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Splendid.

Sorry, sir, I've already got a fare.

I'm free, sir! Over here!

Yes, coming, sir.

Over here, sir!

- Make way. - Here you are, sir.

Turn your lights on.

Move, darn it.

Freddy, go and find a cab.

Do you want me to catch pneumonia?

- Watch out, daffy. - Get on with it, love.

Don't just stand there, Freddy. Go and find a cab.

All right, I'll get it. I'll get it.

I'm getting wet!

I'm sorry.

Look where you're going, dear. Look where you're going.

I'm so sorry.

Two bunches of violets trod in the mud.

A full day's wages.

Freddy.

Freddy, go and find a cab!

Yes, mother.

Oh, he's your son, is he?

Well, if you'd done your duty by him as a mother should,

you wouldn't let him spoil a poor girl's flowers

and then run away without paying.

Go about your business, my girl.

And you wouldn't go off without paying either.

Two bunches of violets trod in the mud.

Good heavens.

Sir, is there any sign of it stopping?

- I'm afraid not. It's worse than before. - Oh, dear.

If it's worse, it's a sign it's nearly over.

Cheer up, captain. Buy a flower off a poor girl.

I'm sorry. I haven't any change.

I can change half a crown. Here, take this for tuppence.

I told you, I'm awfully sorry, I haven't...

Wait a minute. Oh, yes.

Here's three ha'pence, if that's any use to you.

Thank you, sir.

You be careful. Better give him a flower for it.

There's a bloke here behind that pillar

taking down every blessed word you're saying.

I ain't done nothing wrong by speaking to the gentleman.

I've a right to sell flowers if I keep off the curb.

I'm a respectable girl, so help me!

I never spoke to him except to ask him to buy a flower off me!

- Oh, don't start. - What's all the bloomin' noise?

There's a tec taking her down.

I'm making an honest living.

- Who's doing all that shouting? - Where is it coming from?

Oh, sir, don't let him charge me. They don't know what it means to me.

They'll take away me character and drive me on the streets

for speaking to gentlemen!

There, there, there, there.

Who's hurting you, you silly girl? What do you take me for?

- On my Bible oath, I never spoke a word. - Shut up. Do I look like a policeman?

Then what did you take down me words for? How do I know you took me down right?

You just show me what you wrote about me.

That ain't proper writing. I can't read it.

I can.

"I say, captain, now buy a flower off a poor girl."

Oh, it's 'cause I called him "captain."

I meant no harm.

Sir, don't let him lay a charge against me for a word like that.

Charge? I'll make no charge.

Really, sir, if you are a detective, you needn't begin protecting me

against molestation from young women until I ask you.

Anyone could tell the girl meant no harm.

He ain't no tec. He's a gentleman. Look at his boots.

How are all your people down at selsey?

Who told you my people come from selsey?

Never mind. They do.

How do you come to be up so far east? You were born in lisson grove.

Oh, what harm is there my leaving lisson grove?

It weren't fit for a pig to live in and I had to pay four and six a week...

Live where you like, but stop that noise.

Come, come, he can't touch you. You've a right to live where you please.

- I'm a good girl, I am. - Yes, yes.

Where do I come from?

Hoxton.

Well, who said I didn't? Blimey, you know everything, you do.

You, sir, do you think you could find me a taxi?

I don't know whether you've noticed, madam, but it's stopped raining.

You can get a motor bus to Hampton court.

Well, that's where you live, isn't it?

What impertinence.

Hey, tell him where he comes from, you want to go fortune-telling.

Cheltenham,

harrow,

Cambridge and...

India?

Quite right.

Blimey, he ain't a tec, he's a blooming busybody.

Sir, do you do this sort of thing for a living at a music hall?

Well, I have thought of it. Perhaps I will one day.

He's no gentleman, he ain't, to interfere with a poor girl!

- How do you do it, may I ask? - Simple phonetics.

The science of speech.

That's my profession. Also my hobby.

Anyone can spot an irishman or a yorkshireman by his brogue,

but I can place a man within six miles.

I can place him within two miles in London.

Sometimes within two streets.

Ought to be ashamed of himself, unmanly coward.

- Is there a living in that? - Yes, quite a fat one.

Let him mind his own business and leave a poor girl...

Woman! Cease this detestable boo-hooing instantly.

Or else seek the shelter of some other place of worship.

I have a right to be here if I like, same as you.

A woman who utters such disgusting and depressing noises

has no right to be anywhere, no right to live.

Remember that you're a human being with a soul

and the divine gift of articulate speech,

that your native language

is the language of Shakespeare and Milton and the Bible.

Don't sit there crooning like a bilious pigeon.

J” look at her a prisoner of the gutters j“

j” condemned by every syllable she utters j'

j” by night she should be taken out and hung it

j” for the cold-blooded murder of the English tongue j”

-ow! “How,"

j” heavens, what a sound j”

j” this is what the British population j”

j” calls an elementary education j”

come, sir. I think you picked a poor example.

Did I?

J” hear them down in soho square dropping h is everywhere j”

j” speaking English any way they like j”

you, sir, did you go to school?

What do you take me for, a fool?

J” well, no one taught him ”take” instead of ”tike ”j”

j” heara yorkshireman, or worse heara cornishman con verse j”

j” / 'd rather hear a choir singing flat j”

j” chickens cackling in a barn just like this one j”

garn!

"Garn."

I ask you, sir, what sort of word is that?

J” ltis "ow” and 'garn ” that keep her in her place j”

j” not her wretched clothes and din'y face j”

j” why can't the English teach their children how to speak? J”

j” this verbal class distinction by now should be antique j”

j” if you spoke as she does, sir instead of the way you do j”

j” why, you might be selling flowers too j”

I beg your pardon.

J” an englishman is way of speaking absolutely classifies him j”

j” the moment he talks j”

j” he makes some other englishman despise him j”

j” one common language I'm afraid we 'i/ ne ver get j”

j” oh, why can't the English learn to j”

j” set a good example to people whose English is painful to your ears? J”

j” the scotch and the Irish leave you close to tears j”

j” there even are places where English completely disappears j”

j” well, in america they haven't used it for years j”

J” why can't the English teach their children how to speak? J”

j” Norwegians learn Norwegian the Greeks are taught their Greek j”

j” in France eve/y frenchman knows his language from a to zed j”

the French don't care what they do actually,

as long as they pronounce it properly.

J” arabians learn arabian with the speed of summer lightning j”

j” the hebrews learn it backwards which is absolutely frightening j”

j” use proper English you're regarded as a freak j”

j” oh, why can't the English... j”

j” why can't the English learn j”

j” to speak? J”

Thank you.

You see this creature with her curbstone English,

the English that'll keep her in the gutter till the end of her days?

Well, sir, in six months, I could pass her off

as a duchess at an embassy ball.

I could even get her a job as a lady's maid or a shop assistant,

which requires better English.

Here, what's that you say?

Yes, you squashed cabbage leaf,

you disgrace to the noble architecture of these columns,

you incarnate insult to the English language.

I could pass you off as the queen of sheba.

Oh! You don't believe that, captain.

Anything's possible.

I myself am a student of Indian dialects.

Are you?

Do you know colonel pickering, the author of spoken sanskrit?

I am colonel pickering. Who are you?

I'm Henry Higgins, author of Higgins universa/a/phabet.

I came from India to meet you.

I was going to India to meet you!

- Higgins. - Pickering.

- Higgins. - Where are you staying?

At the Carlton.

No, you're not. You're staying at 27a wimpole street.

Come along with me. We'll have a little jaw over supper.

- Right you are. - Indian dialects always fascinated me.

Buy a flower, kind sir. I'm short for me lodgings.

Liar. You said you could change half a crown.

You ought to be stuffed with nails, you ought.

Here, take the whole blooming basket for sixpence!

A reminder.

How many are there actually?

- How many what? - Indian dialects.

No fewer than 147 distinct languages are recorded as vernacular in India.

Shouldn't we stand up, gentlemen? We've got a blooming heiress in our midst.

Would you be looking for a good Butler, Eliza?

Well, you won't do.

J” its rather dull in town I think ill take me to Paris j”

j” the missus wants to open up the castle in Capri j”

J” ll/le doctor recommends a quiet summer by the sea j”

J” wouldn't it be lo ver/y? J”

where you bound for this year, Eliza? Biarritz?

J” a/// want is a room somewhere j”

j” far away from the cold night air j”

j” with one enormous chairj”

j” oh, wouldn't it be lover/y? J”

j” lots of chocolate for me to eat j”

j” lots of coal makin ' lots of heat j”

j” warm face, warm hands, warm feetj”

j” oh, wouldn't it be lover/y? J”

j” oh, so lover/yj”

j” sittin ' abso-b/oomin '-/utely still j”

j” / would never budge till spring j”

j” crept over the windows/ll j”

j” someone is head restin' on my knee j”

j” warm and tender as he can be j”

j” who takes good care of me j”

j” oh, wouldn'titj”

j” be lover/y? J”

j” lover/yj”

j” lover/yj”

j” lover/yj”

j” lover/yj”

J” a/// want is a room somewhere j”

j” far away from the cold night air j”

j” with one enormous chairj”

j” oh, wouldn't it be lover/y? J”

j” lots of chocolate for me to eat j”

j” lots of coal makin ' lots of heat j”

j” warm face, warm hands, warm feetj”

j” oh, wouldn't it be lover/y? J”

j” oh, so lover/yj”

j” sittin ' abso-b/oomin '-/utely still j”

j” / would never budge till spring j”

j” crept over the windows/ll j”

j” someone is head restin' on my knee j”

j” warm and tender as he can be j”

j” who takes good care of me j”

j” oh, wouldn'titj”

j” be lover/y? J”

j” lover/yj”

j” lover/yj”

j” lover/yj”

J” oh, wouldn'titj”

j” be lover/y? J”

j” lover/yj”

j” lover/yj”

j” lover/yj”

j” wouldn't it j”

j” be lover/y? J”

Come on, come on.

Come on, Alfie, let's go home now. This place is giving me the willies.

Home? What do you want to go home for? It's nearly 5:00.

My daughter, Eliza, will be along soon.

She ought to be good for a half a crown for her father what loves her.

Loves her? That's a laugh. You ain't been near her for months.

What's that got to do with it?

What's half a crown after all I've give her?

When did you ever give her anything?

Anything? I give her everything.

I give her the greatest gift any human being can give to another.

Life.

I introduced her to this here planet, I did, with all its wonders and marvels.

The sun that shines, the moon that glows.

Hyde park to walk through on a fine spring night.

The whole ruddy city of London to roam around in,

selling her blooming flowers.

I give her all that.

Then I disappears and leaves her on her own to enjoy it.

Now, if that ain't worth half a crown now and again,

I'll take my belt off and give her what for.

You got a good heart, Alfie.

But you want that half a crown out of Eliza,

you better have a good story to go with it.

Leave that to me, my boy.

Good morning, George.

Not a brass farthing.

Good morning to you, algernon.

Not a brass farthing.

Move on, please. Come on. Get out of here.

On with it.

Veggies! Come for veggies! Veggies! Take your pick!

Here we are. Nice salad Greens. Nice salad Greens.

Lovely Spanish onion.

Five pounds!

Take your pick! Nice bunches of veggies!

There she is.

Tomatoes over here! Nice garden tomatoes!

Why, Eliza, what a surprise.

Hop along, Charlie. You're too old for me.

Don't know your own daughter?

How you gonna find her if you don't know what she looks like?

I know her. Come on. I'll find her.

Eliza, what a surprise.

Not a brass farthing.

Eh? Here, you come here, Eliza.

I ain't gonna take me hard-earned wages

and let you pass them on to a bloody pub keeper.

Cor.

Eliza, you wouldn't have the heart to send me home to your stepmother

without a drop of liquid protection, now, would you?

Stepmother indeed.

Well, I'm willing to marry her.

It's me that suffers by it. I'm a slave to that woman, Eliza.

Just because I ain't her lawful husband.

Ah, come on, slip your old dad just half a crown to go home on.

Well, I had a bit of luck meself last night.

Yeah?

So here.

But don't keep coming around counting on half crowns from me.

Thank you, Eliza. You're a noble daughter.

J” beer, beer, glorious beerj”

j” fill yourself right up j”

j” with beerj”

You see this creature with her curbstone English,

the English that'll keep her in the gutter till the end of her days?

In six months, / could pass her oh' as a duchess at an embassy ball.

I could even get her a job as a lady's maid or a shop assistant,

which requires better English.

You disgrace to the noble architecture of these columns.

I could even get her a job as a lady's maid or a shop assistant,

which requires better English.

