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1
00:00:03,103 --> 00:00:05,904
[♪♪♪]
2
00:00:29,095 --> 00:00:31,697
[♪♪♪]
3
00:00:51,885 --> 00:00:53,352
HOW ARE YOU DOING?
4
00:00:54,554 --> 00:00:57,089
BETTER, I THINK.
5
00:00:58,258 --> 00:01:00,359
GOOD. YOU LOOK BETTER.
6
00:01:03,563 --> 00:01:05,364
[♪♪♪]
7
00:01:07,834 --> 00:01:09,501
SLEEP.
8
00:01:09,569 --> 00:01:11,470
I WILL BE HERE.
9
00:01:18,111 --> 00:01:20,913
[♪♪♪]
10
00:01:33,126 --> 00:01:35,160
[STRAINS OF BIRDS SINGING]
11
00:01:38,231 --> 00:01:40,432
[♪♪♪]
12
00:01:40,500 --> 00:01:42,267
ELIZABETH?
13
00:01:42,335 --> 00:01:44,870
ELIZABETH!
14
00:01:44,938 --> 00:01:47,873
HELP!
15
00:01:47,941 --> 00:01:49,708
HELP!
16
00:01:51,277 --> 00:01:55,047
[♪♪♪]
17
00:02:06,526 --> 00:02:07,960
ASKING IS $3 MILLION,
18
00:02:08,027 --> 00:02:09,928
SO THAT WILL BE
A VERY NICE COMMISSION.
19
00:02:09,996 --> 00:02:10,929
THIS IS GREAT!
20
00:02:10,997 --> 00:02:12,030
MM-HMM.
21
00:02:12,098 --> 00:02:13,732
ARE YOU SURE YOU'RE
NOT IN THE MARKET?
22
00:02:13,800 --> 00:02:14,833
YOU SOLD US
THE HOUSE WE JUST BOUGHT!
23
00:02:14,901 --> 00:02:15,968
DON'T BE GREEDY.
24
00:02:16,035 --> 00:02:18,637
THIS HOUSE WILL MAKE ME
NUMBER-ONE AGENT
25
00:02:18,705 --> 00:02:20,405
AND, HOPEFULLY, A PARTNER.
26
00:02:20,473 --> 00:02:22,808
THE OWNER DID
A GROUND-UP RESTORATION.
27
00:02:22,876 --> 00:02:24,810
THIS PLACE HAS NOT BEEN
TOUCHED IN 40 YEARS.
28
00:02:24,878 --> 00:02:26,211
I REMEMBER
DRIVING BY, THINKING,
29
00:02:26,279 --> 00:02:27,479
"WHAT A SCARY
OLD WRECK."
30
00:02:27,547 --> 00:02:28,847
WELL, FORTUNATELY
FOR THIS OLD GIRL,
31
00:02:28,915 --> 00:02:30,382
HER BONES ARE
MADE OF REDWOOD,
32
00:02:30,450 --> 00:02:31,683
AND THAT LASTS FOREVER.
33
00:02:31,751 --> 00:02:33,652
OVER HERE.
34
00:02:33,720 --> 00:02:36,522
OKAY. SO, CHECK THIS OUT.
35
00:02:36,589 --> 00:02:39,124
NOW, THIS ROOM
USED TO BE SMALLER.
36
00:02:39,192 --> 00:02:41,059
THERE WAS A WALL
RIGHT THERE,
37
00:02:41,127 --> 00:02:42,327
AND THEY
KNOCKED IT OUT,
38
00:02:42,395 --> 00:02:44,029
AND THEY FOUND
ANOTHER ROOM BEHIND IT.
39
00:02:44,097 --> 00:02:45,664
A SEALED ROOM?
40
00:02:45,732 --> 00:02:46,899
MM.
41
00:02:46,966 --> 00:02:48,200
THAT'S CREEPY.
42
00:02:48,268 --> 00:02:49,601
WHY WOULD
SOMEONE DO THAT?
43
00:02:49,669 --> 00:02:52,137
ACTUALLY, IT'S NOT UNCOMMON
IN THESE BIG HOUSES.
44
00:02:52,205 --> 00:02:53,372
WHEN YOU REDUCE
THE SIZE OF THE ROOM,
45
00:02:53,439 --> 00:02:54,540
IT MAKES IT
A LOT EASIER TO HEAT.
46
00:02:54,607 --> 00:02:56,975
OH. WELL,
THE PLACE LOOKS GREAT,
47
00:02:57,043 --> 00:02:58,911
AND THE OPEN HOUSE
SOUNDS FUN.
48
00:02:58,978 --> 00:03:00,312
MORE LIKE A PARTY.
49
00:03:00,380 --> 00:03:02,814
WE HAVE WAITERS
IN PERIOD COSTUMES,
50
00:03:02,882 --> 00:03:03,815
FOOD, DRINK.
51
00:03:03,883 --> 00:03:04,850
JASON'S COMING, RIGHT?
52
00:03:04,918 --> 00:03:06,051
MM-HMM.
53
00:03:06,119 --> 00:03:07,352
AND YOU SHOULD ASK DANI.
54
00:03:07,420 --> 00:03:09,054
IF SHE HAS A DATE,
SHE CAN BRING HIM, TOO.
55
00:03:09,122 --> 00:03:10,722
GREAT.
WHAT ABOUT YOU?
56
00:03:10,790 --> 00:03:12,224
ARE YOU GONNA BRING A DATE?
57
00:03:12,292 --> 00:03:15,027
OH, YOU KNOW ME, JENN.
MARRIED TO MY JOB.
58
00:03:15,094 --> 00:03:17,663
BUT YOU NEVER KNOW
WHO MIGHT SHOW UP.
59
00:03:20,033 --> 00:03:22,601
[♪♪♪]
60
00:03:28,174 --> 00:03:29,575
OKAY. WHY DOES
SOMEBODY BRING
61
00:03:29,642 --> 00:03:30,642
SOMETHING
INTO THE STORE?
62
00:03:30,710 --> 00:03:31,877
BECAUSE THEY WANT TO
SELL IT?
63
00:03:31,945 --> 00:03:33,912
EXACTLY! AND WE ARE HERE
TO HELP THEM SUCCEED.
64
00:03:33,980 --> 00:03:35,514
WHILE MAKING MONEY
FOR THE STORE--
65
00:03:35,582 --> 00:03:36,848
THROUGH THE ART
OF NEGOTIATION.
66
00:03:36,916 --> 00:03:38,450
AIM HIGH. EXPECT
THE BEST OUTCOME.
67
00:03:38,518 --> 00:03:39,718
NOW, IF
YOU'RE SELLING,
68
00:03:39,786 --> 00:03:41,553
YOU ASK FOR MORE
THAN YOU EXPECT TO GET.
69
00:03:41,621 --> 00:03:42,721
AH, BUT IF
YOU'RE BUYING--
70
00:03:42,789 --> 00:03:43,589
OFFER LESS
THAN YOU'RE WILLING TO PAY?
71
00:03:43,656 --> 00:03:44,656
AHH!
72
00:03:44,724 --> 00:03:46,091
WHERE DID YOU
LEARN THIS STUFF?
73
00:03:46,159 --> 00:03:47,259
OH, I HAVE KIDS.
74
00:03:47,327 --> 00:03:49,161
I NEGOTIATE
EVERY DAY OF MY LIFE.
75
00:03:49,229 --> 00:03:50,495
OKAY, SO I'M HERE ALONE,
76
00:03:50,563 --> 00:03:51,797
AND SOMEONE BRINGS IN
77
00:03:51,864 --> 00:03:54,299
A BEAUTIFUL,
HAND-PAINTED JEWELRY BOX,
78
00:03:54,367 --> 00:03:55,534
AND THEY'RE ASKING
A HUNDRED BUCKS FOR IT.
79
00:03:55,602 --> 00:03:57,002
YOU OFFER?
80
00:03:57,070 --> 00:03:59,204
MM... 10 BUCKS.
81
00:04:00,573 --> 00:04:02,841
APPLE DOESN'T FALL
FAR FROM THE TREE.
82
00:04:02,909 --> 00:04:04,243
THAT'S MY GIRL!
83
00:04:04,310 --> 00:04:06,044
-YAY!
-WHOO!
84
00:04:06,112 --> 00:04:07,946
[♪♪♪]
85
00:04:09,515 --> 00:04:11,183
"MORP" DANCE?
86
00:04:11,251 --> 00:04:12,351
IT'S "PROM"
SPELLED BACKWARDS.
87
00:04:12,418 --> 00:04:13,485
GIRL-ASK-BOY.
88
00:04:13,553 --> 00:04:14,753
OH, THAT'S CLEVER.
89
00:04:14,821 --> 00:04:15,787
YEAH.
90
00:04:15,855 --> 00:04:16,989
I THINK HE'S WORRIED
91
00:04:17,056 --> 00:04:19,157
THAT A GIRL NAMED AMY
IS GONNA ASK HIM.
92
00:04:19,225 --> 00:04:20,959
HMM. FUNNY.
93
00:04:21,027 --> 00:04:22,861
IN MY DAY, THEY CALLED IT
A "SADIE HAWKINS."
94
00:04:22,929 --> 00:04:24,863
YOU WENT TO A GIRL-ASK-BOY?
95
00:04:24,931 --> 00:04:25,831
MM-HMM.
96
00:04:25,898 --> 00:04:26,932
WHO'D YOU ASK?
97
00:04:27,000 --> 00:04:28,734
CAPTAIN OF THE FOOTBALL TEAM.
98
00:04:28,801 --> 00:04:31,903
REALLY?
AND WHERE IS HE NOW?
99
00:04:31,971 --> 00:04:33,505
NOT SURE.
100
00:04:33,573 --> 00:04:35,907
USED TO PLAY
FOR THE DALLAS COWBOYS.
101
00:04:38,511 --> 00:04:40,479
[GAME GUNS BLASTING
IN HEADPHONES]
102
00:04:40,546 --> 00:04:41,546
[KNOCKS]
103
00:04:43,449 --> 00:04:45,317
YOU'VE BEEN
TALKING TO DAD.
104
00:04:45,385 --> 00:04:47,486
WELL, I USUALLY TALK TO DAD.
105
00:04:47,553 --> 00:04:49,588
THE DANCE SOUNDS LIKE FUN.
106
00:04:49,656 --> 00:04:51,790
OKAY, ONE, I DON'T DANCE.
107
00:04:51,858 --> 00:04:54,426
TWO, IT'S A GIRL-ASK-BOY,
108
00:04:54,494 --> 00:04:55,827
WHICH IS LAME,
AND THREE--
109
00:04:55,895 --> 00:04:57,763
NOT INTERESTED.
110
00:04:57,830 --> 00:04:59,698
HMM. DID SOMEONE ASKED YOU?
111
00:04:59,766 --> 00:05:01,166
NOPE.
112
00:05:01,234 --> 00:05:02,668
HOPE IT STAYS THAT WAY.
113
00:05:04,304 --> 00:05:06,138
THIS IS A TOUGH AGE.
114
00:05:12,245 --> 00:05:13,445
[ADRIAN]: WELL, THEN
DON'T BRING A DATE.
115
00:05:13,513 --> 00:05:14,479
JUST COME.
116
00:05:14,547 --> 00:05:15,514
YOU'RE BOTH
COMING, RIGHT?
117
00:05:15,581 --> 00:05:18,216
OH, YES.
ME, JASON AND HANNAH.
118
00:05:18,284 --> 00:05:19,451
ME AND ME.
119
00:05:19,519 --> 00:05:20,485
[LAUGHS]
120
00:05:22,322 --> 00:05:23,155
OH!
121
00:05:25,491 --> 00:05:27,292
OH...
122
00:05:27,360 --> 00:05:30,128
THIS WOULD BE PERFECT
FOR THE OPEN HOUSE.
123
00:05:30,196 --> 00:05:31,196
CAN I BORROW IT?
124
00:05:31,264 --> 00:05:33,398
MM. IT'S A BARYE.
125
00:05:33,466 --> 00:05:35,834
COPY. IT'S A COPY.
126
00:05:35,902 --> 00:05:37,235
SO, SURE, YOU CAN BORROW IT.
127
00:05:37,303 --> 00:05:39,037
OKAY, I'LL SEE
YOU GUYS TONIGHT.
128
00:05:39,105 --> 00:05:40,472
OKAY.
129
00:05:41,841 --> 00:05:43,975
OH! WOULDN'T THAT BE FUNNY
IF IT WASN'T A COPY?
130
00:05:45,611 --> 00:05:48,046
NO. IT REALLY
WOULDN'T BE.
131
00:05:49,315 --> 00:05:53,318
[♪♪♪]
132
00:05:59,792 --> 00:06:01,893
[PARTY BUZZ AND CHATTER]
133
00:06:01,961 --> 00:06:03,762
NO THANKS. I'M FINE.
134
00:06:03,830 --> 00:06:05,931
YES, PLEASE. THANK YOU.
135
00:06:05,998 --> 00:06:06,998
ALL RIGHT?
136
00:06:07,066 --> 00:06:09,301
RED WINE. REALLY?
137
00:06:10,470 --> 00:06:12,270
DOESN'T
HE LOOK GREAT?
138
00:06:12,338 --> 00:06:13,338
OH, HE CLEANS UP GOOD.
139
00:06:13,406 --> 00:06:14,806
I WAS GONNA SAY
THE SAME THING.
140
00:06:14,874 --> 00:06:15,874
[ALL LAUGHING]
141
00:06:15,942 --> 00:06:18,243
SO, NOT A BAD TURN OUT, RIGHT?
142
00:06:18,311 --> 00:06:20,345
-HEY.
-IT'S GREAT.
143
00:06:20,413 --> 00:06:21,513
SO, ANY NIBBLES?
144
00:06:21,581 --> 00:06:23,115
NIBBLES AND BITES,
145
00:06:23,182 --> 00:06:25,217
THE BITE'S AT FULL-ASKING
AND I'M, UH...
146
00:06:25,284 --> 00:06:26,685
WELL, I'M WORKING
THE NIBBLES.
147
00:06:26,753 --> 00:06:27,753
WONDERFUL--
148
00:06:27,820 --> 00:06:28,954
THIS IS
A NICE HOUSE.
149
00:06:29,021 --> 00:06:30,722
BUILT 1890s?
150
00:06:30,790 --> 00:06:33,525
VERY GOOD. 1884.
151
00:06:33,593 --> 00:06:36,461
GUSTAV CARSON.
HE OWNED THE LUMBER MILL.
152
00:06:36,529 --> 00:06:37,496
EVENTUALLY,
THEY RAN OUT OF WOOD,
153
00:06:37,563 --> 00:06:38,930
SO THEY FELL ON HARD TIMES.
154
00:06:38,998 --> 00:06:40,232
THE CURRENT OWNER
155
00:06:40,299 --> 00:06:41,199
HAS DONE A GREAT JOB
WITH THE RESTORATION.
156
00:06:41,267 --> 00:06:42,234
IT'S JUST BEAUTIFUL.
157
00:06:42,301 --> 00:06:44,202
MM-HMM. ERICA FRANKLIN.
158
00:06:46,038 --> 00:06:47,272
SHE FLIPS
A LOT OF PROPERTIES,
159
00:06:47,340 --> 00:06:49,775
BUT THIS ONE, SHE REALLY
SANK A LOT OF MONEY INTO.
160
00:06:49,842 --> 00:06:52,511
EXCUSE ME,
BUT CONGRATULATIONS.
161
00:06:52,578 --> 00:06:54,880
THIS IS AN EPIC
OPEN HOUSE, ADRIAN.
162
00:06:54,947 --> 00:06:57,215
THANK YOU.
PETER MULLIN.
163
00:06:57,283 --> 00:06:59,017
REAL ESTATE AGENT
EXTRAORDINAIRE.
164
00:06:59,085 --> 00:07:00,585
THIS IS JASON,
165
00:07:00,653 --> 00:07:01,887
JENNIFER, DANIELLE,
166
00:07:01,954 --> 00:07:03,622
SUSAN, AND FRANK.
167
00:07:03,689 --> 00:07:05,290
HI. AND THIS IS MARI.
168
00:07:05,358 --> 00:07:07,759
IF YOU NEED FLOWERS,
SHE IS YOUR GAL.
169
00:07:07,827 --> 00:07:09,895
SHE RUNS
"BACK TO THE FUCHSIA."
170
00:07:09,962 --> 00:07:11,463
OH! I LOVE THAT MOVIE.
171
00:07:11,531 --> 00:07:12,464
[LAUGHS]
172
00:07:12,532 --> 00:07:13,598
I LOVE YOUR STORE.
173
00:07:13,666 --> 00:07:15,133
-AND THAT'S A CUTE NAME.
-THANK YOU!
174
00:07:15,201 --> 00:07:16,635
I THINK I'VE SEEN
YOU THERE BEFORE.
175
00:07:16,702 --> 00:07:18,570
OH, YEAH.
BUY MY OWN FLOWERS.
176
00:07:19,972 --> 00:07:21,306
SO, ANY ACTION?
177
00:07:21,374 --> 00:07:22,674
LOOKING GOOD.
178
00:07:22,742 --> 00:07:24,609
I AM SO HAPPY
FOR YOU.
179
00:07:24,677 --> 00:07:26,244
I WANTED THIS
LISTING SO BAD!
180
00:07:27,680 --> 00:07:30,315
OKAY, GUYS, WELL,
WE ARE GOING TO WANDER AROUND
181
00:07:30,383 --> 00:07:32,184
AND CONTINUE TO EAT FOR FREE.
182
00:07:32,251 --> 00:07:33,518
[LAUGHTER]
183
00:07:33,586 --> 00:07:35,587
-SEE YOU AT THE BAR.
-ENJOY.
184
00:07:35,655 --> 00:07:37,689
IF YOU GUYS NEED ANYTHING--
ANYTHING AT ALL--
185
00:07:37,757 --> 00:07:39,424
PLEASE DON'T HESITATE TO ASK.
186
00:07:39,492 --> 00:07:40,459
-ENJOY.
-THANKS.
187
00:07:40,526 --> 00:07:41,526
-THANK YOU.
-CHEERS.
188
00:07:41,594 --> 00:07:43,595
[♪♪♪]
189
00:07:43,663 --> 00:07:45,363
YOU LIKE THE HOUSE?
190
00:07:45,431 --> 00:07:47,632
YEAH.
191
00:07:47,700 --> 00:07:49,601
WHAT'S NOT TO LIKE?
192
00:07:49,669 --> 00:07:51,470
WELL, I MEAN,
IT'S "THE CARSON HOUSE."
193
00:07:53,306 --> 00:07:54,873
WILLIAM CARSON.
194
00:07:54,941 --> 00:07:56,942
MY GREAT-GRANDFATHER
BUILT ALL THIS.
195
00:07:57,009 --> 00:07:58,310
DID YOU LIVE HERE?
196
00:07:58,377 --> 00:08:00,612
THE FAMILY LOST THE HOUSE
BACK IN THE 1920s.
197
00:08:00,680 --> 00:08:02,881
BUT YEAH,
I'M HOPING TO GET IT BACK.
198
00:08:02,949 --> 00:08:04,149
WHAT DO YOU DO
199
00:08:04,217 --> 00:08:05,450
THAT YOU COULD AFFORD
A PLACE LIKE THIS?
200
00:08:05,518 --> 00:08:08,487
I PLAY ON-LINE POKER.
201
00:08:08,554 --> 00:08:10,889
SEE, I LOG ON THROUGH
A COMPUTER IN PORTUGAL.
202
00:08:10,957 --> 00:08:12,724
THE SITE THINKS I'M THERE.
203
00:08:12,792 --> 00:08:14,292
I THOUGHT THAT WAS ILLEGAL.
204
00:08:14,360 --> 00:08:17,162
AS LONG
AS YOU DON'T GET CAUGHT.
205
00:08:17,230 --> 00:08:18,730
HMM.
206
00:08:18,798 --> 00:08:20,966
CAN I SHOW YOU UPSTAIRS?
207
00:08:22,735 --> 00:08:24,970
I SAW IT, BUT THANKS.
208
00:08:27,240 --> 00:08:29,074
I'VE GOTTA RUN.
209
00:08:31,711 --> 00:08:33,912
YOU KNOW I WANTED TO
BUY THIS PLACE AND TEAR IT DOWN?
210
00:08:33,980 --> 00:08:35,046
YES, I DO.
211
00:08:35,114 --> 00:08:36,515
I SAW THE PLANS
212
00:08:36,582 --> 00:08:37,949
FOR THE CONDO DEVELOPMENT
THAT YOU WANTED TO PUT HERE.
213
00:08:38,017 --> 00:08:40,418
I WAS WRONG.
I WAS WRONG!
214
00:08:40,486 --> 00:08:41,953
ALL MY NEARBY PROPERTIES
ARE GOING UP
215
00:08:42,021 --> 00:08:43,522
BECAUSE OF THIS RESTORATION.
216
00:08:43,589 --> 00:08:45,657
OH, ERICA DID THE REMODEL.
I'M JUST SELLING IT.
217
00:08:45,725 --> 00:08:47,659
BEST PRESENTATION
I'VE EVER SEEN.
218
00:08:47,727 --> 00:08:50,729
I WANT TO TALK TO YOU ABOUT
HANDLING SOME OF MY LISTINGS.
219
00:08:52,164 --> 00:08:54,065
I'LL BE IN TOUCH.
220
00:08:55,301 --> 00:08:58,069
[♪♪♪]
221
00:08:58,137 --> 00:08:59,437
SALUT.
222
00:09:01,374 --> 00:09:03,074
[SIGHS]
THREE OFFERS NOW.
223
00:09:03,142 --> 00:09:04,376
ALL ABOVE ASKING.
224
00:09:04,443 --> 00:09:05,610
WOW!
225
00:09:05,678 --> 00:09:07,579
YOU'RE ACTUALLY GONNA
SELL THE PLACE TONIGHT?
226
00:09:07,647 --> 00:09:08,580
OH, NO!
227
00:09:08,648 --> 00:09:10,415
NO, NO. LET THE DUST SETTLE.
228
00:09:10,483 --> 00:09:11,983
MAYBE BY THE END OF THE WEEK.
229
00:09:12,051 --> 00:09:14,185
THERE WERE SOME BUYERS
THAT COULDN'T MAKE IT TONIGHT,
230
00:09:14,253 --> 00:09:15,887
SO WE NEED THEM TO FEEL
THAT THEY MISSED OUT.
231
00:09:15,955 --> 00:09:17,355
[♪♪♪]
232
00:09:17,423 --> 00:09:20,725
UH-OH.
TROUBLE'S ARRIVED.
233
00:09:21,827 --> 00:09:23,795
WHO IS THAT?
234
00:09:23,863 --> 00:09:25,697
THAT'S MY SISTER.
EXCUSE ME.
235
00:09:25,765 --> 00:09:27,065
SURE.
236
00:09:27,133 --> 00:09:28,333
WHAT ARE YOU
DOING HERE?
237
00:09:28,401 --> 00:09:29,234
WHY DON'T YOU TRY
AND FIND OUR DAUGHTER,
238
00:09:29,302 --> 00:09:30,402
I'LL GO
GET THE CAR?
239
00:09:30,469 --> 00:09:32,904
OKAY, HONEY.
I'LL SEE YOU OUTSIDE.
240
00:09:32,972 --> 00:09:35,407
USUALLY I DEAL IN FIXERS
AT A FRACTION OF THIS PRICE,
241
00:09:35,474 --> 00:09:36,841
BUT I FELL IN LOVE
WITH THIS HOUSE.
242
00:09:36,909 --> 00:09:39,144
IT BECAME A PASSION PROJECT.
243
00:09:39,211 --> 00:09:40,145
OH, I CAN SEE WHY.
244
00:09:40,212 --> 00:09:41,146
[CHUCKLES
AND BONKS HEAD]
245
00:09:41,213 --> 00:09:42,247
OH!
PLEASE--
246
00:09:42,315 --> 00:09:44,683
THAT CHANDELIER
IS FROM PARIS!
