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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:38,234 --> 00:01:44,200 ...THERE WAS AN OLD CASTLE, AND IN THE CASTLE LIVED A PRINCESS, 2 00:01:44,267 --> 00:01:46,868 A LOVELY, LONELY PRINCESS. 3 00:02:03,234 --> 00:02:05,601 NOW, FAR, FAR AWAY FROM HER CASTLE, 4 00:02:05,667 --> 00:02:09,167 IN ANOTHER COUNTRY ACROSS THE SEA, 5 00:02:09,234 --> 00:02:12,667 WAS A CITY- A BIG, BUSY CITY, 6 00:02:12,734 --> 00:02:16,033 AND HERE THERE WAS A VERY GRAND HOTEL, 7 00:02:16,100 --> 00:02:19,834 AND IN THIS HOTEL, THERE WAS A BELLBOY. 8 00:02:29,234 --> 00:02:30,667 MADAM, YOUR DOG. 9 00:02:30,734 --> 00:02:33,701 AHH... MAMA'S LITTLE ANGEL. 10 00:02:33,767 --> 00:02:36,701 HIM WAS A NICE DOGGY, HIM WAS. 11 00:02:36,767 --> 00:02:39,067 UH, DID HIM HAVE A NICE WALK? 12 00:02:39,133 --> 00:02:41,767 OH, HIM DID. UH, HE DID. 13 00:02:41,834 --> 00:02:45,868 HMM. WELL, TOMORROW, TAKE ROMEO FOR HIS WALK AN HOUR EARLIER. 14 00:02:45,934 --> 00:02:49,734 I'M SORRY, MRS. CHETTESTER, I HAVE AN APPOINTMENT THEN WITH A DACHSHUND. 15 00:02:49,801 --> 00:02:51,968 OH, WELL, MAKE IT THE SAME TIME TOMORROW. 16 00:02:52,033 --> 00:02:52,968 YES, MA'AM. 17 00:02:53,033 --> 00:02:53,968 HERE. 18 00:02:54,033 --> 00:02:57,100 OH, THANK YOU VERY MUCH. 19 00:02:57,167 --> 00:02:58,834 UH. 20 00:03:06,067 --> 00:03:07,467 HOW DID YOU MAKE OUT TODAY? 21 00:03:07,567 --> 00:03:08,701 OH, I DID OK. 22 00:03:08,767 --> 00:03:10,667 ME, TOO. I HAD ONE OF THEM RICH SOUTH AMERICANS. 23 00:03:10,734 --> 00:03:12,634 A GUY GAVE ME A COUPLE OF TICKETS 24 00:03:12,701 --> 00:03:14,167 TO THE FIGHT TONIGHT - RINGSIDE SEATS. 25 00:03:14,234 --> 00:03:16,133 SAY, WOULD YOU LIKE TO GO WITH ME, JIMMY? 26 00:03:16,200 --> 00:03:19,167 OH, I'D LIKE TO, DICK. THANKS A LOT, BUT I'M GOING TO BE BUSY. 27 00:03:19,234 --> 00:03:21,167 OH, YOU ALWAYS SAY THAT. BUSY DOING WHAT? 28 00:03:21,234 --> 00:03:22,667 IS IT A GIRL? 29 00:03:22,734 --> 00:03:24,667 COME ON, JIMMY. TELL US WHAT YOU DO NIGHTS. 30 00:03:24,734 --> 00:03:26,167 YOU REALLY WANT TO KNOW? 31 00:03:26,234 --> 00:03:28,334 WELL, I'LL TELL YOU. EVERY NIGHT I GO HOME, 32 00:03:28,400 --> 00:03:30,300 AND I WASHINGTON THE DELAWARE WITH MIAMI 33 00:03:30,367 --> 00:03:31,767 AND TOLEDO THE CHICAGO 34 00:03:31,834 --> 00:03:33,334 TILL DETROIT IS CINCINNATI. 35 00:03:36,234 --> 00:03:37,367 OH, ALBERT. 36 00:03:37,434 --> 00:03:38,534 HELLO, JIMMY. 37 00:03:38,601 --> 00:03:39,701 COME ON. 38 00:03:39,767 --> 00:03:40,868 WHERE? 39 00:03:40,934 --> 00:03:42,367 WHY, IT'S TIME TO GO HOME. 40 00:03:42,434 --> 00:03:43,701 OH. 41 00:03:44,901 --> 00:03:46,200 HIYA, BABE. 42 00:03:46,267 --> 00:03:47,367 HELLO. 43 00:03:47,434 --> 00:03:49,834 HIYA, BABE. 44 00:03:50,734 --> 00:03:52,300 ALBERT! 45 00:03:53,701 --> 00:03:56,133 HEY, JIMMY, YOU KNOW, I JUST THOUGHT OF SOMETHING. 46 00:03:56,200 --> 00:03:58,133 IT'S A LUCKY THING FOR ME MY NAME IS ALBERT. 47 00:03:58,200 --> 00:03:59,634 YEAH, WHY? 48 00:03:59,701 --> 00:04:01,133 THAT'S WHAT EVERYBODY CALLS ME-ALBERT. 49 00:04:01,200 --> 00:04:02,834 OH... 50 00:04:06,701 --> 00:04:08,133 WELL, THERE IT IS. 51 00:04:08,200 --> 00:04:10,100 YEAH, AIN'T IT? WHAT AN INSTRUMENT. 52 00:04:10,167 --> 00:04:11,968 GEE, WON'T LESLIE BE SURPRISED WHEN WE GIVE IT TO HER? 53 00:04:12,033 --> 00:04:14,334 SHE WILL IF YOU DON'T SPILL THE BEANS. 54 00:04:14,400 --> 00:04:18,133 HUH? I AIN'T GONNA SPILL NO BEANS. NOT EVEN A BEAN. 55 00:04:18,200 --> 00:04:20,667 HEY, JIMMY, HOW SOON WE HAVE IT ALL PAID FOR? 56 00:04:20,734 --> 00:04:23,133 NOT VERY SOON. NOT WITH THE TIPS I'VE BEEN GETTING. 57 00:04:23,200 --> 00:04:25,000 THEY HAD ME WALKING DOGS AGAIN TODAY. 58 00:04:25,067 --> 00:04:27,167 YEAH, I SEEN YOU WITH A POMERANIAN AND THEN A SPITZ- 59 00:04:27,234 --> 00:04:28,367 VERY FINE ANIMALS. 60 00:04:28,434 --> 00:04:29,834 VERY BAD TIPPERS. 61 00:04:29,901 --> 00:04:31,167 HUH? 62 00:04:31,234 --> 00:04:32,601 OH. 63 00:04:32,667 --> 00:04:35,000 HEY, JIMMY, HOW MANY MORE BUCKS WE GOT TO PAY? 64 00:04:35,067 --> 00:04:36,000 8. 65 00:04:36,067 --> 00:04:37,000 9. 66 00:04:37,067 --> 00:04:37,968 8! 67 00:04:38,033 --> 00:04:39,367 9. 68 00:04:39,434 --> 00:04:44,467 8, MR. BERGER. I'M GOING TO PAY YOU ANOTHER BUCK RIGHT NOW. 69 00:04:44,534 --> 00:04:52,300 UH, 25, 35, 50, 55, 75, 90, A BUCK. 70 00:04:54,701 --> 00:04:56,334 THANK YOU. 71 00:05:10,167 --> 00:05:11,601 WHAT'S THE MATTER WITH YOU? 72 00:05:11,667 --> 00:05:13,300 I'VE A... BELLYACHE. 73 00:05:13,367 --> 00:05:15,634 SOMETHING I ATE, NO DOUBT. 74 00:05:19,400 --> 00:05:22,467 NO DOUBT. WHAT HAVE YOU GOT IN THERE? 75 00:05:22,534 --> 00:05:25,434 HUH? WHAT? WHERE? IN? OH, NOTHING, JIMMY. 76 00:05:25,501 --> 00:05:27,367 JUST MY ABDOMEN. 77 00:05:31,234 --> 00:05:32,667 TAKE IT BACK. 78 00:05:32,734 --> 00:05:34,667 IT'S ONLY A LITTLE ONE. 79 00:05:34,734 --> 00:05:36,834 I SAID TAKE IT BACK. 80 00:05:57,801 --> 00:06:01,200 OH, ALBERT, YOU'RE SUCH A TRIAL TO ME. 81 00:06:01,267 --> 00:06:02,634 YEAH, AIN'T I? 82 00:06:02,701 --> 00:06:04,267 WHY DO YOU DO THINGS LIKE THAT? 83 00:06:04,334 --> 00:06:06,634 I DON'T KNOW. I GUESS I'M JUST A WEAKLING. 84 00:06:06,701 --> 00:06:09,133 AW, JIMMY, DON'T BE MAD AT ME. 85 00:06:09,200 --> 00:06:12,501 IT WAS ONLY PETTY LARCENY. IT WASN'T NO FELONY. 86 00:06:12,567 --> 00:06:14,601 IT WAS ONLY A MISDEMEANOR. 87 00:06:14,701 --> 00:06:16,667 WHY, THE RAP IS ONLY- 88 00:06:16,734 --> 00:06:19,601 YOU'VE BEEN HANGING OUT WITH HACK AND HIS GANG AGAIN. 89 00:06:19,667 --> 00:06:21,133 ME? 90 00:06:21,200 --> 00:06:22,634 WHAT DO THEY WANT YOU TO DO? 91 00:06:22,701 --> 00:06:25,133 WELL, NOTHING BAD. JUST DRIVE A CAR. 92 00:06:25,200 --> 00:06:26,634 WHOSE CAR? 93 00:06:26,701 --> 00:06:29,167 I DON'T KNOW WHOSE CAR. THEY AIN'T PICKED ONE OUT YET. 94 00:06:29,234 --> 00:06:32,167 WHEN ARE YOU GOING TO GET SOME SENSE? WOULD YOU LIKE TO GO TO JAIL? 95 00:06:32,234 --> 00:06:33,667 NOT VERY WELL. 96 00:06:33,734 --> 00:06:35,667 WELL, THEN, STOP HANGING AROUND WITH HACK AND HIS GANG 97 00:06:35,734 --> 00:06:37,133 OR STOP HANGING AROUND WITH ME. 98 00:06:37,200 --> 00:06:38,667 WHICH WILL IT BE? 99 00:06:38,734 --> 00:06:39,734 I'LL STICK WITH YOU, JIMMY. 