All language subtitles for Switched.at.Birth.S01E21.1080p.WEB-DL.DD+.5.1.x264-TrollHD.en

PREVIOUSLY ON
"SWITCHED AT BIRTH"...

WHEN IT COMES TO
THE MUSIC STUFF, I WANT
YOU TO STAY OUT OF IT.

ANY CHANCE YOU WANT
TO COME DOWN TO SPRINGFIELD?

I HAVE A PHYSICS TEST
ON FRIDAY.

( cheering )

I KNEW THAT YOU...

AND BAY

WERE SWITCHED.

SARAH IS WRITING A BOOK
ABOUT THE SWITCH.

- WHY DID YOU LIE ABOUT
MEETING WITH HER?
- OH NO.

THIS IS NOT
WHAT YOU THINK IT IS.

- WE KNOW THERE'S ANOTHER
BOOK BEING WRITTEN.
- SARAH LAZAR.

UNLESS YOU GET REGINA
ON BOARD, I'M AFRAID
IT'S TOO MUCH OF A RISK.

I THINK EMMETT MIGHT
BE IN TROUBLE.
CAN WE TALK?

I KNOW.
I'M SORRY.

DAMN IT.

I COULD HELP.

- ( knocks )
- ( door opens )

- HEY.
- HEY.

YOU GOT AWAY LAST NIGHT
BEFORE I COULD TALK TO YOU.

I'M A SORE LOSER, UH,

- BUT YOU PLAYED
A GREAT GAME.
- THANKS.

I'M SORRY I ACCUSED YOU
OF TRYING TO GET ME BOOTED
OFF THE TEAM.

I SHOULDN'T HAVE
ASSUMED IT WAS YOU.

DO YOU WANT TO JOIN ME
FOR BREAKFAST?

OH, UM... YEAH.
YEAH SURE.

I WOULD LOVE TO,
BUT MY SHOWER IS RUNNING.

- CAN I MEET YOU IN 20 MINUTES?
- NO PROBLEM.

I'LL SEE YOU DOWNSTAIRS.

SHE DIDN'T SEE YOU.

I DON'T UNDERSTAND
WHAT YOU'RE SAYING,
BUT YOU SHOULD GO.

LIKE NOW.

WAIT, LET ME MAKE SURE
SHE'S GONE.

NOT SURE YOU SHOULD HAVE
WRITER'S BLOCK

WHEN YOU'VE ACTUALLY
LIVED THE STORY.

NO, I'M DEBATING WHETHER
TO OPEN UP THIS FILE

THAT MY EDITOR SENT ME.

- WHAT'S IN IT?
- UH, THE FIRST CHAPTER

OF A COMPETING BOOK
ABOUT THE SWITCH.

IT'S OUT ALREADY?

NO, IT'S A MANUSCRIPT.
I'M NOT SURE

HOW SHE GOT HER HANDS ON IT
BUT SHE WANTS ME TO TAKE
A LOOK AT IT

- AND SEE WHAT I'M UP AGAINST.
- I WOULDN'T DO THAT.

YOU'RE JUST GONNA
PSYCH YOURSELF OUT.

JUST DELETE THE FILE,
FOCUS ON YOUR OWN BOOK.

( exhales sharply )

MOM.

HI.

I TRIED TEXTING YOU
LAST NIGHT.

YOU NEVER RESPONDED.

I DON'T UNDERSTAND.
LAST TIME WE TALKED

YOU WERE YELLING AT ME.

I THOUGHT YOUR HEAD
WAS GONNA EXPLODE.

Bay:
WHAT DID YOU SAY TO HIM?

NOTHING. WHY?

HE FREAKED OUT AT ME
ON THE PHONE

AND THEN
HE JUST SHOWS UP.

AND HE ACTS LIKE
EVERYTHING IS FINE.

IT'S LIKE JEKYLL
AND HYDE.

WE DIDN'T TALK ABOUT YOU
OUT THERE, I SWEAR.

I WONDER WHAT HAPPENED.

DOES IT MATTER?
JUST GO WITH IT.

LOOK--
FOR EMMETT'S BIRTHDAY.

HE DOESN'T HAVE THIS POSTER.
IT'S IN ITALIAN.

I THINK I CAN GET IT
FOR LIKE 30 BUCKS.

"DEAFENSTEIN" AGAIN?
SERIOUSLY?

THERE'S ONLY BEEN LIKE FIVE

A.S.L. HORROR MOVIES
IN THE PAST 50 YEARS.

IT'S KINDA SPECIAL
TO US DEAFIES.

YOU NEED MORE
A.S.L. MOVIES.

I KNOW.
ACTUALLY, EMMETT AND I--

WELL, WE HAD THIS IDEA

FOR A ZOMBIE MOVIE AND IT WAS
CALLED "DAWN OF THE DEAF."

- WE EVEN WROTE A SCRIPT.
- WHY DON'T WE DO IT NOW?

FOR EMMETT'S BIRTHDAY?

( groans )
I DON'T KNOW.

WE WANTED IT TO BE GOOD,

LIKE WITH SPECIAL EFFECTS

AND ZOMBIES THAT
AREN'T CHEESY.