247
00:09:44,750 --> 00:09:46,885
[BACKGROUND CHATTER]
248
00:09:48,487 --> 00:09:50,822
[MUFFLED, HEATED EXCHANGE]
249
00:09:50,890 --> 00:09:53,858
[ANGRY, INDISTINCT
CONVERSATION]
250
00:09:55,027 --> 00:09:57,796
I CAN'T BELIEVE YOU!
[CONTINUES INDISTINCTLY]
251
00:09:57,863 --> 00:09:59,798
[WOMAN]:
IS THERE A DOCTOR HERE?
252
00:09:59,865 --> 00:10:00,899
SOMEBODY, HELP HIM!
253
00:10:03,469 --> 00:10:05,003
MARI, CALL 9-1-1, PLEASE?
254
00:10:05,071 --> 00:10:07,539
SIR? WHAT'S YOUR NAME?
255
00:10:07,607 --> 00:10:09,274
COOK. KEN COOK.
256
00:10:09,342 --> 00:10:11,009
OKAY, KEN. SO?
WHERE'S THE PAIN COMING FROM?
257
00:10:11,077 --> 00:10:12,611
IT'S RIGHT HERE
IN MY CHEST.
258
00:10:12,678 --> 00:10:14,212
OKAY, HAS THIS
HAPPENED TO YOU BEFORE?
259
00:10:14,280 --> 00:10:15,513
-HAVE YOU FELT THIS PAIN BEFORE?
-NO.
260
00:10:19,518 --> 00:10:22,087
[RADIOS CRACKLING]
261
00:10:23,422 --> 00:10:26,191
MAY I HAVE YOUR ATTENTION,
PLEASE, EVERYBODY?
262
00:10:26,258 --> 00:10:27,492
I HAVE GOOD NEWS--
263
00:10:27,560 --> 00:10:29,628
MR. COOK IS GOING TO BE OKAY.
264
00:10:29,695 --> 00:10:31,696
HE JUST HAD
A LITTLE INDIGESTION.
265
00:10:31,764 --> 00:10:34,633
I REALLY WANTED
TO THANK YOU ALL SO MUCH
266
00:10:34,700 --> 00:10:35,934
FOR COMING THIS EVENING
267
00:10:36,002 --> 00:10:38,536
AND MAKING THIS
SUCH A HUGE SUCCESS.
268
00:10:38,604 --> 00:10:40,338
WE HAVE OFFERS ON THE TABLE,
269
00:10:40,406 --> 00:10:42,907
AND SO IF ANY OF YOU
ARE THINKING ABOUT IT,
270
00:10:42,975 --> 00:10:45,410
DON'T THINK TOO LONG.
271
00:10:45,478 --> 00:10:47,278
OKAY, LET'S ENJOY
THE REST OF OUR EVENING.
272
00:10:47,346 --> 00:10:49,114
THANK YOU.
273
00:10:49,181 --> 00:10:51,116
[♪♪♪]
274
00:10:54,353 --> 00:10:56,521
[DOOR BELL JINGLES]
275
00:11:00,559 --> 00:11:02,260
[DANI]: HI!
276
00:11:02,328 --> 00:11:04,496
HOW CAN I HELP YOU?
277
00:11:04,563 --> 00:11:06,064
HI.
278
00:11:06,132 --> 00:11:07,565
IT'S MY MOM'S BIRTHDAY
279
00:11:07,633 --> 00:11:09,234
AND I WAS THINKING
ABOUT WHAT TO GET HER.
280
00:11:09,301 --> 00:11:11,770
OKAY, WHAT KIND OF STUFF
DOES SHE LIKE?
281
00:11:11,837 --> 00:11:13,571
OH...
282
00:11:13,639 --> 00:11:15,940
MOM STUFF?
I DON'T KNOW.
283
00:11:17,143 --> 00:11:18,743
THAT'S COOL.
HOW MUCH IS IT?
284
00:11:18,811 --> 00:11:20,111
THE HAIRBRUSH?
285
00:11:20,179 --> 00:11:22,914
THAT'S STERLING SILVER,
IT'S FROM THE 1920s.
286
00:11:22,982 --> 00:11:24,749
I THINK IT'S $250.
287
00:11:25,918 --> 00:11:27,552
OH.
288
00:11:27,620 --> 00:11:29,054
MAYBE I'LL JUST LOOK AROUND.
289
00:11:29,121 --> 00:11:31,589
OKAY. YOU LET ME KNOW
IF YOU HAVE ANY QUESTIONS.
290
00:11:31,657 --> 00:11:32,457
OKAY.
291
00:11:33,959 --> 00:11:36,795
ARE YOU MRS. SHANNON?
292
00:11:36,862 --> 00:11:39,597
NO, I'M DANI.
JENNIFER'S MY BUSINESS PARTNER.
293
00:11:39,665 --> 00:11:42,000
I GO TO SCHOOL WITH LOGAN.
294
00:11:42,068 --> 00:11:43,535
OH!
295
00:11:43,602 --> 00:11:45,136
WELL, I'LL LET HIM KNOW YOU
STOPPED BY. WHAT'S YOUR NAME?
296
00:11:45,204 --> 00:11:47,739
N-- DON'T TELL HIM
I STOPPED BY.
297
00:11:47,807 --> 00:11:49,607
OKAY. I WON'T.
298
00:11:51,177 --> 00:11:53,611
SO HE COMES BY HERE A LOT?
299
00:11:53,679 --> 00:11:55,213
YEAH, EVERY NOW AND THEN.
300
00:11:56,615 --> 00:11:58,149
OKAY. THANKS.
301
00:11:59,518 --> 00:12:01,319
[BELL JINGLES]
302
00:12:03,022 --> 00:12:05,857
[♪♪♪]
303
00:12:05,925 --> 00:12:07,992
[SIGHS]
304
00:12:09,462 --> 00:12:11,730
[PHONE RINGS]
305
00:12:16,635 --> 00:12:17,869
HEY, ADRIAN. WHAT'S UP?
306
00:12:17,937 --> 00:12:19,637
OH! I AM SO UPSET.
307
00:12:19,705 --> 00:12:20,872
GO ONLINE.
308
00:12:20,940 --> 00:12:23,174
SEARCH "DEADLY ROOM,
THE CARSON HOUSE."
309
00:12:23,242 --> 00:12:24,509
THIS IS REALLY BAD!
310
00:12:24,577 --> 00:12:25,777
WHY? WHAT'S GOING ON?
311
00:12:25,845 --> 00:12:27,212
LOOK, I GOTTA GO,
312
00:12:27,279 --> 00:12:28,847
BUT SOMEONE IS SAYING THE HOUSE IS CURSED!
313
00:12:28,914 --> 00:12:32,050
I'M DOING DAMAGE CONTROL.
I'LL TALK TO YOU TOMORROW, OKAY?
314
00:12:32,118 --> 00:12:33,685
[EXHALES TENSELY]
315
00:12:36,088 --> 00:12:37,922
[KEYS CLACKING]
316
00:12:40,960 --> 00:12:43,161
[♪♪♪]
317
00:12:48,300 --> 00:12:50,602
OH, NO.
318
00:12:50,669 --> 00:12:53,671
[JENNIFER]: YOU SAW IT.
IT'S AN ANONYMOUS BLOG.
319
00:12:53,739 --> 00:12:55,340
WELL, IT WORKED!
SCARED ME.
320
00:12:55,407 --> 00:12:56,641
WELL, THEY DID FIND
A SEALED ROOM,
321
00:12:56,709 --> 00:12:58,443
BUT THAT DOESN'T MEAN
THE HOUSE IS CURSED,
322
00:12:58,511 --> 00:13:00,712
OR IF YOU SLEEP THERE,
YOU'LL END UP DEAD.
323
00:13:00,780 --> 00:13:02,347
I WOULDN'T BUY
THE HOUSE.
324
00:13:02,414 --> 00:13:04,215
WOULD YOU?
325
00:13:06,085 --> 00:13:07,418
I GET IT.
326
00:13:07,486 --> 00:13:09,487
SOMEONE'S TRYING TO
SABOTAGE THE SALE.
327
00:13:09,555 --> 00:13:11,322
ALL THREE OFFERS
HAVE PULLED.
328
00:13:11,390 --> 00:13:12,423
AEEK,
329
00:13:12,491 --> 00:13:14,526
PEOPLE'LL FORGET ABOUT
SOME BLOG ON THE 'NET.
330
00:13:14,593 --> 00:13:16,060
OH, NO.
NOT IN REAL ESTATE.
331
00:13:16,128 --> 00:13:18,329
A HOUSE GETS THIS KIND OF REP,
IT STICKS.
332
00:13:19,999 --> 00:13:20,932
NO. I GOTTA GET TO
THE BOTTOM OF THIS.
333
00:13:21,000 --> 00:13:23,301
I AM JUST SO TICKED OFF!
334
00:13:24,570 --> 00:13:26,437
WELL, HAVE THERE BEEN
ANY DEATHS IN THE HOUSE?
335
00:13:26,505 --> 00:13:27,972
IS THERE ANY TRUTH
TO THE STORY?
336
00:13:28,040 --> 00:13:30,375
WELL, IT'S AN OLD HOUSE.
337
00:13:30,442 --> 00:13:32,677
I MEAN, PEOPLE USED TO
DIE AT HOME A HUNDRED YEARS AGO.
338
00:13:32,745 --> 00:13:34,212
IT DOESN'T MEAN
THE HOUSE KILLED THEM.
339
00:13:34,280 --> 00:13:35,346
GOOD POINT.
340
00:13:35,414 --> 00:13:36,748
SO HOW DO YOU PROVE THAT?
341
00:13:36,816 --> 00:13:39,083
I'VE BEEN THINKING ABOUT IT,
AND I HAVE AN IDEA.
342
00:13:40,452 --> 00:13:42,654
I'M GONNA SPEND THE NIGHT THERE
AND, BETTER THAN THAT,
343
00:13:42,721 --> 00:13:44,222
I'M GONNA DO A LIVE WEBCAM,
344
00:13:44,290 --> 00:13:45,456
SO THE WHOLE WORLD
345
00:13:45,524 --> 00:13:47,158
CAN WATCH ME WHILE I SLEEP,
346
00:13:47,226 --> 00:13:48,326
AND WHEN I'LL WAKE UP
IN THE MORNING,
347
00:13:48,394 --> 00:13:50,528
I'LL BE JUST FINE.
348
00:13:50,596 --> 00:13:52,163
OOH! YOU MIGHT WANT TO GET
A NEW PAIR OF PJs
349
00:13:52,231 --> 00:13:54,132
IF THE WHOLE WORLD'S
GONNA BE WATCHING.
350
00:13:58,037 --> 00:14:00,071
WHAT? I'M JUST SAYING.
351
00:14:00,139 --> 00:14:02,273
[♪♪♪]
352
00:14:03,509 --> 00:14:06,144
YOU REALLY THINK
THIS IS A GOOD IDEA?
353
00:14:06,212 --> 00:14:08,413
[ADRIAN]: IF WE DON'T
SQUASH THIS RIGHT NOW,
354
00:14:08,480 --> 00:14:10,548
THEN WE WILL NEVER
GET RID OF IT.
355
00:14:10,616 --> 00:14:13,451
WELL, I'M NOT SURE
I'M GOING TO ALLOW IT.
356
00:14:13,519 --> 00:14:15,119
I THINK
WE TAKE IT OFF THE MARKET,
357
00:14:15,187 --> 00:14:16,454
THEN RELIST IT
IN A COUPLE MONTHS,
358
00:14:16,522 --> 00:14:17,689
WHEN THE DUST SETTLES.
359
00:14:17,756 --> 00:14:19,257
IT'S YOUR HOUSE, ERICA,
360
00:14:19,325 --> 00:14:20,758
BUT LET ME TELL YOU
ABOUT A HOME
361
00:14:20,826 --> 00:14:22,160
A FEW YEARS AGO IN MADISON.
362
00:14:22,228 --> 00:14:25,163
THE RENTERS LEFT,
CLAIMING THAT IT WAS HAUNTED.
363
00:14:25,231 --> 00:14:28,900
IT TOOK FOUR YEARS TO SELL,
AT A 40% PRICE DROP.
364
00:14:30,836 --> 00:14:34,138
WELL, GOOD LUCK
WITH YOUR WEBCAM.
365
00:14:34,206 --> 00:14:36,007
IT BETTER WORK.
366
00:14:37,109 --> 00:14:39,043
[ERICA WALKS OUT]
367
00:14:59,865 --> 00:15:01,633
I'VE BEEN SHOPPING.
368
00:15:01,700 --> 00:15:02,667
OH!
369
00:15:02,735 --> 00:15:04,235
YOU KNOW, I DON'T
KNOW IF I'D WANT
370
00:15:04,303 --> 00:15:05,904
THE WHOLE WORLD WATCHING
ME WHILE I SLEEP.
371
00:15:05,971 --> 00:15:08,706
THAT'S BECAUSE
SHE SNORES LIKE A HORSE.
372
00:15:08,774 --> 00:15:10,708
THAT'S AN EXAGGERATION!
373
00:15:10,776 --> 00:15:12,644
MAYBE A PONY.
374
00:15:12,711 --> 00:15:13,711
[ALL CHUCKLING]
375
00:15:13,779 --> 00:15:14,979
SO, THE LIVE WEBCAST,
376
00:15:15,047 --> 00:15:16,314
IT'S TONIGHT?
377
00:15:16,382 --> 00:15:18,650
YES. THE SHOW STARTS
AT 11:00 P.M. SHARP.
378
00:15:18,717 --> 00:15:20,418
OKAY, LET'S SEE THEM.
379
00:15:22,187 --> 00:15:23,554
♪ TAH-DAH!
380
00:15:23,622 --> 00:15:24,455
-WHOA!
-YEAH.
381
00:15:25,724 --> 00:15:27,725
I THINK
MY GRAMMY HAS THOSE.
382
00:15:28,928 --> 00:15:30,561
SHE'S FUNNY.
383
00:15:30,629 --> 00:15:32,096
[LAUGHING]
384
00:15:32,164 --> 00:15:34,299
[MAN ON TV]: PRESS THE BUTTON, YOU PRESS IT ONCE.
385
00:15:34,366 --> 00:15:36,567
OKAY, THAT'S 30 TIMES, BUT--
386
00:15:36,635 --> 00:15:39,003
[WOMAN ON TV]: I THINK IT'S ONLY SUPPOSED TO BE PRESSED TWICE.
387
00:15:39,071 --> 00:15:40,738
IT'S THE BIG NIGHT,
RIGHT?
388
00:15:40,806 --> 00:15:42,373
HOLY COW!
IS IT ALMOST 11:00?
389
00:15:42,441 --> 00:15:43,508
YEAH.
390
00:15:43,575 --> 00:15:45,143
WHERE'S MY LAPTOP?
WHAT DID I DO WITH IT?
391
00:15:45,210 --> 00:15:46,945
-THERE. ON THE COUNTER.
-THANK YOU.
392
00:15:47,012 --> 00:15:48,947
[CLICKS TELEVISION OFF]
393
00:15:53,018 --> 00:15:56,020
[KEYS CLACKING]
394
00:15:56,088 --> 00:15:57,956
[ADRIAN EXHALES HEAVILY]
395
00:15:59,224 --> 00:16:00,425
HI, EVERYBODY.
396
00:16:00,492 --> 00:16:02,026
IF YOU ARE SEEING THIS,
397
00:16:02,094 --> 00:16:04,095
THEN YOU ARE WATCHING MY LIVE WEBCAM
398
00:16:04,163 --> 00:16:06,164
FROM THE SO-CALLED "DEADLY ROOM,"
399
00:16:06,231 --> 00:16:08,733
WHERE YOU GET TO WATCH ME SLEEP ALL NIGHT.
400
00:16:08,801 --> 00:16:09,968
HOW EXCITING.
401
00:16:10,035 --> 00:16:12,870
I HAVE SET MY ALARM FOR 7:30,
402
00:16:12,938 --> 00:16:14,439
AND WHEN THAT GOES OFF,
403
00:16:14,506 --> 00:16:15,840
I WILL WAKE UP,
404
00:16:15,908 --> 00:16:17,175
WAVE TO THE CAMERA,
405
00:16:17,242 --> 00:16:18,876
AND THAT WILL BE THE END OF THIS NONSENSE.
406
00:16:18,944 --> 00:16:20,712
SO...
407
00:16:20,779 --> 00:16:22,246
I WILL SEE YOU THEN.
408
00:16:22,314 --> 00:16:24,682
AND I WILL BE IN THE OFFICE SHORTLY AFTER 9:00.
409
00:16:24,750 --> 00:16:26,818
ANY OFFERS ON THE HOUSE CAN HAPPEN AFTER THAT.
410
00:16:26,885 --> 00:16:28,653
OKAY? GOODNIGHT.
411
00:16:30,055 --> 00:16:31,122
[JENN CHUCKLES]
412
00:16:37,396 --> 00:16:39,297
GRIPPING.
413
00:16:39,365 --> 00:16:40,999
-MM.
-I'M GOING TO BED.
414
00:16:41,066 --> 00:16:44,068
SEE YOU UP THERE.
415
00:16:44,136 --> 00:16:46,137
GOODNIGHT.
416
00:16:50,442 --> 00:16:52,410
HEY, DANI.
ARE YOU WATCHING?
417
00:16:52,478 --> 00:16:53,778
[DANI]: YEP. HER HEAD MOVED.
418
00:16:53,846 --> 00:16:54,846
DID YOU SEE IT?
419
00:16:54,913 --> 00:16:55,947
VERY EXCITING.
420
00:16:56,015 --> 00:16:57,615
CALL ME
IF SHE ROLLS OVER.
421
00:16:57,683 --> 00:16:58,850
[BOTH CHUCKLING]
422
00:16:58,917 --> 00:17:00,551
-ALRIGHT, SWEET DREAMS.
-YOU TOO!
423
00:17:02,888 --> 00:17:04,956
HEY. CAN I SEE?
424
00:17:11,163 --> 00:17:13,631
I THINK
I'M GONNA DO THAT.
425
00:17:13,699 --> 00:17:15,666
GO ON A LIVE WEBCAM?
426
00:17:15,734 --> 00:17:17,602
NO. GO TO SLEEP.
427
00:17:17,669 --> 00:17:19,537
-FUNNY. GOODNIGHT.
-GOODNIGHT.
428
00:17:29,048 --> 00:17:31,315
[BIRDS SINGING]
429
00:17:34,920 --> 00:17:36,087
OHH...
430
00:17:37,623 --> 00:17:39,390
OH. WELL...
431
00:17:39,458 --> 00:17:42,160
DID THE DEADLY ROOM
STRIKE?
432
00:17:42,227 --> 00:17:45,496
OH. LET'S SEE.
SHOULD BE WAKING UP ANY MOMENT.
433
00:17:45,564 --> 00:17:48,599
[ADRIAN'S ALARM CLOCK CHIMING]
434
00:17:50,536 --> 00:17:51,502
[ALARM CONTINUES]
435
00:17:51,570 --> 00:17:52,737
HOW COME SHE'S NOT MOVING?
436
00:17:52,805 --> 00:17:55,506
THE ALARM
IS RIGHT NEXT TO HER BED.
437
00:17:58,310 --> 00:18:00,545
[ALARM CHIMING]
438
00:18:02,147 --> 00:18:04,248
[♪♪♪]
439
00:18:07,252 --> 00:18:10,822
[RESPONDER RADIOS CRACKLING,
OVERLAPPING CHATTER]
440
00:18:16,762 --> 00:18:19,664
FRANK!
FRANK, WHAT HAPPENED?
441
00:18:19,731 --> 00:18:21,332
[SIGHING] I DON'T KNOW.
442
00:18:21,400 --> 00:18:23,701
FIRST RESPONDERS
FOUND HER UNCONSCIOUS,
443
00:18:23,769 --> 00:18:25,036
UNRESPONSIVE.
444
00:18:25,104 --> 00:18:27,071
SEEMS SHE'D BEEN DEAD
A FEW HOURS ALREADY.
445
00:18:27,139 --> 00:18:29,140
HOW?
446
00:18:29,208 --> 00:18:31,309
SHE HAD A CAMERA
ON HER ALL NIGHT.
447
00:18:31,376 --> 00:18:33,678
I'M NOT A MEDICAL EXAMINER,
SO DON'T QUOTE ME ON THIS--
448
00:18:33,745 --> 00:18:36,714
THERE'S NO SIGN OF TRAUMA,
NO BLOOD.
449
00:18:36,782 --> 00:18:38,216
APPEARS TO BE
A NATURAL DEATH.
450
00:18:38,283 --> 00:18:39,650
A HEALTHY YOUNG WOMAN
GOES TO SLEEP
451
00:18:39,718 --> 00:18:41,085
AND SHE JUST DOESN'T WAKE UP?
452
00:18:41,153 --> 00:18:43,054
I ASKED EXACTLY
THE SAME THING.
453
00:18:43,122 --> 00:18:44,856
SEEMS IT'S A LOT MORE COMMON
THAN YOU THINK.
454
00:18:44,923 --> 00:18:46,991
HEART ATTACK,
AND BLOOD CLOT--
455
00:18:47,059 --> 00:18:48,526
ANY NUMBER OF POSSIBILITIES.
456
00:18:48,594 --> 00:18:50,795
[SIGHS]
OH, COME ON, FRANK.
457
00:18:50,863 --> 00:18:52,897
DO NOT GO THERE.
458
00:18:52,965 --> 00:18:55,833
WE'RE GONNA GET THE AUTOPSY
REPORTS BACK IN A COUPLE DAYS,
459
00:18:55,901 --> 00:18:57,435
AND THEN WE'LL KNOW.
460
00:18:57,503 --> 00:18:59,403
MAY I GO INSIDE?
461
00:19:01,640 --> 00:19:04,175
YEAH. WE'RE ALL DONE HERE.
GO AHEAD.
462
00:19:12,251 --> 00:19:14,152
[DOOR CREAKS]
463
00:19:17,422 --> 00:19:18,389
ERICA.
464
00:19:18,457 --> 00:19:20,057
CAN YOU BELIEVE THIS?
465
00:19:20,125 --> 00:19:21,092
NO.
466
00:19:21,160 --> 00:19:23,060
I HAVE THE WORST LUCK.
467
00:19:24,429 --> 00:19:26,497
I AM, OF COURSE,
DEVASTATED ABOUT ADRIAN.
468
00:19:26,565 --> 00:19:28,900
IT'S SHOCKING!
469
00:19:28,967 --> 00:19:30,835
[PHONE KEYS CLICKING]
470
00:19:30,903 --> 00:19:32,203
ERICA, DO YOU MIND
IF I GO UPSTAIRS?
471
00:19:32,271 --> 00:19:34,272
I DON'T CARE. GO.
472
00:19:37,709 --> 00:19:39,577
[PHONE KEYS CLICKING]
473
00:19:50,255 --> 00:19:52,623
[♪♪♪]
474
00:20:09,441 --> 00:20:10,741
[SHUTTER SNAPS]
475
00:20:20,385 --> 00:20:21,519
[SNAP]
476
00:20:22,788 --> 00:20:24,789
[SNAP]
477
00:20:24,856 --> 00:20:27,058
[♪♪♪]
478
00:20:37,536 --> 00:20:39,437
DID SHE HAVE
ANY FAMILY?
479
00:20:39,504 --> 00:20:41,872
HER PARENTS
DIED YEARS AGO.
480
00:20:41,940 --> 00:20:43,608
CAR ACCIDENT.
481
00:20:43,675 --> 00:20:45,009
HER SISTER, TINA,
WAS AT THE OPEN HOUSE.
482
00:20:45,077 --> 00:20:46,077
DID YOU SEE HER?
483
00:20:46,144 --> 00:20:48,079
NO.
484
00:20:48,146 --> 00:20:50,014
WAS SHE EVER MARRIED?
485
00:20:50,082 --> 00:20:51,349
ONCE.
486
00:20:51,416 --> 00:20:52,950
IT'S BEEN OVER FOR YEARS.
487
00:20:53,018 --> 00:20:55,253
HE LIVES ON THE COAST,
NO KIDS.
488
00:20:55,320 --> 00:20:56,921
YOU KNOW, I HAD A FRIEND--
489
00:20:56,989 --> 00:20:58,889
YOUNG, HEALTHY,
490
00:20:58,957 --> 00:21:00,157
DIED.