100 00:06:39,801 --> 00:06:43,334 ATTABOY! I'LL BE RIGHT WITH YOU. 101 00:06:45,300 --> 00:06:47,167 HEY, AL. 102 00:06:47,234 --> 00:06:49,634 HEY, AL! 103 00:06:49,701 --> 00:06:51,634 WHAT'S THE MATTER? GETTING INDEPENDENT? 104 00:06:51,701 --> 00:06:56,100 SO YOU'RE NOT INTERESTED IN QUICK AND EASY DOUGH, HUH? 105 00:06:56,167 --> 00:07:00,133 LISTEN. THE JOB'S ALL SET, IF YOU WANT A CUT. 106 00:07:00,200 --> 00:07:01,300 HACK! 107 00:07:01,367 --> 00:07:03,100 I WANT YOU TO STOP PROPOSITIONING ALBERT. 108 00:07:03,167 --> 00:07:04,300 OH, YOU DO, HUH? 109 00:07:04,367 --> 00:07:05,467 YEAH, I DO, HUH. 110 00:07:05,534 --> 00:07:07,067 AND WHAT HE DOES IS YOUR BUSINESS? 111 00:07:07,133 --> 00:07:08,667 I'M MAKING IT MY BUSINESS. 112 00:07:08,734 --> 00:07:11,801 I'M NOT GOING TO LET YOU GET HIM INTO TROUBLE, SO LAY OFF. UNDERSTAND? 113 00:07:11,868 --> 00:07:14,267 WHY DON'T YOU TAKE A LONG WALK, FLUNKY? 114 00:07:21,133 --> 00:07:22,300 ALBERT! 115 00:07:22,367 --> 00:07:24,234 STAY OUT OF THIS! 116 00:07:30,567 --> 00:07:32,100 JIMMY, CAN I COME IN NOW? 117 00:07:32,167 --> 00:07:34,334 YES, ALBERT! 118 00:07:48,200 --> 00:07:50,334 UH! HERE COME THE COPS! 119 00:07:58,334 --> 00:07:59,567 ALBERT, YOU WERE TERRIFIC. 120 00:07:59,634 --> 00:08:01,601 YEAH, WASN'T I? BUT YOU OUGHT TO SEE 121 00:08:01,667 --> 00:08:03,300 WHAT I CAN DO WITH TWO HANDS. 122 00:08:12,167 --> 00:08:14,133 HEY, SHE MUST HAVE HEARD US COME IN. 123 00:08:14,200 --> 00:08:15,634 YEAH, I'LL GO RIGHT UP. 124 00:08:15,701 --> 00:08:16,934 ME, TOO? HUH? CAN I? 125 00:08:17,000 --> 00:08:18,033 NOPE. 126 00:08:18,100 --> 00:08:19,167 AW... 127 00:08:19,234 --> 00:08:21,133 YOU CAN COME UP LATER. I'LL KNOCK FOR YOU. 128 00:08:21,200 --> 00:08:22,467 OH, THE FLOWERS. 129 00:08:22,534 --> 00:08:24,467 THERE THEY ARE- JUST LIKE THEY WAS. 130 00:08:24,534 --> 00:08:25,868 DIDN'T EVEN LOSE ONE PETAL. 131 00:08:25,934 --> 00:08:27,968 OH, WHAT A MAN. SEE YOU LATER. 132 00:08:32,701 --> 00:08:34,968 GOOD EVENING, MRS. ODELL. HOW ARE YOU THIS EVENING? 133 00:08:35,033 --> 00:08:36,133 POORLY. 134 00:08:36,200 --> 00:08:37,567 AW, THAT'S TOO BAD. 135 00:08:37,634 --> 00:08:39,734 I GUESS WORKING NIGHTS DOESN'T AGREE WITH YOU. 136 00:08:39,801 --> 00:08:41,367 NEITHER DOES WORKING DAYS. 137 00:08:48,734 --> 00:08:50,300 COME IN, JIMMY. 138 00:08:56,501 --> 00:08:59,767 IN THE MERRY, MERRY MONTH OF MAY 139 00:08:59,834 --> 00:09:03,267 I WAS TAKEN BY SURPRISE BY A PAIR OF ROGUISH EYES 140 00:09:03,334 --> 00:09:06,601 WHILE STROLLING THROUGH THE PARK ONE DAY 141 00:09:06,667 --> 00:09:08,033 FOR YOU. 142 00:09:08,100 --> 00:09:09,601 OH, THANK YOU, JIMMY. 143 00:09:09,667 --> 00:09:11,100 FORGET-ME-NOTS. 144 00:09:11,167 --> 00:09:12,634 YEAH. OH, ARE THEY? 145 00:09:12,701 --> 00:09:14,634 UH-HUH. I LOVE THEM. 146 00:09:14,701 --> 00:09:16,200 OH, SOMETHING NEW, HUH? 147 00:09:16,267 --> 00:09:17,634 WHO IS IT? DON'T TELL ME. 148 00:09:17,701 --> 00:09:20,100 I'VE SEEN THAT FACE SOMEWHERE BEFORE. 149 00:09:20,167 --> 00:09:21,801 OH HO HO! THAT'S SANTA CLAUS. 150 00:09:21,868 --> 00:09:23,434 WELL, YOU SAID TO MAKE SOME. 151 00:09:23,501 --> 00:09:24,601 ARE THEY ALL RIGHT? 152 00:09:24,667 --> 00:09:25,934 OH... LOOKS JUST LIKE HIM. 153 00:09:26,000 --> 00:09:27,767 AUNT GERTIE DOESN'T THINK THEY'LL SELL. 154 00:09:27,834 --> 00:09:30,234 OH, WELL, THAT'S WHAT'S WRONG WITH AUNT GERTIE. 155 00:09:30,300 --> 00:09:31,834 SHE DOESN'T BELIEVE IN SANTA CLAUS. 156 00:09:31,901 --> 00:09:34,334 HOW'S ABOUT BUBBLING OUT AND SEEING THE BRIGHT LIGHTS? 157 00:09:34,400 --> 00:09:36,801 OH, I'D LOVE TO. WHERE'LL WE GO TONIGHT? 158 00:09:36,868 --> 00:09:39,801 WELL, UH, HOW'S ABOUT THE, UH, RITZ CLASSIC ROOF GARDEN? 159 00:09:39,868 --> 00:09:42,167 OH, THAT'S JUST WHERE I HOPED YOU'D TAKE ME. 160 00:09:42,234 --> 00:09:44,334 OK. I'LL CALL A CAB. 161 00:09:46,200 --> 00:09:47,667 WHAT SHALL I WEAR TONIGHT? 162 00:09:47,734 --> 00:09:50,167 MY PINK EVENING GOWN OR MY BLUE ONE OR MY GREEN ONE? 163 00:09:50,234 --> 00:09:51,834 OH, NO, NO, NO. WE'RE NOT DRESSING. 164 00:09:51,901 --> 00:09:53,767 ALL MY TOP HATS ARE IN THE LAUNDRY. 165 00:10:00,868 --> 00:10:02,167 COME IN. 166 00:10:02,234 --> 00:10:03,667 HELLO, ALBERT. 167 00:10:03,734 --> 00:10:05,667 HUH? OH, HELLO, LESLIE. 168 00:10:05,734 --> 00:10:08,167 ALBERT, I'M TAKING LESLIE OUT FOR A LITTLE NIGHT LIFE. 169 00:10:08,234 --> 00:10:09,634 I WANT A TAXI. 170 00:10:09,701 --> 00:10:11,667 HUH? TAXI? OH! SURE, JIMMY, SURE. 171 00:10:11,734 --> 00:10:12,968 ARE YOU READY, LESLIE? 172 00:10:13,033 --> 00:10:14,667 UH-HUH. IS THE TAXI HERE? 173 00:10:14,734 --> 00:10:16,868 TAXI IS HERE. 174 00:10:21,868 --> 00:10:23,200 BEEP BEEP! 175 00:10:23,267 --> 00:10:25,067 LOOK OUT FOR THE TAXI, MAMA! 176 00:10:25,133 --> 00:10:27,033 A TICKET FOR SPEEDING HE SHOULD GET. 177 00:10:27,100 --> 00:10:28,400 HA HA HA! 178 00:10:28,467 --> 00:10:30,200 WHEN SHE WAS A LITTLE GIRL, 179 00:10:30,267 --> 00:10:32,200 SHE USED TO DANCE SO PRETTY. 180 00:10:41,267 --> 00:10:44,701 EXCUSE ME, MADAM. THIS-THIS PLACE IS RESERVED. 181 00:10:48,734 --> 00:10:50,200 THANK YOU, ALBERT. 182 00:10:50,267 --> 00:10:51,834 THE PLEASURE'S MUTUAL. 183 00:10:52,868 --> 00:10:55,133 OH, ISN'T IT A BEAUTIFUL NIGHT? 184 00:10:55,200 --> 00:10:56,634 YOU THINK YOU'LL BE WARM ENOUGH, LESLIE? 185 00:10:56,701 --> 00:10:58,334 OH, YES. UH-HUH. 186 00:11:00,701 --> 00:11:02,167 JIMMY? 187 00:11:02,234 --> 00:11:04,667 WOULD YOU DO A PERSON A PERSONAL FAVOR? 188 00:11:04,734 --> 00:11:06,167 WHAT IS IT? 189 00:11:06,234 --> 00:11:08,901 WOULD YOU READ I AND LESLIE A STORY? I BRUNG A BOOK. 190 00:11:08,968 --> 00:11:11,167 OH, NO, ALBERT. NOT AGAIN TONIGHT. 191 00:11:11,234 --> 00:11:13,801 OH, BUT I LIKE 'EM. DON'T WE, LESLIE? 192 00:11:13,868 --> 00:11:16,133 OH, YES, JIMMY, PLEASE. 193 00:11:18,200 --> 00:11:19,834 ALL RIGHT. 194 00:11:21,200 --> 00:11:22,734 AHEM! 195 00:11:27,200 --> 00:11:30,634 "IN A DARK, WILD WOOD LIVED A YOUNG PRINCESS, 196 00:11:30,701 --> 00:11:34,200 "AND SHE WAS LOVELY-AS LOVELY AS FLOWERS. 