 YOU MIGHT BE ASKING FOR ADVICE YOURSELF. 298 00:15:55,207 --> 00:15:58,209 [ CHUCKLES ] YOUR AGENTS GOT LUCKY. 299 00:15:58,252 --> 00:16:00,124 NOW I TRY TO TEACH MY MEN NOT TO LET THE OTHER SIDE 300 00:16:00,167 --> 00:16:01,689 GET LUCKY LIKE THAT. 301 00:16:01,733 --> 00:16:03,039 YEAH, I COULD HEAR YOUR MEN 302 00:16:03,082 --> 00:16:04,736 WHISPERING THEIR PLANS BACK AND FORTH. 303 00:16:04,779 --> 00:16:07,129 LET ME TELL YOU SOMETHING ABOUT PLANS, COLONEL. 304 00:16:07,172 --> 00:16:09,696 THEY GET IN THE WAY OF INSTINCTS. 305 00:16:09,740 --> 00:16:11,393 YOU DON'T BELIEVE IN BATTLE PLANS? 306 00:16:11,436 --> 00:16:13,264 WELL, WASN'T IT NAPOLEON THAT ONCE SAID, 307 00:16:13,308 --> 00:16:15,744 "NO PLAN SURVIVES THE FIRST SHOT"? 308 00:16:15,787 --> 00:16:18,399 A STUDENT OF COMBAT. 309 00:16:18,442 --> 00:16:19,921 MORE OF PEOPLE. 310 00:16:21,662 --> 00:16:23,577 WELL, NAPOLEON DID ALL RIGHT IN HIS DAY, 311 00:16:23,620 --> 00:16:25,447 BUT I'D TELL HIM THE SECRET TO THAT IS 312 00:16:25,491 --> 00:16:27,971 NEVER LET YOUR OPPONENT FIRE THAT FIRST SHOT. 313 00:16:28,015 --> 00:16:32,714 THAT'S A LITTLE UNSPORTING. 314 00:16:32,758 --> 00:16:35,151 MAYBE THE ONLY REAL THING WE HAVE LEFT. 315 00:16:35,194 --> 00:16:38,371 THAT'S THE STUPIDEST THING I'VE EVER HEARD. 316 00:16:39,763 --> 00:16:41,373 YOU'RE TRYING TO PROVOKE ME. 317 00:16:41,417 --> 00:16:43,592 WHY? 318 00:16:43,635 --> 00:16:46,334 TO SEE HOW YOU REACT. 319 00:16:47,726 --> 00:16:50,119 DID YOU LEARN SOMETHING? 320 00:16:52,556 --> 00:16:54,079 YEAH. 321 00:16:55,776 --> 00:16:57,082 I THINK I DID. 322 00:16:57,125 --> 00:16:59,257 THANKS FOR YOUR TIME. 323 00:17:02,563 --> 00:17:04,957 [ DOOR CLOSES ] 324 00:17:06,176 --> 00:17:08,002 IT'S CALLED A RUNGU. 325 00:17:08,046 --> 00:17:10,788 IT'S A MASAI WARRIOR WAR CLUB. 326 00:17:10,831 --> 00:17:12,702 IT'S NORMAL DECOR FOR A SOLDIER. 327 00:17:12,745 --> 00:17:15,226 YES, BUT THE AFRICAN ART 328 00:17:15,270 --> 00:17:17,401 DOESN'T HAVE ANY ANALOG IN THE CRIME SCENE PHOTOS. 329 00:17:17,445 --> 00:17:18,968 EXCUSE ME? 330 00:17:19,011 --> 00:17:20,491 WELL, EVERYTHING ELSE IN THE OFFICE -- 331 00:17:20,535 --> 00:17:22,797 THE BOOKS, THE PHOTOS, THE PATRIOTIC ART -- 332 00:17:22,840 --> 00:17:24,364 ALL HAD SOMETHING SIMILAR IN THE HOUSE 333 00:17:24,407 --> 00:17:26,626 THE WAY IT WAS DECORATED THE DAY OF THE MURDER. 334 00:17:26,669 --> 00:17:27,844 BUT THERE WAS NO AFRICAN ART. 335 00:17:27,888 --> 00:17:30,108 NO. 336 00:17:30,151 --> 00:17:32,892 SO...MAYBE HE HAD A GIRLFRIEND, 337 00:17:32,935 --> 00:17:35,850 AND MAYBE SHE HAD AN INTEREST IN AFRICAN ART.HUH. 338 00:17:35,894 --> 00:17:38,157 SHOULD WE TAIL HIM?NO, HE'S A SOLDIER IN MILITARY INTELLIGENCE. 339 00:17:38,201 --> 00:17:39,767 HE CAN SPOT A TAIL. 340 00:17:39,811 --> 00:17:42,117 MOST AFFAIRS ARE WITH PEOPLE THAT YOU MEET 341 00:17:42,160 --> 00:17:43,509 IN YOUR EVERYDAY LIFE. 342 00:17:43,553 --> 00:17:45,423 THEY'RE FAMILIAR. WORKPLACE. 343 00:17:45,467 --> 00:17:47,947 SO SHE'S A MARINE. 344 00:17:47,991 --> 00:17:50,035 [ SIGHS ] WELL, THE WYNN COMPLEX HAS 345 00:17:50,079 --> 00:17:51,646 OVER A THOUSAND GOVERNMENT EMPLOYEES, 346 00:17:51,689 --> 00:17:53,909 EVERYTHING FROM THE N.S.A. TO THE POST OFFICE. 