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These are the user uploaded subtitles that are being translated: 1 00:00:38,330 --> 00:00:39,498 Red Bank, 2 00:00:40,958 --> 00:00:43,252 that's the site of the old Carlton Theater, 3 00:00:43,377 --> 00:00:44,962 now the Count Basie... 4 00:00:46,838 --> 00:00:50,133 where back in the '70s, I'd play with the early E Street Band. 5 00:00:55,556 --> 00:00:59,059 I used to walk these streets on Saturdays in the '60s 6 00:00:59,184 --> 00:01:01,478 when they were filled with teenagers. 7 00:01:03,230 --> 00:01:05,107 And my first band, The Castiles, and I 8 00:01:05,232 --> 00:01:07,568 would spend the mornings in Freehold 9 00:01:07,693 --> 00:01:09,278 getting our hair just right. 10 00:01:10,737 --> 00:01:14,199 How we used to dream of playing in front of screaming crowds. 11 00:01:15,701 --> 00:01:17,786 Since I was 16, 12 00:01:17,911 --> 00:01:21,582 playing live has been a deep and lasting part of who I am 13 00:01:22,457 --> 00:01:27,629 and how I justify my existence here on Earth. 14 00:01:27,754 --> 00:01:31,383 A lot of it comes together when I count off the band. 15 00:01:33,885 --> 00:01:36,013 Recently, when the world shut down, 16 00:01:36,680 --> 00:01:39,641 no live music, no audiences. 17 00:01:40,183 --> 00:01:43,770 So I made a promise to myself, to my fans, and to the band 18 00:01:43,895 --> 00:01:45,814 that if we got through this, 19 00:01:45,939 --> 00:01:47,774 I'd throw the biggest party I could. 20 00:02:06,585 --> 00:02:10,005 ♪ I hear the sound of your guitar ♪ 21 00:02:14,009 --> 00:02:17,429 ♪ Comin' from the mystic far ♪ 22 00:02:21,266 --> 00:02:25,270 ♪ Stone and the gravel in your voice ♪ 23 00:02:28,940 --> 00:02:33,111 ♪ Come in my dreams and I rejoice ♪ 24 00:02:35,030 --> 00:02:37,282 ♪ It's just your ghost ♪ 25 00:02:38,367 --> 00:02:40,661 ♪ Moving through the night ♪ 26 00:02:42,162 --> 00:02:44,373 ♪ Your spirit filled with light ♪ 27 00:02:47,042 --> 00:02:49,461 ♪ I need ♪ 28 00:02:49,586 --> 00:02:52,172 ♪ Need you by my side ♪ 29 00:02:52,839 --> 00:02:56,343 ♪ Your love and I'm alive ♪ 30 00:02:56,468 --> 00:03:00,597 ♪ I can feel the blood shiver in my bones ♪ 31 00:03:01,765 --> 00:03:04,434 ♪ I'm alive ♪ 32 00:03:04,559 --> 00:03:07,896 ♪ And I'm out here on my own ♪ 33 00:03:09,272 --> 00:03:11,900 ♪ I'm alive ♪ 34 00:03:12,025 --> 00:03:14,444 ♪ And I'm comin' home ♪ 35 00:03:17,698 --> 00:03:21,451 ♪ Your old Fender Twin from Johnny's Music downtown ♪ 36 00:03:25,163 --> 00:03:28,875 ♪ Still set on 10 to burn this house down ♪ 37 00:03:32,671 --> 00:03:36,466 ♪ Count the band in then kick into overdrive ♪ 38 00:03:37,008 --> 00:03:38,218 Listen! 39 00:03:40,679 --> 00:03:43,849 ♪ By the end of the set we leave no one alive ♪ 40 00:03:48,353 --> 00:03:51,732 This would be our first tour in six years. 41 00:03:51,857 --> 00:03:54,359 Now that's a lot longer break than I planned. 42 00:03:56,486 --> 00:03:58,280 So we got together on a quiet, 43 00:03:58,405 --> 00:04:00,532 cold January morning in Red Bank 44 00:04:00,657 --> 00:04:02,159 to begin our rehearsals. 45 00:04:02,951 --> 00:04:06,538 There are two things I try to accomplish in rehearsal. 46 00:04:06,663 --> 00:04:10,584 One, you've got to shake the cobwebs off the band, 47 00:04:10,709 --> 00:04:13,628 off of all those years of inactivity. 48 00:04:14,296 --> 00:04:16,673 And two, you've got to find 49 00:04:16,798 --> 00:04:18,049 your set list. 50 00:04:19,843 --> 00:04:21,720 Now that set list is going 51 00:04:21,845 --> 00:04:23,930 to communicate the story 52 00:04:24,055 --> 00:04:27,642 you are trying to tell your audience this time around. 53 00:04:29,936 --> 00:04:32,481 And the 25 songs I chose to focus on 54 00:04:32,606 --> 00:04:36,026 would complete the narrative for what I wanted to say, 55 00:04:36,151 --> 00:04:38,528 and it would let the audience know who I am 56 00:04:39,029 --> 00:04:41,072 at this point in my work life. 57 00:04:42,157 --> 00:04:43,992 Notes? 58 00:04:44,326 --> 00:04:45,486 Notes, notes. 59 00:04:46,411 --> 00:04:48,038 Getting ready to write it down. 60 00:04:48,455 --> 00:04:49,539 No Surrender. 61 00:04:50,457 --> 00:04:51,666 Ghosts. 62 00:04:51,792 --> 00:04:53,293 Letter To You. 63 00:04:53,710 --> 00:04:55,170 Promised Land. 64 00:04:55,587 --> 00:04:57,589 Last Man Standing. 65 00:04:59,049 --> 00:05:00,634 Backstreets. 66 00:05:02,803 --> 00:05:04,179 She's The One. 67 00:05:04,304 --> 00:05:05,430 Badlands. 68 00:05:05,555 --> 00:05:07,015 Glory Days. 69 00:05:07,140 --> 00:05:09,935 Tenth Avenue Freeze-Out. 70 00:05:10,310 --> 00:05:12,813 I'll See You In My Dreams. 71 00:05:13,563 --> 00:05:15,565 And that's the end of that set. 72 00:05:18,360 --> 00:05:20,445 This is 28 songs and I think on the last tour... 73 00:05:20,570 --> 00:05:21,947 That's easily three. 74 00:05:22,072 --> 00:05:24,366 Last tour, what... I think that's about how many we did. 75 00:05:24,491 --> 00:05:26,117 - That's three hours. - Yeah. 76 00:05:26,201 --> 00:05:27,762 After six years, I thought it might, 77 00:05:27,786 --> 00:05:29,412 uh, scale it back a little bit. 78 00:05:29,538 --> 00:05:31,748 Well done, man! 79 00:05:31,873 --> 00:05:34,000 - We can't do that! - Yeah, amen to that. 80 00:05:34,125 --> 00:05:36,294 Can't disappoint the fans, goddammit! 81 00:05:39,506 --> 00:05:43,093 When we rehearsed in Red Bank at this small Black Box theater, 82 00:05:43,218 --> 00:05:46,304 of course, it was wonderful on a reunion basis. 83 00:05:46,429 --> 00:05:48,557 We hadn't been in the same room, all of us, 84 00:05:48,682 --> 00:05:51,184 since the recording of Letter to You. 85 00:05:51,309 --> 00:05:53,069 I think everybody's mindset was, 86 00:05:53,103 --> 00:05:54,980 you know, we're gonna go on tour. 87 00:05:55,105 --> 00:05:57,941 But what was then four years since the last tour 88 00:05:58,066 --> 00:05:59,985 wound up being six years. 89 00:06:00,110 --> 00:06:03,280 I hadn't seen everybody together for a very long time. 90 00:06:03,405 --> 00:06:06,116 And I'm always taken back by the deep, 91 00:06:06,241 --> 00:06:08,994 profound sense of camaraderie that you feel 92 00:06:09,119 --> 00:06:10,471 when you see everybody all together. 93 00:06:10,495 --> 00:06:11,955 You know, it's 50 years 94 00:06:12,080 --> 00:06:14,666 that this group has been together. 95 00:06:14,791 --> 00:06:16,585 And of course we're all in that zone. 96 00:06:16,710 --> 00:06:19,087 We don't know how long things can go on 97 00:06:19,212 --> 00:06:20,922 and what can happen to anybody. 98 00:06:21,047 --> 00:06:23,842 We're lucky that we have the core band. 99 00:06:24,759 --> 00:06:26,559 The only thing we have to fear 100 00:06:26,678 --> 00:06:28,972 is destroying the legacy we've made so far. 101 00:06:29,055 --> 00:06:30,557 Uh, so, Doug, you get those chords? 102 00:06:30,682 --> 00:06:32,034 ♪ I sent it in my letter ♪ 103 00:06:32,058 --> 00:06:33,518 E minor. 104 00:06:36,521 --> 00:06:40,066 ♪ I sent it in my letter ♪ 105 00:06:43,069 --> 00:06:44,613 ♪ My letter ♪ 106 00:06:45,071 --> 00:06:46,156 ♪ To you ♪ 107 00:06:51,286 --> 00:06:53,288 A little bit concerned when we started rehearsals. 108 00:06:54,915 --> 00:06:56,666 Um, you know, it was all 109 00:06:56,791 --> 00:06:59,294 a little bit casual, you know? 110 00:06:59,419 --> 00:07:02,088 The initial rehearsals is just the core band 111 00:07:02,213 --> 00:07:04,090 getting our sea legs with the songs. 112 00:07:04,466 --> 00:07:06,176 So you got, like, 40-somethin' songs. 113 00:07:06,301 --> 00:07:09,012 Three new albums we've never played live. 114 00:07:09,095 --> 00:07:12,265 Max is saying that we changed the arrangement for the live? 115 00:07:12,390 --> 00:07:13,701 - Yes. - Oh. 116 00:07:13,725 --> 00:07:16,227 Yeah, the chart is wrong. 117 00:07:16,811 --> 00:07:19,606 - The chart is wrong. - No wonder I don't know it! 118 00:07:19,731 --> 00:07:22,776 Six years, seven years is a really long time 119 00:07:22,901 --> 00:07:25,278 to not really play together. 120 00:07:34,329 --> 00:07:35,765 It became fairly apparent 121 00:07:35,789 --> 00:07:39,042 that we were playing everything extremely slow. 122 00:07:39,167 --> 00:07:43,213 ♪ ...graces and her secret places ♪ 123 00:07:44,005 --> 00:07:48,718 We played She's The One so slow, it was a ballad. 124 00:07:49,552 --> 00:07:51,554 ♪ With her hands on her hips ♪ 125 00:07:51,680 --> 00:07:54,808 ♪ Yeah, and that smile on her lips ♪ 126 00:07:55,183 --> 00:07:59,396 People would expect musicians in their 70s 127 00:07:59,521 --> 00:08:02,691 to play that loping thing, which would be unfortunate. 128 00:08:02,816 --> 00:08:04,109 ♪ With her soft French cream ♪ 129 00:08:04,234 --> 00:08:06,695 ♪ Standing in that doorway like a dream ♪ 130 00:08:07,362 --> 00:08:09,739 Tempos were so damn slow, 131 00:08:09,864 --> 00:08:12,033 I couldn't play the damn song. 132 00:08:12,158 --> 00:08:14,285 I can't play... I can't play that fast. 133 00:08:14,411 --> 00:08:16,287 I can't pay... play that slow. 134 00:08:16,413 --> 00:08:19,874 You know, I, I only play it one way and it's... 135 00:08:20,166 --> 00:08:21,167 That's all I can do. 136 00:08:21,292 --> 00:08:22,919 ♪ Heart of stone ♪ 137 00:08:25,839 --> 00:08:28,633 He had articulated to me in a phone call earlier, 138 00:08:28,758 --> 00:08:30,802 he wanted this show to be a real rock show. 139 00:08:30,927 --> 00:08:34,180 ♪ That shine like a midnight sun ♪ 140 00:08:34,305 --> 00:08:38,518 And we had the responsibility to those audience members 141 00:08:38,643 --> 00:08:43,523 who hadn't seen Bruce and the E Street Band in 1976. 142 00:08:44,232 --> 00:08:45,942 You've gotta transmit that excitement. 143 00:08:56,036 --> 00:08:58,329 We had to recall some of that manic, 144 00:08:58,455 --> 00:09:01,916 out-of-control-way we played, 50 years ago. 145 00:09:02,584 --> 00:09:03,710 ♪ Hey ♪ 146 00:09:07,547 --> 00:09:08,631 ♪ Hey ♪ 147 00:09:09,674 --> 00:09:11,509 Really get back to where we were. 148 00:09:13,970 --> 00:09:15,906 We only rehearsed, I think, six days. 149 00:09:15,930 --> 00:09:17,849 We have new horn players, we have new singers, 150 00:09:17,974 --> 00:09:20,810 and it's a big band and a lot of moving parts 151 00:09:20,935 --> 00:09:22,854 and I am completely anal 152 00:09:22,979 --> 00:09:26,733 and I care about every note that everyone does, you know? 153 00:09:26,858 --> 00:09:28,568 That's just my thing. 154 00:09:28,693 --> 00:09:30,320 Yeah, good. Yeah, I know. 155 00:09:30,445 --> 00:09:33,281 Remember in E Street Shuffle, we did a thing where 156 00:09:33,406 --> 00:09:36,868 Max and, uh, it used to be Everett, of course 157 00:09:36,993 --> 00:09:39,138 - did the back and forth... - Oh yeah, on E Street Shuffle. 158 00:09:39,162 --> 00:09:41,164 - So we wanna do that tomorrow. - Trading eights. 159 00:09:41,289 --> 00:09:42,892 - Yeah, trading the eights. - I told Anthony... 160 00:09:42,916 --> 00:09:45,710 We had a bigger band, some of the people I didn't know. 161 00:09:58,264 --> 00:09:59,265 Hold right there. 162 00:10:02,018 --> 00:10:03,621 - We're varying the last lick - Yeah. 163 00:10:03,645 --> 00:10:06,314 Let's go on. Uh, Max, do the... tail end there? 164 00:10:06,439 --> 00:10:07,440 One, two, three. 165 00:10:14,197 --> 00:10:16,866 First rehearsal, I was nervous, you're excited. 166 00:10:16,991 --> 00:10:18,451 There's a whirlwind of emotions. 167 00:10:18,576 --> 00:10:20,954 I made it a point to go over and introduce myself. 168 00:10:21,079 --> 00:10:24,082 Anthony are a fantastically talented percussionist. 169 00:10:24,207 --> 00:10:26,167 It was the first time he's played with us. 170 00:10:28,378 --> 00:10:30,463 We started talking about musicians that we know, 171 00:10:30,588 --> 00:10:32,841 and we spoke for about 30, 40 minutes. 172 00:10:32,966 --> 00:10:34,717 That was all before we played a note. 173 00:10:37,929 --> 00:10:39,305 So by the time we started playing, 174 00:10:39,430 --> 00:10:41,141 it felt very natural. 175 00:10:43,101 --> 00:10:45,770 So I said to Anthony... 176 00:10:45,895 --> 00:10:48,273 Well, one thing you'll never hear anyone say to Bruce, 177 00:10:48,398 --> 00:10:50,191 "Gee, that's not the way we rehearsed it." 178 00:10:50,316 --> 00:10:51,442 It doesn't matter. 179 00:10:51,568 --> 00:10:54,112 It's what's happening now that matters. 180 00:10:54,654 --> 00:10:55,738 This takes experience. 181 00:11:07,167 --> 00:11:08,894 We heard about this guy Bruce, 182 00:11:08,918 --> 00:11:11,629 and we went down to see who this guy was. 183 00:11:13,381 --> 00:11:14,465 I had to be with Bruce. 184 00:11:15,967 --> 00:11:17,802 Before I met Bruce, 185 00:11:17,927 --> 00:11:20,555 I was very successful in the club circuit. 186 00:11:20,680 --> 00:11:23,308 I realized that you had to, 187 00:11:23,433 --> 00:11:25,894 one, start doing original material 188 00:11:26,186 --> 00:11:29,480 and two, had to have a strong leader. 189 00:11:33,026 --> 00:11:35,695 Bruce came along, you know, he didn't like me at first 190 00:11:35,820 --> 00:11:38,281 and that was okay, I stayed busy. 191 00:11:39,908 --> 00:11:43,453 Eventually, he came around and said, "Okay, I need you." 192 00:11:45,371 --> 00:11:46,998 We finally started playing. 