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1
00:00:01,871 --> 00:00:05,005
[THEME MUSIC PLAYS]
2
00:00:12,838 --> 00:00:15,841
SOME PEOPLE STAND
IN THE DARKNESS
3
00:00:16,973 --> 00:00:20,933
AFRAID TO STEP
INTO THE LIGHT
4
00:00:21,064 --> 00:00:24,546
SOME PEOPLE NEED
TO HELP SOMEBODY
5
00:00:24,676 --> 00:00:27,984
WHEN THE EDGE OF
SURRENDER'S IN SIGHT
6
00:00:28,115 --> 00:00:30,769
DON'T YOU WORRY
7
00:00:31,509 --> 00:00:34,904
ITS GONNA BE ALRIGHT
8
00:00:36,949 --> 00:00:38,821
CAUSE I'M ALWAYS READY,
9
00:00:38,951 --> 00:00:43,869
I WON'T LET YOU
OUT OF MY SIGHT
10
00:00:45,349 --> 00:00:49,353
I'LL BE READY, I'LL BE READY
11
00:00:49,484 --> 00:00:53,357
NEVER YOU FEAR,
NO DON'T YOU FEAR
12
00:00:53,488 --> 00:00:56,186
I'LL BE READY
13
00:00:56,317 --> 00:01:02,323
FOREVER AND ALWAYS
I'M ALWAYS HERE
14
00:01:20,993 --> 00:01:22,560
CAUSE I'M ALWAYS READY
15
00:01:22,691 --> 00:01:27,174
I WON'T LET YOU
OUT OF MY SIGHT
16
00:01:29,567 --> 00:01:32,614
I'LL BE READY, I'LL BE READY
17
00:01:33,049 --> 00:01:36,879
NEVER YOU FEAR,
NO DON'T YOU FEAR
18
00:01:37,009 --> 00:01:40,448
I'LL BE READY
19
00:01:40,578 --> 00:01:46,323
FOREVER AND ALWAYS
I'M ALWAYS HERE
20
00:02:01,512 --> 00:02:05,125
[ELECTRONIC MUSIC PLAYS]
21
00:02:23,143 --> 00:02:24,796
-WHERE YOU GUYS GOING, SURFING?
22
00:02:25,623 --> 00:02:27,190
I GOT SOME BABY
OIL FOR YOU HONEY.
23
00:02:27,321 --> 00:02:28,713
COME HERE, HONEY.
24
00:02:28,844 --> 00:02:30,019
I GOT NICE HANDS.
25
00:02:30,976 --> 00:02:32,717
HOW YOU DOING?
26
00:02:32,848 --> 00:02:34,415
I LIKE THIS UMBRELLA.
27
00:02:34,545 --> 00:02:35,764
MY MOM'S GOING TO LOVE IT.
28
00:02:35,894 --> 00:02:39,159
-HEY, HOMES, NICE RADIO.
29
00:02:39,289 --> 00:02:40,334
WHERE DID YOU GET THAT?
30
00:02:40,464 --> 00:02:42,118
-GET OUT!
31
00:02:44,860 --> 00:02:46,470
HOMES, THIS IS FOR YOU.
32
00:02:48,298 --> 00:02:50,039
-HEY, HOW ABOUT A
COLD BEER, FLACO?
33
00:02:50,170 --> 00:02:52,650
-I THINK I'M A LITTLE
THIRSTY TONIGHT.
34
00:02:52,781 --> 00:02:55,958
HEY, HEY, HEY, IS THIS
YOUR BEER, HOMES?
35
00:02:56,088 --> 00:02:57,873
I APPRECIATE IT, HOMES.
36
00:02:58,003 --> 00:02:59,788
-HEY, FLACO, WATCH OUT.
37
00:03:00,441 --> 00:03:02,443
WALAS AGAIN, MAN.
38
00:03:03,095 --> 00:03:03,966
-LET'S HAVE SOME FUN.
39
00:03:04,793 --> 00:03:06,316
HEY, CHAVALITA.
40
00:03:06,969 --> 00:03:08,840
MOVE OUT OF THE WAY, MIJA.
41
00:03:23,290 --> 00:03:24,682
TWO POINTS, HOMES.
42
00:03:34,083 --> 00:03:35,737
ORALE, MEMO.
43
00:03:36,477 --> 00:03:38,522
WHAT'S UP?
44
00:03:42,265 --> 00:03:44,746
-MY BEACH, FLACO.
45
00:03:46,313 --> 00:03:47,401
-I DON'T SEE NO SIGNS.
46
00:03:50,317 --> 00:03:51,796
-10-16 GANGBANGERS
ON THE BEACH.
47
00:03:51,927 --> 00:03:53,407
GET ME BACKUP.
48
00:03:53,537 --> 00:03:55,147
-WE'RE GOING TO HAVE
TO CUT THOSE SIGNS DOWN.
49
00:03:55,278 --> 00:03:58,238
[INTENSE MUSIC]
50
00:03:59,456 --> 00:04:01,937
[FIGHTING, GRUNTING]
51
00:04:10,075 --> 00:04:12,382
-GET HIM! GET HIM, MAN!
52
00:04:12,513 --> 00:04:16,256
[INTENSE MUSIC]
53
00:04:21,739 --> 00:04:25,743
[FIGHTING, GRUNTING]
54
00:04:31,401 --> 00:04:34,143
[GASPING]
55
00:04:34,274 --> 00:04:35,753
[GRUNTING]
56
00:04:37,755 --> 00:04:39,888
-HEY, LET HIM GO!
57
00:04:41,759 --> 00:04:43,892
[GASPING]
58
00:04:45,459 --> 00:04:47,417
[GRUNTS]
59
00:04:47,548 --> 00:04:50,202
[COUGHS]
60
00:04:55,033 --> 00:04:55,904
UGH.
61
00:05:01,866 --> 00:05:03,868
[POLICE SIREN]
62
00:05:03,999 --> 00:05:06,001
[GRUNTS]
63
00:05:08,482 --> 00:05:09,526
[GRUNTS]
64
00:05:16,577 --> 00:05:18,318
[GRUNTS]
65
00:05:20,058 --> 00:05:21,669
-AHH.
66
00:05:21,799 --> 00:05:23,975
[GRUNTS]
67
00:05:26,891 --> 00:05:28,023
-HEY.
68
00:05:30,808 --> 00:05:31,809
-ARE YOU OKAY?
69
00:05:32,462 --> 00:05:33,985
-OH, CORT.
70
00:05:34,116 --> 00:05:35,596
-[LAUGHS] MISS ME, OLD BUDDY?
71
00:05:35,726 --> 00:05:37,032
-WHAT THE HELL
ARE YOU DOING HERE?
72
00:05:37,162 --> 00:05:38,512
I THOUGHT YOU WENT
TO SOUTH AMERICA.
73
00:05:38,642 --> 00:05:40,775
-WELL, I HEARD YOU
NEEDED ME, HERE I AM.
74
00:05:43,691 --> 00:05:44,692
-ALRIGHT, LET'S GO.
75
00:05:44,822 --> 00:05:46,084
-LET ME GO, MAN.
-LET'S GO.
76
00:05:46,215 --> 00:05:47,390
LET'S GO, COME ON.
77
00:05:47,521 --> 00:05:48,304
-MOVE!
78
00:05:48,435 --> 00:05:49,305
-ALRIGHT, ALRIGHT.
79
00:05:49,436 --> 00:05:51,002
-GET ON THERE!
80
00:05:52,177 --> 00:05:53,353
-GET ON!
81
00:05:54,702 --> 00:05:56,051
-THIS TOO?
82
00:05:56,181 --> 00:05:58,053
-ANYTHING THAT CAN
BE USED AS A WEAPON.
83
00:05:58,183 --> 00:05:59,707
I DON'T WANT WHAT'S
GOING ON AT THE BEACH
84
00:05:59,837 --> 00:06:01,970
OUT THERE HAPPENING IN HERE.
85
00:06:02,100 --> 00:06:03,841
WHAT'S THIS? BALLET?
86
00:06:03,972 --> 00:06:05,190
SHAUNI, YOUR NAME'S ON THIS.
87
00:06:05,321 --> 00:06:06,801
-EDDIE IS GOING
WITH ME TONIGHT.
88
00:06:06,931 --> 00:06:07,802
-DOES HE KNOW ABOUT THIS?
89
00:06:07,932 --> 00:06:09,499
-HEY!
90
00:06:09,630 --> 00:06:11,371
-MITCH, THEY NEED YOU
UPSTAIRS, RIGHT NOW.
91
00:06:11,501 --> 00:06:12,937
-BE CAREFUL WITH THESE GUYS.
92
00:06:13,677 --> 00:06:15,897
LISTEN, CLEAN UP THIS
PLACE, I GOT GANGBANGERS.
93
00:06:16,027 --> 00:06:17,377
-COME ON, COME ON!
94
00:06:18,029 --> 00:06:19,814
-COME ON! HEY!
95
00:06:19,944 --> 00:06:20,945
-HEY, HEY!
96
00:06:21,555 --> 00:06:22,382
GET IN THERE!
97
00:06:23,034 --> 00:06:24,819
GET IN THERE!
98
00:06:25,559 --> 00:06:26,864
-CORT?
99
00:06:26,995 --> 00:06:28,953
-HEY, LITTLE LADY.
100
00:06:29,476 --> 00:06:30,694
-I THOUGHT YOU WERE IN AFRICA.
101
00:06:30,825 --> 00:06:31,608
-SOUTH AMERICA.
102
00:06:31,739 --> 00:06:33,262
-NO, I THOUGHT KUWAIT.
