Original subtitles

‫- PREVIOUSLY ON ‫ "SWITCHED AT BIRTH"... ‫- WHAT THE HELL ARE YOU DOING?

‫PUT THE PIN BACK ‫IN THE GRENADE, ANGRY GIRL. ‫I'M JUST ANSWERING YOUR PIECE.

‫THE LAW SAY THAT ‫I HAVE TO ACCOMMODATE YOU ‫TO THE BEST OF MY ABILITY,

‫SO IF YOU WANT TO STAY, ‫GO WASH DISHES.

‫Judge: ‫ WILL YOU, ‫ REGINA TERESA VASQUEZ,

‫TAKE THIS MAN TO BE ‫YOUR LAWFULLY WEDDED HUSBAND?

‫- I WILL. ‫- THIS MARRIAGE IS ‫ STRICTLY ON PAPER.

‫- WHAT EXACTLY ‫ ARE WE LOOKING FOR? ‫- ANYTHING ABOUT THE HOSPITAL

‫OR WHERE ANGELO ‫ MIGHT HAVE GONE.

‫MAYBE HE WENT TO SEE HER.

‫COLLEEN VANDERNOOT. ‫DOES THAT RING ANY BELLS?

‫I THOUGHT WE COULD GO ‫TALK TO HER TOGETHER AND MAYBE ‫IT WOULD JOG YOUR MEMORIES.

‫- NO, SERIOUSLY. ‫- I INSIST. I AM NOT ‫ GOING TO LET YOU FREEZE.

‫- OH. ‫- I AM SO SORRY.

‫THEY'RE GOING TO BE MAKING SURE ‫THAT WE ARE LIVING TOGETHER.

‫AND IF WE ARE NOT, ‫WE COULD GO TO JAIL.

‫WHAT IF ANGELO DOESN'T MOVE ‫INTO THE GUEST HOUSE,

‫BUT HE MOVES IN HERE

‫WITH US?

‫( spray paint hissing )

‫( people laughing )

‫Medusa: ‫ I'M NOT EVEN LISTENING ‫ TO YOU, MAN.

‫SEE, THERE'S SOME ‫YELLOW IN HERE, YEAH.

‫- ( soft chatter ) ‫- Guy: MAN, JUST STICK ‫ WITH PAINT, BRO.

‫Medusa: ‫ WHAT ARE YOU TALKING ‫ ABOUT, DUDE?

‫( laughter, chatter )

‫HEY, WHO THE HELL ARE YOU?

‫ANGRY GIRL, YOU'RE BACK.

‫YEAH, AND AS A BONUS ‫I'M NOT EVEN ANGRY.

‫DAMN, WHAT AM I GONNA ‫CALL YOU THEN?

‫- BAY. ‫- I HAD HER PEGGED ‫ AS MORE OF A COURTNEY.

‫( chuckles ) ‫OR A BRITTANY.

‫- ( laughs ) ‫- Bay: WELL, IT'S BAY.

‫IT'S BAY VASQUEZ ‫ACTUALLY.

‫OH YEAH?

‫YEAH. ‫WHAT'S YOUR NAME?

‫ZARRA.

‫THAT'S EIGHT BALL, ‫MOUSE AND THIS IS J.T.

‫DO YOU THINK THAT I COULD ‫HELP YOU GUYS OUT?

‫LIKE DO A LITTLE TORNADO ‫ON THAT STREETLAMP ‫OR SOMETHING?

‫- YEAH, WE ACTUALLY DON'T MESS ‫ WITH TOYS OUT HERE, SO... ‫- I'M NOT A TOY.

‫- AND WE'VE ALREADY ‫ WORKED TOGETHER, SO-- ‫- YOU WORKED WITH HER?

‫UH... HUH.

‫LOOK, I GOT THIS, OKAY?

‫LOOK, THIS ONE'S ALMOST ‫ALL PLAYED OUT,

‫BUT WE'RE STARTING ‫SOMETHING NEW THIS WEEKEND.

‫MAYBE YOU COULD PITCH IN.

‫- REALLY? ‫- YEAH, I'LL TEXT YOU ‫ A TIME AND PLACE.

‫I'LL BE THERE.

‫SURE YOU'RE UP FOR THIS?

‫- ABSOLUTELY. ‫- ALL RIGHT, GIMME YOUR NUMBER.

‫WE'RE GONNA FIND OUT.

‫HEY, I'M OUTTA HERE.

‫WHO ORDERED THESE?

‫I THINK THEY'RE FOR THAT ‫BRIDAL PARTY TOMORROW.

‫DUMBEST TREND EVER.

‫WHAT'S WRONG ‫WITH CUPCAKES? ‫THEY'RE DELICIOUS.

‫THEY'RE FOR ‫FIVE-YEAR-OLDS.

‫WHAT? ‫I'M YOUNG AT HEART.

‫YOU SHOULD PUT THESE ‫IN THE WALK-IN.

‫- AM I ALLOWED IN THERE? ‫- WHY NOT?

‫JUST DON'T GET LOCKED IN.

‫I'M KIDDING. ‫ACTUALLY NO, I'M NOT.

‫( screams )

‫- NO NO NO NO NO! ‫- DAPHNE.

‫- WHAT HAPPENED? ‫- I'M SORRY, JEFF.

‫I-- THE SHELF FELL AND I--

‫AW, DAMN IT.

‫IT'S OKAY, ‫IT'S NOT YOUR FAULT.

‫I KNEW I SHOULD HAVE ‫FIXED THAT SHELF.

‫HERE, JUST THROW THOSE OUT.

‫I MIGHT BE ABLE TO FIX THEM. ‫I'M PRETTY GOOD WITH ‫A FROSTING PIPER.

‫THEN YOU BETTER NOT HAVE ‫ANY PLANS TONIGHT.

‫I DON'T HAVE ANY PLANS.

‫TV: ‫ They don't come ‫ to the surface for air

‫like some marine mammals ‫ because sharks are fish.

‫Like any other fish, ‫ they rely upon their gills

‫to allow them to breathe ‫ while underwater...

‫- HEY. ‫- SORRY. I THOUGHT YOU ‫ WORKED OUT IN THE MORNING.

‫EH, SOMETIMES I ‫WORK OUT IN THE MORNING,

‫SOMETIMES ‫IN THE AFTERNOONS.

‫THAT'S THE BEAUTY ‫OF HAVING YOUR OWN GYM.

‫- YEAH. ‫- OH NO NO, PLEASE CONTINUE.

‫- I WAS PRETTY MUCH DONE. ‫- NO, YOU GOT A GREAT ‫ SWEAT GOING.

‫- JUST FINISH UP. ‫- I'LL BE ANOTHER 20 MINUTES?

‫FANTASTIC.

‫JUST IF YOU COULD ‫REMEMBER TO WIPE

‫EVERYTHING DOWN ‫WHEN YOU'RE DONE?

‫- OKAY. ‫- YEAH.

‫( door closes )

‫- ( sighs ) ‫- IF YOU LIFT UP AT THE END,

‫IT WILL GIVE YOU ‫MORE CONTROL.

‫GREAT.

‫I'M GONNA HAVE ‫SOME MORE COFFEE.