193 00:11:47,123 --> 00:11:50,710 And it's been since January of '71. 194 00:11:50,835 --> 00:11:52,170 Long, long time. 195 00:11:53,546 --> 00:11:57,300 ♪ And I'll take you all out to where the gypsy angels go ♪ 196 00:11:57,800 --> 00:11:59,052 ♪ They're built like light ♪ 197 00:11:59,844 --> 00:12:01,572 I grew up in a Baptist church. 198 00:12:01,596 --> 00:12:05,099 My mom and my dad were very, very religious people, 199 00:12:05,225 --> 00:12:08,811 and they were really stunned with my decision 200 00:12:08,937 --> 00:12:10,480 to give up my job as a counselor 201 00:12:10,605 --> 00:12:11,648 in a reform school 202 00:12:12,232 --> 00:12:14,901 to go to follow this man, and play rock and roll. 203 00:12:19,072 --> 00:12:21,991 When Max and I joined, the band came together 204 00:12:22,116 --> 00:12:24,202 in a very different way. 205 00:12:25,536 --> 00:12:26,871 Prior to us, 206 00:12:26,996 --> 00:12:28,957 it was more eclectic, I think. 207 00:12:29,082 --> 00:12:33,086 Very jazz oriented with Dave Sancious and Vini Lopez. 208 00:12:34,379 --> 00:12:39,259 Blues, R&B, rock hard, pop, that was our wheelhouse. 209 00:12:39,384 --> 00:12:43,096 ♪ By the time we made it up to Greasy Lake ♪ 210 00:12:43,680 --> 00:12:45,407 I'd only been in the band about two weeks 211 00:12:45,431 --> 00:12:47,809 and Bruce said, "Bring it down." 212 00:12:47,934 --> 00:12:49,519 ♪ I think I really dug her ♪ 213 00:12:49,644 --> 00:12:50,724 ♪ I was too loose to fake ♪ 214 00:12:50,770 --> 00:12:52,605 I-I just got quieter. 215 00:12:52,730 --> 00:12:54,399 And he took me aside later and was like, 216 00:12:54,524 --> 00:12:56,524 "When I say 'bring it down, ' hit that snare drum, 217 00:12:56,567 --> 00:12:58,152 just bop as hard as you can." 218 00:12:58,278 --> 00:13:01,364 ♪ And we danced all night to a soul fairy band ♪ 219 00:13:01,489 --> 00:13:03,032 ♪ She kissed me just right ♪ 220 00:13:03,157 --> 00:13:05,827 He was teaching me his brand of the stuff 221 00:13:05,952 --> 00:13:10,290 that he absorbed from seeing Sam & Dave and James Brown. 222 00:13:10,415 --> 00:13:12,333 - ♪ In the night ♪ - ♪ All night ♪ 223 00:13:12,458 --> 00:13:14,502 - ♪ All night ♪ - ♪ All night ♪ 224 00:13:15,253 --> 00:13:17,173 I'd been looking for a situation like that. 225 00:13:17,213 --> 00:13:19,966 I was so disgusted personally with what, 226 00:13:20,091 --> 00:13:22,802 you know, rock had become in the early '70s. 227 00:13:24,178 --> 00:13:26,723 Where's all that great show business stuff? 228 00:13:28,182 --> 00:13:30,143 So Bruce brought that back. 229 00:13:30,268 --> 00:13:32,020 ♪ Oh! ♪ 230 00:13:35,231 --> 00:13:37,442 Which is why he had me join the band. 231 00:13:37,567 --> 00:13:39,777 He wanted to put the guitar down and front the band. 232 00:13:43,990 --> 00:13:45,283 Which was a huge step. 233 00:13:45,408 --> 00:13:48,369 I can't even begin to explain how big a step that is 234 00:13:48,494 --> 00:13:51,789 for a guy I grew up with 235 00:13:51,914 --> 00:13:54,208 that was the most introverted guy 236 00:13:54,334 --> 00:13:55,454 you'd ever met in your life. 237 00:13:59,130 --> 00:14:00,923 For him to go from that to, like, 238 00:14:01,049 --> 00:14:02,759 the world's greatest entertainer... 239 00:14:07,430 --> 00:14:09,307 This is not by accident. 240 00:14:09,432 --> 00:14:13,978 Bruce loves to be surrounded by a family of musicians 241 00:14:14,103 --> 00:14:17,440 and other talents who he can depend on. 242 00:14:18,149 --> 00:14:22,737 And occasionally, we have to make a substitution, 243 00:14:22,862 --> 00:14:25,365 a tragic pair of deaths. 244 00:14:27,116 --> 00:14:29,577 Well, the loss of Danny and Clarence 245 00:14:29,702 --> 00:14:32,580 were terrible blows to the band. 246 00:14:34,040 --> 00:14:37,585 First off, they were both relatively young and playing great 247 00:14:37,710 --> 00:14:40,588 and, well, they both died of natural causes. 248 00:14:40,713 --> 00:14:42,799 Danny contracted melanoma, 249 00:14:42,924 --> 00:14:45,385 and Clarence had a stroke. 250 00:14:45,510 --> 00:14:48,346 But for any band that had been together 251 00:14:48,471 --> 00:14:51,140 with the exact same lineup for 40 years, 252 00:14:52,183 --> 00:14:56,104 there's no getting over that shock or replacing that history. 253 00:14:57,146 --> 00:15:00,483 Now, Clarence and I were very, very close for 40 years. 254 00:15:00,608 --> 00:15:03,820 We were different parts of the same spiritual body. 255 00:15:04,612 --> 00:15:06,364 And the loss of that relationship 256 00:15:06,489 --> 00:15:09,033 is simply forever irreplaceable. 257 00:15:10,201 --> 00:15:13,538 Now we've been blessed with Charlie Giordano on organ, 258 00:15:13,663 --> 00:15:16,499 who channels Danny's style and mixes it with his own 259 00:15:16,624 --> 00:15:20,086 and of course Jake Clemons, who took the toughest position 260 00:15:20,211 --> 00:15:22,213 to replace in rock and roll, 261 00:15:22,338 --> 00:15:24,674 and miraculously makes it his 262 00:15:24,799 --> 00:15:27,635 while showing respect and love for his uncle, 263 00:15:27,760 --> 00:15:29,804 both in his playing and the great presence 264 00:15:29,929 --> 00:15:31,431 of his spirit on stage. 265 00:15:32,348 --> 00:15:35,143 You never get over the guys you played with for that long. 266 00:15:35,518 --> 00:15:38,771 They're always an integral part of your life 267 00:15:38,896 --> 00:15:40,565 for the rest of your life. 268 00:15:43,359 --> 00:15:44,485 God bless 'em. 269 00:15:50,867 --> 00:15:52,803 Let's try the beginning of Dancing in the Dark. 270 00:15:52,827 --> 00:15:54,036 Next one. 271 00:15:54,745 --> 00:15:58,249 These people have such a, such a strong identity 272 00:15:58,374 --> 00:15:59,625 with the saxophone. 273 00:16:01,043 --> 00:16:03,463 Which the presence of horns changes. 274 00:16:03,588 --> 00:16:08,426 You know, you now become a rock and soul band, you know, 275 00:16:08,551 --> 00:16:10,887 rather than just a rock band with a saxophone. 276 00:16:11,012 --> 00:16:12,573 The rehearsals in Red Bank were 277 00:16:12,597 --> 00:16:14,307 a refresher course, if you will, 278 00:16:14,432 --> 00:16:16,517 between myself and Curt Ramm, 279 00:16:16,642 --> 00:16:18,728 do most of the arranging for the horn section 280 00:16:18,853 --> 00:16:20,980 and try to prepare ourselves as much as possible 281 00:16:21,105 --> 00:16:22,690 for whatever might come up. 282 00:16:23,065 --> 00:16:25,526 ♪ She drives the boys insane ♪ 283 00:16:27,987 --> 00:16:28,988 ♪ Yes, she does ♪ 284 00:16:29,071 --> 00:16:30,591 Nobody really sat me down and said, 285 00:16:30,615 --> 00:16:31,717 "This is what's gonna happen." 286 00:16:31,741 --> 00:16:33,051 They just put music in front of me. 287 00:16:33,075 --> 00:16:34,577 ♪ Whoa, whoa, yeah ♪ 288 00:16:34,702 --> 00:16:38,122 They had thousands of pages of music for the horn section. 289 00:16:38,247 --> 00:16:39,957 Books this thick. 290 00:16:40,082 --> 00:16:41,375 ♪ Whoa, whoa, yeah ♪ 291 00:16:41,501 --> 00:16:43,103 You know, we might have arrangements, 292 00:16:43,127 --> 00:16:44,670 we might have things worked out, 293 00:16:44,795 --> 00:16:47,590 and he could change something at the drop of a hat. 294 00:16:48,299 --> 00:16:52,762 Bruce, he likes the band to just be a little off balance. 295 00:16:53,262 --> 00:16:54,931 It's part of the finding 296 00:16:55,056 --> 00:16:57,767 how we're gonna play these songs now. 297 00:16:57,892 --> 00:17:00,144 It's-it's really a process of alchemy. 298 00:17:00,269 --> 00:17:02,813 It's oftentimes not adding more things, 299 00:17:02,939 --> 00:17:05,733 it's distilling out the things that don't need to be there. 300 00:17:05,858 --> 00:17:09,987 It's not like a horn choir revue. 301 00:17:10,112 --> 00:17:12,657 It seems like we're the rock band, we are at the core, 302 00:17:12,782 --> 00:17:14,742 and they're adding beautiful touches throughout. 303 00:17:14,867 --> 00:17:16,035 Same with the singing. 304 00:17:16,744 --> 00:17:19,205 Out in the Street, you guys go over Out in the Street? 305 00:17:19,330 --> 00:17:21,391 - Yep. We've been out there. - That's good news. 306 00:17:22,833 --> 00:17:24,561 The E Street Band is very structured, 307 00:17:24,585 --> 00:17:28,422 but inside that structure, you have to be really flexible 308 00:17:28,548 --> 00:17:30,132 because he's gonna throw things at you. 309 00:17:30,258 --> 00:17:32,718 Their approach is not quite the same. 310 00:17:32,843 --> 00:17:34,595 Bruce takes the original, 311 00:17:34,720 --> 00:17:36,681 and they just start moving it around. 312 00:17:37,431 --> 00:17:42,228 He's the kind of artist that doesn't set perimeters. 313 00:17:42,353 --> 00:17:44,105 You don't know exactly what's coming. 314 00:17:45,189 --> 00:17:48,150 You just go along with what might be in his mind, 315 00:17:48,276 --> 00:17:50,444 and I guess it all gets felt out. 316 00:17:50,570 --> 00:17:52,113 ♪ When I'm out in the street ♪ 317 00:17:52,238 --> 00:17:54,156 ♪ Oh, oh, oh, oh, oh ♪ 318 00:17:54,282 --> 00:17:57,076 ♪ I talk the way I want to talk ♪ 319 00:17:57,618 --> 00:17:59,078 ♪ When I'm out in the street ♪ 320 00:17:59,203 --> 00:18:01,080 ♪ Oh, oh, oh, oh, oh ♪ 321 00:18:01,205 --> 00:18:04,417 ♪ Pretty girls, they all pass me by ♪ 322 00:18:04,875 --> 00:18:06,335 ♪ When I'm out in the street ♪ 323 00:18:06,460 --> 00:18:08,129 ♪ Oh, oh, oh, oh, oh ♪ 324 00:18:08,254 --> 00:18:11,632 ♪ From the corner we give them the eye ♪ 325 00:18:12,592 --> 00:18:14,051 ♪ Out in the street ♪ 326 00:18:14,552 --> 00:18:16,804 ♪ Yeah, I feel alright ♪ 327 00:18:21,058 --> 00:18:24,937 ♪ Little girl, tonight ♪ 328 00:18:26,480 --> 00:18:28,107 ♪ Meet me out in the street ♪ 329 00:18:28,232 --> 00:18:29,984 ♪ Meet me out in the street ♪ 330 00:18:30,109 --> 00:18:31,402 ♪ Oh, oh ♪ 331 00:18:31,902 --> 00:18:33,070 ♪ Oh, oh ♪ 332 00:18:33,613 --> 00:18:34,655 ♪ Oh, oh ♪ 333 00:18:34,780 --> 00:18:36,866 ♪ Yeah, yeah, yeah, yeah ♪ 334 00:18:37,325 --> 00:18:38,701 ♪ Oh, oh ♪ 335 00:18:39,160 --> 00:18:40,661 ♪ Meet me out in the street ♪ 336 00:18:40,911 --> 00:18:42,079 Alright, here we go! 337 00:18:42,204 --> 00:18:43,998 ♪ Yeah, yeah, yeah, yeah ♪ 338 00:18:44,540 --> 00:18:46,000 ♪ Oh, oh ♪ 339 00:18:46,292 --> 00:18:47,418 ♪ Oh, oh ♪ 340 00:18:47,543 --> 00:18:48,729 It felt like I was just 341 00:18:48,753 --> 00:18:50,087 stepping onto this train that, 342 00:18:50,212 --> 00:18:52,006 that I say that has no brakes. 343 00:18:52,131 --> 00:18:54,276 'Cause it, once it gets going out the station, 344 00:18:54,300 --> 00:18:55,843 it's just like we're nonstop. 345 00:18:56,677 --> 00:18:58,638 A one, two, three, four. 346 00:18:59,138 --> 00:19:00,514 ♪ Oh, oh ♪ 347 00:19:00,973 --> 00:19:02,308 ♪ Oh, oh ♪ 348 00:19:02,767 --> 00:19:06,020 ♪ Oh, oh yeah, yeah, yeah, yeah ♪ 349 00:19:06,395 --> 00:19:07,730 ♪ Oh, oh ♪ 350 00:19:08,189 --> 00:19:09,398 ♪ Oh, oh ♪ 351 00:19:09,899 --> 00:19:11,233 ♪ Oh, oh ♪ 352 00:19:11,359 --> 00:19:14,320 ♪ Yeah, yeah, yeah, yeah ♪ 353 00:19:25,331 --> 00:19:28,292 Each tour rehearsal starts out in a small theater. 354 00:19:28,417 --> 00:19:30,336 We settle on the songs, we practice 'em, 355 00:19:30,461 --> 00:19:32,338 we get the band in the groove, 356 00:19:32,463 --> 00:19:34,590 but then we move to a local arena 357 00:19:34,715 --> 00:19:38,094 to address the staging and the pace of the performance, 358 00:19:38,219 --> 00:19:40,179 what will the rhythm of the show be? 359 00:19:40,429 --> 00:19:42,598 The big room also lets you know 360 00:19:42,723 --> 00:19:46,352 that this will all very soon be real. 361 00:19:46,477 --> 00:19:48,562 ♪ Well, you better learn to move fast ♪ 362 00:19:48,688 --> 00:19:51,023 ♪ When you're young or you're not long around ♪ 363 00:19:51,148 --> 00:19:53,984 ♪ Cat somehow lost his Kitty down in the city pound ♪ 364 00:19:54,110 --> 00:19:57,405 Now we get to Trenton, it's more about, 365 00:19:57,530 --> 00:20:00,032 okay, when this tune happens, the horns are gonna go 366 00:20:00,157 --> 00:20:01,450 to that spot of the stage. 367 00:20:01,575 --> 00:20:03,202 It's how we're moving through the space 368 00:20:03,327 --> 00:20:04,954 of the stage by step. 369 00:20:05,079 --> 00:20:06,664 After that last breakdown... 370 00:20:06,789 --> 00:20:08,100 ♪ Ooh, ooh, ooh, ooh, ooh ♪ 371 00:20:08,124 --> 00:20:09,404 s ingers gonna come up front. 372 00:20:09,917 --> 00:20:12,086 Kind of a run-through just so that the first time 373 00:20:12,211 --> 00:20:14,130 we all play together in an arena, 374 00:20:14,338 --> 00:20:15,840 it's not in front of those people. 375 00:20:16,507 --> 00:20:17,883 The energy really shifts 376 00:20:17,967 --> 00:20:20,594 because now you have to be on point. 377 00:20:21,470 --> 00:20:23,305 "That's the time when you go, " Okay, 378 00:20:23,431 --> 00:20:25,725 "I better get my act together." 379 00:20:26,892 --> 00:20:31,105 Rehearsals, frankly, were a little on the short side. 380 00:20:33,858 --> 00:20:35,651 Two hours and so forth. 381 00:20:36,861 --> 00:20:38,779 "And I realized, " Eh... he's, 382 00:20:38,904 --> 00:20:41,741 "he's actually not that into rehearsing," you know? 383 00:20:41,866 --> 00:20:44,660 We can do that again. 