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1
00:00:09,577 --> 00:00:13,047
STARRING ANDY GRIFFITH...
2
00:00:13,081 --> 00:00:15,216
WITH RONNY HOWARD...
3
00:00:15,249 --> 00:00:18,186
ALSO STARRING DON KNOTTS.
4
00:00:29,830 --> 00:00:31,665
HOW ABOUT LUNCH?
5
00:00:33,467 --> 00:00:34,735
IT'S JUST 11:00.
6
00:00:34,768 --> 00:00:36,404
I KNOW, BUT I'M HUNGRY.
7
00:00:36,437 --> 00:00:38,206
LET'S WAIT
A LITTLE WHILE.
8
00:00:41,542 --> 00:00:43,577
HEY, MISS MATTENITE.
9
00:00:43,611 --> 00:00:46,114
THAT AIN'T MISS MATTENITE.
10
00:00:46,147 --> 00:00:47,548
IT IS, TOO.
11
00:00:47,581 --> 00:00:51,085
MY GOODNESS, SHE'S FELL OFF
A LOT, AIN'T SHE?
12
00:00:51,119 --> 00:00:52,853
YEAH, SHE LOST
A LOT OF WEIGHT.
13
00:00:52,886 --> 00:00:54,188
DOCTOR MADE HER.
14
00:00:54,222 --> 00:00:55,523
YEAH?
15
00:00:55,556 --> 00:00:57,425
SAID HER ANKLES
WAS TOO SKINNY
16
00:00:57,458 --> 00:00:59,460
TO HOLD UP
ALL THAT HEFT.
17
00:01:02,530 --> 00:01:04,665
SEEMS LIKE RIGHT AFTER
THEY GET MARRIED,
18
00:01:04,698 --> 00:01:06,634
THEY LET THEMSELVES GO,
DON'T THEY?
19
00:01:06,667 --> 00:01:07,735
YEAH.
20
00:01:09,637 --> 00:01:11,439
WHAT DO YOU SAY --
LUNCH?
21
00:01:11,472 --> 00:01:12,706
IN A LITTLE BIT.
22
00:01:14,142 --> 00:01:16,744
HEY, MRS. DEVEREAUX.
23
00:01:16,777 --> 00:01:20,348
BOY, THAT MRS. DEVEREAUX
SURE IS UGLY, AIN'T SHE?
24
00:01:20,381 --> 00:01:21,849
BARNEY,
SHE CAN'T HELP IT.
25
00:01:21,882 --> 00:01:23,817
SHE'S JUST UGLY
AS HOMEMADE SOAP.
26
00:01:25,286 --> 00:01:27,355
YOU THINK CHARLIE DEVEREAUX
IS SO GOOD
27
00:01:27,388 --> 00:01:29,123
WELL, HE'S NO PRIZE.
28
00:01:29,157 --> 00:01:30,491
BUT I DON'T KNOW.
29
00:01:30,524 --> 00:01:33,161
IN A MAN, YOU DON'T SEEM
TO NOTICE IT SO MUCH.
30
00:01:35,263 --> 00:01:37,131
LUNCH?
31
00:01:37,165 --> 00:01:38,366
NOT NOW.
32
00:01:40,268 --> 00:01:42,436
HEY, CECE.
33
00:01:42,470 --> 00:01:45,306
WELL, THAT CECIL GURNEY
BEATS EVERYTHING,
34
00:01:45,339 --> 00:01:46,307
YOU KNOW THAT.
35
00:01:46,340 --> 00:01:47,408
YEAH?
36
00:01:47,441 --> 00:01:48,842
HE HAS TWO SETS
OF FALSE TEETH,
37
00:01:48,876 --> 00:01:50,311
AND HE WON'T ADMIT IT.
38
00:01:50,344 --> 00:01:51,445
CECE?
YEAH?
39
00:01:51,479 --> 00:01:52,813
HE AIN'T GOT FALSE TEETH.
40
00:01:52,846 --> 00:01:54,215
NO? YOU JUST OFFER HIM
41
00:01:54,248 --> 00:01:55,749
THE FIRST BITE
OUT OF AN APPLE
42
00:01:55,783 --> 00:01:57,418
AND WATCH HIM
TURN YOU DOWN.
43
00:01:57,451 --> 00:01:58,586
OH, COME ON.
44
00:01:58,619 --> 00:02:00,321
YEAH... LET'S GET
OUT OF HERE.
45
00:02:00,354 --> 00:02:01,355
WHAT'S THE MATTER?
46
00:02:01,389 --> 00:02:03,391
HERE COMES
THAT VIOLA SLATT.
47
00:02:03,424 --> 00:02:04,625
WELL, WHAT ABOUT IT?
48
00:02:04,658 --> 00:02:06,760
OH, SHE'S THE BIGGEST GOSSIP
IN THIS TOWN.
49
00:02:06,794 --> 00:02:08,262
SHE'LL YAK YOUR HEAD OFF.
50
00:02:08,296 --> 00:02:09,397
ONCE SHE GETS STARTED,
51
00:02:09,430 --> 00:02:10,898
YOU NEVER HEAR THE END OF IT.
52
00:02:22,710 --> 00:02:26,180
ALL RIGHT, BOYS,
BREAK IT UP, BREAK IT UP!
53
00:02:26,214 --> 00:02:28,382
BACK OFF, COME ON,
GET OUT OF THERE!
54
00:02:29,683 --> 00:02:31,752
BREAK IT UP, BOYS,
BREAK IT UP!
55
00:02:31,785 --> 00:02:33,821
ALL RIGHT,
WAIT A MINUTE!
56
00:02:33,854 --> 00:02:35,289
ERNEST T. BASS?
57
00:02:35,323 --> 00:02:37,525
ONE AND THE SAME,
BASS IS THE NAME.
58
00:02:40,994 --> 00:02:42,530
WHAT'S
GOIN' ON?
59
00:02:42,563 --> 00:02:44,432
I'M ABOUT TO
FIND OUT, SERGEANT.
60
00:02:44,465 --> 00:02:46,567
HE TRIED TO
GET IN FRONT
OF THE LINE!
61
00:02:46,600 --> 00:02:48,969
HE CAME UP HERE
LIKE HE OWNED
THE SIDEWALK!
62
00:02:49,002 --> 00:02:50,838
ALL RIGHT, BOYS,
GET BACK IN LINE
63
00:02:50,871 --> 00:02:52,206
I'LL TAKE CARE OF IT.
64
00:02:55,576 --> 00:02:56,844
BEHAVE YOURSELVES!
65
00:02:56,877 --> 00:02:58,612
ERNEST T., THIS IS
A SOLDIERIN' LINE.
66
00:02:58,646 --> 00:02:59,780
WHAT ARE YOU
DOING HERE?
67
00:02:59,813 --> 00:03:01,649
I'M A-JOININ' UP.