‫- THANK YOU. ‫- DID YOU EVER THINK ‫ ABOUT DOING PASTRY?

‫- ( snickers ) ‫- WHAT?

‫ARE YOU TRYING TO GET ME ‫OUT OF YOUR KITCHEN AGAIN?

‫NO. I CONTRACT OUT DESSERTS ‫BECAUSE I'M NO GOOD AT THEM.

‫YOU CLEARLY ARE.

‫I WANT TO BE GOOD ‫AT A LOT OF THINGS.

‫DESSERTS ARE JUST EASY ‫BECAUSE I'M A VEGETARIAN, BUT--

‫( chokes )

‫THAT IS WORSE ‫THAN THE DEAF THING.

‫DID YOU SERIOUSLY ‫JUST SAY THAT?

‫YEAH, I SERIOUSLY JUST DID. ‫IT'S NOT CUISINE.

‫WHAT, BECAUSE ‫THERE'S NO DEAD ANIMAL ‫IT'S NOT CUISINE?

‫WE ARE MEAT EATERS. ‫WE HAVE BEEN MEAT EATERS ‫FOR MILLENNIA.

‫- THAT HAS NOTHING ‫ TO DO WITH IT. ‫- YES, IT DOES.

‫IT SATISFIES US. ‫I'VE SEEN YOU SCARFING DOWN ‫THOSE BUTTERED ROLLS.

‫YOU KNOW WHY YOU ‫LOVE THEM SO MUCH? ‫ANIMAL FAT.

‫YOUR POOR STARVING BODY ‫IS DYING FOR IT.

‫- I'M NOT STARVED! ‫- BUT YOU'RE NOT SATISFIED.

‫AND WHETHER OR NOT YOU WANT ‫TO SAVE BAMBI OR WHATEVER,

‫WE ARE IN THE BUSINESS ‫OF SATISFACTION,

‫NOT EVOLUTION.

‫OKAY.

‫IT'S YOUR TURN.

‫HAVE YOU EVER BEEN ‫TO A CHICKEN FARM?

‫BECAUSE I HAVE ‫AND THERE'S NOTHING ‫SATISFYING ABOUT IT.

‫- THERE'S FREE-RANGE-- ‫- FREE-RANGE AND ALL THAT--

‫IT'S STILL DEATH.

‫AND ALSO, YOUR POINT OF VIEW ‫IS COMPLETELY NARROW-MINDED.

‫YOU SAY YOU HAVE TO BE THIS, ‫YOU CAN'T BE THAT.

‫IS THAT WHAT THEY TEACH YOU ‫AT CULINARY SCHOOL?

‫BECAUSE IF IT IS, ‫I'M NOT SURE I WANT TO GO.

‫YOU ARE FUN ON CAFFEINE.

‫YOU NEED SOME ANIMAL FAT ‫FOR YOUR COFFEE.

‫AND YOU CAN THANK M.I.T. ‫FOR MY NARROW MIND,

‫NOT CULINARY SCHOOL.

‫- M.I.T.? ‫- MASSACHUSETTS--

‫I KNOW WHAT ‫M.I.T. MEANS.

‫THAT'S WHY MY TUNA TARTARE IS ‫SO BEAUTIFULLY STACKED.

‫I HAD TO USE ‫MY ENGINEERING DEGREE ‫FOR SOMETHING.

‫SO WHAT HAPPENED?

‫SOMEBODY TOLD YOU ‫TO GET A NEW DREAM?

‫NO, IT NEVER REALLY ‫WAS MY DREAM.

‫ALSO PROBABLY WHY ‫I WAS SO MISERABLE.

‫THE ONLY THING ‫I EVER TRULY LOVED ‫TO DO WAS COOK, SO...

‫SO YOU DECIDED TO DO ‫WHAT YOU REALLY LOVED,

‫EVEN THOUGH NOBODY ELSE ‫THOUGHT IT WAS A GOOD IDEA.

‫HMM, THAT IS INTERESTING.

‫YOU HAVE A LITTLE--

‫( guitar notes playing )

‫I DON'T WANT TO INTERRUPT ‫THEIR MEETING IN THERE. ‫IT LOOKS IMPORTANT.

‫AH, IT'S JUST THEIR LAWYER. ‫ENDLESS LAWSUIT.

‫CROISSANT? ‫THEY GAVE ME AN EXTRA ONE.

‫OH NO, I'M GOOD.

‫SO HOW ARE YOU HOLDING UP ‫AT CASA DE KENNISH?

‫IT'S, UM--

‫IT'S NICE OF YOUR PARENTS ‫TO OPEN THEIR HOME TO ME.

‫SO...

‫HAVE YOU EVER PLAYED ‫WITH A BAND?

‫YEAH, BUT MY BASS PLAYER GOT ‫SHIPPED OFF TO BOARDING SCHOOL

‫AND MY DRUMMER HAD SEX ‫WITH MY GIRLFRIEND,

‫SO I'M KINDA NOWHERE ‫RIGHT NOW.

‫I KNOW WHAT YOU MEAN.

‫SO WE'RE GOING TO TRIAL

‫WITH ONE LACTATION ‫CONSULTANT

‫WHOSE FAVORITE TOPIC ‫IS THE ANTICHRIST?

‫MOST OF THE TIME SHE GIVES

‫A VERY CONVINCING PORTRAIT ‫OF THE HOSPITAL'S NEGLIGENCE.

‫I WAS HOPING WE'D HAVE ‫MORE AFTER SIX MONTHS.

‫WHAT ABOUT ANGELO'S SOURCE ‫AT THE HOSPITAL?

‫- WE ASKED HIM, WHAT? TWICE? ‫- TWICE.

‫EACH TIME HE SAID HE GOT ‫AN ANONYMOUS PHONE CALL

‫TIPPING HIM OFF ‫TO A DISGRUNTLED NURSE.

‫WHAT ABOUT THE FACT THAT ‫THE GIRLS WERE ACTUALLY ‫SWITCHED AT BIRTH?

‫- ( phone ringing ) ‫- I MEAN DOESN'T THAT ‫ COUNT FOR SOMETHING?

‫OH, I SHOULD GRAB THIS. ‫EXCUSE ME.

‫- HONEY-- ‫- HELLO.

‫SO DID YOU HEAR THAT ‫I'M GOING TO BE INTERVIEWED

‫ON "GOOD AFTERNOON ‫KANSAS CITY"?

‫- NO NO, THAT'S GREAT. ‫- YEAH, ABOUT MY BOOK.

‫( stammering ) ‫MARCIA GRACE--

‫SHE'S GOING TO INTERVIEW ‫ME AND REGINA.

‫UM, BUT THEY WANT TO DO IT ‫IN FRONT OF THE HOSPITAL.

‫- DO YOU THINK THAT'S OKAY? ‫- I DON'T SEE WHY NOT.

‫OBVIOUSLY STEER CLEAR ‫OF THE LAWSUIT

‫AND DON'T LET THEM TALK YOU ‫INTO SAYING ANYTHING ‫THAT YOU'LL REGRET.

‫OH, I'M SURE ‫I'LL BE FINE.

