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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,482 --> 00:00:07,876 THIS IS MY DATE OUTFIT.IS THIS YOUR FIRST DATE? I MEAN, UM, SINCE YOUR WIFE DIED. 2 00:00:07,876 --> 00:00:10,445 DO I SEEM OUT OF PRACTICE? RED JOHN, IF YOU'RE LISTENING TO US NOW, 3 00:00:10,445 --> 00:00:13,752 I URGE YOU TO REACH OUT AND GET HELP. 4 00:00:13,752 --> 00:00:15,971 YOU CAN CHANGE.[Patrick] WHAT THE HELL ARE YOU THINKING? 5 00:00:15,971 --> 00:00:18,278 DON'T YOU UNDERSTAND WHO YOU'RE DEALING WITH? 6 00:00:18,278 --> 00:00:21,282 RED JOHN IS NOT COMING AFTER ME.ARE YOU BLIND? YOU'VE DONE EXACTLY WHAT I DID, 7 00:00:21,282 --> 00:00:23,239 AND HE KILLED MY WIFE AND CHILD. 8 00:00:23,239 --> 00:00:24,937 [Van Pelt] KRISTINA? 9 00:00:24,937 --> 00:00:27,027 [Patrick] RED JOHN COULD'VE GOTTEN IN AND TAKEN HER, 10 00:00:27,027 --> 00:00:29,420 OR MAYBE HE LURED HER OUT SOMEHOW. 11 00:00:29,420 --> 00:00:30,812 [man] AAH! 12 00:00:30,812 --> 00:00:33,816 "TIGER, TIGER, BURNING BRIGHT..." 13 00:00:33,816 --> 00:00:36,253 "IN THE FORESTS OF THE NIGHT, 14 00:00:36,253 --> 00:00:38,777 "WHAT IMMORTAL HAND OR EYE 15 00:00:38,777 --> 00:00:40,604 COULD FRAME THY FEARFUL SYMMETRY?" 16 00:00:40,604 --> 00:00:42,651 [gunshot][gasps] 17 00:00:42,651 --> 00:00:46,481 I ALMOST FORGOT. KRISTINA WOULD WANT ME TO SEND HER LOVE. 18 00:00:49,048 --> 00:00:51,963 [indistinct conversations] 19 00:00:58,796 --> 00:01:01,496 [police radio chatter] 20 00:01:01,496 --> 00:01:03,149 YOU CAN'T PARK THERE. 21 00:01:03,149 --> 00:01:05,064 SURE, I CAN. LOOK. 22 00:01:07,545 --> 00:01:09,156 [man] Roger. Stand by. 23 00:01:09,156 --> 00:01:11,722 [speaks indistinctly] We'll call you back. 24 00:01:11,722 --> 00:01:13,159 THERE YOU ARE. 25 00:01:13,159 --> 00:01:14,596 HERE I AM. GOOD MORNING. 26 00:01:14,596 --> 00:01:16,771 WHY SO GLUM? 27 00:01:16,771 --> 00:01:19,121 THIS IS HARVEY DUBLIN. 28 00:01:19,121 --> 00:01:22,734 THAT'S HIS CHAUFFEUR PETER RUSSO WITH THREE BULLETS IN HIM. 29 00:01:22,734 --> 00:01:24,867 THAT'S HIS CAR. MR. DUBLIN'S GONE. 30 00:01:24,867 --> 00:01:26,563 ABDUCTED, IT LOOKS LIKE. 31 00:01:30,263 --> 00:01:31,307 HARVEY DUBLIN? 32 00:01:31,307 --> 00:01:33,180 BIG-TIME STATEHOUSE LOBBYIST, 33 00:01:33,180 --> 00:01:37,097 LAWYER, KINGMAKER. FAMOUS AND WELL-CONNECTED. 34 00:01:37,097 --> 00:01:38,924 AH, THE EVIL TWINS. 35 00:01:38,924 --> 00:01:41,884 BRASS AND MEDIA ARE GONNA BE ALL OVER US LIKE SUCKERFISH. 36 00:01:41,884 --> 00:01:44,451 OH, WHY DON'T WE JUST GIVE IT TO THE FBI? THEY LOVE THAT STUFF. 37 00:01:44,451 --> 00:01:46,801 OH, I WISH. TOO LATE. 38 00:01:46,801 --> 00:01:48,759 THE NEW BOSS IS HERE DOING ON-CAMERAS. IT'S OUR BABY. 39 00:01:48,759 --> 00:01:50,762 NEW BOSS? I THOUGHT HIGHTOWER WAS BOSS. 40 00:01:50,762 --> 00:01:52,764 THE BOSS OF HIGHTOWER. 41 00:01:52,764 --> 00:01:54,765 THE DIRECTOR OF THE ENTIRE DIVISION. 42 00:01:54,765 --> 00:01:57,508 I TOLD YOU ABOUT HIM LAST WEEK. YOUR MEMORY'S GOING. 43 00:01:57,508 --> 00:02:00,381 MY MEMORY IS A MIGHTY FORTRESS, LISBON, 44 00:02:00,381 --> 00:02:04,340 FROM WHICH NO FACT EVER ESCAPES ONCE COMMITTED. 45 00:02:04,340 --> 00:02:06,474 NOW WHEN YOU TELL ME BORING THINGS, 46 00:02:06,474 --> 00:02:08,780 I SET 'EM FREE IMMEDIATELY. 47 00:02:08,780 --> 00:02:10,217 SAVES OVERCROWDING. 48 00:02:11,652 --> 00:02:14,045 HARVEY DUBLIN IS MISSING. 49 00:02:14,045 --> 00:02:16,048 IT LOOKS LIKE A KIDNAPPING, 50 00:02:16,048 --> 00:02:19,704 PRESUMABLY FOR RANSOM, BUT WE CAN'T BE SURE AT PRESENT. 51 00:02:19,704 --> 00:02:23,229 WE SHALL HAVE TO AWAIT FURTHER DEVELOPMENTS. 52 00:02:23,229 --> 00:02:26,754 HARVEY IS A PILLAR OF THIS CITY, ONE OF THE GOOD GUYS. 53 00:02:26,754 --> 00:02:30,019 WE ARE ALL PRAYING FOR HIS SAFETY. 54 00:02:30,019 --> 00:02:32,500 THANK YOU.[woman] OVER HERE, MR. BERTRAM. ONE MORE QUESTION FOR ME? 55 00:02:32,500 --> 00:02:34,110 IDIOT. 56 00:02:34,110 --> 00:02:36,242 YOU AND YOUR SNAP JUDGMENTS. WHAT IS HE SUPPOSED TO SAY? 57 00:02:36,242 --> 00:02:39,897 WHY DOES HE HAVE TO SAY ANYTHING? 58 00:02:39,897 --> 00:02:42,597 WHAT'S YOUR TAKE ON THIS? 59 00:02:42,597 --> 00:02:43,989 HMM. 60 00:02:43,989 --> 00:02:45,599 I DON'T KNOW. 61 00:02:47,949 --> 00:02:50,212 [woman] MR. BERTRAM, OVER HERE. CAN I HAVE YOUR ATTENTION? 62 00:02:50,212 --> 00:02:52,736 EH, I THINK I'LL GIVE THIS ONE A MISS. 63 00:02:52,736 --> 00:02:54,651 A MISS? WHAT DO YOU MEAN "A MISS"? 64 00:02:54,651 --> 00:02:57,525 I JUST FEEL THIS ONE IS NOT FOR ME. 65 00:02:57,525 --> 00:02:59,961 I'LL CATCH THE NEXT ONE, I-I-I PROMISE. 66 00:02:59,961 --> 00:03:02,573 I DON'T UNDERSTAND. YOU'RE NOT GONNA-- 67 00:03:02,573 --> 00:03:04,836 AGENT LISBON, I BELIEVE? AND MR. JANE?YES. HI. 68 00:03:04,836 --> 00:03:06,882 DIRECTOR BERTRAM WILL SPEAK TO YOU NOW. 69 00:03:06,882 --> 00:03:09,667 WE'RE ON A SUPERTIGHT SCHEDULE. HE APPRECIATE FACTS AND BREVITY. 70 00:03:09,667 --> 00:03:10,668 OKAY? 71 00:03:10,668 --> 00:03:11,800 AGENT LISBON. 72 00:03:11,800 --> 00:03:14,105 YES, SIR, DIRECTOR BERTRAM. 73 00:03:14,105 --> 00:03:17,109 [chuckles] AND YOU MUST BE OUR BOY WONDER PATRICK JANE. 74 00:03:17,109 --> 00:03:19,981 I'VE HEARD A LOT OF GOOD THINGS ABOUT YOU.HI. NICE TO MEET YOU, SIR. 75 00:03:19,981 --> 00:03:22,766 NOW I WANT THIS RESOLVED A.S.A.P. 76 00:03:22,766 --> 00:03:25,292 WHATEVER IT TAKES. THE HECK WITH OVERTIME RESTRICTIONS. 77 00:03:25,292 --> 00:03:27,816 YOU DO THE HOURS, I'LL FIND THE FUNDING. 78 00:03:27,816 --> 00:03:30,992 WE ARE ALL IN THIS TOGETHER AS ONE. 79 00:03:30,992 --> 00:03:33,691 THAT'S WHAT I'M ALL ABOUT.OH, WE ARE ON IT, SIR. 80 00:03:33,691 --> 00:03:35,650 UH, YEAH, I WON'T BE WORKING THIS PARTICULAR CASE, 81 00:03:35,650 --> 00:03:37,433 BUT I-I DO LIKE WHAT YOU SAID. 82 00:03:37,433 --> 00:03:38,870 WE'RE ALL IN THIS TOGETHER AS ONE. MAO TSE-TUNG, RIGHT? 83 00:03:38,870 --> 00:03:41,656 NOW HOLD YOUR HORSES THERE, BUSTER. 84 00:03:41,656 --> 00:03:44,527 WHAT DO YOU MEAN YOU WON'T WORKING ON THIS ONE?WELL, STATEHOUSE LOBBYIST ABDUCTIONS-- 85 00:03:44,527 --> 00:03:46,616 IT'S, UH, NOT REALLY MY CUP OF TEA. 86 00:03:46,616 --> 00:03:50,272 WELL, THAT'S--THAT'S KIND OF UNPROFESSIONAL, DON'T YOU THINK? 87 00:03:50,272 --> 00:03:52,579 I GUESS, BUT I'M NOT ACTUALLY A PROFESSIONAL. 88 00:03:52,579 --> 00:03:54,450 QUESTION FOR YOU. 89 00:03:54,450 --> 00:03:56,713 W-WHY ARE YOU HERE? ASIDE FROM THE CAMERAS. 90 00:03:56,713 --> 00:03:59,935 OH, WHAT DO YOU MEAN, "ASIDEFROM THE CAMERAS"? 91 00:03:59,935 --> 00:04:02,502 PUBLIC PERCEPTION IS AN IMPORTANT TOOL. 92 00:04:02,502 --> 00:04:03,764 MM. 93 00:04:03,764 --> 00:04:05,069 TOOL.OOH. 94 00:04:07,289 --> 00:04:09,292 YOU JUST PUT YOUR HAND ON ME. 95 00:04:09,292 --> 00:04:11,120 NO. I MEAN, YES, BUT-- 96 00:04:11,120 --> 00:04:13,687 YES, YOU DID. DON'T EVER DO THAT AGAIN. 97 00:04:13,687 --> 00:04:15,558 [chuckles] OR ELSE WHAT? 98 00:04:17,908 --> 00:04:20,869 YOU EVER SMELL A DEAD MOUSE? DO YOU REMEMBER THAT SMELL? 99 00:04:20,869 --> 00:04:22,870 YES. 100 00:04:22,870 --> 00:04:24,567 WELL, I JUST NOW 101 00:04:24,567 --> 00:04:26,613 PUT A DEAD MOUSE IN YOUR JACKET POCKET. 102 00:04:26,613 --> 00:04:29,529 AND NO MATTER HOW MANY TIMES YOU CLEAN THAT JACKET, 103 00:04:29,529 --> 00:04:32,750 YOU'LL ALWAYS SMELL THAT DEAD MOUSE, AND YOU'LL REMEMBER 104 00:04:32,750 --> 00:04:35,709 THAT YOU SHOULD NEVER HAVE PUT YOUR HAND ON ME. 105 00:04:39,103 --> 00:04:41,672 AAH! YOU SON OF A BITCH. 