68
00:03:01,682 --> 00:03:05,553
FORWARD MARCH!
LEFT, FACE!
69
00:03:05,586 --> 00:03:06,887
NOW CLEAN YOUR GUN!
70
00:03:06,920 --> 00:03:08,622
JUMP IN THE TRUCK!
71
00:03:08,656 --> 00:03:10,724
HUT-TWO, HUT-TWO...
HOW'S THAT SOUND?
72
00:03:10,758 --> 00:03:13,427
IT SOUNDS LIKE
YOU'RE MAKIN' TROUBLE!
73
00:03:13,461 --> 00:03:15,529
THE ARMY'S NO PLACE
FOR YOU, ERNEST T.
74
00:03:15,563 --> 00:03:17,531
WHY DON'T YOU JUST GO ON HOME?
75
00:03:17,565 --> 00:03:18,732
GO ON HOME?
76
00:03:18,766 --> 00:03:20,801
Sergeant: NOW WAIT A MINUTE,
SHERIFF.
77
00:03:20,834 --> 00:03:21,969
DON'T SEND HIM HOME.
78
00:03:22,002 --> 00:03:23,437
HE CAME DOWN HERE
TO JOIN UP.
79
00:03:23,471 --> 00:03:24,938
WE'LL TAKE
ANY ABLE-BODIED MAN.
80
00:03:24,972 --> 00:03:27,007
YUP, THAT'S ME,
"ABLE-BODIED MAN."
81
00:03:27,040 --> 00:03:29,477
IT'D BE TO THEIR HONOR
TO GET A MAN
82
00:03:29,510 --> 00:03:32,646
WHAT COULD CHIN HISSELF 20 TIMES
WITH JUST ONE HAND;
83
00:03:32,680 --> 00:03:34,882
WHAT COULD DIP INTO
A BARREL OF WATER
84
00:03:34,915 --> 00:03:37,451
AND PICK OUT
A WATERMELON WITH HIS JAWS;
85
00:03:37,485 --> 00:03:40,254
AND WHAT COULD CHUCK
A FULL-GROWN SICK JACKASS
86
00:03:40,288 --> 00:03:43,657
ACROSS HIS SHOULDERS AND TOTE
HIM FIVE MILES TO THE DOCTOR.
87
00:03:43,691 --> 00:03:46,860
ALL RIGHT, FELLA,
WAIT YOUR TURN.
88
00:03:49,763 --> 00:03:52,633
UH, SERGEANT, COULD I SPEAK
WITH YOU FOR A MINUTE?
89
00:03:52,666 --> 00:03:54,535
UH, I KNOW IT'S
IMPORTANT FOR YOU
90
00:03:54,568 --> 00:03:56,304
TO GET AS MANY BOYS
AS YOU CAN,
91
00:03:56,337 --> 00:03:57,771
BUT I REALLY BELIEVE
92
00:03:57,805 --> 00:03:59,740
YOU'D BE MAKIN' A
MISTAKE IF YOU TAKE THIS ONE.
93
00:03:59,773 --> 00:04:00,874
HE'S CURIOUS.
94
00:04:00,908 --> 00:04:03,411
HE'S A TROUBLEMAKER,
IS WHAT HE IS.
95
00:04:03,444 --> 00:04:04,878
HE'S A NUT.
96
00:04:08,449 --> 00:04:10,451
A WHILE BACK, HE WAS
GOIN' WITH A GIRL
97
00:04:10,484 --> 00:04:11,785
UP HERE IN THE MOUNTAINS.
98
00:04:11,819 --> 00:04:14,054
SHE MARRIED SOMEBODY ELSE
AND HE GOT MAD AT HIM
99
00:04:14,087 --> 00:04:16,056
AND BUSTED EVERY WINDOW
IN THE HOUSE.
100
00:04:16,089 --> 00:04:17,691
HE EVEN KIDNAPPED
THE GIRL.
101
00:04:17,725 --> 00:04:19,760
WELL, HE'S A WRONG ONE.
HE'S A NUT.
102
00:04:19,793 --> 00:04:21,795
SOUNDS LIKE HE'S GOT
A LOT OF SPIRIT.
103
00:04:21,829 --> 00:04:23,297
THAT'S WHAT WE WANT.
104
00:04:23,331 --> 00:04:25,999
JUST TRYIN' TO SAVE YOU
SOME TROUBLE, IS ALL.
105
00:04:26,033 --> 00:04:27,835
THANKS, SHERIFF,
BUT WE KNOW
106
00:04:27,868 --> 00:04:29,703
HOW TO HANDLE GUYS
LIKE THIS.
107
00:04:29,737 --> 00:04:31,271
OKAY.
108
00:04:35,909 --> 00:04:37,478
LUNCH?
109
00:04:41,682 --> 00:04:43,317
HEY, SHERIFF?
110
00:04:43,351 --> 00:04:45,953
I'M GONNA GET ME ONE OF
THEM GREENY UNIFORMS,
111
00:04:45,986 --> 00:04:47,488
LOT OF BRASS BUTTONS,
112
00:04:47,521 --> 00:04:50,391
AND ONE OF THEM HATS WITH
A BIG BADGE IN FRONT.
113
00:04:51,625 --> 00:04:53,861
* AND YOU CAN'T
STOP ME *
114
00:04:53,894 --> 00:04:55,529
NYAH!
115
00:04:55,563 --> 00:04:57,965
ALL RIGHT, ERNEST T.
116
00:04:59,032 --> 00:05:00,334
HEY! HEY!
117
00:05:00,368 --> 00:05:02,336
HUT, MARCH, HUT!
118
00:05:14,782 --> 00:05:17,050
ONCE AGAIN,
INHALE.
119
00:05:20,020 --> 00:05:21,321
EXHALE.
120
00:05:22,790 --> 00:05:24,024
RESPIRATORY OKAY.
121
00:05:24,057 --> 00:05:25,726
TURN AROUND, PLEASE.
122
00:05:25,759 --> 00:05:27,060
THAT RIGHT SHOULDER'S
123
00:05:27,094 --> 00:05:29,497
A LITTLE HIGHER
THAN THE LEFT ONE.
124
00:05:29,530 --> 00:05:31,365
I CAN FIX THAT
FOR YOU, DOC.
125
00:05:31,399 --> 00:05:32,733
HEY, HEY!
126
00:05:32,766 --> 00:05:33,901
COME ON!
127
00:05:33,934 --> 00:05:35,035
SETTLE DOWN!
128
00:05:35,068 --> 00:05:36,404
COME ON,
SETTLE DOWN.
129
00:05:36,437 --> 00:05:38,138
WHAT ARE YOU TRYING
TO DO, BASS?
130
00:05:38,171 --> 00:05:39,507
JUST TRYIN' TO HEP.