‫- I KNOW YOU WILL BE. ‫- YEAH.

‫SO YOU'RE ACTUALLY ‫DRIVING OUT TO SEE ‫CRAZY COLLEEN?

‫- YEP. ‫- ( both laugh )

‫WELL, I DON'T MISS THAT.

‫OH, I DIDN'T--

‫I DIDN'T MEAN--

‫NO NO, IT--

‫( footsteps ) ‫ AHEM.

‫THAT WAS ‫THE DEAN AT BUCKNER HALL. ‫CRAIG, YOU'LL HAVE TO EXCUSE US.

‫- WHAT IS IT, HONEY? ‫- WE NEED TO HAVE A CHAT ‫ WITH OUR DAUGHTER.

‫ACADEMIC PROBATION? ‫THAT'S IMPOSSIBLE.

‫IT'S ONLY BEEN ‫LIKE THREE WEEKS.

‫THE DEAN WAS ‫IMPRESSED AS WELL.

‫- HE THINKS ‫ YOU SET A NEW RECORD. ‫- WHAT CAN I SAY?

‫GRANDMA BONNIE WAS RIGHT. ‫I'M LATINA.

‫I'M AT A SEVERE ‫GENETIC DISADVANTAGE.

‫- BAY. ‫- THIS HAS NOTHING TO DO ‫ WITH YOUR RACIST GRANDMOTHER.

‫- SHE'S NOT RACIST. ‫- OH, HONEY, PLEASE.

‫SWEETIE, YOU HAVE NOT ‫TURNED IN YOUR LABS ‫FROM THE GALAPAGOS,

‫NOT TO MENTION A WEEKS' ‫WORTH OF MATH HOMEWORK

‫AND I BELIEVE THERE'S A PAPER ‫DUE IN YOUR FRENCH CLASS?

‫THAT PAPER IS NOT DUE ‫UNTIL LIKE MONDAY.

‫OH.

‫HONEY, YOU REALLY ‫HAVE TO BUCKLE DOWN.

‫COLLEGES LOOK ‫AT THESE GRADES.

‫BUT I'M GONNA GO ‫TO ART SCHOOL.

‫AND THEY DON'T CARE ‫ABOUT STUFF LIKE THAT.

‫THEY JUST CARE ABOUT ‫THE WORK THAT I SUBMIT.

‫BAY, I KNOW YOU'RE ‫INTO PAINTING AND ALL THAT,

‫AND THAT'S WONDERFUL, ‫BUT YOU HAVE TO KEEP ‫YOUR OPTIONS OPEN.

‫OKAY? ‫UNTIL YOU FINISH ‫THESE ASSIGNMENTS

‫- YOU ARE NOT LEAVING THE HOUSE. ‫- YOU'RE LOCKING ME UP?

‫THAT-- WHAT IF I HAVE ERRANDS ‫THAT I NEED TO RUN OR SOMETHING?

‫- NO HOMEWORK, NO LEAVE. ‫- THAT IS SO UNFAIR, DAD!

‫HI, UM, I JUST NEEDED ‫TO PASS THROUGH.

‫- I'M SORRY TO INTERRUPT. ‫- YOU'RE NOT INTERRUPTING ‫ ANYTHING.

‫THEY ARE PUTTING ME ‫UNDER HOUSE ARREST

‫- BECAUSE I'M A LITTLE ‫ LATE ON HOMEWORK. ‫- SHE HAS SCIENCE LABS,

‫MATH HOMEWORK ‫AND A FRENCH PAPER ‫ALL DUE VERY SOON.

‫WE'RE JUST TRYING TO HELP HER ‫STRUCTURE HER TIME.

‫- I COULD HELP WITH THE FRENCH, ‫ IF YOU'D LIKE. ‫- THAT'S OKAY.

‫- WE'VE GOT THIS COVERED. ‫- I WOULD LOVE YOUR HELP.

‫AFTER ALL, ‫WHAT ARE DADS FOR, RIGHT?

‫- HEY. ‫- HEY.

‫- IS CHEF HERE? ‫- HE'S OUT BACK.

‫SO I HEARD YOU GOT ‫STUCK HERE ALL NIGHT ‫WITH THE BEASTMASTER.

‫IT WAS AWFUL.

‫THIS SHELF JUST POOF! ‫AND THEN-- ‫( mimics explosions )

‫THERE WAS SHRIMP ‫EVERYWHERE.

‫- ALL I HEARD WAS HOW ‫ YOU SAVED THE DAY. ‫- REALLY?

‫YEAH, YOU AND YOUR MAD ‫FROSTING SKILLS.

‫DID YOU KNOW THAT ‫HE WENT TO M.I.T.?

‫OH, VIVIENNE, MA BELLE.

‫- ( speaks French ) ‫- LAST STRAWBERRIES OF THE YEAR

‫AND THEY'RE THE BEST. ‫HERE, TRY.

‫- MMM, THAT'S GOOD. ‫- RIGHT?

‫WITH A LITTLE BALSAMIC ‫OR FRESH CREAM.

‫- Scuba: MMM, YEAH. ‫- HI, CHEF!

‫- ARE YOU ON THE SCHEDULE? ‫- NO.

‫WELL, I AM LATER. ‫I JUST CAME BY TO PICK UP ‫MY CHECK

‫AND I MADE YOU SOME ‫CAULIFLOWER GRATIN?

‫- SOME WHAT? ‫- CAULIFLOWER... GRATIN.

‫OH, GRATIN. ‫SORRY, I DIDN'T UNDERSTAND.

‫- VIVIENNE, HI! ‫- HI.

‫- Chef: WOW, THOSE LOOK GREAT. ‫- HAVE A STRAWBERRY.

‫OH.

‫- MMM. ‫- GOOD, RIGHT?

‫- IT'S FANTASTIC. ‫- HAVE SOME MORE.

‫THANK YOU.

‫- YES PLEASE. ‫- ( Vivienne laughs )

‫Bay: ‫ SO IT'S ALL ABOUT ‫ RELATIONSHIPS.

‫YEP, TRIG IS JUST ABOUT

‫SIDES AND RATIOS. ‫AND IF YOU GET STUCK,

‫- JUST REMEMBER... ‫- Both: SOH-CAH-TOA.

‫SINE EQUALS OPPOSITE ‫OVER HYPOTENUSE.

‫COSINE EQUALS ADJACENT ‫OVER HYPOTENUSE.

‫TANGENT EQUALS...

‫OPPOSITE OVER--

‫OVER-- OVER...

‫ADJACENT ‫ADJACENT ADJACENT!

‫YES, ALL RIGHT, SWEET!

‫OH, IN YOUR FACE, ‫MR. WINSLOW!

‫- ( laughs ) ‫- ALL RIGHT, SO SERIOUSLY,

‫IF YOU NEED HELP ‫WITH, LIKE, AN ART PROJECT

‫OR, I DON'T KNOW,

‫SOMEONE TO TASTE ‫A CHOCOLATE SOUFFLE--

‫UM, ACTUALLY

‫YOU HAVE THIS ONE SHIRT--

‫OH COOL. ‫OKAY.

‫IT'S BLACK AND KIND ‫OF SEE-THROUGH?