106 00:04:41,672 --> 00:04:44,762 IT'S ACTUALLY JUST A WADDED UP NAPKIN 107 00:04:44,762 --> 00:04:46,937 BUT, UH, HAS THE SAME PSYCHOLOGICAL EFFECT. 108 00:04:46,937 --> 00:04:48,896 HUMAN MIND IS FUNNY THAT WAY. 109 00:04:48,896 --> 00:04:50,985 GOOD TO MEET YOU, SIR. SORRY, LISBON. 110 00:04:53,944 --> 00:04:57,252 HE HAD A ROUGH SUMMER. 111 00:04:57,252 --> 00:05:00,560 ♪♪ 112 00:05:07,350 --> 00:05:09,351 [Lisbon] RIGSBY AND VAN PELT ARE CANVASSING 113 00:05:09,351 --> 00:05:11,353 THE AREA AROUND THE ABDUCTION SITE. 114 00:05:11,353 --> 00:05:13,574 CHO'S WITH MRS. DUBLIN, WAITING FOR A RANSOM DEMAND, 115 00:05:13,574 --> 00:05:15,923 AND TECH SERVICES ARE UP AND RUNNING. 116 00:05:15,923 --> 00:05:19,014 WELL, THIS IS A SCARY ONE. LOTS OF ATTENTION. 117 00:05:19,014 --> 00:05:21,016 KEEP MOLLY IN PUBLIC AFFAIRS 118 00:05:21,016 --> 00:05:23,235 APPRISED OF ANY GOOD STUFF WE CAN FEED THE MEDIA, 119 00:05:23,235 --> 00:05:24,672 KEEP THEM ON OUR SIDE, 120 00:05:24,672 --> 00:05:26,935 AND DON'T MAKE ANY MISTAKES. 121 00:05:26,935 --> 00:05:28,850 NO, MA'AM. 122 00:05:28,850 --> 00:05:31,242 HOW'S JANE?[sets down cup] 123 00:05:31,242 --> 00:05:33,288 THE SAME. 124 00:05:33,288 --> 00:05:35,639 YOU THINK HE'S IN DANGER OF CRACKING UP? 125 00:05:35,639 --> 00:05:36,639 NO. 126 00:05:38,728 --> 00:05:42,516 I MEAN, NO. WELL, I DON'T THINK SO. I THINK HE'LL BE FINE. 127 00:05:42,516 --> 00:05:44,518 [papers rustle] 128 00:05:44,518 --> 00:05:46,867 THAT'S NOT VERY CONVINCING, LISBON. 129 00:05:46,867 --> 00:05:50,524 WHAT HE'S BEEN THROUGH WOULD BREAK ANYONE. 130 00:05:50,524 --> 00:05:52,569 HE'S NOT GONNA CRACK UP. 131 00:05:52,569 --> 00:05:55,398 I THINK SOME TIME OFF WILL DO HIM GOOD, THOUGH. 132 00:05:55,398 --> 00:05:58,706 YEAH, WELL, NO CAN DO. 133 00:05:58,706 --> 00:06:00,925 BERTRAM WANTS HIM ON THE DUBLIN CASE. 134 00:06:00,925 --> 00:06:03,884 AFTER JANE WAS SO RUDE TO HIM?BERTRAM'S ALL BOTTOM LINE. 135 00:06:03,884 --> 00:06:05,973 HE WON'T LET PERSONAL ISSUES INTRUDE. 136 00:06:05,973 --> 00:06:08,976 JANE'S THE BEST ASSET WE HAVE, AND BERTRAM KNOWS THAT. 137 00:06:08,976 --> 00:06:13,329 BUT JANE DOESN'T WANT TO BE ON THE CASE.CHANGE HIS MIND. 138 00:06:13,329 --> 00:06:17,680 I'M NOT GONNA TELL BERTRAM WE CAN'T CONTROL OUR OWN PEOPLE. 139 00:06:21,555 --> 00:06:24,557 I HAVE AN IDEA AS TO HOW TO PERSUADE HIM, 140 00:06:24,557 --> 00:06:27,038 BUT IT'S KIND OF UNETHICAL. 141 00:06:27,038 --> 00:06:28,649 I DON'T WANNA KNOW. 142 00:06:35,656 --> 00:06:36,786 WHERE'S JANE? 143 00:06:36,786 --> 00:06:37,961 UPSTAIRS. 144 00:06:37,961 --> 00:06:39,093 THANKS. 145 00:06:50,192 --> 00:06:52,759 [knocks on door]JANE? 146 00:06:52,759 --> 00:06:54,718 COME IN. 147 00:06:54,718 --> 00:06:56,284 HEY. 148 00:06:56,284 --> 00:06:57,721 NICE PLACE. 149 00:06:57,721 --> 00:07:01,855 [sighs] YEAH. YEAH, I LIKE THE VIEW AND THE QUIET. 150 00:07:06,250 --> 00:07:08,776 AND WHAT ARE YOU DOING WITH ALL THE QUIET? 151 00:07:08,776 --> 00:07:12,649 JUST THINKING. 152 00:07:12,649 --> 00:07:14,694 JANE, YOU HAVE TO STOP BLAMING YOURSELF. 153 00:07:14,694 --> 00:07:17,480 IF RED JOHN TOOK KRISTINA FRYE, IT'S NOT YOUR-- 154 00:07:17,480 --> 00:07:19,047 THERE'S NO "IF." HE TOOK HER. 155 00:07:19,047 --> 00:07:22,005 IFHE DID, YOU CAN'T BLAME YOURSELF. 156 00:07:22,005 --> 00:07:24,052 BESIDES, WHAT GOOD IS IT TO SIT UP HERE, 157 00:07:24,052 --> 00:07:26,880 SCRIBBLING IN YOUR BOOK? YOU'RE NOT GONNA FIND HER THAT WAY. 158 00:07:26,880 --> 00:07:28,622 [chuckles] 159 00:07:28,622 --> 00:07:30,667 I'M NOT GONNA CHANGE MY MIND. 160 00:07:30,667 --> 00:07:33,278 I DON'T WANT TO WORK THE DUBLIN CASE. 161 00:07:33,278 --> 00:07:36,629 THAT'S FINE. IT'S A DONE DEAL. I UNDERSTAND. 162 00:07:36,629 --> 00:07:39,850 IT'D BE GOOD FOR YOU TO HAVE A BREAK. 163 00:07:39,850 --> 00:07:43,113 LISTEN, ON A COMPLETELY OTHER SUBJECT, 164 00:07:43,113 --> 00:07:46,204 I NEED A PERSONAL FAVOR. 165 00:07:46,204 --> 00:07:48,206 I'D LIKE YOU TO COME AND MEET SOMEONE. 166 00:07:48,206 --> 00:07:50,295 WHO?I CAN'T TELL. 167 00:07:50,295 --> 00:07:52,384 WHY NOT? 168 00:07:52,384 --> 00:07:54,995 I PROMISE IT HAS NOTHING TO DO WITH HARVEY DUBLIN. 169 00:07:54,995 --> 00:07:56,997 YOU'RE TRYING TO PLAY ME SOMEHOW, 170 00:07:56,997 --> 00:07:59,435 CONVINCE ME TO CHANGE MY MIND. 171 00:07:59,435 --> 00:08:01,305 NO.YES, YOU ARE. 172 00:08:02,656 --> 00:08:04,875 AND I GUESS I OWE YOU A SHOT. 173 00:08:04,875 --> 00:08:07,487 BUT IT'S NOT GONNA WORK, WHATEVER IT IS. 174 00:08:16,278 --> 00:08:20,629 HEY, CHO, HOW'S IT GOIN' WITH MRS. DUBLIN? 175 00:08:20,629 --> 00:08:23,589 NOTHING SO FAR. WHEN'S SOMEBODY COMING TO RELIEVE ME HERE? 176 00:08:23,589 --> 00:08:25,634 WHY? WHAT'S THE PROBLEM? 177 00:08:25,634 --> 00:08:28,245 NOTHING. I'LL CALL IF WE GET ANY DEVELOPMENTS. 178 00:08:28,245 --> 00:08:30,204 WHAT IS IT? IS IT HARVEY? 179 00:08:30,204 --> 00:08:31,685 NO, MA'AM. 180 00:08:31,685 --> 00:08:33,903 [cries] OH, MY GOD! 181 00:08:33,903 --> 00:08:36,690 I AM GONNA EXPLODE! I CAN'T STAND IT! 182 00:08:36,690 --> 00:08:39,475 I CAN'T TAKE IT! I SWEAR TO GOD! 183 00:08:39,475 --> 00:08:41,259 [sobs] 184 00:08:41,259 --> 00:08:43,347 WHY, KIMBALL? [sniffles] 185 00:08:43,347 --> 00:08:47,482 WHY AM I BEING PUNISHED? I'M A GOOD PERSON. 186 00:08:47,482 --> 00:08:49,092 YES, MA'AM. 187 00:08:49,092 --> 00:08:50,965 STOP CALLING ME "MA'AM." 188 00:08:50,965 --> 00:08:53,663 I'M NOT YOUR GRANDMOTHER. [sniffles] 189 00:08:53,663 --> 00:08:56,710 HOW OLD DO YOU THINK I AM ANYWAY? 190 00:08:56,710 --> 00:08:59,277 48, 49. 191 00:08:59,277 --> 00:09:02,279 [sobbing] 192 00:09:07,677 --> 00:09:10,071 I GET THE PICTURE.DO YOU? 193 00:09:10,071 --> 00:09:14,553 YEAH, DUBLIN'S DRIVER-- THE DEAD GUY, PETE RUSSO, RIGHT? 194 00:09:14,553 --> 00:09:15,990 HE HAS FAMILY. 195 00:09:15,990 --> 00:09:17,991 HE WASN'T WEARING A WEDDING RING, SO, UH... 196 00:09:17,991 --> 00:09:20,384 [doorbell rings]WE'RE ABOUT TO MEET A, UH... 197 00:09:20,384 --> 00:09:22,735 [door squeaks] 198 00:09:22,735 --> 00:09:26,347 YES. EXACTLY. 199 00:09:26,347 --> 00:09:27,827 YES, WHO ARE YOU? 200 00:09:27,827 --> 00:09:30,613 NADINE, I'M AGENT LISBON WITH THE CBI. 201 00:09:30,613 --> 00:09:33,485 WE SPOKE ON THE PHONE. THIS IS PATRICK JANE. 202 00:09:33,485 --> 00:09:35,966 HI. YOU'RE, UH, PETE RUSSO'S DAUGHTER? 203 00:09:35,966 --> 00:09:37,402 UH, YEAH. 204 00:09:39,753 --> 00:09:41,144 HELLO?THEY'RE POLICE. 205 00:09:41,144 --> 00:09:43,147 [whispers] OH, OKAY.THIS IS MY MOM. 206 00:09:43,147 --> 00:09:45,846 [normal voice] PATRICIA. 207 00:09:45,846 --> 00:09:47,760 AND THIS IS KEITH, MY STEPDAD. 208 00:09:47,760 --> 00:09:50,590 HI. UM... 209 00:09:50,590 --> 00:09:52,548 PLEASE COME IN. 210 00:09:55,985 --> 00:09:57,509 [sighs] 211 00:10:00,860 --> 00:10:03,690 MISS LISBON SAYS YOU'RE THE BEST DETECTIVE IN CALIFORNIA. 212 00:10:07,955 --> 00:10:12,350 SHE SAYS IF ANYBODY CAN FIND WHO KILLED MY FATHER, YOU CAN. 213 00:10:12,350 --> 00:10:14,395 I JUST HAVE TO SAY, 214 00:10:14,395 --> 00:10:17,659 I DIDN'T THINK YOU WOULD STOOP TO SUCH CRUDE MANIPULATION. 215 00:10:17,659 --> 00:10:19,313 I DON'T UNDERSTAND. 216 00:10:19,313 --> 00:10:21,707 INSIDE JOKE. I'M SORRY. 217 00:10:21,707 --> 00:10:25,145 UH, I WILL FIND WHO KILLED YOUR FATHER AND ABDUCTED MR. DUBLIN. 218 00:10:25,145 --> 00:10:26,974 AN INSIDE JOKE? 219 00:10:26,974 --> 00:10:29,366 HER FATHER IS DEAD. 220 00:10:29,366 --> 00:10:31,065 MURDERED. 221 00:10:31,065 --> 00:10:32,543 YOU'RE MAKING JOKES? 