131
00:05:39,540 --> 00:05:41,542
CAN'T DO ENOUGH FOR
OUR BOYS IN KHAKI.
132
00:05:41,575 --> 00:05:43,677
I'LL TAKE CARE OF
THE MEDICAL PROBLEMS,
133
00:05:43,711 --> 00:05:45,479
IF YOU DON'T MIND.
134
00:05:45,513 --> 00:05:46,547
NEXT MAN.
135
00:05:46,580 --> 00:05:47,781
ERNEST T. BASS.
136
00:05:47,815 --> 00:05:49,483
SPEAKIN'.
137
00:05:49,517 --> 00:05:50,651
OPEN, PLEASE.
138
00:05:50,684 --> 00:05:52,052
UH, HOLD ON THERE,
MR. MEDICO.
139
00:05:52,085 --> 00:05:53,987
YOU PLANNIN' TO PROD
INSIDE MY MOUTH
140
00:05:54,021 --> 00:05:55,155
WITH THAT THERE STICK?
141
00:05:55,188 --> 00:05:56,457
THAT'S RIGHT.
142
00:05:57,691 --> 00:05:59,527
ALL RIGHT,
YOU ARE WELCOME IN THERE
143
00:05:59,560 --> 00:06:01,128
BUT YOU LEAVE
YOUR STICK OUTSIDE.
144
00:06:01,161 --> 00:06:02,930
DO AS YOU'RE TOLD, BASS,
AND OPEN UP.
145
00:06:02,963 --> 00:06:05,466
ALL RIGHT, BUT IT AIN'T
GOIN' TO BE AS NICE
146
00:06:05,499 --> 00:06:07,968
AS IT WOULD BE IF I HAD
MY GOLD TOOTH IN THERE.
147
00:06:08,001 --> 00:06:09,570
OH, YOU'VE LOST
YOUR TOOTH?
148
00:06:09,603 --> 00:06:11,071
NO, NO, AIN'T BOUGHT IT YET.
149
00:06:11,104 --> 00:06:12,640
SAVIN' UP FOR IT, THOUGH.
150
00:06:12,673 --> 00:06:15,008
BASS, SHUT YOUR MOUTH
AND OPEN IT.
151
00:06:16,710 --> 00:06:18,879
OPEN YOUR MOUTH!
152
00:06:20,914 --> 00:06:22,516
MR. BASS, YOU HAVE
ALL OF YOUR TEETH.
153
00:06:22,550 --> 00:06:25,018
WHERE WERE YOU PLANNING
TO PUT THE GOLD ONE?
154
00:06:25,052 --> 00:06:27,455
RIGHT HERE IN FRONT,
SEE, THESE THREE HERE.
155
00:06:27,488 --> 00:06:30,691
I WAS GOIN' TO KNOCK THEM OUT,
PUT THE GOLD ONE IN THE CENTER
156
00:06:30,724 --> 00:06:32,159
LEAVIN' SPACE ON EACH SIDE.
157
00:06:32,192 --> 00:06:35,463
THAT'D STAND OUT THAT WAY,
ESPECIALLY WHEN I'M DANCIN'.
158
00:06:37,698 --> 00:06:40,868
I SHOW MY TEETH
WHEN I'M DANCIN'.
159
00:06:40,901 --> 00:06:43,136
ALL RIGHT, BASS,
THAT'S ENOUGH!
160
00:06:43,170 --> 00:06:45,439
NOW, HOLD IT DOWN,
YOU GUYS.
161
00:06:45,473 --> 00:06:47,808
YOU STAND HERE AND LET
THE DOCTOR EXAMINE YOU.
162
00:06:47,841 --> 00:06:50,911
COME ON, YOU FELLAS,
BREAK IT UP!
163
00:06:50,944 --> 00:06:52,145
SAY "AH."
164
00:06:52,179 --> 00:06:53,814
AH.
165
00:06:53,847 --> 00:06:55,816
COULD YOU STRETCH
THAT OUT A BIT?
166
00:06:55,849 --> 00:07:00,454
AHHH...
167
00:07:04,525 --> 00:07:06,527
AHHH...
168
00:07:06,560 --> 00:07:08,996
UH, NO, THAT WAS
JUST FOR THE THROAT.
169
00:07:09,029 --> 00:07:12,099
OH, WHAT DO YOU WANT ME
TO SAY FOR THE EARS?
170
00:07:12,132 --> 00:07:13,634
HUSH.
171
00:07:13,667 --> 00:07:17,805
HU...
172
00:07:17,838 --> 00:07:19,473
...SH.
173
00:07:20,641 --> 00:07:23,944
JUST STAND THERE QUIETLY,
MR. BASS.
174
00:07:26,747 --> 00:07:29,583
UH, IF YOU'LL REPEAT
THE NUMBERS YOU HEAR
175
00:07:29,617 --> 00:07:30,718
AFTER ME, PLEASE.
176
00:07:30,751 --> 00:07:31,919
GOT THAT?
177
00:07:31,952 --> 00:07:33,053
OH, I GOT IT.
178
00:07:33,086 --> 00:07:34,254
:
77.
179
00:07:34,287 --> 00:07:35,589
:
77.
180
00:07:35,623 --> 00:07:37,090
42.
42.
181
00:07:37,124 --> 00:07:38,125
93.
182
00:07:38,158 --> 00:07:39,126
93.
183
00:07:39,159 --> 00:07:40,928
28.
28.
184
00:07:40,961 --> 00:07:42,062
32.
185
00:07:42,095 --> 00:07:48,802
32, 33, 34, 35, 36,
37, 39, 50!
186
00:07:48,836 --> 00:07:50,170
THAT'S FINE.
187
00:07:50,203 --> 00:07:53,106
BASS! YOU'RE SUPPOSED
TO BE STANDING OVER THERE.
188
00:07:53,140 --> 00:07:56,009
IF I'D HAVE DID THAT,
I MIGHT NOT HAVE HEARD HIM.
189
00:07:58,779 --> 00:08:00,080
NEXT MAN.
190
00:08:00,113 --> 00:08:02,650
BOY, WAS THAT SHERIFF
EVER RIGHT ABOUT YOU.
191
00:08:02,683 --> 00:08:03,817
OKAY, BUDDY, OUT!
192
00:08:03,851 --> 00:08:05,018
WHAT DO YOU
MEAN, OUT?
193
00:08:05,052 --> 00:08:06,987
OUT. WE'RE TURNING YOU DOWN.
194
00:08:07,020 --> 00:08:09,022
I AIN'T IN?
195
00:08:12,159 --> 00:08:14,862
I AIN'T... I AIN'T
GONNA GET MY UNIFORM?
196
00:08:14,895 --> 00:08:16,997
THAT'S RIGHT.
197
00:08:17,030 --> 00:08:18,599
OH, YOU'RE GONNA
BE SORRY.