197 00:11:34,267 --> 00:11:36,367 "HER CHEEKS WERE LIKE LILIES AND ROSES, 198 00:11:36,434 --> 00:11:38,667 "HER EYES AS BLUE AS VIOLETS 199 00:11:38,734 --> 00:11:41,200 "AND AS BRIGHT AS THE STARS. 200 00:11:41,267 --> 00:11:44,000 "AND SHE WAS GOOD AND CLEVER AND RICH- 201 00:11:44,067 --> 00:11:46,901 "SO RICH THAT SHE COULD HAVE ICE CREAM 202 00:11:46,968 --> 00:11:49,834 "3 TIMES A DAY, EVERY DAY. AND YET, 203 00:11:49,901 --> 00:11:53,767 "SHE WAS NOT HAPPY. SHE HAD A HUNDRED SILKEN GOWNS, 204 00:11:53,834 --> 00:11:56,567 "BUT SHE HAD NOBODY TO LOVE HER. 205 00:11:56,634 --> 00:11:59,167 "AND SHE HAD A HUNDRED JEWELED CROWNS, 206 00:11:59,234 --> 00:12:01,167 "BUT SHE HAD NOBODY TO LOVE. 207 00:12:01,234 --> 00:12:04,033 "AND HER STEPMOTHER WAS MEAN AND UGLY AND OLD, 208 00:12:04,100 --> 00:12:06,501 "AND SO WERE THE OTHER PEOPLE 209 00:12:06,567 --> 00:12:08,267 WHO LIVED IN THAT GREAT, GRAY CASTLE-" 210 00:12:08,334 --> 00:12:09,734 IN THE DARK, WILD WOODS. 211 00:12:09,801 --> 00:12:11,667 "IN THE DARK, WILD WOOD. 212 00:12:11,734 --> 00:12:15,033 "THERE WAS ONLY ONE YOUNG PERSON THERE, AND HE DID NOT COUNT, 213 00:12:15,100 --> 00:12:18,300 "FOR HE WAS ONLY A DIRTY, POOR LAD WHO TENDED THE PIGS. 214 00:12:18,367 --> 00:12:22,167 "THE BEAUTIFUL PRINCESS WOULD LOOK DOWN FROM HER WINDOW HIGH IN THE TOWER 215 00:12:22,234 --> 00:12:24,167 "AND SEE HIM AS HE WENT ABOUT HIS WORK, 216 00:12:24,234 --> 00:12:26,067 "AND HE WOULD LOOK UP AND SEE HER, 217 00:12:26,133 --> 00:12:29,667 BUT A PRINCESS DOES NOT FALL IN LOVE WITH A DIRTY, POOR LAD" 218 00:12:29,734 --> 00:12:30,868 WHO TENDS THE PIGS. 219 00:12:30,934 --> 00:12:32,667 "WHO TENDS THE PIGS. 220 00:12:32,734 --> 00:12:37,200 "NOW, THERE LIVED IN THAT LAND MANY YOUNG PRINCES AND KNIGHTS, 221 00:12:37,267 --> 00:12:39,801 "AND THEY WERE HANDSOME AND RICH AND STRONG, 222 00:12:39,868 --> 00:12:42,200 "BUT THEY NEVER CAME TO COURT THE LOVELY PRINCESS, 223 00:12:42,267 --> 00:12:45,234 "FOR THEY DID NOT DARE TO COME TO THE CASTLE. 224 00:12:45,300 --> 00:12:48,701 "FOR IN THE WOODS, THERE LIVED A DRAGON. 225 00:12:48,767 --> 00:12:53,100 NOW, THIS DRAGON WAS BIGGER THAN 50 BULLS, AND WHEN HE SNORTED... " 226 00:12:54,701 --> 00:12:56,133 "OR GROWLED... " 227 00:12:56,200 --> 00:12:57,300 GRRR! 228 00:12:57,367 --> 00:13:00,133 "OR ROARED OH HO, HE SHOOK THE CASTLE. 229 00:13:00,200 --> 00:13:03,133 "HE WAS BIG AND FIERCE AND CRUEL AND ALWAYS HUNGRY. 230 00:13:03,200 --> 00:13:05,300 AND WHAT DO YOU THINK THE DRAGON ATE?" 231 00:13:05,367 --> 00:13:06,400 PEOPLE! 232 00:13:06,467 --> 00:13:07,634 "PEOPLE... 233 00:13:07,701 --> 00:13:10,968 "OLD AND YOUNG, BIG AND SMALL- HE ATE THEM ALL. 234 00:13:11,033 --> 00:13:14,133 "SO THE POOR LITTLE PRINCESS HAD TO STAY INSIDE THE CASTLE 235 00:13:14,200 --> 00:13:15,667 "AND NEVER GO OUT AT ALL. 236 00:13:15,734 --> 00:13:19,033 "AT NIGHT, SHE WOULD HEAR HIM RUMBLING AND GRUMBLING, 237 00:13:19,100 --> 00:13:23,033 "HUFF! HUFF! HUFF! SOME FINE DAY, I'M GOING TO EAT 238 00:13:23,100 --> 00:13:25,501 "A FAIR YOUNG PRINCESS, TENDER AND SWEET. 239 00:13:25,567 --> 00:13:27,567 "HUFF! HUFF! HUFF! 240 00:13:27,634 --> 00:13:31,167 "THE POOR LITTLE PRINCESS, IN HER BIG, GOLD BED 241 00:13:31,234 --> 00:13:34,234 WOULD LIE AND CRY, AND NOBODY WOULD CARE... 242 00:13:34,300 --> 00:13:37,634 "NOBODY BUT THE DIRTY, POOR LAD WHO TENDED THE PIGS. 243 00:13:37,701 --> 00:13:40,200 "BUT OF COURSE, HE DID NOT COUNT. 244 00:13:40,267 --> 00:13:42,067 "THEN ONE NIGHT, HE SAID TO HIMSELF, 245 00:13:42,133 --> 00:13:44,567 "I WILL SET THE PRINCESS FREE. 246 00:13:44,634 --> 00:13:46,968 "I WILL GO OUT WITH HER INTO THE DARK, WILD WOOD, 247 00:13:47,033 --> 00:13:54,934 "AND WHEN THE DRAGON COMES, I WILL STAND THERE AND LAUGH AT HIM. 248 00:13:55,000 --> 00:13:58,901 "SHE WILL GET AWAY AND MARRY A PRINCE AND BE HAPPY EVER AFTER. 249 00:13:58,968 --> 00:14:02,934 "AND THEN HE SAID, OF COURSE, BEING EATEN BY A DRAGON WILL NOT BE PLEASANT, 250 00:14:03,000 --> 00:14:07,334 "BUT IT IS THE ONLY WAY I KNOW TO SHOW HER HOW MUCH I LOVE HER. 251 00:14:07,400 --> 00:14:12,167 "SO ONE DAY, OUT OF THE CASTLE HE WENT, AND WITH HIM WAS THE PRINCESS. 252 00:14:12,234 --> 00:14:15,667 "THEY HAD NOT GONE FAR WHEN THE DRAGON CAME. 253 00:14:15,734 --> 00:14:18,167 "OH, HE WAS A TERRIBLE SIGHT TO SEE. 254 00:14:18,234 --> 00:14:21,767 HE BREATHED FLAME AND SMOKE. HIS TEETH WERE LIKE SWORDS. 255 00:14:21,834 --> 00:14:26,133 "HE KNOCKED DOWN MIGHTY OAK TREES WITH ONE LASH OF HIS LONG, SCALY TAIL. 256 00:14:26,200 --> 00:14:28,534 "RUN! CRIED THE BOY TO THE PRINCESS. 257 00:14:28,601 --> 00:14:30,667 "RUN AWAY AND BE FREE! 258 00:14:30,734 --> 00:14:33,033 "WITH THAT, HE TURNED AND FACED THE DRAGON, 259 00:14:33,100 --> 00:14:35,501 "AND HE STOOD THERE AND LAUGHED AT HIM. 260 00:14:35,567 --> 00:14:41,167 "HA HA HA! THE DRAGON STOPPED. HE LOOKED STARTLED. 261 00:14:41,234 --> 00:14:44,167 "NO ONE HAD EVER LAUGHED AT HIM BEFORE. 262 00:14:44,234 --> 00:14:46,267 "THE BOY WALKED RIGHT UP TO THE DRAGON 263 00:14:46,334 --> 00:14:48,601 "AND SAID, SCAT! 264 00:14:48,667 --> 00:14:54,200 "THE DRAGON TURNED PALE, AND HE SAID, AREN'T YOU SCARED OF ME? 265 00:14:54,267 --> 00:14:56,467 "NO! SAID THE BOY. 266 00:14:56,534 --> 00:15:02,000 "THE DRAGON BEGAN TO GROW SMALLER. AREN'T YOU, UH, A LITTLE SCARED OF ME? 267 00:15:02,067 --> 00:15:05,400 "NO! SAID THE BOY, AND THE DRAGON GREW STILL SMALLER. 268 00:15:05,467 --> 00:15:08,234 "AREN'T YOU THE LEAST BIT SCARED OF ME? 269 00:15:08,300 --> 00:15:10,834 "NO! SAID THE BOY. YOU'RE ONLY A CATERPILLAR! 270 00:15:10,901 --> 00:15:14,467 "AND HE WAS. THE BIG, FIERCE DRAGON HAD SHRUNK 271 00:15:14,534 --> 00:15:17,334 "TILL HE WAS ONLY A LITTLE, MEEK CATERPILLAR. 272 00:15:17,400 --> 00:15:20,634 "AND SO WERE HIS CHILDREN AND ALL THEIR CHILDREN. 273 00:15:20,701 --> 00:15:22,667 "SO TODAY, WHEN YOU SEE A CATERPILLAR, 274 00:15:22,734 --> 00:15:24,801 YOU SEE ONLY A LITTLE DRAGON, 275 00:15:24,868 --> 00:15:27,267 "BUT DO NOT BE AFRAID OF HIM. 276 00:15:27,334 --> 00:15:29,767 "FEAR MAKES THINGS BIG. COURAGE MAKES THEM SMALL. 