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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:17,582 --> 00:00:19,848 YOU GOTTA MOVE THIS NOW. I AIN'T DONE UNLOADIN'. 2 00:00:19,882 --> 00:00:23,282 YOU'RE ALLOWED FIVE‐MINUTE ACCESS TO THE SITE. THEN YOU GOTTA MOVE. 3 00:00:23,315 --> 00:00:26,382 WAIT A MINUTE. WAIT A MINUTE. DON'T MOVE THE TRUCK NOWHERE. 4 00:00:26,415 --> 00:00:28,282 COME ON, DETECTIVE. LET'S GET REAL. 5 00:00:28,315 --> 00:00:31,048 IT'S A POSTED FIVE‐MINUTE ZONE. HE'S PAST HIS ACCESS. 6 00:00:31,082 --> 00:00:34,148 ‐ I CAN MOVE AROUND THE BLOCK AND COME BACK. ‐ YOU AIN'T MOVIN' NOWHERE. 7 00:00:34,182 --> 00:00:36,715 WHAT'S HE SUPPOSED TO DO, GO AROUND THE BLOCK EVERY FIVE MINUTES? 8 00:00:36,748 --> 00:00:38,715 I DON'T CARE IF HE DRIVES OFF A PIER. 9 00:00:38,748 --> 00:00:42,282 IN OTHER WORDS, WHAT YOU'RE SAYIN' IS BECAUSE THIS IS A MARINO BUILDIN' SITE... 10 00:00:42,315 --> 00:00:44,948 YOU'RE TURNIN' THAT MAN'S CONSTITUTIONAL RIGHTS INTO DIRT. 11 00:00:44,982 --> 00:00:48,382 HEY, I CAN DRIVE AROUND THE BLOCK. AND YOU'RE LOOKING OUT FOR THEM? 12 00:00:48,415 --> 00:00:50,282 WHAT IS THAT, A 12‐YARDER? 13 00:00:50,315 --> 00:00:54,515 HOW MUCH DO YOU KICK BACK TO MARINO? FOR EACH LOAD, 250? 14 00:00:54,548 --> 00:00:56,548 DON'T PUT ME IN THE MIDDLE OF THIS, DETECTIVE. 15 00:00:56,582 --> 00:01:00,048 SEE, EVERYBODY KNOWS WHAT'S GOIN' ON OVER HERE. 16 00:01:00,082 --> 00:01:02,115 THIS IS PAYBACK FOR WHAT HAPPENED TO THAT COP. 17 00:01:02,148 --> 00:01:05,448 IF YOU ASK ME, I WISH GIARDELLA GETS WHAT'S COMIN' TO HIM. 18 00:01:05,482 --> 00:01:07,715 THIS WAY LIFE CAN RESUME BEING NORMAL AROUND HERE. 19 00:01:07,748 --> 00:01:12,148 BUT IN THIS SITUATION, WHAT YOU'RE DOIN' IS INCONVENIENCIN' AN INNOCENT WAGE EARNER. 20 00:01:13,648 --> 00:01:17,015 YOU KNOW, YOU'RE RIGHT. WATCH YOUR HEAD. 21 00:01:17,048 --> 00:01:19,015 WATCH YOUR HEAD. HEY! 22 00:01:19,048 --> 00:01:22,482 HEY, TUBESTEAK, SHUT IT OFF! HEY! 23 00:01:22,515 --> 00:01:25,515 NOW I'M INCONVENIENCING YOU. 24 00:01:25,548 --> 00:01:28,115 YOU'RE MAKIN' A LOT OF ENEMIES, DETECTIVE. 25 00:01:28,148 --> 00:01:31,615 SHOTS FIRED OVER AT FIFTH AND SECOND, DETECTIVE. THEY TRIED TO WHACK GIARDELLA. 26 00:01:31,648 --> 00:01:35,115 HEY, TURN IT OFF! TELL MARINO JOHN KELLY SAYS HELLO. 27 00:01:35,148 --> 00:01:36,982 [ SIREN WAILING ] 28 00:01:39,082 --> 00:01:41,682 [ GIARDELLA ] YOU SEE, THIS IS GRATITUDE. [ MAN ] WOULD YOU HOLD STILL. 29 00:01:41,715 --> 00:01:43,982 THIS IS HOW THEY TREAT 26 YEARS OF LOYALTY. 30 00:01:44,015 --> 00:01:47,815 THEY SHOOT AT YOU AND NEARLY CUT YOUR THROAT WITH BROKEN GLASS! 31 00:01:47,848 --> 00:01:51,015 YOU ASSHOLE, KELLY! YOU'RE THE ONE JAMMED ME UP! 32 00:01:51,048 --> 00:01:53,315 WHAT'S THE MATTER, ALFONSE? YOU HAVIN' A LITTLE TROUBLE WITH YOUR BOSS? 33 00:01:53,348 --> 00:01:58,148 YOU WANNA MAKE A STATEMENT? I'LL MAKE A STATEMENT, SCUMBAG. DROP DEAD AND ROT. 34 00:01:58,182 --> 00:02:01,948 ‐ I DIDN'T SEE ANYTHING. ‐ WHOA, MISTER. YOU OUGHTA COME TO THE EMERGENCY ROOM. 35 00:02:01,982 --> 00:02:04,815 WHY? SO I CAN TAKE A NUMBER WITH THE REST OF THE WELFARE CASES? 36 00:02:04,848 --> 00:02:08,482 I'LL GO SEE MY OWN DOCTOR. NO, NO, YOU WANT A STATEMENT? 37 00:02:08,515 --> 00:02:11,682 ALFONSE GIARDELLA SAYS ALL BETS ARE OFF. 38 00:02:11,715 --> 00:02:15,215 FROM NOW ON, IT'S EVERY MAN FOR HIMSELF. YOU HEAR THAT? 39 00:02:15,248 --> 00:02:17,915 THAT'S A START. 40 00:02:21,048 --> 00:02:23,682 [ CHUCKLES ] 41 00:03:49,182 --> 00:03:51,848 THIS MAN'S ASSIGNED TO YOUR SQUAD, ISN'T HE, LIEUTENANT? [ FANCY ] THAT'S RIGHT. 42 00:03:51,882 --> 00:03:55,215 ‐ HE'S UNDER YOUR COMMAND? ‐ HE'S UNDER MY COMMAND. 43 00:03:55,824 --> 00:03:59,458 SO, AM I TO ASSUME THAT THIS VIGILANTE CAMPAIGN HAS BEEN UNDERTAKEN ON YOUR ORDER? 44 00:03:59,491 --> 00:04:02,224 MY OFFICERS DON'T NEED AN ORDER FROM ME TO DO THEIR JOBS. 45 00:04:02,258 --> 00:04:05,924 KELLY'S NOT DOING HIS JOB. HE'S HARASSING MARINO, PURE AND SIMPLE. I WANT IT TO STOP. 46 00:04:05,958 --> 00:04:08,924 DETECTIVE KELLY IS ISSUING CITATIONS AND MAKING ARRESTS WHEN HE SEES INFRACTIONS‐‐ 47 00:04:08,958 --> 00:04:10,958 LOOK, LOOK, LOOK. 48 00:04:10,991 --> 00:04:13,858 I ADMIT, WE GOT DIFFERENT AGENDAS. 49 00:04:13,891 --> 00:04:18,091 BUT I CAN'T HAVE KELLY GOING AROUND SHAKING ALL MARINO'S TREES HOPING... 50 00:04:18,124 --> 00:04:20,024 ALFONSE GIARDELLA WILL FALL OUT. 51 00:04:20,058 --> 00:04:23,524 AS I SAY, I DON'T INTEND TO DISCIPLINE MY OFFICERS FOR DOING THEIR JOBS. 52 00:04:23,558 --> 00:04:26,191 YOU'VE GOT NO STRADDLE HERE. YOU REIN THE GUY IN OR YOU DON'T. 53 00:04:26,224 --> 00:04:28,358 YOU DON'T, YOU PAY THE CONSEQUENCES. 54 00:04:28,391 --> 00:04:30,691 WOULD THAT INCLUDE OUR NOT HAVING THESE LITTLE VISITS? 55 00:04:30,724 --> 00:04:34,124 I CAN HURT YOU PLENTY. BELIEVE IT. 56 00:04:40,591 --> 00:04:42,724 [ DOOR CLOSES ] 57 00:04:42,758 --> 00:04:45,091 [ DESK SERGEANT ] HERE YOU GO, KELLY. 58 00:04:45,124 --> 00:04:49,391 ‐ MORNING, DETECTIVE. ‐ HEY, MR. DANIELS. 59 00:04:49,424 --> 00:04:52,391 I WAS JUST AT THE DISTRICT ATTORNEY'S OFFICE. HE SAID THE MOTIONS ARE ALL IN. 60 00:04:52,424 --> 00:04:54,958 THE TRIAL SHOULD BE COMING UP PRETTY SOON. WELL, I'LL BE THERE. 61 00:04:54,991 --> 00:04:58,058 HOW DO YOU THINK THESE MOTIONS ARE GONNA GO? YOU THINK THE JUDGE IS GONNA LET... 62 00:04:58,091 --> 00:05:00,391 THE EVIDENCE IN ON HOW MY BOY GOT SHOT? I HOPE SO. 63 00:05:00,424 --> 00:05:02,724 THE DISTRICT ATTORNEY WOULDN'T MAKE A GUESS. I WAS JUST OVER THERE. 64 00:05:02,758 --> 00:05:05,524 IT'S HARD TO KNOW HOW THESE THINGS ARE GONNA GO SOMETIMES. 65 00:05:05,558 --> 00:05:08,558 I CAN'T SEE THE JUDGE NOT LETTING THE EVIDENCE IN. THERE'S GOT TO BE JUSTICE. 66 00:05:08,591 --> 00:05:11,891 THAT BASTARD SHOT MY BOY IN THE STREET‐‐ AN EIGHT‐YEAR‐OLD BOY. 67 00:05:11,924 --> 00:05:15,024 DETECTIVE KELLY. JUST A SECOND. 68 00:05:15,058 --> 00:05:19,224 HEY, LISTEN. YOU GOT ANYBODY TO BE WITH YOU TODAY? 69 00:05:19,258 --> 00:05:22,224 COME ON, LET'S GO. YOU GONNA BE OKAY? 70 00:05:22,258 --> 00:05:25,191 I'LL SEE YOU AT THE TRIAL, DETECTIVE. I'LL SEE YOU AT COURT. 71 00:05:25,224 --> 00:05:29,358 YEAH. I'LL BE THERE, MR. DANIELS. WHAT? 72 00:05:29,391 --> 00:05:33,124 I JUST PUT YOUR LIEUTENANT ON NOTICE, BUT I WANT YOU TO HEAR IT FROM ME DIRECTLY. 73 00:05:33,158 --> 00:05:36,124 YOU EITHER DROP THIS DODGE CITY CAMPAIGN, OR I'M GONNA HAVE YOUR ASS. 74 00:05:36,158 --> 00:05:38,958 KELLY. SIPOWICZ. ARE WE CLEAR? 75 00:05:39,891 --> 00:05:41,624 WHAT'S GOING ON? 76 00:05:41,658 --> 00:05:43,458 [ WOMAN ] LIEUTENANT? LATER. 