All language subtitles for Alias.Smith.and.Jones.S01E03

(HORSE NEIGHING)

Can you hear me?

You know, you had a nice,
friendly warning

to leave town
while you were still ahead.

We had to stay up
halfthe night,

and bust our knuckles
bare to the bone

just because you two people
can't seem to understand

when people are
trying to be nice to you.

We're sorry to
inconvenience you.

Now, this is a real
good road to Gila City.

Take it.

NARRA TOR:
Hannibal Heyes and Kid Curry,

the two most successful outlaws
in the history of the West.

And in all the trains
and banks they robbed,

they never shot anyone.

This made our two Iatter-day
Robin Hoods very popular

with everyone but the
railroads and the banks.

CURRY: There's one thing
we gotta get, Heyes.

HEYES.' What's that?

CURRY: Out of this business.

LOM: The governor can't come flat
out and give you amnesty now.

First, you gotta prove
you deserve it.

Ah, so all we have to do
is just stay out of trouble

till the governor figures
we deserve amnesty.

But in the meantime,
we'll still be wanted.

LOM: Well, that's true.

Till then, only you, me and the
governor will know about it.

It'II be our secret.

CURRY: I sure wish the governor
would let a few more people

in on our secret.

NARRA TOR:
Alias Smith and Jones,

starring Pete Duel
and Ben Murphy.

(PEOPLE CHATTERING)

Call. Two pair, aces.

Not good enough.

Three large jacks.

Well, at least let the rest
of us get a look at them.

I think I'm gonna sit a
few hands out, gentlemen.

Yeah. I could use
a drink, myself.

What do you want to
do about it?

I don't know. Let's find out how
much trouble we're buying first.

What'II it be, gents?

Well, what've you got?

Well, we got some real good whiskey
and then we got the regular.

Well, what's the difference?

Good whiskey
comes in a clean glass.

Maybe a little later.

Is the owner around?

Back yonder in the office.

Okay.

(KNOCKING ON DOOR)

Come in.

Uh, we were told
the owner would be in here.

I am the owner.

You're, uh...

You're not what we were expecting,
you know, running a place Iike this.

I assure you, you're not
half as surprised as I am.

What can I do for you,
gentlemen?

We'd Iike to know ifthe two sharpies we're
playin' with out there work for the house.

There are two fellas who are using
a trick called "The Spread"

at one of your poker tables.

Ifthat's house policy, well,
we've learned not to fight it.

But if they're freelancing, well,
that's another thing altogether.

You understand, ma'am?
No, I don't understand.

I don't know what you're talking about.
Our games are honest.

I'm sure they are.
Thank you, ma'am.

Ifthat's what you think,
that's all we need to know.

Back to donate some more?

We're gonna try
our best not to.

Here's five.

And five more.

Call.

Here's your five.

Fold.

Call.

Call.

Two.

Three.

Three more.

A nice one right down
in the middle.

I'm gonna have to
pass to the raiser.

Me, too.

$25.

Well, if I'd have hit it
you'd have heard from me.

Here's 25.

Not me.

Three 10s.

No good. Three kings.

Well, let's show 'em to...

I hope you're not counting
the king in his hand.

Move your hand another inch,
I'm gonna blow a hole in it.

Unless someone's changed
the rules ofthis game,

you're each supposed to be
playing with your own hand.

Easy, boys. Easy.

Well, l'll be.

I guess this belongs to me.

How much you down?

$40.

HEYES: And you?
About 35.

Fifty-four exactly.

And I guess the rest of it
belongs to us.

Hey, now, some ofthafs money
we started with.

Yeah, we started...
Now, boys, if I were you,

I would just call that the price
of being delivered from sin.

And I'd get out of here
right now, if I were you.

You gents got a minute?

Miss Cunningham would Iike to
see you in her office.

I really admired the way you handled
that situation out there, mister...

Joshua Smith.

And this friend of mine
here is Thaddeus Jones.

Mary Cunningham.

Are you planning
to stay long in town?

No, ma'am. We're just
passing through to Clearwater.

Heard there's a cattle drive
forming up there.

Cattle herding? That, uh,
that can't pay very much.