277 00:15:29,834 --> 00:15:33,133 "WELL, THE BOY WAS ABOUT TO RETURN BACK TO THE CASTLE 278 00:15:33,200 --> 00:15:35,467 "WHEN HE LOOKED, AND LO AND BEHOLD, 279 00:15:35,534 --> 00:15:38,434 "THERE STOOD THE LOVELY PRINCESS, SMILING AT HIM. 280 00:15:38,501 --> 00:15:41,100 "WHY DID YOU NOT RUN AWAY? HE ASKED. 281 00:15:41,167 --> 00:15:43,968 "BECAUSE, SAID THE PRINCESS, I'D RATHER BE EATEN WITH YOU 282 00:15:44,033 --> 00:15:47,033 "THAN TO BE MARRIED TO ANY OTHER PRINCE IN THE WORLD. 283 00:15:47,100 --> 00:15:52,934 "BUT I AM NO PRINCE, SAID THE BOY. I HAVE NO CROWN, NO THRONE, NO TREASURE. 284 00:15:53,000 --> 00:15:56,467 "YES, YOU HAVE, SAID THE PRINCESS, IN YOUR HEART, 285 00:15:56,534 --> 00:15:59,934 "AND THAT IS WHAT MAKES YOU A REAL PRINCE. 286 00:16:00,000 --> 00:16:04,834 AND SHE KISSED HIM, AND HE KISSED HER, AND THEY WERE MARRIED." 287 00:16:04,901 --> 00:16:06,968 AND THEY LIVED HAPPILY EVER AFTER. 288 00:16:07,033 --> 00:16:10,467 "AND THEY LIVED HAPPILY EVER AFTER." 289 00:16:10,534 --> 00:16:12,634 THANK YOU, JIMMY. 290 00:16:12,701 --> 00:16:16,000 GEE, JIMMY, THAT WAS BEAUTIFUL. 291 00:16:16,067 --> 00:16:20,300 IT'S WHAT YOU HAVE IN YOUR HEART THAT MAKES YOU A PRINCE. 292 00:16:40,033 --> 00:16:44,334 EXCUSE MYSELF, PLEASE. SHH! SHH! 293 00:16:47,200 --> 00:16:48,667 HMM... SHE'S PRETTY. 294 00:16:50,067 --> 00:16:53,067 HOLD IT. THANK YOU. 295 00:16:53,133 --> 00:16:55,601 HEY, THE YOUNG ONE'S ALL RIGHT. 296 00:16:55,667 --> 00:16:57,300 YOU SAID IT. 297 00:17:01,667 --> 00:17:03,133 PERMIT ME TO WELCOME YOUR HIGHNESS. 298 00:17:03,200 --> 00:17:05,267 IT'S A VERY GREAT HONOR FOR THE HOTEL EDEN 299 00:17:05,334 --> 00:17:06,968 TO HAVE SUCH A DISTINGUISHED GUEST. 300 00:17:07,033 --> 00:17:08,200 THANK YOU. 301 00:17:08,267 --> 00:17:09,634 GOOD MORNING, COUNTESS PETRONOFF. 302 00:17:09,701 --> 00:17:11,467 I HOPE YOU HAD A PLEASANT CROSSING. 303 00:17:11,534 --> 00:17:13,601 OH, SIMPLY PERFECT. I WAS NOT SEASICK AT ALL... 304 00:17:13,667 --> 00:17:15,234 FOR THE FIRST HALF-HOUR. 305 00:17:15,300 --> 00:17:16,634 I'M SO SORRY. 306 00:17:16,701 --> 00:17:19,234 EXCUSE MYSELF, PLEASE. I AM PUFI. 307 00:17:19,334 --> 00:17:20,734 I'M SO SORRY! 308 00:17:20,801 --> 00:17:24,267 PUFFY IS NOT WHAT I AM, IT'S WHO I AM. 309 00:17:24,334 --> 00:17:26,133 MY MAJOR-DOMO, MR. PUFI. 310 00:17:26,200 --> 00:17:28,100 OH! OH, HOW DO YOU DO? 311 00:17:28,167 --> 00:17:30,834 WILL YOU COME THIS WAY, PLEASE? 312 00:17:39,133 --> 00:17:40,167 VERONICA? 313 00:17:40,234 --> 00:17:41,667 HMM? 314 00:17:41,734 --> 00:17:44,467 NOW THAT WE'RE HERE, WHY ARE WE? 315 00:17:45,701 --> 00:17:50,167 TO SEE AMERICA... AND THE AMERICANS. 316 00:17:50,234 --> 00:17:53,567 ALL THE AMERICANS OR JUST ONE? 317 00:17:58,667 --> 00:18:01,567 SO I'M RIGHT, I'M AFRAID. 318 00:18:01,634 --> 00:18:03,567 YES, YOU ARE RIGHT. 319 00:18:03,634 --> 00:18:05,434 I DO WANT TO SEE HIM AGAIN. 320 00:18:05,501 --> 00:18:08,634 VERONICA, DON'T DO IT- FOR YOUR SAKE AND HIS. 321 00:18:08,701 --> 00:18:11,267 IT CAN LEAD NOWHERE. YOU KNOW THAT. 322 00:18:11,334 --> 00:18:14,367 BESIDES, BY NOW, HE'LL BE MARRIED AND FAT... 323 00:18:14,434 --> 00:18:15,634 FAT? 324 00:18:15,701 --> 00:18:17,634 YES, AND HE'LL HAVE AN APPALLING WIFE 325 00:18:17,701 --> 00:18:19,234 AND A GREAT MANY REPULSIVE CHILDREN. 326 00:18:19,300 --> 00:18:20,601 IN 6 YEARS? 327 00:18:20,667 --> 00:18:23,467 6, 16, OR 60, MARRIED OR SINGLE, 328 00:18:23,534 --> 00:18:25,167 HE WAS NOT SUITABLE THEN, 329 00:18:25,234 --> 00:18:27,133 AND HE'S NOT SUITABLE NOW. 330 00:18:27,200 --> 00:18:30,801 YOU'RE STILL A ROYAL PRINCESS, A FUTURE QUEEN, 331 00:18:30,868 --> 00:18:34,334 AND HE? BAH! HE'S STILL A NOBODY. 332 00:18:34,400 --> 00:18:35,634 SO? 333 00:18:35,701 --> 00:18:38,100 SO I'M GOING TO SEE HIM. 334 00:18:40,234 --> 00:18:41,634 VERONICA? 335 00:18:41,701 --> 00:18:43,167 YES? 336 00:18:43,234 --> 00:18:45,167 HAS IT OCCURRED TO YOU 337 00:18:45,234 --> 00:18:48,367 THAT HE MAY NOT WANT TO SEE YOU? 338 00:18:50,567 --> 00:18:52,667 EXCUSE MYSELF, PLEASE. 339 00:18:52,734 --> 00:18:55,100 YOUR HIGHNESS, I WAS ASKED TO GIVE YOU THESE 340 00:18:55,167 --> 00:18:56,601 AS SOON AS COULD BE. 341 00:18:56,667 --> 00:18:57,934 WHO SENT THEM? 342 00:18:58,000 --> 00:19:00,434 ON HERE IT SAYS FROM WHOM. 343 00:19:00,501 --> 00:19:02,100 PUT THEM DOWN, PLEASE. 344 00:19:03,767 --> 00:19:06,601 OH... THEY'RE FROM ZOLTAN. 345 00:19:06,667 --> 00:19:08,100 HOW LIKE ZOLTAN. 346 00:19:08,167 --> 00:19:10,334 WHERE IS BARON FALUDI? 347 00:19:10,400 --> 00:19:15,634 WHERE? HE IS, UH... WHERE HE WAS... MAYBE. 348 00:19:15,701 --> 00:19:17,801 EXCUSE MYSELF, PLEASE. 349 00:19:20,033 --> 00:19:21,968 YOU LIKE ZOLTAN, DON'T YOU? 350 00:19:22,033 --> 00:19:23,501 YES. 351 00:19:23,567 --> 00:19:26,234 THEN WHY DON'T YOU MARRY HIM? 352 00:19:26,300 --> 00:19:30,200 OH, BECAUSE... BECAUSE HE'S ZOLTAN. 353 00:19:30,267 --> 00:19:34,133 WE'D ALL BE SO PLEASED - THE WHOLE FAMILY. 354 00:19:34,200 --> 00:19:36,133 OH, BOTHER THE WHOLE FAMILY. 355 00:19:36,200 --> 00:19:38,601 IT IS THE ROYAL WISH OF HIS MAJESTY THE KING. 356 00:19:38,667 --> 00:19:40,434 OH, BOTHER UNCLE FREDDY AND HIS ROYAL WISHES. 357 00:19:40,501 --> 00:19:42,067 DO YOU KNOW WHAT I'M GOING TO DO? 358 00:19:42,133 --> 00:19:43,367 WHAT? 359 00:19:43,434 --> 00:19:44,734 GO FOR A WALK. 360 00:19:44,801 --> 00:19:47,467 MY DEAR VERONICA, I WISH YOU'D CONSIDER VERY SERIOUSLY 361 00:19:47,534 --> 00:19:49,000 WHAT I'VE SAID ABOUT ZOLTAN. 362 00:19:49,067 --> 00:19:50,133 YES, I WILL. 363 00:19:50,200 --> 00:19:51,501 HE'S SUITABLE IN EVERY WAY, 364 00:19:51,567 --> 00:19:52,834 AND HE'S MAD ABOUT YOU. 365 00:19:52,901 --> 00:19:55,067 OH, I'M SURE HE MEANS EVERY OTHER WORD HE SAYS. 366 00:19:55,133 --> 00:19:56,501 I MEAN EVERY WORD, VERONICA. 367 00:19:56,567 --> 00:19:58,167 EVERY WORD I SAY TO YOU, 368 00:19:58,234 --> 00:20:00,334 I MEAN FROM THE BOTTOM OF MY HEART. 369 00:20:00,400 --> 00:20:02,667 BUT YOU'RE NOT HERE. YOU'RE IN BUDAPEST. 370 00:20:02,734 --> 00:20:05,834 I CAN FLY, EVEN IF I'M NOT AN ANGEL. 