ARE YOU KIDDING?
J & K LIVE FOR PROJECTS
LIKE THIS.

THEY'LL BE OFF
AND RUNNING WITH IT.

I NEVER THOUGHT IT
COULD ACTUALLY HAPPEN.

REGINA, WOULD YOU JUST
LET ME FINISH?

IS THERE ANYTHING DIFFERENT
THAN THE LAST TIME YOU ASKED

FOR MY COOPERATION
WITH YOUR BOOK?

THEN THE ANSWER IS NO.

( sighs )
YOU'RE BEING UNREASONABLE.

- WAIT WAIT, DIFFERENT HOW?
- OH, I DON'T KNOW,

LIKE "I'VE JUST
BEEN DIAGNOSED WITH
A LIFE-THREATENING ILLNESS

AND I WANT THIS BOOK TO BE
MY LIFE'S LAST WORK."

THE EDITOR SAID THE BOOK
WOULD BE AN EASIER SELL

IF I INCLUDED
YOUR SIDE OF THE STORY,
WHICH I FIGURE BENEFITS YOU.

- I'M NOT INTERESTED.
- I'M JUST ASKING YOU
FOR A FAVOR.

YOU WANT TO PUBLISH
INTIMATE DETAILS
ABOUT MY LIFE

AND REHASH THE CHOICES
I'VE MADE.

NO, YOU'D BE TELLING
YOUR SIDE, NOT ME.

KATHRYN,
THE ANSWER IS NO.

ASK ME TOMORROW,
ASK ME NEXT YEAR:
THE ANSWER IS NO.

Toby:
SO SINCE IT'S MOSTLY
A SILENT FILM,

WE COULD DO
SOMETHING CLASSIC,
LIKE CREEPY ORGAN,

OR SOMETHING MORE
CONTEMPORARY SUSPENSE,

LIKE SOME
DISSONANT STRINGS
OR SOMETHING.

IT'S ALL THE SAME TO ME,

SO I'M GONNA HAVE
TO COUNT ON YOU.

- JUST MAKE IT GOOD.
- DONE.

SO I HEARD SIMONE

TRIED TO
GET YOU DISQUALIFIED
FROM THE TOURNAMENT.

ACTUALLY IT WASN'T SIMONE.
I JUST THOUGHT IT WAS HER.

- ARE YOU SURE?
- YEAH.

HEY! SO EMMETT--

- TOTALLY ON BOARD.
- SWEET!

TOBY'S GONNA GET SOME
EXTRAS FROM BUCKNER,

WILKE'S GOING TO PLAY
A GUARD AND JOHN GOT
ALL THESE COSTUMES

AND YOU'RE NOT LISTENING.

OH.

I'M SORRY, SWEETIE.
YOUR MOVIE SOUNDS GREAT.

YOU'RE MAKING A MOVIE?

YEAH, IT'S A ZOMBIE MOVIE
FOR EMMETT'S BIRTHDAY.

- OH.
- YOU KNOW DANIELLE
FROM THE SALON?

SHE MIGHT BE ABLE TO GET US
SOME STAGE MAKE-UP
AT A DISCOUNT.

- KATHRYN ACTUALLY GOT
A MAKE-UP ARTIST.
- OH.

GREAT.

- WILL YOU DO HAIR?
- OF COURSE.

WHO WANTS TO JOIN ME
FOR A SWIM?

I HAVE TO WORK
ON MY SCRIPT.

I HAVE TO CALL GERALDO
ABOUT PICKING UP
AN EXTRA SHIFT.

YOU LIVE WITH THIS
GORGEOUS POOL--

NEITHER OF YOU
HAS EVER BEEN IN IT.

NEXT TIME.

( keyboard clicks )

YOU TOLD SARAH LAZAR
ABOUT MY MISCARRIAGE?!

- WHAT?
- IT'S RIGHT THERE
IN HER BOOK!

CHAPTER ONE:
"BEFORE THE KENNISHES LOST
A DAUGHTER TO HOSPITAL ERROR,

KATHRYN LOST A CHILD
TO A MISCARRIAGE."

HER BOOK?
HOW THE HELL DID YOU
READ HER BOOK?

- THAT WAS PRIVATE.
- SWEETIE, LOOK, A LOT
OF COUPLES MISCARRY.

- THIS IS NOTHING
TO BE ASHAMED OF.
- THAT IS NOT THE POINT!

- THEN WHY ARE YOU
YELLING AT ME?
- ALL THESE YEARS

YOU HAVE TOLD ME
THAT ALL YOU TALKED ABOUT
WAS BASEBALL WITH HER.

IT WAS JUST BUSINESS.
AND NOW I FIND OUT
THAT YOU SHARED

ONE OF THE MOST
INTIMATE DETAILS
OF OUR LIFE TOGETHER.

- KATHRYN,
THAT WAS SO LONG AGO--
- AND HERE WE ARE AGAIN.

NO, YOU HAVE
TO RAISE YOUR EYEBROWS
IF IT'S A YES-NO QUESTION.

- "ARE YOU A STUDENT?"
- THAT LOOKED LIKE
"STUDENT, YOU?"

THAT'S HOW YOU SAY IT
IN A.S.L.

THE MAIN TOPIC "STUDENT"
COMES FIRST.