384 00:20:44,785 --> 00:20:46,287 Alright, I'm gonna go home, Jon. 385 00:20:46,412 --> 00:20:49,957 You're going? That's all you're gonna do? Um... 386 00:20:50,082 --> 00:20:52,710 There's no sense tiring everybody out. We got it. 387 00:20:54,211 --> 00:20:55,921 Now, the band needed rehearsal, 388 00:20:56,046 --> 00:21:01,469 so Stevie really started to take an active hand 389 00:21:01,594 --> 00:21:04,597 and the band started doing something they... 390 00:21:04,722 --> 00:21:06,766 I don't know that they've ever done, 391 00:21:06,891 --> 00:21:09,477 which is rehearse without Bruce. 392 00:21:10,895 --> 00:21:16,609 In the '70s, Bruce, the band, and myself were obsessive. 393 00:21:25,993 --> 00:21:29,371 Soundcheck is when you're just checking the PA system, 394 00:21:29,497 --> 00:21:31,832 maybe you're using a half an hour to rehearse, 395 00:21:31,957 --> 00:21:33,209 no big deal. 396 00:21:33,334 --> 00:21:36,003 He would have the band play continuously 397 00:21:36,128 --> 00:21:37,296 as if it was a loop. 398 00:21:38,172 --> 00:21:42,051 And he and the late Bruce Jackson, they'd walk every row. 399 00:21:44,428 --> 00:21:46,305 Totally obsessive and you know, 400 00:21:46,430 --> 00:21:51,811 I, I understand that, uh, you know, he cares, and that's good, 401 00:21:51,936 --> 00:21:53,103 but... 402 00:21:54,522 --> 00:21:59,109 playing for four hours, the same eight bars, 403 00:21:59,235 --> 00:22:00,444 it's insane. 404 00:22:02,029 --> 00:22:04,740 Now, today he tells the band to keep playing 405 00:22:04,865 --> 00:22:06,145 the way they did in the old days 406 00:22:06,200 --> 00:22:08,035 and he goes out to the soundboard 407 00:22:08,160 --> 00:22:11,163 and he listens for all of two and a half minutes. 408 00:22:11,288 --> 00:22:14,583 And he said to everybody, "That's fantastic. 409 00:22:14,708 --> 00:22:16,585 Don't change a thing." 410 00:22:24,134 --> 00:22:27,012 Bruce has tremendous confidence. 411 00:22:27,137 --> 00:22:31,475 He knows that these guys, they care. 412 00:22:35,312 --> 00:22:38,274 Stop, stop. No, no, no. Right there... 413 00:22:38,399 --> 00:22:41,777 I'm like, man, what I don't want to happen 414 00:22:41,902 --> 00:22:44,655 is the critics or the audience to look at us and say, 415 00:22:44,780 --> 00:22:46,490 "Well, yeah, it's, it's nice, you know, 416 00:22:46,615 --> 00:22:48,552 but these old men are just going through the motions." 417 00:22:48,576 --> 00:22:51,871 No, no, no, no, no, no, no. That's the riff, right? 418 00:22:52,329 --> 00:22:54,623 That's the... 419 00:22:58,252 --> 00:23:00,212 After seven years away, you know, 420 00:23:00,337 --> 00:23:02,006 who knows what they're gonna get, right? 421 00:23:02,548 --> 00:23:04,442 Right there, right there, right there, right there, uh. 422 00:23:04,466 --> 00:23:08,512 But I wanted to come out and blow their fucking minds. 423 00:23:09,388 --> 00:23:11,515 "I said to him, " Listen, man, le-let me, let me go in 424 00:23:11,640 --> 00:23:13,360 and just, you know, tighten up some things." 425 00:23:13,809 --> 00:23:14,977 So he's like, "Okay, yeah, 426 00:23:15,185 --> 00:23:17,479 I'll make you officially the, the music director." 427 00:23:17,605 --> 00:23:20,190 You know, which is, you know, nice, you know. 428 00:23:20,316 --> 00:23:22,526 Whatever, you know, 429 00:23:22,943 --> 00:23:25,195 40 years late, but fine. 430 00:23:26,655 --> 00:23:28,782 I think Bruce said to me, 431 00:23:28,908 --> 00:23:30,576 "Well, we don't want to get too good. 432 00:23:31,410 --> 00:23:32,661 It'll work its way out." 433 00:23:32,786 --> 00:23:34,371 We could rehearse tomorrow. 434 00:23:35,164 --> 00:23:37,249 We don't have to. I don't think so. 435 00:23:38,459 --> 00:23:40,544 He knows exactly what he needs to do 436 00:23:40,669 --> 00:23:43,339 and the time in which he had to do it 437 00:23:43,464 --> 00:23:45,132 before we opened in Tampa. 438 00:23:45,257 --> 00:23:47,635 Because there's a certain percentage 439 00:23:47,760 --> 00:23:49,470 that we're gonna fuck up on anyway. 440 00:23:51,430 --> 00:23:52,640 So... 441 00:23:52,723 --> 00:23:54,284 That's what the people are paying for. 442 00:23:54,308 --> 00:23:55,744 That's what they're paying for. 443 00:23:55,768 --> 00:23:57,728 They wanna see it live! 444 00:23:57,853 --> 00:23:59,313 That means a few mistakes. 445 00:24:02,524 --> 00:24:05,569 Later on, I realized what was happening. 446 00:24:05,694 --> 00:24:08,614 He got what he needed to out of rehearsals, 447 00:24:08,739 --> 00:24:12,076 the structure of the set, warming up his voice 448 00:24:12,201 --> 00:24:14,203 getting it into shape. 449 00:24:14,328 --> 00:24:17,081 And as to pulling the arrangements together, 450 00:24:17,206 --> 00:24:20,042 "I think he's " Well, I got the greatest band in the world, 451 00:24:20,125 --> 00:24:21,919 they'll figure it out." 452 00:24:25,756 --> 00:24:27,516 It was a little dreamlike. 453 00:24:29,551 --> 00:24:31,762 You know, is-is this really happening? 454 00:24:32,638 --> 00:24:36,976 And I looked around, and it was. 455 00:24:37,101 --> 00:24:39,353 This was something that we've all been praying for, 456 00:24:39,478 --> 00:24:40,646 for it to happen. 457 00:24:43,107 --> 00:24:44,858 What you've been hoping for and wishing for 458 00:24:44,984 --> 00:24:47,069 is being manifested before your eyes. 459 00:24:47,611 --> 00:24:49,029 You walk out. 460 00:24:49,154 --> 00:24:51,198 It's quite a beautiful thing 461 00:24:51,323 --> 00:24:55,411 to see these faces with so much joyful expectation. 462 00:24:57,121 --> 00:24:59,665 When we stepped up on that stage in Tampa, 463 00:24:59,790 --> 00:25:02,209 you start to witness how intense, 464 00:25:02,334 --> 00:25:04,920 how very personal this show is 465 00:25:05,045 --> 00:25:06,588 for the audience, for us. 466 00:25:07,089 --> 00:25:09,008 You know, these are, these are lasting memories. 467 00:25:11,510 --> 00:25:15,264 The man who was coming up the stairs in Tampa, 468 00:25:16,348 --> 00:25:18,517 he knows exactly who he is. 469 00:25:20,269 --> 00:25:22,438 He knows exactly what he's done. 470 00:25:24,732 --> 00:25:26,442 And he is the maestro. 471 00:25:56,263 --> 00:25:59,141 ♪ Well, we busted out of class ♪ 472 00:25:59,266 --> 00:26:02,227 ♪ Had to get away from those fools ♪ 473 00:26:02,728 --> 00:26:05,272 ♪ We learned more from a three-minute record ♪ 474 00:26:05,397 --> 00:26:08,442 ♪ Than we ever learned in school ♪ 475 00:26:08,817 --> 00:26:12,029 ♪ Tonight I hear the neighborhood drummer sound ♪ 476 00:26:12,154 --> 00:26:15,032 ♪ I can feel my heart begin to pound ♪ 477 00:26:15,157 --> 00:26:18,577 ♪ You say you're tired and you just want to close your eyes ♪ 478 00:26:18,702 --> 00:26:20,788 ♪ And follow your dreams down ♪ 479 00:26:21,371 --> 00:26:24,124 ♪ Well, we made a promise ♪ 480 00:26:24,249 --> 00:26:27,628 ♪ We swore we'd always remember ♪ 481 00:26:27,753 --> 00:26:33,092 ♪ No retreat, baby, no surrender ♪ 482 00:26:34,384 --> 00:26:39,556 ♪ Like soldiers on a winter's night with a vow to defend ♪ 483 00:26:40,390 --> 00:26:45,187 ♪ No retreat, baby, no surrender ♪ 484 00:26:47,147 --> 00:26:50,025 ♪ Now young faces grow sad and old ♪ 485 00:26:50,150 --> 00:26:52,778 ♪ And hearts of fire, they grow cold ♪ 486 00:26:52,903 --> 00:26:56,406 ♪ We swore blood brothers against the wind ♪ 487 00:26:56,532 --> 00:26:59,118 ♪ I'm ready to grow young again ♪ 488 00:26:59,576 --> 00:27:02,830 ♪ And hear your sister's voice calling us home ♪ 489 00:27:02,955 --> 00:27:05,082 ♪ Across the open yards ♪ 490 00:27:05,666 --> 00:27:08,752 ♪ Well, maybe we could cut someplace of our own ♪ 491 00:27:08,877 --> 00:27:11,213 ♪ With these drums and these guitars ♪ 492 00:27:12,297 --> 00:27:14,716 ♪ 'Cause we made a promise ♪ 493 00:27:14,842 --> 00:27:17,719 ♪ We swore we'd always remember ♪ 494 00:27:18,345 --> 00:27:24,935 ♪ No retreat, baby, no surrender ♪ 495 00:27:25,060 --> 00:27:30,732 ♪ Blood brothers on a stormy night with a vow to defend ♪ 496 00:27:30,858 --> 00:27:35,445 ♪ No retreat, baby, no surrender ♪ 497 00:27:35,571 --> 00:27:37,156 Come on, Steve. 498 00:27:38,574 --> 00:27:42,953 ♪ Li, li, li, li, li, li, li, li, li, li, li, li ♪ 499 00:27:44,788 --> 00:27:49,168 ♪ Li, li, li, li, li, li, li, li, li, li, li, li ♪ 500 00:27:50,836 --> 00:27:55,048 ♪ Li, li, li, li, li, li, li, li, li, li, li, li ♪ 501 00:27:57,551 --> 00:28:01,680 ♪ Li, li, li, li, li, li, li, li, li, li, li, li ♪ 502 00:28:13,108 --> 00:28:15,861 From the first second, this tour exploded. 503 00:28:18,280 --> 00:28:20,073 All night long! 504 00:28:20,199 --> 00:28:24,203 The audience response was as good or better 505 00:28:24,328 --> 00:28:25,871 as we've ever had. 506 00:28:28,415 --> 00:28:31,126 I couldn't believe the intensity level. 507 00:28:31,251 --> 00:28:33,462 Twin Cities! 508 00:28:34,713 --> 00:28:36,757 Milwaukee! 509 00:28:36,882 --> 00:28:38,467 Boston! 510 00:28:38,592 --> 00:28:39,777 I look in the audience, 511 00:28:39,801 --> 00:28:41,678 I see, I see these people are just 512 00:28:41,803 --> 00:28:44,264 so grateful for having this music again. 513 00:28:44,681 --> 00:28:47,392 Looking out in the audience is special. 514 00:28:47,517 --> 00:28:50,771 I catch somebody's eye, and I catch a tear. 515 00:28:52,689 --> 00:28:54,524 I call it a very spiritual show. 516 00:28:54,942 --> 00:28:56,568 This is the church. 517 00:28:56,860 --> 00:29:00,530 The faces in the audience, the entire breadth of people out there. 518 00:29:00,906 --> 00:29:04,076 It's really kind of lifting it into a different realm. 519 00:29:07,621 --> 00:29:10,374 ♪ What it means to steal, to cheat, to lie ♪ 520 00:29:10,499 --> 00:29:13,168 ♪ What it's like to live and die ♪ 521 00:29:13,293 --> 00:29:15,087 ♪ Prove it all night ♪ 522 00:29:15,420 --> 00:29:17,339 ♪ Prove it all night ♪ 523 00:29:17,464 --> 00:29:20,133 ♪ There's nothing else that we can do ♪ 524 00:29:21,218 --> 00:29:23,053 ♪ Prove it all night ♪ 525 00:29:23,178 --> 00:29:25,430 ♪ Prove it all night ♪ 526 00:29:25,555 --> 00:29:28,392 ♪ I'll prove it all night for you ♪ 527 00:29:29,101 --> 00:29:31,228 ♪ I'll prove it all night ♪ 528 00:29:31,353 --> 00:29:33,105 ♪ I'll prove it all night ♪ 529 00:29:33,230 --> 00:29:35,190 ♪ I'll prove it all night ♪ 530 00:29:35,315 --> 00:29:36,942 ♪ Prove it all night ♪ 531 00:29:37,484 --> 00:29:38,652 ♪ Prove it all night ♪ 532 00:29:39,111 --> 00:29:40,279 ♪ Yeah, yeah, yeah ♪ 533 00:29:41,405 --> 00:29:42,406 ♪ Prove it all ♪ 534 00:29:42,489 --> 00:29:43,490 Come on, Steve! 535 00:29:45,284 --> 00:29:46,868 - ♪ I said yeah ♪ - ♪ Yeah ♪ 536 00:29:46,994 --> 00:29:47,995 - ♪ Yeah ♪ - ♪ Yeah ♪ 537 00:29:48,078 --> 00:29:49,079 - ♪ Yeah ♪ - ♪ Yeah ♪ 538 00:29:49,162 --> 00:29:50,163 - ♪ Yeah ♪ - ♪ Yeah ♪ 539 00:29:50,247 --> 00:29:51,248 - ♪ Yeah ♪ - ♪ Yeah ♪ 540 00:29:51,331 --> 00:29:52,332 - ♪ Yeah ♪ - ♪ Yeah ♪ 541 00:29:52,416 --> 00:29:53,417 - ♪ Yeah ♪ - ♪ Yeah ♪ 542 00:29:53,500 --> 00:29:54,501 - ♪ Yeah ♪ - ♪ Yeah ♪ 543 00:29:54,584 --> 00:29:55,585 - ♪ Yeah ♪ - ♪ Yeah ♪ 544 00:29:55,669 --> 00:29:56,670 - ♪ Yeah ♪ - ♪ Yeah ♪ 545 00:29:56,753 --> 00:29:57,754 - ♪ Yeah ♪ - ♪ Yeah ♪ 546 00:29:57,879 --> 00:29:58,880 - ♪ Yeah ♪ - ♪ Yeah ♪ 547 00:29:58,964 --> 00:30:00,132 - ♪ Yeah ♪ - ♪ Yeah ♪ 548 00:30:00,257 --> 00:30:01,466 - ♪ Yeah ♪ - ♪ All night ♪ 549 00:31:18,126 --> 00:31:19,920 Something changes in a song 550 00:31:20,045 --> 00:31:23,799 when you play it in front of a live audience. 551 00:31:24,383 --> 00:31:27,969 You can't understand your song's possibilities 552 00:31:28,095 --> 00:31:30,389 or the stakes that it can play for 553 00:31:30,514 --> 00:31:33,975 until you count it off in front of your audience. 554 00:31:34,101 --> 00:31:36,228 Now of course, our songs from Letter to You, 555 00:31:36,353 --> 00:31:37,646 they were untested. 556 00:31:37,771 --> 00:31:40,148 I know one thing, they were essential 557 00:31:40,273 --> 00:31:43,860 to the story I wanted to tell this time around. 558 00:31:43,944 --> 00:31:46,738 He came in with this unbelievable song list, 559 00:31:46,863 --> 00:31:49,699 which I don't think we changed it from the first moment it came in. 560 00:31:51,827 --> 00:31:53,387 What did we just do? Surrender. 561 00:31:53,829 --> 00:31:55,205 - Ghost. - Right. 562 00:31:55,330 --> 00:31:57,249 Prove it. The Letter. 563 00:31:57,374 --> 00:32:00,919 He just had it exactly right right from the very beginning. 564 00:32:01,044 --> 00:32:02,504 - Alright. - Let's start with that. 565 00:32:02,629 --> 00:32:03,630 Pick two songs. 566 00:32:03,713 --> 00:32:05,132 It started to emerge that 567 00:32:05,215 --> 00:32:07,175 this is all sort of connected. 568 00:32:07,717 --> 00:32:10,345 It's not just 20 or 30 songs thrown together, 569 00:32:10,470 --> 00:32:11,763 it's a building thing. 570 00:32:11,888 --> 00:32:14,975 And it's just gotten more defined, more refined, 571 00:32:15,100 --> 00:32:16,393 more direct. 572 00:32:17,018 --> 00:32:20,397 And I think mention has been made of his experience on Broadway. 573 00:32:20,522 --> 00:32:23,358 Come down and copy the set list right here. 574 00:32:23,483 --> 00:32:26,570 Where you play essentially the same thing every night. 