‫UH...

‫YEAH, THIS ONE.

‫- DO YOU MIND? ‫- GO FOR IT.

‫IT'S A LITTLE HIGH OCTANE ‫FOR ME THESE DAYS ANYWAY.

‫- DO YOU USUALLY WEAR, ‫ LIKE, A-- WITH IT? ‫- A CAMISOLE.

‫UH, HERE YOU GO.

‫SO ARE WE WRAPPING UP ‫THE GOODS FOR WILKE OR--

‫WELL, WE BOTH ‫DECIDED NOT TO DO ‫THE LONG-DISTANCE THING.

‫THERE'S ACTUALLY

‫THIS NEW GUY. ‫HE'S A LITTLE BIT OLDER.

‫UH, MORE. ‫IMMEDIATELY, PLEASE.

‫( laughs ) ‫I DON'T WANT TO JINX IT.

‫AND I'M NOT ACTUALLY SURE ‫THAT I'M NOT MAKING ‫THE WHOLE THING UP.

‫( both laugh )

‫WELL, HA!

‫WE HAVE FOUND SOME ‫ REAL COMMON GROUND HERE.

‫YOU'RE GONNA HELP ME ‫WITH TRIG,

‫AND I'M GONNA HELP YOU ‫WITH YOUR

‫BORDERLINE SLUTTY ‫RE-BRANDING.

‫HEY, I'M ON MY WAY ‫TO THE TV INTERVIEW ‫WITH KATHRYN.

‫I'LL-- WOW.

‫YOU LOOK... FANCY.

‫- THANKS. SO DO YOU. ‫- THANKS.

‫SO DID YOU ‫MAKE THE RESERVATION ‫FOR ME AND MELODY?

‫8:00. IF YOU COME EARLY, ‫I'LL TRY TO BRING YOU ‫INTO THE KITCHEN.

‫YOU'RE GOING TO WEAR ‫A SWEATER WITH THAT, RIGHT?

‫- NO, I'M GOOD. ‫- I DON'T THINK YOU ARE.

‫DO YOU TELL BAY ‫TO PUT ON A SWEATER ‫WHEN SHE WEARS THIS?

‫- BAY'S NEVER WORN THAT. ‫- IT'S HER SHIRT, MOM.

‫WELL, I MEAN, BAY...

‫WHAT? BAY CAN ‫PULL IT OFF AND I CAN'T?

‫LOOK, SWEETIE, ‫THERE ARE MANY WAYS

‫TO GET NOTICED, ‫SO IF YOU'RE TRYING ‫TO CATCH SOMEONE'S EYE--

‫OH MY GOD, MOM, ‫THIS IS NOT ABOUT SOME BOY.

‫CAN'T I JUST WANT ‫TO LOOK NICE FOR MYSELF?

‫OF COURSE.

‫I'LL SEE YOU THERE. ‫GOOD LUCK WITH THE INTERVIEW.

‫THANKS.

‫( door opens, closes )

‫AND TO THINK ‫THE LAST TIME WE WERE BOTH HERE ‫AT THE SAME TIME...

‫YEAH.

‫REGINA, THANK YOU SO MUCH ‫FOR DOING THIS FOR ME.

‫YOU'RE PUTTING ANGELO UP, ‫THE LEAST I COULD DO IS ‫BE YOUR P.R. LACKEY.

‫HI, I'M MARCIA.

‫- IT'S SUCH A PLEASURE ‫ TO MEET YOU BOTH. ‫- SUCH AN HONOR.

‫- HI. ‫- HI.

‫OH OKAY. ‫WE'RE JUST ABOUT TO START.

‫- IF YOU'RE READY? ‫ GREAT, HAVE A SEAT. ‫- YES.

‫OKAY.

‫WE'RE HERE WITH TWO WOMEN ‫WHO HAVE LIVED EVERY ‫MOTHER'S NIGHTMARE.

‫16 YEARS AGO, ‫THEIR DAUGHTERS WERE ‫SWITCHED AT BIRTH

‫IN THIS VERY HOSPITAL.

‫WE HAVE WITH US TODAY ‫KATHRYN KENNISH, ‫AUTHOR OF THE NEW MEMOIR

‫"THE TRUE STORY ‫OF A MOTHER'S JOURNEY"

‫AND REGINA VASQUEZ. ‫LADIES,

‫TELL ME ABOUT THAT FIRST TIME

‫YOU LAID EYES ‫ON YOUR BIOLOGICAL DAUGHTER.

‫OH, THE FIRST TIME I SAW DAPHNE ‫MY HEART JUST STOPPED.

‫ME, I WAS JUST ‫OVERWHELMED.

‫IT'S JUST NOT SOMETHING ‫I EVER EXPECTED.

‫BUT, REGINA, ‫FROM WHAT I UNDERSTAND ‫YOU AND YOUR DAUGHTER'S FATHER

‫HAD DOUBTS SHORTLY AFTER YOU ‫CAME HOME FROM THE HOSPITAL. ‫IS THAT RIGHT?

‫WELL, SHE DID HAVE ‫A DIFFERENT COLORING.

‫WE ALWAYS THOUGHT ‫THAT BAY WAS SPECIAL.

‫THOUGH YOU WROTE YOU NEVER ‫SUSPECTED ANYTHING, ‫ISN'T THAT RIGHT?

‫- WELL, NOT THAT ‫ SHE WASN'T OURS. ‫- OH, OF COURSE.

‫AND YOU MUST HAVE ‫HAD A LOT OF NANNIES, ‫GIVEN YOUR RESOURCES,

‫SO YOU MAY NOT HAVE PICKED UP ‫ON SOME OF THE SUBTLE CUES ‫THE WAY REGINA DID.

‫I'M SURE I SPEAK ‫FOR A LOT OF MOTHERS ‫WHO ARE WONDERING

‫HOW YOU POSSIBLY DID IT-- ‫A SINGLE MOTHER STRUGGLING ‫TO MAKE ENDS MEET,

‫BATTLING ALCOHOLISM, ‫RAISING A DEAF DAUGHTER.

‫I JUST DID ‫WHAT I HAD TO DO.

‫I TOOK IT ‫ONE DAY AT A TIME.

‫WELL, YOU ARE A TRUE HERO.

‫TELL US HOW YOU FOUND ‫THE TIME TO BECOME FLUENT ‫IN SIGN LANGUAGE.

‫I WOKE UP AN HOUR AND A HALF ‫BEFORE DAPHNE DID ‫AND I PRACTICED.

‫- I'VE BEEN LEARNING A.S.L. ‫- SHE'S GETTING REALLY GOOD.

‫- THANK YOU. ‫- I BET.

‫SO YOU LEFT YOUR HOME,

‫YOUR FRIENDS, ‫YOUR ENTIRE LIFE BEHIND

‫TO MOVE IN WITH THE KENNISHES ‫FOR THE SAKE OF YOUR DAUGHTERS.

‫HOW HAVE YOU BEEN ‫HANDLING THAT ADJUSTMENT?

‫I JUST DID WHAT ANY ‫ DEVOTED MOTHER WOULD DO.