77 00:05:43,491 --> 00:05:48,391 [ WOMAN OVER P. A. ] DR. STANLEY, LINE 34. DR. STANLEY, LINE 34. 78 00:05:52,424 --> 00:05:56,424 HE STARTED COMING OUT OF IT THIS MORNING. TO BE TRUTHFUL, I'M AMAZED. 79 00:05:56,458 --> 00:05:58,358 DID YOU ASK WHO SHOT HIM? 80 00:05:58,391 --> 00:06:02,224 THAT HASN'T REALLY BEEN THE FOCUS OF MY INTEREST, LIEUTENANT. 81 00:06:09,491 --> 00:06:11,591 HEY, BUDDY. 82 00:06:11,624 --> 00:06:16,258 [ HEAVY SIGH ] WHAT'S GOIN' ON? 83 00:06:16,291 --> 00:06:17,791 WELCOME BACK. 84 00:06:17,824 --> 00:06:20,358 HEY, LIEUTENANT. 85 00:06:20,391 --> 00:06:22,691 I'M GLAD YOU MADE IT, ANDY. 86 00:06:22,724 --> 00:06:26,758 NO PROBLEM. YOU FEEL LIKE TALKING A LITTLE BIT? YOU UP TO THAT? 87 00:06:29,124 --> 00:06:32,924 ‐ WHAT DO YOU WANNA TALK ABOUT? ‐ WHO SHOT YOU? 88 00:06:34,758 --> 00:06:37,258 [ SIGHS ] I DON'T KNOW. 89 00:06:37,291 --> 00:06:38,958 WAS IT GIARDELLA? 90 00:06:41,624 --> 00:06:44,958 THAT WHOLE DAY'S... A BLANK. 91 00:06:52,624 --> 00:06:54,891 REST UP. I'LL BE BACK LATER, OKAY? 92 00:07:02,958 --> 00:07:07,624 THANKS FOR YOUR HELP, DOCTOR. AMNESIA. DO YOU BELIEVE THAT? 93 00:07:07,658 --> 00:07:10,724 I DON'T WHO'S LUCKIER, SIPOWICZ OR GIARDELLA. 94 00:07:10,758 --> 00:07:14,558 WHAT DO WE DO NOW? OFF THE RECORD, KEEP DOING WHAT YOU'RE DOING. 95 00:07:14,591 --> 00:07:16,958 KEEP THE SQUEEZE ON MARINO. 96 00:07:20,991 --> 00:07:23,091 THIS STATES YOU ACCEPT YOUR EX‐WIFE'S FILING. 97 00:07:23,124 --> 00:07:25,924 YOU DON'T INTEND TO COUNTERCLAIM OR ANSWER. 98 00:07:29,224 --> 00:07:32,591 THIS REQUESTS ISSUANCE OF THE SEPARATION DECREE. 99 00:07:45,591 --> 00:07:50,024 ‐ THAT'S IT? ‐ IT'S ACTUALLY A VERY STREAMLINED PROCESS. 100 00:07:50,058 --> 00:07:53,524 IF YOU WANT, I COULD SAY SOMETHING OFFICIAL SOUNDING. 101 00:07:53,558 --> 00:07:56,924 I NOW PRONOUNCE THIS SEPARATION COMMENCED. [ CHUCKLES ] 102 00:07:58,158 --> 00:08:00,191 HOW'S THAT NOSE, 4B? 103 00:08:00,224 --> 00:08:04,958 IT'S MUCH BETTER. I HAVEN'T NEEDED THE GAUZE PACKING IN SEVERAL DAYS. 104 00:08:09,224 --> 00:08:11,424 WILL YOU EXCUSE ME? 105 00:08:11,458 --> 00:08:15,058 ‐ THANKS, JOSH. ‐ YOU'RE WELCOME. MAYBE I'LL SEE YOU LATER. 106 00:08:19,991 --> 00:08:22,524 [ DOOR OPENS ] HE WORRIES ME. 107 00:08:22,558 --> 00:08:24,558 HOW COME? [ DOOR CLOSES ] 108 00:08:24,591 --> 00:08:28,358 HE'S BEEN DOING HIS LAUNDRY IN THE BASEMENT WITH A GUN IN HIS CLOTHES BASKET. 109 00:08:28,391 --> 00:08:33,191 HE'S WAITING FOR WHOEVER MUGGED HIM TO COME BACK SO HE CAN MAKE A CITIZEN'S ARREST. 110 00:08:33,224 --> 00:08:36,891 ‐ I DON'T KNOW WHO HE'S TRYING TO IMPRESS. ‐ YOU DON'T, HUH? 111 00:08:39,591 --> 00:08:42,691 I'M AFRAID HE'LL GET HURT. 112 00:08:42,724 --> 00:08:46,191 IF YOU GET A CHANCE, MAYBE YOU COULD TALK TO HIM. 113 00:08:46,224 --> 00:08:48,291 OKAY. 114 00:08:48,324 --> 00:08:51,424 [ SIGHS ] JOHN. 115 00:08:51,458 --> 00:08:55,891 I'M LEAVING THE CITY ATTORNEY'S OFFICE. I'M GOING TO JOIN A PRIVATE FIRM. 116 00:09:03,491 --> 00:09:05,958 WHEN DID YOU DECIDE TO DO THAT? 117 00:09:05,991 --> 00:09:08,191 WE'VE BEEN TALKING ABOUT IT FOR A WHILE. 118 00:09:08,224 --> 00:09:12,224 WOW. YOU'RE REALLY TURNING OVER A WHOLE NEW LEAF, AREN'T YOU? 119 00:09:13,658 --> 00:09:16,524 AM I SUPPOSED TO FEEL BAD ABOUT THAT? 120 00:09:16,558 --> 00:09:20,358 GET RID OF THE WORKIN'‐STIFF HUSBAND, START MAKIN' A BETTER BUCK, RIGHT? 121 00:09:20,391 --> 00:09:25,024 IT'S ALL PART OF MY SCHEME, JOHNNY‐‐ REGAIN MY UPWARD MOBILITY. 122 00:09:25,058 --> 00:09:27,591 I BROUGHT IT UP BECAUSE I MAY MOVE INTO MANHATTAN. 123 00:09:27,624 --> 00:09:29,791 I THOUGHT YOU MIGHT WANT THE APARTMENT BACK. 124 00:09:29,824 --> 00:09:34,024 THIS FIRM YOU'RE JOINING‐‐ ANY CHANCE THEY DO BUSINESS DOWNTOWN? 125 00:09:34,058 --> 00:09:36,391 SO WHAT? SO, NOTHING. 126 00:09:36,424 --> 00:09:40,191 MAYBE THEY FIGURED THEY'RE BUYING IN ON SOME OF THE CASES YOU WERE HANDLING FOR THE CITY. 127 00:09:40,224 --> 00:09:44,191 NOT THAT IT'S ANY OF YOUR BUSINESS, BUT I STIPULATED WHAT CASES I WOULDN'T WORK ON. 128 00:09:44,224 --> 00:09:46,624 YOU CAN STIPULATE ANYTHING YOU WANT. THEY KNOW WHAT THEY'RE BUYING. 129 00:09:46,658 --> 00:09:50,908 THAT'S GOT TO BE WHAT IT'S ABOUT, RIGHT? COULDN'T BE THEY THOUGHT I WAS A GOOD LAWYER. 130 00:09:50,941 --> 00:09:53,041 MAYBE THAT WAS IT. 131 00:09:54,308 --> 00:09:55,783 WHY DON'T YOU GET OUT OF HERE? 132 00:09:55,816 --> 00:09:58,150 HEY, CONGRATULATIONS ON YOUR NEW CAREER MOVE. 133 00:10:02,683 --> 00:10:04,750 [ DOOR OPENS ] 134 00:10:09,815 --> 00:10:12,682 THERE YOU GO. THANKS. 135 00:10:15,282 --> 00:10:18,015 YOU'RE QUIET. SORRY. 136 00:10:19,116 --> 00:10:20,983 NO, IT'S NO PROBLEM. 137 00:10:21,016 --> 00:10:24,583 IT'S JUST THAT I'M NOT EXACTLY BUBBLY MYSELF TONIGHT. 138 00:10:24,616 --> 00:10:28,283 HOW WAS YOUR DAY? ME AND THE EX GOT INTO A BEEF. 139 00:10:28,316 --> 00:10:31,950 WHAT ABOUT? I DON'T KNOW. 140 00:10:31,983 --> 00:10:34,683 I DON'T KNOW WHAT WE'RE FIGHTING ABOUT. 141 00:10:37,483 --> 00:10:40,783 YOU SEEM PREOCCUPIED. I'M SORRY. 142 00:10:40,816 --> 00:10:42,683 I SAID I WAS SORRY. 143 00:10:42,716 --> 00:10:45,516 I'M NOT ASKING YOU TO SAY YOU'RE SORRY. 144 00:10:45,550 --> 00:10:48,350 OKAY? IS THIS SOMETHING TO DO WITH US? 145 00:10:50,116 --> 00:10:52,416 I'LL WORK IT OUT. 146 00:10:52,450 --> 00:10:57,716 I'M A BIG BOY. IF IT'S ABOUT US SEEING EACH OTHER, YOU CAN TELL ME. 147 00:10:59,683 --> 00:11:02,916 OKAY. I'M HAVIN' A PROBLEM, JOHNNY. 148 00:11:02,950 --> 00:11:07,150 I'M HAVIN' A PROBLEM WITH US SEEING EACH OTHER. OKAY, NO HARD FEELINGS. 149 00:11:07,183 --> 00:11:11,416 ‐WHAT'S THAT SUPPOSED TO MEAN? ‐IT MEANS, OKAY, I UNDERSTAND... 150 00:11:11,450 --> 00:11:13,650 IF YOU DON'T WANNA KEEP GOIN' OUT. 151 00:11:13,683 --> 00:11:17,583 YOU THINK THAT'S WHAT THIS IS ABOUT? THAT I WANNA BREAK UP AND I DON'T KNOW HOW TO DO IT? 152 00:11:17,616 --> 00:11:21,183 YOU THINK WE'RE TEENAGERS? THEN WHAT'S YOUR PROBLEM? 153 00:11:21,216 --> 00:11:23,816 MY PROBLEM? MM‐HMM. 154 00:11:23,850 --> 00:11:27,950 MY PROBLEM... IS THAT I THINK I'M IN LOVE WITH YOU. 155 00:11:30,550 --> 00:11:32,550 AND WHY IS THAT A PROBLEM? 156 00:11:35,816 --> 00:11:38,283 [ SIGHS ] 157 00:12:12,049 --> 00:12:14,649 WHAT'S GOING ON? 158 00:12:14,682 --> 00:12:17,482 WHY IS THIS SON OF A BITCH KELLY STILL WALKIN' AROUND? 159 00:12:17,515 --> 00:12:20,449 IT HASN'T WORKED OUT YET, MR. MARINO. 160 00:12:20,482 --> 00:12:23,349 IT HASN'T, HUH? IT SEEMS TO WORK OUT FOR KELLY. 161 00:12:23,382 --> 00:12:26,349 HE'S GOT MY NUTS IN A WRINGER, AND HE'S SELLING TICKETS. 