$20 a month.

And it must be
such hard work.

18, 20 hours a day
in the saddle.

Couldn't you find
any other kind of work?

We try.

Well, now,
it's not so bad, ma'am.

Fresh air, sleepin' out under
the stars, canned tomatoes...

I can see that it might be
betterthan, uh...

Oh, spendin' the evening
in a smoke-filled room,

watching the tables all night

and maybe $40
apiece a month?

My husband died four months
ago and left me this saloon.

I have two children
to support,

even though it's not exactly what
I would've dreamed of, but I...

Well, what else can I do? I have
no other way of making a living.

I've tried to find a manager,
but no Iuck.

I haven't done very well.

Not very well at all.

I watched the way you managed those
two cardsharps and I thought,

why couldn't you handle
the saloon, just as well?

Well, what kind of problems
do you have, ma'am?

To tell you the truth,
I'm not exactly sure.

The place seems to be doing business,
but we're not making money

the way it used to
from my husband. And I...

I thought ofjust selling the place
out, but I can't find a buyer

and I'm just
getting desperate.

Desperate enough
to make it $50 a month?

Yes, Mr. Smith.
That desperate.

(PIANO PLAYING)

(PEOPLE CHATTERING)

Like yourjob?

Yeah, sure.

Good. You can keep it.

Till I spot you ringing in
another agent.

Agent?

You know who the blackjack agent is?
So do I.

And I can spot the action
all the way across the room.

We understand each other?

Yeah, I guess we do.

Good. Go back to work.

How'd we do, Mike?

Oh, pretty good.
Pretty good, I'd say.

How you doin'?

Me?

(SCOFFS)

I'm workin' my tail off
as usual.

Pour you fellas a drink?

No.
No.

Better pour yourself
one though.

Haven't you noticed? I never
drink when I'm back ofthe bar.

Pour it, I think
you're going to need it.

You know, Mike, just
from watching you a while,

we figure you're stealing
about $15 a night.

I'm what?

Stealing,
from Mrs. Cunningham.

That's a dang Iie!

Aren't you
gonna drink that?

I still say it's a Iie.

AII right,
maybe it's 20 a night.

We're not gonna argue about the amount.
That's your secret.

You mean
you're gonna fire me?

No, we're not
sayin' that, Mike.

We're just saying we don't
want you stealin' anymore.

It's gonna be tough
stoppin' you.

You've been bartendin'
along while

and this is only our third day
at saloon managin'.

Yeah?

I reckon
you got a point there.

So what we're gonna
have to do is

make you pay for the privilege
of workin' here.

Yourjob behind the bar there
is gonna cost you $15 a night.

Starting tonight,
payable to Mrs. Cunningham.

I don't see how you can
steal more than that.

So, everybody will come out
just about even.

(MIKE LAUGHING)

You mind doing that
someplace else?

Trying to figure out
these bills.

Well, I got to keep my
hand in it, don't I?

VVhy?

With a little Iuck you won't
have to use that anymore.

I know you keep sayin' that
and I keep believin' you.

Somehow we just never
seem to get that Iucky.

I think she's bein' overcharged
for cards and chips.

Way over.

Good morning.
Good mornin', ma'am.

I don't know how to account for it,
but we did even better last night

than we did the night before.

Do you know, ifthings
keep going Iike this,

we're going to be back
to normal in a week.

I hope you two know how much
I appreciate everything.

You saved my Iife.

Well, your saloon, maybe.

I bet you could
draw that real fast.

Mmm-hmm. I've had to make
that bet a few times.

I'II bet you can't draw
faster than the Sheriff.

Pretty good, is he?

Real fast.

The Sheriff's not that fast!

Nobody's that fast!

Can you teach me
how to do that?

Yep. I could.

But I'm not gonna.

You just saw
how fast I was, didn't you?

You know, there's somebody
out there that's a lot faster.

Always is.

And I guess that someday
I'm gonna find that out.

And so will you,
if I teach you to fast-draw.

Come on, Tommy,
it's time for Iunch.

Thank you.

I thought you were just
tellin' me how handy it is

knowin' how to use
one ofthose things.

