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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:43,043 --> 00:00:45,671 IT'S BEEN A LOT OF FUN, GINGER. 2 00:00:45,671 --> 00:00:47,339 WE'VE HAD SOME GOOD TIMES, RIGHT? 3 00:00:47,339 --> 00:00:49,091 I KNOW I HAVE, 4 00:00:49,091 --> 00:00:51,510 AND I THINK YOU FEEL THE SAME WAY. 5 00:00:51,510 --> 00:00:53,846 (MIMICKING GINGER) OH, MY GOD. 6 00:00:53,846 --> 00:00:56,348 DON'T SAY WHAT I THINK YOU'RE GONNA SAY. 7 00:00:56,348 --> 00:00:57,766 (AS HIMSELF) GINGER... 8 00:00:57,766 --> 00:00:59,518 WE HAD A GOOD RUN. 9 00:00:59,518 --> 00:01:01,562 THE SEX... 10 00:01:01,562 --> 00:01:03,397 THE POINTLESS CONVERSATIONS BEFORE SEX, 11 00:01:03,397 --> 00:01:04,690 ALL OF IT. 12 00:01:04,690 --> 00:01:06,192 BUT LET'S FACE IT, 13 00:01:06,192 --> 00:01:09,320 WE HAVE NOTHING IN COMMON. 14 00:01:09,320 --> 00:01:12,406 (AS GINGER) DON'T, DYLAN. PLEASE. 15 00:01:12,406 --> 00:01:13,574 YOU MEAN EVERYTHING TO ME. 16 00:01:13,574 --> 00:01:15,034 THIS WILL ROCK MY WORLD. 17 00:01:15,034 --> 00:01:16,202 YOU COMPLETE ME. 18 00:01:16,202 --> 00:01:18,829 (AS HIMSELF) SHH, T-T-T-B-B-B-BYE, GINGER. 19 00:01:18,829 --> 00:01:20,539 IT'S OVER. 20 00:01:20,539 --> 00:01:22,208 NOW, YOU'RE A GOOD KID. 21 00:01:22,208 --> 00:01:23,584 I KNOW YOU'RE GONNA LAND ON YOUR FEET. 22 00:01:23,584 --> 00:01:25,044 (BIRD CHIRPS) 23 00:01:25,044 --> 00:01:25,836 PLEASE DON'T CRY. 24 00:01:25,836 --> 00:01:27,254 (SQUAWKS) 25 00:01:27,254 --> 00:01:29,131 SHH. 26 00:01:29,131 --> 00:01:30,716 (SIGHS) 27 00:01:30,716 --> 00:01:31,634 NO GOOD. 28 00:01:34,637 --> 00:01:37,389 IT'S NOT YOU, GINGER, IT'S ME. I COME FROM A-- 29 00:01:37,389 --> 00:01:38,474 DYLAN? 30 00:01:38,474 --> 00:01:40,935 WHAT ARE YOU DOING HERE? 31 00:01:40,935 --> 00:01:42,269 YOU DON'T SMOKE. 32 00:01:42,269 --> 00:01:44,605 YEAH, I KNOW. I'M TRYING TO START. 33 00:01:44,605 --> 00:01:46,023 GINGER, I THINK WE SHOULD TALK. 34 00:01:46,023 --> 00:01:47,274 I GOTTA GET READY FOR WORK. 35 00:01:47,274 --> 00:01:49,693 FINE. 36 00:01:49,693 --> 00:01:51,111 GINGER, WE'VE HAD SOME GOOD TIMES. 37 00:01:51,111 --> 00:01:52,446 DYLAN, BEFORE YOU GO ANY FURTHER, 38 00:01:52,446 --> 00:01:54,782 THERE'S SOMETHING I'VE BEEN WANTING TO SAY. 39 00:01:54,782 --> 00:01:56,784 I DON'T THINK I'M THE GIRL YOU'RE LOOKING FOR. 40 00:01:56,784 --> 00:01:57,952 OH, MY GOD, DON'T SAY 41 00:01:57,952 --> 00:01:59,328 WHAT I THINK YOU'RE GONNA SAY. 42 00:01:59,328 --> 00:02:01,705 YOU KEEP TRYING TO CHANGE ME. 43 00:02:01,705 --> 00:02:03,207 NO, I DON'T. 44 00:02:03,207 --> 00:02:05,626 YES, YOU DO. YOU CAN'T ACCEPT THE FACT 45 00:02:05,626 --> 00:02:08,837 THAT I DON'T LIKE CADDYSHACK OR AC/DC. 46 00:02:08,837 --> 00:02:10,673 WELL, YOU NEVER LISTENED TO THEIR FIRST ALBUM. 47 00:02:10,673 --> 00:02:12,841 AND WHAT'S WITH THE COMMUNITY COLLEGE CRAP? 48 00:02:12,841 --> 00:02:14,051 ARE YOU TELLING ME IT WASN'T YOU WHO PUT THESE 49 00:02:14,051 --> 00:02:16,845 UNDER THE SINK NEXT TO THE TAMPAX? 50 00:02:16,845 --> 00:02:19,139 NICE TOUCH. 51 00:02:19,139 --> 00:02:20,975 DON'T YOU GET IT? 52 00:02:20,975 --> 00:02:23,936 I ALREADY HAVE A CAREER. 53 00:02:23,936 --> 00:02:25,020 COME ON. 54 00:02:25,020 --> 00:02:26,981 LOOK, DYLAN... 55 00:02:26,981 --> 00:02:28,315 WE HAVE NOTHING IN COMMON. 56 00:02:28,315 --> 00:02:29,692 WHAT ABOUT THE SEX? 57 00:02:29,692 --> 00:02:30,693 OH, DYLAN, SEX ISN'T EVERYTHING. 58 00:02:30,693 --> 00:02:32,695 AND YOU SAID THAT YOURSELF JUST THE OTHER NIGHT. 59 00:02:32,695 --> 00:02:35,364 WELL, THAT WAS RIGHT AFTER WE HAD SEX. 60 00:02:35,364 --> 00:02:36,740 DON'T LISTEN TO ME. THERE'S A... 61 00:02:36,740 --> 00:02:38,576 WEIRD HALF HOUR THERE WHERE SOMEHOW 62 00:02:38,576 --> 00:02:40,119 IT ISN'T IMPORTANT TO GUYS ANYMORE. 63 00:02:40,119 --> 00:02:41,370 SHH, SHH, SHH. LOOK, 64 00:02:41,370 --> 00:02:43,539 I CAN'T DO THIS RIGHT NOW. I'M ALMOST UP. 65 00:02:43,539 --> 00:02:45,583 IT'S OVER. WE'RE DONE. 66 00:02:45,583 --> 00:02:48,085 SO ACCEPT IT. 67 00:02:48,085 --> 00:02:49,753 BE A MAN. 68 00:02:49,753 --> 00:02:51,422 WELL, WHEN YOU PUT IT THAT WAY, 69 00:02:51,422 --> 00:02:52,798 I DON'T KNOW WHY WE WENT OUT IN THE FIRST PLACE. 70 00:02:52,798 --> 00:02:54,466 (KNOCKING ON DOOR) HEY, GINGER, YOU'RE UP. 71 00:02:56,260 --> 00:02:58,429 IT'S COMING BACK TO ME. 72 00:03:01,098 --> 00:03:03,350 MISS YOU. 73 00:03:03,350 --> 00:03:05,144 (VAN HALEN RECORD PLAYS) 74 00:03:06,645 --> 00:03:07,938 YOU, TOO. 75 00:03:22,202 --> 00:03:25,164 CAPTIONING MADE POSSIBLE BY WARNER BROS. 76 00:03:44,850 --> 00:03:45,976 HEY, THANKS FOR COMING. 77 00:03:45,976 --> 00:03:47,102 ENJOYED IT. HEY, BOSS. 78 00:03:47,102 --> 00:03:48,354 HEY, MAN. 79 00:03:49,772 --> 00:03:52,232 HEY, LISA. 80 00:03:52,232 --> 00:03:53,275 HI, DYLAN. 81 00:03:53,275 --> 00:03:54,902 THAT'S A COOL DRESS. 82 00:03:54,902 --> 00:03:56,362 YOU WANT TO PLAY MOTORBOAT? I'LL START. 83 00:03:56,362 --> 00:03:58,364 (IMITATES MOTORBOAT ENGINE) 84 00:03:58,364 --> 00:04:00,199 KEEP LAUGHING. YOU'RE NEXT. 85 00:04:00,199 --> 00:04:02,368 RICKY, YOU GET THAT SAME LUNCH EVERY DAY. 86 00:04:02,368 --> 00:04:03,869 MMM. 87 00:04:03,869 --> 00:04:04,536 WE'RE GONNA HAVE TO NAME IT AFTER YOU SOON. 88 00:04:04,536 --> 00:04:05,871 (MOUTH FULL) THAT'S FINE. 89 00:04:05,871 --> 00:04:07,748 KEEP EATING. DON'T SLOW DOWN. 90 00:04:07,748 --> 00:04:08,874 YOU GUYS OK HERE? 91 00:04:08,874 --> 00:04:10,000 GREAT. 92 00:04:10,000 --> 00:04:11,085 COULD USE SOME WATER. 93 00:04:11,085 --> 00:04:12,628 CAN WE GET SOME WATER ON 9? 94 00:04:12,628 --> 00:04:15,005 FIRST ONE'S FREE. 95 00:04:15,005 --> 00:04:16,590 HEY, BUDDY. 96 00:04:16,590 --> 00:04:17,758 WHAT DO YOU GOT GOIN' THERE? 97 00:04:17,758 --> 00:04:19,760 NOT HUNGRY? BETTER EAT UP. 98 00:04:19,760 --> 00:04:20,594 DON'T WANT TO END UP LIKE ME, 99 00:04:20,594 --> 00:04:21,762 SKINNY AND DUMB. 100 00:04:21,762 --> 00:04:22,971 NOT THE WAY TO GO. 101 00:04:26,225 --> 00:04:27,601 TURTLE, WHAT ARE YOU DOING? 102 00:04:28,769 --> 00:04:30,396 HEY, BOSS. 103 00:04:30,396 --> 00:04:32,106 I'LL TELL YOU WHAT. 104 00:04:32,106 --> 00:04:34,942 I GOT THOSE PLATES LOOKING WONDERFUL. 105 00:04:34,942 --> 00:04:37,444 (COUGHS) HOW WAS THAT STINK SANDWICH? 106 00:04:37,444 --> 00:04:38,487 WE SERVE THOSE NOW? 107 00:04:38,487 --> 00:04:40,114 GO TAKE CARE OF THAT. 108 00:04:40,114 --> 00:04:41,782 YOU'RE DEALING WITH CUSTOMERS. 109 00:04:45,494 --> 00:04:47,371 WHOA, FIRE. FIRE! 110 00:04:47,371 --> 00:04:49,289 FIRE! FIRE! 111 00:04:49,289 --> 00:04:50,624 PUT IT OUT! 112 00:04:50,624 --> 00:04:51,792 I GOT IT. I GOT IT. I GOT IT. 113 00:04:54,795 --> 00:04:55,879 YOU OK? 114 00:04:55,879 --> 00:04:56,839 YEAH. 115 00:04:58,215 --> 00:05:01,176 AH, GREAT. 116 00:05:01,176 --> 00:05:03,053 86 THE SOUFFLES, GUYS. 117 00:05:05,305 --> 00:05:06,181 YOU KNOW THE NORTON'S HAVE BEEN WAITING 30 MINUTES 118 00:05:06,181 --> 00:05:07,307 FOR ONE OF THESE? 119 00:05:07,307 --> 00:05:08,892 RELAX, MARK, I'LL HANDLE IT. 120 00:05:08,892 --> 00:05:10,644 HOW AM I SUPPOSED TO PUT OUT 50 ENTREES TONIGHT 121 00:05:10,644 --> 00:05:11,687 WITH ONLY ONE OVEN? 122 00:05:11,687 --> 00:05:12,896 I'M SORRY. YOU WANT ME 123 00:05:12,896 --> 00:05:13,981 TO LET THE PLACE BURN DOWN? 124 00:05:13,981 --> 00:05:15,482 YOU KNOW WHAT? 125 00:05:15,482 --> 00:05:17,317 AT LEAST WE WOULD'VE GOTTEN THE INSURANCE MONEY. 126 00:05:17,317 --> 00:05:19,027 I TOLD YOU, DON'T WORRY ABOUT THE MONEY. 127 00:05:19,027 --> 00:05:20,195 I'M MEETING WITH RAY IN THE MORNING. 128 00:05:20,195 --> 00:05:21,238 WE'RE GONNA GET THE LOAN. 129 00:05:21,238 --> 00:05:23,407 REALLY? WHEN? 130 00:05:23,407 --> 00:05:25,159 I MEAN, I'VE BEEN HEARING ABOUT THIS PHANTOM LOAN 131 00:05:25,159 --> 00:05:27,536 SINCE YOU TALKED ME INTO THIS PLACE 3 MONTHS AGO. 132 00:05:27,536 --> 00:05:29,037 I MEAN, LOOK AROUND YOU, DYLAN. 133 00:05:29,037 --> 00:05:30,372 YOU GOT ONE OVEN ON LIFE-SUPPORT, 134 00:05:30,372 --> 00:05:31,540 A FREEZER THAT DOESN'T FREEZE, 135 00:05:31,540 --> 00:05:35,169 AN ICE MAKER THAT MAKES... YOU KNOW, REALLY COLD WATER. 136 00:05:35,169 --> 00:05:37,171 IF WE DON'T MAKE A MOVE ON THE SPACE NEXT DOOR SOON, 137 00:05:37,171 --> 00:05:38,422 SOMEBODY ELSE WILL. I MEAN, COME ON. 138 00:05:38,422 --> 00:05:39,840 I GOT A WIFE AND KID TO THINK ABOUT. 139 00:05:39,840 --> 00:05:42,050 MARK, I GET IT. 140 00:05:42,050 --> 00:05:44,219 UH, NO, I-I-I-I DON'T THINK YOU DO. 141 00:05:44,219 --> 00:05:45,804 YOU SEE HERE, NOT ONLY ARE WE NOT GONNA BE ABLE 142 00:05:45,804 --> 00:05:48,599 TO GET A NEW PLACE--I MEAN, WE'RE GONNA LOSE THIS PLA-- 143 00:05:48,599 --> 00:05:50,434 (MUFFLED) NEVER LISTENS! NEVER LISTENS! 144 00:05:50,434 --> 00:05:52,936 LIKES TO TALK! HEARS HIMSELF TALKING! 145 00:05:54,480 --> 00:05:55,647 ARE YOU DONE? 146 00:05:55,647 --> 00:05:57,441 (SIGHS) YEAH. 147 00:05:57,441 --> 00:05:59,735 GOOD. EVERYTHING'S GONNA BE FINE. 148 00:05:59,735 --> 00:06:01,028 REMEMBER OUR DEAL... 149 00:06:01,028 --> 00:06:02,780 YOU WORRY ABOUT THE FOOD, 150 00:06:02,780 --> 00:06:03,781 I'LL TAKE CARE OF THE BUSINESS. 151 00:06:05,157 --> 00:06:06,325 WHERE ARE MY SOUFFLES? 152 00:06:06,325 --> 00:06:08,827 ASK HIM. 153 00:06:08,827 --> 00:06:10,621 NO MORE SOUFFLES. 154 00:06:13,123 --> 00:06:14,917 HEY, BOSS, YOU GOT A MINUTE? 155 00:06:14,917 --> 00:06:17,002 UH, I GUESS SO, WALLY. 156 00:06:17,002 --> 00:06:18,629 REMEMBER THE TIME WHEN IT WAS REALLY SLOW HERE 157 00:06:18,629 --> 00:06:20,672 AND I WAS SITTING DOWN WATCHING SALLY JESSE 158 00:06:20,672 --> 00:06:22,508 AND YOU SHOT ME WITH A RUBBER BAND TO MY ARM 159 00:06:22,508 --> 00:06:23,884 AND SAID, "JEEZE, WALLY, STOP ITCHING YOUR BUTT 160 00:06:23,884 --> 00:06:25,010 AND GET A LIFE"? 161 00:06:25,010 --> 00:06:26,428 SURE, THAT WAS YESTERDAY. 162 00:06:26,428 --> 00:06:27,513 OH, YEAH. 163 00:06:27,513 --> 00:06:28,722 WELL, ANYWAY, 164 00:06:28,722 --> 00:06:30,098 I DECIDED YOU WAS ABSOLUTELY RIGHT. 165 00:06:30,098 --> 00:06:31,517 I GOTTA BROADEN MY HORIZONS. 166 00:06:31,517 --> 00:06:32,976 IF I END UP A LIFER HERE LIKE TURTLE, 167 00:06:32,976 --> 00:06:35,896 I'LL KILL MYSELF. 168 00:06:35,896 --> 00:06:37,898 THAT'S WHY THERE'S NO TIME TO WASTE. 169 00:06:37,898 --> 00:06:40,192 I WANT TO BE EXACTLY LIKE YOU, BOSS. 170 00:06:40,192 --> 00:06:41,527 I WANT YOU TO BE MY MENTOR, MY GURU, 171 00:06:41,527 --> 00:06:43,445 MY RABBI. 172 00:06:43,445 --> 00:06:44,446 WHEN YOU'RE CHOPPING THE HEADS OFF THE CHICKENS, 173 00:06:44,446 --> 00:06:45,531 I WANT TO BE THERE. 174 00:06:45,531 --> 00:06:47,032 WHEN YOU'RE SQUEEZING THE MELONS, 175 00:06:47,032 --> 00:06:48,534 WHEN YOU'RE HITTING ON THE CUSTOMERS, 176 00:06:48,534 --> 00:06:49,535 I WANT TO BE RIGHT THERE WITH YOU, BOSS. 177 00:06:49,535 --> 00:06:51,870 YOU KNOW, CHOPPING, SQUEEZING, HITTING, 178 00:06:51,870 --> 00:06:53,455 YOU KNOW? I MEAN, I WANT TO JUST FOLLOW YOU 179 00:06:53,455 --> 00:06:54,915 WHEREVER YOU GO! 180 00:06:54,915 --> 00:06:56,333 JUST ABOUT A FOOT FEELS GOOD. 181 00:06:56,333 --> 00:06:58,168 RIGHT. 182 00:06:58,168 --> 00:07:00,045 WELL, YOU'RE--YOU'RE VERY LOUD AND THAT'S FLATTERING. 183 00:07:00,045 --> 00:07:01,088 UH-HUH. UH... 184 00:07:01,088 --> 00:07:02,422 IT'S GOOD TO HEAR THAT STUFF. 185 00:07:02,422 --> 00:07:04,591 MAYBE YOU WOULD EVEN CONSIDER MOVING IN WITH ME. 186 00:07:04,591 --> 00:07:07,135 REALLY? YOU MEAN IT? 187 00:07:07,135 --> 00:07:09,388 NO. BIG NO. 188 00:07:09,388 --> 00:07:11,932 BUT I THINK TURTLE MIGHT HAVE BUNK BEDS, 189 00:07:11,932 --> 00:07:14,601 SO IF YOU TWO COULD FIGURE SOMETHING OUT... 190 00:07:14,601 --> 00:07:15,936 (GAGS) 191 00:07:17,354 --> 00:07:20,107 (LAUGHS) YOU GOT ME, BOSS. GOOD ONE! 192 00:07:24,945 --> 00:07:26,238 HEY, TOOK CARE OF THE NORTONS. 193 00:07:26,238 --> 00:07:27,322 EVERYTHING'S COOL. 194 00:07:27,322 --> 00:07:28,740 I'M GONNA TAKE OFF NOW. 195 00:07:28,740 --> 00:07:29,616 WHAT DO YOU MEAN? 196 00:07:29,616 --> 00:07:31,451 UH... 197 00:07:31,451 --> 00:07:32,995 I CAN'T DO THIS RIGHT NOW. MY HEAD'S NOT IN IT. 198 00:07:32,995 --> 00:07:34,955 LET ME GUESS. 199 00:07:34,955 --> 00:07:35,789 COWGIRL GAVE YOU THE BOOT. 200 00:07:35,789 --> 00:07:36,874 NO. 201 00:07:36,874 --> 00:07:38,166 YES. 202 00:07:38,166 --> 00:07:39,877 BUT I GOT THE LAST BURN ON HER. 203 00:07:39,877 --> 00:07:41,378 I SAID, BABY, WHEN THE PHONE AIN'T RINGING, 204 00:07:41,378 --> 00:07:42,963 THAT'S ME NOT CALLING. 205 00:07:42,963 --> 00:07:44,464 YEAH. 206 00:07:44,464 --> 00:07:45,799 REALLY, YOU SAID THAT? 207 00:07:45,799 --> 00:07:47,384 NO. BUT I SHOULD'VE. 208 00:07:47,384 --> 00:07:48,385 DAMN IT, I JUST THOUGHT OF IT RIGHT NOW 209 00:07:48,385 --> 00:07:49,636 WHEN I SAID IT TO YOU. 210 00:07:49,636 --> 00:07:50,971 YOU KNOW, ONE DAY 211 00:07:50,971 --> 00:07:52,264 YOU'RE GONNA MEET THE RIGHT GIRL... 212 00:07:52,264 --> 00:07:53,307 YOU'RE NOT GONNA KNOW WHAT TO DO. 213 00:07:53,307 --> 00:07:55,392 YOU KNOW WHERE TO FIND ME. 214 00:07:55,392 --> 00:07:56,685 OH, YEAH. 215 00:07:58,020 --> 00:08:00,188 TURTLE, NEVER DATE A GIRL 216 00:08:00,188 --> 00:08:01,523 WHO PAYS HER RENT IN SINGLES. 217 00:08:01,523 --> 00:08:02,566 OK. 218 00:08:29,760 --> 00:08:32,930 BILLS, CRAP, JUNK... 219 00:08:32,930 --> 00:08:35,098 "HAVE YOU SEEN ME?" NO. 220 00:08:35,098 --> 00:08:37,059 AHH. 221 00:08:37,059 --> 00:08:39,770 AFTERNOON, LADIES. 222 00:08:39,770 --> 00:08:43,106 OH, YOU'LL NEVER LEAVE ME. 223 00:08:43,106 --> 00:08:44,775 OOH, THERE'S A BARGAIN. 224 00:08:44,775 --> 00:08:45,734 (DOG BARKING, CAT SCREECHING) 225 00:08:46,652 --> 00:08:48,278 JACK! 226 00:08:51,281 --> 00:08:53,200 OH, ARE YOU ALL RIGHT? 227 00:08:53,200 --> 00:08:55,994 I'M SORRY. I DIDN'T SEE YOU. ARE YOU--ARE YOU HURT? 228 00:08:55,994 --> 00:08:58,372 UH, NO, THAT'S OK. I'M ON THE PILL. 229 00:08:58,372 --> 00:09:00,582 FORGIVE ME. I'M SORRY. 230 00:09:00,582 --> 00:09:02,584 JACK! 231 00:09:02,584 --> 00:09:04,795 WAIT! WHERE-- 232 00:09:04,795 --> 00:09:06,004 WHERE ARE YOU-- 233 00:09:06,004 --> 00:09:08,924 OK, GIRLS, WHO WANTS EGG SALAD? 234 00:09:08,924 --> 00:09:10,509 OH. YOU MADE IT? 235 00:09:10,509 --> 00:09:11,843 YES. 236 00:09:11,843 --> 00:09:12,970 NO, THANK YOU. 237 00:09:12,970 --> 00:09:14,262 NO, FORGET IT. 238 00:09:14,262 --> 00:09:15,722 (KNOCKING ON DOOR) 239 00:09:15,722 --> 00:09:16,723 COME IN. 240 00:09:18,058 --> 00:09:20,227 HI-HI-HI, MRS. STUBBLEFIELD. 241 00:09:20,227 --> 00:09:24,106 OH, DYLAN, YOU FOUND WHISKERS. 242 00:09:24,106 --> 00:09:25,357 WHERE WAS SHE? 243 00:09:25,357 --> 00:09:26,900 OH, SHE WAS BEHIND A DUMPSTER. 244 00:09:26,900 --> 00:09:28,527 SOME DOG CHASED HER BACK THERE. 245 00:09:28,527 --> 00:09:31,154 OH. WELL, THANK YOU. 246 00:09:31,154 --> 00:09:33,573 WELL, IF IT AIN'T THE SHORTY EXPRESS, 247 00:09:33,573 --> 00:09:35,283 RIGHT ON TIME. 248 00:09:35,283 --> 00:09:37,077 HELLO, LADIES. 249 00:09:37,077 --> 00:09:39,079 WOULD YOU LIKE TO JOIN US FOR A DRINK? 250 00:09:39,079 --> 00:09:40,372 OH, NO, THANKS. 251 00:09:40,372 --> 00:09:41,832 I ALREADY HAD A ROOFIE FOR LUNCH. 252 00:09:41,832 --> 00:09:44,501 MMM. NICE PANTS. 253 00:09:44,501 --> 00:09:47,713 WHAT SHE MEANS IS NICE ASS. 254 00:09:47,713 --> 00:09:49,256 (CHUCKLES) 255 00:09:49,256 --> 00:09:51,341 ANYWAY, I WANTED TO ASK YOU A QUICK QUESTION. 256 00:09:51,341 --> 00:09:54,177 OH, DON'T TELL ME. LET ME GUESS. 257 00:09:54,177 --> 00:09:56,596 THE NEW GIRL IN APARTMENT 6-C. 258 00:09:56,596 --> 00:09:57,723 HMM... 259 00:09:57,723 --> 00:09:59,224 YOU WANT ME TO HOOK YOU UP? 260 00:09:59,224 --> 00:10:01,351 NO, THANK YOU. YOU'LL RUIN IT. 261 00:10:01,351 --> 00:10:03,603 WHAT?! I AIN'T NO COCKBLOCKER. 262 00:10:03,603 --> 00:10:04,646 OH. 263 00:10:04,646 --> 00:10:05,939 WHERE IS MILDRED? 264 00:10:05,939 --> 00:10:08,191 WE SENT HER FOR A BEER RUN AN HOUR AGO. 265 00:10:08,191 --> 00:10:10,777 WELL, THERE'S A HEINIE IN THE LETTUCE DRAWER. 266 00:10:10,777 --> 00:10:12,612 DIBS. 267 00:10:12,612 --> 00:10:13,989 (PASSES GAS) WHOO, LOOK OUT, GIRLS, 268 00:10:13,989 --> 00:10:15,657 I'M CROP-DUSTIN' AGAIN. 269 00:10:15,657 --> 00:10:17,576 OHH. LORD. 270 00:10:17,576 --> 00:10:20,162 I TOLD YOU TO STOP EATING THOSE CRAB CAKES. 271 00:10:20,162 --> 00:10:21,913 ANYWAY, DYLAN... 272 00:10:21,913 --> 00:10:24,458 HER NAME IS LILA DUBOIS. 273 00:10:24,458 --> 00:10:26,334 AND SHE JUST MOVED IN. 274 00:10:26,334 --> 00:10:28,545 AND SHE SEEMS NICE ENOUGH, 275 00:10:28,545 --> 00:10:30,589 EXCEPT FOR THAT DOG OF HERS. 276 00:10:30,589 --> 00:10:32,340 DREADFUL ANIMAL. 