575 00:32:26,695 --> 00:32:30,740 I think that informed what he wanted to do this time. 576 00:32:30,866 --> 00:32:34,786 These songs are interlocked by a certain defiance 577 00:32:34,911 --> 00:32:36,872 and a certain urgency. 578 00:32:41,877 --> 00:32:45,755 There are four songs from the Letter to You album 579 00:32:45,881 --> 00:32:49,342 that provide a certain continuity. 580 00:32:51,344 --> 00:32:53,847 And those songs have occupied the same 581 00:32:53,972 --> 00:32:56,808 space in the set list at every show. 582 00:32:56,933 --> 00:32:59,352 ♪ 'Neath a crowd of mongrel trees ♪ 583 00:32:59,478 --> 00:33:02,355 ♪ I pulled that bothersome thread ♪ 584 00:33:04,107 --> 00:33:09,529 They all are connected to feeling the pressure of time 585 00:33:09,654 --> 00:33:13,200 and approaching death. 586 00:33:13,325 --> 00:33:16,703 ♪ I tried to summon all that my heart ♪ 587 00:33:17,287 --> 00:33:20,332 ♪ Finds true ♪ 588 00:33:21,958 --> 00:33:23,502 ♪ And send it in ♪ 589 00:33:23,627 --> 00:33:27,380 The subtext is about living your life right now. 590 00:33:27,506 --> 00:33:30,133 ♪ In my letter to you ♪ 591 00:33:30,717 --> 00:33:34,596 ♪ I took all my fears and doubts ♪ 592 00:33:35,847 --> 00:33:38,475 ♪ In my letter to you ♪ 593 00:33:39,059 --> 00:33:42,687 ♪ All the hard things I found out ♪ 594 00:33:43,897 --> 00:33:46,066 ♪ In my letter to you ♪ 595 00:33:47,400 --> 00:33:50,362 ♪ All that I found true ♪ 596 00:33:52,280 --> 00:33:58,453 ♪ And I sent it in my letter to you ♪ 597 00:33:58,578 --> 00:33:59,663 Yeah! 598 00:34:31,861 --> 00:34:33,280 ♪ Come on ♪ 599 00:34:38,785 --> 00:34:39,869 Now listen. 600 00:34:41,663 --> 00:34:46,501 ♪ I took all the sunshine and rain ♪ 601 00:34:49,879 --> 00:34:54,801 ♪ All my happiness and all my pain ♪ 602 00:34:57,178 --> 00:35:01,808 ♪ The dark evening stars and the morning sky ♪ 603 00:35:01,933 --> 00:35:04,811 ♪ Of blue ♪ 604 00:35:05,812 --> 00:35:11,901 ♪ And I sent it in my letter to you ♪ 605 00:35:14,112 --> 00:35:20,076 ♪ And I sent it in my letter to you ♪ 606 00:35:20,577 --> 00:35:21,703 Come on! 607 00:35:21,828 --> 00:35:24,873 ♪ In my letter to you ♪ 608 00:35:25,415 --> 00:35:28,877 ♪ I took all my fears and doubts ♪ 609 00:35:30,253 --> 00:35:32,881 ♪ In my letter to you ♪ 610 00:35:33,340 --> 00:35:36,593 ♪ All the hard things I found out ♪ 611 00:35:38,094 --> 00:35:40,847 ♪ In my letter to you ♪ 612 00:35:41,681 --> 00:35:45,435 ♪ All that I found true ♪ 613 00:35:46,686 --> 00:35:52,776 ♪ And I sent it in my letter to you ♪ 614 00:35:54,903 --> 00:36:00,408 ♪ I sent it in my letter to you ♪ 615 00:36:04,454 --> 00:36:05,955 See, that was quite good. 616 00:36:06,081 --> 00:36:08,917 It's the mighty E Street Band, baby. 617 00:36:09,042 --> 00:36:11,127 What's the surprise? 618 00:36:17,926 --> 00:36:20,512 The start of every show we wait for him backstage. 619 00:36:25,725 --> 00:36:27,644 We get called out of our rooms, 620 00:36:27,769 --> 00:36:31,564 and, uh, we walk onto the backstage area 621 00:36:31,690 --> 00:36:33,650 out of sight from the audience. 622 00:36:41,032 --> 00:36:43,076 He comes in, we all grab hands. 623 00:36:45,787 --> 00:36:47,163 It's not a prayer per se, 624 00:36:47,288 --> 00:36:49,008 it's whatever comes off the top of his head. 625 00:36:49,624 --> 00:36:50,935 Sometimes he'll have a joke, 626 00:36:50,959 --> 00:36:52,711 sometimes it'll be a little solemn, 627 00:36:52,836 --> 00:36:55,839 but for that moment, we're bonding. 628 00:36:58,216 --> 00:37:00,677 One time he said, "This is the place I warmed up 629 00:37:00,802 --> 00:37:03,972 "for the band Chicago and got booed off the stage. 630 00:37:04,097 --> 00:37:05,724 "It will not happen tonight. 631 00:37:05,849 --> 00:37:07,225 Somebody say amen." 632 00:37:07,350 --> 00:37:09,519 Amen. 633 00:37:10,395 --> 00:37:11,771 Woo! 634 00:37:28,872 --> 00:37:31,583 Oh, he was in, like, local bands in Asbury Park 635 00:37:31,708 --> 00:37:33,501 playing clubs playing Top 40. 636 00:37:34,085 --> 00:37:36,087 I saw him play at a place called the Upstage Club. 637 00:37:37,922 --> 00:37:39,191 It was a coffee house that was open 638 00:37:39,215 --> 00:37:40,535 till four o'clock in the morning. 639 00:37:40,925 --> 00:37:42,862 And we... this is a place that we'd go to, to like, 640 00:37:42,886 --> 00:37:43,970 really get our rocks off. 641 00:37:55,607 --> 00:37:58,526 Touring in the early days, it was not touring, 642 00:37:58,651 --> 00:37:59,652 it was gigging. 643 00:37:59,944 --> 00:38:01,988 We're going out to Westchester, Pennsylvania today 644 00:38:02,113 --> 00:38:04,032 to open for Cheech & Chong. 645 00:38:04,157 --> 00:38:07,118 ♪ Sha, na, na, na, na, na, ooh ♪ 646 00:38:07,243 --> 00:38:09,078 After 30 minutes, some guy 647 00:38:09,204 --> 00:38:11,331 stole my leather jacket from the dressing room. 648 00:38:11,456 --> 00:38:12,916 ♪ Thundercrack ♪ 649 00:38:13,041 --> 00:38:16,252 It was dangerous not to take your wallet on stage 650 00:38:16,377 --> 00:38:19,088 because if you went back to the "dressing room," 651 00:38:19,214 --> 00:38:20,414 your wallet wouldn't be there. 652 00:38:20,507 --> 00:38:22,175 ♪ To her lightning shack ♪ 653 00:38:22,550 --> 00:38:24,427 We did whatever we could do, 654 00:38:24,552 --> 00:38:28,389 random gigs, clubs, wherever we could set up shop. 655 00:38:28,515 --> 00:38:29,599 ♪ She moves back ♪ 656 00:38:30,016 --> 00:38:32,227 ♪ Out on the floor there ain't no one cleaner ♪ 657 00:38:32,352 --> 00:38:34,562 We played so many "shot and a beer" bars. 658 00:38:35,104 --> 00:38:39,526 We played a show at a club inside the Bayway Refinery 659 00:38:39,651 --> 00:38:40,985 where the flames come out. 660 00:38:42,904 --> 00:38:43,984 ♪ Straight from the Bronx ♪ 661 00:38:44,322 --> 00:38:46,122 We played a free gig at Damrosch Park, 662 00:38:46,157 --> 00:38:48,243 and there might have been 10 people there. 663 00:38:48,368 --> 00:38:50,245 ♪ She bumps, she grinds ♪ 664 00:38:50,370 --> 00:38:52,664 We were new and the promoters just come out, 665 00:38:52,789 --> 00:38:55,750 and they, they wanna push you around and then, "Yeah, yeah..." 666 00:38:55,875 --> 00:38:58,545 You're on the stage for 45 minutes, they're pulling the plug. 667 00:38:58,670 --> 00:39:00,390 Pull the plug? No, you're not gonna do that. 668 00:39:01,422 --> 00:39:03,142 ♪ Out on the floor there is no one cleaner ♪ 669 00:39:03,258 --> 00:39:06,010 I think we were delirious for those early tours. 670 00:39:06,135 --> 00:39:07,446 ♪ She calls the "Jump Back Jack" ♪ 671 00:39:07,470 --> 00:39:10,265 The rides were many, many hours. 672 00:39:12,475 --> 00:39:15,770 We'd pull into a college and go do four-hour show 673 00:39:15,895 --> 00:39:18,147 and then another nine-hour drive. 674 00:39:28,533 --> 00:39:32,954 You realize that you've spent most of your adult life 675 00:39:33,079 --> 00:39:34,455 with these characters. 676 00:39:34,831 --> 00:39:38,126 There's no question how meaningful it is to all of us. 677 00:39:38,251 --> 00:39:42,463 It's a real big core of familiarity and family. 678 00:39:42,589 --> 00:39:46,217 For me, being like the, the new guy in the band at 39 years, 679 00:39:46,342 --> 00:39:49,596 getting together to create great music, 680 00:39:49,762 --> 00:39:50,847 it's one of the rare joys. 681 00:39:51,139 --> 00:39:54,225 At this particular moment in time in our lives, 682 00:39:54,350 --> 00:39:56,561 to be doing this, it's quite a blessing. 683 00:39:56,686 --> 00:39:59,063 I've been performing with this band for 40 years. 684 00:39:59,188 --> 00:40:01,399 With those first performances, 685 00:40:01,524 --> 00:40:03,860 it felt so good to be back on stage. 686 00:40:06,321 --> 00:40:08,865 Touring has become a challenge for me. 687 00:40:17,373 --> 00:40:21,252 In 2018, while Bruce and I were doing a play on Broadway, 688 00:40:21,836 --> 00:40:25,340 I was diagnosed with early stage multiple myeloma. 689 00:40:28,092 --> 00:40:30,511 And this affects my immune system. 690 00:40:30,637 --> 00:40:35,892 So, I just have to be careful what I choose to do 691 00:40:36,017 --> 00:40:37,435 and where I choose to go. 692 00:40:44,651 --> 00:40:47,320 Every once in a while, I come to a show or two, 693 00:40:47,445 --> 00:40:50,156 and I can sing a few songs on stage 694 00:40:50,281 --> 00:40:52,742 and that's been a treat. 695 00:40:52,867 --> 00:40:54,911 That's the new normal for me right now. 696 00:40:55,036 --> 00:40:56,829 And I'm okay with that. 697 00:40:57,538 --> 00:40:59,958 ♪ Romeo and Juliet ♪ 698 00:41:02,210 --> 00:41:04,921 ♪ Samson and Delilah ♪ 699 00:41:05,296 --> 00:41:06,881 Fire is always fun to sing. 700 00:41:07,006 --> 00:41:09,008 ♪ You can bet ♪ 701 00:41:10,802 --> 00:41:13,304 ♪ Their love they couldn't deny ♪ 702 00:41:15,556 --> 00:41:17,850 ♪ Your words say split ♪ 703 00:41:19,852 --> 00:41:21,312 It's very personal in a way. 704 00:41:22,063 --> 00:41:23,856 You can see a side of our relationship 705 00:41:23,982 --> 00:41:26,109 that you usually don't get to see. 706 00:41:26,234 --> 00:41:27,902 ♪ ...kiss ♪ 707 00:41:28,027 --> 00:41:30,113 ♪ Ooh, ooh ♪ 708 00:41:30,238 --> 00:41:32,198 ♪ Fire ♪ 709 00:41:34,283 --> 00:41:37,161 Being back on stage with Bruce is a blast. 710 00:41:38,121 --> 00:41:40,248 Now I remember those summer nights 711 00:41:40,373 --> 00:41:42,583 down by the Jersey shore. 712 00:41:45,878 --> 00:41:49,173 As the band played, with you in my arms, 713 00:41:49,632 --> 00:41:52,051 we'd move across that floor. 714 00:41:53,553 --> 00:41:56,097 Oh, but then, darling, you went away. 715 00:41:57,181 --> 00:41:59,517 Well, all I've got to say is, 716 00:41:59,642 --> 00:42:03,354 tonight, I don't care if you lied. 717 00:42:05,314 --> 00:42:07,483 Let's dance! 718 00:42:07,608 --> 00:42:09,193 ♪ Oh, darling, you lied ♪ 719 00:42:09,318 --> 00:42:11,237 ♪ Darling, I loved you ♪ 720 00:42:11,362 --> 00:42:13,197 ♪ You know that you lied ♪ 721 00:42:13,322 --> 00:42:15,366 ♪ Darling, I loved you ♪ 722 00:42:15,491 --> 00:42:17,035 ♪ You know that you lied ♪ 723 00:42:17,160 --> 00:42:19,203 ♪ Darling, I loved you ♪ 724 00:42:19,328 --> 00:42:22,081 Every night of this tour gives the band 725 00:42:22,206 --> 00:42:23,875 a chance to celebrate. 726 00:42:24,834 --> 00:42:28,129 ♪ Papa says he knows that I don't have any money ♪ 727 00:42:28,254 --> 00:42:31,174 ♪ Oh, your papa says he knows that I don't have any money ♪ 728 00:42:31,299 --> 00:42:34,385 Tell him this is his last chance 729 00:42:34,802 --> 00:42:37,847 to get his daughter in a fine romance. 730 00:42:37,972 --> 00:42:40,516 The record company, Rosie, 731 00:42:40,641 --> 00:42:43,978 gave me a big, big, big, big, big, big, big advance. 732 00:42:44,729 --> 00:42:48,441 ♪ And my tires were slashed and I almost crashed ♪ 733 00:42:48,566 --> 00:42:50,193 ♪ But the Lord had mercy ♪ 734 00:42:51,611 --> 00:42:55,031 ♪ My machine, she's a dud, I'm stuck in the mud ♪ 735 00:42:55,156 --> 00:42:57,909 - ♪ Somewhere in the swamps of ♪ - ♪ Jersey ♪ 736 00:42:58,034 --> 00:43:01,704 US Tour, there were 31 arena shows. 737 00:43:01,829 --> 00:43:04,373 They were wild. Those shows were incredible. 738 00:43:04,665 --> 00:43:05,750 Come on! 739 00:43:06,167 --> 00:43:09,670 He's having an experience every night. 740 00:43:11,631 --> 00:43:12,632 ♪ Let it rain ♪ 741 00:43:12,757 --> 00:43:13,883 He is living it. 742 00:43:14,342 --> 00:43:15,718 ♪ Let it rain, let it rain ♪ 743 00:43:15,843 --> 00:43:17,804 ♪ Let it rain, let it rain ♪ 744 00:43:17,929 --> 00:43:19,430 ♪ Let it rain, let it rain ♪ 745 00:43:19,555 --> 00:43:21,474 ♪ Let it rain, let it rain ♪ 746 00:43:21,599 --> 00:43:22,934 ♪ Let it rain, let it rain ♪ 747 00:43:23,059 --> 00:43:24,477 ♪ Let it rain, let it rain ♪ 748 00:43:24,602 --> 00:43:26,229 ♪ Let it rain, let it rain ♪ 749 00:43:26,354 --> 00:43:28,064 ♪ Let it rain, let it rain ♪ 750 00:43:28,731 --> 00:43:30,149 ♪ Let it rain, let it rain ♪ 751 00:43:36,989 --> 00:43:39,784 ♪ Meet me at ♪ 752 00:43:40,243 --> 00:43:42,411 ♪ Mary's ♪ 753 00:43:43,162 --> 00:43:45,873 ♪ Place ♪ 754 00:43:59,387 --> 00:44:03,933 I would catch Bruce in the gym the morning after our show day. 755 00:44:04,058 --> 00:44:05,059 And I was like, "Okay", 756 00:44:05,143 --> 00:44:06,269 this is pretty impressive." 757 00:44:06,477 --> 00:44:07,854 You know, this guy gives out 758 00:44:07,979 --> 00:44:09,272 three hours of concert, 759 00:44:09,397 --> 00:44:11,691 next morning he's in the gym. 760 00:44:11,816 --> 00:44:13,176 And I walk in and he goes, "Well", 761 00:44:13,276 --> 00:44:15,027 that's-that's how I like to see my guys, 762 00:44:15,153 --> 00:44:16,445 "in the gym ready to go." 763 00:44:17,238 --> 00:44:18,558 And then he'll look at me and go, 764 00:44:18,906 --> 00:44:21,386 "You haven't seen anything yet. Wait till we get to Barcelona." 765 00:44:22,702 --> 00:44:24,453 I was like, "Okay." 766 00:44:24,579 --> 00:44:25,788 Said that the first time. 767 00:44:26,330 --> 00:44:28,791 And then he repeated that for a month. 768 00:44:28,916 --> 00:44:31,752 Every time he'd see me, "Barcelona, Anthony." 