E. U. A.

Now, how many vowel sounds do you think you heard altogether?

I believe I counted 24.

- Wrong by a hundred. - What?

To be exact, you heard 130.

Now, listen to them one at a time.

Must I? I'm really quite done up for one morning.

Your name, please.

Your name, miss.

My name is of no concern to you whatsoever.

One moment, please.

London is getting so dirty these days.

I'm Mrs. Pearce, the housekeeper. Can I help you?

Good morning, missus.

I'd like to see the professor, please.

Could you tell me what it's about?

It's business of a personal nature.

Oh. One moment, please.

Mr. Higgins.

What is it, Mrs. Pearce?

There's a young woman who wants to see you, sir.

A young woman?

What does she want?

She's quite a common girl, sir. Very common indeed.

I should have sent her away,

only I thought perhaps you wanted her to talk into your machine.

- Has she an interesting accent? - Simply ghastly, Mr. Higgins.

Good. Let's have her in. Show her in, Mrs. Pearce.

- Very well, sir. It's for you to say. - This is rather a bit of luck.

I'll show you how I make records.

We'll set her talking and then I'll take her down first in bell's visible speech,

then in broad romic,

and then we'll get her on the phonograph so you can turn her on whenever you want

with the written transcript before you.

This is the young woman, sir.

Good morning, my good man.

Might I have the pleasure of a word with you?

Oh, no, no, no. This is the girl I jotted down last night.

She's no use. I've got all the records I want of the lisson grove lingo.

I'm not gonna waste another cylinder on that.

Be off with you. I don't want you.

Don't be so saucy. You ain't heard what I come for yet.

- Did you tell him I come in a taxi? - Nonsense, girl.

What do you think a gentleman like Mr. Higgins cares what you came in?

Oh, we are proud.

Well, he ain't above giving lessons. Not him. I heard him say so.

Well, I ain't come here to ask for any compliment,

and if my money's not good enough, I can go elsewhere.

Good enough for what?

Good enough for you.

Now you know, don't you?

I'm come to have lessons, I am, and to pay for them too, make no mistake.

Well!

And what do you expect me to say?

Well, if you was a gentleman, you might ask me to sit down, I think.

Don't I tell you I'm bringing you business?

Pickering, should we ask this baggage to sit down or just throw her out the window?

Ow! I won't be called a baggage, not when I've offered to pay like any lady.

What do you want, my girl?

I want to be a lady in a flower shop

instead of selling at the corner of Tottenham court road.

But they won't take me unless I can talk more genteel.

He said he could teach me. Well, here I am.

Ready to pay him, not asking any favor. And he treats me as if I was dirt.

I know what lessons cost as well as you do, and I'm ready to pay.

How much?

Now you're talking.

I thought you'd come off it when you saw a chance of getting back

a bit of what you chucked at me last night.

- You'd had a drop in, hadn't you, eh? - Sit down.

Oh, if you're going to make a compliment of it...

Sit down!

Sit down, girl. Do as you're told.

- Ow. - What's your name?

Eliza Doolittle.

Won't you sit down, miss Doolittle?

I don't mind if! Do.

Now, how much do you propose to pay me for these lessons?

I know what's right.

A lady friend of mine gets French lessons for 18 pence an hour

from a real French gentleman.

Well, you wouldn't have the face to ask me the same

for teaching me my own language as you would for French.

So I won't give more than a shilling. Take it or leave it.

You know, pickering, if you think of a shilling

not as a simple shilling but as a percentage of this girl's income,

it works out as fully equivalent...

Of £60 or £70 from a millionaire.

By George, it's enormous. It's the biggest offer I ever had.

Sixty pounds?

Where would I get £60? I never offered you £60.

- Hold your tongue. - But I ain't got £60!

Don't cry, you silly girl.

Sit down. Nobody's going to touch your money.

Somebody's going to touch you with a broomstick if you don't stop sniveling.

Sit down!

Anybody would think you was my father.

If I decide to teach you, I'll be worse than two fathers to you.

Here.

- What's this for? - To wipe your eyes.

To wipe any part of your face that feels moist.

And remember, that's your handkerchief and that's your sleeve.

And don't confuse the one with the other if you want to become a lady in a shop.

It's no use to talk to her like that, Mr. Higgins.

She doesn't understand you.

Here, give the handkerchief to me. He give it to me, not to you.

Higgins, I'm interested.

What about your boast that you could pass her off

as a duchess at the embassy ball, eh?

I'll say you're the greatest teacher alive if you can make that good.

I'll bet you all the expenses of the experiment that you can't do it.

I'll even pay for the lessons.

Oh, you're real good. Thank you, captain.

You know, it's almost irresistible.

She's so deliciously low.

So horribly dirty.

I ain't dirty. I washed my face and hands before I come, I did.

I'll take it.

I'll make a duchess of this draggle-tailed guttersnipe.

- Ow! - We'll start today. Now. This moment.

Take her away, Mrs. Pearce, and clean her.

Sandpapen if it won't come off any other way.

- Is there a good fire in the kitchen? - Yes, but...

Take all her clothes and burn them and order some new ones.

Just wrap her in brown paper till they come.

You're no gentleman. You're not to talk of such things.

I'm a good girl, I am.

And I know what the likes of you are, I do.

We want none of your slum prudery here, young woman.

You've got to learn to behave like a duchess.

Now take her away, Mrs. Pearce. If she gives you any trouble, wallop her.

I'll call the police, I will.

- I've got no place to put her. - Well, put her in the dustbin.

Come, Higgins, be reasonable.

You must be reasonable, Mr. Higgins. Really, you must.

You can't walk over everybody like this.

Walk over everybody?

My dear Mrs. Pearce, my dear pickering,

I had no intention of walking over anybody.

I merely suggested we should be kind to this poor girl.

If I didn't express myself clearly,

it was because I didn't wish to hurt her delicacy.

Or yours.

But, sir, you can't take a girl up like that

as if you were picking up a pebble on the beach.

Why not?

Why not? But you don't know anything about her.

What about her parents? She may be married.

Garn!

There. As the girl very properly says, "garn."

Who'd marry me?

By George, Eliza.

The streets will be strewn with the bodies of men

shooting themselves for your sake before I've done with you.

Here. I'm going.

He's off his chump, he is. I don't want no barmies teaching me.

Mad, am I? All right, don't ring up and order those new clothes. Throw her out.

Stop, Mr. Higgins, I won't allow it. Go home to your parents, girl.

I ain't got no parents.

There you are. She ain't got no parents. What's all the fuss about?

Nobody wants her. She's no use to anybody but me, so take her upstairs.

But what's to become of her? Is she to be paid anything?

Oh, do be sensible, sir.

What would she do with money? She'll have food and clothes.

She'll only drink if you give her money.

You are a brute. It's a lie. Nobody ever saw the sign of liquor on me.

Sir, you're a gentleman. Don't let him speak to me like that.

Does it occur to you, Higgins, the girl has some feelings?

Oh, no, I don't think so. No feelings we need worry about.

Have you, Eliza?

I got my feelings same as anyone else.

Mr. Higgins, I must know on what terms the girl is to be here.

What's to become of her when you've finished your teaching?

You must look ahead a little, sir.

What's to become of her if we leave her in the gutter?

Answer me that, Mrs. Pearce.

That's her own business, not yours, Mr. Higgins.

When I'm done, we'll throw her back in the gutter.

Then it'll be her own business again. That will be all right, won't it?

You've no feeling heart in you.

You don't care for nothing but yourself.

I've had enough of this. I'm going, I am.

You ought to be ashamed of yourself, you ought.

Have some chocolates, Eliza?

How do I know what might be in 'em?

I've heard of girls being drugged by the likes of you.

Pledge of good faith.

I'll take one half

and you take the other.

You'll have boxes of them, barrels of them every day.

You'll live on them, eh?

I wouldn't have ate it, only I'm too ladylike to take it out of me mouth.

Think of it, Eliza. Think of chocolates and taxis and gold and diamonds!

I don't want no gold and no diamonds. I'm a good girl, I am.

Higgins, I really must interfere. Mrs. Pearce is quite right.

If this girl's going to put herself in your hands for six months

for an experiment in teaching,

she must understand thoroughly what she's doing.

Hmm.

Eliza, you are to stay here for the next six months,

learning how to speak beautifully,

like a lady in a florist shop.

If you're good and do whatever you're told,

you shall sleep in a proper bedroom, have lots to eat

and money to buy chocolates and take rides in taxis.

But if you are naughty and idle,

you shall sleep in the back kitchen amongst the black beetles

and be walloped by Mrs. Pearce with a broomstick.

At the end of six months,

you shall be taken to Buckingham Palace in a carriage, beautifully dressed.

If the king finds out that you're not a lady,

the police will take you to the tower of London

where your head will be cut off

as a warning to other presumptuous flower girls.

But if you are not found out, you shall have a present

of seven and six to start life with as a lady in a shop.

If you refuse this offer,

you will be the most ungrateful, wicked girl

and the angels will weep for you.

Now, are you satisfied, pickering?

I don't understand what you're talking about.

Could I put it more plainly or fairly, Mrs. Pearce?

Come with me, Eliza.

That's right, Mrs. Pearce. Bundle her off to the bathroom.

You're a great bully, you are.

I won't stay here if I don't like it. I won't let nobody wallop me!

Don't answer back, girl.

If I'd known what I was letting myself in for, I wouldn't have come here.

I've always been a good girl, I have, and I won't be put upon!

In six months...

In three, if she has a good ear and a quick tongue...

I'll take her anywhere and I'll pass her off as anything.

I'll make a queen of that barbarous wretch.

I've never had a bath in me life. Not what you'd call a proper one.

You know, you can't be a nice girl inside if you're dirty outside.

I'll have to put you in here. This will be your bedroom.

I couldn't sleep here, missus. It's too good for the likes of me.

I should be afraid to touch anything. I ain't a duchess yet, you know.

Cor! What's this? This where you wash clothes?

This is where we wash ourselves, Eliza, and where I'm going to wash you.

You expect me to get into that and wet myself all over? Not me.

I shall catch me death.

Come along now.

Come along. Take your clothes off.

Come on, girl, do as you're told. Take your clothes off.

Here, come on. Help me take these...

Ow! No, I won't!

- Come out of that. - No, I won't!

I won't! Take your hands off me!

- No! - Oh, dear.

- No, I won't! Let go! - Eliza, keep still.

Take it all off!

I'm a good girl, I am!

Well, they won't like the smell of you if you don't have a bath.

It ain't right! It ain't decent!

Let go of me coat!

- Take your hands off me! - Come here!

No!

Let me go!

Take your clothes off!

I'm a good girl, I am!

- Take your hands off me! - Eliza, I won't have it! Now keep still!

I won't hurt you!

Higgins, forgive the bluntness,

but if I'm to be in this business, I shall feel responsible for the girl.

I hope it's clearly understood that no advantage

is to be taken of her position.

What, that thing? Sacred, I assure you.

Come now, Higgins, you know what I mean. This is no trifling matter.

Are you a man of good character where women are concerned?

Have you ever met a man of good character where women are concerned?

Yes, very frequently.

Well, I haven't.

I find the moment I let a woman make friends with me,

she becomes jealous, exacting, suspicious and a damned nuisance.

And I find the moment that I make friends with a woman,

I become selfish and tyrannical.

So here I am, a confirmed old bachelor and likely to remain so.