222 00:10:34,371 --> 00:10:36,374 YES, UH, IT'S A FAULT OF MINE. 223 00:10:36,374 --> 00:10:38,375 UH, WHAT IT IS, THE JOKE? 224 00:10:38,375 --> 00:10:41,815 UH, I HAVE A--I HAVE A LOT ON MIND RIGHT NOW. 225 00:10:41,815 --> 00:10:44,338 UH, I DIDN'T REALLY WANNA COME TO WORK TODAY, 226 00:10:44,338 --> 00:10:46,557 BUT MY GOOD FRIEND AND COLLEAGUE AGENT LISBON 227 00:10:46,557 --> 00:10:48,735 TRICKED ME INTO MEETING YOU, 228 00:10:48,735 --> 00:10:50,605 KNOWING THAT I COULDN'T REFUSE YOU 229 00:10:50,605 --> 00:10:52,826 BECAUSE YOU'RE THE AGE MY DAUGHTER WOULD BE 230 00:10:52,826 --> 00:10:56,611 IF SHE WERE STILL ALIVE, IF SHE HADN'T BEEN MURDERED.[gasps] OH, GOODNESS. 231 00:10:56,611 --> 00:10:58,875 MURDERED BY A MAN NAMED RED JOHN, 232 00:10:58,875 --> 00:11:00,921 WHOM I MET WITH RECENTLY. 233 00:11:00,921 --> 00:11:03,532 HE SAVED MY LIFE AND ABDUCTED A FRIEND OF MINE. 234 00:11:03,532 --> 00:11:06,447 LONG STORY. HENCE, MANY THINGS ON MY MIND. 235 00:11:06,447 --> 00:11:07,623 [slurps] 236 00:11:07,623 --> 00:11:10,408 THAT'S NOT A VERY FUNNY JOKE. 237 00:11:10,408 --> 00:11:11,975 HMM. 238 00:11:11,975 --> 00:11:14,020 WHAT HAPPENED TO YOUR FRIEND? 239 00:11:14,020 --> 00:11:15,892 STILL MISSING. 240 00:11:15,892 --> 00:11:19,591 UH, PLEASE, TELL US ABOUT YOUR FATHER. 241 00:11:19,591 --> 00:11:22,376 HE WAS A GOOD PERSON. 242 00:11:22,376 --> 00:11:25,946 HE WAS... FUNNY 243 00:11:25,946 --> 00:11:28,426 AND... [voice breaks] AND GENEROUS. 244 00:11:28,426 --> 00:11:31,995 AND I COULD TALK TO HIM ABOUT ANYTHING, AND HE WOULD LISTEN. 245 00:11:31,995 --> 00:11:33,953 [Patricia] OH, YES, HE COULD BE CHARMING. 246 00:11:36,433 --> 00:11:38,044 HE HAD HIS WAYS. 247 00:11:38,044 --> 00:11:41,657 WHAT KIND OF WAYS?HE HAD A TEMPER. 248 00:11:41,657 --> 00:11:45,529 THAT HE DID. 249 00:11:45,529 --> 00:11:47,923 I MEAN, HIS HEART WAS IN THE RIGHT PLACE, YOU KNOW? 250 00:11:49,838 --> 00:11:52,407 WHATEVER HIS FAULTS, 251 00:11:52,407 --> 00:11:54,582 HE DIDN'T DESERVE TO DIE THIS WAY. 252 00:11:56,019 --> 00:11:58,543 REALLY, I'M IMPRESSED. 253 00:11:58,543 --> 00:12:02,155 YOU--YOU PLAYED ME LIKE A FISH AND--AND YOU LIED TO ME.I KIND OF DID, DIDN'T I? SORRY. 254 00:12:02,155 --> 00:12:05,549 NO, I'M GLAD TO SEE YOU'RE FINALLY LEARNING A FEW THINGS. 255 00:12:05,549 --> 00:12:08,509 OF COURSE, UH, NOW I SHALL HAVE MY REVENGE.WHAT DO YOU MEAN? 256 00:12:08,509 --> 00:12:11,469 [chuckles] AHH. 257 00:12:11,469 --> 00:12:13,863 [Rigsby] DON'T WORRY. WE'RE NOT HERE ABOUT DRUGS. 258 00:12:13,863 --> 00:12:16,299 WE'RE HERE ABOUT THE KILLING THE OTHER NIGHT. 259 00:12:16,299 --> 00:12:18,302 [man] AH, YEAH, YEAH. I HEARD ABOUT THAT. 260 00:12:18,302 --> 00:12:20,826 KIDNAPPED A MAN, HUH? THAT'S TOO BAD. 261 00:12:20,826 --> 00:12:23,177 LOCAL BEAT COPS SAY YOU GUYS DO BUSINESS UNDER THAT BRIDGE.YEAH, LOOK, 262 00:12:23,177 --> 00:12:26,528 THE LOCAL BEAT COPS ARE NICE GUYS, BUT THEY'RE OUT OF TOUCH. 263 00:12:26,528 --> 00:12:29,312 WE DON'T DO BUSINESS UNDER THAT BRIDGE. THE HOS--THEY GOT DIBS. 264 00:12:29,312 --> 00:12:32,707 YOU'RE GONNA WANNA TALK TO THE LADIES OVER ON FREMONT. 265 00:12:32,707 --> 00:12:35,188 ALL RIGHT. THANKS.YEAH, NO WORRIES. 266 00:12:35,188 --> 00:12:37,625 HEY, HEY, RED. 267 00:12:37,625 --> 00:12:39,846 YOU--YOU EVER DATE A HUSTLER BEFORE? 268 00:12:39,846 --> 00:12:42,196 NOT SO FAR! 269 00:12:42,196 --> 00:12:44,459 WHAT? I'M KIDDING. 270 00:12:48,549 --> 00:12:49,942 THANK YOU. 271 00:12:49,942 --> 00:12:52,772 YEAH. OKAY. GOOD TO KNOW. 272 00:12:52,772 --> 00:12:55,948 GOOD AFTERNOON. REID COLMAN. I'M MR. DUBLIN'S PERSONAL LAWYER. 273 00:12:55,948 --> 00:12:58,647 GLAD TO SEE YOU PEOPLE. YOU MADE ANY PROGRESS? 274 00:12:58,647 --> 00:13:02,476 EARLY DAYS, MR. COLMAN.YOU'LL, UH, NEED TO TALK TO ME, YES? 275 00:13:02,476 --> 00:13:05,567 NOW'S A GOOD TIME. I HAVE TEN MINUTES OR SO. 276 00:13:05,567 --> 00:13:08,744 IF YOU'LL COME THIS WAY, WE CAN USE THE CONFERENCE ROOM. 277 00:13:08,744 --> 00:13:10,789 UH, JUST A MOMENT. 278 00:13:10,789 --> 00:13:12,182 WHAT'S YOUR NAME? 279 00:13:12,182 --> 00:13:14,183 MARJORIE. 280 00:13:14,183 --> 00:13:16,230 MARJORIE. THAT'S A VERY NICE NAME. 281 00:13:16,230 --> 00:13:18,231 I'D LIKE TO SPEAK TO MARJORIE FIRST, THANKS.[sighs] 282 00:13:18,231 --> 00:13:21,148 UH, WE WILL NEED TO SPEAK TO YOU IN DUE COURSE, SIR. 283 00:13:21,148 --> 00:13:23,149 I'LL, UH, TRY AND FIT YOU IN LATER. 284 00:13:23,149 --> 00:13:25,152 PROSTITUTES? NO. NO. 285 00:13:25,152 --> 00:13:28,024 MR. DUBLIN WAS NOT THAT SORT OF MAN AT ALL. 286 00:13:28,024 --> 00:13:29,938 THE ALLEYWAY FROM WHICH HE WAS ABDUCTED 287 00:13:29,938 --> 00:13:31,635 WAS USED BY PROSTITUTES, 288 00:13:31,635 --> 00:13:34,552 AND IT WAS NOWHERE NEAR MR. DUBLIN'S REGULAR ROUTE. 289 00:13:34,552 --> 00:13:36,379 I HAVE BEEN MR. DUBLIN'S PERSONAL SECRETARY 290 00:13:36,379 --> 00:13:37,947 FOR TEN YEARS, 291 00:13:37,947 --> 00:13:40,688 AND I CAN TELL YOU WITHOUT A SHADOW OF A DOUBT 292 00:13:40,688 --> 00:13:42,385 THAT HE IS 293 00:13:42,385 --> 00:13:45,085 THE MOST DECENT, CARING, CLEAN, GENEROUS HUMAN BEING 294 00:13:45,085 --> 00:13:47,129 THAT ANYONE COULD HOPE TO MEET. 295 00:13:47,129 --> 00:13:49,524 WE WANT TO BRING HIM BACK SAFELY, MARJORIE. 296 00:13:49,524 --> 00:13:51,394 WE NEED TO KNOW EVERYTHING. 297 00:13:59,054 --> 00:14:02,057 USUALLY I CAN GET AHOLD OF HIM AT ANY TIME. 298 00:14:02,057 --> 00:14:04,712 HIS WORK DEMANDS IT, BUT ONCE IN A WHILE, 299 00:14:04,712 --> 00:14:07,193 HE'D DISAPPEAR FOR AN HOUR OR SO, 300 00:14:07,193 --> 00:14:09,979 NO--NO ANSWER FROM HIM OR HIS DRIVER. 301 00:14:09,979 --> 00:14:12,634 HOW OFTEN WAS THAT?EVERY COUPLE OF WEEKS. 302 00:14:12,634 --> 00:14:15,636 A REGULAR DATE RIGHT AROUND THE TIME HE WAS ABDUCTED, YES? 303 00:14:17,725 --> 00:14:20,729 AND WHAT DID YOU THINK HE MIGHT BE DOING? 304 00:14:20,729 --> 00:14:23,471 MISTRESS, I THOUGHT, 305 00:14:23,471 --> 00:14:25,038 BUT NOT THIS. 306 00:14:25,038 --> 00:14:28,998 MEN HAVE NEEDS. I UNDERSTAND THAT. 307 00:14:28,998 --> 00:14:32,087 PLEASE, YOU'LL FIND HIM, WON'T YOU? YOU'LL FIND HIM? 308 00:14:32,087 --> 00:14:34,611 MARJORIE, UH, I HAVE TO TELL YOU, 309 00:14:34,611 --> 00:14:37,267 UH, IT'S VERY LIKELY THAT HE'S ALREADY DEAD. 310 00:14:37,267 --> 00:14:40,792 WHOA. WAIT A MINUTE. WE DON'T KNOW THAT. 311 00:14:40,792 --> 00:14:44,187 IT'S A HUNCH THAT I HAVE, AND IF I'M RIGHT, 312 00:14:44,187 --> 00:14:47,102 IT'S A BLESSING FOR YOU. 313 00:14:47,102 --> 00:14:49,845 UNREQUITED LOVE IS A TERRIBLE THING. 314 00:14:49,845 --> 00:14:52,716 YOU HAVE TO FIND YOURSELF A MAN THAT WILL LOVE YOU BACK. 315 00:14:52,716 --> 00:14:55,590 YOU'RE A GOOD WOMAN. YOU DESERVE IT. THINK ABOUT THAT. 316 00:15:04,642 --> 00:15:07,601 SO THIS WAS DONE BY SOMEONE WHO KNEW ABOUT DUBLIN'S ROUTINE-- 317 00:15:07,601 --> 00:15:09,038 SOMEONE VERY CLOSE. 318 00:15:09,038 --> 00:15:11,301 WH-WHY DID YOU SAY HE WAS DEAD? 319 00:15:11,301 --> 00:15:13,650 BECAUSE HE IS. HE'S DEAD, AND IT'S NOT A KIDNAPPING.GIVE ME A REASON. 320 00:15:13,650 --> 00:15:16,306 I'LL BET YOU ALL THE TEA IN CHINA.[cell phone rings] 321 00:15:16,306 --> 00:15:18,655 [scoffs] THAT IS NOT A REASON.I'LL GIVE YOU GOOD ODDS. 322 00:15:18,655 --> 00:15:20,658 [ring]HEY. 323 00:15:20,658 --> 00:15:23,052 HEY. RANSOM DEMAND CAME THROUGH. 