277 00:10:32,340 --> 00:10:33,508 OK. ALL RIGHT, WELL, 278 00:10:33,508 --> 00:10:34,843 NICE TO SEE YOU, LADIES. TAH. 279 00:10:34,843 --> 00:10:36,720 NO, WAIT, DYLAN. 280 00:10:36,720 --> 00:10:41,183 UM, WOULDN'T YOU LIKE TO JOIN US FOR ONE HAND? 281 00:10:41,183 --> 00:10:43,477 NO, NO, NO, NO. I'M NOT THE TYPE OF GUY 282 00:10:43,477 --> 00:10:45,520 WHO STEALS PENSION MONEY FROM WIDOWS AND ORPHANS. 283 00:10:45,520 --> 00:10:46,938 OH. OH, GO ON. 284 00:10:46,938 --> 00:10:48,023 WHAT'S THE MATTER? 285 00:10:48,023 --> 00:10:50,150 YOUR NUTS AS PUNY AS YOU ARE? 286 00:10:50,150 --> 00:10:52,861 (LAUGHING) 287 00:10:52,861 --> 00:10:54,196 DEAL ME IN, BITCH. 288 00:10:54,196 --> 00:10:57,866 KING OF THE ROAD 289 00:10:57,866 --> 00:10:59,701 CLARA, QUIT DROPPING THINGS. 290 00:10:59,701 --> 00:11:01,328 WE ALL KNOW WHAT YOU'RE DOING UNDER THERE. 291 00:11:01,328 --> 00:11:03,413 IT SLIPPED, I SWEAR. 292 00:11:03,413 --> 00:11:04,664 6 TIMES? 293 00:11:04,664 --> 00:11:06,041 I FOLD. 294 00:11:06,041 --> 00:11:08,210 ME, TOO. 295 00:11:08,210 --> 00:11:10,253 I'LL SEE YOU YOUR SOCKS 296 00:11:10,253 --> 00:11:14,091 AND RAISE YOU... 297 00:11:14,091 --> 00:11:15,258 YOUR SHORTS. 298 00:11:17,511 --> 00:11:19,471 YOU COULDN'T RAISE MY SHORTS WITH A CRANE. 299 00:11:19,471 --> 00:11:20,931 BESIDES, YOU'RE BLUFFING. 300 00:11:20,931 --> 00:11:24,101 ONLY ONE WAY TO FIND OUT... 301 00:11:24,101 --> 00:11:25,977 BIG GUY. 302 00:11:33,110 --> 00:11:37,155 (GROANS) STRAIGHT FLUSH. 303 00:11:48,125 --> 00:11:51,002 (CELLO MUSIC) 304 00:12:16,194 --> 00:12:18,071 OOH. OW. OW. SHARP. 305 00:12:18,071 --> 00:12:19,823 OW. 306 00:12:33,128 --> 00:12:34,546 HEY! 307 00:12:34,546 --> 00:12:36,256 WHAT ARE YOU DOING? 308 00:12:36,256 --> 00:12:38,258 IF YOU GET FRESH WITH MY WIFE, 309 00:12:38,258 --> 00:12:39,759 YOU'LL HAVE TO DEAL WITH ME. 310 00:12:39,759 --> 00:12:43,388 I LOST A PENNY. HAVE YOU SEEN IT? 311 00:12:43,388 --> 00:12:47,100 YEAH. UH, IT HAD A PICTURE OF LINCOLN ON IT. 312 00:12:47,100 --> 00:12:48,935 YOU KNOW, THE PRESIDENT WHEN YOU WERE IN HIGH SCHOOL. 313 00:12:48,935 --> 00:12:50,437 Lady: HE HAS A NICE TUSH. 314 00:12:50,437 --> 00:12:52,063 Man: HILARY, FOR HEAVEN'S SAKE. 315 00:12:52,063 --> 00:12:53,148 WELL, HE DOES. 316 00:12:53,148 --> 00:12:55,609 AHH. GOD. 317 00:12:55,609 --> 00:12:58,653 HEY, HOW'S IT HANGING, RAY? 318 00:12:58,653 --> 00:13:01,114 LOW, LOOSE AND FULL OF JUICE. 319 00:13:01,114 --> 00:13:04,284 WE ALL KNOW YOU HAVEN'T BEEN LAID SINCE THE SHUTTLE EXPLODED. 320 00:13:04,284 --> 00:13:06,328 AND THAT WAS FOR ALL THE WRONG REASONS. 321 00:13:06,328 --> 00:13:08,622 HOW'S THE LOAN COMING? 322 00:13:08,622 --> 00:13:11,124 DYLAN, YOU'RE OVER-EXTENDED ALREADY. 323 00:13:11,124 --> 00:13:14,002 (SIGHS) WE GOTTA HAVE THIS LOAN OR WE'RE DEAD. 324 00:13:14,002 --> 00:13:15,879 WHAT DO YOU NEED, SOME COLLATERAL? 325 00:13:15,879 --> 00:13:18,423 YOU DON'T HAVE ANY COLLATERAL. 326 00:13:18,423 --> 00:13:19,799 (INTERCOM BEEPS) 327 00:13:19,799 --> 00:13:21,843 HELLO? 328 00:13:21,843 --> 00:13:23,887 Woman on intercom: LINE 3. IT'S MILLSTONE. 329 00:13:23,887 --> 00:13:25,180 OH. 330 00:13:28,183 --> 00:13:31,853 HELLO, SIR. SORRY TO KEEP YOU WAITING, MR. MILLSTONE, SIR. 331 00:13:31,853 --> 00:13:34,022 UH, YES, SIR. YES. EVERYTHING IS IN ORDER, SIR. 332 00:13:34,022 --> 00:13:36,524 YES, SIR, YOU CAN COUNT ON ME, SIR. 333 00:13:36,524 --> 00:13:37,817 (CHUCKLES) 334 00:13:39,861 --> 00:13:41,863 WOW, THAT CRAZY ASS-KISSING 335 00:13:41,863 --> 00:13:42,906 WAS HARD TO WATCH. 336 00:13:42,906 --> 00:13:44,532 (MWAH MWAH MWAH) 337 00:13:44,532 --> 00:13:46,660 (MIMICKING RAY) SIR, SIR. 338 00:13:48,411 --> 00:13:51,539 THAT ASS HAPPENS TO BELONG TO THE PRESIDENT OF THE BANK, 339 00:13:51,539 --> 00:13:53,124 THE ONE WHO APPROVES LOANS. 340 00:13:53,124 --> 00:13:54,876 OOH, IN THAT CASE, TELL HIM TO BEND OVER, 341 00:13:54,876 --> 00:13:56,127 I'LL BE RIGHT UP. 342 00:13:56,127 --> 00:13:58,922 MAYBE SOME OTHER TIME. HE'S BUSY RIGHT NOW 343 00:13:58,922 --> 00:14:01,424 PLANNING A LITTLE SOIREE FOR SATURDAY 344 00:14:01,424 --> 00:14:03,134 TO RAISE MONEY FOR THE ARTS. 345 00:14:03,134 --> 00:14:05,095 RAY, ARE YOU THINKING WHAT I'M THINKING? 346 00:14:05,095 --> 00:14:07,055 HIRE YOU TO CATER IT? 347 00:14:07,055 --> 00:14:08,932 NO, LET'S GO DOWN TO THE LAKE AND MAKE OUT. 348 00:14:08,932 --> 00:14:10,767 OF COURSE, HIRE US TO DO THE CATERING. 349 00:14:10,767 --> 00:14:13,228 WE'LL DO IT FOR COST. 350 00:14:13,228 --> 00:14:16,314 YOU CAN SHOW YOUR BOSS YOU'RE A TIGHT-FISTED PRICK 351 00:14:16,314 --> 00:14:18,149 AND WE'LL SHOW HIM WE'RE WORTH THE RISK. 352 00:14:18,149 --> 00:14:21,486 (SIGHS) OK, I'LL TRY, BUT I CAN'T PROMISE ANYTHING. 353 00:14:21,486 --> 00:14:24,990 YES. YOU'RE A STUD. THANK YOU, RAY. 354 00:14:24,990 --> 00:14:26,866 THERE YOU GO. 355 00:14:26,866 --> 00:14:28,785 HEY, LADIES. CAFFE di MARE. 356 00:14:28,785 --> 00:14:30,412 BRING YOUR MOMMIES. 357 00:14:32,789 --> 00:14:35,542 (WHISTLES) 358 00:14:35,542 --> 00:14:38,420 SIR, WE HAVE FRESH FISH DAILY. 359 00:14:38,420 --> 00:14:40,547 GREAT PLACE. 360 00:14:40,547 --> 00:14:43,466 AH, NOTHING LIKE THE THRILL OF THE HUNT. 361 00:14:43,466 --> 00:14:44,676 (BARKING) 362 00:14:48,430 --> 00:14:49,472 JACK? 363 00:14:49,472 --> 00:14:50,515 (BARKS) 364 00:14:50,515 --> 00:14:53,018 WHERE'S YOUR MOMMY? 365 00:14:53,018 --> 00:14:54,853 (CELLO PLAYING SCALES OFF KEY) 366 00:15:01,651 --> 00:15:03,695 (KNOCKING ON DOOR) 367 00:15:03,695 --> 00:15:04,946 WATCH YOUR INTONATION, OK? 368 00:15:04,946 --> 00:15:05,989 OK. 369 00:15:08,992 --> 00:15:10,035 HEY. HEY. 370 00:15:10,035 --> 00:15:11,494 HI, AGAIN. HAVE YOU TWO MET? 371 00:15:11,494 --> 00:15:13,038 JACK. THANK YOU. 372 00:15:13,038 --> 00:15:13,913 WHERE HAVE YOU BEEN? 373 00:15:13,913 --> 00:15:15,206 T'ETAIS Oú TOI, DIS DONC? 374 00:15:15,206 --> 00:15:16,249 ENCORE PARTI? 375 00:15:16,249 --> 00:15:18,043 HE WAS WAY OVER ON THE PIER. 376 00:15:18,043 --> 00:15:20,337 HUH, YOU BAD DOG. I SHOULD SPANK YOU. 377 00:15:20,337 --> 00:15:23,340 OOH. HEY, I WAS WAY OVER ON THE PIER, TOO. 378 00:15:23,340 --> 00:15:25,133 I WAS KIDDING. I MEAN, I WAS OVER THERE, BUT... 379 00:15:25,133 --> 00:15:27,052 THAT WAS A JOKE. MAYBE NOT. 380 00:15:27,052 --> 00:15:28,136 NO, NO, I GET IT. 381 00:15:28,136 --> 00:15:29,262 YOU'RE PROJECTING YOURSELF 382 00:15:29,262 --> 00:15:30,555 INTO THE PLACE OF THE DOG, 383 00:15:30,555 --> 00:15:32,724 JOKING FOR ME TO SPANK YOU, TOO, NO? 384 00:15:32,724 --> 00:15:34,642 YEAH. PRETTY MUCH. 385 00:15:34,642 --> 00:15:36,436 UH, STEVEN, TU REPRENDS DEPUIS LE DéBUT, 386 00:15:36,436 --> 00:15:37,479 S'IL TE PLAIT. HUH? 387 00:15:37,479 --> 00:15:40,607 AGAIN, PLEASE. 388 00:15:40,607 --> 00:15:42,484 (SIGHS) SORRY, UM, 389 00:15:42,484 --> 00:15:43,777 I DON'T EVEN KNOW YOUR NAME. 390 00:15:43,777 --> 00:15:44,944 OH, DYLAN RAMSEY. 391 00:15:44,944 --> 00:15:46,863 MM, NICE TO MEET YOU, DYLAN RAMSEY. 392 00:15:46,863 --> 00:15:47,947 AND THANK YOU. 393 00:15:47,947 --> 00:15:49,157 YEAH, NO PROBLEM. 394 00:15:49,157 --> 00:15:50,283 HEY, I DON'T KNOW IF YOU'RE BUSY OR NOT-- 395 00:15:50,283 --> 00:15:51,618 (CRASH) 396 00:15:51,618 --> 00:15:52,994 I SLIPPED. 397 00:15:52,994 --> 00:15:54,079 OH, SORRY, I HAVE TO GO. 398 00:15:54,079 --> 00:15:56,748 OH, OK. I'M OVER IN 10 IF YOU EVER NEED ANYTHING, 399 00:15:56,748 --> 00:15:59,376 MILK, FLOUR... 400 00:15:59,376 --> 00:16:01,503 HUSBAND. 401 00:16:01,503 --> 00:16:05,131 (CLASSICAL MUSIC PLAYS) 402 00:16:15,767 --> 00:16:18,770 ISN'T IT GREAT? 403 00:16:18,770 --> 00:16:20,855 I CAME ALL THE WAY TO AMERICA 404 00:16:20,855 --> 00:16:22,774 TO PLAY AT THE MALL. 405 00:16:22,774 --> 00:16:24,526 LILA, IT'S A PAYING GIG... 406 00:16:24,526 --> 00:16:26,111 IN TOWN. 407 00:16:26,111 --> 00:16:28,196 (CLASSICAL PIANO PLAYING) 408 00:17:22,625 --> 00:17:25,211 (APPLAUSE) 409 00:17:30,341 --> 00:17:32,260 I'M RESPONSIBLE FOR THAT PIANO. 410 00:17:32,260 --> 00:17:33,678 HE DIDN'T EVEN ASK. 411 00:17:33,678 --> 00:17:36,139 IT'S OK, PETER. I KNOW HIM. IT'S OK. 412 00:17:37,557 --> 00:17:39,517 LILA, MON AMOUR. 413 00:17:40,518 --> 00:17:41,728 RENE. 414 00:17:41,728 --> 00:17:43,855 LILA, YOU BREAK MY HEART. 415 00:17:43,855 --> 00:17:45,482 I'VE COME HALFWAY AROUND THE WORLD TO FIND YOU. 416 00:17:45,482 --> 00:17:48,359 AND I CAME HALFWAY AROUND THE WORLD TO LOSE YOU. 417 00:17:48,359 --> 00:17:50,361 YOU'RE MORE BEAUTIFUL THAN EVER. 418 00:17:50,361 --> 00:17:52,864 DID I NOT MAKE YOU HAPPY? I LOVE YOU. 419 00:17:52,864 --> 00:17:56,701 OUI, ME, 3 PERCUSSIONISTS, AND HALF THE WIND SECTION. 420 00:17:57,744 --> 00:17:59,287 WHAT CAN I SAY? 421 00:17:59,287 --> 00:18:00,788 I'M A MAN WHO LOVES TOO MUCH. 422 00:18:00,788 --> 00:18:02,373 I WAS STUPID. 423 00:18:02,373 --> 00:18:04,459 OH, NOT AS STUPID AS I. 424 00:18:04,459 --> 00:18:05,919 SO WHAT ARE YOU DOING HERE, REALLY? 425 00:18:05,919 --> 00:18:07,754 I CAME HERE FOR YOU. 426 00:18:07,754 --> 00:18:09,964 ALLEZ, AU REVOIR. 427 00:18:09,964 --> 00:18:11,132 I'VE GOT TO GET BACK TO WORK. 428 00:18:11,132 --> 00:18:13,051 WORK? THIS IS NOT WORK. 429 00:18:13,051 --> 00:18:14,385 THIS IS A WASTE OF YOUR TALENT. 430 00:18:14,385 --> 00:18:16,930 IT'S ONLY A MATTER OF TIME 431 00:18:16,930 --> 00:18:19,140 BEFORE I'M PLAYING FOR THE PHILHARMONIC, OK? 432 00:18:19,140 --> 00:18:21,309 YOU HAVEN'T EVEN TRIED OUT, HAVE YOU? 433 00:18:25,313 --> 00:18:27,774 COME ON. 434 00:18:27,774 --> 00:18:29,484 I JUST THOUGHT THAT YOU MIGHT LIKE 435 00:18:29,484 --> 00:18:30,985 TO HAVE DINNER WITH ME TONIGHT. 436 00:18:30,985 --> 00:18:32,111 I KNOW WHAT YOU CAME HERE FOR, RENE. 437 00:18:32,111 --> 00:18:33,404 AND DO YOU REALLY THINK I'M JUST GONNA 438 00:18:33,404 --> 00:18:34,656 THROW MYSELF AT YOU AGAIN? 439 00:18:34,656 --> 00:18:37,784 NO. IT'S JUST I'LL BE DINING WITH MAX UBERMANN. 440 00:18:37,784 --> 00:18:39,118 HE'S THE DIRECTOR OF THE PHILHARMONIC, 441 00:18:39,118 --> 00:18:41,412 IS HE NOT? 442 00:18:41,412 --> 00:18:44,290 BUT ANYWAY, IF YOU'RE TOO BUSY...PERFORMING... 443 00:18:47,210 --> 00:18:49,045 I'M TELLING YOU, MAN, 444 00:18:49,045 --> 00:18:51,714 3 TIMES THIS WEEK I'VE RETURNED THAT MUTT OF HERS, 445 00:18:51,714 --> 00:18:53,841 AND EVERY TIME IT'S THE SAME STORY. 446 00:18:53,841 --> 00:18:56,094 SORRY, I'M BUSY. BYE. 447 00:18:56,094 --> 00:18:57,345 IF IT WASN'T FOR THAT STUPID DOG, 448 00:18:57,345 --> 00:18:58,471 I'D NEVER SEE HER AT ALL. 449 00:18:58,471 --> 00:19:00,431 I DON'T KNOW, MAN. THIS GIRL SOUNDS TOO REAL FOR YOU. 450 00:19:00,431 --> 00:19:02,892 I DON'T EVEN KNOW WHY YOU LIKE HER. 451 00:19:02,892 --> 00:19:05,478 WAIT A MINUTE. SHE'S FRENCH, RIGHT? 452 00:19:05,478 --> 00:19:07,689 PROBABLY DOESN'T SPEAK ANY ENGLISH. 453 00:19:07,689 --> 00:19:09,023 YOU GUYS DON'T HAVE TO TALK TO EACH OTHER. 454 00:19:09,023 --> 00:19:11,359 SHE'S PERFECT. 455 00:19:11,359 --> 00:19:12,944 HEY, YOU'RE THE ONE WHO TOLD ME 456 00:19:12,944 --> 00:19:14,571 THERE WAS A GIRL OUT THERE FOR ME. 457 00:19:14,571 --> 00:19:16,322 PLEASE, I WAS JUST TALKING OUT OF MY ASS, 458 00:19:16,322 --> 00:19:17,824 TRYING TO END THE CONVERSATION. 459 00:19:17,824 --> 00:19:19,659 KIND OF LIKE I'M DOING NOW. SO WE CAN GET OUT OF HERE 460 00:19:19,659 --> 00:19:20,785 AND SEE IF RAY CALLED ABOUT THE PARTY. 461 00:19:20,785 --> 00:19:23,204 GREAT. DOUBLE OR NOTHING. 462 00:19:23,204 --> 00:19:25,498 IF I MAKE THIS, NOT ONLY DO I WIN THE GAME, 463 00:19:25,498 --> 00:19:26,541 BUT I GET LILA, TOO. 464 00:19:26,541 --> 00:19:27,625 UH-HUH. 465 00:19:27,625 --> 00:19:28,835 GET IN THERE. 466 00:19:28,835 --> 00:19:31,087 UNH! 467 00:19:31,087 --> 00:19:33,047 ALL RIGHT, IT'S LATE. GOOD GAME. YOU WIN, KID. 468 00:19:33,047 --> 00:19:35,133 HEY, WHAT ABOUT MY $5.00? 469 00:19:35,133 --> 00:19:37,260 I SAID "DOLL HAIRS." 470 00:19:39,387 --> 00:19:40,471 HUSTLER. 471 00:19:40,471 --> 00:19:41,598 PUSSY. 472 00:19:41,598 --> 00:19:43,516 JEEZ, YOU JUMPED 473 00:19:43,516 --> 00:19:45,810 A COUPLE OF STEPS THERE, DIDN'T YA? 474 00:19:45,810 --> 00:19:47,645 CAREFUL. SHE'S PROBABLY IN A GANG. 475 00:19:50,148 --> 00:19:52,025 SO WHAT DO I DO ABOUT THIS GIRL? 476 00:19:52,025 --> 00:19:54,277 I DON'T KNOW. WHAT ABOUT THE PIZZA MAN? 477 00:19:54,277 --> 00:19:56,613 OOH, IT'S NOT GONNA WORK. 478 00:19:56,613 --> 00:19:59,282 SHE'S WORLDLY, SOPHISTICATED, FRENCH. 479 00:19:59,282 --> 00:20:00,408 I'M GONNA HAVE TO COME UP WITH SOMETHING 480 00:20:00,408 --> 00:20:02,035 A LITTLE MORE INVENTIVE. 481 00:20:02,035 --> 00:20:03,620 (KNOCKING ON DOOR) 482 00:20:04,829 --> 00:20:06,998 DOMINOS. 483 00:20:06,998 --> 00:20:08,625 YES? 484 00:20:10,877 --> 00:20:13,338 IS THIS THE SQUANKMEYER RESIDENCE? 485 00:20:13,338 --> 00:20:15,590 SQUANKMEYER? NO. 486 00:20:15,590 --> 00:20:17,592 (CHUCKLES) I'LL TELL YOU, 487 00:20:17,592 --> 00:20:20,011 THESE COMPLEXES ARE SO COMPLEX. 488 00:20:20,011 --> 00:20:21,304 I GET ALL TWISTED AROUND. 489 00:20:21,304 --> 00:20:22,639 SORRY. GOOD NIGHT. 490 00:20:26,017 --> 00:20:27,060 WHO WAS IT? 491 00:20:27,060 --> 00:20:28,519 NOBODY. 492 00:20:39,155 --> 00:20:40,782 MERCEDES, HUH? 493 00:20:40,782 --> 00:20:42,200 SO WAS IT ONE OF THOSE LITTLE, UH, 494 00:20:42,200 --> 00:20:43,951 280 SLs OR THE... 495 00:20:43,951 --> 00:20:46,204 BIG KICK-ASS 500 SERIES? 496 00:20:46,204 --> 00:20:48,831 UH, I THINK IT WAS THE "I'VE GOT THE GIRL 497 00:20:48,831 --> 00:20:50,041 "AND YOU'RE WHACKING IT IN THE BUSHES 498 00:20:50,041 --> 00:20:51,918 WITH A COLD PIZZA" SERIES. 499 00:20:51,918 --> 00:20:54,087 I CAN'T STOP THINKING ABOUT THIS GIRL. 500 00:20:54,087 --> 00:20:57,548 OH, DYLAN, STOP TORTURING YOURSELF. 501 00:20:57,548 --> 00:20:59,592 I MEAN, LOOK, YOU KNOW HOW THIS IS GONNA TURN OUT. 502 00:20:59,592 --> 00:21:01,094 IT WON'T BE ANY DIFFERENT THAN IT WAS 503 00:21:01,094 --> 00:21:03,888 WITH YOUR LITTLE RODEO RIDER FROM THE SADDLE SORE SALOON. 504 00:21:03,888 --> 00:21:06,391 YOU'LL GO OUT, YOU'LL BECOME INFATUATED, 505 00:21:06,391 --> 00:21:09,018 THEN IN 6 WEEKS, IF SHE HASN'T ALREADY LEFT YOU, 506 00:21:09,018 --> 00:21:10,311 YOU'LL FIND SOME REASON TO DUMP HER. 507 00:21:10,311 --> 00:21:12,063 I MEAN, EITHER WAY, YOU'RE GONNA END UP ALONE. 508 00:21:12,063 --> 00:21:14,107 AGAIN. 509 00:21:14,107 --> 00:21:15,400 THANKS FOR THE PEP TALK. 510 00:21:15,400 --> 00:21:16,567 WHY DON'T YOU GO COACH THE CLIPPERS? 511 00:21:16,567 --> 00:21:18,111 (BABY CRIES) 512 00:21:18,111 --> 00:21:19,654 I'LL GET HER. 513 00:21:25,284 --> 00:21:26,786 HEY, DO ME A FAVOR. 514 00:21:26,786 --> 00:21:28,621 HOLD ONTO THIS FOR ME. 515 00:21:28,621 --> 00:21:29,914 WHAT IS IT? 516 00:21:29,914 --> 00:21:32,166 IT'S GAIL'S ANNIVERSARY GIFT. CHECK IT OUT. 517 00:21:32,166 --> 00:21:33,710 OH. 518 00:21:33,710 --> 00:21:34,836 YEAH. 519 00:21:34,836 --> 00:21:35,920 IT'S NICE. 520 00:21:35,920 --> 00:21:37,004 YEAH. IT'S A SURPRISE, 521 00:21:37,004 --> 00:21:38,089 SO JUST HOLD IT FOR ME. 522 00:21:38,089 --> 00:21:40,007 NO, I SHOULDN'T HOLD ONTO THAT. 523 00:21:40,007 --> 00:21:41,217 WELL, I CAN'T KEEP IT HERE. 524 00:21:41,217 --> 00:21:42,427 I DON'T WANT HER TO FIND IT. JUST KEEP IT, 525 00:21:42,427 --> 00:21:43,511 AND I'LL TELL YOU WHEN I NEED IT BACK. 526 00:21:43,511 --> 00:21:44,637 I'M NOT THE GUY FOR THAT. 527 00:21:44,637 --> 00:21:45,847 NO, I'M GONNA GET IT BACK FROM YOU. 528 00:21:45,847 --> 00:21:46,848 I DON'T WANT IT. WHY NOT? 529 00:21:46,848 --> 00:21:48,015 I DON'T NEED THINGS LIKE THIS IN MY LIFE. 530 00:21:48,015 --> 00:21:49,767 I'M ASKING FOR ONE STINKING FAVOR. 531 00:21:49,767 --> 00:21:51,477 JUST TAKE IT. COMING BACK. 532 00:21:51,477 --> 00:21:54,355 HEY, LOOK WHO'S HERE, SWEETIE. 533 00:21:54,355 --> 00:21:56,357 IT'S UNCLE DYLAN. 534 00:21:56,357 --> 00:21:57,942 YES. 535 00:21:57,942 --> 00:21:59,110 DO YOU WANT TO? 536 00:21:59,110 --> 00:22:00,695 SURE. HERE YOU GO. 537 00:22:03,364 --> 00:22:04,866 THERE YOU GO. 538 00:22:04,866 --> 00:22:09,162 ALL RIGHT, YOU LITTLE PUNK, I GOT YOU...IN MY GRIPS. 539 00:22:09,162 --> 00:22:10,705 YOU LIKE THAT? 540 00:22:10,705 --> 00:22:11,748 ALL RIGHT, YOU GET A LITTLE, 541 00:22:11,748 --> 00:22:14,083 BUT IF YOU GARP ANY BACK ON ME, I DO IT TO YOU. 542 00:22:14,083 --> 00:22:16,586 OK, LOOK, HERE'S THE BOTTOM LINE. 543 00:22:16,586 --> 00:22:17,962 WHEN I FIRST MET YOU, 544 00:22:17,962 --> 00:22:19,922 I THOUGHT YOU WERE KIND OF A JERK. 545 00:22:19,922 --> 00:22:21,674 YOUR MOMMY'S KIND OF A BITCH SOMETIMES. 546 00:22:21,674 --> 00:22:23,384 UNTIL I GOT TO KNOW YOU. 547 00:22:23,384 --> 00:22:25,428 AND THEN I COULD SEE HOW REALLY SWEET YOU ARE-- 548 00:22:25,428 --> 00:22:26,763 A-A-AT LEAST INTERMITTENTLY. 