J” well, after all, pickering I'm an ordinan/ man j”

j” who desires nothing more than just an ordinary chance j”

j” to live exactly as he likes and do precisely what he wants j”

j” an average man am / of no eccentric whim j”

j” who I/kes to live his life free of strife j”

j” doing whatever he thinks is best for him j”

j” well, just an ordinary man j”

j” but let a woman in your life j”

j” and your Serenity is through j”

j” she 'i/ redecorate your home from the cellar to the dome j”

j” then go on to the enthralling fun of overhauling you j”

j” leta woman r'n your life j”

j” and you're up against a wall j”

j” make a plan and you will find she has something else in mind j”

j” and so rather than do either you do something else j”

j” that neither likes at all j”

j” you want to talk of k eats or Milton j”

j” she only wants to talk of lo ve j”

j” you go to see a play or ballet and spend it searching for her g/o ve j”

j” leta woman r'n your life j”

j” and you in vite eternal strife j”

j” let them buy their wedding bands j”

j” for those anxious little hands j”

j” I'd be equally as willing for a dentist to be drilling j”

j” than to ever let a woman in my life j”

j” I'm a very gentle man j”

j” e ven-tempered and good-natured j”

j” whom you never hear complain j”

j” who has the milk of human kindness by the quan' in even/ vein j”

j” a patient man am / down to my fingertips j”

j” the son' who never could, ever would j”

j” let an insulting remark escape his lips j”

j” a very gentle man j”

j” but let a woman in your life j”

j” and Patience hasn't got a chance j”

j” she will beg you for advice your reply will be concise j”

j” and she 'i/ listen very nicely j”

j” then go out and do precisely what she wants j”

j” you are a man of grace and Polish j”

j” who never spoke above a hush j”

j” now all at once you're using language j”

j” that would make a sailor blush j”

j” leta woman r'n your life j”

j” and you're plunging in a knife j”

j” let the others of m y sex j”

j” tie the knot around their necks j”

j” / 'd prefer a new edition of the Spanish lnquisition j”

j” than to ever let a woman in my life j”

j” I'm a quiet-living man j”

j” who prefers to spend the evenings in the silence of his room j”

j” who likes an atmosphere as restful as an undr'sco vered tomb j”

j” a pensive man am lj”

j” of philosophic joys j”

j” who likes to meditate, contemplate j”

j” free from humanityis ll/lad, inhuman noise j”

j” a quiet-living man j”

j” but let a woman in your life j”

j” and your sabbatical is through j”

j” in a line that never ends come an army of her friends j”

j” come to jabber and to chatterj”

j” and to tell her what the matter is with you j”

j” she 'i/ have a booming, boisterous fami/yj”

j” who will descend on you en masse j”

j” she 'i/ have a large wagner/an motherj”

j” with a voice that shatters glass j”

j” leta woman r'n your life j”

J” leta woman in your life j”

J” / shall never let a woman j”

j” in my/ife j”

Get out of here! The two of you get out too!

Come on, Doolittle!

And remember, drinks are to be paid for or not drunk.

Thanks for your hospitality, George.

Send the bill to Buckingham Palace. Come on.

Well, Alfie, there's nothing else to do. I guess it's back to work.

What? Don't you dare mention that word in my presence again.

Look at all these poor blighters down here.

I used to do that sort of thing once, just for exercise.

Not worth it. Takes up your whole day.

Oh, don't worry, boys. We'll get out of this somehow.

How do you think you're going to do that, Alfie?

How? Same as always.

Faith, hope and a little bit of luck.

J” the lord above gave man an arm of iron j”

j” so he could do his job and never shirk j”

j” the lord above gave man an arm of iron, but j”

j” with a little bit of luck with a little bit of luck j”

j” someone else 'i/ do the blinkin' work j”

j” with a little bit with a little bit j”

j” with a little bit of luck you 'i/ never work j”

j” the lord above made liquor for temptation j”

j” to see if man could turn away from sin j”

j” the lord above made liquor for temptation, but j”

j” with a little bit of luck with a little bit of luck j”

j” when temptation comes you 'i/ give right in j”

j” with a little bit with a little bit j”

j” with a little bit of luck you 'i/ give right in j”

j” oh, you can walk the straight and narrow j”

j” but with a little bit of luck you 'i/ run amuck j”

j” the gentle sex was made for man to marry j”

j” to share his nest and see his food is cooked j”

j” the gentle sex was made for man to marry, but j”

j” with a little bit of luck with a little bit of luck j”

j” you can have it all and not get hooked j”

j” with a little bit with a little bit j”

j” with a little bit of luck you won't get hooked j”

j” with a little bit with a little bit j”

j” with a little bit of bloom/n ' luck j”

j” the y're always throwin' goodness at you j”

j” but with a little bit of luck a man can duck j”

j” the lord above made man to help his neighborj”

j” no matter where on land, or sea, or foam j”

j” the lord above made man to help his neighbor, but j”

j” with a little bit of luck with a little bit of luck j”

j” when he comes around you won't be home j”

j” with a little bit with a little bit j”

j” with a little bit of luck you won't be home j”

j” with a little bit with a little bit j”

j” with a little bit of bloom/n ' luck j”

- you make a good suffragette! - Right. Now get along.

Why, there's the lucky man now.

The honorable Alfie Doolittle.

What are you doing in Eliza's house?

Her former residence. Ha!

You can buy your own drinks now, Alfie Doolittle.

Fallen into a tub of butter, you have.

- What are you talking about? - Your daughter, Eliza.

You're a lucky man, Alfie Doolittle.

Well, what about Eliza?

Oh! He don't know. Her own father and he don't know.

Moved in with a swell, Eliza has.

Left here in a taxi all by herself, smart as paint.

- And ain't been home for three days. - Go on.

Then this morning, I get a message from her.

She wants her things sent over

to 27a wimpole street, care of professor Higgins.

- And what things does she want? - What?

Her birdcage and her Chinese fan.

"But," she says,

"never mind about sending any clothes."

I knew she had a career in front of her.

Harry boy, we're in for a booze-up.

The sun is shining on Alfred p. Doolittle.

J” a man was made to help support his children j”

j” which is the right and proper thing to do j”

j” a man was made to help support his children, but j”

j” with a little bit of luck with a little bit of luck j”

j” the y'i/ go out and start supporting you j”

j” with a little bit with a little bit j”

j” with a little bit of luck the y'i/ work for you j”

j” with a little bit with a little bit j”

j” with a little bit of bloom/n ' luck j”

J” oh, its a crime for man to go phi/anderin'j”

j” and fill his wife is poor heart with grief and doubt j”

j” oh, its a crime for man to go phi/anderinj but j”

j” with a little bit of luck with a little bit of luck j”

j” you can see the bloodhound don't find out j”

j” with a little bit with a little bit j”

j” with a little bit of luck she won't find out j”

Charlie, over here.

J” with a little bit with a little bit j”

j” with a little bit of bloom/n ' luck j”

j” with a little bit of bloom/n ' luck j”

The mail, sir.

Pay the bills and say no to the invitations.

A.

You simply cannot go on working the girl this way,

making her say her alphabet over and over from sunup to sundown, even during meals.

You'll exhaust yourself. When will it stop?

When she does it properly, of course.

Is that all, Mrs. Pearce?

There's another letter from that American millionaire, Ezra d. Wallingford.

He still wants you to lecture for his moral reform league.

Yes, well, throw it away.

It's the third letter he's written you. You should at least answer it.

All right. Leave it on the desk, Mrs. Pearce. I'll try and get to it.

If you please, sir, there's a dustman downstairs,

Alfred p. Doolittle, who wants to see you.

- He says you have his daughter here. - I say!

Well, send the blackguard up.

He may not be a blackguard, Higgins.

Nonsense. Of course he's a blackguard, pickering.

Whether he is or not, I'm afraid we'll have some trouble with him.

No, I think not. Any trouble to be had, he'll have it with me, not I with him.

Doolittle, sir.

Professor Higgins?

Here!

Where?

Oh, good morning, guv'nor.

I come about a very serious matter, guv'nor.

Brought up in hounslow.

Mother Welsh, I should think.

What is it you want, Doolittle?

I want my daughter, that's what I want. See?

Well, of course you do. You're her father, aren't you?

I'm glad to see you have a spark of family feeling left.

She's in there. Yes, take her away at once.

What?

Take her away.

Do you think I am going to keep your daughter for you?

Now, is this reasonable, guv'nor?

Is it fairity to take advantage of a man like that?

The girl belongs to me. You got her. Where do I come in?

How dare you come here and attempt to blackmail me.

You sent her here on purpose.

Now, don't take a man up like that, guv'nor.

The police should take you up.

This is a plan, a plot to extort money by threats.

I shall telephone the police.

Have I asked you for a brass farthing?

I'll leave it to this gentleman here. Have I said a word about money?

What else did you come for?

Well...

What would a bloke come for?

Be human, guv'nor.

Alfred, you sent her here on purpose.

- So help me, guv'nor, I never did. - Then how did you know she was here?

I'd tell you, guv'nor, if you'd only let me get a word in.

I'm willing to tell you. I'm wanting to tell you.

I'm waiting to tell you.

You know, pickering, this chap's got a certain natural gift of rhetoric.

Observe the rhythm of his native woodnotes wild.

"I'm willing to tell you. I'm wanting to tell you.

I'm waiting to tell you."

That's the Welsh strain in him.

How did you know Eliza was here if you didn't send her?

Well, she sent back for her luggage and I got to hear about it.

She said she didn't want no clothes.

What was I to think from that, guv'nor?

I ask you, as a parent, what was I to think?

So you came here to rescue her from worse than death, eh?

- Just so, guv'nor, that's right. - Yes.

Mrs. Pearce!

Mrs. Pearce, Eliza's father has come to take her away.

Give her to him, will you?

Now, wait a minute, guv'nor, wait a minute.

You and me is men of the world, ain't we?

Oh, men of the world, are we?

- Yes, well, you better go, Mrs. Pearce. - I think so indeed, sir.

Here, guv'nor. I've took a sort of a fancy to you and...

If you want the girl, well, I ain't so set on having her back home again,

but what I might be open to is an arrangement.

All I ask is my rights as a father.

You're the last man alive to expect me to let her go for nothing.

I can see you're one of the straight sort, guv'nor.

So, what's a five-pound note to you? And what's Eliza to me?

I think you ought to know, Doolittle,

that Mr. Higgins' intentions are entirely honorable.

Of course they are, guv'nor.

If I thought they wasn't, I'd ask 50.

Do you mean to say you'd sell your daughter for £50?

Have you no morals, man?

No. No, I can't afford 'em, guv'nor.

Neither could you if you was as poor as me.

Not that I mean any harm, mind you.

But if Eliza is gonna have a bit out of this, why not me too, eh?

Why not?

Well...

Look at it my way.

What am I? I ask you, what am I?

I'm one of the undeserving poor, that's what I am.

Now, think what that means to a man.

It means he's up against middle-class morality for all of time.

If there's anything going and I puts in for a bit of it,

it's always the same story.

"You're undeserving, so you can't have it."

But my needs is as great as the most deserving widows

that ever got money out of six different charities in one week

for the death of the same husband.

I don't need less than a deserving man, I need more.

I don't eat less hearty than he does.

And I drink, oh, a lot more.

I'm playing straight with you. I ain't pretending to be deserving.

No, I'm undeserving.

And I mean to go on being undeserving. I like it, and that's the truth.

But will you take advantage of a man's nature

to do him out of the price of his own daughter,

what he's brought up, fed and clothed by the sweat of his brow

till she's growed big enough to be interesting to you two gentlemen?

Well, is five pounds unreasonable? I put it to you.

And I leave it to you.

You know, pickering, if we took this man in hand for three months,

he could choose between a seat in the cabinet

and a popular pulpit in wales.

We'd better give him a fiver.

He'll make bad use of it, I'm afraid.

Oh, not me, guv'nor. So help me, I won't.

Just one good spree for meself and the missus,

giving pleasure to ourselves and employment to others

and satisfaction to you to know it ain't been thrown away.

You couldn't spend it better.

This is irresistible. Let's give him ten.

No, the missus wouldn't have the heart to spend ten, guv'nor.

Ten pounds is a lot of money.

Makes a man feel prudent-like, and then goodbye to happiness.

No, you give me what I ask, guv'nor. Not a penny less, not a penny more.

I rather draw the line at encouraging this sort of immorality, Doolittle.

Why don't you marry that missus of yours, eh?

After all, marriage isn't so frightening. You married Eliza's mother.

Who told you that, guv'nor?

Well, nobody told me. I concluded, naturally.

If we listen to this man another minute, we shall have no convictions left.

- Five pounds, I think you said. - Thank you, guv'nor, thank you.

Are you sure you won't have ten?

- No, no, perhaps another time. - I won't, I won't, I won't!

I beg your pardon, miss.

I won't say those ruddy vowels one more time.

Blimey, it's Eliza.

Well, I never thought she'd clean up so good-looking.

She does me credit, don't she, guv'nor?

Here. What you doing here?

Now, now, you hold your tongue.

And don't you give these gentlemen none of your lip.

If you have any trouble with her, guv'nor, give her a few licks of the strap.

That's the way to improve her mind.

Well, good morning, gentlemen.

- Cheerio, Eliza. - Maah!

There's a man for you. A philosophical genius of the first water.

Mrs. Pearce, write to Mr. Ezra wallingford and tell him if he wants a lecturer

to get in touch with Mr. Alfred p. Doolittle,

a common dustman, one of the most original moralists in england.

Yes, sir.

Here, what'd he come for?

Say your vowels.

I know me vowels. I knew 'em before I come.

If you know them, say them.

A, e, I, o, u!

Stop!

A, e, I, o, u.

That's what I said... a, e, I, o, u.

That's what I been saying for three days and I won't say 'em no more.

I know it's difficult, miss Doolittle, but try to understand.

There's no use explaining, pickering.