324 00:15:23,052 --> 00:15:24,706 HOW MUCH? 325 00:15:24,706 --> 00:15:26,620 ALL RIGHT. WE'RE ON OUR WAY. 326 00:15:26,620 --> 00:15:29,405 A MILLION DOLLARS FOR THE SAFE RETURN OF DUBLIN-- 327 00:15:29,405 --> 00:15:31,755 THAT KINDA SOUNDS LIKE A KIDNAPPING, DOESN'T IT? 328 00:15:31,755 --> 00:15:34,889 DOESN'T MEAN IT'S A KIDNAPPING. DOESN'T MEAN HE'S NOT DEAD. 329 00:15:34,889 --> 00:15:38,371 IS THIS A SERIOUS THEORY, OR IS THIS YOUR REVENGE? 330 00:15:49,426 --> 00:15:51,994 [Cho] THIS WAS SENT FROM A THROWAWAY PHONE. 331 00:15:51,994 --> 00:15:55,084 "DO EXACTLY AS INSTRUCTED OR H.D. GETS HIS THROAT CUT 332 00:15:55,084 --> 00:15:58,043 "AND WE SEND YOU HIS TONGUE. WE WANT A MILLION DOLLARS 333 00:15:58,043 --> 00:16:00,567 "IN USED $50s AND $100s AT 0600 TOMORROW. 334 00:16:00,567 --> 00:16:03,397 LOCATION WILL FOLLOW. NO POLICE, OR H.D. IS DEAD."ANY PROOF OF LIFE? 335 00:16:03,397 --> 00:16:06,399 NO.HUH. 336 00:16:06,399 --> 00:16:09,359 DO NOT SAY ANYTHING BAD TO MRS. DUBLIN. 337 00:16:09,359 --> 00:16:11,578 THAT IS AN ORDER. 338 00:16:11,578 --> 00:16:14,190 JAWOHL, MEIN KOMMANDANT.CAN I SEE?YEAH. 339 00:16:14,190 --> 00:16:15,931 WHERE IS MRS. DUBLIN? 340 00:16:15,931 --> 00:16:18,933 YEAH, SHE CRIES A LOT. THEN SHE HAS TO FRESHEN HER MAKEUP, 341 00:16:18,933 --> 00:16:20,980 AND THEN SHE CRIES AGAIN. SORT OF A CYCLE. 342 00:16:20,980 --> 00:16:23,417 THREE DELIBERATE MISSPELLINGS 343 00:16:23,417 --> 00:16:25,375 AND AN OBVIOUS MILITARY LILT, 344 00:16:25,375 --> 00:16:27,551 WHICH SUGGESTS THAT THE WRITER IS NOT A VETERAN 345 00:16:27,551 --> 00:16:30,553 BUT WANTS US TO BELIEVE THAT HE OR SHE IS-- 346 00:16:30,553 --> 00:16:33,514 SO A NOTCH OR TWO LESS CLEVER THAN HE OR SHE THINKS 347 00:16:33,514 --> 00:16:35,907 THAT THEY ARE, USING THIS CRIME TO EXPRESS 348 00:16:35,907 --> 00:16:39,562 SOME KIND OF DEEP, PERSONAL GRUDGE. 349 00:16:39,562 --> 00:16:42,479 THE VIOLENCE IS AUTHENTIC ENOUGH. 350 00:16:42,479 --> 00:16:44,090 OH, MY LORD. WHAT NOW? WHAT'S HAPPENED? 351 00:16:44,090 --> 00:16:46,134 IT'S--IT'S NOTHING, GISELLE. 352 00:16:46,134 --> 00:16:49,138 THESE ARE MY COLLEAGUES. PLEASE REMAIN CALM.HOW CAN I REMAIN CALM? 353 00:16:49,138 --> 00:16:52,315 I CAN'T RAISE A MILLION DOLLARS BY TOMORROW! 354 00:16:52,315 --> 00:16:56,493 WE AREN'T NEARLY AS RICH AS PEOPLE THINK. 355 00:16:56,493 --> 00:16:59,495 WH-WHAT DO I DO?I CAN'T SPEAK TO THE FINANCIAL ASPECTS, MA'AM. 356 00:16:59,495 --> 00:17:01,846 THAT'S YOUR CALL. 357 00:17:01,846 --> 00:17:05,067 NOW CAN YOU THINK OF ANYBODY WHO MAY HAVE HAD 358 00:17:05,067 --> 00:17:07,242 A PERSONAL GRUDGE AGAINST YOUR HUSBAND? 359 00:17:07,242 --> 00:17:09,462 NO. NOBODY. 360 00:17:09,462 --> 00:17:11,855 MY HUSBAND IS A RESPECTED AND BELOVED MEMBER 361 00:17:11,855 --> 00:17:13,728 OF SACRAMENTO SOCIETY. 362 00:17:13,728 --> 00:17:16,077 AND YOU? 363 00:17:16,077 --> 00:17:18,732 DO YOU RESPECT AND BELOVEHIM? 364 00:17:18,732 --> 00:17:20,821 OF COURSE I DO. 365 00:17:20,821 --> 00:17:23,912 DEEPLY. WHAT A QUESTION. 366 00:17:23,912 --> 00:17:27,567 WELL, WH-WHY DON'T YOU WANT TO RAISE A MILLION DOLLARS 367 00:17:27,567 --> 00:17:30,483 TO SAVE HIS LIFE?WHY DO YOU ASK THAT? I DO! 368 00:17:30,483 --> 00:17:32,486 WELL, THE WATCH AND THE EARRINGS-- 369 00:17:32,486 --> 00:17:34,662 THAT'S, LIKE, QUARTER MIL RIGHT THERE. 370 00:17:34,662 --> 00:17:36,881 YOU CAN RAISE THE MONEY. YOU'RE CONFLICTED, 371 00:17:36,881 --> 00:17:39,884 BECAUSE YOU DON'T KNOW IF YOU WANT YOUR HUSBAND BACK. 372 00:17:39,884 --> 00:17:42,496 YOU DON'T LIKE YOUR HUSBAND VERY MUCH AT ALL. 373 00:17:42,496 --> 00:17:44,453 YOU'RE ACTUALLY A VERY GOOD ACTRESS 374 00:17:44,453 --> 00:17:47,369 PLAYING THE PART OF THE LOVING WIFE. 375 00:17:47,369 --> 00:17:49,415 THAT'S WHAT I THINK YOU ARE. 376 00:17:49,415 --> 00:17:52,157 CAN YOU LOOK AT ME AND TELL ME THAT I'M WRONG? 377 00:17:52,157 --> 00:17:55,161 [sighs] 378 00:17:56,857 --> 00:17:58,076 DUH. 379 00:18:00,688 --> 00:18:04,299 OF COURSE I DON'T LIKE HIM VERY MUCH. 380 00:18:04,299 --> 00:18:06,650 EVERYBODY IN THE KNOW KNOWS THAT HARVEY DUBLIN IS 381 00:18:06,650 --> 00:18:10,523 A MEAN, LYING, BACKSTABBING, CROOKED SON OF A BITCH. 382 00:18:10,523 --> 00:18:12,961 BUT I'M HIS WIFE, 383 00:18:12,961 --> 00:18:16,442 AND WHAT AM I SUPPOSED TO DO BUT ACT LIKE I LOVE HIM?WHY DIDN'T YOU LEAVE HIM? 384 00:18:16,442 --> 00:18:19,009 [sighs] HAVE YOU EVER DIVORCED A MEAN LAWYER? 385 00:18:19,009 --> 00:18:22,317 HE HAS NO RECORD OF ANY PERSONAL WRONGDOING. 386 00:18:22,317 --> 00:18:24,364 HE'S A RESPECTED LOBBYIST. 387 00:18:24,364 --> 00:18:26,539 AN EXTORTIONIST AND CON MAN, MORE LIKE IT. 388 00:18:26,539 --> 00:18:28,585 SO THERE ARE A LOT OF PEOPLE 389 00:18:28,585 --> 00:18:31,587 WHO MAY HAVE WANTED TO HARM YOUR HUSBAND.ARE YOU KIDDING? 390 00:18:31,587 --> 00:18:34,461 THERE'S PEOPLE ALL OVER THE CITY PRAYING THAT HE STAYS GONE. 391 00:18:34,461 --> 00:18:37,028 HOW ABOUT YOU?ME? 392 00:18:37,028 --> 00:18:39,117 YEAH, YOU. 393 00:18:39,117 --> 00:18:42,598 OH, I'LL RAISE THE MONEY. I OWE HIM THAT MUCH. 394 00:18:42,598 --> 00:18:44,601 I KNEW WHAT I WAS MARRYING. 395 00:18:44,601 --> 00:18:46,646 YES, MR. DUBLIN IS THE TARGET OF SOME LAWSUITS. 396 00:18:46,646 --> 00:18:48,865 MOST PROMINENT MEN ARE AT ONE POINT OR ANOTHER 397 00:18:48,865 --> 00:18:52,434 IN THEIR CAREERS. IT'S A HAZARD OF MODERN LIFE. 398 00:18:52,434 --> 00:18:55,176 SO HARVEY DUBLIN'S A SAINT. THAT'S YOUR POSITION? 399 00:18:55,176 --> 00:18:57,440 NO, HARVEY DUBLIN IS NOT A SAINT, 400 00:18:57,440 --> 00:18:59,355 BUT I'M HIS LAWYER, AND I SPEAK FOR HIM. 401 00:18:59,355 --> 00:19:01,356 LOOK, HARVEY STARTED WITH LESS THAN NOTHING. 402 00:19:01,356 --> 00:19:04,751 HE WAS A STREET KID. HIS PARENTS WERE DRUG ADDICTS. 403 00:19:04,751 --> 00:19:08,190 HE LIVES IN FEAR OF FALLING BACK INTO THAT WORLD, 404 00:19:08,190 --> 00:19:10,626 SO MAYBE HE PUSHES A LITTLE BIT TOO HARD. 405 00:19:10,626 --> 00:19:13,107 MAYBE HE'S JUST A LITTLE BIT TOO INTENSE 406 00:19:13,107 --> 00:19:16,546 IN HIS DESIRE TO WIN. THIS IS AMERICA. THAT'S NO CRIME.SEVEN LAWSUITS PENDING. 407 00:19:16,546 --> 00:19:19,941 LOOK, ANYONE CAN GET SUED. IT DOESN'T MEAN A THING. 408 00:19:19,941 --> 00:19:22,464 HALF THE PLAYERS IN THIS TOWN ARE IN BED WITH DUBLIN 409 00:19:22,464 --> 00:19:25,381 ONE WAY OR ANOTHER. IN FACT, YOUR, UH, 410 00:19:25,381 --> 00:19:26,948 YOUR NEW DIRECTOR, GALE BERTRAM-- 411 00:19:26,948 --> 00:19:29,167 HE'S ONE OF HIS CODEFENDANTS.REALLY? 412 00:19:29,167 --> 00:19:30,994 YEAH. BANK OF CLAREMONT vs. 413 00:19:30,994 --> 00:19:32,605 BRIXHAM LAKE DEVELOPMENT CORPORATION AND OTHERS. 414 00:19:32,605 --> 00:19:35,565 IT'S GONNA BE A BLOCKBUSTER.DO GO ON. 415 00:19:35,565 --> 00:19:38,351 IT'S A COMPLEX LAND/WATER RIGHTS THING. 416 00:19:38,351 --> 00:19:40,440 IT'LL RUN FOR YEARS. 417 00:19:40,440 --> 00:19:42,659 THE POINT IS, BERTRAM WAS NAMED CODEFENDANT 418 00:19:42,659 --> 00:19:46,141 TO PUT PRESSURE ON THE DEFENSE TO SETTLE EARLY. 419 00:19:46,141 --> 00:19:48,970 HAPPENS ALL THE TIME.HMM. THAT'S INTERESTING ABOUT BERTRAM. 420 00:19:48,970 --> 00:19:51,145 NO, IT'S NOT.YES, IT IS. 421 00:19:51,145 --> 00:19:53,147 WHO'S TO GAIN THE MOST, LEGALLY SPEAKING, 422 00:19:53,147 --> 00:19:55,150 IF MR. DUBLIN DOESN'T RETURN? 423 00:19:55,150 --> 00:19:57,369 WELL, THAT'S, UH, THAT'S HARD TO SAY. 424 00:19:57,369 --> 00:19:59,327 TOO MANY VARIABLES IN THE EQUATION. 425 00:19:59,327 --> 00:20:01,374 BUT HE IS COMING BACK, RIGHT? 426 00:20:01,374 --> 00:20:03,723 I MEAN, IF GISELLE PAYS THE KIDNAPPERS, 427 00:20:03,723 --> 00:20:05,726 WHY SHOULDN'T HE?WELL, STUFF HAPPENS. 428 00:20:05,726 --> 00:20:08,381 UH, DID YOU EVER SERVE IN THE MILITARY, MR. COLMAN? 