162 00:12:26,382 --> 00:12:29,315 YOU'RE WITH HIM ON THE JOB. YOU'RE WITH HIM ALL NIGHT. 163 00:12:29,349 --> 00:12:33,482 ‐ I WANT HIM DEAD. ‐ ALL RIGHT, I UNDERSTAND. 164 00:12:33,515 --> 00:12:37,082 MAYBE YOU'RE NOT JUST SCREWING THE GUY. 165 00:12:37,115 --> 00:12:39,282 MAYBE YOU'RE FALLING IN LOVE WITH HIM. 166 00:12:39,315 --> 00:12:41,849 THAT'S IT, ISN'T IT? 167 00:12:41,882 --> 00:12:45,682 ‐ YOU FELL IN LOVE. ‐ I TOLD YOU I WILL WORK IT OUT. 168 00:12:45,715 --> 00:12:48,782 THERE'S NOTHIN' TO WORK OUT. CLIP HIM. PULL THE TRIGGER. 169 00:13:25,649 --> 00:13:27,782 [ DOOR OPENS ] 170 00:13:27,815 --> 00:13:29,715 HEY. 171 00:13:33,049 --> 00:13:35,082 HOW'S IT GOIN'? 172 00:13:35,115 --> 00:13:38,615 THIS FOOD SUCKS. [ CLEARS THROAT ] 173 00:13:38,649 --> 00:13:41,915 I HEARD MARINO GOT WHACKED. YEAH. 174 00:13:41,949 --> 00:13:44,482 HOW DO YOU SUPPOSE IT HAPPENED? I DON'T KNOW. 175 00:13:44,515 --> 00:13:46,515 YOU DON'T THINK GIARDELLA DID IT? 176 00:13:46,549 --> 00:13:49,082 NAH. HE AIN'T GOT THE BALLS. 177 00:13:49,115 --> 00:13:51,415 AH. YOU PEG ALFONSE FOR MORE OF... 178 00:13:51,449 --> 00:13:54,182 AN AMBUSH‐A‐DETECTIVE‐ IN‐THE‐BATHROOM TYPE. 179 00:13:54,215 --> 00:13:57,782 YOU STILL DON'T REMEMBER ANYTHING ABOUT THAT, DO YOU? 180 00:13:57,815 --> 00:14:01,249 LEAVING THE BAR WITH LOIS, MORE OR LESS. NOTHING AFTERWARD. 181 00:14:01,282 --> 00:14:04,415 ‐ NOTHING ABOUT GETTIN' TO HER PLACE? ‐ NO. 182 00:14:04,449 --> 00:14:07,782 GIARDELLA HAD TO BE THERE WAITIN' FOR YOU, ANDY. 183 00:14:07,815 --> 00:14:11,915 THAT HAS TO BE THE WAY IT HAPPENED. OTHERWISE, WE AIN'T GOT NOTHIN'. 184 00:14:11,949 --> 00:14:15,982 ‐ HE'S GONNA WALK AWAY. ‐ YOU WOULDN'T BE URGIN' ME TO FIB NOW, WOULD YOU, JOHN? 185 00:14:16,015 --> 00:14:18,749 SAY I REMEMBER SOMETHING WHEN I DON'T? ALL I'M SAYIN'... 186 00:14:18,782 --> 00:14:21,915 IS THAT IF YOU COULD REMEMBER, WE COULD POP HIM. 187 00:14:21,949 --> 00:14:25,615 OKAY, LET'S SAY I LIE. 188 00:14:25,649 --> 00:14:28,782 GIARDELLA'S LAWYER GETS ME ON THE STAND. 189 00:14:28,815 --> 00:14:31,349 "DETECTIVE SIPOWICZ, 190 00:14:31,382 --> 00:14:35,282 "YOU HAD HORRIBLE ANIMOSITY TOWARD MY CLIENT. 191 00:14:35,315 --> 00:14:38,282 "YOU RAN A HUMMER‐BUST ON HIM TWO DAYS BEFORE, 192 00:14:38,315 --> 00:14:42,782 PLUS YOU FED HIM HIS WIG IN AN ALLEY, NOT TO MENTION BEING A FULL‐TIME SAUCE HEAD‐‐" 193 00:14:42,815 --> 00:14:46,849 YOU ARE A DECORATED COP. HE THREATENED YOU. WE COULD MAKE THAT STICK. 194 00:14:46,882 --> 00:14:48,649 I'M TELLIN' YOU, I DON'T REMEMBER. 195 00:14:51,615 --> 00:14:53,349 OKAY. 196 00:14:53,382 --> 00:14:56,015 HOW'S THE DRYIN' OUT GOIN'? 197 00:14:58,449 --> 00:15:01,749 HELPS WHEN THE FIRST WEEK'S UNCONSCIOUS. 198 00:15:01,782 --> 00:15:04,815 NOW, I GO TWO, THREE MINUTES... 199 00:15:04,849 --> 00:15:07,015 WHERE BOOZE NEVER CROSSES MY MIND. 200 00:15:07,049 --> 00:15:11,182 YOU WANT SOME MAGAZINES OR SOMETHING WHEN I COME BACK TOMORROW? 201 00:15:11,215 --> 00:15:14,349 YEAH. SOMETHIN' DIRTY. 202 00:15:14,382 --> 00:15:15,682 [ CHUCKLES ] 203 00:15:18,815 --> 00:15:21,515 OKAY. TAKE CARE. 204 00:15:24,649 --> 00:15:26,649 [ DOOR OPENS ] 205 00:15:26,682 --> 00:15:30,149 [ JUDGE ] AS TO THE DEFENSE MOTION TO EXCLUDE REFERENCE TO THE MURDER WEAPON, 206 00:15:30,182 --> 00:15:33,082 THE COURT RULES THE CHAIN OF EVIDENTIARY CUSTODY... 207 00:15:33,115 --> 00:15:35,515 HAVING BEEN BROKEN IN THE POLICE PROPERTY ROOM, 208 00:15:35,549 --> 00:15:40,615 NO TESTIMONY TO THE WEAPON, ITS OWNERSHIP BY OR CONNECTION WITH THE DEFENDANT WILL BE PERMITTED. 209 00:15:40,649 --> 00:15:42,115 EXCEPTION. NOTED. 210 00:15:42,149 --> 00:15:44,982 BRING IN THE JURY. 211 00:15:45,015 --> 00:15:48,749 DO YOU HEAR WHAT HE'S DOING? HE'S NOT GONNA LET THE EVIDENCE IN. 212 00:15:48,782 --> 00:15:52,249 I HEARD. [ CLERK ] DETECTIVE JOHN KELLY TO THE STAND. 213 00:15:52,282 --> 00:15:55,349 DETECTIVE KELLY, DURING THE COURSE OF YOUR DUTIES, DID YOU HAVE OCCASION... 214 00:15:55,382 --> 00:15:58,815 TO ARREST THE DEFENDANT TREMAINE SAMPSON ON MARCH 7 OF THIS YEAR? 215 00:15:58,849 --> 00:16:01,615 ‐ YES, I DID. ‐ WOULD YOU PLEASE TELL THE COURT... 216 00:16:01,649 --> 00:16:04,982 THE CIRCUMSTANCES UNDER WHICH YOU MADE THE ARREST. 217 00:16:05,015 --> 00:16:09,615 UM, I WAS THE ASSIGNED DETECTIVE, UH, IN THE DEATH OF AN EIGHT‐YEAR‐OLD BOY, 218 00:16:09,649 --> 00:16:11,615 CURTIS DANIELS, 219 00:16:11,649 --> 00:16:16,615 WHO WAS, UH, SHOT ON AVENUE C ON HIS WAY HOME FROM SCHOOL. 220 00:16:16,649 --> 00:16:19,915 UH, THERE WERE NO WITNESSES TO THE INCIDENT, 221 00:16:19,949 --> 00:16:22,315 BUT DURING THE COURSE OF MY INVESTIGATION... 222 00:16:22,349 --> 00:16:25,915 I RECEIVED A NUMBER OF STATEMENTS FROM... 223 00:16:25,949 --> 00:16:29,482 NEIGHBORHOOD RESIDENTS WHO, UH‐‐ 224 00:16:29,515 --> 00:16:34,615 THEY LED ME TO BELIEVE THAT THE‐‐ THE DEFENDANT... 225 00:16:34,649 --> 00:16:36,582 MAY HAVE BEEN INVOLVED. 226 00:16:36,615 --> 00:16:40,582 I, UH, WENT TO THE DEFENDANT'S APARTMENT... 227 00:16:40,615 --> 00:16:42,482 TO QUESTION HIM. 228 00:16:43,815 --> 00:16:46,115 AND, UH‐‐ 229 00:16:49,682 --> 00:16:53,049 AT HIS APARTMENT, I, UH‐‐ 230 00:16:57,382 --> 00:17:01,015 LOOK, I WENT TO HIS APARTMENT AND ARRESTED HIM, OKAY? I MEAN, UH‐‐ 231 00:17:01,049 --> 00:17:04,115 THE JURY'S EXCUSED. 232 00:17:06,115 --> 00:17:09,849 YOU WILL TESTIFY WITHOUT THE THEATRICAL DISPLAYS OF FRUSTRATION, DETECTIVE. 233 00:17:09,882 --> 00:17:13,949 WELL, I FOUND THE GUN IN THAT ASSHOLE'S APARTMENT, AND HE USED IT ON THE MAN'S LITTLE BOY. 234 00:17:13,982 --> 00:17:17,282 SO, YOU KNOW, IF SOME EVIDENCE CLERK SENDS OUT THE WRONG PIECE FOR DISPOSAL, 235 00:17:17,315 --> 00:17:19,349 YOU'RE GONNA LET THIS SON OF A BITCH WALK AWAY? 236 00:17:19,382 --> 00:17:22,149 I ENFORCE THE CONSTITUTION, DETECTIVE. 237 00:17:22,182 --> 00:17:24,149 NOW, THAT EVIDENCE WAS IMPROPERLY HANDLED. 238 00:17:24,182 --> 00:17:26,349 THEREFORE, IT HAS TO BE EXCLUDED. 239 00:17:26,382 --> 00:17:29,649 NOW, YOU'RE GOING TO TESTIFY PROPERLY, OR I WILL HOLD YOU IN CONTEMPT. 240 00:17:29,682 --> 00:17:32,482 AND I HOLD YOU IN CONTEMPT. YOU OUGHT TO BE ASHAMED OF YOURSELF. 241 00:17:32,515 --> 00:17:37,682 ‐ RECESS! ‐ THERE'S NO JUSTICE IN HERE. THERE'S NO JUSTICE! 242 00:17:37,715 --> 00:17:41,082 YOUR HONOR, THE DEFENSE COUNSEL AND I WOULD LIKE TO CONFER IN CHAMBERS CONCERNING... 243 00:17:41,115 --> 00:17:43,649 THE POSSIBILITY OF A PLEA ARRANGEMENT. 244 00:17:43,682 --> 00:17:46,949 I HAVE HAD YOU IN MY COURT WHERE YOU WERE A LITTLE LESS PETULANT, DETECTIVE KELLY. 245 00:17:46,982 --> 00:17:49,815 SO I'M GONNA GIVE YOU THE BENEFIT OF THE DOUBT. 