Original subtitles

- I've looked at

his trips.

I don't understand where the Alsatian does his business.

- You drew a nice picture. Explain it to us.

- Every Thursday evening,

he goes to Auxerre.

- What's the point?

- He makes a stop here along the way.

I checked the address, it's a business park.

I think he fills up the car with petrol.

- Half an hour to fill up, that's a long time.

He could be delivering the gear.

It's close to a motorway.

It's easy to get away. It's a classic setup.

Check the hotels nearby.

- We'll go and scout it out.

Ahmed, where are we with the weapons?

- Apparently, we've only got the 45

and your Beretta. There's nothing else.

- Is that it?

- Yeah.

- The 45 is good.

- You're forgetting how heavy it it.

- We could rob a gun shop.

- Do you have any other stupid ideas?

They're alarmed

these shops.

- That's good. I have a team that can deal with that.

- We know all about your teams.

- Oh, oh!

- Fuck, Cisco! Tell him to shut his mouth.

- It's alright ...

- Easy.

I think it was at the Issy-les-Moulneaux shooting club,

a few years ago, we suspected a guy of stealing.

We questioned all the members.

Twenty or so of them had a private arsenal at home.

- Completely legal.

- That's not bad.

- That's not such a stupid idea

to rob a gun enthusiast. it's a good idea.

- We need to find a easy mark.

- You can deal with that, can't you?

Music of the opening credits plays.

...

- We have identified the gang that is using the tracker

to surveil the Alsatian.

That's Ange Cisco.

Robbed armoured trucks during the period 1990-2000.

- I can see who it is.

- That's Ahmed Barkash, gun for hire,

with the third accomplice.

François Vabre.

And the last, Thibault Cisco, aka Titi, the son.

25 years old,

previously charged with intentional bodily harm but not convicted.

- So we have four guys and four telephone numbers

linked to the Alsatian's tracker.

One of the phones was located in Barbes

the night Amin died. So, frankly,

there's a good chance the murderer is one of them.

- OK. How do you want

to proceed?

- We need to continue surveillance to be certain that the gang was all there ...

- No, wait a minute ...

We're going too fast.

We have to make the connection

with Amin's death.

- I tend to agree, especially since,

these guys, they're more heavies.

I don't see

how or why they would be in contact with Amin.

- No, but we do have a connection.

They asked him to install the tracker

under the Alsatian's car.

The kids' squat is right next door to the mules' hotel.

It got out of hand, that's all. We need to find out why.

- Yeah.

- It all comes back to the Alsatian.

Excuse me a moment.

He closes the door.

- What are you doing to us?

- We're doing what we said. We haven't touched the Alsatian.

*- So how did you get onto the Ciscos?

- We investigated a tracker installed on his car.

Cisco's people

are connected to it.

- It's got nothing to do with your case.

- Yes it does. As a matter of fact, it was the kid who installed it. His prints are all over it.

*- We think he did it for Cisco and his gang.

- Give us some time.

* It's too dangerous. We'll pass the results of our investigations onto you.

- So we can't keep working?

- I'm sorry, Arnaud.

* He hangs up.

- OK, I'm sorry. We can't keep working on Cisco.

I spoke to command.

There's a big operation in progress on this guy.

- What sort of operation?

- That's all I know.

I made a deal with command, we let them work for a few days,

as soon as they are done, they will send

any evidence that might be useful to us.

- Wait. Can we at least work on the phone records?

- Anyway, it's over. The numbers are no longer active.

So they must have changed phones.

- OK. So we do nothing?

- I'm not happy about it, Amrani.

He slams the door.

- So they torpedo the inquiry and you say nothing?

- What do you want me to say?

- What I don't understand is, who is blocking it?

Is it the drug squad? - What I don't understand is, who is blocking it?

Is it the drug squad?

Why wasn't he clear about it?

- It's not the drug squad!

- Are we sure of that?

- Yeah.

Why don't you tell them how you know?

Ali is leaving us in a month to join the drug squad.

He's been promoted to team leader.

(- Fuck ...)

- What do we do now?

- Well, nothing.

We wait, we have no choice.

Dramatic music plays.

...

- That's just great.

...

- Here.

Why aren't you going back to the squat?

- I'm afraid of the cops.

I don't trust them.

I need money.

Bilal doesn't need us any more?

- Bilal's plans are all half-baked.