‫I'M NOT GONNA LIE, IT HAS ‫ BEEN DIFFICULT GIVING UP ‫ SOME OF MY AUTONOMY.

‫I'M SURE IT HAS. ‫TELL ME ABOUT ‫THE CULTURE SHOCK.

‫( sighs ) ‫THAT WAS ACTUALLY ‫KINDA FUN.

‫THAT MARCIA GRACE SEEMS ‫A LOT NICER ON TV.

‫OH, SHE WASN'T THAT BAD. ‫ANYWAY, HOPEFULLY WE SOLD ‫A LOT OF BOOKS.

‫YEAH.

‫YOU SHOULD COME OUT ‫WITH ME AND MELODY ‫TONIGHT TO CELEBRATE.

‫- WE'RE GOING ‫ TO DAPHNE'S RESTAURANT. ‫- I DON'T KNOW.

‫IT'LL BE FUN.

‫PLUS WITH MY WRIST, ‫I'M GONNA NEED SOMEBODY ‫TO HELP ME INTERPRET.

‫THINK OF IT AS ‫YOUR WAY OF PAYING ME BACK ‫FOR DOING THE INTERVIEW.

‫I THOUGHT THE INTERVIEW ‫WAS YOUR WAY

‫OF PAYING ME BACK ‫FOR ANGELO MOVING IN.

‫OH JEEZ, JUST COME.

‫IT'S THREE PARTS OLIVE OIL, ‫ONE PART VINEGAR,

‫SOME LEMON JUICE...

‫WHOA, NICE SHIRT.

‫YOU GOING ‫TO A STRIPPER'S FUNERAL?

‫- WHAT? ‫- YEAH OKAY,

‫APPARENTLY MY HUMOR ‫DOESN'T SURVIVE LIP READING.

‫- I'M SORRY. ‫- ( laughs )

‫- HI, CHEF. ‫- HEY. SCUBA,

‫THESE PEAR TARTS ‫CAME OUT KIND OF FLAT.

‫SEE WHAT YOU CAN DO WITH THEM-- ‫ADD A GANACHE,

‫CREME ANGLAISE, ‫I REALLY DON'T CARE, ‫JUST MAKE 'EM GOOD.

‫YOU KNOW WHAT? ‫ACTUALLY USE HER AND DO IT FAST ‫BEFORE I NEED SOME DISHES, OKAY?

‫YOU GOT IT, CHEF.

‫- ARE YOU GOING SOMEWHERE? ‫- NO.

‫I-- JUST HERE.

‫I-- I MEANT AFTER. ‫'CAUSE YOU LOOK--

‫OH. I HAVE SOME FAMILY ‫COMING IN TONIGHT,

‫BUT I CAN ‫DEFINITELY STAY LATE. ‫I MEAN, IF YOU NEED ME TO.

‫OKAY.

‫( French dialogue on TV )

‫MR. FELDMAN IS ‫GONNA LOVE ME DOING ‫THE FRENCH NEW WAVE.

‫THIS IS SO MUCH COOLER ‫THAN THE FRENCH REVOLUTION.

‫BUT THESE MOVIES WERE ‫COMPLETELY REVOLUTIONARY ‫FOR THE TIME.

‫TRUFFAUT AND GODARD ‫GRABBED THEIR CAMERA

‫AND MADE ‫THE STREETS THEIR STUDIO. ‫IT'S TOTALLY ALIVE.

‫I KNOW EXACTLY ‫WHAT YOU MEAN.

‫I THOUGHT YOU WERE ‫SUPPOSED TO BE STUDYING.

‫I AM. THIS IS ‫MY FRENCH PROJECT.

‫DAD, WHY DON'T YOU JOIN US? ‫IT'S A REALLY GOOD MOVIE.

‫I CAN FILL YOU IN ‫ON WHAT YOU HAVE MISSED.

‫NO NO, THAT'S OKAY. ‫I THINK I'LL TAKE ADVANTAGE

‫OF THE EMPTY GYM ‫AND GRAB A WORKOUT.

‫I HOPE I'M NOT ‫CRASHING YOUR PARTY.

‫OF COURSE NOT! ‫I'M HAPPY YOU COULD COME.

‫IT'S GORGEOUS.

‫ALMOST. ‫ONCE THEY START ‫LETTING ME COOK,

‫THEN I'LL BE LIVING ‫MY DREAM.

‫RIGHT NOW DAPHNE ‫IS WASHING DISHES,

‫BUT NOT FOR LONG, RIGHT?

‫- CHEF. ‫- ARE THESE YOUR GUESTS?

‫I HOPE IT'S OKAY. ‫I WAS JUST SHOWING ‫THEM AROUND.

‫OF COURSE. ‫HAVE WE MET?

‫- ACTUALLY-- ‫- THIS IS KATHRYN, MY MOM.

‫AND REGINA, MY MOM. ‫AND MELODY.

‫- HI. ‫- NICE TO MEET YOU.

‫JEFFREY REYCRAFT. ‫WELCOME TO MAIZE.

‫"CHEF JEFF"? ‫REALLY, CHEF JEFF?

‫( chuckles ) ‫I BET YOU GET THAT ‫ALL THE TIME, I'M SORRY.

‫I'LL SHOW THEM ‫TO THEIR TABLE.

‫NO, I WILL. ‫BESIDES WE NEED

‫DAPHNE IN THE KITCHEN.

‫SHE'S OUR SECRET ‫WEAPON.

‫IF YOU LADIES ‫WILL FOLLOW ME?

‫YOU HAVE TO TRY ‫ THE TASTING MENU.

‫I'LL BRING OUT EACH ‫INDIVIDUAL COURSE.

‫( reading in French )

‫( speaks French )

‫OTHER THAN THAT, ‫ TRES BIEN.

‫HUH. WELL, I DON'T WANT ‫TO JINX ANYTHING,

‫BUT I THINK THIS FRENCH PAPER ‫MIGHT ACTUALLY BE GOOD.

‫- ( phone vibrating ) ‫- YEAH.

‫UH, ANGELO, CAN I ‫ASK YOU A FAVOR?

‫I WOULD BE MORE THAN HAPPY ‫TO PROOFREAD.

‫OH NO, IT'S NOT THAT. ‫ IT'S JUST--

‫I'M SUPPOSED ‫TO MEET SOMEBODY

‫AND AS YOU KNOW, I'M STILL ‫UNDER KENNISH HOUSE ARREST.

‫DO YOU MIND COVERING ‫FOR ME?

‫- WHERE DO YOU NEED TO GO? ‫- OH, IT'S NOT DANGEROUS ‫ OR ANYTHING LIKE THAT.

‫I PROMISE. ‫IT'S JUST MY PARENTS ARE ‫NOT COOL LIKE YOU ARE.

‫- THEY WOULDN'T UNDERSTAND. ‫- BAY, I DON'T THINK ‫ IT'S A GOOD IDEA.

‫YOU'RE MY DAD TOO.

‫YOU SHOULD HAVE A SAY ‫IN WHAT I DO.

‫AND I WON'T BE ‫MORE THAN AN HOUR.

‫PLEASE?