SO IT'S TALKING LIKE YODA?

EXACTLY.
IT TRY.

"ARE YOU A STUDENT?"

GOOD!
RAISE YOUR EYEBROWS.

( groans )
CAN'T I JUST BE
THE SLUTTY BLONDE

WHO GETS KILLED
IN THE FIRST SCENE?

IF YOU WANT TO BE
IN THE MOVIE, YOU HAVE
TO KNOW HOW TO SIGN.

OKAY. HOW ABOUT
A STUDY BREAK?

YOU KNOW TOBY AND I USED
TO HIDE OUT IN HERE

AND PLAY CARDS.
SOMETIMES BAY WOULD FIND US

AND WE'D MAKE HER GO
GET US COOKIES.

- NICE.
- Y'KNOW, IF THAT
WHOLE SWITCH THING

HADN'T HAVE HAPPENED,
THAT WOULD'VE BEEN YOU
GETTING US COOKIES.

YOU WOULD HAVE TOTALLY HAD
ONE OF THOSE LITTLE-SISTER
CRUSHES ON ME.

MM-HMM.

I WAS PRETTY CUTE
BACK THEN.

WHATEVER.

LET'S GO BACK
TO THE SCRIPT.

- "I THINK..."
- I THINK...

- "...THAT'S BRAIN..."
- BRAINS...

"...OOZING OUT
OF HIS EAR."

GOOD.

( both laugh )

HI.
I FOUND SOME
HALLOWEEN DECORATIONS.

- OH, THAT'S COOL.
- THANKS.

OH, IT'S AN AVIARY--

A HOUSE FOR BIRDS.

WE NEVER USED IT
BECAUSE BAY

DIDN'T WANT TO PUT
THE BIRDS INTO JAIL.

SO WE JUST USE IT
AS A PLAYHOUSE.

UM OH, YOU KNOW,
THERE'S MORE OF THESE
OVER THERE.

BAY AND TOBY'S HANDPRINTS
WHEN THEY WERE LITTLE.

SHE WAS FIVE?

Kathryn:
I'LL TALK TO JOHN
AND I'LL GET BACK TO YOU.

- THANKS, CRAIG.
- TALK TO ME ABOUT WHAT?

ANGELO.
HE LEFT SOME
OF HIS BELONGINGS

IN A STORAGE LOCKER
IN THE BASEMENT OF HIS
APARTMENT BUILDING.

REALLY?
WHAT'S IN THERE?

THEY HAVEN'T
BEEN THROUGH IT YET.

CRAIG THINKS YOU OR I
SHOULD GO WITH THE P.I.

SINCE WE ACTUALLY
KNEW ANGELO,

WE MIGHT SEE SOMETHING
THAT HE'D OVERLOOK.

SHOULDN'T REGINA GO?
I MEAN, SHE WAS CLOSEST
TO HIM.

FINE.
I'LL ASK REGINA.

IS IT AN ASSIGNMENT
FOR A MEDIA CLASS OR
A SCHOOL-SANCTIONED CLUB?

NO, IT'S
A PERSONAL PROJECT.

PERSONAL?

I'M MAKING
A ZOMBIE MOVIE.

HOW ORIGINAL.
WHY DON'T YOU ADD
A BROODING VAMPIRE

AND AN OVERSEXED WEREWOLF
THEN YOU CAN HIT ALL THREE
HORROR CLICHES AT ONCE.

( forced laugh )
SO THE EQUIPMENT?

YOU ARE NOT
ON THE APPROVED LIST
OF EQUIPMENT BORROWERS.

YOU HAVEN'T EVEN TAKEN
MEDIA STUDIES 1.

I KNOW HOW TO WORK
A VIDEO CAMERA.

THAT VERY COMMENT TELLS ME
HOW LITTLE YOU CAN BE TRUSTED
WITH THIS EQUIPMENT.

- C'MON, RANDALL.
- LOOK, EVEN IF I COULD
BEND THE RULES,

WHICH I CAN'T,
THE EQUIPMENT THAT
YOU'RE LOOKING FOR

- IS ALREADY CHECKED OUT.
- TO WHO?

( bell rings )

- HI.
- CAN I TALK TO YOU?

SURE.

HERE?

YEAH.

THIS IS GOING
TO SOUND CRAZY, I KNOW,

BUT I WENT TO GO CHECK OUT
SOME VIDEO EQUIPMENT

AND I WAS TOLD THAT YOU HAD
CHECKED IT OUT ALREADY.

AND I WAS WONDERING
IF I COULD BORROW IT
OVER THE WEEKEND?

I WOULDN'T NORMALLY ASK
BUT I HAVE THIS PROJECT--

IT'S FINE.
YOU CAN BORROW IT.

- I-- I CAN?
- YEAH.

I'LL GIVE IT TO TOBY
AND HE'LL GIVE IT TO YOU.
NO PROBLEM.

OKAY.

THANKS.

UH...

I JUST ALSO
WANTED TO SAY I--

I HEARD WHAT HAPPENED
AT THE TOURNAMENT.

YOU DID.

OKAY, UM...

- WELL, THE THING IS, UH...
- WELL, WHATEVER, RIGHT?