As a military man, you ought to know that. Drilling is what she needs.

Now, leave her alone or she'll be turning to you for sympathy.

Very well, if you insist, but have a little Patience with her, Higgins.

Of course.

Now say "a."

You ain't got no heart, you ain't.

-A!

- A! - A!

Eliza.

I promise you, you'll say your vowels correctly before this day is out

or there'll be no lunch, no dinner

and no chocolates.

J” just you wait, Henry Higgins just you waitj”

j” you'll be sorry but your tears'll be too late j”

j” you'll be broke and I'll have moneyj”

j” will / help you? Don't be funny j”

j” just you wait, Henry Higgins just you waitj”

j” just you wait, Henry Higgins till you're sick j”

j” and you screams to fetch a doctor double-quick j”

j” ill be oh” a second later and go straight to the theaterj”

j” a-ha-ha, Henry Higgins just you waitj”

j” ooh! Henry Higgins j”

j” just you wait until we 're swimmin'in the sea j”

j” ooh! Henry Higgins j”

j” and you gets a cramp a little ways from me j”

j” when you yell you're gonna drown j”

j” ill get dressed and go to town j”

j” ho, ho, ho, Henry Higgins j”

j” ho, ho, ho, Henry Higgins j”

j” just you waitj”

j” one day I'll be famous j”

j” ill be proper and prim j”

j” go to St. James so often j”

j” / wrl/ call it St. Jim j”

j” one evening the king will say j”

j” ”oh, Liza, old thingj”

j” / want all of england j”

j” your praises to sing ”j”

j” next week on the 20th of ma y j”

j” / proclaim Liza Doolittle dayj”

j” all the people will celebrate the glory of you j”

j” and whatever you wish and want I gladly will do j”

j” ”thanks a lot, king, ”says/ in a manner well-bred j”

j” ”but all / want is Henry Higgins ' head ” j”

-j” done j” -j” says the king with a stroke j”

j” guard, run and bring in the bloke j”

j” then they'll march you, Henry Higgins to the wall j”

-j” and the king wrl/ tell me j” -j” Liza, sound the call j”

j” as they raise their rifles higher j”

j” I'i/ shout, 'peady, aim, fire”j”

j” ho, ho, ho, Henry Higgins j”

j” down you'll go, Henry Higgins j”

j” just you waitj”

All right, Eliza, say it again.

"The rain in Spain stays mainly in the plain."

The rain in Spain stays mainly in the plain.

Didn't I say that?

No, Eliza, you didn't "sigh" that. You didn't even say that.

Every night before you get into bed, where you used to say your prayers,

I want you to say, "the rain in Spain stays mainly in the plain," 50 times.

You'll get much further with the lord if you learn not to offend his ears.

Now for your h's.

Pickering, this is going to be ghastly.

Control yourself, Higgins. Give the girl a chance.

Oh, well, I suppose you can't expect her to get it right the first time.

Come here, Eliza, and watch closely.

Now.

You see that flame?

Every time you pronounce the letter h correctly,

the flame will waver.

And every time you drop your h, the flame will remain stationary.

That's how you'll know if you've done it correctly.

In time, your ear will hear the difference.

You'll see it better in the mirror.

Now, listen carefully.

In Hartford, hereford and Hampshire, hurricanes hardly ever happen.

Now, repeat that after me.

In Hartford, hereford and Hampshire hurricanes hardly ever happen.

"In 'artford, 'ereford and 'ampshire 'urricanes 'ardly hever 'appen."

Oh, no, no, no. Have you no ear at all?

- Shall I do it over? - No, please.

Start from the very beginning. Just do this. Go...

Ha, ha, ha, ha.

Ha, ha, ha, ha.

Go on, go on, go on.

Ha, ha, ha.

Does the same thing hold true in India, pickering?

Is it truly a habit of not only dropping a letter like the letter h,

but using it where it doesn't belong, like "hever" instead of "ever"?

Why is it slavs, when they learn English, have a tendency to do it with g's?

They say "iih-nger" instead of "linger."

Then they turn right round and say "sing-ger" instead of "singer."

I've noticed the slav using it where it isn't needed.

If they learn English, they have to do it with their g's.

Mmm.

The girl, Higgins!

Go on, go on, go on.

- Go on. - Ha, ha...

J” poor professor Higgins j”

j” poor professor Higgins j”

j” night and day he slaves awayj”

j” oh, poor professor Higgins j”

j” all day long j”

j” on his feet j”

j” up and down until he's numb j”

j” doesn't rest j”

j” doesn't eat j”

j” doesn't touch a crumb j”

Again, Eliza.

How kind of you to let me come.

How kind of you to let me come.

No, kind of you. Kind of you. Kind.

How kind of you to let me come.

- How kind of you to let me come. - No, no.

Kind of you. Kind of you. It's like "cup of tea." Kind of you.

Cup of tea. Say “cup of tea."

- Cuppa tea. - No, no. A cup of tea.

Awfully good cake, this. I wonder where Mrs. Pearce gets it.

Mmm. First-rate. And those strawberry tarts are delicious.

Did you try the plain cake?

Try it again.

- Did you try the... - Pickering!

Again, Eliza.

Cuppa tea.

Oh, no.

Can't you hear the difference?

Look, put your tongue fonnard

until it squeezes on the top of your lower teeth.

- And then say "cup." - Cup.

- Then say "of." - Of.

Then say, "cup, cup, cup, cup, of, of, of, of."

- Cup, cup, cup, cup, of, of, of, of. - Cup, cup, cup, cup, of, of, of, of, of...

By jove, Higgins, that was a glorious tea.

Finish that last strawberry tart. I couldn't eat another thing.

- I couldn't touch it. - Shame to waste it.

It won't be wasted.

I know somebody who's immensely fond of strawberry tarts.

J” poor professor Higgins j”

j” poor professor Higgins j”

j” on he plods against all odds j”

j” oh, poor professor Higgins j”

j” 9:00 p. M. J”

j” 70:00 pm. J”

j” on through midnight evea/ night j”

j” 7:00 am. J”

j” 2:00 a. M. J”

j” 3.00 j”

foun

five.

Six marbles.

Now, I want you to read this and I want you to enunciate every word

just as if the marbles were not in your mouth.

"With blackest moss the flower-pots were thickly crusted, one and all."

Each word clear as a bell.

"With blackest moss the flower-pots..."

I can't. I can't!

I say, Higgins, are those pebbles really necessary?

If they were necessary for demosthenes, they are necessary for Eliza Doolittle.

Go on, Eliza.

"With blackest moss the flower-pots

were thickly crusted, one and all."

I can't understand a word. Not a word.

"With blackest moss the flower-pots

were thickly crusted, one and all."

Higgins, perhaps that poem is a little too difficult for the girl.

Why don't you try something simpler, like "the owl and the pussycat"?

Oh, yes, that's a charming one.

Well, pickering, I can't hear a word the girl is saying.

What's the matter?

I swallowed one.

It doesn't matter. I've got plenty more. Open your mouth.

One, two.

J” ouit, professor Higgins j”

j” ouit, professor Higgins j”

j” hear our plea j”

j” or payday we will quit j”

j” professor Higgins j”

j” '54 ” not "I”j”

j” ”0" not "ow"j”

j” pounding, pounding in our brain j”

j” '54 ” not "I”j”

j” ”0" not "ow"j”

j” don'tsay' 'rine, s"ay 'r'ain”j”

the rain in Spain

stays mainly in the plain.

I can't!

I'm so tired.

I'm so tired.

For god's sake, Higgins, it must be 3:00 in the morning.

Do be reasonable.

I am always reasonable.

Eliza, if I can go on with a blistering headache, you can.

I got a headache too.

Oh, here.

I know your head aches. I know you're tired.

I know your nerves are as raw as meat in a butcher's window.

But think what you're trying to accomplish.

Just think what you're dealing with.

The majesty and grandeur of the English language.

It's the greatest possession we have.

The noblest thoughts that ever flowed through the hearts of men

are contained in its extraordinary, imaginative

and musical mixtures of sounds.

And that's what you've set yourself out to conquer, Eliza.

And conquer it you will.

Now, try it again.

The rain in Spain

stays mainly in the plain.

What was that?

The rain in Spain

stays mainly in the plain.

Again.

The rain in Spain stays mainly in the plain.

I think she's got it. I think she's got it.

J” the rain in Spain stays mainly in the plain j”

j” by George, sheis got it by George, sheis got it j”

j” now once again where does it rain? J”

j” on the plain on the plain j”

j” and where is that sogg y plain? J”

j” in Spain in Spain j”

j” the rain in Spain stays mainly in the plain j”

bravo!

J” the rain in Spain stays mainly in the plain j”

j” in Hartford, hereford and Hampshire j”

J” hurricanes hardly happen j”

j” how kind of you to let me come j”

j” now, once again where does it rain? J”

j” on the plain on the plain j”

j” and where is that blasted plain? J”

j” in Spain in Spain j”

j” the rain in Spain stays mainly in the plain j”

J” the rain in Spain stays mainly in the plain j”

pickering. Pickering. /olé//olél

70/67 -

Hey, pickering!

Oh! Hey!

Oh!

/olé./

Oh, dear. Oh, dear.

We're making fine progress, pickering. I think the time has come to try her out.

Are you feeling all right, Mr. Higgins?

Yes, I'm feeling fine, Mrs. Pearce. How are you?

- Very well, sir, thank you. - Oh, good.

Let's test her in public and see how she fares.

Mr. Higgins, I was awakened by a dreadful pounding.

Do you know what it might have been?

Pounding? I didn't hear any pounding. Did you, pickering?

If this goes on, Mrs. Pearce, you'd better see a doctor.

I know. We'll take her to the races.

- The races? - My mother's box at ascot.

You'll consult your mother first, of course?

Oh, yes, of course.

No, I think perhaps we'd better surprise her. Let's go to bed.

First thing in the morning, we'll go out and we'll buy her a dress.

Now get on with your work, Eliza.

But, Mr. Higgins, it's early in the morning.

What better time to work than early in the morning?

Where does one buy a lady's gown?

Whitley's, of course.

- How do you know that? - Common knowledge.

Let's not buy her anything too flowery.

I despise those gowns with sort of weeds here and weeds there.

Want to buy something sort of simple and modest and elegant.

That's what's called for.

Perhaps with a bow.

I think that's just right.

You've all been working much too hard.

I think the strain is beginning to show.

Eliza, I don't care what Mr. Higgins says.

You must put down your books and go to bed.

J” bed, bed, lcou/dn't go to bed j”

j” my head is too light to try to set it down j”

j” sleep, sleep, / couldn't sleep tonight j”

j” not for all the je we/s in the crown j”

j” / could have danced all night j”

j” / could have danced all night j”

j” and still have begged for more j”

j” / could have spread my wings j”

j” and done a thousand things j”

j” I've never done before j”

j” I'i/ never knowj”

j” what made it so exciting j”

j” why all at once j”

j” my heart took flight j”

j” / only know when he j”

j” began to dance with me j”

j” lcou/d have danced, danced, danced j”

j” all nighm

J” ltis after 3.00 now j”

J” don't you agree nowj”

-j” she ought to be in bed j” -j” she ought to be in bed j”

- J” / could have danced j” -j” you're tired out j”

- J” all night j” -j” you must be dead j”

-j” / could have danced j” -j” your face is drawn j”

-j” all night j” -j” your eyes are red j”

-j” and still have j” -j” now say good night, please j”

-j” begged for more j” -j” turn out the light, please j”

j” ltis really time for you to be in bed j”

-j” / could have spread j” -j” do come along j”

-j” my wings j” -j” do as you're told j”

-j” and done a thousand things j” -j” or Mrs. Pearce is apt to scold j”

-j” I've neverj” -j” you're up too late, miss j”

-j” done before j” -j” and sure as fate, miss j”

j” you 'i/ catch a cold j”

j” I'i/ never knowj”

j” what made it so exciting j”

j” why all at once j”

j” my heart took flight j”

-j” / only know j” -j” put down your book j”

-j” when he j” -j” the work will keep j”

-j” began to dance j” -j” now settle down j”

-j” with me j” -j” and go to sleep j”

j” lcou/d have danced, danced, danced j”

j” all nighm

j” lunderstand, dearj”

j” ltis all been grand, dearj”

j” but now it is time to sleep j”

J” / could have danced all night j”

j” / could have danced all night j”

j” and still have begged for more j”

j” / could have spread my wings j”

j” and done a thousand things j”

j” I've never done before j”

j” I'i/ never knowj”

j” what made it so exciting j”

j” why all at once j”

j” my heart took flight j”

j” / only know when he j”

j” began to dance with me j”

j” lcou/d have danced, danced, danced j”

j all nightj”

J” every Duke and Earl and peer is here j”

j” everyone who should be here is here j”

j” what a smashing positively dashing spectacle j”

j” the ascot opening da y j”

j” at the gate are all the horses j”

j” waiting for the cue to fly away j”

j” what a gripping, absolutely ripping j”

j” moment at the ascot opening day j”

j” pulses rushing j”

j” faces flushing j”

j” heartbeats speed up j”

j” lha ve never been so keyed up j”

j” any second now j”

j” the y'i/ begin to run j”

j” hark, a bell is ringing j”

j” they are springing forward j”

j” lookj”

j” it has begun j”

J” what a frenzied moment that was j”

j” didn't they maintain an exhausting pace? J”

j” 'twas a thrilling, absolutely chi/ling j”

j” running of the ascot opening race j”

Mother.