246 00:17:49,849 --> 00:17:53,515 WHY DON'T YOU GIVE HIM THE BENEFIT OF THE DOUBT? HE'S THE ONE JUST BURIED HIS KID. 247 00:18:04,715 --> 00:18:09,182 IN THE MATTER OF ANGELO MARINO. HEY, LOOK WHO'S HERE. 248 00:18:09,215 --> 00:18:11,649 FUNNY HOW THE BALL BOUNCES, HUH, KELLY? 249 00:18:11,682 --> 00:18:15,482 YOU FIGURED ME FOR DEAD MEAT, DIDN'T YOU? KEEP IT UP, SCUNGILLI. 250 00:18:15,515 --> 00:18:17,749 NOW THEY WANNA TALK TO ME ABOUT ANGELO MARINO. 251 00:18:17,782 --> 00:18:20,949 FIRST THEY GOT ME FOR WHACKING YOUR ROCKY PAL SIPOWICZ, AND NOW MARINO. 252 00:18:20,982 --> 00:18:23,182 ‐ WHAT ABOUT J. F. K.? ‐ YOU ASSHOLE. 253 00:18:23,215 --> 00:18:25,282 ‐ KELLY! ‐ [ ALL SHOUTING ] 254 00:18:25,315 --> 00:18:28,782 KELLY, YOU STAY OFF. BACK OFF. WHAT'S THE MATTER WITH YOU? 255 00:18:28,815 --> 00:18:32,282 ‐ CAN HE MAKE HIS STATEMENT AND GET OUT OF HERE? ‐ TAKE HIM TO INTERVIEW. 256 00:18:32,315 --> 00:18:34,415 COME ON. LET'S GO. LET'S GO, GIARDELLA. 257 00:18:34,449 --> 00:18:37,615 I WANNA GO TO INTERVIEW. YOU'RE NOT GOING. 258 00:18:37,649 --> 00:18:41,282 WE'LL MISS YOU, JOHNNY BOY. [ KELLY ] HEY, FATSO, DON'T BREAK THOSE STAIRS! 259 00:18:41,315 --> 00:18:43,682 THEY'RE GONNA MOVE THE INVESTIGATION DOWNTOWN. GREAT. 260 00:18:43,715 --> 00:18:46,815 LASTARZA DOESN'T KNOW HIS ASS FROM A HOLE IN THE GROUND. IT'S NOT MY CALL. 261 00:18:46,849 --> 00:18:50,482 IT'S NOT YOURS EITHER. THEY DON'T ALL MAKE, JOHN. 262 00:18:50,515 --> 00:18:54,815 THIS ONE SHOULD HAVE. THIS ONE SHOULD HAVE, LIEUTENANT. 263 00:19:00,549 --> 00:19:03,682 DETECTIVE KELLY. SORRY I WALKED OUT ON YOU LAST NIGHT. 264 00:19:03,715 --> 00:19:06,349 THAT'S ALL RIGHT. IS IT? 265 00:19:06,382 --> 00:19:09,282 DO I GET ANOTHER CHANCE? YEAH, WHY NOT? 266 00:19:11,282 --> 00:19:15,149 THEY'RE TAKING THE MARINO CASE DOWNTOWN. 267 00:19:15,182 --> 00:19:17,749 IS THAT RIGHT? 268 00:19:17,782 --> 00:19:20,982 DO I GET MY SECOND CHANCE TONIGHT? YEAH. 269 00:19:21,015 --> 00:19:23,982 WHY NOT? I'LL CALL YOU LATER, ALL RIGHT? 270 00:19:55,315 --> 00:19:57,815 [ FEET SCRAPING FLOOR ] 271 00:19:59,615 --> 00:20:01,682 DETECTIVE KELLY. 4B. 272 00:20:01,715 --> 00:20:05,482 [ SIGHS ] A LITTLE FAR FROM YOUR LAUNDRY BASKET, AREN'T YOU? 273 00:20:05,515 --> 00:20:09,849 WHAT DO YOU MEAN? WELL, ISN'T THAT WHERE YOU KEEP YOUR GUN STASHED? 274 00:20:09,882 --> 00:20:13,449 WELL, I GATHER LAURA'S BEEN TALKING TO YOU. 275 00:20:15,515 --> 00:20:19,415 SHE SAYS YOU WANNA GET BACK AT THAT MUGGER WHO ROBBED YOU. SHE'S WORRIED ABOUT YOU. 276 00:20:19,449 --> 00:20:22,182 [ CHUCKLES ] DETECTIVE, I HAVE A PERMIT NOW. 277 00:20:22,215 --> 00:20:24,415 I HAVE A RIGHT TO CARRY A GUN AND A RIGHT TO DO MY LAUNDRY. 278 00:20:24,449 --> 00:20:26,782 AND I DON'T SEE WHERE THIS IS YOUR CONCERN. 279 00:20:26,815 --> 00:20:30,749 LET ME GIVE YOU A HINT. I CAUGHT CROOKS FOR 14 YEARS, AND IT DIDN'T TURN HER ON. 280 00:20:30,782 --> 00:20:34,949 ‐ I DON'T TAKE YOUR REFERENCE. ‐ I THOUGHT MAYBE YOU HAD A CRUSH ON MY FORMER WIFE. 281 00:20:34,982 --> 00:20:37,782 ‐ DON'T BELITTLE MY FEELINGS, DETECTIVE. ‐ I'M NOT. 282 00:20:37,815 --> 00:20:41,315 ‐ THERE IS NO POINT IN YOU LOOKING FOR TROUBLE, OKAY? ‐ THAT MAN HUMILIATED ME. 283 00:20:41,349 --> 00:20:44,682 HE MADE ME FEEL VULNERABLE IN A WAY I DON'T INTEND TO BE VULNERABLE AGAIN. 284 00:20:44,715 --> 00:20:49,015 NOW, IF YOU REALLY WANNA BE HELPFUL, YOU CAN GIVE ME CHANGE OF A DOLLAR. 285 00:20:52,349 --> 00:20:54,715 THAT'S ALL I GOT. 286 00:20:59,949 --> 00:21:03,149 LOOK, YOU BETTER FIGURE SOMETHING OUT, 4B. 'CAUSE WHEN THE TIME COMES... 287 00:21:03,182 --> 00:21:05,782 AND YOU'RE NOT READY TO USE THAT THING, 288 00:21:05,815 --> 00:21:08,282 THE OTHER GUY IS LIABLE TO TAKE IT OFF YOU, 289 00:21:08,315 --> 00:21:10,615 STICK IT UP YOUR ASS AND KILL YOU WITH IT. 290 00:21:10,649 --> 00:21:12,782 OKAY? 291 00:21:12,815 --> 00:21:15,049 THINK ABOUT IT. 292 00:21:39,630 --> 00:21:41,697 ANYONE SEE DETECTIVE KELLY? 293 00:21:44,097 --> 00:21:46,130 I NEVER GOT USED TO THIS PART OF IT. 294 00:21:47,364 --> 00:21:49,397 I DON'T LIKE GETTIN' BEAT. 295 00:21:49,430 --> 00:21:51,430 AH, YOU DIDN'T GET BEAT. 296 00:21:54,764 --> 00:21:58,230 TELL THAT TO GIARDELLA, THAT LUCKY BASTARD. 297 00:21:58,264 --> 00:22:00,830 I HAD MARINO SQUEEZED. HE WAS GONNA GIVE HIM UP. 298 00:22:00,864 --> 00:22:04,964 SOMETHING HAPPENED THAT WAS OUT OF YOUR CONTROL. 299 00:22:04,997 --> 00:22:08,297 IT WAS NO ONE'S FAULT. YOU'LL GET OVER IT. 300 00:22:08,330 --> 00:22:11,297 SINCE WHEN ARE YOU SUCH AN OPTIMIST? 301 00:22:11,330 --> 00:22:15,397 AT JULIO'S LAST NIGHT, THERE WAS A BLACK CLOUD HANGING OVER THE TABLE. 302 00:22:15,430 --> 00:22:20,430 WELL, AFTER JULIO'S... I MADE SOME DECISIONS ABOUT US. 303 00:22:20,464 --> 00:22:22,697 I THINK WE HAVE A CHANCE AT A FRESH START. 304 00:22:24,764 --> 00:22:27,697 YOU GOT ANYTHING AGAINST FRESH STARTS? 305 00:22:29,197 --> 00:22:31,097 NO. 306 00:22:56,697 --> 00:22:59,164 DO YOU HAVE ANY MESSAGE YOU'D LIKE TO SEND TO GIARDELLA? 307 00:22:59,197 --> 00:23:02,230 YEAH, YEAH, JUST TELL HIM HI FOR ME. TELL HIM HAVE A NICE DAY. 308 00:23:02,264 --> 00:23:05,797 AND TELL HIM I'M TAKING MY VITAMINS, ALL RIGHT? I GOTTA BE INSIDE. 309 00:23:05,830 --> 00:23:08,930 [ REPORTERS CLAMORING ] I GOTTA GET INSIDE. 310 00:23:08,964 --> 00:23:10,830 ANYTHING? DETECTIVE? 311 00:23:10,864 --> 00:23:13,764 [ DESK SERGEANT ] HEY, DETECTIVE SIPOWICZ, GOOD TO SEE YOU. 312 00:23:13,797 --> 00:23:15,730 HEY, SARGE. WELCOME BACK, DETECTIVE. 313 00:23:15,764 --> 00:23:19,397 THANKS, KID. HOW YOU DOIN'? 314 00:23:19,430 --> 00:23:23,964 HEY, YOU STILL HAVEN'T BROUGHT IN THAT INVENTORY LIST ON THE MOTT STREET TAKEDOWN. 315 00:23:23,997 --> 00:23:26,430 LOOKS PRETTY STRAIGHT UP. WANT ME TO TAKE IT MYSELF? YOU MIND? 316 00:23:26,464 --> 00:23:28,497 NO PROBLEM. GOOD. 317 00:23:30,264 --> 00:23:32,130 WELCOME BACK, ANDY. HEY. 318 00:23:32,164 --> 00:23:35,097 YOU GOING TO THE BEACH? THAT'S A RIOT. [ CLEARS THROAT ] 319 00:23:35,130 --> 00:23:38,730 YOU OKAY? I'M PEACHY, YEAH. LET ME GO SEE FANCY. 320 00:23:38,764 --> 00:23:41,130 HI, DETECTIVE. HEY, HOW YOU DOIN'? 321 00:23:41,164 --> 00:23:43,364 GO AHEAD. WHAT YOU GOT THERE, SARGE? 322 00:23:46,464 --> 00:23:49,497 HEY, GLAD YOU'RE BACK. YEAH, THANKS. 323 00:23:51,197 --> 00:23:53,764 [ WOMAN ] HI, DETECTIVE. LIEUTENANT? 324 00:23:54,964 --> 00:23:57,097 HAVE A SEAT, ANDY. 325 00:23:57,130 --> 00:23:59,497 WELL, I DO BETTER STANDIN' UP. 326 00:24:07,497 --> 00:24:09,964 THE REVIEW BOARD RESCINDED YOUR SUSPENSION. 