429 00:20:08,381 --> 00:20:12,298 NO, I DIDN'T HAVE THAT HONOR. WHY DO YOU ASK?STANDARD QUESTION. 430 00:20:12,298 --> 00:20:13,690 [speaks inaudibly] 431 00:20:13,690 --> 00:20:15,257 WELL, HEY, DON'T JUST-- 432 00:20:15,257 --> 00:20:16,737 [scoffs] OH, SHOOT. 433 00:20:16,737 --> 00:20:18,739 HEY, LADY, WAIT UP. 434 00:20:18,739 --> 00:20:20,609 MA'AM, WE JUST WANT TO TALK. 435 00:20:20,609 --> 00:20:22,394 BLAH, BLAH, BLAH, BLAH. 436 00:20:22,394 --> 00:20:25,267 YEAH, BLAH, BLAH, BLAH. LISTEN, DID YOU HEAR ABOUT THAT GUY 437 00:20:25,267 --> 00:20:28,575 THAT WAS KIDNAPPED UP THE STREET A COUPLE BLOCKS OVER? 438 00:20:28,575 --> 00:20:31,490 HIS DRIVER WAS SHOT DEAD.OH, THAT. YEAH. ISN'T THAT WILD? EVERYBODY'S TALKING ABOUT IT. 439 00:20:31,490 --> 00:20:35,451 WHAT EXACTLY ARE PEOPLE SAYING?ALL KINDS OF STUFF. FRIEND OF MINE SAID SHE WAS THERE. 440 00:20:35,451 --> 00:20:38,366 OH, YEAH?WELL, SHE'S ACTING ALL MYSTERIOUS, 441 00:20:38,366 --> 00:20:41,500 LIKE, "I CAN'T TELL YOU WHAT HAPPENED," 442 00:20:41,500 --> 00:20:45,200 LIKE SHE'S A SECRET AGENT OR WHATNOT.WHAT'S YOUR FRIEND'S NAME? 443 00:20:45,200 --> 00:20:48,550 YOURS FOR $50.THIS IS A MURDER INVESTIGATION. 444 00:20:48,550 --> 00:20:51,423 WE COULD TAKE YOU IN RIGHT NOW FOR OBSTRUCTION. 445 00:20:51,423 --> 00:20:54,383 OH, BABY, SAVE YOURSELF TIME AND PAPERWORK. 446 00:20:54,383 --> 00:20:57,430 I GOT 40... 43 BUCKS. 447 00:21:00,214 --> 00:21:02,086 UH... 12 CENTS. 448 00:21:02,086 --> 00:21:04,653 MONEY'S TIGHT ALL OVER, HUH? 449 00:21:04,653 --> 00:21:07,614 COME ON. CUT US A BREAK HERE. 450 00:21:12,531 --> 00:21:15,448 SUGAR--BIG OLE TALL GIRL, PINK HAIR. 451 00:21:15,448 --> 00:21:17,492 SHE'LL BE AROUND TOMORROW NIGHT. 452 00:21:17,492 --> 00:21:19,973 NICE DOIN' BUSINESS WITH YA. 453 00:21:19,973 --> 00:21:22,411 12 CENTS? SERIOUSLY? 454 00:21:22,411 --> 00:21:24,369 WHAT? [sighs] SHE CLEANED ME OUT. 455 00:21:24,369 --> 00:21:26,196 [chuckles] 12 CENTS. 456 00:21:30,462 --> 00:21:32,508 AH. 457 00:21:32,508 --> 00:21:34,554 INTERESTING ABOUT BERTRAM, HUH? 458 00:21:34,554 --> 00:21:37,557 YOU SAID THAT BEFORE. NO, IT'S NOT. 459 00:21:37,557 --> 00:21:40,951 I GOT A WEIRD VIBE THE FIRST MOMENT I MET HIM. 460 00:21:40,951 --> 00:21:43,519 UH, THE DIRECTOR OF THE DIVISION OF LAW ENFORCEMENT 461 00:21:43,519 --> 00:21:45,826 DID NOT KIDNAP HARVEY DUBLIN. 462 00:21:45,826 --> 00:21:47,871 SO YOU THINK. HOW WELL DO YOU KNOW HIM? 463 00:21:47,871 --> 00:21:49,873 THIS IS YOUR REVENGE, ISN'T IT? 464 00:21:49,873 --> 00:21:51,961 WELL, I-I AM SIMPLY GONNA IGNORE YOU. 465 00:21:51,961 --> 00:21:54,487 I'M NOT PUNISHING YOU, THOUGH YOU DO DESERVE IT. 466 00:21:54,487 --> 00:21:58,534 DUBLIN TURNED OUT TO BE THE SLEAZEBAG I GUESSED HE WAS. 467 00:21:58,534 --> 00:22:01,189 HE DESERVES JUSTICE LIKE EVERYBODY ELSE. 468 00:22:01,189 --> 00:22:03,496 OH, YOU'RE A COP. YOU HAVE TO SAY THAT. 469 00:22:03,496 --> 00:22:05,498 YOU DON'T REALLY BELIEVE IT. 470 00:22:05,498 --> 00:22:07,368 MY FINGERS ARE IN MY EARS. 471 00:22:33,787 --> 00:22:35,441 MORNING! 472 00:22:35,441 --> 00:22:38,095 HEY! 473 00:22:38,095 --> 00:22:39,880 WHAT'S HAPPENING? 474 00:22:39,880 --> 00:22:42,970 NOTHING YET.NO KIDDING. WHERE'S THE MONEY? 475 00:22:42,970 --> 00:22:45,276 TRASH CAN DOWN THERE.THERE? 476 00:22:45,276 --> 00:22:46,930 YEAH. 477 00:22:46,930 --> 00:22:49,977 OH. JUST AS I THOUGHT. NO ONE'S GONNA SHOW UP. 478 00:22:49,977 --> 00:22:53,414 LOOK AT THIS PLACE. IT'S FAR TOO OPEN FOR A RANSOM DROP.WELL, THEY SAID NO POLICE, 479 00:22:53,414 --> 00:22:56,505 AND MAYBE THEY'RE STUPID ENOUGH TO THINK THAT THERE'S NO POLICE. 480 00:22:56,505 --> 00:22:59,073 THEY KILLED A GUY IN THE STREET. 481 00:22:59,073 --> 00:23:02,292 THEY HAVE TO KNOW THE POLICE ARE INVOLVED. [sighs] 482 00:23:02,292 --> 00:23:04,644 THEY NEVER INTENDED TO PICK UP THE RANSOM. 483 00:23:04,644 --> 00:23:06,950 WELL, MY HUNCH IS CORRECT. THE KIDNAPPING'S A SHAM. 484 00:23:06,950 --> 00:23:09,648 DUBLIN'S ALREADY DEAD.WHAT WOULD BE THE REASON FOR A PRETEND KIDNAPPING? 485 00:23:09,648 --> 00:23:11,651 WELL, THAT IS THE SALIENT QUESTION, YES. 486 00:23:11,651 --> 00:23:15,219 BUT YOU CAN STOP WASTING YOUR TIME HERE, CERTAINLY. 487 00:23:15,219 --> 00:23:18,961 HEY, DID MRS. DUBLIN USE REAL MONEY OR FAKE MONEY?REAL. 488 00:23:18,961 --> 00:23:22,138 DID YOU LOOK AT IT?NO. WHAT WOULD THAT MATTER NOW? 489 00:23:22,138 --> 00:23:23,750 WELL, IT DOESN'T MATTER. 490 00:23:23,750 --> 00:23:26,273 I'M--YOU KNOW, I'M JUST A LITTLE CURIOUS. 491 00:23:26,273 --> 00:23:29,277 WHAT YOU'RE SAYING MIGHT BE TRUE AND IT MIGHT NOT BE. 492 00:23:29,277 --> 00:23:32,323 WE STILL HAVE TO SIT ON THIS THING FOR A LITTLE WHILE 493 00:23:32,323 --> 00:23:35,631 TO MAKE SURE NOBODY SHOWS UP--COUPLE OF HOURS.WELL, THAT'S JUST SILLY. 494 00:23:35,631 --> 00:23:38,416 IT'S NOT SILLY. IT'S PROFESSIONAL.PROFESSIONAL SH-MESSIONAL. 495 00:23:38,416 --> 00:23:40,419 JANE. 496 00:23:51,820 --> 00:23:54,301 [clatters] 497 00:23:54,301 --> 00:23:56,695 HEY, IT'S REAL! 498 00:23:56,695 --> 00:23:59,394 POLICE! FREEZE! HANDS IN THE AIR! 499 00:23:59,394 --> 00:24:03,136 GET ON YOUR KNEES! DO IT NOW! DO IT NOW!OKAY. 500 00:24:03,136 --> 00:24:05,269 DON'T MOVE. 501 00:24:11,884 --> 00:24:13,930 [man] THE DIRECTOR IS EXPECTING 502 00:24:13,930 --> 00:24:16,932 A FULL BUT CONCISE PROGRESS REPORT.HOW'S THAT JACKET SMELL? 503 00:24:16,932 --> 00:24:19,980 THIS IS A DIFFERENT SUIT.YEAH, BUT THE OTHER ONE'S RUINED, ISN'T IT? HMM? 504 00:24:19,980 --> 00:24:21,372 POWER OF SUGGESTION. 505 00:24:21,372 --> 00:24:23,679 OKAY, YOU KNOW WHAT? BITE ME. 506 00:24:29,468 --> 00:24:32,688 SO... POOR HARVEY DUBLIN, HUH? 507 00:24:32,688 --> 00:24:35,517 SIR, NO ONE PICKED UP THE RANSOM DROP, 508 00:24:35,517 --> 00:24:37,476 SO FOR THAT AND OTHER REASONS, 509 00:24:37,476 --> 00:24:39,128 WE BELIEVE THAT 510 00:24:39,128 --> 00:24:41,131 THE KIDNAPPING ASPECT OF THIS CASE IS A PRETENSE. 511 00:24:41,131 --> 00:24:44,090 MASKING WHAT?THAT WE CAN'T SAY FOR SURE. 512 00:24:44,090 --> 00:24:46,875 WE HAVE PROMISING LEADS.WELL, I NEED SOMETHING TO TELL THE MEDIA. 513 00:24:46,875 --> 00:24:48,790 TELL 'EM HARVEY DUBLIN'S DEAD. 514 00:24:48,790 --> 00:24:51,968 WELL, I'M SO GLAD YOU DECIDED TO WORK ON THIS CASE, MR. JANE. 515 00:24:51,968 --> 00:24:53,926 YOUR DIRECTNESS IS BRACING. 516 00:24:53,926 --> 00:24:57,320 OF COURSE, PROCEDURALLY, WE'RE STILL ASSUMING HE'S ALIVE, 517 00:24:57,320 --> 00:24:59,932 UNTIL WE HAVE PROOF POSITIVE OTHERWISE. 518 00:24:59,932 --> 00:25:02,544 WHY KILL DUBLIN? WH-WHAT'S THE MOTIVE? 519 00:25:02,544 --> 00:25:04,546 WELL, TWO POSSIBILITIES. 520 00:25:04,546 --> 00:25:06,505 UH, ONE--SIMPLE ROBBERY. 521 00:25:06,505 --> 00:25:08,855 THE CULPRIT WAS GOING AFTER THE DIAMOND THAT, UH, 522 00:25:08,855 --> 00:25:11,509 DUBLIN ALWAYS CARRIES ON HIM. 523 00:25:11,509 --> 00:25:13,729 [chuckles] DIAMOND? WHAT DIAMOND? 524 00:25:13,729 --> 00:25:15,730 WELL, APPARENTLY, DUBLIN HAD A TERROR 525 00:25:15,730 --> 00:25:17,993 OF FALLING BACK INTO POVERTY, OF, UH, 526 00:25:17,993 --> 00:25:20,605 DYING IN A PAUPER'S GRAVE LIKE HIS FATHER DID, 527 00:25:20,605 --> 00:25:22,564 SO HE ALWAYS CARRIED A LARGE DIAMOND WITH HIM, 528 00:25:22,564 --> 00:25:24,173 JUST IN CASE. 529 00:25:24,173 --> 00:25:26,828 IT'S KIND OF A TOUCHING STORY, ISN'T IT? 530 00:25:26,828 --> 00:25:28,830 SO SOMEONE STAGED THIS ABDUCTION 531 00:25:28,830 --> 00:25:31,703 TO STEAL THE DIAMOND. 