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1
00:00:04,482 --> 00:00:07,876
THIS IS MY DATE OUTFIT.IS THIS YOUR FIRST DATE? I MEAN,
UM, SINCE YOUR WIFE DIED.
2
00:00:07,876 --> 00:00:10,445
DO I SEEM OUT OF PRACTICE? RED JOHN,
IF YOU'RE LISTENING TO US NOW,
3
00:00:10,445 --> 00:00:13,752
I URGE YOU TO REACH OUT
AND GET HELP.
4
00:00:13,752 --> 00:00:15,971
YOU CAN CHANGE.[Patrick] WHAT THE HELL
ARE YOU THINKING?
5
00:00:15,971 --> 00:00:18,278
DON'T YOU UNDERSTAND
WHO YOU'RE DEALING WITH?
6
00:00:18,278 --> 00:00:21,282
RED JOHN IS NOT
COMING AFTER ME.ARE YOU BLIND?
YOU'VE DONE EXACTLY WHAT I DID,
7
00:00:21,282 --> 00:00:23,239
AND HE KILLED
MY WIFE AND CHILD.
8
00:00:23,239 --> 00:00:24,937
[Van Pelt] KRISTINA?
9
00:00:24,937 --> 00:00:27,027
[Patrick] RED JOHN COULD'VE
GOTTEN IN AND TAKEN HER,
10
00:00:27,027 --> 00:00:29,420
OR MAYBE
HE LURED HER OUT SOMEHOW.
11
00:00:29,420 --> 00:00:30,812
[man] AAH!
12
00:00:30,812 --> 00:00:33,816
"TIGER, TIGER,
BURNING BRIGHT..."
13
00:00:33,816 --> 00:00:36,253
"IN THE FORESTS
OF THE NIGHT,
14
00:00:36,253 --> 00:00:38,777
"WHAT IMMORTAL HAND OR EYE
15
00:00:38,777 --> 00:00:40,604
COULD FRAME
THY FEARFUL SYMMETRY?"
16
00:00:40,604 --> 00:00:42,651
[gunshot][gasps]
17
00:00:42,651 --> 00:00:46,481
I ALMOST FORGOT. KRISTINA WOULD
WANT ME TO SEND HER LOVE.
18
00:00:49,048 --> 00:00:51,963
[indistinct conversations]
19
00:00:58,796 --> 00:01:01,496
[police radio chatter]
20
00:01:01,496 --> 00:01:03,149
YOU CAN'T PARK THERE.
21
00:01:03,149 --> 00:01:05,064
SURE, I CAN. LOOK.
22
00:01:07,545 --> 00:01:09,156
[man] Roger. Stand by.
23
00:01:09,156 --> 00:01:11,722
[speaks indistinctly]
We'll call you back.
24
00:01:11,722 --> 00:01:13,159
THERE YOU ARE.
25
00:01:13,159 --> 00:01:14,596
HERE I AM. GOOD MORNING.
26
00:01:14,596 --> 00:01:16,771
WHY SO GLUM?
27
00:01:16,771 --> 00:01:19,121
THIS IS HARVEY DUBLIN.
28
00:01:19,121 --> 00:01:22,734
THAT'S HIS CHAUFFEUR PETER RUSSO
WITH THREE BULLETS IN HIM.
29
00:01:22,734 --> 00:01:24,867
THAT'S HIS CAR.
MR. DUBLIN'S GONE.
30
00:01:24,867 --> 00:01:26,563
ABDUCTED, IT LOOKS LIKE.
31
00:01:30,263 --> 00:01:31,307
HARVEY DUBLIN?
32
00:01:31,307 --> 00:01:33,180
BIG-TIME STATEHOUSE LOBBYIST,
33
00:01:33,180 --> 00:01:37,097
LAWYER, KINGMAKER.
FAMOUS AND WELL-CONNECTED.
34
00:01:37,097 --> 00:01:38,924
AH, THE EVIL TWINS.
35
00:01:38,924 --> 00:01:41,884
BRASS AND MEDIA ARE GONNA BE
ALL OVER US LIKE SUCKERFISH.
36
00:01:41,884 --> 00:01:44,451
OH, WHY DON'T WE JUST GIVE IT TO
THE FBI? THEY LOVE THAT STUFF.
37
00:01:44,451 --> 00:01:46,801
OH, I WISH. TOO LATE.
38
00:01:46,801 --> 00:01:48,759
THE NEW BOSS IS HERE DOING
ON-CAMERAS. IT'S OUR BABY.
39
00:01:48,759 --> 00:01:50,762
NEW BOSS?
I THOUGHT HIGHTOWER WAS BOSS.
40
00:01:50,762 --> 00:01:52,764
THE BOSS OF HIGHTOWER.
41
00:01:52,764 --> 00:01:54,765
THE DIRECTOR
OF THE ENTIRE DIVISION.
42
00:01:54,765 --> 00:01:57,508
I TOLD YOU ABOUT HIM LAST WEEK.
YOUR MEMORY'S GOING.
43
00:01:57,508 --> 00:02:00,381
MY MEMORY IS A MIGHTY FORTRESS,
LISBON,
44
00:02:00,381 --> 00:02:04,340
FROM WHICH NO FACT
EVER ESCAPES ONCE COMMITTED.
45
00:02:04,340 --> 00:02:06,474
NOW WHEN YOU TELL ME
BORING THINGS,
46
00:02:06,474 --> 00:02:08,780
I SET 'EM FREE IMMEDIATELY.
47
00:02:08,780 --> 00:02:10,217
SAVES OVERCROWDING.
48
00:02:11,652 --> 00:02:14,045
HARVEY DUBLIN IS MISSING.
49
00:02:14,045 --> 00:02:16,048
IT LOOKS LIKE A KIDNAPPING,
50
00:02:16,048 --> 00:02:19,704
PRESUMABLY FOR RANSOM,
BUT WE CAN'T BE SURE AT PRESENT.
51
00:02:19,704 --> 00:02:23,229
WE SHALL HAVE TO AWAIT
FURTHER DEVELOPMENTS.
52
00:02:23,229 --> 00:02:26,754
HARVEY IS A PILLAR OF THIS CITY,
ONE OF THE GOOD GUYS.
53
00:02:26,754 --> 00:02:30,019
WE ARE ALL PRAYING
FOR HIS SAFETY.
54
00:02:30,019 --> 00:02:32,500
THANK YOU.[woman] OVER HERE, MR. BERTRAM.
ONE MORE QUESTION FOR ME?
55
00:02:32,500 --> 00:02:34,110
IDIOT.
56
00:02:34,110 --> 00:02:36,242
YOU AND YOUR SNAP JUDGMENTS.
WHAT IS HE SUPPOSED TO SAY?
57
00:02:36,242 --> 00:02:39,897
WHY DOES HE HAVE TO
SAY ANYTHING?
58
00:02:39,897 --> 00:02:42,597
WHAT'S YOUR TAKE ON THIS?
59
00:02:42,597 --> 00:02:43,989
HMM.
60
00:02:43,989 --> 00:02:45,599
I DON'T KNOW.
61
00:02:47,949 --> 00:02:50,212
[woman] MR. BERTRAM, OVER HERE.
CAN I HAVE YOUR ATTENTION?
62
00:02:50,212 --> 00:02:52,736
EH, I THINK I'LL GIVE THIS ONE
A MISS.
63
00:02:52,736 --> 00:02:54,651
A MISS?
WHAT DO YOU MEAN "A MISS"?
64
00:02:54,651 --> 00:02:57,525
I JUST FEEL THIS ONE
IS NOT FOR ME.
65
00:02:57,525 --> 00:02:59,961
I'LL CATCH THE NEXT ONE,
I-I-I PROMISE.
66
00:02:59,961 --> 00:03:02,573
I DON'T UNDERSTAND.
YOU'RE NOT GONNA--
67
00:03:02,573 --> 00:03:04,836
AGENT LISBON, I BELIEVE?
AND MR. JANE?YES. HI.
68
00:03:04,836 --> 00:03:06,882
DIRECTOR BERTRAM
WILL SPEAK TO YOU NOW.
69
00:03:06,882 --> 00:03:09,667
WE'RE ON A SUPERTIGHT SCHEDULE.
HE APPRECIATE FACTS AND BREVITY.
70
00:03:09,667 --> 00:03:10,668
OKAY?
71
00:03:10,668 --> 00:03:11,800
AGENT LISBON.
72
00:03:11,800 --> 00:03:14,105
YES, SIR, DIRECTOR BERTRAM.
73
00:03:14,105 --> 00:03:17,109
[chuckles] AND YOU MUST BE
OUR BOY WONDER PATRICK JANE.
74
00:03:17,109 --> 00:03:19,981
I'VE HEARD A LOT
OF GOOD THINGS ABOUT YOU.HI. NICE TO MEET YOU, SIR.
75
00:03:19,981 --> 00:03:22,766
NOW I WANT THIS RESOLVED
A.S.A.P.
76
00:03:22,766 --> 00:03:25,292
WHATEVER IT TAKES. THE HECK
WITH OVERTIME RESTRICTIONS.
77
00:03:25,292 --> 00:03:27,816
YOU DO THE HOURS,
I'LL FIND THE FUNDING.
78
00:03:27,816 --> 00:03:30,992
WE ARE ALL IN THIS TOGETHER
AS ONE.
79
00:03:30,992 --> 00:03:33,691
THAT'S WHAT I'M ALL ABOUT.OH, WE ARE ON IT, SIR.
80
00:03:33,691 --> 00:03:35,650
UH, YEAH, I WON'T BE WORKING
THIS PARTICULAR CASE,
81
00:03:35,650 --> 00:03:37,433
BUT I-I DO LIKE
WHAT YOU SAID.
82
00:03:37,433 --> 00:03:38,870
WE'RE ALL IN THIS TOGETHER
AS ONE. MAO TSE-TUNG, RIGHT?
83
00:03:38,870 --> 00:03:41,656
NOW HOLD YOUR HORSES THERE,
BUSTER.
84
00:03:41,656 --> 00:03:44,527
WHAT DO YOU MEAN YOU WON'T
WORKING ON THIS ONE?WELL, STATEHOUSE LOBBYIST
ABDUCTIONS--
85
00:03:44,527 --> 00:03:46,616
IT'S, UH, NOT REALLY
MY CUP OF TEA.
86
00:03:46,616 --> 00:03:50,272
WELL, THAT'S--THAT'S KIND OF
UNPROFESSIONAL, DON'T YOU THINK?
87
00:03:50,272 --> 00:03:52,579
I GUESS, BUT I'M NOT ACTUALLY
A PROFESSIONAL.
88
00:03:52,579 --> 00:03:54,450
QUESTION FOR YOU.
89
00:03:54,450 --> 00:03:56,713
W-WHY ARE YOU HERE?
ASIDE FROM THE CAMERAS.
90
00:03:56,713 --> 00:03:59,935
OH, WHAT DO YOU MEAN,
"ASIDEFROM THE CAMERAS"?
91
00:03:59,935 --> 00:04:02,502
PUBLIC PERCEPTION
IS AN IMPORTANT TOOL.
92
00:04:02,502 --> 00:04:03,764
MM.
93
00:04:03,764 --> 00:04:05,069
TOOL.OOH.
94
00:04:07,289 --> 00:04:09,292
YOU JUST PUT YOUR HAND
ON ME.
95
00:04:09,292 --> 00:04:11,120
NO. I MEAN, YES, BUT--
96
00:04:11,120 --> 00:04:13,687
YES, YOU DID.
DON'T EVER DO THAT AGAIN.
97
00:04:13,687 --> 00:04:15,558
[chuckles] OR ELSE WHAT?
98
00:04:17,908 --> 00:04:20,869
YOU EVER SMELL A DEAD MOUSE?
DO YOU REMEMBER THAT SMELL?
99
00:04:20,869 --> 00:04:22,870
YES.
100
00:04:22,870 --> 00:04:24,567
WELL, I JUST NOW
101
00:04:24,567 --> 00:04:26,613
PUT A DEAD MOUSE
IN YOUR JACKET POCKET.
102
00:04:26,613 --> 00:04:29,529
AND NO MATTER HOW MANY TIMES
YOU CLEAN THAT JACKET,
103
00:04:29,529 --> 00:04:32,750
YOU'LL ALWAYS SMELL THAT
DEAD MOUSE, AND YOU'LL REMEMBER
104
00:04:32,750 --> 00:04:35,709
THAT YOU SHOULD NEVER
HAVE PUT YOUR HAND ON ME.
105
00:04:39,103 --> 00:04:41,672
AAH! YOU SON OF A BITCH.