I don't care, I don't have any choice.

Can you find out?

I'm afraid he's going to throw me out if I turn up.

- I'll go and see and I'll let you know.

- Thanks.

An underground train rushes by.

...

- I know why they are interested in the Alsatian. They're going to rob him.

Cisco needs cash for the club.

He's in debt.

- So he's putting a team together.

- The idea is to steal drugs.

We're doing the spade work.

- Oh, fuck, that's good. That's means we're going to catch them red-handed.

They mentioned the 45.

- So we're on the right track.

Who are you thinking of?

- Ahmed Barkash or François Vabre.

One or the other could have been the trigger man.

Titi doesn't fit the profile.

- Fuck, if we have the weapon, it's a daily double.

Not only do we catch them in the act, but we also get Darmon's killer.

- It's gonna be tough to meet up.

- Yes, but we have to find a way to debrief.

- We can communicate via the car.

- OK.

I'll have someone monitoring audio 24x7.

(- Yeah ... 24x7 ...)

Good.

Tense music plays.

...

- There you go.

- Are we good?

- We're good. For sure.

Ciao.

- What up, bro?

- Good and you?

- Hmm.

- Can I get you any phones?

- No. I'm good.

I have what I need.

Find me three or four kids.

I'm working on something.

- You're busting my balls.

He sighs.

I'm tired of your bullshit, OK?

- You're afraid of that cop.

- I'll deal with the cop.

Stop hassling me about that.

- So, it's all good.

- Take your hand off me.

- Stop worrying, OK?

No matter what happens, you're part of it.

Oh yeah, we're in this together.

Tense music plays.

- OK.

...

I'll find those kids for you.

...

- She's going to take care of our food.

- Outstanding.

- A woman's place is in the kitchen.

- We don't say stupid shit like that any more.

- Oh yeah? Why not?

Is she going to press charges?

- Fool.

Your head will roll.

- Do you have a woman?

- No.

- With your looks, you don't have a woman?

- Well, no.

- Coffee, guys?

- One year after committing the acts with which you have been charged

you separated from Mrs. Moriera.

Can you explain what happened?

- I left, we weren't getting on.

- It's curious that you say that.

In her testimony, Mrs Moriera stated that it was she who showed you the door.

It's on page 572

of the file. She adds that

it is as a result of your behaviour

towards Julia, Lola's little sister.

- She's talking nonsense.

- The little girl was ten years old at that time.

Long blond hair.

An angelic air.

A new innocent

to prowl around. Perhaps even more exciting for you.

Do you have sexual desires for children, Mr. Leroy?

- You're delirious. She was a kid.

- Lola, yes, her sister, no?

- That had nothing to do with it. Lola was already

a woman.

(- Oh.)

Disturbing music plays.

...

Text message notification.

"Leroy has confessed."

- Well?

Oh, yeah. OK. Full house!

The sniper.

- Your piece ... Is it a Nagant?

- Affirmative. It did a tour of Vietnam.

- Oh yes, there's not many of them around.

What do you do for ammo?

- I reload my own ammo.

It's a lot of work, but when you love ...

- I get it.

- But tell me ...

I see you know your way around guns.

- Thanks.

I do sport shooting.

Have you tried it?

I have.

I prefer 50 foot target shooting.

- Oh.

- I even have two AK-47's at home.

Along with an MP5 and a Glock.

- Holy shit!

Your wife isn't afraid?

She passed five years ago. Cancer.

- I'm sorry.

Anyway, if you're interested, I have a Luger for sale.

If you ever ...

- To tell you the truth, I have one too.

But, well, let's see. If it's priced right ...

Maybe we can discuss it over a beer?

- OK.

I'll just say goodbye to my mate. I'll be back.

- I'm having a chat with this gentleman, can you wait for me in the car?

- Fuck, I knew it.

Where's Laure?

Where's Laure?

- It was quiet, so she went back to take care of her daughter.

- Oh yeah, for sure.

- What do you mean, "for sure"?

Are you taking the piss?

What's your game?

You're stirring up shit with the team before you leave?

Eh?

- OK.

It's every man for himself, is it?

Fine by me.

I'm taking a 308.

Where's the surveillance van?

Pff ... OK. Ciao, bye.

Dramatic music plays.

...

- We followed him back to his house.

He lives by himself in a little house in Goussainville.

- He's the ideal target.