327 00:24:09,997 --> 00:24:14,630 YOU'VE GOT A FULL REINSTATEMENT. GUESS I PICKED THE RIGHT TIME TO GET SHOT. 328 00:24:15,997 --> 00:24:19,097 THE QUESTION'S WHETHER YOU WANT TO RETURN TO ACTIVE DUTY. 329 00:24:19,130 --> 00:24:22,164 YOU COULD TAKE A DISABILITY RETIREMENT AT THREE‐QUARTERS OF YOUR PAY. 330 00:24:22,197 --> 00:24:27,297 LIEUTENANT, UH, BEFORE ANY OF THIS HAPPENED, I KNOW YOU THOUGHT I SHOULD QUIT. 331 00:24:27,330 --> 00:24:30,097 BEFORE YOU GOT FIRED. 332 00:24:30,130 --> 00:24:32,464 I DON'T EXPECT YOU TO THINK ANY DIFFERENT NOW, AND, UH, 333 00:24:32,497 --> 00:24:35,264 IT'S PRETTY OBVIOUS I'M NOT 100% YET. 334 00:24:35,297 --> 00:24:38,764 BUT I'M NOT DRINKING, AND, UH, I'D LIKE TO GO BACK TO WORK. 335 00:24:40,764 --> 00:24:44,830 YOU'RE RIGHT. I DO HAVE MY DOUBTS ABOUT YOU COMING BACK. 336 00:24:44,864 --> 00:24:49,297 AND I'M GONNA GIVE MYSELF TIME TO MAKE UP MY MIND. AND WHILE I DO, 337 00:24:49,330 --> 00:24:51,530 YOU'RE ON RESTRICTED DUTY IN THE STATION HOUSE. 338 00:24:52,930 --> 00:24:55,330 GREAT. I CAN MAKE THOSE PAPER CLIP CHAINS. 339 00:24:55,364 --> 00:24:58,097 YOU GOT A PROBLEM WITH THAT? 340 00:24:58,130 --> 00:25:00,430 NO. NO, SIR. 341 00:25:02,464 --> 00:25:04,964 [ OPENS DRAWER ] 342 00:25:04,997 --> 00:25:08,764 ANDY, I DON'T KNOW IF YOU SHOULD BE A COP, BUT I THINK YOU GOT A LOT OF GUTS. 343 00:25:08,797 --> 00:25:11,230 YEAH, WELL, 344 00:25:11,264 --> 00:25:13,930 FOR A WHILE THERE I WAS WEARING 'EM OUTSIDE MY CLOTHES. 345 00:25:16,797 --> 00:25:18,664 [ DOOR OPENS ] 346 00:25:21,530 --> 00:25:23,664 WHAT'D HE GIVE YOU? ASS DUTY. 347 00:25:27,364 --> 00:25:30,597 WELL, MAYBE HE FIGURES... GO EASY. 348 00:25:31,697 --> 00:25:33,664 YEAH. 349 00:25:33,697 --> 00:25:39,497 ‐ THEY, UH‐‐ THEY STILL GOT YOU WITH THAT KID MARTINEZ, HUH? ‐ WE'RE WORKIN' ON SOME CASES. 350 00:25:39,530 --> 00:25:41,397 [ MAN ] DETECTIVE KELLY? [ MAN #2 ] OVER THERE. 351 00:25:41,430 --> 00:25:43,797 ANDY, I WISH I COULD HAVE NAILED GIARDELLA FOR YOU. 352 00:25:43,830 --> 00:25:46,730 DON'T WORRY ABOUT IT. EVERYTHING HAPPENS FOR THE BEST. 353 00:25:46,764 --> 00:25:49,697 ‐ DETECTIVE KELLY, YOU GOT A MINUTE? ‐ YEAH. 354 00:25:51,964 --> 00:25:53,830 ON THE DANIELS MATTER, 355 00:25:53,864 --> 00:25:56,330 I WANNA THANK YOU FOR THE SUPPLEMENTARY WITNESS STATEMENTS YOU COLLECTED. 356 00:25:56,364 --> 00:25:58,997 I'M GRATEFUL FOR THE ENERGY YOU GAVE THE CASE. 357 00:25:59,030 --> 00:26:00,964 BUT YOU DECIDED TO PLEAD IT OUT, RIGHT? 358 00:26:00,997 --> 00:26:02,997 THE OTHER SIDE'S WILLING TO ACCEPT 14 MONTHS. 359 00:26:03,030 --> 00:26:06,297 WITH THE GUN EXCLUDED, I THOUGHT THAT'S A DEAL I SHOULD TAKE. 360 00:26:08,930 --> 00:26:10,964 HE MURDERED THAT KID. 361 00:26:10,997 --> 00:26:14,164 WHAT THE FACTS WERE AND WHAT'S ALLOWABLE IN COURT ARE TWO DIFFERENT MATTERS. 362 00:26:14,197 --> 00:26:19,297 ‐ HAVE YOU TOLD THE KID'S FATHER YET? ‐ I'M GONNA DO THAT NOW. 363 00:26:19,330 --> 00:26:22,730 ‐ I'M SORRY. ‐ ME TOO. 364 00:26:22,764 --> 00:26:24,730 HEY, DETECTIVE. 365 00:26:24,764 --> 00:26:26,597 HOW YOU MAKIN' OUT? 366 00:26:26,630 --> 00:26:29,130 I DON'T KNOW, KID. I CAN'T SIT DOWN. 367 00:26:29,164 --> 00:26:33,330 I'M TRYING TO FIGURE OUT IF A SODA'S WORTH HAVING MY NEXT TWO BIRTHDAYS ON THESE STAIRS. 368 00:26:33,364 --> 00:26:37,297 WHAT KIND OF SODA YOU WANT? I'M ON MY WAY BACK DOWN. 369 00:26:38,297 --> 00:26:40,397 EXCUSE ME. CHERRY. 370 00:26:40,430 --> 00:26:43,264 DIET OR REGULAR? WHAT ARE YOU, A SMART‐ASS? 371 00:26:43,297 --> 00:26:46,564 NO. REGULAR. 372 00:26:46,597 --> 00:26:48,464 OKAY. 373 00:26:53,097 --> 00:26:55,197 EXCUSE ME. 374 00:26:59,530 --> 00:27:02,164 IS DETECTIVE KELLY ON DUTY? I NEED TO TALK TO HIM. 375 00:27:02,197 --> 00:27:06,330 ‐ WHAT'S IT ABOUT? ‐ TELL HIM SOMEONE WANTS TO SEE HIM. 376 00:27:06,997 --> 00:27:09,930 DO A LITTLE BETTER FOR ME. 377 00:27:09,963 --> 00:27:12,397 TELL HIM IT'S LOIS, DICK‐HEAD. 378 00:27:12,430 --> 00:27:14,897 ANDY SIPOWICZ'S FRIEND. 379 00:27:14,930 --> 00:27:18,797 ‐ PUT THIS WOMAN IN INTERVIEW ROOM NUMBER TWO. ‐ [ MAN ] RIGHT, SARGE. 380 00:27:20,230 --> 00:27:22,963 [ DESK SERGEANT ] IS DETECTIVE KELLY AROUND UP THERE? 381 00:27:22,997 --> 00:27:25,263 [ LOIS ] HE DIDN'T GIVE ME ANY CHOICE. 382 00:27:25,297 --> 00:27:28,897 HE SAID IF I DIDN'T DO IT, HE WAS GONNA CUT MY THROAT. 383 00:27:28,930 --> 00:27:32,230 AND HE KNEW ANDY'S WHOLE ROUTINE‐‐ 384 00:27:33,630 --> 00:27:36,163 THAT WE GOT TOGETHER ON TUESDAYS AND‐‐ 385 00:27:37,830 --> 00:27:41,030 HE SAID, "YOU'RE GONNA LEAVE YOUR APARTMENT OPEN. 386 00:27:41,063 --> 00:27:44,030 YOU'RE GONNA BRING HIM BACK HERE LIKE EVERYTHING'S NORMAL." 387 00:27:44,063 --> 00:27:47,397 AND HE SAID HE WOULD TAKE CARE OF THE REST. 388 00:27:47,430 --> 00:27:50,063 THIS WAS ALL GIARDELLA. YOU NEVER TALKED TO ANYBODY ELSE. YEAH. 389 00:27:52,997 --> 00:27:55,963 AND THEN I WAS SUPPOSED TO GET ON A PLANE FOR ORLANDO. 390 00:27:55,997 --> 00:27:59,963 EXCEPT THAT I KNEW ONCE I GOT DOWN THERE HE WOULD HAVE ME KILLED, SO I DIDN'T GO. 391 00:28:00,997 --> 00:28:04,030 AND I'VE BEEN HIDIN' EVER SINCE. 392 00:28:04,063 --> 00:28:06,797 AND THEN... 393 00:28:06,830 --> 00:28:10,263 WHEN I SAW ANDY ON THE TV, I JUST‐‐ 394 00:28:10,297 --> 00:28:13,963 [ SIGHS ] I COULDN'T DO IT ANYMORE. 395 00:28:15,263 --> 00:28:17,130 I'M OUT OF MONEY. 396 00:28:18,163 --> 00:28:21,230 I JUST FEEL SO BAD ABOUT WHAT HAPPENED. 397 00:28:22,463 --> 00:28:25,997 [ CHUCKLES ] I ALWAYS LIKED ANDY. 398 00:28:27,497 --> 00:28:29,797 HE WAS ONE OF MY FAVORITE TRICKS. 399 00:28:38,663 --> 00:28:41,130 I'M LOOKIN' FOR SIPOWICZ. I JUST SAW HIM HEADIN' OUT, DETECTIVE. 400 00:28:41,163 --> 00:28:44,830 POOR GUY'S STILL TRYIN' TO GET HIS STRENGTH UP, HUH? YEAH. 401 00:28:59,163 --> 00:29:02,797 ‐ YOU EVER PLAN ON DRINKING THAT THING? ‐ DON'T WORRY ABOUT IT. 402 00:29:06,130 --> 00:29:07,997 NOTHIN'. 403 00:29:09,430 --> 00:29:12,063 WHAT ARE YOU DOING HERE? WHAT ARE YOU DOING HERE? 404 00:29:12,097 --> 00:29:14,930 LOOKED OPEN FOR BUSINESS TO ME. YOU SAW HER, DIDN'T YOU? 405 00:29:14,963 --> 00:29:17,630 SAW WHO? YEAH, SHE COPPED TO THE WHOLE THING, ANDY. 406 00:29:17,663 --> 00:29:20,697 SHE MADE A FULL STATEMENT. WHICH IS WHY YOU'RE HERE, ISN'T IT? 407 00:29:20,730 --> 00:29:23,730 YOU SAW LOIS AT THE STATION HOUSE. YOU FIGURED, I BETTER BE QUICK. 408 00:29:23,763 --> 00:29:26,263 BECAUSE YOU DON'T WANT GIARDELLA BUSTED. YOU WANT HIM DEAD, RIGHT? 409 00:29:26,297 --> 00:29:28,530 STAY OUT OF THIS, JOHN. IT'S TOO LATE FOR THAT. 410 00:29:28,563 --> 00:29:31,297 HEY, IT'S ALFONSE'S FRONT BUMPER. 411 00:29:31,330 --> 00:29:34,563 MR. GIARDELLA'S WONDERIN' IF THERE'S SOMETHING YOU PEOPLE WANTED. 