103
00:06:33,393 --> 00:06:34,176
-WELL, I GET AROUND.
104
00:06:34,306 --> 00:06:35,699
-HEY,
YOU GOT A PROBLEM?
105
00:06:35,830 --> 00:06:37,962
-COME ON, HOMES. GET OFF ME.
106
00:06:38,093 --> 00:06:39,616
-HEY!
-HEY, HEY, HEY, STAY BACK!
107
00:06:39,747 --> 00:06:41,183
AT THERE.
108
00:06:41,313 --> 00:06:43,533
ANY LIP, AND YOU'LL BE
TALKING OUT OF YOUR ARMPITS!
109
00:06:43,664 --> 00:06:46,928
YO, YOU, TOUGH GUY,
COME HERE, COME HERE!
110
00:06:47,058 --> 00:06:48,364
HOW'S YOUR FIRST AID THESE DAYS?
111
00:06:48,495 --> 00:06:49,278
-I HAVEN'T LOST ONE YET.
112
00:06:49,409 --> 00:06:50,235
SEE YOU AT THE SAFE.
113
00:06:50,366 --> 00:06:51,367
-DON'T TOUCH ME, MAN!
114
00:06:51,498 --> 00:06:53,064
[FIGHTING]
115
00:06:55,806 --> 00:06:56,720
-THEY SAID THAT YOU WERE HURT.
116
00:06:56,851 --> 00:06:58,983
-AHH. NO, I AM FINE, I'M,
117
00:06:59,114 --> 00:07:00,507
I'M FINE, WHY DON'T YOU
JUST TAKE CARE OF THE KID.
118
00:07:00,637 --> 00:07:02,683
-I'M NO KID, ESE.
119
00:07:02,813 --> 00:07:04,989
-YEAH, RIGHT.
YOU'RE BARKER THE WONDER DOG.
-UP YOURS, PAYASO.
120
00:07:05,642 --> 00:07:06,687
YOU THINK YOU'RE BAD, HUH?
121
00:07:07,339 --> 00:07:08,863
THAT DUDE HIT YOU ON
LAND, YOU'D BE DEAD, ESE.
122
00:07:08,993 --> 00:07:10,517
YOU WERE LUCKY.
123
00:07:10,647 --> 00:07:11,474
-YEAH RIGHT, YOU WERE
THE ONE WHO WAS LUCKY.
124
00:07:11,605 --> 00:07:12,780
SHUT UP AND SIT THERE.
125
00:07:15,957 --> 00:07:17,654
-EDDIE, COME ON.
-NO, NO, OW! I AM FINE.
126
00:07:17,785 --> 00:07:20,352
-EVERYTHING OKAY IN HERE?
127
00:07:20,483 --> 00:07:23,094
-YEAH, YEAH, MAN,
EVERYTHING'S JUST FINE.
128
00:07:24,313 --> 00:07:25,749
-HEY,
HEY, SETTLE DOWN
129
00:07:25,880 --> 00:07:26,881
OR YOU'LL BE HERE ALL DAY!
130
00:07:27,011 --> 00:07:28,012
COME ON!
131
00:07:28,143 --> 00:07:28,970
-GET
OUT OF MY FACE!
132
00:07:29,927 --> 00:07:30,798
-LET IT GO!
133
00:07:30,928 --> 00:07:32,626
[ARGUING]
134
00:07:32,756 --> 00:07:34,105
OH, THIS IS GREAT.
135
00:07:34,236 --> 00:07:36,325
I GOT BUDGET CUTS,
POLLUTANTS, GANG FIGHTS.
136
00:07:36,456 --> 00:07:37,674
-CORT: HEY, MITCH.
137
00:07:37,805 --> 00:07:39,371
-MITCH: CORT!
138
00:07:39,502 --> 00:07:40,416
-I KNOW, I KNOW, YOU
PROBABLY THOUGHT I WAS IN--
139
00:07:40,547 --> 00:07:42,026
-TOAD SUCK FERRY, ARKANSAS.
140
00:07:42,157 --> 00:07:44,420
OBVIOUSLY, YOU HAD
SOMETHING TO DO WITH THIS.
141
00:07:44,551 --> 00:07:47,162
-NO WAY, JOSE.
THIS IS ALL GARNER.
142
00:07:47,292 --> 00:07:48,859
-HEY, WHAT CAN I DO?
143
00:07:48,990 --> 00:07:50,426
I BOOK THEM. I PUT THEM
THROUGH THE SYSTEM.
144
00:07:50,557 --> 00:07:52,080
MOST OF THEM WILL
BE OUT TOMORROW.
145
00:07:52,733 --> 00:07:55,475
A FEW OF THEM WILL DO SOME
TIME COME OUT TWICE AS BAD.
146
00:07:57,955 --> 00:07:59,740
EDDIE, WHAT DO YOU SAY?
147
00:07:59,870 --> 00:08:00,654
SHOULD WE BOOK HIM?
148
00:08:00,784 --> 00:08:01,959
-I DON'T KNOW.
149
00:08:02,090 --> 00:08:03,657
-UH, HE'S OKAY.
150
00:08:03,787 --> 00:08:05,528
EDDIE, CAN I TAKE A LOOK
AT YOUR HEAD, PLEASE?
151
00:08:05,659 --> 00:08:06,964
-YEAH, SURE.
152
00:08:07,095 --> 00:08:08,575
-YOU, GET OVER HERE.
153
00:08:08,705 --> 00:08:12,753
I'LL UH, GET THE
WAGONS DOWN HERE.
154
00:08:12,883 --> 00:08:14,363
-WAIT A MINUTE, GAR. LOOK.
155
00:08:17,409 --> 00:08:20,108
THEY'RE JUST KIDS, MAN.
156
00:08:23,459 --> 00:08:25,200
-SEE WHAT CAN HAPPEN WHEN A GUY
GETS HIT OVER THE HEAD?
157
00:08:26,375 --> 00:08:28,464
-CAN I TALK TO YOU
ABOUT THIS IN MY OFFICE?
158
00:08:28,595 --> 00:08:31,032
CAN YOU STAY HERE AND
DO SOMETHING RIGHT?
159
00:08:36,341 --> 00:08:37,473
-HEY.
160
00:08:39,083 --> 00:08:42,826
[LAUGHS] WHY IS IT
THAT EVERY TIME YOU
161
00:08:42,957 --> 00:08:44,393
ASK TO SEE ME IN PRIVATE,
I GET THE FEELING
162
00:08:44,524 --> 00:08:45,916
I SHOULD HAVE NEVER LEFT PHILLY?
163
00:08:46,047 --> 00:08:48,092
-SIT DOWN FOR A
SECOND, WILL YOU?
164
00:08:52,053 --> 00:08:54,795
I MAY HAVE JUST STUCK MY
NECK OUT IN A REAL BIG WAY.
165
00:08:54,925 --> 00:08:57,624
-YEAH? YOURS OR OURS?
166
00:08:58,233 --> 00:09:02,019
-UM, I'VE BEEN THINKING
INSTEAD OF RUNNING THESE KIDS
167
00:09:02,150 --> 00:09:04,413
THROUGH THE COURT PROCESS,
WHERE THEY'RE GONNA
168
00:09:04,544 --> 00:09:05,849
YOU KNOW END UP ON
THE STREETS OR--
169
00:09:05,980 --> 00:09:07,808
-OR DEAD.
-OR DEAD.
170
00:09:07,938 --> 00:09:10,680
I'VE TALKED TO THE COUNTY
ABOUT AN ALTERNATIVE.
171
00:09:10,811 --> 00:09:12,247
-WHAT KIND OF ALTERNATIVE?
172
00:09:12,943 --> 00:09:14,075
-THE WATER PROGRAM.
173
00:09:15,163 --> 00:09:16,904
-MY WATER PROGRAM?
174
00:09:17,034 --> 00:09:18,819
-WELL, LAST I HEARD, IT WAS
THE COUNTY'S WATER PROGRAM.
175
00:09:25,086 --> 00:09:26,130
-WHAT DO YOU SAY, CHAMP?
176
00:09:26,696 --> 00:09:28,655
FEEL LIKE BEING LURED
OUT FOR A LITTLE FUN?
177
00:09:28,785 --> 00:09:30,265
GET MY OLD BIKE OUT
OF STORAGE FOR YOU,
178
00:09:30,874 --> 00:09:31,919
HAVE SOME FOOD, HIT THE FIGHTS.
179
00:09:32,049 --> 00:09:33,790
-FIGHTS?
180
00:09:33,921 --> 00:09:36,488
-YEAH. BOOM-BOOM BENITEZ
VS. HARRY THE HORSE CALLAHAN.
181
00:09:36,619 --> 00:09:37,925
-OH, MAN YOU KNOW
HOW LONG IT'S BEEN
182
00:09:38,055 --> 00:09:38,839
SINCE I'VE BEEN TO THE FIGHTS?
183
00:09:38,969 --> 00:09:40,536
-WHEN?
184
00:09:40,667 --> 00:09:42,016
-FIRST BOUT'S SEVEN SHARP.
GET A MOVE ON, EDDIE.
185
00:09:42,625 --> 00:09:44,975
-TONIGHT, EDDIE IS GOING
TO THE BALLET WITH ME.
186
00:09:46,150 --> 00:09:47,021
-THE WHAT?
187
00:09:48,936 --> 00:09:51,373
-WELL, UM, WELL, COME ON,
SINCE CORT'S IN TOWN...
188
00:09:51,503 --> 00:09:53,070
-YOU'RE NOT DUCKING OUT ON ME.