‫- HI. ‫- SO, UH,

‫ANGELO THOUGHT IT WOULD BE ‫A GOOD IDEA FOR ME TO CONTINUE ‫STUDYING AT A FRENCH CAFE.

‫YOU KNOW, THE WHOLE ‫IMMERSION THING.

‫A CAFE?

‫DOESN'T SOUND LIKE A VERY ‫CONDUCIVE WORK ENVIRONMENT.

‫C'MON, I JUST WANT ‫A CROISSANT AND A LITTLE ‫CHANGE OF SCENERY.

‫PLUS LOOK AT ALL THE WORK ‫I'VE DONE, OKAY?

‫I HAVE TRIGONOMETRY,

‫ALL MY LABS ‫FROM THE GALAPAGOS,

‫AND AN ENGLISH PAPER ‫THAT'S NOT EVEN DUE ‫TILL WEDNESDAY.

‫ISN'T IT AMAZING ‫WHAT YOU CAN DO WHEN ‫YOU PUT YOUR MIND TO IT?

‫- THANK YOU. ‫- THAT'S WHY I'VE BEEN ‫ SO HARD ON YOU, BAY.

‫I THINK YOUR ART IS FANTASTIC, ‫BUT IF YOU REALLY ‫APPLY YOURSELF,

‫YOU COULD BE SOMEBODY.

‫YEAH.

‫SO YOU THINK ‫THE CAFE THING WILL HELP?

‫NEVER DOUBT THE POWER ‫OF LE CROISSANT TO INSPIRE.

‫OKAY, ‫CURFEW'S AT 10:30.

‫ALL RIGHT, THEN AS ‫THE FRENCH SAY--

‫HOWEVER THE FRENCH SAY, ‫"LET'S GO," WE'RE GONNA DO THAT.

‫- ALLEZ-Y. ‫- ALLEZ-Y.

‫"AND THEN ‫THERE WAS THIS GUY ‫WHO BROUGHT HIS PUG

‫IN A BAG WITH HIM ‫EVERYWHERE HE WENT."

‫YOU SHOULD ‫INTRODUCE HIM TO THE GUY ‫WITH THE BOA CONSTRICTOR.

‫TO START THINGS OFF, ‫WE HAVE AN AMUSE BOUCHE.

‫MY TWIST ON THE CLASSIC ‫CHILES RELLENOS.

‫TEMPURA CHILE, CRAB, ‫CORN AND SCALLIONS.

‫AMUSE BOUCHE?

‫IT'S AN APPETIZER ‫TO AN APPETIZER.

‫IT'S FRENCH FOR "AMUSEMENT ‫FOR THE MOUTH."

‫I DON'T, UM...

‫- SHE LOVES SCALLIONS. ‫- OH.

‫ENJOY.

‫MMM MMM!

‫ANYONE ELSE WANT ‫ANOTHER GLASS OF WINE?

‫I THINK ‫WE'VE HAD ENOUGH.

‫ARE YOU AFRAID IF I DRINK ‫TOO MUCH, I MIGHT FINALLY ‫BECOME MORE INTERESTING?

‫OR, I DON'T KNOW, ‫MORE HEROIC?

‫( sighs ) ‫KATHRYN, MARCIA GRACE ‫ONLY FOUND ME HEROIC

‫BECAUSE OF WHAT ‫YOU WROTE.

‫LOOK, THEY LOOK GREAT.

‫OKAY FINE, MAYBE I DIDN'T HAVE ‫TO UPROOT MY ENTIRE FAMILY,

‫BUT THAT DOESN'T MEAN ‫IT HASN'T BEEN HARD HAVING ‫EVERYBODY MOVE INTO OUR HOUSE.

‫ESPECIALLY ANGELO. ‫YOU THINK THAT MARCIA GRACE ‫MIGHT HAVE MENTIONED THAT.

‫EXCUSE ME, COULD I HAVE ‫ANOTHER PINOT NOIR?

‫- THANK YOU. ‫- I'LL DRIVE HER HOME.

‫( rap music playing ) ‫ * SEE, THEY BUILD YOU UP ‫ TO BREAK YOU DOWN *

‫* BUT I WILL ‫ STAND MY GROUND, YEAH *

‫* WHEN IT ALL GOES DOWN, ‫ AIN'T NO STOPPING NOW *

‫* 'CAUSE I'M COMING ‫ FOR THAT CROWN *

‫* 'CAUSE I'M A WARRIOR, ‫ A WARRIOR *

‫* A WARRIOR, YEAH YEAH

‫- * I'M A WARRIOR, ‫ A WARRIOR... * ‫- WHERE IS EVERYBODY?

‫IT'S JUST YOU.

‫I THOUGHT THIS WAS ‫LIKE A GROUP THING.

‫WELL, HERE'S THE DEAL: ‫I LIKE YOUR STUFF BUT ‫THE BOYS NEED PROOF.

‫- OKAY. ‫- SO YOU'RE GONNA DO ‫ A SOLO PIECE,

‫SOMETHING HOT. ‫NO YARDS, NO TUNNELS.

‫FINE, ‫WHAT KIND OF PIECE?

‫IT DOESN'T MATTER.

‫AS LONG AS ‫IT'S GOT RISK, Y'KNOW?

‫LOOK, THE PEOPLE ‫OUT THERE, THEY DON'T ‫WANT TO SEE US, RIGHT?

‫SO YOU GOTTA FIND SOMEPLACE ‫WHERE THEY GOTTA SEE YOU,

‫WHERE THEY GOTTA KNOW YOU.

‫AND THEN I CAN ‫WORK WITH YOU GUYS?

‫TEXT ME A SHOT, ‫I'LL LET YOU KNOW.

‫* I WILL STAND MY GROUND.

‫TRY THAT.

‫MMM, THAT'S GOOD.

‫WHAT IS THAT? ‫LIKE...

‫MAPLE OR SOMETHING?

‫DAPHNE, I NEED SOME HELP ‫PREPPING FOR TOMORROW'S BRUNCH.

‫- YOU'RE ALL RIGHT TO STAY? ‫- ABSOLUTELY.

‫- TONIGHT? ‫- UNLESS YOU HAVE OTHER PLANS.

‫NOPE, I'M GOOD.

‫GOOD.

‫( acoustic guitar playing )

‫- HEY, TOBY. ‫- OH HEY, WHAT'S UP, MAN?

‫- HAVE YOU SEEN BAY? ‫- NO, I THOUGHT SHE ‫ WAS WITH YOU.

‫DIDN'T YOU GUYS GO ‫TO A CAFE OR SOMETHING?

‫WE-- WE DID, BUT, UH...

‫OH! ‫YOU'RE HER NEW COVER.

‫IT USED TO BE ME.

‫- SO YOU HAVEN'T HEARD FROM HER? ‫- NO, I'M SORRY.

‫SHE WAS SUPPOSED ‫TO COME TO THE CAFE ‫AFTER SHE MET SOMEBODY,

‫BUT SHE NEVER SHOWED UP, ‫SHE HASN'T ANSWERED ‫MY TEXTS.

‫IS IT A BOY? ‫IS SHE INTO DRUGS ‫OR ANYTHING?

‫NO, IT'S NOTHING LIKE THAT.