I MEAN, YOU CAN'T
BLAME YOURSELF.

YOU GUYS WILL WIN
NEXT TIME.

GO BULLDOGS.

GO BULLDOGS.
( chuckles )

GRANDMA, THAT IS
A GOOD ZOMBIE WALK.

AH, SLOW BUT UNSTOPPABLE.

- HUH?
- ( laughs )

IF WE COULD JUST
PUT A LITTLE BLOOD

RIGHT THERE,
THAT'D BE GREAT.

* AND THE SUMMER DAYS
ARE THROUGH *

* SNOWFLAKES MEAN
THAT IT'S WINTER *

* YEAH, THE BIRDS WILL
TELL YOU IT'S TRUE... *

( hissing )

* I JUST WANT TO MEAN
SOMETHING TO YOU... *

- THAT IS SO COOL.
- AWESOME.

* THAT I THINK ABOUT YOU
IN THE MOST ROMANTIC WAYS *

* AND I'M HOPING
YOU'LL BE OPEN *

* TO DISCUSSING US
WITH NOTHING IN-BETWEEN *

* MAYBE WHAT I MEAN

* IS THAT I LOVE YOU MORE
THAN ANY OTHER I'VE SEEN *

* IF YOU COULDN'T TELL,
WELL, I HOPE YOU'RE QUITE
KEEN ON IT... *

WOW, THAT'S REALLY
SOMETHING.

- YEAH.
- UM, WHAT'S THAT?

Daphne:
IT'S A WIND MACHINE.

JOHN THOUGHT IT WOULD BE COOL
TO HAVE FOR THE LAST SHOT.

A WIND MACHINE?

CAN'T USE ACTUAL WIND?

I GOTTA GET STARTED.

OKAY, HEY, EVERYBODY,

LET'S GATHER UP
AND DISCUSS THE FIRST SHOT.

ZOMBIES OVER HERE AND THEN
EVERYONE ELSE OVER HERE.

OKAY, ZOMBIES COMING
AROUND THE CORNER,

JOHN AND WILKE
SAY THEIR LINES.

- HOLY MOTHER OF GOD!
- DON'T.

YOU GUYS WILL CONTINUE
TOWARDS THE CAMERA,

AND WE'LL CUT
BEFORE YOU EAT JOHN.

OKAY, LET'S DO THIS THING.

ROLL IT!

SO, "DAWN OF THE DEAF,"
SCENE ONE, TAKE ONE.

AND ACTION!

* I WANNA MEAN
SOMETHING TO YOU *

- * I DO...
- ( beeping )

I JUST WANNA MEAN
SOMETHING TO YOU... *

UH UH,
IT'S NOT WORKING.

- UM...
- WHAT'S WRONG?

I DON'T KNOW.
IT JUST KEEPS BLINKING.

OKAY, CUT CUT CUT!
EVERYBODY TAKE FIVE.

AND WE'LL TRY TO FIX THIS.

John:
I'M GONNA KILL ME
SOME ZOMBIES TODAY.

WELL, HAVE ANY
ONION BAGELS?

( sighs )

THANK YOU. STILL GETTING
THE SILENT TREATMENT I SEE.

THE SILENT TREATMENT?
I JUST DON'T HAVE
ANYTHING TO SAY.

KATHRYN, COME ON.

I DID NOT MEAN TO TELL HER
ABOUT THE MISCARRIAGE, OKAY?

KATHRYN, ALL RIGHT,
IT JUST CAME OUT.

- OVER DRINKS AT HER HOTEL?
- IN THE TUNNEL ON THE WAY
TO THE CLUBHOUSE.

I HAD JUST GOTTEN OFF
THE PAY PHONE WITH YOU.
YOU WERE CRYING.

I FELT LIKE A JERK
'CAUSE I WASN'T THERE.

SHE SAW ME, SHE SAID,
"HEY, WHAT'S WRONG?"
I TOLD HER.

YOU JUST DON'T TELL
A CASUAL ACQUAINTANCE
SOMETHING THAT PERSONAL.

- YOU JUST DON'T.
- WE HAVE BEEN HAVING
THIS ARGUMENT FOREVER.

NOTHING HAPPENED
BETWEEN ME AND SARAH LAZAR.

CAN WE JUST BURY IT?

I HAVE TO GET TO THAT
STORAGE LOCKER WITH REGINA.

- WILL YOU TAKE OVER
THE BLOOD?
- YEAH.

- DID YOU TRY RE-BOOTING IT?
- GEE, I DIDN'T THINK OF THAT.

OF COURSE I RE-BOOTED IT.
IT DIDN'T WORK.

DUDE, ARE YOU EATING
THE BLOOD?

IT TASTES LIKE CHOCOLATE.

- WHY DON'T YOU CALL SIMONE?
- MMM.

I'M ON PROBATION.
SHE WAS PISSED THAT I DIDN'T
GO TO THE TOURNAMENT.

I DON'T WANT
TO BOTHER HER.

I THOUGHT YOU WENT.
I HEARD YOU WERE
THERE WITH HER.

NO, IT'S KIND OF
A LONG STORY.

BUT YOU'RE RIGHT--
I SHOULD CALL HER.

AH, THERE YOU GO.