371 00:20:08,200 --> 00:20:09,667 MY DEAR COUNTESS. 372 00:20:09,734 --> 00:20:11,334 MY DEAR BARON. 373 00:20:13,234 --> 00:20:16,534 UH... HOW WAS YOUR TRIP? DID YOU FIND THE OCEAN AMUSING? 374 00:20:16,601 --> 00:20:19,200 OH, UH... AUNT ZOE WILL TELL YOU ALL ABOUT IT 375 00:20:19,267 --> 00:20:22,033 WHILE I'M TAKING MY WALK. THANK YOU FOR THE FLOWERS. 376 00:20:22,100 --> 00:20:23,701 AND NOW, IF YOU'LL EXCUSE ME- 377 00:20:23,767 --> 00:20:25,200 UH, I'LL WALK WITH YOU. 378 00:20:25,267 --> 00:20:27,300 YOU STAY AND AMUSE AUNT ZOE. 379 00:20:27,367 --> 00:20:29,167 BUT YOU SHOULDN'T WALK ALONE. 380 00:20:29,234 --> 00:20:30,767 BUT I'M GOING TO. 381 00:20:30,834 --> 00:20:32,234 MY DEAR VERONICA, 382 00:20:32,300 --> 00:20:35,467 THE LOBBY'S CRAWLING WITH JOURNALISTS WITH CAMERAS. 383 00:20:35,534 --> 00:20:38,200 THEN I'M GOING TO LEAVE THE HOTEL 384 00:20:38,267 --> 00:20:39,701 WITHOUT BEING RECOGNIZED. 385 00:20:39,767 --> 00:20:42,200 I'LL FIND A WAY. GOOD-BYE. 386 00:20:42,267 --> 00:20:43,701 OH! 387 00:20:43,767 --> 00:20:45,167 I'M SO GLAD THAT YOU'RE HERE. 388 00:20:45,234 --> 00:20:47,334 I ONLY HOPE YOU'RE IN TIME TO STOP HER 389 00:20:47,400 --> 00:20:49,200 FROM DOING SOMETHING VERY FOOLISH. 390 00:20:49,267 --> 00:20:50,701 WHAT? 391 00:20:50,767 --> 00:20:53,367 I THINK SHE WANTS TO GO NATIVE. 392 00:21:04,434 --> 00:21:05,534 HIYA, BABE. 393 00:21:05,601 --> 00:21:07,367 HIYA, BABE. HIYA, BABE. 394 00:21:19,567 --> 00:21:21,167 HIYA, BABE. 395 00:21:21,234 --> 00:21:22,667 I BEG YOUR PARDON? 396 00:21:22,734 --> 00:21:24,300 LOOK AT ME. 397 00:21:32,767 --> 00:21:34,701 THERE. AIN'T I SOMETHING? 398 00:21:34,767 --> 00:21:36,200 INDEED, YOU ARE. 399 00:21:36,267 --> 00:21:38,200 THEN HOW'S ABOUT A KISS? 400 00:21:38,267 --> 00:21:39,767 NO, THANK YOU. 401 00:21:39,834 --> 00:21:41,701 THE PLEASURE WOULD BE MUTUAL. 402 00:21:41,767 --> 00:21:44,033 ALBERT! WHAT A WAY TO ACT. 403 00:21:44,100 --> 00:21:46,801 HUH? OH, YEAH, AIN'T IT? BUT WHAT A BABE. 404 00:21:46,868 --> 00:21:50,534 UM... DON'T MIND ALBERT. 405 00:21:50,601 --> 00:21:52,701 HE'S LIKE THAT WITH ALL THE NEW MAIDS. 406 00:21:54,934 --> 00:21:58,133 UH, YOU'LL-YOU'LL GET USED TO HIM 407 00:21:58,200 --> 00:22:00,667 AFTER YOU'VE WORKED HERE FOR A WHILE. 408 00:22:00,734 --> 00:22:02,334 AFTER YOU, TOOTS. 409 00:22:04,334 --> 00:22:05,667 DON'T MIND ALBERT. 410 00:22:05,734 --> 00:22:06,968 HE'S HARMLESS. 411 00:22:07,033 --> 00:22:09,000 HE'S JUST A BIT BABE-WACKY, THAT'S ALL. 412 00:22:09,067 --> 00:22:10,167 HE'S WHAT? 413 00:22:10,234 --> 00:22:11,334 BABE-WACKY. DAME-DIZZY. 414 00:22:11,400 --> 00:22:13,234 YOU KNOW, HE'S GOT MICE ON HIS MIND. 415 00:22:13,300 --> 00:22:14,667 MICE ON HIS MIND? 416 00:22:14,734 --> 00:22:15,968 WELL, HE LIKES TOMATOES. 417 00:22:16,033 --> 00:22:17,167 THEY'RE GOOD FOR HIM. 418 00:22:17,234 --> 00:22:19,167 AH, NOT THE KIND ALBERT LIKES. 419 00:22:19,234 --> 00:22:21,133 SAY, YOU'RE A FOREIGNER, AREN'T YOU? 420 00:22:21,200 --> 00:22:22,300 YES. 421 00:22:22,367 --> 00:22:23,501 WELL, NOW, LOOK, TOOTS. 422 00:22:23,567 --> 00:22:24,801 I'LL EXPLAIN IT TO YOU. 423 00:22:24,868 --> 00:22:27,667 OVER HERE, WE HAVE TWO KINDS OF TOMATOES. 424 00:22:27,734 --> 00:22:30,667 ONE IS THE VEGETABLE. THE OTHER IS YOU. 425 00:22:30,734 --> 00:22:32,667 ME? I'M A TOMATO? 426 00:22:32,734 --> 00:22:35,200 OH, GRADE "A" AND EXTRA FANCY. 427 00:22:35,267 --> 00:22:36,667 THANK YOU. 428 00:22:36,734 --> 00:22:38,200 YOU GOING SOMEWHERE SPECIAL? 429 00:22:38,267 --> 00:22:39,534 NO. JUST FOR A WALK. 430 00:22:39,601 --> 00:22:41,167 OH, WELL, I'LL GO WITH YOU. 431 00:22:41,234 --> 00:22:42,367 WHY? 432 00:22:42,434 --> 00:22:43,667 WELL... YOU'RE A STRANGER HERE. 433 00:22:43,734 --> 00:22:45,133 A BABE LIKE YOU WITH A FACE LIKE THAT 434 00:22:45,200 --> 00:22:46,701 HAS GOT TO BE AWFULLY CAREFUL 435 00:22:46,767 --> 00:22:47,868 IN A WORLD LIKE THIS. 436 00:22:47,934 --> 00:22:49,200 CAREFUL OF WHAT? 437 00:22:49,267 --> 00:22:50,667 OH, OF THINGS. 438 00:22:50,734 --> 00:22:52,100 THINGS? 439 00:22:52,167 --> 00:22:53,634 WELL... MEN. 440 00:22:53,701 --> 00:22:57,334 I'M SORRY TO SAY THAT WE CAN'T BE TRUSTED. 441 00:23:00,200 --> 00:23:01,367 THEY ARE DELICIOUS, 442 00:23:01,434 --> 00:23:02,634 YOUR HOT DOGS. 443 00:23:02,701 --> 00:23:03,968 YOU'VE NEVER HAD ONE BEFORE? 444 00:23:04,033 --> 00:23:05,501 NEVER. 445 00:23:05,567 --> 00:23:09,133 GEE, BABY, YOU JUST HAVEN'T BEEN ANYWHERE, HAVE YOU? 446 00:23:09,200 --> 00:23:12,634 JIMMY, WHAT ARE HOT DOGS MADE OF? 447 00:23:12,701 --> 00:23:14,100 WELL, UH, THEY'RE, UH... 448 00:23:15,467 --> 00:23:16,801 THEY'RE- 449 00:23:18,267 --> 00:23:19,667 LET'S TALK ABOUT YOU. 450 00:23:19,734 --> 00:23:23,000 I SUPPOSE BACK HOME YOU'VE GOT A BOYFRIEND? 451 00:23:23,067 --> 00:23:24,100 NO. 452 00:23:24,167 --> 00:23:25,334 NO? 453 00:23:25,400 --> 00:23:26,501 NO. 454 00:23:26,567 --> 00:23:28,167 OH, HOW CAN THAT BE? 455 00:23:28,234 --> 00:23:30,501 BABY, THE ONLY WAY I CAN FIGURE THAT OUT 456 00:23:30,567 --> 00:23:32,767 IS THAT WHERE YOU COME FROM, THERE JUST AREN'T ANY MEN. 457 00:23:32,834 --> 00:23:34,167 BUT THERE ARE! MILLIONS. 458 00:23:34,234 --> 00:23:35,601 WELL, WHAT'S THE MATTER WITH THEM? 459 00:23:35,667 --> 00:23:37,167 IF YOU WERE IN THIS COUNTRY, 460 00:23:37,234 --> 00:23:38,667 YOU'D HAVE BEEN MARRIED LONG AGO. 461 00:23:38,734 --> 00:23:40,400 I WAS. 462 00:23:41,234 --> 00:23:42,400 HMM? 463 00:23:44,267 --> 00:23:48,200 WELL, I, UH, HOPE YOUR HUSBAND IS A NICE FELLOW. 464 00:23:48,267 --> 00:23:49,667 HE WASN'T. 465 00:23:49,734 --> 00:23:52,267 HE WASN'T? WHAT HAPPENED TO HIM? 466 00:23:52,334 --> 00:23:54,267 SOMEBODY SHOT HIM. 467 00:23:54,334 --> 00:23:56,200 OH, GEE, I'M SORRY. 468 00:23:56,267 --> 00:23:59,067 TH-TH-THAT'S A SHAME. GEE, I'M VERY SORRY. 469 00:23:59,133 --> 00:24:01,734 OH, YOU NEEDN'T BE ON MY ACCOUNT. 470 00:24:01,801 --> 00:24:03,133 HAPPENED SOME TIME AGO, 471 00:24:03,200 --> 00:24:06,334 AND HE WAS A VERY UNPLEASANT MAN. 472 00:24:07,667 --> 00:24:09,434 WHO SHOT HIM? 473 00:24:09,501 --> 00:24:12,667 OH, A MAN WHO HAD DIFFERENT POLITICAL VIEWS. 