412 00:29:34,597 --> 00:29:38,097 ‐ YEAH, A KISS. ‐ WHY DON'T YOU GO DRINK SOMEWHERE ELSE? 413 00:29:38,130 --> 00:29:40,563 I'M GONNA TAKE CARE OF THIS, ALL RIGHT? WHOA. WHAT HAPPENED HERE? 414 00:29:40,597 --> 00:29:42,597 WE CROSSED THE BORDER WITHOUT REALIZING IT. WE LEFT AMERICA? 415 00:29:42,630 --> 00:29:46,730 THERE'S A LOT OF GIN MILLS IN TOWN‐‐ THE CONVERSATION'S OVER, PAL. 416 00:29:46,763 --> 00:29:51,230 YOUR BOSS KNOWS WHERE I'M SITTIN'. I DON'T NEED NO STEROID CASE FOR AN INTERPRETER. 417 00:29:51,263 --> 00:29:55,730 HEY, LOOK WHO'S HERE. WANNA HEAR IT FROM MY OWN MOUTH? GET OUT OF MY JOINT. 418 00:29:55,763 --> 00:29:59,630 WHAT HAPPENS IF I DON'T? YOU GONNA THROW YOUR WIG AT ME? LET'S GO. 419 00:29:59,663 --> 00:30:03,763 DON'T WORRY ABOUT IT. I'LL LEAVE, ALFONSE. BUT I'LL TELL YOU WHAT. 420 00:30:03,797 --> 00:30:06,397 WHY DON'T YOU COME OUTSIDE WITH ME? I'M SHAKING. 421 00:30:06,430 --> 00:30:10,363 JUST THE TWO OF US. WE'LL SQUARE EVERYTHING UP. IS THAT A THREAT, ASSHOLE? 422 00:30:10,397 --> 00:30:12,197 NO. SOUNDS LIKE A THREAT TO ME. 423 00:30:12,230 --> 00:30:14,863 WE'LL STRAIGHTEN EVERYTHING OUTSIDE. GIVE ME SOME ROOM. 424 00:30:14,897 --> 00:30:18,563 WHOA. WHAT ARE YOU LETTIN' HIM PUSH YOU AROUND? SHUT UP! 425 00:30:18,597 --> 00:30:20,630 I THOUGHT IT WAS YOU AND ME OUTSIDE. 426 00:30:20,663 --> 00:30:23,063 DON'T TRIP OVER YOUR CANE, TINY TIM. 427 00:30:23,097 --> 00:30:26,063 ALL RIGHT. DID YOU HAVE A LOT OF FUN WITH ME IN THERE? 428 00:30:26,097 --> 00:30:28,197 WHOA! MAKIN' ME LOOK LIKE TWO CENTS. ALL RIGHT, I DON'T‐‐ 429 00:30:28,230 --> 00:30:30,397 JUST LET GO OF ME! JUST GET IN THE CAR. 430 00:30:30,430 --> 00:30:33,697 I DON'T HAVE TO. I GOT MY OWN CAR. IN THE CAR. IN THE CAR! 431 00:30:33,730 --> 00:30:35,697 IN THE CAR! THERE YOU GO. 432 00:30:35,730 --> 00:30:39,930 NOW WHAT? YOU WANNA TIE MY SHOELACES TOGETHER? MAKE ME LOOK A JERK SOME OTHER WAY? 433 00:30:39,963 --> 00:30:42,230 HUH? WATCH. 434 00:30:42,263 --> 00:30:44,197 HERE WE GO. 435 00:30:44,230 --> 00:30:46,463 ALL RIGHT, UP AGAINST THE WALL. HEY, HEY! 436 00:30:46,497 --> 00:30:50,697 LOOK AT THIS. WE'RE GONNA NAIL GIARDELLA. WE'RE GONNA BUST THIS FAT SON OF A BITCH. 437 00:30:50,730 --> 00:30:54,197 [ SIPOWICZ ] IT'S NOT GOOD ENOUGH. IT'S NOT GOOD ENOUGH, JOHN! 438 00:30:54,230 --> 00:30:58,797 I WANTED TO TAKE HIM OUT. I WANTED TO GUT SHOOT THAT BASTARD JUST LIKE HE GUT SHOT ME. 439 00:30:58,830 --> 00:31:00,963 LET IT GO, ANDY. LET IT GO. LET IT GO? LET IT GO? 440 00:31:00,997 --> 00:31:03,563 WHAT, ARE YOU NUTS? THAT'S THE ONLY REASON I DIDN'T DIE. 441 00:31:03,597 --> 00:31:06,963 THE WHOLE TIME LYING IN THE HOSPITAL, THAT'S ALL I THOUGHT ABOUT, WAS KILLIN' HIM. 442 00:31:06,997 --> 00:31:08,963 I DON'T THINK I GOT ANYTHING ELSE BUT. 443 00:31:08,997 --> 00:31:11,097 HOW COME YOU HAVEN'T TAKEN A DRINK? 444 00:31:11,130 --> 00:31:13,597 SO I COULD STAY ON THE JOB AND GET A CHANCE AT WHACKIN' THIS ASSHOLE. 445 00:31:13,630 --> 00:31:17,297 RIGHT IN HERE, RIGHT IN THAT BAR, WHY DIDN'T YOU TAKE THAT DRINK? 446 00:31:17,330 --> 00:31:20,130 I GOT SHOT DRUNK ONCE. I FIGURED THIS TIME I'D TRY IT SOBER. 447 00:31:20,163 --> 00:31:22,763 I THINK THAT THERE'S A LOT MORE LEFT IN YOU. 448 00:31:22,797 --> 00:31:25,963 I THINK THERE'S A PART OF YOU THAT WANTS TO KEEP GOING. 449 00:31:25,997 --> 00:31:28,963 START NOW. IT'LL BE A STRONGER CASE WITH YOU IN IT. 450 00:31:31,297 --> 00:31:35,597 THERE'S YOUR MAN. THERE'S YOUR MAN GOING DOWN. 451 00:31:35,630 --> 00:31:37,697 LET'S GO. IN THE CAR. 452 00:31:37,730 --> 00:31:40,163 ROBERT, GET THE DOOR. I'M COMIN'. TAKE IT EASY. 453 00:31:42,997 --> 00:31:46,063 HEY, ALFONSE, WHAT'S GOIN' ON OVER THERE, FUNNY MAN? 454 00:31:46,097 --> 00:31:48,630 YOU KNOW, I JUST THOUGHT YOU'D WANT TO KNOW SOMETHING. 455 00:31:48,663 --> 00:31:52,063 I SUDDENLY REMEMBER THAT LITTLE AFTERNOON AT LOIS'S. IT ALL COME BACK TO ME. 456 00:31:52,097 --> 00:31:55,597 AND I'M GONNA TESTIFY ABOUT IT IN COURT. I JUST THOUGHT YOU'D WANT TO KNOW. 457 00:31:55,630 --> 00:31:58,197 NOW IT'S YOUR TURN TO SAY SOMETHING SMART. 458 00:31:58,230 --> 00:32:01,797 HEY, WATCH THAT WIG CLIMBIN' INTO THE VEHICLE, 'CAUSE I WANNA SEE... 459 00:32:01,830 --> 00:32:05,563 THAT LOUSY LOOKIN' PIECE OF CRAP ON YOUR HEAD WHEN I TESTIFY AGAINST YOU IN COURT. 460 00:32:05,597 --> 00:32:08,663 YOU BIG APE! GO ON. GET OUT OF HERE! 461 00:32:09,963 --> 00:32:12,797 [ CHUCKLES ] 462 00:32:17,963 --> 00:32:19,897 THANKS. 463 00:32:26,397 --> 00:32:28,397 YOU KNOW WHAT'S HAPPENING HERE, KELLY? 464 00:32:28,430 --> 00:32:31,363 YOU KNOW WHAT THEY'RE DOING WITH GIARDELLA IN THAT INTERVIEW ROOM? 465 00:32:31,397 --> 00:32:34,530 THEY ARE GIVING ME AWAY. NO. NO WAY. 466 00:32:34,563 --> 00:32:37,797 WHAT KIND OF A DEAL COULD HE CUT? WE'RE TALKIN' ATTEMPTED MURDER ON A COP. 467 00:32:37,830 --> 00:32:41,063 BELIEVE ME, I AM BEING WRAPPED UP IN A BOW. 468 00:32:41,097 --> 00:32:45,630 LIFE WITH REVIEW AFTER 25 YEARS. THAT'S THE BEST HE CAN DO. 469 00:32:45,663 --> 00:32:49,597 TRY THREE YEARS IN ACE HOTELS WHILE THEY MAKE CASES OFF HIM. 470 00:32:49,630 --> 00:32:54,597 AND THEN HE'LL WIND UP ON A BEACH SOMEWHERES WITH A NOSE JOB AND A DIFFERENT COLOR WIG. 471 00:32:54,630 --> 00:32:57,363 NO WAY. [ SIGHS ] 472 00:32:57,397 --> 00:33:00,297 I'M GONNA TAKE A DUMP. [ GRUNTS ] 473 00:33:00,330 --> 00:33:02,430 [ GROANS ] 474 00:33:07,730 --> 00:33:10,530 [ SINCLAIR ] MR. GIARDELLA'S A REALIST, GENTLEMEN. 475 00:33:10,563 --> 00:33:15,397 HE UNDERSTANDS THE SITUATION, AND HE'S PREPARED TO OFFER FULL COOPERATION. 476 00:33:15,430 --> 00:33:18,730 THAT MEANS COMPREHENSIVE DISCLOSURE OF ILLEGAL ACTIVITIES... 477 00:33:18,763 --> 00:33:20,797 INCLUDING TESTIMONY AT TRIAL... 478 00:33:20,830 --> 00:33:23,463 IN EXCHANGE FOR A PLEA ARRANGEMENT... 479 00:33:23,497 --> 00:33:26,197 THAT DOES NOT INCLUDE INCARCERATION. 480 00:33:26,230 --> 00:33:29,130 YOU'RE DREAMING. NO WAY YOU'D BEAT JAIL. 481 00:33:29,163 --> 00:33:31,430 I'M BRINGING A BIG PACKAGE. 482 00:33:31,463 --> 00:33:33,297 LIEUTENANT FANCY, 483 00:33:33,330 --> 00:33:36,997 I WANT TO HEAR WHAT'S ON THE TABLE. 484 00:33:51,330 --> 00:33:56,130 WHAT'S GOING ON? GIARDELLA'S OFFERING BREAKDOWNS ON ALL THE FAMILY CREWS‐‐ 485 00:33:56,163 --> 00:33:58,930 DETAILS ON THE JOBS THEY PULLED. 486 00:34:00,397 --> 00:34:03,463 HAVE YOU HAD ANY LINE‐OF‐DUTY INCIDENTS IN THE LAST FEW WEEKS? 487 00:34:03,497 --> 00:34:07,097 ANY CLOSE CALLS YOU DIDN'T REPORT? NO. WHY? 488 00:34:09,830 --> 00:34:12,463 GIARDELLA SAYS MARINO PUT OUT A CONTRACT ON YOU. 489 00:34:12,497 --> 00:34:16,963 HE THINKS YOU WERE SUPPOSED TO BE HIT BY A COP, SOMEBODY YOU WORKED WITH. 490 00:34:16,997 --> 00:34:19,297 AND YOU BELIEVE HIM? 491 00:34:22,097 --> 00:34:24,797 THESE ARE THE COPS HE SAYS WERE ON MARINO'S PAYROLL. 