106
00:04:41,672 --> 00:04:44,762
IT'S ACTUALLY JUST
A WADDED UP NAPKIN
107
00:04:44,762 --> 00:04:46,937
BUT, UH, HAS
THE SAME PSYCHOLOGICAL EFFECT.
108
00:04:46,937 --> 00:04:48,896
HUMAN MIND IS FUNNY THAT WAY.
109
00:04:48,896 --> 00:04:50,985
GOOD TO MEET YOU, SIR.
SORRY, LISBON.
110
00:04:53,944 --> 00:04:57,252
HE HAD A ROUGH SUMMER.
111
00:04:57,252 --> 00:05:00,560
♪♪
112
00:05:07,350 --> 00:05:09,351
[Lisbon] RIGSBY AND VAN PELT
ARE CANVASSING
113
00:05:09,351 --> 00:05:11,353
THE AREA
AROUND THE ABDUCTION SITE.
114
00:05:11,353 --> 00:05:13,574
CHO'S WITH MRS. DUBLIN,
WAITING FOR A RANSOM DEMAND,
115
00:05:13,574 --> 00:05:15,923
AND TECH SERVICES
ARE UP AND RUNNING.
116
00:05:15,923 --> 00:05:19,014
WELL, THIS IS A SCARY ONE.
LOTS OF ATTENTION.
117
00:05:19,014 --> 00:05:21,016
KEEP MOLLY IN PUBLIC AFFAIRS
118
00:05:21,016 --> 00:05:23,235
APPRISED OF ANY GOOD STUFF
WE CAN FEED THE MEDIA,
119
00:05:23,235 --> 00:05:24,672
KEEP THEM ON OUR SIDE,
120
00:05:24,672 --> 00:05:26,935
AND DON'T MAKE ANY MISTAKES.
121
00:05:26,935 --> 00:05:28,850
NO, MA'AM.
122
00:05:28,850 --> 00:05:31,242
HOW'S JANE?[sets down cup]
123
00:05:31,242 --> 00:05:33,288
THE SAME.
124
00:05:33,288 --> 00:05:35,639
YOU THINK HE'S IN DANGER
OF CRACKING UP?
125
00:05:35,639 --> 00:05:36,639
NO.
126
00:05:38,728 --> 00:05:42,516
I MEAN, NO. WELL, I DON'T
THINK SO. I THINK HE'LL BE FINE.
127
00:05:42,516 --> 00:05:44,518
[papers rustle]
128
00:05:44,518 --> 00:05:46,867
THAT'S NOT VERY CONVINCING,
LISBON.
129
00:05:46,867 --> 00:05:50,524
WHAT HE'S BEEN THROUGH
WOULD BREAK ANYONE.
130
00:05:50,524 --> 00:05:52,569
HE'S NOT GONNA CRACK UP.
131
00:05:52,569 --> 00:05:55,398
I THINK SOME TIME OFF
WILL DO HIM GOOD, THOUGH.
132
00:05:55,398 --> 00:05:58,706
YEAH, WELL, NO CAN DO.
133
00:05:58,706 --> 00:06:00,925
BERTRAM WANTS HIM
ON THE DUBLIN CASE.
134
00:06:00,925 --> 00:06:03,884
AFTER JANE WAS SO RUDE TO HIM?BERTRAM'S ALL BOTTOM LINE.
135
00:06:03,884 --> 00:06:05,973
HE WON'T LET PERSONAL ISSUES
INTRUDE.
136
00:06:05,973 --> 00:06:08,976
JANE'S THE BEST ASSET WE HAVE,
AND BERTRAM KNOWS THAT.
137
00:06:08,976 --> 00:06:13,329
BUT JANE DOESN'T WANT
TO BE ON THE CASE.CHANGE HIS MIND.
138
00:06:13,329 --> 00:06:17,680
I'M NOT GONNA TELL BERTRAM
WE CAN'T CONTROL OUR OWN PEOPLE.
139
00:06:21,555 --> 00:06:24,557
I HAVE AN IDEA
AS TO HOW TO PERSUADE HIM,
140
00:06:24,557 --> 00:06:27,038
BUT IT'S KIND OF UNETHICAL.
141
00:06:27,038 --> 00:06:28,649
I DON'T WANNA KNOW.
142
00:06:35,656 --> 00:06:36,786
WHERE'S JANE?
143
00:06:36,786 --> 00:06:37,961
UPSTAIRS.
144
00:06:37,961 --> 00:06:39,093
THANKS.
145
00:06:50,192 --> 00:06:52,759
[knocks on door]JANE?
146
00:06:52,759 --> 00:06:54,718
COME IN.
147
00:06:54,718 --> 00:06:56,284
HEY.
148
00:06:56,284 --> 00:06:57,721
NICE PLACE.
149
00:06:57,721 --> 00:07:01,855
[sighs] YEAH. YEAH, I
LIKE THE VIEW AND THE QUIET.
150
00:07:06,250 --> 00:07:08,776
AND WHAT ARE YOU DOING
WITH ALL THE QUIET?
151
00:07:08,776 --> 00:07:12,649
JUST THINKING.
152
00:07:12,649 --> 00:07:14,694
JANE, YOU HAVE TO STOP
BLAMING YOURSELF.
153
00:07:14,694 --> 00:07:17,480
IF RED JOHN TOOK KRISTINA FRYE,
IT'S NOT YOUR--
154
00:07:17,480 --> 00:07:19,047
THERE'S NO "IF."
HE TOOK HER.
155
00:07:19,047 --> 00:07:22,005
IFHE DID,
YOU CAN'T BLAME YOURSELF.
156
00:07:22,005 --> 00:07:24,052
BESIDES, WHAT GOOD IS IT
TO SIT UP HERE,
157
00:07:24,052 --> 00:07:26,880
SCRIBBLING IN YOUR BOOK? YOU'RE
NOT GONNA FIND HER THAT WAY.
158
00:07:26,880 --> 00:07:28,622
[chuckles]
159
00:07:28,622 --> 00:07:30,667
I'M NOT GONNA
CHANGE MY MIND.
160
00:07:30,667 --> 00:07:33,278
I DON'T WANT TO WORK
THE DUBLIN CASE.
161
00:07:33,278 --> 00:07:36,629
THAT'S FINE. IT'S A DONE DEAL.
I UNDERSTAND.
162
00:07:36,629 --> 00:07:39,850
IT'D BE GOOD FOR YOU
TO HAVE A BREAK.
163
00:07:39,850 --> 00:07:43,113
LISTEN,
ON A COMPLETELY OTHER SUBJECT,
164
00:07:43,113 --> 00:07:46,204
I NEED A PERSONAL FAVOR.
165
00:07:46,204 --> 00:07:48,206
I'D LIKE YOU
TO COME AND MEET SOMEONE.
166
00:07:48,206 --> 00:07:50,295
WHO?I CAN'T TELL.
167
00:07:50,295 --> 00:07:52,384
WHY NOT?
168
00:07:52,384 --> 00:07:54,995
I PROMISE IT HAS NOTHING
TO DO WITH HARVEY DUBLIN.
169
00:07:54,995 --> 00:07:56,997
YOU'RE TRYING
TO PLAY ME SOMEHOW,
170
00:07:56,997 --> 00:07:59,435
CONVINCE ME
TO CHANGE MY MIND.
171
00:07:59,435 --> 00:08:01,305
NO.YES, YOU ARE.
172
00:08:02,656 --> 00:08:04,875
AND I GUESS I OWE YOU A SHOT.
173
00:08:04,875 --> 00:08:07,487
BUT IT'S NOT GONNA WORK,
WHATEVER IT IS.
174
00:08:16,278 --> 00:08:20,629
HEY, CHO, HOW'S IT GOIN'
WITH MRS. DUBLIN?
175
00:08:20,629 --> 00:08:23,589
NOTHING SO FAR. WHEN'S SOMEBODY
COMING TO RELIEVE ME HERE?
176
00:08:23,589 --> 00:08:25,634
WHY? WHAT'S THE PROBLEM?
177
00:08:25,634 --> 00:08:28,245
NOTHING. I'LL CALL IF WE GET
ANY DEVELOPMENTS.
178
00:08:28,245 --> 00:08:30,204
WHAT IS IT? IS IT HARVEY?
179
00:08:30,204 --> 00:08:31,685
NO, MA'AM.
180
00:08:31,685 --> 00:08:33,903
[cries] OH, MY GOD!
181
00:08:33,903 --> 00:08:36,690
I AM GONNA EXPLODE!
I CAN'T STAND IT!
182
00:08:36,690 --> 00:08:39,475
I CAN'T TAKE IT!
I SWEAR TO GOD!
183
00:08:39,475 --> 00:08:41,259
[sobs]
184
00:08:41,259 --> 00:08:43,347
WHY, KIMBALL? [sniffles]
185
00:08:43,347 --> 00:08:47,482
WHY AM I BEING PUNISHED?
I'M A GOOD PERSON.
186
00:08:47,482 --> 00:08:49,092
YES, MA'AM.
187
00:08:49,092 --> 00:08:50,965
STOP CALLING ME "MA'AM."
188
00:08:50,965 --> 00:08:53,663
I'M NOT YOUR GRANDMOTHER.
[sniffles]
189
00:08:53,663 --> 00:08:56,710
HOW OLD DO YOU THINK I AM
ANYWAY?
190
00:08:56,710 --> 00:08:59,277
48, 49.
191
00:08:59,277 --> 00:09:02,279
[sobbing]
192
00:09:07,677 --> 00:09:10,071
I GET THE PICTURE.DO YOU?
193
00:09:10,071 --> 00:09:14,553
YEAH, DUBLIN'S DRIVER--
THE DEAD GUY, PETE RUSSO, RIGHT?
194
00:09:14,553 --> 00:09:15,990
HE HAS FAMILY.
195
00:09:15,990 --> 00:09:17,991
HE WASN'T WEARING
A WEDDING RING, SO, UH...
196
00:09:17,991 --> 00:09:20,384
[doorbell rings]WE'RE ABOUT TO MEET A, UH...
197
00:09:20,384 --> 00:09:22,735
[door squeaks]
198
00:09:22,735 --> 00:09:26,347
YES. EXACTLY.
199
00:09:26,347 --> 00:09:27,827
YES, WHO ARE YOU?
200
00:09:27,827 --> 00:09:30,613
NADINE, I'M AGENT LISBON
WITH THE CBI.
201
00:09:30,613 --> 00:09:33,485
WE SPOKE ON THE PHONE.
THIS IS PATRICK JANE.
202
00:09:33,485 --> 00:09:35,966
HI. YOU'RE, UH,
PETE RUSSO'S DAUGHTER?
203
00:09:35,966 --> 00:09:37,402
UH, YEAH.
204
00:09:39,753 --> 00:09:41,144
HELLO?THEY'RE POLICE.
205
00:09:41,144 --> 00:09:43,147
[whispers] OH, OKAY.THIS IS MY MOM.
206
00:09:43,147 --> 00:09:45,846
[normal voice] PATRICIA.
207
00:09:45,846 --> 00:09:47,760
AND THIS IS KEITH,
MY STEPDAD.
208
00:09:47,760 --> 00:09:50,590
HI. UM...
209
00:09:50,590 --> 00:09:52,548
PLEASE COME IN.
210
00:09:55,985 --> 00:09:57,509
[sighs]
211
00:10:00,860 --> 00:10:03,690
MISS LISBON SAYS YOU'RE THE BEST
DETECTIVE IN CALIFORNIA.
212
00:10:07,955 --> 00:10:12,350
SHE SAYS IF ANYBODY CAN FIND
WHO KILLED MY FATHER, YOU CAN.
213
00:10:12,350 --> 00:10:14,395
I JUST HAVE TO SAY,
214
00:10:14,395 --> 00:10:17,659
I DIDN'T THINK YOU WOULD STOOP
TO SUCH CRUDE MANIPULATION.
215
00:10:17,659 --> 00:10:19,313
I DON'T UNDERSTAND.
216
00:10:19,313 --> 00:10:21,707
INSIDE JOKE. I'M SORRY.
217
00:10:21,707 --> 00:10:25,145
UH, I WILL FIND WHO KILLED YOUR
FATHER AND ABDUCTED MR. DUBLIN.
218
00:10:25,145 --> 00:10:26,974
AN INSIDE JOKE?
219
00:10:26,974 --> 00:10:29,366
HER FATHER IS DEAD.
220
00:10:29,366 --> 00:10:31,065
MURDERED.
221
00:10:31,065 --> 00:10:32,543
YOU'RE MAKING JOKES?