549 00:22:26,763 --> 00:22:28,097 I MEAN, WHAT I'M TRYING TO SAY 550 00:22:28,097 --> 00:22:29,432 IS THAT IF YOU REALLY LIKE THIS GIRL, 551 00:22:29,432 --> 00:22:31,058 SHE HAS TO GET TO KNOW YOU. 552 00:22:31,058 --> 00:22:32,351 GAIL'S RIGHT. 553 00:22:32,351 --> 00:22:33,686 HEY, YOU'RE A CLOSER, MAN. 554 00:22:33,686 --> 00:22:35,563 ALL YOU NEED IS SOME QUALITY TIME 555 00:22:35,563 --> 00:22:37,273 WITH THIS GIRL. 556 00:22:37,273 --> 00:22:39,275 (WHISPERS) Quality time... 557 00:22:39,275 --> 00:22:41,319 COME ON, LILA, I'M REALLY SORRY. 558 00:22:41,319 --> 00:22:43,029 I REALLY THOUGHT HE WAS GOING TO BE THERE. 559 00:22:43,029 --> 00:22:44,947 HE WAS NOT. HE WAS NOT. WHAT CAN I DO? 560 00:22:44,947 --> 00:22:46,949 BUT I PROMISE, TOMORROW I CALL MAX 561 00:22:46,949 --> 00:22:48,284 AND I ARRANGE FOR YOU TO MEET. 562 00:22:48,284 --> 00:22:49,452 IT'S ALL RIGHT, RENE. 563 00:22:49,452 --> 00:22:50,995 THANKS FOR TRYING. 564 00:22:50,995 --> 00:22:51,954 GOOD NIGHT. 565 00:22:53,998 --> 00:22:55,333 MAY I COME IN? 566 00:22:55,333 --> 00:22:56,793 NO. 567 00:23:00,004 --> 00:23:01,547 A LOT OF WORK. 568 00:23:07,178 --> 00:23:08,304 (TOY SQUEAKS) 569 00:23:08,304 --> 00:23:09,347 HEY, JACK. 570 00:23:09,347 --> 00:23:11,224 (SQUEAK SQUEAK) 571 00:23:11,224 --> 00:23:12,683 OH, NO, SORRY, MON VIEUX, 572 00:23:12,683 --> 00:23:13,726 I DON'T HAVE TIME. 573 00:23:13,726 --> 00:23:14,811 (SQUEAK SQUEAK) 574 00:23:14,811 --> 00:23:16,687 NO, I CAN'T. 575 00:23:27,114 --> 00:23:28,533 JACK! 576 00:23:28,533 --> 00:23:30,368 JACK! 577 00:23:30,368 --> 00:23:31,369 JACK! 578 00:23:31,369 --> 00:23:32,870 HEY, NEIGHBOR. 579 00:23:32,870 --> 00:23:35,331 YOU HAVEN'T SEEN JACK, HAVE YOU? 580 00:23:35,331 --> 00:23:37,416 OH, I'M SO LATE. 581 00:23:37,416 --> 00:23:39,794 WELL, GO ON, GET OUT OF HERE. I'LL FIND HIM. 582 00:23:39,794 --> 00:23:41,254 OH, NO, I CAN'T LET YOU DO THAT. 583 00:23:41,254 --> 00:23:42,755 HE'S MY PROBLEM. 584 00:23:42,755 --> 00:23:44,590 I WAS GONNA LOOK FOR A DOG TODAY, ANYWAY. 585 00:23:44,590 --> 00:23:45,675 THIS IS PERFECT. 586 00:23:45,675 --> 00:23:48,219 ARE YOU SURE? 587 00:23:48,219 --> 00:23:49,971 YEAH, I DON'T CARE. SCOOT. SKEDADDLE. 588 00:23:49,971 --> 00:23:51,305 I'M GONNA LOCK UP. 589 00:23:51,305 --> 00:23:53,474 HEY, THANKS. 590 00:24:05,570 --> 00:24:06,779 (CAR BACKFIRES) 591 00:24:08,781 --> 00:24:09,782 (WHISTLES) 592 00:24:18,916 --> 00:24:20,626 IT'S STRICTLY BUSINESS, JACK. 593 00:24:20,626 --> 00:24:21,836 NO HARD FEELINGS. 594 00:24:21,836 --> 00:24:23,713 (ARF) 595 00:24:25,798 --> 00:24:27,508 HEY, IT'S DYLAN. CAN I TALK TO MARK? 596 00:24:27,508 --> 00:24:28,968 (TOY SQUEAKS) 597 00:24:28,968 --> 00:24:30,678 THANKS. YEAH, HEY. IT'S ME. 598 00:24:30,678 --> 00:24:33,306 I DON'T THINK I'M GONNA BE ABLE TO MAKE IT IN TODAY. 599 00:24:33,306 --> 00:24:36,851 I'M WAITING FOR THE CABLE GUY. MY TV'S BROKEN. 600 00:24:36,851 --> 00:24:38,394 I DON'T KNOW. I DON'T KNOW WHAT'S WRONG WITH IT. 601 00:24:38,394 --> 00:24:40,479 (ARF) 602 00:24:40,479 --> 00:24:42,231 IT KEEPS MAKING BARKING NOISES. 603 00:24:42,231 --> 00:24:43,608 (ARF) 604 00:24:43,608 --> 00:24:45,693 SHH! YOU WANT A BOOT IN YOUR BUTT? 605 00:24:45,693 --> 00:24:47,528 NOT YOU. THE PHONE GUY. 606 00:24:47,528 --> 00:24:50,239 YEAH, UH, HE'S HERE TOO. THE, UH... 607 00:24:50,239 --> 00:24:51,866 I DON'T KNOW WHAT'S WRONG WITH IT. 608 00:24:51,866 --> 00:24:54,535 MY PHONE, IT KEEPS DISCONNECTING AT THE WEIRDEST-- 609 00:24:54,535 --> 00:24:56,996 ALL RIGHT, WHAT DO YOU WANT? 610 00:24:56,996 --> 00:24:59,415 ALL RIGHT, GIVE ME THAT. 611 00:24:59,415 --> 00:25:00,875 THERE. GO NUTS. 612 00:25:03,044 --> 00:25:04,420 WHAT PART DON'T YOU UNDERSTAND? 613 00:25:04,420 --> 00:25:06,631 I THROW, YOU FETCH. 614 00:25:06,631 --> 00:25:09,592 IT'S THE LATEST CRAZE. ALL THE COOL DOGS ARE DOING IT. 615 00:25:09,592 --> 00:25:12,428 (PANTING) 616 00:25:12,428 --> 00:25:15,598 OK. WHAT DO YOU WANT TO PLAY? 617 00:25:15,598 --> 00:25:18,100 HOW ABOUT THE QUIET GAME? GO! 618 00:25:18,100 --> 00:25:19,226 (BARKS) 619 00:25:19,226 --> 00:25:20,728 YOU LOSE. 620 00:25:20,728 --> 00:25:21,729 OH. 621 00:25:23,481 --> 00:25:25,107 (TOY SQUEAKING) 622 00:25:27,777 --> 00:25:29,946 (BARKING) 623 00:25:31,280 --> 00:25:32,907 HIDE-AND-SEEK? 624 00:25:32,907 --> 00:25:35,493 CRAFTY CANINE. 625 00:25:35,493 --> 00:25:37,787 WHERE COULD IT BE, JACK? WHERE, OH, WHERE? 626 00:25:37,787 --> 00:25:39,997 THE FRIDGE? MAYBE. 627 00:25:39,997 --> 00:25:43,167 THE PLANT? NOT MY FIRST GUESS. 628 00:25:43,167 --> 00:25:45,586 I'D SAY RIGHT HERE. 629 00:25:45,586 --> 00:25:47,505 AH! HA-HA! I FOUND IT! 630 00:25:47,505 --> 00:25:49,423 (BARKING) 631 00:25:49,423 --> 00:25:52,301 YOU WANT TO PLAY AGAIN? NO THANKS. 632 00:25:52,301 --> 00:25:53,844 I THINK IT'S MORE FUN FOR YOU. 633 00:25:53,844 --> 00:25:56,973 SO YOU DO THAT, AND LET ME KNOW HOW IT GOES. 634 00:25:56,973 --> 00:25:58,683 GREAT. 635 00:25:58,683 --> 00:26:02,019 OH, BEAT IT, WILL YOU? GO TAKE A DOG NAP. 636 00:26:02,019 --> 00:26:03,354 WHEN'S YOUR MOM COME HOME? 637 00:26:03,354 --> 00:26:04,897 IT'S TIME TO GO LOOK FOR YOU. 638 00:26:10,361 --> 00:26:13,197 YAAH! NO, NO, NO, NO. 639 00:26:13,197 --> 00:26:15,199 YOU DON'T GET THIS. SHH. 640 00:26:15,199 --> 00:26:17,576 I KNOW YOU WANT IT. LOOK AT HOW SPARKLY IT IS. 641 00:26:17,576 --> 00:26:19,537 (CHUCKLES) YOU WANT THAT? 642 00:26:19,537 --> 00:26:22,581 YEAH, YOU AND EVERY SINGLE GIRL IN THE MIDWEST. 643 00:26:22,581 --> 00:26:23,833 OHH LA LA. 644 00:26:23,833 --> 00:26:25,042 I WISH I HAD IT. 645 00:26:25,042 --> 00:26:26,711 (ARF ARF) 646 00:26:26,711 --> 00:26:27,920 JACK, I THOUGHT WE WERE JUST FRIENDS. 647 00:26:27,920 --> 00:26:28,963 (CAR BACKFIRES) 648 00:26:28,963 --> 00:26:30,673 OH. SHE'S HOME. COME ON. 649 00:26:30,673 --> 00:26:32,508 COME ON, COME ON. GET RID OF YOU. 650 00:26:32,508 --> 00:26:34,719 COME ON, BUDDY, INTO THE BATHROOM. 651 00:26:34,719 --> 00:26:35,803 THERE YOU GO. 652 00:26:35,803 --> 00:26:37,763 OH, YOU SUCKER. 653 00:26:37,763 --> 00:26:39,515 YOU'RE TOO EASY. 654 00:26:39,515 --> 00:26:41,600 DIDN'T YOUR MOMMY EVER TELL YOU? 655 00:26:41,600 --> 00:26:44,103 NEVER FOLLOW A STRANGER INTO THE BATHROOM. 656 00:26:48,774 --> 00:26:50,109 OW! 657 00:26:50,109 --> 00:26:51,610 OH, HEY, ARE YOU OK? 658 00:26:51,610 --> 00:26:53,946 (TEARFULLY) NO, I'M NOT OK. 659 00:26:55,448 --> 00:26:56,949 I JUST GOT FIRED. 660 00:26:58,617 --> 00:27:01,454 I CAN'T HELP IT IF THE CHILD IS TONE-DEAF. 661 00:27:01,454 --> 00:27:03,456 HOW IS THAT MY FAULT? 662 00:27:03,456 --> 00:27:05,833 THE PARENTS, THEY PAY ME TO GIVE HIM LESSONS, 663 00:27:05,833 --> 00:27:07,668 BUT I'M NOT A MIRACLE WORKER. 664 00:27:07,668 --> 00:27:10,087 WHEN I WAS A CHILD, I USED TO SLEEP WITH MY INSTRUMENT. 665 00:27:10,087 --> 00:27:11,839 IT HAD ITS OWN PILLOW. 666 00:27:11,839 --> 00:27:15,009 AND THIS LITTLE SHIT LEAVES HIS OUT IN THE RAIN 667 00:27:15,009 --> 00:27:17,803 AND THEY WONDER WHY THE MUSIC SOUNDS TERRIBLE? 668 00:27:17,803 --> 00:27:19,055 I'M SORRY. 669 00:27:19,055 --> 00:27:20,222 UHHH! 670 00:27:22,349 --> 00:27:23,976 I HAVE NO CAREER. 671 00:27:23,976 --> 00:27:25,394 WHO AM I KIDDING? 672 00:27:25,394 --> 00:27:26,771 (SOBBING) 673 00:27:26,771 --> 00:27:29,774 WELL, I BET YOU'LL FEEL BETTER WHEN YOU FIND JACK. 674 00:27:29,774 --> 00:27:30,858 (SOBBING) 675 00:27:30,858 --> 00:27:33,527 AND MY DOG IS MISSING. 676 00:27:33,527 --> 00:27:35,571 IT'S GONNA BE ALL RIGHT. 677 00:27:35,571 --> 00:27:37,114 (HICCUP) OH! 678 00:27:37,114 --> 00:27:39,992 AND NOW I'VE GOT THE HICCUPS. 679 00:27:39,992 --> 00:27:41,702 I COULD KILL THAT DOG. 680 00:27:41,702 --> 00:27:43,037 (HICCUP) 681 00:27:43,037 --> 00:27:44,538 HE DOES THIS ALL THE TIME. 682 00:27:44,538 --> 00:27:46,373 EVENTUALLY HE ALWAYS COMES BACK, 683 00:27:46,373 --> 00:27:47,833 BUT HE DOESN'T KNOW THIS NEIGHBORHOOD. 684 00:27:47,833 --> 00:27:49,043 (HICCUP) 685 00:27:50,544 --> 00:27:52,421 WELL, I TELL YOU WHAT. 686 00:27:52,421 --> 00:27:54,590 I GUARANTEE YOU'LL GET YOUR DOG BACK. 687 00:27:54,590 --> 00:27:58,094 I BET...IN 2 HOURS YOU'LL HAVE HIM. OK? 688 00:27:58,094 --> 00:27:59,178 YEAH? 689 00:27:59,178 --> 00:28:00,721 YOU THINK SO? 690 00:28:00,721 --> 00:28:02,098 I KNOW SO. 691 00:28:02,098 --> 00:28:03,432 COME ON. 692 00:28:03,432 --> 00:28:05,059 LET ME GRAB THIS. LET'S GO. 693 00:28:05,059 --> 00:28:06,435 (HICCUP) 694 00:28:08,020 --> 00:28:09,105 UHHH! 695 00:28:09,105 --> 00:28:10,314 (CHUCKLES) 696 00:28:10,314 --> 00:28:11,941 HOW MANY YOU GOT IN HERE? 697 00:28:11,941 --> 00:28:13,317 YOU OK? 698 00:28:13,317 --> 00:28:16,237 YEAH. I...I USUALLY WORK WITH BARBELLS. 699 00:28:16,237 --> 00:28:17,822 THIS IS A MORE... 700 00:28:17,822 --> 00:28:18,948 AWKWARD... 701 00:28:18,948 --> 00:28:19,949 SITUATION. 702 00:28:22,451 --> 00:28:24,453 HEY, YOU KNOW, THIS PARK IS GREAT. 703 00:28:24,453 --> 00:28:26,455 IF I WAS A DOG, I'D COME HERE. 704 00:28:28,457 --> 00:28:30,042 OH, GOD. I CAN'T HELP FEELING 705 00:28:30,042 --> 00:28:32,044 LIKE I'VE WASTED MY WHOLE LIFE. 706 00:28:32,044 --> 00:28:33,546 I MEAN... 707 00:28:33,546 --> 00:28:37,258 ALL I'VE DONE SINCE I WAS 5 YEARS OLD IS... 708 00:28:37,258 --> 00:28:38,676 PLAY MUSIC. 709 00:28:40,886 --> 00:28:43,347 JEEZ, THE ONLY FOCUS I HAD WHEN I WAS 5 710 00:28:43,347 --> 00:28:44,890 WAS NOT TO WET THE BED. 711 00:28:44,890 --> 00:28:48,018 I USED TO SPRINKLE CEREAL ON MY SHEETS AT NIGHT, 712 00:28:48,018 --> 00:28:50,312 AND THEN WHEN I'D HEAR "SNAP, CRACKLE, POP," 713 00:28:50,312 --> 00:28:52,273 I'D WAKE UP AND RUN TO THE BATHROOM. 714 00:28:52,273 --> 00:28:54,024 OF COURSE, I HAD TO KILL THOSE GUYS. 715 00:28:54,024 --> 00:28:55,484 THEY KNEW TOO MUCH. 716 00:28:55,484 --> 00:28:56,694 SNAP AND CRACKLE WERE COOL, 717 00:28:56,694 --> 00:28:59,864 BUT POP HAD A LITTLE BIT OF A (SNIFFS) TOOT PROBLEM. 718 00:28:59,864 --> 00:29:00,990 (CHUCKLES) 719 00:29:00,990 --> 00:29:02,825 (LAUGHS) 720 00:29:02,825 --> 00:29:04,493 SHE SMILED. FINALLY. 721 00:29:05,870 --> 00:29:06,871 (SIGHS) 722 00:29:08,622 --> 00:29:10,124 OOH, A PLAYGROUND. 723 00:29:10,124 --> 00:29:11,333 LET'S PLAY. 724 00:29:13,752 --> 00:29:15,588 DYLAN, WHAT ARE YOU DOING? 725 00:29:15,588 --> 00:29:17,464 SHH, SHH, SHH! YOU'LL SPOOK HIM. 726 00:29:19,592 --> 00:29:21,343 SETTLE IN. 727 00:29:21,343 --> 00:29:23,596 OK, WHAT YOU GOT, HORSY? 728 00:29:23,596 --> 00:29:25,598 WHAT YOU GOT? THAT AIN'T MUCH. 729 00:29:25,598 --> 00:29:26,974 HEE HEE HEE! OOH! 730 00:29:26,974 --> 00:29:28,684 YEAH! 731 00:29:28,684 --> 00:29:31,145 IS THAT IT? I SAW YOUR MOMMY AT KMART. 732 00:29:31,145 --> 00:29:32,438 YOU CAN RIDE HER ÀFOR A QUARTER. 733 00:29:32,438 --> 00:29:33,939 THAT'S WHAT I SAID. 734 00:29:33,939 --> 00:29:35,649 OHH! OH! 735 00:29:35,649 --> 00:29:39,403 ARE YOU--OOPS! ARE YOU OK? SORRY. 736 00:29:39,403 --> 00:29:41,155 WAS THAT 8 SECONDS? 737 00:29:41,155 --> 00:29:43,157 OH, MY GOD. 738 00:29:43,157 --> 00:29:44,992 (CHUCKLES) 739 00:29:44,992 --> 00:29:46,827 YOU ALMOST MADE ME FORGET 740 00:29:46,827 --> 00:29:48,621 HOW TERRIBLE THIS WEEK HAS BEEN FOR ME. 741 00:29:48,621 --> 00:29:50,247 OH, IT CAN'T BE THAT BAD. 742 00:29:50,247 --> 00:29:52,041 HA! AND ON TOP OF EVERYTHING, 743 00:29:52,041 --> 00:29:55,419 MY FORMER FIANCE JUST SHOWED UP OUT OF NOWHERE. 744 00:29:55,419 --> 00:29:56,879 HE EXPECTS ME TO FORGET 745 00:29:56,879 --> 00:29:58,339 EVERYTHING THAT HAPPENED BETWEEN US 746 00:29:58,339 --> 00:29:59,215 AND FLY BACK TO PARIS WITH HIM. 747 00:29:59,215 --> 00:30:00,549 CAN YOU BELIEVE IT? 748 00:30:00,549 --> 00:30:02,343 THAT BASTARD. 749 00:30:02,343 --> 00:30:04,845 AND JUST BECAUSE HE'S GORGEOUS AND TALENTED AND CHARMING 750 00:30:04,845 --> 00:30:06,180 AND RICH AND FAMOUS AND... 751 00:30:06,180 --> 00:30:08,015 I GET IT. KEEP GOIN'. 752 00:30:08,015 --> 00:30:12,144 HE THINKS I'M JUST GOING TO FORGET ABOUT HOW HE TREATED ME. 753 00:30:12,144 --> 00:30:13,646 UNHH! 754 00:30:13,646 --> 00:30:16,023 THE THINGS I HATED THE MOST WERE HIS LIES. 755 00:30:16,023 --> 00:30:19,568 WITHOUT HONESTY, YOU HAVE NOTHING. YOU AGREE? 756 00:30:19,568 --> 00:30:20,694 YEAH. 757 00:30:20,694 --> 00:30:22,363 UH, HONESTY IS VERY IMPORTANT. 758 00:30:22,363 --> 00:30:24,114 (BELL RINGS) 759 00:30:24,114 --> 00:30:27,159 ICE CREAM. NOW THAT'S REALLY IMPORTANT. 760 00:30:28,994 --> 00:30:30,537 ALL RIGHT. I TELL YOU WHAT. 761 00:30:30,537 --> 00:30:32,373 YOU'VE HAD A LONG DAY. 762 00:30:32,373 --> 00:30:34,375 UH...WHY DON'T YOU GO INSIDE, 763 00:30:34,375 --> 00:30:36,752 TAKE A BATH, RELAX, LIGHT SOME CANDLES. 764 00:30:36,752 --> 00:30:38,796 I'LL GET OUT THERE AND DO A FINAL PASS 765 00:30:38,796 --> 00:30:40,256 OF THE NEIGHBORHOOD. OK? 766 00:30:40,256 --> 00:30:41,423 YOU WOULD DO THAT? 767 00:30:41,423 --> 00:30:43,050 SURE. YEAH, NO PROBLEM. 768 00:30:43,050 --> 00:30:44,426 AND I'LL SEE YOU LATER. 769 00:30:44,426 --> 00:30:45,970 I MEAN, IF I FIND HIM. 770 00:30:47,930 --> 00:30:49,056 DYLAN? 771 00:30:49,056 --> 00:30:50,307 YEAH. 772 00:30:50,307 --> 00:30:52,935 I'M VERY LUCKY TO HAVE A NEIGHBOR LIKE YOU. 773 00:30:58,190 --> 00:30:59,441 YEAH. 774 00:31:06,240 --> 00:31:07,491 (DOOR CLOSES) 775 00:31:12,788 --> 00:31:14,331 OOP! 776 00:31:19,503 --> 00:31:20,921 OOH, BURN ON ME. 777 00:31:20,921 --> 00:31:23,340 YOU GOT OUT OF THE BATHROOM DOOR. 778 00:31:23,340 --> 00:31:25,175 YOU WANT TO CALL LETTERMAN, OR SHOULD I? 779 00:31:25,175 --> 00:31:27,344 (IMITATING LETTERMAN) THIS DOG HAS A GIFT. 780 00:31:27,344 --> 00:31:28,929 (AUTODIALING) 781 00:31:28,929 --> 00:31:30,347 (RING) 782 00:31:30,347 --> 00:31:32,016 HEY. WALLY, IT'S DYLAN. 783 00:31:32,016 --> 00:31:34,727 YEAH. CAN YOU GET LASAGNA AND SALAD FOR TWO 784 00:31:34,727 --> 00:31:36,562 DELIVERED TO MY HOUSE STAT? 785 00:31:36,562 --> 00:31:38,897 AND MAKE IT NICE. THANKS, PAL. 786 00:31:38,897 --> 00:31:40,733 YOU DON'T NEED MY CREDIT CARD. 787 00:31:40,733 --> 00:31:42,359 I OWN THE PLACE. REMEMBER? 788 00:31:42,359 --> 00:31:43,861 ALL RIGHT. YOU'RE DOIN' GOOD. 789 00:31:45,696 --> 00:31:47,156 WELL, WELL, WELL. 790 00:31:47,156 --> 00:31:48,699 IT'S TIME TO TAKE YOU HOME, BUDDY, 791 00:31:48,699 --> 00:31:50,284 AND EARN MY HERO STRIPES. 792 00:31:50,284 --> 00:31:51,910 YEAH! 793 00:31:53,662 --> 00:31:54,872 (WHIMPERS) 794 00:31:56,707 --> 00:31:58,500 YOU DID NOT. 795 00:31:58,500 --> 00:32:00,377 WHERE'S THE RING, JACK? 796 00:32:00,377 --> 00:32:01,754 I NEED TO HAVE IT. 797 00:32:01,754 --> 00:32:03,380 LOOK AT ME, YOU LITTLE TARANTULA. 798 00:32:03,380 --> 00:32:05,341 I KNOW YOU KNOW WHERE IT IS. 799 00:32:05,341 --> 00:32:07,384 DO THE RIGHT THING, AND POINT YOUR SNOUT AT IT. 800 00:32:07,384 --> 00:32:08,927 TALK TO ME. (KNOCK KNOCK) 801 00:32:08,927 --> 00:32:10,763 WHO IS IT? WALLY. 802 00:32:13,599 --> 00:32:16,643 OH...MY...GOD. 803 00:32:16,643 --> 00:32:18,103 OH, NO. 804 00:32:18,103 --> 00:32:20,022 IT'S SINGLE WHITE FEMALE. 805 00:32:20,022 --> 00:32:22,191 SO, LET ME GET THIS RIGHT, BOSS. 806 00:32:22,191 --> 00:32:23,650 YOU LOST MARK'S RING, 807 00:32:23,650 --> 00:32:25,611 AND THEN YOU STOLE SOME BROAD'S DOG 808 00:32:25,611 --> 00:32:27,237 TO HELP YOU FIND THE RING, 809 00:32:27,237 --> 00:32:28,781 AND THEN THE DOG LOST THE... 810 00:32:28,781 --> 00:32:30,407 OH, WAIT. LET ME START OVER. 811 00:32:30,407 --> 00:32:31,617 JUST LOOK. 812 00:32:37,206 --> 00:32:39,750 YOU WANT SOME FLOWERS FOR THAT VASE? 813 00:32:39,750 --> 00:32:41,752 HUH? 814 00:32:41,752 --> 00:32:44,046 HEY. DON'T GIVE HIM ANY OF THAT. 815 00:32:44,046 --> 00:32:46,507 HE DOESN'T GET ANYTHING TILL WE GET THE RING BACK. 816 00:32:49,176 --> 00:32:51,678 HEH HEH. THIS DOG'LL EAT ANYTHING. 817 00:32:54,765 --> 00:32:57,810 HEY, THERE'S MY MAIL KEY. 818 00:32:57,810 --> 00:32:58,894 (GRRR) 819 00:32:58,894 --> 00:33:00,646 IT'S DIFFICULT TO TELL. 820 00:33:00,646 --> 00:33:02,356 THIS COULD BE THE RING RIGHT HERE. 821 00:33:02,356 --> 00:33:04,775 AND YOU KNOW WHAT THAT MEANS. 822 00:33:04,775 --> 00:33:06,527 SURE. CUT HIM OPEN, DOC. 823 00:33:06,527 --> 00:33:08,153 I'LL GRAB HIS PAWS. 824 00:33:08,153 --> 00:33:10,197 THAT'S A LITTLE DRASTIC. 825 00:33:10,197 --> 00:33:11,990 IF IT'S IN THERE, ALL YOU HAVE TO DO 826 00:33:11,990 --> 00:33:14,410 IS WAIT FOR IT TO PASS THROUGH HIS SYSTEM... 827 00:33:14,410 --> 00:33:15,994 AND THEN RETRIEVE IT. 828 00:33:15,994 --> 00:33:18,038 I THINK YOU'RE THE ONLY ONE PSYCHED-UP 829 00:33:18,038 --> 00:33:20,874 FOR THAT TREASURE HUNT, DOC. 830 00:33:20,874 --> 00:33:22,835 OH, YOU WON THIS ROUND, MY FRIEND, 831 00:33:22,835 --> 00:33:26,630 BUT THIS IS FAR FROM OVER. 832 00:33:26,630 --> 00:33:28,632 WHAT ARE YOU SNIFFIN' AROUND FOR? IT'S ALL GOOD GRASS. 