189
00:09:53,201 --> 00:09:55,420
-OH, HEY, IF THE
BALLET'S SO IMPORTANT.
190
00:09:55,551 --> 00:09:59,076
-OH, COME ON. YOU
UNDERSTAND, RIGHT?
191
00:09:59,207 --> 00:10:00,991
-OH, YEAH, I UNDERSTAND.
192
00:10:01,122 --> 00:10:02,863
WHEN IN DOUBT, BAIL OUT.
193
00:10:02,993 --> 00:10:05,779
I MEAN, THAT IS YOUR MOTTO,
ISN'T IT, MR. JOHN D. CORT?
194
00:10:05,909 --> 00:10:07,868
-NO, MY MOTTO IS "WHEN
THE GOING GETS TOUGH,
195
00:10:07,998 --> 00:10:10,697
"THE TOUGH GET GOING."
196
00:10:16,137 --> 00:10:18,661
ACTUALLY, SHE'LL MISS ME
LIKE CRAZY WHEN I'M GONE.
197
00:10:24,754 --> 00:10:26,930
-CAFFEINE WHERE IS IT?
198
00:10:27,061 --> 00:10:29,106
HEY, WHAT A LEFT
BOOM-BOOM'S GOT, HUH?
199
00:10:29,237 --> 00:10:30,891
-CORT: YEAH. THE
MAN'S A WEAPON.
200
00:10:31,021 --> 00:10:31,979
-SO WHAT'S NEXT?
201
00:10:32,109 --> 00:10:34,372
-RE-UP, START SAVING LIVES.
202
00:10:34,503 --> 00:10:35,286
-MORNING, GUYS.
203
00:10:35,417 --> 00:10:36,766
-FELLAS.
204
00:10:36,897 --> 00:10:38,507
-THEN, IN 10 DAYS,
WHEN YOU'RE CURRENT?
205
00:10:38,638 --> 00:10:41,031
-WELL, IT'S A BIG
WORLD OUT THERE.
206
00:10:41,162 --> 00:10:44,208
-YEAH, WELL, I JUST HOPE I
GET TO SEE SOME OF IT ONE DAY.
207
00:10:44,339 --> 00:10:45,819
-JUST START ONE DAY SOON.
208
00:10:45,949 --> 00:10:46,907
MITCH GOT THE GO-AHEAD TO PUT
209
00:10:47,037 --> 00:10:48,256
THOSE KIDS IN THE WATER PROGRAM.
210
00:10:48,865 --> 00:10:50,562
-AREN'T I LUCKY?
211
00:10:50,693 --> 00:10:51,912
-HEY, YOU'RE LIVING PROOF
THESE PROGRAMS DO SOME GOOD.
212
00:10:52,042 --> 00:10:54,044
-THAT'S ME, THE TOKEN BAD BOY.
213
00:10:54,741 --> 00:10:56,307
SO WHY IS HE THE ONE
HAVING ALL THE FUN?
214
00:10:57,091 --> 00:10:58,570
-BECAUSE YOU GOT SHAUNI.
215
00:10:59,920 --> 00:11:01,269
-WHEN I'M NOT IN THE DOGHOUSE.
216
00:11:02,487 --> 00:11:04,141
-SHE STILL LOVES YOU.
217
00:11:04,272 --> 00:11:05,795
YOU GUYS WILL KISS AND
MAKE UP AND I'LL STILL BE
218
00:11:05,926 --> 00:11:07,623
KING OF THE ONE-NIGHT STANDS.
219
00:11:08,798 --> 00:11:10,495
-WHAT ARE YOU AFRAID OF, CORT?
220
00:11:10,626 --> 00:11:12,759
WHAT'S GOING TO CATCH
YOU IF YOU STOP RUNNING?
221
00:11:12,889 --> 00:11:14,195
-I DON'T KNOW, GARNER.
222
00:11:15,109 --> 00:11:16,414
I DON'T WANT TO FIND OUT.
223
00:11:21,028 --> 00:11:22,116
-MORNING.
224
00:11:22,682 --> 00:11:23,508
-YEAH.
225
00:11:23,639 --> 00:11:25,206
-WHOA, YOU LOOK LIKE--
226
00:11:25,336 --> 00:11:26,642
-YEAH, I KNOW LIKE
SOMETHING THE CAT DRAGGED IN.
227
00:11:29,079 --> 00:11:30,646
MITCH, GARNER TOLD ME THE NEWS.
228
00:11:31,255 --> 00:11:32,561
-WHAT, YOU'RE NOT THRILLED?
229
00:11:32,692 --> 00:11:34,606
-THRILLED OR NOT,
IT DOESN'T MATTER.
230
00:11:34,737 --> 00:11:36,696
LOOK, THERE'S
SOMETHING MISSING HERE.
231
00:11:36,826 --> 00:11:38,219
-YEAH?
232
00:11:38,349 --> 00:11:39,699
-YEAH. I'M GOING TO
NEED MORE MANPOWER.
233
00:11:39,829 --> 00:11:41,135
-SORRY. EVERYBODY'S
ALREADY ASSIGNED.
234
00:11:41,265 --> 00:11:42,440
-EXCEPT FOR CORT.
235
00:11:42,571 --> 00:11:44,138
-NICE GUY, KRAMER.
236
00:11:44,268 --> 00:11:45,182
-OH, WHAT IS THAT
SUPPOSED TO MEAN?
237
00:11:45,313 --> 00:11:46,967
-WHERE DID YOU
SLEEP LAST NIGHT?
238
00:11:49,578 --> 00:11:51,145
-HOW DO YOU KNOW I
WASN'T AT MY PLACE?
239
00:11:51,275 --> 00:11:52,668
-BECAUSE I WAS.
240
00:11:54,191 --> 00:11:57,194
I GOT NERVOUS. I CALLED YOU
UNTIL 3:00 IN THE MORNING.
241
00:11:57,325 --> 00:11:58,718
SO I WENT OVER TO
YOUR HOUSEBOAT,
242
00:11:58,848 --> 00:12:00,894
AND I FELL ASLEEP
THERE, BUT YOU DIDN'T.
243
00:12:02,547 --> 00:12:04,724
-ABOUT CORT, YOU CAN
HAVE HIM. EXCUSE ME.
244
00:12:05,812 --> 00:12:07,509
-AND YOU CAN KEEP
HIM FOR ALL I CARE
245
00:12:07,639 --> 00:12:08,902
BECAUSE EVERY TIME
HE COMES INTO TOWN,
246
00:12:09,032 --> 00:12:10,817
YOU END UP IN TROUBLE.
247
00:12:14,124 --> 00:12:15,343
-UGH.
248
00:12:17,084 --> 00:12:21,392
[POP MUSIC PLAYS]
249
00:12:35,580 --> 00:12:38,496
- MAYBE I AM FOOLISH
250
00:12:39,628 --> 00:12:42,326
OR MAYBE I AMBLIND?
251
00:12:53,033 --> 00:12:55,122
YOU CAN SEE THE THUNDER
UNDERNEATH SIGH
252
00:12:55,252 --> 00:12:57,211
BREAKING THROUGH THE DOOR
FAR FROM THIS LIFE
253
00:12:57,341 --> 00:12:59,779
NEVER KNOWING WHEN OR IF YOU MIGHT DIE
254
00:12:59,909 --> 00:13:02,129
STAYING LOW AND ONLY MOVING
THROUGH THE DARKNESS
255
00:13:02,259 --> 00:13:04,305
SO HOLD YOUR HEAD UP TIL WE ALL FLY
SO HOLD YOUR HEAD UP
256
00:13:04,435 --> 00:13:06,916
WE'RE LOOKING FOR THE RAPTURE
SO WE KEEP ON RISING
257
00:13:07,047 --> 00:13:08,962
NEVER BEEN MUCH FOR THE SADNESS
258
00:13:09,092 --> 00:13:11,529
WHEN ALL THE WORLD AROUND
IS ONLY MADNESS
259
00:13:14,097 --> 00:13:16,273
WHEN ALL THE WORLD AROUND
IS ONLY MADNESS
260
00:13:17,927 --> 00:13:20,930
WE ARE BOUND LIKE THIS
261
00:13:23,280 --> 00:13:27,894
WE ARE ALL BOUND LIKE
SISTERS AND BROTHERS
262
00:13:28,024 --> 00:13:30,287
CAN WE GIVE ENOUGH BEFORE
WE ALL COME UNDONE
263
00:13:30,418 --> 00:13:35,031
DON'T FORGET THE LOVE THEY SAY
KEEP IT ALL HIDDEN AWAY NOW
264
00:13:35,162 --> 00:13:39,601
ITS ONLY BEEN 17 YEARS
WILL I BE ALIVE TOMORROW?
265
00:13:39,731 --> 00:13:42,082
DON'T FORGET THE LOVE THEY SAY?
266
00:13:42,212 --> 00:13:44,388
KEEP IT ALL HIDDEN AWAY NOW
267
00:13:44,519 --> 00:13:49,132
ITS ONLY BEEN 17 YEARS?
WILL I BE ALIVE TOMORROW?
268
00:13:51,482 --> 00:13:53,745
BE ALIVE TOMORROW
269
00:13:53,876 --> 00:13:59,099
WILL I BE ALIVE TOMORROW?