347 00:17:53,952 --> 00:17:57,303 HOW DO WE NARROW THAT DOWN? 348 00:17:57,346 --> 00:17:58,782 PREFERABLY SOMEONE THAT HASN'T BEEN INVOLVED 349 00:17:58,826 --> 00:18:00,218 IN THE TRAINING EXERCISES. 350 00:18:00,261 --> 00:18:02,394 THAT LEAVES OUT LISBON, YOURSELF. 351 00:18:02,437 --> 00:18:04,004 I WAS THERE TUESDAY FOR MILITARY TRAINING. 352 00:18:04,047 --> 00:18:06,179 HMM. OKAY. COULD YOU DO ME A FAVOR?HMM? 353 00:18:06,223 --> 00:18:08,963 NEXT TIME WYLIE STEALS A GLANCE AT YOU, COULD YOU WAVE HIM IN? 354 00:18:09,007 --> 00:18:11,009 WHAT? 355 00:18:13,011 --> 00:18:16,056 [ TELEPHONE RINGING IN DISTANCE ] 356 00:18:22,497 --> 00:18:23,714 [ CHUCKLES ] 357 00:18:23,758 --> 00:18:26,195 [ BREATHES SHARPLY ] 358 00:18:26,239 --> 00:18:27,978 STOP IT. 359 00:18:28,022 --> 00:18:31,068 [ INDISTINCT CONVERSATIONS ] 360 00:18:34,810 --> 00:18:36,334 HEY, I'M FROM I.T. 361 00:18:36,377 --> 00:18:38,030 WHAT CAN I HELP YOU WITH?WRONG OFFICE. 362 00:18:44,427 --> 00:18:46,037 ALL RIGHT. THANKS. 363 00:18:49,605 --> 00:18:51,172 HEY. FROM I.T. 364 00:18:51,215 --> 00:18:53,695 [ BLOWS AIR ] 365 00:18:53,738 --> 00:18:55,000 [ KNOCKS ] 366 00:18:58,002 --> 00:18:59,656 HI, I'M HERE FROM I.T. 367 00:18:59,700 --> 00:19:00,875 THANK YOU. 368 00:19:05,357 --> 00:19:06,531 [ KNOCK ON DOOR ] 369 00:19:06,574 --> 00:19:08,185 COME IN. 370 00:19:09,751 --> 00:19:12,057 HEY. I'M FROM I.T. 371 00:19:12,100 --> 00:19:14,059 [ CLICKS MOUSE ] 372 00:19:14,102 --> 00:19:16,191 IS THIS ABOUT CANDY PILOTS? 373 00:19:18,454 --> 00:19:19,890 'CAUSE I KNOW YOU'RE NOT SUPPOSED TO DOWNLOAD GAMES. 374 00:19:19,933 --> 00:19:21,717 I JUST -- I HAVE A LOT OF DOWN TIME. 375 00:19:22,674 --> 00:19:24,546 WHAT? NO. 376 00:19:24,589 --> 00:19:25,937 OH. 377 00:19:25,981 --> 00:19:28,331 OKAY THEN. WHAT'S UP? 378 00:19:28,375 --> 00:19:30,767 I'M HERE TO CHECK YOUR DATA STACKS. 379 00:19:32,160 --> 00:19:34,031 WHAT'S A DATA STACK? 380 00:19:36,294 --> 00:19:37,469 HUH? 381 00:19:37,512 --> 00:19:39,252 I ASKED, WHAT'S A DATA STACK? 382 00:19:39,296 --> 00:19:40,601 OH, RIGHT. 383 00:19:40,645 --> 00:19:42,951 HERE, I'LL SHOW YOU. 384 00:19:44,517 --> 00:19:46,998 DENISE SPARKS, 36. 385 00:19:47,041 --> 00:19:49,217 SHE WORKS AS AN INFORMATION ANALYST FOR THE D.O.D. 386 00:19:49,260 --> 00:19:51,306 COULD SHE AND RAYMOND HAVE CROSSED PATHS? 387 00:19:51,349 --> 00:19:53,177 SHE DOES A WEEKLY ANTITERRORISM BRIEFING 388 00:19:53,221 --> 00:19:55,134 FOR TOP BRASS, INCLUDING RAYMOND. 389 00:19:55,178 --> 00:19:58,007 LOVE SPRINGS UP IN THE UNLIKELIEST OF PLACES. 390 00:19:58,050 --> 00:20:00,008 I FOUND HER FACEBOOK PAGE. 391 00:20:00,051 --> 00:20:01,923 SHE'S GOT LOTS OF PHOTOS OF HER IN AFRICA. 392 00:20:01,966 --> 00:20:04,011 NO PICTURES OF HER AND A BOYFRIEND. 393 00:20:04,054 --> 00:20:05,839 UH, COULD YOU PUT HER NEXT TO THE RED LIGHT PHOTO? 394 00:20:05,882 --> 00:20:06,927 MM-HMM. 395 00:20:10,799 --> 00:20:13,236 THAT COULD BE HER. 396 00:20:13,279 --> 00:20:15,455 COULD YOU ENGINEER A MEETING? 397 00:20:15,499 --> 00:20:17,717 GET A READ ON HER, SEE IF SHE'S OUR GIRL? 398 00:20:17,761 --> 00:20:19,545 YEAH.WELL, WHY SHOULD I HAVE ALL THE FUN? 399 00:20:19,589 --> 00:20:23,244 [ MACHINE WHIRS ] 400 00:20:25,376 --> 00:20:26,811 WHAT WAS SHE LIKE? 401 00:20:26,855 --> 00:20:28,248 I DON'T KNOW. SHE SEEMED NICE. 402 00:20:28,291 --> 00:20:31,207 WE'RE JUST LOOKING FOR IMPRESSIONS. 