222
00:10:34,371 --> 00:10:36,374
YES, UH, IT'S A FAULT OF MINE.
223
00:10:36,374 --> 00:10:38,375
UH, WHAT IT IS, THE JOKE?
224
00:10:38,375 --> 00:10:41,815
UH, I HAVE A--I HAVE A LOT
ON MIND RIGHT NOW.
225
00:10:41,815 --> 00:10:44,338
UH, I DIDN'T REALLY WANNA COME
TO WORK TODAY,
226
00:10:44,338 --> 00:10:46,557
BUT MY GOOD FRIEND AND COLLEAGUE
AGENT LISBON
227
00:10:46,557 --> 00:10:48,735
TRICKED ME INTO MEETING YOU,
228
00:10:48,735 --> 00:10:50,605
KNOWING THAT
I COULDN'T REFUSE YOU
229
00:10:50,605 --> 00:10:52,826
BECAUSE YOU'RE THE AGE
MY DAUGHTER WOULD BE
230
00:10:52,826 --> 00:10:56,611
IF SHE WERE STILL ALIVE,
IF SHE HADN'T BEEN MURDERED.[gasps] OH, GOODNESS.
231
00:10:56,611 --> 00:10:58,875
MURDERED BY A MAN NAMED
RED JOHN,
232
00:10:58,875 --> 00:11:00,921
WHOM I MET WITH RECENTLY.
233
00:11:00,921 --> 00:11:03,532
HE SAVED MY LIFE
AND ABDUCTED A FRIEND OF MINE.
234
00:11:03,532 --> 00:11:06,447
LONG STORY.
HENCE, MANY THINGS ON MY MIND.
235
00:11:06,447 --> 00:11:07,623
[slurps]
236
00:11:07,623 --> 00:11:10,408
THAT'S NOT
A VERY FUNNY JOKE.
237
00:11:10,408 --> 00:11:11,975
HMM.
238
00:11:11,975 --> 00:11:14,020
WHAT HAPPENED TO YOUR FRIEND?
239
00:11:14,020 --> 00:11:15,892
STILL MISSING.
240
00:11:15,892 --> 00:11:19,591
UH, PLEASE,
TELL US ABOUT YOUR FATHER.
241
00:11:19,591 --> 00:11:22,376
HE WAS A GOOD PERSON.
242
00:11:22,376 --> 00:11:25,946
HE WAS... FUNNY
243
00:11:25,946 --> 00:11:28,426
AND... [voice breaks]
AND GENEROUS.
244
00:11:28,426 --> 00:11:31,995
AND I COULD TALK TO HIM ABOUT
ANYTHING, AND HE WOULD LISTEN.
245
00:11:31,995 --> 00:11:33,953
[Patricia] OH, YES,
HE COULD BE CHARMING.
246
00:11:36,433 --> 00:11:38,044
HE HAD HIS WAYS.
247
00:11:38,044 --> 00:11:41,657
WHAT KIND OF WAYS?HE HAD A TEMPER.
248
00:11:41,657 --> 00:11:45,529
THAT HE DID.
249
00:11:45,529 --> 00:11:47,923
I MEAN, HIS HEART WAS
IN THE RIGHT PLACE, YOU KNOW?
250
00:11:49,838 --> 00:11:52,407
WHATEVER HIS FAULTS,
251
00:11:52,407 --> 00:11:54,582
HE DIDN'T DESERVE TO DIE
THIS WAY.
252
00:11:56,019 --> 00:11:58,543
REALLY, I'M IMPRESSED.
253
00:11:58,543 --> 00:12:02,155
YOU--YOU PLAYED ME LIKE A FISH
AND--AND YOU LIED TO ME.I KIND OF DID, DIDN'T I? SORRY.
254
00:12:02,155 --> 00:12:05,549
NO, I'M GLAD TO SEE YOU'RE
FINALLY LEARNING A FEW THINGS.
255
00:12:05,549 --> 00:12:08,509
OF COURSE, UH,
NOW I SHALL HAVE MY REVENGE.WHAT DO YOU MEAN?
256
00:12:08,509 --> 00:12:11,469
[chuckles] AHH.
257
00:12:11,469 --> 00:12:13,863
[Rigsby] DON'T WORRY.
WE'RE NOT HERE ABOUT DRUGS.
258
00:12:13,863 --> 00:12:16,299
WE'RE HERE ABOUT THE KILLING
THE OTHER NIGHT.
259
00:12:16,299 --> 00:12:18,302
[man] AH, YEAH, YEAH.
I HEARD ABOUT THAT.
260
00:12:18,302 --> 00:12:20,826
KIDNAPPED A MAN, HUH?
THAT'S TOO BAD.
261
00:12:20,826 --> 00:12:23,177
LOCAL BEAT COPS SAY YOU GUYS
DO BUSINESS UNDER THAT BRIDGE.YEAH, LOOK,
262
00:12:23,177 --> 00:12:26,528
THE LOCAL BEAT COPS ARE NICE
GUYS, BUT THEY'RE OUT OF TOUCH.
263
00:12:26,528 --> 00:12:29,312
WE DON'T DO BUSINESS UNDER THAT
BRIDGE. THE HOS--THEY GOT DIBS.
264
00:12:29,312 --> 00:12:32,707
YOU'RE GONNA WANNA TALK
TO THE LADIES OVER ON FREMONT.
265
00:12:32,707 --> 00:12:35,188
ALL RIGHT. THANKS.YEAH, NO WORRIES.
266
00:12:35,188 --> 00:12:37,625
HEY, HEY, RED.
267
00:12:37,625 --> 00:12:39,846
YOU--YOU EVER DATE
A HUSTLER BEFORE?
268
00:12:39,846 --> 00:12:42,196
NOT SO FAR!
269
00:12:42,196 --> 00:12:44,459
WHAT? I'M KIDDING.
270
00:12:48,549 --> 00:12:49,942
THANK YOU.
271
00:12:49,942 --> 00:12:52,772
YEAH. OKAY.
GOOD TO KNOW.
272
00:12:52,772 --> 00:12:55,948
GOOD AFTERNOON. REID COLMAN. I'M
MR. DUBLIN'S PERSONAL LAWYER.
273
00:12:55,948 --> 00:12:58,647
GLAD TO SEE YOU PEOPLE.
YOU MADE ANY PROGRESS?
274
00:12:58,647 --> 00:13:02,476
EARLY DAYS, MR. COLMAN.YOU'LL, UH, NEED
TO TALK TO ME, YES?
275
00:13:02,476 --> 00:13:05,567
NOW'S A GOOD TIME.
I HAVE TEN MINUTES OR SO.
276
00:13:05,567 --> 00:13:08,744
IF YOU'LL COME THIS WAY,
WE CAN USE THE CONFERENCE ROOM.
277
00:13:08,744 --> 00:13:10,789
UH, JUST A MOMENT.
278
00:13:10,789 --> 00:13:12,182
WHAT'S YOUR NAME?
279
00:13:12,182 --> 00:13:14,183
MARJORIE.
280
00:13:14,183 --> 00:13:16,230
MARJORIE.
THAT'S A VERY NICE NAME.
281
00:13:16,230 --> 00:13:18,231
I'D LIKE TO SPEAK
TO MARJORIE FIRST, THANKS.[sighs]
282
00:13:18,231 --> 00:13:21,148
UH, WE WILL NEED TO SPEAK
TO YOU IN DUE COURSE, SIR.
283
00:13:21,148 --> 00:13:23,149
I'LL, UH, TRY
AND FIT YOU IN LATER.
284
00:13:23,149 --> 00:13:25,152
PROSTITUTES? NO. NO.
285
00:13:25,152 --> 00:13:28,024
MR. DUBLIN WAS NOT
THAT SORT OF MAN AT ALL.
286
00:13:28,024 --> 00:13:29,938
THE ALLEYWAY
FROM WHICH HE WAS ABDUCTED
287
00:13:29,938 --> 00:13:31,635
WAS USED BY PROSTITUTES,
288
00:13:31,635 --> 00:13:34,552
AND IT WAS NOWHERE NEAR
MR. DUBLIN'S REGULAR ROUTE.
289
00:13:34,552 --> 00:13:36,379
I HAVE BEEN
MR. DUBLIN'S PERSONAL SECRETARY
290
00:13:36,379 --> 00:13:37,947
FOR TEN YEARS,
291
00:13:37,947 --> 00:13:40,688
AND I CAN TELL YOU
WITHOUT A SHADOW OF A DOUBT
292
00:13:40,688 --> 00:13:42,385
THAT HE IS
293
00:13:42,385 --> 00:13:45,085
THE MOST DECENT, CARING,
CLEAN, GENEROUS HUMAN BEING
294
00:13:45,085 --> 00:13:47,129
THAT ANYONE COULD HOPE
TO MEET.
295
00:13:47,129 --> 00:13:49,524
WE WANT TO BRING HIM BACK
SAFELY, MARJORIE.
296
00:13:49,524 --> 00:13:51,394
WE NEED
TO KNOW EVERYTHING.
297
00:13:59,054 --> 00:14:02,057
USUALLY I CAN GET AHOLD
OF HIM AT ANY TIME.
298
00:14:02,057 --> 00:14:04,712
HIS WORK DEMANDS IT,
BUT ONCE IN A WHILE,
299
00:14:04,712 --> 00:14:07,193
HE'D DISAPPEAR
FOR AN HOUR OR SO,
300
00:14:07,193 --> 00:14:09,979
NO--NO ANSWER FROM HIM
OR HIS DRIVER.
301
00:14:09,979 --> 00:14:12,634
HOW OFTEN WAS THAT?EVERY COUPLE OF WEEKS.
302
00:14:12,634 --> 00:14:15,636
A REGULAR DATE RIGHT AROUND
THE TIME HE WAS ABDUCTED, YES?
303
00:14:17,725 --> 00:14:20,729
AND WHAT DID YOU THINK
HE MIGHT BE DOING?
304
00:14:20,729 --> 00:14:23,471
MISTRESS, I THOUGHT,
305
00:14:23,471 --> 00:14:25,038
BUT NOT THIS.
306
00:14:25,038 --> 00:14:28,998
MEN HAVE NEEDS.
I UNDERSTAND THAT.
307
00:14:28,998 --> 00:14:32,087
PLEASE, YOU'LL FIND HIM,
WON'T YOU? YOU'LL FIND HIM?
308
00:14:32,087 --> 00:14:34,611
MARJORIE, UH,
I HAVE TO TELL YOU,
309
00:14:34,611 --> 00:14:37,267
UH, IT'S VERY LIKELY
THAT HE'S ALREADY DEAD.
310
00:14:37,267 --> 00:14:40,792
WHOA. WAIT A MINUTE.
WE DON'T KNOW THAT.
311
00:14:40,792 --> 00:14:44,187
IT'S A HUNCH THAT I HAVE,
AND IF I'M RIGHT,
312
00:14:44,187 --> 00:14:47,102
IT'S A BLESSING FOR YOU.
313
00:14:47,102 --> 00:14:49,845
UNREQUITED LOVE IS
A TERRIBLE THING.
314
00:14:49,845 --> 00:14:52,716
YOU HAVE TO FIND YOURSELF A MAN
THAT WILL LOVE YOU BACK.
315
00:14:52,716 --> 00:14:55,590
YOU'RE A GOOD WOMAN. YOU
DESERVE IT. THINK ABOUT THAT.
316
00:15:04,642 --> 00:15:07,601
SO THIS WAS DONE BY SOMEONE WHO
KNEW ABOUT DUBLIN'S ROUTINE--
317
00:15:07,601 --> 00:15:09,038
SOMEONE VERY CLOSE.
318
00:15:09,038 --> 00:15:11,301
WH-WHY DID YOU SAY
HE WAS DEAD?
319
00:15:11,301 --> 00:15:13,650
BECAUSE HE IS. HE'S DEAD,
AND IT'S NOT A KIDNAPPING.GIVE ME A REASON.
320
00:15:13,650 --> 00:15:16,306
I'LL BET YOU
ALL THE TEA IN CHINA.[cell phone rings]
321
00:15:16,306 --> 00:15:18,655
[scoffs]
THAT IS NOT A REASON.I'LL GIVE YOU GOOD ODDS.
322
00:15:18,655 --> 00:15:20,658
[ring]HEY.
323
00:15:20,658 --> 00:15:23,052
HEY. RANSOM DEMAND
CAME THROUGH.
324
00:15:23,052 --> 00:15:24,706
HOW MUCH?
325
00:15:24,706 --> 00:15:26,620
ALL RIGHT.
WE'RE ON OUR WAY.
