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These are the user uploaded subtitles that are being translated: 1 00:00:19,587 --> 00:00:21,955 Paul Evans: * I CAN LAUGH * 2 00:00:22,022 --> 00:00:25,093 * WHEN THINGS AIN'T FUNNY * 3 00:00:25,159 --> 00:00:28,696 * HA HA HAPPY-GO-LUCKY ME * 4 00:00:29,697 --> 00:00:31,999 * YEAH, I CAN SMILE * 5 00:00:32,066 --> 00:00:35,236 * WHEN I AIN'T GOT NO MONEY * 6 00:00:35,303 --> 00:00:37,338 * HA HA HAPPY-GO-LUCKY ME * 7 00:00:38,406 --> 00:00:39,740 [ADVANCES FILM IN CAMERA] 8 00:00:39,807 --> 00:00:41,709 * IT MAY SOUND SILLY * 9 00:00:41,775 --> 00:00:44,345 * BUT I DON'T CARE * 10 00:00:44,412 --> 00:00:45,979 * I GOT THE MOONLIGHT * 11 00:00:46,046 --> 00:00:47,047 * I GOT THE SUN * 12 00:00:47,115 --> 00:00:50,050 * I'VE GOT THE STARS ABOVE * 13 00:00:50,118 --> 00:00:51,919 * ME AND MY FILLY * 14 00:00:51,985 --> 00:00:54,455 * WELL, WE BOTH SHARE * 15 00:00:54,522 --> 00:00:56,023 * THIS SLAPPY-GO-HAPPY * 16 00:00:56,090 --> 00:00:58,692 * HAPPY-GO-LUCKY LOVE * 17 00:00:58,759 --> 00:00:59,760 * WELL * 18 00:00:59,827 --> 00:01:00,794 WAIT! 19 00:01:00,861 --> 00:01:02,930 * LIFE IS SWEET, WHOA * 20 00:01:02,996 --> 00:01:05,999 * SWEET AS HONEY * 21 00:01:06,066 --> 00:01:08,336 * HA HA HAPPY-GO-LUCKY ME * 22 00:01:15,876 --> 00:01:17,878 * HA HA HA HA HA HA * 23 00:01:17,945 --> 00:01:21,282 * AH HA HA HA HA HA * 24 00:01:21,349 --> 00:01:23,184 ARE YOU LOOKING AT ME? 25 00:01:26,354 --> 00:01:27,855 * HA HA HA HA HA HA * 26 00:01:27,921 --> 00:01:29,423 * AH HA HA HA HA HA * 27 00:01:29,490 --> 00:01:31,325 HMM. 28 00:01:31,392 --> 00:01:32,993 * IT MAY SOUND SILLY * 29 00:01:33,060 --> 00:01:35,196 * BUT I DON'T CARE * 30 00:01:35,263 --> 00:01:36,330 * I GOT THE MOONLIGHT * 31 00:01:36,397 --> 00:01:37,798 * I GOT THE SUN * 32 00:01:37,865 --> 00:01:40,201 * I'VE GOT THE STARS ABOVE * 33 00:01:40,268 --> 00:01:42,336 * ME AND MY FILLY * 34 00:01:42,403 --> 00:01:45,139 * WELL, WE BOTH SHARE * 35 00:01:45,206 --> 00:01:46,440 * THIS SLAPPY-GO-HAPPY * 36 00:01:46,507 --> 00:01:49,610 * HAPPY-GO-LUCKY LOVE * 37 00:01:49,677 --> 00:01:50,844 * WELL * 38 00:01:50,911 --> 00:01:53,214 * LIFE IS SWEET, WHOA, YEAH * 39 00:01:53,281 --> 00:01:55,849 * SWEET AS HONEY * 40 00:01:55,916 --> 00:01:59,487 * HA HA HAPPY-GO-LUCKY ME * 41 00:02:03,157 --> 00:02:04,158 HEY! 42 00:02:04,225 --> 00:02:05,426 HEY! 43 00:02:05,493 --> 00:02:06,494 MY HAIR! 44 00:02:06,560 --> 00:02:07,561 HEY! 45 00:02:07,628 --> 00:02:08,796 POLICE! 46 00:02:08,862 --> 00:02:09,930 SOMEBODY HELP! 47 00:02:09,997 --> 00:02:12,166 WAIT, THE BUS, WAIT! 48 00:02:15,569 --> 00:02:17,271 * HA HA HA HA HA HA * 49 00:02:17,338 --> 00:02:19,340 * AH HA HA HA HA HA * 50 00:02:20,908 --> 00:02:22,476 * IT MAY SOUND SILLY * 51 00:02:22,543 --> 00:02:25,446 * BUT I DON'T CARE * 52 00:02:25,513 --> 00:02:26,880 * I GOT THE MOONLIGHT * 53 00:02:26,947 --> 00:02:27,981 * I GOT THE SUN * 54 00:02:28,048 --> 00:02:29,883 * I'VE GOT THE STARS ABOVE * 55 00:02:29,950 --> 00:02:32,786 * ME AND MY FILLY * 56 00:02:32,853 --> 00:02:35,789 * WELL, WE BOTH SHARE * 57 00:02:35,856 --> 00:02:36,824 * THIS SLAPPY-GO-HAPPY * 58 00:02:36,890 --> 00:02:39,727 * HAPPY-GO-LUCKY LOVE * 59 00:02:39,793 --> 00:02:41,061 * WELL * 60 00:02:41,128 --> 00:02:43,831 * LIFE IS SWEET, WHOA, YEAH * 61 00:02:43,897 --> 00:02:46,166 * SWEET AS HONEY * 62 00:02:46,234 --> 00:02:48,736 * HA HA HAPPY-GO-LUCKY ME * 63 00:02:50,904 --> 00:02:52,406 * IT MAY SOUND SILLY * 64 00:02:52,473 --> 00:02:55,343 * BUT I DON'T CARE * 65 00:02:55,409 --> 00:02:56,977 * I GOT THE MOONLIGHT * 66 00:02:57,044 --> 00:02:58,078 * I GOT THE SUN * 67 00:02:58,145 --> 00:03:00,047 * I'VE GOT THE STARS ABOVE * 68 00:03:00,113 --> 00:03:02,283 * ME AND MY FILLY * 69 00:03:02,350 --> 00:03:05,353 * WELL, WE BOTH SHARE * 70 00:03:05,419 --> 00:03:06,920 * THIS SLAPPY-GO-HAPPY * 71 00:03:06,987 --> 00:03:09,823 * HAPPY-GO-LUCKY LOVE * 72 00:03:09,890 --> 00:03:11,158 * WELL * 73 00:03:11,225 --> 00:03:13,927 * LIFE IS SWEET, WHOA, YEAH * 74 00:03:13,994 --> 00:03:16,330 * SWEET AS HONEY * 75 00:03:16,397 --> 00:03:19,467 * HA HA HAPPY-GO-LUCKY ME * 76 00:03:19,533 --> 00:03:21,034 GRRRRR. 77 00:03:21,101 --> 00:03:25,573 * HA HA HAPPY-GO-LUCKY ME * 78 00:03:25,639 --> 00:03:28,509 * HA HA HA HA HA HA * 79 00:03:32,280 --> 00:03:33,647 YOU'RE LATE, PECKER. 80 00:03:33,714 --> 00:03:34,582 SORRY, MR. BOZAK. 81 00:03:34,648 --> 00:03:36,417 I WAS OUT TAKING PICTURES. 82 00:03:36,484 --> 00:03:38,919 LATE IS LATE NO MATTER WHAT YOU WERE DOING. 83 00:03:38,986 --> 00:03:40,388 HERE, FINISH THIS ORDER. 84 00:03:53,033 --> 00:03:54,502 [TAKES PICTURE] 85 00:03:54,968 --> 00:03:57,405 [SIGHS] 86 00:03:59,006 --> 00:04:00,941 I'LL BE RIGHT THERE. 87 00:04:06,013 --> 00:04:07,648 AHEM. 88 00:04:08,215 --> 00:04:09,182 PECKER! 89 00:04:09,249 --> 00:04:10,951 YOU GOT CUSTOMERS. 90 00:04:19,960 --> 00:04:21,429 HERE YOU GO, MISS EMILY. 91 00:04:21,495 --> 00:04:23,797 AND DON'T FORGET TO COME TO MY SHOW. 92 00:04:25,232 --> 00:04:26,967 YEAH, WELL... 93 00:04:29,437 --> 00:04:31,439 REMEMBER, PECKER, THIS AIN'T NO ART GALLERY. 94 00:04:31,505 --> 00:04:33,040 IT'S A RESTAURANT. 95 00:04:33,106 --> 00:04:34,408 YEAH, OKAY. 96 00:04:34,475 --> 00:04:36,477 AND YOUR FRIENDS BETTER BUY SOMETHING TOMORROW, 97 00:04:36,544 --> 00:04:38,346 OR I'LL THROW THEM OUT. 98 00:04:41,114 --> 00:04:43,651 YEAH, MR. BOZAK. 99 00:05:12,179 --> 00:05:14,014 [SQUEAKING] 100 00:05:32,099 --> 00:05:33,967 PECKER. 101 00:05:35,903 --> 00:05:37,237 THANK YOU, MA'AM. 102 00:05:37,304 --> 00:05:38,639 ASSHOLE. 103 00:05:38,706 --> 00:05:40,808 HOPE TO SEE YOU TOMORROW. 104 00:05:40,874 --> 00:05:42,676 BYE. 105 00:05:50,984 --> 00:05:51,985 WHOO! 106 00:05:52,052 --> 00:05:53,787 HERE YOU GO, PECKER-MAN. SPECIAL DELIVERY. 107 00:05:53,854 --> 00:05:55,423 WHOA, MAN. WHERE'D YOU GET THIS? 108 00:05:55,489 --> 00:05:57,625 I GOT MYSELF A 5-FINGER DISCOUNT. 109 00:05:58,792 --> 00:06:00,861 DUDE, YOU'RE GONNA GET POPPED. 110 00:06:00,928 --> 00:06:02,129 NOT ME, BRO. 111 00:06:02,195 --> 00:06:03,464 I'M INVISIBLE. 112 00:06:04,998 --> 00:06:05,999 YOU READY TO PLAY? 113 00:06:06,066 --> 00:06:07,968 Both: SHOPPING FOR OTHERS! 114 00:06:11,639 --> 00:06:13,474 * I'M A NUT, I'M A NUT * 115 00:06:13,541 --> 00:06:17,711 * MY LIFE DON'T EVER GET IN A RUT * 116 00:06:17,778 --> 00:06:20,681 * THE HEAD ON MY SHOULDERS IS SO LOOSE * 117 00:06:20,748 --> 00:06:21,782 OHH! 118 00:06:21,849 --> 00:06:22,816 HEY, YOU! 119 00:06:22,883 --> 00:06:23,984 BRATS. 120 00:06:24,051 --> 00:06:25,453 * I'M A NUT * 121 00:06:34,127 --> 00:06:35,496 [TAKES PICTURE] 122 00:06:54,214 --> 00:06:55,182 [TAKES PICTURE] 123 00:07:17,270 --> 00:07:18,772 [TAKES PICTURE] 124 00:07:37,891 --> 00:07:39,660 Woman: NEXT IN LINE, PLEASE. 125 00:07:41,562 --> 00:07:43,631 [CUSTOMERS ARGUING] 126 00:07:49,469 --> 00:07:51,271 WOULD YOU HURRY UP, PLEASE? 127 00:07:51,338 --> 00:07:52,472 THIS IS NOT MINE. 128 00:07:52,540 --> 00:07:54,341 WELL, I DON'T CARE IF IT'S NOT-- 129 00:07:54,407 --> 00:07:55,676 THIS IS NOT MINE. 130 00:07:55,743 --> 00:08:00,247 Woman: I WOULDN'T EAT THESE RICE CAKES. 131 00:08:00,313 --> 00:08:02,049 WHAT IS THIS? 132 00:08:02,115 --> 00:08:03,817 I DIDN'T BUY THIS. 133 00:08:03,884 --> 00:08:07,087 THERE'S NOTHING WRONG WITH MY BUTT. 134 00:08:07,154 --> 00:08:09,122 UHH! 135 00:08:09,189 --> 00:08:10,958 I DON'T EAT MEAT. 136 00:08:11,024 --> 00:08:12,359 I'M A VEGETARIAN. 137 00:08:12,425 --> 00:08:15,963 JUST HOLD ON. I'LL BE RIGHT WITH YOU. 138 00:08:16,029 --> 00:08:17,497 I'M SORRY. 139 00:08:17,565 --> 00:08:19,199 VOID THAT RECEIPT. 140 00:08:19,266 --> 00:08:21,268 IT'S OKAY, MA'AM. 141 00:08:25,205 --> 00:08:26,273 JUST A MINUTE, LADY. 142 00:08:26,339 --> 00:08:28,408 WHAT THE HELL'S GOING ON HERE? 143 00:08:28,475 --> 00:08:31,945 SOME JERK OVER IN THE PRODUCE DEPARTMENT. 144 00:08:36,316 --> 00:08:38,218 Manager: HEY, YOU! 145 00:08:39,252 --> 00:08:40,220 HEY, YOU! 146 00:08:40,287 --> 00:08:41,288 STOP, THIEF! 147 00:08:41,354 --> 00:08:43,156 SOMEBODY HELP ME. 148 00:08:43,223 --> 00:08:45,158 YOU GONNA PAY FOR THAT? 149 00:08:45,225 --> 00:08:46,827 AAH! 150 00:09:14,387 --> 00:09:15,355 [DOOR OPENS] 151 00:09:15,422 --> 00:09:17,925 Pecker: HI, SHELLEY. 152 00:09:19,793 --> 00:09:21,595 PECKER, I GOT FLUFF AND FOLD DUTIES. 153 00:09:21,662 --> 00:09:25,032 OKAY. JUST A FEW PIN-UP SHOTS. 154 00:09:27,034 --> 00:09:29,870 YOU CAN'T WORK EVERY SECOND OF YOUR LIFE, YOU KNOW. 155 00:09:29,937 --> 00:09:31,271 OKAY, BUT I DON'T HAVE ALL DAY 156 00:09:31,338 --> 00:09:33,774 FOR YOUR STUPID ART. 157 00:09:33,841 --> 00:09:35,542 I GOTTA REFILL THE CHANGE MACHINES, 158 00:09:35,609 --> 00:09:38,178 UNPACK THE MINI-SOAPS. 159 00:09:41,214 --> 00:09:42,650 BEAUTIFUL. 160 00:09:42,716 --> 00:09:44,084 PECKER, HOW COULD I BE BEAUTIFUL 161 00:09:44,151 --> 00:09:45,886 WITH ALL THE DIRT I PUT UP WITH? 162 00:09:45,953 --> 00:09:49,189 I DON'T KNOW, BUT YOU SURE ARE. 163 00:09:50,758 --> 00:09:52,660 Shelley: SEE HIM? 164 00:09:52,726 --> 00:09:54,828 RING AROUND THE COLLAR. 165 00:09:58,498 --> 00:09:59,566 OKAY, CHIN UP. 166 00:09:59,633 --> 00:10:02,102 LEAN INTO THE LIGHT. OKAY. 167 00:10:02,169 --> 00:10:03,036 AND HER. 168 00:10:03,103 --> 00:10:04,504 YOU WOULDN'T BELIEVE THE B.O. STAINS 169 00:10:04,571 --> 00:10:05,839 ON HER BLOUSES. 170 00:10:09,042 --> 00:10:12,479 YOU'RE SO SEXY WHEN YOU WORK. DO YOU KNOW THAT? 171 00:10:12,545 --> 00:10:13,714 HOW CAN I BE SEXY 172 00:10:13,781 --> 00:10:15,849 WHEN I KNOW THAT SHE HAS DINGLEBERRIES? 173 00:10:18,285 --> 00:10:19,452 SHE DOES? 174 00:10:19,519 --> 00:10:21,989 YES SIREE, BOB. 175 00:10:22,055 --> 00:10:24,024 YOU'RE MY VENUS DE MILO. YOU KNOW THAT? 176 00:10:24,091 --> 00:10:26,694 YOU'RE CRAZY. YOU SEE ART WHEN THERE'S NOTHING THERE. 177 00:10:34,367 --> 00:10:36,203 HEY, BUDDY, NO SITTING ON THE WASHING MACHINES. 178 00:10:36,269 --> 00:10:37,470 [SLAM] 179 00:10:37,537 --> 00:10:39,907 AND YOU, NO SLAMMING DOORS ON THE DRYER, EITHER. 180 00:10:39,973 --> 00:10:41,975 YOU TRYING TO MAKE ME DEAF? 181 00:10:43,410 --> 00:10:46,446 ONE MORE SHOT. 182 00:10:46,513 --> 00:10:48,648 OH, GOD, IT'S A PECKER MOMENT. 183 00:10:50,117 --> 00:10:51,151 OH, MY GOD. 184 00:10:53,954 --> 00:10:55,923 YOU CAN'T DYE YOUR CLOTHES IN HERE! 185 00:10:55,989 --> 00:10:57,758 I DON'T HAVE ANY FALL COLORS. 186 00:10:57,825 --> 00:10:59,459 LAUNDROMATS HAVE RULES, YOU KNOW? 187 00:10:59,526 --> 00:11:01,995 CAN'T YOU READ THE SIGN? 188 00:11:02,062 --> 00:11:05,132 GET OUT, AND TAKE YOUR TIRED WARDROBE SOMEPLACE ELSE! 189 00:11:05,198 --> 00:11:07,567 YOU ARE BARRED FROM THE SPIN N' GRIN LAUNDROMAT 190 00:11:07,634 --> 00:11:09,202 FOR THE REST OF YOUR LIFE! 191 00:11:22,716 --> 00:11:24,284 LOOK, PECKER. 192 00:11:24,351 --> 00:11:26,386 I JUST KILLED A WORM. 193 00:11:29,389 --> 00:11:30,423 I GOT YOU SOMETHING. 194 00:11:30,490 --> 00:11:31,792 GOODY. 195 00:11:31,859 --> 00:11:33,693 LET'S GO SAY HI TO MOM. 196 00:11:34,594 --> 00:11:36,296 OH, I DON'T KNOW, JOYCE. 197 00:11:36,363 --> 00:11:37,330 OH, MISS BETTY, 198 00:11:37,397 --> 00:11:40,033 I THINK IT LOOKS VERY FASHIONABLE. 199 00:11:40,100 --> 00:11:42,702 YOU KNOW, THE LAYERED LOOK IS IN THIS YEAR. 200 00:11:42,770 --> 00:11:44,137 Pecker: HI, MOM. 201 00:11:44,204 --> 00:11:45,005 HEY, PECK. 202 00:11:45,072 --> 00:11:46,539 WHAT DO YOU THINK, PECKER? 203 00:11:46,606 --> 00:11:49,076 LOOKS COOL, MISS BETTY. 204 00:11:49,142 --> 00:11:53,413 I FOUND A PAIR OF CALVIN KLEIN UNDERPANTS, TOO. 205 00:11:53,480 --> 00:11:55,783 WOW. GOOD FOR YOU. 206 00:11:55,849 --> 00:11:58,285 OUTSIDER AL, MISS BETTY, GET TOGETHER. 207 00:11:58,351 --> 00:11:59,319 Miss Betty: COME ON, AL. 208 00:11:59,386 --> 00:12:01,188 Joyce: GO ON, AL. 209 00:12:01,254 --> 00:12:03,891 OH, NOW THERE'S A GOOD-LOOKING COUPLE. 210 00:12:03,957 --> 00:12:05,458 Miss Betty: FRESH! 211 00:12:05,525 --> 00:12:09,196 Joyce: OH, SIR, EVERYTHING ON THAT RACK IS HALF PRICE. 212 00:12:09,262 --> 00:12:12,365 CHECK THE TAG AND DIVIDE BY 2. 213 00:12:12,432 --> 00:12:14,968 EVERY DAY IS A SALE HERE. 214 00:12:15,035 --> 00:12:16,436 Miss Betty: OH, JOYCE, 215 00:12:16,503 --> 00:12:19,472 YOU REALLY KNOW HOW TO MAKE HOMELESS PEOPLE FEEL GOOD 216 00:12:19,539 --> 00:12:20,808 ABOUT HOW THEY LOOK. 217 00:12:20,874 --> 00:12:24,044 THANKS, HON. WE KNOW HOW TO MAKE A DOLLAR HOLLER 218 00:12:24,111 --> 00:12:25,879 HERE AT THE BARGAIN HUT. 219 00:12:25,946 --> 00:12:27,948 YOU KNOW WHAT I ALWAYS SAY, MISS BETTY. 220 00:12:28,015 --> 00:12:30,050 IF YOU'VE GOT 15 CENTS IN YOUR POCKET, 221 00:12:30,117 --> 00:12:33,686 I CAN MAKE YOU LOOK LIKE A MILLION DOLLARS. 222 00:12:33,753 --> 00:12:35,422 I WANT MORE CANDY. 223 00:12:35,488 --> 00:12:36,456 LITTLE CHRISSY, 224 00:12:36,523 --> 00:12:37,791 YOU JUST HAD A CANDY BAR. 225 00:12:37,858 --> 00:12:39,793 YOUR TEETH ARE GONNA ROT RIGHT OUT OF YOUR HEAD. 226 00:12:39,860 --> 00:12:42,830 I SAID I WANT CANDY! 227 00:12:42,896 --> 00:12:44,731 LITTLE CHRISSY. 228 00:12:44,798 --> 00:12:46,066 DON'T MIND MISS TOOTH DECAY. 229 00:12:46,133 --> 00:12:47,434 SHE'S ALL SUGARED UP. 230 00:12:47,500 --> 00:12:49,837 OH, AIN'T THAT A BEAUT? 231 00:12:49,903 --> 00:12:51,638 25 CENTS. DO YOU WANT A BAG? 232 00:12:51,704 --> 00:12:52,873 NO. I'LL WEAR IT OUT. 233 00:12:52,940 --> 00:12:55,508 Chrissy: DIDN'T I SAY THE WORD "CANDY"? 234 00:12:55,575 --> 00:12:56,877 I LOVED THE SEVENTIES, TOO. 235 00:12:56,944 --> 00:12:59,246 SOMEBODY PLEASE 236 00:12:59,312 --> 00:13:01,348 GIVE ME SOME CANDY! 237 00:13:01,414 --> 00:13:03,383 WOULD YOU MIND TAKING LITTLE CHRISSY HOME 238 00:13:03,450 --> 00:13:04,317 FOR ME, PECKER? 239 00:13:04,384 --> 00:13:06,786 SHE'S BEEN AGGRAVATING ME ALL DAY. 240 00:13:06,854 --> 00:13:08,989 YEAH, SURE, MOM. COME ON, LITTLE CHRISSY. 241 00:13:11,258 --> 00:13:14,561 Joyce: OH, PECKER, I, UH... 242 00:13:14,627 --> 00:13:17,764 I THOUGHT MAYBE YOU COULD USE THIS FOR YOUR SHOW. 243 00:13:17,831 --> 00:13:20,567 OH, YEAH. THANKS, MOM. YOU RULE. 244 00:13:23,503 --> 00:13:24,571 [DOOR CLOSES] 245 00:13:51,598 --> 00:13:53,366 OHH! 246 00:13:53,433 --> 00:13:56,536 THIS DARN CLAW MACHINE! 247 00:13:56,603 --> 00:13:57,470 IT'S RIGGED! 248 00:13:57,537 --> 00:13:58,738 [CHUCKLING] 249 00:13:58,805 --> 00:14:01,374 YOU CAN'T BE A WINNER EVERY TIME, GUZZLE. 250 00:14:01,441 --> 00:14:03,543 COME ON. HAVE A DRINK. 