491
00:21:00,225 --> 00:21:01,225
IT WAS AN ANEURYSM.
492
00:21:01,293 --> 00:21:02,226
MM.
493
00:21:02,294 --> 00:21:04,061
[EXHALES]
494
00:21:04,129 --> 00:21:05,596
WHAT?
495
00:21:05,664 --> 00:21:07,131
WHAT ARE YOU THINKING?
496
00:21:07,199 --> 00:21:09,500
TCH. IT'S NOTHING, REALLY.
497
00:21:10,736 --> 00:21:12,603
WHEN I SAW TINA
AT THE OPEN HOUSE--
498
00:21:12,671 --> 00:21:13,771
UH-HUH?
499
00:21:13,839 --> 00:21:15,806
SHE AND ADRIAN
WERE OFF IN A SIDE ROOM,
500
00:21:15,874 --> 00:21:18,075
HAVING A HEATED ARGUMENT.
501
00:21:18,143 --> 00:21:20,378
[SIGHS] COME ON, JENN.
502
00:21:20,445 --> 00:21:22,713
NOT EVERYTHING IS A MYSTERY.
503
00:21:22,781 --> 00:21:25,182
NOT EVERY DEATH
IS A MURDER.
504
00:21:26,385 --> 00:21:27,818
[SIGHS]
505
00:21:27,886 --> 00:21:28,986
[DOOR BELL JINGLES]
506
00:21:29,054 --> 00:21:31,656
[♪♪♪]
507
00:21:36,662 --> 00:21:38,262
WELCOME
TO RAGS TO RICHES.
508
00:21:38,330 --> 00:21:40,131
HOW CAN I HELP YOU?
509
00:21:42,301 --> 00:21:44,468
[♪♪♪]
510
00:21:49,741 --> 00:21:52,209
[♪♪♪]
511
00:22:05,090 --> 00:22:07,425
[KNOCKS]
512
00:22:07,492 --> 00:22:09,360
[EXHALES NERVOUSLY]
513
00:22:10,529 --> 00:22:12,196
TINA?
514
00:22:12,264 --> 00:22:14,865
I'M JENNIFER SHANNON.
I WAS FRIENDS WITH YOUR SISTER.
515
00:22:14,933 --> 00:22:17,301
I JUST WANTED TO COME BY
AND SAY I'M SORRY,
516
00:22:17,369 --> 00:22:19,070
AND SEE IF YOU'RE ALRIGHT.
517
00:22:19,137 --> 00:22:20,971
COME ON IN.
518
00:22:22,908 --> 00:22:25,076
THANK YOU.
519
00:22:26,611 --> 00:22:29,714
ISN'T THAT FUNNY,
HOW ADRIAN DIED?
520
00:22:29,781 --> 00:22:32,516
I MEAN, WE'RE ALL GONNA
DIE SOMETIME, RIGHT?
521
00:22:32,584 --> 00:22:34,485
BUT ON A LIVE WEBCAM?
522
00:22:34,553 --> 00:22:36,220
WOW.
523
00:22:36,288 --> 00:22:38,923
I DON'T THINK
THAT WAS HER INTENTION.
524
00:22:38,990 --> 00:22:41,459
[LAUGHS] I GUESS NOT!
525
00:22:41,526 --> 00:22:43,661
I'M SORRY, BUT...
526
00:22:43,729 --> 00:22:45,329
YOU SEEM A LITTLE...
527
00:22:45,397 --> 00:22:46,630
UNTROUBLED?
528
00:22:46,698 --> 00:22:48,599
NOT GRIEVING PROPERLY?
529
00:22:48,667 --> 00:22:51,502
WELL... FRANKLY, YES.
530
00:22:51,570 --> 00:22:53,571
LOOK.
531
00:22:53,638 --> 00:22:55,573
IT'S NO SECRET
I DIDN'T LIKE ADRIAN,
532
00:22:55,640 --> 00:22:57,208
AND SHE DIDN'T CARE MUCH FOR ME.
533
00:22:57,275 --> 00:22:59,577
I DON'T KNOW
HOW I FEEL.
534
00:22:59,644 --> 00:23:01,445
MAYBE IT'LL HIT ME LATER.
535
00:23:02,581 --> 00:23:05,015
IF YOU DON'T MIND ME ASKING,
536
00:23:05,083 --> 00:23:06,917
WHAT HAPPENED
BETWEEN THE TWO OF YOU?
537
00:23:08,487 --> 00:23:09,887
WELL...
538
00:23:09,955 --> 00:23:12,089
A CAR CRASH HAPPENED.
539
00:23:12,157 --> 00:23:14,191
NO MORE MOM, NO MORE DAD.
540
00:23:15,560 --> 00:23:17,495
THERE WAS A TRUST FUND.
541
00:23:17,562 --> 00:23:19,563
ADRIAN CONTROLLED IT.
542
00:23:19,631 --> 00:23:22,733
SO ANY TIME I WANTED SOMETHING,
I HAD TO GO TO HER.
543
00:23:23,869 --> 00:23:25,269
NOT COOL.
544
00:23:27,372 --> 00:23:30,107
DID ADRIAN HAVE
ANY HEALTH ISSUES
545
00:23:30,175 --> 00:23:32,810
THAT WOULD'VE CONTRIBUTED
TO HER SUDDEN DEATH?
546
00:23:34,346 --> 00:23:36,547
SHE HAD TO WEAR
ONE OF THOSE HEART HALTERS
547
00:23:36,615 --> 00:23:37,848
A COUPLE YEARS AGO.
548
00:23:37,916 --> 00:23:39,183
IRREGULAR HEARTBEAT,
549
00:23:39,251 --> 00:23:41,786
BUT NOTHING MAJOR.
550
00:23:41,853 --> 00:23:44,021
SEEMED TO GO AWAY ON ITS OWN.
551
00:23:44,089 --> 00:23:47,458
I WON'T PRESUME TO UNDERSTAND
YOUR RELATIONSHIP.
552
00:23:47,526 --> 00:23:49,126
I KNOW THAT FAMILY
CAN BE DIFFICULT
553
00:23:49,194 --> 00:23:50,995
UNDER THE BEST
OF CIRCUMSTANCE,
554
00:23:51,062 --> 00:23:53,397
BUT AT THE END OF THE DAY,
555
00:23:53,465 --> 00:23:55,666
IT'S STILL FAMILY.
556
00:23:56,902 --> 00:23:59,437
I'M SORRY FOR YOUR LOSS.
557
00:24:00,605 --> 00:24:02,807
THANKS.
558
00:24:02,874 --> 00:24:05,643
I'M REALLY NOT AN EVIL PERSON.
559
00:24:05,710 --> 00:24:08,078
JUST HONEST.
560
00:24:10,215 --> 00:24:11,916
HEY, HON.
561
00:24:11,983 --> 00:24:13,984
OH, HEY,
SWEETHEART.
562
00:24:16,354 --> 00:24:18,022
HAVE YOU SEEN THIS?
563
00:24:18,089 --> 00:24:19,890
NO. WHAT IS IT?
564
00:24:24,930 --> 00:24:26,664
"DEADLY HOUSE STRIKES AGAIN.
565
00:24:26,731 --> 00:24:29,133
"CURSE OF
THE OLD CARSON HOUSE.
566
00:24:29,201 --> 00:24:31,235
"AN INTERNET STORY
TOLD OF THE CURSE.
567
00:24:31,303 --> 00:24:33,037
"REAL ESTATE AGENT
ADRIAN MERRILL
568
00:24:33,104 --> 00:24:34,505
"VOWED TO PROVE IT FALSE.
569
00:24:34,573 --> 00:24:36,907
"SHE SLEPT IN THE HOUSE
WITH A LIVE WEBCAM.
570
00:24:36,975 --> 00:24:37,975
IN THE MORNING,
SHE WAS DEAD."
571
00:24:39,511 --> 00:24:41,779
THIS IS HORRIBLE.
572
00:24:45,917 --> 00:24:46,917
YOU OKAY?
573
00:24:46,985 --> 00:24:47,985
OH, YEAH,
I'M OKAY.
574
00:24:48,053 --> 00:24:50,721
NONE OF IT MAKES SENSE.
575
00:24:50,789 --> 00:24:52,756
I KNOW
THAT LOOK IN YOUR EYES.
576
00:24:52,824 --> 00:24:53,791
DO YOU REALLY THINK
577
00:24:53,859 --> 00:24:54,892
SOMEONE MIGHT'VE
KILLED HER?
578
00:24:54,960 --> 00:24:57,695
I DON'T KNOW.
579
00:24:57,762 --> 00:24:59,563
I REALLY DON'T KNOW.
580
00:25:01,066 --> 00:25:02,933
AUTOPSY REPORTS
CAME IN THIS MORNING.
581
00:25:03,001 --> 00:25:04,668
DEATH BY
NATURAL CAUSES.
582
00:25:04,736 --> 00:25:05,669
WHAT DID YOU THINK
WE'D FIND?
583
00:25:05,737 --> 00:25:07,738
WELL, IT'S JUST...
584
00:25:07,806 --> 00:25:10,407
IT'S HARD TO BELIEVE,
THAT'S ALL.
585
00:25:10,475 --> 00:25:12,042
LISTEN,
I HAVE GONE THROUGH
586
00:25:12,110 --> 00:25:13,544
THE ENTIRE TAPE
OF HER SLEEPING.
587
00:25:13,612 --> 00:25:14,945
SHE NEVER GETS UP,
588
00:25:15,013 --> 00:25:16,380
AND NO ONE
EVER COMES INTO THE ROOM.
589
00:25:16,448 --> 00:25:19,316
YOU MEAN, NO ONE EVER CAME
INTO VIEW ON CAMERA.
590
00:25:19,384 --> 00:25:22,887
FINE. NO ONE
IS EVER SEEN ON CAMERA.
591
00:25:22,954 --> 00:25:26,457
WHEN THEY SAY "NATURAL CAUSES,"
WHAT DOES THAT MEAN?
592
00:25:26,525 --> 00:25:30,494
IT MEANS "DEATH NOT ATTRIBUTED
TO OUTSIDE FORCES."
593
00:25:30,562 --> 00:25:32,363
HER HEART STOPPED.
594
00:25:32,430 --> 00:25:34,198
THIS IS NOT A POLICE CASE.
595
00:25:34,266 --> 00:25:36,634
THERE ARE NO SUSPECTS.
596
00:25:36,701 --> 00:25:38,502
LEAVE IT BE, JENN.
597
00:25:40,005 --> 00:25:40,971
I HEAR YOU.
598
00:25:41,039 --> 00:25:42,606
GOOD.
599
00:25:42,674 --> 00:25:45,075
COULD YOU DO ME
A FAVOR, THOUGH?
600
00:25:45,143 --> 00:25:47,545
WOULD YOU CALL THE CORONER,
SEE IF HE'LL TALK TO ME?
601
00:25:47,612 --> 00:25:49,446
[CHUCKLES]
602
00:25:49,514 --> 00:25:51,949
OH, HERE WE GO.
603
00:25:52,017 --> 00:25:54,785
[♪♪♪]
604
00:25:54,853 --> 00:25:57,288
[PETER]:
HI. IS JENNIFER HERE?
605
00:25:57,355 --> 00:25:59,657
OH, UH, SHE SHOULD BE
BACK IN A COUPLE HOURS.
606
00:25:59,724 --> 00:26:01,458
OH. OKAY.
607
00:26:01,526 --> 00:26:03,460
I THINK SHE LOANED SOMETHING
FROM THE STORE
608
00:26:03,528 --> 00:26:05,062
FOR THE OPEN HOUSE
LAST SATURDAY.
609
00:26:05,130 --> 00:26:06,964
IF YOU COULD PLEASE REMIND HER
TO GO BY AND PICK IT UP.
610
00:26:07,032 --> 00:26:08,098
I THINK
I SAW YOU THERE.
611
00:26:08,166 --> 00:26:09,833
-PETER MULLIN.
-HANNAH.
612
00:26:09,901 --> 00:26:11,201
HI. I WORK
IN THE SAME OFFICE
613
00:26:11,269 --> 00:26:12,803
AS ADRIAN...
614
00:26:14,139 --> 00:26:16,106
...DID.
615
00:26:16,174 --> 00:26:18,576
YOU MUST ALL BE DEVASTATED.
616
00:26:18,643 --> 00:26:20,611
WE ARE.
617
00:26:20,679 --> 00:26:23,447
IT'S TOUGH
ANY TIME YOU LOSE A FRIEND,
618
00:26:23,515 --> 00:26:25,015
BUT THIS...
619
00:26:25,083 --> 00:26:26,884
SO...
620
00:26:26,952 --> 00:26:28,852
WHAT HAPPENS TO THE HOUSE NOW?
621
00:26:28,920 --> 00:26:30,921
WELL, THE HOUSE IS STILL THERE.
622
00:26:30,989 --> 00:26:32,590
IT'S GONNA BE A TOUGH SELL
AFTER THIS.
623
00:26:32,657 --> 00:26:34,525
I DON'T ENVY THE NEXT AGENT.
624
00:26:34,593 --> 00:26:36,627
MM, PEOPLE DON'T REALLY
BELIEVE THAT "CURSE" STORY?
625
00:26:37,829 --> 00:26:39,930
YOU'D BE SURPRISED.
626
00:26:39,998 --> 00:26:42,700
WE ACTUALLY GOT A CALL
AT THE OFFICE TODAY.
627
00:26:42,767 --> 00:26:45,502
SOMEONE SAYS THEY REMEMBER
A WOMAN WHO DIED IN THE HOUSE
628
00:26:45,570 --> 00:26:46,904
BACK IN THE 1960s.
629
00:26:46,972 --> 00:26:48,539
IT WAS
THIS BIG MYSTERY--
630
00:26:48,607 --> 00:26:50,274
SHE WAS YOUNG,
IN HER 40s.
631
00:26:50,342 --> 00:26:52,576
HMM. WHAT DO YOU THINK?
632
00:26:54,312 --> 00:26:56,914
I THINK...
633
00:26:58,283 --> 00:27:00,351
I THINK
I'M GLAD I DON'T OWN THE HOUSE.
634
00:27:02,220 --> 00:27:04,922
[♪♪♪]
635
00:27:04,990 --> 00:27:06,023
HAVE A GOOD DAY.
636
00:27:06,091 --> 00:27:07,925
YOU TOO.
637
00:27:11,429 --> 00:27:12,596
[CHUCKLES]
THE PERFECT MURDER?
638
00:27:12,664 --> 00:27:14,798
IN MY OPINION?
NO SUCH THING.
639
00:27:14,866 --> 00:27:16,000
AT LEAST
IN THE REAL WORLD.
640
00:27:16,067 --> 00:27:18,268
THE KILLER ALWAYS
LEAVES SOME EVIDENCE,
641
00:27:18,336 --> 00:27:20,137
ALWAYS MAKES A MISTAKE.
642
00:27:20,205 --> 00:27:22,840
AND NOTHING
ABOUT ADRIAN MERRILL'S DEATH
643
00:27:22,907 --> 00:27:24,942
SUGGESTED ANYTHING
BUT "NATURAL CAUSES"?
644
00:27:25,010 --> 00:27:26,276
AH, YES.
645
00:27:26,344 --> 00:27:28,345
THE "DEADLY ROOM"--
HEH, I LOVE THAT.
646
00:27:28,413 --> 00:27:31,315
NO SIGNS OF TRAUMA,
NO GUNSHOT WOUNDS,
647
00:27:31,383 --> 00:27:32,850
KNIFE WOUNDS, ET CETERA,
NO BRUISING.
648
00:27:32,917 --> 00:27:34,652
BLOOD PANELS
NEGATIVE FOR POISONS.
649
00:27:34,719 --> 00:27:38,022
ESTIMATED TIME OF DEATH
BETWEEN 3:00 AND 5:00 A.M.,
650
00:27:38,089 --> 00:27:40,424
FROM HER CORE TEMPERATURE.
651
00:27:40,492 --> 00:27:43,560
HER HEART JUST STOPPED.
652
00:27:43,628 --> 00:27:44,895
WHY?
653
00:27:44,963 --> 00:27:47,831
WELL, UM, SHE HAD
A HISTORY OF MILD TACHYCARDIA,
654
00:27:47,899 --> 00:27:49,600
THAT'S AN IRREGULAR HEARTBEAT,
655
00:27:49,668 --> 00:27:50,968
AND, LOOKING AT
THE MEDICAL RECORDS,
656
00:27:51,036 --> 00:27:52,536
ALSO HAD SLEEP APNEA.
657
00:27:52,604 --> 00:27:54,304
THE IRREGULAR HEARTBEAT,
THE APNEA,
658
00:27:54,372 --> 00:27:55,506
OR A COMBINATION OF THE TWO
659
00:27:55,573 --> 00:27:58,642
COULD BE LINKED
TO SUDDEN CARDIAC DEATH.
660
00:27:58,710 --> 00:28:00,811
UNFORTUNATELY,
WHAT WE HAVE HERE
661
00:28:00,879 --> 00:28:04,348
IS A 35-YEAR-OLD WOMAN
WHO DIED OF NATURAL CAUSES.
662
00:28:04,416 --> 00:28:06,183
SO THAT'S IT?
663
00:28:06,251 --> 00:28:07,251
THAT'S IT.
664
00:28:07,318 --> 00:28:08,318
THE BODY IS RELEASED.
665
00:28:08,386 --> 00:28:09,420
PRIVATE FUNERAL.
666
00:28:09,487 --> 00:28:11,422
END OF STORY.
667
00:28:11,489 --> 00:28:13,123
OOH!
668
00:28:13,191 --> 00:28:14,525
CANDY?
669
00:28:16,127 --> 00:28:18,295
[♪♪♪]
670
00:28:25,303 --> 00:28:27,037
HEY!
671
00:28:27,105 --> 00:28:28,939
IS THIS
THE "DEADLY ROOM" HOUSE,
672
00:28:29,007 --> 00:28:30,941
THE ONE THAT
KILLED THAT WOMAN?
673
00:28:33,044 --> 00:28:34,378
NO, IT'S NOT.
674
00:28:34,446 --> 00:28:36,947
THAT HOUSE IS, UM,
A COUPLE BLOCKS DOWN THE ROAD.
675
00:28:39,317 --> 00:28:41,285
OKAY. THANKS.
676
00:28:41,352 --> 00:28:43,287
[♪♪♪]
677
00:28:49,728 --> 00:28:52,329
HOW LONG DO
WE HAVE TO STAY?
678
00:28:53,898 --> 00:28:55,499
NO DISRESPECT,
679
00:28:55,567 --> 00:28:57,735
BUT IF ADRIAN WERE HERE,
SHE'D WANT TO LEAVE.
680
00:28:57,802 --> 00:29:00,504
[♪♪♪]
681
00:29:00,572 --> 00:29:02,906
HELLO.
682
00:29:02,974 --> 00:29:05,375
GOOD TO SEE
SOMEONE I KNOW.
683
00:29:05,443 --> 00:29:07,745
I HAVE NO IDEA
WHO MOST OF THESE PEOPLE ARE.
684
00:29:07,812 --> 00:29:09,680
WE DON'T, EITHER.
685
00:29:10,815 --> 00:29:11,849
I'M SORRY TO INTERRUPT.
686
00:29:13,284 --> 00:29:16,487
JENNIFER, DANIELLE,
THIS IS MY BOSS, PATRICK WHITE.
687
00:29:16,554 --> 00:29:18,522
HE OWNS THE REAL ESTATE FIRM
WHERE ADRIAN WORKED.
688
00:29:18,590 --> 00:29:20,591
NICE TO MEET YOU.
689
00:29:20,658 --> 00:29:22,559
WELL, I'M SO SORRY TO MEET
UNDER THESE CIRCUMSTANCES.
690
00:29:22,627 --> 00:29:24,828
ADRIAN WAS A FRIEND,
691
00:29:24,896 --> 00:29:27,397
AS WELL AS THE BEST AGENT
I EVER HAD.
692
00:29:27,465 --> 00:29:28,632
THIS IS A...
693
00:29:28,700 --> 00:29:30,400
TRAGIC LOSS.
694
00:29:30,468 --> 00:29:32,269
CAN WE HAVE A MOMENT?
695
00:29:32,337 --> 00:29:34,204
EXCUSE US.
696
00:29:40,411 --> 00:29:42,780
[HUSHED CONVERSATIONS,
OVERLAPPING]
697
00:29:42,847 --> 00:29:43,914
DANI, CHECK THAT OUT.
698
00:29:45,083 --> 00:29:46,183
THANKS.
699
00:29:48,219 --> 00:29:50,454
THANK YOU SO MUCH FOR COMING.
700
00:29:50,522 --> 00:29:52,256
[QUIETLY]:
DO I LOOK THE PART?
701
00:29:52,323 --> 00:29:54,892
YOU LOOK FINE.
702
00:29:56,060 --> 00:29:57,361
I'D APPRECIATE IT
703
00:29:57,428 --> 00:29:59,096
IF WE KEPT THAT CONVERSATION
WE HAD THE OTHER DAY
704
00:29:59,164 --> 00:30:00,564
BETWEEN THE TWO OF US.
705
00:30:01,800 --> 00:30:03,767
YES, OF COURSE.
706
00:30:03,835 --> 00:30:06,203
DO YOU GUYS SELL
USED FURNITURE?
707
00:30:06,271 --> 00:30:10,607
YES, WE DEAL MOSTLY WITH
ANTIQUES AND UNIQUE ITEMS.
708
00:30:10,675 --> 00:30:13,010
GREAT. 'CAUSE ALL THIS
IS GONNA GO.
709
00:30:13,077 --> 00:30:14,545
I'M GONNA BE MOVING IN
TO ADRIAN'S HOUSE,
710
00:30:14,612 --> 00:30:16,713
BUT I WANT
A WHOLE DIFFERENT VIBE.
711
00:30:16,781 --> 00:30:17,681
I'LL CALL YOU.
712
00:30:22,020 --> 00:30:24,555
[♪♪♪]
713
00:30:27,358 --> 00:30:29,793
GEEZ. I COULD
BARELY STAND IT!
714
00:30:29,861 --> 00:30:30,961
IF IT WASN'T SO OBVIOUS,
715
00:30:31,029 --> 00:30:32,529
I'D THINK
THAT TINA KILLED HER SISTER.
716
00:30:32,597 --> 00:30:33,864
WHAT DO YOU MEAN?
717
00:30:33,932 --> 00:30:36,266
WELL, I THINK,
IF SHE WAS GUILTY OF ANYTHING,
718
00:30:36,334 --> 00:30:38,402
SHE WOULD HAVE ACTED BEREAVED
THE LAST TIME I WENT TO SEE HER.
719
00:30:38,469 --> 00:30:39,670
SHE DIDN'T CARE.
720
00:30:41,306 --> 00:30:42,806
UNLESS IT WAS A DOUBLE-FAKE
721
00:30:42,874 --> 00:30:44,541
AND SHE THOUGHT THAT,
BY ACTING NONCHALANT,
722
00:30:44,609 --> 00:30:46,176
IT WOULD MAKE HER SEEM INNOCENT
723
00:30:46,244 --> 00:30:47,611
BECAUSE ON THE SURFACE,
SHE'D LOOK GUILTY.
724
00:30:48,913 --> 00:30:50,047
POSSIBLE.
725
00:30:51,683 --> 00:30:53,917
BUT... GUILTY OF WHAT?
726
00:30:53,985 --> 00:30:55,586
JENN, YOU WENT TO THE CORONER.
727
00:30:55,653 --> 00:30:57,020
NOBODY KILLED ADRIAN.
728
00:30:58,623 --> 00:31:00,357
[♪♪♪]
729
00:31:00,425 --> 00:31:02,292
[GASPS] I'VE GOT IT!
730
00:31:02,360 --> 00:31:03,594
BLOW GUN.
731
00:31:03,661 --> 00:31:05,896
THE KILLER WAS OFF-CAMERA
WITH A POISON DART,
732
00:31:05,964 --> 00:31:07,431
BLEW THROUGH THE LONG TUBE.
733
00:31:07,498 --> 00:31:08,732
AND-- [SMACK]
734
00:31:08,800 --> 00:31:09,967
VOILA.