When that kid grows up, people won't
even be wearin' these things,

much less shootin' them.

But in the meantime, people are
just goin' around doin' both,

so I guess I'II just keep carryin' my
Iife right around with me in a holster.

What are you tryin'
to say, mister?

I said give me the deck.

Why should I?

You want me to tell you
right here?

I think you better, and quick.

CURRY: AII right.

I saw you crease the corner of
four cards with your thumbnail,

probably the aces.
So, give me the deck.

You're gonna have to
back that up, mister.

Glad to.
Give me the deck.

I don't mean with a deck
of cards or your mouth!

I'm talkin' about that
gun you're wearin'.

Well, I don't
want to kill you.

It'd be bad for business.

You done talkin'
all you're gonna talk, mister?

You ready to backup
your mouth up now?

(MEN EXCLAIMING)

I'd Iike to retire this deck. Is
that all right with you, boys?

Sure thing, Mr. Jones!

AII right, forget I said
anything this afternoon.

MIKE: Mornin', ma'am.

Mornin'.
Good mornin', ma'am.

Care to join us?

You know, believe it or not, he
makes some great ham and eggs.

I'm not hungry.

HEYES: What's the matter?

Is anything wrong?

Yes, I...

Could I see you both
in my office?

I'm going to have to
let you both go.

VVhy?

Well, Ijust don't need you
any more, that's all.

Just last night you were tellin'
us you couldn't manage without us.

I know, but I've decided that
I can manage on my own now.

Well, you're dead wrong.

You can't run this place
without us.

Or somebody Iike us.

I don't wanna
talk about it anymore.

I'm Ietting you go,
and that's all there is to it.

AII right, Mary.

It was

$50 a month apiece,
wasn't it?

We haven't even been here a
week, Iet alone a month.

You've earned the money,
please take it.

Please, take it.

AII right, all right.
We'll take it.

We'd rather
have an explanation.

I can't talk any more now.
Goodbye.

The lady's in trouble.
I know.

Remember, trouble's one thing
we've got to stay away from.

But I Iike her.
And I Iike her two kids.

Now, shut up.

Aren't you even curious?

About what?

About why she's so anxious
to get rid of us.

Now, listen, that's her problem.
That's not our problem.

AII right, all right.
I'm curious.

Enough to stick around?

(GRUNTS)

Well, good afternoon.

Oh, hi, Mr. Finrock.

I'm surprised to see
you two still in town.

Oh? Why?

Well, I heard you aren't working
at the saloon any more,

Ijust figured
you'd be riding on.

No, we've taken a Iiking
to this little town.

We figured there's
a future here for us.

Oh, I should think you could
find something better to do.

What could be better than building
something with your own hands?

And thumbs.

Uh-huh.
Well, good Iuck.

Do you get the feeling that
he just didn't happen by?

Yeah, I...

(GROANS)

It sure is good puttin' in solid day's
work on a honest job, isn't it?

Not especially.

Yeah, but look at the
appetites we've worked up.

I don't need to work
to do that.

May I join you a minute?

Sure. Pull up a chair.

Have some coffee?

No, no. I...

I'd Iike to get right to
what brought me here.

What's that?

You and your friend.
And your welfare.

You see, I really
Iike you fellas and...

Well, you saved me a lot of
money in that poker game

and I'm not gonna forget it.

So, that's why I'm telling you
that you're wrong about this town.

There isn't any future
for you in it.

I suppose you have a reason
for thinking that way.

Mmm-hmm.

Are you gonna
let us in on it?

No.

We're just gonna up
and leave town?

Well, why not?

After all, I've given you
good advice. The best.

Well, you're gonna
have to do better than that.

AII right. Let's try this.

Your real name
isn't Thaddeus Jones.

And yours isn't Joshua Smith.

Perhaps that will tell you why it
would be smart for you to leave.

Perhaps if you told us why you're so
interested in our leaving, we might oblige.

I have told you.
Your welfare.

After all, I still am beholden
to you about that poker game.

You will think about it,
won't you?

We'll think about it.

No hard feelings.

After all, I really am
fond of you fellows.