270
00:14:22,644 --> 00:14:25,386
MAYBE I AM FOOLISH
271
00:14:26,126 --> 00:14:28,998
AND MAYBE I AMBLIND
272
00:14:30,695 --> 00:14:34,656
BUT I DO WHAT I NEED
273
00:14:34,786 --> 00:14:37,659
AND IT'S NOT HOW I AM DEFINED
274
00:14:39,966 --> 00:14:44,057
I'M JUST A MAN AT TIMES
275
00:14:44,187 --> 00:14:46,929
I HAVE BEEN UNKIND
276
00:14:48,539 --> 00:14:51,803
BUT ITS ONLY TO SURVIVE I WON'T,
277
00:14:51,934 --> 00:14:54,545
FORGET THIS LOVE
278
00:14:54,676 --> 00:14:58,288
FORGET THIS LOVE, THIS TIME
279
00:14:59,376 --> 00:15:04,991
I WON'T, FORGET THIS LOVE
FORGET THIS LOVE, THIS TIME
280
00:15:06,557 --> 00:15:10,518
DON'T FORGET THE LOVE THEY SAY
KEEP IT ALL HIDDEN AWAY NOW
281
00:15:10,648 --> 00:15:16,654
ITS ONLY BEEN 17 YEARS
WILL I BE ALIVE TOMORROW?
282
00:15:27,578 --> 00:15:29,537
[CAR HORN HONKING]
283
00:15:29,667 --> 00:15:31,408
[SPEAKING SPANISH]
284
00:15:33,280 --> 00:15:34,934
-WATCH OUT, VATO.
285
00:15:36,326 --> 00:15:40,243
-HEY, WHEN YOU BRING YOUR
BUSINESS WHERE I DO MY BUSINESS,
286
00:15:40,983 --> 00:15:42,506
MAKES IT HARD TO DO BUSINESS.
287
00:15:44,073 --> 00:15:45,596
-WELL, I BET YOUR
GUNS MAKE YOU FEEL LIKE
288
00:15:45,727 --> 00:15:47,250
BIG PANDILLEROS, HUH?
289
00:15:47,381 --> 00:15:49,557
-HEY, YOU KNOW, YOU
GOT A BIG MOUTH, ESE.
290
00:15:49,687 --> 00:15:51,428
YOU BETTER CHECK IT
BEFORE YOU WRECK IT.
291
00:15:51,559 --> 00:15:53,126
WHY DON'T YOU SPLIT?
292
00:15:53,256 --> 00:15:54,431
-WHAT IF I DON'T FEEL LIKE IT?
293
00:15:55,171 --> 00:15:56,694
-IT DON'T MATTER.
294
00:15:58,218 --> 00:15:59,088
WE'RE OUT OF HERE.
295
00:16:00,263 --> 00:16:01,830
-YOU BETTER BOOK, PUNK.
296
00:16:02,613 --> 00:16:06,966
[INTENSE MUSIC]
297
00:16:11,057 --> 00:16:12,797
-YOU OWE ME, COWBOY.
298
00:16:14,886 --> 00:16:17,759
-I THINK YOU'RE FORGETTING
THIS IS BETTER THAN JAIL.
299
00:16:17,889 --> 00:16:20,457
-THIS WILL MAKE US EVEN.
300
00:16:20,588 --> 00:16:24,374
[INTENSE MUSIC]
301
00:16:35,907 --> 00:16:37,213
-ALRIGHT, ALRIGHT.
302
00:16:37,344 --> 00:16:38,998
ONE SHOT FOR THE
HISTORY BOOKS HERE.
303
00:16:41,348 --> 00:16:42,218
SAY CHEESE.
304
00:16:42,349 --> 00:16:43,350
[CAMERA CLICKS]
305
00:16:43,480 --> 00:16:45,308
YOU GUYS ARE BEAUTIFUL.
306
00:16:45,439 --> 00:16:46,570
-THAT'S WHAT SHE SAID.
307
00:16:46,701 --> 00:16:48,442
-THAT'S WHAT SHE SAID?
308
00:16:48,572 --> 00:16:49,573
I BET.
309
00:16:52,141 --> 00:16:53,534
COME ON, COME ON.
310
00:16:53,664 --> 00:16:54,970
-LOOK WHO'S HERE.
-OH, MAN.
311
00:16:55,101 --> 00:16:56,493
-THIS IS OUR
NEIGHBORHOOD, DUDE.
312
00:16:58,060 --> 00:16:59,192
-ALRIGHT.
313
00:17:01,672 --> 00:17:03,152
-NOW, LET'S MOVE
ON DOWN THE DOCK.
314
00:17:03,892 --> 00:17:05,589
WHAT WE'RE TRYING TO DO
HERE IS INTRODUCE KIDS
315
00:17:05,720 --> 00:17:07,374
WHO OTHERWISE MIGHT
NOT GET TO THE BEACH
316
00:17:07,504 --> 00:17:09,985
TO THE ACTIVITIES,
THE FUN AND ALL
317
00:17:10,116 --> 00:17:11,334
THE DIFFERENT THINGS WE
CAN DO... [SPITS SPITBALL]
318
00:17:11,465 --> 00:17:12,379
-HEY, HOMES, WHAT'S UP?
319
00:17:12,509 --> 00:17:14,381
[ARGUING, FIGHTING]
320
00:17:23,085 --> 00:17:25,000
-ALRIGHT, LET'S GET ON.
321
00:17:26,784 --> 00:17:28,569
-WHAT'S THE MATTER
WITH YOU, MAN?
322
00:17:28,699 --> 00:17:30,005
-WHAT ARE YOU WAITING
FOR? MOVE, MOVE!
323
00:17:30,136 --> 00:17:32,138
-HEY, HEY, HEY, HEY, HEY, HEY!
324
00:17:32,268 --> 00:17:34,879
MIKE, I DON'T THINK THIS
APPROACH IS WORKING, ALL RIGHT?
325
00:17:35,010 --> 00:17:36,838
-NOT YET, MAYBE.
326
00:17:36,968 --> 00:17:37,882
[BLOWS WHISTLE]
327
00:17:38,013 --> 00:17:38,970
-HEY.
328
00:17:39,101 --> 00:17:40,276
-GET ON!
329
00:17:41,234 --> 00:17:42,452
WHAT ARE YOU GUYS, DEAF?
330
00:17:42,583 --> 00:17:44,541
-NO, THEY'RE NOT
DEAF. THEY'RE WIMPS.
331
00:17:44,672 --> 00:17:47,283
-YEAH, LOTS OF ATTITUDE,
BUT NO GANAS, HUH?
332
00:17:47,414 --> 00:17:49,285
-YOU KNOW, MAYBE
WE OUGHT TO FORGET
333
00:17:49,416 --> 00:17:51,157
THIS BOAT RIDE AND SEND
THEM TO BEAUTY SCHOOL.
334
00:17:53,333 --> 00:17:54,116
-HEY, HEY.
335
00:17:54,247 --> 00:17:55,857
-ALRIGHT, LET'S MOVE.
336
00:17:55,987 --> 00:18:00,122
-EASY, EASY, EASY,
EASY, COME ON.
337
00:18:03,691 --> 00:18:04,822
COME ON, EASY.
338
00:18:04,953 --> 00:18:05,693
-EVERYBODY ON.
-WELCOME TO THE,
339
00:18:05,823 --> 00:18:07,347
THE WATER PROGRAM, BOYS.
340
00:18:07,912 --> 00:18:12,091
[UPBEAT MUSIC]
341
00:19:54,628 --> 00:19:57,283
-OKAY, MOVE A LITTLE
BIT TO YOUR LEFT.
342
00:19:57,413 --> 00:19:58,893
GREAT.
343
00:19:59,023 --> 00:20:00,634
OKAY, LOOK THIS WAY.
344
00:20:00,764 --> 00:20:02,375
GREAT.
345
00:20:02,505 --> 00:20:03,941
GREAT.
346
00:20:04,072 --> 00:20:05,029
[CAMERA CLICKING]
347
00:20:05,160 --> 00:20:06,117
OKAY, A LITTLE BIT TO THE RIGHT.
348
00:20:06,248 --> 00:20:07,467
OKAY, AND LOOK TOWARDS ME.
349
00:20:08,119 --> 00:20:09,643
BEAUTIFUL. GREAT.
350
00:20:10,470 --> 00:20:11,906
OKAY, YOU LOOK GREAT.
351
00:20:12,036 --> 00:20:13,473
-ALL RIGHT, HERE WE GO.
352
00:20:14,561 --> 00:20:15,736
COME ON.
353
00:20:15,866 --> 00:20:17,868
BATHROOMS ARE STRAIGHT AHEAD.
354
00:20:19,479 --> 00:20:21,437
I DON'T THINK HE'S
GOING TO MAKE IT.
355
00:20:22,351 --> 00:20:24,048
GOOD TIME, HUH?
356
00:20:26,529 --> 00:20:28,749
YOU KNOW, THERE'S NO
CRIME IN ADMITTING,
357
00:20:28,879 --> 00:20:31,055
YOU'RE HAVING A GOOD TIME
EVERY ONCE IN A WHILE.
358
00:20:33,057 --> 00:20:34,450
HEY LOOK, MAN, MAYBE, UH,
359
00:20:34,581 --> 00:20:36,713
MAYBE, SOMETIME,
I COULD HELP OUT?
360
00:20:36,844 --> 00:20:38,628
-NO ONE HELPS
MEMO BUT MEMO, ESE.
361
00:20:38,759 --> 00:20:40,587
-I THINK YOU'RE WRONG.
362
00:20:41,457 --> 00:20:42,980
-A GUY CAN GET HURT
TALKING LIKE THAT.
363
00:20:43,111 --> 00:20:45,679
-RIGHT NOW, YOU'RE THE
ONE THAT'S GETTING HURT.
364
00:20:45,809 --> 00:20:46,941
-MEMO!