735
00:31:10,034 --> 00:31:11,301
I DON'T THINK SO. NO.
736
00:31:11,369 --> 00:31:12,836
WELL, ONE,
737
00:31:12,904 --> 00:31:15,005
THE DART WOULD STILL BE THERE.
738
00:31:15,073 --> 00:31:17,641
OR TWO, IF THE KILLER
WENT TO RETRIEVE IT,
739
00:31:17,709 --> 00:31:19,176
WE WOULD SEE HIM ON CAMERA,
RIGHT?
740
00:31:19,244 --> 00:31:20,444
YEAH.
741
00:31:20,511 --> 00:31:22,713
AND THE POISON WOULD SHOW UP
IN AN AUTOPSY.
742
00:31:24,082 --> 00:31:27,618
HOW ELSE COULD
A KILLER HAVE DONE THIS?
743
00:31:29,053 --> 00:31:30,954
I'M STUMPED.
744
00:31:32,190 --> 00:31:35,826
SO, EITHER SHE DID
DIE OF NATURAL CAUSES,
745
00:31:35,894 --> 00:31:37,227
OR...
746
00:31:37,295 --> 00:31:40,864
THE HOUSE HAS A "DEADLY ROOM"
THAT KILLS PEOPLE.
747
00:31:42,533 --> 00:31:44,334
DOES IT?
748
00:31:44,402 --> 00:31:47,204
HOW MUCH DO YOU REALLY KNOW
ABOUT THE HOUSE'S HISTORY?
749
00:31:49,874 --> 00:31:52,743
[♪♪♪]
750
00:32:18,870 --> 00:32:19,736
[GASPS]
751
00:32:20,939 --> 00:32:22,439
MAY I HELP YOU?
752
00:32:22,507 --> 00:32:24,708
[TAKES A BREATH, CHUCKLES]
753
00:32:25,977 --> 00:32:28,879
THAT HOUSE
HAS QUITE THE REPUTATION.
754
00:32:28,947 --> 00:32:30,047
WHEN I WAS YOUNGER,
755
00:32:30,114 --> 00:32:31,782
WE WOULDN'T EVEN
TRICK-OR-TREAT THERE.
756
00:32:31,849 --> 00:32:32,783
[SCOFFS LIGHTLY]
757
00:32:32,850 --> 00:32:33,951
YOU CERTAINLY DON'T THINK
758
00:32:34,018 --> 00:32:36,119
THE HOUSE SOMEHOW
KILLS PEOPLE, DO YOU?
759
00:32:36,187 --> 00:32:37,220
HOW IT HAPPENS,
760
00:32:37,288 --> 00:32:39,589
I DON'T KNOW.
761
00:32:39,657 --> 00:32:42,125
BUT THERE HAVE BEEN DEATHS.
762
00:32:42,193 --> 00:32:46,363
I'VE BEEN TOLD HOUSES THAT OLD
HAVE HAD DEATHS.
763
00:32:46,431 --> 00:32:47,664
OH, THAT'S IT. RIGHT THERE.
764
00:32:49,801 --> 00:32:50,968
HUH.
765
00:32:51,035 --> 00:32:53,036
AND NOW
THE MOST RECENT ONE,
766
00:32:53,104 --> 00:32:54,004
THE REAL ESTATE
AGENT.
767
00:32:54,072 --> 00:32:56,239
YOU HEARD ABOUT THAT?
768
00:32:57,675 --> 00:32:59,576
[♪♪♪]
769
00:33:00,878 --> 00:33:01,945
[CLINK]
770
00:33:02,013 --> 00:33:03,280
IT WAS A "CELEBRATION
OF LIFE,"
771
00:33:03,348 --> 00:33:04,681
IT WAS AT
ADRIAN'S HOUSE,
772
00:33:04,749 --> 00:33:06,383
BUT IT REALLY
WASN'T A LOT OF FUN.
773
00:33:06,451 --> 00:33:07,784
THEY NEVER ARE.
774
00:33:07,852 --> 00:33:10,153
TINA IS WALKING AROUND
LIKE THE BEREAVED SISTER,
775
00:33:10,221 --> 00:33:11,154
AND SHE ISN'T.
776
00:33:11,222 --> 00:33:12,556
THAT'S HARSH.
777
00:33:12,623 --> 00:33:13,890
MM.
778
00:33:13,958 --> 00:33:16,426
LOGAN AND I
WERE AT THE BATTING CAGE TODAY.
779
00:33:16,494 --> 00:33:18,328
I BROUGHT UP
THE DANCE,
780
00:33:18,396 --> 00:33:20,397
AND HE SEEMED
A LITTLE CALLOUS ABOUT IT.
781
00:33:20,465 --> 00:33:21,765
HOW?
782
00:33:21,833 --> 00:33:24,868
I ASKED HIM WHAT HE WOULD SAY
IF AMY INVITED HIM.
783
00:33:24,936 --> 00:33:26,069
AND HE SAID, "THANK YOU,
784
00:33:26,137 --> 00:33:27,170
THAT SOUNDS LIKE FUN,
I'D LOVE TO"?
785
00:33:27,238 --> 00:33:29,172
NO. IT'S WAS MORE LIKE,
"NO WAY."
786
00:33:29,240 --> 00:33:31,441
HMM.
787
00:33:31,509 --> 00:33:32,476
[VIDEO PLAYING]
788
00:33:32,543 --> 00:33:34,211
HEY. WHATCHA DOING?
789
00:33:34,278 --> 00:33:35,579
[CLICKS VIDEO OFF]
790
00:33:35,646 --> 00:33:37,848
ENGLISH HOMEWORK
AND WATCHING AN OLD MOVIE.
791
00:33:37,915 --> 00:33:40,784
IT'S AMAZING YOU CAN DO BOTH
AT THE SAME TIME.
792
00:33:40,852 --> 00:33:42,386
IT'S CALLED
MULTI-TASKING, MOM.
793
00:33:42,453 --> 00:33:43,320
WHAT MOVIE
ARE YOU WATCHING?
794
00:33:43,388 --> 00:33:44,855
THE STING.
795
00:33:44,922 --> 00:33:47,290
THE STING?
THAT'S A CLASSIC.
796
00:33:47,358 --> 00:33:48,558
HEY, CAN WE TALK?
797
00:33:49,927 --> 00:33:51,128
YEAH, ABOUT WHAT?
798
00:33:51,195 --> 00:33:53,230
I JUST WANT TO
SHARE SOMETHING WITH YOU.
799
00:33:54,966 --> 00:33:57,134
LONG AGO, AND FAR AWAY,
800
00:33:57,201 --> 00:33:59,136
YOUR MOTHER
WAS IN HIGH SCHOOL
801
00:33:59,203 --> 00:34:01,238
AND THERE WAS
A GIRL-ASK-BOY DANCE,
802
00:34:01,305 --> 00:34:03,740
AND THERE WAS A BOY
I REALLY WANTED TO ASK,
803
00:34:03,808 --> 00:34:05,675
BUT I COULDN'T
WORK UP THE COURAGE.
804
00:34:05,743 --> 00:34:07,811
WHAT IF HE DIDN'T THINK I WAS
COOL ENOUGH, OR CUTE ENOUGH?
805
00:34:07,879 --> 00:34:09,513
OR WHAT IF HE SAID NO?
806
00:34:09,580 --> 00:34:10,947
IT WAS VERY STRESSFUL.
807
00:34:11,015 --> 00:34:13,884
ANYWAY, ONE DAY I DID
WORK UP THE COURAGE TO ASK HIM,
808
00:34:13,951 --> 00:34:17,687
AND TO MY SURPRISE,
HE SAID YES.
809
00:34:17,755 --> 00:34:20,724
WE DIDN'T DATE AFTER THAT,
IT WAS NEVER A "THING,"
810
00:34:20,792 --> 00:34:22,793
BUT WE HAD A WONDERFUL TIME,
811
00:34:22,860 --> 00:34:25,962
AND I WILL ALWAYS REMEMBER HIM
FOR THAT.
812
00:34:26,030 --> 00:34:27,564
SO I JUST WANT TO SAY,
813
00:34:27,632 --> 00:34:29,533
IF YOU ARE LUCKY ENOUGH
TO BE ASKED,
814
00:34:29,600 --> 00:34:33,370
I HOPE YOU'LL REALIZE
THAT IT'S NOT EASY FOR THE GIRL.
815
00:34:34,672 --> 00:34:35,739
THAT'S ALL.
816
00:34:37,475 --> 00:34:39,609
[♪♪♪]
817
00:34:47,552 --> 00:34:50,053
OH, NO.
818
00:34:50,121 --> 00:34:51,755
YOU ARE NOT GONNA
SPEND EIGHT HOURS
819
00:34:51,823 --> 00:34:54,357
WATCHING ADRIAN
SLEEPING IN BED.
820
00:34:54,425 --> 00:34:56,359
I THOUGHT IT WAS
A LIVE-FEED, ANYWAY.
821
00:34:56,427 --> 00:34:57,294
WHAT, DID YOU
TAPE IT?
822
00:34:57,361 --> 00:34:59,029
NO, LOGAN HELPED ME OUT.
823
00:34:59,097 --> 00:35:00,530
THE LIVE WEBCAM WAS BACKED UP
IN THE CLOUD.
824
00:35:00,598 --> 00:35:02,265
I'M WATCHING IT
AT FOUR TIMES THE NORMAL SPEED.
825
00:35:02,333 --> 00:35:03,500
I SHOULD BE DONE
IN TWO HOURS.
826
00:35:03,568 --> 00:35:05,302
WHAT ARE YOU LOOKING FOR?
827
00:35:05,369 --> 00:35:06,970
I DON'T KNOW.
ANYTHING.
828
00:35:07,038 --> 00:35:08,972
A SHADOW?
SOMETHING WEIRD.
829
00:35:09,040 --> 00:35:12,209
[SIGHS] PAUSE IT.
830
00:35:12,276 --> 00:35:14,077
[CLACK]
831
00:35:14,145 --> 00:35:15,846
CAN YOU TELL ME WHY
832
00:35:15,913 --> 00:35:17,214
EVERYONE ELSE IS WRONG,
833
00:35:17,281 --> 00:35:20,050
AND YOU SUSPECT FOUL PLAY
IN THE DEATH OF ADRIAN?
834
00:35:21,252 --> 00:35:24,287
I WENT DOWN TO THE LIBRARY,
TO LOOK THROUGH THE RECORDS.
835
00:35:24,355 --> 00:35:27,691
THERE WAS A WOMAN
WHO DIED IN THE HOUSE IN 1895.
836
00:35:27,758 --> 00:35:28,825
ELIZABETH CARSON.
837
00:35:28,893 --> 00:35:31,261
WILLIAM CARSON'S
GREAT-GREAT GRANDMOTHER?
838
00:35:31,329 --> 00:35:32,762
THERE MIGHT BE THREE "GREATS."
839
00:35:32,830 --> 00:35:34,164
DIED OF TYPHUS.
840
00:35:34,232 --> 00:35:35,799
SO NOT A DEADLY ROOM?
841
00:35:35,867 --> 00:35:37,100
NO. BUT THE STORY
MENTIONED
842
00:35:37,168 --> 00:35:38,835
THAT THE HOUSE WAS THOUGHT
TO BE CURSED.
843
00:35:38,903 --> 00:35:40,036
THERE WERE OTHER DEATHS.
844
00:35:40,104 --> 00:35:41,738
BUT ADRIAN SAID, BACK THEN,
845
00:35:41,806 --> 00:35:43,874
IT WAS COMMON FOR PEOPLE
TO DIE AT HOME.
846
00:35:43,941 --> 00:35:45,809
I DON'T BELIEVE
IN A CURSE ANYWAY.
847
00:35:45,877 --> 00:35:48,478
IT'S JUST TOO CONVENIENT.
848
00:35:48,546 --> 00:35:50,881
AN ANONYMOUS ARTICLE COMES OUT
ABOUT A "DEADLY ROOM,"
849
00:35:50,948 --> 00:35:53,016
AND THE ONE NIGHT
THAT ADRIAN SLEEPS THERE,
850
00:35:53,084 --> 00:35:54,317
SHE DIES?
851
00:35:54,385 --> 00:35:55,919
MM.
852
00:35:55,987 --> 00:35:57,554
WELL, IF YOU'RE
THINKING MURDER,
853
00:35:57,622 --> 00:36:00,590
YOU NEED A SUSPECT
AND MOTIVE.
854
00:36:00,658 --> 00:36:01,791
I'M WORKING ON THAT.
855
00:36:01,859 --> 00:36:03,894
AND A METHOD.
I MEAN...
856
00:36:03,961 --> 00:36:07,297
HOW DO YOU KILL SOMEONE WHEN
THE WORLD IS WATCHING LIVE,
857
00:36:07,365 --> 00:36:08,865
THERE ARE
NO MARKS ON THE BODY,
858
00:36:08,933 --> 00:36:11,501
AND THE AUTOPSY FINDS
NOTHING OUT OF THE ORDINARY?
859
00:36:11,569 --> 00:36:14,204
I'M WORKING ON THAT, TOO.
860
00:36:18,809 --> 00:36:21,478
DO I THINK
SHE DIED OF NATURAL CAUSES?
861
00:36:21,546 --> 00:36:24,281
HARD TO BELIEVE.
862
00:36:24,348 --> 00:36:26,416
BUT THE ALTERNATIVE IS...
863
00:36:26,484 --> 00:36:28,451
IT'S RIDICULOUS.
864
00:36:28,519 --> 00:36:31,354
ADRIAN WAS
A GOOD FRIEND.
865
00:36:31,422 --> 00:36:33,456
FEW YEARS BACK,
WE WERE A TEAM.
866
00:36:35,326 --> 00:36:37,594
ONE OF THE TOP PRODUCERS.
867
00:36:37,662 --> 00:36:39,863
WHY DID YOU SPLIT?
868
00:36:39,931 --> 00:36:41,598
WELL, THE AGENCY THOUGHT
869
00:36:41,666 --> 00:36:43,767
WE'D BE MORE PRODUCTIVE
COMPETING AGAINST EACH OTHER,
870
00:36:43,834 --> 00:36:44,968
AND WE WERE.
871
00:36:45,036 --> 00:36:47,270
BUT WE DIDN'T HAVE
AS MUCH FUN.
872
00:36:49,974 --> 00:36:52,042
WHEN SOMETHING LIKE THIS
HAPPENS,
873
00:36:52,109 --> 00:36:52,943
WHO PROFITS?
874
00:36:54,378 --> 00:36:56,913
WELL, NOT THE OWNER--
ERICA FRANKLIN.
875
00:36:56,981 --> 00:36:58,949
SHE'S PUT A LOT OF MONEY
INTO THIS PROJECT.
876
00:36:59,016 --> 00:37:00,650
THE PRICE OF THE HOUSE
HAS TAKEN A BIG HIT.
877
00:37:00,718 --> 00:37:01,885
HOW MUCH?
878
00:37:01,953 --> 00:37:03,453
WHO KNOWS?
879
00:37:03,521 --> 00:37:05,789
BUT KILLING SOMEONE TO GET
A BETTER PRICE ON REAL ESTATE,
880
00:37:05,856 --> 00:37:07,657
THAT SEEMS A LITTLE EXTREME,
DON'T YOU THINK?
881
00:37:07,725 --> 00:37:09,125
I'M JUST
TRYING TO FIGURE OUT
882
00:37:09,193 --> 00:37:11,628
WHO MIGHT GAIN
BY THIS SITUATION.
883
00:37:12,797 --> 00:37:14,698
HEY, FOLKS! ONE SEC.
884
00:37:15,967 --> 00:37:18,101
LOOK, I HAVE TO ADMIT
885
00:37:18,169 --> 00:37:19,436
I'VE HAD SOME OF
THE SAME THOUGHTS MYSELF.
886
00:37:19,503 --> 00:37:20,737
I KEEP ON COMING UP EMPTY.
887
00:37:20,805 --> 00:37:22,205
[SIGHS]
888
00:37:22,273 --> 00:37:23,807
IF THERE'S ANYTHING
I CAN DO TO HELP,
889
00:37:23,874 --> 00:37:24,741
PLEASE LET ME KNOW.
890
00:37:24,809 --> 00:37:26,676
THANKS, PETER.
891
00:37:29,180 --> 00:37:32,716
HI. PETER MULLIN.
PLEASURE. NICE TO MEET YOU.
892
00:37:32,783 --> 00:37:35,051
[DOOR BELL JINGLES]
893
00:37:35,119 --> 00:37:37,487
OH! WELCOME TO RAGS TO RICHES.
894
00:37:37,555 --> 00:37:38,922
HI.
895
00:37:38,990 --> 00:37:43,226
I HAVE
A VINTAGE SILK FLAPPER DRESS
896
00:37:43,294 --> 00:37:44,861
FROM THE 1920s.
897
00:37:44,929 --> 00:37:46,363
OH! WOW.
898
00:37:46,430 --> 00:37:48,732
THAT'S STUNNING.
899
00:37:48,799 --> 00:37:49,933
I EVEN HAVE A PICTURE
900
00:37:50,001 --> 00:37:51,601
OF MY GRANDMOTHER
WEARING THE DRESS.
901
00:37:51,669 --> 00:37:54,337
OH... I LOVE THIS.
902
00:37:54,405 --> 00:37:56,406
WELL, I NEED TO
SELL IT RIGHT AWAY.
903
00:37:56,474 --> 00:37:58,742
IT'S REALLY CRAZY,
904
00:37:58,809 --> 00:38:00,577
BUT LITTLE MY DOGGY,
HE TORE HIS ACL,
905
00:38:00,645 --> 00:38:02,846
AND THE OPERATION
IS REALLY EXPENSIVE.
906
00:38:02,913 --> 00:38:07,150
WELL, THIS DRESS WOULD BE
GREAT FOR THE STORE.
907
00:38:07,218 --> 00:38:09,452
UM, HOW MUCH
DID YOU WANT FOR IT?
908
00:38:09,520 --> 00:38:11,154
WELL, I DON'T REALLY
WANT TO SELL IT,
909
00:38:11,222 --> 00:38:13,156
BUT I FEEL LIKE
IF I GOT $700 FOR IT,
910
00:38:13,224 --> 00:38:14,491
THAT WOULD BE FAIR.
911
00:38:15,960 --> 00:38:18,361
OKAY, WELL...
912
00:38:18,429 --> 00:38:20,230
EXCUSE ME A SECOND.
913
00:38:20,298 --> 00:38:22,032
OKAY.
914
00:38:22,099 --> 00:38:23,033
[KEYS CLACKING]
915
00:38:26,170 --> 00:38:28,004
[QUIET GASP]
916
00:38:29,840 --> 00:38:30,874
[PICKS UP PHONE]
917
00:38:34,178 --> 00:38:35,445
MOM?
918
00:38:35,513 --> 00:38:37,347
WHY DON'T YOU EVER
PICK UP YOUR PHONE?
919
00:38:38,916 --> 00:38:41,718
[♪♪♪]
920
00:38:44,388 --> 00:38:46,256
I REALLY LIKE THE DRESS,
921
00:38:46,324 --> 00:38:49,893
BUT I CAN'T BUY SOMETHING
THAT EXPENSIVE WITHOUT APPROVAL.
922
00:38:49,960 --> 00:38:51,728
COULD YOU BRING IT BACK LATER?
923
00:38:51,796 --> 00:38:53,797
I-I REALLY DO
NEED TO SELL IT TODAY.
924
00:38:53,864 --> 00:38:55,131
I'LL TRY ANOTHER STORE.
925
00:38:55,199 --> 00:38:57,100
I COULD GIVE YOU
$300 FOR THE DRESS.
926
00:38:58,536 --> 00:38:59,836
[EXHALES]
927
00:38:59,904 --> 00:39:02,005
FIVE IS REALLY
THE LOWEST I CAN GO.
928
00:39:02,073 --> 00:39:04,741
I MEAN, IT IS
VINTAGE SILK, BEADED.
929
00:39:05,976 --> 00:39:09,546
HONESTLY,
THE MOST I HAVE IS 300,
930
00:39:09,613 --> 00:39:12,282
AND I PROBABLY
SHOULDN'T DO THAT.
931
00:39:13,851 --> 00:39:16,219
[SIGHING]
932
00:39:18,756 --> 00:39:20,657
DEAL.
933
00:39:21,926 --> 00:39:24,427
[GIGGLES HAPPILY]
934
00:39:24,495 --> 00:39:25,528
THANK YOU SO MUCH.
935
00:39:25,596 --> 00:39:27,630
YOU'RE WELCOME.
936
00:39:27,698 --> 00:39:29,399
OH, WOW.
937
00:39:30,568 --> 00:39:32,402
NO ONE WANTS TO GET NEAR IT.
938
00:39:32,470 --> 00:39:34,671
ALL OFFERS HAVE BEEN PULLED.
939
00:39:34,739 --> 00:39:36,239
IS IT TRUE
THAT DONALD LENNOX
940
00:39:36,307 --> 00:39:37,707
HAD WANTED TO
TEAR THE PLACE DOWN
941
00:39:37,775 --> 00:39:39,376
AND BUILD
AN APARTMENT COMPLEX?
942
00:39:39,443 --> 00:39:42,245
WELL, DONALD WANTED TO BUY IT
FOR PRACTICALLY NOTHING.
943
00:39:42,313 --> 00:39:44,247
I OFFERED SLIGHTLY MORE
THAN NOTHING,
944
00:39:44,315 --> 00:39:46,416
AND I THINK DONALD
WAS IRRITATED WITH ADRIAN
945
00:39:46,484 --> 00:39:48,418
FOR LETTING ME SNATCH IT UP.
946
00:39:48,486 --> 00:39:51,121
I HEARD WILLIAM CARSON
WAS INTERESTED IN THE HOUSE.
947
00:39:51,188 --> 00:39:52,589
HE STILL IS.
948
00:39:52,656 --> 00:39:54,090
YOU KNOW HE CALLED ME
949
00:39:54,158 --> 00:39:56,059
THE DAY AFTER
ADRIAN'S PASSING,
950
00:39:56,127 --> 00:39:57,994
SEEING IF I WANTED TO
"UNLOAD" IT.
951
00:39:58,062 --> 00:39:59,996
OFFERING ME EVEN LESS
THAN WHAT I PAID FOR IT,
952
00:40:00,064 --> 00:40:01,264
BEFORE THE REMODEL.
953
00:40:03,300 --> 00:40:05,568
I KNOW YOU CONSIDER YOURSELF
SOME KIND OF SLEUTH--
954
00:40:05,636 --> 00:40:07,270
AT LEAST THAT'S WHAT I HEAR.
955
00:40:07,338 --> 00:40:09,339
DOESN'T REALLY MATTER.
956
00:40:09,407 --> 00:40:11,474
"DEADLY ROOM," MURDER,
IT'S ALL THE SAME.
957
00:40:11,542 --> 00:40:14,344
MY INVESTMENT IS WRECKED.
958
00:40:16,013 --> 00:40:18,081
IT MAY HAVE
MATTERED TO ADRIAN.
959
00:40:18,149 --> 00:40:20,049
OF COURSE.
960
00:40:21,819 --> 00:40:24,120
SHE AND I WERE IN
A BUSINESS RELATIONSHIP,
961
00:40:24,188 --> 00:40:25,922
AND THAT'S WHAT MY MIND
IS ON NOW--
962
00:40:25,990 --> 00:40:26,990
THE BUSINESS.
963
00:40:29,193 --> 00:40:31,594
[♪♪♪]
964
00:40:33,731 --> 00:40:35,298
I'LL BE FINE.
965
00:40:35,366 --> 00:40:37,066
HEY, SWEETHEART!
HOW DID IT GO?
966
00:40:37,134 --> 00:40:40,103
WENT GREAT.
DO YOU NOTICE ANYTHING NEW?
967
00:40:40,171 --> 00:40:41,738
I TOOK YOUR ADVICE
ABOUT GOING FOR IT.
968
00:40:41,806 --> 00:40:44,908
AUTHENTIC SILK FLAPPER DRESS
FROM THE 1920S.
969
00:40:44,975 --> 00:40:46,142
HOW MUCH?