532 00:25:31,703 --> 00:25:34,532 OKAY. UM, WHERE'S YOUR EVIDENCE FOR THIS?WELL, NO ACTUAL EVIDENCE. 533 00:25:34,532 --> 00:25:37,839 THAT'S--THAT'S WORD ON THE STREET.IT'S MORE LIKE A THEORY, REALLY. 534 00:25:37,839 --> 00:25:40,756 WORD ON THE STREET.JANE. 535 00:25:40,756 --> 00:25:43,366 SO YOU HAVE NOTHING? 536 00:25:44,891 --> 00:25:47,546 YOU--YOU SAID THERE WERE TWO POSSIBILITIES? 537 00:25:47,546 --> 00:25:50,243 OH, THE OTHER REASON SOMEONE WOULD KILL HIM IS, 538 00:25:50,243 --> 00:25:52,594 UH... B-B-B-BRIXHAM LAKE. 539 00:25:52,594 --> 00:25:55,509 UH, WAIT A SECOND.WHAT ABOUT BRIXHAM LAKE? 540 00:25:55,509 --> 00:25:57,859 WELL, IT'S SUCH A COMPLEX LITTLE SCANDAL, 541 00:25:57,859 --> 00:25:59,470 ISN'T IT? 542 00:25:59,470 --> 00:26:02,472 AND IT ALL GOES AWAY IF HARVEY DUBLIN IS DEAD. 543 00:26:02,472 --> 00:26:06,607 I AM A NAMED CODEFENDANT IN ONE OF THE BRIXHAM LAKE LAWSUITS. 544 00:26:06,607 --> 00:26:08,479 YES, I SAW THAT. VERY INTERESTING. 545 00:26:08,479 --> 00:26:10,089 UH, OBVIOUSLY YOU'RE INNOCENT, 546 00:26:10,089 --> 00:26:13,833 BUT, UH, I IMAGINE THAT THERE'S A LOT OF STUFF 547 00:26:13,833 --> 00:26:15,835 THAT YOU WOULD RATHER REMAIN SECRET 548 00:26:15,835 --> 00:26:18,402 THAT WILL COME OUT IF THE SUIT GOES TO TRIAL. 549 00:26:18,402 --> 00:26:20,273 YOU HAD AMPLE MOTIVE. 550 00:26:20,273 --> 00:26:23,277 SO THAT'SOPTION TWO? 551 00:26:23,277 --> 00:26:25,452 ME? I'M YOUR SUSPECT? 552 00:26:25,452 --> 00:26:28,020 WHA-- [chuckles] WHAT ARE YOU PLAYING AT? 553 00:26:28,020 --> 00:26:30,066 WELL, I W-- I WAS JUST WONDERING 554 00:26:30,066 --> 00:26:33,068 WHY YOU DIDN'T TELL US THIS GUY WAS SUCH A SLEAZEBAG 555 00:26:33,068 --> 00:26:35,984 AND THAT YOU ARE UP TO YOUR NECK IN HIS GRUBBY BUSINESS.THAT'S ENOUGH. 556 00:26:35,984 --> 00:26:39,031 YES, IT IS. I DON'T HAVE TIME FOR THIS. 557 00:26:39,031 --> 00:26:42,338 YOU SHALL JUST HAVE TO TRUST IN MY INNOCENCE, MR. JANE. 558 00:26:42,338 --> 00:26:44,298 I'M NOT GOOD AT TRUST. 559 00:26:44,298 --> 00:26:47,300 I'M REALLY TRYING TO ALLOW YOU THE LATITUDE 560 00:26:47,300 --> 00:26:49,302 THAT YOUR RARE TALENTS DESERVE, 561 00:26:49,302 --> 00:26:51,740 BUT YOU MAKE IT VERY DIFFICULT. 562 00:26:51,740 --> 00:26:54,481 YOU TWO MAY GO NOW. HIGHTOWER, STAY. 563 00:26:54,481 --> 00:26:56,005 YES, SIR. 564 00:27:03,317 --> 00:27:05,840 WHAT THE HELL WAS THAT? ARE YOU INSANE? 565 00:27:05,840 --> 00:27:08,844 AND WHERE DID YOU COME UP WITH THAT STUPID-ASS DIAMOND STORY? 566 00:27:08,844 --> 00:27:11,630 I DON'T KNOW WHAT CAME OVER ME. I SEE THAT MAN, 567 00:27:11,630 --> 00:27:13,848 I GET AN IMMEDIATE URGE TO WIND HIM UP. 568 00:27:13,848 --> 00:27:15,634 HE'S THE DIRECTOR. 569 00:27:15,634 --> 00:27:18,636 I'M SORRY. HE AMUSES ME.I'M GLAD HE ENTERTAINS YOU, 570 00:27:18,636 --> 00:27:21,248 BECAUSE HE'S GONNA FIRE YOU NOW PROBABLY. 571 00:27:21,248 --> 00:27:23,467 NO. YOU GUYS NEED ME TOO MUCH. 572 00:27:23,467 --> 00:27:25,121 [speaks inaudibly] 573 00:27:25,121 --> 00:27:28,646 I'LL CATCH UP. 574 00:27:28,646 --> 00:27:33,259 [speaks indistinctly] 575 00:27:33,259 --> 00:27:34,653 EXCUSE ME? 576 00:27:34,653 --> 00:27:36,698 WHAT DID YOU TELL HER? 577 00:27:36,698 --> 00:27:38,743 I WAS COMPLIMENTING HER ON HER JACKET. 578 00:27:38,743 --> 00:27:41,049 IT'S SUCH A VIVID COLOR.LIAR. 579 00:27:41,049 --> 00:27:43,051 YOU'RE GONNA CALL ME A LIAR? 580 00:27:43,051 --> 00:27:45,054 OH, I HATE YOU.OH. 581 00:27:45,054 --> 00:27:46,490 I DO.MNH-MNH. 582 00:27:46,490 --> 00:27:50,843 WE HAVE OUR BEST PEOPLE ON THIS THING 24/7. 583 00:27:50,843 --> 00:27:54,541 I WANT TO EXTEND MY SYMPATHIES TO THE FAMILY OF PETER RUSSO, 584 00:27:54,541 --> 00:27:56,892 AND--AND PLEASE JOIN US IN OUR PRAYERS 585 00:27:56,892 --> 00:27:58,938 FOR MR. DUBLIN'S SAFETY. 586 00:27:58,938 --> 00:28:01,114 ARE THERE QUESTIONS-- BRIEFLY, PLEASE? 587 00:28:01,114 --> 00:28:04,290 YEAH. ARE YOU LOOKING INTO THIS BEING A SEX-RELATED CRIME MAYBE? 588 00:28:04,290 --> 00:28:07,336 I MEAN, THAT ALLEYWAY IS--NO, THERE'S NO SEX ANGLE, JEFF-- NONE THAT WE'RE AWARE OF. 589 00:28:07,336 --> 00:28:10,644 SIR, DO YOU THINK THERE'S A BRIXHAM LAKE CONNECTION HERE? 590 00:28:10,644 --> 00:28:14,213 NO. I DON'T THINK SO.BUT BOTH YOU AND DUBLIN ARE INVOLVED IN THAT CASE, 591 00:28:14,213 --> 00:28:17,173 AREN'T YOU?NO, NO, NO. WH-WHAT WE'RE THINKING IS, 592 00:28:17,173 --> 00:28:20,046 IT SEEMS THAT MR. DUBLIN WAS RUMORED 593 00:28:20,046 --> 00:28:23,005 TO KEEP A LARGE DIAMOND WITH HIM, ON--ON HIS PERSON, 594 00:28:23,005 --> 00:28:25,834 AND THE THEFT OF THAT DIAMOND IS OUR CURRENT LINE OF THINKING 595 00:28:25,834 --> 00:28:27,356 AS TO MOTIVE. 596 00:28:27,356 --> 00:28:29,663 [Jeff] YEAH? WHAT KIND OF DIAMOND IS IT? 597 00:28:29,663 --> 00:28:32,188 UH, BIG. IT'S 2 OR 3 CARATS, I THINK. 598 00:28:32,188 --> 00:28:34,320 [scoffs] WHY WOULD HE CARRY A DIAMOND LIKE THAT 599 00:28:34,320 --> 00:28:37,279 AROUND WITH HIM? WELL, THAT'S A GOOD QUESTION, JEFF. 600 00:28:37,279 --> 00:28:39,630 UH, PERHAPS MR. DUBLIN WAS TRYING TO BE PREPARED 601 00:28:39,630 --> 00:28:40,761 FOR ANY CIRCUMSTANCE. 602 00:28:40,761 --> 00:28:42,459 YOU KNOW... 603 00:28:42,459 --> 00:28:44,417 [turns TV on] ...UNDERSTANDABLE, ISN'T IT? 604 00:28:44,417 --> 00:28:47,160 I MEAN, HE'S, UH, HAD A TOUGH...[clicks switch] 605 00:28:47,160 --> 00:28:49,249 [turns TV on] JUST ONE MORE QUESTION... 606 00:28:49,249 --> 00:28:51,250 [clicks switch] 607 00:28:51,250 --> 00:28:53,426 [telephone ringing in distance] 608 00:28:53,426 --> 00:28:56,430 HOW DO YOU THINK THE DIRECTOR IS GOING TO FEEL 609 00:28:56,430 --> 00:28:58,432 WHEN HE FINDS OUT YOU FOOLED HIM 610 00:28:58,432 --> 00:29:01,391 INTO TALKING COMPLETE GARBAGE ON TV?IT'S NOT GARBAGE, 611 00:29:01,391 --> 00:29:03,393 AND HE'LL BE VERY ANGRY OR VERY HAPPY, 612 00:29:03,393 --> 00:29:06,005 DEPENDING ON WHETHER I'M RIGHT OR NOT. 613 00:29:06,005 --> 00:29:09,398 RIGHT ABOUT WHAT? THERE IS NO DIAMOND-- 614 00:29:09,398 --> 00:29:13,011 OH. I SEE. A TRAP. VERY CLEVER. 615 00:29:13,011 --> 00:29:14,535 MM.A TRAP FOR WHO? 616 00:29:14,535 --> 00:29:16,492 GUESS.JUST TELL ME. 617 00:29:16,492 --> 00:29:19,409 GUESS.YOU KNOW WHAT? SCREW YOU. YOU CROSSED A LINE ALREADY, 618 00:29:19,409 --> 00:29:21,411 AND NOW YOU'RE PLAYING GUESSING GAMES WITH ME? 619 00:29:21,411 --> 00:29:23,892 NO, IT'S JUST THAT I'M NOT SURE MYSELF. 620 00:29:23,892 --> 00:29:26,286 I HAVE A PLAN, THOUGH.OH, SHEEPDIP. 621 00:29:26,286 --> 00:29:29,984 YOU ARE STILL TRYING TO PUNISH ME FOR LYING TO YOU. 622 00:29:29,984 --> 00:29:31,987 WELL, YOU KNOW WHAT? I'M SORRY. SORRY. 623 00:29:31,987 --> 00:29:34,597 YOU WANTED OFF THIS CASE. YOU'RE OFF. 624 00:29:34,597 --> 00:29:36,599 YOU CAN TAKE A NAP IN YOUR THINKING ROOM. 625 00:29:36,599 --> 00:29:38,993 WE'LL SOLVE THIS CASE WITHOUT YOU, THE RIGHT WAY-- 626 00:29:38,993 --> 00:29:41,518 WITH GOOD, SOLID DETECTIVE WORK. 627 00:29:41,518 --> 00:29:44,694 SO I TAKE IT YOU DON'T WANT TO HEAR MY PLAN? 628 00:29:44,694 --> 00:29:48,089 "NO, I DON'T WANT TO HEAR YOUR PLAN." 629 00:29:48,089 --> 00:29:50,657 "SHEEPDIP YOUR PLAN." 630 00:29:57,664 --> 00:29:59,318 [speaks indistinctly] 631 00:29:59,318 --> 00:30:01,669 HI, LADIES. 632 00:30:01,669 --> 00:30:03,061 WE'RE LOOKING FOR SUGAR. 633 00:30:03,061 --> 00:30:05,193 NO SUGAR. JUST CANDY. 634 00:30:05,193 --> 00:30:06,542 YOU'RE NOT SUGAR? 635 00:30:06,542 --> 00:30:08,980 NO, MA'AM. EXCUSE ME. 636 00:30:08,980 --> 00:30:10,982 YEAH, WELL, WE KINDA THINK YOU ARE. 637 00:30:10,982 --> 00:30:12,984 YEAH, WELL, THINKING'S FREE, FLACO. 