251 00:14:03,610 --> 00:14:04,744 I'M BROKE, JIMMY. 252 00:14:04,811 --> 00:14:07,881 YOUR DAMN CLAW MACHINE GOT ALL MY MONEY. 253 00:14:07,948 --> 00:14:09,616 IT'S ON ME, OLD-TIMER. 254 00:14:09,682 --> 00:14:11,018 THANKS, JIMMY. 255 00:14:12,519 --> 00:14:13,286 HEY, PECKER. 256 00:14:13,353 --> 00:14:14,754 HEY, DAD. AFTERNOON, GUZZLES. 257 00:14:14,821 --> 00:14:15,923 HI, PECKER. 258 00:14:15,989 --> 00:14:18,858 HI, CHRISSY. HOW YOU DOING, EH? 259 00:14:19,626 --> 00:14:20,894 HOW'S IT GOING? 260 00:14:20,961 --> 00:14:22,295 ALWAYS GOT THAT BROKEN-DOWN CAMERA 261 00:14:22,362 --> 00:14:24,064 HIS MAMA FOUND AT THE THRIFT SHOP. 262 00:14:27,901 --> 00:14:29,903 HOW'S MY LITTLE SWEET TOOTH TODAY? 263 00:14:29,970 --> 00:14:32,572 LITTLE CHRISSY WANTS A JOLT. 264 00:14:32,639 --> 00:14:34,574 OH, SHE DOES? 265 00:14:34,641 --> 00:14:36,109 [OPENS CAN] 266 00:14:38,912 --> 00:14:40,948 SLOW DAY, HUH, DAD? 267 00:14:41,014 --> 00:14:42,916 SLOW'S NOT THE WORD FOR IT. 268 00:14:42,983 --> 00:14:45,352 HERE. I GOT A SHOT FOR YOU. 269 00:14:48,855 --> 00:14:50,357 [RING] 270 00:14:51,491 --> 00:14:54,061 PUT THIS IN YOUR SHOW. 271 00:14:56,997 --> 00:14:58,932 IT'S THAT DAMN PELT ROOM, PECKER. 272 00:14:58,999 --> 00:15:00,300 HOW AM I SUPPOSED TO COMPETE 273 00:15:00,367 --> 00:15:02,769 WITH A STRIPPER BAR RIGHT ACROSS THE STREET? 274 00:15:02,835 --> 00:15:03,903 LESBIANS, I HEAR. 275 00:15:03,971 --> 00:15:05,939 SHOWING FULL BUSH. 276 00:15:06,006 --> 00:15:08,475 B-E-A-V-E-R, PECKER. 277 00:15:08,541 --> 00:15:11,611 THAT'S ALL MEN WANT IN A BAR THESE DAYS. 278 00:15:14,014 --> 00:15:15,248 IT SAYS IT RIGHT HERE 279 00:15:15,315 --> 00:15:16,950 IN THE BOARD OF LIQUOR LICENSE RULE BOOK. 280 00:15:17,017 --> 00:15:19,552 "SECTION 12-203, 281 00:15:19,619 --> 00:15:20,954 "PARAGRAPH 3. 282 00:15:21,021 --> 00:15:22,956 PUBIC HAIR AND LIQUOR." 283 00:15:23,023 --> 00:15:25,392 IT'S JUST PLAIN ILLEGAL. 284 00:15:37,337 --> 00:15:39,939 [BURLESQUE MUSIC PLAYING INSIDE] 285 00:15:45,412 --> 00:15:47,814 Emcee: LET'S HAVE A BIG HAND, GENTLEMEN, 286 00:15:47,880 --> 00:15:49,983 FOR T-BONE THE STRIPPER! 287 00:15:50,050 --> 00:15:52,285 [APPLAUSE AND CHEERING] 288 00:15:52,352 --> 00:15:55,655 Emcee: SHE'S ALL LESBIAN ALL THE TIME! 289 00:15:55,722 --> 00:15:57,490 THAT'S WHY WE'RE HERE! 290 00:15:57,557 --> 00:16:00,360 WHAT ARE YOU LOOKING AT, ASSHOLES? 291 00:16:00,427 --> 00:16:02,929 Emcee: THE NASTIEST GIRL IN BALTIMORE! 292 00:16:02,996 --> 00:16:04,931 YEAH, BABY! 293 00:16:04,998 --> 00:16:07,000 Man: TAKE IT OFF! 294 00:16:07,067 --> 00:16:09,002 YEAH, THAT'S IT! COME ON! 295 00:16:09,069 --> 00:16:10,537 OH, I GOT! I GOT IT! 296 00:16:10,603 --> 00:16:12,005 Emcee: WE SHOW IT ALL! 297 00:16:12,072 --> 00:16:14,774 YOU LIKE LOOKING AT LEZZIES, DON'T YOU, SUCKERS? 298 00:16:14,841 --> 00:16:16,443 Man: I LOVE IT! 299 00:16:16,509 --> 00:16:18,311 Emcee: FULL FRONTAL LESBIAN NUDITY! 300 00:16:18,378 --> 00:16:20,980 YOU THINK MEN GOT WHAT WOMEN REALLY NEED? 301 00:16:21,048 --> 00:16:22,582 I GOT WHAT YOU NEED! 302 00:16:24,951 --> 00:16:27,520 Emcee: BUSH CITY! 303 00:16:27,587 --> 00:16:29,022 WELL, YOU'RE WRONG... 304 00:16:29,856 --> 00:16:30,823 BECAUSE THIS BEEF CURTAIN 305 00:16:30,890 --> 00:16:32,925 STANDS ALONE! 306 00:16:32,992 --> 00:16:34,861 HEY, YOU LITTLE PECKERWOOD! 307 00:16:34,927 --> 00:16:36,696 I WAS JUST LOOKING! 308 00:16:36,763 --> 00:16:39,332 YEAH, WELL, THERE'S NO FREE PEEKING IN THE PELT ROOM. 309 00:16:39,399 --> 00:16:42,001 I SHOULD TELL YOUR FATHER! 310 00:16:47,740 --> 00:16:51,078 ONE PIT BEEF SANDWICH WITH HORSERADISH AND KETCHUP. 311 00:16:51,144 --> 00:16:52,379 I TELL MY LADY FRIENDS, 312 00:16:52,445 --> 00:16:54,481 "GIVE A MAN A PIT BEEF SANDWICH, 313 00:16:54,547 --> 00:16:56,949 AND HE'LL BE BACK FOR SECONDS." 314 00:16:57,016 --> 00:16:58,785 OH. BEST PIT BEEF IN TOWN, MA'AM. 315 00:16:58,851 --> 00:17:00,620 THERE YOU GO. BOTTOM ROUND-- 316 00:17:00,687 --> 00:17:02,089 JUST THE WAY YOU LIKE IT. 317 00:17:02,155 --> 00:17:03,523 $4.00. 318 00:17:04,257 --> 00:17:05,858 KEEP THE CHANGE. 319 00:17:05,925 --> 00:17:06,993 THANK YOU KINDLY. 320 00:17:07,060 --> 00:17:09,129 I'LL SEE YOU TOMORROW. 321 00:17:14,067 --> 00:17:15,435 PECKER! 322 00:17:20,940 --> 00:17:22,442 I NEED TO TALK TO YOU. 323 00:17:22,509 --> 00:17:24,644 HI, MEMAMA. HOW'S BUSINESS? 324 00:17:24,711 --> 00:17:26,479 ALL BALTIMORE LOVES A PIT BEEF SANDWICH. 325 00:17:26,546 --> 00:17:27,914 CAN I GET A SHOT? 326 00:17:27,980 --> 00:17:29,349 SURE CAN. 327 00:17:33,320 --> 00:17:35,455 SHE'S DOING IT AGAIN, YOU KNOW? 328 00:17:35,522 --> 00:17:36,789 SHE IS? 329 00:17:36,856 --> 00:17:37,890 WHEN DID SHE START? 330 00:17:37,957 --> 00:17:40,260 EARLY THIS MORNING. 331 00:17:40,327 --> 00:17:42,162 COME ON IN AND TAKE HER PICTURE 332 00:17:42,229 --> 00:17:44,097 IF YOU DON'T BELIEVE ME. 333 00:17:44,164 --> 00:17:45,432 COME ON. 334 00:17:46,833 --> 00:17:48,368 [CAR PULLING UP] 335 00:17:49,169 --> 00:17:51,638 Man: HEY, YOU OPEN?! 336 00:17:51,704 --> 00:17:53,273 [HONK HONK] 337 00:17:53,340 --> 00:17:54,641 HOLD YOUR HORSES! 338 00:17:54,707 --> 00:17:55,708 Man: HEY, I'M HUNGRY! 339 00:17:55,775 --> 00:17:57,043 BE RIGHT BACK! 340 00:17:57,110 --> 00:17:59,146 Man: I WANT MY PIT BEEF! 341 00:17:59,212 --> 00:18:00,613 SOMETIMES THERE'S THINGS MORE IMPORTANT 342 00:18:00,680 --> 00:18:02,115 THAN PIT BEEF. 343 00:18:02,182 --> 00:18:03,416 COME ON. 344 00:18:03,483 --> 00:18:05,818 I TELL YOU SHE'S BEEN A REGULAR BLABBERMOUTH 345 00:18:05,885 --> 00:18:06,853 ALL DAY LONG. 346 00:18:06,919 --> 00:18:08,121 OH HO, I CAN'T WAIT. 347 00:18:08,188 --> 00:18:11,324 JUST WAIT TILL YOU HEAR HER VOICE. 348 00:18:11,391 --> 00:18:12,492 WOW. 349 00:18:14,194 --> 00:18:16,563 WELL, THERE SHE IS. 350 00:18:23,069 --> 00:18:24,404 HI, MARY. 351 00:18:27,274 --> 00:18:29,075 Memama in higher voice: FULL OF GRACE. 352 00:18:29,142 --> 00:18:30,910 FULL OF GRACE! 353 00:18:30,977 --> 00:18:33,112 SEE? SHE'S TALKING. 354 00:18:33,180 --> 00:18:35,482 IT COULD BE A REAL MIRACLE. 355 00:18:35,548 --> 00:18:37,250 A REAL MIRACLE, MEMAMA. 356 00:18:37,317 --> 00:18:38,685 FULL OF GRACE. 357 00:18:38,751 --> 00:18:40,687 YOU THINK SO, PECKER? 358 00:18:40,753 --> 00:18:42,355 I DO. 359 00:18:43,089 --> 00:18:44,123 OH, I WAS BLINDED 360 00:18:44,191 --> 00:18:46,125 BY THE BLUE OF MARY'S CLOAK 361 00:18:46,193 --> 00:18:48,127 WHEN I WAS JUST 7 YEARS OLD. 362 00:18:48,195 --> 00:18:51,030 I BEEN PRAYING TO HER EVER SINCE. 363 00:18:51,097 --> 00:18:52,932 SURE HAS PAID OFF, HASN'T IT? 364 00:18:52,999 --> 00:18:54,167 IT SURE HAS. 365 00:18:54,234 --> 00:18:55,602 FULL OF GRACE. 366 00:18:55,668 --> 00:18:58,171 WE HEAR YOU LOUD AND CLEAR, MARY. 367 00:18:58,238 --> 00:18:59,472 YOU KNOW WHAT? 368 00:18:59,539 --> 00:19:02,141 WHY DON'T YOU TWO SIT OVER THERE? 369 00:19:03,976 --> 00:19:05,312 PERFECT. 370 00:19:06,179 --> 00:19:07,347 OH, WOW. 371 00:19:07,414 --> 00:19:09,649 YOU TWO LOOK JUST LIKE A HOLY CARD. 372 00:19:09,716 --> 00:19:11,083 WE DO? 373 00:19:11,150 --> 00:19:14,120 OH, JUST WAIT TILL YOU SEE THIS PICTURE. 374 00:19:14,187 --> 00:19:15,188 FULL OF GRACE. 375 00:19:15,255 --> 00:19:17,156 SHE LIKES YOU, PECKER! 376 00:19:17,224 --> 00:19:18,425 AND I LIKE HER, TOO. 377 00:19:18,491 --> 00:19:20,126 FULL OF GRACE. FULL OF GRACE. 378 00:19:20,193 --> 00:19:21,928 FULL OF GRACE. 379 00:19:23,263 --> 00:19:24,764 PECKER? 380 00:19:25,398 --> 00:19:27,334 HONEY, WE'RE HOME! 381 00:19:28,235 --> 00:19:30,203 BE RIGHT DOWN! 382 00:19:30,270 --> 00:19:32,071 IS MEMAMA UP THERE WITH YOU? 383 00:19:32,138 --> 00:19:34,207 YEAH! WE'RE TAKING PICTURES! 384 00:19:34,274 --> 00:19:36,042 SHE'S GOT CUSTOMERS! 385 00:19:36,108 --> 00:19:37,677 OH, SWEETIE, COME ON. GIVE IT BACK. 386 00:19:37,744 --> 00:19:40,447 YOU HAVE TO WAIT TILL AFTER DINNER, OKAY? 387 00:19:40,513 --> 00:19:42,515 Chrissy: BUT I'M HUNGRY NOW! 388 00:19:42,582 --> 00:19:45,418 MAN, EVERYTHING ALWAYS LOOKS GOOD THROUGH HERE. 389 00:19:48,255 --> 00:19:49,422 WHERE ARE YOU GOING? 390 00:19:49,489 --> 00:19:52,392 I'M MAKING SLOPPY JOES FOR DINNER. 391 00:19:52,459 --> 00:19:54,093 I CAN'T STAY FOR DINNER. 392 00:19:54,160 --> 00:19:56,028 PECKER, YOU'VE GOT TO EAT. 393 00:19:56,095 --> 00:19:58,064 WHY DO YOU THINK WE CALLED HIM PECKER? 394 00:19:58,130 --> 00:19:59,899 NEVER DID EAT PROPERLY AS A CHILD. 395 00:19:59,966 --> 00:20:01,268 JUST PECKED AT HIS FOOD. 396 00:20:01,334 --> 00:20:02,835 I'M NOT HUNGRY, 397 00:20:02,902 --> 00:20:05,705 AND BESIDES, I'M LATE FOR MY PHOTO SHOOT WITH TINA. 398 00:20:05,772 --> 00:20:06,539 OH, PECKER. 399 00:20:06,606 --> 00:20:08,140 WE LOVE YOUR BIG SISTER, 400 00:20:08,207 --> 00:20:10,142 BUT YOU KNOW HOW WE FEEL 401 00:20:10,209 --> 00:20:11,878 ABOUT THAT PLACE WHERE SHE WORKS. 402 00:20:11,944 --> 00:20:13,380 THE DEVIL'S WORKSHOP! 403 00:20:15,815 --> 00:20:17,617 AT LEAST THEY DON'T SHOW PUBIC HAIR. 404 00:20:17,684 --> 00:20:19,018 THAT'S ONE GOOD THING I CAN SAY. 405 00:20:19,085 --> 00:20:21,688 HONEY, DON'T SAY "PUBIC" IN FRONT OF LITTLE CHRISSY. 406 00:20:21,754 --> 00:20:22,755 BYE, MOM. 407 00:20:22,822 --> 00:20:23,623 BYE, SWEETIE. 408 00:20:23,690 --> 00:20:26,326 PECKER, PLEASE BRING ME A SODA! 409 00:20:26,393 --> 00:20:27,994 OKAY, OKAY. BYE, DAD. 410 00:20:28,060 --> 00:20:30,297 DON'T BE TOO LATE, PECKER. 411 00:20:44,944 --> 00:20:46,012 [MEN HOWLING AND CHEERING] 412 00:20:46,078 --> 00:20:47,680 EVENING, MR. NELLBOX. 413 00:20:47,747 --> 00:20:49,849 HEY, HOW YOU DOING, DAISY BAIT? 414 00:20:49,916 --> 00:20:50,750 GOOD. 415 00:20:50,817 --> 00:20:52,184 STILL TAKING THEM PICTURES, HUH? 416 00:20:52,251 --> 00:20:54,621 OH, YEAH. AS LONG AS IT'S OK WITH YOU. 417 00:20:54,687 --> 00:20:56,523 I TOLD YOUR SISTER TINA, I SAID, 418 00:20:56,589 --> 00:20:59,326 "PECKER OUGHT TO FORGET ABOUT HIS STUPID CAMERA, 419 00:20:59,392 --> 00:21:00,760 GET UP ON THE BAR AND DANCE." 420 00:21:00,827 --> 00:21:01,828 HUH? 421 00:21:01,894 --> 00:21:04,196 SHOW HIS BONY ASS, MAKE SOME REAL MONEY. 422 00:21:04,263 --> 00:21:07,199 AW, THANKS, SIR, BUT I COULD NEVER DO THAT. 423 00:21:07,266 --> 00:21:08,735 CAN I TAKE YOUR PICTURE, THOUGH? 424 00:21:08,801 --> 00:21:11,838 HEY, KNOCK YOURSELF OUT, BUTTPLUG. 425 00:21:11,904 --> 00:21:12,839 HOLD STILL. 426 00:21:12,905 --> 00:21:15,708 HEY, I'LL HOLD IT ANY WAY I CAN GET IT. 427 00:21:15,775 --> 00:21:16,909 [LAUGHING] 428 00:21:16,976 --> 00:21:18,445 SEE YOU LATER. 429 00:21:18,511 --> 00:21:19,679 HAVE A BALL, KID. 430 00:21:19,746 --> 00:21:20,513 [CHUCKLING] 431 00:21:20,580 --> 00:21:22,682 [DANCE MUSIC PLAYING] 432 00:21:23,450 --> 00:21:24,917 HERE YOU GO, CHAMP. 433 00:21:24,984 --> 00:21:25,985 THERE YOU GO. 434 00:21:28,788 --> 00:21:29,556 HEY. 435 00:21:29,622 --> 00:21:30,823 THANKS. ANOTHER BEER? 436 00:21:30,890 --> 00:21:31,891 ANOTHER BEER. 437 00:21:31,958 --> 00:21:33,626 HI! 438 00:21:33,693 --> 00:21:34,727 HI! 439 00:21:45,972 --> 00:21:47,374 OH. 440 00:21:58,618 --> 00:22:02,655 LET'S HEAR IT FOR LARRY THE LUGHEAD! 441 00:22:04,023 --> 00:22:05,658 WHOO! 442 00:22:07,093 --> 00:22:08,260 [APPLAUSE DIES OUT] 443 00:22:08,327 --> 00:22:10,430 LARRY'S 21 YEARS OLD, 444 00:22:10,497 --> 00:22:11,764 HETEROSEXUAL, 445 00:22:11,831 --> 00:22:12,832 UNCUT, 446 00:22:12,899 --> 00:22:13,900 ON PROBATION, 447 00:22:13,966 --> 00:22:15,935 AND CURRENTLY MAKES HIS LIVING AS A BURGLAR. 448 00:22:16,002 --> 00:22:17,604 [CHEERING] 449 00:22:17,670 --> 00:22:19,439 Man: COME ON, BABY! 450 00:22:19,506 --> 00:22:23,810 AND HOW ABOUT SEAFOOD SAM THE SAILOR MAN? 451 00:22:23,876 --> 00:22:25,512 [CHEERING] 452 00:22:30,983 --> 00:22:31,951 HE MAY BE STRAIGHT, 453 00:22:32,018 --> 00:22:33,686 BUT HE'S ON LEAVE, 454 00:22:33,753 --> 00:22:35,988 SO DON'T ASK, DON'T TELL... 455 00:22:36,055 --> 00:22:37,724 JUST GET HIM TO A HOTEL. 456 00:22:37,790 --> 00:22:39,626 WHOO! 457 00:22:42,061 --> 00:22:43,896 THAR SHE BLOWS! 458 00:22:43,963 --> 00:22:44,964 [LAUGHTER] 459 00:22:45,031 --> 00:22:46,966 YES! RRR! 460 00:22:47,033 --> 00:22:48,935 BULL'S-EYE! 461 00:22:51,971 --> 00:22:53,706 HEY, LARRY... 462 00:22:54,807 --> 00:22:56,876 NO TEABAGGING. YOU KNOW THE RULES. 463 00:22:56,943 --> 00:22:58,778 NO BALLS ON FOREHEADS. 464 00:22:58,845 --> 00:23:01,614 TEABAGGING IS FORBIDDEN HERE AT THE FUDGE PALACE. 465 00:23:01,681 --> 00:23:03,082 Patron: OH. I UNDERSTAND. 466 00:23:03,149 --> 00:23:05,452 YOU TEABAG A CUSTOMER ONE MORE TIME, LARRY, 467 00:23:05,518 --> 00:23:08,087 AND MR. NELLBOX WILL FIRE YOUR ASS. 468 00:23:08,154 --> 00:23:09,956 Patrons: OOH! 469 00:23:13,225 --> 00:23:15,394 YEAH, YOU'RE GONNA LIKE THIS ONE. 470 00:23:16,062 --> 00:23:17,830 LOOK AT THIS. LOOK. 471 00:23:17,897 --> 00:23:19,999 OKAY. BE CAREFUL. 472 00:23:20,066 --> 00:23:21,501 WOW. 473 00:23:21,568 --> 00:23:23,703 IF IT WASN'T FOR YOU, PECKER-MAN, 474 00:23:23,770 --> 00:23:26,038 I'D NEVER KNOW THIS SHIT EXISTED. 475 00:23:26,105 --> 00:23:27,774 "TEABAGGING"? 476 00:23:27,840 --> 00:23:28,708 JESUS. 477 00:23:28,775 --> 00:23:30,242 I THOUGHT I HAD HEARD OF EVERYTHING. 478 00:23:30,309 --> 00:23:33,012 DUDE, HAVE YOU EVER HEARD OF GIVING SOMEONE A DUTCH OVEN? 479 00:23:33,079 --> 00:23:34,981 NO. WHAT'S THAT? 480 00:23:35,047 --> 00:23:36,683 IT'S WHEN YOU FART IN BED, 481 00:23:36,749 --> 00:23:38,951 AND QUICKLY PULL THE COVERS OVER YOUR PARTNER'S HEAD. 482 00:23:39,018 --> 00:23:40,352 HA HA! 483 00:23:40,419 --> 00:23:42,955 OH, MAN, I GOTTA TRY THAT SOMETIME. 484 00:23:43,022 --> 00:23:44,857 DAMN. 485 00:23:44,924 --> 00:23:45,992 LOOK AT HER. 486 00:23:46,058 --> 00:23:47,527 SHE'S SCARY. 487 00:23:47,594 --> 00:23:48,595 I DON'T KNOW. 488 00:23:48,661 --> 00:23:50,029 I THINK SHE LOOKS KIND OF PROUD. 489 00:23:50,096 --> 00:23:51,063 YEAH? 490 00:23:51,130 --> 00:23:52,098 YEAH. 491 00:23:52,164 --> 00:23:53,399 WELL, WHATEVER IT IS, 492 00:23:53,466 --> 00:23:54,867 IT'S A COOL FUCKING PICTURE, MAN. 493 00:23:54,934 --> 00:23:57,103 YOU SURE GOT THE EYE FOR THIS STUFF. 494 00:23:57,169 --> 00:23:58,738 IT'S WEIRD, YOU KNOW? 495 00:23:58,805 --> 00:24:01,574 SOMETIMES I'M AMAZED THEY EVEN TURN OUT AT ALL. 496 00:24:01,641 --> 00:24:04,811 THERE'S MY GIRL. 497 00:24:04,877 --> 00:24:07,113 SHELLEY SURE IS SOMETHING, HUH? 498 00:24:07,179 --> 00:24:08,114 YEAH. 499 00:24:08,180 --> 00:24:09,381 SHE OUGHT TAKE OFF WORK 500 00:24:09,448 --> 00:24:10,617 ONCE IN A WHILE, THOUGH. 