Henry. What a disagreeable surprise.

Hello, mother.

- How nice you look. - What are you doing here?

You promised never to come to ascot. Go home at once.

I can't. I'm here on business.

No, Henry, you mustn't.

I'm quite serious. You'll offend all my friends.

The moment they meet you, I'll never see them again.

- Besides, you aren't dressed for ascot. - I changed my shirt.

Now, listen, mother, I've got a job for you, a phonetics job.

- I've picked up a girl. - Henry.

Oh, no, not a love affair. She's a flower girl.

I'm taking her to the annual embassy ball, but I wanted to try her out first.

I beg your pardon?

- Well, you know the embassy ball. - Of course, I know the ball, but...

So I invited her to your box today. Do you understand?

A common flower girl?

She'll be all right. I taught her how to speak properly.

She has strict instructions as to her behavior.

She is to keep to two subjects... The weather and everybody's health.

"Fine day" and "how do you do?" And not just let herself go on things in general.

Help her along, darling. You'll be quite safe.

Safe? To talk about one's health in the middle of a race?

Well, she's got to talk about something.

Where is the girl now?

She's being pinned.

Some of the clothes we bought her didn't quite fit.

I told pickering we should have taken her with us.

- Thank goodness you're here. - Ah!

- Mrs. Eynsford-hill. - Good afternoon, Mrs. Higgins.

Thank you.

- You know my son, Henry. - How do you do?

- I've seen you somewhere before. - I don't know.

It doesn't matter. You better sit down.

- Lady boxington. - Where the devil can they be?

- Lord boxington. - Ah!

Colonel pickering, you're just in time for tea.

Thank you, Mrs. Higgins. May I introduce miss Eliza Doolittle?

My dear miss Doolittle.

How kind of you to let me come.

Delighted, my dear.

Lady boxington.

- How do you do? - How do you do?

Lord boxington.

- How do you do? - How do you do?

Mrs. Eynsford-hill, miss Doolittle.

- How do you do? - How do you do?

And Freddy eynsford-hill.

How do you do?

How do you do?

Miss Doolittle.

Good afternoon, professor Higgins.

The first race was very exciting, miss Doolittle.

I'm so sorry that you missed it.

Will it rain, do you think?

The rain in Spain stays mainly in the plain.

But in Hartford, hereford and Hampshire, hurricanes hardly ever happen.

How awfully funny.

What is wrong with that, young man? I bet I got it right.

Smashing.

Hasn't it suddenly turned chilly?

I do hope we won't have any unseasonable cold spells.

They bring on so much influenza.

And the whole of our family is susceptible to it.

My aunt died of influenza.

So they said.

But it's my belief they done the old woman in.

Done her in?

Yes, lord love you.

Why should she die of influenza

when she'd come through diphtheria right enough the year before?

Fairly blue with it, she was.

They all thought she was dead.

But my father, he kept ladling gin down her throat.

Then she come to so sudden, she bit the bowl off the spoon.

Dear me.

Now, what call would a woman with that strength in her

have to die of influenza?

And what become of her new straw hat that should have come to me?

Somebody pinched it.

And what I say is, them that's pinched it done her in.

Done her in? Done her in, did you say?

Whatever does it mean?

That's the new small talk.

To do somebody in means to kill them.

But you surely don't believe your aunt was killed?

Do I not?

Them she lived with would have killed her for a hat pin, let alone a hat.

But it can't have been right for your father

to pour spirits down her throat like that.

It might have killed her.

Not her.

Gin was mother's milk to her.

Besides, he poured so much down his own throat,

he knew the good of it.

Do you mean that he drank?

Drank? My word, something chronic.

Here, what are you sniggering at?

It's the new small talk. You do it so awfully well.

Well, if I was doing it proper, what was you sniggering at?

Have I said anything I oughtn't?

Oh, no.

Not at all, my dear.

Well, that's a mercy, anyhow.

What I always say...

I don't know whether there's time before the next race to place a bet.

- But come, my dear. - I don't suppose so.

I have a bet on number seven. I should be so happy if you would take it.

You'll enjoy the race ever so much more.

That's very kind of you.

- His name is Dover. - Come along, my dear, come along.

J” there they are again j”

j” lining up to run j”

j” now the y're holding steady they are ready for it j”

j” lookj”

j” it has begun j”

Come on. Come on, Dover. Come on.

Come on, Dover. Come on.

Come on, Dover!

Move your blooming arse!

Oh, dear! What I heard!

Don't upset yourself, my dear.

-[Gasps} -Oh, my dear.

You're not serious, Henry.

You don't expect to take her to the embassy ball.

Don't you think she's ready for it?

Dear Henry, she's ready for a canal barge.

Her language may need a little refining, but...

Oh, really, Henry.

If you cannot see how impossible this whole project is,

then you must be absolutely potty about her.

I advise you to give it up and not put yourself and this girl through more.

Give it up? It's the most fascinating venture I've ever undertaken.

Pickering and I are at it from morning till night.

It fills our whole lives.

Teaching Eliza, talking to Eliza, listening to Eliza, dressing Eliza.

What?

You're a pretty pair of babies playing with your live doll.

- Ah, here's the car. - Ah.

Isay, sk, uh...

- Good evening, sir. - Dinner ready? I'm famished.

Immediately, sir.

Good evening, professor Higgins.

J” when she mentioned how her aunt bit off the spoon j”

j” she completely done me in j”

j” and my heart went on a journey to the moon j”

j” when she told about her father and the gin j”

j” and / never saw a more enchanting farce j”

j” than the moment when she shouted: ”ll/love your blooming... ”j”

- yes, sir? - Uh, is miss Doolittle in?

- Whom shall I say is calling? - Freddy eynsford-hill.

If she doesn't remember who I am,

tell her I'm the chap who was sniggering at her.

Yes, sir.

- And will you give her these? - Yes, sir.

Wouldn't you like to come in, sir?

They're having dinner, but you may wait in the hall.

No. No, thank you. I want to drink in the street where she lives.

Yes, sir.

J” lha ve often walked j”

j” down this street before j”

j” but the pavement always stayed beneath my feet before j”

j” all at once am / j”

j” several stories high j”

j” knowing I'm on the street where you live j”

j” are there lilac trees j”

j” in the heart of town? J”

j” can you hear a lark in any other part of town? J”

j” does enchantment pourj”

j” out of every door? J”

j” no, it is just on the street where you live j”

j” and, oh, the towering feeling j”

j” just to know somehow you are nearj”

j” the overpowering feeling j”

j” that any second you may suddenly appear j”

j” people stop and stare j”

j” they don't bother me j”

j” for thereis nowhere else on earth that / would rather be j”

j” let the time go byj”

j” lwon'tcare if/j”

j” can be here j”

j” on the street where you live j”

Oh, sir.

I'm terribly sorry, sir.

Miss Doolittle says she doesn't want to see anyone ever again.

But why? She was unbelievable.

So I've been told, sir. Is there any further message?

Yes. Tell her that I'll wait.

But it might be days, sir, even weeks.

But don't you see? I'll be happier here.

J” people stop and stare j”

j” they don't bother me j”

j” for thereis nowhere else on earth that / would rather be j”

j” let the time go byj”

j” lwon'tcare if/j”

j” can be here j”

j” on the street j”

j” where you live j”

it really is, Higgins. It's inhuman to continue.

Do you realize what you've got to teach this poor girl within six weeks?

To walk, talk, address a Duke, a lord, a bishop, an ambassador.

It's absolutely imposs...

Higgins, I'm trying to tell you that I want to call off the bet.

I know you're a stubborn man, but so am I. This experiment is over.

And nothing short of an order from the king

could force me to recant.

Perhaps you'll excuse me.

You understand, Higgins, it's over.

Higgins.

Higgins, if there's any mishap at the embassy tonight,

if miss Doolittle suffers any embarrassment whatever,

it'll be on your head alone.

Eliza can do anything.

Suppose she's discovered. Remember ascot. Suppose she makes another ghastly mistake.

There will be no horses at the ball, pickering.

Think how agonizing it would be.

If anything happened tonight, I don't know what I'd do.

You could always rejoin your regiment.

This is no time for flippancy, Higgins.

The way you've driven the girl the last six weeks

has exceeded all bounds of common decency.

For god's sake, stop pacing up and down. Can't you settle somewhere?

Have some port. It'll quieten your nerves.

I'm not nervous.

- Where is it? - On the piano.

- The car is here, sir. - Oh, good.

- Tell miss Doolittle. - Yes, sir.

Tell miss Doolittle indeed. I bet you that damned gown doesn't fit.

I warned you about these French designers.

We should've gone to a good English shop where everyone would've been on our side.

- Have a glass of port? - No, thank you.

Are you so sure this girl will retain everything you've hammered into her?

Well, we shall see.

Suppose she doesn't?

I lose my bet.

There's one thing I can't stand about you. That's your confounded complacency.

At a moment like this, with so much at stake,

it's utterly indecent that you don't need a glass of port.

And what about the girl?

You act as though she doesn't matter at all.

Rubbish, pickering. Of course she matters.

What do you think I've been doing all these months?

What could possibly matter more than to take a human being

and change her into a different human being

by creating a new speech for her?

It's filling up the deepest gap

that separates class from class and soul from soul.

No, she matters immensely.

Miss Doolittle, you look beautiful.

Thank you, colonel pickering.

Don't you think so, Higgins?

Not bad. Not bad at all.

Mr. and Mrs. Hugh deuvile.

Major general the right honorable sir James Clarence.

Marquess and marchioness of glenning.

Lady suzanna de longly.

Sir Albert and lady derring.

Honorable Mr. Archibald and lady Catherine herring.

Maestro. Maestro.

Don't you remember me?

No. Who the devil are you?

I'm your pupil. Your first, your greatest, your best pupil.

I'm zoltan karpathy, that marvelous boy.

Oh!

I made your name famous throughout Europe.

You teach me phonetics. You cannot forget me.

Why don't you have your hair cut?

Ah, I don't have your imposing appearance, your figure, your brow.

If I had my hair cut, nobody would notice me.

Where did you get all these old coins?

These are decorations for language.

The queen of transylvania is here this evening.

I'm indispensable to her at these official international parties.

I speak 32 languages, I know everyone in Europe.

No impostor can escape my detection.

Professor karpathy.

The Greek ambassador.

Greek, my foot.

He pretends not to know any English, but he cannot deceive me.

He's the son of a Yorkshire watchmaker.

He speaks English so villainously

that he cannot utter a word without betraying his origin.

I help him pretend, but I make him pay through the nose. I make them all pay.

Excuse me, sir, you are wanted upstairs. Her excellency asked for you.

Excuse me.

Viscount and viscountess Sampson.

Baron and baroness of yester.

Sir guy and lady skot ackland.

The count and countess demerau.

The viscount and viscountess hillyard.

Mr. and Mrs. Richard lanser.

Lord and lady clandon.

Miss Eliza Doolittle, colonel pickering.

Miss Eliza Doolittle, colonel pickering.

- Professor Higgins. - Good evening, miss Doolittle.

Your excellency.

- Miss Doolittle. - How do you do?

- Good evening, colonel. - Good evening.

Colonel, what an enchanting young lady you have with you this evening.

- Thank you. - Well, who is she?

Oh, uh, a cousin of mine. And Higgins. Excuse me.

Professor Higgins.

Such a faraway look, as if she's always lived in a garden.

So she has, a sort of garden.

Henry must take Eliza home at once. There's a language expert here.

- A sort of impostorologist. - I beg your pardon.

The young lady with colonel pickering.

Find out who she is.

With pleasure.

The whole situation is highly explosive.

Tell me, zoltan, some more about the Greek ambassador.

Gladly, but first I would love you to present me to this glorious creature.

Does he really come from Yorkshire?

You'll forgive me.