769 00:44:46,184 --> 00:44:47,727 ♪ Oh, oh, oh ♪ 770 00:44:48,019 --> 00:44:52,190 In Barcelona, Catalans take their music very seriously. 771 00:44:52,315 --> 00:44:55,401 We've had an audience here that's nonstop. 772 00:44:55,818 --> 00:44:59,197 Very loving, warm, exciting, 773 00:44:59,322 --> 00:45:01,240 everything you could ask for in a crowd. 774 00:45:01,365 --> 00:45:02,992 ♪ Oh, oh, oh ♪ 775 00:45:03,117 --> 00:45:05,369 It's been that way for a long time 776 00:45:06,662 --> 00:45:08,080 and it still is. 777 00:45:08,206 --> 00:45:10,291 ♪ Oh, oh, oh ♪ 778 00:45:11,584 --> 00:45:13,544 ♪ Oh, oh, oh ♪ 779 00:45:30,269 --> 00:45:31,687 It's a very warm audience. 780 00:45:31,812 --> 00:45:35,483 It is an audience that accepts you on your terms. 781 00:45:37,485 --> 00:45:40,988 I had never seen an audience like that ever. 782 00:45:41,113 --> 00:45:42,406 There's more singing along, 783 00:45:43,491 --> 00:45:45,534 the chants and those things. 784 00:45:45,660 --> 00:45:50,623 Every single soul is engaged, alive from front to back. 785 00:45:52,416 --> 00:45:54,377 Europeans, they let out their emotions 786 00:45:54,502 --> 00:45:56,545 and their, their excitement out on their sleeves 787 00:45:56,671 --> 00:45:58,881 and-and they let you know instantly. 788 00:46:03,427 --> 00:46:05,596 Right now on this tour, 789 00:46:05,721 --> 00:46:09,475 Bruce is the biggest he's ever been in Europe. 790 00:46:10,851 --> 00:46:12,645 It's a second home for us. 791 00:46:13,104 --> 00:46:14,480 It's magic. 792 00:46:18,109 --> 00:46:19,777 ♪ Will not let you down ♪ 793 00:46:20,903 --> 00:46:24,532 ♪ My love, love, love, love, love, love ♪ 794 00:46:24,657 --> 00:46:26,284 ♪ Will not let you down ♪ 795 00:46:27,410 --> 00:46:30,746 ♪ My love, love, love, love, love, love ♪ 796 00:46:30,871 --> 00:46:32,999 ♪ Will not let you down ♪ 797 00:46:34,083 --> 00:46:37,211 ♪ My love, love, love, love, love, love ♪ 798 00:46:37,336 --> 00:46:39,255 ♪ Will not let you down ♪ 799 00:47:05,406 --> 00:47:08,492 ♪ Well, hold still now, darling ♪ 800 00:47:08,617 --> 00:47:11,412 ♪ Hold still for God's sake ♪ 801 00:47:12,621 --> 00:47:17,793 ♪ I got me a promise I ain't afraid to make ♪ 802 00:47:18,794 --> 00:47:20,004 ♪ I ain't afraid ♪ 803 00:47:22,214 --> 00:47:25,426 ♪ My love, love, love, love, love, love ♪ 804 00:47:25,551 --> 00:47:27,386 ♪ Will not let you down ♪ 805 00:47:28,262 --> 00:47:31,766 ♪ My love, love, love, love, love, love ♪ 806 00:47:31,891 --> 00:47:33,517 ♪ Will not let you down ♪ 807 00:47:34,643 --> 00:47:38,022 ♪ My love, love, love, love, love, love ♪ 808 00:47:38,147 --> 00:47:40,191 ♪ Will not let you down ♪ 809 00:47:40,649 --> 00:47:44,403 ♪ My love, love, love, love, love, love ♪ 810 00:47:44,528 --> 00:47:47,031 ♪ Will not let you down ♪ 811 00:49:29,049 --> 00:49:31,945 We have been waiting for this with anticipation for... 812 00:49:31,969 --> 00:49:33,262 It's been seven years 813 00:49:33,345 --> 00:49:37,016 since you saw a real E Street, uh, concert in Europe. 814 00:49:40,352 --> 00:49:44,398 Bruce's fan community, I think, is one of the strongest in the world. 815 00:49:45,483 --> 00:49:48,360 There's this sense of unity that unites us all. 816 00:49:51,489 --> 00:49:55,659 His community is like, I think it's on another level. 817 00:49:55,951 --> 00:49:58,412 Some of my best friends, I've met in the pit 818 00:49:58,537 --> 00:50:00,247 at a Springsteen concert. 819 00:50:04,418 --> 00:50:05,812 This year in Barcelona, 820 00:50:05,836 --> 00:50:08,964 to see the band again, all the friends, the crowd, 821 00:50:09,048 --> 00:50:10,758 and we are singing along. 822 00:50:14,220 --> 00:50:16,805 I know people all over Germany, from Switzerland, 823 00:50:16,931 --> 00:50:19,183 from Austria, from Sweden, from England, 824 00:50:19,308 --> 00:50:20,809 it's a big community. 825 00:50:24,480 --> 00:50:26,750 When we're together, we're the best of friends, 826 00:50:26,774 --> 00:50:29,693 we connect, we know each other, we connect with each other. 827 00:50:30,611 --> 00:50:32,905 It's like we have been friends for a lifetime. 828 00:50:33,030 --> 00:50:34,698 We have met for many tours. 829 00:50:35,282 --> 00:50:36,992 We have grown older together 830 00:50:37,493 --> 00:50:39,411 and we've all connected because of Bruce. 831 00:50:40,704 --> 00:50:43,791 We're talking about friendship, we're talking about love. 832 00:50:44,500 --> 00:50:48,420 For three hours, all dancing, not thinking about anything. 833 00:50:48,546 --> 00:50:50,798 We try to, to live the moment. 834 00:50:50,923 --> 00:50:52,841 I just want it to last forever. 835 00:50:54,969 --> 00:50:57,763 There's part of the show when he says, "Do you wanna go home?" 836 00:50:57,888 --> 00:50:58,931 Everybody, "No!" 837 00:51:00,140 --> 00:51:01,308 Hey, Steve. 838 00:51:01,433 --> 00:51:02,601 Yeah, baby? 839 00:51:03,018 --> 00:51:05,271 I think it's time to go home now. 840 00:51:05,396 --> 00:51:07,147 Are you saying... What? 841 00:51:07,273 --> 00:51:10,192 I said, I think it's time to go home. 842 00:51:10,317 --> 00:51:13,654 The first time I saw Bruce at a club until today, 843 00:51:13,779 --> 00:51:15,739 there are certain fundamentals of the show 844 00:51:15,864 --> 00:51:17,157 that have never changed. 845 00:51:17,283 --> 00:51:20,244 And one of them is no matter how serious 846 00:51:20,369 --> 00:51:21,579 some of the songs are 847 00:51:21,704 --> 00:51:23,831 and how serious the tone of the show is... 848 00:51:23,956 --> 00:51:25,291 Do you wanna go home? 849 00:51:25,416 --> 00:51:27,793 He always finds a space for humor. 850 00:51:27,918 --> 00:51:29,086 It's always there. 851 00:51:29,295 --> 00:51:32,256 That's part of his vision of what he's doing. 852 00:51:34,174 --> 00:51:36,093 Max don't wanna fuckin' go home. 853 00:51:37,011 --> 00:51:38,554 And as we know... 854 00:51:39,221 --> 00:51:41,724 If Max Weinberg don't go home, 855 00:51:42,266 --> 00:51:46,020 - nobody goes fuckin' home. - Nobody wants to go home. 856 00:51:46,145 --> 00:51:47,896 One, two, three! 857 00:51:50,024 --> 00:51:53,027 I can't even wrap my head around how are they able to move 858 00:51:53,152 --> 00:51:55,404 all this huge amount of gear that we have 859 00:51:55,529 --> 00:51:56,989 from point A to point B. 860 00:51:57,573 --> 00:52:00,302 I always laugh because, you know, if you look backstage there's, 861 00:52:00,326 --> 00:52:03,579 you know, there's these road cases full of 40 guitars. 862 00:52:03,704 --> 00:52:08,167 Every show we did in the early days, one guitar. 863 00:52:08,792 --> 00:52:11,045 When you see all these guitars, 864 00:52:11,170 --> 00:52:12,880 it's a lot of work maintaining them. 865 00:52:14,131 --> 00:52:16,842 But at the same time, it's a blessing that we have 'em. 866 00:52:16,967 --> 00:52:19,595 I don't have the time to, "Oh, hold on a second, Bruce, 867 00:52:19,720 --> 00:52:21,055 I'll be right with you." 868 00:52:23,766 --> 00:52:25,559 If he turns around and gives me that look, 869 00:52:26,101 --> 00:52:28,395 I have gig-mares about it, truthfully, 870 00:52:28,520 --> 00:52:30,022 to tell you the truth, man. 871 00:52:39,948 --> 00:52:42,493 In the early days when we traveled, 872 00:52:42,993 --> 00:52:46,413 I think we started in a Club Wagon. 873 00:52:48,082 --> 00:52:49,416 You couldn't lay down to sleep. 874 00:52:49,541 --> 00:52:51,061 You had to, you know, sleep like this. 875 00:52:52,753 --> 00:52:55,214 By the time I joined, things were a little better. 876 00:52:55,339 --> 00:52:56,924 Not much. 877 00:52:57,049 --> 00:53:00,010 I think by then, we graduated to the bus. 878 00:53:02,262 --> 00:53:05,724 You know, we customized it ourselves with army cots. 879 00:53:06,225 --> 00:53:09,311 It had to be chained to the wall. 880 00:53:09,436 --> 00:53:11,855 And every time the bus went around a corner, 881 00:53:11,980 --> 00:53:13,691 the bunk beds would... 882 00:53:13,816 --> 00:53:15,317 Would kinda lean over. 883 00:53:17,069 --> 00:53:20,656 Shortly thereafter, we went to a motor home, 884 00:53:20,781 --> 00:53:22,700 and actually it was the GMC Motorhome, 885 00:53:22,825 --> 00:53:24,993 which was at the time very modern. 886 00:53:25,911 --> 00:53:27,271 Well, it was a huge step up. 887 00:53:27,496 --> 00:53:29,873 Here, you could turn the tables down into little bunks. 888 00:53:29,998 --> 00:53:32,292 There was a fold-down, like on a submarine, 889 00:53:32,418 --> 00:53:33,877 Bruce had that. 890 00:53:34,002 --> 00:53:35,254 There was a sofa, 891 00:53:35,796 --> 00:53:38,173 you took the cushions off, and Clarence could fit on that. 892 00:53:38,298 --> 00:53:41,385 There was a, a table that recessed into the floor, 893 00:53:41,510 --> 00:53:44,096 and Garry and Roy slept on that. 894 00:53:44,221 --> 00:53:47,433 Except it really wasn't wide enough for two people. 895 00:53:47,558 --> 00:53:50,644 So Garry and I would sleep foot to head 896 00:53:51,061 --> 00:53:53,188 and we put a little mattress over it. 897 00:53:54,189 --> 00:53:57,276 And in the back was another table that we could lay out, 898 00:53:57,401 --> 00:53:59,319 and Danny and I slept in it. 899 00:54:00,112 --> 00:54:02,030 Driving six, seven hours, you could sleep. 900 00:54:03,323 --> 00:54:05,993 One of my fondest memories is we woke up 901 00:54:06,118 --> 00:54:10,581 to the smell of Clarence cooking breakfast. 902 00:54:11,206 --> 00:54:14,418 He made pancakes, bacon, eggs. 903 00:54:14,543 --> 00:54:16,295 Anything you want, like a short order cook, 904 00:54:16,420 --> 00:54:17,463 like the father. 905 00:54:17,588 --> 00:54:20,132 And it was really, it was really fantastic. 906 00:54:20,257 --> 00:54:22,593 Give us a limerick, a limerick, Clarence. 907 00:54:22,718 --> 00:54:23,802 Now, as I was saying... 908 00:54:27,139 --> 00:54:29,600 It was a very bonding experience. 909 00:54:29,933 --> 00:54:34,146 And that bond, thousands of shows later, 910 00:54:35,022 --> 00:54:37,483 that's what gets played out on stage. 911 00:54:37,900 --> 00:54:40,194 If you get swept up in the spirit, 912 00:54:40,319 --> 00:54:43,280 you'll be able to figure out a way in. 913 00:54:44,907 --> 00:54:47,409 I grew up seeing my uncle there. 914 00:54:47,534 --> 00:54:49,411 It gave him so much happiness, 915 00:54:49,745 --> 00:54:51,347 which is why I've always been really particular 916 00:54:51,371 --> 00:54:52,372 about playing his horn, 917 00:54:52,456 --> 00:54:53,499 playing his mouthpiece. 918 00:54:53,707 --> 00:54:55,435 Like, I need... I need to keep as much of him 919 00:54:55,459 --> 00:54:56,668 with me as possible. 920 00:54:58,545 --> 00:55:00,339 Those solos, those sax solos, 921 00:55:00,464 --> 00:55:03,091 Badlands, Jungleland, Prove It All Night 922 00:55:03,217 --> 00:55:05,427 that puts Clarence right back there. 923 00:55:06,220 --> 00:55:08,847 It's almost like this transference. 924 00:55:11,683 --> 00:55:14,019 Bruce loves stability 925 00:55:15,229 --> 00:55:18,774 and so when he finds the person that's a match 926 00:55:18,899 --> 00:55:20,359 for what he needs, 927 00:55:21,485 --> 00:55:24,071 he tends to keep that person. 928 00:55:24,655 --> 00:55:27,950 Having this musical and communal experience, 929 00:55:28,075 --> 00:55:29,284 I never took it for granted. 930 00:55:29,993 --> 00:55:32,454 I'm very grateful to be part of the band 931 00:55:32,579 --> 00:55:35,249 and all the fabulously talented people 932 00:55:35,374 --> 00:55:36,792 that are up on that stage. 933 00:55:38,210 --> 00:55:40,462 I listen to what everyone is doing 934 00:55:40,587 --> 00:55:43,382 and just try to add my little spice to it. 935 00:55:43,507 --> 00:55:46,176 Not too much but just part of the whole. 936 00:55:48,095 --> 00:55:50,848 Clarence and Danny have not been forgotten. 937 00:55:53,600 --> 00:55:55,102 Nightshift. 938 00:55:55,227 --> 00:55:58,647 People hear that song in the show in a lot of ways 939 00:55:58,772 --> 00:56:00,524 and the way I hear it is... 940 00:56:02,442 --> 00:56:04,111 he's talking about our guys. 941 00:56:06,405 --> 00:56:07,698 ♪ Marvin ♪ 942 00:56:10,075 --> 00:56:13,078 ♪ He was a friend of mine ♪ 943 00:56:14,705 --> 00:56:17,332 ♪ And he could sing his song ♪ 944 00:56:19,251 --> 00:56:22,045 ♪ His heart in every line ♪ 945 00:56:24,548 --> 00:56:25,549 ♪ Marvin ♪ 946 00:56:25,674 --> 00:56:26,884 ♪ Marvin ♪ 947 00:56:28,051 --> 00:56:31,138 ♪ Sang of the joy and pain ♪ 948 00:56:32,931 --> 00:56:36,184 ♪ He opened up our minds ♪ 949 00:56:37,519 --> 00:56:39,897 ♪ I still can hear him say ♪ 950 00:56:42,441 --> 00:56:43,859 ♪ Oh, talk to me ♪ 951 00:56:44,860 --> 00:56:48,906 - ♪ Ooh, ooh ♪ - ♪ So you can see what's goin' on ♪ 952 00:56:51,950 --> 00:56:53,994 ♪ Say you will ♪ 953 00:56:54,119 --> 00:56:56,121 ♪ Sing your songs ♪ 954 00:56:56,246 --> 00:56:57,372 ♪ Forevermore ♪ 955 00:56:57,497 --> 00:56:59,166 ♪ Forevermore ♪ 956 00:56:59,249 --> 00:57:03,128 ♪ Oh, gonna be some sweet sounds ♪ 957 00:57:03,253 --> 00:57:05,505 ♪ Coming down ♪ 958 00:57:05,631 --> 00:57:08,091 Nightshift early on, I mean, I was curious to see 959 00:57:08,216 --> 00:57:10,177 how the crowd was gonna be receptive to it. 960 00:57:11,511 --> 00:57:15,682 The fact that the singers come forward and they take the spotlight. 