IT'S ALWAYS
THE LAST ONE YOU TRY.

ANYTHING LOOK INTERESTING,
PUT IT IN THE BOX.

ANYTHING
YOU'RE NOT SURE ABOUT,
PUT IT IN THE BOX.

I HAVE TO MAKE A CALL.

I DON'T THINK
HE'S A MORNING PERSON.

- THAT MAKES TWO OF US.
- LOOK, I AM SORRY.

THIS WAS THE ONLY TIME
HE COULD DO THIS.

AND THANK YOU.
I KNOW THAT ANGELO IS NOT
YOUR FAVORITE SUBJECT.

YEAH, I ADMIT,
I'M CURIOUS.

WHAT EXACTLY ARE
WE LOOKING FOR?

ANYTHING ABOUT THE HOSPITAL
OR THE SWITCH

OR WHERE ANGELO
MIGHT HAVE GONE.

WELL, WE KNOW
HE'S NOT SKIING.

SERIOUSLY,
I NEVER UNDERSTOOD HOW
HE ENDED UP IN CHICAGO.

- HE HATES THE COLD.
- THIS IS INTERESTING.

- DO YOU RECOGNIZE THIS?
- NO.

BUT THEN AGAIN, I DON'T
RECOGNIZE ANY OF THIS.

I THINK I HAVE A CHARGER
FOR THIS IN MY JUNK DRAWER
AT HOME.

I'M GOING TO TAKE IT.
UNLESS OF COURSE YOU WANT--

- UH-OH. WHAT IS THAT?
- MAYBE HE WENT TO SEE HER.

WE SHOULD PROBABLY
FIND OUT WHO SHE IS.

YOU KNOW WHAT?
I'LL JUST DEAL WITH THIS LATER.

I DON'T KNOW
WHY I'M SO SHOCKED.
IT'S BEEN 13 YEARS.

OF COURSE HE'S BEEN
WITH OTHER PEOPLE.

YEAH, BUT YOU DON'T
WANT TO SEE IT.

* I WRITE YOU LETTERS

* FROM RIGHT TO LEFT

* SEE IF YOU HAD
DESIRE YET *

* TO DECIPHER
WHAT I SAY *

* AND THEN SEE...

I NEVER THOUGHT
THAT I WOULD SAY THIS,
BUT THIS IS FUN.

OH-- THE GRASS IS WET.
MAYBE WE SHOULD REHEARSE
THE NEXT SCENE.

* I CANNOT HIDE

* MY HEART AND MIND...

UH, HEY THERE.

HA! HI.

- HEY.
- THOUGHT I WOULD
CALL IN THE EXPERT

AND HELP US
WITH THE CAMERA.

I AM SORRY THAT TOBY
WOKE YOU UP SO EARLY,

- BUT I'M GLAD YOU'RE HERE.
- IT'S NOT A PROBLEM.

DO YOU KNOW EMMETT,
MY BOYFRIEND?

EMMETT, THIS IS SIMONE.
SIMONE, EMMETT.

I THINK WE MET
AT EAST WEST, RIGHT?

HE SAYS IT'S NICE
TO SEE YOU AGAIN.

YOU TOO.

YOU KNOW,

A FEW YEARS AGO
THERE WERE THESE RUMORS

ABOUT JOHN AND THIS
REPORTER SARAH LAZAR.

IT DIDN'T REALLY BOTHER ME
UNTIL THEY--

THEY RAN THIS PICTURE
OF THEM-- TOGETHER.

( chuckles )
YOU KNOW, I ACTUALLY WENT
TO SEE A PLASTIC SURGEON

BECAUSE I THOUGHT THAT WOULD
GIVE ME CONFIDENCE OR SOMETHING.

IT WAS RIDICULOUS.

I'VE BEEN THE WOMAN
TRYING TO TAKE
THE GUY AWAY.

TRUST ME--
SHE ENVIED YOU.

SHE'S WRITING A BOOK

ABOUT THE SWITCH.

- YOU MEAN US?
- YEAH.

MY EDITOR SENT ME
A CHAPTER.

SHE'S WRITING MY STORY.

I FINALLY UNDERSTAND WHY YOU
DON'T WANT ME TO TELL YOURS.

SO YOU'RE STILL
DOING YOURS?

YEAH.

I HAVE TO.
IT'S MY LIFE,

AND I'M NOT GONNA GET SCOOPED
BY SARAH LAZAR.

BAY.

There you are.

EVERYONE HAS BEEN
LOOKING FOR YOU.

Are you okay?

Let me take
a look at that.

AND CUT!

- ( Kathryn claps )
- Bay: OH, MOM, SERIOUSLY,

ARE YOU GONNA APPLAUD
AFTER EVERY SINGLE TAKE?

- YOU GUYS ARE SO GOOD.
- REALLY.

THANKS.
I FEEL LIKE A STIFF,

BUT YOU ARE LIKE
A TOTAL NATURAL.

YEAH, IT WAS SUPER COOL.
GREAT JOB, GUYS.

UM, NOT TOO MUCH
MORE THOUGH,

'CAUSE OTHERWISE
MY CHARACTER

LOOKS DUMB FOR NOT
FIGURING IT OUT.