Her majesty, the queen of transylvania

and his royal highness, prince Gregor.

Charming. Quite charming.

Miss Doolittle, ma'am.

Such a charming girl.

We'll know when we hear her announced.

Such a beautiful ball gown.

Miss Doolittle, my son would like to dance with you.

Eliza?

Absolutely fantastic.

A lot of tomfoolery.

It was an immense achievement.

Well, Mr. Higgins?

A triumph, Mrs. Pearce. A total triumph.

Higgins, you were superb. Absolutely superb.

Tell us the truth now. Weren't you a bit nervous once or twice?

Not for a second.

Not during the whole evening?

When I saw we were gonna win hands down,

I felt like a bear in a cage hanging about, nothing to do.

It was an immense achievement.

If I hadn't backed myself to do it, I'd have given it up two months ago.

Absolutely fantastic.

A lot of tomfoolery.

Higgins, I salute you.

Silly people don't know their own silly business.

J” tonight, old man, you did it you did it, you did it j”

j” you said that you would do it and indeed you did j”

j” / thought that you would rue it I doubted you 'd do it j”

j” but now / must admit it that succeed you did j”

j” you should get a medal or be even made a knight j”

j” oh, it was nothing, really nothing j”

j” all alone you hurdled every obstacle in sight j”

j” now wait, now wait give credit where it is due j”

j” a lot of the glory goes to you j”

j” but you're the one who did it who did it, who did it j”

j” as sturdy as Gibraltar not a second did you falterj”

j” there is no doubt about it j”

j” you did it j”

j” / must have aged a year tonight j”

j” at times / thought I'd die of fright j”

j” never was there a momentary lull j”

j” shortly after we came in I saw at once we 'd easily win j”

j” and after that, / found it deadly dull j”

j” you should have heard the ”oohs ” and 'iahs”j”

j” everyone wondering who she was j”

j” you'd think the y'd never seen a lady before j”

j” and when the prince of transylvania asked to meet herj”

j” and ga ve his arm to lead her to the floor j”

j” / said to him you did it, you did it, you did it j”

j” they thought she was ecstatic and so damned aristocratic j”

j” and they never knew that j”

j” you did it j”

Thank goodness for zoltan karpathy.

If it hadn't been for him, I would've died of boredom.

Karpathy? That dreadful Hungarian? Was he there?

Yes, he was there, all right, and up to his old tricks.

J” that blackguard who uses the science of speech j”

j” more to blackmail and swindle than teach j”

j” he made it the devilish business of his j”

j” to find out who this miss Doolittle is j”

j” every time we looked around there he was j”

j” that hairy hound from Budapest j”

j” never leaving us alone j”

j” never ha ve / ever known a ruder pest j”

j” finally / decided it was foolish j”

j” not to let him have his chance with herj”

j” so lstepped aside and let him dance with herj”

j” oozing charm from every pore j”

j” he oiled his way around the fioorj”

j” every trick that he could play j”

j” he used to strip her mask away j”

j” and when at last the dance was done j”

j” he glowed as if he knew he'd won j”

j” and with a voice too eager and a smile too broad j”

j” he announced to the hostess that she was a fraud j”

ja wohl.

J” ”her English is too good, " he said j”

j” that clearly indicates that she is foreign j”

j” whereas others are instructed in their native language j”

j” English people aren't j”

j” and although she may have studied j”

j” with an expert dialectic/an and grammar/an j”

j” I can tell j”

j” that she was a born Hungarian j”

j” not only Hungarian, but of royal blood j”

j” she is a Princess j”

j” ”her blood, ” he said, ”is bluer than the danube is or ever was j”

j” royalty is absolutely written on her face j”

j” she thought that/ was taken in but actually / never was j”

j” how could she deceive another member of her race?” j”

j” ”/ know each language on the map ” said he j”

j” '54nd she is Hungarian as the first 'Hungarian rhapsody”'j”

J” bravo j”

j” bravo j”

j” bravo j”

j” congratulations, professor Higgins j”

j” for your glorious victoryj”

j” congratulations, professor Higgins j”

j” you'll be mentioned in history j”

-j” this evening, sir, you did itj” -j” congratulations, professor Higgins j”

-j” you said that you would do it j” -j” for your glorious victory j”

j” and indeed you did j”

j” this evening, sir, you did it you did it, you did it j”

j” we know that we have said it but you did it and the credit for it j”

j” all belongs to you j”

Well, thank god that's over.

Now I can go to bed without dreading tomorrow.

Good night, Mr. Higgins.

- Good night, Mrs. Pearce. - I think I'll turn in too.

Good night, Higgins. It's been a great occasion.

Good night, pickering.

Oh, Mrs. Pearce?

Oh, damn.

I meant to ask her to give me coffee in the morning instead of tea.

Leave a little note for her, will you, Eliza?

And put out the lights.

Left them downstairs. Oh, darn it.

Leave my head behind one of these days.

What the devil have I done with my slippers?

Here are your slippers!

There!

And there!

Take your slippers, and may you never have a day's luck with them.

What on earth? What's the matter? Is anything wrong?

No, nothing wrong with you. I won your bet for you, haven't I?

That's enough for you. I don't matter, I suppose.

You won my bet? You presumptuous insect.

I won it. What did you throw those slippers at me for?

Because I wanted to smash your face. I could kill you, you selfish brute.

Why didn't you leave me where you picked me out of in the gutter?

You thank god it's all over now, you can throw me back again there, do you?

Oh, so the creature's nervous after all.

Claws in, you cat. How dare you show your temper to me.

Sit down and be quiet.

What's to become of me? What's to become of me?

How the devil do I know? What does it matter what becomes of you?

You don't care. I know you don't care.

You wouldn't care if I was dead. I'm nothing to you.

Not as much as them slippers.

- Those slippers. - Those slippers.

I didn't think it meant any difference now.

Why have you suddenly begun going on like this?

May I ask if you complain of your treatment here?

Has anybody behaved badly? Colonel pickering? Mrs. Pearce?

Well, you don't pretend that I have treated you badly?

- No. - No. I'm glad to hear that.

Perhaps you're tired after the strain of the day.

Would you have a chocolate?

Thank you.

Well, it's only natural that you should be anxious, but it's all over now.

Nothing more to worry about.

No, nothing more for you to worry about.

Oh, god, I wish I was dead.

Why? In heaven's name, why?

Now, listen to me, Eliza. All this irritation is purely subjective.

I don't understand. I'm too ignorant.

It's just imagination. Nothing's wrong. Nobody's hurting you.

Go to bed and sleep it off.

Have a little cry and say your prayers. You'll feel very much more comfortable.

I heard your prayers... "Thank god it's all over."

Well, don't you thank god it's all over

and how you're free and you can do what you like?

What am I fit for? What have you left me fit for?

Where am I to go? What am I to do?

And what's to become of me?

Oh, that's what's worrying you, is it?

Oh, I wouldn't worry about that if I were you.

I'm sure you won't have any difficulty in settling yourself somewhere or other.

I hadn't quite realized you were going away.

You might marry, you know.

You see, Eliza, all men are not confirmed old bachelors like me and the colonel.

Most men are the marrying sort, poor devils.

And you're not bad-looking.

You're really quite a pleasure to look at sometimes.

Well, not now, when you've been crying. You look like the very devil.

But I mean when you're all right and quite yourself,

you're what I would call attractive.

Now, you go to bed, have a good night's rest,

then get up and have a look at yourself in the glass.

You won't feel so bad.

I dare say my mother might find some fellow or other who'd do very well.

- We were above that at covent garden. - What do you mean?

I sold flowers. I didn't sell myself.

Now, you've made a lady of me, I'm not fit to sell anything else.

Oh, tosh, Eliza.

Don't insult human relations

by dragging all that cant about buying and selling into it.

You don't have to marry if you don't want to.

What else am I to do?

Lots of things.

What about the old idea of a florist shop?

I'm sure pickering would set you up in one. He's got lots of money.

He paid for all those togs you're wearing tonight.

And that with the hire of the jewelry would make a big hole in £200.

Come on now. You'll be all right.

Well, I must be off to bed. I'm really devilish sleepy.

I was looking for something. What was it?

Your slippers.

Oh, yes, of course. You shied them at me.

Before you go, sir...

Do my clothes belong to me or to colonel pickering?

What the devil use would they be to pickering?

Why do you bother about that in the middle of the night?

I want to know what I may take away with me.

I don't want to be accused of stealing.

Stealing?

You shouldn't have said that, Eliza. That shows a want of feeling.

I'm sorry. I'm a common, ignorant girl. In my station, I have to be careful.

There can't be any feelings between the likes of you and the likes of me.

Please, will you tell me what belongs to me and what doesn't?

Take the whole damned houseful if you want.

Except the jewelry. That's hired. Will that satisfy you?

Stop, please.

Will you take these to your room and keep them safe?

I don't want to run the risk of them being missed.

Hand them over.

If these belonged to me and not the jeweler,

I'd ram them down your ungrateful throat.

The ring isn't the jeweler's.

It's the one you bought me in Brighton.

I don't want it now.

Don't you hit me!

Hit you? You infamous creature, how dare you suggest such a thing.

It's you who have hit me. You've wounded me to the heart.

I'm glad. I've got a little of my own back anyhow.

You've caused me to lose my temper, a thing that's hardly happened before.

I don't wish to discuss it further tonight. I'm going to bed.

You better leave your own note for Mrs. Pearce about the coffee,

for it won't be done by me.

Damn Mrs. Pearce, damn the coffee and damn you.

And damn my own folly for having lavished

my hard-earned knowledge and the treasure of my regard and intimacy

on a heartless guttersnipe.

J” just you wait, Henry Higgins j”

j” just you waitj”

j” you'll be sorry but your tears'll be too late j”

j” you will be the one it's done to j”

j” and you'll have no one to run to j”

j” just you waitj”

J” lhave often walked j”

j” down this street before j”

j” but the pavement always stayed beneath my feet before j”

j” all at once am / j”

j” several stories high j”

j” knowing I'm on the street where you live j”

j” are there lilac trees j”

j” in the heart of town? J”

j” can you hear a lark in any other part of town? J”

j” does enchantment pourj”

j” out of every door? J”

j” no, it is just on the street where you live j”

j” and, oh, the towering feeling j”

j” just to know somehow you are nearj”

j” the overpowering feeling j”

j” that any second you may suddenly appear j”

j” people stop and stare j”

j” they don't... j”

Darling.

Freddy, whatever are you doing here?

Nothing. I spend most of my nights here.

It's the only place where I'm happy. Don't laugh at me, miss Doolittle.

Don't you call me miss Doolittle, do you hear?

Eliza's good enough for me.

Oh, Freddy, you don't think I'm a heartless guttersnipe, do you?

Darling, how could you imagine such a thing? You know how I feel.

I've written two or three times a day telling you. Sheets and sheets.

J” speak and the world is full of singing j”

j” and / am winging higher than the birds j”

j” touch and my heart begins to crumble j”

j” the heavens tumble, darling, and I'm... j”

j” words, words, words I'm so sick of words j”

j” / get words all da y through first from him, now from you j”

j” is that all you blighters can do? J”

j” don't talk of stars burning above j”

j” if you're in love, show me j”

j” tell me no dreams j”

j” filled with desire j”

j” if you're on fire, show me j”

j” here we are together in the middle of the night j”

j” don't talk of spring just hold me tight j”

j” anyone whois ever been in love will tell you that j”

j” this is no time for a chat j”

j” haven't your lips longed for my touch? J”

j” don't say how much j”

j” show me j”

j” show me j”

j” don't talk of lo ve lasting through time j”

j” make me no undying vowj”

j” show me nowj”

j” sing me no song read me no rhyme j”

j” don't waste my time show me j”

j” don't talk of June don't talk of fall j”

j” don't talk at all j”

j” show me j”

j” never do / ever want to hear another word j”

j” there isn't one / haven't heard j”

j” here we are together in what ought to be a dream j”

j” say one more word and ill scream j”

j” ha ven't your arms hungered for mine? J”

j” please don't explain j”

j” show me j”

j” show me j”

j” don't wait until wrinkles and lines j”

j” pop out all over my brow j”

j” show me nowj”

- Eliza, where are you going? - To the river.

- What for? - To make a hole in it.

Eliza, darling, what do you mean?

Taxi.

Taxi!

But I've no money.

I have.

- Where are we going? - Where I belong.

Darling, shall I come with you?

J” with one enormous chairj”

j” oh, wouldn't it be lover/y? J”

J” lots of chocolate for me to eat j”

j” lots of coal making lots of heat j”

j” warm face, warm hands, warm feetj”

j” oh, wouldn't it be lover/y? J”

Buy a flower, miss?