198
00:08:18,632 --> 00:08:19,900
OH, I'M GONNA GET YOU.
199
00:08:19,933 --> 00:08:21,201
I'M GONNA GET YOU ALL.
200
00:08:21,234 --> 00:08:23,103
I'M GONNA GET YOU,
YOU AND YOU!
201
00:08:23,136 --> 00:08:24,204
I'M GONNA GET YOU!
202
00:08:24,237 --> 00:08:25,305
I'M GONNA GET YOU!
203
00:08:25,338 --> 00:08:27,107
I'M GONNA GET
YOUR STICK, TOO!
204
00:08:27,140 --> 00:08:28,709
I'LL GET EVERY ONE
OF Y...
205
00:08:28,742 --> 00:08:31,278
AND I'M GONNA GET
THAT SHERIFF, TOO.
206
00:08:31,311 --> 00:08:33,013
OH, I'LL GET YOU ALL!
207
00:08:33,046 --> 00:08:35,315
YOU'RE GONNA BE SORRY!
I'LL GET YOU.
208
00:08:35,348 --> 00:08:37,851
OH, I'LL GET YOU,
GET YOU, GET YOU!
209
00:08:39,019 --> 00:08:40,287
I DON'T KNOW HOW THEY
DO IT FOR 80 CENTS.
210
00:08:40,320 --> 00:08:42,556
I DON'T, EITHER,
I'LL TELL YOU.
211
00:08:42,590 --> 00:08:46,093
THREE VIENNA SAUSAGES,
HEAVY ON THE TOMATO PUREE,
212
00:08:46,126 --> 00:08:49,730
SLICE OF BREAD AND BUTTER
ON A PAPER DISK.
213
00:08:49,763 --> 00:08:52,600
AND MORE THAN AN AMPLE
PORTION OF SUCCOTASH.
214
00:08:52,633 --> 00:08:55,068
DON'T LEAVE OUT
THE SUCCOTASH.
215
00:08:55,102 --> 00:08:57,070
WHEN YOU GET
A GOOD MEAL LIKE THAT
216
00:08:57,104 --> 00:08:58,872
AND AS GOOD A SERVICE
AS OLIVE GIVES,
217
00:08:58,906 --> 00:09:01,041
YOU DON'T MIND LEAVING
A GENEROUS TIP.
218
00:09:02,175 --> 00:09:03,711
DID YOU LEAVE A TIP?
219
00:09:03,744 --> 00:09:05,245
WELL, YEAH, A QUARTER.
220
00:09:05,278 --> 00:09:06,279
I DID, TOO.
221
00:09:06,313 --> 00:09:07,347
A QUARTER?
222
00:09:07,380 --> 00:09:08,816
YEAH.
223
00:09:08,849 --> 00:09:10,784
WELL, DIDN'T YOU SEE ME
PUT A QUARTER DOWN?
224
00:09:10,818 --> 00:09:14,087
THAT WAS SUPPOSED TO BE
FOR THE BOTH OF US.
225
00:09:14,121 --> 00:09:16,289
I'LL BE DOGGED.
226
00:09:16,323 --> 00:09:18,358
OH, WHAT THE HECK,
IT'S JUST A QUARTER.
227
00:09:18,391 --> 00:09:21,294
WELL, NO, ANDY, THAT'S
JUST THROWING MONEY AWAY.
228
00:09:21,328 --> 00:09:23,597
LOOK, I'LL JUST RUN
BACK OVER THERE,
229
00:09:23,631 --> 00:09:26,834
PUT MY HAT DOWN ON
ONE OF THE QUARTERS
AND GET IT BACK.
230
00:09:26,867 --> 00:09:28,368
BARNEY,
THAT'S NOT NECESSARY.
231
00:09:28,401 --> 00:09:31,038
POOR OLD OLIVE'S A WIDOW
WITH FOUR CHILDREN.
232
00:09:31,071 --> 00:09:32,740
SHE CAN USE IT.
233
00:09:32,773 --> 00:09:35,308
OH, YEAH,
I FORGOT ABOUT THAT.
234
00:09:35,342 --> 00:09:37,277
BLESS HER HEART.
235
00:09:39,947 --> 00:09:41,682
LET'S JUST LET HER
KEEP IT.
236
00:09:44,952 --> 00:09:47,120
YOU'RE ALL HEART,
YOU KNOW THAT, BARN?
237
00:09:50,958 --> 00:09:52,092
HI, SERGEANT.
238
00:09:52,125 --> 00:09:53,226
SHERIFF.
239
00:09:53,260 --> 00:09:54,361
WHAT'S THE MATTER?
240
00:09:54,394 --> 00:09:56,363
ERNEST T. BASS
IS WHAT'S THE MATTER.
241
00:09:56,396 --> 00:09:57,865
WHAT DID HE DO?
242
00:09:57,898 --> 00:10:00,233
WE TURNED HIM DOWN
AND HE BUSTED A WINDOW.
243
00:10:00,267 --> 00:10:01,869
I TOLD YOU.
244
00:10:01,902 --> 00:10:04,371
SAID HE'D GET EVEN
WITH ALL OF US,
ESPECIALLY YOU.
245
00:10:05,673 --> 00:10:06,940
I'D LIKE
TO STICK AROUND,
246
00:10:06,974 --> 00:10:08,642
BUT I'M DUE UP
AT MOUNT PILOT.
247
00:10:08,676 --> 00:10:10,844
LOOKS LIKE HE'S
YOUR PROBLEM, SHERIFF.
248
00:10:10,878 --> 00:10:11,879
THANKS.
249
00:10:11,912 --> 00:10:13,080
DON'T MENTION IT.
250
00:10:13,113 --> 00:10:15,248
WE'LL STAY ON
A NUMBER TWO AMBER ALERT.
251
00:10:15,282 --> 00:10:16,283
WHAT'S THAT?
252
00:10:16,316 --> 00:10:18,118
ONE OF US AWAKE
AT ALL TIMES.
253
00:10:24,257 --> 00:10:25,693
LET'S GET AFTER HIM!
254
00:10:25,726 --> 00:10:26,894
WAIT A MINUTE!
255
00:10:29,462 --> 00:10:30,731
"IT'S ALL YOUR FAULT
256
00:10:30,764 --> 00:10:32,299
"I DIDN'T GET MY UNIFORM,
SHERIFF.
257
00:10:32,332 --> 00:10:33,667
"I'M GOIN' TO BREAK
258
00:10:33,701 --> 00:10:35,335
"EVERY WINDOW IN
THE STATE TO GET EVEN.
259
00:10:35,368 --> 00:10:38,706
ERNEST T. BASS,
EX-SERVICEMAN."
260
00:10:40,440 --> 00:10:41,775
COME ON!
261
00:10:43,110 --> 00:10:45,312
[ ERNEST CACKLING
MADLY ]
262
00:11:07,768 --> 00:11:09,770
LOOK AT HIM GO.