833 00:33:28,632 --> 00:33:31,260 JUST DO IT. I DON'T HAVE ALL DAY. 834 00:33:34,430 --> 00:33:36,265 HEY, I GOT AN IDEA. 835 00:33:36,265 --> 00:33:39,059 THIS WORKED ON ME ONCE IN SUMMER CAMP. 836 00:33:44,606 --> 00:33:46,442 OH... 837 00:33:46,442 --> 00:33:47,609 YEAH. 838 00:33:47,609 --> 00:33:49,445 OOH! 839 00:33:49,445 --> 00:33:51,029 DOESN'T THAT FEEL GOOD? 840 00:33:51,029 --> 00:33:52,823 NICE WARM WATER. 841 00:33:52,823 --> 00:33:54,616 LOOSENS EVERYTHING UP. 842 00:33:54,616 --> 00:33:56,618 IT'S SO RELAXING. 843 00:33:56,618 --> 00:33:57,953 YEAH. 844 00:34:01,123 --> 00:34:02,624 GREAT. NOW I GOTTA GO. 845 00:34:02,624 --> 00:34:03,834 ALL RIGHT. 846 00:34:06,712 --> 00:34:08,505 PUT YOU RIGHT HERE. 847 00:34:08,505 --> 00:34:09,631 STAY. 848 00:34:09,631 --> 00:34:12,176 I'LL BE REAL QUICK. JUST NUMBER ONE. 849 00:34:17,431 --> 00:34:20,559 (GRRR) 850 00:34:25,522 --> 00:34:26,690 JACK? 851 00:34:26,690 --> 00:34:29,902 (POOPING NOISES) 852 00:34:33,530 --> 00:34:35,073 JACK, WAIT! 853 00:34:36,158 --> 00:34:37,075 COME ON. 854 00:34:41,538 --> 00:34:44,166 UHH. HOW WE DOIN'? 855 00:34:47,544 --> 00:34:50,088 SORRY, BOSS. NO RING. 856 00:34:50,088 --> 00:34:52,382 WELL, THANKS FOR COMIN' OVER, MAN. 857 00:34:52,382 --> 00:34:55,969 I VALUE THIS TIME WE SPEND TOGETHER, BOSS. 858 00:34:55,969 --> 00:34:57,930 DID I GET ANY ON ME? 859 00:34:57,930 --> 00:35:00,641 MMM...A LITTLE RIGHT HERE. 860 00:35:02,643 --> 00:35:04,436 YOU GOT IT. 861 00:35:06,772 --> 00:35:07,940 CLEAN UP. 862 00:35:09,608 --> 00:35:11,109 SURE THING, BOSS. 863 00:35:11,109 --> 00:35:13,320 (JACK PANTING) 864 00:35:13,320 --> 00:35:16,657 OH, MY GOSH. THE ONLY THING WORSE THAN DOGGY BREATH 865 00:35:16,657 --> 00:35:18,033 IS DOGGY MORNING BREATH. 866 00:35:18,033 --> 00:35:19,326 GO! 867 00:35:21,119 --> 00:35:24,957 WAIT. IF YOU'RE UP HERE, THEN WHAT'S POKING IN... 868 00:35:24,957 --> 00:35:27,000 YOO HOO HOO! MY GOD! 869 00:35:28,502 --> 00:35:29,670 WHAT?! 870 00:35:29,670 --> 00:35:31,296 WHAT ARE YOU DOIN' IN MY BED? 871 00:35:31,296 --> 00:35:34,675 IT WAS COLD ON THE COUCH, AND... 872 00:35:34,675 --> 00:35:36,510 BESIDES, I HEARD A NOISE. 873 00:35:36,510 --> 00:35:39,346 YOU JUST SNUGGLED UP ON ME LIKE SOME SORT OF PEA POD. 874 00:35:39,346 --> 00:35:40,472 (CHUCKLING) YEAH. 875 00:35:40,472 --> 00:35:41,682 GET OUT. 876 00:35:41,682 --> 00:35:42,724 WAIT. 877 00:35:42,724 --> 00:35:44,685 WHERE'D YOU GET THOSE UNDERPANTS? 878 00:35:44,685 --> 00:35:47,688 OH, OUTTA THE HAMPER. I HAD TO DIG A LITTLE. 879 00:35:47,688 --> 00:35:49,690 OH, MY GOD! THAT'S DISGUSTING! 880 00:35:49,690 --> 00:35:51,358 TAKE 'EM OFF! 881 00:35:51,358 --> 00:35:53,860 NO, DON'T. WAIT. JUST...GET OUT. 882 00:35:55,028 --> 00:35:56,863 (DOORBELL CHIMES) 883 00:35:56,863 --> 00:36:00,075 (ARF ARF ARF) 884 00:36:00,075 --> 00:36:01,034 (DOORBELL) I'LL GET IT. 885 00:36:01,034 --> 00:36:02,160 (ARF) 886 00:36:02,160 --> 00:36:04,705 SHH! SHH! SHH! SHH! SHH! 887 00:36:04,705 --> 00:36:06,081 WHO IS IT? 888 00:36:06,081 --> 00:36:07,165 IT'S LILA. 889 00:36:07,165 --> 00:36:08,250 GOD! 890 00:36:08,250 --> 00:36:09,376 (WHIMPERS) 891 00:36:09,376 --> 00:36:10,419 (WHIMPERING) SHH! 892 00:36:11,253 --> 00:36:12,254 LOOK OUT. 893 00:36:14,298 --> 00:36:15,257 (UNEASILY) HI. 894 00:36:17,551 --> 00:36:20,095 SORRY. I DIDN'T WANT TO INTERRUPT YOU. I-- 895 00:36:20,095 --> 00:36:22,222 (CHUCKLING) YOU DIDN'T. THERE'S--WE'RE NOT-- 896 00:36:22,222 --> 00:36:23,974 THERE'S NOTHING-- WE WEREN'T-- 897 00:36:23,974 --> 00:36:25,100 THERE'S NOTH-- 898 00:36:25,100 --> 00:36:26,393 (CHUCKLING) THAT'S FUNNY. 899 00:36:26,393 --> 00:36:28,729 UH... HI. 900 00:36:28,729 --> 00:36:29,771 GOOD MORNING. 901 00:36:29,771 --> 00:36:30,772 GOOD MORNING. 902 00:36:32,107 --> 00:36:33,734 I'LL GO MAKE THE BED. 903 00:36:33,734 --> 00:36:36,111 AAAH! OK. 904 00:36:36,111 --> 00:36:37,279 THIS GUY'S, UH... 905 00:36:37,279 --> 00:36:39,489 NO, IT'S OK. I'M OPEN. 906 00:36:39,489 --> 00:36:41,575 UH, I GUESS YOU DIDN'T HAVE ANY LUCK LAST NIGHT. 907 00:36:41,575 --> 00:36:43,201 I MEAN...WITH JACK. 908 00:36:43,201 --> 00:36:47,456 UH, SO I MADE, UH, POSTERS. 909 00:36:47,456 --> 00:36:49,958 AND DO YOU HAVE SOMETHING TO HANG THEM WITH? 910 00:36:49,958 --> 00:36:52,002 YEAH. SURE, I DO. WAIT HERE. I'LL GO WITH YOU. 911 00:36:52,002 --> 00:36:53,378 NO. 912 00:36:53,378 --> 00:36:54,296 NO, NO. IT'S NO PROBLEM. 913 00:36:54,296 --> 00:36:56,298 NO, I'LL BE RIGHT BACK. JUST 2 SECONDS. 914 00:36:57,841 --> 00:36:59,676 OK. LET'S DO IT. 915 00:36:59,676 --> 00:37:01,219 I FIGURE WE'LL START ON BRADBURY 916 00:37:01,219 --> 00:37:03,347 AND WORK OUR WAY NORTH. 917 00:37:03,347 --> 00:37:05,057 THERE'S A LITTLE COFFEE SHOP IF YOU WANT TO GRAB A BITE. 918 00:37:05,057 --> 00:37:07,059 I REALLY...APPRECIATE YOUR HELP, BUT... 919 00:37:07,059 --> 00:37:09,061 ISN'T THERE SOMEWHERE YOU HAVE TO BE? 920 00:37:09,061 --> 00:37:11,688 I OWN THE PLACE, BABY. I DON'T PUNCH A CLOCK. 921 00:37:11,688 --> 00:37:13,523 BESIDES, YOU SHOULDN'T DO THIS BY YOURSELF. 922 00:37:13,523 --> 00:37:15,359 DYLAN... 923 00:37:15,359 --> 00:37:18,362 RENE CALLED LAST NIGHT, AND I TOLD HIM ABOUT JACK. 924 00:37:18,362 --> 00:37:20,113 I MUST'VE BEEN VERY UPSET, BUT... 925 00:37:20,113 --> 00:37:22,366 HE OFFERED TO HELP ME. 926 00:37:22,366 --> 00:37:24,368 LIKE THAT'S GONNA WORK? WHAT A WORM. 927 00:37:24,368 --> 00:37:26,370 THE GUY THINKS HE CAN WEASEL HIS WAY 928 00:37:26,370 --> 00:37:28,413 BACK INTO YOUR LIFE THROUGH YOUR DOG? 929 00:37:31,208 --> 00:37:33,543 HOW COULD I SAY NO? 930 00:37:33,543 --> 00:37:34,920 I'LL COACH YOU. 931 00:37:34,920 --> 00:37:36,254 MM-HMM. 932 00:37:45,138 --> 00:37:47,099 (ARF ARF) 933 00:37:47,099 --> 00:37:49,434 WERE YOU HUNGRY TOO? 934 00:37:57,109 --> 00:37:59,319 HERE YOU GO. HA. 935 00:37:59,319 --> 00:38:01,321 KNOCK YOURSELF OUT. 936 00:38:04,991 --> 00:38:06,243 PLENTY OF VITAMINS. 937 00:38:06,243 --> 00:38:08,453 GOOD FOR YOUR COLORING. 938 00:38:10,664 --> 00:38:11,873 HOW'S THIS? 939 00:38:11,873 --> 00:38:14,209 I THINK A LITTLE INCENTIVE WOULD NOT HURT. 940 00:38:14,209 --> 00:38:16,128 A REWARD, PERHAPS? 941 00:38:16,128 --> 00:38:18,338 NO. I CANNOT. I DON'T HAVE ENOUGH. 942 00:38:18,338 --> 00:38:20,048 BUT I DO. 943 00:38:20,048 --> 00:38:21,508 GIVE ME THE PEN. 944 00:38:28,181 --> 00:38:30,100 OH...THANK YOU! MERCI! 945 00:38:30,100 --> 00:38:31,476 YOU'RE WELCOME. 946 00:38:31,476 --> 00:38:33,019 WOW. A HUNDRED DOLLARS. 947 00:38:33,019 --> 00:38:35,355 IT'S A LOT OF MONEY, YOU KNOW? 948 00:38:35,355 --> 00:38:38,024 YEAH, IF YOU'RE TRYIN' TO GET A CHICKEN BACK. 949 00:38:39,860 --> 00:38:40,944 LOO LOO 950 00:38:40,944 --> 00:38:42,028 NO. I CANNOT-- 951 00:38:42,028 --> 00:38:44,406 SHH. I INSIST. 952 00:38:47,033 --> 00:38:50,036 UH-HUH. WE ARE TALKING ABOUT DOLLARS. 953 00:38:50,036 --> 00:38:51,037 I SEE. 954 00:38:55,083 --> 00:38:57,043 ARE YOU CRAZY, RENE? THIS IS TOO MUCH. I CANNOT-- 955 00:38:57,043 --> 00:39:01,256 UH! LET'S BE ADULTS ABOUT THIS, SHALL WE? 956 00:39:01,256 --> 00:39:03,592 HA HA! ARE WE DONE? 957 00:39:03,592 --> 00:39:04,926 OH, YES. WE'RE DONE. 958 00:39:06,511 --> 00:39:08,555 WHAT BUSINESS DID YOU SAY YOU WERE IN? 959 00:39:08,555 --> 00:39:11,767 OH, I OWN A LITTLE RESTAURANT. ITALIAN FOOD. 960 00:39:11,767 --> 00:39:14,603 I HOPE YOU SELL A LOT OF NOODLES. 961 00:39:17,314 --> 00:39:19,941 THE LIFE I LEAD IS THE LIFE OF A DOG 962 00:39:19,941 --> 00:39:22,569 I MAY HAVE FLEAS, BUT I RUN OUR YARD 963 00:39:22,569 --> 00:39:24,905 I SEE THOSE CLONES LOOKIN' DOWN ON ME 964 00:39:24,905 --> 00:39:27,741 BUT UNLIKE THOSE CLONES, THIS DOG IS FREE 965 00:39:27,741 --> 00:39:30,285 OH, LORD, IT'S A DOG'S LIFE 966 00:39:30,285 --> 00:39:31,661 OH, LORD, IT'S A DOG'S LIFE 967 00:39:31,661 --> 00:39:32,788 DOG'S LIFE 968 00:39:32,788 --> 00:39:35,457 OH, LORD, IT'S A DOG'S LIFE 969 00:39:35,457 --> 00:39:37,292 OH, LORD, IT'S A DOG'S LIFE 970 00:39:37,292 --> 00:39:38,668 DOG'S LIFE 971 00:39:38,668 --> 00:39:40,462 I'M FEELIN' KINDA HIGH, REALLY HIGH 972 00:39:40,462 --> 00:39:42,798 HIGH, HIGH, HIGH, HIGH... 973 00:39:48,345 --> 00:39:50,931 THE LIFE I LEAD IS THE LIFE OF A DOG 974 00:39:50,931 --> 00:39:53,266 I MAY HAVE FLEAS, BUT I RUN OUR YARD 975 00:39:53,266 --> 00:39:55,852 I AIN'T NO SLAVE TO A SUIT AND A TIE 976 00:39:55,852 --> 00:39:58,688 NO RAT-RACE CLONE, I'LL NEVER BE THAT GUY 977 00:39:58,688 --> 00:40:01,066 I AIN'T CAUGHT UP IN SOME SELFISH CAREER 978 00:40:01,066 --> 00:40:03,693 I'M LIVIN' IN LOVE, OH, NOT IN FEAR 979 00:40:03,693 --> 00:40:06,029 I SEE THOSE CLONES LOOKIN' DOWN ON ME 980 00:40:06,029 --> 00:40:07,614 BUT UNLIKE THOSE CLONES 981 00:40:07,614 --> 00:40:09,074 OH, LORD, IT'S A DOG'S LIFE 982 00:40:09,074 --> 00:40:10,242 DOG'S LIFE 983 00:40:10,242 --> 00:40:11,868 OH, LORD, IT'S A DOG'S LIFE 984 00:40:11,868 --> 00:40:12,661 DOG'S LIFE, OH, LORD, IT'S... 985 00:40:12,661 --> 00:40:14,162 I KNOW WHAT YOU'RE TRYING TO DO, 986 00:40:14,162 --> 00:40:15,831 BUT IT WON'T WORK. 987 00:40:15,831 --> 00:40:18,083 I KNOW WHAT YOU DID DO, AND YOU DON'T DESERVE HER. 988 00:40:18,083 --> 00:40:20,544 LISTEN, MAN, SHE SPEAKS 5 LANGUAGES, 989 00:40:20,544 --> 00:40:22,462 PLAYS 6 INSTRUMENTS. 990 00:40:22,462 --> 00:40:24,381 SHE EATS LES COQUILLES, LES GRENOUILLES. 991 00:40:24,381 --> 00:40:26,800 SHE DRINKS MONTRACHET AND CHATEAU MARGAUX. 992 00:40:26,800 --> 00:40:28,802 SO IF YOU THINK YOU'RE GONNA GET HER 993 00:40:28,802 --> 00:40:31,721 WITH SOME SPAGHETTI AND MEATBALLS... 994 00:40:31,721 --> 00:40:34,099 I THINK YOU'RE OUT OF YOUR MIND... 995 00:40:34,099 --> 00:40:36,393 AND OUT OF YOUR LEAGUE. 996 00:40:36,393 --> 00:40:38,353 SHE AND I HAVE A HISTORY TOGETHER. 997 00:40:38,353 --> 00:40:40,355 AND IN CASE YOU HAVEN'T HEARD... 998 00:40:40,355 --> 00:40:42,274 HOW YOU SAY? 999 00:40:42,274 --> 00:40:44,985 HISTORY REPEATS ITSELF. 1000 00:40:44,985 --> 00:40:47,404 WELL, RENE, YOU MAY HAVE ALL THAT OVER ME. 1001 00:40:47,404 --> 00:40:48,780 IN FACT, YOU DO. 1002 00:40:48,780 --> 00:40:51,366 BUT THE GOOD THING ABOUT ME IS, 1003 00:40:51,366 --> 00:40:53,618 I DON'T HAVE TO STOP IN THE MIDDLE OF A LAME CUTDOWN 1004 00:40:53,618 --> 00:40:57,163 TO ASK, "HOW YOU SAY?" WHAT'S THAT ABOUT? 1005 00:40:57,163 --> 00:41:00,417 "HOW YOU SAY?" NOW, I KNOW YOU GOTTA SCOOT ALONG. 1006 00:41:00,417 --> 00:41:02,586 YOU DON'T WANT TO BE LATE FOR YOUR...HOW DO YOU SAY? 1007 00:41:02,586 --> 00:41:04,004 DIPSHIT CONVENTION. 1008 00:41:04,004 --> 00:41:06,047 YEAH. I'M FROM HERE, BUDDY. 1009 00:41:06,047 --> 00:41:08,049 I THINK FAST, AND I TALK FAST. 1010 00:41:08,049 --> 00:41:09,509 I'M A LOCAL YOKEL. 1011 00:41:09,509 --> 00:41:10,677 (CELL PHONE RINGS) 1012 00:41:10,677 --> 00:41:12,429 GIMME A SEC. 1013 00:41:12,429 --> 00:41:14,097 YEAH. 1014 00:41:14,097 --> 00:41:15,724 RAY'S HERE FOR THE TASTING, 1015 00:41:15,724 --> 00:41:17,726 AND I DON'T KNOW HOW LONG I CAN STALL HIM. 1016 00:41:17,726 --> 00:41:19,686 WHERE THE HELL ARE YOU? I TOLD-- 1017 00:41:22,689 --> 00:41:24,232 THAT WAS A CLOSE ONE. 1018 00:41:24,232 --> 00:41:25,901 HA HA HA! 1019 00:41:27,068 --> 00:41:28,320 WALK AWAY. 1020 00:41:28,320 --> 00:41:29,696 WE'RE WALKING AWAY. 1021 00:41:33,491 --> 00:41:34,576 (BEEP) 1022 00:41:34,576 --> 00:41:35,702 (SIGHS) 1023 00:41:35,702 --> 00:41:37,203 TOO SOON, I GUESS. 1024 00:41:37,203 --> 00:41:38,580 GIVE IT SOME TIME. 1025 00:41:41,207 --> 00:41:42,334 WELL, UM... 1026 00:41:42,334 --> 00:41:44,586 THANK YOU FOR EVERYTHING AND, UM... 1027 00:41:44,586 --> 00:41:45,921 (CLEARS THROAT) 1028 00:41:45,921 --> 00:41:47,255 GOOD NIGHT. 1029 00:41:47,255 --> 00:41:49,049 MAY I HAVE A GLASS OF WATER? 1030 00:41:50,258 --> 00:41:51,259 SURE. 1031 00:41:54,846 --> 00:41:55,889 NO ICE. 1032 00:42:02,979 --> 00:42:04,940 MERCI. HAVE A SEAT. 1033 00:42:09,527 --> 00:42:10,946 LILA... 1034 00:42:10,946 --> 00:42:12,906 REMEMBER... 1035 00:42:12,906 --> 00:42:15,116 WHEN YOU USED TO COME HOME AT NIGHT... 1036 00:42:15,116 --> 00:42:16,576 TIRED... 1037 00:42:16,576 --> 00:42:19,037 AND I USED TO MASSAGE YOUR FEET? 1038 00:42:19,037 --> 00:42:20,121 COME ON. 1039 00:42:20,121 --> 00:42:22,374 GIVE IT TO ME. 1040 00:42:22,374 --> 00:42:23,792 WOW. 1041 00:42:23,792 --> 00:42:25,585 WHY ARE YOU SO TENSE? 1042 00:42:27,087 --> 00:42:29,506 WOW. I STILL HAVE MAGIC HANDS. 1043 00:42:29,506 --> 00:42:31,508 YOU REMEMBER THE MAGIC HANDS? 1044 00:42:31,508 --> 00:42:34,135 RELAX. COME ON. LIE BACK. 1045 00:42:34,135 --> 00:42:35,178 LIE BACK. 1046 00:42:35,178 --> 00:42:37,222 CLOSE YOUR EYES. 1047 00:42:37,222 --> 00:42:38,848 CLOSE YOUR EYES. 1048 00:42:46,439 --> 00:42:48,024 OH, LILA... 1049 00:42:48,024 --> 00:42:49,859 MY GOD, I MISSED YOU. 1050 00:42:51,444 --> 00:42:54,114 NO, I CAN'T DO THIS. I'M NOT DOING THIS AGAIN. 1051 00:42:54,114 --> 00:42:57,409 SHH. RELAX. YOU CAN DO IT BECAUSE YOU TRUST ME... 1052 00:42:58,702 --> 00:43:00,870 BECAUSE I'M A DIFFERENT MAN... 1053 00:43:00,870 --> 00:43:02,664 BECAUSE I'VE EVOLVED. 1054 00:43:11,506 --> 00:43:12,966 OHH! NO. NO. 1055 00:43:12,966 --> 00:43:17,429 NO. NO, NO. NO, NO, NO, NO. 1056 00:43:17,429 --> 00:43:20,473 OK. OK. I'VE BEEN SELFISH. 1057 00:43:20,473 --> 00:43:23,226 NOW...LET'S SLOW DOWN. 1058 00:43:23,226 --> 00:43:24,769 OK. 1059 00:43:24,769 --> 00:43:26,271 OK. 1060 00:43:26,271 --> 00:43:27,939 I GOTTA GO TO THE BATHROOM. 1061 00:43:38,116 --> 00:43:39,200 YOU REMEMBER. 1062 00:43:39,200 --> 00:43:40,577 THIS IS RENE... 1063 00:43:40,577 --> 00:43:42,454 LIAR, CHEAT, 1064 00:43:42,454 --> 00:43:44,789 POTENTIAL CARRIER OF VENEREAL DISEASE. 1065 00:43:47,417 --> 00:43:49,127 IT'S BEEN A WHILE, THOUGH. 1066 00:43:51,087 --> 00:43:53,173 PEOPLE DESERVE A SECOND CHANCE. 1067 00:43:54,841 --> 00:43:56,217 MAYBE HE'S CHANGED. 1068 00:44:01,014 --> 00:44:02,932 WHAT? 1069 00:44:02,932 --> 00:44:04,309 ARRETE! ÀCOME ON! 1070 00:44:04,309 --> 00:44:05,518 VA-T'EN. VA-T'EN. 1071 00:44:05,518 --> 00:44:06,895 (DOOR CLOSES) 1072 00:44:06,895 --> 00:44:08,813 LILA! WHERE IS YOUR SENSE OF HUMOR? 1073 00:44:08,813 --> 00:44:10,648 MAKES ME LAUGH. 1074 00:44:11,983 --> 00:44:13,193 CONNARD! 1075 00:44:17,238 --> 00:44:19,824 I HAVE HER JUST WHERE I WANT HER. 1076 00:44:26,873 --> 00:44:27,916 (WHINES) 1077 00:44:27,916 --> 00:44:29,709 WHAT DID YOU DO? 1078 00:44:31,336 --> 00:44:32,879 ARE YOU OK? 1079 00:44:32,879 --> 00:44:34,255 (WHIMPERING) 1080 00:44:34,255 --> 00:44:36,132 YOU DON'T LOOK SO HOT. 1081 00:44:38,802 --> 00:44:40,095 YEAH. 1082 00:44:40,095 --> 00:44:42,263 (ROCK PLAYING) 1083 00:44:47,977 --> 00:44:51,189 (WOMAN RAPPING) 1084 00:44:51,189 --> 00:44:54,818 ARF ARF. 1085 00:44:54,818 --> 00:44:56,945 GOOD...PUPPY. 1086 00:45:00,406 --> 00:45:02,283 (WHINING) 1087 00:45:04,285 --> 00:45:07,122 HE'S A GOOD DOGGY. 1088 00:45:11,709 --> 00:45:12,669 (GRRR) 1089 00:45:14,879 --> 00:45:16,506 COME HERE, BUDDY. 1090 00:45:18,967 --> 00:45:20,176 (BURPS) 1091 00:45:22,720 --> 00:45:24,305 AHA. 1092 00:45:26,808 --> 00:45:28,184 THERE YOU GO. 1093 00:45:28,184 --> 00:45:29,727 MMM. 1094 00:45:29,727 --> 00:45:31,646 DRINK. 1095 00:45:31,646 --> 00:45:33,356 ALL RIGHT, DON'T BE SO GRUMPY, BUDDY. 1096 00:45:33,356 --> 00:45:35,191 WE'RE IN A DOG STORE. 1097 00:45:35,191 --> 00:45:37,193 THIS PLACE SHOULD BE LIKE DISNEYLAND TO YOU. 1098 00:45:38,236 --> 00:45:39,571 HMM. 1099 00:45:39,571 --> 00:45:41,823 THESE LOOK GOOD. MM-HMM. 1100 00:45:43,366 --> 00:45:45,326 "TARTAR CONTROL"? 1101 00:45:45,326 --> 00:45:47,996 YOU KNOW WHAT THE LEADING CAUSE OF TARTAR IS? 1102 00:45:47,996 --> 00:45:50,206 EATING YOUR OWN POOP. 1103 00:45:50,206 --> 00:45:52,250 YEAH. DON'T PLAY DUMB. I'VE SEEN YOU. 1104 00:45:54,002 --> 00:45:55,253 HMM. 1105 00:45:57,589 --> 00:45:59,966 LOOK, MOMMY. IT'S THE LOST DOGGY IN THE PICTURE. 1106 00:45:59,966 --> 00:46:00,925 (DYLAN GASPS) 1107 00:46:06,890 --> 00:46:09,726 WHAT'S GOING ON, BOYS? 1108 00:46:09,726 --> 00:46:13,980 JUST A LITTLE, FRIENDLY GOLDFISH HUNT. 1109 00:46:13,980 --> 00:46:16,566 THERE YOU ARE. COME HERE, FRIEND. 1110 00:46:16,566 --> 00:46:20,069 OH, YOU ARE A WINNER. HEE-HEE! 1111 00:46:20,069 --> 00:46:22,614 OOH, LOOKIE HERE JACK. 1112 00:46:22,614 --> 00:46:25,283 HEE-HEE-HOO! I GOT ONE! 1113 00:46:25,283 --> 00:46:28,119 LOOKIE, JACK. A NEW BUDDY. 1114 00:46:28,119 --> 00:46:29,412 YOU WANT A NEW FRIEND, HUH? 1115 00:46:29,412 --> 00:46:31,456 WANT SOMEBODY TO PLAY WITH? 1116 00:46:31,456 --> 00:46:34,292 YOU GIVE ME THE RING, I'LL BUY YOU THE FISH. 1117 00:46:40,089 --> 00:46:42,467 (WHISTLING) 1118 00:46:42,467 --> 00:46:45,345 POLLY WANT AN EARTHQUAKE? POLLY WANT AN EARTHQUAKE? 