No hard feelings.

That is the nicest I've ever
been asked to leave town.

He was polite about it,
wasn't he?

Even if he was bluffing.

Bluffing?

He may know that your name isn't
Jones and my name isn't Smith,

but he sure doesn't know
what our real names are.

Because if he did he'd be leading us
down to the Sheriff's office right now

to collect the reward money.

But he does know your name isn't
Smith and mine isn't Jones.

How?

I don't know.

Maybe he's just guessing.

Well, we can't leave with that
building only half-finished, can we?

We sure can.

But we're not, are we?

You know, there's a good chance
I'm gonna run out ofthumbs

before this building's
half-finished.

Can you hear me?

Can you hear me?

And you can understand
what I'm sayin'?

You know, you had a nice,
friendly warning

to leave town
while you were still ahead.

We had to stay up
halfthe night,

and bust our knuckles
bare to the bone

just because you two
can't seem to understand

when people are
trying to be nice to you.

We're sorry to
inconvenience you.

Well, I do hope
you'll understand.

Take a kindness
when it's offered to you.

We brought your horses.

Everything from your hotel room's
packed in your saddlebags.

Now, this is a real
good road to Gila City.

Take it.

What was all that
he was sayin'?

He's tellin' us
how nice he's been to us.

I sure would Iike to pay back some
of this kindness we got tonight.

You sure they don't know
who we are?

I'm sure.

I'm sure it's a good idea
to go to Gila City, too.

But, we're not gonna,
are we?

Well, Iooks Iike you boys
run into somebody

that didn't fold
quite as easy as I did.

Here, it's all on me.

If you'll tell me
who'd done it to you,

why, I'd Iike to buy him
adrink, too.

I think he's a customer here.

He's a big fellow,
got a moustache,

brownish hair and a scar
on his right cheek.

MIKE: Yeah, I know him.

Works at the Bar-T.
His name's

AI Gorman.

You remember,
you owe him a drink.

Yeah. That's right.

(MIKE LAUGHING)

(CATTLE LOWING)

(MOOING)

(HORSE NEIGHS)

Can you hear me?

Hey! Can you hear me?

And you can understand
what I'm saying?

Well, first of all,

we'd Iike to apologize for causin' you and
your friends to Iose your sleep last night.

And for makin' you beat your
knuckles all sore on our heads.

It wasn't nothin' personal.
Just doin' ajob.

For who?

Sam Finrock.

No. Whoever hired Finrock
hired you, too.

Who was it?

I'm tellin' you all I know.

Sam Finrock hired me to get some men
and move you down to Gila City.

You know, Mr. Gorman,
we've got a problem.

We were talkin' about it
on the way out here.

We're afraid we might not be able
to be as kind and gentle with you

as you were with us.

There's even a chance that
we might get a little mean.

Now, we're fightin' it
as hard as we can,

but we just want you to
know there is that chance.

Look, I'm tellin' you all I know. I
don't know about nobody except Finrock.

You wanna do the honors
or should I?

No. You do it. I can't get used to all
that blood and those broken bones.

AII right! AII right!

Somebody did hire
Finrock and then me.

Who?

Mary Cunningham.

HAYES: And don't think crying is gonna
soften us up, because it isn't!

We've been threatened, beaten
up and dumped out of town

Iike two sacks of bad feed.

We're not gonna
take it any more!

You hired Finrock and Gorman,
didn't you?

VVhy?

You wouldn't have done it unless you
were in trouble. Now what is it?

We're not leaving here
until you tell us.

(SOBBING) No. Now,
that's not gonna work!

Listen,
what are you afraid of?

Come on! Tell me!

I can't tell you anything!

Didn't it ever occur to you
that I was trying to help you?

Why didn't you tell us that
when you fired us?

I couldn't!

You had no reason
to stay here,

why couldn't you just
leave town when I let you go?

(MARY SOBBING)

Here, drink this.

It's all right.

It's all right,
we know when we're Iicked.

We're not gonna
ask you any more questions.

Pay $2 for a room, you hope
to get a little privacy.

I would appreciate it if you
would, uh, unbuckle your gun belts

and drop them
to the floor, please.