970
00:40:46,210 --> 00:40:48,878
WELL, I SAW ONE
ONLINE FOR $1,500.
971
00:40:48,946 --> 00:40:50,880
THE WOMAN WAS TRYING TO
GET $700 OUT OF ME,
972
00:40:50,948 --> 00:40:53,583
BUT I DROVE A HARD BARGAIN
AND I GOT IT FOR 300!
973
00:40:53,651 --> 00:40:54,918
WE'RE GONNA DO OKAY!
974
00:40:54,985 --> 00:40:57,687
IF-- IF IT'S REAL.
975
00:40:57,755 --> 00:40:58,988
IT'S REAL!
976
00:40:59,056 --> 00:41:00,890
I HAVE A PHOTO
OF HER GRANDMOTHER WEARING IT.
977
00:41:00,958 --> 00:41:01,925
[SIGHS]
978
00:41:01,992 --> 00:41:03,126
WELL, SWEETHEART,
979
00:41:03,194 --> 00:41:04,794
HOW DO YOU KNOW THAT
THAT'S HER GRANDMOTHER?
980
00:41:04,862 --> 00:41:06,596
HOW DO YOU KNOW
THAT IT'S SILK?
981
00:41:06,664 --> 00:41:08,798
WELL... FEELS LIKE SILK.
982
00:41:08,866 --> 00:41:10,567
THE WOMAN NEEDED MONEY
983
00:41:10,634 --> 00:41:11,801
TO PAY FOR AN OPERATION
ON HER DOG.
984
00:41:13,704 --> 00:41:15,405
WELL...
985
00:41:15,473 --> 00:41:16,639
RING?
986
00:41:16,707 --> 00:41:18,475
-MM.
REAL SILK--
987
00:41:18,542 --> 00:41:19,909
...CAN BE
PULLED THROUGH A RING.
988
00:41:19,977 --> 00:41:21,611
SYNTHETIC BUNCHES UP.
989
00:41:21,679 --> 00:41:25,515
SO THIS DRESS IS...
990
00:41:25,583 --> 00:41:27,817
GENUINE...
991
00:41:27,885 --> 00:41:29,419
RAYON.
992
00:41:31,121 --> 00:41:32,422
BUT GOOD RAYON.
993
00:41:32,490 --> 00:41:35,124
IT'S WORTH ABOUT 25 BUCKS.
994
00:41:35,192 --> 00:41:37,494
[SIGHS HEAVILY]
995
00:41:37,561 --> 00:41:41,030
I'M SO SORRY.
996
00:41:41,098 --> 00:41:43,166
THAT WAS ALL A LIE?
997
00:41:43,234 --> 00:41:46,302
THE PICTURE OF HER GRANDMOTHER,
THE STORY ABOUT HER DOG?
998
00:41:46,370 --> 00:41:48,037
[SHE SIGHS]
999
00:41:48,105 --> 00:41:49,639
I'VE BEEN CONNED.
1000
00:41:49,707 --> 00:41:51,508
OH, SWEETHEART.
1001
00:41:53,110 --> 00:41:54,511
I'M SORRY, MOM.
1002
00:41:54,578 --> 00:41:55,879
THAT'S OKAY.
1003
00:41:55,946 --> 00:41:58,348
WE'VE ALL MADE
THE SAME MISTAKE
1004
00:41:58,415 --> 00:41:59,916
WHEN WE'RE STARTING OUT.
1005
00:41:59,984 --> 00:42:02,151
WELL, SURE!
THAT'S HOW YOU LEARN!
1006
00:42:02,219 --> 00:42:04,854
$300 IS AN EXPENSIVE LESSON.
1007
00:42:06,223 --> 00:42:07,690
I WILL EARN IT BACK.
1008
00:42:07,758 --> 00:42:08,925
I SWEAR.
1009
00:42:08,993 --> 00:42:10,260
IT'S OKAY.
1010
00:42:10,327 --> 00:42:12,128
OKAY, YOU TRY, MOM.
1011
00:42:12,196 --> 00:42:13,730
FIRST, CLICK
THE MAGNIFYING GLASS,
1012
00:42:13,797 --> 00:42:14,731
THEN PUT THE CURSOR
1013
00:42:14,798 --> 00:42:15,798
OVER WHAT
YOU WANT TO ENLARGE.
1014
00:42:15,866 --> 00:42:18,067
[CLICKING]
1015
00:42:18,135 --> 00:42:19,602
[JENN]: WHY SO BLURRY?
1016
00:42:19,670 --> 00:42:20,870
FROM YOUR
CELL PHONE, MOM.
1017
00:42:20,938 --> 00:42:22,205
THE LESS YOU ENLARGE,
THE BETTER IT LOOKS.
1018
00:42:22,273 --> 00:42:23,773
-OH--
-OKAY.
1019
00:42:23,841 --> 00:42:24,807
WHAT-- W-WHAT--
1020
00:42:24,875 --> 00:42:25,842
MM-MM-MM.
1021
00:42:25,910 --> 00:42:28,011
ABSENTEE-MOM INTERVENTION.
1022
00:42:28,078 --> 00:42:28,978
YOU TWO HAVE A CHOICE.
1023
00:42:29,046 --> 00:42:30,947
YOU CAN STARE AT THAT COMPUTER--
1024
00:42:31,015 --> 00:42:33,516
...OR YOU CAN GET YOUR BUTT
KICKED AT HEARTS.
1025
00:42:33,584 --> 00:42:35,184
[GROANS]
1026
00:42:35,252 --> 00:42:36,452
-BOOM!
-YOU KNOW YOU WANT IT.
1027
00:42:36,520 --> 00:42:38,121
-THAT'S A CHALLENGE.
-YOU KNOW YOU WANT IT!
1028
00:42:38,188 --> 00:42:40,723
-WE CANNOT TURN DOWN--
-WE CAN'T TURN IT DOWN.
1029
00:42:40,791 --> 00:42:42,825
WE'VE WON--WE'VE WON
SIX TIMES IN A ROW!
1030
00:42:42,893 --> 00:42:44,761
[♪♪♪]
1031
00:42:45,930 --> 00:42:47,864
MM. JUST GO WITH ME HERE.
1032
00:42:47,932 --> 00:42:49,799
SEEMS IMPOSSIBLE
THERE WAS A MURDER, RIGHT?
1033
00:42:49,867 --> 00:42:51,100
MM-HMM.
1034
00:42:51,168 --> 00:42:52,402
OKAY.
PUT THAT ASIDE.
1035
00:42:52,469 --> 00:42:54,003
LET'S TALK SUSPECTS.
1036
00:42:54,071 --> 00:42:56,806
OKAY. LET'S HEAR IT.
1037
00:42:56,874 --> 00:42:58,007
AND I WANT MOTIVE!
1038
00:42:58,075 --> 00:42:59,709
OKAY, I'VE BEEN
WORKING ON THIS.
1039
00:42:59,777 --> 00:43:01,511
SUSPECTS AND MOTIVES.
1040
00:43:01,579 --> 00:43:02,512
[CLACK-CLACK]
1041
00:43:02,580 --> 00:43:03,880
WILLIAM CARSON,
1042
00:43:03,948 --> 00:43:06,749
HEIR TO THE CARSON FAMILY,
WHO BUILT THE HOUSE.
1043
00:43:06,817 --> 00:43:09,385
HE WANTED TO BUY THE HOUSE,
BUT HE COULDN'T AFFORD IT.
1044
00:43:09,453 --> 00:43:10,720
MM-HMM.
1045
00:43:10,788 --> 00:43:13,323
DONALD LENNOX,
REAL ESTATE DEVELOPER.
1046
00:43:13,390 --> 00:43:14,791
HE WANTED
TO KNOCK THE HOUSE DOWN
1047
00:43:14,858 --> 00:43:16,259
AND BUILD
AN APARTMENT COMPLEX.
1048
00:43:16,327 --> 00:43:17,527
MAYBE HE STILL DOES.
1049
00:43:17,595 --> 00:43:18,494
OKAY!
1050
00:43:18,562 --> 00:43:19,696
ERICA FRANKLIN,
1051
00:43:19,763 --> 00:43:22,665
PRESENT OWNER OF THE HOUSE,
BUT...
1052
00:43:22,733 --> 00:43:23,766
MAYBE WE SHOULD RULE HER OUT,
1053
00:43:23,834 --> 00:43:25,368
BECAUSE SHE STANDS
TO LOSE THE MOST
1054
00:43:25,436 --> 00:43:26,803
FROM THIS WHOLE
"DEADLY ROOM" STORY.
1055
00:43:26,870 --> 00:43:30,106
OR WE SHOULD RULE HER IN,
BECAUSE SHE LOOKS INNOCENT.
1056
00:43:30,174 --> 00:43:31,107
[CLICK]
1057
00:43:31,175 --> 00:43:32,241
AND THEN THERE'S TINA,
1058
00:43:32,309 --> 00:43:34,711
THE MOST OBVIOUS SUSPECT,
1059
00:43:34,778 --> 00:43:37,013
BECAUSE SHE STANDS
TO GAIN THE MOST--
1060
00:43:37,081 --> 00:43:40,383
CONTROL OF THE TRUST FUND,
PLUS ADRIAN'S SHARE OF IT.
1061
00:43:40,451 --> 00:43:42,318
SOUNDS GUILTY TO ME.
1062
00:43:42,386 --> 00:43:43,686
[PHONE ALERT BEEPS]
1063
00:43:43,754 --> 00:43:47,123
OOH! I HAVE AN APPOINTMENT
WITH MY ASTROLOGIST.
1064
00:43:47,191 --> 00:43:48,858
OH! THE COLONIAL.
1065
00:43:48,926 --> 00:43:50,393
WE STILL HAVE
A STATUE THERE.
1066
00:43:50,461 --> 00:43:52,228
RIGHT. I WILL
GO PICK IT UP.
1067
00:43:52,296 --> 00:43:53,963
OKAY. BYE, HONEY.
1068
00:43:54,031 --> 00:43:56,065
BYE.
1069
00:43:56,133 --> 00:43:58,167
[♪♪♪]
1070
00:44:00,004 --> 00:44:01,537
[CLICK]
1071
00:44:09,913 --> 00:44:12,615
ZIP CODE.
1072
00:44:19,823 --> 00:44:21,958
[DOOR CREAKS OPEN]
1073
00:44:27,731 --> 00:44:29,866
[♪♪♪]
1074
00:44:32,870 --> 00:44:34,270
[THUD]
1075
00:44:37,908 --> 00:44:40,176
[♪♪♪]
1076
00:45:05,703 --> 00:45:07,970
[♪♪♪]
1077
00:45:38,035 --> 00:45:40,236
[♪♪♪]
1078
00:45:52,850 --> 00:45:54,684
[CLICK-CREAK]
1079
00:46:01,658 --> 00:46:04,460
[CREAKING]
1080
00:46:08,599 --> 00:46:10,566
[♪♪♪]
1081
00:46:37,761 --> 00:46:40,296
[♪♪♪]
1082
00:47:06,390 --> 00:47:08,424
[♪♪♪]
1083
00:47:36,920 --> 00:47:39,088
[♪♪♪]
1084
00:47:50,167 --> 00:47:52,301
OHH...
1085
00:47:53,604 --> 00:47:54,937
[GRUNTING]
1086
00:47:55,005 --> 00:47:57,306
OH! OH, NO.
1087
00:47:58,709 --> 00:48:01,310
[THUMPING]
1088
00:48:03,881 --> 00:48:05,681
[♪♪♪]
1089
00:48:06,817 --> 00:48:09,352
HEY. HAVE YOU
HEARD FROM YOUR MOM?
1090
00:48:09,419 --> 00:48:11,821
UH, NO. I CALLED HER EARLIER,
GOT HER VOICEMAIL.
1091
00:48:11,889 --> 00:48:13,489
HUH.
1092
00:48:13,557 --> 00:48:15,591
[PHONE BUZZES]
1093
00:48:15,659 --> 00:48:16,826
HELLO?
1094
00:48:16,894 --> 00:48:18,527
OH, HEY, DANI. IT'S JASON.
1095
00:48:18,595 --> 00:48:19,562
HAVE YOU HEARD
FROM MY LOVELY WIFE?
1096
00:48:19,630 --> 00:48:20,763
I CAN'T GET AHOLD OF HER.
1097
00:48:20,831 --> 00:48:22,265
NO, I DON'T KNOW
WHERE SHE IS, EITHER.
1098
00:48:22,332 --> 00:48:24,100
I TRIED CALLING HER, TOO.
1099
00:48:24,167 --> 00:48:25,768
I'M GETTING A LITTLE WORRIED.
1100
00:48:25,836 --> 00:48:27,670
I LEFT HER ATTHE SHOP THIS AFTERNOON.
1101
00:48:27,738 --> 00:48:29,805
SHE MAY HAVE GONE OVER
TO THE COLONIAL,
1102
00:48:29,873 --> 00:48:31,707
TO PICK UP A STATUE WE LEFT THERE!
1103
00:48:31,775 --> 00:48:34,076
[♪♪♪]
1104
00:48:41,652 --> 00:48:44,153
JENNIFER!
1105
00:48:44,221 --> 00:48:46,555
JENN!
1106
00:48:46,623 --> 00:48:48,124
LET ME CHECK UPSTAIRS.
1107
00:48:48,191 --> 00:48:49,959
I'M GOING TO GO THIS WAY.
1108
00:48:50,027 --> 00:48:53,129
JENN! JENNIFER?
1109
00:48:57,868 --> 00:49:00,069
JASON!
HER PURSE AND PHONE ARE HERE!
1110
00:49:02,372 --> 00:49:04,273
-JENNIFER!
-[MUFFLED]: JASON!
1111
00:49:04,341 --> 00:49:06,876
-[MUFFLED THUMPING] JASON!
-JENN!
1112
00:49:06,944 --> 00:49:07,877
[JENN]: HERE! IN HERE!
1113
00:49:07,945 --> 00:49:10,012
HOLD ON, HONEY.
1114
00:49:10,080 --> 00:49:12,114
I'M GONNA GET YOU OUT.
1115
00:49:12,182 --> 00:49:14,083
-[CLICK]
-I GOT IT!
1116
00:49:14,151 --> 00:49:15,751
[JENN GASPS WITH RELIEF]
1117
00:49:15,819 --> 00:49:16,986
AWW.
1118
00:49:17,054 --> 00:49:19,221
OH, JASON.
AW, THANK GOODNESS.
1119
00:49:19,289 --> 00:49:21,724
-OHH--
-YOU OKAY?
1120
00:49:21,792 --> 00:49:23,059
YEAH. OHH...
1121
00:49:23,126 --> 00:49:25,962
ISN'T THIS TRESPASSING?
CAN I PRESS CHARGES?
1122
00:49:26,029 --> 00:49:27,964
UM...
1123
00:49:28,031 --> 00:49:29,165
MAYBE.
1124
00:49:29,232 --> 00:49:31,267
[SIGHS] PROBABLY NOT.
1125
00:49:31,335 --> 00:49:34,170
YOU HAD A LOCKBOX ON THE DOOR,
SHE HAD THE CODE.
1126
00:49:34,237 --> 00:49:36,539
HOW DID YOU KNOW THE CODE?
1127
00:49:36,606 --> 00:49:37,740
ADRIAN.
1128
00:49:37,808 --> 00:49:39,909
SHE TOLD ME ALL THE CODES
TO THE LOCK-BOXES
1129
00:49:39,977 --> 00:49:41,610
ARE THE ZIP CODES.
1130
00:49:41,678 --> 00:49:44,680
AND YOU CAME BY
TO RETRIEVE A STATUE--
1131
00:49:44,748 --> 00:49:46,082
THE BARYE STAG!
1132
00:49:46,149 --> 00:49:48,284
UH, THANK YOU-- WHICH
YOU LOANED FOR THE OPEN HOUSE?
1133
00:49:48,352 --> 00:49:49,752
RIGHT.
1134
00:49:49,820 --> 00:49:51,420
AND THEN I FOUND
THE HIDDEN STAIRWAY
1135
00:49:51,488 --> 00:49:53,022
THAT LEADS
TO THE BEDROOM.
1136
00:49:53,090 --> 00:49:55,691
I KNEW ABOUT THE STAIRWAY.
SO WHAT?
1137
00:49:55,759 --> 00:49:57,960
I DON'T WANT YOU
SNEAKING AROUND THIS HOUSE.
1138
00:49:58,028 --> 00:50:01,297
AND I WANT YOU TO STOP WITH
THIS NONSENSE ABOUT A MURDER.
1139
00:50:01,365 --> 00:50:02,798
DETECTIVE.
1140
00:50:02,866 --> 00:50:05,634
WHAT IS THE OFFICIAL CAUSE
OF DEATH OF ADRIAN MERRILL?
1141
00:50:05,702 --> 00:50:07,236
NATURAL CAUSES.
1142
00:50:09,306 --> 00:50:10,840
WELL, THEN WHO CLOSED
THE DOOR BEHIND ME
1143
00:50:10,907 --> 00:50:12,641
AND TRAPPED ME
IN THE STAIRWAY?
1144
00:50:16,146 --> 00:50:17,980
[DOOR CREAKS]
1145
00:50:19,549 --> 00:50:21,283
JUST LIKE THAT?
1146
00:50:21,351 --> 00:50:22,518
YES.
1147
00:50:22,586 --> 00:50:25,121
[MECHANISM CLICKS, DOOR THUDS]
1148
00:50:29,459 --> 00:50:31,494
[♪♪♪]
1149
00:50:31,561 --> 00:50:32,795
[ERICA SCOFFS]
1150
00:50:33,964 --> 00:50:35,431
DO YOU KNOW WHAT THIS IS?
1151
00:50:35,499 --> 00:50:38,167
CAP TO SOMETHING?
1152
00:50:38,235 --> 00:50:40,102
I THINK IT'S WHAT
YOU PUT ON A SYRINGE
1153
00:50:40,170 --> 00:50:41,871
TO PROTECT THE NEEDLE.
1154
00:50:44,408 --> 00:50:46,108
WHERE'D YOU FIND THIS?
1155
00:50:46,176 --> 00:50:47,877
THE HIDDEN STAIRWAY.
1156
00:50:47,944 --> 00:50:50,813
I THINK SOMEBODY
INJECTED ADRIAN WITH SOMETHING.
1157
00:50:52,382 --> 00:50:55,551
YOU DON'T KNOW HOW LONG
THIS HAS BEEN IN THE STAIRWAY.
1158
00:50:55,619 --> 00:50:56,986
I MEAN,
THINK ABOUT IT--
1159
00:50:57,054 --> 00:50:59,055
YOU'VE WATCHED
THE ENTIRE TAPE
1160
00:50:59,122 --> 00:51:00,256
OF ADRIAN SLEEPING,
1161
00:51:00,323 --> 00:51:02,691
AND NOBODY INJECTED HER,
RIGHT?
1162
00:51:02,759 --> 00:51:04,527
RIGHT.
1163
00:51:04,594 --> 00:51:06,729
IT WOULD BE ON CAMERA
IF SOMEONE HAD.
1164
00:51:06,797 --> 00:51:10,666
AND THERE WAS NOTHING
IN THE AUTOPSY REPORT, RIGHT?
1165
00:51:10,734 --> 00:51:12,768
[SIGHS]
1166
00:51:12,836 --> 00:51:14,904
RIGHT.
1167
00:51:16,039 --> 00:51:17,773
SO WHAT DO YOU THINK NOW?
1168
00:51:19,609 --> 00:51:21,777
I THINK I'M GONNA
FINISH MY PIE.
1169
00:51:30,320 --> 00:51:32,822
COLONEL MUSTARD
WITH THE CANDLESTICK.
1170
00:51:32,889 --> 00:51:34,256
I'M THINKING
1171
00:51:34,324 --> 00:51:36,559
PROFESSOR PLUM
WITH THE ROPE.
1172
00:51:36,626 --> 00:51:39,361
[♪♪♪]
1173
00:51:43,166 --> 00:51:45,000
AHH. I KNEW IT!
1174
00:51:50,841 --> 00:51:54,543
"1,000 TIMES
MORE DEADLY THAN CYANIDE."
1175
00:51:54,611 --> 00:51:56,145
TETRODOTOXIN.
1176
00:51:56,213 --> 00:51:58,147
"ONE FISH
COULD KILL 30 PEOPLE."
1177
00:51:58,215 --> 00:51:59,181
OOH.
1178
00:51:59,249 --> 00:52:02,351
[♪♪♪]
1179
00:52:03,553 --> 00:52:04,620
HEMLOCK.
1180
00:52:04,688 --> 00:52:06,122
OKAY.
1181
00:52:06,189 --> 00:52:09,158
MERCURY? WELL, GOT THAT.
WATCH YOUR TUNA.
1182
00:52:09,226 --> 00:52:12,962
"A MEDICAL TOXIN,
SUCCINYLCHOLINE,
1183
00:52:13,029 --> 00:52:14,263
"SIMILAR TO CURARE,
1184
00:52:14,331 --> 00:52:17,333
USED DURING SURGERY
OR EMERGENCY INTUBATION."
1185
00:52:18,502 --> 00:52:21,504
WOLFSBANE. UNTRACEABLE?
1186
00:52:21,571 --> 00:52:23,873
"CAUSES ARRHYTHMIC
HEART FUNCTION
1187
00:52:23,940 --> 00:52:25,741
"LEADING TO SUFFOCATION.
1188
00:52:25,809 --> 00:52:27,209
"LEAVES AND STEM ARE TOXIC
1189
00:52:27,277 --> 00:52:28,844
"AND EASILY ABSORBED
THROUGH SKIN.
1190
00:52:28,912 --> 00:52:31,013
MUST BE HANDLED
WITH PROTECTIVE GLOVES."
1191
00:52:32,182 --> 00:52:33,282
WOLFSBANE.
1192
00:52:33,350 --> 00:52:35,151
[PEN SCRATCHING PAPER]
1193
00:52:38,255 --> 00:52:39,922
-WOLF'S-- WHAT?
-"WOLFSBANE."
1194
00:52:39,990 --> 00:52:42,591
IT'S A POISONOUS FLOWER,
VERY TOXIC TO THE TOUCH.
1195
00:52:42,659 --> 00:52:44,593
YOU HAVE TO WEAR GLOVES
IF YOU'RE HANDLING IT.
1196
00:52:44,661 --> 00:52:47,029
SO, NOT A "DEADLY ROOM,"
A DEADLY MASSAGE?
1197
00:52:47,097 --> 00:52:48,797
[LAUGHS] THAT'S FUNNY!
1198
00:52:48,865 --> 00:52:51,700
BUT WHAT IF IT HAD BEEN RUBBED
ON THE SHEETS, FOR EXAMPLE?
1199
00:52:51,768 --> 00:52:54,803
HAVE YOU BEEN UP ALL NIGHT?
I THINK YOU NEED MORE REST.
1200
00:52:54,871 --> 00:52:56,071
HERE, LET ME
TAKE YOUR TEMPERATURE.
1201
00:52:56,139 --> 00:52:58,674
SERIOUSLY, DANI,
THIS COULD EXPLAIN A LOT.
1202
00:52:58,742 --> 00:52:59,642
OH, HOLD ON.
1203
00:52:59,709 --> 00:53:00,643
[RINGING]
1204
00:53:00,710 --> 00:53:01,777
HELLO?
1205
00:53:01,845 --> 00:53:03,746
HI, TINA.
1206
00:53:03,813 --> 00:53:05,848
UH, YES, I CAN DO THAT.
1207
00:53:07,083 --> 00:53:09,118
VERY GOOD.
I'LL SEE YOU IN A BIT.
1208
00:53:10,353 --> 00:53:11,487
THAT WAS TINA.
1209
00:53:11,555 --> 00:53:12,855
SHE WANTS ME
TO GO OVER TO ADRIAN'S.
1210
00:53:12,923 --> 00:53:14,223
SOMETHING ABOUT
GOING THROUGH HER STUFF.
1211
00:53:14,291 --> 00:53:15,624
OOH.
1212
00:53:15,692 --> 00:53:17,927
HEY, YOU HAVE A FRIEND
WHO GROWS EXOTIC FLOWERS?