403 00:20:31,251 --> 00:20:33,817 SHE'S VERY CLEAN, WELL PUT TOGETHER. 404 00:20:33,861 --> 00:20:35,254 MM-HMM. 405 00:20:35,297 --> 00:20:36,993 MANICURED HANDS. 406 00:20:37,037 --> 00:20:39,169 BUT SHE CHEWED THE SKIN AROUND HER NAILS. 407 00:20:40,606 --> 00:20:42,128 WHAT DID SHE ORDER? 408 00:20:42,171 --> 00:20:44,217 COFFEE, BLACK. 409 00:20:44,261 --> 00:20:45,957 PAID CASH. 410 00:20:46,000 --> 00:20:48,699 SHE WAITED UNTIL THE WOMAN BEHIND THE COUNTER 411 00:20:48,742 --> 00:20:50,569 COULD SEE HER PUT HER TIP IN THE TIP JAR. 412 00:20:50,613 --> 00:20:54,094 INTERESTING. I WONDER IF I DO THAT. 413 00:20:54,138 --> 00:20:56,444 FOUR SUGARS. IT WAS A LOT. 414 00:20:56,487 --> 00:20:58,750 YEAH, THAT IS A LOT. SO YOU TALKED TO HER. 415 00:20:58,794 --> 00:21:03,928 YOU SAID, "I LIKE YOUR BAG." HOW'D YOU KNOW THAT? 416 00:21:03,972 --> 00:21:05,755 WELL, IT WORKED. WE TALKED. 417 00:21:05,799 --> 00:21:07,191 TELL ME ABOUT HER. 418 00:21:07,235 --> 00:21:08,976 I DON'T KNOW. SHE'S RESERVED. 419 00:21:09,019 --> 00:21:11,064 IT'S THE KIND OF QUIET WHERE MAYBE SHE COULD BE 420 00:21:11,107 --> 00:21:14,066 A RAGING BITCH, OR SHE'S JUST SHY. 421 00:21:14,109 --> 00:21:16,764 AND WHAT'S YOUR VERDICT? 422 00:21:16,808 --> 00:21:18,331 YOU WANT ME TO SAY IF SHE'S A KILLER 423 00:21:18,375 --> 00:21:19,766 BASED ON SPENDING ONE MINUTE WITH HER? 424 00:21:19,810 --> 00:21:21,246 SURE. 425 00:21:21,290 --> 00:21:24,248 WELL, HOW DO I DO THAT? 426 00:21:24,292 --> 00:21:29,078 YOU JUST HAVE TO LISTEN TO IT. 427 00:21:29,121 --> 00:21:31,254 1...2... 428 00:21:31,298 --> 00:21:32,864 THE ANSWER IS YES. I DON'T NEED 3. 429 00:21:32,908 --> 00:21:34,256 SHE COULD HAVE DONE IT. 430 00:21:34,300 --> 00:21:35,997 EVERYTHING ABOUT HER, 431 00:21:36,040 --> 00:21:37,520 IT JUST SEEMED LIKE SHE WAS WEARING A MASK. 432 00:21:37,564 --> 00:21:39,434 OKAY THEN. 433 00:21:39,478 --> 00:21:41,654 VERY NICE, AGENT LISBON. 434 00:21:41,697 --> 00:21:43,089 THANK YOU. 435 00:21:51,836 --> 00:21:53,358 [ FAINT GUNFIRE ] 436 00:21:53,402 --> 00:21:56,187 SO THE THEORY IS 437 00:21:56,230 --> 00:21:58,406 DENISE HELPED RAYMOND KILL HIS WIFE, 438 00:21:58,449 --> 00:22:00,146 AND THEN SHE DRESSED UP LIKE HIM? 439 00:22:00,190 --> 00:22:02,365 WELL, JANE THINKS THEY RAN THE RED LIGHT ON PURPOSE. 440 00:22:02,409 --> 00:22:04,672 THE PHOTOGRAPH WOULD GIVE RAYMOND AN AIRTIGHT ALIBI. 441 00:22:04,715 --> 00:22:06,847 CAN I SEE THAT? 442 00:22:06,890 --> 00:22:08,152 YEAH. 443 00:22:12,852 --> 00:22:14,636 DON'T DO IT FAST. DO IT RIGHT. 444 00:22:17,595 --> 00:22:19,727 WE HAVE NOTHING APPROACHING HARD EVIDENCE. 445 00:22:19,771 --> 00:22:21,249 YEAH, WELL, THAT'S WHERE YOU COME IN. 446 00:22:23,687 --> 00:22:26,123 THIS IS WHERE THE RED LIGHT PHOTO WAS TAKEN. 447 00:22:26,166 --> 00:22:28,430 THEY DUMPED THE CAR HERE, WHERE JEFFERSON FOUND IT. 448 00:22:28,473 --> 00:22:30,431 IT'S WALKING DISTANCE TO THE WYNN COMPLEX. 449 00:22:30,474 --> 00:22:31,780 THEY WALKED THERE RIGHT AFTER THE MURDER? 450 00:22:31,823 --> 00:22:33,129 IT'S THE ONLY WAY THE TIMING WORKS. 451 00:22:33,172 --> 00:22:34,825 DENISE... 452 00:22:34,869 --> 00:22:37,306 HAD TO CHANGE BACK INTO HER WORK CLOTHES AT SOME POINT. 