501 00:24:10,683 --> 00:24:12,084 HAVE SOME FUN. 502 00:24:12,151 --> 00:24:13,853 WELL, WORK IS FUN, MATT, 503 00:24:13,920 --> 00:24:16,055 IF YOU'RE DOING SOMETHING YOU LOVE, RIGHT? 504 00:24:16,122 --> 00:24:17,857 I GUESS, BUT LOOK AT ME. 505 00:24:17,924 --> 00:24:20,760 I'M THE BEST THIEF IN TOWN, AND I CAN'T EVEN GET LAID. 506 00:24:22,729 --> 00:24:23,496 SHH! 507 00:24:23,563 --> 00:24:25,765 YOU HEAR THEM FOOTSTEPS? 508 00:24:25,832 --> 00:24:26,933 YEAH. 509 00:24:26,999 --> 00:24:28,034 IT'S HER. 510 00:24:29,168 --> 00:24:30,637 QUICK. ONE MORE SHOT. 511 00:24:52,324 --> 00:24:54,060 LITTLE CHRISSY. 512 00:24:55,227 --> 00:24:57,129 SAY, "SUGAR." 513 00:24:57,196 --> 00:24:59,098 SUGARRRR. 514 00:25:00,032 --> 00:25:02,969 OH, I LOVE YOU, LITTLE CHRISSY. 515 00:25:05,371 --> 00:25:07,106 NO MATTER WHAT. 516 00:25:07,173 --> 00:25:10,209 [CHICKENS CLUCKING IN THE MOOD] 517 00:25:28,628 --> 00:25:30,597 NOW, THIS ONE I LIKE OK. 518 00:25:30,663 --> 00:25:31,864 IT'S OUT OF FOCUS, 519 00:25:31,931 --> 00:25:33,800 BUT IT AIN'T DEPRESSING LIKE THE OTHER ONES. 520 00:25:33,866 --> 00:25:36,636 MAKES PEOPLE FEEL LIKE BUYING SOMETHING. 521 00:25:38,370 --> 00:25:40,306 CAN I HELP YOU? 522 00:25:40,372 --> 00:25:41,974 CHRIST, THEY AREN'T EVEN IN COLOR. 523 00:25:42,041 --> 00:25:43,475 YOU CAN'T JUST LOOK AT THE PICTURES 524 00:25:43,542 --> 00:25:44,977 WITHOUT ORDERING SOMETHING. 525 00:25:45,044 --> 00:25:46,112 I'LL HAVE A MACARONI SALAD. 526 00:25:46,178 --> 00:25:47,580 RIGHT. 527 00:25:48,915 --> 00:25:51,117 OHH. LOOK. 528 00:25:51,183 --> 00:25:52,619 HEY, MOM. 529 00:25:52,685 --> 00:25:53,653 HI, HONEY. 530 00:25:53,720 --> 00:25:55,487 HERE YOU ARE. MACARONI SALAD. 531 00:25:55,554 --> 00:25:57,056 CAN I GET YOU SOMETHING? 532 00:25:57,123 --> 00:25:58,725 UH, HI, MR. BOZAK. 533 00:25:58,791 --> 00:25:59,926 NO, THAT'S ALRIGHT. 534 00:25:59,992 --> 00:26:03,462 WE'RE JUST HERE TO LOOK AT THE ART. 535 00:26:03,529 --> 00:26:06,966 WELL, LITTLE CHRISSY CAN'T EAT OUTSIDE FOOD IN HERE. 536 00:26:07,033 --> 00:26:10,136 AND THEY-- THEY HAVE TO BUY SOMETHING. 537 00:26:11,270 --> 00:26:13,205 OH, I'M SORRY. 538 00:26:13,272 --> 00:26:14,140 OH, WELL, ALRIGHT. 539 00:26:14,206 --> 00:26:14,974 NO. 540 00:26:15,041 --> 00:26:16,676 YES, HONEY. YOU CAN'T HAVE IT. 541 00:26:16,743 --> 00:26:18,210 4 MEDIUM COKES THEN. 542 00:26:18,277 --> 00:26:20,212 NO! I WANT MY JUICY FRUITS! 543 00:26:20,279 --> 00:26:22,314 LITTLE CHRISSY, 544 00:26:22,381 --> 00:26:24,016 WE'RE NOT ALLOWED OUTSIDE FOOD. 545 00:26:24,083 --> 00:26:25,517 YOU'RE GETTING A COKE. NOW COME ON. 546 00:26:25,584 --> 00:26:27,019 WE'RE HERE TO LOOK AT THE ART. 547 00:26:27,086 --> 00:26:28,320 YOU HEARD HER. GET THE COKES. 548 00:26:28,387 --> 00:26:29,521 HONEY, I SAID-- 549 00:26:29,588 --> 00:26:31,557 I WANT MY JUICY FRUITS! 550 00:26:31,624 --> 00:26:33,092 NO, HONEY, YOU'RE GOING TO HAVE A COKE 551 00:26:33,159 --> 00:26:34,526 IN JUST A MINUTE! 552 00:26:34,593 --> 00:26:37,897 OH. CONGRATULATIONS, PECKER. 553 00:26:37,964 --> 00:26:39,198 Pecker: THANKS, MOM. 554 00:26:39,265 --> 00:26:41,033 Joyce: HERE YOU GO NOW, LITTLE CHRISSY. 555 00:26:41,100 --> 00:26:42,835 NOW, WHO'S THAT IN THE PICTURE? 556 00:26:42,902 --> 00:26:44,036 IT THAT LITTLE CHRISSY? 557 00:26:44,103 --> 00:26:46,538 YEP. THAT'S ONE OF MY FAVORITE ONES, TOO. 558 00:26:46,605 --> 00:26:48,975 SWEETIE, YOU ARE SO TALENTED. 559 00:26:49,041 --> 00:26:50,977 IF ONLY YOU COULD CONCENTRATE 560 00:26:51,043 --> 00:26:52,979 ON PRETTY SCENERY OR SOMETHING 561 00:26:53,045 --> 00:26:54,546 INSTEAD OF OUR BORING LIVES, 562 00:26:54,613 --> 00:26:57,049 YOU MIGHT MAKE A REAL CAREER OUT OF THIS. 563 00:26:57,116 --> 00:26:59,251 OKAY, PECKER, 564 00:26:59,318 --> 00:27:00,953 GET BACK TO WORK. 565 00:27:04,991 --> 00:27:06,893 OH, MY GOD. THAT'S ME! 566 00:27:06,959 --> 00:27:09,762 YEAH, AND IT'S A MIRACLE THEY DON'T TAKE IT DOWN. 567 00:27:09,829 --> 00:27:12,198 Man: YEAH, I KNOW WHAT YOU MEAN. 568 00:27:14,000 --> 00:27:16,102 YOU BELIEVE THESE PICTURES? 569 00:27:16,168 --> 00:27:18,570 WHAT IN THE... 570 00:27:18,637 --> 00:27:21,407 I CAN'T FIGURE OUT WHAT THIS ONE IS, 571 00:27:21,473 --> 00:27:23,209 BUT I KINDA LIKE IT. 572 00:27:26,813 --> 00:27:29,081 THOSE HOMOS. 573 00:27:29,148 --> 00:27:33,686 PECKER, YOUR PICTURES ARE GLORIOUS. 574 00:27:33,753 --> 00:27:37,223 THERE'S NOTHING GAY ABOUT IT. 575 00:27:41,027 --> 00:27:42,929 PECKER, I'M SO SORRY I'M LATE, 576 00:27:42,995 --> 00:27:45,064 BUT WAIT TILL YOU TRY THIS NEW PRODUCT. 577 00:27:45,131 --> 00:27:47,599 IT REMOVES LIPSTICK STAINS, DEODORANT RINGS. 578 00:27:47,666 --> 00:27:50,069 OH, WOW. THANKS, HONEY. THAT'S REALLY SWEET. 579 00:27:50,136 --> 00:27:52,638 MR. BOZAK, CAN I TAKE A SHORT BREAK? 580 00:27:52,705 --> 00:27:53,672 IT WON'T BE LONG. 581 00:27:53,740 --> 00:27:55,474 OH, COME ON. PLEASE? 582 00:27:55,541 --> 00:27:57,309 Bozak: YOU'RE OFF THE CLOCK THEN. 583 00:27:57,376 --> 00:27:58,978 OKAY. JUST FOR 5 MINUTES. 584 00:27:59,045 --> 00:27:59,779 COME ON. 585 00:27:59,846 --> 00:28:01,080 AND YOU TWO... 586 00:28:01,147 --> 00:28:04,250 DON'T EVEN THINK ABOUT USING THE RESTROOMS. 587 00:28:07,720 --> 00:28:08,554 LOOK. 588 00:28:08,620 --> 00:28:10,289 IT'S ALL YOU, SHELLEY. 589 00:28:10,356 --> 00:28:11,623 Shelley: OH, MY GOD. 590 00:28:11,690 --> 00:28:13,525 Joyce: YOU LOOK SO PRETTY, SHELLEY. 591 00:28:13,592 --> 00:28:15,261 YOU DON'T THINK I SHOW TOO MUCH? 592 00:28:15,327 --> 00:28:16,262 NO, NO. 593 00:28:16,328 --> 00:28:18,130 THAT'S WHY THEY CALL THEM FIGURE STUDIES. 594 00:28:18,197 --> 00:28:20,632 WHAT WILL MY CUSTOMERS SAY? 595 00:28:20,699 --> 00:28:22,434 THEY'LL SAY YOU INSPIRE ME. 596 00:28:22,501 --> 00:28:25,404 OH, PECKER, IT'S JUST ME IN MY STUPID LAUNDROMAT. 597 00:28:25,471 --> 00:28:27,273 I MEAN, WHAT'S THE BIG DEAL? 598 00:28:28,440 --> 00:28:29,508 EXCUSE ME. 599 00:28:29,575 --> 00:28:31,343 ARE YOU PECKER? 600 00:28:31,410 --> 00:28:33,145 YEAH, I AM. 601 00:28:33,212 --> 00:28:34,346 HI, I'M ROREY. 602 00:28:34,413 --> 00:28:35,381 WE'RE HIS PARENTS. 603 00:28:35,447 --> 00:28:36,315 HI. 604 00:28:36,382 --> 00:28:38,150 I'M FROM NEW YORK CITY 605 00:28:38,217 --> 00:28:39,685 WHERE I HAVE AN ART GALLERY. 606 00:28:39,752 --> 00:28:41,854 I'M HERE TO MEET WITH THE BALTIMORE MUSEUM, 607 00:28:41,921 --> 00:28:43,355 AND I SAW YOUR FLYER. 608 00:28:43,422 --> 00:28:44,490 YOUR PICTURES ARE AMAZING. 609 00:28:44,556 --> 00:28:46,425 THEY'RE THE REAL THING. 610 00:28:46,492 --> 00:28:48,094 WOW. UH, THANKS. 611 00:28:48,160 --> 00:28:50,362 THIS IS MY GIRLFRIEND SHELLEY. 612 00:28:50,429 --> 00:28:53,099 I LOVE YOUR LOOK. 613 00:28:55,201 --> 00:28:57,203 SO TELL ME ABOUT THIS ONE. 614 00:28:57,269 --> 00:28:58,470 OHH... 615 00:28:59,872 --> 00:29:02,241 WELL, IT'S, UH... 616 00:29:02,308 --> 00:29:03,976 IT'S... 617 00:29:04,043 --> 00:29:05,344 IT'S KIND OF, UH... 618 00:29:05,411 --> 00:29:07,113 OF... 619 00:29:07,179 --> 00:29:08,414 UH... 620 00:29:10,282 --> 00:29:12,351 IT'S THE PUBIC HAIR OF A STRIPPER! 621 00:29:12,418 --> 00:29:13,352 Pecker: YEAH. 622 00:29:13,419 --> 00:29:15,354 OH! 623 00:29:15,421 --> 00:29:17,023 THAT'S IT, PECKER. 624 00:29:17,089 --> 00:29:19,025 THIS IS A FAMILY RESTAURANT, AND YOU'RE FIRED! 625 00:29:19,091 --> 00:29:21,393 Woman: I SHOULD HOPE SO. THAT WAS DISGUSTING. 626 00:29:21,460 --> 00:29:22,361 FIRED? 627 00:29:22,428 --> 00:29:25,131 WHAT DID I DO, MR. BOZAK? 628 00:29:25,197 --> 00:29:27,266 Jimmy: CHRISSY, DON'T EAT THAT, HONEY! 629 00:29:27,333 --> 00:29:28,100 LOOK, CHRISSY... 630 00:29:28,167 --> 00:29:30,069 HURRY UP, AL! I GOTTA GO! 631 00:29:30,136 --> 00:29:31,337 GO, GO! 632 00:29:31,403 --> 00:29:33,072 Jimmy: LISTEN TO DADDY. 633 00:29:33,139 --> 00:29:36,175 YOU WANT TO GET RICKETS? 634 00:29:39,345 --> 00:29:40,112 HOW MUCH? 635 00:29:40,179 --> 00:29:41,480 Pecker: FOR MY PICTURE? 636 00:29:41,547 --> 00:29:42,514 YEAH. 637 00:29:42,581 --> 00:29:44,083 YOU WANNA BUY IT? 638 00:29:44,150 --> 00:29:44,716 YEAH. 639 00:29:44,783 --> 00:29:46,418 OF COURSE. IT'S GREAT. 640 00:29:46,485 --> 00:29:47,419 UH... 641 00:29:47,486 --> 00:29:48,387 $30. 642 00:29:48,454 --> 00:29:49,655 SOLD. 643 00:29:49,721 --> 00:29:52,524 MOM, DAD, I JUST SOLD A PICTURE. 644 00:29:52,591 --> 00:29:55,895 I'D ALSO LOVE TO GIVE YOU A SHOW IN MY NEW YORK GALLERY 645 00:29:55,962 --> 00:29:57,429 IF YOU'D BE WILLING. 646 00:29:57,496 --> 00:29:59,098 THERE YOU GO. 647 00:29:59,165 --> 00:30:00,833 LOOK. 648 00:30:24,823 --> 00:30:26,758 Man: THERE'S ANOTHER OPENING DOWN THE STREET. 649 00:30:26,825 --> 00:30:28,194 Woman: AT PAT HEARN'S GALLERY. 650 00:30:28,260 --> 00:30:29,228 Second man: GOT GOOD REVIEWS. 651 00:30:29,295 --> 00:30:30,762 WHY DON'T WE GIVE IT A CHANCE? 652 00:30:30,829 --> 00:30:32,531 Second woman: ALRIGHT. YEAH. 653 00:30:36,802 --> 00:30:39,205 [CLASSICAL PIANO MUSIC PLAYING] 654 00:30:42,308 --> 00:30:44,443 NOW, THAT'S MY LITTLE SISTER. 655 00:30:44,510 --> 00:30:45,444 SOME WINE? 656 00:30:45,511 --> 00:30:46,445 MAY I? 657 00:30:46,512 --> 00:30:48,314 CERTAINLY. 658 00:30:48,380 --> 00:30:49,548 ISN'T SHE A DOLL? 659 00:30:55,955 --> 00:30:57,189 OH, MY GOD, PECKER, 660 00:30:57,256 --> 00:30:58,657 YOU'VE GOTTA LISTEN TO WHAT THEY'RE SAYING. 661 00:30:58,724 --> 00:31:00,492 AND THIS IS THE TIMES. 662 00:31:00,559 --> 00:31:01,793 "A TEENAGE OUIJA 663 00:31:01,860 --> 00:31:03,229 "WHO'S PAINTBRUSH IS THE BROKEN-DOWN CAMERA 664 00:31:03,295 --> 00:31:04,696 HE FOUND IN HIS MOM'S THRIFT SHOP." 665 00:31:04,763 --> 00:31:08,167 LESTER HALLBROOK NEVER RAVES ABOUT ANYBODY'S FIRST SHOW! 666 00:31:08,234 --> 00:31:09,535 WOW. 667 00:31:09,601 --> 00:31:11,003 HE'S RIGHT OVER THERE. 668 00:31:11,870 --> 00:31:13,772 Pecker: THANKS A LOT, SIR! 669 00:31:13,839 --> 00:31:15,975 OH, NO. YOU DON'T HAVE TO DO THAT. 670 00:31:17,576 --> 00:31:19,311 OH, YES. LOOK AT THIS ONE. 671 00:31:19,378 --> 00:31:20,846 I SAW THAT BOOK AT THE STRAND. 672 00:31:20,913 --> 00:31:22,181 OH, THERE'S VENETIA KEYDASH. 673 00:31:22,248 --> 00:31:23,382 SHE'S A WRITER FOR ART NEWS. 674 00:31:23,449 --> 00:31:25,317 I WANTED TO INTRODUCE YOU TO HER. 675 00:31:25,384 --> 00:31:26,852 YOUR PICTURES ARE SUBLIME, SON. 676 00:31:26,919 --> 00:31:28,154 WELL, THANKS A LOT, MA'AM. 677 00:31:28,220 --> 00:31:30,056 IF I KNEW HOW TO MAKE 'EM ANY BETTER, 678 00:31:30,122 --> 00:31:32,658 THEY PROBABLY WOULDN'T WORK AT ALL. 679 00:31:43,135 --> 00:31:45,471 YOU KNOW WHAT? EXCUSE ME A SECOND. 680 00:31:50,076 --> 00:31:51,477 ISN'T HE GORGEOUS? 681 00:31:51,543 --> 00:31:52,478 OH, HE IS. 682 00:31:52,544 --> 00:31:54,913 WE DON'T HAVE BOYS THAT CUTE IN NEW YORK. 683 00:31:56,082 --> 00:31:58,017 YOU HAVING FUN, HON? 684 00:31:58,084 --> 00:31:59,185 HOW COULD I, PECKER? 685 00:31:59,251 --> 00:32:01,553 THESE PEOPLE DON'T GO TO LAUNDROMATS. 686 00:32:01,620 --> 00:32:03,489 THEY GO TO DRY CLEANERS. 687 00:32:04,523 --> 00:32:05,457 [TAKES PICTURE] 688 00:32:05,524 --> 00:32:06,558 NOW, ROREY, 689 00:32:06,625 --> 00:32:07,859 HERE'S WHO I WANNA MEET. 690 00:32:07,926 --> 00:32:09,361 SHELLEY, I WANT TO INTRODUCE YOU 691 00:32:09,428 --> 00:32:10,862 TO ONE OF THE BIGGEST COLLECTORS 692 00:32:10,929 --> 00:32:12,398 OF MODERN PHOTOGRAPHY IN NEW YORK, 693 00:32:12,464 --> 00:32:13,232 LYNN WENTWORTH. 694 00:32:13,299 --> 00:32:15,234 YOU ARE SO SEXY, YOUNG LADY, 695 00:32:15,301 --> 00:32:17,336 AND YOU DON'T EVEN KNOW IT. 696 00:32:17,403 --> 00:32:18,370 OH, UH... 697 00:32:18,437 --> 00:32:20,439 SOMETIMES I KNOW I LOOK GOOD. 698 00:32:20,506 --> 00:32:22,074 YOU KNOW, SHELLEY, 699 00:32:22,141 --> 00:32:24,543 SHE RUNS A SUCCESSFUL LAUNDROMAT IN BALTIMORE. 700 00:32:24,610 --> 00:32:26,045 I KNOW SHE DOES, 701 00:32:26,112 --> 00:32:27,713 AND I BOUGHT ALL 12 PICTURES OF IT. 702 00:32:27,779 --> 00:32:29,181 Pecker: YOU DID? 703 00:32:32,884 --> 00:32:36,355 $1,300 FOR ONE PICTURE? 704 00:32:36,422 --> 00:32:39,458 YOU KNOW, I REALLY DIDN'T DO ANYTHING. 705 00:32:40,426 --> 00:32:41,493 HERE YOU GO. 706 00:32:41,560 --> 00:32:43,362 NOW, GYPSY, RIGHT? 707 00:32:45,664 --> 00:32:46,898 OH, HONEY, NO. 708 00:32:46,965 --> 00:32:47,899 YES! 709 00:32:47,966 --> 00:32:49,368 NO, THAT'S ENOUGH CHOCOLATE, 710 00:32:49,435 --> 00:32:51,603 'CAUSE WE'RE GONNA HAVE A BIG FANCY DINNER SOON. 711 00:32:51,670 --> 00:32:52,738 HEY, PECKER, 712 00:32:52,804 --> 00:32:54,406 YOU ARE RICH! 713 00:32:56,242 --> 00:32:58,544 THEY REALLY ARE SOMETHING SPECIAL. 714 00:32:58,610 --> 00:33:01,513 I MEAN, PECKER'S LIKE A HUMANE DIANE ARBUS. 715 00:33:01,580 --> 00:33:04,583 YES, BUT WITH A WONDERFUL STREAK OF KINDNESS. 716 00:33:04,650 --> 00:33:05,651 MM-HMM. 717 00:33:05,717 --> 00:33:07,019 I'LL BE RIGHT BACK. 718 00:33:07,086 --> 00:33:08,620 EXCUSE MOI. 719 00:33:08,687 --> 00:33:09,688 PARDON ME. 720 00:33:11,990 --> 00:33:13,492 HI, MARY. 721 00:33:13,559 --> 00:33:14,893 THAT'S ME. 722 00:33:14,960 --> 00:33:16,428 I BEG YOUR PARDON? 723 00:33:16,495 --> 00:33:18,630 I WORK IN A GAY BAR IN BALTIMORE. 724 00:33:18,697 --> 00:33:20,566 WE CALL EVERYBODY "MARY." 725 00:33:22,301 --> 00:33:24,603 YOU GOT A LITTLE SUGAR IN YOU, DON'T YOU? 726 00:33:24,670 --> 00:33:25,537 SURE. I CAN TELL. 727 00:33:25,604 --> 00:33:27,173 A LITTLE LIGHT IN THE LOAFER. 728 00:33:27,239 --> 00:33:29,641 I DON'T MEAN NOTHING. I LOVE FAGS. 729 00:33:29,708 --> 00:33:31,377 I'M JED COLEMAN, 730 00:33:31,443 --> 00:33:32,711 CURATOR AT THE WHITNEY. 731 00:33:32,778 --> 00:33:34,880 THIS IS LESTER HALLBROOK OF THE TIMES. 732 00:33:34,946 --> 00:33:36,515 OH. 733 00:33:36,582 --> 00:33:39,118 YOUR BROTHER IS A VERY TALENTED INDIVIDUAL. 734 00:33:39,185 --> 00:33:41,553 YOU GOT THAT, MARY. 735 00:33:42,888 --> 00:33:46,925 I JUST CAN'T BELIEVE YOU WANT MY AUTOGRAPH. 736 00:33:46,992 --> 00:33:48,660 JUST--I DON'T KNOW. 737 00:33:48,727 --> 00:33:49,995 THERE YOU GO NOW. 738 00:33:50,062 --> 00:33:51,697 IT LOOKS LIKE SO MUCH FUN. 739 00:33:51,763 --> 00:33:53,031 LET'S DO IT AT BALDUCCI'S. 740 00:33:53,099 --> 00:33:54,300 WHERE'S THAT AT? 741 00:33:54,366 --> 00:33:55,667 WOULDN'T THEY JUST DIE AT DEAN & DELUCA'S? 742 00:33:55,734 --> 00:33:56,668 YES! 743 00:33:56,735 --> 00:33:58,104 IS THAT A STORE? 744 00:33:58,170 --> 00:33:59,138 GOURMET ANARCHY. 