1119 00:46:45,345 --> 00:46:46,846 POLLY WANT-- 1120 00:46:46,846 --> 00:46:49,224 BRIAN, PLAY NICE. 1121 00:46:49,224 --> 00:46:50,892 POLLY WANT AN EARTHQUAKE? 1122 00:46:50,892 --> 00:46:53,061 BRIAN, YOU HEARD YOUR MOM. PLAY NICE. 1123 00:46:53,061 --> 00:46:54,437 YOU'RE NOT MY BOSS. 1124 00:46:54,437 --> 00:46:55,730 I KNOW I'M NOT YOUR BOSS, 1125 00:46:55,730 --> 00:46:57,398 BUT IF YOU SHAKE THAT CAGE ONE MORE TIME, 1126 00:46:57,398 --> 00:46:58,399 I'M GONNA START MY OWN LITTLE EARTHQUAKE 1127 00:46:58,399 --> 00:46:59,776 ON YOUR FACE. 1128 00:46:59,776 --> 00:47:01,277 GET IT? GOT IT? GOOD. 1129 00:47:01,277 --> 00:47:03,655 HAH HAH! IS THAT IT? 1130 00:47:03,655 --> 00:47:06,199 IS THAT YOUR BIG, BAD SPEECH? 1131 00:47:06,199 --> 00:47:09,535 WELL, I GOT NEWS FOR YOU AND YOUR FAG DOG, MISTER. 1132 00:47:09,535 --> 00:47:11,746 YOU'RE OUTTA YOUR LEAGUE. 1133 00:47:11,746 --> 00:47:13,414 THAT'S THE MAN, MOMMY. 1134 00:47:13,414 --> 00:47:16,251 HE PAT MY BOTTOM, PUT ME IN HIS LAP. 1135 00:47:16,251 --> 00:47:18,211 WE PLAYED SANTY CLAUS. 1136 00:47:18,211 --> 00:47:20,338 HE TOUCHED MY NAUGHTY PLACE. 1137 00:47:20,338 --> 00:47:22,423 GET IT? GOT IT? GOOD! 1138 00:47:22,423 --> 00:47:25,260 (CHUCKLES) EASY, KID. 1139 00:47:25,260 --> 00:47:26,594 YOU RUN THE SHOW. 1140 00:47:26,594 --> 00:47:28,179 WE'RE ALL FRIENDS HERE. 1141 00:47:28,179 --> 00:47:31,266 EVERYBODY WALKS AWAY. SORRY, BIRD. DID--AAH! 1142 00:47:32,809 --> 00:47:34,143 UHH! 1143 00:47:34,143 --> 00:47:35,812 AY, CARAMBA! 1144 00:47:35,812 --> 00:47:36,729 LET'S GET OUTTA HERE. 1145 00:47:39,649 --> 00:47:41,526 (DOGS BARK) 1146 00:47:41,526 --> 00:47:43,486 SHH. COME ON. 1147 00:47:43,486 --> 00:47:45,029 YOU BE GOOD OR YOU DON'T GET THAT STUFF IN THE CAR. 1148 00:47:45,029 --> 00:47:45,822 OH! 1149 00:47:47,782 --> 00:47:49,951 PHILIP? 1150 00:47:55,540 --> 00:47:57,458 UNNH! 1151 00:48:03,006 --> 00:48:04,215 (LILA HUMMING) 1152 00:48:06,467 --> 00:48:09,220 DYLAN? I THOUGHT IT WAS YOU. 1153 00:48:09,220 --> 00:48:10,680 HEY, LILA. 1154 00:48:10,680 --> 00:48:12,557 WHAT ARE YOU DOING? 1155 00:48:12,557 --> 00:48:14,350 UH, LAUNDRY. 1156 00:48:14,350 --> 00:48:16,519 BUT SHOULDN'T YOU UNDRESS FIRST? 1157 00:48:16,519 --> 00:48:18,146 NO, YOU GOTTA LET IT SOAK IN. 1158 00:48:18,146 --> 00:48:19,355 SHOUT IT OUT. HEH-HEH. 1159 00:48:19,355 --> 00:48:22,900 ARE YOU SURE YOU'RE OK? 1160 00:48:22,900 --> 00:48:26,195 YOU SEEM TO BE A LITTLE BIT... ANXIOUS. 1161 00:48:26,195 --> 00:48:29,532 I'M FINE. JUST WAITING FOR THE DRYER TO DRY. 1162 00:48:34,746 --> 00:48:35,913 THIS MIGHT HELP. 1163 00:48:35,913 --> 00:48:36,706 OH. 1164 00:48:38,041 --> 00:48:39,375 (THUMPING) 1165 00:48:41,544 --> 00:48:43,254 (JACK WHIMPERS) 1166 00:48:45,923 --> 00:48:47,467 WET CLOTHES. 1167 00:48:47,467 --> 00:48:49,218 (THUMP) 1168 00:48:49,218 --> 00:48:51,346 AND BOOTS. 1169 00:48:51,346 --> 00:48:52,764 BIG LOAD. 1170 00:48:54,640 --> 00:48:56,225 (JACK WHIMPERS) 1171 00:48:58,936 --> 00:49:01,064 OK. BYE. 1172 00:49:01,064 --> 00:49:02,273 OK. 1173 00:49:05,568 --> 00:49:07,195 OH! 1174 00:49:07,195 --> 00:49:09,113 JACK. 1175 00:49:09,113 --> 00:49:12,116 OH, YEAH. I'M SORRY, PAL. THAT WAS UNCOOL. 1176 00:49:13,618 --> 00:49:16,621 YEAH. SHOULD HAVE THROWN IN A BOUNCE. 1177 00:49:16,621 --> 00:49:18,956 ALL RIGHT, YOU'RE FINE. YOU'RE FINE. 1178 00:49:27,882 --> 00:49:29,008 (SNIFFING) 1179 00:49:29,008 --> 00:49:30,968 (TOILET FLUSHES) 1180 00:49:33,513 --> 00:49:35,807 OH, HEY, BOSS. 1181 00:49:35,807 --> 00:49:38,226 WALLY, WHY DO YOU HAVE TO WAIT TO GET TO MY HOUSE 1182 00:49:38,226 --> 00:49:40,603 BEFORE YOU THROW DOWN A BIG STANLEY STEAMER? 1183 00:49:40,603 --> 00:49:42,647 HOW DID YOU GET IN HERE, ANYWAY? 1184 00:49:42,647 --> 00:49:45,024 OH. I HAD A KEY MADE WHILE YOU WERE SLEEPIN'. 1185 00:49:45,024 --> 00:49:46,692 I DIDN'T WANT TO WAKE YOU UP. 1186 00:49:46,692 --> 00:49:48,694 DID YOU EVER WORK FOR SELENA? 1187 00:49:48,694 --> 00:49:49,987 (BITINGLY) HELLO, JACK. 1188 00:49:49,987 --> 00:49:51,280 ANYTHING YOU WANT TO GIVE ME? 1189 00:49:51,280 --> 00:49:52,907 (WHINING) 1190 00:49:54,033 --> 00:49:55,076 HMM. 1191 00:49:55,076 --> 00:49:57,245 NOW WE PLAY MY WAY. 1192 00:49:57,245 --> 00:49:59,872 WALLY, LOAD IT UP. 1193 00:49:59,872 --> 00:50:01,707 (NEIGH) 1194 00:50:01,707 --> 00:50:03,751 (NEIGH) 1195 00:50:03,751 --> 00:50:04,836 (WOOF WOOF) 1196 00:50:04,836 --> 00:50:06,087 (WOOF WOOF WOOF) 1197 00:50:06,087 --> 00:50:07,255 (WOOF) 1198 00:50:07,255 --> 00:50:08,339 (WOOF WOOF WOOF) 1199 00:50:08,339 --> 00:50:09,465 (WOOF) 1200 00:50:09,465 --> 00:50:11,551 (WOOF WOOF WOOF) 1201 00:50:16,055 --> 00:50:17,765 HE'S MINE. 1202 00:50:17,765 --> 00:50:19,517 (WOOF WOOF WOOF) 1203 00:50:19,517 --> 00:50:21,727 LET ME DO IT. 1204 00:50:21,727 --> 00:50:23,062 (WOOF) 1205 00:50:23,062 --> 00:50:24,814 (WOOF WOOF WOOF WOOF) 1206 00:50:24,814 --> 00:50:25,940 (CLICK) 1207 00:50:25,940 --> 00:50:27,567 (BARKING CONTINUES) 1208 00:50:28,943 --> 00:50:30,778 (GRRR) 1209 00:50:34,323 --> 00:50:35,950 (GUNSHOT) (YIP) 1210 00:50:35,950 --> 00:50:37,952 (GUNSHOT) (YIP) 1211 00:50:37,952 --> 00:50:39,662 (GUNSHOT) (YIP) 1212 00:50:39,662 --> 00:50:41,038 (GUNSHOT) (YIP) 1213 00:50:41,038 --> 00:50:42,957 SEE WHAT HAPPENED TO HIM? AND HE WAS A GOOD DOGGY. 1214 00:50:42,957 --> 00:50:44,375 STARTIN' TO GET IT? 1215 00:50:44,375 --> 00:50:45,835 (KNOCK ON DOOR) 1216 00:50:45,835 --> 00:50:47,587 DID YOU ORDER PIZZA? 1217 00:50:47,587 --> 00:50:49,046 MM-MMM. 1218 00:50:49,046 --> 00:50:51,591 (CRYING) 1219 00:50:51,591 --> 00:50:53,843 WHO IS IT? 1220 00:50:53,843 --> 00:50:56,387 IT'S LILA. I WANT TO TALK TO YOU. 1221 00:50:56,387 --> 00:50:58,014 UHH. 1222 00:50:58,014 --> 00:50:59,849 CHEW. CHEW. QUIET, QUIET, QUIET, QUIET. 1223 00:50:59,849 --> 00:51:01,392 Lila: DYLAN. 1224 00:51:01,392 --> 00:51:02,477 HERE. TAKE HIM IN THE BATHROOM. 1225 00:51:02,477 --> 00:51:03,769 HMM? 1226 00:51:03,769 --> 00:51:05,396 GO IN THE BATHROOM. BE QUIET. 1227 00:51:05,396 --> 00:51:07,648 HIDE, HIDE, HIDE. 1228 00:51:07,648 --> 00:51:09,233 IS EVERYTHING OK? 1229 00:51:09,233 --> 00:51:11,694 YES! I'M JUST CLEANING UP! IT'S A MESS! 1230 00:51:11,694 --> 00:51:13,571 STAY IN HERE AND BE SUPER QUIET. 1231 00:51:13,571 --> 00:51:15,406 BUT, BOSS, I CAN'T BE QUIET. I GOT THE DOG ON-- 1232 00:51:15,406 --> 00:51:16,365 NO, NO. NO. NO. SHH! 1233 00:51:17,825 --> 00:51:19,035 STAY. SHH. QUIET. 1234 00:51:23,706 --> 00:51:24,749 HEY. 1235 00:51:24,749 --> 00:51:27,084 HEY! I KNOW YOU. 1236 00:51:27,084 --> 00:51:29,045 I'M NOT INTERRUPTING SOMETHING, AM I? 1237 00:51:29,045 --> 00:51:31,881 NO, NO. DON'T BE RIDICULOUS. 1238 00:51:31,881 --> 00:51:33,424 IS THERE A GIRL IN THERE? 1239 00:51:33,424 --> 00:51:35,885 A GIRL? YOU'RE THE ONLY GIRL I KNOW. 1240 00:51:35,885 --> 00:51:37,470 (CHUCKLING) OH. 1241 00:51:37,470 --> 00:51:38,596 WELL, UM... 1242 00:51:38,596 --> 00:51:40,431 I JUST WANTED TO COME BY AND SAY HI. 1243 00:51:40,431 --> 00:51:43,309 JUST SAY HI. INTERESTING. 1244 00:51:43,309 --> 00:51:45,311 NO, ACTUALLY, I, UM, 1245 00:51:45,311 --> 00:51:47,313 I WANTED YOU TO KNOW THAT I'M SORRY 1246 00:51:47,313 --> 00:51:48,940 FOR BEING SUCH A TERRIBLE NEIGHBOR. 1247 00:51:48,940 --> 00:51:51,108 I SHOULD NOT HAVE MADE JACK YOUR PROBLEM. 1248 00:51:51,108 --> 00:51:52,151 TRUST ME... 1249 00:51:52,151 --> 00:51:54,820 I MADE JACK MY OWN PROBLEM. 1250 00:51:56,072 --> 00:51:58,324 OHHH... YOU'RE SO SWEET. 1251 00:51:58,324 --> 00:52:00,117 I AM SWEET. I'VE HEARD THAT. 1252 00:52:00,117 --> 00:52:01,953 ANYWAY, YOU SAID IT YOURSELF. 1253 00:52:01,953 --> 00:52:04,455 HE'S RUN OFF BEFORE. I'M SURE HE'LL POP UP. 1254 00:52:05,456 --> 00:52:06,624 HEY! OH! 1255 00:52:06,624 --> 00:52:08,417 MOSQUITOES. 1256 00:52:08,417 --> 00:52:10,127 OH, MY GOD, YOU'RE GONNA GET EATEN ALIVE. 1257 00:52:10,127 --> 00:52:11,587 LET'S GET OUTTA HERE. 1258 00:52:11,587 --> 00:52:13,548 I KNOW THE PERFECT SPOT TO TAKE YOU. 1259 00:52:16,133 --> 00:52:18,010 HOW LONG HAVE YOU OWNED IT? 1260 00:52:18,010 --> 00:52:19,637 3 MONTHS. 1261 00:52:19,637 --> 00:52:20,471 I LIKE IT. 1262 00:52:20,471 --> 00:52:21,806 YEAH? 1263 00:52:21,806 --> 00:52:24,016 LET ME SHOW YOU SOMETHING REALLY COOL. 1264 00:52:32,608 --> 00:52:35,361 HEY, WHERE I COME FROM, THIS WOULD BE ILLEGAL. 1265 00:52:35,361 --> 00:52:37,655 A HARMLESS LITTLE B&E? 1266 00:52:37,655 --> 00:52:40,074 6 MONTHS TO A YEAR MAX. 1267 00:52:40,074 --> 00:52:41,325 GOT IT. 1268 00:52:41,325 --> 00:52:42,577 WHAT IS THIS PLACE? 1269 00:52:42,577 --> 00:52:47,039 WELL, THIS IS HOPEFULLY... THE NEW WING TO MY RESTAURANT. 1270 00:52:47,039 --> 00:52:51,002 DOESN'T LOOK LIKE MUCH RIGHT NOW... 1271 00:52:51,002 --> 00:52:53,546 BUT USE YOUR IMAGINATION. 1272 00:52:53,546 --> 00:52:56,716 OVER HERE IS GONNA BE ALL BIG WINDOWS. 1273 00:52:56,716 --> 00:53:00,136 BACK THERE'S GONNA BE A BAR, REALLY COOL. 1274 00:53:00,136 --> 00:53:03,598 AND UP FRONT IN THE CORNER, I'M GONNA HAVE LIVE MUSIC. 1275 00:53:03,598 --> 00:53:05,349 IT SOUNDS LIKE YOU CAN ALREADY SEE IT. 1276 00:53:05,349 --> 00:53:08,269 YEAH. YEAH, OF COURSE. 1277 00:53:08,269 --> 00:53:10,146 JUST PICTURE IT IN YOUR HEAD, THEN YOU MAKE IT HAPPEN. 1278 00:53:10,146 --> 00:53:13,399 WOW. YOU'RE SO POSITIVE. 1279 00:53:13,399 --> 00:53:14,525 NOTHING GETS IN YOUR WAY. 1280 00:53:14,525 --> 00:53:16,319 WELL, IT'S EASY. 1281 00:53:16,319 --> 00:53:19,655 ISN'T THERE SOMETHING YOU'VE ALWAYS WANTED TO DO? 1282 00:53:19,655 --> 00:53:20,990 NO. 1283 00:53:20,990 --> 00:53:23,743 NO, I DON'T. 1284 00:53:23,743 --> 00:53:26,495 NO? COME ON. 1285 00:53:26,495 --> 00:53:29,624 WELL, UM, IT'S EMBARRASSING. 1286 00:53:29,624 --> 00:53:31,125 UM... 1287 00:53:32,960 --> 00:53:34,337 YEAH, I'M... 1288 00:53:36,297 --> 00:53:39,133 I'D LOVE TO PLAY MY CELLO ON THE GREAT STAGE 1289 00:53:39,133 --> 00:53:41,552 IN FRONT OF THOUSANDS OF PEOPLE, BUT... 1290 00:53:41,552 --> 00:53:45,931 BUT...YOU EVER IMAGINE YOURSELF DOING IT? 1291 00:53:45,931 --> 00:53:48,601 MMM. IT WOULD BE POINTLESS. 1292 00:53:48,601 --> 00:53:51,187 I'M TOO AFRAID TO EVEN HAVE AN AUDITION. 1293 00:53:53,105 --> 00:53:55,358 RENE USED TO TELL ME 1294 00:53:55,358 --> 00:53:57,360 THAT I DON'T HAVE IT IN ME. 1295 00:53:57,360 --> 00:53:59,987 I THINK THAT'S WHY I REALLY LEFT FRANCE, 1296 00:53:59,987 --> 00:54:01,072 TO PROVE HIM WRONG. 1297 00:54:01,072 --> 00:54:02,239 WELL, I DON'T KNOW. 1298 00:54:04,367 --> 00:54:07,495 WELL, HE IS WRONG, 1299 00:54:07,495 --> 00:54:09,372 AND YOU JUST HAVEN'T PROVED IT YET. 1300 00:54:13,250 --> 00:54:15,169 SEE, I PICTURED YOU WITH A SMILE. 1301 00:54:15,169 --> 00:54:17,254 LOOK WHAT HAPPENED. 1302 00:54:25,596 --> 00:54:28,099 AH. HA-HA. 1303 00:54:32,436 --> 00:54:34,063 WHAT ARE YOU ALL DRESSED UP FOR? 1304 00:54:34,063 --> 00:54:35,940 ROAD TRIP. 1305 00:54:35,940 --> 00:54:37,733 AND WHAT'S THAT FOR? 1306 00:54:37,733 --> 00:54:38,818 YOU'LL SEE. 1307 00:54:38,818 --> 00:54:41,070 COME ON. 1308 00:54:44,115 --> 00:54:45,825 OK. DON'T MIND THAT SIGN. 1309 00:54:45,825 --> 00:54:48,536 BACK UP, BACK UP. BACK UP. 1310 00:54:48,536 --> 00:54:49,620 WHERE ARE WE? 1311 00:54:49,620 --> 00:54:52,373 I CAN'T RUIN THE SURPRISE. 1312 00:54:52,373 --> 00:54:54,458 JUST GO STRAIGHT. 1313 00:54:57,002 --> 00:54:57,837 OK, COME ON. 1314 00:54:57,837 --> 00:54:58,963 STEP, STEP. 1315 00:54:58,963 --> 00:55:00,089 ARE YOU SURE? 1316 00:55:00,089 --> 00:55:02,216 WATCH YOUR STEP. 1317 00:55:02,216 --> 00:55:04,593 WATCH YOUR STEP, I CAN'T WATCH ANYTHING. 1318 00:55:04,593 --> 00:55:07,012 YOU'LL BE VERY SAFE. 1319 00:55:07,012 --> 00:55:07,847 DON'T TAKE ADVANTAGE, HUH? 1320 00:55:07,847 --> 00:55:09,849 I'M NOT. 1321 00:55:09,849 --> 00:55:13,227 IT'S JUST A MINEFIELD I WANTED TO SHOW YOU. 1322 00:55:13,227 --> 00:55:15,688 ALL RIGHT, WE'RE COMING THIS WAY. 1323 00:55:15,688 --> 00:55:19,442 YOU'RE FAIRLY SAFE. 1324 00:55:19,442 --> 00:55:22,403 YOU'RE GONNA GO RIGHT ABOUT TO HERE AND... 1325 00:55:22,403 --> 00:55:24,029 THAT'S IT? 1326 00:55:24,029 --> 00:55:25,156 I'LL BE RIGHT BACK. 1327 00:55:25,156 --> 00:55:27,158 STAY THERE. 1328 00:55:27,158 --> 00:55:29,535 YOU'RE FINE, YOU'RE FINE. 1329 00:55:29,535 --> 00:55:32,246 OK, AND TAKE IT OFF. 1330 00:55:54,101 --> 00:55:56,437 I DON'T BELIEVE THIS. 1331 00:55:56,437 --> 00:55:58,063 HOW... 1332 00:55:58,063 --> 00:56:01,025 IT'S AMAZING WHAT A FREE PIZZA WILL GET YOU. 1333 00:56:01,025 --> 00:56:02,985 NOW, COME ON, WE DON'T HAVE ALL DAY. 1334 00:56:02,985 --> 00:56:04,945 I DON'T UNDERSTAND. 1335 00:56:04,945 --> 00:56:06,405 PLAY. 1336 00:56:07,948 --> 00:56:10,951 BUT...BUT THERE'S NOBODY HERE. 1337 00:56:10,951 --> 00:56:12,453 I KNOW. BABY STEPS. 1338 00:56:12,453 --> 00:56:14,455 YOU GOTTA CRAWL BEFORE YOU CAN WALK. 1339 00:56:14,455 --> 00:56:16,040 USE YOUR IMAGINATION. 1340 00:56:16,040 --> 00:56:19,668 THIS IS SILLY. 1341 00:56:19,668 --> 00:56:21,337 LADIES AND GENTLEMEN, 1342 00:56:21,337 --> 00:56:23,589 THE CAPTAIN AND TENNILLE WILL NOT BE SEEN TONIGHT 1343 00:56:23,589 --> 00:56:26,175 SO WE MAY BRING YOU A SPECIAL PRESENTATION 1344 00:56:26,175 --> 00:56:28,344 OF MISS LILA DUBOIS. 1345 00:56:28,344 --> 00:56:30,179 (IMITATING APPLAUSE) 1346 00:56:30,179 --> 00:56:32,139 SHOW US YOUR BOOBS! 1347 00:56:32,139 --> 00:56:33,849 AND I HAVE TO? 1348 00:56:35,059 --> 00:56:36,644 NO, THAT'S WORST-CASE SCENARIO. 1349 00:56:36,644 --> 00:56:39,230 WHEN PEOPLE YELL IT AT ME, I JUST, UH, 1350 00:56:39,230 --> 00:56:40,523 I JUST IGNORE 'EM. 1351 00:56:40,523 --> 00:56:42,358 THAT'S VERY EASY TO SAY, 1352 00:56:42,358 --> 00:56:44,235 BUT WHAT ABOUT WHEN IT'S FULL? 1353 00:56:44,235 --> 00:56:46,028 YOU GOTTA REMEMBER, 1354 00:56:46,028 --> 00:56:47,780 THEY'RE ALL ON YOUR TEAM. 1355 00:56:47,780 --> 00:56:49,782 THE PEOPLE THAT COME TO LISTEN-- 1356 00:56:49,782 --> 00:56:51,784 THEY'RE HERE TO ESCAPE SCREAMING KIDS 1357 00:56:51,784 --> 00:56:53,786 AND HONKING HORNS AND RINGING PHONES. 1358 00:56:53,786 --> 00:56:55,246 ANY NOISE THAT COMES OUT OF THAT CELLO 1359 00:56:55,246 --> 00:56:56,914 THEY'RE GONNA LOVE. 1360 00:56:56,914 --> 00:56:59,834 AND WHAT ABOUT THE GUY WHO WANTS TO SEE MY BOOBS? 1361 00:56:59,834 --> 00:57:01,418 WELL, THAT'S ME, 1362 00:57:01,418 --> 00:57:03,879 AND I PROMISE I WON'T YELL DURING THE SHOW. 1363 00:57:07,550 --> 00:57:08,926 NOW PLAY. 1364 00:57:11,178 --> 00:57:12,471 OK. 1365 00:57:14,139 --> 00:57:16,559 THERE YOU GO. GET THE BOW. 1366 00:57:18,102 --> 00:57:19,687 ALL RIGHT, CRANK IT UP, 1367 00:57:19,687 --> 00:57:22,398 PLUG IT IN, WHATEVER YOU GOTTA DO. 1368 00:57:22,398 --> 00:57:24,483 PULL OUT THE ANTENNA. 1369 00:57:29,446 --> 00:57:31,615 ALL RIGHT, AXL. 1370 00:59:06,126 --> 00:59:08,796 THAT WAS SO GREAT. 1371 00:59:08,796 --> 00:59:11,173 YOU ARE GOOD. 1372 00:59:11,173 --> 00:59:13,217 HEY, I PICTURED THE HOUSE FULL OF PEOPLE. 1373 00:59:13,217 --> 00:59:14,677 THAT'S RIGHT, STANDING ROOM ONLY. 1374 00:59:14,677 --> 00:59:16,804 THANK YOU. IT FELT SO GOOD. 1375 00:59:16,804 --> 00:59:18,263 NO PROBLEM. YOU WERE THE ONE-- 1376 00:59:18,263 --> 00:59:20,849 Man: HEY, DYLAN! 1377 00:59:20,849 --> 00:59:22,726 THANKS FOR THE EXTRA ANCHOVIES. 1378 00:59:23,894 --> 00:59:25,354 OK. 1379 00:59:26,772 --> 00:59:28,732 UH... 1380 00:59:28,732 --> 00:59:30,526 ALL RIGHT. WELL, LET'S GET OUTTA HERE. 1381 00:59:30,526 --> 00:59:33,904 I'LL CARRY THIS. YOU CARRY THIS. 1382 00:59:37,866 --> 00:59:39,535 IS THERE A HANDLE? 1383 00:59:43,580 --> 00:59:45,791 WALLY, THIS BETTER NOT BE A WASTE OF TIME. 1384 00:59:45,791 --> 00:59:47,334 I'M TELLING YOU, BOSS. 1385 00:59:47,334 --> 00:59:48,961 IF ANYONE CAN GET THAT RING BACK, 1386 00:59:48,961 --> 00:59:50,754 IT'S MY UNCLE HARRY. 1387 00:59:50,754 --> 00:59:52,131 DIP. 1388 00:59:55,384 --> 00:59:57,428 OH, HE'S COOL. 1389 01:00:02,266 --> 01:00:04,268 Dylan: ARE YOU SURE THIS GUY'S 1390 01:00:04,268 --> 01:00:05,477 A CERTIFIED DOG WHISPERER? 1391 01:00:05,477 --> 01:00:06,895 OH, YEAH, BOSS. 1392 01:00:06,895 --> 01:00:09,898 MY MOM SAID HE NORMALLY ONLY WORKS WITH RACING DOGS, 1393 01:00:09,898 --> 01:00:12,651 AND SHE SAID HE WAS ON THAT'S INCREDIBLE. 1394 01:00:15,487 --> 01:00:17,197 Man: NEXT. 1395 01:00:17,197 --> 01:00:18,782 THAT'S US. 1396 01:00:26,540 --> 01:00:28,584 HEY, UNCLE HARRY. 1397 01:00:28,584 --> 01:00:29,626 HEY, WALLY. 1398 01:00:31,628 --> 01:00:33,839 THEY ADD A LITTLE TOO MUCH BATTER 1399 01:00:33,839 --> 01:00:35,382 AT THE CLONING LAB? 1400 01:00:35,382 --> 01:00:37,259 HA HA HA HA HA HA. 1401 01:00:37,259 --> 01:00:39,720 HEY, I SEE LARGE AND SMALL. 