638 00:30:12,984 --> 00:30:14,987 YOU'RE GONNA NEED TO COME WITH US, SUGAR. 639 00:30:14,987 --> 00:30:16,944 WHAT FOR?BECAUSE YOU SAW WHAT HAPPENED 640 00:30:16,944 --> 00:30:18,990 IN THAT ALLEYWAY OVER ON FREMONT. 641 00:30:18,990 --> 00:30:20,992 NAH, I WAS JUST PLAYING. I DIDN'T SEE NOTHING. 642 00:30:20,992 --> 00:30:23,691 OKAY, STILL, WE'D LIKE FOR YOU--HEY! [grunts] 643 00:30:23,691 --> 00:30:26,301 OH! [grunts] 644 00:30:26,301 --> 00:30:28,434 [grunts] 645 00:30:28,434 --> 00:30:30,959 AAH! AAH! 646 00:30:33,395 --> 00:30:35,442 [sighs] OKAY. 647 00:30:35,442 --> 00:30:37,051 [sniffles] OHH. 648 00:30:37,051 --> 00:30:38,444 HERE. 649 00:30:38,444 --> 00:30:40,359 [inhales sharply] OHH. 650 00:30:42,752 --> 00:30:45,451 OHH. 651 00:30:45,451 --> 00:30:47,410 [whispers] THANKS. 652 00:30:47,410 --> 00:30:49,281 NO PROBLEM. 653 00:30:52,240 --> 00:30:53,589 [sighs] OKAY. 654 00:30:53,589 --> 00:30:55,461 I'M AT THE BRIDGE. 655 00:30:55,461 --> 00:30:57,420 CIGARETTE BREAK. 656 00:30:57,420 --> 00:30:59,422 LIMO COMES IN OFF FREMONT. 657 00:30:59,422 --> 00:31:01,468 I'M ABOUT TO GO OVER AND TALK BUSINESS, 658 00:31:01,468 --> 00:31:04,426 ONLY THIS PICKUP TRUCK COMES IN BEHIND IT AND BLOCKS THE LIMO. 659 00:31:04,426 --> 00:31:07,560 I'M THINKING, UH-OH, SO I-I GET UP OUT OF SIGHT. 660 00:31:07,560 --> 00:31:10,215 AND WHAT KIND OF TRUCK? 661 00:31:10,215 --> 00:31:12,479 IT WAS A TRUCK. 662 00:31:12,479 --> 00:31:16,439 UH, GREEN OR... OR--OR BROWN OR BLUE. 663 00:31:16,439 --> 00:31:17,875 NOT--NOT RED. 664 00:31:17,875 --> 00:31:20,400 AND, UH, A WHITE GUY GETS OUT 665 00:31:20,400 --> 00:31:22,228 AND--AND SAYS, "HEY." 666 00:31:22,228 --> 00:31:24,098 WHAT'D HE LOOK LIKE? 667 00:31:24,098 --> 00:31:26,492 A WHITE GUY. HE HAD A-A BLACK HAT ON. 668 00:31:26,492 --> 00:31:28,711 A WHITE GUY IN A BLACK HAT?YEAH. YEAH, AND THEN HE-- HE WALKS UP TO THE LIMO. 669 00:31:28,711 --> 00:31:30,584 THE LIMO DRIVER GETS OUT. 670 00:31:30,584 --> 00:31:33,194 HE'S LIKE, "HEY, WHAT THE HELL ARE YOUDOING HERE?" 671 00:31:33,194 --> 00:31:35,414 BLACK HAT DON'T SAY NOTHING. 672 00:31:35,414 --> 00:31:37,416 HE JUST PULLS OUT A PIECE AND BOOM! 673 00:31:37,416 --> 00:31:39,635 SHOOTS THE DRIVER THREE TIMES AND THEN HE WALKS 674 00:31:39,635 --> 00:31:41,550 OVER TO THE LIMO DOOR 675 00:31:41,550 --> 00:31:43,423 AND DRAGS OUT THIS BIG FAT GUY. 676 00:31:43,423 --> 00:31:45,250 "GET OUT," HE SAYS. 677 00:31:45,250 --> 00:31:47,992 AND THEN HE--HE WALKS HIM TO THE BACK OF THE TRUCK 678 00:31:47,992 --> 00:31:51,344 AND MAKES HIM CLIMB IN THE BACK, AND THE FAT DUDE'S CALM. 679 00:31:51,344 --> 00:31:55,347 HE'S LIKE, "YOU KNOW, OKAY, WE CAN NEGOTIATE." 680 00:31:55,347 --> 00:31:56,958 AND THEN BOOM! 681 00:31:56,958 --> 00:31:59,481 [panting] BLACK HAT JUST... SHOOTS HIM IN THE HEAD. 682 00:31:59,481 --> 00:32:01,483 AND THEN HE--HE PUTS A TARP OVER HIM, 683 00:32:01,483 --> 00:32:04,487 AND THEN HE JUMPS BACK INTO HIS CAR AND HE TAKES OFF, 684 00:32:04,487 --> 00:32:06,968 AND THAT'S ALL THAT HAPPENED. TH-THAT WAS IT. 685 00:32:06,968 --> 00:32:09,536 OKAY. 686 00:32:09,536 --> 00:32:12,320 DO YOU RECOGNIZE THIS GUY? 687 00:32:12,320 --> 00:32:14,323 YEAH. 688 00:32:14,323 --> 00:32:16,020 THAT'S THE--THE FAT DUDE. 689 00:32:16,020 --> 00:32:18,545 HE WAS DEAD, YOU THINK? 690 00:32:18,545 --> 00:32:20,286 YEAH, HE'S DEAD. 691 00:32:25,551 --> 00:32:28,423 [sniffles] SO THIS IS ABOUT ICE? 692 00:32:28,423 --> 00:32:30,730 ICE? WHAT DO YOU MEAN? 693 00:32:30,730 --> 00:32:32,689 WELL, THE TV SAID THAT THE--THE FAT DUDE 694 00:32:32,689 --> 00:32:36,388 HAD, LIKE, A $10 MILLION DIAMOND. 695 00:32:36,388 --> 00:32:39,521 YEAH, IT'S A THEORY. 696 00:32:54,232 --> 00:32:57,236 [doorbell rings] 697 00:32:58,627 --> 00:33:00,239 [door squeaks] 698 00:33:00,239 --> 00:33:03,502 UM... IT'S VERY LATE. 699 00:33:03,502 --> 00:33:05,853 MM. I W--I WOULDN'T INTRUDE LIKE THIS, UH, 700 00:33:05,853 --> 00:33:07,855 ONLY WE HAVE AN IMPORTANT LEAD 701 00:33:07,855 --> 00:33:09,813 PERHAPS NADINE CAN HELP US WITH. 702 00:33:09,813 --> 00:33:11,467 OH. 703 00:33:11,467 --> 00:33:14,688 UM, YEAH, PLEASE, OF COURSE. OKAY. 704 00:33:14,688 --> 00:33:16,211 THANK YOU. 705 00:33:19,300 --> 00:33:22,260 UM, NOW YOU TOLD ME THAT YOU AND YOUR FATHER 706 00:33:22,260 --> 00:33:24,306 TALKED ABOUT EVERYTHING TOGETHER, YEAH? 707 00:33:24,306 --> 00:33:27,440 YES.DID YOU EVER TALK ABOUT HIS WORK? 708 00:33:27,440 --> 00:33:29,397 SOMETIMES. BUT HE NEVER MENTIONED A DIAMOND, 709 00:33:29,397 --> 00:33:31,617 IF THAT'S WHAT YOU'RE TALKING ABOUT. 710 00:33:31,617 --> 00:33:34,229 THE--WH--DIAMOND?IT SAID ON THE NEWS 711 00:33:34,229 --> 00:33:37,189 THEY WERE LOOKING FOR A DIAMOND MR. DUBLIN HAD WITH HIM. 712 00:33:37,189 --> 00:33:41,019 UH, YEAH, THAT'S-- THAT'S JUST ALL TALK.SEE? I TOLD YOU. 713 00:33:41,019 --> 00:33:44,805 I MEAN, THERE'S A DIAMOND ALL RIGHT. SO I HEAR, ANYHOW. 714 00:33:44,805 --> 00:33:47,502 UH, DUBLIN KEEPS IT HIDDEN IN HIS FALSE TOOTH APPARENTLY, 715 00:33:47,502 --> 00:33:49,505 BUT NOBODY KNEW ABOUT IT, SO I CAN'T SEE 716 00:33:49,505 --> 00:33:51,550 HOW ANYBODY COULD'VE BEEN GOING AFTER IT. NO. 717 00:33:51,550 --> 00:33:54,509 NO, I THINK THIS IS ALL CONNECTED TO A COURT CASE. 718 00:33:54,509 --> 00:33:56,643 DID YOUR DAD EVER MENTION BRIXHAM LAKE? 719 00:33:56,643 --> 00:33:58,949 NO. 720 00:33:58,949 --> 00:34:01,734 YOU SURE? BRIXHAM LAKE. 721 00:34:01,734 --> 00:34:04,041 THINK HARD. 722 00:34:05,565 --> 00:34:07,522 WHAT ABOUT GALE BERTRAM? 723 00:34:07,522 --> 00:34:09,394 NO. 724 00:34:09,394 --> 00:34:11,309 OH. 725 00:34:11,309 --> 00:34:13,920 WELL, THAT'S DISAPPOINTING. 726 00:34:13,920 --> 00:34:15,400 I WAS SURE... 727 00:34:19,534 --> 00:34:22,407 OH, WELL. UH... 728 00:34:22,407 --> 00:34:25,324 CAN'T WIN 'EM ALL. [chuckles] 729 00:34:25,324 --> 00:34:27,543 THAT'S IT? 730 00:34:27,543 --> 00:34:30,503 BELIEVE ME, UH, I KNOW I-IT'S HARD TO DEAL WITH, 731 00:34:30,503 --> 00:34:33,070 BUT, UM... 732 00:34:33,070 --> 00:34:35,507 YOU KNOW, SOMETIMES THE BAD GUYS JUST GET AWAY. 733 00:34:35,507 --> 00:34:39,512 BUT YOU SAID YOU'D CATCH THEM. YOU GUARANTEED IT. 734 00:34:39,512 --> 00:34:42,384 [sighs] 735 00:34:44,429 --> 00:34:45,822 [sighs] 736 00:34:45,822 --> 00:34:47,519 [whispers indistinctly] 737 00:34:47,519 --> 00:34:50,914 [cell phone rings] 738 00:34:50,914 --> 00:34:53,960 [ring] 739 00:34:53,960 --> 00:34:57,485 [ring] 740 00:34:57,485 --> 00:34:59,313 [ring] 741 00:35:03,579 --> 00:35:06,581 HEY, LISBON. HOW'S THE DETECTIVE WORK DOING? 742 00:35:06,581 --> 00:35:08,193 [Lisbon] EH, DOING OKAY. 743 00:35:08,193 --> 00:35:10,237 WELL, I TELL YOU WHAT. 744 00:35:10,237 --> 00:35:12,588 COME OVER AND MEET ME AT NADINE RUSSO'S HOUSE, 745 00:35:12,588 --> 00:35:15,416 AND I'LL SHOW YOU SOMETHING EXCITING. 746 00:35:15,416 --> 00:35:17,202 LISBON? 747 00:35:17,202 --> 00:35:18,550 YOU THERE? 748 00:35:18,550 --> 00:35:20,204 LISBON? 749 00:35:20,204 --> 00:35:21,597 [loud tap][gasps] 750 00:35:21,597 --> 00:35:23,469 [shuts cell phone] 751 00:35:26,472 --> 00:35:28,126 HI. 752 00:35:28,126 --> 00:35:30,170 HI. 753 00:35:30,170 --> 00:35:32,041 OH. I'M VERY IMPRESSED. 754 00:35:32,041 --> 00:35:33,565 PROUD AND IMPRESSED. 755 00:35:33,565 --> 00:35:36,568 YOU GOT THE RIGHT ANSWER. NO REAL PROOF, I EXPECT. 