326
00:15:26,620 --> 00:15:29,405
A MILLION DOLLARS FOR
THE SAFE RETURN OF DUBLIN--
327
00:15:29,405 --> 00:15:31,755
THAT KINDA SOUNDS LIKE
A KIDNAPPING, DOESN'T IT?
328
00:15:31,755 --> 00:15:34,889
DOESN'T MEAN IT'S A KIDNAPPING.
DOESN'T MEAN HE'S NOT DEAD.
329
00:15:34,889 --> 00:15:38,371
IS THIS A SERIOUS THEORY,
OR IS THIS YOUR REVENGE?
330
00:15:49,426 --> 00:15:51,994
[Cho] THIS WAS SENT
FROM A THROWAWAY PHONE.
331
00:15:51,994 --> 00:15:55,084
"DO EXACTLY AS INSTRUCTED
OR H.D. GETS HIS THROAT CUT
332
00:15:55,084 --> 00:15:58,043
"AND WE SEND YOU HIS TONGUE.
WE WANT A MILLION DOLLARS
333
00:15:58,043 --> 00:16:00,567
"IN USED $50s AND $100s
AT 0600 TOMORROW.
334
00:16:00,567 --> 00:16:03,397
LOCATION WILL FOLLOW.
NO POLICE, OR H.D. IS DEAD."ANY PROOF OF LIFE?
335
00:16:03,397 --> 00:16:06,399
NO.HUH.
336
00:16:06,399 --> 00:16:09,359
DO NOT SAY ANYTHING BAD
TO MRS. DUBLIN.
337
00:16:09,359 --> 00:16:11,578
THAT IS AN ORDER.
338
00:16:11,578 --> 00:16:14,190
JAWOHL, MEIN KOMMANDANT.CAN I SEE?YEAH.
339
00:16:14,190 --> 00:16:15,931
WHERE IS MRS. DUBLIN?
340
00:16:15,931 --> 00:16:18,933
YEAH, SHE CRIES A LOT. THEN SHE
HAS TO FRESHEN HER MAKEUP,
341
00:16:18,933 --> 00:16:20,980
AND THEN SHE CRIES AGAIN.
SORT OF A CYCLE.
342
00:16:20,980 --> 00:16:23,417
THREE
DELIBERATE MISSPELLINGS
343
00:16:23,417 --> 00:16:25,375
AND AN OBVIOUS
MILITARY LILT,
344
00:16:25,375 --> 00:16:27,551
WHICH SUGGESTS THAT
THE WRITER IS NOT A VETERAN
345
00:16:27,551 --> 00:16:30,553
BUT WANTS US TO BELIEVE
THAT HE OR SHE IS--
346
00:16:30,553 --> 00:16:33,514
SO A NOTCH OR TWO LESS CLEVER
THAN HE OR SHE THINKS
347
00:16:33,514 --> 00:16:35,907
THAT THEY ARE,
USING THIS CRIME TO EXPRESS
348
00:16:35,907 --> 00:16:39,562
SOME KIND
OF DEEP, PERSONAL GRUDGE.
349
00:16:39,562 --> 00:16:42,479
THE VIOLENCE IS
AUTHENTIC ENOUGH.
350
00:16:42,479 --> 00:16:44,090
OH, MY LORD. WHAT NOW?
WHAT'S HAPPENED?
351
00:16:44,090 --> 00:16:46,134
IT'S--IT'S NOTHING,
GISELLE.
352
00:16:46,134 --> 00:16:49,138
THESE ARE MY COLLEAGUES.
PLEASE REMAIN CALM.HOW CAN I REMAIN CALM?
353
00:16:49,138 --> 00:16:52,315
I CAN'T RAISE
A MILLION DOLLARS BY TOMORROW!
354
00:16:52,315 --> 00:16:56,493
WE AREN'T NEARLY AS RICH
AS PEOPLE THINK.
355
00:16:56,493 --> 00:16:59,495
WH-WHAT DO I DO?I CAN'T SPEAK TO
THE FINANCIAL ASPECTS, MA'AM.
356
00:16:59,495 --> 00:17:01,846
THAT'S YOUR CALL.
357
00:17:01,846 --> 00:17:05,067
NOW CAN YOU THINK
OF ANYBODY WHO MAY HAVE HAD
358
00:17:05,067 --> 00:17:07,242
A PERSONAL GRUDGE
AGAINST YOUR HUSBAND?
359
00:17:07,242 --> 00:17:09,462
NO. NOBODY.
360
00:17:09,462 --> 00:17:11,855
MY HUSBAND IS A RESPECTED
AND BELOVED MEMBER
361
00:17:11,855 --> 00:17:13,728
OF SACRAMENTO SOCIETY.
362
00:17:13,728 --> 00:17:16,077
AND YOU?
363
00:17:16,077 --> 00:17:18,732
DO YOU RESPECT
AND BELOVEHIM?
364
00:17:18,732 --> 00:17:20,821
OF COURSE I DO.
365
00:17:20,821 --> 00:17:23,912
DEEPLY. WHAT A QUESTION.
366
00:17:23,912 --> 00:17:27,567
WELL, WH-WHY DON'T YOU WANT
TO RAISE A MILLION DOLLARS
367
00:17:27,567 --> 00:17:30,483
TO SAVE HIS LIFE?WHY DO YOU ASK THAT? I DO!
368
00:17:30,483 --> 00:17:32,486
WELL, THE WATCH
AND THE EARRINGS--
369
00:17:32,486 --> 00:17:34,662
THAT'S, LIKE, QUARTER MIL
RIGHT THERE.
370
00:17:34,662 --> 00:17:36,881
YOU CAN RAISE THE MONEY.
YOU'RE CONFLICTED,
371
00:17:36,881 --> 00:17:39,884
BECAUSE YOU DON'T KNOW
IF YOU WANT YOUR HUSBAND BACK.
372
00:17:39,884 --> 00:17:42,496
YOU DON'T LIKE YOUR HUSBAND
VERY MUCH AT ALL.
373
00:17:42,496 --> 00:17:44,453
YOU'RE ACTUALLY
A VERY GOOD ACTRESS
374
00:17:44,453 --> 00:17:47,369
PLAYING THE PART
OF THE LOVING WIFE.
375
00:17:47,369 --> 00:17:49,415
THAT'S WHAT I THINK
YOU ARE.
376
00:17:49,415 --> 00:17:52,157
CAN YOU LOOK AT ME
AND TELL ME THAT I'M WRONG?
377
00:17:52,157 --> 00:17:55,161
[sighs]
378
00:17:56,857 --> 00:17:58,076
DUH.
379
00:18:00,688 --> 00:18:04,299
OF COURSE I DON'T LIKE HIM
VERY MUCH.
380
00:18:04,299 --> 00:18:06,650
EVERYBODY IN THE KNOW
KNOWS THAT HARVEY DUBLIN IS
381
00:18:06,650 --> 00:18:10,523
A MEAN, LYING, BACKSTABBING,
CROOKED SON OF A BITCH.
382
00:18:10,523 --> 00:18:12,961
BUT I'M HIS WIFE,
383
00:18:12,961 --> 00:18:16,442
AND WHAT AM I SUPPOSED TO DO
BUT ACT LIKE I LOVE HIM?WHY DIDN'T YOU LEAVE HIM?
384
00:18:16,442 --> 00:18:19,009
[sighs] HAVE YOU EVER
DIVORCED A MEAN LAWYER?
385
00:18:19,009 --> 00:18:22,317
HE HAS NO RECORD
OF ANY PERSONAL WRONGDOING.
386
00:18:22,317 --> 00:18:24,364
HE'S A RESPECTED LOBBYIST.
387
00:18:24,364 --> 00:18:26,539
AN EXTORTIONIST AND CON MAN,
MORE LIKE IT.
388
00:18:26,539 --> 00:18:28,585
SO THERE ARE A LOT OF PEOPLE
389
00:18:28,585 --> 00:18:31,587
WHO MAY HAVE WANTED
TO HARM YOUR HUSBAND.ARE YOU KIDDING?
390
00:18:31,587 --> 00:18:34,461
THERE'S PEOPLE ALL OVER THE CITY
PRAYING THAT HE STAYS GONE.
391
00:18:34,461 --> 00:18:37,028
HOW ABOUT YOU?ME?
392
00:18:37,028 --> 00:18:39,117
YEAH, YOU.
393
00:18:39,117 --> 00:18:42,598
OH, I'LL RAISE THE MONEY.
I OWE HIM THAT MUCH.
394
00:18:42,598 --> 00:18:44,601
I KNEW WHAT I WAS MARRYING.
395
00:18:44,601 --> 00:18:46,646
YES, MR. DUBLIN IS
THE TARGET OF SOME LAWSUITS.
396
00:18:46,646 --> 00:18:48,865
MOST PROMINENT MEN ARE
AT ONE POINT OR ANOTHER
397
00:18:48,865 --> 00:18:52,434
IN THEIR CAREERS.
IT'S A HAZARD OF MODERN LIFE.
398
00:18:52,434 --> 00:18:55,176
SO HARVEY DUBLIN'S A SAINT.
THAT'S YOUR POSITION?
399
00:18:55,176 --> 00:18:57,440
NO, HARVEY DUBLIN IS NOT
A SAINT,
400
00:18:57,440 --> 00:18:59,355
BUT I'M HIS LAWYER,
AND I SPEAK FOR HIM.
401
00:18:59,355 --> 00:19:01,356
LOOK, HARVEY STARTED
WITH LESS THAN NOTHING.
402
00:19:01,356 --> 00:19:04,751
HE WAS A STREET KID.
HIS PARENTS WERE DRUG ADDICTS.
403
00:19:04,751 --> 00:19:08,190
HE LIVES IN FEAR OF FALLING
BACK INTO THAT WORLD,
404
00:19:08,190 --> 00:19:10,626
SO MAYBE HE PUSHES
A LITTLE BIT TOO HARD.
405
00:19:10,626 --> 00:19:13,107
MAYBE HE'S JUST
A LITTLE BIT TOO INTENSE
406
00:19:13,107 --> 00:19:16,546
IN HIS DESIRE TO WIN. THIS IS
AMERICA. THAT'S NO CRIME.SEVEN LAWSUITS PENDING.
407
00:19:16,546 --> 00:19:19,941
LOOK, ANYONE CAN GET SUED.
IT DOESN'T MEAN A THING.
408
00:19:19,941 --> 00:19:22,464
HALF THE PLAYERS IN THIS TOWN
ARE IN BED WITH DUBLIN
409
00:19:22,464 --> 00:19:25,381
ONE WAY OR ANOTHER.
IN FACT, YOUR, UH,
410
00:19:25,381 --> 00:19:26,948
YOUR NEW DIRECTOR,
GALE BERTRAM--
411
00:19:26,948 --> 00:19:29,167
HE'S ONE OF HIS CODEFENDANTS.REALLY?
412
00:19:29,167 --> 00:19:30,994
YEAH. BANK OF CLAREMONT vs.
413
00:19:30,994 --> 00:19:32,605
BRIXHAM LAKE DEVELOPMENT
CORPORATION AND OTHERS.
414
00:19:32,605 --> 00:19:35,565
IT'S GONNA BE A BLOCKBUSTER.DO GO ON.
415
00:19:35,565 --> 00:19:38,351
IT'S A COMPLEX
LAND/WATER RIGHTS THING.
416
00:19:38,351 --> 00:19:40,440
IT'LL RUN FOR YEARS.
417
00:19:40,440 --> 00:19:42,659
THE POINT IS,
BERTRAM WAS NAMED CODEFENDANT
418
00:19:42,659 --> 00:19:46,141
TO PUT PRESSURE ON THE DEFENSE
TO SETTLE EARLY.
419
00:19:46,141 --> 00:19:48,970
HAPPENS ALL THE TIME.HMM. THAT'S INTERESTING
ABOUT BERTRAM.
420
00:19:48,970 --> 00:19:51,145
NO, IT'S NOT.YES, IT IS.
421
00:19:51,145 --> 00:19:53,147
WHO'S TO GAIN THE MOST,
LEGALLY SPEAKING,
422
00:19:53,147 --> 00:19:55,150
IF MR. DUBLIN DOESN'T RETURN?
423
00:19:55,150 --> 00:19:57,369
WELL, THAT'S, UH,
THAT'S HARD TO SAY.
424
00:19:57,369 --> 00:19:59,327
TOO MANY VARIABLES
IN THE EQUATION.
425
00:19:59,327 --> 00:20:01,374
BUT HE IS COMING BACK,
RIGHT?