1402 01:00:39,720 --> 01:00:41,180 WHAT HAPPENED TO MEDIUM? 1403 01:00:44,224 --> 01:00:45,601 WE GET IT. 1404 01:00:45,601 --> 01:00:48,520 UNCLE HARRY TAUGHT ME HOW TO WRESTLE WHEN I WAS 7. 1405 01:00:48,520 --> 01:00:49,480 WALLY! 1406 01:00:51,023 --> 01:00:53,067 DON'T FORGET ABOUT OUR LITTLE SECRET. 1407 01:00:53,067 --> 01:00:54,526 CAN WE TALK ABOUT THE RING? 1408 01:00:54,526 --> 01:00:55,527 FINE. 1409 01:01:01,533 --> 01:01:02,868 THANK YOU. 1410 01:01:15,589 --> 01:01:16,882 IS HE ALWAYS THIS QUIET? 1411 01:01:22,012 --> 01:01:24,473 WHAT'S THAT? REALLY. 1412 01:01:24,473 --> 01:01:26,141 YOU DON'T SAY. 1413 01:01:26,141 --> 01:01:27,768 YOU DON'T SAY! 1414 01:01:27,768 --> 01:01:28,811 WHAT IS IT? 1415 01:01:28,811 --> 01:01:31,063 HE DIDN'T SAY. 1416 01:01:34,483 --> 01:01:36,193 UH, COME ON, UNCLE HARRY. 1417 01:01:36,193 --> 01:01:38,153 WE REALLY GOTTA GET THAT RING. 1418 01:01:38,153 --> 01:01:40,072 OK, OK! 1419 01:01:42,241 --> 01:01:44,785 ALL RIGHT, COME ON. 1420 01:01:44,785 --> 01:01:47,454 TALK TO ME, BABY. 1421 01:01:52,543 --> 01:01:53,502 I SEE. 1422 01:01:58,549 --> 01:02:00,342 STAY. 1423 01:02:00,342 --> 01:02:01,510 COME! 1424 01:02:05,556 --> 01:02:07,558 I DIDN'T WHAT HIM TO HEAR THIS. 1425 01:02:07,558 --> 01:02:09,268 YOU WANT THAT DOG TO HELP YOU FIND THAT RING, 1426 01:02:09,268 --> 01:02:10,853 YOU'D BETTER START TREATIN' HIM NICE! 1427 01:02:10,853 --> 01:02:13,188 WHAT? DIDN'T HE TELL YOU HOW MUCH FUN WE HAD 1428 01:02:13,188 --> 01:02:15,274 AT THE PET STORE OR THE GOLDFISH BUFFET? 1429 01:02:15,274 --> 01:02:17,734 WHAT DOES HE WANT ME TO DO, LICK HIS NUTS? 1430 01:02:17,734 --> 01:02:18,986 (BARKS HAPPILY) 1431 01:02:18,986 --> 01:02:21,405 SOUNDS LIKE A RESOUNDING YES TO ME. 1432 01:02:21,405 --> 01:02:24,199 I'M SURE IT WOULD BE MORE FUN THAN THE DRYER! 1433 01:02:26,326 --> 01:02:28,245 THAT'S INCREDIBLE. 1434 01:02:28,245 --> 01:02:32,374 THAT'S WHAT FRAN TARKENTON THOUGHT. 1435 01:02:32,374 --> 01:02:35,502 WELL, WHAT AM I SUPPOSED TO DO? 1436 01:02:35,502 --> 01:02:38,088 JUST THINK WHAT WOULD MAKE YOU HAPPY AND DO IT WITH HIM. 1437 01:02:39,506 --> 01:02:41,717 NOT THAT! 1438 01:02:45,095 --> 01:02:46,763 OK, WALLY, LET'S WRESTLE. 1439 01:02:46,763 --> 01:02:47,806 SHIRTS AND SKINS! 1440 01:02:47,806 --> 01:02:49,266 LIKE THE OLD DAYS! 1441 01:02:49,266 --> 01:02:52,144 AH, YOUR MOTHER CAN'T HELP YOU NOW! 1442 01:02:52,144 --> 01:02:53,604 YOU KNOW, I'VE BEEN-- I'VE BEEN THINKING ABOUT IT. 1443 01:02:53,604 --> 01:02:56,940 I JUST--I REALLY THINK WE SHOULD GO WITH THE LOBSTER. 1444 01:02:56,940 --> 01:02:58,942 OK, FINE. WE'LL GO WITH THE LOBSTER. GREAT. 1445 01:02:58,942 --> 01:02:59,902 WAIT, WAIT, NO, NO, NO. 1446 01:02:59,902 --> 01:03:01,445 BAD--BAD IDEA. 1447 01:03:01,445 --> 01:03:02,863 I MEAN, WE'RE TALKING 200 PEOPLE HERE, RIGHT? 1448 01:03:02,863 --> 01:03:03,989 SOMEBODY'S BOUND TO BE ALLERGIC 1449 01:03:03,989 --> 01:03:05,115 TO SHELLFISH, HUH? 1450 01:03:05,115 --> 01:03:06,992 SO, UH, WHAT ABOUT THE BEEF? 1451 01:03:06,992 --> 01:03:09,411 DEFINITELY, DEFINITELY THE BEEF, HMM? 1452 01:03:09,411 --> 01:03:11,163 ALL RIGHT, RELAX, RAIN MAN. 1453 01:03:11,163 --> 01:03:12,956 THIS IS YOUR DEPARTMENT, YOU MAKE THE CALL. 1454 01:03:12,956 --> 01:03:14,291 I GOTTA GO. 1455 01:03:16,627 --> 01:03:17,961 NOW DO ME. 1456 01:03:18,962 --> 01:03:20,505 WELL, I'M BACK AGAIN 1457 01:03:20,505 --> 01:03:22,841 YOU THOUGHT YOU GOT RID OF ME 1458 01:03:22,841 --> 01:03:24,927 I TALK TOO MUCH AND ALL I CARE ABOUT IS ME 1459 01:03:24,927 --> 01:03:26,220 I'M BACK AGAIN 1460 01:03:26,220 --> 01:03:27,804 I'M HERE TO WASTE SOME TIME OF YOURS 1461 01:03:27,804 --> 01:03:30,682 I'LL JUST NEED A COUPLE BUCKS OR MAYBE MORE 1462 01:03:30,682 --> 01:03:32,517 AND THEN WHAT'D SHE SAY? 1463 01:03:32,517 --> 01:03:35,646 OH, I CAN'T WAIT TO TELL THE GIRLS. HA HA HA. 1464 01:03:35,646 --> 01:03:36,855 OH. 1465 01:03:36,855 --> 01:03:38,690 YEAH. 1466 01:03:38,690 --> 01:03:40,484 RATHER. MM-HMM. 1467 01:03:40,484 --> 01:03:42,903 YOU'LL BE THE TALK OF THE TOWN. 1468 01:03:45,530 --> 01:03:48,408 ALL-YOU-CAN-EAT BUFFET FOR FREE. 1469 01:03:48,408 --> 01:03:50,369 BETTER THAN VEGAS. 1470 01:03:51,453 --> 01:03:52,996 HERE'S A GOOD ONE. 1471 01:03:52,996 --> 01:03:54,873 WANNA WATCH LASSIE? 1472 01:03:54,873 --> 01:03:56,375 (ARF ARF) 1473 01:03:56,375 --> 01:03:59,503 YEAH. OH, SHE'S HOT. 1474 01:03:59,503 --> 01:04:02,756 ALMOST TOO PRETTY THOUGH, YOU KNOW. 1475 01:04:02,756 --> 01:04:06,134 SHE DEFINITELY PUTS THE ASS IN LASSIE. 1476 01:04:21,817 --> 01:04:23,235 (WHINES) 1477 01:04:23,235 --> 01:04:25,529 YOU GOT THE RING! 1478 01:04:25,529 --> 01:04:26,947 YOU'RE A GOOD BOY. 1479 01:04:26,947 --> 01:04:28,407 YOU'RE THE BEST DOGGY 1480 01:04:28,407 --> 01:04:30,158 IN THE WHOLE WORLD. I LOVE... 1481 01:04:30,158 --> 01:04:32,703 OH, MY GOD! YOU SUCK! 1482 01:04:32,703 --> 01:04:34,997 YOU LOST THE BEST PART. I'LL KILL YOU! 1483 01:04:34,997 --> 01:04:36,832 GET OVER HERE! 1484 01:04:36,832 --> 01:04:39,960 YOU RAT! YOU DIRTY LITTLE HAMSTER! 1485 01:04:39,960 --> 01:04:41,336 BAD BOY! COME HERE! 1486 01:04:41,336 --> 01:04:42,462 HEEL! 1487 01:04:42,462 --> 01:04:43,547 (ARF ARF) 1488 01:04:43,547 --> 01:04:45,549 DON'T YOU--DON'T TRY IT. 1489 01:04:45,549 --> 01:04:47,551 OH, WE WERE JUST STARTING 1490 01:04:47,551 --> 01:04:49,177 TO GET ALONG, WEREN'T WE? 1491 01:04:49,177 --> 01:04:50,637 (ARF) 1492 01:04:50,637 --> 01:04:52,639 OH, YOU'RE DEAD! COME ON! 1493 01:04:52,639 --> 01:04:55,559 HEEL! STOP! 1494 01:04:55,559 --> 01:04:57,436 STAY! BAD DOG! 1495 01:04:57,436 --> 01:05:00,355 I'LL TEACH YOU TO PLAY DEAD. 1496 01:05:05,527 --> 01:05:07,654 (ARF ARF ARF ARF) 1497 01:05:07,654 --> 01:05:09,197 BLAH, BLAH, BLAH. 1498 01:05:09,197 --> 01:05:11,700 YOU MESS WITH THE BULL, YOU GET THE HORNS. 1499 01:05:15,245 --> 01:05:16,371 (CLATTERS) 1500 01:05:19,875 --> 01:05:21,960 JACK! 1501 01:05:21,960 --> 01:05:23,670 JACK! 1502 01:05:23,670 --> 01:05:24,713 JACK! 1503 01:05:24,713 --> 01:05:26,465 JA... 1504 01:05:27,716 --> 01:05:30,177 OH, I WAS DREAMING. 1505 01:05:30,177 --> 01:05:32,012 OH, IT WAS SO REAL. 1506 01:05:32,012 --> 01:05:34,681 IT WAS LIKE JACK WAS HERE. 1507 01:05:34,681 --> 01:05:36,099 YES, BUT WE KNOW HE IS HERE. 1508 01:05:36,099 --> 01:05:37,476 NO, WE DON'T. RENE! 1509 01:05:37,476 --> 01:05:39,436 YES. JACK! COME OUT, BABY. 1510 01:05:39,436 --> 01:05:41,480 DYLAN, I'M SO SORRY. HE'S BEING DELUSIONAL. 1511 01:05:41,480 --> 01:05:43,523 I SHOULDN'T EVEN BE HERE, 1512 01:05:43,523 --> 01:05:46,443 BUT I DIDN'T WANT YOU TO HAVE TO DEAL WITH HIM ALONE. 1513 01:05:46,443 --> 01:05:48,445 IT'S NO PROBLEM. HEY, YOU KNOW WHAT? 1514 01:05:48,445 --> 01:05:49,738 WHAT'RE YOU DOING TOMORROW NIGHT? 1515 01:05:49,738 --> 01:05:51,198 I'M CATERING THIS LITTLE SHINDIG. 1516 01:05:51,198 --> 01:05:53,992 OH, I WOULD LOVE TO GO, BUT I CAN'T. 1517 01:05:53,992 --> 01:05:57,079 I HAVE PLANS TO ATTEND A FUNCTION WITH RENE. 1518 01:05:57,079 --> 01:05:59,289 HEY, NOT AS A DATE, JUST A FRIEND. 1519 01:05:59,289 --> 01:06:02,209 MAX UBERMANN, THE DIRECTOR OF THE PHILHARMONIC, 1520 01:06:02,209 --> 01:06:04,127 WILL BE THERE. 1521 01:06:04,127 --> 01:06:05,629 IS THIS BAD? 1522 01:06:05,629 --> 01:06:06,755 NO, THAT'S GREAT. 1523 01:06:06,755 --> 01:06:08,173 THAT'S THE SAME PARTY I'M WORKING. 1524 01:06:08,173 --> 01:06:09,549 COME ON, JACK, BABY! 1525 01:06:09,549 --> 01:06:10,884 I KNOW YOU'RE HERE. 1526 01:06:10,884 --> 01:06:12,511 HE'S NOT HERE, RENE. 1527 01:06:12,511 --> 01:06:14,513 I'M TELLING YOU HE IS HERE! 1528 01:06:14,513 --> 01:06:16,014 THIS GUY OVER THERE IS A LIAR. 1529 01:06:16,014 --> 01:06:18,475 NOW, RENE, THAT HURTS DOWN HERE. 1530 01:06:18,475 --> 01:06:20,352 WHY WOULD I DO SOMETHING LIKE THAT, ANYWAY? 1531 01:06:20,352 --> 01:06:22,521 WHY? TO GET INTO HER PANTS. 1532 01:06:22,521 --> 01:06:26,233 WHAT? RENE, ONLY YOU WOULD THINK 1533 01:06:26,233 --> 01:06:27,484 OF SOMETHING THAT FILTHY. 1534 01:06:27,484 --> 01:06:29,027 (BOWL CLATTERS) 1535 01:06:29,027 --> 01:06:30,529 WHAT IS THIS? 1536 01:06:30,529 --> 01:06:33,573 OH. THAT IS A REFRIGERATOR DOOR HANDLE, 1537 01:06:33,573 --> 01:06:34,908 AND THIS IS MY CEREAL. 1538 01:06:34,908 --> 01:06:36,034 OH, YEAH? 1539 01:06:36,034 --> 01:06:37,577 I THINK I WILL EAT SOME 1540 01:06:37,577 --> 01:06:39,663 BECAUSE I'M HUNGRY. 1541 01:06:42,916 --> 01:06:44,084 WANT SOME? 1542 01:06:44,084 --> 01:06:47,337 NOW WE'RE LEAVING, RENE. 1543 01:06:47,337 --> 01:06:49,381 WE'RE LEAVING? 1544 01:06:49,381 --> 01:06:51,591 I'M DREAMING. 1545 01:06:54,928 --> 01:06:56,096 FINE. 1546 01:06:56,096 --> 01:06:57,431 I'LL CALL YOU LATER. 1547 01:07:03,770 --> 01:07:06,273 I'M ON TO YOU, MR. LOCAL YOKEL. 1548 01:07:06,273 --> 01:07:08,108 SMILE. WE'LL SEE WHO'S SMILING 1549 01:07:08,108 --> 01:07:09,693 WHEN I FIND THAT MUTT OF HERS. 1550 01:07:09,693 --> 01:07:10,819 OOH! 1551 01:07:10,819 --> 01:07:11,945 DUM DUM DUM 1552 01:07:11,945 --> 01:07:13,405 WHAT A WEIRDO. 1553 01:07:15,657 --> 01:07:17,451 (RETCHING) 1554 01:07:17,451 --> 01:07:18,952 DAH DAH DAH DAH. 1555 01:07:24,207 --> 01:07:25,625 (ARF ARF ARF) 1556 01:07:28,670 --> 01:07:33,508 $5,000? DO YOU HAVE ANYTHING MAYBE SMALLER? 1557 01:07:33,508 --> 01:07:35,719 NOT THAT WOULD FIT THIS SETTING, SIR. 1558 01:07:35,719 --> 01:07:37,179 WHY DON'T YOU AND ME MAKE A DEAL? 1559 01:07:37,179 --> 01:07:38,513 LET'S KICK THE SHIT OUT OF THE MIDDLEMAN 1560 01:07:38,513 --> 01:07:40,724 AND SPLIT HIS CUT. YOU KNOW WHERE HE LIVES? 1561 01:07:40,724 --> 01:07:44,102 THERE IS NO MIDDLEMAN, SIR. 1562 01:07:44,102 --> 01:07:45,604 WELL, IS THERE ANYBODY 1563 01:07:45,604 --> 01:07:46,563 YOU'D LIKE ME TO KICK THE CRAP OUT OF 1564 01:07:46,563 --> 01:07:47,689 TO GET THIS PRICE DOWN? 1565 01:07:47,689 --> 01:07:49,524 SERIOUSLY, JUST POINT 'EM OUT. 1566 01:07:49,524 --> 01:07:51,026 THEY'LL NEVER TRACE IT BACK TO YOU-- 1567 01:07:51,026 --> 01:07:53,153 MANAGER, BOSS... 1568 01:07:53,153 --> 01:07:54,821 LIFE PARTNER. 1569 01:07:54,821 --> 01:07:57,824 IF I MAY SUGGEST, SIR, 1570 01:07:57,824 --> 01:07:59,493 YOU COULD ALWAYS GO ZIRCONIUM. 1571 01:08:01,578 --> 01:08:03,705 NO. NO, I CAN'T. 1572 01:08:03,705 --> 01:08:06,124 THAT RING BELONGS TO MY BEST FRIEND. 1573 01:08:06,124 --> 01:08:08,835 I CAN'T PUT IN SOME CHEAP ROCK. 1574 01:08:10,670 --> 01:08:13,924 ALL RIGHT. CAN I GET THIS ONE BY TOMORROW NIGHT? 1575 01:08:13,924 --> 01:08:16,301 THAT'LL COST YOU EXTRA, SIR. 1576 01:08:16,301 --> 01:08:18,261 OF COURSE IT WILL! WHY WOULDN'T IT? 1577 01:08:18,261 --> 01:08:21,264 YOU KNOW, IT'S LUCKY HOW THAT WORKS OUT FOR YOU? 1578 01:08:21,264 --> 01:08:22,766 'CAUSE IT COULD HAVE FALLEN EITHER WAY. 1579 01:08:50,085 --> 01:08:51,795 TONIGHT'S THE NIGHT. THE BIG NIGHT. 1580 01:08:51,795 --> 01:08:53,463 CHAMPAGNE AND SWANS. 1581 01:08:53,463 --> 01:08:56,508 JUST TELL ME ONE THING. JUST TELL ME YOU BROUGHT IT. 1582 01:08:56,508 --> 01:08:58,009 OH, YEAH, IT'S RIGHT HERE. 1583 01:08:58,009 --> 01:08:59,844 IT'S RIGHT HERE. GOT IT. 1584 01:08:59,844 --> 01:09:01,972 I GOT IT. YOU WANNA FEEL? GRAB IT. 1585 01:09:01,972 --> 01:09:02,764 NO. 1586 01:09:02,764 --> 01:09:03,890 ALL RIGHT, GET IN THERE. 1587 01:09:08,353 --> 01:09:09,854 (KNOCK AT DOOR) 1588 01:09:09,854 --> 01:09:13,024 RENE? THE DOOR IS OPEN. 1589 01:09:16,778 --> 01:09:18,822 BON JOUR. 1590 01:09:18,822 --> 01:09:19,990 I'LL BE OUT IN A FEW MINUTES. 1591 01:09:19,990 --> 01:09:20,991 WE DON'T HAVE ALL DAY. 1592 01:09:22,867 --> 01:09:26,204 GOOD FORTUNE AND GOOD CHEER. 1593 01:09:26,204 --> 01:09:28,039 OH, THANK YOU, KIND SIR. 1594 01:09:28,039 --> 01:09:29,708 BLESS YOU. 1595 01:09:29,708 --> 01:09:31,501 MY, WHAT FINE ANIMALS YOU HAVE. 1596 01:09:31,501 --> 01:09:33,086 ANIMALS? 1597 01:09:33,086 --> 01:09:34,212 YOUR 2 DOGS. 1598 01:09:34,212 --> 01:09:38,592 2 DOGS? THIS ONE'S MINE. 1599 01:09:38,592 --> 01:09:41,595 I DON'T KNOW WHERE THE OTHER ONE CAME FROM. 1600 01:09:41,595 --> 01:09:44,931 OH, THIS LITTLE ONE IS WORTH $10,000. 1601 01:09:46,349 --> 01:09:48,101 (TELEPHONE RINGS) 1602 01:09:49,686 --> 01:09:51,313 (ANSWERING MACHINE BEEPS) 1603 01:09:51,313 --> 01:09:53,898 Man: HI, I'M CALLING ABOUT YOUR REWARD POSTER. 1604 01:09:53,898 --> 01:09:56,151 WE--WE FOUND YOUR DOG. 1605 01:09:56,151 --> 01:09:59,821 YEAH, HE'S DOING FINE. HE'S DOWN HERE BY THE PIER. 1606 01:09:59,821 --> 01:10:01,531 HELLO. OUI. YES. 1607 01:10:01,531 --> 01:10:03,074 YES? 1608 01:10:04,784 --> 01:10:06,369 YES. DON'T MOVE. 1609 01:10:06,369 --> 01:10:08,747 DON'T MOVE. I'LL BE RIGHT THERE, OK? 1610 01:10:10,457 --> 01:10:13,376 LILA? I FORGOT MY WALLET. 1611 01:10:13,376 --> 01:10:15,837 I'M LEAVING THE INVITATIONS ON THE TABLE, OK? 1612 01:10:15,837 --> 01:10:16,796 YOU MEET ME AT THE PARTY. 1613 01:10:16,796 --> 01:10:19,382 BYE. HURRY UP. 1614 01:10:19,382 --> 01:10:20,467 HEY, RENE! 1615 01:10:22,969 --> 01:10:24,137 I CALL. ME, TOO. 1616 01:10:24,137 --> 01:10:25,180 (KNOCK AT DOOR) 1617 01:10:25,180 --> 01:10:26,640 COME ON IN. 1618 01:10:28,016 --> 01:10:30,435 HEY, WHAT'S UP, LADIES? 1619 01:10:30,435 --> 01:10:33,188 WELL, IF IT ISN'T THE PILLSBURY DOUGHBOY. 1620 01:10:33,188 --> 01:10:36,858 JUST PUT IT DOWN. WHAT DO I OWE YOU? 1621 01:10:36,858 --> 01:10:38,193 HOW ABOUT A LAP DANCE? 1622 01:10:38,193 --> 01:10:40,862 UH, SURE, MAYBE LATER. 1623 01:10:40,862 --> 01:10:44,991 LET'S SEE. THAT WAS 3 LARGE PIES WITH 4 TOPPINGS. 1624 01:10:44,991 --> 01:10:48,536 OR WAS THAT 5 PIES WITH HALF AND HALF? 1625 01:10:50,163 --> 01:10:51,998 WHAT DO YOU GUYS USUALLY PAY? 1626 01:10:51,998 --> 01:10:56,711 WELL, 40 OUGHT TO DO IT. 1627 01:10:59,798 --> 01:11:02,842 DO YOU REMEMBER 1628 01:11:02,842 --> 01:11:04,469 THE 21st NIGHT OF SEPTEMBER? 1629 01:11:04,469 --> 01:11:06,262 THANK YOU. YOU'RE WELCOME. 1630 01:11:08,598 --> 01:11:09,724 ANOTHER. 1631 01:11:09,724 --> 01:11:11,309 YES, SIR. 1632 01:11:11,309 --> 01:11:13,228 UH-OH, RAY. WHAT'RE YOU DRINKIN'? 1633 01:11:13,228 --> 01:11:16,523 DEWARS ON THE ROCKS. IT'S THE OLD MAN'S DRINK. 1634 01:11:16,523 --> 01:11:17,982 OLD MAN? 1635 01:11:17,982 --> 01:11:21,277 YEAH...MILLSTONE. 1636 01:11:21,277 --> 01:11:22,612 Dylan: OH. 1637 01:11:22,612 --> 01:11:24,614 DYLAN? 1638 01:11:24,614 --> 01:11:27,617 LILA. OH, YOU LOOK GREAT. 1639 01:11:28,952 --> 01:11:29,994 YOU, TOO. 1640 01:11:29,994 --> 01:11:31,121 HEY. 1641 01:11:31,121 --> 01:11:32,163 WHO'S YOUR FRIEND? 1642 01:11:32,163 --> 01:11:33,289 SHE'S HOT. 1643 01:11:33,289 --> 01:11:34,332 YEAH. 1644 01:11:34,332 --> 01:11:36,626 I'M RAY. I'M KIND OF A HUGGER. 1645 01:11:36,626 --> 01:11:39,838 OK, KEEP UP THE GOOD WORK, RAY. 1646 01:11:39,838 --> 01:11:42,799 THERE YOU ARE, YOU MUTT. 1647 01:11:42,799 --> 01:11:45,051 OH, THANK YOU VERY MUCH. 1648 01:11:45,051 --> 01:11:46,344 I'M GONNA TAKE HIM OUT OF YOUR HANDS. 1649 01:11:46,344 --> 01:11:47,554 EXCUSE ME, EXCUSE ME. 1650 01:11:47,554 --> 01:11:50,014 ACCORDING TO--TO YOUR POSTER, 1651 01:11:50,014 --> 01:11:52,392 THERE'S A LITTLE ISSUE OF MONEY TO CONTEND WITH. 1652 01:11:52,392 --> 01:11:53,601 OH, YEAH, SURE, YOU'RE RIGHT. 1653 01:11:53,601 --> 01:11:54,686 YOU GIVE ME YOUR PHONE NUMBER, 1654 01:11:54,686 --> 01:11:56,187 AND I'LL GIVE YOU A CALL, OK? 1655 01:11:56,187 --> 01:11:59,065 I WANT MY MONEY. I WANT MY MONEY! 1656 01:11:59,065 --> 01:12:00,859 HELP ME! MISTER! 1657 01:12:22,380 --> 01:12:25,133 THE SHORT GUY WITH THE HAIR. WHERE IS HIS CAR? 1658 01:12:25,133 --> 01:12:27,302 OVER THERE BY THE VAN. 1659 01:12:29,929 --> 01:12:33,183 OH, WHAT A NIGHT 1660 01:12:33,183 --> 01:12:37,479 LATE DECEMBER BACK IN '63 1661 01:12:37,479 --> 01:12:41,941 WHAT A VERY SPECIAL TIME FOR ME 1662 01:12:41,941 --> 01:12:45,570 I REMEMBER, WHAT A NIGHT 1663 01:12:47,947 --> 01:12:50,492 OH, WHAT A NIGHT 1664 01:12:50,492 --> 01:12:55,455 NO, I DIDN'T EVEN KNOW HIS NAME 1665 01:12:55,455 --> 01:12:59,375 I WAS NEVER GONNA BE THE SAME... 1666 01:12:59,375 --> 01:13:00,585 LILA! 1667 01:13:00,585 --> 01:13:02,170 RENE. 1668 01:13:02,170 --> 01:13:04,255 DID YOU FIND YOUR WALLET? 1669 01:13:04,255 --> 01:13:05,381 WHAT? 1670 01:13:05,381 --> 01:13:07,342 OH, YEAH, SURE. OF COURSE. 1671 01:13:07,342 --> 01:13:09,302 RENE, IT'S GOOD TO SEE YOU. 1672 01:13:09,302 --> 01:13:10,303 OF COURSE IT IS. 1673 01:13:12,639 --> 01:13:13,973 AH, THERE'S UBERMANN. 1674 01:13:16,518 --> 01:13:18,561 LILA, COME LET ME INTRODUCE YOU 1675 01:13:18,561 --> 01:13:21,314 AND LET OUR FRIEND HERE GET BACK TO THE KITCHEN. 