961 00:57:15,807 --> 00:57:17,167 We were in sound check. 962 00:57:17,225 --> 00:57:19,102 He said, "Ada, you know, I think I want you" 963 00:57:19,227 --> 00:57:20,812 to do a little something here." 964 00:57:22,189 --> 00:57:26,193 He didn't specify as to exactly what that something was gonna be. 965 00:57:26,318 --> 00:57:27,778 ♪ On the nightshift ♪ 966 00:57:27,903 --> 00:57:29,797 And I knew that if it was too much, he would say, 967 00:57:29,821 --> 00:57:31,323 "Uh, pull it back a little bit." 968 00:57:31,406 --> 00:57:33,909 ♪ ...not alone, on the nightshift ♪ 969 00:57:34,034 --> 00:57:36,662 But he said, "No, no, no, I want more." 970 00:57:38,705 --> 00:57:39,998 "There you go, this is a seed. 971 00:57:40,123 --> 00:57:41,917 Now let's see what it grows into." 972 00:57:42,042 --> 00:57:45,253 ♪ Oh, it's gonna be on the ♪ 973 00:57:45,379 --> 00:57:47,339 ♪ Oh ♪ 974 00:57:47,464 --> 00:57:49,007 ♪ Yes, it is ♪ 975 00:57:49,132 --> 00:57:50,759 ♪ Oh ♪ 976 00:57:50,884 --> 00:57:52,552 ♪ Yes, it is ♪ 977 00:57:52,970 --> 00:57:54,530 He just said, "We're going down front", 978 00:57:55,597 --> 00:57:56,807 we're gonna do this together." 979 00:57:57,265 --> 00:57:58,892 And I'm sort of kind of watching him. 980 00:57:59,017 --> 00:58:00,560 A lot of it was me just observing him. 981 00:58:00,686 --> 00:58:01,687 ♪ Nightshift ♪ 982 00:58:01,937 --> 00:58:04,356 One night, we stepping down as I usually do, 983 00:58:04,481 --> 00:58:07,734 and Bruce kind of let the song go a little longer 984 00:58:08,151 --> 00:58:10,070 and sit a minute. 985 00:58:11,738 --> 00:58:14,533 It's almost like on pause, let people feel that moment. 986 00:58:14,658 --> 00:58:17,119 I mean, we're talking about those who have passed. 987 00:58:17,202 --> 00:58:18,245 ♪ ...another home ♪ 988 00:58:18,328 --> 00:58:19,806 And then he sang a higher note. 989 00:58:19,830 --> 00:58:24,001 ♪ I know you're not alone ♪ 990 00:58:24,126 --> 00:58:25,585 I sang a note over him. 991 00:58:28,839 --> 00:58:29,840 I remember him saying... 992 00:58:29,965 --> 00:58:31,717 - I can try. - "Try, I can try." 993 00:58:32,718 --> 00:58:34,803 I took that as, "Let me just do something" 994 00:58:34,928 --> 00:58:36,471 that might be a little different." 995 00:58:44,730 --> 00:58:47,524 He seemed to react to it. He responded to it when I went higher. 996 00:58:50,944 --> 00:58:52,195 And then it went on from there. 997 00:58:52,320 --> 00:58:53,989 It just started developing. 998 00:58:54,114 --> 00:58:56,074 ♪ It's gonna be a long night ♪ 999 00:58:56,199 --> 00:58:58,452 ♪ It's gonna be alright ♪ 1000 00:58:58,577 --> 00:59:00,120 ♪ On the nightshift ♪ 1001 00:59:00,245 --> 00:59:03,081 ♪ On the nightshift ♪ 1002 00:59:03,206 --> 00:59:05,208 ♪ You found another home ♪ 1003 00:59:05,333 --> 00:59:07,544 - ♪ I know you're not alone ♪ - ♪ Not alone ♪ 1004 00:59:07,878 --> 00:59:09,087 ♪ On the nightshift ♪ 1005 00:59:09,212 --> 00:59:11,965 ♪ Ooh, ooh, ooh, ooh ♪ 1006 00:59:12,090 --> 00:59:14,342 - ♪ You found another home ♪ - ♪ Another home ♪ 1007 00:59:14,468 --> 00:59:17,095 - ♪ I know you're not alone ♪ - ♪ Not alone ♪ 1008 00:59:17,220 --> 00:59:18,346 ♪ On the nightshift ♪ 1009 00:59:18,472 --> 00:59:19,866 Nightshift, that's become a showstopper. 1010 00:59:19,890 --> 00:59:20,932 Come on! 1011 00:59:24,770 --> 00:59:28,982 ♪ Ooh, ooh, ooh, ooh, ooh, ooh ♪ 1012 00:59:30,400 --> 00:59:33,737 ♪ Hee, hee, hee, hee, hee ♪ 1013 00:59:41,244 --> 00:59:47,918 ♪ Ooh, ooh, ooh, ooh, ooh, ooh ♪ 1014 00:59:48,043 --> 00:59:50,295 ♪ Hee, hee, hee, hee ♪ 1015 00:59:50,420 --> 00:59:53,799 ♪ Hee, hee, hee, hee, hee ♪ 1016 00:59:53,924 --> 00:59:54,925 ♪ Nightshift ♪ 1017 00:59:57,385 --> 00:59:59,387 Curtis King! 1018 00:59:59,763 --> 01:00:03,517 Miss Ada Dyer, Michelle Moore, 1019 01:00:03,642 --> 01:00:05,185 and Lisa Lowell. 1020 01:00:05,769 --> 01:00:07,270 The E Street Choir. 1021 01:00:10,899 --> 01:00:13,443 A little Mary's Place , just to remind us. 1022 01:00:16,571 --> 01:00:20,450 The greatest musical influences of my youth 1023 01:00:20,575 --> 01:00:23,662 are all my soul music mentors. 1024 01:00:24,037 --> 01:00:27,582 They've guided me on stage and shaped our show 1025 01:00:27,707 --> 01:00:29,292 for many years. 1026 01:00:29,417 --> 01:00:34,131 Sam & Dave, James Brown, Jackie Wilson. 1027 01:00:34,256 --> 01:00:35,549 Come on! 1028 01:00:35,757 --> 01:00:38,385 They still inspire me as a band leader to this day. 1029 01:00:38,510 --> 01:00:41,179 Is there anybody alive out there? 1030 01:00:45,934 --> 01:00:50,272 We're trying to translate in our musical language 1031 01:00:50,397 --> 01:00:53,400 what he's doing moment to moment. 1032 01:00:53,525 --> 01:00:55,569 Even if he just twitches his butt, 1033 01:00:55,694 --> 01:00:57,487 you kind of know where he is going with that. 1034 01:00:57,779 --> 01:01:00,157 Sort of visual cues on stage, 1035 01:01:00,282 --> 01:01:03,451 certain tells that Bruce might have physically 1036 01:01:03,577 --> 01:01:05,871 that indicate he's about to do something. 1037 01:01:05,996 --> 01:01:09,082 He might not know what that is, but he's about to do something. 1038 01:01:09,499 --> 01:01:11,793 He cues with his shoulders a lot. 1039 01:01:12,794 --> 01:01:14,504 He'll cue with his hand. 1040 01:01:15,213 --> 01:01:17,090 There are cues with the guitar. 1041 01:01:17,382 --> 01:01:18,782 You just have to watch him. 1042 01:01:19,009 --> 01:01:22,679 He knows what to give us in order to make all these things happen. 1043 01:01:22,804 --> 01:01:25,390 ♪ Meet me at Mary's place ♪ 1044 01:01:25,515 --> 01:01:26,558 Come on! 1045 01:01:29,978 --> 01:01:31,021 ♪ Woo! ♪ 1046 01:01:47,037 --> 01:01:53,043 - ♪ Ooh! ♪ - ♪ Meet me at Mary's place ♪ 1047 01:01:53,168 --> 01:01:57,047 ♪ Ooh ♪ 1048 01:01:57,172 --> 01:02:00,383 ♪ Meet me at Mary's place ♪ 1049 01:02:05,305 --> 01:02:06,389 Hit it, Max. 1050 01:02:06,514 --> 01:02:07,557 Shh! 1051 01:02:07,641 --> 01:02:09,517 The greatest skill Bruce has 1052 01:02:09,643 --> 01:02:12,729 is demanding the attention of an audience... 1053 01:02:13,563 --> 01:02:14,731 Shh. 1054 01:02:14,856 --> 01:02:16,691 And being able to direct it 1055 01:02:16,816 --> 01:02:17,943 however way he'd like. 1056 01:02:18,068 --> 01:02:19,069 Hit it, Max. 1057 01:02:20,862 --> 01:02:21,863 Shh. 1058 01:02:21,947 --> 01:02:23,187 He has an amazing 1059 01:02:23,281 --> 01:02:24,574 amount of control, 1060 01:02:24,866 --> 01:02:27,953 and he can quiet that crowd to where you can hear a pin drop. 1061 01:02:28,078 --> 01:02:29,204 Shh. 1062 01:02:29,496 --> 01:02:31,581 He directed me to stop playing completely, 1063 01:02:31,706 --> 01:02:32,749 just the piano. 1064 01:02:32,874 --> 01:02:34,125 Just Roy. 1065 01:02:35,043 --> 01:02:36,127 Shh. 1066 01:02:39,381 --> 01:02:41,758 - And then he said, "Nobody." - Nobody. 1067 01:02:41,883 --> 01:02:43,093 And he wanted silence. 1068 01:02:43,677 --> 01:02:44,970 Love you, Bruce! 1069 01:02:45,095 --> 01:02:46,763 This is the genius of Bruce. 1070 01:02:47,138 --> 01:02:48,306 Nobody. 1071 01:02:48,431 --> 01:02:50,058 The complete silence on stage... 1072 01:02:50,183 --> 01:02:51,184 Woo! 1073 01:02:51,309 --> 01:02:52,469 Tends to make people 1074 01:02:52,560 --> 01:02:53,645 very nervous. 1075 01:02:55,730 --> 01:02:58,817 I mean, you never see anybody do this on stage. 1076 01:03:15,500 --> 01:03:17,210 It takes a lot of thought and detailing 1077 01:03:17,335 --> 01:03:20,297 to make it all look tight 1078 01:03:20,422 --> 01:03:22,716 and to be spontaneous at the same time. 1079 01:03:27,512 --> 01:03:29,392 In the early '60s, me, Bruce, and Garry 1080 01:03:29,514 --> 01:03:31,057 had gone to see Sam & Dave. 1081 01:03:31,182 --> 01:03:35,103 Seeing an R&B, you know, a soul music show up close, 1082 01:03:35,228 --> 01:03:36,706 you know, it was like in, in a little club, 1083 01:03:36,730 --> 01:03:41,901 uh, I-in those days was just an incredible impression on you. 1084 01:03:47,741 --> 01:03:50,368 He has a way of being able to pull those nuggets 1085 01:03:50,493 --> 01:03:54,247 from these different genres of music that seem unrelated. 1086 01:04:00,837 --> 01:04:03,631 But then he's able to kind of weave them into the mix 1087 01:04:03,757 --> 01:04:05,759 in a way that it's very relatable. 1088 01:04:06,259 --> 01:04:10,889 And tapping into all these various streams of American music. 1089 01:04:11,890 --> 01:04:13,933 You got a little gospel in there, 1090 01:04:14,059 --> 01:04:17,395 you got a little rock and roll, a little jazz. 1091 01:04:17,979 --> 01:04:20,607 We're improvising, like we made a conscious effort. 1092 01:04:20,732 --> 01:04:22,460 We could have worked out our little eight bars, 1093 01:04:22,484 --> 01:04:24,527 and we play the same eight bars every night 1094 01:04:24,652 --> 01:04:25,695 and it's gonna be perfect. 1095 01:04:25,820 --> 01:04:27,364 But that's not what Bruce wants. 1096 01:04:27,530 --> 01:04:30,158 Bruce wants, like, say what you're feeling at that moment. 1097 01:04:35,705 --> 01:04:38,208 Kitty's Back is a very different song, 1098 01:04:38,333 --> 01:04:40,001 and it's very loose... 1099 01:04:41,711 --> 01:04:45,423 let everybody have their moment and do what they want. 1100 01:04:47,509 --> 01:04:49,320 He goes, "You know, guys, I want something" 1101 01:04:49,344 --> 01:04:51,424 "after you guys finish your solo in the horn section, 1102 01:04:51,513 --> 01:04:54,265 I want you guys to come up with some kind of a horn soul lead." 1103 01:05:00,063 --> 01:05:02,816 Which means you're playing the same thing together. 1104 01:05:13,576 --> 01:05:16,955 It's almost like a small group at a jazz nightclub vibe. 1105 01:05:22,919 --> 01:05:24,129 It's an exciting thing 1106 01:05:24,254 --> 01:05:26,047 because you don't know what's gonna happen. 1107 01:07:42,600 --> 01:07:46,980 I am a big fan of having a very random set list, 1108 01:07:47,105 --> 01:07:49,732 and I know most of the other guys would not agree with me. 1109 01:07:49,816 --> 01:07:52,151 On other tours, we would always get a set list 1110 01:07:52,277 --> 01:07:55,572 maybe 30 minutes before we would go on stage. 1111 01:07:55,697 --> 01:07:58,908 Well, the last tour, he was a lot more spontaneous. 1112 01:07:59,033 --> 01:08:03,413 It was a lot of going out in the audience and picking up signs. 1113 01:08:03,538 --> 01:08:05,248 Hey, can we stump the band? 1114 01:08:05,999 --> 01:08:07,458 If you knew it, you knew it 1115 01:08:07,584 --> 01:08:09,669 and if you didn't, you just had to catch on. 1116 01:08:09,794 --> 01:08:14,841 ♪ Ohh, your flat feet down on the ground ♪ 1117 01:08:16,676 --> 01:08:18,052 ♪ Yeah ♪ 1118 01:08:19,012 --> 01:08:21,848 Hit it, boys. Come on, Charlie Giordano! 1119 01:08:21,973 --> 01:08:23,891 The audience had these signs. 1120 01:08:24,017 --> 01:08:27,145 Always exciting and nerve-wracking. 1121 01:08:27,979 --> 01:08:30,690 Bruce would go out and find some of the most obscure songs 1122 01:08:30,815 --> 01:08:32,483 and song titles. 1123 01:08:32,609 --> 01:08:35,486 That was kind of the theme, "Stump the E Street Band." 1124 01:08:36,779 --> 01:08:39,032 Alright, Professor... 1125 01:08:39,157 --> 01:08:41,743 Craning my neck to try to see what was on the sign, 1126 01:08:41,826 --> 01:08:43,911 you know, and oh, my God. 1127 01:08:44,037 --> 01:08:45,663 We haven't played that in 10 years. 1128 01:08:45,788 --> 01:08:47,457 I don't think I've ever played that. 1129 01:08:47,582 --> 01:08:48,902 Is there chart somewhere on that? 1130 01:08:48,958 --> 01:08:50,793 Quick, quick. 1131 01:08:50,918 --> 01:08:52,670 And he'd oftentimes come back to the stage 1132 01:08:52,795 --> 01:08:54,297 with a dozen of 'em stacked up, 1133 01:08:54,422 --> 01:08:56,215 and he'd be flinging through 'em on stage 1134 01:08:56,341 --> 01:08:57,842 and find the one he wanted. 1135 01:08:59,093 --> 01:09:00,511 Give it to the organ man. 1136 01:09:02,889 --> 01:09:04,891 We were doing 15 different songs a night. 1137 01:09:05,016 --> 01:09:06,576 Nobody knows what the hell's happening. 1138 01:09:06,684 --> 01:09:08,269 Turn 'em up! Turn 'em up! 1139 01:09:08,394 --> 01:09:09,604 There's an energy to that. 1140 01:09:09,687 --> 01:09:10,730 Three, four! 1141 01:09:11,105 --> 01:09:14,859 But you can't really get deep, deep, deep in any one song 1142 01:09:14,984 --> 01:09:16,944 because you were just never playing it that often. 1143 01:09:23,910 --> 01:09:25,804 That's one of the things I like about this tour is 1144 01:09:25,828 --> 01:09:27,872 you can hear your band mates evolving. 1145 01:09:32,752 --> 01:09:36,005 It's not a jam session, it's not a "Stump the Band," 1146 01:09:36,130 --> 01:09:39,509 it's an experience, it's a show. 1147 01:09:40,051 --> 01:09:44,055 Bruce has put this set list together meticulously. 1148 01:09:46,891 --> 01:09:48,935 Start listening a little closer. 