263
00:11:11,338 --> 00:11:13,406
HE'S A STRANGE ONE.
264
00:11:13,440 --> 00:11:15,042
HE'S A WILD MAN.
265
00:11:15,075 --> 00:11:17,945
HE'S A NUT.
266
00:11:20,513 --> 00:11:21,915
IF YOU ASK ME,
267
00:11:21,949 --> 00:11:23,851
WE'RE GOING ABOUT
THIS THING ALL WRONG--
268
00:11:23,884 --> 00:11:26,319
WAITIN' FOR ERNEST T. BASS
TO DO SOMETHING!
269
00:11:26,353 --> 00:11:27,721
RELAX, BARNEY.
270
00:11:27,755 --> 00:11:29,256
RELAX, NOTHIN'!
271
00:11:29,289 --> 00:11:32,860
YOU NEVER CAN TELL
WHAT THAT NUT MIGHT DO.
272
00:11:32,893 --> 00:11:35,295
WE OUGHT TO THROW A DRAGNET
OVER THE WHOLE TOWN.
273
00:11:35,328 --> 00:11:36,997
IT'S NOT NECESSARY,
BARNEY.
274
00:11:37,030 --> 00:11:39,867
WE OUGHT TO GO AFTER HIM
WITH BLOODHOUNDS AND TEAR GAS.
275
00:11:39,900 --> 00:11:41,969
YOU'RE TALKING ABOUT
A SILLY LITTLE RUNT
276
00:11:42,002 --> 00:11:44,237
WITH A ROCK IN HIS HAND,
NOT JOHN DILLINGER.
277
00:11:44,271 --> 00:11:45,806
NOW, WILL YOU RELAX?
278
00:11:45,839 --> 00:11:48,408
ANDY, I'M A MAN
WITH POLICE ADRENALINE.
279
00:11:48,441 --> 00:11:49,943
CALL IT
WHAT YOU WILL
280
00:11:49,977 --> 00:11:51,979
BUT THE INNER MAN
IS EVER READY,
281
00:11:52,012 --> 00:11:54,381
AND THERE'S NOTHING
I CAN DO ABOUT IT.
282
00:11:54,414 --> 00:11:56,884
DARN, DARN!
283
00:11:56,917 --> 00:11:58,251
HE THINKS HE CAN
SHAKE US UP
284
00:11:58,285 --> 00:11:59,787
BY NOT DOING
ANYTHING, HUH?
285
00:11:59,820 --> 00:12:01,521
IF HE THINKS HE'S
GONNA GET ON OUR NERVES
286
00:12:01,554 --> 00:12:04,457
WITH ALL THIS SUSPENSE,
HE'S GOT ANOTHER THINK COMIN'.
287
00:12:04,491 --> 00:12:06,293
WELL, TRY NOT
TO GET SHOOK UP.
288
00:12:06,326 --> 00:12:07,995
I AIN'T SHOOK UP.
289
00:12:11,031 --> 00:12:13,133
COURTHOUSE,
SHERIFF TAYLOR.
290
00:12:13,166 --> 00:12:15,268
YEAH, WAIT A MINUTE,
WAIT A MINUTE.
291
00:12:16,369 --> 00:12:17,370
RIGHT.
292
00:12:17,404 --> 00:12:18,405
OKAY.
293
00:12:18,438 --> 00:12:19,840
THANKS, MERLIN.
294
00:12:19,873 --> 00:12:20,874
WELL?
295
00:12:20,908 --> 00:12:22,409
MERLIN GRACEY
SAW A FELLA
296
00:12:22,442 --> 00:12:24,211
BREAK A STREETLIGHT
IN FRONT OF MISS MINGUS' HOUSE.
297
00:12:24,244 --> 00:12:25,412
NOT SO FAST.
298
00:12:25,445 --> 00:12:27,347
BUT WE CAN NAIL HIM
IF WE HUSTLE.
299
00:12:27,380 --> 00:12:29,883
I DOUBT IT. ERNEST T. AIN'T
ABOUT TO BREAK A STREETLIGHT,
300
00:12:29,917 --> 00:12:31,518
THEN STAND AROUND
LOOKING FOR HIS ROCK.
301
00:12:31,551 --> 00:12:33,353
LET'S WAIT TILL
A FEW MORE CALLS COME IN
302
00:12:33,386 --> 00:12:35,188
AND FIND OUT WHAT
DIRECTION HE'S HEADED.
303
00:12:37,457 --> 00:12:39,026
SHERIFF'S OFFICE.
304
00:12:40,393 --> 00:12:42,262
RIGHT, HANNAH LOU,
WE'LL GET HIM.
305
00:12:42,295 --> 00:12:43,563
JUST BROKE TWO PANELS
306
00:12:43,596 --> 00:12:45,532
OUT OF HANNAH LOU SMITH'S
GREENHOUSE.
307
00:12:45,565 --> 00:12:47,234
HE'S COMING THIS WAY.
308
00:12:47,267 --> 00:12:49,236
WE'LL WAIT FOR HIM
AT THE CORNER OF PINE AND MAIN.
309
00:12:51,104 --> 00:12:53,473
SHERIFF'S OFFICE.
310
00:12:53,506 --> 00:12:54,975
UH-HUH.
311
00:12:55,008 --> 00:12:57,410
OKAY. RIGHT, RICHIE.
312
00:12:57,444 --> 00:12:59,813
HE'S COMING CLOSER --
HE JUST BROKE THE WINDOW
313
00:12:59,847 --> 00:13:01,481
OF THE RICH FERRER'S
HARDWARE STORE.
314
00:13:01,514 --> 00:13:03,917
YOU GO OUT THE FRONT,
I'LL GO AROUND THE BACK.
315
00:13:06,119 --> 00:13:08,188
COME ON, DEPUTY,
COME ON, DEPUTY!
316
00:13:08,221 --> 00:13:11,158
IF I'D SEEN YOU WAS COMIN',
I'D HAVE KNOWED WHAT TO DO
317
00:13:11,191 --> 00:13:13,961
I'D HAVE RIS BOTH ARMS
AND I'D HAVE WOVE AT YOU.
318
00:13:17,297 --> 00:13:19,532
YOU AIN'T VERY FAST
ON YOUR FEET, IS YOU?
319
00:13:19,566 --> 00:13:22,169
ALL RIGHT,
YOU STAND STILL,
ERNEST T. BASS!
320
00:13:22,202 --> 00:13:25,405
IF A DUCK STANDS STILL,
YOU CAN CATCH HIM BY THE BILL.
321
00:13:27,440 --> 00:13:30,310
IN THE NAME OF THE LAW,
I ORDER YOU TO SURRENDER.
322
00:13:30,343 --> 00:13:31,544
SURRENDER?