1676 01:13:22,982 --> 01:13:23,983 GOOD LUCK. 1677 01:13:28,863 --> 01:13:30,198 Wally: I'LL GET IT. (TELEPHONE RINGS) 1678 01:13:31,616 --> 01:13:32,867 HELLO? 1679 01:13:32,867 --> 01:13:35,495 WALLY. FINALLY. THERE YOU ARE. 1680 01:13:35,495 --> 01:13:37,205 HEY, RUN OVER TO LEDER'S JEWELERS, 1681 01:13:37,205 --> 01:13:38,623 PICK UP A PACKAGE, 1682 01:13:38,623 --> 01:13:41,000 AND BRING IT TO ME. YOU GOT THAT? 1683 01:13:41,000 --> 01:13:42,544 OK, BOSS. I'M ON IT. 1684 01:13:45,088 --> 01:13:48,091 UH, SORRY, LADIES. 1685 01:13:48,091 --> 01:13:50,176 DUTY CALLS. 1686 01:13:50,176 --> 01:13:51,469 TAKE IT EASY. 1687 01:13:54,806 --> 01:13:56,474 I HOPE THEY FIT! 1688 01:14:02,564 --> 01:14:04,607 ALL RIGHT, YOU CLOWNS! 1689 01:14:04,607 --> 01:14:06,651 WHICH ONE OF YOU 1690 01:14:06,651 --> 01:14:10,697 IS RESPONSIBLE FOR THIS CRAP, HUH? 1691 01:14:10,697 --> 01:14:12,991 JUST KIDDING. 1692 01:14:12,991 --> 01:14:14,993 I REALLY SCARED THE HELL OUT OF YOU, THOUGH, THERE, 1693 01:14:14,993 --> 01:14:17,245 DIDN'T I? HA HA! I'M SORRY, KIDS. 1694 01:14:17,245 --> 01:14:19,289 I JUST HAVE TO TELL YOU I'M REALLY IMPRESSED. 1695 01:14:19,289 --> 01:14:21,833 I THINK THE FOOD IS A-PLUS. CONGRATULATIONS. 1696 01:14:21,833 --> 01:14:23,626 THANK YOU. DOES THAT MEAN WE GET THE LOAN? 1697 01:14:23,626 --> 01:14:25,962 OH, NO, NO, NO, IT DOESN'T HURT, 1698 01:14:25,962 --> 01:14:28,047 BUT, SON, WHEN I LOAN MONEY, I'M NOT JUST LOOKING 1699 01:14:28,047 --> 01:14:30,049 AT BALANCE SHEETS AND CREDIT REFERENCES 1700 01:14:30,049 --> 01:14:31,885 AND PASTRY SWANS, NO, SIR. 1701 01:14:31,885 --> 01:14:33,887 I'M ALSO LOOKING AT CHARACTER AND COMMITMENT AS WELL. 1702 01:14:33,887 --> 01:14:36,890 OH, WE ARE COMMITTED, AND I'LL TELL YOU WHAT. 1703 01:14:36,890 --> 01:14:38,892 IF YOU GIVE US THAT LOAN, YOUR FIRST MEAL 1704 01:14:38,892 --> 01:14:40,476 AT THE NEW RESTAURANT IS COMPED. 1705 01:14:40,476 --> 01:14:42,020 I'LL TELL YOU WHAT, SON. 1706 01:14:42,020 --> 01:14:43,855 IF I GIVE YOU THAT LOAN, THEY'RE ALL COMPED. 1707 01:14:43,855 --> 01:14:45,565 KEEP UP THE GOOD WORK. 1708 01:14:52,238 --> 01:14:54,198 KEEP YOUR FEET ON THE MATS. 1709 01:15:03,708 --> 01:15:05,960 EXCUSE ME, MISS. I THINK YOU'RE IN MY SEAT. 1710 01:15:05,960 --> 01:15:07,337 OH, HI. 1711 01:15:07,337 --> 01:15:09,255 HEY. WHAT'RE YOU DOING ALONE? 1712 01:15:09,255 --> 01:15:12,592 BESIDES YOU AND RENE, I DON'T KNOW ANYONE HERE. 1713 01:15:12,592 --> 01:15:14,344 WHAT ABOUT CARL OVER THERE? 1714 01:15:14,344 --> 01:15:15,970 HOW ARE YOU, BUDDY? 1715 01:15:15,970 --> 01:15:17,931 LOOK AT YOU! 1716 01:15:17,931 --> 01:15:19,891 YOU OLD SHEEP-HUMPER! 1717 01:15:19,891 --> 01:15:22,352 GIVE ME A JINGLE. I'LL CATCH YOU ON THE JANGLE. 1718 01:15:22,352 --> 01:15:24,687 CALL THE OLD NUMBER. IT'LL GIVE YOU A NEW ONE. 1719 01:15:24,687 --> 01:15:27,315 GOOD STUFF. LOVE TO BITZY. 1720 01:15:27,315 --> 01:15:28,524 WHO IS THAT GUY? 1721 01:15:28,524 --> 01:15:30,944 I HAVE NO IDEA. 1722 01:15:30,944 --> 01:15:32,654 SO WHAT HAPPENED WITH UBERMANN? 1723 01:15:32,654 --> 01:15:34,238 DID YOU GET THE AUDITION? 1724 01:15:34,238 --> 01:15:35,490 UM... 1725 01:15:35,490 --> 01:15:37,283 I HAVEN'T MET HIM YET. 1726 01:15:37,283 --> 01:15:41,079 RENE THOUGHT I SHOULD WAIT UNTIL LATER. 1727 01:15:42,455 --> 01:15:44,290 OF COURSE HE DID. 1728 01:15:44,290 --> 01:15:45,750 COME ON. LET'S GO. 1729 01:15:45,750 --> 01:15:47,126 OH, NO, I CAN'T. 1730 01:15:47,126 --> 01:15:48,252 NO, COME ON. 1731 01:15:48,252 --> 01:15:49,337 WE HAVE TO. 1732 01:15:49,337 --> 01:15:52,840 BABY STEPS. COME WITH ME. 1733 01:15:52,840 --> 01:15:54,842 OK. 1734 01:15:59,263 --> 01:16:01,891 AND WHAT IF RENE'S CORRECT, AND I SHOULD WAIT? 1735 01:16:01,891 --> 01:16:04,018 HEY, RENE DOESN'T WANT YOU TO AUDITION 1736 01:16:04,018 --> 01:16:06,270 AND SHOW EVERYONE HOW GREAT YOU ARE. 1737 01:16:06,270 --> 01:16:09,148 HE WANTS YOU TO BE AFRAID SO YOU'LL NEED HIM. 1738 01:16:09,148 --> 01:16:10,858 THERE'S UBERMANN. 1739 01:16:16,531 --> 01:16:18,074 LILA, WHAT ARE YOU DOING? 1740 01:16:18,074 --> 01:16:20,034 MY GOSH, IT'S PEPE LePUKE. 1741 01:16:20,034 --> 01:16:22,036 I TOLD YOU, THIS IS NOT THE TIME. 1742 01:16:22,036 --> 01:16:23,538 PLEASE GET OUT OF MY WAY. 1743 01:16:23,538 --> 01:16:25,206 COME TO YOUR SENSES. 1744 01:16:25,206 --> 01:16:28,710 THIS IS NOT YOU ACTING LIKE THIS. THIS IS HIM. 1745 01:16:28,710 --> 01:16:31,546 COME ON, BABY. THIS ISN'T IN YOU TO DO SUCH A THING. 1746 01:16:31,546 --> 01:16:33,464 YOU'RE WRONG. 1747 01:16:33,464 --> 01:16:36,759 REMEMBER WHEN YOU FREEZE WHO TRIED TO STOP YOU. 1748 01:16:38,469 --> 01:16:39,929 GIVE THIS TO UBERMANN. 1749 01:16:39,929 --> 01:16:42,348 IT'S A LITTLE BOOTLEG I MADE 1750 01:16:42,348 --> 01:16:43,766 LIVE AT THE HOLLYWOOD BOWL. 1751 01:16:43,766 --> 01:16:47,603 OK? NOW, PEARL JAM'S ON THERE, TOO, 1752 01:16:47,603 --> 01:16:49,564 SO I NEED IT BACK. GO, GO, GO. 1753 01:16:53,735 --> 01:16:55,653 SORRY TO INTERRUPT YOU... 1754 01:16:58,406 --> 01:17:01,075 OH, IT'S GOTTA STING A LITTLE BIT. 1755 01:17:01,075 --> 01:17:02,618 WE'LL SEE. 1756 01:17:05,955 --> 01:17:07,707 HEY. HEY, DYLAN. COME HERE A SEC. 1757 01:17:07,707 --> 01:17:09,125 GIVE ME THE RING. 1758 01:17:09,125 --> 01:17:10,501 I'M GONNA STICK IT IN ONE OF THE SWANS. 1759 01:17:10,501 --> 01:17:11,627 THE RING? 1760 01:17:11,627 --> 01:17:13,171 YEAH. NOW? 1761 01:17:13,171 --> 01:17:15,965 COME ON, HURRY UP BEFORE SHE SEES US. 1762 01:17:17,508 --> 01:17:21,012 OK, ALL RIGHT. THE RING IS A, UH... 1763 01:17:21,012 --> 01:17:23,014 IT'S A FUNNY STORY. 1764 01:17:23,014 --> 01:17:24,140 YOU'RE GONNA THINK 1765 01:17:24,140 --> 01:17:26,059 IT'S FUNNIER THAN ANYBODY BECAUSE... 1766 01:17:26,059 --> 01:17:28,394 HANG ON. 2 SECONDS. 1767 01:17:28,394 --> 01:17:30,521 2 SECONDS. WAIT HERE. I GOT IT. 1768 01:17:30,521 --> 01:17:32,565 WAIT THERE. 1769 01:17:37,528 --> 01:17:39,072 WHERE IS IT? 1770 01:17:39,072 --> 01:17:40,239 OH, HEY, BOSS. 1771 01:17:42,492 --> 01:17:43,910 COME ON. 1772 01:17:43,910 --> 01:17:46,079 GOD! OH, MY GOD, 1773 01:17:46,079 --> 01:17:48,414 YOU'RE SO FIRED, YOU'RE REHIRED. 1774 01:17:56,214 --> 01:17:58,091 THERE IT IS, YOUR RING. 1775 01:17:58,091 --> 01:18:00,051 NICE AND SHINY, SAFE AND SOUND. 1776 01:18:00,051 --> 01:18:02,637 GREAT. THANKS. WHERE'S THE BOX? 1777 01:18:02,637 --> 01:18:04,180 THE BOX? SCREW THE BOX! 1778 01:18:04,180 --> 01:18:05,973 WHO CARES ABOUT THE BOX! 1779 01:18:05,973 --> 01:18:07,642 YOU WANT THE RING OR THE BOX? 1780 01:18:07,642 --> 01:18:09,060 GET A GRIP. YOU'RE SCARING PEOPLE. 1781 01:18:09,060 --> 01:18:10,603 ALL RIGHT. I'M JUST SAYING. 1782 01:18:14,148 --> 01:18:15,608 HERE YOU GO, SIR. 1783 01:18:17,276 --> 01:18:18,277 THANK YOU. 1784 01:18:19,529 --> 01:18:21,781 (JACK BARKING) 1785 01:18:27,745 --> 01:18:29,455 JACK, WHAT ARE YOU DOING IN THERE? 1786 01:18:29,455 --> 01:18:30,998 (ARF ARF) 1787 01:18:30,998 --> 01:18:34,001 MEANT FOR SOMEONE ELSE, BUT NOT FOR ME 1788 01:18:35,962 --> 01:18:39,340 LOVE WAS OUT TO GET ME 1789 01:18:39,340 --> 01:18:41,843 THAT'S THE WAY IT SEEMED 1790 01:18:41,843 --> 01:18:44,720 DISAPPOINTMENT HAUNTED ALL MY DREAMS... 1791 01:18:44,720 --> 01:18:46,264 A TREAT FOR THE LADY. 1792 01:18:46,264 --> 01:18:49,058 OH, I CAN'T EVEN LOOK AT ONE OF THOSE. 1793 01:18:49,058 --> 01:18:51,269 YEAH, WELL, THIS ONE IS A LITTLE DIFFERENT. 1794 01:18:51,269 --> 01:18:52,520 NO, THANKS. 1795 01:18:52,520 --> 01:18:53,896 BEAR--BEAR WITH ME. 1796 01:18:53,896 --> 01:18:56,607 JUST, YOU KNOW, TAKE A BITE RIGHT HERE, 1797 01:18:56,607 --> 01:18:58,025 RIGHT WHERE THE SPOON IS, RIGHT FROM THE MIDDLE. 1798 01:18:58,025 --> 01:18:59,360 NO. 1799 01:18:59,360 --> 01:19:00,987 JUST EAT THE SWAN FOR ME! 1800 01:19:00,987 --> 01:19:03,239 OK, OK, OK. 1801 01:19:03,239 --> 01:19:04,365 MMM! 1802 01:19:04,365 --> 01:19:07,368 WHAT, SOMETHING IN THERE...HARD... 1803 01:19:07,368 --> 01:19:08,995 OH, BOY. HUH? 1804 01:19:11,164 --> 01:19:12,957 HEY, HOW WAS THE SURPRISE? 1805 01:19:12,957 --> 01:19:14,083 THAT IS A SWEET DIAMOND. 1806 01:19:14,083 --> 01:19:15,543 DIAMOND? YEAH. 1807 01:19:15,543 --> 01:19:17,920 YOU KNOW HOW MUCH A DIAMOND LIKE THAT WOULD COST? 1808 01:19:17,920 --> 01:19:20,047 IT'S CUBIC ZIRCONIUM. 1809 01:19:20,047 --> 01:19:21,382 THE SETTING IS MARK'S GRANDMOTHER'S. 1810 01:19:21,382 --> 01:19:22,967 I MADE A DEAL. 1811 01:19:22,967 --> 01:19:25,386 THE RESTAURANT TAKES OFF, I REPLACE THAT WITH A DIAMOND. 1812 01:19:25,386 --> 01:19:26,971 GREAT. 1813 01:19:26,971 --> 01:19:31,058 I GOTTA THROW UP. 1814 01:19:31,058 --> 01:19:33,102 MR. MILLSTONE, CAN I TALK TO YOU FOR A MINUTE? 1815 01:19:33,102 --> 01:19:34,687 (CELL PHONE RINGING) YES. HOLD THAT A SECOND. 1816 01:19:34,687 --> 01:19:37,064 SURE. 1817 01:19:37,064 --> 01:19:38,608 HELLO? SPEAKING. 1818 01:19:38,608 --> 01:19:41,277 WHAT? 1819 01:19:41,277 --> 01:19:44,405 OH, NO, THAT'S TERRIBLE! 1820 01:19:44,405 --> 01:19:45,615 YEAH, I UNDERSTAND. 1821 01:19:45,615 --> 01:19:46,782 THESE THINGS HAPPEN ALL THE TIME. 1822 01:19:46,782 --> 01:19:47,950 YEAH, WELL, THANKS ANYWAY. 1823 01:19:47,950 --> 01:19:49,076 BYE-BYE. 1824 01:19:49,076 --> 01:19:50,119 SOMETHING WRONG? 1825 01:19:50,119 --> 01:19:52,121 YEAH, BIG TIME. 1826 01:19:52,121 --> 01:19:53,956 NEIL DIAMOND'S PLANE GOT DELAYED. 1827 01:19:53,956 --> 01:19:55,958 HE WAS FLYING IN HERE TONIGHT 1828 01:19:55,958 --> 01:19:57,293 TO SING FOR MY WIFE'S BIRTHDAY. 1829 01:19:57,293 --> 01:19:58,461 NOW HE CAN'T MAKE IT. 1830 01:19:58,461 --> 01:20:00,296 WOW. THAT'S TOO BAD. 1831 01:20:00,296 --> 01:20:02,965 HEY, IF I COULD JUST ASK YOU ABOUT THIS LOAN-- 1832 01:20:02,965 --> 01:20:05,009 OH, LOOK, I CAN'T TALK TO YOU ABOUT THAT NOW. 1833 01:20:05,009 --> 01:20:06,802 LOOK, SON, I KNOW YOU'RE A NICE GUY 1834 01:20:06,802 --> 01:20:08,179 AND YOU MAKE GOOD FOOD, 1835 01:20:08,179 --> 01:20:10,181 BUT I GOT A REAL PROBLEM HERE. CAN YOU UNDERSTAND? 1836 01:20:10,181 --> 01:20:11,390 NEIL DIAMOND IS HER ALL-TIME FAVORITE. 1837 01:20:11,390 --> 01:20:12,350 EXCUSE ME. 1838 01:20:17,230 --> 01:20:19,607 Bandleader: HEY, THANKS A LOT. 1839 01:20:19,607 --> 01:20:21,150 WE'LL BE RIGHT BACK AFTER A SHORT BREAK. 1840 01:20:28,741 --> 01:20:31,369 (BROTHER LOVE'S TRAVELING SALVATION SHOW PLAYS) 1841 01:20:36,624 --> 01:20:39,502 (LIP-SYNCHING TO NEIL DIAMOND) HOT AUGUST NIGHT 1842 01:20:39,502 --> 01:20:41,545 AND THE LEAVES HANGING DOWN 1843 01:20:41,545 --> 01:20:43,005 AND THE GRASS ON THE GROUND 1844 01:20:43,005 --> 01:20:45,716 SMELLING SWEET 1845 01:20:50,888 --> 01:20:53,599 MOVE UP THE ROAD 1846 01:20:53,599 --> 01:20:56,102 TO THE OUTSIDE OF TOWN 1847 01:20:56,102 --> 01:20:59,772 AND THE SOUND OF THAT GOOD GOSPEL BEAT 1848 01:21:02,233 --> 01:21:06,195 SITS A RAGGED TENT 1849 01:21:06,195 --> 01:21:08,281 WHERE THERE AIN'T NO TREES 1850 01:21:08,281 --> 01:21:12,576 AND THAT GOSPEL GROUP 1851 01:21:12,576 --> 01:21:17,123 TELLING YOU AND ME IT'S LOVE, BROTHER LOVE 1852 01:21:17,123 --> 01:21:20,459 SAY BROTHER LOVE'S TRAVELING SALVATION SHOW 1853 01:21:20,459 --> 01:21:22,628 HALLE-- HALLE-- 1854 01:21:22,628 --> 01:21:25,047 PACK UP THE BABIES AND GRAB THE OLD LADIES 1855 01:21:25,047 --> 01:21:27,842 AND EVERYONE GOES 1856 01:21:27,842 --> 01:21:29,176 'CAUSE EVERYONE KNOWS 1857 01:21:29,176 --> 01:21:31,637 BROTHER LOVE'S SHOW 1858 01:21:38,185 --> 01:21:40,688 THE ROOM GETS SUDDENLY STILL 1859 01:21:40,688 --> 01:21:43,316 AND WHEN YOU'D ALMOST BET 1860 01:21:43,316 --> 01:21:45,151 YOU COULD HEAR YOURSELF SWEAT 1861 01:21:45,151 --> 01:21:47,236 HE WALKS IN 1862 01:21:52,325 --> 01:21:55,119 EYES BLACK AS COAL 1863 01:21:55,119 --> 01:21:57,496 AND WHEN HE LIFTS HIS FACE 1864 01:21:57,496 --> 01:22:00,750 EVERY EAR IN THE PLACE IS ON HIM 1865 01:22:02,835 --> 01:22:04,086 (RECORD STOPS) 1866 01:22:04,086 --> 01:22:05,838 (GUESTS GROAN) 1867 01:22:12,595 --> 01:22:14,305 (LAUGHS) 1868 01:22:22,688 --> 01:22:24,106 GET OFF. 1869 01:22:26,400 --> 01:22:28,069 OOH 1870 01:22:29,820 --> 01:22:31,072 NO. 1871 01:22:31,072 --> 01:22:32,490 OOH OOH 1872 01:22:32,490 --> 01:22:34,241 OOH 1873 01:22:34,241 --> 01:22:37,620 STARTING SOFT AND SLOW 1874 01:22:37,620 --> 01:22:40,831 LIKE A SMALL EARTHQUAKE 1875 01:22:40,831 --> 01:22:44,543 AND WHEN HE LETS GO 1876 01:22:44,543 --> 01:22:46,629 HALF THE VALLEY SHAKES 1877 01:22:46,629 --> 01:22:47,797 IT'S LOVE 1878 01:22:47,797 --> 01:22:50,257 BROTHER LOVE, SAY BROTHER LOVE'S 1879 01:22:50,257 --> 01:22:52,968 TRAVELING SALVATION SHOW 1880 01:22:52,968 --> 01:22:54,845 HALLE-- HALLE-- 1881 01:22:54,845 --> 01:22:57,807 PACK UP THE BABIES AND GRAB THE OLD LADIES 1882 01:22:57,807 --> 01:23:00,142 AND EVERYONE GOES 1883 01:23:00,142 --> 01:23:01,560 'CAUSE EVERYONE KNOWS 1884 01:23:01,560 --> 01:23:03,938 BROTHER LOVE'S SHOW 1885 01:23:03,938 --> 01:23:05,398 HALLELUJAH 1886 01:23:05,398 --> 01:23:07,024 BROTHER'S 1887 01:23:07,024 --> 01:23:08,734 HALLE-- HALLE-- 1888 01:23:08,734 --> 01:23:10,528 I SAY, BROTHERS. 1889 01:23:10,528 --> 01:23:11,737 BROTHERS! 1890 01:23:11,737 --> 01:23:15,032 NOW YOU GOT YOURSELF 2 GOOD HANDS. 1891 01:23:15,032 --> 01:23:16,867 AND WHEN YOUR BROTHER'S IN TROUBLE, 1892 01:23:16,867 --> 01:23:18,911 YOU GOTTA REACH OUT ONE HAND FOR HIM, 1893 01:23:18,911 --> 01:23:21,372 'CAUSE THAT'S WHAT IT'S THERE FOR. 1894 01:23:21,372 --> 01:23:22,873 AND WHEN YOUR HEART IS TROUBLED, 1895 01:23:22,873 --> 01:23:25,543 YOU GOTTA REACH OUT THE OTHER HAND. 1896 01:23:25,543 --> 01:23:27,711 REACH IT OUT TO THE MAN UP THERE, 1897 01:23:27,711 --> 01:23:31,382 'CAUSE THAT'S WHAT HE'S THERE FOR. 1898 01:23:31,382 --> 01:23:35,928 TAKE MY HAND IN YOURS 1899 01:23:35,928 --> 01:23:38,931 WALK WITH ME THIS DAY 1900 01:23:38,931 --> 01:23:42,643 IN MY HEART, I KNOW 1901 01:23:42,643 --> 01:23:45,771 I WILL NEVER STRAY 1902 01:23:45,771 --> 01:23:48,357 HALLE-- HALLE-- HALLE-- 1903 01:23:48,357 --> 01:23:49,984 HALLE-- HALLE-- 1904 01:23:49,984 --> 01:23:52,945 HALLE-- HALLE-- HALLE-- 1905 01:23:52,945 --> 01:23:54,780 LOVE, BROTHER LOVE, SAY BROTHER LOVE'S 1906 01:23:54,780 --> 01:23:57,533 TRAVELING SALVATION SHOW 1907 01:23:57,533 --> 01:23:59,452 HALLE-- HALLE-- 1908 01:23:59,452 --> 01:24:02,705 PACK UP THE BABIES AND GRAB THE OLD LADIES 1909 01:24:02,705 --> 01:24:04,957 AND EVERYTHING GOES 1910 01:24:04,957 --> 01:24:06,834 OH, I'M ALL RIGHT. 1911 01:24:06,834 --> 01:24:08,794 LOVE, BROTHER LOVE, SAY BROTHER LOVE'S 1912 01:24:08,794 --> 01:24:11,797 TRAVELING SALVATION SHOW 1913 01:24:11,797 --> 01:24:15,009 SING IT, BABY. I SAID LOVE! 1914 01:24:15,009 --> 01:24:16,677 (CHEERING) 1915 01:24:29,356 --> 01:24:31,400 MRS. MILLSTONE, 1916 01:24:31,400 --> 01:24:32,860 I KNOW I'M NO NEIL DIAMOND, 1917 01:24:32,860 --> 01:24:34,695 BUT HAPPY BIRTHDAY ANYWAY. 1918 01:24:34,695 --> 01:24:36,530 OHH. (LAUGHS) 1919 01:24:36,530 --> 01:24:38,908 THAT'S ALL RIGHT. YOU WON ME OVER. 1920 01:24:38,908 --> 01:24:40,117 NOW GIVE ME SOME SUGAR. 1921 01:24:40,117 --> 01:24:41,452 OH. 1922 01:24:41,452 --> 01:24:42,870 (LAUGHS) I TELL YOU WHAT, SON. 1923 01:24:42,870 --> 01:24:45,206 WHAT YOU DID HERE WAS PRICELESS. 1924 01:24:45,206 --> 01:24:46,707 SO CONGRATULATIONS. 1925 01:24:46,707 --> 01:24:48,709 YOU GOT THE LOAN ON SHEER GUTS. 1926 01:24:48,709 --> 01:24:50,586 GOOD LUCK, SON. 1927 01:24:50,586 --> 01:24:51,712 COME ON, MILDRED. 1928 01:24:51,712 --> 01:24:53,005 LET'S GET YOU CLEANED UP. 1929 01:24:53,005 --> 01:24:55,090 OH. 1930 01:24:55,090 --> 01:24:56,467 WHAT THE HELL WAS THAT? 1931 01:24:56,467 --> 01:24:58,427 I DON'T KNOW, BUT WE GOT IT. 1932 01:24:58,427 --> 01:25:00,429 I KNOW, MAN. YEAH. 1933 01:25:03,766 --> 01:25:04,683 HEY, LET'S GO TELL GAIL, HUH? 1934 01:25:04,683 --> 01:25:06,143 YEAH. 1935 01:25:08,562 --> 01:25:10,439 BASTARD. 1936 01:25:11,899 --> 01:25:13,609 HONEY, WE GOT THE LOAN. 1937 01:25:13,609 --> 01:25:15,277 DYLAN, WHAT ARE YOU ALL DRESSED UP FOR? 1938 01:25:15,277 --> 01:25:16,320 FORGET ABOUT IT. DID YOU HEAR WHAT I JUST SAID? 1939 01:25:16,320 --> 01:25:17,321 WE GOT THE LOAN. WE GOT THE LOAN. 1940 01:25:17,321 --> 01:25:19,240 Wally: HEY, BOSS! 1941 01:25:19,240 --> 01:25:20,783 LOOK WHAT I FOUND. 1942 01:25:22,076 --> 01:25:23,702 JACK. 1943 01:25:23,702 --> 01:25:26,121 JACK, WHAT'S UP, BUDDY? HOW ARE YOU? 1944 01:25:26,121 --> 01:25:27,790 OH, YOU OWE ME 5 GRAND. 