453 00:22:37,350 --> 00:22:39,438 NOTICE SHE'S NOT DRIVING.SO? 454 00:22:39,481 --> 00:22:41,222 JANE'S THEORY IS SHE CHANGED CLOTHES IN THE CAR. 455 00:22:41,265 --> 00:22:43,267 THEN SHE HAD TO THROW THEM AWAY. 456 00:22:43,311 --> 00:22:45,617 MAYBE SHE THREW THEM OUT THE CAR WINDOW. 457 00:22:45,660 --> 00:22:48,489 OR SHE PULLED OVER AND THREW IT AWAY IN A DUMPSTER. 458 00:22:48,533 --> 00:22:50,925 I DON'T THINK THEY RISK GETTING OUT OF THE CAR. 459 00:22:50,969 --> 00:22:52,362 [ GUNFIRE CONTINUES ] 460 00:22:52,405 --> 00:22:53,971 EVEN IF JANE'S THEORY IS RIGHT, 461 00:22:54,014 --> 00:22:56,103 THAT'S AT LEAST 5 MILES. 462 00:22:56,147 --> 00:22:57,757 I CAN'T SEARCH 5 MILES. 463 00:22:57,801 --> 00:22:59,236 YOU WON'T HAVE TO. 464 00:23:01,891 --> 00:23:03,413 [ CLEARS THROAT ] 465 00:23:23,995 --> 00:23:25,388 GO. 466 00:23:33,568 --> 00:23:35,439 DON'T RUSH. 467 00:23:35,483 --> 00:23:37,745 I-I MEAN, SHE WOULDN'T HAVE RUSHED. 468 00:23:37,788 --> 00:23:40,748 AND WE WANT IT TO TIME OUT RIGHT. 469 00:23:40,791 --> 00:23:42,226 SURE. 470 00:23:56,237 --> 00:23:57,543 DONE. 471 00:24:01,851 --> 00:24:03,330 [ SEAT BELTS CLICK ] 472 00:24:08,726 --> 00:24:10,814 OKAY, SO NOW WHAT? 473 00:24:10,858 --> 00:24:13,251 WE GRID SEARCH. 474 00:24:13,295 --> 00:24:16,079 DIVIDE THE SIDE OF THE STREET INTO 1-FOOT SQUARES. 475 00:24:16,123 --> 00:24:18,517 EXAMINE EVERY SQUARE CAREFULLY. 476 00:24:18,560 --> 00:24:21,562 THAT'S GONNA TAKE A LONG TIME. 477 00:24:21,606 --> 00:24:23,259 KEEP TALKING, IT'LL TAKE EVEN LONGER. 478 00:24:23,303 --> 00:24:25,391 YOU HEARD NORTH, I HEAD SOUTH. 479 00:24:28,524 --> 00:24:31,396 [ VEHICLES PASSING OVERHEAD ] 480 00:25:09,644 --> 00:25:12,123 HELLO? 481 00:25:12,167 --> 00:25:13,995 HELLO?! 482 00:25:14,038 --> 00:25:15,866 F.B.I. ANYONE HOME? 483 00:25:50,937 --> 00:25:53,287 [ BREATHING HEAVILY ] 484 00:25:54,417 --> 00:25:56,158 VEGA? 485 00:25:56,202 --> 00:25:58,030 I THINK I'VE GOT SOMETHING. 486 00:26:06,993 --> 00:26:10,300 [ MOUSE CLICKING ] 487 00:26:16,392 --> 00:26:18,175 AGENT LISBON. 488 00:26:18,219 --> 00:26:19,568 MAY I HAVE A MOMENT OF YOUR TIME? 489 00:26:19,612 --> 00:26:21,352 SURE. HAVE A SEAT. 490 00:26:21,396 --> 00:26:23,484 SOMEPLACE PRIVATE. 491 00:26:38,583 --> 00:26:40,106 HOW CAN I HELP YOU? 492 00:26:40,150 --> 00:26:43,587 I JUST WANTED TO KNOW IF YOU THINK I MURDERED MY WIFE. 493 00:26:45,589 --> 00:26:48,460 WELL, I CERTAINLY THINK YOU DID. HI. 494 00:26:48,504 --> 00:26:51,680 THEN ARREST ME. 495 00:26:54,378 --> 00:26:57,076 THAT'S WHAT I THOUGHT. 496 00:26:57,119 --> 00:26:58,512 WHAT'S GOING ON HERE? 497 00:26:58,556 --> 00:26:59,861 JUST GOT AMBUSHED. 498 00:26:59,905 --> 00:27:01,862 A DETECTIVE RIOS CALLED ME. 499 00:27:01,906 --> 00:27:03,864 HE WANTED TO KNOW IF THE F.B.I. HAD BEEN TOUCH 500 00:27:03,908 --> 00:27:05,648 ABOUT A CIVIL RIGHTS CASE. 501 00:27:05,691 --> 00:27:08,215 DO YOU KNOW ANYTHING ABOUT THIS LITTLE INVESTIGATION? 502 00:27:13,219 --> 00:27:15,612 WELL, THAT'S A DAMN SHAME. I LIKED YOU. 503 00:27:15,656 --> 00:27:18,180 THE INVESTIGATION ENDS NOW. 504 00:27:18,223 --> 00:27:20,616 THANK YOU. 505 00:27:20,660 --> 00:27:22,662 YOU SEEM LIKE A SMART PERSON. 