474 00:24:12,734 --> 00:24:17,868 OH... WELL, HUH, THAT'S POLITICS. 475 00:24:19,234 --> 00:24:22,501 NOW I'VE GOT TO GET BACK TO THE HOTEL. 476 00:24:22,567 --> 00:24:25,167 I'VE GOT A HEAVY DATE WITH AN AIREDALE. 477 00:24:25,234 --> 00:24:27,167 WELL, I'LL- I'LL GO WITH YOU. 478 00:24:27,234 --> 00:24:28,400 ANGEL-PUSS... 479 00:24:28,467 --> 00:24:30,634 AM I ANGEL-PUSS? 480 00:24:30,701 --> 00:24:32,067 MM-HMM. 481 00:24:32,133 --> 00:24:33,834 IF THERE'S EVER ANYTHING I CAN DO 482 00:24:33,901 --> 00:24:35,968 TO HELP YOU MAKE GOOD IN YOUR JOB AT THE HOTEL, 483 00:24:36,033 --> 00:24:37,634 JUST YOU REMEMBER, I'M YOUR PAL. 484 00:24:37,701 --> 00:24:39,968 I'LL REMEMBER. 485 00:24:41,234 --> 00:24:44,167 IS THAT ALL YOU DO - ESCORT DOGS? 486 00:24:44,234 --> 00:24:48,467 OH, NO! SOMETIMES IT'S CATS. 487 00:24:48,534 --> 00:24:50,726 HEY! HEY! COME ON BACK HERE! 488 00:24:50,727 --> 00:24:53,467 COME ON BACK HERE! COME ON! COME ON! 489 00:24:54,701 --> 00:24:56,100 COME ON! COME ON! 490 00:24:56,167 --> 00:24:58,667 LOOK, YOU GO THAT WAY AND HEAD HIM OFF. 491 00:25:00,767 --> 00:25:04,234 WELL, GO ON! GET GOING! IF I LOSE THAT DOG, I LOSE MY JOB! 492 00:25:04,300 --> 00:25:06,133 WELL, GO ON! GET MOVING! 493 00:25:06,200 --> 00:25:09,634 HERE, BOY! COME ON! OH! 494 00:25:09,701 --> 00:25:11,534 THAT'S IT. THAT'S IT. KEEP HIM COMING! 495 00:25:11,601 --> 00:25:13,434 COME ON! COME ON! HERE! THERE WE GO. 496 00:25:14,701 --> 00:25:15,968 GRAB HIM! 497 00:25:18,267 --> 00:25:19,267 ALL RIGHT. 498 00:25:19,334 --> 00:25:20,334 ONCE MORE AND YOU GOT IT. YOU READY? 499 00:25:20,400 --> 00:25:21,300 ALL RIGHT. 500 00:25:21,367 --> 00:25:23,033 A-WHILE A-STROLLING 501 00:25:23,100 --> 00:25:25,701 THROUGH THE PARK ONE DAY 502 00:25:25,767 --> 00:25:28,734 IN THE MERRY, MERRY MONTH OF MAY 503 00:25:28,801 --> 00:25:32,200 I WAS TAKEN BY SURPRISE BY A PAIR OF ROGUISH EYES 504 00:25:32,267 --> 00:25:35,567 WHILE STROLLING THROUGH THE PARK ONE DAY 505 00:25:35,634 --> 00:25:37,133 HOW WAS I? 506 00:25:37,200 --> 00:25:38,667 OH, BABY, YOU'RE TERRIFIC. 507 00:25:38,734 --> 00:25:40,133 THANK YOU. GOOD-BYE. 508 00:25:40,200 --> 00:25:42,634 OH, UH, HEY, WHAT ABOUT A DATE TOMORROW? 509 00:25:42,701 --> 00:25:44,167 OH, I'M SORRY, BUT- 510 00:25:44,234 --> 00:25:46,167 OH, COME ON, BABY - JUST YOU AND ME AND A FOX TERRIER. 511 00:25:46,234 --> 00:25:47,367 WHAT DO YOU SAY, ANGEL-PUSS? 512 00:25:47,434 --> 00:25:49,334 YOU'RE FIRED! 513 00:25:49,400 --> 00:25:53,434 YES, SIR. UH, BUT- BUT WHAT DID I DO? 514 00:25:53,501 --> 00:25:55,133 GET OUT! FAST! 515 00:25:55,200 --> 00:25:58,133 I'M DEEPLY SORRY. I'M SHOCKED, YOUR HIGHNESS. 516 00:25:58,200 --> 00:25:59,634 MR. FAUBLER- 517 00:25:59,701 --> 00:26:00,734 YES, YOUR HIGHNESS? 518 00:26:00,801 --> 00:26:01,734 HEREAFTER, YOU WILL ASSIGN 519 00:26:01,801 --> 00:26:03,133 A MEMBER OF THE HOTEL STAFF 520 00:26:03,200 --> 00:26:04,634 TO BE MY PERSONAL ATTENDANT. 521 00:26:04,701 --> 00:26:05,968 CERTAINLY, YOUR HIGHNESS. 522 00:26:06,033 --> 00:26:07,634 IMMEDIATELY, YOUR HIGHNESS. 523 00:26:07,701 --> 00:26:09,267 THANK YOU. COME, JIMMY. 524 00:26:10,701 --> 00:26:12,434 JIMMY, COME ON. 525 00:26:14,534 --> 00:26:17,667 UH, YES-YES, YOUR HIGHNESS. 526 00:26:26,234 --> 00:26:28,868 GOSH. ROYALTY! 527 00:26:30,901 --> 00:26:32,501 "GET OUT!" HE SAID. 528 00:26:32,567 --> 00:26:34,167 "YOU'RE FIRED," HE SAID. 529 00:26:34,234 --> 00:26:37,167 I, UH, I WAS DUMBFOUNDED. 530 00:26:37,234 --> 00:26:38,634 WHAT HAD I DONE? 531 00:26:38,701 --> 00:26:40,868 AND THEN SHE SAID, 532 00:26:40,934 --> 00:26:42,934 "I WANT A PERSONAL ATTENDANT." 533 00:26:43,000 --> 00:26:46,167 AND THEN HE SAID, "YES, YOUR HIGHNESS." 534 00:26:46,234 --> 00:26:47,567 HE SAYS, "YES, YOUR HIGHNESS. 535 00:26:47,634 --> 00:26:50,167 YOU MAY HAVE ANYTHING YOU WANT, YOUR HIGHNESS." 536 00:26:50,234 --> 00:26:52,567 THEN I KNEW WHAT I HAD DONE. 537 00:26:52,634 --> 00:26:56,501 IT-IT-IT LOOKED LIKE THE END OF MY CAREER. 538 00:26:56,567 --> 00:27:02,901 AND THEN SHE SAID, "I WANT JIMMY." 539 00:27:02,968 --> 00:27:06,000 OH... TELL ME ABOUT IT AGAIN. 540 00:27:07,200 --> 00:27:08,400 UH... ALL OVER AGAIN? 541 00:27:08,467 --> 00:27:11,133 YES, PLEASE. WHEN YOU COME HOME AND TELL ME 542 00:27:11,200 --> 00:27:12,634 ABOUT THE WONDERFUL THINGS THAT HAPPEN TO YOU, 543 00:27:12,701 --> 00:27:16,300 WELL, I ALWAYS FEEL AS IF I WERE RIGHT THERE WITH YOU 544 00:27:16,367 --> 00:27:18,267 AND THEY WERE HAPPENING TO ME, TOO. 545 00:27:18,334 --> 00:27:22,000 YEAH. WELL, I'LL TELL YOU SOMETIME LATER. 546 00:27:23,200 --> 00:27:26,133 I SAW HER PICTURE IN THE PAPER. 547 00:27:26,200 --> 00:27:28,133 IS SHE REALLY THAT BEAUTIFUL? 548 00:27:28,200 --> 00:27:31,634 NO. SHE'S EVEN MORE BEAUTIFUL. 549 00:27:31,701 --> 00:27:35,167 OH. WELL, I SUPPOSE, BEING A PRINCESS, 550 00:27:35,234 --> 00:27:37,167 SHE'S KIND OF SNOOTY, HMM? 551 00:27:37,234 --> 00:27:40,167 SNOOTY? HER HIGHNESS? 552 00:27:40,234 --> 00:27:45,167 OH. SHE'S-SHE'S THE UNSNOOTIEST PERSON I'VE EVER KNOWN... 553 00:27:45,234 --> 00:27:47,100 AND THE NICEST. 554 00:27:47,167 --> 00:27:50,367 WELL, ALMOST THE NICEST. 555 00:27:53,767 --> 00:27:56,434 THAT IS A MATTER WE DID NOT DISCUSS. 556 00:27:56,501 --> 00:27:59,601 WELL, I BET LOTS OF MEN HAVE ASKED HER. 557 00:27:59,667 --> 00:28:01,901 OH, YOU DON'T DO THAT AMONG ROYALTY. 558 00:28:01,968 --> 00:28:05,067 A MAN DOESN'T ASK A PRINCESS. SHE ASKS HIM. 559 00:28:05,133 --> 00:28:07,534 COURSE, UH, HE CAN HINT A LITTLE. 560 00:28:09,200 --> 00:28:10,834 DID SHE TELL YOU THAT? 561 00:28:10,901 --> 00:28:15,300 NO, BUT I'VE BEEN STUDYING UP ON PRINCESSES. 562 00:28:15,367 --> 00:28:19,634 OH. WELL, COULD SHE JUST ASK ANYBODY 563 00:28:19,701 --> 00:28:22,467 SHE HAPPENED TO MEET AND LIKE? 564 00:28:24,200 --> 00:28:26,634 WELL, YES, I-I GUESS SHE COULD. 565 00:28:26,701 --> 00:28:28,667 WOULD HE HAVE TO SAY YES? 566 00:28:28,734 --> 00:28:33,701 NO. BUT I KNOW ONE GUY WHO WOULD QUICKLY ENOUGH. 567 00:28:35,200 --> 00:28:36,300 WHO? 568 00:28:36,367 --> 00:28:38,634 OH, BARON FALUDI. 