492 00:34:24,830 --> 00:34:28,063 HE SAYS THERE ARE OTHERS THAT MARINO KEPT TO HIMSELF. 493 00:34:29,497 --> 00:34:31,597 NOBODY ON THIS LIST IS FROM THIS PRECINCT, BUT... 494 00:34:31,630 --> 00:34:34,630 I KNOW YOU'VE HAD SOME SHARED‐DUTY ASSIGNMENTS, SO‐‐ 495 00:34:35,563 --> 00:34:37,630 WHAT'S THE MATTER? 496 00:34:38,597 --> 00:34:40,930 [ FOLDING PAPER ] NOTHIN'. 497 00:34:40,963 --> 00:34:42,930 YOU RECOGNIZE SOMEBODY? 498 00:34:42,963 --> 00:34:47,363 NO. NO, I DON'T KNOW ANYBODY ON THAT LIST. 499 00:34:47,397 --> 00:34:52,463 I WANT YOU TO RUN A COMPUTER CHECK WITH THOSE NAMES AGAINST YOUR RECENT ASSIGNMENTS. 500 00:34:53,463 --> 00:34:55,830 OKAY. OKAY. 501 00:35:05,430 --> 00:35:08,597 YOU SEEN LICALSI? SECTOR PATROL. YOU JUST GOT A CALL FROM COURT. 502 00:35:08,630 --> 00:35:11,197 THE HOSTAGE SQUAD. WHAT HAPPENED? 503 00:35:11,230 --> 00:35:15,263 SOME CASE YOU WORKED ON. VICTIM'S RELATIVE'S GOT A GUN ON THE JUDGE. 504 00:35:21,178 --> 00:35:23,645 PERP'S NAME IS EPHRAIM DANIELS. 505 00:35:23,678 --> 00:35:26,545 HIS SON WAS MURDERED. I KNOW THE CASE. 506 00:35:26,578 --> 00:35:29,980 THEY WERE GONNA PLEAD IT OUT THIS MORNING. THE GUY WHO DID IT WAS ON FOR SENTENCING. 507 00:35:30,664 --> 00:35:32,831 DANIELS BREAKS INTO THE JUDGE'S CHAMBERS. 508 00:35:32,864 --> 00:35:36,297 WANTS HIM TO CANCEL THE PLEA‐‐ MAKE THE GUY GO TO TRIAL. 509 00:35:36,331 --> 00:35:38,831 SAYS YOU'RE THE ONLY COP HE'LL TALK TO. 510 00:35:44,364 --> 00:35:46,697 MR. DANIELS, IT'S DETECTIVE KELLY. 511 00:35:46,731 --> 00:35:49,331 JUST YOU. 512 00:35:49,364 --> 00:35:53,231 I GOT A GUN POINTED AT HIS HEAD. I'LL USE IT. 513 00:35:53,264 --> 00:35:55,831 DON'T PLAY WITH THIS GUY, DETECTIVE. 514 00:35:55,864 --> 00:36:00,231 THE JUDGE IS AT RISK AND I GOT A SHOOTER WITH A CLEAN ANGLE OUTSIDE THE OFFICE WINDOW. 515 00:36:12,431 --> 00:36:16,497 ‐ SHUT THE DOOR. ‐ CAN'T DO THAT, MR. DANIELS. 516 00:36:16,531 --> 00:36:18,864 YOU'VE GOT THE GUN. YOU'RE STILL IN CHARGE. 517 00:36:36,947 --> 00:36:39,014 GOTTA LET HIM GO, MR. DANIELS. 518 00:36:40,180 --> 00:36:42,280 [ DANIELS ] FOURTEEN MONTHS. 519 00:36:44,014 --> 00:36:46,047 FOURTEEN MONTHS... 520 00:36:46,080 --> 00:36:48,514 FOR KILLIN' AN EIGHT‐YEAR‐OLD BOY. 521 00:36:50,214 --> 00:36:53,480 I CAN'T LET HIM GIVE OUT THAT SENTENCE. 522 00:36:53,514 --> 00:36:57,880 I PROMISED MY BOY AT HIS GRAVE I WAS GONNA GIVE HIM SOME JUSTICE. 523 00:36:57,914 --> 00:37:02,514 MR. DANIELS, THERE IS NO JUSTICE FOR WHAT HAPPENED TO YOUR BOY. 524 00:37:02,547 --> 00:37:06,147 AND I'M NOT GONNA TELL YOU I AGREE WITH WHAT THE JUDGE DID. 525 00:37:06,180 --> 00:37:08,214 NOT LETTING THE GUN IN AS EVIDENCE... 526 00:37:08,247 --> 00:37:10,680 AND THE REST OF IT, I THINK THAT SUCKED. 527 00:37:10,714 --> 00:37:14,347 BUT NOTHING IS GONNA HAPPEN IN THIS ROOM THAT'S GONNA CHANGE ANY OF THAT. 528 00:37:14,380 --> 00:37:17,047 THE ONLY THING THAT'S GONNA HAPPEN IN HERE... 529 00:37:17,080 --> 00:37:20,714 IS YOU'RE GONNA GET IN ALL KINDS OF TROUBLE. 530 00:37:20,747 --> 00:37:23,080 ARE YOU LISTENING TO ME, MR. DANIELS? 531 00:37:24,214 --> 00:37:26,080 I'M LISTENING. 532 00:37:28,180 --> 00:37:30,647 I WANT YOU TO COME OUT HERE WITH ME. 533 00:37:30,680 --> 00:37:32,647 I PROMISE YOU... 534 00:37:32,680 --> 00:37:37,680 THAT IF YOU PUT THAT GUN DOWN, NOBODY WILL PUT YOU IN JAIL FOR THIS. 535 00:37:37,714 --> 00:37:40,080 WHERE'S YOUR BOY BURIED? 536 00:37:41,047 --> 00:37:44,680 BETHEL BAPTIST, OUT OZONE PARK. 537 00:37:44,714 --> 00:37:47,080 OKAY. 538 00:37:47,114 --> 00:37:50,214 I PROMISE YOU IN A COUPLE OF DAYS TIME... 539 00:37:52,680 --> 00:37:57,080 YOU'LL BE ABLE TO GO OUT THERE AND TELL HIM YOU DID THE BEST JOB THAT YOU COULD. 540 00:37:58,547 --> 00:38:01,447 MR. DANIELS, DON'T DIE IN HERE. 541 00:38:02,914 --> 00:38:05,414 HE'S NOT WORTH IT. 542 00:38:18,214 --> 00:38:21,080 [ CRYING ] 543 00:38:26,680 --> 00:38:29,214 [ KELLY ] EASY. 544 00:38:29,247 --> 00:38:31,114 EASY! 545 00:38:33,514 --> 00:38:36,480 [ MAN ] TAKE HIM TO THE BACK ENTRANCE. WE HAVE A CAR WAITING. 546 00:38:36,514 --> 00:38:40,547 NO PROMISE THAT YOU MADE TO THAT MAN IS BINDING, DETECTIVE. 547 00:38:40,580 --> 00:38:44,714 [ MAN #2 ] WHAT PRECINCT ARE WE GOING TO? [ MAN #3 ] TAKE HIM TO 3RD. 548 00:38:44,747 --> 00:38:48,380 JUDGE, HOW'S IT GONNA LOOK YOU GIVING THE GUY WHO KILLED HIS KID 14 MONTHS, 549 00:38:48,414 --> 00:38:51,180 AND THEN PUTTING HIM IN JAIL TOO BECAUSE HE MADE YOU WET YOUR PANTS? 550 00:38:51,214 --> 00:38:54,914 WE GOVERN BY LAW, NOT YOUR WHIM. 551 00:38:54,947 --> 00:38:57,880 DON'T TELL ME HOW YOU GOVERN. I WORK YOUR STREETS. 552 00:38:57,914 --> 00:38:59,847 I CLEAN UP AFTER HOW YOU GOVERN. 553 00:38:59,880 --> 00:39:02,680 THE WAY YOU GOVERN STINKS. 554 00:39:12,680 --> 00:39:14,780 [ LICALSI LAUGHS ] 555 00:39:16,880 --> 00:39:18,980 HEY, DETECTIVE. HEY. 556 00:39:19,014 --> 00:39:21,247 CAN I TALK TO YOU FOR A MINUTE? SURE. 557 00:39:23,014 --> 00:39:25,280 HOW YOU DOIN', DETECTIVE? 558 00:39:26,680 --> 00:39:28,914 I'M DOING ALL RIGHT. 559 00:39:28,947 --> 00:39:33,014 DIDN'T YOU TELL ME THAT YOUR NAME'S DIFFERENT THAN YOUR DAD'S? 560 00:39:33,047 --> 00:39:36,247 WHEN I JOINED THE FORCE I TOOK MY MOM'S MAIDEN NAME. 561 00:39:36,280 --> 00:39:38,914 I DIDN'T WANNA RIDE ON MY FATHER'S COATTAILS. 562 00:39:38,947 --> 00:39:41,214 YOUR DAD'S NAME IS DOMINIC GENNARO, THE 27. 563 00:39:41,247 --> 00:39:43,280 SO? 564 00:39:53,080 --> 00:39:56,380 SO MY DAD'S NAME IS ON A LIST. THESE ARE WRONG COPS. OKAY? 565 00:39:56,414 --> 00:39:59,380 THIS IS PART OF A DEAL THAT GIARDELLA'S TRYING TO FLOAT. 566 00:39:59,414 --> 00:40:02,614 GIARDELLA'S TRYING TO SAVE HIS ASS. DID THEY REACH OUT TO YOU? 567 00:40:06,580 --> 00:40:09,080 LET'S GO OUTSIDE. 568 00:40:22,247 --> 00:40:24,880 WHO'S TALKING TO ME NOW? WHAT DO YOU MEAN? 569 00:40:24,914 --> 00:40:27,714 YOU TALKING TO ME AS A COP? I'M TALKIN' TO YOU AS THE GUY YOU'VE BEEN SLEEPIN' WITH, 570 00:40:27,747 --> 00:40:31,080 THE ONE YOU SAID YOU WERE IN LOVE WITH, HOW THAT WAS GIVIN' YOU SUCH A PROBLEM... 571 00:40:31,114 --> 00:40:34,680 TILL JUST BEFORE MARINO GOT KILLED, HUH? 572 00:40:34,714 --> 00:40:37,880 [ DOOR OPENS, CLOSES ] 573 00:40:40,714 --> 00:40:43,880 IS THAT WHAT HAPPENED? DID YOU TAKE HIM OUT? 574 00:40:43,914 --> 00:40:46,380 I THINK WE COULD HAVE A LIFE TOGETHER. IS THAT WHAT HAPPENED? 575 00:40:46,414 --> 00:40:49,514 EVEN IF IT IS, THE CASE NEVER MAKES. 