745 00:33:59,205 --> 00:34:01,039 YOU CAN STEAL FOR ME ANY DAY. 746 00:34:01,107 --> 00:34:03,342 DO YOU GET AROUSED WHEN YOU SHOPLIFT? 747 00:34:03,409 --> 00:34:05,144 UM...YEAH. 748 00:34:05,211 --> 00:34:07,113 I GUESS SO. UM... 749 00:34:07,179 --> 00:34:09,581 WOULD YOU GIRLS LIKE TO GET TOGETHER LATER? 750 00:34:09,648 --> 00:34:10,516 YEAH! YEAH! 751 00:34:10,582 --> 00:34:12,518 OH, I'D LIKE TO INTRODUCE YOU 752 00:34:12,584 --> 00:34:13,685 TO RED LARCHMONT. 753 00:34:13,752 --> 00:34:14,753 RED! 754 00:34:16,288 --> 00:34:17,489 THIS IS PECKER... 755 00:34:17,556 --> 00:34:19,125 AND SHELLEY, WHO'S SO LUCKY. 756 00:34:19,191 --> 00:34:20,359 PECKER, DARLING, 757 00:34:20,426 --> 00:34:22,628 I MUST HAVE "LITTLE CHRISSY'S SUGAR FIX." 758 00:34:24,296 --> 00:34:26,898 Rorey: OH, THE WHOLE EDITION OF THAT ONE'S GONE. 759 00:34:26,965 --> 00:34:28,667 BUT TAKE A LOOK AT "RATS MAKE LOVE." 760 00:34:28,734 --> 00:34:30,469 IT'S ONE OF MY FAVORITES. 761 00:34:33,239 --> 00:34:34,506 OH, THERE'S CINDY. 762 00:34:34,573 --> 00:34:36,208 Pecker: WHO? 763 00:34:36,275 --> 00:34:38,577 CINDY SHERMAN-- THE FAMOUS PHOTOGRAPHER? 764 00:34:38,644 --> 00:34:39,778 OHH. OH, RIGHT. YEAH. 765 00:34:39,845 --> 00:34:40,979 HEY, CINDY! 766 00:34:41,046 --> 00:34:43,382 THANK YOU FOR COMING TO MY SHOW! 767 00:34:43,449 --> 00:34:44,483 HI. 768 00:34:47,986 --> 00:34:49,721 OH, HI, JED. HOW ARE YOU? 769 00:34:49,788 --> 00:34:50,722 VERY NICE. 770 00:34:50,789 --> 00:34:51,790 COMING THROUGH. 771 00:34:51,857 --> 00:34:53,024 EXCUSE ME! 772 00:34:53,091 --> 00:34:55,527 LADIES AND GENTLEMEN, HERE SHE IS! 773 00:34:55,594 --> 00:34:57,729 FULL OF GRACE, FULL OF GRACE. 774 00:34:57,796 --> 00:34:58,697 THAT'S RIGHT. 775 00:34:58,764 --> 00:35:00,732 OUR LADY HERSELF, MARY-- 776 00:35:00,799 --> 00:35:04,069 RIGHT HERE IN NEW YORK CITY. 777 00:35:04,136 --> 00:35:06,037 NO, NO. I PROMISE YOU IT'LL BE OKAY. REALLY. 778 00:35:06,104 --> 00:35:08,039 SERIOUSLY. I'M PECKER'S MOTHER. 779 00:35:08,106 --> 00:35:09,508 IT'S FINE. 780 00:35:09,575 --> 00:35:10,342 HONEY. HI. 781 00:35:10,409 --> 00:35:11,510 HERE. HOLD MY PURSE 782 00:35:11,577 --> 00:35:14,180 AND WATCH LITTLE CHRISSY FOR ME, OKAY? 783 00:35:16,815 --> 00:35:18,684 BE RIGHT BACK. 784 00:35:19,818 --> 00:35:21,687 YOU GOT SPARE CHANGE? 785 00:35:21,753 --> 00:35:22,721 SPARE CHANGE? 786 00:35:22,788 --> 00:35:25,391 OH, YOU POOR THING. YOU MUST BE SO HUNGRY. 787 00:35:25,457 --> 00:35:26,492 HERE. 788 00:35:26,558 --> 00:35:28,694 OOH! THANK YOU, MA'AM. CAN I HAVE YOUR JACKET? 789 00:35:28,760 --> 00:35:30,061 WELL, SURE. 790 00:35:30,128 --> 00:35:32,164 YES. CERTAINLY YOU CAN. 791 00:35:32,231 --> 00:35:34,333 THERE YOU GO. 792 00:35:34,400 --> 00:35:36,635 DON'T THEY HAVE GOOD THRIFT STORES 793 00:35:36,702 --> 00:35:37,803 HERE IN NEW YORK? 794 00:35:37,869 --> 00:35:38,870 OH, NO, MA'AM. 795 00:35:38,937 --> 00:35:40,706 THEY'RE SO EXPENSIVE. 796 00:35:40,772 --> 00:35:41,773 REALLY? 797 00:35:41,840 --> 00:35:43,409 'CAUSE, YOU KNOW, WHERE I COME FROM, 798 00:35:43,475 --> 00:35:45,611 YOU CAN GET AN EASTER OUTFIT FOR 25 CENTS. 799 00:35:45,677 --> 00:35:46,545 YOU CAN? YES. 800 00:35:46,612 --> 00:35:47,946 FUCKIN' LOUSY ART GALLERIES 801 00:35:48,013 --> 00:35:49,881 ARE RUINING THIS WHOLE NEIGHBORHOOD! 802 00:35:49,948 --> 00:35:52,951 STUPID BLANK PAINTINGS AND OUT-OF-FOCUS PICTURES 803 00:35:53,018 --> 00:35:55,587 AND THOSE UGLY-ASS SCULPTURES! 804 00:35:55,654 --> 00:35:56,788 OH, SIR. 805 00:35:56,855 --> 00:35:58,190 I--I UNDERSTAND. 806 00:35:58,257 --> 00:35:59,225 I KNOW. 807 00:35:59,291 --> 00:36:00,626 IT'S REALLY HARD, ISN'T IT? 808 00:36:00,692 --> 00:36:02,528 IT'S HARD TO APPRECIATE NEW THINGS 809 00:36:02,594 --> 00:36:05,597 IF YOU DON'T HAVE THE PROPER OUTFIT TO WEAR. 810 00:36:05,664 --> 00:36:07,766 HERE. TAKE THIS. ACCESSORIZE. 811 00:36:07,833 --> 00:36:10,068 YEAH, TIE IT AROUND YOUR NECK. 812 00:36:10,135 --> 00:36:12,604 GO ON. DON'T BE AFRAID OF FASHION. 813 00:36:13,605 --> 00:36:15,307 OH, THAT LOOKS WONDERFUL. 814 00:36:15,374 --> 00:36:17,809 NOW, SEE? IT'S A WHOLE NEW YOU. 815 00:36:17,876 --> 00:36:19,110 ALRIGHT, LISTEN UP. 816 00:36:19,177 --> 00:36:22,113 THEY'RE HAVING THIS ARTIST'S DINNER 817 00:36:22,180 --> 00:36:24,115 AT THIS PLACE CALLED THE "B" BAR 818 00:36:24,182 --> 00:36:25,784 AFTER MY SON'S OPENING. 819 00:36:25,851 --> 00:36:27,586 YOU ALL SHOULD COME. 820 00:36:27,653 --> 00:36:29,288 FREE FOOD, AND WHO KNOWS, 821 00:36:29,355 --> 00:36:31,490 MAYBE YOU'LL GET A NEW OUTFIT. 822 00:36:31,557 --> 00:36:32,824 OH, HEY. 823 00:36:32,891 --> 00:36:35,294 [JAZZ MUSIC PLAYING] 824 00:36:48,139 --> 00:36:49,575 EXCUSE ME, LYNN. 825 00:36:49,641 --> 00:36:52,210 SHELLEY, YOU'RE RIGHT HERE, RIGHT NEXT TO PECKER. 826 00:36:52,278 --> 00:36:53,779 I'LL SEE YOU LATER, LYNN. 827 00:36:55,213 --> 00:36:57,783 I WAS WONDERING WHERE YOU WERE. 828 00:36:59,050 --> 00:37:00,486 Pecker: DO YOU BELIEVE THIS? 829 00:37:00,552 --> 00:37:01,853 WE'RE IN A NIGHTCLUB. 830 00:37:03,021 --> 00:37:05,190 Rorey: SO IS THIS YOUR FIRST TIME IN NEW YORK? 831 00:37:05,257 --> 00:37:06,792 Tina: YOU BET. IS ALL THIS FREE? 832 00:37:06,858 --> 00:37:07,826 OH, YEAH. 833 00:37:07,893 --> 00:37:09,328 THE DEPTH AND MATURITY OF HIS WORK. 834 00:37:09,395 --> 00:37:10,796 IT'S FANTASTIC. 835 00:37:10,862 --> 00:37:12,831 OH, THERE'S BRYCE. 836 00:37:12,898 --> 00:37:14,266 HI, COLLIN. HI, PAT. 837 00:37:14,333 --> 00:37:16,768 BE CAREFUL OF THAT GUY OVER THERE. 838 00:37:16,835 --> 00:37:18,804 HE'S FROM COAGULUM. IT'S A MAGAZINE. 839 00:37:18,870 --> 00:37:20,539 [TAKES PICTURE] 840 00:37:20,606 --> 00:37:21,873 PECKER... 841 00:37:21,940 --> 00:37:23,108 YOU'RE SO GOOD. 842 00:37:23,174 --> 00:37:24,343 OH. 843 00:37:24,410 --> 00:37:25,877 HERE YOU ARE, MA'AM. 844 00:37:25,944 --> 00:37:26,878 HOW FANCY. 845 00:37:26,945 --> 00:37:28,547 AND FOR YOU, MISS. 846 00:37:28,614 --> 00:37:29,881 UGH. 847 00:37:29,948 --> 00:37:31,517 OH...NO, NO. 848 00:37:31,583 --> 00:37:33,685 LITTLE CHRISSY, DON'T BE FRIGHTENED NOW. 849 00:37:33,752 --> 00:37:35,086 THESE ARE JUST VEGETABLES, OKAY? 850 00:37:35,153 --> 00:37:36,121 UH-UH. 851 00:37:36,187 --> 00:37:37,823 Joyce: THEY WON'T HURT YOU. 852 00:37:39,758 --> 00:37:41,560 I'D LIKE TO PROPOSE A TOAST. 853 00:37:41,627 --> 00:37:42,661 TO PECKER: 854 00:37:42,728 --> 00:37:43,962 A BRILLIANT PHOTOGRAPHER, 855 00:37:44,029 --> 00:37:45,096 A SWEET BOY, 856 00:37:45,163 --> 00:37:47,866 AND A BRAND-NEW ART STAR. TO PECKER. 857 00:37:47,933 --> 00:37:49,368 TO PECKER! TO PECKER! 858 00:37:49,435 --> 00:37:51,236 TO PECKER! TO PECKER! 859 00:37:51,303 --> 00:37:52,604 UGH! 860 00:37:52,671 --> 00:37:53,705 BLECH. EW. 861 00:37:53,772 --> 00:37:55,574 Rorey: PECKER, YOU'RE GONNA HAVE TO STAND UP. 862 00:37:55,641 --> 00:37:57,909 YOU HAVE TO. ALL THESE PEOPLE ARE HERE FOR YOU. 863 00:37:57,976 --> 00:37:58,944 SPEAK, PECKER. 864 00:37:59,010 --> 00:38:00,011 OH, GOD. 865 00:38:00,078 --> 00:38:01,179 PECKER, IT'S YOUR NIGHT. 866 00:38:01,246 --> 00:38:03,749 I SHOULDN'T HAVE TAKEN OFF WORK. 867 00:38:03,815 --> 00:38:05,016 I SHOULD BE AT HOME IN MY LAUNDROMAT 868 00:38:05,083 --> 00:38:06,151 DOING MY JOB. 869 00:38:06,217 --> 00:38:08,954 I'm sure it will be okay. 870 00:38:09,020 --> 00:38:10,989 [APPLAUSE] 871 00:38:12,324 --> 00:38:14,493 THANK YOU ALL FOR BEING SO NICE TO ME 872 00:38:14,560 --> 00:38:16,728 AND BUYING MY PHOTOGRAPHS. 873 00:38:16,795 --> 00:38:18,063 [LAUGHTER] 874 00:38:18,129 --> 00:38:20,699 I--I WANNA THANK ROREY FOR LIKING MY PICTURES 875 00:38:20,766 --> 00:38:23,335 EVEN THOUGH SOME OF THEM ARE OUT OF FOCUS 876 00:38:23,402 --> 00:38:26,204 AND SOMETIMES I DON'T GET THE EXPOSURE RIGHT. 877 00:38:26,271 --> 00:38:28,340 YOU DON'T KNOW WHAT MY CUSTOMERS ARE LIKE. 878 00:38:28,407 --> 00:38:30,041 THEY WAIT FOR ME TO GO OUT OF TOWN 879 00:38:30,108 --> 00:38:31,677 SO THEY CAN DEFY MY RULES. 880 00:38:31,743 --> 00:38:33,144 You're just imagining things. 881 00:38:33,211 --> 00:38:34,546 NO, I'M NOT. 882 00:38:34,613 --> 00:38:36,882 PEOPLE WITH THEIR DIRTY LAUNDRY CAN BE ANIMALS. 883 00:38:36,948 --> 00:38:39,317 I'D LIKE TO TOAST MY DAD FOR TEACHING ME 884 00:38:39,385 --> 00:38:40,952 JUST HOW FAR TO GO. 885 00:38:41,019 --> 00:38:42,554 TAKE A BOW, DAD. 886 00:38:42,621 --> 00:38:43,822 HE'S A GREAT GUY, ISN'T HE? 887 00:38:43,889 --> 00:38:46,024 TELL ME, IS IT LEGAL TO SHOW PUBIC HAIR 888 00:38:46,091 --> 00:38:47,393 HERE IN NEW YORK? 889 00:38:47,459 --> 00:38:49,495 I'M NOT REALLY SURE. 890 00:38:49,561 --> 00:38:51,497 AND MY GRANDMOTHER, 891 00:38:51,563 --> 00:38:53,365 FOR TEACHING ME TO BELIEVE IN MYSELF 892 00:38:53,432 --> 00:38:55,567 NO MATTER WHAT ANYBODY SAID. 893 00:38:55,634 --> 00:38:57,268 SHE'S A REAL SAINT, ISN'T SHE? 894 00:38:57,335 --> 00:38:59,170 FULL OF GRACE. FULL OF GRACE. 895 00:38:59,237 --> 00:39:02,073 Shelley: MY CUSTOMERS WILL DO ANYTHING IF I'M NOT THERE. 896 00:39:02,140 --> 00:39:04,610 THEY COULD BE PISSING IN MY DRYERS AS WE SPEAK! 897 00:39:04,676 --> 00:39:06,311 It's going to be okay. I promise you. 898 00:39:06,378 --> 00:39:08,847 OH, YEAH, AND MY BIG SISTER TINA, 899 00:39:08,914 --> 00:39:13,084 FOR HELPING ME TO UNDERSTAND ALL TYPES OF HUMAN BEHAVIOR. 900 00:39:13,151 --> 00:39:14,686 COME ON DOWN TO BALTIMORE. 901 00:39:14,753 --> 00:39:17,723 THE TRADE CAPITAL OF THE WORLD! 902 00:39:17,789 --> 00:39:19,357 THANKS, TINA. 903 00:39:19,425 --> 00:39:22,928 AND MY LITTLE SISTER CHRISSY... 904 00:39:22,994 --> 00:39:23,995 WANT A VALIUM, HONEY? 905 00:39:24,062 --> 00:39:25,464 NO! 906 00:39:25,531 --> 00:39:28,467 FOR TEACHING ME THAT LIFE IS NOTHING 907 00:39:28,534 --> 00:39:30,469 IF YOU'RE NOT OBSESSED. 908 00:39:30,536 --> 00:39:32,303 HONEY. HONEY, YOU'RE FLINGING. 909 00:39:32,370 --> 00:39:33,371 AND MATT, 910 00:39:33,439 --> 00:39:34,406 THE BEST ASSISTANT 911 00:39:34,473 --> 00:39:36,875 A PHOTOGRAPHER COULD EVER HAVE. 912 00:39:36,942 --> 00:39:39,478 WITHOUT HIM, I COULDN'T EVEN DO MY WORK. 913 00:39:39,545 --> 00:39:41,012 HE'S A BIG HELP. 914 00:39:41,079 --> 00:39:42,881 [APPLAUSE] 915 00:39:42,948 --> 00:39:44,349 [LAUGHTER] 916 00:39:44,416 --> 00:39:45,884 AND OF COURSE MY MOM, 917 00:39:45,951 --> 00:39:49,254 FOR HELPING ME PICK OUT MY OUTFITS. 918 00:39:49,320 --> 00:39:51,256 [APPLAUSE] 919 00:39:51,322 --> 00:39:54,292 ACTUALLY, SHE HELPS US ALL PICK OUT OUR CLOTHES. 920 00:39:54,359 --> 00:39:55,927 YOU LOOK BEAUTIFUL, MOM. 921 00:39:55,994 --> 00:39:57,529 GIVE HER A BIG HAND! 922 00:39:57,596 --> 00:39:59,064 CAN I HAVE YOUR BLOUSE? 923 00:39:59,130 --> 00:40:01,266 [MURMUR AMONG ONLOOKERS] 924 00:40:01,332 --> 00:40:04,970 UM, THIS IS A PRIVATE DINNER. 925 00:40:05,036 --> 00:40:07,072 WE'RE ON THE LIST. 926 00:40:07,138 --> 00:40:08,273 YOU'RE GONNA HAVE TO LEAVE. 927 00:40:08,339 --> 00:40:09,575 THEY'RE SORT OF WITH ME. 928 00:40:09,641 --> 00:40:12,410 YOU SAID WE COULD GET SOME NEW CLOTHES! 929 00:40:12,478 --> 00:40:15,581 Pecker: MOM. MOM, DO YOU KNOW THESE PEOPLE? 930 00:40:15,647 --> 00:40:16,782 I DIDN'T KNOW. 931 00:40:16,848 --> 00:40:19,485 I THOUGHT MAYBE SOMEONE COULD HELP THEM. 932 00:40:19,551 --> 00:40:20,886 IT'S OKAY, MOM. 933 00:40:20,952 --> 00:40:23,421 EVERYTHING'S DIFFERENT HERE IN NEW YORK, RIGHT? 934 00:40:23,489 --> 00:40:25,557 I SHOULDN'T EVEN BE IN NEW YORK. 935 00:40:25,624 --> 00:40:26,692 I'M A BALTIMORE GIRL, 936 00:40:26,758 --> 00:40:28,159 AND THAT'S WHERE I SHOULD STAY. 937 00:40:28,226 --> 00:40:31,162 AND MOST IMPORTANTLY, TO MY GIRLFRIEND SHELLEY. 938 00:40:31,229 --> 00:40:32,498 TO SHELLEY, 939 00:40:32,564 --> 00:40:34,766 THE REAL REASON I TAKE PICTURES AT ALL. 940 00:40:34,833 --> 00:40:37,402 TO SHELLEY! TO SHELLEY! 941 00:40:37,469 --> 00:40:39,170 [APPLAUSE] 942 00:40:43,108 --> 00:40:44,710 * YES, BALTIMORE * 943 00:40:44,776 --> 00:40:46,745 * YOU'RE HOME TO ME * 944 00:40:46,812 --> 00:40:48,714 * YOU'RE EVERYTHING * 945 00:40:48,780 --> 00:40:50,716 * A HOME SHOULD BE * 946 00:40:50,782 --> 00:40:52,551 * LOVE OF FRIENDS * 947 00:40:52,618 --> 00:40:54,986 * AND FAMILY * 948 00:40:55,053 --> 00:40:56,154 * HOLDIN' ME * 949 00:40:56,221 --> 00:40:59,224 * HOLDIN' ME * 950 00:40:59,290 --> 00:41:01,226 * BALTIMORE * 951 00:41:01,292 --> 00:41:03,094 * BALTIMORE * 952 00:41:03,161 --> 00:41:05,631 * BALTIMORE * 953 00:41:05,697 --> 00:41:07,098 * BALTIMORE * 954 00:41:07,165 --> 00:41:08,934 * BALTIMORE * 955 00:41:09,000 --> 00:41:10,936 * BALTIMORE * 956 00:41:11,002 --> 00:41:12,237 * BALTIMORE * 957 00:41:12,303 --> 00:41:15,541 * BALTIMORE * 958 00:41:19,611 --> 00:41:21,146 [SONG ENDS] 959 00:41:32,023 --> 00:41:33,925 SO, HONEY, WHAT DOES THIS MEAN? 960 00:41:33,992 --> 00:41:37,395 "...PECKER'S DELICIOUS PHOTOGRAPHS 961 00:41:37,462 --> 00:41:41,066 OF HIS CULTURALLY CHALLENGED FAMILY." 962 00:41:41,132 --> 00:41:42,133 "CULTURALLY CHALLENGED"? 963 00:41:42,200 --> 00:41:44,402 I--I DON'T LIKE THE SOUND OF THAT MUCH. 964 00:41:44,469 --> 00:41:46,705 THAT'S JUST ART NONSENSE. 965 00:41:47,939 --> 00:41:50,508 THAT'S ME IN THE PAPER, YOU KNOW? 966 00:41:50,576 --> 00:41:52,110 ARE YOU HOMOSEXUAL? 967 00:41:52,177 --> 00:41:53,411 UH, NO, I'M NOT. 968 00:41:53,478 --> 00:41:55,146 YOU WOULDN'T UNDERSTAND THEN. 969 00:41:57,482 --> 00:41:59,585 DO YOU THINK THIS STUFF IS OKAY, DAD? 970 00:41:59,651 --> 00:42:00,886 YEAH, SURE. 971 00:42:02,487 --> 00:42:04,155 THIS IS A BIG ARTICLE. 972 00:42:04,222 --> 00:42:05,724 "A STAIN GODDESS"? 973 00:42:05,791 --> 00:42:07,726 IT SAYS HERE SOME PAPER NAMED THE VILLAGE VOICE 974 00:42:07,793 --> 00:42:09,494 CALLED ME A STAIN GODDESS. 975 00:42:09,561 --> 00:42:11,529 I JUST MEANS YOU LOOK GOOD. 976 00:42:13,231 --> 00:42:14,199 HEY... 977 00:42:14,265 --> 00:42:15,734 WHAT ARE YOU DOING LATER? 978 00:42:21,740 --> 00:42:25,043 MAYBE I'LL BE IN THE CATHOLIC REVIEW. 979 00:42:25,110 --> 00:42:26,011 YOU'RE GONNA BE 980 00:42:26,077 --> 00:42:28,814 A HOLY DAY OF OBLIGATION, MOM. 981 00:42:28,880 --> 00:42:29,915 HERE'S THE PART I LIKE. 982 00:42:29,981 --> 00:42:32,884 "OVER 62 OF PECKER'S EDITION PRINTS 983 00:42:32,951 --> 00:42:33,919 "WERE SOLD FOR PRICES 984 00:42:33,985 --> 00:42:36,855 AS HIGH AS $1,300 EACH." 985 00:42:36,922 --> 00:42:39,524 THEY HAVE THAT IN THE PAPER? 986 00:42:39,591 --> 00:42:41,593 YEAH. 987 00:42:44,696 --> 00:42:46,197 OH, IT'S OUR STOP. 988 00:42:59,778 --> 00:43:01,046 OH, MY GOD. 989 00:43:01,112 --> 00:43:02,147 MOM, DAD. 990 00:43:02,213 --> 00:43:04,149 WHAT? 991 00:43:04,215 --> 00:43:05,751 OHH, NO! 992 00:43:05,817 --> 00:43:07,485 THEY'VE SEEN YOUR PICTURES, PECKER. 