569 00:28:38,701 --> 00:28:42,167 BARON ZOLTAN MAXIMILIAN OTTO FALUDI. 570 00:28:42,234 --> 00:28:44,167 WH-WHAT'S HE LIKE? 571 00:28:44,234 --> 00:28:45,901 OH, HE'S ONE OF THOSE HAND-KISSERS. 572 00:28:45,968 --> 00:28:49,968 MMM... AU REVOIR, VERONICA. TILL TOMORROW, VERONICA. MMM! 573 00:28:50,033 --> 00:28:53,100 AH! BUT HE IS A GOOD TIPPER, THOUGH, I MUST SAY. 574 00:28:53,167 --> 00:28:56,067 SO I'M GOING TO TAKE YOU OUT TO A VERY SPECIAL PLACE TONIGHT. 575 00:28:56,133 --> 00:28:58,067 WHERE? I'VE BEEN TRYING TO GUESS ALL DAY. 576 00:28:59,634 --> 00:29:00,567 COME IN. 577 00:29:00,634 --> 00:29:02,767 JIMMY, I GOT IT. SHOULD I BRING IT- 578 00:29:02,834 --> 00:29:03,734 NO. WAIT! 579 00:29:03,801 --> 00:29:04,734 WELL, DON'T YOU- 580 00:29:04,801 --> 00:29:05,734 NO. NOT YET. 581 00:29:05,834 --> 00:29:07,100 WELL, WHAT WILL I- 582 00:29:07,167 --> 00:29:09,567 LISTEN. WILL YOU KEEP THE KALAMAZOO OUT IN THE OKLAHOMA 583 00:29:09,634 --> 00:29:13,100 UNTIL THE MISSISSIPPI IS READY? I'LL LET YOU KNOW WHEN NIAGARA FALLS. 584 00:29:13,167 --> 00:29:14,634 ANYTHING THE MATTER? 585 00:29:14,701 --> 00:29:16,634 UH, OH, NO. 586 00:29:16,701 --> 00:29:18,467 WELL, WHAT'S THAT ALL ABOUT? 587 00:29:18,534 --> 00:29:22,634 HUH? OH, UH, JUST SOME, UH, BALTIMORE GOT IN THE ERIE. 588 00:29:22,701 --> 00:29:24,133 MM-HMM. ALL RIGHT, 589 00:29:24,200 --> 00:29:25,968 IF YOU DON'T WANT TO TELL ME. 590 00:29:26,033 --> 00:29:28,100 WELL, I'D-I'D RATHER TELL YOU WHERE WE'RE GOING. 591 00:29:28,167 --> 00:29:30,133 WE'RE, UH, WE'RE GOING TO GO 592 00:29:30,200 --> 00:29:32,133 TO MELODY GARDEN AND HEAR SOME MUSIC. 593 00:29:32,200 --> 00:29:33,601 MELODY GARDEN? 594 00:29:33,667 --> 00:29:35,334 UH-HUH. 595 00:29:37,200 --> 00:29:38,634 YOU READY? 596 00:29:38,701 --> 00:29:40,634 UH-HUH. 597 00:29:54,868 --> 00:29:56,400 CAN I LOOK NOW? 598 00:29:56,467 --> 00:29:57,901 NOPE. NOT YET. 599 00:29:57,968 --> 00:29:59,868 NOT TILL THE MUSIC STARTS. 600 00:29:59,934 --> 00:30:03,400 I'M IN LOVE WITH YOU, HONEY 601 00:30:03,467 --> 00:30:07,834 WITH A LOVE THAT'S TRUE, HONEY 602 00:30:07,901 --> 00:30:11,167 JIMMY, I CAN REALLY HEAR IT. 603 00:30:11,234 --> 00:30:12,667 LIKE IT? 604 00:30:12,734 --> 00:30:14,267 OH, YES! 605 00:30:14,334 --> 00:30:15,868 BUT- 606 00:30:19,767 --> 00:30:21,868 OH! 607 00:30:23,200 --> 00:30:26,934 THANK YOU, JIMMY. AND THANK YOU, ALBERT. 608 00:30:29,534 --> 00:30:32,033 OH, IT'S BEAUTIFUL. 609 00:30:32,100 --> 00:30:34,033 OH, YOU SHOULDN'T HAVE DONE IT, 610 00:30:34,100 --> 00:30:35,434 BUT I'M GLAD YOU DID. 611 00:30:35,501 --> 00:30:40,200 HONEY, WON'T YOU LOVE ME, TOO? 612 00:30:40,267 --> 00:30:43,934 HMM HMM HMM HMM HMM, HONEY 613 00:30:44,000 --> 00:30:48,234 MMM MMM MMM MMM MMM, HONEY 614 00:30:48,300 --> 00:30:51,734 NO ONE ELSE WILL DO, HONEY 615 00:30:51,801 --> 00:30:56,234 IT'S FUNNY, BUT IT'S TRUE 616 00:30:56,300 --> 00:30:59,901 LOVED YOU FROM THE START, HONEY 617 00:30:59,968 --> 00:31:04,634 BLESS YOUR LITTLE HEART, HONEY 618 00:31:04,701 --> 00:31:08,367 EVERY DAY WOULD BE SO SUNNY 619 00:31:08,434 --> 00:31:11,601 HONEY, WITH YOU 620 00:31:11,667 --> 00:31:21,501 I'M IN LOVE WITH YOU, HONEY 621 00:31:21,567 --> 00:31:27,300 MY LITTLE HONEY, IT'S FUNNY, HONEY, BUT IT'S TRUE 622 00:31:27,367 --> 00:31:31,567 OH, LOVED YOU FROM THE START, HONEY 623 00:31:31,634 --> 00:31:35,367 BA DA DA DA, BLESS YOUR HEART, HONEY 624 00:31:35,434 --> 00:31:36,901 HONEY 625 00:31:36,968 --> 00:31:40,300 EVERY DAY WOULD BE SO SUNNY 626 00:31:40,367 --> 00:31:43,901 HONEY, WITH YOU 627 00:31:43,968 --> 00:31:46,234 MY LITTLE HONEY 628 00:31:46,300 --> 00:31:51,400 IT'S TRUE MY HONEY IS YOU 629 00:31:51,467 --> 00:31:53,100 HA HA HA! 630 00:31:57,701 --> 00:31:58,801 COME IN. 631 00:32:03,567 --> 00:32:05,868 OH, COME IN, JIMMY. 632 00:32:07,067 --> 00:32:09,000 OH, GOOD MORNING, YOUR HIGHNESS. 633 00:32:09,067 --> 00:32:10,467 GOOD MORNING. 634 00:32:10,534 --> 00:32:13,000 UM, I DIDN'T KNOW WHICH PAPER YOU WANTED, 635 00:32:13,067 --> 00:32:14,601 SO I BROUGHT ALL OF THEM. 636 00:32:14,667 --> 00:32:18,567 OH. WHICH ONE HAS A COLUMN WRITTEN BY PAUL MacMILLAN? 637 00:32:18,634 --> 00:32:19,634 THE GAZETTE. 638 00:32:19,701 --> 00:32:21,467 OH. THEN BRING ME THE GAZETTE. 639 00:32:21,534 --> 00:32:24,000 DO YOU READ HIS COLUMN? 640 00:32:24,067 --> 00:32:26,000 I USED TO, YEARS AGO. 641 00:32:26,067 --> 00:32:27,334 DO YOU READ IT? 642 00:32:27,400 --> 00:32:28,667 OH, EVERY DAY. 643 00:32:28,734 --> 00:32:29,801 IS IT STILL GOOD? 644 00:32:29,868 --> 00:32:31,334 THE BEST. 645 00:32:31,400 --> 00:32:33,033 HEREAFTER, BRING ME THE GAZETTE EVERY MORNING. 646 00:32:33,100 --> 00:32:34,534 YES, YOUR HIGHNESS. 647 00:32:34,601 --> 00:32:37,734 OH, GEE. WAIT TILL I TELL HIM HE'S GOT A PRINCESS READING HIM. 648 00:32:37,801 --> 00:32:39,200 YOU KNOW PAUL MacMILLAN? 649 00:32:39,267 --> 00:32:42,334 PERSONALLY. WHY, HE'S ONE OF THE BEST FRIENDS I HAVE- 650 00:32:42,400 --> 00:32:43,667 OF HIS SEX. 651 00:32:43,734 --> 00:32:44,787 I'LL TELL YOU, THE WAY I GOT TO KNOW HIM 652 00:32:44,788 --> 00:32:45,634 WAS HE WROTE A COLUMN ABOUT ME ONCE. 653 00:32:47,200 --> 00:32:50,200 UH, IF SOMETIME YOU'D CARE TO READ IT... 654 00:32:50,267 --> 00:32:52,033 OH, I'D-I'D LOVE TO. 655 00:32:52,100 --> 00:32:55,601 YOU WOULD. UM, LET ME SEE. 656 00:32:55,667 --> 00:32:59,968 I HAPPEN TO-OH. I HAPPEN TO HAVE IT, JUST BY CHANCE. 657 00:33:00,033 --> 00:33:02,901 I'LL SEE YOU GET IT BACK. 658 00:33:02,968 --> 00:33:04,601 OH, THAT'S ALL RIGHT. YOU KEEP IT IF YOU'D LIKE IT. 659 00:33:04,667 --> 00:33:05,834 I'VE GOT LOTS MORE. 660 00:33:05,901 --> 00:33:09,834 JIMMY... WHAT'S MR. MacMILLAN LIKE? 661 00:33:09,901 --> 00:33:11,834 OH, HE'S A PRINCE. 662 00:33:11,901 --> 00:33:16,601 OH. I SOMEHOW PICTURE HIM AS A FAT MAN WITH A BIG FAMILY. 663 00:33:16,667 --> 00:33:19,767 OH, NO. HE'S NOT FAT. HE HASN'T GOT ANY FAMILY. 664 00:33:19,834 --> 00:33:21,634 NO CHILDREN? 665 00:33:21,701 --> 00:33:25,167 NO! HASN'T EVEN GOT A WIFE. 666 00:33:25,234 --> 00:33:27,167 THANK YOU, JIMMY. 667 00:33:27,234 --> 00:33:28,834 YES, YOUR HIGHNESS. 