- TOBY: SEE THERE,
IT DID IT AGAIN.
- WHAT'S THAT?

I DON'T KNOW.
IT JUST KEEPS SAYING
"CHECK WHITE BALANCE"

- AND THEN IT WON'T RECORD.
- BASICALLY IT MEANS YOU GOTTA

TEACH THE CAMERA
WHAT WHITE IS.

- HOW DO WE DO THAT?
- TEACH IT TO PLAY HACKY SACK.

- NICE.
- WE CAN TRY CREATING
A BACKUP FILE.

UH, SHE'S SAYING THAT

- WE HAVE A NEW CAMERA OPERATOR.
- THAT'S AWESOME.

- THANK YOU SO MUCH.
- John: AH, HERE'S THE FOOT.

GUYS, I COULD USE SOME HELP
WITH THE BODY PARTS. THANKS.

YOU'RE AWESOME.

I'M TRYING TO.
I'M STUCK.

I DON'T KNOW
WHAT YOU'RE SAYING.

LOOK, JUST BE COOL.

HEY, WHAT'S UP?

I WAS JUST ASKING
SOME QUESTIONS ABOUT
THE SCRIPT,

- OR TRYING TO.
- YEAH, I'VE BEEN WHERE YOU ARE.

IS THERE ANYTHING YOU
WANT ME TO INTERPRET?

WE DON'T NEED
TO DRAG YOU INTO THIS.

OKAY.

OKAY.

Kathryn:
MMM, LOOK AT THAT DRIP.

THAT IS SO COOL.

( laughs )

THE SECRET INGREDIENT
IS CHOCOLATE SAUCE.

REALLY?
MMM.

( all laugh )

OKAY, UM, LET ME CHECK
AND I'LL CALL YOU BACK.

OKAY BYE.

THAT WAS GERALDO.
HE'S STUCK.

ONE OF HIS HAIR STYLISTS
FOR A WEDDING HAD TO CANCEL

AND HE'S OFFERING ME
TIME AND A HALF TO FILL IN.

I MEAN, THE HAIR'S
BASICALLY DONE HERE.

AND YOU CAN DO
TOUCH-UPS, RIGHT?

I CAN HELP.

DO YOU MIND?
WE COULD REALLY
USE THE MONEY.

- IT'S FINE.
- I'LL BE BACK

AS SOON AS I CAN,
AND I'M SURE THE KENNISHES
HAVE GOT YOU COVERED.

- OKAY?
- SURE.

BYE.

BYE.

YOU ARE A GENIUS!
THIS IS PERFECT, SIMONE.

Thanks to Mrs. K
for the wheels.

OKAY, I THINK I HAVE
THE TAG LINE FOR THE POSTER:

"DAWN OF THE DEAF:
THEY'RE SILENT BUT DEADLY."

- ( snickers )
- NO.

HEY, SO IT LOOKS LIKE
YOU'VE GOT A HANDLE
ON THINGS NOW,

- AND I'VE GOT
A PAPER DUE SO--
- WHAT?

NO, STAY!
THERE'S ONLY TWO MORE SCENES.

Bay:
OH MY GOD, YOU'RE LIKE
THE CUTEST ZOMBIE EVER!

TOO BAD I HAVE
TO BLOW YOUR HEAD OFF.

OKAY, YOU GUYS ARE GOING
TO START FROM OUT THERE.

WE ARE GOING
TO START ON WILKE

AND EMMETT'S GOING
TO COME UP BEHIND HIM.

TURN AWAY BEFORE EMMETT
HAS THE CHANCE TO BITE YOU.

AND THEN HE'S GONNA COVER.

OKAY?

- LET'S ROLL IT!
- "DAWN OF THE DEAF,"

SCENE FOUR, TAKE ONE.

UH, WAIT.
I DON'T HAVE A PHONE.

UH, HERE, USE THIS ONE.

- IT REALLY DOESN'T MATTER.
- ALL RIGHT.

OKAY, LET'S DO IT AGAIN
FROM THE TOP.

Scene four, take two.

Daphne:
And, Wilke, start texting.

Action.

GET IN CLOSER.

Coming up on Wilke--
that's your cue.

WILKE, THAT'S YOUR CUE.

WELL, CUT!
DON'T LOOK IN THE CAMERA!

SORRY.

UM, I THINK
I HAVE YOUR PHONE.

YOU PROBABLY SHOULDN'T
LEAVE IT LYING AROUND.

ALL RIGHT,
LET'S JUST TRY IT AGAIN.

BACK TO ONE.

CAN YOU HELP CARRY SOME
OF THAT LIGHTING EQUIPMENT
OUT TO THE POOL?

TOTALLY.
I WAS JUST GONNA GRAB
SOME ZOMBIE FINGERS FIRST.

YOU HOOKED UP
WITH EMMETT?

WHAT?
NO.

I HEARD YOU HAD
SOMEBODY IN YOUR ROOM
AT THE TOURNAMENT,

WHICH I FIGURED
WAS JUST A RUMOR.

AND THEN I READ
YOUR TEXTS.

LOOK, IT WAS
A COMPLETE MISTAKE.

YOU GOTTA UNDERSTAND THAT
I HAD JUST LOST THE GAME,

TOBY HAD BAILED ON ME
AND I WAS DRUNK.