426
00:20:01,374 --> 00:20:03,723
I MEAN, IF GISELLE PAYS
THE KIDNAPPERS,
427
00:20:03,723 --> 00:20:05,726
WHY SHOULDN'T HE?WELL, STUFF HAPPENS.
428
00:20:05,726 --> 00:20:08,381
UH, DID YOU EVER SERVE
IN THE MILITARY, MR. COLMAN?
429
00:20:08,381 --> 00:20:12,298
NO, I DIDN'T HAVE
THAT HONOR. WHY DO YOU ASK?STANDARD QUESTION.
430
00:20:12,298 --> 00:20:13,690
[speaks inaudibly]
431
00:20:13,690 --> 00:20:15,257
WELL, HEY, DON'T JUST--
432
00:20:15,257 --> 00:20:16,737
[scoffs] OH, SHOOT.
433
00:20:16,737 --> 00:20:18,739
HEY, LADY, WAIT UP.
434
00:20:18,739 --> 00:20:20,609
MA'AM,
WE JUST WANT TO TALK.
435
00:20:20,609 --> 00:20:22,394
BLAH, BLAH, BLAH, BLAH.
436
00:20:22,394 --> 00:20:25,267
YEAH, BLAH, BLAH, BLAH. LISTEN,
DID YOU HEAR ABOUT THAT GUY
437
00:20:25,267 --> 00:20:28,575
THAT WAS KIDNAPPED UP THE STREET
A COUPLE BLOCKS OVER?
438
00:20:28,575 --> 00:20:31,490
HIS DRIVER WAS SHOT DEAD.OH, THAT. YEAH. ISN'T THAT WILD?
EVERYBODY'S TALKING ABOUT IT.
439
00:20:31,490 --> 00:20:35,451
WHAT EXACTLY ARE PEOPLE SAYING?ALL KINDS OF STUFF. FRIEND
OF MINE SAID SHE WAS THERE.
440
00:20:35,451 --> 00:20:38,366
OH, YEAH?WELL, SHE'S ACTING
ALL MYSTERIOUS,
441
00:20:38,366 --> 00:20:41,500
LIKE, "I CAN'T TELL YOU
WHAT HAPPENED,"
442
00:20:41,500 --> 00:20:45,200
LIKE SHE'S A SECRET AGENT
OR WHATNOT.WHAT'S YOUR FRIEND'S NAME?
443
00:20:45,200 --> 00:20:48,550
YOURS FOR $50.THIS IS
A MURDER INVESTIGATION.
444
00:20:48,550 --> 00:20:51,423
WE COULD TAKE YOU IN
RIGHT NOW FOR OBSTRUCTION.
445
00:20:51,423 --> 00:20:54,383
OH, BABY, SAVE YOURSELF
TIME AND PAPERWORK.
446
00:20:54,383 --> 00:20:57,430
I GOT 40... 43 BUCKS.
447
00:21:00,214 --> 00:21:02,086
UH... 12 CENTS.
448
00:21:02,086 --> 00:21:04,653
MONEY'S TIGHT ALL OVER, HUH?
449
00:21:04,653 --> 00:21:07,614
COME ON.
CUT US A BREAK HERE.
450
00:21:12,531 --> 00:21:15,448
SUGAR--BIG OLE TALL GIRL,
PINK HAIR.
451
00:21:15,448 --> 00:21:17,492
SHE'LL BE AROUND TOMORROW NIGHT.
452
00:21:17,492 --> 00:21:19,973
NICE DOIN' BUSINESS WITH YA.
453
00:21:19,973 --> 00:21:22,411
12 CENTS? SERIOUSLY?
454
00:21:22,411 --> 00:21:24,369
WHAT? [sighs]
SHE CLEANED ME OUT.
455
00:21:24,369 --> 00:21:26,196
[chuckles] 12 CENTS.
456
00:21:30,462 --> 00:21:32,508
AH.
457
00:21:32,508 --> 00:21:34,554
INTERESTING
ABOUT BERTRAM, HUH?
458
00:21:34,554 --> 00:21:37,557
YOU SAID THAT BEFORE.
NO, IT'S NOT.
459
00:21:37,557 --> 00:21:40,951
I GOT A WEIRD VIBE
THE FIRST MOMENT I MET HIM.
460
00:21:40,951 --> 00:21:43,519
UH, THE DIRECTOR OF
THE DIVISION OF LAW ENFORCEMENT
461
00:21:43,519 --> 00:21:45,826
DID NOT KIDNAP
HARVEY DUBLIN.
462
00:21:45,826 --> 00:21:47,871
SO YOU THINK.
HOW WELL DO YOU KNOW HIM?
463
00:21:47,871 --> 00:21:49,873
THIS IS YOUR REVENGE,
ISN'T IT?
464
00:21:49,873 --> 00:21:51,961
WELL, I-I AM SIMPLY
GONNA IGNORE YOU.
465
00:21:51,961 --> 00:21:54,487
I'M NOT PUNISHING YOU,
THOUGH YOU DO DESERVE IT.
466
00:21:54,487 --> 00:21:58,534
DUBLIN TURNED OUT TO BE
THE SLEAZEBAG I GUESSED HE WAS.
467
00:21:58,534 --> 00:22:01,189
HE DESERVES JUSTICE
LIKE EVERYBODY ELSE.
468
00:22:01,189 --> 00:22:03,496
OH, YOU'RE A COP.
YOU HAVE TO SAY THAT.
469
00:22:03,496 --> 00:22:05,498
YOU DON'T REALLY
BELIEVE IT.
470
00:22:05,498 --> 00:22:07,368
MY FINGERS ARE IN MY EARS.
471
00:22:33,787 --> 00:22:35,441
MORNING!
472
00:22:35,441 --> 00:22:38,095
HEY!
473
00:22:38,095 --> 00:22:39,880
WHAT'S HAPPENING?
474
00:22:39,880 --> 00:22:42,970
NOTHING YET.NO KIDDING.
WHERE'S THE MONEY?
475
00:22:42,970 --> 00:22:45,276
TRASH CAN DOWN THERE.THERE?
476
00:22:45,276 --> 00:22:46,930
YEAH.
477
00:22:46,930 --> 00:22:49,977
OH. JUST AS I THOUGHT.
NO ONE'S GONNA SHOW UP.
478
00:22:49,977 --> 00:22:53,414
LOOK AT THIS PLACE. IT'S FAR
TOO OPEN FOR A RANSOM DROP.WELL, THEY SAID NO POLICE,
479
00:22:53,414 --> 00:22:56,505
AND MAYBE THEY'RE STUPID ENOUGH
TO THINK THAT THERE'S NO POLICE.
480
00:22:56,505 --> 00:22:59,073
THEY KILLED A GUY
IN THE STREET.
481
00:22:59,073 --> 00:23:02,292
THEY HAVE TO KNOW
THE POLICE ARE INVOLVED. [sighs]
482
00:23:02,292 --> 00:23:04,644
THEY NEVER INTENDED
TO PICK UP THE RANSOM.
483
00:23:04,644 --> 00:23:06,950
WELL, MY HUNCH IS CORRECT.
THE KIDNAPPING'S A SHAM.
484
00:23:06,950 --> 00:23:09,648
DUBLIN'S ALREADY DEAD.WHAT WOULD BE THE REASON
FOR A PRETEND KIDNAPPING?
485
00:23:09,648 --> 00:23:11,651
WELL, THAT IS
THE SALIENT QUESTION, YES.
486
00:23:11,651 --> 00:23:15,219
BUT YOU CAN STOP WASTING
YOUR TIME HERE, CERTAINLY.
487
00:23:15,219 --> 00:23:18,961
HEY, DID MRS. DUBLIN
USE REAL MONEY OR FAKE MONEY?REAL.
488
00:23:18,961 --> 00:23:22,138
DID YOU LOOK AT IT?NO. WHAT WOULD
THAT MATTER NOW?
489
00:23:22,138 --> 00:23:23,750
WELL, IT DOESN'T MATTER.
490
00:23:23,750 --> 00:23:26,273
I'M--YOU KNOW,
I'M JUST A LITTLE CURIOUS.
491
00:23:26,273 --> 00:23:29,277
WHAT YOU'RE SAYING MIGHT BE
TRUE AND IT MIGHT NOT BE.
492
00:23:29,277 --> 00:23:32,323
WE STILL HAVE TO SIT ON
THIS THING FOR A LITTLE WHILE
493
00:23:32,323 --> 00:23:35,631
TO MAKE SURE NOBODY
SHOWS UP--COUPLE OF HOURS.WELL, THAT'S JUST SILLY.
494
00:23:35,631 --> 00:23:38,416
IT'S NOT SILLY.
IT'S PROFESSIONAL.PROFESSIONAL SH-MESSIONAL.
495
00:23:38,416 --> 00:23:40,419
JANE.
496
00:23:51,820 --> 00:23:54,301
[clatters]
497
00:23:54,301 --> 00:23:56,695
HEY, IT'S REAL!
498
00:23:56,695 --> 00:23:59,394
POLICE! FREEZE!
HANDS IN THE AIR!
499
00:23:59,394 --> 00:24:03,136
GET ON YOUR KNEES!
DO IT NOW! DO IT NOW!OKAY.
500
00:24:03,136 --> 00:24:05,269
DON'T MOVE.
501
00:24:11,884 --> 00:24:13,930
[man]
THE DIRECTOR IS EXPECTING
502
00:24:13,930 --> 00:24:16,932
A FULL BUT CONCISE
PROGRESS REPORT.HOW'S THAT JACKET SMELL?
503
00:24:16,932 --> 00:24:19,980
THIS IS A DIFFERENT SUIT.YEAH, BUT THE OTHER ONE'S
RUINED, ISN'T IT? HMM?
504
00:24:19,980 --> 00:24:21,372
POWER OF SUGGESTION.
505
00:24:21,372 --> 00:24:23,679
OKAY, YOU KNOW WHAT?
BITE ME.
506
00:24:29,468 --> 00:24:32,688
SO...
POOR HARVEY DUBLIN, HUH?
507
00:24:32,688 --> 00:24:35,517
SIR, NO ONE PICKED UP
THE RANSOM DROP,
508
00:24:35,517 --> 00:24:37,476
SO FOR THAT
AND OTHER REASONS,
509
00:24:37,476 --> 00:24:39,128
WE BELIEVE THAT
510
00:24:39,128 --> 00:24:41,131
THE KIDNAPPING ASPECT
OF THIS CASE IS A PRETENSE.
511
00:24:41,131 --> 00:24:44,090
MASKING WHAT?THAT WE CAN'T SAY FOR SURE.
512
00:24:44,090 --> 00:24:46,875
WE HAVE PROMISING LEADS.WELL, I NEED SOMETHING
TO TELL THE MEDIA.
513
00:24:46,875 --> 00:24:48,790
TELL 'EM
HARVEY DUBLIN'S DEAD.
514
00:24:48,790 --> 00:24:51,968
WELL, I'M SO GLAD YOU DECIDED
TO WORK ON THIS CASE, MR. JANE.
515
00:24:51,968 --> 00:24:53,926
YOUR DIRECTNESS IS BRACING.
516
00:24:53,926 --> 00:24:57,320
OF COURSE, PROCEDURALLY,
WE'RE STILL ASSUMING HE'S ALIVE,
517
00:24:57,320 --> 00:24:59,932
UNTIL WE HAVE
PROOF POSITIVE OTHERWISE.
518
00:24:59,932 --> 00:25:02,544
WHY KILL DUBLIN?
WH-WHAT'S THE MOTIVE?
519
00:25:02,544 --> 00:25:04,546
WELL, TWO POSSIBILITIES.
520
00:25:04,546 --> 00:25:06,505
UH, ONE--SIMPLE ROBBERY.
521
00:25:06,505 --> 00:25:08,855
THE CULPRIT WAS GOING
AFTER THE DIAMOND THAT, UH,
522
00:25:08,855 --> 00:25:11,509
DUBLIN ALWAYS CARRIES ON HIM.
523
00:25:11,509 --> 00:25:13,729
[chuckles]
DIAMOND? WHAT DIAMOND?
524
00:25:13,729 --> 00:25:15,730
WELL, APPARENTLY,
DUBLIN HAD A TERROR
525
00:25:15,730 --> 00:25:17,993
OF FALLING BACK
INTO POVERTY, OF, UH,
526
00:25:17,993 --> 00:25:20,605
DYING IN A PAUPER'S GRAVE
LIKE HIS FATHER DID,
527
00:25:20,605 --> 00:25:22,564
SO HE ALWAYS CARRIED
A LARGE DIAMOND WITH HIM,
528
00:25:22,564 --> 00:25:24,173
JUST IN CASE.