There's no safe, he keeps everything in a gun cabinet.

- We go tonight.

- No. No, no.

Hang on.

I would rather we put him under surveillance, monitor his comings and goings,

look for an opportunity ...

- We don't have time for all that

- I've already got someone working on it.

- We won't be taking the risk.

- OK. We don't go in the house.

We're there as backup to collect the guns.

- What did you want to tell me?

- Here. This tracker is one of yours.

Who did you sell it to?

- I don't think it's one of mine.

- Yes it is. It's yours.

That's the serial number. OK?

We called the manufacturer. They told us who it was sold to.

They sold it to your shop.

- If you say so.

- Yes, I say so.

- Yes, I might have sold it.

People pay cash. There's quite a few guys

keeping tabs on their women. They don't want anyone to know.

He sighs.

Where did you find it?

Don't try and switch roles, I'm asking the questions.

- You need to put your cards on the table.

Otherwise this isn't going to work.

- Let's drop it for today.

- If you like.

Here.

I've got a present for you too.

- A marriage proposal?

- Go on, open it.

You don't turn down a present.

Go on.

Have a look.

I got one for my son.

I thought it would be nice for your son

to have the same one.

Take a look.

Tense music plays.

...

What's up? Is something wrong?

Noah isn't spelled like that?

...

- Don't talk about my son.

- Hey, oh!

- Do you understand?

- Relax.

It's going to be fine.

...

- Lola Moriera is 15 years old and she has just been raped.

The young student, who has never been in trouble,

leaves her family home to make a living doing odd jobs.

She winds up luring men

on the internet and blackmailing them.

She replays the original trauma.

But this time, she is in charge.

She makes men pay

for what Bastien Leroy

never paid.

Yet Lola pushes back when we present things in this way.

The idea that all of these events

are explained by the rape is intolerable.

She refuses to be categorized

as a victim.

And she is right.

It is not a matter

of mending Lola's life.

She will take care of that herself.

It is at this moment, when she expects nothing from us,

that we must show her that we condemn

what Bastien Leroy did to her.

In the strongest possible way.

It's a matter of us finally showing our immense respect

for the woman

that she has become.

Dramatic music plays.

...

- Ahmed asked me if we were an item.

- Oh, did he ...

- I told him we were.

This morning he sensed that you had someone.

- Oh.

- He figured I knew.

He wanted me to tell him. It was the only thing I could think of. To reassure him.

It won't go any further.

- OK.

- Hmm, hmm?

- I think he bought it.

(He won't bother you any more.)

Dramatic music plays.

...

- Yeah, Vincent?

* - Are you OK?

- Yeah, excuse me. Uh, would it be a bother to look after Romy

for another day?

- Uh, no, not at all. I'll take care of it.

* What's going on?

- I'm on a stakeout.

Excuse me. There something happening. I'll let you go.

Disturbing music plays.

...

A mobile phone rings.

...

- Hello?

- How are you?

- Yeah, yeah, I'm OK.

I'm on a stakeout.

*- I thought Laure had shut it down?

- No, no, I'm working on something else.

*- OK.

You're sure you're OK?

Yeah.

I'll let you go now. I ...

I'll try not to be back too late.

*- OK.

- Love you.

Tense music plays.

...

- Stop breaking my balls!

Oh!

Fuck!

Go on.

Move it.

Get going, don't be a smartarse.

Sit over there.

Anyone who leaves gets a punch in the mouth. Understand?

- How is it going?

- Good and you?

- Here you go.

Divide this up if it goes OK.

- Hey, what's that?

Yelling and shouting.

...

What's the job?

- It's a burglary.

There's no risk.

- How much are you paying?

- That was agreed with Bilal.

- How much?

- Go on. Give them 200.

- Are you sure?

- I'm sure. Go on.

He speaks in Arabic.

- 200, OK?

Huh? You like this, don't you?

Get them in the car.

Give me that! Gimme!

- Go on, take them.

Come on, we're going now. Come on.

- Hurry up.

Go on, get going.

- Come on, let's go, let's go.

Tense music plays.

...

The tyres squeal.

- What the fuck are you doing?

- I've had enough of your bullshit.

- Where is he taking those kids?

- I'd advise you to forget

what you saw. Go home.

If you care about your family, leave us in peace.

- What are you talking about? What's got into you?

- What don't you understand? Hang on. Let me show you something.