Yes, please.

J” / would never budge j”

j” till spring crept over me windows/ll j”

j” someoneis head resting on my knee j”

j” warm and tender as she can be j”

j” who takes good care of me j”

j” oh, wouldn'titj”

j” be lover/y? J”

oh. Good morning, miss. Can I help you?

Do you mind if I warm my hands?

Go right ahead, miss.

- Yes? - Excuse me, miss.

For a second I thought you were somebody else.

Who?

Forgive me, ma'am. Early morning light playing tricks with my eyes.

Can I get you a taxi, ma'am?

A lady like you shouldn't be walking alone round London this hour of the morning.

No, thank you.

J” someoneis head resting on my knee j”

j” warm and tender as he can be j”

j” who takes good care of me j”

j” oh, wouldn'titj”

j” be lover/y? J”

j” loverlyj”

j” loverlyj”

j” loverlyj”

j” loverlyj”

Goodbye, Alfie.

Goodbye.

I'll call you Mr. Doolittle now.

Do come again, Mr. Doolittle.

We value your patronage always.

Oh, thank you, my good man. Thank you.

Here. Come here.

Take the missus on a trip to Brighton with my compliments.

Thank you, Mr. Doolittle.

Charming spot this, Harry. We must visit it more often.

Father?

Oh, no.

You see, Harry, he has no mercy.

Sent her down to spy on me in me misery, he did.

Me own flesh and blood.

Well, I'm miserable, all right. You can tell him that straight.

What are you talking about? What you dressed up for?

As if you didn't know.

Go on back to that wimpole street devil, tell him what he's done to me.

What's he done to you?

Ruined me, that's all.

Tied me up and delivered me into the hands of middle-class morality.

And don't you defend him.

Was it him or was it not him

wrote to an old American blighter named wallingford

who was giving five millions to fund moral reform societies

to tell him the most original moralist in england

was Mr. Alfred p. Doolittle, a common dustman?

That sounds like one of his jokes.

You may call it a joke. It's put the lid on me proper.

The old bloke died and left me £4,000 a year in his blooming will.

Who asked him to make a gentleman out of me?

I was happy, I was free.

I touched pretty nigh everyone for money when I wanted it,

same as I touched him.

Now I'm tied neck and heels and everybody touches me.

A year ago, I hadn't a relation in the world

except one or two who wouldn't speak to me.

Now I've 50.

Not a decent week's wages amongst the lot of them.

I have to live for others now, not for meself.

Middle-class morality.

Come along, Alfie. Another couple of hours, we have to be at the church.

- Church? - Yeah, church.

The deepest cut of all.

Why do you think I'm dressed up like a ruddy pail-bearer?

Your stepmother wants to marry me.

Now I'm respectable, she wants to be respectable.

Well, if that's the way you feel about it,

why don't you give the money back?

That's the tragedy of it, Eliza.

It's easy to say Chuck it, but I haven't the nerve.

We're all intimidated. That's what we are. Intimidated. Bought up.

Yeah. That's what I am.

That's what your precious professor's brought me to.

Not my precious professor.

Oh, sent you back, has he?

First he shoves me in the middle class,

then he Chucks you out for me to support you.

That's all part of his plan.

But you double-cross him.

Don't you come back home to me.

Don't you take tuppence from me.

You stand on your own two feet. You're a lady now, and you can do it.

Yeah, that's right, Eliza. You're a lady now.

Eliza, it's getting awfully cold in that taxi.

Here, Eliza, would you like to come and see me turned off this morning, eh?

St. George's Hanover square, 10:00.

I wouldn't advise it, but you're welcome.

- No, thank you, dad. - No.

Are you all finished here, Eliza?

Yes, Freddy.

I'm all finished here.

Good luck, dad.

Thank you, Eliza.

- Come along, Alfie. - How much time have I got left?

J” there is just a few more hours thatis all the time you've got j”

j” a few more hours before they tie the knot j”

j” thereis drinks and girls all over London j”

j” and / gotta track 'em down in just a few more hours j”

j” set 'em up, me darlin'j”

j” I'm gettin'married in the mornin'j”

j” ding dong the bells are gonna chime j”

j” pull out the stopper letis have a whopperj”

j” but get me to the church on time j”

j” / got to be there in the mornin'j”

j” spruced up and lookin'in me prime j”

j” girls, come and kiss me j”

j” show how you'll miss me j”

j” but get me to the church on time j”

j” lf/ am dancin' roll up the fioorj”

j” lf/ am whistlin'j”

j” me out the doorj”

j” I'm gettin'married in the mornin'j”

j” ding dong the bells are gonna chime j”

j” kick up a rumpus but don't lose the compass j”

j” and get me to the church j”

j” get him to the church j”

j” for godis sake, get me to the church j”

j” on time j”

j” I'm gettin'married in the mornin'j”

j” ding dong the bells are gonna chime j”

j” some bloke whois able lift up the table j”

j” and get me to the church on time j”

j” lf/ am fiyin' then shoot me down j”

j” if / am wooin ' get her out of town j”

j” for I'm gettin'married in the mornin'j”

j” ding dong the bells are gonna chime j”

j” feather and tar me call out the army j”

j” but get me to the church j”

j” get me to the church j”

j” oh, for godis sake get me to the church j”

j” on time j”

j” heis gettin'married in the mornin'j”

j” ding dong the bells are gonna chime j”

j” come on, pull out the stopper letis have a whopperj”

j” but get me to the church on time j”

j” heis got to be there in the mornin 'j”

j” spruced up and lookin ' in his prime j”

j” girls, come and kiss me show how you'll miss me j”

j” but get me to the church on time j”

j” lf/ am dancin' roll up the fioorj”

j” lf/ am whistlin'j”

J” me out the doorj”

j” for heis gettin'married in the mornin'j”

j” ding dong the bells are gonna chime j”

j” ding dong the bells are gonna chime j”

j” drug me or jail me stamp me and mail me j”

j” but get me to the church j”

j” get him to the church j”

j” for godis sake, get me to the church j”

j” on time j”

J” girls come and kiss him show how they miss him j”

j” and get him to the church on time j”

J” kick up a rumpus but Don t lose the compass j”

j” and get him to the church on time j”

j” lf/ am fiyin' then shoot me down j”

j” if / am wooin ' get her out of town j”

ouch!

J” heis gettin'married in the mornin'j”

j” ding dong the bells are gonna chime j”

-j” some bloke who is able j” -j” liit up the table j”

j” get me to the church on time j”

It's a nice morning!

Cheers!

J” but get him to the church j”

j” get him to the church j”

J” starlight is reelin'home to bed nowj”

j” morning is smearing up the skyj”

j” London is waking j”

j” daylight is breaking j”

j” good luck, old chum j”

j” good health j”

j” goodbye j”

j” I'm gettin ' married j”

j” in the mornin'j”

j” ding dong j”

j” the bells are gonna chime j”

j” harland salute me then haul ofi and boot me j”

j” and get him to the church get him to the church j”

j” for god is sake, get him to the church j”

j”onj”

j” timej”

pickering! Pickering!

- Didn't she say where to send her clothes? - I told you. She took them all with her.

- Pickering. - What's the matter?

Here's a confounded thing. Eliza's bolted.

- Bolted? - Bolted.

Last night, Mrs. Pearce let her go without telling me a thing about it.

- Well, I'm dashed. - What am I to do?

I got tea this morning instead of coffee. I don't know where anything is.

- I don't know when my appointments are. - Eliza would know.

Of course she'd know, but, damn it, she's gone!

Did either of you gentlemen frighten her last night?

Last night? We hardly said a word to her. You were there.

Did you bully her after I went to bed?

The other way around. She threw the slippers at me.

I never gave her the slightest provocation.

The slippers suddenly came at my head before I uttered a word.

She used the most disgraceful language. I was shocked.

- Well, I'm dashed. - I don't understand.

We've always given her every consideration.

- She admitted it herself. - Well, I'm dashed.

Pickering, for god's sake, stop being dashed and do something.

- What? - Well, phone the police.

What are they there for, in heaven's name?

Mr. Higgins, you can't give Eliza's name to the police

as if she were a thief or a lost umbrella.

Why not? I want to find the girl.

She belongs to me. I paid five pounds for her.

Quite right. Hello. Scotland yard, please.

Get me some coffee, would you please?

- Yes, sir. - Mrs...

Scotland yard? Pearce, of course. I beg your pardon, yes.

This is colonel pickering speaking. Hugh pickering.

27a wimpole street.

- I want to report a missing person. - Male or female?

A miss Eliza Doolittle, yes. About 21.

And her height?

- Oh, I should say about 5'7". - What color eyes?

Her eyes? Let me think now. Her eyes, her eyes.

- Brown. - Brown, yes.

No, no, no. No... her hair?

Oh, good lord. Let me...

Well, sort of nondescript, neutral sort of...

Brown, brown, brown!

You heard what he said? Brown, brown, brown, yes.

No, no, no, this is her residence. 27a...

About between 3:00 and 4:00 this morning, I understand.

Yes. No, no, no.

No, she's no relation, no.

What? Well, just let's call her a good friend, shall we?

I beg your pardon.

Listen to me, my man, I don't like the tenor of that question.

What the girl does here is our affair.

Your affair is to get her back so that she can continue doing it.

Well, I'm dashed.

J” what, in all in heaven can have prompted her to go j”

j” alter such a triumph at the ball? J”

j” what could have depressed her? What could have possessed her? J”

j” / cannot understand the wretch at all j”

Higgins, I have an old school churn at the home office.

Perhaps he can help. Think I'll give him a ring.

Number, please.

Whitehall 7-2-double 4, please.

Whitehall 7 -2-d0uble 4.

J” women are irrational thatis all there is to thatj”

j” their heads are full of cotton hay and rags j”

j” the y're nothing but exasperating irritating, vaci/iating j”

j” calculating, agitating, maddening and infuriating hags j”

The home office here.

Oh, I want to speak to Mr. Brewster budgin, please.

- Would you hold on, sir? - Yes, I'll wait.

Pickering...

Why can't a woman be more like a man?

I beg your pardon?

J” yes, why can t a woman j”

j” be more like a man? J”

j” men are so honest so thoroughly square j”

j” eternally noble, historically fair j”

j” who, when you win will always give your back a pat j”

j” well, why can t a woman j”

j” be like that? J”

j” why does every one do what the others do? J”

j” cant a woman learn to use her head? J”

j” why do they do everything their mothers do? J”

j” why don't they grow up well, like their father instead? J”

j” why can't a woman take after a man? J”

j” men are so pleasant so easy to please j”

j” whene ver you're with them you're always at ease j”

j” would you be slighted if / didn t speak for hours? J”

of course not.

J” would you be livid if I had a drink or two? J”

nonsense.

J” would you be wounded if I never sent you fio wers? J”

never.

J” well, why can t a woman j”

j” be like you? J”

j” one man in a million may shout a bit j”

j” now and then there is one with slight defects j”

j” one, perhaps, whose truthfulness you doubt a bit j”

j” but by and large we are a marvelous sex j”

j” why can't a woman take after a man? J”

j” because men are so friendly good-natured and kind j”

j” a better companion you never will find j”

j” if I were hours late for dinner would you bellow? J”

of course not.

J” if I forgot your silly birthday would you fuss? J”

nonsense.

J” would you complain if I took out another fellow? J”

never.

J” well, why can t a woman j”

j” be like us? J”

- oh, hello. Mr. Brewster budgin there? - Yes, budgin here.

Bruzzie.

Bruzzie, you'll never, never guess who this is.

Oh, don't be silly. Ltis pickering.

You're quite right, yes, it is. Good heavens.

By George, what a memory.

How are you, bruzzie?

- Nice to hear your voice. - Do you know how long it is been?

What? Oh, don't say that. Is it really 30 years? Good heavens.

Quite right. Yes, oceans of water. Listen, I'll tell you why I rang up.

Something rather unpleasant's happened this end.

- Could I come and see you? - Yes, of course.

Well, I could. Yes, now. Straightaway.

Righto, good. Thank you, thank you. Goodbye, bruzzie. Thank you very much.

Oh, Mrs. Pearce, I'm going along to the home office.

I do hope you find her, colonel pickering.

Mr. Higgins will miss her.

Mr. Higgins will miss her, eh?

Blast Mr. Higgins. I'll miss her.

Pickering?

Pickering?

Oh, Mrs. Pearce?

- Yes, sir? - Where's the colonel?

He's gone to the home office, sir.

Oh, there you are.

I'm disturbed and he runs for help. Now, there's a good fellow.

Mrs. Pearce, you're a woman.