993 00:43:07,552 --> 00:43:09,988 I'M OUT OF HERE, MAN. I'LL SEE YOU LATER. 994 00:43:10,055 --> 00:43:11,857 LET'S GO AND CHECK IT OUT. 995 00:43:11,923 --> 00:43:12,958 YEAH. 996 00:43:14,425 --> 00:43:15,493 HEY, HEY. HOLD IT, BUDDY. 997 00:43:15,560 --> 00:43:17,195 OFFICER, IT'S OUR HOUSE. 998 00:43:17,262 --> 00:43:18,163 HAVE WE BEEN ROBBED? 999 00:43:18,229 --> 00:43:19,631 I'M AFRAID SO, MA'AM. 1000 00:43:19,698 --> 00:43:21,266 BUT DON'T WORRY. THEY'RE LONG GONE. 1001 00:43:21,332 --> 00:43:22,801 DID THEY GET MY HOT ROLLERS? 1002 00:43:22,868 --> 00:43:25,236 HEY, PECKER. I HEAR YOU'RE RICH. 1003 00:43:29,074 --> 00:43:30,108 TV IS GONE. 1004 00:43:30,175 --> 00:43:33,311 OH, MY GOD. SO IS THE VCR. I'LL CHECK UPSTAIRS. 1005 00:43:33,378 --> 00:43:35,113 HOW ABOUT THE KITCHEN?! 1006 00:43:35,180 --> 00:43:37,248 NOBODY'S HURT. THAT'S WHAT'S IMPORTANT. 1007 00:43:37,315 --> 00:43:39,317 YOU SEE WHAT HAPPENS WHEN YOU LEAVE BALTIMORE? 1008 00:43:39,384 --> 00:43:41,820 THANK GOD MARY WAS WITH ME. 1009 00:43:41,887 --> 00:43:43,488 OH, GOD. MY DARKROOM. 1010 00:43:43,554 --> 00:43:45,724 AAH! 1011 00:43:45,791 --> 00:43:48,727 MY LIZA MINNELLI CDs ARE GONE! 1012 00:43:48,794 --> 00:43:51,930 THEY ATE THE COOKIES, TOO! 1013 00:43:51,997 --> 00:43:54,465 THE NEGATIVES, THEY'RE ALL HERE. 1014 00:43:54,532 --> 00:43:55,834 SO ARE THE PRINTS. 1015 00:43:55,901 --> 00:43:58,403 THEY DIDN'T EVEN WANT MY STUFF. 1016 00:43:58,469 --> 00:44:00,005 OHH! 1017 00:44:00,906 --> 00:44:02,340 THEY TOOK THE CLOCK-RADIO 1018 00:44:02,407 --> 00:44:03,541 AND YOUR ELECTRIC SHAVER. 1019 00:44:03,608 --> 00:44:05,276 I WONDER IF THEY WERE CUTE. 1020 00:44:05,343 --> 00:44:06,311 TINA! 1021 00:44:06,377 --> 00:44:07,645 [WHIMPERING] 1022 00:44:07,713 --> 00:44:09,981 OH, SWEETIE, DID THEY TAKE YOUR COOKIES? 1023 00:44:10,048 --> 00:44:11,149 IT'S NO WONDER WE WERE ROBBED 1024 00:44:11,216 --> 00:44:13,384 WITH THAT PELT ROOM DOWN THE STREET. 1025 00:44:13,451 --> 00:44:14,419 MMM. 1026 00:44:14,485 --> 00:44:16,287 PUBIC HAIR CAUSES CRIME. 1027 00:44:21,459 --> 00:44:22,527 FULL OF GRACE. 1028 00:44:22,593 --> 00:44:23,995 OH. SHH. 1029 00:44:25,396 --> 00:44:26,397 [TELEPHONE RINGS] 1030 00:44:26,464 --> 00:44:27,465 Joyce: IT'S OKAY. 1031 00:44:27,532 --> 00:44:30,201 NO! I HATE VITAMINS! NO! 1032 00:44:30,268 --> 00:44:31,102 HELLO? 1033 00:44:31,169 --> 00:44:32,738 HI. IT'S ROREY. IS PECKER THERE? 1034 00:44:32,804 --> 00:44:34,439 I HAVE FABULOUS NEWS. 1035 00:44:34,505 --> 00:44:36,407 HOLD ON, ROREY. 1036 00:44:36,474 --> 00:44:40,145 PECKER! PHONE'S FOR YOU! 1037 00:44:40,211 --> 00:44:41,046 WE WERE JUST ROBBED. 1038 00:44:41,112 --> 00:44:43,114 ROBBED. WHAT DO YOU MEAN? 1039 00:44:43,181 --> 00:44:44,415 BURGLARIZED? 1040 00:44:44,482 --> 00:44:46,317 PECKER! 1041 00:44:47,152 --> 00:44:48,319 IT'S ROREY. 1042 00:44:48,754 --> 00:44:49,755 HELLO? 1043 00:44:49,821 --> 00:44:50,856 TAKE PICTURES, PECKER. 1044 00:44:50,922 --> 00:44:52,290 THIS COULD BE YOUR NEXT SHOW. 1045 00:44:52,357 --> 00:44:54,459 YOUR MOM'S LOSS, YOUR DAD'S SADNESS. 1046 00:44:54,525 --> 00:44:56,728 GET CLOSE-UPS. 1047 00:44:56,795 --> 00:44:59,364 UH, I DIDN'T EVEN THINK TO TAKE PICTURES, ROREY. 1048 00:44:59,430 --> 00:45:00,565 PICTURES? 1049 00:45:00,631 --> 00:45:01,699 GUESS WHAT? 1050 00:45:01,767 --> 00:45:03,434 THE WHITNEY MUSEUM WANTS TO SCHEDULE 1051 00:45:03,501 --> 00:45:04,770 "A PEEK AT PECKER" 1052 00:45:04,836 --> 00:45:06,704 IN THEIR UPCOMING SCHEDULE. 1053 00:45:06,772 --> 00:45:07,906 THE WHITNEY, PECKER! 1054 00:45:07,973 --> 00:45:09,374 THE WHITNEY MUSEUM! 1055 00:45:10,976 --> 00:45:12,778 PECKER'S OFF WORK, ROREY. 1056 00:45:12,844 --> 00:45:14,279 CALL BACK DURING BUSINESS HOURS. 1057 00:45:15,981 --> 00:45:17,715 THIS IS ALL MY FAULT. 1058 00:45:17,783 --> 00:45:20,718 WHAT THEY CALL ART UP IN NEW YORK, YOUNG MAN... 1059 00:45:21,853 --> 00:45:24,189 LOOKS LIKE JUST PLAIN MISERY TO ME. 1060 00:45:25,891 --> 00:45:27,859 DON'T BECOME AN ASSHOLE, PECKER. 1061 00:45:27,926 --> 00:45:30,862 I BEG OF YOU. DO NOT BECOME AN ASSHOLE. 1062 00:45:40,806 --> 00:45:42,740 Jimmy: I DON'T UNDERSTAND THIS. 1063 00:45:42,808 --> 00:45:45,276 "THE HAUNTING IMAGE OF FINANCIAL DESPAIR." 1064 00:45:45,343 --> 00:45:47,913 I WAS JUST KIDDING AROUND WITH PECKER. 1065 00:45:47,979 --> 00:45:49,247 I'VE STILL GOT CUSTOMERS. 1066 00:45:49,314 --> 00:45:51,449 WE STILL HAVE FOOD ON THE TABLE. RIGHT, CHRISSY? 1067 00:45:51,516 --> 00:45:53,318 CAP'N CRUNCH! 1068 00:45:54,752 --> 00:45:55,921 Joyce: PECKER, DON'T! 1069 00:45:55,987 --> 00:45:57,923 MY HAIR'S A MESS. COME ON. 1070 00:45:57,989 --> 00:46:00,325 MOM, YOU LOOK THE SAME AS ALWAYS. 1071 00:46:00,391 --> 00:46:01,827 [DOORBELL RINGS] 1072 00:46:01,893 --> 00:46:04,362 IT'S AWFULLY EARLY, ISN'T IT? 1073 00:46:04,429 --> 00:46:05,530 I GOT IT. 1074 00:46:12,070 --> 00:46:13,504 YEAH. 1075 00:46:19,177 --> 00:46:20,178 THANK YOU. 1076 00:46:22,881 --> 00:46:25,884 ROREY--SHE'S ALWAYS IN A HURRY. 1077 00:46:25,951 --> 00:46:27,718 I WAS ON MTV. 1078 00:46:27,785 --> 00:46:29,787 WHAT?! 1079 00:46:29,855 --> 00:46:31,756 I WAS TALKING TO LARRY THE LUGHEAD 1080 00:46:31,823 --> 00:46:32,991 ON THE PHONE, 1081 00:46:33,058 --> 00:46:34,826 AND HE SAW PECKER'S PICTURE OF ME 1082 00:46:34,893 --> 00:46:35,793 RIGHT ON MTV. 1083 00:46:35,861 --> 00:46:37,795 Joyce: OH! 1084 00:46:37,863 --> 00:46:40,698 OH, MARY, I'M A MODEL. 1085 00:46:40,765 --> 00:46:44,469 "MARY" IS NOT A HOMOSEXUAL TERM, TINA. 1086 00:46:44,535 --> 00:46:47,705 OH, MY GOD! THE COVER! 1087 00:46:47,772 --> 00:46:50,041 MEMAMA? 1088 00:46:50,942 --> 00:46:52,810 OH, MY GOD IN HEAVEN. 1089 00:46:52,878 --> 00:46:54,245 WE'RE ALL FAMOUS. 1090 00:46:54,312 --> 00:46:56,848 JUST LIKE THE JACKSON FAMILY. 1091 00:46:56,915 --> 00:46:58,083 DON'T SAY THAT, TINA. 1092 00:46:58,149 --> 00:46:59,684 I'M GONNA TAKE THAT UP 1093 00:46:59,750 --> 00:47:01,786 AND SHOW IT TO MONSIGNOR. 1094 00:47:01,853 --> 00:47:04,555 MEMAMA, I'D WAIT. I REALLY WOULD. 1095 00:47:04,622 --> 00:47:06,291 SOME CATHOLICS, MOM, 1096 00:47:06,357 --> 00:47:08,426 THEY JUST MIGHT NOT UNDERSTAND IT. 1097 00:47:10,862 --> 00:47:11,829 [DOORBELL RINGS] 1098 00:47:11,897 --> 00:47:13,464 I'LL GET IT. 1099 00:47:13,531 --> 00:47:14,565 MOVE OVER, KATE. 1100 00:47:14,632 --> 00:47:16,767 OUTTA MY WAY, RU PAUL. 1101 00:47:16,834 --> 00:47:18,703 SEE WHO IT IS FIRST, TINA! 1102 00:47:18,769 --> 00:47:21,873 HER COMES TINA, SUPERMODEL! 1103 00:47:24,775 --> 00:47:26,978 CIAO, CIAO, CIAO! 1104 00:47:28,779 --> 00:47:30,615 HELLO. I'M DR. DEBORAH KLOMPAS. 1105 00:47:30,681 --> 00:47:34,886 I'M AN M.D. WITH BALTIMORE CITY CHILD PROTECTION SERVICES. 1106 00:47:34,953 --> 00:47:37,956 AND YOU'RE LITTLE CHRISSY. 1107 00:47:39,757 --> 00:47:41,292 HOW MAY WE HELP YOU? 1108 00:47:41,359 --> 00:47:44,729 IT'S MORE ABOUT HOW I'M GONNA BE ABLE TO HELP YOU. 1109 00:47:44,795 --> 00:47:47,465 WE, UH, DON'T NEED ANYBODY'S HELP, LADY. 1110 00:47:47,532 --> 00:47:50,001 PROTECTION SERVICES SAW LITTLE CHRISSY 1111 00:47:50,068 --> 00:47:52,170 IN THE SUN PAPERS. 1112 00:47:52,237 --> 00:47:54,672 THERE'S NOTHING WRONG WITH LITTLE CHRISSY. 1113 00:47:54,739 --> 00:47:55,806 LITTLE CHRISSY'S WIRED. 1114 00:47:55,873 --> 00:47:57,875 SHE'S JUST A SUGAR-SENSITIVE CHILD. 1115 00:47:57,943 --> 00:47:58,910 THAT'S ALL. 1116 00:47:58,977 --> 00:48:00,979 SHE DOES FIDGET. 1117 00:48:01,046 --> 00:48:02,747 [TELEPHONE RINGS] 1118 00:48:02,813 --> 00:48:04,549 I'LL GET IT. 1119 00:48:07,218 --> 00:48:08,319 HELLO. 1120 00:48:08,386 --> 00:48:09,687 MORE GOOD NEWS. 1121 00:48:09,754 --> 00:48:12,790 HOLD ON, ROREY. WE'RE IN THE MIDDLE OF A FAMILY CRISIS. 1122 00:48:12,857 --> 00:48:14,692 Dr. Klompas: I AM SORRY TO INFORM YOU, 1123 00:48:14,759 --> 00:48:20,698 BUT YOUR CHILD HAS ATTENTION- DEFICIT HYPERACTIVITY DISORDER. 1124 00:48:20,765 --> 00:48:23,901 SHE NEEDS RITALIN. 1125 00:48:29,540 --> 00:48:30,675 THIS IS IMPORTANT. 1126 00:48:30,741 --> 00:48:32,343 VOGUE MAGAZINE WANTS TO DO A FASHION SHOOT 1127 00:48:32,410 --> 00:48:33,744 CALLED "SLUMMING WITH PECKER." 1128 00:48:33,811 --> 00:48:36,047 YOU HAVE TO HOLD ON, ROREY. 1129 00:48:38,783 --> 00:48:39,784 HELLO. 1130 00:48:39,850 --> 00:48:40,952 GREG GORMAN IS THE PHOTOGRAPHER. 1131 00:48:41,019 --> 00:48:42,020 HE SHOOTS ALL THE CELEBRITIES, 1132 00:48:42,087 --> 00:48:43,454 AND HE WANTS YOU TO MODEL. 1133 00:48:43,521 --> 00:48:44,956 LOOK, ROREY, I CAN'T TALK RIGHT NOW. 1134 00:48:45,023 --> 00:48:46,958 I'LL CALL YOU BACK. 1135 00:48:47,025 --> 00:48:49,260 WELL, SHE DOES CLIMB EXCESSIVELY. 1136 00:48:49,327 --> 00:48:52,063 WOULD, UH... WOULD SHE EAT BETTER? 1137 00:48:52,130 --> 00:48:53,531 YOU JUST THINK OF THESE 1138 00:48:53,598 --> 00:48:56,934 AS MOTHER AND DADDY'S LITTLE HELPERS. 1139 00:48:57,002 --> 00:49:00,105 DAD, ALL KIDS LOVE CANDY, THOUGH. 1140 00:49:00,171 --> 00:49:02,140 WELL, IT'S FOR HER HEALTH, PECKER. 1141 00:49:03,008 --> 00:49:04,442 CHRISSY, GO AHEAD. 1142 00:49:04,509 --> 00:49:07,345 GO AHEAD AND TAKE YOUR MEDICATION. 1143 00:49:07,412 --> 00:49:10,248 COME ON, LITTLE CHRISSY. GIVE ME A POSE. 1144 00:49:26,564 --> 00:49:28,033 WHAT THE FUCK YOU THINK YOU'RE DOIN'? 1145 00:49:28,099 --> 00:49:31,102 YOU REMEMBER ME FROM THE THRIFT SHOP? 1146 00:49:32,903 --> 00:49:34,139 HEY, WAIT A MINUTE. 1147 00:49:34,205 --> 00:49:36,241 THAT'S MY DAD'S RADIO. 1148 00:49:36,307 --> 00:49:37,775 YOU ROBBED OUR HOUSE. 1149 00:49:37,842 --> 00:49:40,111 SO? YOU TOOK MY PHOTOGRAPH AND DIDN'T PAY ME. 1150 00:49:40,178 --> 00:49:42,280 OH. COME ON, MAN. THAT'S NOT THE SAME THING. 1151 00:49:42,347 --> 00:49:43,814 THESE ARE REAL-LIFE SHOTS. 1152 00:49:43,881 --> 00:49:44,949 FUCK YOU, PECKER. 1153 00:49:45,016 --> 00:49:46,951 IT'S MY LIFE, REAL OR NOT, ASSHOLE. 1154 00:49:47,018 --> 00:49:48,353 WE'RE EVEN NOW. 1155 00:49:48,419 --> 00:49:51,256 HEY, WAIT A MINUTE! MY SISTER WANTS HER CDs BACK! 1156 00:49:53,091 --> 00:49:54,559 NO COPS THIS TIME, RIGHT? 1157 00:49:54,625 --> 00:49:55,493 DON'T WORRY ABOUT THEM. 1158 00:49:55,560 --> 00:49:57,295 THEY COULDN'T CATCH A GODDAMN COLD. 1159 00:49:57,362 --> 00:49:58,863 MAN, YOUR PICTURES ARE EVERYWHERE. 1160 00:49:58,929 --> 00:50:00,298 I KNOW. TELL ME ABOUT IT. 1161 00:50:00,365 --> 00:50:02,133 IT'S LIKE, I'M TRYING TO GET NEW STUFF, 1162 00:50:02,200 --> 00:50:03,768 BUT EVERYONE KNOWS ME NOW. 1163 00:50:03,834 --> 00:50:06,071 YEAH, I KNOW. NO DOUBT. 1164 00:50:10,308 --> 00:50:11,742 HERE. 1165 00:50:15,012 --> 00:50:17,682 DON'T EVEN TRY IT, PECKER. 1166 00:50:17,748 --> 00:50:19,684 THAT'S MY PRIVATE GARBAGE. 1167 00:50:19,750 --> 00:50:22,253 SORRY, MR. BOZAK. NO HARD FEELINGS, I HOPE. 1168 00:50:22,320 --> 00:50:24,355 OH, GET A REAL JOB. 1169 00:50:24,422 --> 00:50:26,857 AND, YOU, YOU STOLE FROM CHARITY. 1170 00:50:26,924 --> 00:50:28,459 I'M CALLIN' JERRY LEWIS. 1171 00:50:32,830 --> 00:50:33,931 HEY, PECKER. 1172 00:50:33,998 --> 00:50:35,400 I DIDN'T SIGN NO MODEL RELEASE, 1173 00:50:35,466 --> 00:50:37,168 AND I'M GONNA SUE YOUR ASS. 1174 00:50:37,235 --> 00:50:38,469 HE DIDN'T EVEN GET PAID YET. 1175 00:50:38,536 --> 00:50:39,904 WHAT WOULD YOU KNOW, FARTMOUTH? 1176 00:50:39,970 --> 00:50:41,106 [BABY CRIES] 1177 00:50:41,172 --> 00:50:43,074 THE GALLERY GETS HALF HIS MONEY. 1178 00:50:43,141 --> 00:50:45,610 YOU CAN SUCK MY FAT ASS, MATT. 1179 00:50:45,676 --> 00:50:49,046 HEY, PECKER, DO YOU THINK I SHOULD MOVE TO NEW YORK? 1180 00:50:58,055 --> 00:50:59,257 CAN I HELP YOU? 1181 00:50:59,324 --> 00:51:01,726 NO. I THINK WE'RE JUST LOOKING. 1182 00:51:01,792 --> 00:51:03,060 OKAY. 1183 00:51:11,336 --> 00:51:13,204 DO YOU HAVE ANY GUESS JEANS IN THE STORE? 1184 00:51:13,271 --> 00:51:15,340 THIS AIN'T GQ, BUDDY. 1185 00:51:15,406 --> 00:51:18,243 WE GOT REAL CLOTHES AT REGULAR PRICES. 1186 00:51:18,309 --> 00:51:20,845 JUST TRYING TO LOOK MY BEST. 1187 00:51:22,079 --> 00:51:23,214 HOW ABOUT JORDACHE? 1188 00:51:23,281 --> 00:51:25,216 I JUST TOLD YOU. 1189 00:51:44,101 --> 00:51:45,803 ANY KATHIE LEE? 1190 00:51:45,870 --> 00:51:47,405 SOLD OUT. 1191 00:51:55,380 --> 00:51:58,249 HI. I'D LIKE TO FILL OUT A JOB APPLICATION. 1192 00:51:58,316 --> 00:52:01,118 I KNEW IT WAS YOU, STUPID. 1193 00:52:01,186 --> 00:52:03,053 AND YOU'RE PECKERHEAD, RIGHT? 1194 00:52:03,120 --> 00:52:04,121 PECKER, MA'AM. 1195 00:52:04,189 --> 00:52:07,325 I SAW THOSE PICTURES, DUMBBELLS! 1196 00:52:09,126 --> 00:52:10,361 YOU'RE BOTH CAUGHT. 1197 00:52:10,428 --> 00:52:12,330 I WAS GONNA PUT IT BACK, HONEST. 1198 00:52:12,397 --> 00:52:13,998 WE WERE JUST DOING IT FOR THE ART. 1199 00:52:14,064 --> 00:52:16,033 ART-SCHMART. GIVE ME THAT CAMERA. 1200 00:52:16,100 --> 00:52:17,134 WHAT? 1201 00:52:17,202 --> 00:52:18,436 I SAID GIVE ME THAT CAMERA, 1202 00:52:18,503 --> 00:52:20,171 OR I'M CALLIN' THE COPS. 1203 00:52:21,306 --> 00:52:23,908 OKAY, YOU TWO. WHIP IT OUT. 1204 00:52:23,974 --> 00:52:25,042 WHAT?! 1205 00:52:25,109 --> 00:52:29,214 I SAID, TAKE OUT YOUR UNITS. 1206 00:52:32,217 --> 00:52:34,018 LOOK, WE'RE SORRY. 1207 00:52:34,084 --> 00:52:37,288 I SAID UNZIP! 1208 00:52:43,794 --> 00:52:47,164 NOW THAT'S WHAT I CALL A PECKERPRINT. 1209 00:52:47,232 --> 00:52:48,533 SMILE. 1210 00:52:48,599 --> 00:52:51,302 YOU'RE ON CANDID CAMERA. 1211 00:52:53,904 --> 00:52:56,574 I'VE NEVER BEEN CAUGHT SHOPLIFTING IN MY LIFE. 1212 00:52:56,641 --> 00:52:58,709 WELL, MAYBE THIS WILL TEACH YOU BOTH 1213 00:52:58,776 --> 00:53:01,446 THAT SOME PEOPLE DON'T FEEL LIKE BEING ART. 1214 00:53:01,512 --> 00:53:04,882 IF I CAN'T STEAL, I DON'T WANT TO BE FAMOUS. 1215 00:53:04,949 --> 00:53:05,850 I QUIT, PECKER. 1216 00:53:05,916 --> 00:53:07,151 LOOK, WE'RE SORRY. 1217 00:53:07,218 --> 00:53:09,687 MATT'S A THIEF, BUT HE'S A REALLY NICE PERSON. 1218 00:53:09,754 --> 00:53:10,721 MATT! 1219 00:53:10,788 --> 00:53:12,089 [DOOR CHIMES JINGLE] 1220 00:53:12,156 --> 00:53:13,190 Man: IS THIS THE STAIN GODDESS 1221 00:53:13,258 --> 00:53:14,459 I HEARD ABOUT ON HOWARD STERN? 1222 00:53:14,525 --> 00:53:16,894 TELL ME. HOW DO I GET RID OF PECKER-TRACKS? 1223 00:53:16,961 --> 00:53:17,962 EAT ONE, ASSWIPE. 1224 00:53:18,028 --> 00:53:19,230 COME ON. BE A GOOD LITTLE GIRL 1225 00:53:19,297 --> 00:53:21,266 AND PUT YOUR VAGINA UP TO THE PHONE. 