And now, if you could just kick
them somewhere out ofthe way,

Iike under the bed. Hmm?

Thank you.

Now, I hope you don't mind
my coming here Iike this,

but I really do Iike you fellows and I
thought I would just try one last time.

Why didn't you ride on to Gila City
Iike you were told to do, hmm?

No one would tell us
why we should.

And we didn't Iike
the way we were asked.

Well, Mary Cunningham told
Gorman not to be rough on you,

but I'm afraid he's the kind of a man who
seems to get carried away with his work.

I hear you went to see him.

And you went to see
Mary, too, hmm?

What'd she tell you?

Everything.

No. She didn't
tell you anything.

Poor girl, you must have
upset her something awful.

Now, I do hope you're gonna stop all
ofthis and start being reasonable,

because I can't give you
any more warnings

and I can't keep on
being friendly.

And if you don't
get out of town real soon,

both of you are going to
end up dead.

Don't we even get to
discuss it a little?

I don't think you heard
what I just said.

If you insist on being stubborn,
someone is going to have you killed.

Now, did you hear me
good that time?

Good.

I really hate to see people I
like getting themselves killed.

You know, Heyes,
I've been thinkin'...

Kid, we've had a pretty fair arrangement
so far. Let's keep it that way.

Finrock wasn't hired
by Mary Cunningham.

And neither was Gorman.

AII right,
who was he hired by?

I don't know.

Well, think some more,

about how important it is
to know when you've had it.

Let's get a good night's sleep and
ride on to Gila City in the morning.

I was gettin' a little tired
ofthis town anyway.

Yeah.

You know, Kid, I didn't
sleep very well last night.

Thinkin' about what you said.

You know, about Finrock and Gorman
not working for Mary Cunningham.

Who are they working for?

That's what kept me awake.

I think I just
got the answer.

What's the name
ofthis hotel?

And the name ofthat
land office?

And the name of
the general store?

How many times have we heard the name
Sloane since we've been in town?

Quite a few times.

How many times have we
seen this man Sloane?

How do I know? I don't even
know what he looks Iike.

Right.

Now a man as important as this Mr.
Sloane, all he'd have to do is

come walkin' down the street and
all the bowin' and scrapin'

would whip up
a fair-sized dust storm.

Okay, you've got a point,
what else you got?

What else do you need?

Is Mr. Sloane in?

May I ask who's calling,
please?

Joshua Smith
and Mr. Thaddeus Jones.

On business?

Very important business.

Just a moment, please.

(DOOR CLOSING)

Well, at least we finally found
out what office he uses in town.

This way, please.
Thank you, ma'am.

SLOANE: You wanted to see me?

Mr. Sloane, I realize
you're a very busy man

and we thank you for
taking the time to see us.

I had to.

You've been asking for me at my land
office, at my hotel, my general store.

If you meant to get my curiosity
up, you sure did a good job.

You've got a pretty good Iittle spy
system goin' there for you, Mr. Sloane.

No, it's just one of the benefits
you enjoy when you own half a town.

Well?

I had an idea,
Mr. Sloane.

Ijust decided it wasn't
one of my better ones.

Well, tell it to me anyway.

Maybe I can help.

We had pretty good jobs over at the
saloon and we were fired for no reason.

Then we didn't leave town fast enough and
people have been beatin' on our heads

and threatenin' our lives
ever since.

And you think I had somethin'
to do with that?

Well, Iike you said,
you own halfthe town.

Well, if someone's
threatened your life,

that's against the Iaw.

If I were you
I'd go to the Sheriff.

He's a good man,
I handpicked him myself.

Thank you, Mr. Sloane,
but there's no reason

to bother him
with our little troubles.

Besides, we're, uh,
we're all ready to leave.

Thanks for taking
the time to see us.

(PEOPLE CHATTERING)

Well!

I hear you boys
is Ieavin' town.

It's too bad. I sure
hate to see you go.

Figured you would.

Been in this town a week and we don't
see the man who owns half of it.

And in one day,
we see him twice.

The man who owns the town?

Yeah, Sloane. He just
went by in a hurry.