529
00:25:24,173 --> 00:25:26,828
IT'S KIND OF
A TOUCHING STORY, ISN'T IT?
530
00:25:26,828 --> 00:25:28,830
SO SOMEONE STAGED
THIS ABDUCTION
531
00:25:28,830 --> 00:25:31,703
TO STEAL THE DIAMOND.
532
00:25:31,703 --> 00:25:34,532
OKAY. UM, WHERE'S
YOUR EVIDENCE FOR THIS?WELL, NO ACTUAL EVIDENCE.
533
00:25:34,532 --> 00:25:37,839
THAT'S--THAT'S WORD
ON THE STREET.IT'S MORE LIKE A THEORY,
REALLY.
534
00:25:37,839 --> 00:25:40,756
WORD ON THE STREET.JANE.
535
00:25:40,756 --> 00:25:43,366
SO YOU HAVE NOTHING?
536
00:25:44,891 --> 00:25:47,546
YOU--YOU SAID THERE WERE
TWO POSSIBILITIES?
537
00:25:47,546 --> 00:25:50,243
OH, THE OTHER REASON
SOMEONE WOULD KILL HIM IS,
538
00:25:50,243 --> 00:25:52,594
UH... B-B-B-BRIXHAM LAKE.
539
00:25:52,594 --> 00:25:55,509
UH, WAIT A SECOND.WHAT ABOUT BRIXHAM LAKE?
540
00:25:55,509 --> 00:25:57,859
WELL, IT'S SUCH
A COMPLEX LITTLE SCANDAL,
541
00:25:57,859 --> 00:25:59,470
ISN'T IT?
542
00:25:59,470 --> 00:26:02,472
AND IT ALL GOES AWAY
IF HARVEY DUBLIN IS DEAD.
543
00:26:02,472 --> 00:26:06,607
I AM A NAMED CODEFENDANT IN ONE
OF THE BRIXHAM LAKE LAWSUITS.
544
00:26:06,607 --> 00:26:08,479
YES, I SAW THAT.
VERY INTERESTING.
545
00:26:08,479 --> 00:26:10,089
UH, OBVIOUSLY
YOU'RE INNOCENT,
546
00:26:10,089 --> 00:26:13,833
BUT, UH, I IMAGINE
THAT THERE'S A LOT OF STUFF
547
00:26:13,833 --> 00:26:15,835
THAT YOU WOULD RATHER
REMAIN SECRET
548
00:26:15,835 --> 00:26:18,402
THAT WILL COME OUT
IF THE SUIT GOES TO TRIAL.
549
00:26:18,402 --> 00:26:20,273
YOU HAD AMPLE MOTIVE.
550
00:26:20,273 --> 00:26:23,277
SO THAT'SOPTION TWO?
551
00:26:23,277 --> 00:26:25,452
ME? I'M YOUR SUSPECT?
552
00:26:25,452 --> 00:26:28,020
WHA-- [chuckles]
WHAT ARE YOU PLAYING AT?
553
00:26:28,020 --> 00:26:30,066
WELL, I W--
I WAS JUST WONDERING
554
00:26:30,066 --> 00:26:33,068
WHY YOU DIDN'T TELL US
THIS GUY WAS SUCH A SLEAZEBAG
555
00:26:33,068 --> 00:26:35,984
AND THAT YOU ARE UP TO YOUR NECK
IN HIS GRUBBY BUSINESS.THAT'S ENOUGH.
556
00:26:35,984 --> 00:26:39,031
YES, IT IS.
I DON'T HAVE TIME FOR THIS.
557
00:26:39,031 --> 00:26:42,338
YOU SHALL JUST HAVE TO TRUST
IN MY INNOCENCE, MR. JANE.
558
00:26:42,338 --> 00:26:44,298
I'M NOT GOOD AT TRUST.
559
00:26:44,298 --> 00:26:47,300
I'M REALLY TRYING
TO ALLOW YOU THE LATITUDE
560
00:26:47,300 --> 00:26:49,302
THAT
YOUR RARE TALENTS DESERVE,
561
00:26:49,302 --> 00:26:51,740
BUT YOU MAKE IT
VERY DIFFICULT.
562
00:26:51,740 --> 00:26:54,481
YOU TWO MAY GO NOW.
HIGHTOWER, STAY.
563
00:26:54,481 --> 00:26:56,005
YES, SIR.
564
00:27:03,317 --> 00:27:05,840
WHAT THE HELL WAS THAT?
ARE YOU INSANE?
565
00:27:05,840 --> 00:27:08,844
AND WHERE DID YOU COME UP WITH
THAT STUPID-ASS DIAMOND STORY?
566
00:27:08,844 --> 00:27:11,630
I DON'T KNOW WHAT CAME OVER ME.
I SEE THAT MAN,
567
00:27:11,630 --> 00:27:13,848
I GET AN IMMEDIATE URGE
TO WIND HIM UP.
568
00:27:13,848 --> 00:27:15,634
HE'S THE DIRECTOR.
569
00:27:15,634 --> 00:27:18,636
I'M SORRY. HE AMUSES ME.I'M GLAD HE ENTERTAINS YOU,
570
00:27:18,636 --> 00:27:21,248
BECAUSE HE'S GONNA FIRE YOU
NOW PROBABLY.
571
00:27:21,248 --> 00:27:23,467
NO. YOU GUYS NEED ME
TOO MUCH.
572
00:27:23,467 --> 00:27:25,121
[speaks inaudibly]
573
00:27:25,121 --> 00:27:28,646
I'LL CATCH UP.
574
00:27:28,646 --> 00:27:33,259
[speaks indistinctly]
575
00:27:33,259 --> 00:27:34,653
EXCUSE ME?
576
00:27:34,653 --> 00:27:36,698
WHAT DID YOU TELL HER?
577
00:27:36,698 --> 00:27:38,743
I WAS COMPLIMENTING HER
ON HER JACKET.
578
00:27:38,743 --> 00:27:41,049
IT'S SUCH A VIVID COLOR.LIAR.
579
00:27:41,049 --> 00:27:43,051
YOU'RE GONNA CALL ME
A LIAR?
580
00:27:43,051 --> 00:27:45,054
OH, I HATE YOU.OH.
581
00:27:45,054 --> 00:27:46,490
I DO.MNH-MNH.
582
00:27:46,490 --> 00:27:50,843
WE HAVE OUR BEST PEOPLE
ON THIS THING 24/7.
583
00:27:50,843 --> 00:27:54,541
I WANT TO EXTEND MY SYMPATHIES
TO THE FAMILY OF PETER RUSSO,
584
00:27:54,541 --> 00:27:56,892
AND--AND PLEASE JOIN US
IN OUR PRAYERS
585
00:27:56,892 --> 00:27:58,938
FOR MR. DUBLIN'S SAFETY.
586
00:27:58,938 --> 00:28:01,114
ARE THERE QUESTIONS--
BRIEFLY, PLEASE?
587
00:28:01,114 --> 00:28:04,290
YEAH. ARE YOU LOOKING INTO THIS
BEING A SEX-RELATED CRIME MAYBE?
588
00:28:04,290 --> 00:28:07,336
I MEAN, THAT ALLEYWAY IS--NO, THERE'S NO SEX ANGLE, JEFF--
NONE THAT WE'RE AWARE OF.
589
00:28:07,336 --> 00:28:10,644
SIR, DO YOU THINK THERE'S
A BRIXHAM LAKE CONNECTION HERE?
590
00:28:10,644 --> 00:28:14,213
NO. I DON'T THINK SO.BUT BOTH YOU AND DUBLIN ARE
INVOLVED IN THAT CASE,
591
00:28:14,213 --> 00:28:17,173
AREN'T YOU?NO, NO, NO.
WH-WHAT WE'RE THINKING IS,
592
00:28:17,173 --> 00:28:20,046
IT SEEMS
THAT MR. DUBLIN WAS RUMORED
593
00:28:20,046 --> 00:28:23,005
TO KEEP A LARGE DIAMOND
WITH HIM, ON--ON HIS PERSON,
594
00:28:23,005 --> 00:28:25,834
AND THE THEFT OF THAT DIAMOND IS
OUR CURRENT LINE OF THINKING
595
00:28:25,834 --> 00:28:27,356
AS TO MOTIVE.
596
00:28:27,356 --> 00:28:29,663
[Jeff] YEAH? WHAT KIND
OF DIAMOND IS IT?
597
00:28:29,663 --> 00:28:32,188
UH, BIG.
IT'S 2 OR 3 CARATS, I THINK.
598
00:28:32,188 --> 00:28:34,320
[scoffs] WHY WOULD HE CARRY
A DIAMOND LIKE THAT
599
00:28:34,320 --> 00:28:37,279
AROUND WITH HIM? WELL, THAT'S
A GOOD QUESTION, JEFF.
600
00:28:37,279 --> 00:28:39,630
UH, PERHAPS MR. DUBLIN
WAS TRYING TO BE PREPARED
601
00:28:39,630 --> 00:28:40,761
FOR ANY CIRCUMSTANCE.
602
00:28:40,761 --> 00:28:42,459
YOU KNOW...
603
00:28:42,459 --> 00:28:44,417
[turns TV on] ...UNDERSTANDABLE, ISN'T IT?
604
00:28:44,417 --> 00:28:47,160
I MEAN,
HE'S, UH, HAD A TOUGH...[clicks switch]
605
00:28:47,160 --> 00:28:49,249
[turns TV on] JUST ONE MORE QUESTION...
606
00:28:49,249 --> 00:28:51,250
[clicks switch]
607
00:28:51,250 --> 00:28:53,426
[telephone ringing in distance]
608
00:28:53,426 --> 00:28:56,430
HOW DO YOU THINK
THE DIRECTOR IS GOING TO FEEL
609
00:28:56,430 --> 00:28:58,432
WHEN HE FINDS OUT
YOU FOOLED HIM
610
00:28:58,432 --> 00:29:01,391
INTO TALKING
COMPLETE GARBAGE ON TV?IT'S NOT GARBAGE,
611
00:29:01,391 --> 00:29:03,393
AND HE'LL BE VERY ANGRY
OR VERY HAPPY,
612
00:29:03,393 --> 00:29:06,005
DEPENDING ON
WHETHER I'M RIGHT OR NOT.
613
00:29:06,005 --> 00:29:09,398
RIGHT ABOUT WHAT?
THERE IS NO DIAMOND--
614
00:29:09,398 --> 00:29:13,011
OH. I SEE. A TRAP.
VERY CLEVER.
615
00:29:13,011 --> 00:29:14,535
MM.A TRAP FOR WHO?
616
00:29:14,535 --> 00:29:16,492
GUESS.JUST TELL ME.
617
00:29:16,492 --> 00:29:19,409
GUESS.YOU KNOW WHAT? SCREW YOU.
YOU CROSSED A LINE ALREADY,
618
00:29:19,409 --> 00:29:21,411
AND NOW YOU'RE PLAYING
GUESSING GAMES WITH ME?
619
00:29:21,411 --> 00:29:23,892
NO, IT'S JUST THAT
I'M NOT SURE MYSELF.
620
00:29:23,892 --> 00:29:26,286
I HAVE A PLAN, THOUGH.OH, SHEEPDIP.
621
00:29:26,286 --> 00:29:29,984
YOU ARE STILL TRYING TO
PUNISH ME FOR LYING TO YOU.
622
00:29:29,984 --> 00:29:31,987
WELL, YOU KNOW WHAT?
I'M SORRY. SORRY.
623
00:29:31,987 --> 00:29:34,597
YOU WANTED OFF THIS CASE.
YOU'RE OFF.
624
00:29:34,597 --> 00:29:36,599
YOU CAN TAKE A NAP
IN YOUR THINKING ROOM.
625
00:29:36,599 --> 00:29:38,993
WE'LL SOLVE THIS CASE
WITHOUT YOU, THE RIGHT WAY--
626
00:29:38,993 --> 00:29:41,518
WITH
GOOD, SOLID DETECTIVE WORK.
627
00:29:41,518 --> 00:29:44,694
SO I TAKE IT YOU DON'T WANT
TO HEAR MY PLAN?
628
00:29:44,694 --> 00:29:48,089
"NO, I DON'T WANT
TO HEAR YOUR PLAN."
629
00:29:48,089 --> 00:29:50,657
"SHEEPDIP YOUR PLAN."
630
00:29:57,664 --> 00:29:59,318
[speaks indistinctly]
631
00:29:59,318 --> 00:30:01,669
HI, LADIES.
632
00:30:01,669 --> 00:30:03,061
WE'RE LOOKING FOR SUGAR.
633
00:30:03,061 --> 00:30:05,193
NO SUGAR. JUST CANDY.