1226 00:53:21,332 --> 00:53:23,601 SHOVE IT, FUCKWAD. 1227 00:53:28,273 --> 00:53:30,341 HEY, SHELLEY. 1228 00:53:30,408 --> 00:53:33,110 STOP TAKING MY PICTURE, PECKER! 1229 00:53:33,177 --> 00:53:34,479 YOU'RE RUINING MY LIFE! 1230 00:53:34,545 --> 00:53:37,448 I'M SORRY. I THOUGHT I WAS MAKING YOUR LIFE BETTER. 1231 00:53:37,515 --> 00:53:40,084 HEY, PECKER, WANT TO TAKE MY PICTURE? 1232 00:53:40,150 --> 00:53:41,452 OH, NO. 1233 00:53:41,519 --> 00:53:43,354 HEY, BUDDY, YOU CAN'T DO THAT IN HERE. 1234 00:53:43,421 --> 00:53:45,456 GO UP TO NEW YORK. THEY LOVE THAT STUFF. 1235 00:53:45,523 --> 00:53:47,725 TAKE MY PICTURE, PECKER. PLEASE? 1236 00:53:47,792 --> 00:53:49,660 [MOANING] 1237 00:53:49,727 --> 00:53:52,162 [TELEPHONE RINGS] 1238 00:53:52,229 --> 00:53:53,898 [MOANING LOUDER] 1239 00:53:53,964 --> 00:53:55,333 DON'T YOU DARE. 1240 00:53:55,400 --> 00:53:58,002 COME ON! BEFORE MY QUARTERS RUN OUT! OH! 1241 00:53:58,068 --> 00:53:59,069 SPIN N' GRIN. 1242 00:53:59,136 --> 00:54:00,438 HI, SHELLEY. IT'S ME. 1243 00:54:00,505 --> 00:54:03,308 I SOLD THREE PRINTS OF YOU TODAY. IS PECKER THERE? 1244 00:54:03,374 --> 00:54:05,276 ANOTHER OBSCENE CALL. 1245 00:54:05,343 --> 00:54:08,145 IT'S YOUR GIRLFRIEND, ASSHOLE. 1246 00:54:08,212 --> 00:54:10,080 [MOANING] 1247 00:54:10,147 --> 00:54:12,016 CAN I WORK IN PEACE? 1248 00:54:12,082 --> 00:54:13,150 HELLO. 1249 00:54:13,217 --> 00:54:15,119 HI, HONEY. IT'S ME, ROREY. 1250 00:54:15,185 --> 00:54:16,754 DID YOU GET MY LITTLE PRESENT? 1251 00:54:25,963 --> 00:54:28,533 [CAMERA CLICKS, FLASH STARTS CHARGING] 1252 00:54:35,440 --> 00:54:36,907 [AUTO-FOCUS WHIRS] 1253 00:54:51,589 --> 00:54:54,158 Matt on machine: IF THIS IS PECKER, DON'T CALL BACK. 1254 00:54:54,224 --> 00:54:55,860 [BEEP] 1255 00:55:05,403 --> 00:55:06,437 Shelley: SPIN N' GRIN. 1256 00:55:06,504 --> 00:55:07,838 HEY, IT'S ME, PECK. 1257 00:55:07,905 --> 00:55:10,274 A DRYER OVERHEATED, AND SOME IDIOT JUST FLASHED ME. 1258 00:55:10,341 --> 00:55:12,142 CALL ROREY. MAYBE SHE FEELS LIKE TALKING. 1259 00:55:12,209 --> 00:55:13,378 [HANGS UP] 1260 00:55:13,444 --> 00:55:16,013 HELLO? 1261 00:55:16,881 --> 00:55:18,916 SHELLEY? 1262 00:55:28,659 --> 00:55:31,161 COULD YOU GET THAT DOOR? 1263 00:55:31,228 --> 00:55:33,631 [CHIMES JINGLE] 1264 00:55:36,300 --> 00:55:39,537 ARE YOU SURE THAT THIS OUTFIT IS... 1265 00:55:39,604 --> 00:55:40,438 THE WAY IT'S SUPPOSED TO BE? 1266 00:55:40,505 --> 00:55:41,439 LOOKS GREAT. 1267 00:55:41,506 --> 00:55:42,873 TURN THIS WAY. 1268 00:55:42,940 --> 00:55:44,609 LET'S SEE THE POLAROID. 1269 00:55:44,675 --> 00:55:46,811 Miss Betty: STOP MAULING ME! GET OFF! 1270 00:55:46,877 --> 00:55:47,878 BACKGROUND READY? 1271 00:55:47,945 --> 00:55:49,414 5 MINUTES. 1272 00:55:49,480 --> 00:55:50,481 HOLD STILL. 1273 00:55:50,548 --> 00:55:53,283 I'D NEVER WEAR THIS UGLY RAG. 1274 00:55:53,350 --> 00:55:55,052 IT'S COMME DES GARçONS, DARLING. 1275 00:55:55,119 --> 00:55:57,087 YOU SHOULD BE SO LUCKY. 1276 00:55:57,154 --> 00:55:58,689 CLOSE YOUR EYES. 1277 00:55:58,756 --> 00:55:59,890 Miss Betty: DON'T TELL ME ABOUT FASHION, BUDDY. 1278 00:55:59,957 --> 00:56:01,325 UH, MR. GORMAN, I JUST HAVE TO TELL YOU 1279 00:56:01,392 --> 00:56:02,627 THAT I'M NOT SO SURE 1280 00:56:02,693 --> 00:56:05,696 PECKER IS SO COMFORTABLE ABOUT MODELING TODAY. 1281 00:56:05,763 --> 00:56:07,331 BUT YOUR SON'S A FASHION NATURAL. 1282 00:56:07,398 --> 00:56:08,599 HE'S GOING TO LOOK GREAT. 1283 00:56:10,601 --> 00:56:13,003 UH, CAN I SEE? 1284 00:56:13,070 --> 00:56:15,706 SHAKE YOUR HEAD, DARLING. 1285 00:56:15,773 --> 00:56:17,575 OHH! 1286 00:56:17,642 --> 00:56:19,577 I LOOK LIKE A SIMPLETON. 1287 00:56:19,644 --> 00:56:21,245 YOU WITH THE RASH, 1288 00:56:21,311 --> 00:56:23,448 PUT THIS ON. 1289 00:56:23,514 --> 00:56:25,550 MY SCALP ITCHES. 1290 00:56:25,616 --> 00:56:26,551 OH, YEAH, YEAH. 1291 00:56:26,617 --> 00:56:27,818 LITTLE CHRISSY, 1292 00:56:27,885 --> 00:56:29,787 LOOK AT MOMMY. 1293 00:56:29,854 --> 00:56:30,555 HONEY? 1294 00:56:30,621 --> 00:56:32,657 HONEY, LOOK AT MOMMY. 1295 00:56:32,723 --> 00:56:34,324 UHH... 1296 00:56:34,391 --> 00:56:37,828 WHAT? OH, SWEETIE, IS IT TIME FOR YOUR MEDICATION? 1297 00:56:37,895 --> 00:56:39,630 OKAY, HERE WE GO. 1298 00:56:39,697 --> 00:56:42,132 I DON'T KNOW ABOUT THESE PILLS. 1299 00:56:42,199 --> 00:56:43,133 HERE. 1300 00:56:43,200 --> 00:56:44,469 THERE YOU GO, SWEETIE. 1301 00:56:44,535 --> 00:56:45,770 OKAY, HERE, WASH IT DOWN. 1302 00:56:45,836 --> 00:56:46,571 UH-UH. 1303 00:56:46,637 --> 00:56:48,072 YOU DON'T WANT ANY SODA? 1304 00:56:48,138 --> 00:56:50,741 Miss Betty: I WOULDN'T WEAR THIS TO THE SHELTER, 1305 00:56:50,808 --> 00:56:51,542 YOU TWIT! 1306 00:56:51,609 --> 00:56:53,310 DON'T FIGHT ME, DARLING. 1307 00:56:53,377 --> 00:56:54,378 YOU CAN WEAR THIS ANYWHERE. 1308 00:56:54,445 --> 00:56:55,480 ARE YOU TRYING TO BLIND ME? 1309 00:56:55,546 --> 00:56:57,081 [CHIMES JINGLE] 1310 00:56:57,147 --> 00:57:01,519 OH, JESUS, WHAT THE HELL HAVE YOU DONE TO MY MOTHER? 1311 00:57:01,586 --> 00:57:03,621 I LOOK SILLY, DON'T I? 1312 00:57:04,922 --> 00:57:06,624 WHAT A BEAUTY. 1313 00:57:06,691 --> 00:57:09,527 I'M NOT A BEAUTY. I'M A PHOTOGRAPHER. 1314 00:57:09,594 --> 00:57:11,562 PLEASE, I'M MORE COMFORTABLE 1315 00:57:11,629 --> 00:57:13,664 ON THE OTHER SIDE OF THE CAMERA. 1316 00:57:13,731 --> 00:57:15,265 LOOK, YOU KNOW WHAT? 1317 00:57:15,332 --> 00:57:17,134 I DON'T WANT TO BE IN VOGUE. 1318 00:57:17,201 --> 00:57:18,402 [CREW GASPS] 1319 00:57:18,469 --> 00:57:21,138 EVERYBODY WANTS TO BE IN VOGUE. 1320 00:57:21,205 --> 00:57:23,040 ALRIGHT, BACKGROUND ACTION. 1321 00:57:23,107 --> 00:57:25,776 Pecker: MISS BETTY, AL, 1322 00:57:25,843 --> 00:57:27,778 YOU DON'T HAVE TO DO THIS. 1323 00:57:28,613 --> 00:57:29,580 ARE THEY GETTING PAID? 1324 00:57:29,647 --> 00:57:32,650 NOBODY WENT OVER THIS WITH ME. 1325 00:57:32,717 --> 00:57:34,218 HEY, WAIT A MINUTE. I SAID NO. 1326 00:57:34,284 --> 00:57:36,621 Miss Betty: DON'T WE GET FOOD? 1327 00:57:36,687 --> 00:57:38,523 Pecker: DID ANYONE HEAR ME? 1328 00:57:38,589 --> 00:57:39,557 WE'RE NOT DOING THIS. 1329 00:57:39,624 --> 00:57:41,125 GET THE HELL OFF ME. 1330 00:57:41,191 --> 00:57:42,660 AL, MISS BETTY, STOP IT! 1331 00:57:42,727 --> 00:57:45,530 YOU DON'T HAVE TO MODEL IF YOU DON'T WANT TO. 1332 00:57:45,596 --> 00:57:46,764 [LITTLE CHRISSY COUGHS] 1333 00:57:46,831 --> 00:57:48,966 HE'S POOR, 1334 00:57:49,033 --> 00:57:50,200 HE'S WHITE... 1335 00:57:51,135 --> 00:57:52,570 BUT HE SURE AIN'T TRASH. 1336 00:57:52,637 --> 00:57:55,172 GOD! I DON'T WANT TO BE A MODEL. 1337 00:57:55,239 --> 00:57:57,174 [COUGHING] 1338 00:57:57,241 --> 00:57:58,308 [GORMAN TAKING PICTURES] 1339 00:57:58,375 --> 00:57:59,710 OH, MY GOD. 1340 00:57:59,777 --> 00:58:01,178 ARE YOU OKAY? WHAT'S WRONG? 1341 00:58:01,245 --> 00:58:02,647 SHE'S CHOKING TO DEATH! 1342 00:58:02,713 --> 00:58:03,881 HERE, TAKE A SIP. 1343 00:58:03,948 --> 00:58:05,550 TAKE A SIP. COME ON, SPIT IT OUT. 1344 00:58:05,616 --> 00:58:06,551 YOU CAN DO IT. COME ON. 1345 00:58:06,617 --> 00:58:08,318 GOOD. GREAT, GREAT. 1346 00:58:08,385 --> 00:58:09,620 SOMEBODY PLEASE CALL THE DOCTOR! 1347 00:58:09,687 --> 00:58:11,522 OVER HERE. THIS IS GREAT. GOOD. 1348 00:58:11,589 --> 00:58:13,223 STOP TAKING MY PICTURE! 1349 00:58:13,290 --> 00:58:14,525 A LITTLE OVER THERE. GOOD. 1350 00:58:14,592 --> 00:58:15,660 SPIT IT UP. SPIT IT UP. 1351 00:58:15,726 --> 00:58:18,228 OHH. THERE, IT'S ALL BETTER. 1352 00:58:18,295 --> 00:58:20,831 GOT YOUR SHOT, MR. GORMAN? 1353 00:58:22,299 --> 00:58:23,734 I GUESS WE CAN RETOUCH. 1354 00:58:23,801 --> 00:58:25,570 THE LORD IS WITH ME. 1355 00:58:25,636 --> 00:58:29,439 OH, I KNOW, MARY. I KNOW. 1356 00:58:29,506 --> 00:58:31,108 FULL OF GRACE. 1357 00:58:31,175 --> 00:58:32,643 YOU SURE ARE. 1358 00:58:32,710 --> 00:58:34,411 YOU'RE A VIRGIN, 1359 00:58:34,478 --> 00:58:35,646 YOU'RE A MOTHER, 1360 00:58:35,713 --> 00:58:37,682 AND YOU'RE ALL MINE. 1361 00:58:37,748 --> 00:58:40,751 [DOORBELL RINGS] 1362 00:58:40,818 --> 00:58:41,852 SHH. 1363 00:58:46,023 --> 00:58:46,991 WHO IS IT? 1364 00:58:47,057 --> 00:58:48,693 WE'RE THE FRIENDS OF MARY, 1365 00:58:48,759 --> 00:58:51,128 AND WE'VE COME TO SEE OUR LADY. 1366 00:58:51,195 --> 00:58:53,430 BE RIGHT DOWN. 1367 00:58:53,497 --> 00:58:55,065 [WHISPERING] It's alright, Mary. 1368 00:58:55,132 --> 00:58:56,701 Be right back. 1369 00:58:58,502 --> 00:58:59,704 LOOK AT THAT BABY, EH? 1370 00:59:01,505 --> 00:59:02,873 GOD DAMN IT! 1371 00:59:02,940 --> 00:59:03,741 PIG! 1372 00:59:03,808 --> 00:59:05,342 Crowd: LONG LIVE BUSH! 1373 00:59:05,409 --> 00:59:07,511 COVER IT UP. 1374 00:59:07,578 --> 00:59:08,913 GET OFF ME, MOTHERFUCKER! 1375 00:59:08,979 --> 00:59:10,615 SHAVE IT OFF! 1376 00:59:10,681 --> 00:59:12,416 PUBIC HAIR HARASSMENT! 1377 00:59:12,482 --> 00:59:14,418 BEAVER BRUTALITY! 1378 00:59:14,484 --> 00:59:16,621 PUBIC HAIR IS AGAINST THE LAW. 1379 00:59:16,687 --> 00:59:18,522 Crowd: WE WANT BUSH! 1380 00:59:18,589 --> 00:59:20,324 WE WANT BUSH! 1381 00:59:20,390 --> 00:59:22,359 WE WANT BUSH! 1382 00:59:22,426 --> 00:59:23,594 HEY, PECKER! 1383 00:59:23,661 --> 00:59:25,763 I'LL MAKE THE MONEY OFF MY PELT, NOT YOU! 1384 00:59:25,830 --> 00:59:28,733 T-BONE! DAD, GOD, I DIDN'T WANT ANYBODY ARRESTED 1385 00:59:28,799 --> 00:59:29,800 FOR MY PICTURES. 1386 00:59:29,867 --> 00:59:31,936 Crowd: WE WANT BUSH! 1387 00:59:32,002 --> 00:59:33,838 WE WANT BUSH! 1388 00:59:33,904 --> 00:59:35,072 THANKS. 1389 00:59:35,139 --> 00:59:37,407 WE WANT BUSH! 1390 00:59:37,474 --> 00:59:39,677 WE WANT BUSH! 1391 00:59:39,744 --> 00:59:40,945 WE WANT BUSH! 1392 00:59:41,011 --> 00:59:42,112 THANK YOU. 1393 00:59:42,179 --> 00:59:43,781 Jimmy: CAN'T YOU SEE WHAT PUBIC HAIR 1394 00:59:43,848 --> 00:59:45,015 IS DOING TO THIS NEIGHBORHOOD? 1395 00:59:45,082 --> 00:59:46,316 MATT! 1396 00:59:46,383 --> 00:59:47,885 SINKING YOUR PROPERTY VALUES! 1397 00:59:47,952 --> 00:59:50,254 Matt: GET OFF OF ME! I DIDN'T DO ANYTHING. 1398 00:59:51,255 --> 00:59:52,623 MARY? 1399 00:59:52,690 --> 00:59:54,959 THESE NICE LADIES HAVE COME TO HONOR YOU. 1400 00:59:57,094 --> 00:59:58,763 FULL OF GRACE. 1401 00:59:58,829 --> 01:00:01,098 YOU'RE SAYING THAT YOURSELF. 1402 01:00:01,165 --> 01:00:01,899 WHAT DO YOU MEAN? 1403 01:00:01,966 --> 01:00:04,034 YOU HEARD ME, FAKER. 1404 01:00:04,101 --> 01:00:07,504 MEMAMA, I NEED MARY'S HELP. 1405 01:00:07,571 --> 01:00:09,239 OH, YOU HAVE COMPANY. 1406 01:00:09,306 --> 01:00:10,975 THIS IS MY GRANDSON PECKER. 1407 01:00:11,041 --> 01:00:13,310 PECKER, THESE ARE THE FRIENDS OF MARY... 1408 01:00:13,377 --> 01:00:14,444 OR SO THEY SAY. 1409 01:00:14,511 --> 01:00:15,980 THEY'RE NOT BEING VERY NICE TO HER. 1410 01:00:16,046 --> 01:00:18,215 WE CAN SEE HER LIPS MOVING. 1411 01:00:18,282 --> 01:00:20,718 IT'S JUST A MATTER OF FAITH, LADIES. 1412 01:00:20,785 --> 01:00:22,019 HERE. COME ON. 1413 01:00:22,086 --> 01:00:24,822 SHUT YOUR EYES AND THINK OF THE COLOR BLUE. 1414 01:00:24,889 --> 01:00:26,657 OH, NO, YOU DON'T. 1415 01:00:26,724 --> 01:00:27,958 HERETIC! 1416 01:00:28,959 --> 01:00:31,628 MARYOLATRY IS NOT A JOKE. 1417 01:00:31,696 --> 01:00:32,963 FULL OF GRACE. 1418 01:00:33,030 --> 01:00:36,333 THIS IS TOO MUCH FOR MY CATHOLIC EARS, 1419 01:00:36,400 --> 01:00:38,703 AND I'M TELLING MONSIGNOR. 1420 01:00:38,769 --> 01:00:41,238 Both: HAIL MARY, FULL OF GRACE. 1421 01:00:41,305 --> 01:00:42,472 THE LORD IS WITH THEE. 1422 01:00:42,539 --> 01:00:43,874 BLESSED ART THOU AMONG WOMEN, 1423 01:00:43,941 --> 01:00:47,011 AND BLESSED IS THE FRUIT OF THY WOMB, JESUS. 1424 01:00:47,077 --> 01:00:48,946 YOU CAN TELL THE POPE FOR ALL I CARE! 1425 01:00:49,013 --> 01:00:50,715 MY GRANDMOTHER'S A SAINT! 1426 01:00:50,781 --> 01:00:53,017 [DOOR CLOSES] 1427 01:00:53,083 --> 01:00:54,752 MEMAMA... 1428 01:00:54,819 --> 01:00:57,654 ASK MARY TO MAKE MY LIFE LIKE IT USED TO BE. 1429 01:00:57,722 --> 01:01:00,557 I'LL TRY, PECKER. 1430 01:01:00,624 --> 01:01:01,759 MARY... 1431 01:01:01,826 --> 01:01:04,261 PECKER HAS A REQUEST. 1432 01:01:04,328 --> 01:01:05,429 COME IN, MARY. 1433 01:01:05,495 --> 01:01:06,463 IT'S ME, 1434 01:01:06,530 --> 01:01:08,733 MEMAMA. 1435 01:01:11,101 --> 01:01:13,704 MARY, IT'S ME, AND I'M TALKING TO YOU. 1436 01:01:13,771 --> 01:01:16,373 MARY WAS SILENT FOR CENTURIES, RIGHT? 1437 01:01:16,440 --> 01:01:19,844 I GUESS YOU CAN'T EXPECT HER TO TALK ON DEMAND. 1438 01:01:19,910 --> 01:01:21,178 TALK, GOD DAMN IT! 1439 01:01:21,245 --> 01:01:23,180 MEMAMA! 1440 01:01:23,247 --> 01:01:24,749 PECKER, 1441 01:01:24,815 --> 01:01:27,251 IT'S YOUR PICTURES. 1442 01:01:27,317 --> 01:01:29,019 SEE WHAT THEY'VE DONE? 1443 01:01:29,086 --> 01:01:31,922 THEY'VE RUINED MY MIRACLE. 1444 01:01:43,868 --> 01:01:46,136 [PEOPLE CHATTERING] 1445 01:01:47,371 --> 01:01:49,073 Man: COME ON! 1446 01:01:50,775 --> 01:01:52,509 Woman: RIGHT HERE, WAITING. 1447 01:01:52,576 --> 01:01:53,677 Man: COME ON. 1448 01:01:53,744 --> 01:01:55,079 HELLO? 1449 01:01:55,145 --> 01:01:57,581 THIS IS A GAY ESTABLISHMENT, YOU KNOW. 1450 01:01:57,647 --> 01:01:58,816 WE KNOW ALL ABOUT IT. 1451 01:01:58,883 --> 01:02:00,250 WE'RE HERE FOR THE TEABAGGING. 1452 01:02:00,317 --> 01:02:02,086 WHAT TEABAGGING? 1453 01:02:02,152 --> 01:02:04,288 WE SAW PECKER'S PICTURES. THEY'RE HILARIOUS. 1454 01:02:04,354 --> 01:02:06,390 GIVE ME THAT. 1455 01:02:07,825 --> 01:02:09,159 ALRIGHT, LISTEN UP! 1456 01:02:09,226 --> 01:02:10,995 THERE'S NO TEABAGGING HERE, 1457 01:02:11,061 --> 01:02:13,263 AND THERE'S NO STRAIGHT PEOPLE ALLOWED, EITHER. 1458 01:02:13,330 --> 01:02:14,464 Crowd: WHAT? 1459 01:02:14,531 --> 01:02:15,866 COME ON NOW, ALL OF YOUSE. 1460 01:02:15,933 --> 01:02:18,335 I NEED TO SEE SOME GAY I.D., 1461 01:02:18,402 --> 01:02:19,503 OR YOU'RE OUT OF HERE. 1462 01:02:19,569 --> 01:02:21,038 [ALL TALKING AT ONCE] 1463 01:02:21,105 --> 01:02:23,673 TAKE THE MONEY, OKAY? 1464 01:02:23,740 --> 01:02:26,076 [MUSIC PLAYING] 1465 01:02:29,713 --> 01:02:33,083 WHO WILL BE MR. ROUGH TRADE BALTIMORE? 1466 01:02:33,150 --> 01:02:34,518 [CHEERING] 1467 01:02:34,584 --> 01:02:36,353 GET AWAY, PECKER. 