- THAT'S YOUR EXCUSE?
- NO.

I MEAN-- LOOK, I'M--
I'M TRYING TO EXPLAIN TO YOU

THAT IT WAS REALLY MESSED UP,
BUT I JUST DON'T THINK

THAT EVERYTHING SHOULD BE
BLOWN UP OUT OF PROPORTION

OVER SOMETHING THAT HAPPENED
ONCE THAT MEANT NOTHING.

TOBY IS MY BEST FRIEND.
AND WHAT ABOUT BAY?

LOOK, IF I COULD
GO BACK IN TIME

AND UNDO THINGS,
I WOULD.

PLEASE, I AM ASKING YOU
TO JUST LET THIS ONE DIE
FOR EVERYBODY'S SAKE.

PLEASE.

"Dawn of the Deaf,"
scene four, take five.

Marking.

WE SET?
READY?

AND ACTION.

He's coming.
Oh God.

You have to shoot him.
It's the only way.

Oh no.
No no no no!

NO NO NO.
NO.

OKAY, GET BAY'S CLOSE-UP.

And Emmett's.

AND CUT!

- THAT'S A WRAP.
- ( cheering )

GREAT JOB, EVERYBODY!
YOU SHOULD BE SO PROUD.

THAT WAS AMAZING,
EVEN IF I DID KILL YOU.

VERY MOVING.
VERY MOVING!

HEY, YOU GUYS, LOOK!

- John: OH WOW.
- LOOK AT THE CAKE.
WHAT A GREAT CAKE.

Kathryn:
WHAT A COOL CAKE.

LET'S GO INSIDE.
IT'S SO COLD,
COME ON.

- INSIDE!
- HAVE SOME CAKE
AND SOME HOT CHOCOLATE.

- SWEETIE, CONGRATULATIONS.
- THANK YOU.

- I'LL SEE YOU INSIDE.
- Daphne: YEAH.

HEY, WILKE, WILKE!

YOU RUNNING OFF?
YOU SHOULD STAY.

UH...

SORRY, I GOTTA GET HOME
AND DO SOME HOMEWORK.

( laughs )
YEAH RIGHT.
COME ON, MAN.

- SIMONE'S BLOWING IT OFF.
- YEAH WELL,

SIMONE CAN GET AWAY
WITH IT.

YOU OKAY, MAN?

YEAH, JUST TIRED.
ALL RIGHT.

I'LL CATCH YOU LATER.
OKAY?

ALL RIGHT.

- WHAT WAS THAT?
- NOTHING.

* I WISH IT DIDN'T HAPPEN
BUT IT DID *

* HOW COME THE GOOD ONES
HAVE TO GO? *

( car door opens, closes )

* HOW COME THE LAST VOICE
THAT YOU LOVE'S YOUR OWN? *

* HOW COME
THEY NEVER STOP... *

I MISSED EVERYTHING,
DIDN'T I?

IT'S OKAY.

I'M SORRY.
I HAD TO GO.

I WISH

THAT I COULD SAY NO
WHEN WORK THINGS COME UP,

- BUT I CAN'T.
- I GET IT.

AND I KNOW THAT

I CAN'T GIVE YOU
FOG MACHINES

AND IMPORTED
DUTCH-CHOCOLATE BLOOD

AND WHATEVER
THAT MAZE THINGY WAS.

MOM, THIS ISN'T
ABOUT MONEY.

IT'S NOT ABOUT THINGS.
I PROMISE.

THEN WHAT IS IT?

I TRY NOT
TO THINK ABOUT IT,

BUT SOMETIMES
I CAN'T HELP IT.
IT HITS ME

THAT THERE WAS
THIS WHOLE CHILDHOOD
I WAS SUPPOSED TO HAVE.

I KNOW.

AND I'M NOT SAYING I DIDN'T
LOVE GROWING UP WITH YOU.

YOU GAVE ME SO MUCH
AND YOU ALWAYS TOLD ME
I COULD DO ANYTHING.

- YOU CAN.
- THEN WHY DIDN'T YOU THINK

THAT I COULD HANDLE
KNOWING ABOUT THE SWITCH?

YOU WERE THREE YEARS OLD.

OKAY,

WHAT ABOUT WHEN
I WAS FIVE? OR SEVEN?

OR HOW ABOUT
WHEN I WAS 10?

I GUESS I JUST...

( sighs )

I DIDN'T THINK THAT
I COULD HANDLE IT.

I'VE BEEN TRYING

TO BE OKAY WITH THAT,

BECAUSE I DON'T WANT TO BE
MAD AT YOU MY WHOLE LIFE.

I HATE BEING MAD AT YOU,

BUT THERE ARE
SO MANY MEMORIES HERE--

HANDPRINTS, BIRDHOUSES
AND FAMILY VACATIONS

THAT I SHOULD
HAVE BEEN A PART OF.

I'M SORRY.

ME TOO.

UM,

I'M GONNA GO UPSTAIRS.

I THINK THAT THEY'RE
HAVING DESSERT

AND YOU SHOULD JOIN THEM.

( knocks )

- HEY.
- HEY.