365
00:20:47,681 --> 00:20:49,160
GET YOUR STUFF. YOU'RE
OUT OF HERE, ORALE.
366
00:20:49,683 --> 00:20:51,119
-I DON'T THINK SO.
367
00:20:51,859 --> 00:20:53,556
-HEY, NOBODY CARES
WHAT YOU THINK.
368
00:20:53,687 --> 00:20:56,516
-HEY MAN, IT'S THIS
PROGRAM OR IT'S JAIL.
369
00:20:56,646 --> 00:20:58,648
-YEAH WELL, JAIL'S NOT
SO BAD. I'VE DONE MY TIME.
370
00:20:58,779 --> 00:21:00,041
-SO HAVE I.
371
00:21:00,955 --> 00:21:02,304
I GUARANTEE YOU,
372
00:21:03,174 --> 00:21:05,655
HE'S GONNA LEARN A
LOT BETTER THINGS HERE
THAN HE EVER WILL IN THERE.
373
00:21:05,786 --> 00:21:06,656
-BETTER FOR WHAT?
374
00:21:07,440 --> 00:21:08,789
NOT BETTER FOR MY WORLD.
375
00:21:09,442 --> 00:21:10,530
-MAYBE HE WANTS TO STAY.
376
00:21:12,488 --> 00:21:13,315
-DO YOU WANT TO STAY?
377
00:21:14,229 --> 00:21:15,186
-NO, MAN.
378
00:21:15,317 --> 00:21:16,840
[UPBEAT MUSIC]
379
00:21:26,546 --> 00:21:30,419
[MOTORCYCLE REVVING]
380
00:21:35,032 --> 00:21:37,731
-WELL, MIKE, CALL GARNER.
381
00:21:37,861 --> 00:21:39,472
HEY, GUYS, COME
ON, LET'S GO, HUH?
382
00:21:39,602 --> 00:21:40,995
WE GOT A LOT OF
THINGS TO DO YET,
383
00:21:41,125 --> 00:21:42,823
UNLESS YOU GUYS WANT
TO BE PUT AWAY TOO.
384
00:21:42,953 --> 00:21:44,781
-ANYTHING WOULD BE BETTER
THAN GOING BACK ON THAT BOAT.
385
00:21:44,912 --> 00:21:46,783
-CHECK OUT THE BLOND CHICK.
386
00:21:47,523 --> 00:21:48,916
-DO WE REALLY HAVE
TO GO DOWN THERE?
387
00:21:49,046 --> 00:21:51,266
I THOUGHT YOU SAID WE'D
BE OUT OF HERE BY THREE.
388
00:22:04,845 --> 00:22:06,803
JOHN D. CORT?
389
00:22:07,674 --> 00:22:09,937
-GUILTY AS CHARGED. HEY.
390
00:22:10,067 --> 00:22:11,025
-HEY.
391
00:22:11,155 --> 00:22:12,200
-MM.
392
00:22:12,331 --> 00:22:13,593
-MM. I HEARD YOU
WERE IN AFRICA.
393
00:22:13,723 --> 00:22:15,682
-WELL, I WAS.
394
00:22:15,812 --> 00:22:17,988
WHAT DO YOU SAY WE
GET TOGETHER TONIGHT
AND TALK ABOUT BIG GAME?
395
00:22:18,119 --> 00:22:19,642
-MMM.
396
00:22:19,773 --> 00:22:21,252
I LIKE IT.
397
00:22:22,166 --> 00:22:26,649
[MELLOW MUSIC]
398
00:22:40,271 --> 00:22:41,403
-HI.
-HI.
399
00:22:42,535 --> 00:22:44,885
UM, I KNOW IT'S LATE.
400
00:22:45,015 --> 00:22:46,234
-EDDIE, COOL IT.
401
00:22:47,409 --> 00:22:48,758
-OKAY.
402
00:22:48,889 --> 00:22:50,151
-LOOK, I DIDN'T COME
HERE TO GET ON YOU
403
00:22:50,281 --> 00:22:51,718
ABOUT STAYING OUT LATE.
404
00:22:51,848 --> 00:22:54,242
I JUST WANTED TO MAKE
SURE YOU GOT HOME SAFE.
405
00:22:55,548 --> 00:22:57,376
-AND, UM, HOW DO
YOU KNOW I WASN'T
406
00:22:57,506 --> 00:22:58,986
GOING TO BE OUT ALL
NIGHT WITH CORT?
407
00:22:59,116 --> 00:23:00,422
-BECAUSE CORT CALLED ME.
408
00:23:00,553 --> 00:23:02,555
HE'S BEEN CALLING
ME EVERY HALF HOUR.
409
00:23:02,685 --> 00:23:05,384
WHY WERE YOU THE ONE TO
TAKE THOSE KIDS HOME ALONE?
410
00:23:07,516 --> 00:23:09,300
-I'VE BEEN OUT
LOOKING FOR MEMO.
411
00:23:13,000 --> 00:23:14,436
I KNOW HE HAD A GOOD
TIME ON THE SCARAB.
412
00:23:15,524 --> 00:23:16,612
HE WON'T ADMIT IT.
413
00:23:17,613 --> 00:23:19,746
HE WANTS TO BE A PART
OF THIS PROGRAM, SHAUNI.
414
00:23:19,876 --> 00:23:21,312
HE'S HAVING A GREAT TIME,
BUT FOR SOME REASON,
415
00:23:21,443 --> 00:23:23,793
HE WON'T OPEN UP.
416
00:23:23,924 --> 00:23:26,405
-YOU MEAN, LIKE YOU AT
THE Y POOL IN PHILLY?
417
00:23:28,624 --> 00:23:30,583
-YEAH, LIKE ME AT
THE Y POOL IN PHILLY.
418
00:23:31,235 --> 00:23:32,236
-AND THEN THERE WAS THAT GUY.
419
00:23:34,630 --> 00:23:35,544
-DENNY CURREN.
420
00:23:37,328 --> 00:23:40,810
I HATED THAT GUY.
HE WAS SO HARD ON ME.
421
00:23:44,074 --> 00:23:45,685
GREATEST MAN I'VE EVER KNOWN.
422
00:23:47,164 --> 00:23:49,079
ANYTHING I AM TODAY,
I AM BECAUSE OF HIM.
423
00:23:49,689 --> 00:23:51,038
-WELL NOW IT'S
YOUR TURN, EDDIE.
424
00:23:51,168 --> 00:23:52,431
DON'T LET THIS KID
GET AWAY FROM YOU.
425
00:23:52,561 --> 00:23:54,128
YOU'VE GOT TO MAKE
THIS WORK FOR HIM.
426
00:23:56,652 --> 00:23:58,437
YOU GOT TO MAKE IT WORK FOR YOU.
427
00:24:06,662 --> 00:24:10,449
[OMINOUS MUSIC]
428
00:24:24,419 --> 00:24:26,900
[CAR HORN HONKING]
429
00:24:30,077 --> 00:24:31,818
-[SPEAKING SPANISH]
430
00:24:31,948 --> 00:24:34,298
-I SUPPOSE YOU STILL
HAVEN'T SEEN MEMO.
431
00:24:34,429 --> 00:24:35,909
-MAN, ARE YOU CRAZY?
432
00:24:36,039 --> 00:24:37,171
I TOLD YOU FOUR HOURS AGO
THAT I AIN'T SEEN HIM,
433
00:24:37,824 --> 00:24:39,739
AND I SURE AS HELL
DIDN'T SEE HIM IN MY BED.
434
00:24:40,827 --> 00:24:42,393
-SO HOW DO WE FIND HIM?
435
00:24:42,524 --> 00:24:43,960
[LAUGHING]
436
00:24:45,135 --> 00:24:46,310
-WE DON'T.
437
00:24:46,441 --> 00:24:48,269
[LAUGHING]
438
00:24:48,399 --> 00:24:49,662
-WE DO.
439
00:24:50,271 --> 00:24:51,751
-YOU ARE CRAZY, HUH?
440
00:24:51,881 --> 00:24:53,883
NO ONE MESSES WITH MEMO'S PADRE.
441
00:24:54,014 --> 00:24:56,190
HE SITS ON YOU, YOU
REAL DEAD, HOMES.
442
00:24:56,320 --> 00:24:58,061
-YEAH, WE'LL SEE.
443
00:25:01,412 --> 00:25:03,545
-I GOT DIBS ON THE
COWBOY'S WATCH, EH?
444
00:25:03,676 --> 00:25:05,373
[LAUGHING]
445
00:25:11,597 --> 00:25:16,384
[OMINOUS MUSIC]
446
00:25:44,499 --> 00:25:46,632
-IF THE OLD MAN'S
HERE, BUY ME SOME TIME.
447
00:25:51,462 --> 00:25:52,768
[KNOCKING]
448
00:25:58,208 --> 00:25:59,645
-I'M BUSY.
449
00:25:59,775 --> 00:26:01,690
-HEY, UH, WE JUST WANT TO TALK.
450
00:26:01,821 --> 00:26:03,300
-YOU KNOW WHAT? GET
OFF MY PROPERTY, MAN.
451
00:26:03,431 --> 00:26:04,345
GET OFF MY PROPERTY.
452
00:26:04,998 --> 00:26:06,260
-OR WHAT? YOU'RE
GONNA CALL THE LAW?
453
00:26:06,390 --> 00:26:08,392
-HEY, IN THIS
BARRIO, I AM THE LAW.
454
00:26:11,134 --> 00:26:14,398
[FIGHTING NOISE]
455
00:26:15,704 --> 00:26:16,879
-WHAT ARE YOU DOING HERE, MAN?