1468 01:02:36,420 --> 01:02:38,455 * YOU'LL FEEL A LOT OF LOVE POWER * 1469 01:02:40,324 --> 01:02:41,158 DID YOU HEAR ME? 1470 01:02:41,225 --> 01:02:43,027 * DON'T DROP THE SOAP * 1471 01:02:43,093 --> 01:02:44,561 * FOR ANYONE ELSE BUT ME * 1472 01:02:44,628 --> 01:02:45,963 WILL IT BE DEATH ROW DAVE? 1473 01:02:46,030 --> 01:02:47,631 * DON'T DROP THE SOAP * 1474 01:02:47,697 --> 01:02:49,900 * FOR ANYONE ELSE BUT ME * 1475 01:02:49,967 --> 01:02:51,768 * DON'T DROP THE SOAP * 1476 01:02:51,836 --> 01:02:52,937 * FOR ANYONE ELSE BUT ME * 1477 01:02:53,003 --> 01:02:54,138 DAVE'S A 3-TIME LOSER, 1478 01:02:54,204 --> 01:02:55,572 AND HE'S SENTENCED TO THE CHAIR, 1479 01:02:55,639 --> 01:02:57,707 BUT HE'S STILL GOT A BONER! 1480 01:02:57,774 --> 01:03:00,377 [CROWD CHEERS] 1481 01:03:00,444 --> 01:03:02,079 HIS LAST REQUEST-- 1482 01:03:02,146 --> 01:03:05,549 ONE MORE HUM JOB BEFORE THEY PULL THE SWITCH. 1483 01:03:05,615 --> 01:03:06,851 [CROWD CHEERS] 1484 01:03:06,917 --> 01:03:08,285 WELL, HERE HE COMES. 1485 01:03:08,352 --> 01:03:10,220 HE'S MATT THE THIEF. 1486 01:03:10,287 --> 01:03:11,488 [CROWD CHEERS] 1487 01:03:11,555 --> 01:03:16,060 HE'S BARELY LEGAL, BUT HE'S GOT THE BEEF. 1488 01:03:16,126 --> 01:03:18,996 THE KINDEST FACE YOU'LL EVER FIND, 1489 01:03:19,063 --> 01:03:21,098 BUT IF YOU OWN A STORE, 1490 01:03:21,165 --> 01:03:22,833 HE'LL SHOPLIFT YOU BLIND. 1491 01:03:22,900 --> 01:03:23,968 Man: YEAH! 1492 01:03:24,034 --> 01:03:26,236 YOU RUINED MY CAREER, PECKER. 1493 01:03:27,104 --> 01:03:28,672 OH, MATT, I'M SORRY. 1494 01:03:28,738 --> 01:03:31,675 * YOU BE THE MAMA * 1495 01:03:31,741 --> 01:03:33,410 * I'LL BE THE POP * 1496 01:03:34,711 --> 01:03:36,213 BILLY! 1497 01:03:36,280 --> 01:03:37,147 BILLY HECKMAN! 1498 01:03:37,214 --> 01:03:38,015 DAD? 1499 01:03:38,082 --> 01:03:40,517 YOU ARE QUEER! 1500 01:03:40,584 --> 01:03:42,019 NO, MOM, I'M TRADE. 1501 01:03:42,086 --> 01:03:43,253 THE QUEERS BLOW ME. 1502 01:03:43,320 --> 01:03:45,289 OH! OHH! OHH. 1503 01:03:45,355 --> 01:03:46,957 I DON'T BLOW THEM. I'M STILL STRAIGHT. 1504 01:03:47,024 --> 01:03:48,825 * DON'T DROP THE SOAP * 1505 01:03:48,893 --> 01:03:50,060 * FOR ANYONE ELSE BUT ME * 1506 01:03:50,127 --> 01:03:53,063 YOU GET OFF THAT BAR AND COVER YOURSELF! 1507 01:03:53,130 --> 01:03:54,899 COME HERE. WATCH YOUR BEER, SIR. 1508 01:03:54,965 --> 01:03:56,833 Man: AW, COME ON. 1509 01:03:56,901 --> 01:03:58,368 WE'RE GETTING OUT OF HERE. 1510 01:03:58,435 --> 01:04:00,370 TINA... 1511 01:04:00,437 --> 01:04:02,272 YOU'RE FIRED. 1512 01:04:03,573 --> 01:04:05,575 OH, GOD, NO, MR. NELLBOX. 1513 01:04:05,642 --> 01:04:07,011 THIS IS ALL MY FAULT. 1514 01:04:07,077 --> 01:04:08,245 DON'T BLAME TINA. 1515 01:04:08,312 --> 01:04:09,646 PLEASE. 1516 01:04:09,713 --> 01:04:11,281 MR. NELLBOX... 1517 01:04:12,082 --> 01:04:14,318 TRADE IS MY LIFE. 1518 01:04:15,319 --> 01:04:17,321 [SOBS] 1519 01:04:19,389 --> 01:04:21,158 Man: BECAUSE OF YOUR PICTURES, 1520 01:04:21,225 --> 01:04:23,293 LOOK WHAT YOU DID TO YOUR SISTER. 1521 01:04:30,434 --> 01:04:32,502 Rorey: WASHING MACHINE PERVERT, RIGHT? 1522 01:04:32,569 --> 01:04:33,537 YEP. 1523 01:04:33,603 --> 01:04:35,072 FABULOUS. 1524 01:04:37,074 --> 01:04:39,143 YOU KNOW, I SOLD THIS ONE TO L'UOMO VOGUE. 1525 01:04:39,576 --> 01:04:41,045 GOOD. 1526 01:04:41,111 --> 01:04:43,147 AND THIS ONE-- DON'T YOU THINK IT WOULD BE PERFECT 1527 01:04:43,213 --> 01:04:46,750 FOR THAT SPECIAL EDITION PARKETT MAGAZINE WANTS YOU TO DO? 1528 01:04:46,816 --> 01:04:48,718 YEAH, SURE. 1529 01:04:48,785 --> 01:04:50,654 ROREY, WE GOT TO TALK. 1530 01:04:52,489 --> 01:04:54,091 THESE PICTURES... 1531 01:04:58,128 --> 01:05:00,430 THEY'RE JUST SUDDENLY ALL SHIT. 1532 01:05:00,497 --> 01:05:01,698 NONSENSE, PECKER. 1533 01:05:01,765 --> 01:05:04,034 YOUR WORK JUST EVOLVED. 1534 01:05:07,804 --> 01:05:09,039 CONGRATULATIONS. 1535 01:05:10,074 --> 01:05:11,075 WHAT'S THIS? 1536 01:05:11,141 --> 01:05:13,010 WE'RE DOING GREAT. 1537 01:05:18,582 --> 01:05:20,017 WOW. 1538 01:05:20,084 --> 01:05:23,120 AND FOR YOUR WHITNEY SHOW... 1539 01:05:26,923 --> 01:05:28,792 IT WILL BE A TRIUMPH OF PAIN. 1540 01:05:28,858 --> 01:05:31,328 THAT'S A TERRIBLE POSTER. 1541 01:05:42,106 --> 01:05:44,608 Pecker: I WANT TO LIKE IT. I--I JUST DON'T. 1542 01:05:44,674 --> 01:05:45,976 SHELLEY'S OUT OF CONTEXT. 1543 01:05:46,043 --> 01:05:47,978 SHE'S--SHE'S NOT LIKE THIS. 1544 01:05:50,380 --> 01:05:51,415 PECKER... 1545 01:05:53,383 --> 01:05:56,586 HOW CAN YOU BE SO KIND AND GENTLE 1546 01:05:56,653 --> 01:05:58,588 AND STILL HAVE TALENT? 1547 01:05:58,655 --> 01:06:01,925 I JUST TRY TO DO GOOD WORK. 1548 01:06:01,992 --> 01:06:03,593 COULD WE BE TOGETHER 1549 01:06:03,660 --> 01:06:05,462 JUST ONCE? 1550 01:06:05,529 --> 01:06:06,896 YOU MEAN... 1551 01:06:06,963 --> 01:06:08,165 UH... 1552 01:06:09,066 --> 01:06:10,300 FOR THE WHITNEY? 1553 01:06:13,103 --> 01:06:14,671 BUT YOU'RE MY ART DEALER. 1554 01:06:14,738 --> 01:06:16,140 THAT'S RIGHT. I AM, 1555 01:06:16,206 --> 01:06:19,443 AND I ALSO UNDERSTAND YOUR VISION. 1556 01:06:23,880 --> 01:06:25,915 JUST ONCE-- 1557 01:06:25,982 --> 01:06:28,285 FOR ART. 1558 01:06:35,125 --> 01:06:36,993 OH, MY GOD! 1559 01:06:37,061 --> 01:06:38,228 SHELLEY! 1560 01:06:38,295 --> 01:06:39,663 SHELLEY, IT'S NOT WHAT YOU THINK! 1561 01:06:39,729 --> 01:06:40,764 IT'S ALL ABOUT THE WORK! 1562 01:06:40,830 --> 01:06:44,000 I HATE MODERN PHOTOGRAPHY! 1563 01:06:49,773 --> 01:06:51,007 I'M SORRY, PECKER. 1564 01:06:51,075 --> 01:06:52,376 I--I DIDN'T MEAN FOR THIS TO HAPPEN. 1565 01:06:52,442 --> 01:06:53,977 YOU'RE NOT SUPPOSED TO HAVE SEX WITH PEOPLE 1566 01:06:54,044 --> 01:06:55,412 YOU'RE TRYING TO HELP. 1567 01:06:58,515 --> 01:07:00,584 I DIDN'T PLAN IT. 1568 01:07:00,650 --> 01:07:02,486 I LIKE SHELLEY. SHE'S A SWEETHEART. 1569 01:07:03,987 --> 01:07:05,089 I JUST WANTED A REAL BOYFRIEND, 1570 01:07:05,155 --> 01:07:06,723 NOT SOME ART PERSON. 1571 01:07:08,192 --> 01:07:09,726 CANCEL THE WHITNEY. 1572 01:07:10,894 --> 01:07:13,029 NO! PECKER, YOU CAN'T DO THAT. 1573 01:07:13,097 --> 01:07:14,864 I WANT MY FRIENDS, AND I WANT MY FAMILY, 1574 01:07:14,931 --> 01:07:16,533 AND I WANT MY CAREER BACK! 1575 01:07:18,368 --> 01:07:19,736 Rorey: LOOK, LET'S TALK. 1576 01:07:19,803 --> 01:07:21,971 PECKER, DON'T LEAVE NOW. WE CAN WORK THIS OUT. 1577 01:07:22,038 --> 01:07:23,240 PLEASE. 1578 01:07:24,108 --> 01:07:25,075 SHELLEY! 1579 01:07:25,142 --> 01:07:26,543 PECKER, WHAT ABOUT NEW YORK? 1580 01:07:28,578 --> 01:07:30,747 THEY CAN COME TO ME THIS TIME, ROREY. 1581 01:07:30,814 --> 01:07:31,848 I'M GOING TO HAVE MY OWN SHOW 1582 01:07:31,915 --> 01:07:33,617 RIGHT HERE IN BALTIMORE. 1583 01:07:33,683 --> 01:07:34,918 BUT THE WHITNEY! 1584 01:07:34,984 --> 01:07:37,221 WHAT AM I SUPPOSED TO TELL THE WHITNEY! 1585 01:07:37,287 --> 01:07:40,524 SHELLEY, I LOVE YOU! 1586 01:07:40,590 --> 01:07:43,760 SHELLEY, I LOVE YOU MORE THAN KODAK! 1587 01:07:47,164 --> 01:07:48,898 SHELLEY! 1588 01:07:48,965 --> 01:07:50,600 WAIT! 1589 01:07:50,667 --> 01:07:51,935 SHELLEY! 1590 01:07:52,001 --> 01:07:53,303 HELP, POLICE! 1591 01:07:53,370 --> 01:07:54,671 HE TOOK A DUMP WITHOUT BUYING ANYTHING! 1592 01:07:54,738 --> 01:07:56,473 Matt: GET OFF ME. 1593 01:07:56,540 --> 01:07:58,675 POLICE! I'M MAKING A CITIZEN'S ARREST! 1594 01:07:58,742 --> 01:08:00,944 HEY, MATT, I GOT PAID. 1595 01:08:01,010 --> 01:08:02,279 I'M GIVING YOU A JOB, 1596 01:08:02,346 --> 01:08:04,814 AND THIS TIME, YOU'RE ON SALARY. 1597 01:08:04,881 --> 01:08:06,082 ALRIGHT, PECKER-MAN. 1598 01:08:06,150 --> 01:08:07,717 YOU'RE THE BOSS. 1599 01:08:09,219 --> 01:08:10,420 BASTARDS! 1600 01:08:15,959 --> 01:08:17,494 Pecker: SHELLEY! 1601 01:08:22,065 --> 01:08:23,800 HELLO. VOTING CARD, PLEASE. 1602 01:08:26,236 --> 01:08:29,506 OKAY, YOU CAN TAKE THE SECOND BOOTH ON YOUR RIGHT. 1603 01:08:29,573 --> 01:08:31,275 THANK YOU. 1604 01:08:35,245 --> 01:08:36,446 Pecker: SHELLEY! 1605 01:08:36,513 --> 01:08:38,081 SHH! 1606 01:08:38,148 --> 01:08:39,149 GOOD AFTERNOON, GENTLEMEN. 1607 01:08:39,216 --> 01:08:40,417 YOUR VOTING CARDS, PLEASE? 1608 01:08:40,484 --> 01:08:42,852 I DON'T HAVE IT WITH ME, BUT I'M REGISTERED. 1609 01:08:42,919 --> 01:08:44,321 MY NAME IS PECKER. 1610 01:08:48,158 --> 01:08:49,393 UM... 1611 01:08:49,459 --> 01:08:52,162 EXCUSE ME. DO YOU HAVE A BATHROOM I COULD USE? 1612 01:08:52,229 --> 01:08:53,563 THIS IS A POLLING PLACE, 1613 01:08:53,630 --> 01:08:55,899 NOT A FILLING STATION, YOUNG MAN. 1614 01:08:55,965 --> 01:08:57,201 EXCUSE ME. 1615 01:08:58,502 --> 01:09:00,136 EXCUSE ME. 1616 01:09:00,204 --> 01:09:03,072 VOTING BOOTHS ARE PRIVATE PLACES, MR. PECKER. 1617 01:09:03,139 --> 01:09:04,541 IF I WERE YOU, I WOULD CONCENTRATE 1618 01:09:04,608 --> 01:09:06,210 ON MY OWN PERSONAL CHOICE OF CANDIDATE 1619 01:09:06,276 --> 01:09:08,212 AND NOT THE CHOICES OF OTHERS. 1620 01:09:08,278 --> 01:09:09,646 YES, MA'AM. 1621 01:09:09,713 --> 01:09:11,948 BUT I REALLY HAVE TO USE THE BATHROOM. 1622 01:09:12,015 --> 01:09:13,583 ONE WOULD THINK A SERIOUS VOTER 1623 01:09:13,650 --> 01:09:16,353 WOULD ELIMINATE BEFORE LEAVING HOME. 1624 01:09:17,487 --> 01:09:18,955 BUT IT'S AN EMERGENCY. I MEAN IT. 1625 01:09:19,022 --> 01:09:21,090 [SIGHS] ALRIGHT. 1626 01:09:21,157 --> 01:09:22,125 HERE. 1627 01:09:22,192 --> 01:09:23,159 THANKS. 1628 01:09:23,227 --> 01:09:24,194 IT'S THROUGH THAT DOOR 1629 01:09:24,261 --> 01:09:26,095 AND TO THE LEFT. 1630 01:09:26,162 --> 01:09:28,865 TO THE LEFT! 1631 01:09:28,932 --> 01:09:31,268 OW. 1632 01:09:32,168 --> 01:09:34,003 PECKER. SHH. 1633 01:09:34,070 --> 01:09:36,240 MR. PECKER? 1634 01:09:36,306 --> 01:09:38,074 I'LL BE RIGHT BACK. 1635 01:09:38,141 --> 01:09:39,743 PECKER, I'M TRYING TO VOTE. 1636 01:09:39,809 --> 01:09:41,211 OH, COME ON. 1637 01:09:42,279 --> 01:09:44,180 MR. PECKER, DID YOU HEAR ME? 1638 01:09:44,248 --> 01:09:46,216 OH, GOD. 1639 01:09:46,283 --> 01:09:47,951 QUICK, LET ME STAND IN YOUR BAG. 1640 01:09:50,220 --> 01:09:51,388 PECKER... 1641 01:09:52,356 --> 01:09:54,558 LOOK. SHE CAN'T EVEN SEE ME NOW. 1642 01:09:55,792 --> 01:09:57,026 [SIGHS] 1643 01:09:57,093 --> 01:09:59,396 ATTENTION, VOTERS. 1644 01:10:00,129 --> 01:10:03,733 NO 2 PEOPLE ARE ALLOWED 1645 01:10:03,800 --> 01:10:06,202 IN A VOTING BOOTH. 1646 01:10:07,003 --> 01:10:09,473 MORE THAN ONE PERSON 1647 01:10:09,539 --> 01:10:11,941 INSIDE A VOTING BOOTH 1648 01:10:12,008 --> 01:10:14,143 IS A FEDERAL OFFENSE 1649 01:10:14,210 --> 01:10:15,779 PUNISHABLE... 1650 01:10:17,281 --> 01:10:20,350 BY UP TO 3 YEARS IN PRISON. 1651 01:10:20,417 --> 01:10:22,452 OH, SHELLEY, PLEASE COME BACK. 1652 01:10:22,519 --> 01:10:25,088 WITHOUT YOU, MY WORK IS SHIT. 1653 01:10:25,154 --> 01:10:27,257 ROREY'S YOUR WORK. 1654 01:10:27,324 --> 01:10:30,226 IT'S YOU THAT I LOVE. 1655 01:10:30,294 --> 01:10:33,129 I DON'T UNDERSTAND ANY OF THAT ART CRAP. 1656 01:10:33,196 --> 01:10:35,499 YOU COULD IF YOU JUST OPEN YOUR EYES. 1657 01:10:35,565 --> 01:10:38,167 PECKER, I WORK IN A LAUNDROMAT. 1658 01:10:38,234 --> 01:10:40,304 ART'S EVERYWHERE. 1659 01:10:40,370 --> 01:10:42,806 YEAH, IN MY ENDLESS BAGS OF DIRTY LAUNDRY. 1660 01:10:42,872 --> 01:10:44,040 YEAH. 1661 01:10:44,107 --> 01:10:45,775 IT IS, IF YOU THINK ABOUT IT. 1662 01:10:46,876 --> 01:10:48,312 WHAT? 1663 01:10:48,378 --> 01:10:49,679 THE BRILLIANT GREEN OF A GRASS STAIN? 1664 01:10:49,746 --> 01:10:51,247 YES. 1665 01:10:51,315 --> 01:10:53,149 THAT'S ART. 1666 01:10:53,216 --> 01:10:55,184 THE SUBTLE YELLOW OF A URINE SOAKED SHEET? 1667 01:10:55,251 --> 01:10:56,420 YEAH. 1668 01:10:56,486 --> 01:10:58,121 YEAH. KEEP GOING. 1669 01:10:58,187 --> 01:11:00,023 IT'S WHAT YOU SEE EVERY DAY. 1670 01:11:00,089 --> 01:11:02,125 THE AQUA BLUE OF COLD WATER 1671 01:11:02,191 --> 01:11:04,160 AS IT DILUTES A VIOLENT RED BLOOD STAIN? 1672 01:11:04,227 --> 01:11:06,763 OH, YOU GOT IT. 1673 01:11:06,830 --> 01:11:10,066 OH, BE SPONTANEOUS FOR ONCE IN YOUR LIFE. 1674 01:11:10,133 --> 01:11:12,035 PECKER, I'M SCARED. 1675 01:11:12,101 --> 01:11:14,203 YOU MEAN THE ALMOND BROWN OF A STUBBORN MILDEW STAIN 1676 01:11:14,270 --> 01:11:15,405 CAN BE BEAUTIFUL? 1677 01:11:15,472 --> 01:11:17,240 YES. YES. LET YOUR MIND GO, 1678 01:11:17,307 --> 01:11:18,708 AND YOU'LL BE FREE FOREVER. 1679 01:11:18,775 --> 01:11:21,177 OH, PECKER, I THINK I FINALLY SEE IT. 1680 01:11:21,244 --> 01:11:22,879 OHH. ART, SHELLEY. 1681 01:11:22,946 --> 01:11:24,481 ART. 1682 01:11:25,449 --> 01:11:27,016 PECKER, USE A CONDOM. 1683 01:11:27,083 --> 01:11:28,217 OKAY. 1684 01:11:28,284 --> 01:11:30,387 [BOTH MOANING, BOOTH RATTLING] 1685 01:11:42,031 --> 01:11:44,033 [BOTH MOANING LOUDER] 1686 01:11:55,379 --> 01:11:57,447 HO HO HO HO! 1687 01:12:00,950 --> 01:12:04,721 AAH! 1688 01:12:44,027 --> 01:12:45,595 [HORN HONKS] 1689 01:12:50,934 --> 01:12:52,536 [CHATTERING] 1690 01:12:52,602 --> 01:12:54,303 OKAY, SETTLE DOWN, FOLKS. 1691 01:12:54,370 --> 01:12:56,272 SETTLE DOWN. I KNOW WE'RE ALL EXCITED. 1692 01:12:56,339 --> 01:12:58,442 TAKE IT AWAY, PECKER. 1693 01:12:58,508 --> 01:13:00,444 LADIES AND GENTLEMEN. 1694 01:13:01,778 --> 01:13:03,447 WELCOME TO PECKER'S PLACE. 1695 01:13:03,513 --> 01:13:05,148 Crowd: YAY! 1696 01:13:05,214 --> 01:13:06,483 YEAH! 1697 01:13:06,550 --> 01:13:07,684 * I'M A PECKER MAN * 1698 01:13:07,751 --> 01:13:08,952 * I GOT MY SHOES ON STRAIGHT * 1699 01:13:09,018 --> 01:13:09,853 * I'M A PECKER MAN * 1700 01:13:09,919 --> 01:13:11,120 * AND ONE OF ME TO YANK * 1701 01:13:11,187 --> 01:13:12,321 * I'M A PECKER MAN * 1702 01:13:12,388 --> 01:13:13,356 * AND I JUST CAN'T WAIT * 1703 01:13:13,423 --> 01:13:14,157 * I'M A PECKER MAN * 1704 01:13:14,223 --> 01:13:16,325 WHOO! 1705 01:13:16,392 --> 01:13:17,761 YEAH! YEAH! 1706 01:13:17,827 --> 01:13:19,696 WE'RE HERE WITH PECKER'S GRANDMOTHER MEMAMA. 1707 01:13:19,763 --> 01:13:22,331 TELL US, MEMAMA-- WHY WON'T MARY TALK? 1708 01:13:22,398 --> 01:13:23,900 SHE WENT UP, THAT'S ALL. 1709 01:13:23,967 --> 01:13:25,602 MARY'S BROKE. 1710 01:13:25,669 --> 01:13:27,871 BUT IF CHANNEL 45'S VIEWERS 1711 01:13:27,937 --> 01:13:29,238 PRAY HARD ENOUGH, 1712 01:13:29,305 --> 01:13:32,308 MAYBE OUR LADY WILL SPEAK AGAIN. 1713 01:13:32,375 --> 01:13:33,943 AND I'M SLOANE BROWN, 1714 01:13:34,010 --> 01:13:35,078 CHANNEL 45 NEWS, 1715 01:13:35,144 --> 01:13:36,546 LIVE AT PECKER'S PLACE. 1716 01:13:36,613 --> 01:13:38,314 WHAT'S GOING ON, MAN? HOW YOU DOING? 1717 01:13:38,381 --> 01:13:39,949 HOW YOU DOING? YOU'RE GOING THROUGH. 1718 01:13:40,016 --> 01:13:41,985 YES, YOU'RE GOING THROUGH. I KNOW YOU. 1719 01:13:42,051 --> 01:13:43,953 LOOK. 1720 01:13:45,354 --> 01:13:48,024 FRIENDS OF THE WHITNEY... 