Facebook is handy. Take a look.

She looks nice. Huh? I know this park really well.

There's nobody there in the afternoon.

- You fucking ...

- The people I'm working with don't play games.

If you open your mouth,

I can't help you anymore.

Stay in your lane.

Stay in your lane!

(- Son of a bitch. Fucking arsehole.)

- Titi is bringing his team, but I prefer to be there.

To check that everything goes OK,

and pick up the weapons myself.

- Fuck, he forgot to close the gate again.

- Yes?

OK. Thank you.

It's the clerk of the court.

The jurors have not finished their deliberations.

They're going to need at least two more hours.

- They're going to find him guilty.

I'm sure he's going to get prison time.

- You know how it is with trial by jury.

There is always the possibility of a surprise.

Do you want something to drink?

- Yes.

The doorbell rings.

- That must be Lola.

Come in.

The jury is still out.

We have a little time.

- Is that a good sign

or a bad sign?

- Impossible to say.

Shall we have a drink?

Josephine.

Lola.

Whisky?

- No, thank you.

I'm going to wait

at the bar opposite the court.

- Hang on, it's off the top shelf ...

- That's very kind of you, but no, thank you. Will you call me?

- I'm sorry, I ...

- Lola! Wait!

Wait.

- He's tough, your lawyer friend.

Nobody spoke to me like that before.

Thanks for everything you have done.

I can

move on now.

Dramatic music plays.

...

- Why is it that we desire what we cannot have?

- We would be bored otherwise.

Dramatic music plays.

...

- Is it much further?

- No, no. Not really.

- Oh, OK. That's it, you saw me.

Excuse me, sir,

I'm completely lost, I'm alone and

my bettery is dead. Which way is Goussainville?

- Turn left over there.

- Thanks.

- Good evening.

Tense music plays.

...

- What's up?

- Nothing.

...

She sighs.

- I get the sense something's up.

- Leave me be.

- Don't stress.

We're here to make sure everything goes OK.

What sort of team is this?

- You'll see. They'll be here soon.

- Isn't your son a little young to have his own network?

- He grew up in Barbes in a foster family.

He stayed close with the worst of them. He's like a brother.

He passes contacts onto him.

Here they are.

That's it, that's the team?

- Don't worry, this isn't their first rodeo.

- But they're just kids!

- They fear nothing, they're juveniles.

- I can't let them do this.

- What's wrong with you? Are you trying to fuck things up?

They're used to it.

What did you expect?

That we would risk being shot?

Stop breaking my balls and relax a bit. OK?

Get back in the car.

We need to be ready to get out of here.

The car doors slam.

Disturbing music plays.

...

- They're taking their time.

- OK, see that?

Don't worry.

- Shit.

Tense music plays.

...

- Fuck ...

Bastards.

Tense music plays.

...

Oh!

A gun is fired.

- What's that?

Tense music plays.

...

- He's leaving,

the other one over there.

- We need to get out of here.

The cops will be here.

- We're missing one of the kids.

- Oh, Gilou!

Stay here!

Tense music plays.

...

Come here!

He moans.

...

He shouts and knocks on the door.

...

Open this door!

Open it!

He hammers on the door.

This way. Come on, come with me!

Get out! Get out of here.

You have to leave! Hurry up!

That's the police.

Go on, get out of here! Quick! Run!

Tense music plays.

- Stop!

- Let me go!

Let me go!

- Stop moving! Don't move!

- Come on, get in there!

- Inside! - Let me go!

- Let me go!

Let me go!

Tense music plays.

...

A police siren wails.

...

Dramatic music plays.

...

- Gilou!

Gilou! Get in!

There's a beer in the glove box.

...

- Come here.

- OK, let's hear it.

- I infiltrated Cisco's gang.

for Bremont.

- OK.

He lied to me about everything.

- He was in a bind. He couldn't do anything else.

I was dying in prison.

I jumped at the opportunity.

What was the gunshot just now?

- A burglary

at the home of a gun enthusiast.

Cisco is planning a job. He needs some weapons.

His son found a bunch of kids to do his dirty work.

- Are these kids Moroccans?

- Could be, I don't know.

- They're planning to rob the Alsatian, is that it?

- How

do you know that?

- Gilou, we have the same target.

Why do you think I'm on your tail?

We suspect that one of your robbers killed a migrant.