J” why can't a woman j”

j” be more like a man? J”

j” men are so decent such regular chaps j”

j” ready to help you through any mishaps j”

j” ready to buck you up whene ver you are glum j”

j” why can't a woman j”

j” be a chum? J”

j” why is thinking something women never do? J”

j” why is logic never even tried? J”

j” straightening up their hair is all they ever do j”

j” why Don t they straighten up the mess thatis inside? J”

j” why can't a woman behave like a man? J”

j” if I was a woman who'd been to a ball j”

j” been hailed as a pn'ncess by one and by all j”

j” would / start weeping like a bathtub overfiowing? J”

j” or carry on as if m y home were in a tree? J”

j” would / run ofir and never tell me where I'm going? J”

j” why can't a woman j”

j” be like me? J”

do you mean to say that after you'd done this wonderful thing for them

without making a single mistake,

they just sat there, never said a word to you,

never petted you, or admired you, or told you how splendid you'd been?

Not a word. They just sat there congratulating each other

on how marvelous they'd been,

and the next moment on how glad they were it was all over

and what a bore it had all been.

This is simply appalling.

I should not have thrown my slippers at him,

I should have thrown the fire irons.

- Good day, professor Higgins. - What's that?

- Is my mother in? - Henry.

I knew it wouldn't be too long.

Now, remember,

you not only danced with a prince last night,

you behaved like a Princess.

Mother, the most confounded thing. Do you...

You?

Good afternoon, professor Higgins. Are you quite well?

Am I...

Of course you are. You are never ill.

Would you care for some tea?

Don't you dare try that game on me. I taught it to you.

Now, come home and stop being a fool.

You've caused me enough trouble for one morning.

Really nicely put indeed, Henry. No woman could resist such an invitation.

How did this baggage get here in the first place?

Eliza came to see me this morning and I was delighted to have her.

If you don't promise to behave yourself, I must ask you to leave.

You mean to say I'm to put on my Sunday manners

for this thing that I created

out of the squashed cabbage leaves of covent garden?

- That's precisely what I mean. - Well, I'll see her damned first.

However did you learn good manners with my son around?

It was very difficult.

I should never have known how ladies and gentlemen behave

if it hadn't been for colonel pickering.

He always showed me that he felt and thought about me

as if I were something better than a common flower girl.

You see, Mrs. Higgins, apart from the things one can pick up,

the difference between a lady and a flower girl is not how she behaves,

but how she is treated.

I shall always be a flower girl to professor Higgins

because he always treats me as a flower girl and always will.

But I know I shall always be a lady to colonel pickering

because he always treats me as a lady and always will.

Henry, don't grind your teeth.

The bishop is here, madam. Shall I show him into the garden?

The bishop and the professor? Good heavens, no.

I shall be excommunicated.

I'll see him in the library.

Eliza, if my son starts breaking up things,

I give you full permission to have him evicted.

Henry, dear, I suggest you stick to two subjects...

The weather and your health.

Well, you've had a bit of your own back, as you call it.

Have you had enough and are you going to be reasonable

or do you want any more?

You want me back only to pick up your slippers

and put up with your tempers and fetch and carry for you.

I didn't say I wanted you back at all.

Oh, indeed? Then what are we talking about?

Well, about you, not about me.

If you come back, you'll be treated as you've always been treated.

I can't change my nature. I don't intend to change my manners.

My manners are exactly the same as colonel pickering's.

That's not true. He treats a flower girl as if she were a duchess.

Well, I treat a duchess as if she was a flower girl.

Oh, I see. The same to everybody.

Justso.

You see, the great secret, Eliza, is not a question of good manners

or bad manners or any particular sort of manners,

but having the same manner for all human souls.

The question is not whether I treat you rudely,

but whether you've ever heard me treat anyone else better.

I don't care how you treat me. I don't mind your swearing at me.

I shouldn't mind a black eye. I've had one before this.

But I won't be passed over.

Well, then get out of my way, for I won't stop for you.

You talk about me as though I was a motor bus.

So you are a motor bus.

All bounce and go and no consideration for anybody.

But I can get along without you. Don't you think I can't.

I know you can. I told you you could.

You've never wondered, I suppose, whether I could get along without you.

Don't you try to get around me. You'll have to.

So I can, without you or any soul on earth.

I shall miss you, Eliza.

I've learned something from your idiotic notions.

I confess that, humbly and gratefully.

Well, you have my voice on your gramophone.

When you feel lonely without me, you can turn it on.

It has no feelings to hurt.

Well, I can't turn your soul on.

Ooh, you are a devil.

You can twist the heart in a girl

just as easily as someone can twist her arms to hurt her.

What am I to come back for?

For the fun of it. That's why I took you on.

And you may throw me out tomorrow if I don't do everything you want me to.

Yes, and you may walk out tomorrow if I don't do everything you want me to.

And live with my father?

Yes, or sell flowers. Or would you rather marry pickering?

I wouldn't marry you if you asked me, and you're nearer my age than what he is.

- Than he is. - I'll talk as I like.

You're not my teacher now.

That's not what I want, and don't you think it is.

I've always had chaps enough wanting me that way.

Freddy hill writes me twice and three times a day. Sheets and sheets.

In short, you want me to be as infatuated about you as he is. Is that it?

No, I don't.

That's not the sort of feeling I want from you.

I want a little kindness.

I know I'm a common, ignorant girl and you're a book-learned gentleman.

But I'm not dirt under your feet.

What I done...

What I did was not for the taxis and the dresses,

but because we were pleasant together and I come to...

Came to care for you,

not to want you to make love to me

and not forgetting the difference between us...

But more friendly-like.

Well, of course. That's how I feel.

And how pickering feels.

- Eliza, you're a fool. - That's not the proper answer to give me.

It's the only answer till you stop being a plain idiot.

If you're going to be a lady, you'll have to give up feeling neglected

if the men you know don't spend half their time sniveling over you

and the other half giving you black eyes.

You find me cold, unfeeling, selfish, don't you?

Well, be off with you to the sort of people you like.

Marry some sentimental hog or other with lots of money

and a thick pair of lips to kiss you with

and a thick pair of boots to kick you with.

If you can't appreciate what you've got, get what you can appreciate.

Oh, I can't talk to you.

You always turn everything against me. I'm always in the wrong.

But don't be too sure that you have me under your feet

to be trampled on and talked down.

I'll marry Freddy, I will, as soon as I'm able to support him.

Freddy?

That poor devil who couldn't get a job as an errand boy

even if he had the guts to try for it?

Woman, don't you understand? I've made you a consort for a king.

Freddy loves me. That makes him king enough for me.

I don't want him to work. He wasn't brought up to it as I was.

I'll go and be a teacher.

What will you teach, in heaven's name?

What you taught me. I'll teach phonetics.

Ha, ha, ha!

I'll offer myself as an assistant to that brilliant Hungarian.

What, that impostor? That humbug? That toadying ignoramus?

Teach him my methods, my discoveries?

You take one step in that direction and I'll wring your neck.

Wring away. What do I care? I knew you'd strike me one day.

Ah! That's done you, Henry Higgins, it has.

Now, I don't care that for your bullying and your big talk.

J” what a foo/I was what a dominated fool j”

j” to think you were the earth and skyj”

j” what a foo/I was what an addle-pated fool j”

j” what a mutton-headed dolt was lj”

j” no, my re verberating friend j”

j” you are not the beginning and the end j”

you impudent hussy.

There's not an idea in your head or a word in your mouth

that I haven't put there.

J” there 'i/ be spring every year without you j”

j” eng/and still will be here without you j”

j” there 'i/ be fruit on the tree and a shore by the sea j”

j” there 'i/ be crumpets and tea without you j”

j” art and music will thrive without you j”

j” somehow keats will survive without you j”

j” and there still will be rain on that plain down in Spain j”

j” even that will remain without you j”

j”icandoj”

j” without you j”

j” you, dear friend j”

j” who talk so well j”

j” you can go to j”

j” Hartford, hereford and Hampshire j”

j” they can still rule the land without you j”

j” windsor castle wrl/ stand without you j”

j” and without much ado j”

j” we can all muddle through without you j”

you brazen hussy.

J” without your pulling it the tide comes in j”

j” without your twirling it the earth can spin j”

j” without your pushing them the clouds roll by j”

j” if they can do without you j”

j” ducky, so can I j”

j” I shall not feel alone without you j”

j” I can stand on my own without you j”

j” so go back in your she/I I can do bloody well j”

j” without... j”

j” by George, / really did it j”

j” ldidit, ldiditj”

j” isaid I'd make a woman and indeed I did j”

j” I knew that I could do it I knew it, iknew itj”

j” isaid I'd make a woman and succeed I did j”

Eliza, you're magnificent.

Five minutes ago, you were a millstone round my neck

and now you're a tower of strength,

a consort battleship.

I like you this way.

Goodbye, professor Higgins.

You shall not be seeing me again.

Mother!

Mother!

What is it, Henry? What's happened?

She's gone.

Well, of course, dear. What did you expect?

Well...

What am I to do?

Do without, I suppose.

And so I shall.

If the Higgins oxygen burns up her little lungs,

let her seek some stuffiness that suits her.

She's an owl sickened by a few days of my sunshine.

Very well. Let her go. I can do without her.

I can do without anyone. I have my own soul.

My own spark of divine fire.

Bravo, Eliza.

J” damn, damn, damn, damn j”

j” I've grown accustomed to her face j”

j” she almost makes the day begin j”

j” I've grown accustomed to the tune that she whistles night and noon j”

j” her smiles, her frowns her ups, her downs j”

j” are second nature to me now j”

j” like breathing out and breathing in j”

j” I was serenely independent and content before we met j”

j” surely / could always be that way again j”

j” and yet I've grown accustomed to her look j”

j” accustomed to her voice j”

j” accustomed to her face j”

Marry Freddy. What an infantile idea.

What a heartless, wicked, brainless thing to do.

But she'll regret it. She'll regret it!

It's doomed before they even take the vow.

J” I can see her now Mrs. Freddy e ynsford-hi/I j”

j” in a wretched little fiat above a store j”

j” I can see her now not a penny in the till j”

j” and a bill collector beating at the doorj”

j” she 'i/ try to teach the things I taught her j”

j” and end up selling fiowers instead j”

j” begging for her bread and water j”

j” while her husband has his breakfast in bed j”

j” in a year or so when she is prematurely gray j”

j” and the blossom in her cheek has turned to chalk j”

j” she 'i/ come home, and lo j”

j” he 'i/ have upped and run away j”

j” with a social-climbing heiress from New York j”

j” poor Eliza j”

j” how simply fnghtfu/ j”

j” how humiliating j”

j” how delightful j”

j” how poignant it'll be on that ine vitab/e night j”

j” when she hammers on my door in tears and rags j”

j” miserable and lonely repentant and contrite j”

j” will I take her in or hurl her to the wolves? J”

j” give her kindness or the treatment she deserves? J”

j” will I take her back or throw the baggage out? J”

j” well, I'm a most forgiving man j”

j” the sort who never could, ever would j”

j” take a position and staunchly never budge j”

j” just a most forgiving man j”

j” but I shall he ver take her back j”

j” if she were crawling on her knees j”

j” let her promise to atone let her shiver, let her moan j”

j” I'i/ slam the door and let the heilcat freeze j”

marry Freddy.

J” but I'm so used to hear her sayj”

j” ”good morning ” e very day j”

j” her joys, her woes j”

j” her highs, her lows j”

j” are second nature to me now j”

j” like breathing out and breathing in j”

j” I'm very grateful she is a woman j”

j” and so easy to forget j”

j” rather like a habit one can always break j”

j” and yet I've grown accustomed to the trace j”

j” of something in the airj”

j” accustomed to her face j”

We are proud.

He ain t above giving lessons. Not him. I heard him say so.

Well, / ain t come here to ask for any compliment,

and if m y moneyis not good enough, ican go else where.

Good enough for what?

Good enough for you. Now you know, Don t you?

I'm come to have lessons, I am, and to pay for them too, make no mistake.

What is it you want, my girl?

I want to be a lady in a flower shop

instead of selling at the corner of Tottenham court road.

But they won't take me unless I can talk more genteel.

He said he could teach me. Well, here I am.

Ready to pay, not asking any favor. And he treats me as if I was dirt.

I know what lessons cost as well as you do, and I'm ready to pay.

I won't give more than a shilling. Take it or Lea ve it.

It is almost irresistible. Sheis so deliciously low.

So horribly dirty. I'll take it.

Ill make a duchess of this dragg/e-tailed guttersnipe.

I washed my face and hands before I come, I did.

Eliza?

Where the devil are my slippers?