456
00:26:17,010 --> 00:26:19,665
[FIGHTING, GRUNTING]
457
00:26:19,795 --> 00:26:21,014
-HEY, COME ON.
458
00:26:21,884 --> 00:26:23,930
-TRYING TO GIVE YOU
SOME OTHER OPTIONS.
459
00:26:24,060 --> 00:26:25,496
-I DON'T NEED OPTIONS, ESE.
460
00:26:25,627 --> 00:26:27,194
I GOT EVERYTHING I NEED.
461
00:26:28,325 --> 00:26:30,110
-WELL, YOU HAVE A FATHER,
THAT'S ONE UP ON ME.
462
00:26:30,240 --> 00:26:32,634
[CRASHING]
463
00:26:32,765 --> 00:26:34,593
-I HOPE I'M BUYING
YOU ENOUGH TIME.
464
00:26:37,770 --> 00:26:38,901
-I DON'T KNOW.
465
00:26:39,772 --> 00:26:41,904
WHEN I THINK ABOUT IT,
WHEN PUSH CAME TO SHOVE
466
00:26:42,035 --> 00:26:44,428
THE ONLY THING EVER HOLDING
ME BACK WERE MY OWN FEARS.
467
00:26:45,081 --> 00:26:46,517
-NOW, COME ON!
468
00:26:46,648 --> 00:26:49,956
[FIGHTING, GRUNTING]
469
00:26:52,132 --> 00:26:53,220
[GRUNTING]
470
00:26:53,350 --> 00:26:54,874
-CORT, IT'S ALL RIGHT, MAN.
471
00:26:55,004 --> 00:26:56,397
COME ON, COME ON, THAT'S ENOUGH.
472
00:26:57,180 --> 00:26:58,399
ALL RIGHT.
473
00:27:00,314 --> 00:27:01,532
-THE MAN SAYS YOU'RE AFRAID.
474
00:27:01,663 --> 00:27:02,533
-WHAT, OF HIM?
475
00:27:02,664 --> 00:27:04,100
-NO.
476
00:27:04,231 --> 00:27:05,493
AFRAID OF WHAT MEMO
MIGHT LEARN OUT THERE.
477
00:27:06,668 --> 00:27:08,670
-WHAT? HOW TO BE A
CUTE LITTLE SURFER, HUH?
478
00:27:08,801 --> 00:27:10,890
HOW TO GET A NICE TAN?
479
00:27:11,020 --> 00:27:12,500
WELL, YOU SEE ANY
WAVES AROUND HERE?
480
00:27:12,631 --> 00:27:14,850
-NO MAN, THERE WERE NO
WAVES WHERE I GREW UP EITHER.
481
00:27:14,981 --> 00:27:16,678
I DIDN'T EVEN SEE THE
OCEAN UNTIL I WAS 19.
482
00:27:16,809 --> 00:27:19,072
ALL ANYONE EVER OFFERED
ME WAS A 10-BY-20 POOL
483
00:27:19,202 --> 00:27:21,552
WITH CHIPPED TILES,
STINKING OF CHLORINE.
484
00:27:22,466 --> 00:27:25,774
BUT YOU KNOW WHAT?
IT WAS ANOTHER LIFE, MAN.
485
00:27:26,340 --> 00:27:27,428
IT WAS ANOTHER LIFE
OTHER THAN THE ONE
486
00:27:27,558 --> 00:27:28,951
THAT I THOUGHT I WAS STUCK IN.
487
00:27:30,431 --> 00:27:32,259
-YEAH, SO MEMO
GETS OUT THERE, HUH,
488
00:27:32,389 --> 00:27:34,043
GETS A TASTE OF SOMETHING.
489
00:27:34,174 --> 00:27:35,610
WHAT HAPPENS WHEN
HE WANTS MORE, ESE?
490
00:27:35,741 --> 00:27:38,134
HE GETS DOORS
SLAMMED IN HIS FACE.
491
00:27:38,265 --> 00:27:40,833
YEAH, BECAUSE OF WHO HE IS,
BECAUSE OF WHERE HE'S FROM.
492
00:27:40,963 --> 00:27:42,486
-IT DOESN'T HAVE
TO BE THAT WAY.
493
00:27:42,617 --> 00:27:44,140
-DON'T TELL ME.
494
00:27:44,271 --> 00:27:46,708
I KNOW AND I KNOW
WHERE HE BELONGS.
495
00:27:46,839 --> 00:27:48,667
AROUND HERE, MEMO'S
BIG TIME, ESE.
496
00:27:49,624 --> 00:27:51,582
HE GETS RESPETO,
YOU UNDERSTAND?
497
00:27:51,713 --> 00:27:53,497
EVERYBODY KNOWS
WHO HE IS, HOMES.
498
00:27:53,628 --> 00:27:55,282
-SO WHAT?
499
00:27:55,412 --> 00:27:58,720
SO WHAT, IN TIME, HE HAS
TATTOOS ALL OVER HIS ARMS,
500
00:27:58,851 --> 00:28:01,375
KNIFE SCARS ON HIS CHEST OR
WORSE YET HE ENDS UP DEAD.
501
00:28:01,505 --> 00:28:02,376
IS THAT WHAT YOU WANT, ESE?
502
00:28:04,726 --> 00:28:05,684
GO INSIDE, MEMO.
503
00:28:09,122 --> 00:28:11,298
YOU KNOW WHAT? YOU GUYS
GET YOUR BUTTS OUT OF HERE.
504
00:28:12,560 --> 00:28:13,387
GET OUT OF HERE NOW!
505
00:28:13,517 --> 00:28:15,258
AND YOU TELL THEM COPS,
506
00:28:16,564 --> 00:28:18,218
THEY WANT TO COME TAKE HIM,
507
00:28:18,348 --> 00:28:20,133
THEY'LL NEVER MAKE IT
THROUGH MY FRONT YARD.
508
00:28:24,572 --> 00:28:26,574
-WELL, THAT WAS INTERESTING.
509
00:28:26,705 --> 00:28:28,315
-YOU EVER GET SO
MAD, YOU WANT TO PUT
YOUR FIST THROUGH A WALL?
510
00:28:28,445 --> 00:28:30,491
-ACTUALLY, I FEEL
LIKE I JUST DID.
511
00:28:30,621 --> 00:28:31,579
-HEY, LISTEN. YOU WERE GREAT.
512
00:28:31,710 --> 00:28:33,450
-NO, MAN, YOU WERE GREAT.
513
00:28:33,581 --> 00:28:35,061
IF IT HAD BEEN ME YOU
WERE RECRUITING IN THERE,
514
00:28:35,191 --> 00:28:36,410
I WOULD HAVE JOINED UP.
515
00:28:39,935 --> 00:28:40,849
[CLOSES CAR DOOR]
516
00:28:45,201 --> 00:28:46,768
-WHAT ARE WE WAITING FOR?
517
00:28:46,899 --> 00:28:48,727
THERE'S THIS WHOLE NEW
WORLD AT THE BEACH, RIGHT?
518
00:28:56,212 --> 00:28:57,605
-HEY.
-HEY.
519
00:28:57,736 --> 00:28:59,302
-HEY, COME ON, NOW.
520
00:28:59,433 --> 00:29:01,348
GO CHANGED IN THE LOCKER ROOM.
LET'S GO, COME ON.
521
00:29:01,478 --> 00:29:03,132
-HEY, YOU LOOKING FINE.
522
00:29:05,439 --> 00:29:07,615
-COME ON, COME ON.
HUSTLE UP. SURF'S UP.
523
00:29:12,925 --> 00:29:16,015
-DIO! THESE THINGS MADE
FOR HUMANS? [LAUGHS]
524
00:29:16,145 --> 00:29:18,104
-HEY, NOBODY SAID
THAT GOOD CLEAN FUN
525
00:29:18,234 --> 00:29:19,105
WAS GOING TO BE EASY.
526
00:29:19,235 --> 00:29:20,628
-COME ON. HERE WE GO.
527
00:29:20,759 --> 00:29:21,847
-HERE. WHY DON'T YOU
USE THIS? IT WILL HELP.