506 00:27:22,705 --> 00:27:24,576 KNOW WHEN YOU'VE OVERPLAYED YOUR HAND. 507 00:27:29,362 --> 00:27:31,625 MY OFFICE. NOW. 508 00:27:36,934 --> 00:27:39,239 WE'VE GOT THE FABRIC AT THE LAB RIGHT NOW, RUSH JOB. 509 00:27:39,283 --> 00:27:41,851 IF IT HOLDS EITHER DENISE OR RAYMOND'S D.N.A. 510 00:27:41,894 --> 00:27:43,373 OR SOME OF NICOLE'S BLOOD, 511 00:27:43,416 --> 00:27:45,070 I THINK WE'VE GOT A REAL SHOT AT THIS. 512 00:27:45,114 --> 00:27:49,770 A PIECE OF FABRIC FROM A HOMELESS ENCAMPMENT. 513 00:27:49,813 --> 00:27:52,902 EVEN IF THE LAB TURNS UP ANYTHING, 514 00:27:52,946 --> 00:27:54,817 YOU DON'T HAVE IT. 515 00:27:54,861 --> 00:27:59,865 NOW I THINK THAT YOU AND JANE DID SOME NICE WORK, 516 00:27:59,908 --> 00:28:02,301 BUT NOT ENOUGH TO REOPEN THE CASE. 517 00:28:02,344 --> 00:28:04,303 NO PROSECUTOR IS GONNA GO AFTER THIS MAN 518 00:28:04,346 --> 00:28:06,087 WITHOUT HAVING SOLID EVIDENCE. 519 00:28:06,131 --> 00:28:09,394 WE'VE GOTTEN AS CLOSE AS WE CAN WORKING OFF THE BOOKS. 520 00:28:09,437 --> 00:28:11,700 UH -- MAYBE IF YOU PUT US IN FRONT OF A JUDGE. 521 00:28:11,743 --> 00:28:13,266 ANYTHING SHORT OF A CONFESSION, 522 00:28:13,310 --> 00:28:15,834 AND THEY WILL NEVER REOPEN THE CASE. 523 00:28:15,878 --> 00:28:19,141 I'M SORRY. IT'S OVER. 524 00:28:23,797 --> 00:28:26,407 WHEN WE GET THE RESULTS FROM THE LAB, 525 00:28:26,450 --> 00:28:28,931 WE'LL JUST TRY AGAIN.Jane: HMM. 526 00:28:28,975 --> 00:28:31,933 ANYTHING SHORT OF A CONFESSION. 527 00:28:31,977 --> 00:28:33,108 WHAT? 528 00:28:35,414 --> 00:28:37,503 [ Whispers ] LET'S GO FOR THE CONFESSION. 529 00:29:19,449 --> 00:29:21,407 [ CLICKS TONGUE ] HEY. 530 00:29:21,451 --> 00:29:23,670 WHAT ARE YOU DOING HERE? 531 00:29:23,713 --> 00:29:25,672 WELL, I GOT YOUR MESSAGE. 532 00:29:25,715 --> 00:29:27,629 I DIDN'T SEND YOU A MESSAGE. 533 00:29:27,673 --> 00:29:30,588 [ BUZZER ] 534 00:29:30,632 --> 00:29:33,242 MORNING. UH, COULD YOU HAVE A SEAT, PLEASE? 535 00:29:33,286 --> 00:29:35,680 I'M SORRY. PATRICK JANE, TERESA LISBON. 536 00:29:40,814 --> 00:29:43,250 HE DIDN'T TELL YOU WE'RE INVESTIGATING YOU? 537 00:29:46,339 --> 00:29:48,298 THIS IS OUTRAGEOUS. 538 00:29:48,341 --> 00:29:49,734 I'M CALLING ABBOTT. 539 00:29:49,778 --> 00:29:51,126 OH, FEEL FREE. 540 00:29:52,388 --> 00:29:55,825 [ TOUCH SCREEN CLICKING ] 541 00:29:58,567 --> 00:30:01,264 [ PHONE VIBRATING, RINGING ]HEH. OH. [ CHUCKLES ] 542 00:30:01,308 --> 00:30:04,528 THAT'S EMBARRASSING. GUESS I PICKED UP THE WRONG PHONE. 543 00:30:04,572 --> 00:30:06,965 YOU'LL HAVE TO TALK TO HIM LATER. 544 00:30:07,008 --> 00:30:09,315 THEN I WANT MY LAWYER HERE. 545 00:30:09,358 --> 00:30:11,011 YOU'LL BE TALKING TO YOUR LAWYER SOON ENOUGH. 546 00:30:11,055 --> 00:30:14,927 [ SIGHS SHARPLY ] WE'LL GET TO THAT. 547 00:30:14,971 --> 00:30:17,974 [ EXHALES ] YOU WANT TO TELL ME WHAT'S GOING ON? 548 00:30:18,017 --> 00:30:21,803 YES. IN THIS BRIEFCASE, I HAVE A REPORT FROM THE CRIME LAB. 549 00:30:21,846 --> 00:30:23,674 I SENT SOMETHING IN TO BE TESTED. 550 00:30:23,718 --> 00:30:26,023 WHEN WE OPEN IT, WE WILL KNOW IF IT IMPLICATES 551 00:30:26,067 --> 00:30:27,764 ONE OF YOU, OR BOTH OF YOU. 552 00:30:27,808 --> 00:30:31,375 IF ONE OF YOU CONFESSES BEFORE I OPEN THE BRIEFCASE, 553 00:30:31,419 --> 00:30:33,508 WE'LL CUT YOU A DEAL. 554 00:30:33,551 --> 00:30:35,509 AFTER THE BRIEFCASE IS OPEN, 555 00:30:35,552 --> 00:30:37,424 NO DEALS FOR ANYONE. 