I THOUGHT
YOU WENT TO BED.

I THOUGHT SO TOO.

IS THERE
ANY CAKE LEFT?

NO.
OH, BUT--

YOU CAN HAVE ONE OF THESE.
THEY'RE YUMMY.

ZOMBIE FINGERS.

OH, OKAY.

UGH, TOMORROW THERE IS GOING
TO BE A MASSIVE CLEANUP

AND I AM
IN COMPLETE DENIAL.

I MEANT TO SAY THANKS

FOR LETTING DAPHNE
TAKE OVER YOUR ENTIRE HOME.

WELL, IT'S HER HOME TOO.

AND YOURS.

I HOPE YOU BOTH
THINK OF IT THAT WAY.

UM, I THINK WE'RE
STILL WORKING ON THAT.

IT'S CRAZY SOMETIMES
TO THINK ABOUT
HOW WE GOT HERE.

I THINK ABOUT IT
ALL THE TIME.

MAYBE I DON'T THINK
ABOUT IT ENOUGH.

I'VE GOTTEN PRETTY GOOD
AT DENIAL OVER THE YEARS.

SO...

WHAT EXACTLY DO YOU NEED?
INTERVIEWS, NOTES?

- FOR WHAT?
- YOUR BOOK.

I FIGURE IF MY DIRTY LAUNDRY'S
GETTING AIRED ANYWAY,

IT MIGHT AS WELL BE YOU.

- REALLY?
- ONE SUGGESTION--

MAKE SURE THAT YOU TAKE
A REALLY HOT AUTHOR PHOTO,

SO SARAH LAZAR
CAN SUCK IT.

John:
WAS THAT REGINA DOWNSTAIRS?

YEP.
SHE'S SAYS SHE'S GOING TO
COOPERATE WITH ME ON MY BOOK.

HEY, THAT'S GREAT.
WHAT CHANGED HER MIND?

SHE WANTS TO HELP ME
KICK SARAH LAZAR'S ASS.

YOU TOLD HER ABOUT THAT?

DON'T WORRY.
I'M NOT GONNA PUT IT
IN THE BOOK.

PUT WHAT IN THE BOOK?

I DON'T FEEL LIKE TALKING
ABOUT THIS RIGHT NOW.

I'M EXHAUSTED.

YOU KNOW WHAT, KATHRYN?

I REALLY HAVE NOTHING
TO SAY TO YOU RIGHT NOW.

YOU DON'T
BELIEVE ME.

YOU DON'T TRUST ME.

GOOD NIGHT.

- HEY, WHERE ARE YOU OFF TO?
- I'M JUST TAKING EMMETT HOME.

OH, THAT'S NICE.

- UH, DAD?
- YEAH?

IS EVERYTHING OKAY
WITH YOU AND MOM?

YEAH YEAH.
WHY?

I JUST FELT LIKE SOMETHING
WAS GOING ON TODAY.

AH.

WELL, YOUR MOM AND I ARE
GOING THROUGH SOMETHING,

BUT IT'S NOT REALLY
EVEN WORTH TALKING ABOUT

BECAUSE IT'S GOING
TO BE FINE.

OKAY?

WE ARE COMMITTED
TO EACH OTHER,

AND WHEN YOU'RE COMMITTED,
YOU WORK THINGS OUT.

HEY.

I COULDN'T SLEEP.

ME NEITHER.

* WHEN YOU JUST
CAN'T SLEEP *

* WHEN YOU'RE
COUNTING SHEEP *

* I'LL BE HERE
FOR YOU... *

ARE YOU UP
FOR A SWIM?

* WHEN YOU NEED
TO TALK *

* TAKE A GOOD
LONG WALK... *

SURE.

MAYBE WE CAN MAKE
SOME MEMORIES
OF OUR OWN.

* OF ALL THE PEOPLE
ON THE PLANET *

- * IF I HAD MY CHOICE...
- WHOO!

IS IT COLD?

CHICKEN!

WHO ARE YOU CALLING

CHICKEN?

- * COUNT ON ME...
- YOU ARE SUCH A CHICKEN.

( screams, laughing )

* WHATEVER YOU NEED,
WHENEVER YOU NEED IT *

* COUNT ON ME

* COUNT ON ME

* WHEN YOU JUST
CAN'T SLEEP *

* WHEN YOU'RE
COUNTING SHEEP. *

OKAY,
WHAT IS GOING ON?

ONE MINUTE YOU'RE HERE,
THEN ALL OF A SUDDEN

YOU'RE--
I DON'T KNOW WHERE.

YOU HATED YOUR BIRTHDAY.
YOU CAN SAY IT.

THEN WHAT IS IT?

WE GOT THROUGH
THE DEAF-HEARING THING.

WE GOT
THROUGH THE TY THING.

WE GOT THROUGH
THE CUSTODY THING.

WE SAID THAT
WE LOVE EACH OTHER.

WHAT IS LEFT FOR US
TO GET THROUGH?

JUST TELL ME.

WHATEVER IT IS,
I CAN HANDLE IT.

BUT

WE CAN'T KEEP GOING
BACK AND FORTH ANYMORE.

EITHER YOU'RE WITH ME

OR YOU'RE NOT.

WHICH IS IT?