323
00:13:36,416 --> 00:13:39,086
THAT'S IT, I'LL TELL YOU
WHAT I'LL DO, DEPUTY.
324
00:13:39,119 --> 00:13:40,520
I'LL GIVE YOU A CHANCE
TO CATCH ME.
325
00:13:40,553 --> 00:13:42,155
COME ON, COME ON,
COME ON!
326
00:13:42,189 --> 00:13:44,024
COME ON, DEPUTY,
COME ON...
327
00:13:55,368 --> 00:13:58,205
LET ME OUT! YOU GOT NO BUSINESS
PUTTIN' ME IN...
328
00:13:58,238 --> 00:14:01,074
YOU MIGHT AS WELL
MAKE THE BEST OF IT.
329
00:14:01,108 --> 00:14:03,110
BE QUIET!
330
00:14:03,143 --> 00:14:05,145
YOU MIGHT AS WELL
MAKE THE BEST OF IT.
331
00:14:05,178 --> 00:14:06,513
WHAT ARE YOU
FIXIN' ON DOIN'
332
00:14:06,546 --> 00:14:08,548
NOW YOU GOT ME
ALL CLANKED UP IN HERE?
333
00:14:08,581 --> 00:14:10,317
WE HAVEN'T FIGURED
THAT OUT YET!
334
00:14:10,350 --> 00:14:12,252
TRY TO GET SOME SLEEP,
OR SOMETHING.
335
00:14:12,285 --> 00:14:14,922
BARNEY WILL BRING YOU
BREAKFAST IN THE MORNING.
336
00:14:14,955 --> 00:14:16,056
MAYBE.
337
00:14:16,089 --> 00:14:18,191
[ SCREECHING
LIKE A MONKEY ]
338
00:14:21,561 --> 00:14:23,463
HIGH STRUNG,
YOU KNOW THAT?
339
00:14:23,496 --> 00:14:25,098
HE'S A NUT.
340
00:14:30,237 --> 00:14:32,139
OH, GOOD MORNING,
BARNEY.
341
00:14:32,172 --> 00:14:33,306
HI, OLIVE.
NICE DAY, HUH?
342
00:14:33,340 --> 00:14:35,008
I'LL SAY.
343
00:14:35,042 --> 00:14:38,045
SAY, YOU AND ANDY LEFT
AN EXTRA QUARTER YESTERDAY.
344
00:14:38,078 --> 00:14:39,279
I'M SURE
IT WAS A MISTAKE.
345
00:14:39,312 --> 00:14:41,548
WHAT DO YOU MEAN?
THAT WAS YOUR TIP.
346
00:14:41,581 --> 00:14:44,617
TWO QUARTERS?
BUT YOU NEVER --
347
00:14:44,651 --> 00:14:46,253
OLIVE! WHO DO YOU THINK
YOU'RE DEALING WITH --
348
00:14:46,286 --> 00:14:47,587
A COUPLE OF PIKERS?
349
00:14:47,620 --> 00:14:50,190
YOU GOT YOURSELF
A HALF A "C" TIP. ENJOY IT.
350
00:14:50,223 --> 00:14:51,591
APPRECIATE IT.
351
00:14:54,594 --> 00:14:58,431
LET'S SEE, I'M NOT
TOO HUNGRY THIS MORNING.
352
00:14:58,465 --> 00:15:03,036
I'LL JUST HAVE, UH, ORANGE
JUICE, A BOWL OF CEREAL,
353
00:15:03,070 --> 00:15:06,339
STACK OF WHEATS,
THREE EGGS OVER.
354
00:15:06,373 --> 00:15:07,640
MAKE SURE
THEY AIN'T RUNNY, NOW.
355
00:15:07,674 --> 00:15:09,176
RIGHT.
356
00:15:09,209 --> 00:15:12,379
BACON ON THE CRISPY SIDE,
WHITE TOAST, BUTTERED,
357
00:15:12,412 --> 00:15:15,215
HASH-BROWN POTATOES,
AND COFFEE -- COFFEE NOW.
358
00:15:15,248 --> 00:15:18,485
IT DOES MY HEART GOOD
TO SEE A THIN PERSON EAT.
359
00:15:18,518 --> 00:15:20,653
THANK YOU.
360
00:15:24,324 --> 00:15:26,559
YEAH!
361
00:15:28,761 --> 00:15:31,564
YOU WANT TO PASS ME
THAT SUGAR, FELLA?
362
00:15:31,598 --> 00:15:32,699
HERE YOU GO.
363
00:15:35,502 --> 00:15:36,603
BASS!
364
00:15:36,636 --> 00:15:37,737
ONE AND THE SAME.
365
00:15:37,770 --> 00:15:39,239
HOW'D YOU GET OUT?
366
00:15:39,272 --> 00:15:41,308
THAT'S FOR ME TO KNOW,
YOU TO FIND OUT.
367
00:15:41,341 --> 00:15:42,609
YOU GET ON YOUR FEET!
368
00:15:42,642 --> 00:15:44,744
WHO GOT THE SPARE KEY
OUT OF THE DESK FOR YOU?
369
00:15:44,777 --> 00:15:47,147
ASK ME NO QUESTIONS,
I'LL TELL YOU NO LIES.
370
00:15:47,180 --> 00:15:49,149
YOU'RE GOING RIGHT BACK
IN THAT CELL.
371
00:15:49,182 --> 00:15:51,151
I'M JUST GOIN' TO GET
RIGHT OUT AGAIN.
372
00:15:51,184 --> 00:15:52,185
ALL RIGHT, REACH!
373
00:15:53,520 --> 00:15:55,555
I'M SORRY YOU HAD
TO SEE THIS, OLIVE.
374
00:15:55,588 --> 00:15:57,390
ALL RIGHT, COME ON,
MOVE, MOVE!
375
00:15:57,424 --> 00:15:59,192
OUT THAT DOOR, THERE!
COME ON!
376
00:16:01,694 --> 00:16:04,231
ALL RIGHT, YOU WON'T
GET OUT THIS TIME, BASS.
377
00:16:14,107 --> 00:16:16,043
HELLO, SARAH?
THIS IS DEPUTY FIFE.
378
00:16:16,076 --> 00:16:17,744
GET ME SHERIFF TAYLOR'S HOUSE.
379
00:16:20,347 --> 00:16:24,651
ANDY, DID YOU LET ERNEST T. BASS
OUT TO HAVE BREAKFAST?
380
00:16:24,684 --> 00:16:25,618
ANDY: 'Course not.
381
00:16:25,652 --> 00:16:27,254
WELL, HE GOT OUT SOMEHOW.
382
00:16:27,287 --> 00:16:28,621
I PICKED HIM UP
AT THE DINER.
383
00:16:28,655 --> 00:16:30,223
YOU BETTER COME AND GET ME.