556 00:30:37,467 --> 00:30:41,122 I'M GONNA OPEN THE BRIEFCASE IN FIVE MINUTES. 557 00:30:42,515 --> 00:30:44,734 AND THAT FIVE MINUTES... 558 00:30:46,431 --> 00:30:47,911 STARTS NOW. 559 00:31:09,057 --> 00:31:10,580 YOU DON'T HAVE ANYTHING ON US. 560 00:31:10,624 --> 00:31:13,321 WELL, WE'LL SOON SEE, WON'T WE? 561 00:31:13,365 --> 00:31:15,933 [ Whispers ] SO EXCITING. 562 00:31:17,194 --> 00:31:19,283 I'M WALKING OUT OF HERE. 563 00:31:19,326 --> 00:31:20,284 GO. 564 00:31:21,806 --> 00:31:23,416 WE SHOULD GO. 565 00:31:23,460 --> 00:31:33,511 YOU SHOULD STAY. 566 00:31:33,511 --> 00:31:47,261 YOU SHOULD STAY. 567 00:31:47,305 --> 00:31:49,697 [ SIGHS ] 568 00:31:52,744 --> 00:31:54,180 WE'LL SIT HERE FOR FIVE MINUTES, 569 00:31:54,224 --> 00:31:55,790 LET THEM OPEN THE BRIEFCASE, 570 00:31:55,833 --> 00:31:57,226 SEE THAT THEY DON'T HAVE ANYTHING ON US, 571 00:31:57,269 --> 00:31:58,793 AND THEN WE WALK OUT OF HERE. 572 00:31:58,836 --> 00:32:00,228 AARON --NOT A WORD. 573 00:32:00,271 --> 00:32:02,012 DEFINITELY IN A RELATIONSHIP.YEP. 574 00:32:02,056 --> 00:32:04,622 THAT'S NOT A CRIME. 575 00:32:04,666 --> 00:32:06,494 THERE'S NO NEED --NO -- I LOVE HIM. 576 00:32:08,887 --> 00:32:11,628 [ Lowered voice ] I LOVE YOU. 577 00:32:11,672 --> 00:32:12,978 BUT NOW'S NOT THE TIME. 578 00:32:13,021 --> 00:32:14,848 BUT YOU KNOW THAT I WOULD NEVER -- 579 00:32:14,892 --> 00:32:16,284 OF COURSE. 580 00:32:16,328 --> 00:32:18,111 AND YOU KNOW. 581 00:32:27,380 --> 00:32:30,643 IF EITHER OF YOU WAS SMART, THIS GAME WOULD BE OVER BY NOW. 582 00:32:33,123 --> 00:32:34,995 DO YOU EVER LAY AWAKE AT NIGHT WONDERING 583 00:32:35,038 --> 00:32:37,170 WHAT'S GONNA HAPPEN TO YOU WHEN HE GETS TIRED OF YOU, 584 00:32:37,213 --> 00:32:39,215 JUST LIKE HE GOT TIRED OF NICOLE? 585 00:32:42,043 --> 00:32:45,046 COLONEL, YOU'VE CARRIED OUT BATTLE PLANS BEFORE. 586 00:32:45,090 --> 00:32:47,613 HOW HARD COULD THE PERFECT MURDER BE? 587 00:32:47,656 --> 00:32:48,875 YOU DID A NICE JOB. 588 00:32:48,919 --> 00:32:50,921 VERY NICE. ONE LITTLE MISTAKE. 589 00:32:50,964 --> 00:32:52,878 WAS IT THE THERMOSTAT? 590 00:32:52,922 --> 00:32:54,619 OR THE WIG. 591 00:32:54,662 --> 00:32:57,360 OR WAS IT THE CLOTHES YOU THREW OUT THE WINDOW 592 00:32:57,403 --> 00:32:58,840 ON -- WHERE WAS IT? 593 00:32:58,883 --> 00:33:00,537 23rd STREET.23rd STREET. 594 00:33:00,580 --> 00:33:04,061 HMM. 595 00:33:04,105 --> 00:33:06,976 TIME WAITS FOR NO MAN... OR WOMAN. 596 00:33:12,502 --> 00:33:13,373 [ Normal voice ] THIS IS --[ Normal voice ] STOP TALKING. 597 00:33:13,416 --> 00:33:15,113 BUT, AARON -- 598 00:33:15,156 --> 00:33:16,636 [ Lowered voice ] WOMAN, I'M TELLING YOU. 599 00:33:19,204 --> 00:33:20,595 WHAT IS IT YOU WANT TO SAY? 600 00:33:20,639 --> 00:33:23,294 [ EXHALES, SWALLOWS ] 601 00:33:23,337 --> 00:33:24,990 [ Whispers ] AARON... 602 00:33:25,034 --> 00:33:26,296 [ Loudly ] DON'T BE STUPID! 603 00:33:26,339 --> 00:33:28,080 MMM. 604 00:33:35,781 --> 00:33:37,522 [ EXHALES ] 605 00:33:37,566 --> 00:33:38,827 [ STAMMERS ] 606 00:33:43,744 --> 00:33:44,963 [ INHALES SHARPLY ] 607 00:33:45,006 --> 00:33:46,138 ALL RIGHT, I'LL TALK. 608 00:33:46,181 --> 00:33:47,922 WE DID IT. 609 00:33:47,966 --> 00:33:50,271 [ GASPS ] NO, YOUDID IT! 610 00:33:50,315 --> 00:33:52,665 NO, HE'S THE ONE WHO DID IT! I DIDN'T DO IT! HE DID IT! 611 00:33:52,708 --> 00:33:54,013 YOU... 612 00:33:55,536 --> 00:33:57,451 [ SIGHS ] 613 00:33:57,495 --> 00:34:00,671 [ TELEPHONE RINGS IN DISTANCE ] 614 00:34:00,714 --> 00:34:02,368 NICOLE SAID SHE'D FIGHT THE DIVORCE. 