576 00:40:49,547 --> 00:40:52,147 OH, MY GOD. 577 00:40:52,180 --> 00:40:54,614 WE COULD HAVE A LIFE. 578 00:41:09,347 --> 00:41:12,347 DETECTIVE KELLY, YOU'VE GOT ANOTHER ONE. HERE YOU GO. 579 00:41:12,380 --> 00:41:14,347 THANKS. GOOD NIGHT, SARGE. 580 00:41:14,380 --> 00:41:16,314 GOOD NIGHT, LIEUTENANT. 581 00:41:16,347 --> 00:41:18,214 GOOD NIGHT. 582 00:41:28,514 --> 00:41:31,014 WHERE'D YOU GO? 583 00:41:31,047 --> 00:41:33,514 AH, A COUPLE OF THINGS WENT DOWN. 584 00:41:35,547 --> 00:41:37,580 HOW'D IT GO WITH GIARDELLA? 585 00:41:39,447 --> 00:41:43,147 HIM AND HIS CUE BALL‐HEADED SHYSTER WALKED OUT OF FANCY'S OFFICE ABOUT HALF HOUR AGO. 586 00:41:43,180 --> 00:41:46,314 THE MARSHALS ARE TAKING HIM TO SOME HOTEL. 587 00:41:46,347 --> 00:41:50,880 AND HIS UGLY TUB OF GUTS, HE STOPS BY MY DESK HERE AND GIVES ME A BIG COCKY WINK. 588 00:41:50,914 --> 00:41:53,014 I CAN'T BELIEVE THEY CUT HIM A DEAL. 589 00:41:53,047 --> 00:41:56,314 THAT ORGANIZED CRIME GUY, HE SAYS I GOTTA SEE IT FROM THEIR POINT OF VIEW. 590 00:41:56,347 --> 00:41:59,580 LASTARZA. HE SAYS GIARDELLA'S GONNA CLEAR UP... 591 00:41:59,614 --> 00:42:04,047 HALF THE OUTFIT CASES FOR THE LAST TEN YEARS RIGHT THROUGH MARINO. 592 00:42:05,080 --> 00:42:09,380 WAIT. GIARDELLA SAYS HE KILLED MARINO? 593 00:42:09,414 --> 00:42:11,747 FANCY SAID THAT'S WHAT TOOK THE TIME. 594 00:42:11,780 --> 00:42:14,080 HE SAYS THIS LASTARZA WASN'T GONNA OKAY THE PACKAGE... 595 00:42:14,114 --> 00:42:16,980 UNLESS GIARDELLA ADMITTED HE KILLED HIM. 596 00:42:17,014 --> 00:42:20,314 WHAT ARE YOU LAUGHIN' ABOUT? YOU STILL DON'T THINK GIARDELLA DID IT. 597 00:42:20,347 --> 00:42:22,647 NO, I‐‐ 598 00:42:22,680 --> 00:42:25,047 IF HE SAYS HE DID IT, MAYBE HE DID IT. 599 00:42:26,580 --> 00:42:28,614 [ SCOFFS ] 600 00:42:30,780 --> 00:42:33,847 LISTEN, UH, YOU WANT SOME DINNER? 601 00:42:34,914 --> 00:42:37,047 YEAH. 602 00:42:37,080 --> 00:42:39,014 YEAH. 603 00:42:52,714 --> 00:42:55,714 WHAT ARE YOU SO GLUM ABOUT? 604 00:42:57,714 --> 00:42:59,980 ARE YOU REAL HAPPY? 605 00:43:00,014 --> 00:43:04,180 HEY, KELLY, YOU MAY WANNA STAND STILL WHILE I TELL YOU THIS. 606 00:43:04,214 --> 00:43:08,814 ONCE OR TWICE EACH CALENDAR YEAR, JUSTICE DOES NOT PREVAIL. 607 00:43:08,847 --> 00:43:12,580 [ CHUCKLES ] NOW, ON THE BRIGHT SIDE, FROM MY OWN POINT OF VIEW, 608 00:43:12,614 --> 00:43:15,414 I MAY BE KEEPING COMPANY WITH A BLUE INNER TUBE, 609 00:43:15,447 --> 00:43:18,880 BUT, UH, I WAKE UP SOBER EVERY MORNING, 610 00:43:18,914 --> 00:43:22,247 I DON'T FEEL LIKE I GOT HIT IN THE HEAD BY A CESSNA, 611 00:43:22,280 --> 00:43:25,514 I'M IN THE RUNNING TO GET MY JOB BACK, 612 00:43:25,547 --> 00:43:29,080 PLUS A BUDDY SAW ME THROUGH SOME TOUGH TIMES. 613 00:43:29,114 --> 00:43:32,347 [ PHONE RINGING ] SO WHO'S GOT IT BETTER THAN ME, HUH? 614 00:43:32,380 --> 00:43:34,547 [ DESK SERGEANT ] HELLO. 15. 615 00:43:34,580 --> 00:43:37,847 YEAH, YEAH, YEAH, HE'S RIGHT HERE. HOLD ON. 616 00:43:37,880 --> 00:43:39,747 KELLY. 617 00:43:41,747 --> 00:43:43,680 KELLY. 618 00:43:43,714 --> 00:43:45,980 OKAY, I'LL BE RIGHT THERE. WHAT'S GOIN' ON? 619 00:43:46,014 --> 00:43:49,680 ANDY, I GOTTA‐‐ I GOTTA TAKE A RAIN CHECK ON DINNER. 620 00:43:49,714 --> 00:43:52,014 NO PROBLEM. [ MOANS ] 621 00:43:52,047 --> 00:43:54,547 I'LL SEE YOU. YEAH. 622 00:43:54,580 --> 00:43:56,514 UH‐‐ 623 00:43:58,514 --> 00:44:01,714 I'M GLAD YOU'RE BACK, MAN. I'M GLAD YOU'RE BACK. 624 00:44:07,180 --> 00:44:10,014 [ SIREN WAILING ] 625 00:44:26,055 --> 00:44:28,222 I'M ON THE JOB. WHAT HAPPENED? 626 00:44:28,255 --> 00:44:31,089 COMPLAINANT WAS DOING HIS LAUNDRY. PERP TRIED TO TAKE HIM OFF. 627 00:44:31,122 --> 00:44:33,973 COMPLAINANT WAS PACKING MORE THAN A BOX OF TIDE. 628 00:44:34,006 --> 00:44:36,340 4B. 629 00:44:36,373 --> 00:44:38,573 I KNOW THE ANSWER NOW, DETECTIVE. TO WHAT? 630 00:44:38,606 --> 00:44:41,506 THE OTHER NIGHT, YOU TOLD ME I HAD TO KNOW IF I'D BE ABLE TO USE MY GUN. 631 00:44:41,540 --> 00:44:44,106 THE TRUTH WAS, I WASN'T SURE. BUT NOW I KNOW. CALM DOWN. 632 00:44:44,140 --> 00:44:46,173 WHEN I FIRST SAW HIM, I WAS TOO AFRAID TO EVEN MOVE. 633 00:44:46,206 --> 00:44:48,773 HE RECOGNIZED ME FROM WHEN HE ROBBED ME BEFORE. HE WAS LAUGHING AT ME. 634 00:44:48,806 --> 00:44:51,840 TAKE IT EASY. BUT I GOT TO MY GUN, AND I USED IT. I USED IT. 635 00:44:51,873 --> 00:44:55,140 MR. GOLDSTEIN, YOU'LL HAVE TO COME DOWN TO THE PRECINCT. AM I UNDER ARREST? 636 00:44:55,173 --> 00:44:57,673 NO, BUT WE'LL HAVE TO GET A STATEMENT. WHAT ABOUT MY GUN? 637 00:44:57,706 --> 00:45:01,340 WHEN DO I GET MY GUN BACK? YOU GET IT BACK WHEN WE SAY YOU GET IT BACK. 638 00:45:01,373 --> 00:45:03,773 COME ON. 4B. 639 00:45:03,806 --> 00:45:07,973 WHEN YOU GET BACK TO THE STATION, DRINK A LITTLE SOMETHING WITH SUGAR IN IT. 640 00:45:08,006 --> 00:45:11,706 YOU KNOW WHAT? I'M GLAD I SHOT HIM. I LIKED HOW IT FELT. 641 00:45:16,640 --> 00:45:19,006 OKAY, MR. GOLDSTEIN, WATCH YOUR HEAD. 642 00:45:29,206 --> 00:45:31,606 WELL, HE GOT HIM. 643 00:45:31,640 --> 00:45:33,773 HE GOT HIM. 644 00:45:33,806 --> 00:45:36,473 I TRIED TO TALK TO HIM. 645 00:45:36,506 --> 00:45:38,473 I KNOW. HE TOLD ME. 646 00:45:38,506 --> 00:45:40,806 BIG INFLUENCE, HUH? 647 00:45:40,840 --> 00:45:42,806 THANKS ANYWAY. YEAH. 648 00:45:42,840 --> 00:45:45,340 YOU KNOW, UH, 649 00:45:45,373 --> 00:45:48,740 I WAS WAY OUT OF LINE THE OTHER DAY WHEN WE SIGNED THOSE PAPERS. 650 00:45:48,773 --> 00:45:52,873 I PICKED A LOUSY TIME TO TELL YOU THAT I WAS CHANGING JOBS. THAT'S NO EXCUSE. 651 00:45:55,606 --> 00:45:59,273 YOU START WITH THAT PRIVATE FIRM YET? NEXT WEDNESDAY. 652 00:46:02,006 --> 00:46:04,106 FIND AN APARTMENT IN MANHATTAN? 653 00:46:04,140 --> 00:46:06,773 NOT YET. 654 00:46:09,640 --> 00:46:12,440 I DON'T, UH‐‐ I DON'T WANNA LOSE TRACK OF YOU. 655 00:46:12,473 --> 00:46:15,673 WE'RE NOT GONNA LOSE TRACK OF EACH OTHER, JOHNNY. 656 00:46:17,140 --> 00:46:19,006 OKAY. 657 00:46:24,773 --> 00:46:26,973 YOU THINK I COULD COME UPSTAIRS? 658 00:46:28,140 --> 00:46:29,940 WHAT FOR? 659 00:46:29,973 --> 00:46:33,673 WELL, UH, IF I DON'T, 660 00:46:33,706 --> 00:46:37,940 I'M GONNA LAY DOWN RIGHT HERE AND YOU'RE GONNA HAVE TO PUT TRAFFIC CONES AROUND ME. 661 00:46:40,206 --> 00:46:43,640 WHERE'S YOUR FRIEND FROM THE OTHER NIGHT? 662 00:46:43,673 --> 00:46:46,273 UH, THAT'S NOT GONNA WORK OUT. 663 00:46:49,506 --> 00:46:51,573 I'LL SLEEP ON THE COUCH. 664 00:46:51,606 --> 00:46:54,106 I DON'T WANNA BE ALONE TONIGHT. 665 00:46:57,140 --> 00:46:58,973 COME UP. 666 00:47:00,606 --> 00:47:02,806 WE'LL NEGOTIATE WHERE YOU SLEEP. 57406

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