384
00:16:30,257 --> 00:16:32,059
LOCK THE CELL
AND DOUBLE-CHECK IT.
385
00:16:32,092 --> 00:16:33,493
AND TAKE BOTH SETS OF KEYS.
386
00:16:33,526 --> 00:16:36,196
DON'T WORRY,
I DOUBLE-CHECKED HER ALREADY.
387
00:16:36,229 --> 00:16:37,730
I'LL SEE YOU IN A MINUTE.
388
00:16:44,537 --> 00:16:47,440
IF YOU CAN GET OUT
OF HERE NOW,
YOU'RE A MAGICIAN.
389
00:16:47,474 --> 00:16:49,576
ALAKAZAM...
390
00:16:49,609 --> 00:16:50,710
A-ROO!
391
00:16:50,743 --> 00:16:52,379
NOW, CUT THAT OUT!
392
00:17:10,430 --> 00:17:11,464
HOW'D HE GET OUT?
393
00:17:11,498 --> 00:17:12,532
I DON'T KNOW.
394
00:17:12,565 --> 00:17:14,101
MAYBE HE IS A MAGICIAN.
395
00:17:16,369 --> 00:17:17,570
COME ON.
396
00:17:53,740 --> 00:17:56,276
WELL, HE CAN'T JUST
DISAPPEAR INTO THIN AIR.
397
00:17:56,309 --> 00:17:57,677
MAYBE HE GOT
ENOUGH REVENGE
398
00:17:57,710 --> 00:17:59,612
AND WENT ON BACK
TO THE MOUNTAINS.
399
00:17:59,646 --> 00:18:01,348
I WISH WE COULD
COUNT ON THAT.
400
00:18:01,381 --> 00:18:03,316
YOU SURE YOU LOCKED
THAT CELL DOOR?
401
00:18:03,350 --> 00:18:05,785
WELL, ANDY, I GAVE IT
A TRIPLE SECURITY CHECK,
402
00:18:05,818 --> 00:18:08,388
AND I LOCKED THE KEYS
IN THE FILING CABINET.
403
00:18:08,421 --> 00:18:11,090
HMM, WAIT A MINUTE.
404
00:18:12,225 --> 00:18:15,662
NEW WINDOW FOR
THE COURTHOUSE.
405
00:18:15,695 --> 00:18:16,763
BOY, IF HE'S IN TOWN,
406
00:18:16,796 --> 00:18:18,665
HE WON'T BE ABLE
TO PASS THAT UP.
407
00:18:18,698 --> 00:18:20,867
LET'S FOLLOW A WAYS
AND SEE IF HE SHOWS.
408
00:18:20,900 --> 00:18:22,302
YEAH.
409
00:18:48,428 --> 00:18:50,163
HOLD IT! HOLD IT!
410
00:18:50,197 --> 00:18:51,831
DON'T DO THAT,
ERNEST T., PLEASE!
411
00:18:51,864 --> 00:18:54,267
THAT'S THE NEW GLASS
FOR OUR COURTHOUSE.
412
00:18:54,301 --> 00:18:56,369
I'LL HANDLE
THIS, ANDY.
413
00:18:56,403 --> 00:18:57,870
I'M GONNA BREAK THAT GLASS!
414
00:18:57,904 --> 00:19:00,373
YOU STAND BACK, BASS,
JUST STAND BACK!
415
00:19:00,407 --> 00:19:01,908
I'M GONNA BREAK
THAT GLASS!
416
00:19:01,941 --> 00:19:03,276
NO, YOU AIN'T!
417
00:19:03,310 --> 00:19:04,344
YES, I AM!
418
00:19:04,377 --> 00:19:06,179
DROP THAT ROCK
AND GET OVER HERE!
419
00:19:32,505 --> 00:19:34,641
WELL, ARE YOU JUST
GONNA STAND THERE
420
00:19:34,674 --> 00:19:35,908
AND LET HIM GET AWAY?
421
00:19:54,427 --> 00:19:56,396
ALL RIGHT, SMART GUY!
422
00:19:57,564 --> 00:19:58,698
WHAT THE...?
423
00:20:02,269 --> 00:20:03,403
IT'S LOCKED.
424
00:20:03,436 --> 00:20:05,638
AND THE KEYS ARE
IN THE FILING CABINET.
425
00:20:05,672 --> 00:20:07,940
HOW YOU KEEP GETTIN'
IN AND OUT OF HERE?
426
00:20:07,974 --> 00:20:09,609
COME ON, BASS,
SPEAK UP!
427
00:20:09,642 --> 00:20:11,411
I AIN'T TALKIN',
I AIN'T TALKIN'.
428
00:20:11,444 --> 00:20:13,846
THE MORE YOU'RE ASKIN',
THE MORE I'M BALKIN'.
429
00:20:13,880 --> 00:20:16,649
WHAT ARE WE GONNA DO
WITH HIM?
430
00:20:16,683 --> 00:20:17,784
I DON'T KNOW.
431
00:20:17,817 --> 00:20:19,552
DAD BURN YOU,
ERNEST T.!
432
00:20:19,586 --> 00:20:21,454
GOT YOU KIND OF
NERVOUS, DIDN'T I?
433
00:20:21,488 --> 00:20:23,290
YOU AIN'T KIDDING,
BUDDY.
434
00:20:23,323 --> 00:20:26,259
NOW, I KNOW YOU'RE MAD
'CAUSE THE ARMY WON'T TAKE YOU.
435
00:20:26,293 --> 00:20:28,495
YEAH, AND IT'S ALL YOUR FAULT.
436
00:20:28,528 --> 00:20:30,730
AIN'T YOU HAD
ENOUGH REVENGE NOW?
437
00:20:30,763 --> 00:20:34,033
I JUST WHETTIN' MY APPETITE,
IS ALL.
438
00:20:34,066 --> 00:20:36,803
AND I'M GONNA KEEP ON
GETTIN' OUT OF HERE
439
00:20:36,836 --> 00:20:40,039
TILL YOU THE GET THE ARMY
TO GIVE ME MY UNIFORM.
440
00:20:40,072 --> 00:20:42,475
IT WOULDN'T WORK,
ERNEST T.
441
00:20:42,509 --> 00:20:44,444
SUPPOSE YOU WAS IN THE ARMY
RIGHT NOW.
442
00:20:44,477 --> 00:20:45,878
NOT BEING ONE TO FOLLOW RULES,
443
00:20:45,912 --> 00:20:48,381
YOU'D BE IN AND OUT OF TROUBLE
THE WHOLE TIME.
444
00:20:48,415 --> 00:20:50,383
I WASN'T FIXIN'
ON GOIN' IN NO ARMY.
445
00:20:50,417 --> 00:20:51,784
WHAT?