528
00:29:22,761 --> 00:29:25,589
[REGGAE MUSIC PLAYS]
529
00:29:34,685 --> 00:29:37,427
ON THE OTHER SIDE OF TOWN
530
00:29:37,558 --> 00:29:39,865
THERE'S A FORCE, AND IT'S EASY
531
00:29:39,995 --> 00:29:42,084
JUST TO SIT AND SHUT IT DOWN
532
00:29:43,129 --> 00:29:45,000
BUT THE RIGHT WAY, IS THE RIGHT WAY
533
00:29:45,131 --> 00:29:46,828
NO MATTER HOW YOU WANT ROLL
534
00:29:48,047 --> 00:29:49,657
NO MATTER HOW YOU WANT TO PLAY
535
00:29:50,658 --> 00:29:52,791
THIS IS THE TIME TO SAY
536
00:29:52,921 --> 00:29:55,358
I'M COMMITTED TO A HIGHER LEVEL
537
00:29:55,489 --> 00:29:56,969
YOU'VE GOT TO CHOOSE THAT PATH
538
00:29:57,099 --> 00:29:59,319
MASKED IN THE PRESSURES YOU FACE
539
00:29:59,449 --> 00:30:01,887
IT'S HARD TO KNOW WHEN
THE TIME IS RIGHT
540
00:30:02,017 --> 00:30:04,890
BUT FAITH DOESN'T NEED A REASON
541
00:30:05,020 --> 00:30:06,935
NOW IS ALL YOU HAVE
542
00:30:07,066 --> 00:30:10,634
IT'LL NEVER BE BETTER
THAN THIS VERY MOMENT
543
00:30:10,765 --> 00:30:13,507
MAKE IT YOURS, IT'S YOUR ONLY CHANCE
544
00:30:16,379 --> 00:30:20,949
WE DO IT FOR ONE REASON
RIGHT FROM THE START
545
00:30:21,558 --> 00:30:25,606
YOU AND ME TOGETHER
WE DO IT FROM THE HEART
546
00:30:26,607 --> 00:30:28,914
WE DO IT FROM THE HEART
547
00:30:29,044 --> 00:30:31,568
WE DO IT FROM THE HEART
548
00:30:31,699 --> 00:30:34,223
WE DO IT FROM THE HEART
549
00:30:36,747 --> 00:30:41,100
IT'S THE ONLY WAY IT'LL NEVER CHANGE
550
00:30:42,231 --> 00:30:46,496
IT'S THE ONLY WAY
THAT WILL NEVER CHANGE
551
00:30:57,507 --> 00:31:00,206
I'VE BEEN LOOKING FOR THE ANSWERS
552
00:31:00,336 --> 00:31:02,556
I'VE BEEN PICKING UP THE CALLS
553
00:31:02,686 --> 00:31:04,950
I'VE BEEN LOOKING FOR THE RIGHT WAY
554
00:31:05,080 --> 00:31:07,213
IN BETWEEN THESE WALLS
555
00:31:08,040 --> 00:31:09,911
I FOUND OUT THEY WERE WRONG
556
00:31:10,651 --> 00:31:12,871
I KNEW IT BUT COULD NEVER PROVE IT
557
00:31:13,001 --> 00:31:15,395
JUDGE NOT WHAT LIES IN FRONT OF YOU
558
00:31:15,525 --> 00:31:17,614
BUT WHAT LIES WITHIN
559
00:31:18,441 --> 00:31:22,532
WE DO IT FOR ONE REASON
RIGHT FROM THE START
560
00:31:23,272 --> 00:31:27,668
YOU AND ME TOGETHER
WE DO IT FROM THE HEART
561
00:31:28,756 --> 00:31:30,323
WE DO IT FROM THE HEART
562
00:31:31,324 --> 00:31:32,673
WE DO IT FROM THE HEART
563
00:31:32,803 --> 00:31:34,022
[WHISTLES]
564
00:31:38,418 --> 00:31:39,506
-HEY, HEY, THAT'S MY WATCH.
565
00:31:39,636 --> 00:31:40,986
-RUN, RUN, RUN!
566
00:31:42,117 --> 00:31:44,293
-HEY, HEY, HEY, HEY!
567
00:31:44,424 --> 00:31:46,121
EDDIE, GRAB HIM!
HE'S GOT OUR MONEY!
568
00:31:47,166 --> 00:31:50,778
[INTENSE MUSIC]
569
00:34:02,431 --> 00:34:03,737
-AGH!
570
00:34:03,867 --> 00:34:05,043
AH!
571
00:34:06,044 --> 00:34:08,872
[FIGHTING, GRUNTING]
572
00:34:09,003 --> 00:34:10,831
-AH!
573
00:34:12,180 --> 00:34:14,530
-WHAT, WHAT THE HELL
IS WRONG WITH YOU?
574
00:34:14,661 --> 00:34:16,054
-WHAT, ARE YOU STUPID?
575
00:34:16,184 --> 00:34:17,794
I WAS GETTING SOME
SPENDING MONEY.
576
00:34:18,969 --> 00:34:20,362
-I AIN'T TALKING
ABOUT THE MONEY, MAN.
577
00:34:20,971 --> 00:34:22,669
I'M TALKING ABOUT
YOU SPITTING ON ME.
578
00:34:22,799 --> 00:34:24,845
[GRUNTING]
579
00:34:24,975 --> 00:34:27,500
OH, YOU'RE SO TOUGH,
AREN'T YOU, HUH?
580
00:34:27,630 --> 00:34:29,893
TOO TOUGH FOR ME, TOO
TOUGH FOR MY WATER PROGRAM.
581
00:34:32,026 --> 00:34:34,376
YOU THINK YOU'RE AS
TOUGH AS YOUR OLD MAN,
582
00:34:34,507 --> 00:34:36,422
BUT YOU AIN'T TOUGH ENOUGH
TO STAND UP TO HIM, ARE YOU?
583
00:34:37,292 --> 00:34:38,119
-WOULD YOU BE?
584
00:34:40,730 --> 00:34:42,123
-NO. NO.
585
00:34:43,168 --> 00:34:44,430
YOU'RE RIGHT.
586
00:34:47,694 --> 00:34:50,784
HERE, MAN, TAKE IT. TAKE
THE MONEY. IT'S MINE.
587
00:34:52,046 --> 00:34:53,526
TELL YOUR OLD MAN YOU STOLE IT.
588
00:34:59,880 --> 00:35:01,490
-HE'S ALL I GOT, MAN.
589
00:35:01,621 --> 00:35:03,884
-NO. NO, HE'S NOT, MAN.
590
00:35:04,014 --> 00:35:05,842
THAT'S WHAT I'M
TRYING TO TELL YOU.
591
00:35:05,973 --> 00:35:08,671
THERE'S OTHER PEOPLE,
THERE'S OTHER WAYS, MAN.
592
00:35:08,802 --> 00:35:10,543
HELL, I FOUND ONE.
593
00:35:10,673 --> 00:35:13,589
I'M NOT SAYING MINE'S THE
WAY, BUT TAKE A CHANCE, MAN.
594
00:35:13,720 --> 00:35:15,113
TRY TO FIND ONE FOR YOURSELF.
595
00:35:15,243 --> 00:35:16,636
-HOW?
596
00:35:20,770 --> 00:35:21,684
-LET ME HELP YOU.
597
00:35:24,687 --> 00:35:26,167
OH COME ON, MAN.
598
00:35:26,298 --> 00:35:28,343
YOU'VE BEEN BEATEN UP
BY, BY BOOGIE BOARDS,
599
00:35:29,301 --> 00:35:31,172
BASHED BY WAVES.
600
00:35:33,218 --> 00:35:35,742
HOLDING OUT YOUR HAND
SHOULDN'T BE TOO HARD
601
00:35:35,872 --> 00:35:37,439
A TOUGH GUY LIKE YOU
602
00:35:38,048 --> 00:35:40,138
COME ON, MAN, LET ME HELP.
603
00:35:41,400 --> 00:35:42,749
COME ON.
604
00:35:47,319 --> 00:35:51,149
[MELLOW MUSIC]
605
00:35:59,374 --> 00:36:03,161
[MELLOW MUSIC]
606
00:36:10,211 --> 00:36:11,647
WHAT'S THAT?
607
00:36:11,778 --> 00:36:13,823
-HEY. IT'S A COURSE
CATALOG FOR SEPTEMBER.
608
00:36:13,954 --> 00:36:17,653
OH, MY GOD. OH, CORT COMES
INTO TOWN, AND YOU GET CREAMED.
609
00:36:17,784 --> 00:36:19,220
-WELL, AT LEAST YOU'RE
HERE TO TAKE CARE OF ME.
610
00:36:19,351 --> 00:36:20,613
-OH.
611
00:36:22,528 --> 00:36:25,183
-MAYBE I OUGHT TO HAVE
JOHN D. CORT STICK AROUND.
612
00:36:25,748 --> 00:36:27,228
-AS IF HE WOULD.
613
00:36:27,359 --> 00:36:29,709
-HEY, I DON'T KNOW,
HE MIGHT SURPRISE US.
614
00:36:29,839 --> 00:36:31,276
AFTER ALL, HE'S BEEN
A BIG HERO THIS WEEK.
615
00:36:31,406 --> 00:36:32,364
-HE'S ALWAYS BEEN
YOUR BIG HERO.
616
00:36:32,494 --> 00:36:35,149
-NOW, THAT'S NOT FAIR.
617
00:36:35,280 --> 00:36:36,803
NOW COME ON, I'M NOT
GOING TO TURN INTO
618
00:36:37,543 --> 00:36:39,197
JOHN D. CORT AND
RUN OUT ON YOU.
619
00:36:40,328 --> 00:36:42,939
HE ENVIES ME. YOU KNOW WHY?
620
00:36:43,897 --> 00:36:45,072
BECAUSE I HAVE YOU.
621
00:36:45,203 --> 00:36:46,334
-MMM.
622
00:36:46,465 --> 00:36:47,857
-AND IT'S TRUE.
623
00:36:49,381 --> 00:36:50,904
[KISSING]
624
00:36:51,034 --> 00:36:52,166
WHOA, WHOA, WHOA, WHERE
DO YOU THINK YOU'RE GOING?
625
00:36:52,297 --> 00:36:54,037
-I AM GOING TO GET
YOU AN ICE PACK.
626
00:36:56,562 --> 00:36:57,519
-OH.
627
00:36:58,520 --> 00:36:59,782
FINE.
628
00:37:00,522 --> 00:37:01,784
[LAUGHING]
629
00:37:01,915 --> 00:37:03,482
-I THINK WE GOT THE HANG OF IT.
630
00:37:04,047 --> 00:37:06,354
-HOMES, HOMES.
LOOK AT ME. [LAUGHING]
631
00:37:06,485 --> 00:37:07,486
-WATCH OUT!
632
00:37:07,616 --> 00:37:11,011
[LAUGHING]
633
00:37:11,141 --> 00:37:12,882
YOU'RE DOING GOOD.
634
00:37:14,710 --> 00:37:16,538
-HOW IS IT GOING OUT THERE?