615 00:34:02,412 --> 00:34:04,674 SHE'D TAKE THE HOUSE, EVERYTHING. 616 00:34:08,633 --> 00:34:10,635 WHAT RIGHT DID SHE HAVE? 617 00:34:15,117 --> 00:34:19,120 U-UP UNTIL THE MOMENT SHE DID IT, 618 00:34:19,164 --> 00:34:20,513 I DIDN'T THINK IT WOULD HAPPEN. 619 00:34:26,299 --> 00:34:30,042 HE SAID IT WOULD BE ONE BAD DAY, 620 00:34:30,086 --> 00:34:32,739 AND THEN A LIFETIME OF HAPPINESS. 621 00:34:35,351 --> 00:34:37,482 [ BREATHS UNEVENLY ] H-HE TOLD ME 622 00:34:37,526 --> 00:34:40,832 THAT SHE WOULD DRAG US BOTH THROUGH THE MUD, 623 00:34:40,876 --> 00:34:44,619 THAT I'D BE LABELED A HOME WRECKER. 624 00:34:55,583 --> 00:34:57,759 SHE SAID IT'D BE QUICK. 625 00:34:57,803 --> 00:34:59,152 [ EXHALES ] 626 00:35:08,116 --> 00:35:10,073 SHE WAS A DIFFERENT PERSON. 627 00:35:22,997 --> 00:35:25,520 [ BREATHS UNEVENLY ] 628 00:35:25,564 --> 00:35:26,565 HE LET ME IN. 629 00:35:31,786 --> 00:35:35,398 IT WAS SO HOT. 630 00:35:35,441 --> 00:35:38,704 AND WHEN HE LET ME IN, HE GOT THE KNIFE OFF THE RACK. 631 00:35:40,837 --> 00:35:44,448 HE SMILED WHEN HE DID IT. 632 00:35:52,541 --> 00:35:55,022 HE ST-- 633 00:35:55,066 --> 00:35:56,414 HE STABBED HER. 634 00:36:01,766 --> 00:36:04,987 [ FAN WHIRRING ] 635 00:36:17,126 --> 00:36:20,085 HE SAID SOMETHING UNDER HIS BREATH WHEN -- 636 00:36:20,128 --> 00:36:21,956 WHEN HE KILLED HER. 637 00:36:22,000 --> 00:36:24,480 [ SPEAKING INAUDIBLY ] 638 00:36:24,524 --> 00:36:26,481 I DON'T KNOW WHAT. 639 00:36:32,704 --> 00:36:34,835 HE STABBED HER. 640 00:36:36,750 --> 00:36:38,665 I JUST -- 641 00:36:38,709 --> 00:36:40,275 JUST STOOD THERE... 642 00:36:44,234 --> 00:36:45,714 [ Voice breaks ] AND WATCHED. 643 00:36:53,415 --> 00:36:55,417 SHE WASN'T THE SAME PERSON. 644 00:37:24,440 --> 00:37:26,920 CALL ZACH JEFFERSON'S ATTORNEY. GIVE HER THE GOOD NEWS. 645 00:37:26,963 --> 00:37:28,008 GOT IT. 646 00:37:28,052 --> 00:37:30,271 JANE, WHICH ONE WAS IT? 647 00:37:30,315 --> 00:37:32,229 UH, WHAT DO YOU MEAN? 648 00:37:32,272 --> 00:37:34,535 WHO STABBED NICOLE? WAS IT RAYMOND OR DENISE? 649 00:37:34,579 --> 00:37:35,970 I DON'T KNOW. 650 00:37:36,014 --> 00:37:37,233 YOU DON'T KNOW? 651 00:37:37,276 --> 00:37:39,191 NO. DOES IT MATTER? 652 00:37:39,235 --> 00:37:42,846 W-WELL, W-WHAT... WELL, WHAT'S IN THAT? 653 00:37:42,889 --> 00:37:44,630 DID YOU REALLY GET EVIDENCE ON ONE OF THEM? 654 00:37:44,674 --> 00:37:46,153 WHICH ONE WAS IT?GOOD NIGHT. 655 00:37:49,591 --> 00:37:52,506 ARE YOU AT ALL CURIOUS ABOUT WHAT'S IN THAT BRIEFCASE? 656 00:37:52,549 --> 00:37:54,942 HAVEN'T STOPPED THINKING ABOUT IT FOR A SECOND. 657 00:37:54,985 --> 00:37:57,336 SHOULD WE TAKE A LOOK? 658 00:37:57,379 --> 00:37:58,815 AH, I DON'T KNOW. 659 00:37:58,859 --> 00:38:00,860 COME ON, LET'S TAKE A LOOK. 660 00:38:00,903 --> 00:38:02,644 OKAY. 661 00:38:08,562 --> 00:38:09,910 [ LATCH CLICKS ] 662 00:38:13,870 --> 00:38:15,567 Jane: MEOW! 663 00:38:16,873 --> 00:38:19,179 [ CHUCKLING ] SORRY? 664 00:38:19,222 --> 00:38:21,311 Lisbon: OKAY. ADMIT IT. 665 00:38:21,355 --> 00:38:22,530 ADMIT WHAT? 666 00:38:22,573 --> 00:38:24,313 YOU ENJOYED YOURSELF. 