634
00:30:05,193 --> 00:30:06,542
YOU'RE NOT SUGAR?
635
00:30:06,542 --> 00:30:08,980
NO, MA'AM. EXCUSE ME.
636
00:30:08,980 --> 00:30:10,982
YEAH, WELL,
WE KINDA THINK YOU ARE.
637
00:30:10,982 --> 00:30:12,984
YEAH, WELL,
THINKING'S FREE, FLACO.
638
00:30:12,984 --> 00:30:14,987
YOU'RE GONNA NEED TO COME
WITH US, SUGAR.
639
00:30:14,987 --> 00:30:16,944
WHAT FOR?BECAUSE YOU SAW
WHAT HAPPENED
640
00:30:16,944 --> 00:30:18,990
IN THAT ALLEYWAY
OVER ON FREMONT.
641
00:30:18,990 --> 00:30:20,992
NAH, I WAS JUST PLAYING.
I DIDN'T SEE NOTHING.
642
00:30:20,992 --> 00:30:23,691
OKAY, STILL,
WE'D LIKE FOR YOU--HEY! [grunts]
643
00:30:23,691 --> 00:30:26,301
OH! [grunts]
644
00:30:26,301 --> 00:30:28,434
[grunts]
645
00:30:28,434 --> 00:30:30,959
AAH! AAH!
646
00:30:33,395 --> 00:30:35,442
[sighs] OKAY.
647
00:30:35,442 --> 00:30:37,051
[sniffles] OHH.
648
00:30:37,051 --> 00:30:38,444
HERE.
649
00:30:38,444 --> 00:30:40,359
[inhales sharply] OHH.
650
00:30:42,752 --> 00:30:45,451
OHH.
651
00:30:45,451 --> 00:30:47,410
[whispers] THANKS.
652
00:30:47,410 --> 00:30:49,281
NO PROBLEM.
653
00:30:52,240 --> 00:30:53,589
[sighs] OKAY.
654
00:30:53,589 --> 00:30:55,461
I'M AT THE BRIDGE.
655
00:30:55,461 --> 00:30:57,420
CIGARETTE BREAK.
656
00:30:57,420 --> 00:30:59,422
LIMO COMES IN OFF FREMONT.
657
00:30:59,422 --> 00:31:01,468
I'M ABOUT TO GO OVER AND TALK BUSINESS,
658
00:31:01,468 --> 00:31:04,426
ONLY THIS PICKUP TRUCK COMES IN BEHIND IT AND BLOCKS THE LIMO.
659
00:31:04,426 --> 00:31:07,560
I'M THINKING, UH-OH,
SO I-I GET UP OUT OF SIGHT.
660
00:31:07,560 --> 00:31:10,215
AND WHAT KIND OF TRUCK?
661
00:31:10,215 --> 00:31:12,479
IT WAS A TRUCK.
662
00:31:12,479 --> 00:31:16,439
UH, GREEN
OR... OR--OR BROWN OR BLUE.
663
00:31:16,439 --> 00:31:17,875
NOT--NOT RED.
664
00:31:17,875 --> 00:31:20,400
AND, UH,
A WHITE GUY GETS OUT
665
00:31:20,400 --> 00:31:22,228
AND--AND SAYS, "HEY."
666
00:31:22,228 --> 00:31:24,098
WHAT'D HE LOOK LIKE?
667
00:31:24,098 --> 00:31:26,492
A WHITE GUY.
HE HAD A-A BLACK HAT ON.
668
00:31:26,492 --> 00:31:28,711
A WHITE GUY IN A BLACK HAT?YEAH. YEAH, AND THEN HE--
HE WALKS UP TO THE LIMO.
669
00:31:28,711 --> 00:31:30,584
THE LIMO DRIVER GETS OUT.
670
00:31:30,584 --> 00:31:33,194
HE'S LIKE, "HEY, WHAT THE HELL
ARE YOUDOING HERE?"
671
00:31:33,194 --> 00:31:35,414
BLACK HAT DON'T SAY NOTHING.
672
00:31:35,414 --> 00:31:37,416
HE JUST PULLS OUT A PIECE AND BOOM!
673
00:31:37,416 --> 00:31:39,635
SHOOTS THE DRIVER THREE TIMES
AND THEN HE WALKS
674
00:31:39,635 --> 00:31:41,550
OVER TO THE LIMO DOOR
675
00:31:41,550 --> 00:31:43,423
AND DRAGS OUT
THIS BIG FAT GUY.
676
00:31:43,423 --> 00:31:45,250
"GET OUT," HE SAYS.
677
00:31:45,250 --> 00:31:47,992
AND THEN HE--HE WALKS HIM
TO THE BACK OF THE TRUCK
678
00:31:47,992 --> 00:31:51,344
AND MAKES HIM CLIMB IN THE BACK,
AND THE FAT DUDE'S CALM.
679
00:31:51,344 --> 00:31:55,347
HE'S LIKE, "YOU KNOW,
OKAY, WE CAN NEGOTIATE."
680
00:31:55,347 --> 00:31:56,958
AND THEN BOOM!
681
00:31:56,958 --> 00:31:59,481
[panting] BLACK HAT JUST...
SHOOTS HIM IN THE HEAD.
682
00:31:59,481 --> 00:32:01,483
AND THEN HE--HE PUTS A TARP OVER HIM,
683
00:32:01,483 --> 00:32:04,487
AND THEN HE JUMPS BACK
INTO HIS CAR AND HE TAKES OFF,
684
00:32:04,487 --> 00:32:06,968
AND THAT'S ALL THAT HAPPENED. TH-THAT WAS IT.
685
00:32:06,968 --> 00:32:09,536
OKAY.
686
00:32:09,536 --> 00:32:12,320
DO YOU RECOGNIZE THIS GUY?
687
00:32:12,320 --> 00:32:14,323
YEAH.
688
00:32:14,323 --> 00:32:16,020
THAT'S THE--THE FAT DUDE.
689
00:32:16,020 --> 00:32:18,545
HE WAS DEAD, YOU THINK?
690
00:32:18,545 --> 00:32:20,286
YEAH, HE'S DEAD.
691
00:32:25,551 --> 00:32:28,423
[sniffles]
SO THIS IS ABOUT ICE?
692
00:32:28,423 --> 00:32:30,730
ICE? WHAT DO YOU MEAN?
693
00:32:30,730 --> 00:32:32,689
WELL, THE TV SAID
THAT THE--THE FAT DUDE
694
00:32:32,689 --> 00:32:36,388
HAD, LIKE,
A $10 MILLION DIAMOND.
695
00:32:36,388 --> 00:32:39,521
YEAH, IT'S A THEORY.
696
00:32:54,232 --> 00:32:57,236
[doorbell rings]
697
00:32:58,627 --> 00:33:00,239
[door squeaks]
698
00:33:00,239 --> 00:33:03,502
UM... IT'S VERY LATE.
699
00:33:03,502 --> 00:33:05,853
MM. I W--I WOULDN'T
INTRUDE LIKE THIS, UH,
700
00:33:05,853 --> 00:33:07,855
ONLY WE HAVE
AN IMPORTANT LEAD
701
00:33:07,855 --> 00:33:09,813
PERHAPS NADINE
CAN HELP US WITH.
702
00:33:09,813 --> 00:33:11,467
OH.
703
00:33:11,467 --> 00:33:14,688
UM, YEAH, PLEASE,
OF COURSE. OKAY.
704
00:33:14,688 --> 00:33:16,211
THANK YOU.
705
00:33:19,300 --> 00:33:22,260
UM, NOW YOU TOLD ME
THAT YOU AND YOUR FATHER
706
00:33:22,260 --> 00:33:24,306
TALKED ABOUT EVERYTHING
TOGETHER, YEAH?
707
00:33:24,306 --> 00:33:27,440
YES.DID YOU EVER TALK
ABOUT HIS WORK?
708
00:33:27,440 --> 00:33:29,397
SOMETIMES. BUT HE NEVER
MENTIONED A DIAMOND,
709
00:33:29,397 --> 00:33:31,617
IF THAT'S WHAT
YOU'RE TALKING ABOUT.
710
00:33:31,617 --> 00:33:34,229
THE--WH--DIAMOND?IT SAID ON THE NEWS
711
00:33:34,229 --> 00:33:37,189
THEY WERE LOOKING FOR A DIAMOND
MR. DUBLIN HAD WITH HIM.
712
00:33:37,189 --> 00:33:41,019
UH, YEAH, THAT'S--
THAT'S JUST ALL TALK.SEE? I TOLD YOU.
713
00:33:41,019 --> 00:33:44,805
I MEAN, THERE'S A DIAMOND
ALL RIGHT. SO I HEAR, ANYHOW.
714
00:33:44,805 --> 00:33:47,502
UH, DUBLIN KEEPS IT HIDDEN
IN HIS FALSE TOOTH APPARENTLY,
715
00:33:47,502 --> 00:33:49,505
BUT NOBODY KNEW ABOUT IT,
SO I CAN'T SEE
716
00:33:49,505 --> 00:33:51,550
HOW ANYBODY COULD'VE BEEN
GOING AFTER IT. NO.
717
00:33:51,550 --> 00:33:54,509
NO, I THINK THIS IS ALL
CONNECTED TO A COURT CASE.
718
00:33:54,509 --> 00:33:56,643
DID YOUR DAD EVER MENTION
BRIXHAM LAKE?
719
00:33:56,643 --> 00:33:58,949
NO.
720
00:33:58,949 --> 00:34:01,734
YOU SURE? BRIXHAM LAKE.
721
00:34:01,734 --> 00:34:04,041
THINK HARD.
722
00:34:05,565 --> 00:34:07,522
WHAT ABOUT GALE BERTRAM?
723
00:34:07,522 --> 00:34:09,394
NO.
724
00:34:09,394 --> 00:34:11,309
OH.
725
00:34:11,309 --> 00:34:13,920
WELL,
THAT'S DISAPPOINTING.
726
00:34:13,920 --> 00:34:15,400
I WAS SURE...
727
00:34:19,534 --> 00:34:22,407
OH, WELL. UH...
728
00:34:22,407 --> 00:34:25,324
CAN'T WIN 'EM ALL.
[chuckles]
729
00:34:25,324 --> 00:34:27,543
THAT'S IT?
730
00:34:27,543 --> 00:34:30,503
BELIEVE ME, UH, I KNOW
I-IT'S HARD TO DEAL WITH,
731
00:34:30,503 --> 00:34:33,070
BUT, UM...
732
00:34:33,070 --> 00:34:35,507
YOU KNOW, SOMETIMES
THE BAD GUYS JUST GET AWAY.
733
00:34:35,507 --> 00:34:39,512
BUT YOU SAID YOU'D CATCH THEM.
YOU GUARANTEED IT.
734
00:34:39,512 --> 00:34:42,384
[sighs]
735
00:34:44,429 --> 00:34:45,822
[sighs]
736
00:34:45,822 --> 00:34:47,519
[whispers indistinctly]
737
00:34:47,519 --> 00:34:50,914
[cell phone rings]
738
00:34:50,914 --> 00:34:53,960
[ring]
739
00:34:53,960 --> 00:34:57,485
[ring]
740
00:34:57,485 --> 00:34:59,313
[ring]
741
00:35:03,579 --> 00:35:06,581
HEY, LISBON.
HOW'S THE DETECTIVE WORK DOING?
742
00:35:06,581 --> 00:35:08,193
[Lisbon] EH, DOING OKAY.
743
00:35:08,193 --> 00:35:10,237
WELL, I TELL YOU WHAT.
744
00:35:10,237 --> 00:35:12,588
COME OVER AND MEET ME
AT NADINE RUSSO'S HOUSE,
745
00:35:12,588 --> 00:35:15,416
AND I'LL SHOW YOU
SOMETHING EXCITING.
746
00:35:15,416 --> 00:35:17,202
LISBON?
747
00:35:17,202 --> 00:35:18,550
YOU THERE?
748
00:35:18,550 --> 00:35:20,204
LISBON?
749
00:35:20,204 --> 00:35:21,597
[loud tap][gasps]
750
00:35:21,597 --> 00:35:23,469
[shuts cell phone]
751
00:35:26,472 --> 00:35:28,126
HI.
752
00:35:28,126 --> 00:35:30,170
HI.
753
00:35:30,170 --> 00:35:32,041
OH. I'M VERY IMPRESSED.
754
00:35:32,041 --> 00:35:33,565
PROUD AND IMPRESSED.
755
00:35:33,565 --> 00:35:36,568
YOU GOT THE RIGHT ANSWER.