446
00:20:51,818 --> 00:20:54,053
NO, I'M JUST GONNA
GET ME MY UNIFORM
447
00:20:54,086 --> 00:20:55,555
GO ON HOME AND STAY.
448
00:20:58,825 --> 00:21:01,861
LET ME GET THIS CLEAR
IN MY MIND.
449
00:21:01,894 --> 00:21:04,364
YOU MEAN ALL YOU WANT
IS A UNIFORM?
450
00:21:04,397 --> 00:21:05,498
Ernest T.:
IS ALL.
451
00:21:05,532 --> 00:21:06,899
Barney:
WELL, WHAT FOR?
452
00:21:06,933 --> 00:21:10,036
GIRLS.
453
00:21:10,069 --> 00:21:12,572
AND LOVE.
454
00:21:12,605 --> 00:21:15,074
YOU KNOW
WHAT IS THE TRUTH, SHERIFF?
455
00:21:15,107 --> 00:21:18,411
AS CLEVER AND AS GOOD-LOOKIN'
AS I AM, I...
456
00:21:18,445 --> 00:21:20,547
I JUST... I JUST CAN'T
GET A GIRL.
457
00:21:21,814 --> 00:21:23,383
YOU CAN'T, HUH?
458
00:21:23,416 --> 00:21:25,352
OH, THERE'S THREE OR FOUR GIRLS
459
00:21:25,385 --> 00:21:27,820
BACK UP ON THE MOUNTAINS
WOULD BE MINE
460
00:21:27,854 --> 00:21:29,456
IF I HAD A UNIFORM.
461
00:21:29,489 --> 00:21:32,091
YOU OUGHT TO SEE THEM FLIT
AROUND JELSIC STURM
462
00:21:32,124 --> 00:21:34,861
WHEN HE COME BACK HOME
WITH HIS UNIFORM.
463
00:21:34,894 --> 00:21:38,498
"JELSIC, WALK WITH ME.
JELSIC, DANCE WITH ME.
464
00:21:38,531 --> 00:21:41,368
JELSIC, KISS MY MOUTH."
465
00:21:43,002 --> 00:21:45,405
GIRLS.
466
00:21:46,406 --> 00:21:47,974
THAT'S WHY YOU WANT A UNIFORM?
467
00:21:48,007 --> 00:21:51,411
YEAH, I COULD'VE BEEN HITCHED
BY NOW
468
00:21:51,444 --> 00:21:52,479
IF I ONLY HAD ONE.
469
00:21:52,512 --> 00:21:53,913
I GOT EVERYTHING ELSE BUT.
470
00:21:53,946 --> 00:21:57,650
I GOT LOOKS, BRAINS,
PERSONALITY.
471
00:21:57,684 --> 00:21:59,852
I KISS GOOD.
472
00:21:59,886 --> 00:22:02,722
THE ONLY THING STANDING
'TWIXT ME AND SWEET ROMANCE
473
00:22:02,755 --> 00:22:06,025
IS A UNIFORM.
474
00:22:09,095 --> 00:22:12,499
I WONDER WHERE WE CAN FIND
A SMALL-SIZED UNIFORM.
475
00:22:15,768 --> 00:22:17,870
NO, NO...
476
00:22:17,904 --> 00:22:19,005
NOW, ANDY, LISTEN.
477
00:22:19,038 --> 00:22:20,573
I HAD THIS MADE
IN RALEIGH.
478
00:22:20,607 --> 00:22:22,975
THIS IS GENUINE
WHIPLASH CORD.
479
00:22:23,009 --> 00:22:24,511
ANDY...
480
00:22:29,749 --> 00:22:31,484
MUCH OBLIGED,
SHERIFF.
481
00:22:31,518 --> 00:22:33,586
YOU'RE MORE THAN WELCOME,
ERNEST T.
482
00:22:49,068 --> 00:22:50,036
FORWARD MARCH!
483
00:22:50,069 --> 00:22:51,037
CLEAN YOUR GUNS!
484
00:22:51,070 --> 00:22:52,439
JUMP IN THE TRUCK.
485
00:22:52,472 --> 00:22:55,775
THERE GOES A HAPPY MAN.
486
00:22:55,808 --> 00:22:58,678
THERE GOES A HAPPY NUT.
487
00:23:08,955 --> 00:23:10,156
HEY, ANDY,
COME HERE A MINUTE.
488
00:23:10,189 --> 00:23:11,624
WHAT?
489
00:23:11,658 --> 00:23:14,661
COME HERE.
I WANT TO SHOW YOU SOMETHING.
490
00:23:14,694 --> 00:23:16,463
WHAT'S THAT?
491
00:23:16,496 --> 00:23:18,898
THAT IS
ERNEST T. BASS'S KEY.
492
00:23:18,931 --> 00:23:20,467
AN OLD FORK?
493
00:23:20,500 --> 00:23:22,669
THAT'S WHAT HE USED
TO GET IN AND OUT OF HERE.
494
00:23:26,773 --> 00:23:28,875
WHAT'D YOU DO THAT FOR?
495
00:23:28,908 --> 00:23:30,042
GIVE ME THE FORK.
496
00:23:30,076 --> 00:23:32,912
OH, COME ON.
WAIT A MINUTE.
497
00:23:32,945 --> 00:23:34,747
WATCH HOW THIS SLIPS
IN THERE. SEE THAT?
498
00:23:34,781 --> 00:23:35,648
OH, COME ON, BARNEY.
499
00:23:35,682 --> 00:23:36,883
DON'T THROW ME OFF.
500
00:23:36,916 --> 00:23:39,118
SEE HOW THAT PRESSES
AGAINST THE TUMBLERS?
501
00:23:39,151 --> 00:23:40,453
YEAH, WATCH THIS.
502
00:23:40,487 --> 00:23:42,021
WILL YOU --
WAIT A MINUTE.
503
00:23:42,054 --> 00:23:43,456
WAIT A MINUTE.
I GOT IT.
504
00:23:43,490 --> 00:23:44,524
THIS IS IT.
505
00:23:55,635 --> 00:23:58,104
YOU SATISFIED?
506
00:23:58,137 --> 00:24:00,006
NOW GIVE ME THE KEYS.
507
00:24:01,841 --> 00:24:04,043
WHERE'S THE KEY?
508
00:24:05,612 --> 00:24:08,748
UH, WELL,
IT'S IN THE FILING CABINET.
509
00:24:12,885 --> 00:24:16,122
WHAT DO
YOU SUGGEST WE DO NOW?
510
00:24:18,991 --> 00:24:20,159
HELP!
511
00:24:21,894 --> 00:24:23,162
HELP!
512
00:24:24,230 --> 00:24:26,165
HELP!
513
00:24:26,198 --> 00:24:28,901
WELL, YELL, ANDY.
514
00:24:28,935 --> 00:24:31,504
HELP!
515
00:24:31,538 --> 00:24:33,172
HELP!
34819
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