667 00:38:24,357 --> 00:38:26,402 YOU LOVE THIS JOB AS MUCH AS I DO. 668 00:38:26,446 --> 00:38:28,099 WELL, I LOVE EGGS, BUT THAT DOESN'T MEAN 669 00:38:28,142 --> 00:38:30,536 I WANNA EAT NOTHING BUT OMELETS FOR THE REST OF MY LIFE. 670 00:38:30,579 --> 00:38:33,842 FAIR ENOUGH. WHAT WAS THE ALTERNATIVE? 671 00:38:33,886 --> 00:38:35,583 WHAT'S THE ALTERNATIVE FOR US? 672 00:38:35,627 --> 00:38:37,584 YOU TALK ABOUT QUITTING, BUT WHAT ARE WE GONNA DO? 673 00:38:37,628 --> 00:38:40,152 WHAT'S THE PLAN?WELL, I DON'T HAVE ONE AS YET. 674 00:38:40,196 --> 00:38:44,634 WELL, THAT'S A PROBLEM, ISN'T IT? 675 00:38:44,677 --> 00:38:46,244 MAYBE WE JUST NEED TO QUIT AND SIT STILL FOR A WHILE. 676 00:38:46,288 --> 00:38:48,376 LET LIFE HAPPEN. 677 00:38:48,419 --> 00:38:50,987 LET A PLAN TAKE SEED. 678 00:38:51,030 --> 00:38:53,423 WAIT FOR PLAN SEEDS TO GROW? WE'D DRIVE EACH OTHER CRAZY. 679 00:38:53,467 --> 00:38:56,470 MAYBE. MAYBE NOT. MAYBE WE'D BE VERY HAPPY. 680 00:38:56,513 --> 00:38:57,905 WON'T KNOW UNTIL WE TRY. 681 00:38:57,948 --> 00:38:59,167 AREN'T YOU HAPPY NOW? 682 00:38:59,211 --> 00:39:01,126 WELL, I AM HAPPY FOR THE FIRST TIME 683 00:39:01,169 --> 00:39:04,128 IN YOU KNOW HOW LONG, BUT I'M SCARED. 684 00:39:04,171 --> 00:39:06,738 JANE, ONE OF US COULD GET RUN OVER BY A BUS TOMORROW. 685 00:39:06,781 --> 00:39:08,435 NOT IF WE'RE ON A BEACH IN POLYNESIA. 686 00:39:08,479 --> 00:39:09,654 BUSES CAN'T GO ON SAND. 687 00:39:09,697 --> 00:39:10,915 YOU COULD GET EATEN BY A SHARK. 688 00:39:10,958 --> 00:39:14,005 NOT IF YOU DON'T GO IN THE WATER. 689 00:39:14,048 --> 00:39:17,225 YEAH, THEY HAVE PALM TREES AND HAMMOCKS AND COCKTAILS 690 00:39:17,268 --> 00:39:19,836 AND SUNSETS, PINEAPPLES... 691 00:39:19,879 --> 00:39:22,751 AND ENDLESS BOREDOM, SUNBURN, BUGS THE SIZE OF HELICOPTERS. 692 00:39:22,794 --> 00:39:25,666 I'VE BEEN ON VACATION. 693 00:39:25,709 --> 00:39:27,450 IT WAS AN EXAMPLE OF WE COULD AVOID BUSES.[ PEN SCRATCHING ] 694 00:39:27,494 --> 00:39:30,626 BUT WE COULD DO ANYTHING WE WANT. 695 00:39:30,670 --> 00:39:32,367 WE COULD LEARN TO SAIL, BUY A BOAT, SAIL AROUND THE WORLD. 696 00:39:32,411 --> 00:39:33,803 [ LAUGHS ] YEAH, RIGHT. 697 00:39:33,847 --> 00:39:36,457 W-WHAT? I ALWAYS WANTED TO DO THAT. 698 00:39:36,501 --> 00:39:37,850 A LOT OF PEOPLE DO IT. 699 00:39:37,893 --> 00:39:39,894 I MEAN, WECOULD DO IT. 700 00:39:39,938 --> 00:39:43,159 AS IN WHALES AND STORMS AND PIRATES? SCURVY? 701 00:39:43,202 --> 00:39:44,463 AND BESIDES, I GET SEASICK. 702 00:39:44,507 --> 00:39:46,030 YOU DO?YEAH. 703 00:39:46,073 --> 00:39:47,205 HOW BADLY? 704 00:39:47,249 --> 00:39:48,424 PRETTY BAD.OH. 705 00:39:48,467 --> 00:39:49,859 MAYBE YOU'D GET OVER THAT. 706 00:39:49,902 --> 00:39:52,035 WE ARE NOT SAILING AROUND THE WORLD. 707 00:39:52,078 --> 00:39:53,341 ALL RIGHT. 708 00:39:53,384 --> 00:39:55,255 BEEKEEPING? WHO DOESN'T LIKE HONEY? 709 00:39:55,298 --> 00:39:57,953 OH, YOU JUST COME UP WITH THE BEST IDEAS. BEEKEEPING? 710 00:39:57,996 --> 00:39:59,345 WELL, I THINK YOU'D LOOK VERY CUTE 711 00:39:59,388 --> 00:40:01,042 IN ONE OF THOSE LITTLE BEEKEEPING SUITS. 712 00:40:01,085 --> 00:40:04,566 HOW IS THAT ROMANTIC? [ SPEAKS INDISTINCTLY ] 713 00:40:04,610 --> 00:40:06,046 YEAH?