They used him to install a tracker on the Alsatian's car.

- No.

I don't buy that.

I know these guys. I don't see them killing a kid.

- I'm certain, Gilou. We have wireless records.

It's one of the guys in the gang.

He's the murderer. We haven't identified him yet.

We have their mobile phones, but they don't use them anymore.

- Hmm ...

- I need your help.

- Is the rest of the team aware of this?

- No, not yet.

I'm the only one who saw you.

I didn't mention you in my reports.

I can't hold out much longer.

- I have to go.

They're going to think I've been nicked.

Dramatic music plays.

...

- Gilou? You need to get out of there.

...

- Hello. Attorney Karlsson.

I'm here on behalf of Souleymane Khalfani.

- Lieutenant Quentin.

You have had a wasted journey. Your colleague is already here.

- Which colleague?

- Attorney Barthez. I think he was sent by the family.

- The family? I'd be surprised. I don't know who that lawyer is.

Listen. I was appointed by Souleymane

and I am already representing him in another matter. Can I see him?

- Wait here.

We have someone claiming to be a lawyer ...

- Excuse me, I'm going to ask you to give us some privacy.

I'm this young man's lawyer.

Souleymane, would you mind confirming that?

- I was told that you could not attend, but ultimately you made it.

All the best,

Souleymane. Most importantly,

don't forget what I told you.

Can I leave him in your capable hands,

Attorney, Karlsson?

- Hang on.

Who sent you?

- Some people who care about his well-being. Tell him to keep his mouth shut.

- Excuse me,

Can you fill me in on the case?

- He was arrested fleeing an attempted robbery.

- Did you arrest him in the street?

- Uh ... Yes.

- Then you have no evidence

that he was present at the crime site?

Has the victim filed a complaint?

- Not yet, but he is being summoned tomorrow morning. It concerns the theft of weapons.

- Did you find any weapons on my client?

- Listen, Attorney. It's your client who is in custody.

So it's up to him to answer our questions.

Not the other way round.

- Souleymane is under 13 years old.

So the applicable protocol in this case is detention not custody.

- Do you have documented proof of his age?

- My client is a key witness in a murder inquiry.

You should call the investigating judge. I'll give you her number.

- Are we going to disturb an investigating judge

in the middle of the night?

I don't think so.

- Then I'll do it.

A telephone rings.

...

- Hello?

Attorney Karlsson?

How did you get my number?

Hang on. Why are you calling me in the middle of the night?

Why?

OK, put him on.

Yes, good evening, lieutenant.

It's judge Lucie Bourdieu.

I confirm that the information given to you is correct.

I ruled that he was under 13 years old.

You are welcome.

- What's the big deal?

- Souleymane is suspected of having committed a robbery at Goussainville.

- Goussainville? That's a hell of a long way

from Barbès.

Was he alone?

- I don't know.

I'm supposed to question him next week.

- If you like,

I can send someone to get him tomorrow.

- You can send someone right away.

There's a risk that Karlsson will have him released.

- OK. OK.

- That way, I can see him tomorrow morning.

- At your command, Your Honour.

A mobile phone rings.

...

- Yeah, boss?

No, no, not at all.

What?

Souleymane is in Goussainville?

OK. OK, OK.

Yes, right away.

- If the guy files a complaint, call us, we'll bring him back.

- OK. You got it.

- Where are we going?

- You speak french, do you?

- What are you doing here?

Where are you taking him?

- I'm taking him to District 2 HQ.

- I see you cops help each other out.

- The judge wants to speak to him tomorrow morning.

Come on, let's go.

- Don't worry, Souleymane.

I'll be in the judge's chambers tomorrow. OK?

- Souleymane, come on, let's go.

Come on.

- Wait, wait. Take this!

I went to get him something to eat.

- Go on, get in.

Dramatic music plays.

...

- Yeah?

*- Yeah, boss.

We're good. I'm taking him back.

- What, already?

- Well, yeah.

*- OK. Perfect.

OK, see you tomorrow.

A mobile phone rings.

...

*- Ali? What on earth are you doing?

- Hello?

*- I've been waiting for you all night. You didn't come home.

- I'm on my way.

*- Where are you now?

A car horn blares.

He coughs.

Disturbing music plays.

...

- Laure, it's ... it's Ali.

I'm in the shit.

Music of the end-credits plays.

...

Subtitles Ian Munro