1149 01:09:49,977 --> 01:09:55,566 There's different emotions being brought out of each song every time you hear it. 1150 01:09:55,692 --> 01:09:59,070 ♪ Blow away the dreams that tear you apart ♪ 1151 01:09:59,404 --> 01:10:03,241 ♪ Blow away the dreams that break your heart ♪ 1152 01:10:03,366 --> 01:10:07,995 ♪ Blow away the lies that leave you nothing ♪ 1153 01:10:08,121 --> 01:10:11,624 ♪ But lost and brokenhearted ♪ 1154 01:10:11,749 --> 01:10:15,795 ♪ The dogs on Main Street howl 'cause they understand ♪ 1155 01:10:15,920 --> 01:10:19,924 ♪ If I could take this moment into my hands ♪ 1156 01:10:20,049 --> 01:10:24,387 ♪ Mister, I ain't a boy, no, I'm a man ♪ 1157 01:10:24,512 --> 01:10:28,558 ♪ And I believe in a promised land ♪ 1158 01:10:28,683 --> 01:10:32,895 ♪ For the ones who had a notion, a notion deep inside ♪ 1159 01:10:33,020 --> 01:10:36,816 ♪ That it ain't no sin to be glad you're alive ♪ 1160 01:10:36,941 --> 01:10:41,154 ♪ I wanna find one face that ain't looking through me ♪ 1161 01:10:41,279 --> 01:10:45,616 ♪ I wanna find one place, I wanna spit in the face of these ♪ 1162 01:10:45,742 --> 01:10:49,370 ♪ Badlands, you gotta live it every day ♪ 1163 01:10:49,495 --> 01:10:53,332 ♪ Let the broken hearts stand as the price you've gotta pay ♪ 1164 01:10:53,458 --> 01:10:55,251 ♪ Keep pushin' till it's understood ♪ 1165 01:10:55,376 --> 01:10:59,464 ♪ And these badlands start treating us good ♪ 1166 01:10:59,589 --> 01:11:01,090 ♪ Whoa, whoa, whoa ♪ 1167 01:11:01,507 --> 01:11:04,886 ♪ There's spirits above and behind me ♪ 1168 01:11:05,803 --> 01:11:10,057 ♪ Faces gone black, eyes burnin' bright ♪ 1169 01:11:10,558 --> 01:11:13,644 ♪ May their precious blood bind me ♪ 1170 01:11:13,770 --> 01:11:18,149 ♪ Lord, as I stand before your fiery light ♪ 1171 01:11:18,733 --> 01:11:22,028 ♪ Li, li, li, li, li, li, li, li, li, li ♪ 1172 01:11:22,153 --> 01:11:26,073 ♪ La-la-li-li-li-li-li-li-li-li ♪ 1173 01:11:26,199 --> 01:11:30,161 ♪ La-la-li-li-li-li-li-li-li-li ♪ 1174 01:11:30,536 --> 01:11:34,582 ♪ La-la-li-li-li-li-li-li-li-li ♪ 1175 01:11:45,676 --> 01:11:47,762 My first concert, I was 19. 1176 01:11:48,346 --> 01:11:50,515 I skipped school the next day too. 1177 01:11:51,224 --> 01:11:54,977 Since then, I've seen him in Spain, in Germany, 1178 01:11:55,102 --> 01:11:56,813 in the UK, in Italy. 1179 01:11:57,396 --> 01:12:00,107 Now I'm 37, and I grew up with Bruce. 1180 01:12:06,239 --> 01:12:11,911 My first Springsteen show was here in Oslo in 1993. 1181 01:12:12,245 --> 01:12:13,788 Oh, it was so magic. 1182 01:12:15,248 --> 01:12:16,999 You just get happy. 1183 01:12:17,124 --> 01:12:18,251 So happy. 1184 01:12:21,712 --> 01:12:23,798 My dad is a massive Springsteen fan. 1185 01:12:23,923 --> 01:12:26,092 He's been listening to him all his life. 1186 01:12:26,217 --> 01:12:28,678 It's always really special to go to concerts with him, 1187 01:12:28,803 --> 01:12:30,012 having, like, that history. 1188 01:12:30,137 --> 01:12:33,057 He's the reason that I love Springsteen now. 1189 01:12:35,643 --> 01:12:37,371 When I first got into his music, 1190 01:12:37,395 --> 01:12:39,856 I could connect to these scenes that he described 1191 01:12:39,981 --> 01:12:41,416 and to these feelings that he described, 1192 01:12:41,440 --> 01:12:42,692 to me after all these years, 1193 01:12:42,942 --> 01:12:46,821 it still means a lot to me and that I still enjoy so much. 1194 01:12:47,864 --> 01:12:49,615 I always get emotional when I, 1195 01:12:49,699 --> 01:12:51,742 when I go to Bruce Springsteen concerts. 1196 01:12:51,868 --> 01:12:54,954 You know, it's just like he takes his soul, 1197 01:12:55,079 --> 01:12:57,290 and he puts it into music. 1198 01:12:57,415 --> 01:12:59,709 So I think that everyone can relate to it. 1199 01:13:05,131 --> 01:13:06,841 We don't expect the man to tour forever. 1200 01:13:06,966 --> 01:13:10,136 We hope he does, we hope he tours for as long as he can. 1201 01:13:10,261 --> 01:13:12,263 But we're appreciating these moments. 1202 01:13:12,722 --> 01:13:17,518 We want to soak up every last moment of this, just in case. 1203 01:13:26,569 --> 01:13:29,739 Just a little, where it says horn, it's just a little riff. 1204 01:13:32,617 --> 01:13:35,077 ♪ I'm the last man standing ♪ 1205 01:13:36,329 --> 01:13:39,874 ♪ Do, do, do, do, da, da ♪ 1206 01:13:44,962 --> 01:13:46,297 Let's try just Curt. 1207 01:13:50,968 --> 01:13:53,012 That's good. Alright. 1208 01:13:53,137 --> 01:13:54,597 So I'm gonna tell a little story. 1209 01:14:01,896 --> 01:14:03,064 And I'll go into the song. 1210 01:14:05,441 --> 01:14:07,041 From the beginning of the tour, 1211 01:14:07,068 --> 01:14:10,571 he has told the story of Last Man Standing 1212 01:14:10,696 --> 01:14:13,616 and why that phrase came to him. 1213 01:14:14,200 --> 01:14:17,161 And the story he tells is that he realized 1214 01:14:17,286 --> 01:14:19,997 when his friend George Theiss passed away, 1215 01:14:20,122 --> 01:14:22,959 that of all the members of his first rock band, 1216 01:14:23,084 --> 01:14:25,294 he was the last man standing. 1217 01:14:28,255 --> 01:14:31,759 I think he reads into that notion 1218 01:14:31,884 --> 01:14:35,012 an increased sense of mortality. 1219 01:14:35,137 --> 01:14:36,347 He's next. 1220 01:14:36,973 --> 01:14:40,559 That's kind of like you're standing on the tracks 1221 01:14:40,685 --> 01:14:43,020 with the white hot light of an oncoming train 1222 01:14:43,145 --> 01:14:44,730 bearing down upon you. 1223 01:14:44,855 --> 01:14:47,650 It brings a certain clarity of thought, 1224 01:14:48,401 --> 01:14:51,112 you may not have previously experienced. 1225 01:14:51,237 --> 01:14:55,491 Because death's final and lasting gift to the living 1226 01:14:56,075 --> 01:14:59,912 is an expanded vision of life itself. 1227 01:15:00,871 --> 01:15:02,331 George passed away 1228 01:15:03,374 --> 01:15:05,459 shortly after I wrote this song. 1229 01:15:06,293 --> 01:15:09,380 It's just about the passions we follow as children, 1230 01:15:09,880 --> 01:15:11,757 not knowing where they're going to lead us 1231 01:15:12,341 --> 01:15:15,761 and how at 15 it's all tomorrows and hellos 1232 01:15:16,554 --> 01:15:19,890 and then later on there's a lot more yesterdays and goodbyes. 1233 01:15:20,891 --> 01:15:23,394 ♪ Out of school and out of work ♪ 1234 01:15:25,771 --> 01:15:29,483 ♪ Thrift-store jeans and flannel shirts ♪ 1235 01:15:30,985 --> 01:15:34,405 ♪ The lights go down as you face the crowd ♪ 1236 01:15:35,698 --> 01:15:39,452 ♪ Oh, the last man standing ♪ 1237 01:15:41,912 --> 01:15:44,540 ♪ Lights come up at the Legion Hall ♪ 1238 01:15:46,792 --> 01:15:51,047 ♪ Pool cues go back up on the wall ♪ 1239 01:15:51,881 --> 01:15:55,301 ♪ Pack your guitar and have one last beer ♪ 1240 01:15:57,219 --> 01:16:02,016 ♪ With just the ringing in your ears ♪ 1241 01:16:05,478 --> 01:16:08,856 ♪ Rock of ages lift me somehow ♪ 1242 01:16:10,357 --> 01:16:14,904 ♪ Somewhere high and hard and loud ♪ 1243 01:16:15,404 --> 01:16:19,158 ♪ Somewhere deep into the heart of the crowd ♪ 1244 01:16:19,658 --> 01:16:24,538 ♪ Oh, I'm the last man standing ♪ 1245 01:16:25,748 --> 01:16:29,668 ♪ Oh, the last man standing ♪ 1246 01:16:40,221 --> 01:16:41,782 One of the most emotional parts 1247 01:16:41,806 --> 01:16:43,766 of this show is the juxtaposition of 1248 01:16:43,891 --> 01:16:46,143 Last Man Standing and Backstreets. 1249 01:16:46,268 --> 01:16:50,856 Last Man Standing talked about friendship and end of days. 1250 01:16:50,981 --> 01:16:53,484 Then he put it up against Backstreets, 1251 01:16:53,609 --> 01:16:58,155 a song from 50 years ago, about betrayal of some sort. 1252 01:16:58,739 --> 01:17:01,450 Backstreets reads a whole other way 1253 01:17:01,992 --> 01:17:04,745 in the shadow of Last Man Standing. 1254 01:17:05,454 --> 01:17:10,126 Bruce seems to be again talking about the mementos 1255 01:17:10,626 --> 01:17:12,628 of his lost friend. 1256 01:17:24,056 --> 01:17:27,726 ♪ Endless juke joints and Valentino drag ♪ 1257 01:17:27,852 --> 01:17:30,187 ♪ Where dancers scraped the tears ♪ 1258 01:17:30,312 --> 01:17:33,315 ♪ Up off the street dressed down in rags ♪ 1259 01:17:33,440 --> 01:17:35,943 ♪ Running into the darkness ♪ 1260 01:17:36,068 --> 01:17:38,487 ♪ Some hurt bad, some really dying ♪ 1261 01:17:38,612 --> 01:17:41,448 ♪ At night sometimes it seemed you could hear ♪ 1262 01:17:41,574 --> 01:17:43,701 ♪ The whole damn city crying ♪ 1263 01:17:43,826 --> 01:17:46,328 ♪ Blame it on the lies that killed us ♪ 1264 01:17:46,787 --> 01:17:49,123 ♪ On the truth that ran us down ♪ 1265 01:17:49,248 --> 01:17:51,333 ♪ You can blame it all on me ♪ 1266 01:17:51,458 --> 01:17:54,503 ♪ Terry, it don't matter to me now ♪ 1267 01:17:54,628 --> 01:17:57,089 ♪ When the breakdown hit at midnight ♪ 1268 01:17:57,214 --> 01:17:59,550 ♪ There was nothin' left to say ♪ 1269 01:17:59,675 --> 01:18:01,635 ♪ But I hated him ♪ 1270 01:18:02,344 --> 01:18:06,015 ♪ And I hated you when you went away ♪ 1271 01:18:10,603 --> 01:18:12,271 ♪ Say yeah ♪ 1272 01:18:37,213 --> 01:18:39,089 ♪ Laying here in the dark ♪ 1273 01:18:39,215 --> 01:18:41,508 ♪ You're like an angel on my chest ♪ 1274 01:18:42,176 --> 01:18:44,345 ♪ Just another tramp of hearts ♪ 1275 01:18:44,470 --> 01:18:47,181 ♪ Crying tears of faithlessness ♪ 1276 01:18:47,598 --> 01:18:51,393 ♪ Remember all the movies, Terry, we'd go see ♪ 1277 01:18:52,353 --> 01:18:55,314 ♪ Trying to learn how to walk like the heroes ♪ 1278 01:18:55,439 --> 01:18:57,650 ♪ We thought we had to be ♪ 1279 01:18:57,775 --> 01:18:59,902 ♪ Well, after all this time ♪ 1280 01:19:00,027 --> 01:19:03,113 ♪ To find we're just like all the rest ♪ 1281 01:19:03,239 --> 01:19:05,574 ♪ Stranded in the park ♪ 1282 01:19:06,158 --> 01:19:08,410 ♪ And forced to confess ♪ 1283 01:19:08,535 --> 01:19:13,791 ♪ To hiding on the backstreets ♪ 1284 01:19:15,084 --> 01:19:18,796 ♪ Hiding on the backstreets ♪ 1285 01:19:19,463 --> 01:19:23,592 ♪ We swore forever friends ♪ 1286 01:19:24,677 --> 01:19:29,682 ♪ On the backstreets until the end ♪ 1287 01:19:33,143 --> 01:19:34,687 ♪ Till the end ♪ 1288 01:19:34,895 --> 01:19:38,190 In the breakdown where it's just Roy and Bruce... 1289 01:19:38,691 --> 01:19:40,067 ♪ Till the end ♪ 1290 01:19:40,192 --> 01:19:42,236 he's continuing the story 1291 01:19:42,361 --> 01:19:45,281 that he began in Last Man Standing 1292 01:19:45,698 --> 01:19:47,825 and brings the two together. 1293 01:19:48,450 --> 01:19:53,706 Now I got, I got that box of 45s that you left me... 1294 01:19:55,499 --> 01:19:57,459 and I got all your old books... 1295 01:20:00,212 --> 01:20:02,715 and I got the, the guitar that you used 1296 01:20:02,840 --> 01:20:04,717 to keep down at the end of your bed. 1297 01:20:07,136 --> 01:20:10,639 And I got that picture of the two of us 1298 01:20:11,765 --> 01:20:15,144 sitting on your porch on your wedding day... 1299 01:20:17,354 --> 01:20:19,356 and you were barely 19. 1300 01:20:21,900 --> 01:20:26,405 And everything else... everything else... 1301 01:20:27,448 --> 01:20:29,199 I'm gonna carry right here. 1302 01:20:32,536 --> 01:20:34,163 I'm gonna carry right here. 1303 01:20:39,543 --> 01:20:41,211 I'm gonna carry right here. 1304 01:20:44,631 --> 01:20:46,258 I'm gonna carry right here. 1305 01:20:49,928 --> 01:20:52,306 ♪ Until the end ♪ 1306 01:20:55,517 --> 01:20:57,811 ♪ Until the end ♪ 1307 01:21:01,023 --> 01:21:03,317 ♪ Until the end ♪ 1308 01:21:06,070 --> 01:21:07,529 Until the end. 1309 01:21:17,164 --> 01:21:19,541 ♪ Hiding on the backstreets ♪ 1310 01:21:19,917 --> 01:21:22,169 ♪ Hiding on the backstreets ♪ 1311 01:21:22,628 --> 01:21:24,922 ♪ Hiding on the backstreets ♪ 1312 01:21:25,297 --> 01:21:27,591 ♪ Hiding on the backstreets ♪ 1313 01:21:27,966 --> 01:21:30,511 ♪ Hiding on the backstreets ♪ 1314 01:21:30,636 --> 01:21:33,013 ♪ Hiding on the backstreets ♪ 1315 01:21:33,389 --> 01:21:35,432 ♪ Hiding on the backstreets ♪ 1316 01:21:35,724 --> 01:21:38,352 ♪ Hiding on the backstreets ♪ 1317 01:21:38,685 --> 01:21:41,021 ♪ Hiding on the backstreets ♪ 1318 01:21:41,355 --> 01:21:43,607 ♪ Hiding on the backstreets ♪ 1319 01:21:43,941 --> 01:21:46,235 ♪ Hiding on the backstreets ♪ 1320 01:21:46,610 --> 01:21:48,529 ♪ Hiding on the backstreets ♪ 1321 01:21:48,821 --> 01:21:51,698 ♪ Hiding on the backstreets ♪ 1322 01:21:52,032 --> 01:21:54,243 ♪ Hiding on the backstreets ♪ 1323 01:21:54,535 --> 01:21:56,703 ♪ Hiding on the backstreets ♪ 1324 01:21:56,995 --> 01:21:59,456 ♪ Hiding on the backstreets ♪ 1325 01:21:59,706 --> 01:22:02,042 ♪ Hiding on the backstreets ♪ 1326 01:22:02,418 --> 01:22:04,545 ♪ Hiding on the backstreets ♪ 1327 01:22:04,670 --> 01:22:06,839 ♪ Was alright ♪ 1328 01:22:07,631 --> 01:22:12,302 ♪ We're all hiding on the backstreets tonight ♪ 1329 01:22:15,556 --> 01:22:18,600 ♪ On the backstreets ♪ 1330 01:22:18,725 --> 01:22:20,436 ♪ On the backstreets ♪ 1331 01:22:20,936 --> 01:22:22,771 ♪ On the backstreets ♪ 1332 01:22:23,856 --> 01:22:26,066 ♪ On the backstreets ♪ 1333 01:22:26,483 --> 01:22:28,485 ♪ On the backstreets ♪ 1334 01:22:29,153 --> 01:22:30,946 ♪ On the backstreets ♪ 1335 01:22:31,071 --> 01:22:32,156 ♪ Yeah ♪ 1336 01:22:52,718 --> 01:22:55,345 ♪ Oh, oh, oh ♪ 1337 01:22:55,804 --> 01:22:58,557 ♪ Oh, oh, oh ♪ 1338 01:22:58,682 --> 01:23:01,643 ♪ Oh ♪ 1339 01:23:06,273 --> 01:23:12,738 ♪ Oh ♪ 1340 01:23:27,794 --> 01:23:30,172 To go in the space of a half an hour 1341 01:23:30,297 --> 01:23:32,716 from the depths of Last Man Standing 1342 01:23:32,841 --> 01:23:35,886 into some of his most well-known songs. 