1213
00:53:17,994 --> 00:53:19,428
YEAH, ANGELICA.
1214
00:53:19,496 --> 00:53:20,796
WOULD YOU MIND CALLING HER,
1215
00:53:20,864 --> 00:53:22,698
AND SEEING WHAT YOU CAN
FIND OUT ABOUT WOLFSBANE?
1216
00:53:22,766 --> 00:53:24,733
NOT AT ALL.
1217
00:53:24,801 --> 00:53:26,268
-THANK YOU.
-MM-HMM.
1218
00:53:27,637 --> 00:53:30,239
[♪♪♪]
1219
00:53:30,307 --> 00:53:32,107
AND... GO!
1220
00:53:35,512 --> 00:53:36,979
NICE. NICE.
OKAY, LET'S DO ANOTHER ONE.
1221
00:53:43,286 --> 00:53:44,453
[AWKWARDLY]: HEY.
1222
00:53:44,521 --> 00:53:46,288
HEY.
1223
00:53:48,959 --> 00:53:51,126
UH, I'LL CATCH UP
WITH YOU GUYS LATER.
1224
00:53:54,064 --> 00:53:55,898
[♪♪♪]
1225
00:53:57,200 --> 00:53:58,901
[WORDS CATCHING]: UM--
1226
00:54:01,104 --> 00:54:03,339
UH...
1227
00:54:04,574 --> 00:54:06,375
IF YOU'RE GONNA ASK ME
TO THE DANCE,
1228
00:54:06,443 --> 00:54:09,845
I APPRECIATE
YOU THINKING OF ME.
1229
00:54:09,913 --> 00:54:11,880
[♪♪♪]
1230
00:54:13,083 --> 00:54:14,750
AND I'D LIKE TO GO.
1231
00:54:18,154 --> 00:54:19,722
COOL.
1232
00:54:20,890 --> 00:54:22,691
YEAH. COOL.
1233
00:54:22,759 --> 00:54:24,927
I MEAN...
1234
00:54:24,995 --> 00:54:26,729
THANKS.
1235
00:54:28,031 --> 00:54:30,432
[♪♪♪]
1236
00:54:34,104 --> 00:54:34,970
THANKS FOR COMING OVER.
1237
00:54:38,575 --> 00:54:39,775
WOW...
1238
00:54:41,845 --> 00:54:42,811
HI.
1239
00:54:42,879 --> 00:54:44,546
HI...
1240
00:54:45,915 --> 00:54:48,717
LET'S GO
OUT TO THE GARAGE.
1241
00:54:48,785 --> 00:54:51,253
YOU'RE BLUFFING!
YOU DON'T HAVE THAT ACE.
1242
00:54:54,624 --> 00:54:56,458
SO, HERE'S ALL THE STUFF.
1243
00:54:56,526 --> 00:54:58,861
DO I JUST DONATE IT?
1244
00:54:58,928 --> 00:55:00,896
THERE'S PERSONAL THINGS I DON'T
REALLY WANT TO GO THROUGH.
1245
00:55:00,964 --> 00:55:02,731
IF YOU WANT ANYTHING
FOR YOUR STORE,
1246
00:55:02,799 --> 00:55:03,732
YOU CAN JUST HAVE IT.
1247
00:55:05,201 --> 00:55:06,635
MOST OF THE FURNITURE
CAN GO TO CHARITY.
1248
00:55:06,703 --> 00:55:08,137
THEY'LL PICK IT UP,
1249
00:55:08,204 --> 00:55:09,405
AND I'LL GO THROUGH THE BOXES
AT THE STORE,
1250
00:55:09,472 --> 00:55:10,639
AND DONATE WHAT'S APPROPRIATE.
1251
00:55:10,707 --> 00:55:13,609
GREAT! I FIGURED
YOU MIGHT KNOW WHAT TO DO.
1252
00:55:15,111 --> 00:55:17,313
I DIDN'T KNOW
YOU WERE INVOLVED WITH WILLIAM.
1253
00:55:17,380 --> 00:55:19,715
I MET HIM AT THE OPEN HOUSE.
1254
00:55:19,783 --> 00:55:21,283
YOU KNOW HE TRIED TO BUY IT?
1255
00:55:21,351 --> 00:55:24,286
HE'S A CARSON,
USED TO BE IN HIS FAMILY.
1256
00:55:24,354 --> 00:55:26,855
YES.
1257
00:55:26,923 --> 00:55:28,490
I'M A LITTLE NAIVE.
1258
00:55:28,558 --> 00:55:32,461
CAN YOU REALLY MAKE THAT KIND
OF MONEY PLAYING ON-LINE POKER?
1259
00:55:32,529 --> 00:55:34,530
ENOUGH TO BUY
A HOUSE LIKE THAT?
1260
00:55:34,597 --> 00:55:35,731
WILLIE WANTED TO BUY IT
1261
00:55:35,799 --> 00:55:37,866
BEFORE THEY SUNK
ALL THAT MONEY INTO IT.
1262
00:55:37,934 --> 00:55:41,370
HE STILL MIGHT,
IF HE CAN WIN A BIG TOURNAMENT.
1263
00:55:41,438 --> 00:55:43,072
HMM.
1264
00:55:47,744 --> 00:55:48,944
WILLIAM CARSON WANTS THE HOUSE
1265
00:55:49,012 --> 00:55:50,379
BECAUSE IT'S PART OF
HIS FAMILY LEGACY,
1266
00:55:50,447 --> 00:55:51,747
WHICH IS CRAZY.
1267
00:55:51,815 --> 00:55:53,349
WHY'S THAT CRAZY?
1268
00:55:53,416 --> 00:55:55,384
WELL, HE DOESN'T HAVE
THE MONEY TO BUY IT.
1269
00:55:55,452 --> 00:55:56,885
SO HE'S MOVED IN
WITH HER?
1270
00:55:56,953 --> 00:55:57,820
HMPH! OH, YEAH.
1271
00:55:57,887 --> 00:55:59,388
HEY. CHECK THIS OUT.
1272
00:55:59,456 --> 00:56:01,857
DID YOU KNOW PETER AND ADRIAN
WORKED TOGETHER?
1273
00:56:01,925 --> 00:56:03,058
OH, YES.
A LONG TIME AGO.
1274
00:56:03,126 --> 00:56:05,761
BEFORE WE EVER MET ADRIAN.
1275
00:56:05,829 --> 00:56:08,063
DID YOU EVER FIND ANYTHING
OUT ABOUT WOLFSBANE?
1276
00:56:08,131 --> 00:56:10,199
YUP. IT'S NOT HARD TO GET.
1277
00:56:10,266 --> 00:56:12,201
ANGELICA HAD SOME
IN HER ORCHID HOUSE.
1278
00:56:12,268 --> 00:56:13,736
TOXIC TO THE TOUCH?
1279
00:56:13,803 --> 00:56:14,970
YEAH. SORT OF.
1280
00:56:15,038 --> 00:56:16,105
IF YOU TOUCH IT
WITH YOUR BARE HANDS,
1281
00:56:16,172 --> 00:56:17,473
YOU'LL FEEL ALL TINGLY
AND WEIRD,
1282
00:56:17,540 --> 00:56:18,574
BUT YOU WON'T DIE.
1283
00:56:18,641 --> 00:56:20,442
IT'S LETHAL
IF YOU EAT IT,
1284
00:56:20,510 --> 00:56:22,044
AND IT'S EASY TO CRUSH IT UP
WITH WATER AND MAKE AN EXTRACT.
1285
00:56:22,112 --> 00:56:24,913
WELL, I WONDER IF
YOU INJECTED THAT INTO SOMEONE,
1286
00:56:24,981 --> 00:56:26,081
IF IT WOULD IT KILL THEM?
1287
00:56:26,149 --> 00:56:27,583
I ASKED HER THAT,
AND IT WOULD,
1288
00:56:27,650 --> 00:56:28,650
BUT THEY'D BE
VIOLENTLY SICK
1289
00:56:28,718 --> 00:56:30,386
FOR ABOUT FOUR HOURS.
1290
00:56:30,453 --> 00:56:32,187
OH! I GUESS WE CAN
RULE THAT OUT.
1291
00:56:32,255 --> 00:56:33,489
GOOD.
1292
00:56:33,556 --> 00:56:35,157
SO, WHAT'S THE CONNECT BETWEEN
WILLIAM AND TINA?
1293
00:56:35,225 --> 00:56:36,525
I MEAN--
1294
00:56:36,593 --> 00:56:38,227
HE WAS FLIRTY
AT THE OPEN HOUSE,
1295
00:56:38,294 --> 00:56:39,762
SO THINGS MUST HAVE
MOVED REALLY QUICKLY.
1296
00:56:39,829 --> 00:56:43,132
WELL, WILLIAM WANTS TO BUY
A HOUSE HE CAN'T AFFORD.
1297
00:56:43,199 --> 00:56:44,767
HE HOOKS UP WITH TINA,
1298
00:56:44,834 --> 00:56:46,735
WHO'S THE ONLY PERSON
1299
00:56:46,803 --> 00:56:48,637
WHO'S PROFITED
BY ADRIAN'S DEATH.
1300
00:56:48,705 --> 00:56:50,572
-NICE.
-WELL...
1301
00:56:50,640 --> 00:56:52,274
IF HE WANTED TO BUY THE HOUSE,
IT'S A LOT CHEAPER NOW.
1302
00:56:52,342 --> 00:56:54,643
AND IF ANYONE WOULD KNOW
ABOUT THE HIDDEN STAIRWAY,
1303
00:56:54,711 --> 00:56:56,745
IT WOULD BE HIM.
1304
00:56:56,813 --> 00:56:59,014
THANK YOU VERY MUCH.
1305
00:57:00,650 --> 00:57:02,551
SO, EVERYONE AT THE AGENCY
1306
00:57:02,619 --> 00:57:04,720
WAS TALKING ABOUT YOU
GETTING TRAPPED IN THE STAIRWAY.
1307
00:57:04,788 --> 00:57:07,456
AND WE EVEN HAD TO CHANGE
THE CODE ON THE LOCK-BOXES.
1308
00:57:07,524 --> 00:57:10,192
NORMALLY, I DON'T PANIC,
BUT I WAS GETTING THERE.
1309
00:57:10,260 --> 00:57:12,027
I CAN ONLY IMAGINE.
1310
00:57:14,364 --> 00:57:17,533
ERICA FRANKLIN
CALLED ME YESTERDAY.
1311
00:57:17,600 --> 00:57:19,034
SHE WANTS ME
TO TAKE THE LISTING.
1312
00:57:19,102 --> 00:57:20,035
THE COLONIAL?
1313
00:57:20,103 --> 00:57:21,003
YEAH.
1314
00:57:21,070 --> 00:57:22,204
BUT I SAID NO.
1315
00:57:22,272 --> 00:57:25,140
I JUST DIDN'T FEEL COMFORTABLE
ABOUT IT.
1316
00:57:25,208 --> 00:57:27,376
IT WAS ADRIAN'S LISTING,
AND SHE'D DONE SUCH A GREAT JOB.
1317
00:57:27,444 --> 00:57:29,745
I KNOW,
BUT IF YOU DON'T TAKE IT,
1318
00:57:29,813 --> 00:57:31,380
SOMEONE'S GOING TO.
1319
00:57:31,448 --> 00:57:34,883
WHAT WOULD ADRIAN HAVE WANTED?
1320
00:57:36,319 --> 00:57:38,153
THAT'S EXACTLY
WHAT MY BOSS SAID.
1321
00:57:38,221 --> 00:57:40,889
HE REALLY DOESN'T
WANT TO LOSE THAT PROPERTY.
1322
00:57:40,957 --> 00:57:43,225
SO I'LL SEE.
1323
00:57:43,293 --> 00:57:45,894
ERICA GAVE ME 24 HOURS
TO RECONSIDER.
1324
00:57:45,962 --> 00:57:48,063
IS THERE
ANY INTEREST AT ALL?
1325
00:57:48,131 --> 00:57:49,364
NO.
1326
00:57:49,432 --> 00:57:50,566
WELL, ACTUALLY,
THERE'S ONE LOW-BALL OFFER
1327
00:57:50,633 --> 00:57:51,667
FROM WILLIAM CARSON.
1328
00:57:51,734 --> 00:57:53,502
HOW DOES A GUY LIKE THAT
1329
00:57:53,570 --> 00:57:55,671
EVEN SCRAPE TOGETHER
A LOW-BALL OFFER?
1330
00:57:55,738 --> 00:57:57,473
WELL, HE'S GOT
A LITTLE FAMILY MONEY,
1331
00:57:57,540 --> 00:57:58,807
AND I HEAR
HE'S SOME KIND OF GAMBLER.
1332
00:57:58,875 --> 00:58:00,008
MM.
1333
00:58:01,444 --> 00:58:04,746
SO I'VE BEEN THINKING ABOUT
OUR LAST CONVERSATION,
1334
00:58:04,814 --> 00:58:06,882
ABOUT WHO WOULD GAIN
FROM ADRIAN'S DEATH--
1335
00:58:06,950 --> 00:58:08,016
NOW THAT'S MOTIVE, RIGHT?
1336
00:58:08,084 --> 00:58:10,686
IT ALL BEGINS WITH MOTIVE.
1337
00:58:10,753 --> 00:58:13,055
WELL, I CAN THINK OF A COUPLE--
SOME OF THEM FAR-FETCHED,
1338
00:58:13,122 --> 00:58:16,825
LIKE, UH, CARSON TRYING TO
KNOCK DOWN THE PRICE.
1339
00:58:16,893 --> 00:58:19,728
BUT I KEEP ON
COMING BACK TO HOW.
1340
00:58:19,796 --> 00:58:23,332
IF ADRIAN WAS MURDERED, HOW?
1341
00:58:23,399 --> 00:58:24,666
[SIGHS]
1342
00:58:24,734 --> 00:58:26,802
I WAS LOOKING
INTO DEADLY PLANTS.
1343
00:58:26,870 --> 00:58:28,837
WOLFSBANE,
FOR EXAMPLE.
1344
00:58:28,905 --> 00:58:31,540
I THOUGHT IT MIGHT BE SOME KIND
OF CONTACT TRANSMISSION,
1345
00:58:31,608 --> 00:58:33,408
BUT THAT WOULD ONLY
MAKE YOU SICK.
1346
00:58:33,476 --> 00:58:35,344
TRY THIS OUT.
1347
00:58:35,411 --> 00:58:39,014
IS THERE ANY WAY
OF RELEASING SOME KIND OF GAS,
1348
00:58:39,082 --> 00:58:41,216
OR CUTTING OFF THE OXYGEN
TO THE ROOM
1349
00:58:41,284 --> 00:58:43,085
SO SHE JUST DIES IN HER SLEEP?
1350
00:58:43,152 --> 00:58:44,686
UH, FROM
AN UNVENTED FIREPLACE?
1351
00:58:44,754 --> 00:58:46,522
-CARBON MONOXIDE?
-RIGHT.
1352
00:58:46,589 --> 00:58:48,290
WOULDN'T THAT SHOW UP
IN AN AUTOPSY?
1353
00:58:50,159 --> 00:58:52,494
I GUESS SO.
1354
00:58:54,430 --> 00:58:56,899
I GOT TO GET BACK TO WORK.
1355
00:58:56,966 --> 00:58:58,500
IS ERICA CONSIDERING
THE LOW-BALL OFFER?
1356
00:58:58,568 --> 00:58:59,868
NOT YET,
1357
00:58:59,936 --> 00:59:01,136
BUT EVENTUALLY,
1358
00:59:01,204 --> 00:59:03,772
SHE MAY JUST HAVE TO
TAKE A LOSS AND MOVE ON.
1359
00:59:03,840 --> 00:59:05,340
THANKS FOR COFFEE.
1360
00:59:05,408 --> 00:59:06,575
MY PLEASURE.
1361
00:59:09,946 --> 00:59:12,781
[♪♪♪]
1362
00:59:14,918 --> 00:59:17,352
[BELL JINGLES]
1363
00:59:17,420 --> 00:59:19,221
HELLO. MAY I HELP YOU?
1364
00:59:19,289 --> 00:59:20,088
AFTERNOON.
1365
00:59:22,725 --> 00:59:24,660
CAN I ASK YOU A FAVOR?
1366
00:59:24,727 --> 00:59:26,995
SURE. WHAT DO YOU NEED?
1367
00:59:27,063 --> 00:59:29,731
I OWN A NUMBER OF PROPERTIES
AROUND THE COLONIAL HOUSE,
1368
00:59:29,799 --> 00:59:32,100
ALL THIS TALK ABOUT IT
BEING CURSED
1369
00:59:32,168 --> 00:59:33,602
AND A "DEADLY ROOM,"
1370
00:59:33,670 --> 00:59:35,070
IT'S HURTING EVERYTHING.
1371
00:59:36,839 --> 00:59:38,774
WELL, HOW CAN I HELP YOU
WITH THAT?
1372
00:59:38,841 --> 00:59:40,342
LEAVE IT ALONE.
1373
00:59:40,410 --> 00:59:43,845
I KNOW YOU HAVE NO INTENTIONS
OF KEEPING THIS RUMOR ALIVE.
1374
00:59:43,913 --> 00:59:45,080
SO WHY DON'T WE JUST ACCEPT
1375
00:59:45,148 --> 00:59:47,583
WHAT THE CORONER'S RULED
AS A NATURAL DEATH?
1376
00:59:47,650 --> 00:59:49,952
YOU'RE RIGHT,
I HAVE NO INTENTION
1377
00:59:50,019 --> 00:59:52,287
OF FUELING ANY RUMORS
CONNECTED WITH THE HOUSE.
1378
00:59:52,355 --> 00:59:53,288
GREAT.
1379
00:59:53,356 --> 00:59:54,690
BUT--
1380
00:59:54,757 --> 00:59:55,991
I AM SKEPTICAL
1381
00:59:56,059 --> 00:59:57,893
THAT SHE JUST LAID DOWN
AND DIED.
1382
00:59:57,961 --> 00:59:59,795
[♪♪♪]
1383
01:00:05,401 --> 01:00:06,802
ARE YOU A DOCTOR?
1384
01:00:06,869 --> 01:00:09,671
A POLICE DETECTIVE?
1385
01:00:09,739 --> 01:00:11,473
YOU OWN A SECOND-HAND SHOP,
1386
01:00:11,541 --> 01:00:13,442
AND SUDDENLY,
YOU'RE AN EXPERT
1387
01:00:13,509 --> 01:00:16,445
AND YOU KNOW BETTER
THAN THE PROFESSIONALS?
1388
01:00:16,512 --> 01:00:19,781
YOU'RE NOT SERVING HER MEMORY
BY DOING THIS.
1389
01:00:19,849 --> 01:00:23,218
I'LL BE THE JUDGE ON
HOW I SERVE MY FRIEND'S MEMORY.
1390
01:00:23,286 --> 01:00:25,387
MY ADVICE?
1391
01:00:25,455 --> 01:00:28,357
LEAVE THINGS ALONE
THAT DON'T CONCERN YOU.
1392
01:00:30,326 --> 01:00:32,527
[♪♪♪]
1393
01:00:38,167 --> 01:00:41,236
SO, UH...
AMY ASKED ME TO THE DANCE.
1394
01:00:42,438 --> 01:00:43,705
AND...?
1395
01:00:43,773 --> 01:00:45,941
WELL, I HEARD "MOM VOICE"
IN MY EAR,
1396
01:00:46,009 --> 01:00:47,342
SO I SAID "YES."
1397
01:00:47,410 --> 01:00:48,977
FIGURE I'LL SURVIVE.
1398
01:00:49,045 --> 01:00:50,212
THERE YA GO!
1399
01:00:50,279 --> 01:00:52,080
I CAN'T WAIT
FOR THE WEDDING.
1400
01:00:52,148 --> 01:00:53,615
[LAUGHS] JUST KIDDING.
1401
01:00:53,683 --> 01:00:55,083
HEY, UM--
1402
01:00:55,151 --> 01:00:56,351
THAT MOVIE, "THE STING"--
1403
01:00:56,419 --> 01:00:58,687
UM, THAT WAS ABOUT
A HORSE RACE, RIGHT?
1404
01:00:58,755 --> 01:01:00,022
YEAH. A BUNCH OF GAMBLERS
1405
01:01:00,089 --> 01:01:02,157
FIGURED OUT A WAY
TO DELAY THE TELEGRAPH RESULTS
1406
01:01:02,225 --> 01:01:03,792
SO THEY WOULD KNOW
THE WINNER BEFORE ANYONE ELSE.
1407
01:01:03,860 --> 01:01:04,860
PRETTY COOL, HUH?
1408
01:01:04,927 --> 01:01:05,994
[DRESS SWISHING,
HEELS CLACKING]
1409
01:01:06,062 --> 01:01:06,895
HUH.
1410
01:01:11,934 --> 01:01:13,702
WHAT DO YOU GUYS THINK?
1411
01:01:13,770 --> 01:01:15,504
-WOW.
-WHOA...
1412
01:01:15,571 --> 01:01:16,838
THAT IS BEAUTIFUL!
1413
01:01:16,906 --> 01:01:19,708
ARE YOU BUYING IT?
BECAUSE I THINK IT'S $300.
1414
01:01:19,776 --> 01:01:21,777
MOM!
1415
01:01:21,844 --> 01:01:24,012
I'M BORROWING IT.
1416
01:01:24,080 --> 01:01:25,681
TWO OF MY DELTA SISTERS
WANT TO ENTER A DANCE CONTEST
1417
01:01:25,748 --> 01:01:26,915
FOR GREEK WEEK,
1418
01:01:26,983 --> 01:01:27,916
SO WE'RE MAKING DUPLICATES
OF THE DRESS
1419
01:01:27,984 --> 01:01:29,117
AND WE'RE DOING THE CHARLESTON.
1420
01:01:29,185 --> 01:01:30,819
OH! I CAN DO THE CHARLESTON.
YOU WANT TO SEE?
1421
01:01:30,887 --> 01:01:32,220
[KIDS]: MM--
1422
01:01:32,288 --> 01:01:33,121
MAYBE LATER.
1423
01:01:34,991 --> 01:01:36,058
HEY, AFTER DINNER,
1424
01:01:36,125 --> 01:01:37,559
CAN YOU SHOW ME SOMETHING
ON YOUR COMPUTER?
1425
01:01:37,627 --> 01:01:38,593
-YEAH. SURE.
-THANKS.
1426
01:01:38,661 --> 01:01:41,363
[♪♪♪]
1427
01:01:41,431 --> 01:01:43,231
OKAY, WHOA, WHOA.
WAIT, WAIT. PAUSE.
1428
01:01:43,299 --> 01:01:45,367
THERE'S
ADRIAN'S WATCH.
1429
01:01:45,435 --> 01:01:47,369
CAN YOU BLOW IT UP
SO WE CAN SEE THE TIME?
1430
01:01:47,437 --> 01:01:49,137
UM, YEAH.
1431
01:01:51,107 --> 01:01:53,675
CAN YOU MAKE IT
NOT SO GRAINY?
1432
01:01:53,743 --> 01:01:56,244
I CAN RUN A PROGRAM
THAT GENERATES MISSING PIXELS.
1433
01:01:56,312 --> 01:01:57,546
MIGHT HELP.
1434
01:01:57,613 --> 01:01:59,047
YEAH, LET ME SEE.
1435
01:01:59,115 --> 01:02:00,015
[CLACKING]
1436
01:02:04,287 --> 01:02:07,255
WHAT IF YOU WERE TO RUN
THE PIXEL PROGRAM
1437
01:02:07,323 --> 01:02:09,658
FOR A THREE-HOUR SEGMENT,
HOW LONG WOULD THAT TAKE?
1438
01:02:09,726 --> 01:02:12,494
MM, IT'S A PRETTY STATIC IMAGE,
MIGHT TAKE A COUPLE OF HOURS.
1439
01:02:12,562 --> 01:02:15,130
OKAY. FAST-FORWARD
TO ABOUT 2:30 A.M.
1440
01:02:15,198 --> 01:02:17,265
AND GO THREE HOURS
FROM THERE.
1441
01:02:17,333 --> 01:02:19,501
WHAT EXACTLY
ARE YOU LOOKING FOR, MOM?