635
00:37:16,669 --> 00:37:19,149
I MEAN, BESIDES THE FACT THAT
EDDIE LOOKS LIKE AN EGGPLANT.
636
00:37:19,280 --> 00:37:21,761
-CONSIDERING ALL THEY'VE
BEEN THROUGH? GREAT.
637
00:37:22,588 --> 00:37:23,589
-MAN: WATCH IT!
638
00:37:23,719 --> 00:37:24,720
-GET AWAY FROM ME WITH THAT.
639
00:37:24,851 --> 00:37:26,244
THAT THING WON'T HAPPEN TO ME.
640
00:37:30,944 --> 00:37:34,339
-YOU COULD CALL THIS
THEIR FAREWELL VOYAGE.
641
00:37:35,122 --> 00:37:36,036
-WHOO!
642
00:37:36,166 --> 00:37:37,646
[SPLASHING]
643
00:37:37,777 --> 00:37:39,431
[LAUGHING, SPLASHING]
644
00:37:41,868 --> 00:37:45,263
[SPLASHES AND LAUGHING]
645
00:37:54,446 --> 00:37:57,666
-MEMO! COME ON! I WANT YOU!
646
00:37:59,842 --> 00:38:01,061
I WANT YOU NOW!
647
00:38:01,191 --> 00:38:02,018
-LISTEN.
648
00:38:02,149 --> 00:38:03,759
-WHAT'S WRONG WITH YOU?
649
00:38:03,890 --> 00:38:04,543
-COME ON, DON'T,
YOU'RE EMBARRASSING ME.
650
00:38:04,673 --> 00:38:05,718
-YOU SNUCK OUT ON ME!
651
00:38:05,848 --> 00:38:06,849
-LET'S GO HOME. NOT HERE, MAN.
652
00:38:06,980 --> 00:38:08,068
-DON'T TALK BACK TO ME!
653
00:38:08,198 --> 00:38:09,417
-COME ON, DAD! I'M
TRYING TO TALK TO YOU.
654
00:38:09,548 --> 00:38:10,636
-COME HOME WITH ME RIGHT NOW!
655
00:38:10,766 --> 00:38:11,898
-NO!
656
00:38:13,247 --> 00:38:14,727
[SPLASH]
657
00:38:14,857 --> 00:38:17,207
[SHOUTING IN SPANISH]
658
00:38:17,338 --> 00:38:19,122
-HEY,
HE'S NOT COMING UP.
659
00:38:19,253 --> 00:38:20,646
-HE'S GOT TO, MAN!
660
00:38:20,776 --> 00:38:21,734
-HE CAN'T SWIM.
661
00:38:24,258 --> 00:38:26,173
-HEY,
HE CAN'T SWIM, MAN.
662
00:38:30,003 --> 00:38:30,917
-OH, MAN,
HE'S SINKING LIKE...
663
00:38:35,965 --> 00:38:36,836
-WHERE IS HE?
664
00:38:36,966 --> 00:38:39,273
-I DON'T KNOW, MAN.
665
00:38:39,404 --> 00:38:43,756
[INTENSE MUSIC]
666
00:39:03,776 --> 00:39:05,081
IS HE ALL RIGHT?
667
00:39:06,909 --> 00:39:09,956
-OVER HERE, GET HIM AROUND,
GET HIM AROUND, GIVE HIM ROOM.
668
00:39:23,230 --> 00:39:24,623
-EDDIE: ALRIGHT, READY?
669
00:39:24,753 --> 00:39:27,408
-ONE, TWO, THREE, FOUR,
FIVE. COME ON, POP.
670
00:39:27,539 --> 00:39:28,409
-I'LL TAKE OVER NOW.
-ONE, TWO, THREE--
671
00:39:28,540 --> 00:39:29,584
-LET HIM BE, LET HIM BE.
672
00:39:30,193 --> 00:39:31,325
-FOUR, FIVE. COME ON, POP.
673
00:39:32,065 --> 00:39:35,068
ONE, TWO, THREE, FOUR, FIVE.
674
00:39:35,198 --> 00:39:38,288
ONE, TWO, THREE, FOUR, FIVE.
675
00:39:39,028 --> 00:39:41,770
ONE, TWO, THREE, FOUR, FIVE.
676
00:39:41,901 --> 00:39:44,294
ONE, TWO, THREE, FOUR, FIVE.
677
00:39:45,600 --> 00:39:46,993
COME ON, DAD.
678
00:39:47,123 --> 00:39:49,430
ONE, TWO, THREE, FOUR...
679
00:39:49,561 --> 00:39:51,693
[COUGHING]
680
00:39:52,433 --> 00:39:53,739
POP.
681
00:39:54,348 --> 00:39:55,784
-MIJO, MIJO.
682
00:40:11,757 --> 00:40:12,714
-LATER.
683
00:40:13,541 --> 00:40:14,803
-THANKS A LOT.
684
00:40:17,066 --> 00:40:18,285
-TAKE CARE, HOMES.
685
00:40:18,416 --> 00:40:19,895
[CAR ENGINE STARTING]
686
00:40:21,419 --> 00:40:23,595
-WELL, I'D SAY IT'S WORKING.
687
00:40:24,422 --> 00:40:25,901
-BUT IS IT ENOUGH?
688
00:40:26,032 --> 00:40:29,252
-WELL, LET ME ASK YOU,
IS ANYTHING EVER ENOUGH?
689
00:40:30,036 --> 00:40:32,255
-MAYBE. I, I DON'T KNOW.
690
00:40:32,386 --> 00:40:35,302
I JUST WISH THAT WE COULD
KEEP A GUY LIKE MEMO
691
00:40:35,433 --> 00:40:37,347
AROUND HERE FOR MORE
THAN A WEEK AT A TIME.
692
00:40:37,478 --> 00:40:39,872
I'D BE HAPPY IF IT
WAS FOR A MONTH.
693
00:40:40,002 --> 00:40:41,787
-WELL, YOU KNOW, MAYBE HE, UM,
694
00:40:41,917 --> 00:40:43,179
MAYBE HE OUGHT TO COME WITH ME.
695
00:40:43,310 --> 00:40:45,138
-YEAH, RIGHT. TO THE CARIBBEAN?
696
00:40:45,268 --> 00:40:47,314
TO SAIL THE SOUTH SEAS?
-I'M SERIOUS.
697
00:40:47,445 --> 00:40:48,315
I'M ALMOST SETTLING DOWN.
698
00:40:48,446 --> 00:40:49,838
-AH, LET ME GUESS.
699
00:40:49,969 --> 00:40:51,492
THE OPERATIVE WORD
HERE IS ALMOST, RIGHT?
700
00:40:52,537 --> 00:40:53,842
-YOU EVER HEAR
OF OUTWARD BOUND?
701
00:40:54,887 --> 00:40:57,324
-YEAH, YEAH. ISN'T THAT
WHERE YOU TAKE THE KIDS
702
00:40:57,455 --> 00:40:59,326
TO THE MOUNTAINS AND THEY
LEARN ABOUT SURVIVAL?
703
00:40:59,457 --> 00:41:01,154
-AND ABOUT THEMSELVES.
704
00:41:01,284 --> 00:41:02,808
I'M GOING TO BE RUNNING
IT UP NEAR IDYLLWILD.
705
00:41:02,938 --> 00:41:05,201
IT'S FOR KIDS LIKE
MEMO AND FOR ME.
706
00:41:06,072 --> 00:41:08,422
I DON'T KNOW THOUGH,
A YEAR IN ONE PLACE
707
00:41:08,553 --> 00:41:10,293
I MIGHT GET A LITTLE TWITCHY.
708
00:41:10,424 --> 00:41:11,860
[LAUGHS]
709
00:41:11,991 --> 00:41:13,035
-I DON'T KNOW, CORT,
I THINK THERE MIGHT BE
710
00:41:13,166 --> 00:41:13,993
SOME HOPE FOR YOU YET.
711
00:41:14,123 --> 00:41:15,473
-THANK YOU.
712
00:41:17,083 --> 00:41:19,433
HEY, WHAT DO YOU SAY WE JUMP
ON THE BIKES AND HEAD DOWNTOWN.
713
00:41:20,086 --> 00:41:21,261
ASSASSIN ARGIRO VERSUS
714
00:41:21,391 --> 00:41:22,741
-CORT, EDDIE: SLUGGER SANCHEZ?
715
00:41:22,871 --> 00:41:23,785
-CORT: YOU GOT IT.
716
00:41:23,916 --> 00:41:26,571
-TEMPTING, VERY TEMPTING,
717
00:41:27,833 --> 00:41:29,269
BUT I DON'T THINK SO.
718
00:41:29,399 --> 00:41:30,662
I THINK I WANT TO
SPEND THE EVENING
719
00:41:30,792 --> 00:41:32,228
WITH MY FAVORITE SLUGGER.
720
00:41:32,359 --> 00:41:34,404
-WELL, I DON'T BLAME YOU.
721
00:41:36,798 --> 00:41:40,498
HEY HEY, I ALMOST
FORGOT. LET ME SEE HERE.
722
00:41:41,455 --> 00:41:42,369
HMM.
723
00:41:43,152 --> 00:41:44,458
THOSE ARE FOR YOU.
724
00:41:45,067 --> 00:41:46,112
-THANKS.
725
00:41:48,680 --> 00:41:52,597
[MELLOW MUSIC]
726
00:41:55,643 --> 00:41:57,123
[KISSING]
727
00:41:57,950 --> 00:42:02,824
[MELLOW MUSIC]
728
00:42:08,743 --> 00:42:12,791
[END THEME PLAYING]
49421
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