1343 01:23:36,011 --> 01:23:39,765 The fact that he can cover that range of territory 1344 01:23:39,890 --> 01:23:41,058 he always has. 1345 01:23:41,558 --> 01:23:45,562 Backstreet is the beginning of this ramp-up, 1346 01:23:45,687 --> 01:23:49,399 this insane rollercoaster that is the rest of the show. 1347 01:23:49,525 --> 01:23:52,569 ♪ Born in the U.S.A. ♪ 1348 01:23:52,694 --> 01:23:56,698 ♪ I was born in the U.S.A. ♪ 1349 01:23:56,823 --> 01:24:00,702 ♪ I was born in the U.S.A. ♪ 1350 01:24:00,827 --> 01:24:05,123 ♪ I'm a long gone Daddy in the U.S.A. ♪ 1351 01:24:05,249 --> 01:24:09,336 ♪ Born in the U.S.A. ♪ 1352 01:24:10,128 --> 01:24:13,215 ♪ Born in the U.S.A. ♪ 1353 01:24:14,800 --> 01:24:17,636 ♪ Born in the U.S.A. ♪ 1354 01:24:18,387 --> 01:24:21,515 ♪ Born in the U.S.A. ♪ 1355 01:25:00,596 --> 01:25:01,930 One, two, three! 1356 01:25:02,848 --> 01:25:04,391 ♪ Hey, baby ♪ 1357 01:25:04,766 --> 01:25:06,268 ♪ Hey, baby ♪ 1358 01:25:06,393 --> 01:25:07,686 ♪ Hey, baby ♪ 1359 01:25:07,811 --> 01:25:09,104 ♪ Hey, baby ♪ 1360 01:25:09,688 --> 01:25:11,023 ♪ Hey, baby ♪ 1361 01:25:11,315 --> 01:25:12,941 ♪ Hey, baby ♪ 1362 01:25:13,650 --> 01:25:15,235 ♪ Aah ♪ 1363 01:25:16,945 --> 01:25:19,906 ♪ Someday, girl, I don't know when ♪ 1364 01:25:20,032 --> 01:25:22,451 ♪ We're gonna get to that place ♪ 1365 01:25:22,576 --> 01:25:24,244 ♪ We really want to go ♪ 1366 01:25:24,745 --> 01:25:26,455 ♪ We'll walk in the sun ♪ 1367 01:25:26,955 --> 01:25:29,166 ♪ Till then, tramps like us ♪ 1368 01:25:29,291 --> 01:25:33,879 ♪ Baby, we were born to run ♪ 1369 01:25:34,463 --> 01:25:36,006 ♪ Tramps like us ♪ 1370 01:25:36,131 --> 01:25:40,177 ♪ Baby, we were born to run ♪ 1371 01:25:41,261 --> 01:25:43,347 ♪ Oh, oh ♪ 1372 01:25:44,723 --> 01:25:46,933 ♪ Oh, oh ♪ 1373 01:25:47,059 --> 01:25:49,811 ♪ Oh, oh, oh, oh ♪ 1374 01:25:49,936 --> 01:25:52,564 ♪ Oh, oh, oh, oh ♪ 1375 01:25:52,689 --> 01:25:56,276 ♪ Oh, oh ♪ 1376 01:26:04,826 --> 01:26:08,330 We end with Tenth Avenue Freeze-Out. 1377 01:26:08,455 --> 01:26:10,749 We line up and take a little bow with Bruce. 1378 01:26:21,718 --> 01:26:24,471 He gives everybody a, a thumbs up or, 1379 01:26:24,596 --> 01:26:25,722 you know, a pat on the back. 1380 01:26:26,348 --> 01:26:28,642 He just makes you feel like you're the greatest. 1381 01:26:30,644 --> 01:26:33,438 Then he goes on to finish the show by himself. 1382 01:26:38,902 --> 01:26:42,322 He comes back one last moment with the acoustic guitar. 1383 01:26:42,447 --> 01:26:45,951 It's of vital importance that he ties together 1384 01:26:46,076 --> 01:26:48,203 the underlying thoughts and feelings 1385 01:26:48,328 --> 01:26:52,124 that make this show different than any other show he's done. 1386 01:26:54,668 --> 01:26:57,045 ♪ The road is long ♪ 1387 01:26:59,464 --> 01:27:01,425 ♪ And seeming without end ♪ 1388 01:27:03,051 --> 01:27:05,595 ♪ The days just go on ♪ 1389 01:27:07,764 --> 01:27:10,058 ♪ And I remember you, my friend ♪ 1390 01:27:11,685 --> 01:27:13,645 ♪ And though you're gone ♪ 1391 01:27:14,187 --> 01:27:18,275 ♪ And my heart's been emptied it seems ♪ 1392 01:27:18,817 --> 01:27:22,696 ♪ I'll see you in my dreams ♪ 1393 01:27:24,239 --> 01:27:26,450 ♪ I got your guitar ♪ 1394 01:27:28,910 --> 01:27:30,662 ♪ Here by the bed ♪ 1395 01:27:31,997 --> 01:27:34,833 ♪ All your favorite records ♪ 1396 01:27:36,293 --> 01:27:39,296 ♪ And all the books that you read ♪ 1397 01:27:40,881 --> 01:27:44,134 ♪ And though my soul feels like ♪ 1398 01:27:44,259 --> 01:27:47,387 ♪ It's been split at the seams ♪ 1399 01:27:48,013 --> 01:27:51,641 ♪ I'll see you in my dreams ♪ 1400 01:27:52,976 --> 01:27:56,229 ♪ I'll see you in my dreams ♪ 1401 01:27:56,354 --> 01:28:00,192 ♪ When all our summers have come to an end ♪ 1402 01:28:01,485 --> 01:28:04,237 ♪ I'll see you in my dreams ♪ 1403 01:28:05,113 --> 01:28:09,493 ♪ We'll meet and live and laugh again ♪ 1404 01:28:10,243 --> 01:28:13,288 ♪ I'll see you in my dreams ♪ 1405 01:28:14,372 --> 01:28:17,375 ♪ Up around the river bend ♪ 1406 01:28:17,501 --> 01:28:20,921 ♪ For death is not the end ♪ 1407 01:28:22,589 --> 01:28:24,007 ♪ And I'll see ♪ 1408 01:28:24,132 --> 01:28:30,722 ♪ You in my dreams ♪ 1409 01:28:49,866 --> 01:28:53,119 ♪ I'll see you in my dreams ♪ 1410 01:28:53,578 --> 01:28:56,915 ♪ When all our summers have come to an end ♪ 1411 01:28:58,500 --> 01:29:01,419 ♪ I'll see you in my dreams ♪ 1412 01:29:02,254 --> 01:29:07,384 ♪ We'll meet and live and love again ♪ 1413 01:29:07,509 --> 01:29:11,513 ♪ I'll see you in my dreams ♪ 1414 01:29:11,638 --> 01:29:14,850 ♪ Up around the river bend ♪ 1415 01:29:14,975 --> 01:29:18,520 ♪ For death is not the end ♪ 1416 01:29:20,480 --> 01:29:22,148 ♪ 'Cause I'll see ♪ 1417 01:29:22,274 --> 01:29:27,737 ♪ You in my dreams ♪ 1418 01:29:27,863 --> 01:29:30,198 ♪ You in my ♪ 1419 01:29:30,323 --> 01:29:31,908 ♪ I'll see ♪ 1420 01:29:32,033 --> 01:29:38,582 ♪ You in my dreams ♪ 1421 01:29:45,797 --> 01:29:47,674 The E Street Band loves you! 1422 01:29:57,559 --> 01:30:00,353 I stuck closely to our original set list 1423 01:30:00,478 --> 01:30:01,771 on this tour 1424 01:30:02,314 --> 01:30:05,442 because it told the story I wanted to communicate. 1425 01:30:07,444 --> 01:30:11,698 Life, death, and everything in between. 1426 01:30:13,575 --> 01:30:16,202 Playing music as you get older is an interesting 1427 01:30:16,328 --> 01:30:18,163 and tricky business. 1428 01:30:18,288 --> 01:30:22,000 Now I plan on continuing until the wheels come off 1429 01:30:22,918 --> 01:30:26,129 and for as long as the band will follow me. 1430 01:30:26,588 --> 01:30:28,840 There's one thing I know, 1431 01:30:28,965 --> 01:30:33,470 after 50 years on the road, it's too late to stop now. 1432 01:30:40,685 --> 01:30:44,731 Time moves quickly when you are on the road. 1433 01:30:47,233 --> 01:30:49,361 And I've always believed the audience 1434 01:30:49,486 --> 01:30:53,990 does not pay necessarily to hear their favorite song 1435 01:30:54,115 --> 01:30:56,701 or to see your aging face again. 1436 01:30:58,703 --> 01:31:01,623 But they pay for the intensity of your presence, 1437 01:31:01,748 --> 01:31:06,169 how alive you are on any given evening. 1438 01:31:10,840 --> 01:31:13,343 That's the beating heart of my job, 1439 01:31:13,468 --> 01:31:16,805 to be there and only there, 1440 01:31:16,930 --> 01:31:20,976 playing for all the stakes rock and roll has to offer 1441 01:31:21,101 --> 01:31:24,104 for you, in your town, on this night. 1442 01:31:31,903 --> 01:31:35,031 And in doing so, I want to leave you with 1443 01:31:35,156 --> 01:31:36,449 life's possibilities, 1444 01:31:36,574 --> 01:31:39,744 with energy to take outside the concert gates, 1445 01:31:39,869 --> 01:31:43,999 to bring into your life with a smile on your face 1446 01:31:44,749 --> 01:31:47,168 and some feeling of love in your heart, 1447 01:31:47,293 --> 01:31:50,880 a quiet soul, and hopefully a lifted spirit. 1448 01:31:53,842 --> 01:31:54,968 It's my job. 1449 01:31:59,180 --> 01:32:02,684 I'm left with one thought, it's a quote from Jim Morrison, 1450 01:32:04,894 --> 01:32:08,356 "O great creator of being" 1451 01:32:08,481 --> 01:32:12,485 "grant us one more hour to perform our art..." 1452 01:32:14,988 --> 01:32:17,532 "and to perfect our lives." 1453 01:32:43,725 --> 01:32:46,728 Jersey in the house! 1454 01:32:52,317 --> 01:32:53,860 On the trombone, 1455 01:32:53,985 --> 01:32:56,696 Ozzie Melendez, Barry Danielian, 1456 01:32:56,821 --> 01:32:59,157 Curt Ramm, Eddie Manion. 1457 01:32:59,282 --> 01:33:02,160 Curtis King, Lisa Lowell, 1458 01:33:02,285 --> 01:33:05,622 Michelle Moore, Ada Dyer, 1459 01:33:05,747 --> 01:33:10,001 sister Soozie Tyrell, brother Charlie Giordano. 1460 01:33:10,126 --> 01:33:12,796 On the guitar, Nils Lofgren. 1461 01:33:12,921 --> 01:33:16,966 On the saxophone, Jake Clemons. 1462 01:33:17,092 --> 01:33:21,221 On the drums, the mighty, mighty Max Weinberg. 1463 01:33:21,346 --> 01:33:24,641 On percussion, Anthony Almonte. 1464 01:33:25,391 --> 01:33:29,270 On piano, Professor Roy Bittan. 1465 01:33:29,395 --> 01:33:31,356 Miss Patti Scialfa. 1466 01:33:31,481 --> 01:33:35,193 On base, Garry W. Tallent. 1467 01:33:35,318 --> 01:33:38,613 And last but not least, 1468 01:33:38,738 --> 01:33:40,573 on guitar, 1469 01:33:42,325 --> 01:33:49,290 Little... 1470 01:33:49,415 --> 01:33:51,417 Steven Van Zandt. 1471 01:34:00,635 --> 01:34:02,428 Bring it up, bring it up, bring it up. 1472 01:34:08,434 --> 01:34:09,769 Bring it up, bring it up. 1473 01:34:09,894 --> 01:34:11,146 Bring it up, bring it up. 1474 01:34:17,193 --> 01:34:19,237 One, two, three, go! 1475 01:34:24,534 --> 01:34:25,618 Whoo! 1476 01:34:34,294 --> 01:34:35,503 That's right. 1477 01:34:36,087 --> 01:34:37,964 ♪ Tear drops on the city ♪ 1478 01:34:38,089 --> 01:34:41,301 ♪ Bad Scooter searching for his groove ♪ 1479 01:34:44,512 --> 01:34:46,848 ♪ The whole world walking pretty ♪ 1480 01:34:46,973 --> 01:34:49,559 ♪ And you can't find the room to move ♪ 1481 01:34:53,146 --> 01:34:56,566 ♪ Well, everybody better move over, that's all ♪ 1482 01:34:57,775 --> 01:35:01,654 ♪ I'm running on the bad side got my back to the wall ♪ 1483 01:35:02,572 --> 01:35:05,408 ♪ Tenth Avenue freeze-out ♪ 1484 01:35:05,533 --> 01:35:06,951 ♪ Say it again ♪ 1485 01:35:07,076 --> 01:35:09,537 ♪ Tenth Avenue freeze-out ♪ 1486 01:35:09,662 --> 01:35:12,373 ♪ I'm stranded in the jungle ♪ 1487 01:35:12,498 --> 01:35:15,501 ♪ Taking all the heat they givin' ♪ 1488 01:35:17,545 --> 01:35:18,796 ♪ Yeah now ♪ 1489 01:35:19,172 --> 01:35:21,216 ♪ The night is dark but the sidewalk's bright ♪ 1490 01:35:21,341 --> 01:35:24,302 ♪ And lined with the light of the livin' ♪ 1491 01:35:26,888 --> 01:35:30,975 ♪ From a tenement window a transistor blasts ♪ 1492 01:35:31,100 --> 01:35:34,312 ♪ Turn around the corner things got real quiet real fast ♪ 1493 01:35:34,437 --> 01:35:36,481 ♪ She hit me with a ♪ 1494 01:35:36,606 --> 01:35:39,108 ♪ Tenth Avenue freeze-out ♪ 1495 01:35:39,525 --> 01:35:40,693 ♪ Say it again ♪ 1496 01:35:40,818 --> 01:35:43,571 ♪ Tenth Avenue freeze-out ♪ 1497 01:35:44,113 --> 01:35:47,784 ♪ And I'm all alone ♪ 1498 01:35:47,909 --> 01:35:50,161 ♪ I'm all alone ♪ 1499 01:35:50,286 --> 01:35:52,830 ♪ And kid you better get the picture ♪ 1500 01:35:52,956 --> 01:35:55,208 ♪ I'm on my own ♪ 1501 01:35:56,376 --> 01:35:58,127 ♪ I'm on my own ♪ 1502 01:35:59,796 --> 01:36:03,466 ♪ And I can't go home ♪ 1503 01:36:04,550 --> 01:36:06,928 Now this is the important part. 1504 01:36:09,764 --> 01:36:11,641 ♪ They made that change uptown ♪ 1505 01:36:11,766 --> 01:36:14,602 ♪ And the Big Man joined the band ♪ 1506 01:36:18,147 --> 01:36:20,149 ♪ From the coastline to the city ♪ 1507 01:36:20,275 --> 01:36:23,653 ♪ All the little pretties raise their hands ♪ 1508 01:36:26,030 --> 01:36:29,701 ♪ I'm gonna sit back right easy and laugh ♪ 1509 01:36:30,827 --> 01:36:34,747 ♪ When Scooter and the Big Man bust this city in half ♪ 1510 01:36:34,872 --> 01:36:36,082 ♪ With a ♪ 1511 01:36:36,207 --> 01:36:38,793 ♪ Tenth Avenue freeze-out ♪ 1512 01:36:38,918 --> 01:36:40,086 ♪ Say it again ♪ 1513 01:36:40,211 --> 01:36:43,089 ♪ Tenth Avenue freeze-out ♪ 1514 01:36:43,214 --> 01:36:44,299 ♪ One more time ♪ 1515 01:36:44,424 --> 01:36:47,135 ♪ Tenth Avenue freeze-out ♪ 1516 01:36:47,260 --> 01:36:48,594 ♪ One more time ♪ 1517 01:36:48,720 --> 01:36:50,888 ♪ Tenth Avenue freeze-out ♪ 1518 01:36:51,014 --> 01:36:52,807 ♪ Everybody form a line ♪ 1519 01:36:52,932 --> 01:36:54,934 ♪ Tenth Avenue freeze-out ♪ 1520 01:36:55,059 --> 01:36:57,020 ♪ Everybody form a line ♪ 1521 01:36:57,145 --> 01:36:59,230 ♪ Tenth Avenue freeze-out ♪ 1522 01:36:59,355 --> 01:37:01,649 ♪ Everybody form a line ♪ 1523 01:37:01,774 --> 01:37:03,609 ♪ Tenth Avenue freeze-out ♪ 1524 01:37:03,735 --> 01:37:05,611 ♪ Everybody form a line ♪ 1525 01:37:05,737 --> 01:37:08,239 ♪ Tenth Avenue freeze-out ♪ 1526 01:37:08,364 --> 01:37:09,991 - ♪ I said say it ♪ - ♪ Say it ♪ 1527 01:37:10,116 --> 01:37:11,159 - ♪ Say it ♪ - ♪ Say it ♪ 1528 01:37:11,284 --> 01:37:12,368 - ♪ Say it ♪ - ♪ Say it ♪ 1529 01:37:12,493 --> 01:37:13,494 - ♪ Say it ♪ - ♪ Say it ♪ 1530 01:37:13,703 --> 01:37:14,704 - ♪ Say it ♪ - ♪ Say it ♪ 1531 01:37:14,954 --> 01:37:15,997 - ♪ Say it ♪ - ♪ Say it ♪ 1532 01:37:16,122 --> 01:37:17,123 - ♪ Say it ♪ - ♪ Say it ♪ 1533 01:37:17,206 --> 01:37:18,374 - ♪ Say it ♪ - ♪ Say it ♪ 1534 01:37:18,458 --> 01:37:19,542 - ♪ Say it ♪ - ♪ Say it ♪ 1535 01:37:19,625 --> 01:37:20,668 - ♪ Say it ♪ - ♪ Say it ♪ 1536 01:37:20,793 --> 01:37:21,878 - ♪ Say it ♪ - ♪ Say it ♪ 1537 01:37:21,961 --> 01:37:23,046 - ♪ Say it ♪ - ♪ Say it ♪ 1538 01:37:23,129 --> 01:37:24,213 - ♪ Say it ♪ - ♪ Say it ♪ 1539 01:37:24,297 --> 01:37:25,423 - ♪ Say it ♪ - ♪ Say it ♪ 1540 01:37:39,062 --> 01:37:40,772 ♪ Oh yeah ♪ 1541 01:37:40,897 --> 01:37:42,523 ♪ Oh yeah ♪ 1542 01:37:43,024 --> 01:37:45,485 ♪ Oh yeah ♪ 1543 01:37:45,610 --> 01:37:51,074 ♪ It's alright ♪ 1544 01:38:50,925 --> 01:38:53,928 Beautiful, Ma. Beautiful. 1545 01:38:54,303 --> 01:38:55,346 Beautiful. 124202