1442
01:02:19,569 --> 01:02:21,303
WE'LL SEE.
1443
01:02:21,370 --> 01:02:23,672
THE STING GAVE ME AN IDEA.
1444
01:02:25,608 --> 01:02:27,943
[♪♪♪]
1445
01:02:33,449 --> 01:02:36,017
OKAY, LOGAN,
LET'S PLAY IT BACK.
1446
01:02:36,085 --> 01:02:38,754
WHOA, WHOA, BUT THAT'LL TAKE,
LIKE, THREE HOURS.
1447
01:02:38,821 --> 01:02:40,021
IT'S ALMOST
MIDNIGHT NOW.
1448
01:02:40,089 --> 01:02:41,189
WELL, PUT IT
ON THREE-TIMES FAST-FORWARD,
1449
01:02:41,257 --> 01:02:42,424
IT'LL TAKE
LESS THAN AN HOUR.
1450
01:02:42,492 --> 01:02:45,460
YOU WANT TO STARE
AT A WATCH-FACE FOR AN HOUR?
1451
01:02:45,528 --> 01:02:47,863
I'LL MAKE YOU FRENCH TOAST
IN THE MORNING.
1452
01:02:47,930 --> 01:02:49,865
DEAL.
1453
01:02:49,932 --> 01:02:51,700
OKAY.
1454
01:02:51,768 --> 01:02:54,169
THANKS.
1455
01:02:55,938 --> 01:02:58,440
[♪♪♪]
1456
01:03:10,086 --> 01:03:12,187
[HYPNOTICALLY]:
YOU ARE GETTING
1457
01:03:12,255 --> 01:03:14,122
SLEE-EEPY...
1458
01:03:14,190 --> 01:03:16,758
VE-RY SLEE-EEPY.
1459
01:03:19,529 --> 01:03:21,530
[TRANCE-LIKE]: YOU WILL
TAKE OUT THE TRASH
1460
01:03:21,597 --> 01:03:24,065
WITHOUT BEING TOLD.
1461
01:03:24,133 --> 01:03:27,969
YOUR SON SHOULD
HAVE A COOL CAR.
1462
01:03:28,037 --> 01:03:31,540
HE NEEDS A COOL CAR.
1463
01:03:31,607 --> 01:03:32,908
[CHUCKLING]
1464
01:03:34,677 --> 01:03:36,244
[SIGHS WEARILY]
1465
01:03:39,749 --> 01:03:42,551
PLEASE DON'T EVER
TELL ANYONE I DID THIS.
1466
01:03:42,618 --> 01:03:44,753
THEY WOULDN'T UNDERSTAND.
1467
01:03:49,492 --> 01:03:50,725
THERE IT IS!
1468
01:03:50,793 --> 01:03:51,860
LOOK AT THAT.
1469
01:03:51,928 --> 01:03:53,795
LIKE, THREE MINUTES ARE MISSING.
1470
01:03:53,863 --> 01:03:55,564
REWIND IT.
PLAY IT AGAIN.
1471
01:03:55,631 --> 01:03:56,798
YEAH, YEAH.
1472
01:03:56,866 --> 01:03:58,333
[KEYS CLACKING]
1473
01:04:00,303 --> 01:04:01,603
CAN YOU GO TO THE WIDER SHOT?
1474
01:04:01,671 --> 01:04:02,604
YEAH.
1475
01:04:02,672 --> 01:04:04,372
[CLACKING]
1476
01:04:04,440 --> 01:04:07,809
OKAY, WE'RE JUST
SECONDS BEFORE AND...
1477
01:04:07,877 --> 01:04:09,711
OH! YEAH, THERE IT IS.
1478
01:04:09,779 --> 01:04:10,812
OKAY, PAUSE.
1479
01:04:10,880 --> 01:04:12,180
[CLACK]
1480
01:04:12,248 --> 01:04:13,648
BLOW UP HER HAND.
1481
01:04:13,716 --> 01:04:14,783
[CLACKING]
1482
01:04:14,851 --> 01:04:16,451
NOW PLAY IT BACK
AND WATCH CAREFULLY.
1483
01:04:16,519 --> 01:04:17,752
[CLACK]
1484
01:04:17,820 --> 01:04:19,721
[♪♪♪]
1485
01:04:19,789 --> 01:04:21,389
WHAT DOES THAT MEAN?
1486
01:04:21,457 --> 01:04:22,791
[EXHALES] OH...
1487
01:04:22,859 --> 01:04:26,094
THAT MEANS THE LIVE WEBCAM
WAS NOT LIVE.
1488
01:04:26,162 --> 01:04:28,330
THIS HAS BEEN EDITED.
1489
01:04:28,397 --> 01:04:31,166
[♪♪♪]
1490
01:04:37,039 --> 01:04:38,640
READY?
1491
01:04:38,708 --> 01:04:41,176
YOU ALWAYS TELL ME
TO EAT SLOWER.
1492
01:04:43,179 --> 01:04:44,145
FINE. LET'S DO THIS!
1493
01:04:44,213 --> 01:04:45,046
OKAY.
1494
01:04:47,149 --> 01:04:48,216
YEAH. OKAY.
1495
01:04:48,284 --> 01:04:50,285
UM...
SO, WE'LL START RECORDING.
1496
01:04:51,520 --> 01:04:54,055
-UM, NOTHING FOR A FEW SECONDS.
-RIGHT.
1497
01:04:54,123 --> 01:04:55,457
OKAY, YOU CAN STEP IN NOW.
1498
01:04:55,524 --> 01:04:56,958
-OKAY. OFF-CAMERA.
-YEP.
1499
01:04:57,026 --> 01:04:58,226
NOW I AM ON-CAMERA.
1500
01:04:58,294 --> 01:04:59,427
RIGHT.
1501
01:04:59,495 --> 01:05:01,429
-OKAY.
-YEAH. LOOKS GOOD.
1502
01:05:01,497 --> 01:05:04,032
AND A FEW SECONDS OF YOU.
AND THAT'S GREAT.
1503
01:05:04,100 --> 01:05:06,134
YEAH, YEAH.
COME ON. COOL.
1504
01:05:06,202 --> 01:05:08,703
AND WE GET A FEW SECONDS
MORE NOW OF YOU OUT.
1505
01:05:08,771 --> 01:05:10,338
IT'S BACK TO NOTHING.
1506
01:05:10,406 --> 01:05:11,773
-[BEEP]
-THAT SHOULD BE GOOD.
1507
01:05:11,841 --> 01:05:12,941
ALRIGHT.
LET'S PLAY IT BACK.
1508
01:05:13,009 --> 01:05:14,976
LET'S DO IT!
1509
01:05:18,447 --> 01:05:20,315
-CHECK IT OUT.
-NOW I AM ON-CAMERA.
1510
01:05:20,383 --> 01:05:21,483
RIGHT.
1511
01:05:21,550 --> 01:05:23,785
-OKAY. -YEAH. LOOKS GOOD.
1512
01:05:23,853 --> 01:05:24,786
HOW'S THAT?
1513
01:05:24,854 --> 01:05:26,087
OKAY, NOW EDIT ME OUT.
1514
01:05:26,155 --> 01:05:27,088
OKAY.
1515
01:05:27,156 --> 01:05:29,291
WHAT I HAVE TO DO IS, UH,
1516
01:05:29,358 --> 01:05:32,661
JUST MAKE A CUT HERE--
BEFORE YOU ENTER...
1517
01:05:32,728 --> 01:05:34,763
THEN ONE OVER HERE
AFTER YOU LEAVE...
1518
01:05:34,830 --> 01:05:36,064
AND...
1519
01:05:36,132 --> 01:05:37,732
YEAH, HERE WE GO.
1520
01:05:37,800 --> 01:05:38,934
[CLACK]
1521
01:05:39,001 --> 01:05:41,403
[♪♪♪]
1522
01:05:42,571 --> 01:05:43,772
MOM, THAT'S IT.
1523
01:05:43,839 --> 01:05:46,141
THE KEY IS TO HAVE
A STATIC BACKGROUND.
1524
01:05:46,208 --> 01:05:47,275
IF ANYTHING'S MOVING,
1525
01:05:47,343 --> 01:05:48,176
IT'LL BE OBVIOUS
SOMETHING'S BEEN CUT OUT.
1526
01:05:48,244 --> 01:05:49,477
BUT IF NOTHING MOVES,
1527
01:05:49,545 --> 01:05:50,478
YOU CAN'T TELL
THERE'S BEEN A CUT.
1528
01:05:53,582 --> 01:05:57,085
COULD SOMEONE DELAY
A LIVE-WEBCAM FOR THREE MINUTES?
1529
01:05:57,153 --> 01:05:58,286
ABSOLUTELY.
1530
01:05:58,354 --> 01:06:00,055
I MEAN,
IT TAKES SOME HACKING SKILLS,
1531
01:06:00,122 --> 01:06:02,824
BUT YOU TAP INTO THEIR SERVER,
OR HIGH-JACK THEIR FEED,
1532
01:06:02,892 --> 01:06:05,026
AND THEN SEND IT OUT
THREE MINUTES LATER.
1533
01:06:05,094 --> 01:06:06,928
[♪♪♪]
1534
01:06:08,397 --> 01:06:10,799
THE KILLER HAD TO BE
IN THE HOUSE THE WHOLE TIME.
1535
01:06:10,866 --> 01:06:12,467
-THE SECRET STAIRWAY?
-YES.
1536
01:06:12,535 --> 01:06:14,869
HE OR SHE HAD TO BE ABLE
TO TAKE CONTROL OF THE SERVER
1537
01:06:14,937 --> 01:06:16,538
AND DELAY THE SIGNAL.
1538
01:06:16,605 --> 01:06:18,707
THEN WALKS OUT,
IN FULL VIEW,
1539
01:06:18,774 --> 01:06:20,342
JUST LIKE WHEN
I WALKED TO THE CHAIR,
1540
01:06:20,409 --> 01:06:21,576
AND KILLS HER.
1541
01:06:21,644 --> 01:06:24,179
THE KILLER THEN
EDITS OUT THAT SECTION,
1542
01:06:24,246 --> 01:06:26,581
AND FROM THEN ON,
THE WEBCAM IS TRULY LIVE.
1543
01:06:26,649 --> 01:06:27,916
YOU'RE AMAZING!
1544
01:06:27,984 --> 01:06:29,718
ARE YOU GOING
TO DETECTIVE LYNWOOD WITH THIS?
1545
01:06:29,785 --> 01:06:31,086
NO, NOT YET.
1546
01:06:31,153 --> 01:06:32,287
I STILL HAVE TO FIGURE OUT
HOW ADRIAN WAS KILLED.
1547
01:06:32,355 --> 01:06:33,355
OH. THAT.
1548
01:06:33,422 --> 01:06:34,622
ALL WE KNOW
1549
01:06:34,690 --> 01:06:35,824
IS THAT THE KILLER
HAD A THREE-MINUTE WINDOW
1550
01:06:35,891 --> 01:06:37,692
TO DO SOMETHING
TO STOP HER HEART
1551
01:06:37,760 --> 01:06:40,295
THAT WOULD LEAVE NO TRACE
DURING AN AUTOPSY.
1552
01:06:40,363 --> 01:06:41,629
AIR.
1553
01:06:41,697 --> 01:06:42,797
A COUPLE OF SYRINGES OF AIR,
1554
01:06:42,865 --> 01:06:44,199
DIRECTLY INTO A VEIN
COULD DO IT,
1555
01:06:44,266 --> 01:06:45,633
BUT IT WOULD HAVE TO BE I.V.
1556
01:06:45,701 --> 01:06:47,335
WHY? WHY NOT A SYRINGE?
1557
01:06:47,403 --> 01:06:48,503
YOU'D NEED
TO DO IT TWICE
1558
01:06:48,571 --> 01:06:50,071
TO GET SUFFICIENT AIR
TO STOP A HEART,
1559
01:06:50,139 --> 01:06:51,439
AND YOU'D NEED TO MAKE SURE
IT WAS IN A VEIN,
1560
01:06:51,507 --> 01:06:52,307
AND NOT AN ARTERY.
1561
01:06:53,509 --> 01:06:55,076
WHAT ABOUT TOXINS?
1562
01:06:55,144 --> 01:06:57,145
LIKE CURARE, OR WOLFSBANE?
1563
01:06:57,213 --> 01:06:59,147
WOLFSBANE?
OH, I HATE THE INTERNET.
1564
01:06:59,215 --> 01:07:01,516
PEOPLE ARE GETTING
ALL KINDS OF BAD IDEAS.
1565
01:07:01,584 --> 01:07:02,717
WHAT ABOUT 'EM?
1566
01:07:02,785 --> 01:07:04,519
OR SOMETHING
LIKE SUCCINYLCHOLINE?
1567
01:07:04,587 --> 01:07:06,221
THEY COULD ALL
STOP A HEART.
1568
01:07:06,288 --> 01:07:07,856
WOLFSBANE WOULD SHOW UP
IN THE POST-MORTEM.
1569
01:07:07,923 --> 01:07:09,224
CURARE, MAYBE NOT.
1570
01:07:09,291 --> 01:07:10,959
YOUR BEST BET IS...
1571
01:07:11,027 --> 01:07:12,293
SUCCINYLCHOLINE.
1572
01:07:12,361 --> 01:07:13,928
IT'S METABOLIZED
SO QUICKLY,
1573
01:07:13,996 --> 01:07:15,797
IT'S VIRTUALLY
UNDETECTABLE.
1574
01:07:15,865 --> 01:07:17,565
HOW FAST WOULD IT ACT?
1575
01:07:17,633 --> 01:07:18,867
YOU'RE PARALYZED IN SECONDS.
1576
01:07:18,934 --> 01:07:20,268
YOU DIE WITHIN A FEW MINUTES.
1577
01:07:20,336 --> 01:07:21,703
YOU WOULD BE CONSCIOUS,
1578
01:07:21,771 --> 01:07:24,339
BUT COMPLETELY UNABLE TO MOVE,
SWALLOW, OR BREATHE.
1579
01:07:24,407 --> 01:07:27,008
YOU ARE GONNA DIE...
AND YOU KNOW IT.
1580
01:07:28,310 --> 01:07:31,146
THERE WERE NO NEEDLE MARKS
FOUND ON ADRIAN'S BODY,
1581
01:07:31,213 --> 01:07:33,014
BUT IS IT POSSIBLE
1582
01:07:33,082 --> 01:07:34,416
TO HAVE MISSED
A SINGLE INJECTION SITE
1583
01:07:34,483 --> 01:07:36,051
DURING AN AUTOPSY?
1584
01:07:36,118 --> 01:07:37,886
IT HAS HAPPENED.
1585
01:07:39,121 --> 01:07:41,389
WHO WOULD HAVE ACCESS
TO SUCCINYLCHOLINE?
1586
01:07:41,457 --> 01:07:42,957
ANY HOSPITAL,
E.R.,
1587
01:07:43,025 --> 01:07:44,692
ANY AMBULANCE
WOULD HAVE IT.
1588
01:07:44,760 --> 01:07:46,294
E.M.T.s USE IT
TO INTUBATE PEOPLE.
1589
01:07:46,362 --> 01:07:48,129
VETERINARIANS
COULD HAVE IT.
1590
01:07:49,265 --> 01:07:50,932
IF YOU ARE THINKING
1591
01:07:51,000 --> 01:07:52,867
THAT ADRIAN MERRILL
MAY HAVE BEEN MURDERED
1592
01:07:52,935 --> 01:07:54,669
BY AN INJECTION
OF SUCCINYLCHOLINE,
1593
01:07:54,737 --> 01:07:56,304
PLEASE REMEMBER
1594
01:07:56,372 --> 01:07:59,574
THERE WAS A CAMERA ON HER
THE ENTIRE NIGHT.
1595
01:07:59,642 --> 01:08:02,077
RIGHT. THANK YOU.
1596
01:08:04,146 --> 01:08:06,448
[♪♪♪]
1597
01:08:12,088 --> 01:08:14,055
cdt2cdt2 [NEWS REPORTER]: ...AGTO THE NATIONAL WEATHER SERVICE,
1598
01:08:14,123 --> 01:08:15,023
WE WON'T GET RELIEF FROM THE--
1599
01:08:15,091 --> 01:08:16,357
HEY!
1600
01:08:16,425 --> 01:08:17,892
OH, THANK YOU.
1601
01:08:17,960 --> 01:08:19,594
NO.
1602
01:08:19,662 --> 01:08:21,329
DOWNPAYMENT.
1603
01:08:22,731 --> 01:08:24,099
FOR WHAT?
1604
01:08:24,166 --> 01:08:26,968
♪ WE TOOK A SOLID THIRD
IN THE DANCE CONTEST! ♪
1605
01:08:27,036 --> 01:08:29,904
SO, THAT GOES TOWARDS
THE 300 THAT I OWE YOU
1606
01:08:29,972 --> 01:08:32,707
FOR MY BAD PURCHASE
OF THE FLAPPER DRESS.
1607
01:08:32,775 --> 01:08:34,342
OH, SWEETHEART,
YOU DON'T HAVE TO.
1608
01:08:34,410 --> 01:08:37,212
NO, NO, I SAID THAT I WOULD,
AND I WILL.
1609
01:08:37,279 --> 01:08:39,781
BESIDES, WE HAD A BALL.
1610
01:08:39,849 --> 01:08:42,383
I OWE YOU TWO, NOW.
1611
01:08:42,451 --> 01:08:43,384
WOW.
1612
01:08:43,452 --> 01:08:45,620
WELL, LOOK AT THAT.
1613
01:08:45,688 --> 01:08:48,223
OUR DAUGHTER PAID ME BACK.
1614
01:08:48,290 --> 01:08:50,358
SHE BORROWED GAS MONEY
FROM ME TODAY,
1615
01:08:50,426 --> 01:08:52,327
SO I THINK 20 OF THAT
BELONGS TO ME.
1616
01:08:52,394 --> 01:08:54,395
UH... NO.
1617
01:08:55,564 --> 01:08:58,600
[♪♪♪]
1618
01:09:00,870 --> 01:09:03,605
I THINK SOMEBODY
HACKED INTO ADRIAN'S COMPUTER,
1619
01:09:03,672 --> 01:09:06,307
DELAYED THE LIVE FEED
BY THREE MINUTES,
1620
01:09:06,375 --> 01:09:08,743
INJECTED HER
WITH SUCCINYLCHOLINE,
1621
01:09:08,811 --> 01:09:10,478
EDITED OUT THE MURDER,
1622
01:09:10,546 --> 01:09:12,180
AND HAS COMPLETELY
GOTTEN AWAY WITH IT.
1623
01:09:12,248 --> 01:09:13,214
WHO?
1624
01:09:13,282 --> 01:09:14,449
WELL, THE KILLER
WOULD HAVE TO HAVE
1625
01:09:14,517 --> 01:09:15,617
COMPUTER SKILLS,
1626
01:09:15,684 --> 01:09:16,851
MEDICAL KNOWLEDGE,
1627
01:09:16,919 --> 01:09:18,686
AND ENOUGH FAMILIARITY
WITH THAT HOUSE
1628
01:09:18,754 --> 01:09:20,355
TO KNOW ABOUT
THE HIDDEN STAIRWAY.
1629
01:09:20,422 --> 01:09:21,556
AND MOTIVE.
1630
01:09:21,624 --> 01:09:24,192
IT SOUNDS LIKE
WILLIAM CARSON TO ME.
1631
01:09:24,260 --> 01:09:25,393
WHAT ABOUT TINA?
1632
01:09:25,461 --> 01:09:27,462
OR COULD THEY HAVE
DONE IT TOGETHER?
1633
01:09:28,697 --> 01:09:31,933
IF I GO TO LYNWOOD WITH THIS,
HE'S GONNA THINK I'M CRAZY.
1634
01:09:33,169 --> 01:09:34,369
IF ONLY YOU COULD GET
1635
01:09:34,436 --> 01:09:36,171
THAT THREE MINUTES
OF FILM THAT WAS CUT OUT,
1636
01:09:36,238 --> 01:09:38,173
YOU'D HAVE YOUR ANSWER.
1637
01:09:38,240 --> 01:09:39,440
WAIT A SEC.
1638
01:09:39,508 --> 01:09:41,876
MAYBE I CAN.
1639
01:09:49,118 --> 01:09:51,419
HEY, LOGAN, IT'S MOM.
A QUICK QUESTION.
1640
01:09:51,487 --> 01:09:54,756
IF SOMETHING WAS RECORDED
ON A COMPUTER AND THEN ERASED,
1641
01:09:54,823 --> 01:09:56,324
IS THERE ANY WAY
TO GET THAT BACK?
1642
01:09:59,128 --> 01:10:00,428
OKAY. THANKS!
1643
01:10:00,496 --> 01:10:01,863
IT'S POSSIBLE.
1644
01:10:01,931 --> 01:10:03,164
IF WE CAN GET HER COMPUTER,
1645
01:10:03,232 --> 01:10:05,066
AND IF THE HARD-DRIVE
HASN'T BEEN REFORMATTED.
1646
01:10:05,134 --> 01:10:06,734
WHERE'S HER COMPUTER?
1647
01:10:09,305 --> 01:10:10,738
[KNOCKS]
1648
01:10:13,676 --> 01:10:15,009
HI, TINA.
1649
01:10:15,077 --> 01:10:16,311
I'M SORRY TO BOTHER YOU.
1650
01:10:16,378 --> 01:10:18,646
ADRIAN HAD A LAPTOP.
1651
01:10:18,714 --> 01:10:20,248
IT HAD SOME PHOTOS ON IT
1652
01:10:20,316 --> 01:10:23,084
OF ME AND ADRIAN,
AND SOME OF OUR FRIENDS,
1653
01:10:23,152 --> 01:10:24,919
I WANTED TO MAKE COPIES.
1654
01:10:24,987 --> 01:10:26,521
DO YOU THINK IT WOULD BE OKAY
IF I BORROWED IT?
1655
01:10:27,690 --> 01:10:29,524
COME ON IN.
1656
01:10:34,630 --> 01:10:37,599
I SHOULD ONLY
NEED IT FOR THE DAY.
1657
01:10:37,666 --> 01:10:39,968
I DON'T REMEMBER A LAPTOP.
1658
01:10:40,035 --> 01:10:42,003
I THINK
SHE HAD ONE FOR WORK.
1659
01:10:42,071 --> 01:10:45,106
PROBABLY A COMPANY COMPUTER.
SORRY.
1660
01:10:45,174 --> 01:10:46,874
[JENN SIGHS]
1661
01:10:46,942 --> 01:10:48,476
[LAUGHS] HEY, LOOK.
1662
01:10:53,816 --> 01:10:56,484
WE DID HAVE SOME FUN TIMES.
1663
01:10:58,587 --> 01:11:00,421
MY WEIRDNESS AFTER HER DEATH...
1664
01:11:00,489 --> 01:11:03,625
I THINK THAT WAS JUST
A DEFENSE THING.
1665
01:11:03,692 --> 01:11:06,294
I'M NOT VERY GOOD AT
PROCESSING EMOTION.
1666
01:11:07,796 --> 01:11:10,231
HEY, JENNIFER.
IT'S GOOD TO SEE YOU.
1667
01:11:10,299 --> 01:11:11,633
WILLIAM.
1668
01:11:11,700 --> 01:11:14,369
I HEARD YOU PUT AN OFFER
IN ON THE COLONIAL?
1669
01:11:14,436 --> 01:11:15,737
I HAVE, YEAH.
1670
01:11:15,804 --> 01:11:17,872
I MEAN, PRETTY LOW COMPARED
TO WHAT THEY WERE ASKING,
1671
01:11:17,940 --> 01:11:19,741
BUT IF THERE'S ANY JUSTICE
IN THIS WORLD,
1672
01:11:19,808 --> 01:11:22,744
ERICA WILL JUST ACCEPT MY OFFER.
1673
01:11:24,780 --> 01:11:27,115
HI, PETER?
IT'S JENNIFER.
1674
01:11:27,182 --> 01:11:29,183
ADRIAN HAD A WORK LAPTOP.
1675
01:11:29,251 --> 01:11:30,718
DO YOU KNOW
WHERE THAT MIGHT BE?