1721 01:13:48,091 --> 01:13:50,026 THIS IS BALTIMORE. 1722 01:13:50,093 --> 01:13:51,427 OH HO HO! 1723 01:13:51,495 --> 01:13:53,663 WONDERFUL. LET'S GET OFF. 1724 01:13:57,333 --> 01:13:59,202 LOOK... 1725 01:13:59,268 --> 01:14:01,037 A ROW HOUSE. [GASPS] 1726 01:14:02,539 --> 01:14:04,808 WITH WHITE MARBLE STEPS. 1727 01:14:04,874 --> 01:14:07,811 IT'S JUST LIKE HIS PICTURES. 1728 01:14:07,877 --> 01:14:10,113 Larry: IT'S SO DIGNIFIED. 1729 01:14:10,179 --> 01:14:11,681 Lynn: SO POWERFUL. 1730 01:14:11,748 --> 01:14:14,784 IT'S ALMOST SEXUAL, ISN'T IT? 1731 01:14:14,851 --> 01:14:16,720 YOU WITH THE GOITER IN THE BACK, YES. 1732 01:14:16,786 --> 01:14:18,555 HI. HOW YOU DOING? YOU. 1733 01:14:18,622 --> 01:14:19,723 YOU. HOW YOU DOING, SIR? 1734 01:14:19,789 --> 01:14:21,157 EXCUSE ME, I'M JED COLEMAN. 1735 01:14:21,224 --> 01:14:22,792 THIS IS THE GROUP FROM THE WHITNEY MUSEUM. 1736 01:14:22,859 --> 01:14:25,795 OH, OKAY, IT'S $4.00 FOR EACH OF YOU. 1737 01:14:25,862 --> 01:14:27,030 OH, I, UH... 1738 01:14:27,096 --> 01:14:29,766 I DIDN'T KNOW THERE WAS A COVER CHARGE. 1739 01:14:29,833 --> 01:14:31,535 I THOUGHT YOU LIKED IT WHEN I STOLE. 1740 01:14:33,503 --> 01:14:35,705 [MUSIC PLAYING] 1741 01:14:37,741 --> 01:14:39,342 CONGRATULATIONS, PECKER. 1742 01:14:39,408 --> 01:14:41,010 WELL, THANK YOU. 1743 01:14:41,077 --> 01:14:42,411 DO YOU KNOW WHAT? IT'S NOT JUST ME. 1744 01:14:42,478 --> 01:14:43,513 IT'S MY FRIENDS. 1745 01:14:43,580 --> 01:14:44,981 IT'S MY FAMILY. 1746 01:14:45,048 --> 01:14:48,084 YOU KNOW WHAT? EVERYONE HERE INSPIRES ME. 1747 01:14:48,151 --> 01:14:50,687 PECKER SEES NEW YORK FROM THE OUTSIDE LOOKING IN, 1748 01:14:50,754 --> 01:14:52,221 AND IF YOU JUST OPEN YOUR EYES, 1749 01:14:52,288 --> 01:14:55,291 YOU'LL SEE IT, TOO. 1750 01:14:55,358 --> 01:14:57,794 OH, SHELLEY, I SEE WHAT YOU MEAN. 1751 01:14:57,861 --> 01:14:59,829 THAT SKINNY LADY IN THE PHOTO-- 1752 01:14:59,896 --> 01:15:02,398 HA HA! THAT'S FUCKING HILARIOUS. 1753 01:15:02,465 --> 01:15:04,033 I LOVE IT. 1754 01:15:09,973 --> 01:15:11,541 WELL, YOU KNOW WHAT? WE'RE OPEN FOR BUSINESS. 1755 01:15:11,608 --> 01:15:12,542 WHAT DO YOU GOT TO TRADE? 1756 01:15:12,609 --> 01:15:15,378 HELL, I DO OWN A BAKERY. 1757 01:15:15,444 --> 01:15:17,714 HOW ABOUT COMPLIMENTARY BIRTHDAY CAKES 1758 01:15:17,781 --> 01:15:18,882 FOR EACH MEMBER OF YOUR FAMILY 1759 01:15:18,948 --> 01:15:19,883 FOR 2 YEARS? 1760 01:15:19,949 --> 01:15:21,450 IT'S A DEAL. 1761 01:15:21,517 --> 01:15:23,553 I'M PUTTING IT RIGHT IN MY RUMPUS ROOM. 1762 01:15:27,757 --> 01:15:28,925 OH, MR. COLEMAN, 1763 01:15:28,992 --> 01:15:31,995 SO GLAD YOU COULD MAKE IT. 1764 01:15:32,061 --> 01:15:33,930 HOW DOES IT FEEL TO BE IN FRONT OF THE CAMERA? 1765 01:15:33,997 --> 01:15:36,265 WELL, IT... 1766 01:15:36,332 --> 01:15:39,302 TAKES A LITTLE GETTING USED TO. 1767 01:15:41,504 --> 01:15:42,438 HI, MARY! 1768 01:15:42,505 --> 01:15:45,074 WELCOME TO BALTIMORE. 1769 01:15:46,175 --> 01:15:48,111 [WOMAN LAUGHS] 1770 01:15:51,147 --> 01:15:53,149 [SNAPS FINGERS] 1771 01:16:00,056 --> 01:16:04,160 I DIDN'T KNOW PECKER WAS SHOWING THIS WORK. 1772 01:16:05,161 --> 01:16:06,562 YOO-HOO! 1773 01:16:06,630 --> 01:16:07,664 PECKER, DARLING. 1774 01:16:07,731 --> 01:16:09,198 I WANT TO SEE LOWLIFE. 1775 01:16:09,265 --> 01:16:11,968 SHOW ME DOWN AND DIRTY. 1776 01:16:12,035 --> 01:16:13,770 OH, WELL, IT'S JUST US, LYNN. 1777 01:16:13,837 --> 01:16:16,172 YOU REMEMBER SHELLEY, RIGHT? 1778 01:16:16,239 --> 01:16:18,074 CONGRATULATIONS. 1779 01:16:18,141 --> 01:16:20,009 Man: OOH! OW! 1780 01:16:22,445 --> 01:16:24,547 OH, MY GOD. 1781 01:16:24,614 --> 01:16:26,783 YOU LOOK DARINGLY ORIGINAL. 1782 01:16:26,850 --> 01:16:28,718 THERE'S NOT A CATALOG, IS THERE? 1783 01:16:28,785 --> 01:16:31,621 NICE TITS, MA'AM. 1784 01:16:31,688 --> 01:16:34,057 [WOMAN LAUGHS] 1785 01:16:39,462 --> 01:16:41,464 HEY, IT'S LIQUOR LADY. 1786 01:16:41,530 --> 01:16:42,799 WANT TO DANCE? 1787 01:16:42,866 --> 01:16:45,434 YOU KNOW, I ONLY HAD 2 DRINKS THAT NIGHT. 1788 01:16:45,501 --> 01:16:47,236 THINK I CARE? 1789 01:16:47,303 --> 01:16:48,638 I DRINK, TOO. 1790 01:16:48,705 --> 01:16:50,940 YEAH, SET 'EM UP. 1791 01:16:54,811 --> 01:16:56,279 THERE YOU GO. 1792 01:16:56,345 --> 01:16:57,446 OH, MISS BETTY, 1793 01:16:57,513 --> 01:16:59,282 NOW, THAT LOOKS WONDERFUL. 1794 01:16:59,348 --> 01:17:00,684 OH, I DON'T KNOW. 1795 01:17:00,750 --> 01:17:02,485 WILL IT WRINKLE IF I SLEEP IN IT? 1796 01:17:02,551 --> 01:17:03,486 OH, NO. 1797 01:17:03,552 --> 01:17:05,722 NOT THAT FABRIC. 1798 01:17:05,789 --> 01:17:06,990 YOU KNOW, THAT'S FLAMEPROOF, TOO, 1799 01:17:07,056 --> 01:17:09,225 IN CASE SOMEONE SETS YOU ON FIRE. 1800 01:17:09,292 --> 01:17:10,226 ALRIGHT. 1801 01:17:10,293 --> 01:17:12,095 I'LL TAKE IT. 1802 01:17:12,161 --> 01:17:13,863 Joyce: GOOD. 1803 01:17:16,065 --> 01:17:16,833 OH! 1804 01:17:16,900 --> 01:17:19,135 ISN'T FASHION SOMETHING? 1805 01:17:19,202 --> 01:17:21,204 [BOTH LAUGH] 1806 01:17:23,807 --> 01:17:25,842 OH, HERE COMES THE VEGAN. 1807 01:17:25,909 --> 01:17:28,244 CHRISSY'S A GOOD LITTLE GIRL. 1808 01:17:28,311 --> 01:17:30,313 SHE LOOKS SO DIFFERENT. 1809 01:17:32,081 --> 01:17:33,817 LITTLE CHRISSY'S OFF THE DRUGS. 1810 01:17:33,883 --> 01:17:35,051 Joyce: MM-HMM. SHE'S SUGAR-FREE 1811 01:17:35,118 --> 01:17:37,153 AND ON THE ROAD TO A BALANCED DIET. 1812 01:17:37,220 --> 01:17:38,922 THANK YOU, HONEY. 1813 01:17:40,023 --> 01:17:42,091 HEY, COME ON, GORGEOUS, 1814 01:17:42,158 --> 01:17:43,392 BE HONEST. 1815 01:17:43,459 --> 01:17:44,627 WHEN WAS THE LAST TIME 1816 01:17:44,694 --> 01:17:46,562 A STRAIGHT GUY ASKED YOU TO DANCE? 1817 01:17:46,629 --> 01:17:48,732 [DANCE MUSIC PLAYING] 1818 01:17:48,798 --> 01:17:50,233 GO ON, VENETIA. 1819 01:17:50,299 --> 01:17:51,334 GET IT, GIRL. 1820 01:17:51,400 --> 01:17:52,969 GO ON. YOU'RE IN BALTIMORE. 1821 01:17:53,036 --> 01:17:55,638 * WATCH OUT, WATCH OUT, WATCH OUT * 1822 01:17:55,705 --> 01:17:57,373 Crowd: WHOO! 1823 01:18:19,262 --> 01:18:20,563 HMM. 1824 01:18:20,629 --> 01:18:22,065 CONGRATULATIONS, PECKER. 1825 01:18:22,131 --> 01:18:23,166 SHELLEY. 1826 01:18:24,467 --> 01:18:26,535 THANK YOU. I'M SO GLAD YOU COULD COME, ROREY. 1827 01:18:26,602 --> 01:18:29,338 THIS IS MY NEW DISCOVERY RANDY. 1828 01:18:29,405 --> 01:18:30,673 HE'S FROM NEW JERSEY, 1829 01:18:30,740 --> 01:18:32,675 AND HE IS THE FIRST BLIND PHOTOGRAPHER. 1830 01:18:32,742 --> 01:18:34,310 I FEEL PORTRAITS, 1831 01:18:34,377 --> 01:18:36,012 AND I SMELL LANDSCAPES. 1832 01:18:36,079 --> 01:18:37,881 I'M GIVING HIM A SHOW IN NOVEMBER. 1833 01:18:37,947 --> 01:18:39,682 IS THAT OUTSIDER ART? 1834 01:18:39,749 --> 01:18:41,584 NO MORE LIGHT READINGS. 1835 01:18:41,650 --> 01:18:43,386 NO MORE FOCUSING. 1836 01:18:43,452 --> 01:18:45,621 MAYBE YOU SHOULD GIVE HIM A SHOW IN YOUR LAUNDROMAT. 1837 01:18:45,688 --> 01:18:47,556 SEND ME SOME SLIDES. 1838 01:18:47,623 --> 01:18:49,258 I'LL DO THAT. 1839 01:18:54,397 --> 01:18:56,365 OKAY! 1840 01:18:56,432 --> 01:18:58,467 Man: WHOO! 1841 01:19:03,606 --> 01:19:04,908 [TAKES PICTURE] 1842 01:19:06,309 --> 01:19:07,310 Man: GO, T-BONE! 1843 01:19:07,376 --> 01:19:08,477 Man: YEAH! 1844 01:19:08,544 --> 01:19:10,746 [CROWD CHEERING AND WHISTLING] 1845 01:19:10,814 --> 01:19:13,282 Man: ALRIGHT, T-BONE! 1846 01:19:27,463 --> 01:19:28,798 Man: YEAH! 1847 01:19:28,865 --> 01:19:31,300 NO PUBIC HAIR! 1848 01:19:33,002 --> 01:19:35,371 Man: HEY, HEY, NO PANTS! 1849 01:19:44,480 --> 01:19:46,482 [TAKES PICTURE] 1850 01:19:48,384 --> 01:19:50,319 [TAKES PICTURE] 1851 01:19:52,188 --> 01:19:53,990 [WHISPERING] Take your pants off. 1852 01:20:09,772 --> 01:20:11,975 [TAKING PICTURES] 1853 01:20:20,783 --> 01:20:23,319 OOH, TEABAG HIM, LARRY. 1854 01:20:24,988 --> 01:20:26,022 Crowd: WHOA! 1855 01:20:26,089 --> 01:20:27,790 BRILLIANT WORK, PECKER. 1856 01:20:27,857 --> 01:20:30,293 THANKS, MR. HALLBROOK. 1857 01:20:32,661 --> 01:20:33,897 Man: SHAKE IT, SWEETHEART! 1858 01:20:33,963 --> 01:20:35,631 Man: WHOO, HOO, HOO, HOO! 1859 01:20:35,698 --> 01:20:37,233 RIDE IT, BITCH! 1860 01:20:37,300 --> 01:20:38,902 RIDE IT LIKE A BUTCH BOTTOM! 1861 01:20:38,968 --> 01:20:41,704 OHH, NEW YORK WAS NEVER LIKE THIS! 1862 01:20:41,770 --> 01:20:43,739 HOLY MARY, 1863 01:20:43,806 --> 01:20:46,209 MOTHER OF GOD. 1864 01:20:46,275 --> 01:20:47,310 PECKER! 1865 01:20:49,879 --> 01:20:51,747 SHE'S TALKING, 1866 01:20:51,814 --> 01:20:53,482 AND I'M NOT SAYING ANYTHING. 1867 01:20:53,549 --> 01:20:55,651 Mary: FULL OF GRACE-- 1868 01:20:55,718 --> 01:20:57,887 HOLY MARY, MOTHER OF GOD. 1869 01:20:57,954 --> 01:20:59,989 OUR PRAYERS HAVE BEEN ANSWERED. 1870 01:21:00,056 --> 01:21:02,325 FULL OF GRACE-- 1871 01:21:02,391 --> 01:21:04,660 HOLY MARY, MOTHER OF GOD. 1872 01:21:04,727 --> 01:21:07,230 [TAKES GRACE. HOLY. PICTURE] 1873 01:21:07,296 --> 01:21:08,965 HOLY. HOLY. 1874 01:21:09,032 --> 01:21:10,799 GRACE. GOD. 1875 01:21:10,866 --> 01:21:12,568 HOLY. 1876 01:21:12,635 --> 01:21:13,970 PECKER, 1877 01:21:14,037 --> 01:21:16,239 DO YOU THINK IT'S A REAL MIRACLE? 1878 01:21:16,305 --> 01:21:17,240 YES, MEMAMA. 1879 01:21:17,306 --> 01:21:19,408 YES! 1880 01:21:23,746 --> 01:21:26,082 [SNORTS] 1881 01:21:27,283 --> 01:21:29,452 QUIET, EVERYBODY. QUIET, PLEASE. 1882 01:21:31,020 --> 01:21:33,289 QUIET, EVERYBODY. QUIET. 1883 01:21:33,356 --> 01:21:35,591 COME ON IN. GATHER AROUND. 1884 01:21:35,658 --> 01:21:37,226 PECKER, 1885 01:21:37,293 --> 01:21:38,027 GET UP HERE. 1886 01:21:38,094 --> 01:21:40,329 [CROWD CHEERING] 1887 01:21:48,137 --> 01:21:49,505 I HAVE A TOAST. 1888 01:21:49,572 --> 01:21:51,474 I HAVE A TOAST. 1889 01:21:51,540 --> 01:21:52,475 TO PECKER. 1890 01:21:52,541 --> 01:21:53,542 Crowd: TO PECKER! 1891 01:21:53,609 --> 01:21:56,312 AND THE END OF IRONY! 1892 01:21:57,080 --> 01:21:59,315 YAY, PECKER! 1893 01:22:05,654 --> 01:22:07,690 SO, WHAT'S NEXT, PECKER? 1894 01:22:07,756 --> 01:22:08,958 WELL... 1895 01:22:11,427 --> 01:22:12,661 I THINK, UH... 1896 01:22:15,031 --> 01:22:16,232 YOU KNOW WHAT? 1897 01:22:16,299 --> 01:22:18,567 I'M THINKING OF DIRECTING A MOVIE. 1898 01:22:18,634 --> 01:22:19,635 Man: ALRIGHT! 1899 01:22:19,702 --> 01:22:21,637 [CROWD CHEERS] 1900 01:22:23,406 --> 01:22:26,009 Paul Evans: * I CAN LAUGH * 1901 01:22:26,075 --> 01:22:28,744 * WHEN THINGS AIN'T FUNNY * 1902 01:22:28,811 --> 01:22:31,580 * HA HA HAPPY-GO-LUCKY ME * 1903 01:22:33,282 --> 01:22:35,418 * YEAH, I CAN SMILE * 1904 01:22:35,484 --> 01:22:38,854 * WHEN I AIN'T GOT NO MONEY * 1905 01:22:38,921 --> 01:22:41,590 * HA HA HAPPY-GO-LUCKY ME * 1906 01:22:43,459 --> 01:22:45,294 * IT MAY SOUND SILLY * 1907 01:22:45,361 --> 01:22:48,197 * BUT, MMM, I DON'T CARE * 1908 01:22:48,264 --> 01:22:49,265 * I GOT THE MOONLIGHT * 1909 01:22:49,332 --> 01:22:50,466 * I GOT THE SUN * 1910 01:22:50,533 --> 01:22:53,536 * I'VE GOT THE STARS ABOVE * 1911 01:22:53,602 --> 01:22:55,638 * ME AND MY FILLY * 1912 01:22:55,704 --> 01:22:58,107 * WELL, WE BOTH SHARE * 1913 01:22:58,174 --> 01:22:59,608 * A SLAPPY-GO-HAPPY * 1914 01:22:59,675 --> 01:23:00,809 * HAPPY-GO-LUCKY * 1915 01:23:00,876 --> 01:23:02,611 * LOVE * 1916 01:23:02,678 --> 01:23:03,912 * WELL * 1917 01:23:03,979 --> 01:23:05,081 * LIFE IS SWEET * 1918 01:23:05,148 --> 01:23:06,515 * WHOA * 1919 01:23:06,582 --> 01:23:08,951 * SWEET AS HONEY * 1920 01:23:09,018 --> 01:23:12,121 * HA HA HAPPY-GO-LUCKY ME * 1921 01:23:12,188 --> 01:23:13,722 * HA HA HA * 1922 01:23:19,228 --> 01:23:21,297 [SINGER LAUGHS HYSTERICALLY] 1923 01:23:29,405 --> 01:23:31,474 [SINGER LAUGHS HYSTERICALLY] 1924 01:23:34,377 --> 01:23:36,045 * IT MAY SOUND SILLY * 1925 01:23:36,112 --> 01:23:38,981 * BUT, HMM, I DON'T CARE * 1926 01:23:39,048 --> 01:23:40,283 * I GOT THE MOONLIGHT * 1927 01:23:40,349 --> 01:23:41,450 * I GOT THE SUN * 1928 01:23:41,517 --> 01:23:44,187 * I'VE GOT THE STARS ABOVE * 1929 01:23:44,253 --> 01:23:46,089 * ME AND MY FILLY * 1930 01:23:46,155 --> 01:23:48,991 * WELL, WE BOTH SHARE * 1931 01:23:49,058 --> 01:23:50,293 * A SLAPPY-GO-HAPPY * 1932 01:23:50,359 --> 01:23:51,594 * HAPPY-GO-LUCKY * 1933 01:23:51,660 --> 01:23:53,396 * LOVE * 1934 01:23:53,462 --> 01:23:54,663 * WELL * 1935 01:23:54,730 --> 01:23:55,964 * LIFE IS SWEET * 1936 01:23:56,031 --> 01:23:57,166 * WHOA, YEAH * 1937 01:23:57,233 --> 01:23:59,568 * SWEET AS HONEY * 1938 01:23:59,635 --> 01:24:02,805 * HA HA HAPPY-GO-LUCKY ME * 1939 01:24:02,871 --> 01:24:04,807 * HA HA HA HA * 1940 01:24:04,873 --> 01:24:08,211 * HA HA HAPPY-GO-LUCKY ME * 1941 01:24:08,277 --> 01:24:10,346 [SINGER LAUGHS HYSTERICALLY] 1942 01:24:13,048 --> 01:24:18,821 * OOH, OOH, OOH, OOH, OOH * 1943 01:24:18,887 --> 01:24:21,724 CAPTIONING MADE POSSIBLE BY NEW LINE HOME VIDEO 1944 01:24:21,790 --> 01:24:24,527 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1945 01:24:24,593 --> 01:24:28,164 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 1946 01:24:34,237 --> 01:24:35,804 * YEAH! * 1947 01:24:37,373 --> 01:24:39,108 * OOH, OOH, OOH, OOH, OOH * 1948 01:24:39,175 --> 01:24:41,410 * OOH, OOH, OOH, OOH, OOH * 1949 01:24:41,477 --> 01:24:43,212 * OOH, OOH, OOH, OOH, OOH * 1950 01:24:43,279 --> 01:24:45,781 * OOH, OOH, OOH, OOH, OOH * 1951 01:24:45,848 --> 01:24:47,816 * OOH, OOH, OOH, OOH * 1952 01:24:47,883 --> 01:24:50,085 * OOH, OOH, OOH, OOH * 1953 01:25:14,510 --> 01:25:16,279 * OOH, OOH, OOH, OOH, OOH * 1954 01:25:16,345 --> 01:25:18,581 * OOH, OOH, OOH, OOH, OOH * 1955 01:25:18,647 --> 01:25:20,349 * OOH, OOH, OOH, OOH, OOH * 1956 01:25:20,416 --> 01:25:22,885 * OOH, OOH, OOH, OOH, OOH * 1957 01:25:22,951 --> 01:25:25,020 * OOH, OOH, OOH, OOH * 1958 01:25:25,087 --> 01:25:27,390 * OOH, OOH, OOH, OOH * 1959 01:25:51,347 --> 01:25:52,481 * GO! * 1960 01:25:52,548 --> 01:25:53,949 * OOH, OOH, OOH, OOH, OOH * 1961 01:25:54,016 --> 01:25:56,319 * OOH, OOH, OOH, OOH, OOH * 1962 01:25:56,385 --> 01:25:58,187 * OOH, OOH, OOH, OOH, OOH * 1963 01:25:58,254 --> 01:26:00,389 * OOH, OOH, OOH, OOH, OOH * 1964 01:26:00,456 --> 01:26:02,525 * OOH, OOH, OOH, OOH * 1965 01:26:02,591 --> 01:26:04,560 * OOH, OOH, OOH, OOH * 1966 01:26:04,627 --> 01:26:06,395 * OOH, OOH, OOH, OOH, OOH * 1967 01:26:06,462 --> 01:26:08,664 * OOH, OOH, OOH, OOH, OOH * 1968 01:26:08,731 --> 01:26:10,533 * OOH, OOH, OOH, OOH, OOH * 1969 01:26:10,599 --> 01:26:13,101 * OOH, OOH, OOH, OOH, OOH * 1970 01:26:13,168 --> 01:26:15,638 * OOH, OOH, OOH, OOH * 126533