756 00:35:36,568 --> 00:35:39,398 JUST GUESSING, HUH?HMM. "KETTLE TO POT. HELLO. COME IN, POT." 757 00:35:39,398 --> 00:35:42,748 WE HAVE A WITNESS WHO SAW A WHITE MALE IN A TRUCK 758 00:35:42,748 --> 00:35:45,882 WHO SEEMED TO RECOGNIZE PETE RUSSO.GUESSWORK. 759 00:35:45,882 --> 00:35:47,840 DO YOU HAVE PROOF? 760 00:35:47,840 --> 00:35:49,668 RELAX, WAIT A WHILE, 761 00:35:49,668 --> 00:35:52,759 AND, UH, WE SHALL SOON BE TAKEN DIRECTLY TO THE PROOF YOU SEEK. 762 00:36:04,422 --> 00:36:06,773 [snores] 763 00:36:17,565 --> 00:36:19,960 [starts engine] 764 00:36:19,960 --> 00:36:22,222 [car alert chimes] 765 00:36:39,849 --> 00:36:42,851 [scatting] 766 00:36:56,344 --> 00:36:59,260 [engine rumbles] 767 00:37:01,567 --> 00:37:04,438 [Rigsby whistling "I Can See Clearly Now"] 768 00:37:06,527 --> 00:37:08,748 ♪ GONNA BE A BRIGHT 769 00:37:08,748 --> 00:37:10,532 ♪ BRIGHT 770 00:37:10,532 --> 00:37:13,143 ♪ SHINY DAY 771 00:37:13,143 --> 00:37:16,233 [water trickling, clanking] 772 00:37:22,108 --> 00:37:25,025 [panting] 773 00:37:38,907 --> 00:37:41,041 [clicks] 774 00:37:41,041 --> 00:37:43,608 [grunts] OH, COME ON. 775 00:37:43,608 --> 00:37:46,088 KEITH, STOP! 776 00:37:58,666 --> 00:38:01,539 ABOUT SIX MONTHS AGO, 777 00:38:01,539 --> 00:38:03,628 NADINE WAS... 778 00:38:03,628 --> 00:38:06,501 STAYING OUT PAST CURFEW, 779 00:38:06,501 --> 00:38:10,157 DRINKING AND SMOKING-- 780 00:38:10,157 --> 00:38:12,507 YOUR BASIC TEENAGE STUFF. 781 00:38:12,507 --> 00:38:14,509 [sighs] 782 00:38:14,509 --> 00:38:16,815 SO WE HAD A BIG CONVERSATION 783 00:38:16,815 --> 00:38:18,469 ABOUT THE RULES, 784 00:38:18,469 --> 00:38:21,472 AND--AND THINGS GOT A LITTLE HEATED, 785 00:38:21,472 --> 00:38:23,474 YOU KNOW, AS THEY DO. 786 00:38:23,474 --> 00:38:24,867 YES. 787 00:38:24,867 --> 00:38:26,391 [sighs] 788 00:38:26,391 --> 00:38:29,393 LOOK, I FELT THAT SHE WAS OVER-THE-LINE RUDE 789 00:38:29,393 --> 00:38:32,570 TO HER MOTHER AND ME, AND I SLAPPED HER. 790 00:38:32,570 --> 00:38:36,530 I'M NOT PROUD OF IT. 791 00:38:36,530 --> 00:38:38,532 BUT I-IT WAS A TAP. 792 00:38:38,532 --> 00:38:39,925 REALLY. 793 00:38:39,925 --> 00:38:41,884 IT WAS NO BIG DEAL. 794 00:38:44,322 --> 00:38:47,498 ANYWAY, NADINE TOLD PETE ABOUT IT. 795 00:38:47,498 --> 00:38:50,197 HE GOT MAD. 796 00:38:50,197 --> 00:38:52,373 [sighs] 797 00:38:52,373 --> 00:38:55,420 PETE AND I WERE BUDDIES. 798 00:38:55,420 --> 00:38:58,378 YOU KNOW, WE COULD'VE HAD A BEER AND A DISCUSSION, 799 00:38:58,378 --> 00:39:02,208 AND WE COULD'VE WORKED IT OUT. 800 00:39:02,208 --> 00:39:04,820 NO, BUT HE COMES INTO MY HOUSE... 801 00:39:04,820 --> 00:39:08,824 [Keith] AND I DON'T EVEN HAVE A CHANCE TO DEFEND MYSELF! 802 00:39:08,824 --> 00:39:11,478 I MEAN, HE SUCKER PUNCHES ME, 803 00:39:11,478 --> 00:39:14,568 AND HE BEAT ME UP BADLY... 804 00:39:14,568 --> 00:39:17,179 IN FRONT OF MY WIFE 805 00:39:17,179 --> 00:39:19,356 AND MY STEPDAUGHTER. 806 00:39:19,356 --> 00:39:21,445 PUT HIS FOOT ON MY NECK, 807 00:39:21,445 --> 00:39:24,318 AND HE SPAT ON ME... 808 00:39:24,318 --> 00:39:26,581 IN MY OWN HOUSE! 809 00:39:26,581 --> 00:39:28,409 THAT'S NOT RIGHT. 810 00:39:28,409 --> 00:39:32,282 EVEN AFTERWARDS, I-IT'S LIKE I'M THE ONE TO BLAME. NO. 811 00:39:32,282 --> 00:39:34,806 PATRICIA INSISTED THAT WE MAKE PEACE 812 00:39:34,806 --> 00:39:36,503 FOR NADINE'S SAKE. 813 00:39:36,503 --> 00:39:40,333 HE DOES THAT TO ME, AND I'M SUPPOSED TO JUST SWALLOW IT? 814 00:39:40,333 --> 00:39:42,554 NOBODY WOULD. 815 00:39:42,554 --> 00:39:46,471 OH, I THOUGHT ABOUT WAYS TO PAY HIM BACK. 816 00:39:46,471 --> 00:39:48,559 OH, I THOUGHT ABOUT IT A LOT. 817 00:39:48,559 --> 00:39:50,778 [inhales and exhales deeply] 818 00:39:50,778 --> 00:39:52,780 BUT I KNEW THAT IF I KILLED HIM... 819 00:39:52,780 --> 00:39:54,434 [sighs] 820 00:39:54,434 --> 00:39:56,655 PATRICIA WOULD GUESS THAT IT WAS ME. 821 00:39:59,961 --> 00:40:01,355 [clicks tongue] 822 00:40:01,355 --> 00:40:03,965 UNLESS I COULD MAKE HIS DEATH LOOK LIKE 823 00:40:03,965 --> 00:40:06,315 IT WAS JUST... 824 00:40:06,315 --> 00:40:09,449 A TRAGIC ACCIDENT. 825 00:40:09,449 --> 00:40:11,277 [sighs] 826 00:40:14,280 --> 00:40:16,849 [Patrick] SUGAR? 827 00:40:16,849 --> 00:40:18,503 NO, THANK YOU. 828 00:40:18,503 --> 00:40:20,853 OKAY. THERE YOU GO.THANK YOU. 829 00:40:20,853 --> 00:40:22,768 MY PLEASURE. 830 00:40:22,768 --> 00:40:25,771 WE'RE VERY SORRY THINGS WORKED OUT THIS WAY. 831 00:40:25,771 --> 00:40:29,251 YOU SAID YOU'D FIND OUT WHO DID IT, 832 00:40:29,251 --> 00:40:30,644 AND YOU DID. 833 00:40:30,644 --> 00:40:33,039 [sighs] 834 00:40:33,039 --> 00:40:35,302 HOW DID YOU KNOW? 835 00:40:35,302 --> 00:40:38,478 UH, WELL, I-I KINDA KNEW 836 00:40:38,478 --> 00:40:42,570 FROM THE FIRST MOMENT I MET YOU AND KEITH. 837 00:40:42,570 --> 00:40:45,137 THOSE LITTLE ROUND GLASSES WITH THE MUSCLES-- 838 00:40:45,137 --> 00:40:48,315 IT JUST DIDN'T SEEM TO MATCH. UM, INDICATED 839 00:40:48,315 --> 00:40:51,318 A DEEPLY CONFLICTED PERSONALITY, A LOT OF ANGER AND FRUSTRATION. 840 00:40:51,318 --> 00:40:54,146 PROBABLY USES THOSE, UM, WRIST-STRENGTHENING THINGS, 841 00:40:54,146 --> 00:40:56,322 RIGHT? 842 00:40:56,322 --> 00:40:58,978 YEAH. 843 00:40:58,978 --> 00:41:01,936 YEAH, UM, NEVER A GOOD SIGN IN A MAN OVER 20. 844 00:41:01,936 --> 00:41:05,550 OBSESSIVE, ARROGANT, PAINSTAKING, 845 00:41:05,550 --> 00:41:08,465 UH, SECRETIVE, SELF-RIGHTEOUS. YEAH. 846 00:41:08,465 --> 00:41:10,684 I COULD GO ON. 847 00:41:10,684 --> 00:41:12,512 YEAH. 848 00:41:12,512 --> 00:41:14,514 MEN, HUH? 849 00:41:18,170 --> 00:41:20,782 EH. 850 00:41:20,782 --> 00:41:23,742 KNEW THE WHOLE TIME AND KEPT IT TO YOURSELF, EH? 851 00:41:23,742 --> 00:41:26,701 NO. NO. I ONLY KNEW WHEN I READ THE RANSOM DEMAND, TO BE HONEST, 852 00:41:26,701 --> 00:41:28,702 BUT YOU LIED TO ME, SO FAIR'S FAIR. 853 00:41:28,702 --> 00:41:31,706 I PROMISE, I WILL NEVER LIE TO YOU AGAIN.I-- 854 00:41:31,706 --> 00:41:33,621 I LIED THIS ONE TIME, BECAUSE I'M CONCERNED. 855 00:41:33,621 --> 00:41:35,318 YOU'RE ISOLATING YOURSELF. 856 00:41:35,318 --> 00:41:38,016 YOU'RE PULLING AWAY FROM US, FROM ME AND THE UNIT.MEH. 857 00:41:38,016 --> 00:41:39,713 YOU ARE.NO. 858 00:41:39,713 --> 00:41:43,588 YOU ARE. IT'S NOT GOOD. WH-WHAT'S GOING ON? 859 00:41:46,547 --> 00:41:50,202 ANYBODY THAT GETS CLOSE TO ME-- BAD THINGS HAPPEN TO THEM. 860 00:41:50,202 --> 00:41:51,639 "A," THAT'S NOT TRUE, 861 00:41:51,639 --> 00:41:54,860 AND "B," EVEN IF IT WERE, I'M A COP. 862 00:41:54,860 --> 00:41:58,340 IT'S OUR JOB TO BE IN HARM'S WAY.YOU'RE NOT LISTENING TO ME. 863 00:41:58,340 --> 00:42:01,431 WE'RE FAMILY. WHAT YOU'RE DOING IS A KIND OF BETRAYAL.OH. 864 00:42:01,431 --> 00:42:04,913 A SURRENDER. A DEFEAT. YOU'RE LETTING RED JOHN WIN.OH, PLEASE. PLEASE. REALLY? OKAY. ENOUGH. ALL RIGHT. 865 00:42:04,913 --> 00:42:08,438 NO--NO MORE PULLING AWAY. ALL RIGHT? HERE, GIVE ME A HUG. 866 00:42:08,438 --> 00:42:11,963 YOU DON'T MEAN IT. I CAN TELL.WHAT DO YOU MEAN, YOU CAN TELL? YOU CAN'T TELL. 867 00:42:11,963 --> 00:42:14,967 I DON'TMEAN IT, BUT YOU CAN'T TELL THAT I DON'T. 868 00:42:14,967 --> 00:42:17,360 YOU'RE GUESSING.YES, I CAN TELL. 869 00:42:17,360 --> 00:42:20,362 HOW?I DON'T KNOW. I CAN TELL WHEN YOU'RE LYING NOW. 870 00:42:20,362 --> 00:42:22,322 NO, YOU CAN'T TELL.I-I CAN, TOO. 871 00:42:22,322 --> 00:42:25,237 THAT'S NONSENSE. YOU'RE LYING. LIAR, LIAR, PANTS ON FIRE. 872 00:42:25,237 --> 00:42:27,108 I'M NOT LYING.YOU ARE. 873 00:42:30,373 --> 00:42:33,202 STAY TUNED FOR SCENES FROM OUR NEXT EPISODE. 61465

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