1676
01:11:30,786 --> 01:11:32,754
PROBABLY HEREAT THE OFFICE. WHY?
1677
01:11:32,821 --> 01:11:34,422
WELL, IT HAD
SOME PICTURES ON IT,
1678
01:11:34,490 --> 01:11:36,791
OF ADRIAN, ME,
SOME OF OUR FRIENDS.
1679
01:11:36,859 --> 01:11:39,160
I WANTED TO BORROW THE LAPTOP
AND MAKE COPIES.
1680
01:11:39,228 --> 01:11:40,328
WOULD THAT BE OKAY?
1681
01:11:40,396 --> 01:11:41,729
IT'S OKAY WITH ME.
1682
01:11:41,797 --> 01:11:43,765
I'M MEETING SOME CLIENTSOUT AT THE COLONIAL.
1683
01:11:43,832 --> 01:11:45,199
MEET ME THEREAND YOU CAN TAKE IT.
1684
01:11:45,267 --> 01:11:46,601
I'LL NEED IT BACKIN A DAY OR SO.
1685
01:11:46,669 --> 01:11:48,202
OKAY, I'LL SEE YOU THERE.
1686
01:11:48,270 --> 01:11:49,537
OKAY. BYE-BYE.
1687
01:11:51,473 --> 01:11:52,840
IT'S DANIELLE.
1688
01:11:52,908 --> 01:11:55,209
LEAVE A MESSAGE AND I'LL CALL YOU BACK. BEEP.
1689
01:11:55,277 --> 01:11:57,078
-[BEEP]
-OH, HEY, DANI. IT'S ME.
1690
01:11:57,146 --> 01:11:58,379
I JUST LEFT TINA'S.
1691
01:11:58,447 --> 01:12:00,114
IT WAS A LITTLE WEIRD.
I'LL EXPLAIN LATER.
1692
01:12:00,182 --> 01:12:01,983
ANYWAY,
ADRIAN HAD A WORK LAPTOP,
1693
01:12:02,051 --> 01:12:03,985
PETER'S GETTING IT, I'M GONNA
MEET HIM AT THE COLONIAL.
1694
01:12:04,053 --> 01:12:04,852
I'LL TALK TO YOU LATER.
1695
01:12:08,057 --> 01:12:10,024
[♪♪♪]
1696
01:12:23,005 --> 01:12:25,006
[♪♪♪]
1697
01:12:31,447 --> 01:12:32,947
PETER?
1698
01:12:33,015 --> 01:12:35,183
I'M TAPING! COME ON UP.
1699
01:12:37,086 --> 01:12:39,087
[♪♪♪]
1700
01:12:48,664 --> 01:12:51,032
THESE VIRTUAL TOURS ARE GREAT,
1701
01:12:51,100 --> 01:12:52,200
I EDIT THEM DOWN,
1702
01:12:52,267 --> 01:12:53,768
AND THEN, UH,
PEOPLE FROM ALL OVER
1703
01:12:53,836 --> 01:12:55,703
CAN CHECK OUT THE HOUSE
ON THE 'NET.
1704
01:12:55,771 --> 01:12:57,171
WEREN'T YOU MEETING
SOME CLIENTS HERE?
1705
01:12:57,239 --> 01:12:58,306
OH, THEY CANCELED.
1706
01:12:58,374 --> 01:12:59,941
OH.
1707
01:13:00,008 --> 01:13:01,809
[♪♪♪]
1708
01:13:12,254 --> 01:13:15,623
[PETER]: MY LAPTOP'S IN HERE.
I'VE GOT IT ALL BOOTED UP.
1709
01:13:16,825 --> 01:13:18,092
I'M PRETTY GOOD
WITH COMPUTERS.
1710
01:13:18,160 --> 01:13:20,828
USED TO CODE AND PROGRAM,
BACK IN SCHOOL.
1711
01:13:22,564 --> 01:13:23,931
PETER, THIS COULD TAKE AWHILE.
1712
01:13:23,999 --> 01:13:25,700
I DON'T WANT TO KEEP YOU.
1713
01:13:25,768 --> 01:13:27,368
I COULD TAKE THE COMPUTER
AND BRING IT BACK TOMORROW.
1714
01:13:28,504 --> 01:13:30,037
ACTUALLY, NO.
1715
01:13:30,105 --> 01:13:31,806
I COULD GET IN TROUBLE
IF I LET YOU HAVE IT.
1716
01:13:31,874 --> 01:13:33,641
THERE'S SOME WORK STUFF
ON THERE.
1717
01:13:33,709 --> 01:13:34,809
BUT HAVE A SEAT.
1718
01:13:34,877 --> 01:13:37,078
I'VE GOT A FLASH DRIVE
PLUGGED IN.
1719
01:13:37,146 --> 01:13:39,881
IT'LL JUST TAKE ME A SEC
TO COPY THESE.
1720
01:13:45,387 --> 01:13:47,622
I KNOW HER PICTURES
ARE IN HERE SOMEWHERE.
1721
01:13:49,892 --> 01:13:51,859
[PHONE RINGS]
1722
01:13:51,927 --> 01:13:53,161
[REACHES IN PURSE]
1723
01:13:53,228 --> 01:13:54,495
DON'T.
1724
01:13:54,563 --> 01:13:56,164
[RINGING]
1725
01:13:58,434 --> 01:14:00,067
[RINGING]
1726
01:14:02,371 --> 01:14:04,639
[PHONE RINGING]
1727
01:14:08,310 --> 01:14:10,711
[♪♪♪]
1728
01:14:13,382 --> 01:14:16,317
YOU'RE NOT REALLY HERE
FOR THE PICTURES, ARE YOU?
1729
01:14:18,420 --> 01:14:21,055
WHAT DID YOU DISCOVER?
1730
01:14:23,058 --> 01:14:26,160
THREE MISSING MINUTES
FROM THE WEBCAST.
1731
01:14:26,228 --> 01:14:28,062
SOMETHING WAS EDITED OUT.
1732
01:14:28,130 --> 01:14:30,231
[GASPS] OH!
1733
01:14:30,299 --> 01:14:31,666
YOU HACKED INTO HER SERVER,
1734
01:14:31,733 --> 01:14:34,135
AND YOU DELAYED IT
BY THREE MINUTES.
1735
01:14:36,438 --> 01:14:38,372
THAT'S IMPRESSIVE.
1736
01:14:39,541 --> 01:14:40,975
YOU HAD TO BE
IN THE HIDDEN STAIRWAY,
1737
01:14:41,043 --> 01:14:43,411
WAITING FOR ADRIAN
TO FALL ASLEEP.
1738
01:14:43,479 --> 01:14:46,347
YOU HAD A SYRINGE
FULL OF SUCCINYLCHOLINE.
1739
01:14:48,183 --> 01:14:51,018
THEY SAY THE KILLER ALWAYS
LEAVES EVIDENCE AT THE SCENE.
1740
01:14:52,221 --> 01:14:53,988
I FOUND THIS
IN THE STAIRWAY.
1741
01:14:58,927 --> 01:15:01,562
LOVE IS A STRANGE THING.
1742
01:15:01,630 --> 01:15:04,232
HOW IT CAN JUST...
1743
01:15:04,299 --> 01:15:06,467
CHANGE.
1744
01:15:10,138 --> 01:15:12,473
SHE LEFT ME BEHIND.
1745
01:15:14,042 --> 01:15:15,977
[♪♪♪]
1746
01:15:18,947 --> 01:15:22,717
WHEN YOU ASKED FOR THE LAPTOP,
I FIGURED THE GAME WAS UP.
1747
01:15:23,919 --> 01:15:25,152
HOW DID YOU KNOW?
1748
01:15:26,488 --> 01:15:30,291
THE MINUTE-HAND ON HER WATCH
WAS VISIBLE THE WHOLE TIME.
1749
01:15:32,394 --> 01:15:34,061
SOMETIME AFTER 3:00 A.M.,
1750
01:15:34,129 --> 01:15:35,429
IT SUDDENLY JUMPED FORWARD
THREE MINUTES,
1751
01:15:35,497 --> 01:15:38,032
AND THAT MEANT
SOMETHING WAS CUT OUT.
1752
01:15:40,235 --> 01:15:42,937
WOULD YOU LIKE TO SEE
THE MISSING FOOTAGE?
1753
01:15:44,206 --> 01:15:45,373
NO.
1754
01:15:49,144 --> 01:15:51,646
[♪♪♪]
1755
01:15:52,881 --> 01:15:55,082
THERE'S A PROGRAM
CALLED "GHOSTER"
1756
01:15:55,150 --> 01:15:56,684
THAT CAN RETRIEVE
RECENTLY DELETED
1757
01:15:56,752 --> 01:15:57,952
AND CORRUPTED FILES.
1758
01:16:00,822 --> 01:16:02,290
[HITS A KEY]
1759
01:16:02,357 --> 01:16:04,292
I TOOK THE LIBERTY
OF RUNNING IT.
1760
01:16:05,761 --> 01:16:07,895
[♪♪♪]
1761
01:16:11,400 --> 01:16:13,134
HERE WE GO.
1762
01:16:14,803 --> 01:16:16,070
[GASPS]
1763
01:16:16,138 --> 01:16:17,805
LOOK.
1764
01:16:17,873 --> 01:16:20,007
[♪♪♪]
1765
01:16:21,910 --> 01:16:23,110
I SAID, LOOK.
1766
01:16:30,986 --> 01:16:32,987
[♪♪♪]
1767
01:16:42,965 --> 01:16:43,931
[GASPS]
1768
01:16:43,999 --> 01:16:44,865
LET GO!
1769
01:16:46,301 --> 01:16:47,969
NO! OOF!
1770
01:16:56,545 --> 01:16:57,445
AHH!
1771
01:17:06,021 --> 01:17:07,955
[♪♪♪]
1772
01:17:08,023 --> 01:17:09,290
[HAMMERS COCKING]
1773
01:17:09,358 --> 01:17:11,192
FREEZE!
1774
01:17:11,259 --> 01:17:13,961
[♪♪♪]
1775
01:17:15,097 --> 01:17:16,497
YOU OKAY?
1776
01:17:16,565 --> 01:17:18,866
YEAH.
1777
01:17:18,934 --> 01:17:19,967
I'M OKAY.
1778
01:17:25,007 --> 01:17:27,141
[♪♪♪]
1779
01:17:31,980 --> 01:17:33,547
[JENN]: WELL, THE PICTURE
1780
01:17:33,615 --> 01:17:35,583
THAT DANI FOUND
OF PETER AS AN E.M.T.
1781
01:17:35,651 --> 01:17:36,917
WAS THE KEY CLUE.
1782
01:17:36,985 --> 01:17:38,552
THE KILLER HAD TO HAVE
SOME KIND
1783
01:17:38,620 --> 01:17:40,521
OF MEDICAL BACKGROUND
TO KNOW ABOUT THAT POISON.
1784
01:17:40,589 --> 01:17:42,923
AND THEN I REMEMBERED
BACK TO THE OPEN HOUSE--
1785
01:17:42,991 --> 01:17:44,792
IT WAS PETER ASKING THE OLD MAN WITH CHEST PAINS
1786
01:17:44,860 --> 01:17:47,662
ALL THE QUESTIONS BEFORE THE AMBULANCE ARRIVED.
1787
01:17:47,729 --> 01:17:49,730
JUST...
PETER WAS NOT ON MY LIST.
1788
01:17:50,966 --> 01:17:52,867
I WAS SO FOCUSED
ON EVERYTHING ELSE.
1789
01:17:52,934 --> 01:17:54,502
IF I COULD ONLY
GET THE HARD DRIVE,
1790
01:17:54,569 --> 01:17:56,737
I MIGHT BE ABLE TO SEE
THE KILLER COMMIT THE CRIME.
1791
01:17:56,805 --> 01:17:57,972
WHY DIDN'T YOU CALL ME
1792
01:17:58,040 --> 01:17:59,640
BEFORE YOU WENT
AFTER THAT COMPUTER?
1793
01:17:59,708 --> 01:18:01,075
I SHOULD HAVE.
1794
01:18:01,143 --> 01:18:04,445
I WANTED TO WRAP EVERYTHING UP
WITH A NICE BOW.
1795
01:18:04,513 --> 01:18:06,113
I HAD THOUGHT OF EVERYTHING,
1796
01:18:06,181 --> 01:18:08,349
EXCEPT THE "WHO"
IN THE "WHODUNNIT."
1797
01:18:08,417 --> 01:18:09,650
BUT WOULDN'T THE BODY
1798
01:18:09,718 --> 01:18:11,852
BE IN A DIFFERENT POSITION
AFTER THE EDIT?
1799
01:18:11,920 --> 01:18:13,320
PETER DID TRY
TO ARRANGE HER BODY
1800
01:18:13,388 --> 01:18:15,990
IN THE EXACT POSITION IT WAS IN
BEFORE HE INJECTED HER.
1801
01:18:16,058 --> 01:18:17,992
HE USED A FREEZE FRAME
AS A REFERENCE.
1802
01:18:18,060 --> 01:18:20,394
ALRIGHT, YOU MAY HAVE
FIGURED THIS ONE OUT--
1803
01:18:20,462 --> 01:18:21,662
I'LL GIVE YOU THAT MUCH.
1804
01:18:21,730 --> 01:18:24,398
DO YOU UNDERSTAND
HOW CLOSE YOU CAME THIS TIME?
1805
01:18:25,934 --> 01:18:27,835
OKAY, I WON'T MAKE
PROMISES I CAN'T KEEP,
1806
01:18:27,903 --> 01:18:31,639
BUT I WILL PROMISE TO TRY
AND NOT SOLVE THINGS ON MY OWN.
1807
01:18:31,707 --> 01:18:32,640
FAIR ENOUGH?
1808
01:18:33,875 --> 01:18:36,010
WHAT HAPPENS
TO MULLIN NOW?
1809
01:18:36,078 --> 01:18:38,646
WELL, D.A. IS FILING
"MURDER ONE."
1810
01:18:38,714 --> 01:18:40,347
I SPOKE TO
SOME OF HIS CO-WORKERS
1811
01:18:40,415 --> 01:18:41,649
AFTER THE ARREST.
1812
01:18:41,717 --> 01:18:44,652
THERE WAS A PREVIOUS
ROMANTIC ENTANGLEMENT.
1813
01:18:44,720 --> 01:18:45,920
IN ADDITION,
1814
01:18:45,987 --> 01:18:47,722
THEY WERE COMPETITIVE
AT WORK.
1815
01:18:47,789 --> 01:18:49,957
HE THOUGHT HE WAS GETTING
THE LISTING FOR THE COLONIAL.
1816
01:18:50,025 --> 01:18:51,525
SHE GOT IT,
1817
01:18:51,593 --> 01:18:54,061
AND AS A RESULT,
SHE WAS GONNA MAKE PARTNER.
1818
01:18:54,129 --> 01:18:56,430
HE DID SAY THAT
SHE "LEFT HIM BEHIND."
1819
01:18:56,498 --> 01:18:58,332
OLDEST MOTIVE THERE IS.
1820
01:18:58,400 --> 01:19:00,968
BUT, THANKS TO JENNIFER,
1821
01:19:01,036 --> 01:19:02,970
WE HAVE THE VISUAL EVIDENCE
WE NEED
1822
01:19:03,038 --> 01:19:04,505
ON THE LAPTOP'S HARD DRIVE.
1823
01:19:04,573 --> 01:19:06,207
GOOD.
1824
01:19:06,274 --> 01:19:07,241
WAY TO GO, MOM.
1825
01:19:07,309 --> 01:19:08,309
THANK YOU.
1826
01:19:08,376 --> 01:19:09,310
CHEERS!
1827
01:19:09,377 --> 01:19:10,578
[ALL]: CHEERS!
1828
01:19:10,645 --> 01:19:12,747
THAT'S THE LAST TIME, JENN.
1829
01:19:12,814 --> 01:19:14,648
THIS IS BECOMING A HABIT.
1830
01:19:14,716 --> 01:19:17,585
[JASON]: THAT'S MY GIRL!
1831
01:19:17,652 --> 01:19:18,886
HE LOOKS GREAT.
1832
01:19:18,954 --> 01:19:20,521
HE'S BEEN
MOANING ABOUT IT.
1833
01:19:20,589 --> 01:19:22,356
OH, HE'S GONNA
HAVE FUN, TRUST ME.
1834
01:19:22,424 --> 01:19:24,859
[DOORBELL CHIMES]
1835
01:19:24,926 --> 01:19:26,594
LOGAN!
YOUR DATE IS HERE!
1836
01:19:27,929 --> 01:19:29,663
AMY! HI.
1837
01:19:29,731 --> 01:19:31,632
HI, MRS. SHANNON.
1838
01:19:31,700 --> 01:19:33,601
YOU LOOK
ABSOLUTELY GORGEOUS.
1839
01:19:33,668 --> 01:19:35,269
[CHUCKLES] THANK YOU.
1840
01:19:35,337 --> 01:19:36,270
COME IN!
1841
01:19:36,338 --> 01:19:37,571
COME IN.
1842
01:19:42,544 --> 01:19:44,311
I BROUGHT THIS
FOR LOGAN.
1843
01:19:44,379 --> 01:19:46,480
OH, THAT'S SO SWEET.
1844
01:19:47,883 --> 01:19:48,883
HEY.
1845
01:19:50,218 --> 01:19:51,318
HI.
1846
01:19:52,587 --> 01:19:54,121
HI.
1847
01:19:55,423 --> 01:19:56,924
LET ME PUT THIS ON YOU.
1848
01:19:56,992 --> 01:19:59,326
YEAH. YEAH, OKAY. SURE.
1849
01:19:59,394 --> 01:20:01,662
UM...
1850
01:20:06,902 --> 01:20:08,435
[CAMERA SHUTTER SNAPS]
1851
01:20:08,503 --> 01:20:10,004
OH, UH, YEAH--
1852
01:20:10,071 --> 01:20:11,472
THIS--
THIS IS FOR YOU.
1853
01:20:11,540 --> 01:20:12,473
THANK YOU.
1854
01:20:13,608 --> 01:20:14,708
FOR SURE.
1855
01:20:14,776 --> 01:20:16,443
[SHUTTER SNAPPING REPEATEDLY]
1856
01:20:16,511 --> 01:20:18,813
-SMILE!
-[SHUTTER SNAPPING]
1857
01:20:18,880 --> 01:20:21,415
OKAY, UH, WE SHOULD
PROBABLY GET GOING.
1858
01:20:21,483 --> 01:20:22,449
-YEAH.
-HAVE A GOOD NIGHT.
1859
01:20:22,517 --> 01:20:23,784
-YEAH.
-HAVE FUN!
1860
01:20:23,852 --> 01:20:25,085
ALRIGHT.
1861
01:20:25,153 --> 01:20:26,954
-A LOT OF FUN!
-[AWKWARDLY]: YEAH, FOR SURE.
1862
01:20:27,022 --> 01:20:28,589
UH...
1863
01:20:28,657 --> 01:20:30,791
MY DAD SAID
YOU COULD DRIVE HIS CAR.
1864
01:20:32,594 --> 01:20:33,794
WANT TO?
1865
01:20:35,330 --> 01:20:37,765
[♪♪♪]
1866
01:20:37,833 --> 01:20:40,334
YEAH. SURE.
1867
01:20:46,942 --> 01:20:48,609
[LAUGHS]
1868
01:20:48,677 --> 01:20:50,845
[♪♪♪]
1869
01:20:55,684 --> 01:20:56,650
WOW!
1870
01:20:59,588 --> 01:21:00,888
NOT TOO FAST!
1871
01:21:00,956 --> 01:21:02,656
DON'T EMBARRASS HIM.
1872
01:21:02,724 --> 01:21:04,291
[SHUTTER SNAPPING]
1873
01:21:04,359 --> 01:21:06,760
[SNAP-SNAP-SNAP]
1874
01:21:06,828 --> 01:21:08,495
GOODNIGHT, SON!
1875
01:21:08,563 --> 01:21:09,964
OH, I GOT
SOME GOOD PICTURES!
1876
01:21:10,031 --> 01:21:11,532
OH, YOU SURE DID.
1877
01:21:13,001 --> 01:21:15,369
[♪♪♪]
1878
01:21:16,571 --> 01:21:18,772
[LOGAN SPEAKING DOWNSTAIRS,
MUFFLED]
1879
01:21:18,840 --> 01:21:20,774
JASON.
1880
01:21:20,842 --> 01:21:22,910
JASON, I THINK
I HEAR SOMETHING.
1881
01:21:22,978 --> 01:21:23,978
[HE GROANS]
1882
01:21:24,045 --> 01:21:25,713
[LOGAN]: RIGHT THERE.
1883
01:21:25,780 --> 01:21:27,548
DUCK AROUND THE CORNER.
DON'T GET HIT!
1884
01:21:27,616 --> 01:21:28,616
THAT WAS AN INNOCENT VICTIM!
1885
01:21:28,683 --> 01:21:30,851
HE WAS A COLLABORATOR.
1886
01:21:30,919 --> 01:21:31,819
GOOD SHOT.
1887
01:21:31,887 --> 01:21:33,754
OH, HEY, YOU TWO.
1888
01:21:33,822 --> 01:21:35,890
I DIDN'T HEAR YOU COME IN.
1889
01:21:35,957 --> 01:21:37,658
HI, MRS. SHANNON.
1890
01:21:37,726 --> 01:21:39,026
H-HEY, MOM.
1891
01:21:39,094 --> 01:21:40,427
[AMY SIGHS]
1892
01:21:43,965 --> 01:21:45,799
WELL, I'M JUST GONNA...
1893
01:21:45,867 --> 01:21:47,868
MAKE MYSELF SOME WARM MILK.
1894
01:21:47,936 --> 01:21:49,403
TO HELP ME SLEEP.
1895
01:21:53,808 --> 01:21:55,576
[LONG SIGH]
1896
01:21:55,644 --> 01:21:56,977
I SHOULD GO.
1897
01:21:57,045 --> 01:21:58,679
YEAH. YEAH. UH...
I'LL WALK YOU OUT.
1898
01:22:08,156 --> 01:22:10,024
OH, UH...
THERE YOU GO.
1899
01:22:13,461 --> 01:22:15,696
I HAD A REALLY GREAT TIME.
1900
01:22:17,065 --> 01:22:18,465
ME TOO.
1901
01:22:19,668 --> 01:22:21,602
[♪♪♪]
1902
01:22:31,212 --> 01:22:33,280
[♪♪♪]
1903
01:22:37,419 --> 01:22:39,420
[DOOR SHUTS]
1904
01:22:40,755 --> 01:22:42,623
[WISTFUL SIGH]
1905
01:22:46,594 --> 01:22:48,395
SO? DID YOU HAVE A NICE TIME?
1906
01:22:48,463 --> 01:22:50,130
[HE SIGHS]
1907
01:22:50,198 --> 01:22:51,598
I HAD A GREAT TIME.
1908
01:22:51,666 --> 01:22:52,800
SHE'S SO COOL!
1909
01:22:52,867 --> 01:22:54,535
AND LOOK,
SHE EVEN BEAT MY HIGH SCORE,
1910
01:22:54,602 --> 01:22:55,502
WHICH IS SAYING SOMETHING.
1911
01:22:55,570 --> 01:22:57,438
WELL, I'M GLAD YOU WENT.
1912
01:22:57,505 --> 01:22:58,806
HEY, HEY!
1913
01:22:58,873 --> 01:23:00,407
I-I TOLD HER
YOUR WERE ALL INTO MYSTERIES
1914
01:23:00,475 --> 01:23:01,608
AND SHE IS, TOO!
1915
01:23:01,676 --> 01:23:02,977
-REALLY?
-YEAH, YEAH!
1916
01:23:03,044 --> 01:23:04,545
SHE'S, LIKE, OBSESSED
WITH THIS ONE WRITER.
1917
01:23:04,612 --> 01:23:05,879
WHO?
1918
01:23:05,947 --> 01:23:07,982
UM, HAVE YOU EVER HEARD
OF AGATHA CHRISTIE?
1919
01:23:09,551 --> 01:23:11,719
[♪♪♪]
127913
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