1945 01:25:27,790 --> 01:25:28,916 WHERE WAS HE? 1946 01:25:28,916 --> 01:25:30,834 OH, IT WAS THE STRANGEST THING, BOSS. 1947 01:25:30,834 --> 01:25:32,086 HE WAS INSIDE YOUR CAR. 1948 01:25:32,086 --> 01:25:33,337 WHAT? 1949 01:25:33,337 --> 01:25:34,630 Rene: I KNEW IT. 1950 01:25:34,630 --> 01:25:37,424 HEY, RENE, GOOD NEWS. JACK'S BACK. 1951 01:25:37,424 --> 01:25:38,759 GOOD NEWS FOR JACK. 1952 01:25:38,759 --> 01:25:41,512 BAD NEWS FOR YOU WHEN LILA FINDS OUT. 1953 01:25:41,512 --> 01:25:43,264 TAKE HIM. 1954 01:25:43,264 --> 01:25:45,349 OH, NO, YOU WON'T. 1955 01:25:45,349 --> 01:25:46,767 NO WAY. 1956 01:25:46,767 --> 01:25:48,852 YOU TAKE HIM. GIVE HIM BACK TO HER. 1957 01:25:48,852 --> 01:25:50,521 HEY, DO I GET THE 10 GRAND? 1958 01:25:50,521 --> 01:25:51,564 WHAT ARE YOU TALKING ABOUT? 1959 01:25:51,564 --> 01:25:52,940 THERE WAS NO 10 GRAND. 1960 01:25:52,940 --> 01:25:54,024 WELL, I DON'T WANT HIM. 1961 01:25:54,024 --> 01:25:55,234 JEEZ. 1962 01:25:55,234 --> 01:25:57,069 HE HAD THE DOG IN HIS APARTMENT ALL ALONG. 1963 01:25:57,069 --> 01:25:58,862 OH, YEAH. THAT'S RIGHT. 1964 01:25:58,862 --> 01:26:00,197 WE TOOK REALLY GOOD CARE OF HIM. 1965 01:26:00,197 --> 01:26:01,740 WE GOT TO PLAY, WATCH TV-- 1966 01:26:01,740 --> 01:26:03,409 WALLY, DON'T HELP. 1967 01:26:03,409 --> 01:26:04,577 WAIT A MINUTE. 1968 01:26:04,577 --> 01:26:06,120 YOU STOLE HER DOG? 1969 01:26:06,120 --> 01:26:07,746 ISN'T THAT A FELONY? 1970 01:26:07,746 --> 01:26:09,707 GAIL, "FELONY" IS SUCH AN... 1971 01:26:09,707 --> 01:26:12,376 ACCURATE WORD. PLEASE DON'T USE IT. 1972 01:26:12,376 --> 01:26:15,087 LET'S JUST SAY I BORROWED HIM. 1973 01:26:15,087 --> 01:26:16,630 GUYS, DON'T LOOK AT ME LIKE THIS. 1974 01:26:16,630 --> 01:26:17,881 IT'S BOTH YOUR FAULTS. 1975 01:26:17,881 --> 01:26:19,300 YOU'RE THE ONE WHO SAID 1976 01:26:19,300 --> 01:26:21,302 I NEED TO SPEND SOME QUALITY TIME WITH HER. 1977 01:26:21,302 --> 01:26:23,262 IT WAS JUST SUPPOSED TO BE FOR A COUPLE HOURS. 1978 01:26:23,262 --> 01:26:24,388 WE'D GO LOOK FOR JACK, 1979 01:26:24,388 --> 01:26:25,431 WE'D HAVE SOME FUN TOGETHER, 1980 01:26:25,431 --> 01:26:26,557 SHE'D LIKE ME, 1981 01:26:26,557 --> 01:26:28,767 THEN I'D RETURN HIM, I'D BE A HERO. 1982 01:26:31,270 --> 01:26:32,938 WHAT? 1983 01:26:36,442 --> 01:26:38,777 (SIGHS) 1984 01:26:50,998 --> 01:26:53,626 DON'T WORRY, YOU ARE A HERO. 1985 01:26:53,626 --> 01:26:55,794 MY HERO. 1986 01:27:05,846 --> 01:27:07,890 (ANSWERING MACHINE BEEPS) 1987 01:27:09,808 --> 01:27:13,354 LILA, ARE YOU THERE? IT'S DYLAN. HEY-- 1988 01:27:13,354 --> 01:27:14,688 LILA, I KNOW YOU'RE UPSET, 1989 01:27:14,688 --> 01:27:16,690 BUT IT WAS ALL-- 1990 01:27:16,690 --> 01:27:18,942 LILA, PLEASE DON'T FAST-FORWARD. 1991 01:27:18,942 --> 01:27:21,987 OK? PLEASE. JUST... 1992 01:27:21,987 --> 01:27:24,531 PLEASE, LOOK AT YOUR FRONT DOOR. 1993 01:27:31,914 --> 01:27:33,791 I KNOW THERE'S NO EXCUSE FOR WHAT I DID, 1994 01:27:33,791 --> 01:27:35,125 BUT THERE IS AN APOLOGY, 1995 01:27:35,125 --> 01:27:37,503 SO PLEASE DON'T THROW THIS ONE AWAY. 1996 01:27:40,422 --> 01:27:41,965 HEY, WHAT DO YOU WANT FROM ME? 1997 01:27:51,100 --> 01:27:51,975 (ARF) 1998 01:27:53,602 --> 01:27:55,562 (ARF) 1999 01:27:55,562 --> 01:27:56,772 (SIGHS) 2000 01:27:58,691 --> 01:28:00,943 (TELEPHONE RINGS) 2001 01:28:02,528 --> 01:28:04,113 (TELEPHONE RINGS) 2002 01:28:04,113 --> 01:28:04,947 (ANSWERING MACHINE BEEPS) 2003 01:28:04,947 --> 01:28:06,865 Rene: LILA, C'EST RENE. 2004 01:28:06,865 --> 01:28:08,659 ALLO, ALLO. 2005 01:28:08,659 --> 01:28:10,869 ARE YOU HERE? NO? 2006 01:28:10,869 --> 01:28:11,995 OK, SO I'VE GOT THE TICKETS, 2007 01:28:11,995 --> 01:28:13,288 SECOND FLIGHT TO PARIS 2008 01:28:13,288 --> 01:28:14,790 ON FRIDAY NIGHT, 2009 01:28:14,790 --> 01:28:16,458 IF YOU WANT, ON TWA, 10 P.M., 2010 01:28:16,458 --> 01:28:18,127 AND, UH... 2011 01:28:18,127 --> 01:28:19,169 I'M GOING TO CALL YOU 2012 01:28:19,169 --> 01:28:20,963 TOMORROW MORNING. I LOVE YOU. 2013 01:28:20,963 --> 01:28:22,339 AU REVOIR, MON AMOUR. 2014 01:28:22,339 --> 01:28:24,216 (SIGHS) (MACHINE BEEPS) 2015 01:28:29,304 --> 01:28:30,848 Mover: WATCH THE CORNER. 2016 01:28:30,848 --> 01:28:32,182 HEY, YOU WANT TO GIVE ME A HAND WITH THAT? 2017 01:28:32,182 --> 01:28:33,726 Second Mover: HOLD ON TO IT. 2018 01:28:34,852 --> 01:28:36,854 DAMN. 2019 01:28:36,854 --> 01:28:38,897 NO, NO, NO, NO. 2020 01:28:38,897 --> 01:28:40,023 WHAT ARE YOU DOING? 2021 01:28:40,023 --> 01:28:42,067 LILA? 2022 01:28:42,067 --> 01:28:43,193 LILA? 2023 01:28:43,193 --> 01:28:44,236 HO-HO-HOLD IT, PAL. 2024 01:28:44,236 --> 01:28:45,779 YOU CAN'T GO IN THERE. 2025 01:28:45,779 --> 01:28:47,197 LILA. 2026 01:28:47,197 --> 01:28:49,074 SHE AIN'T HERE. 2027 01:28:49,074 --> 01:28:50,200 WHERE IS SHE? IS SHE COMING BACK? 2028 01:28:50,200 --> 01:28:51,910 SHE AIN'T HERE. 2029 01:28:51,910 --> 01:28:53,036 CAN YOU AT LEAST TELL ME 2030 01:28:53,036 --> 01:28:54,621 WHERE YOU'RE TAKING HER STUFF? 2031 01:28:54,621 --> 01:28:56,874 NO. ARTY, WATCH THE CORNER. 2032 01:28:56,874 --> 01:28:58,751 HEADS UP, PAL. 2033 01:29:02,421 --> 01:29:03,714 GET OFF. 2034 01:29:03,714 --> 01:29:04,882 YOU GOTTA TELL ME 2035 01:29:04,882 --> 01:29:05,758 WHERE YOU'RE TAKING THIS STUFF, MAN. 2036 01:29:05,758 --> 01:29:07,134 IF THIS COUCH GOES, 2037 01:29:07,134 --> 01:29:08,427 MY WHOLE LIFE GOES WITH IT. 2038 01:29:08,427 --> 01:29:09,678 YOU'RE STARTING TO PISS ME OFF. 2039 01:29:09,678 --> 01:29:12,139 COME ON. 2040 01:29:12,139 --> 01:29:14,349 YOU KNOW HOW YOU SPEND YOUR WHOLE LIFE 2041 01:29:14,349 --> 01:29:15,851 LOOKING FOR THE PERFECT ONE, 2042 01:29:15,851 --> 01:29:17,478 YOU FINALLY FIND IT, 2043 01:29:17,478 --> 01:29:20,147 AND YOU LET IT SLIP THROUGH YOUR FINGERS? 2044 01:29:20,147 --> 01:29:22,983 BUDDY, IT'S JUST A PIECE OF FURNITURE. 2045 01:29:22,983 --> 01:29:24,651 I'M NOT TALKING ABOUT THE FURNITURE, 2046 01:29:24,651 --> 01:29:26,612 I'M TALKING ABOUT A GIRL. 2047 01:29:26,612 --> 01:29:28,947 THE GIRL. 2048 01:29:28,947 --> 01:29:30,115 EVERYTHING WAS PERFECT, 2049 01:29:30,115 --> 01:29:31,658 AND I RUINED IT. 2050 01:29:31,658 --> 01:29:33,619 I'M SO STUPID. 2051 01:29:33,619 --> 01:29:35,078 THAT'S TOUCHING, 2052 01:29:35,078 --> 01:29:37,122 BUT YOU'RE STILL NOT GETTING AN ADDRESS. 2053 01:29:37,122 --> 01:29:39,625 NOW GET OFF OF THERE BEFORE YOU HURT YOURSELF. 2054 01:29:40,959 --> 01:29:43,128 TOO LATE. 2055 01:29:59,061 --> 01:30:00,020 THAT ABOUT DOES IT. 2056 01:30:01,563 --> 01:30:02,689 THANK YOU. 2057 01:30:02,689 --> 01:30:04,149 I'LL HAVE MY GUYS COME IN 2058 01:30:04,149 --> 01:30:05,692 AND TAKE CARE OF THIS TRASH FOR YOU. 2059 01:30:09,863 --> 01:30:11,240 FOR WHAT IT'S WORTH, 2060 01:30:11,240 --> 01:30:13,033 HE SOUNDED SINCERE. 2061 01:30:15,786 --> 01:30:17,204 (LAUGHS) 2062 01:30:19,289 --> 01:30:21,375 IF YOU'RE GONNA THROW ALL THIS OUT, 2063 01:30:21,375 --> 01:30:23,043 YOU MIND IF I KEEP THIS? 2064 01:30:34,847 --> 01:30:35,764 THANK YOU. 2065 01:30:35,764 --> 01:30:38,809 (LAUGHS) 2066 01:30:38,809 --> 01:30:40,644 BOSS, CAN I GET YOU ANYTHING TO DRINK? 2067 01:30:40,644 --> 01:30:43,188 UH, NO, I'M GOOD. THANKS. 2068 01:30:43,188 --> 01:30:44,606 HEY, WHAT ARE YOU GUYS DOING WITH THAT? 2069 01:30:44,606 --> 01:30:46,775 WE'RE THROWING IT AWAY. IT'S JUNK. 2070 01:30:46,775 --> 01:30:48,110 WELL-- 2071 01:30:48,110 --> 01:30:49,736 HERE, CHECK IT OUT. 2072 01:30:49,736 --> 01:30:51,613 NEW MENUS CAME. (LAUGHS) 2073 01:30:51,613 --> 01:30:52,990 LOOK AT THIS. I DON'T BELIEVE IT. 2074 01:30:52,990 --> 01:30:55,158 I MEAN, WE ACTUALLY DID IT. 2075 01:30:55,158 --> 01:30:57,452 I KNOW. THIS IS-- THIS IS GREAT, MAN. 2076 01:30:57,452 --> 01:30:59,788 OH, THIS IS GREAT, MAN. 2077 01:30:59,788 --> 01:31:01,206 COME ON, BUDDY. SNAP OUT OF IT. 2078 01:31:01,206 --> 01:31:02,624 I KNOW. I'M SORRY, BUDDY. 2079 01:31:02,624 --> 01:31:03,584 I'M GONNA GO SHOW THESE TO GAIL. 2080 01:31:03,584 --> 01:31:05,085 OK. 2081 01:31:06,837 --> 01:31:08,213 HEY, BOSS, 2082 01:31:08,213 --> 01:31:09,631 I'LL BE BACK IN ABOUT AN HOUR. 2083 01:31:09,631 --> 01:31:12,509 WALLY, COME HERE FOR A MINUTE. 2084 01:31:12,509 --> 01:31:14,720 OH, SURE THING, BOSS. WHAT'S UP? 2085 01:31:14,720 --> 01:31:16,305 LET ME HAVE THIS. 2086 01:31:16,305 --> 01:31:18,015 I NEED TO GO FOR A DRIVE. 2087 01:31:18,015 --> 01:31:19,182 TAKE THE FLOOR FOR ME? 2088 01:31:20,434 --> 01:31:23,145 (LAUGHS) YOU ALMOST GOT ME AGAIN, BOSS. 2089 01:31:23,145 --> 01:31:24,980 THAT WAS GOOD. THAT WAS GOOD. 2090 01:31:24,980 --> 01:31:27,024 I'M SERIOUS, MAN. COVER FOR ME? 2091 01:31:28,233 --> 01:31:31,194 YES! YES! HA HA. 2092 01:31:39,202 --> 01:31:40,704 (JACK BARKS) 2093 01:31:42,873 --> 01:31:44,541 JACK? 2094 01:31:46,710 --> 01:31:48,086 HEY. 2095 01:31:49,588 --> 01:31:51,548 JACK. WAIT! 2096 01:31:52,591 --> 01:31:53,717 JACK. 2097 01:31:54,968 --> 01:31:56,136 COME HERE, BUDDY. 2098 01:31:57,262 --> 01:32:00,057 JACK? 2099 01:32:00,057 --> 01:32:01,558 WHERE ARE YOU? 2100 01:32:01,558 --> 01:32:04,645 STILL CHASING THE SAME OLD DOG? 2101 01:32:04,645 --> 01:32:06,438 AND WHAT ARE YOU GOING TO DO 2102 01:32:06,438 --> 01:32:08,774 WHEN YOU CATCH HIM, KIDNAP HIM AGAIN? 2103 01:32:08,774 --> 01:32:10,609 YOU KNOW WHAT, I DESERVE THAT. 2104 01:32:10,609 --> 01:32:14,237 I DID A BAD THING. I WAS WRONG. 2105 01:32:14,237 --> 01:32:16,323 BUT YOU KNOW WHAT? 2106 01:32:16,323 --> 01:32:18,325 I THINK WE HAD FUN TOGETHER. 2107 01:32:20,661 --> 01:32:24,456 AND YOU AND I DID OK, TOO. 2108 01:32:24,456 --> 01:32:25,624 SO-- 2109 01:32:25,624 --> 01:32:27,125 SO WHAT? 2110 01:32:28,001 --> 01:32:29,294 SO-- 2111 01:32:29,294 --> 01:32:32,130 SO. 2112 01:32:32,130 --> 01:32:34,675 SHOW ME YOUR BOOBS. 2113 01:32:36,301 --> 01:32:38,595 OK. 2114 01:32:38,595 --> 01:32:39,429 NO, NO, NO, NO, NO, NO, NO. 2115 01:32:39,429 --> 01:32:41,181 DON'T. I WAS KIDDING. 2116 01:32:41,181 --> 01:32:43,850 JACK JUST ATE, AND I...(LAUGHS) 2117 01:32:43,850 --> 01:32:45,560 YOU KNOW WHAT? 2118 01:32:45,560 --> 01:32:47,688 LOOK AT THIS PLACE. 2119 01:32:47,688 --> 01:32:49,189 REMEMBER WHAT I SAID ABOUT CONQUERING YOUR FEARS UP HERE? 2120 01:32:49,189 --> 01:32:50,482 FORGET IT. 2121 01:32:50,482 --> 01:32:51,817 THIS PLACE WOULD SCARE ME SHITLESS. 2122 01:32:51,817 --> 01:32:54,277 MY GOD, LOOK AT ALL THESE SEATS. 2123 01:32:54,277 --> 01:32:56,196 SO WHAT ARE YOU DOING HERE? 2124 01:32:56,196 --> 01:32:59,408 THIS IS A SPECIAL PLACE FOR ME. 2125 01:33:00,909 --> 01:33:02,577 I ONCE MADE OUT WITH A CELLO PLAYER UP THERE. 2126 01:33:02,577 --> 01:33:05,038 OH, YEAH. 2127 01:33:05,038 --> 01:33:07,541 TRUTH IS, SHE GOT A LITTLE HANDSY, AND... 2128 01:33:07,541 --> 01:33:09,710 I'M A BIT OF A PRUDE, SO THAT DIDN'T FLY. 2129 01:33:09,710 --> 01:33:11,211 (SNIFFS) 2130 01:33:13,213 --> 01:33:16,133 YOU KNOW WHAT THEY SAY ABOUT CELLISTS? 2131 01:33:16,133 --> 01:33:17,676 THEY DO IT IN A CHAIR 2132 01:33:17,676 --> 01:33:19,803 WITH THEIR LEGS SPREAD WIDE. 2133 01:33:19,803 --> 01:33:21,179 GOOD GOD, MA'AM. 2134 01:33:21,179 --> 01:33:22,931 THERE'S A DOG IN OUR PRESENCE. 2135 01:33:22,931 --> 01:33:24,433 OH, I KNOW. 2136 01:33:25,475 --> 01:33:27,769 AND HE MISSES YOU. 2137 01:33:41,658 --> 01:33:44,619 WOW. (LAUGHS) 2138 01:33:47,247 --> 01:33:48,582 LET'S GET OUT OF HERE. 2139 01:33:48,582 --> 01:33:50,125 YEAH. 2140 01:33:51,543 --> 01:33:52,794 SO WHY DID YOU COME HERE? 2141 01:33:52,794 --> 01:33:54,129 WAS IT MY LETTERS? 2142 01:33:54,129 --> 01:33:57,716 NO. THEY WERE NICE, BUT... 2143 01:33:57,716 --> 01:33:59,676 WAS IT THE HAT? 2144 01:33:59,676 --> 01:34:01,470 NO. 2145 01:34:01,470 --> 01:34:03,805 IT WAS THE PARTY. 2146 01:34:03,805 --> 01:34:05,348 OH, WHEN I GAVE THE TAPE TO UBERMANN. 2147 01:34:05,348 --> 01:34:06,767 NO. 2148 01:34:06,767 --> 01:34:08,977 WHEN YOU SANG. 2149 01:34:08,977 --> 01:34:10,020 REALLY? 2150 01:34:10,020 --> 01:34:12,355 I DIDN'T KNOW YOU COULD BE SO SEXY. 2151 01:34:12,355 --> 01:34:14,691 (LAUGHS) OH, YEAH. 2152 01:34:14,691 --> 01:34:16,568 I DIDN'T KNOW YOU WERE A NEIL DIAMOND FAN. 2153 01:34:16,568 --> 01:34:17,736 HE'S GOT A HUNDRED HITS. 2154 01:34:17,736 --> 01:34:19,237 I'LL DO A DIFFERENT ONE EVERY NIGHT. 2155 01:34:19,237 --> 01:34:22,032 (HUMMING) 2156 01:34:22,032 --> 01:34:24,242 LET'S GET THROUGH TODAY FIRST. 2157 01:34:24,242 --> 01:34:25,827 OK. 2158 01:34:34,544 --> 01:34:36,171 (RENE SIGHS) 2159 01:34:37,380 --> 01:34:39,674 STEWARDESS. 2160 01:34:39,674 --> 01:34:41,384 HOW MUCH LONGER DO I HAVE TO STAY 2161 01:34:41,384 --> 01:34:43,136 IN THIS GOD-FORSAKEN PLACE? 2162 01:34:43,136 --> 01:34:44,513 IT'LL BE ABOUT ANOTHER 10 MINUTES 2163 01:34:44,513 --> 01:34:46,389 BEFORE WE TAKE OFF. I'M SORRY. 2164 01:34:46,389 --> 01:34:48,475 YOUR "SORRIES" DON'T HELP US GET OFF THE GROUND. 2165 01:34:48,475 --> 01:34:49,935 FORGET IT. 2166 01:34:49,935 --> 01:34:51,394 WHERE IS THE BATHROOM? 2167 01:34:51,394 --> 01:34:52,437 RIGHT BACK THERE. 2168 01:35:00,612 --> 01:35:02,948 YOU ARE LITTLE, I'M BIG. 2169 01:35:02,948 --> 01:35:04,783 YOU LOSE. 2170 01:35:08,370 --> 01:35:11,331 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2171 01:35:12,916 --> 01:35:14,626 THAT'S THE MAN. 2172 01:35:14,626 --> 01:35:17,170 HE'S THE ONE WHO DID IT. 2173 01:35:17,170 --> 01:35:19,923 HE PATTED MY BOTTOM, PUT ME IN HIS LAP. 2174 01:35:19,923 --> 01:35:22,801 WE PLAYED SANTY CLAUS. 2175 01:35:22,801 --> 01:35:24,678 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 2176 01:35:26,680 --> 01:35:28,849 (GROOVE IS IN THE HEART ÀPLAYS) 2177 01:35:42,154 --> 01:35:44,364 THE CHILLS THAT YOU SPILL UP MY BACK 2178 01:35:44,364 --> 01:35:46,533 KEEP ME FILLED WITH SATISFACTION 2179 01:35:46,533 --> 01:35:47,909 WHEN WE'RE DONE 2180 01:35:47,909 --> 01:35:50,162 SATISFACTION OF WHAT'S TO COME 2181 01:35:50,162 --> 01:35:54,166 I COULDN'T ASK FOR ANOTHER 2182 01:35:54,166 --> 01:35:56,501 NO, I COULDN'T ASK FOR ANOTHER 2183 01:35:56,501 --> 01:35:57,836 ANOTHER TRY 2184 01:35:57,836 --> 01:35:59,546 YOUR GROOVE I DO DEEPLY DIG 2185 01:35:59,546 --> 01:36:02,257 NO WALLS, ONLY THE BRIDGE 2186 01:36:02,257 --> 01:36:04,634 MY SUPPER DISH, MY SUCCOTASH WISH 2187 01:36:04,634 --> 01:36:06,094 SING IT, BABY ♪ 2188 01:36:06,094 --> 01:36:08,597 I COULDN'T ASK FOR ANOTHER 2189 01:36:08,597 --> 01:36:09,931 UH-HUH UH-HUH 2190 01:36:13,560 --> 01:36:16,438 NO, I COULDN'T ASK FOR ANOTHER 2191 01:36:16,438 --> 01:36:17,689 I--I--I-- I--I--I 2192 01:36:17,689 --> 01:36:20,692 NO, I COULDN'T ASK FOR ANOTHER 2193 01:36:20,692 --> 01:36:23,612 DJ SOUL WAS ON A ROLL 2194 01:36:23,612 --> 01:36:25,947 I'VE BEEN TOLD HE CAN'T BE SOLD 2195 01:36:25,947 --> 01:36:27,782 HE'S NOT VICIOUS OR MALICIOUS 2196 01:36:27,782 --> 01:36:29,910 JUST DE-LOVELY AND DELICIOUS 2197 01:36:29,910 --> 01:36:32,287 I COULDN'T ASK FOR ANOTHER 2198 01:36:37,667 --> 01:36:40,086 (MAN RAPPING) 2199 01:37:09,366 --> 01:37:12,869 GROOVE IS IN THE HEART 2200 01:37:12,869 --> 01:37:15,872 GROOVE IS IN THE HEART 2201 01:37:17,249 --> 01:37:20,043 GROOVE IS IN THE HEART 2202 01:37:21,419 --> 01:37:23,004 GROOVE IS IN THE HEART 2203 01:37:51,074 --> 01:37:53,118 GROOVE IS IN YOUR HEART 2204 01:37:53,118 --> 01:37:56,705 GROOVE IS IN THE HEART 2205 01:37:56,705 --> 01:38:00,500 GROOVE IS IN THE HEART 2206 01:38:00,500 --> 01:38:04,754 GROOVE IS IN THE HEART 2207 01:38:04,754 --> 01:38:07,173 GROOVE IS IN THE HEART 2208 01:38:18,184 --> 01:38:21,354 GROOVE IS IN THE HEART NA-NA-NA 2209 01:38:23,398 --> 01:38:25,817 (JOHN HUGHES 2000 PLAYS) 2210 01:38:28,862 --> 01:38:31,072 OOH, OOH, OOH, OOH 2211 01:38:35,702 --> 01:38:39,414 YOU'VE GOT BURDEN OF YOUR BAGGAGE UPON YOU 2212 01:38:39,414 --> 01:38:43,126 YOU'VE GOT YOUR RAGGED ENTOURAGE AND YOU KNOW 2213 01:38:43,126 --> 01:38:46,880 YOU'VE GOT THE RAIN BEATING DOWN AROUND YOU 2214 01:38:46,880 --> 01:38:49,758 BUT A COWARD IN THE SHADOW OF YOUR VERY SOUL 2215 01:38:49,758 --> 01:38:50,717 IS TELLING YOU 2216 01:38:50,717 --> 01:38:53,928 TO LEAVE 2217 01:38:53,928 --> 01:38:57,349 BEFORE A CHEMICAL REACTION REVEALS YOU 2218 01:38:57,349 --> 01:39:00,602 YOU'VE BEEN DECEIVED 2219 01:39:00,602 --> 01:39:04,773 BY SOME PERSONA YOU'VE ACQUIRED TO SHIELD YOU 2220 01:39:04,773 --> 01:39:08,151 AND I CAN SEE 2221 01:39:08,151 --> 01:39:10,487 THAT YOU OPERATE 2222 01:39:10,487 --> 01:39:13,239 ON A THOUSAND DIFFERENT LEVELS 2223 01:39:13,239 --> 01:39:16,159 IT'S A BITTER FEUD BUT YOU KNOW IT'S BEEN DECIDED 2224 01:39:16,159 --> 01:39:18,536 I CAN SYMPATHIZE 2225 01:39:18,536 --> 01:39:22,123 I SLIPPED A NOTE INTO YOUR BIRTH-CONTROL PILL CASE 2226 01:39:22,123 --> 01:39:23,583 AND NOW I'M WAITING 2227 01:39:23,583 --> 01:39:26,961 FOR THE MOMENT WHEN I SEE YOUR FACE 2228 01:39:26,961 --> 01:39:30,715 WELL, IT'S ALL ON YOU BUT YOU KNOW IT'S BEEN DECIDED 2229 01:39:30,715 --> 01:39:32,717 I CAN SYMPATHIZE 2230 01:39:32,717 --> 01:39:37,013 I SLIPPED A NOTE INTO YOUR BIRTH-CONTROL PILL CASE 2231 01:39:39,849 --> 01:39:42,477 OOH, OOH, OOH, OOH 136950