‫BUT WAIT, ‫IF YOU WERE WORRIED ABOUT THAT, ‫WHY DID YOU LET HER GO?

‫- ( door closes ) ‫- HEY, GUYS.

‫WHERE'S BAY?

‫I DON'T KNOW.

‫WHAT DO YOU MEAN ‫YOU DON'T KNOW?

‫WELL, UM, THIS IS ‫A GOOD OPPORTUNITY--

‫I DON'T FOLLOW. ‫WHAT DO YOU MEAN YOU ‫DON'T KNOW WHERE BAY IS?

‫IT SEEMED LIKE YOU ‫WERE BLAMING HER BECAUSE ‫I MOVED IN SO I WANTED TO DO

‫- SOMETHING NICE FOR HER. ‫- WHAT THE HELL ARE YOU ‫ TALKING ABOUT?

‫- SHE HAD SOMEPLACE ‫ SHE WANTED TO GO. ‫- WHAT DO YOU MEAN SOMEPLACE--

‫- A FRIEND TEXTED HER ‫ AND SHE WANTED TO MEET UP-- ‫- WHAT FRIEND TEXTED?

‫- I DIDN'T SEE ANY HARM. ‫- YOU SAW NO HARM IN THIS?

‫WHAT ARE YOU ‫TALKING ABOUT?

‫YOU LET HER GO OFF ‫TO GOD KNOWS WHERE ‫WITH GOD KNOWS WHOM?

‫- SHE PROMISED ‫ SHE'D BE BACK IN AN HOUR. ‫- LET ME EXPLAIN SOMETHING.

‫YOU ARE NOT HER FRIEND, OKAY? ‫YOU'RE HER FATHER!

‫YOU'RE HER FATHER.

‫AND THAT MEANS ‫THAT YOU HAVE TO SAY ‫"NO" TO HER SOMETIMES.

‫SHE WILL NOT ‫LIKE YOU FOR IT,

‫BUT IT DOESN'T MATTER

‫'CAUSE YOUR JOB IS NOT ‫TO MAKE HER LIKE YOU.

‫YOUR JOB IS ‫TO PROTEC HER.

‫YOU'RE RIGHT.

‫SO WHAT DO WE DO NOW?

‫WE GO OUT, WE LOOK FOR HER?

‫- WHERE? ‫- I DON'T KNOW, JOHN.

‫NO, YOU KNOW WHAT ‫WE DO RIGHT NOW?

‫WE SIT, WE WORRY,

‫WE WAIT.

‫( door opens )

‫( groans )

‫- THERE'S NO PLACE FOR A KEY. ‫- JUST PUSH THE BUTTON.

‫- ( engine starts ) ‫- ( beeps )

‫NOW IT'S ASKING ME ‫IF I WANNA BUY ‫A MOVIE TICKET.

‫- ARE YOU KIDDING ME? ‫- SO I'VE GOT A FANCY ‫ DASHBOARD SYSTEM.

‫I HOPE IT'S NOT TOO MUCH ‫OF A CULTURE SHOCK.

‫OKAY, YOU REALLY ‫NEED TO LET GO ‫OF THAT INTERVIEW.

‫ALL THOSE YEARS OF JUST ‫BEING MRS. JOHN KENNISH

‫AND I THOUGHT FINALLY ‫PEOPLE ACTUALLY CARED ‫ABOUT WHAT I HAD TO SAY.

‫BUT NO! THEY JUST WANT ‫TO HEAR YOUR STORY.

‫WHAT ABOUT ALL ‫THE GOOD REVIEWS ‫FOR THE BOOK YOU WROTE?

‫YOU KNOW WHAT I DON'T GET?

‫YOU KEPT MY DAUGHTER ‫AWAY FROM ME FOR 13 YEARS,

‫AND SOMEHOW ‫I'M THE BAD GUY?

‫- 'CAUSE I AM SO ‫ RICH AND OUT OF TOUCH. ‫- YOU ARE NOT THE BAD GUY.

‫HOW DID I NOT KNOW?

‫WHEN THEY PUT BAY IN MY HANDS ‫INSTEAD OF DAPHNE,

‫HOW DID I NOT KNOW?

‫YOU CAN'T BLAME YOURSELF

‫OR MARCIA GRACE OR ME.

‫THIS THING HAS TO HAVE ‫A NAVIGATION SYSTEM, RIGHT?

‫- I KNOW THE WAY HOME. ‫- WE'RE NOT GOING HOME.

‫WE'RE GONNA GO EXORCISE ‫SOME DEMONS.

‫OH WOW, ‫I WAS NOT EXPECTING ‫YOU BOTH TO STILL BE UP.

‫- THANK GOD YOU'RE OKAY. ‫- I'M SORRY.

‫I HAD REALLY TERRIBLE RECEPTION, ‫I DIDN'T GET ANY OF YOUR TEXTS ‫UNTIL, LIKE, JUST NOW.

‫THAT'S ALL YOU HAVE TO SAY?

‫I'M SORRY. ‫I REALLY AM.

‫WHY DO YOU THINK ‫WE'VE ALL TURNED ‫OUR LIVES UPSIDE DOWN?

‫SO THAT THIS MAN COULD ‫BE A PART OF YOUR LIFE.

‫I KNOW.

‫AND YET YOU TREATED HIM ‫LIKE A CONVENIENT ALIBI.

‫HE DESERVES ‫MORE THAN THAT.

‫I'M GOING TO BED.

‫I REALLY MESSED UP. ‫I SHOULDN'T HAVE ASKED YOU ‫TO LIE FOR ME.

‫AND I SHOULDN'T HAVE DONE IT.

‫I SHOULD GO TO BED.

‫YEAH.

‫( Kathryn gasps ) ‫ THEY'RE SO TINY.

‫- Regina: YEAH. ‫- OH.

‫DO YOU REMEMBER THEM ‫BEING SO TINY?

‫I REMEMBER BEING ‫CONVINCED THAT I WAS ‫GOING TO DROP DAPHNE.

‫OH, I USED TO HAVE ‫NIGHTMARES

‫ABOUT LEAVING BAY ‫IN THE DIRTY LAUNDRY.

‫OH, AND ONE TIME ‫ON THE TOP OF THE CAR. UGH.

‫THEY DO ALL ‫SORT OF LOOK ALIKE.

‫THEY DO.

‫DON'T THEY?

‫WELL...

‫I GUESS THAT'S ‫ALL THE CATHARSIS ‫I CAN TAKE RIGHT NOW.

‫- WANNA BLOW? ‫- I'M GOOD.

‫HI, GOOD EVENING, ‫LADIES.

‫WHICH BABY ARE ‫WE VISITING TONIGHT?

‫OH, JUST TAKING A WALK ‫DOWN MEMORY LANE.

‫AW, OKAY. ‫HAVE A GOOD NIGHT.

‫OKAY.

‫- YOU HUNGRY? ‫- YEAH.

‫IT'S SALMON--

‫OH GOD, PLEASE DON'T ‫TELL ME FISH TOO?

‫NO, I EAT FISH. ‫IT LOOKS AMAZING. ‫THANK YOU.

‫AND THANK YOU FOR BEING ‫SO SWEET TO MY MOMS.