NO REAL PROOF, I EXPECT.
756
00:35:36,568 --> 00:35:39,398
JUST GUESSING, HUH?HMM. "KETTLE TO POT.
HELLO. COME IN, POT."
757
00:35:39,398 --> 00:35:42,748
WE HAVE A WITNESS WHO SAW
A WHITE MALE IN A TRUCK
758
00:35:42,748 --> 00:35:45,882
WHO SEEMED
TO RECOGNIZE PETE RUSSO.GUESSWORK.
759
00:35:45,882 --> 00:35:47,840
DO YOU HAVE PROOF?
760
00:35:47,840 --> 00:35:49,668
RELAX, WAIT A WHILE,
761
00:35:49,668 --> 00:35:52,759
AND, UH, WE SHALL SOON BE TAKEN
DIRECTLY TO THE PROOF YOU SEEK.
762
00:36:04,422 --> 00:36:06,773
[snores]
763
00:36:17,565 --> 00:36:19,960
[starts engine]
764
00:36:19,960 --> 00:36:22,222
[car alert chimes]
765
00:36:39,849 --> 00:36:42,851
[scatting]
766
00:36:56,344 --> 00:36:59,260
[engine rumbles]
767
00:37:01,567 --> 00:37:04,438
[Rigsby whistling
"I Can See Clearly Now"]
768
00:37:06,527 --> 00:37:08,748
♪ GONNA BE A BRIGHT
769
00:37:08,748 --> 00:37:10,532
♪ BRIGHT
770
00:37:10,532 --> 00:37:13,143
♪ SHINY DAY
771
00:37:13,143 --> 00:37:16,233
[water trickling,
clanking]
772
00:37:22,108 --> 00:37:25,025
[panting]
773
00:37:38,907 --> 00:37:41,041
[clicks]
774
00:37:41,041 --> 00:37:43,608
[grunts] OH, COME ON.
775
00:37:43,608 --> 00:37:46,088
KEITH, STOP!
776
00:37:58,666 --> 00:38:01,539
ABOUT SIX MONTHS AGO,
777
00:38:01,539 --> 00:38:03,628
NADINE WAS...
778
00:38:03,628 --> 00:38:06,501
STAYING OUT PAST CURFEW,
779
00:38:06,501 --> 00:38:10,157
DRINKING AND SMOKING--
780
00:38:10,157 --> 00:38:12,507
YOUR BASIC TEENAGE STUFF.
781
00:38:12,507 --> 00:38:14,509
[sighs]
782
00:38:14,509 --> 00:38:16,815
SO WE HAD
A BIG CONVERSATION
783
00:38:16,815 --> 00:38:18,469
ABOUT THE RULES,
784
00:38:18,469 --> 00:38:21,472
AND--AND THINGS GOT
A LITTLE HEATED,
785
00:38:21,472 --> 00:38:23,474
YOU KNOW, AS THEY DO.
786
00:38:23,474 --> 00:38:24,867
YES.
787
00:38:24,867 --> 00:38:26,391
[sighs]
788
00:38:26,391 --> 00:38:29,393
LOOK, I FELT THAT
SHE WAS OVER-THE-LINE RUDE
789
00:38:29,393 --> 00:38:32,570
TO HER MOTHER AND ME,
AND I SLAPPED HER.
790
00:38:32,570 --> 00:38:36,530
I'M NOT PROUD OF IT.
791
00:38:36,530 --> 00:38:38,532
BUT I-IT WAS A TAP.
792
00:38:38,532 --> 00:38:39,925
REALLY.
793
00:38:39,925 --> 00:38:41,884
IT WAS NO BIG DEAL.
794
00:38:44,322 --> 00:38:47,498
ANYWAY, NADINE TOLD PETE
ABOUT IT.
795
00:38:47,498 --> 00:38:50,197
HE GOT MAD.
796
00:38:50,197 --> 00:38:52,373
[sighs]
797
00:38:52,373 --> 00:38:55,420
PETE AND I WERE BUDDIES.
798
00:38:55,420 --> 00:38:58,378
YOU KNOW, WE COULD'VE HAD
A BEER AND A DISCUSSION,
799
00:38:58,378 --> 00:39:02,208
AND WE COULD'VE
WORKED IT OUT.
800
00:39:02,208 --> 00:39:04,820
NO, BUT HE COMES
INTO MY HOUSE...
801
00:39:04,820 --> 00:39:08,824
[Keith] AND I DON'T EVEN HAVE A CHANCE TO DEFEND MYSELF!
802
00:39:08,824 --> 00:39:11,478
I MEAN,
HE SUCKER PUNCHES ME,
803
00:39:11,478 --> 00:39:14,568
AND HE BEAT ME UP BADLY...
804
00:39:14,568 --> 00:39:17,179
IN FRONT OF MY WIFE
805
00:39:17,179 --> 00:39:19,356
AND MY STEPDAUGHTER.
806
00:39:19,356 --> 00:39:21,445
PUT HIS FOOT ON MY NECK,
807
00:39:21,445 --> 00:39:24,318
AND HE SPAT ON ME...
808
00:39:24,318 --> 00:39:26,581
IN MY OWN HOUSE!
809
00:39:26,581 --> 00:39:28,409
THAT'S NOT RIGHT.
810
00:39:28,409 --> 00:39:32,282
EVEN AFTERWARDS, I-IT'S LIKE
I'M THE ONE TO BLAME. NO.
811
00:39:32,282 --> 00:39:34,806
PATRICIA INSISTED
THAT WE MAKE PEACE
812
00:39:34,806 --> 00:39:36,503
FOR NADINE'S SAKE.
813
00:39:36,503 --> 00:39:40,333
HE DOES THAT TO ME, AND I'M
SUPPOSED TO JUST SWALLOW IT?
814
00:39:40,333 --> 00:39:42,554
NOBODY WOULD.
815
00:39:42,554 --> 00:39:46,471
OH, I THOUGHT ABOUT WAYS
TO PAY HIM BACK.
816
00:39:46,471 --> 00:39:48,559
OH, I THOUGHT
ABOUT IT A LOT.
817
00:39:48,559 --> 00:39:50,778
[inhales and exhales deeply]
818
00:39:50,778 --> 00:39:52,780
BUT I KNEW
THAT IF I KILLED HIM...
819
00:39:52,780 --> 00:39:54,434
[sighs]
820
00:39:54,434 --> 00:39:56,655
PATRICIA WOULD GUESS
THAT IT WAS ME.
821
00:39:59,961 --> 00:40:01,355
[clicks tongue]
822
00:40:01,355 --> 00:40:03,965
UNLESS I COULD MAKE
HIS DEATH LOOK LIKE
823
00:40:03,965 --> 00:40:06,315
IT WAS JUST...
824
00:40:06,315 --> 00:40:09,449
A TRAGIC ACCIDENT.
825
00:40:09,449 --> 00:40:11,277
[sighs]
826
00:40:14,280 --> 00:40:16,849
[Patrick] SUGAR?
827
00:40:16,849 --> 00:40:18,503
NO, THANK YOU.
828
00:40:18,503 --> 00:40:20,853
OKAY. THERE YOU GO.THANK YOU.
829
00:40:20,853 --> 00:40:22,768
MY PLEASURE.
830
00:40:22,768 --> 00:40:25,771
WE'RE VERY SORRY
THINGS WORKED OUT THIS WAY.
831
00:40:25,771 --> 00:40:29,251
YOU SAID YOU'D
FIND OUT WHO DID IT,
832
00:40:29,251 --> 00:40:30,644
AND YOU DID.
833
00:40:30,644 --> 00:40:33,039
[sighs]
834
00:40:33,039 --> 00:40:35,302
HOW DID YOU KNOW?
835
00:40:35,302 --> 00:40:38,478
UH, WELL, I-I KINDA KNEW
836
00:40:38,478 --> 00:40:42,570
FROM THE FIRST MOMENT
I MET YOU AND KEITH.
837
00:40:42,570 --> 00:40:45,137
THOSE LITTLE ROUND GLASSES
WITH THE MUSCLES--
838
00:40:45,137 --> 00:40:48,315
IT JUST DIDN'T SEEM
TO MATCH. UM, INDICATED
839
00:40:48,315 --> 00:40:51,318
A DEEPLY CONFLICTED PERSONALITY,
A LOT OF ANGER AND FRUSTRATION.
840
00:40:51,318 --> 00:40:54,146
PROBABLY USES THOSE, UM,
WRIST-STRENGTHENING THINGS,
841
00:40:54,146 --> 00:40:56,322
RIGHT?
842
00:40:56,322 --> 00:40:58,978
YEAH.
843
00:40:58,978 --> 00:41:01,936
YEAH, UM, NEVER A GOOD SIGN
IN A MAN OVER 20.
844
00:41:01,936 --> 00:41:05,550
OBSESSIVE, ARROGANT,
PAINSTAKING,
845
00:41:05,550 --> 00:41:08,465
UH, SECRETIVE,
SELF-RIGHTEOUS. YEAH.
846
00:41:08,465 --> 00:41:10,684
I COULD GO ON.
847
00:41:10,684 --> 00:41:12,512
YEAH.
848
00:41:12,512 --> 00:41:14,514
MEN, HUH?
849
00:41:18,170 --> 00:41:20,782
EH.
850
00:41:20,782 --> 00:41:23,742
KNEW THE WHOLE TIME
AND KEPT IT TO YOURSELF, EH?
851
00:41:23,742 --> 00:41:26,701
NO. NO. I ONLY KNEW WHEN I READ
THE RANSOM DEMAND, TO BE HONEST,
852
00:41:26,701 --> 00:41:28,702
BUT YOU LIED TO ME,
SO FAIR'S FAIR.
853
00:41:28,702 --> 00:41:31,706
I PROMISE, I WILL NEVER
LIE TO YOU AGAIN.I--
854
00:41:31,706 --> 00:41:33,621
I LIED THIS ONE TIME,
BECAUSE I'M CONCERNED.
855
00:41:33,621 --> 00:41:35,318
YOU'RE ISOLATING YOURSELF.
856
00:41:35,318 --> 00:41:38,016
YOU'RE PULLING AWAY FROM US,
FROM ME AND THE UNIT.MEH.
857
00:41:38,016 --> 00:41:39,713
YOU ARE.NO.
858
00:41:39,713 --> 00:41:43,588
YOU ARE. IT'S NOT GOOD.
WH-WHAT'S GOING ON?
859
00:41:46,547 --> 00:41:50,202
ANYBODY THAT GETS CLOSE TO ME--
BAD THINGS HAPPEN TO THEM.
860
00:41:50,202 --> 00:41:51,639
"A," THAT'S NOT TRUE,
861
00:41:51,639 --> 00:41:54,860
AND "B," EVEN IF IT WERE,
I'M A COP.
862
00:41:54,860 --> 00:41:58,340
IT'S OUR JOB TO BE
IN HARM'S WAY.YOU'RE NOT LISTENING TO ME.
863
00:41:58,340 --> 00:42:01,431
WE'RE FAMILY. WHAT YOU'RE
DOING IS A KIND OF BETRAYAL.OH.
864
00:42:01,431 --> 00:42:04,913
A SURRENDER. A DEFEAT.
YOU'RE LETTING RED JOHN WIN.OH, PLEASE. PLEASE. REALLY?
OKAY. ENOUGH. ALL RIGHT.
865
00:42:04,913 --> 00:42:08,438
NO--NO MORE PULLING AWAY.
ALL RIGHT? HERE, GIVE ME A HUG.
866
00:42:08,438 --> 00:42:11,963
YOU DON'T MEAN IT.
I CAN TELL.WHAT DO YOU MEAN,
YOU CAN TELL? YOU CAN'T TELL.
867
00:42:11,963 --> 00:42:14,967
I DON'TMEAN IT, BUT YOU
CAN'T TELL THAT I DON'T.
868
00:42:14,967 --> 00:42:17,360
YOU'RE GUESSING.YES, I CAN TELL.
869
00:42:17,360 --> 00:42:20,362
HOW?I DON'T KNOW. I CAN TELL
WHEN YOU'RE LYING NOW.
870
00:42:20,362 --> 00:42:22,322
NO, YOU CAN'T TELL.I-I CAN, TOO.
871
00:42:22,322 --> 00:42:25,237
THAT'S NONSENSE. YOU'RE LYING.
LIAR, LIAR, PANTS ON FIRE.
872
00:42:25,237 --> 00:42:27,108
I'M NOT LYING.YOU ARE.
873
00:42:30,373 --> 00:42:33,202
STAY TUNED FOR SCENES
FROM OUR NEXT EPISODE.
61465
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