Mr. Sloane don't hurry
nowhere.

That was Warren Epps,
his bookkeeper.

(CREAKING)

Well!

Oh! Look who's callin' himself
Willard R. Sloane.

I don't keep a gun in there, Heyes.
If you killed me now it'd be murder.

Flat out murder!

I have always wondered what
happened to you, PIummer.

Me and 12 other guys.

You remember? Remember I told you
about my old pal, Jim PIummer?

Uh-uh.

About 10 years ago.

Was the first bunch
I ever rode with.

We robbed a payroll train
and got jumped by a posse.

Had to split up.

Old Jim here was our leader,
so he had the haul.

AII 30,000 of it.

And that was the last anybody
ever saw of him, until now.

Some ofthe gang are dead, and
some ofthem are in jail.

But there are still four
or five ofthem ridin' around.

Jim, can you imagine
the pleasure they'd get

finding you
after all these years?

Heyes, you never killed
anybody in your Iife.

But you sure would be killin'
me if you Iet out where I am.

Yeah. I guess I would.

Maybe I'II just
get word to the Iaw.

It wouldn't be
killin' then, huh, Jim?

The statute of Iimitations has run
out on all the robbin' I ever did.

I'm in the clear now,

not wanted for anything.

There you are,
runnin' in Iuck again.

We're not clean
Iike you are yet.

The Governor's promised us
amnesty,

but we've got to walk straight and narrow for
a year or so before we can collect on it.

And hope that nobody
grabs us in the meantime.

I could've done that!

Tipped the Sheriff off about
you, but I didn't, Heyes.

You gotta take that
into account, right?

Jim, please. Don't try
to chump me again.

You didn't go to the Sheriff because you
don't want him askin' you how you know me.

If you give me your word, not
to say anything to anybody,

I'II make it up to you. I got four,
five thousand, right here, in cash.

Can't do it.

That'd be, what? Extortion? Blackmail?
Anyway, it's against the Iaw.

Ijust got through tellin' you,
we don't do that anymore.

So you'll kill me, huh?

Just let Buck and Kresher
and Longbill find me, huh?

Uh-huh.

But then, maybe not.

What's Mary Cunningham
got to do with any of this?

Nothin'. I Ioaned her some
money when her husband died.

And when I told her to fire
you, she finally agreed.

You know, Heyes, I think we ought
to tell those boys where he is.

Sure we should.

But we're not. Because you're gonna
buy Mary Cunningham's saloon.

AII right, sure.

Just give me your word
and it's a deal.

For $3o,ooo.

I feel sentimental
about that figure.

Thirty thousand?

Why not?

It's a good saloon.
It's the best one in town.

I'm not sure I got 30,000.

In cash.

Well, raise it, Jim.
'Cause that's the deal.

We're Iettin' you off easy.

Because you didn't tell
the Sheriff about us.

(SIGHS)

(DOGS BARKING)

You think Sloane
double-crossed us?

No. Ijust don't think
he had time to call them off.

Ah! Smith, Jones.
I see you're finally leaving.

About that shooting, Ido hope you
realize it was just a small error.

Yes, we finally figured
that out for ourselves.

And you know, the boys had
orders not to hit you,

because as I've said...
Yeah, I know.

You really do Iike us.

Goodbye.

I'm really sorry
you have to leave Iike this.

Well, we had thought we'd try to find a
town that was a little less exciting.

But you know now I had nothing
to do with any ofthis...

Well, that's except for Ietting you go.
And I was told...

Mary, you don't have to
apologize to us.

We know the whole story now,

which is more than
you know, right?

Well, there are a few things
that I don't quite understand.

Something happened
this morning.

Something wonderful
and strange.

I can take my children
back East now.

And I think that you two
had something to do with it.

Really? What happened?

Willard Sloane
bought the saloon.

Oh. What's so strange
about that?

The price.
He paid me $30,000 for it.

Well, why not?

The building alone
is worth that much.

I know. But I don't own the building.
Mr. Sloane does.

Well. That is strange.

And wonderful.

Goodbye, Mary.

Kiss the kids goodbye
forme, okay?