‫- THEY WERE BLOWN AWAY. ‫- OF COURSE.

‫IT WAS NICE TO MEET THEM. ‫THEY'RE A CUTE COUPLE.

‫OH, THEY'RE NOT TOGETHER.

‫IT'S JUST A LONG STORY.

‫COME ON, I TOLD YOU ABOUT ‫MY ENGINEERING DEGREE.

‫YEAH, SOME OTHER TIME.

‫MMM, SO

‫I WAS THINKING ABOUT ‫PUTTING YOU ON GARDE MANGER

‫WITH SCUBA NEXT WEEK, ‫SEE HOW IT GOES.

‫WAIT, I'M SORRY, ‫I JUST WANT TO MAKE SURE ‫I GOT THAT.

‫YOU AND SCUBA ‫ON GARDE MANGER.

‫- SALAD STATION? ‫- THAT'S WHAT I THOUGHT ‫ YOU SAID.

‫SO YOU MEAN NO MORE ‫WASHING DISHES?

‫AS LONG AS YOU STOP TRYING ‫TO TURN ME VEGETARIAN.

‫YES! ‫OH MY GOD, THANK YOU!

‫I'M SORRY, ‫I TOTALLY SHOULDN'T ‫HAVE DONE-- I--

‫BUT I'M SO EXCITED. ‫THANK YOU SO MUCH!

‫YEAH, DO ME A FAVOR, ‫I HAVE A BOTTLE OF ‫CHATEAUNEUF DU PAPE

‫STASHED BEHIND SOME COGNAC ‫BACK THERE, YOU MIND ‫GRABBING IT FOR ME?

‫OF COURSE.

‫A BOTTLE OF WHAT?

‫CHATEAUN-- NEVER MIND.

‫I'LL GRAB IT. ‫YOU WORK ON YOUR FRENCH.

‫( laughs )

‫OH, UH...

‫YEAH, I'M ACTUALLY ‫ALL GOOD WITH GLASSES.

‫YEAH NO, I WAS JUST...

‫SCUBA SHOULD BE ‫BACK IN A FEW.

‫TRY NOT TO LET HIM ‫KEEP YOU TOO LATE.

‫* YOU LOOK DARKLY ‫ ON THE DAY *

‫* THE MEMORIES ‫ TO LIGHT YOUR WAY *

‫* A LITTLE SAD, ‫ BUT IT'S ALL RIGHT *

‫* WE ARE ALWAYS

‫* LIVING IN TWILIGHT

‫* AND NO ONE KNOCKS ‫ UPON YOUR DOOR... *

‫* WE ARE ALWAYS

‫* LIVING IN TWILIGHT.

‫NO, I DEFINITELY WANT ‫TO TAKE A LOOK AT IT.

‫NO, DON'T CALL THE POLICE ‫UNTIL I SEE IT.

‫I'LL BE THERE IN 20. ‫YEAH.

‫- ( phone beeps ) ‫- POLICE?

‫YEAH, GOOD MORNING. ‫APPARENTLY THERE WAS AN INCIDENT ‫AT THE CAR WASH LAST NIGHT.

‫- I HAVE TO HEAD IN. ‫- HUH.

‫I FINISHED ‫MY FRENCH PROJECT ‫LAST NIGHT

‫IF YOU WANTED ‫TO TAKE A LOOK AT IT.

‫I WOULD BE HAPPY TO TAKE ‫A LOOK AT IT WHEN I GET BACK.

‫DAD, WHY DON'T I JUST ‫GO WITH YOU?

‫I CAN SHOW YOU MY PROJECT ‫AT THE CAR WASH.

‫OKAY. ‫GET DRESSED.

‫- AHH. ‫- BLUEBERRY MUFFINS?

‫- FROM CHUCK'S? ‫- IT'S THE ONLY PLACE ‫ IN THE NEIGHBORHOOD

‫- THAT IS OPEN AT 7:00. ‫- YOU'RE NOT EATING ‫ WITH THE KENNISHES?

‫- NAH. ‫- YEAH, THEY'RE PRETTY ‫ CHEERY IN THE MORNING.

‫IT'S NOT THAT. ‫I JUST FEEL LIKE ‫I'M IN THE WAY.

‫AND WHEN I'M NOT, ‫I'M MESSING THINGS UP ‫WITH BAY.

‫RUN-INS WITH THE KENNISHES,

‫MAKING MISTAKES ‫WITH YOUR DAUGHTER--

‫WELCOME TO MY WORLD.

‫COME ON.

‫YOU SHOULDN'T HAVE TO HAVE ‫BREAKFAST ALONE EVERY MORNING.

‫GOOD EVENING, LADIES. ‫WHICH BABY ARE WE ‫VISITING TONIGHT?

‫Regina: ‫ JUST TAKING A TRIP ‫ DOWN MEMORY LANE.

‫ALL RIGHT. ‫ WELL, HAVE A GOOD NIGHT.

‫CRAIG, IT'S KATHRYN. ‫I'M SORRY TO BOTHER YOU ‫ON A SUNDAY,

‫BUT I THINK I MIGHT ‫HAVE FIGURED OUT

‫WHO ANGELO'S SOURCE ‫AT THE HOSPITAL IS.

‫CALL ME WHEN YOU CAN.

‫John: HUH.

‫WOW, WILL YOU ‫LOOK AT THAT?

‫IT'S, UH, COOL, RIGHT?

‫YOU KNOW ‫IT'S BAD ENOUGH THEY TRASH ‫THEIR OWN NEIGHBORHOODS,

‫NOW THEY COME DOWN HERE ‫AND PULL THIS CRAP?

‫AND GUESS WHO GETS ‫ TO CLEAN UP?

‫ME. EH, IT'S GOOD ‫THAT YOU'RE HERE.

‫I GOT PAINT AND ROLLERS ‫IN THE BACK.

‫YOU CAN TELL ME ALL ABOUT YOUR ‫FRENCH PROJECT WHILE WE WORK.

‫* I LISTEN TO ‫ THAT SAME SONG OF OURS *

‫* OVER AND OVER WHILE ‫ WATCHING ALL THE CARS *

‫* MAYBE YOUR WINDOW'S DOWN ‫ OR YOUR VOICE JUST SHOUTS *

‫* I LISTEN TO THAT ‫ SAME SONG OF OURS *

‫* THE LETTER ‫ YOU HAD WRITTEN DOWN *

‫* ONLY PART OF YOU ‫ STILL LEFT AROUND *

‫* EVERY LETTER ‫ I DIDN'T WANT TO KEEP *

‫* I JUST READ A MEMORY

‫* I JUST READ A MEMORY

‫* YET IT'S STILL THERE

‫* YET IT'S STILL THERE ‫ IN THE MIDNIGHT HOUR *

‫* YEAH, WE'RE STILL HERE, ‫ YEAH, WE'RE STILL HERE *

‫* IN THE MIDNIGHT HOUR

‫* EVERY LETTER ‫ THAT YOU WROTE *

‫* I DIDN'T WANT TO KEEP

‫* I JUST READ A MEMORY

‫* I JUST READ A MEMORY

‫* I JUST READ A MEMORY.