668 00:33:32,067 --> 00:33:35,234 LATER ON, I'LL HAVE SOMETHING FOR YOU TO DO. 669 00:33:35,300 --> 00:33:36,901 YES, YOUR HIGHNESS. 670 00:33:40,067 --> 00:33:43,767 I- I SHALL DO IT WITH THE GREATEST OF PLEASURE, YOUR HIGHNESS. 671 00:34:14,234 --> 00:34:16,234 IS THIS THE PLACE, MONSIEUR? 672 00:34:16,300 --> 00:34:17,834 UH-UH, OUI, OUI. 673 00:34:17,901 --> 00:34:20,667 WILL MONSIEUR STAY LONG IN THIS ESTABLISHMENT? 674 00:34:20,734 --> 00:34:22,000 CAPISTRANO. 675 00:34:30,734 --> 00:34:32,501 UH, MR. MacMILLAN? 676 00:34:32,567 --> 00:34:34,467 OH, HELLO, JIMMY. GLAD TO SEE YOU. SIT DOWN. 677 00:34:34,534 --> 00:34:36,133 OH, I CAN'T. 678 00:34:36,200 --> 00:34:38,300 YOU CAN'T SIT DOWN? WHAT'S THE MATTER WITH YOU? 679 00:34:38,367 --> 00:34:40,167 I'M HERE ON OFFICIAL BUSINESS. 680 00:34:40,234 --> 00:34:44,300 MR. MacMILLAN, I HAVE THE HONOR TO PRESENT YOU WITH THIS INVITATION. 681 00:34:48,434 --> 00:34:50,567 HEY, JIMMY, WAIT A MINUTE. 682 00:34:53,367 --> 00:34:55,968 YOU WANT ME TO TAKE BACK AN ANSWER? 683 00:34:57,367 --> 00:34:59,334 NO. NO ANSWER. 684 00:35:00,868 --> 00:35:02,501 SIT DOWN A MINUTE. 685 00:35:11,667 --> 00:35:15,133 WELL-WELL? YOU GOING TO COME TO THE PARTY? 686 00:35:15,200 --> 00:35:18,567 WHAT? OH, NO. I DON'T THINK SO. 687 00:35:18,634 --> 00:35:20,133 I DON'T LIKE PARTIES. 688 00:35:20,200 --> 00:35:21,968 IT'S GOING TO BE A VERY SWELL SHINDIG. 689 00:35:22,033 --> 00:35:25,501 SHE'S ASKED ALL SORTS OF PRINCES AND DUKES AND THINGS. 690 00:35:25,567 --> 00:35:27,634 GOING TO BE A LOT OF FACE CARDS THERE. 691 00:35:27,701 --> 00:35:29,033 I DON'T LIKE FACE CARDS. 692 00:35:29,100 --> 00:35:30,834 AHH, BUT YOU'D LIKE HER HIGHNESS. 693 00:35:30,901 --> 00:35:34,133 SHE READS YOUR COLUMN. I GUESS THAT'S WHY SHE WANTS TO MEET YOU. 694 00:35:34,200 --> 00:35:37,033 YOU SEEM TO KNOW HER PRETTY WELL. 695 00:35:37,100 --> 00:35:40,067 I AM HER PERSONAL ATTENDANT. 696 00:35:40,133 --> 00:35:42,534 WHAT'S SHE LIKE? 697 00:35:42,601 --> 00:35:44,801 OH, WONDERFUL. 698 00:35:44,868 --> 00:35:48,400 OH. SO, YOU LIKE 'EM PLUMP. 699 00:35:48,467 --> 00:35:51,801 PLUMP? HER HIGHNESS? OH, NO, MR. MacMILLAN. 700 00:35:51,868 --> 00:35:53,300 SHE'S NOT PLUMP. 701 00:35:53,367 --> 00:35:58,100 UH, SHE'S NOT UNPLUMP, EITHER. SHE'S-WELL... 702 00:35:58,167 --> 00:35:59,901 SHE'S PERFECT. 703 00:36:05,367 --> 00:36:06,901 WHY DO YOU THINK I FOLLOWED YOU HERE? 704 00:36:06,968 --> 00:36:08,067 TO MAKE LOVE TO ME? 705 00:36:08,133 --> 00:36:09,968 JUST FOR PRACTICE. 706 00:36:10,033 --> 00:36:12,567 YOU DON'T NEED ANY. COME IN, JIMMY. 707 00:36:20,534 --> 00:36:23,067 I- I'LL GET HER NEXT TIME. 708 00:36:23,133 --> 00:36:26,300 BARON FALUDI IS JUST LEAVING. 709 00:36:26,367 --> 00:36:27,934 AM I? 710 00:36:28,000 --> 00:36:29,667 OH, YES. 711 00:36:29,734 --> 00:36:32,567 UNTIL TOMORROW THEN, MY DEAR VERONICA. 712 00:36:32,634 --> 00:36:36,167 AU REVOIR. 713 00:36:41,400 --> 00:36:43,300 DID YOU FIND MR. MacMILLAN? 714 00:36:43,367 --> 00:36:44,834 OH, YES, YOUR HIGHNESS. 715 00:36:44,901 --> 00:36:45,834 WHERE? 716 00:36:45,901 --> 00:36:47,167 AT JAKE'S JOINT. 717 00:36:47,234 --> 00:36:48,667 JAKE'S JOINT? WHAT'S THAT? 718 00:36:48,734 --> 00:36:50,501 OH, THAT'S A SALOO- 719 00:36:50,567 --> 00:36:53,100 THAT'S A CAFE WHERE HE HANGS OUT. 720 00:36:53,167 --> 00:36:55,067 HE HANGS OUT OF A CAFE? 721 00:36:55,133 --> 00:36:57,100 OH, NO. HE HANGS OUT IN IT. 722 00:36:57,167 --> 00:36:59,467 UH, HE SPENDS MOST OF HIS TIME THERE. 723 00:36:59,534 --> 00:37:01,968 AS A MATTER OF FACT, THAT'S WHERE HE WRITES HIS COLUMN. 724 00:37:02,033 --> 00:37:02,968 OH. 725 00:37:03,033 --> 00:37:04,267 I'M TERRIBLY SORRY I WAS SO LATE, 726 00:37:04,334 --> 00:37:06,767 BUT-BUT WE GOT TO CHEWING THE RAG. 727 00:37:06,834 --> 00:37:08,234 YOU DID WHAT? 728 00:37:08,300 --> 00:37:09,667 WE GOT TALKING. 729 00:37:09,734 --> 00:37:11,300 OH. WHAT ABOUT? 730 00:37:11,367 --> 00:37:12,767 OH, AS A MATTER OF FACT, ABOUT YOU. 731 00:37:12,834 --> 00:37:15,200 OH. WHAT DID HE SAY ABOUT ME? 732 00:37:15,267 --> 00:37:16,701 HE DIDN'T SAY ANYTHING. 733 00:37:16,767 --> 00:37:18,200 HE JUST ASKED QUESTIONS. 734 00:37:18,267 --> 00:37:21,968 YOU KNOW, I THINK HE'S GOING TO WRITE A COLUMN ABOUT YOU, TOO. 735 00:37:22,033 --> 00:37:24,467 OH, I'D BE MOST INTERESTED TO READ IT. 736 00:37:24,534 --> 00:37:26,767 WHAT DID HE WANT TO KNOW? 737 00:37:26,834 --> 00:37:28,300 OH, HOW YOU LOOKED. 738 00:37:28,367 --> 00:37:29,334 AND YOU TOLD HIM? 739 00:37:29,400 --> 00:37:32,601 OH, HOW COULD I? 740 00:37:32,667 --> 00:37:35,367 I- I GAVE HIM AN IDEA. 741 00:37:37,067 --> 00:37:40,167 JIMMY, I WON'T NEED YOU ANY MORE TODAY. 742 00:37:40,234 --> 00:37:41,601 YES, YOUR HIGHNESS. 743 00:37:41,667 --> 00:37:44,601 UNTIL TOMORROW THEN. 744 00:37:44,667 --> 00:37:46,534 AU REVOIR. 745 00:37:49,667 --> 00:37:52,767 NO, JIMMY. THAT'S NOT THE WAY IT'S DONE. 746 00:37:52,834 --> 00:37:54,200 COME HERE. 747 00:37:59,100 --> 00:38:00,934 NOW, WHEN YOU KISS A LADY'S HAND, 748 00:38:01,000 --> 00:38:02,901 DON'T BE SO ATHLETIC ABOUT IT- 749 00:38:02,968 --> 00:38:04,167 OR SO NOISY. 750 00:38:04,234 --> 00:38:07,133 DON'T SNATCH IT UP AS IF IT WERE A CAKE 751 00:38:07,200 --> 00:38:09,667 AND YOU WERE GOING TO BITE IT. 752 00:38:09,734 --> 00:38:12,300 THE LIPS ARE BROUGHT TO THE HAND, 753 00:38:12,367 --> 00:38:15,133 AND NOT THE HAND TO THE LIPS. 754 00:38:15,200 --> 00:38:16,300 REMEMBER THAT NEXT TIME. 755 00:38:16,367 --> 00:38:18,968 YES, YOUR HIGHNESS. 756 00:38:19,033 --> 00:38:22,801 UH... COULD NEXT TIME BE NOW? 757 00:38:22,868 --> 00:38:25,300 VERY WELL. 758 00:38:25,367 --> 00:38:27,367 BUT REMEMBER, DON'T SNATCH 759 00:38:27,434 --> 00:38:29,067 AND DON'T SMACK. 760 00:38:30,367 --> 00:38:32,634 NOW, GRACEFULLY. 761 00:38:35,133 --> 00:38:37,000 AND SLOWLY. 762 00:38:42,267 --> 00:38:44,300 BUT NOT TOO SLOWLY. 763 00:38:49,000 --> 00:38:50,834 AU REVOIR. 764 00:39:14,934 --> 00:39:16,067 HELLO, DR. ELFSON. 765 00:39:16,133 --> 00:39:17,634 OH, HELLO, ALBERT. AND HOW ARE YOU THESE DAYS? 766 00:39:17,701 --> 00:39:19,634 ME? OH, I'M HEALTHY. 767 00:39:19,701 --> 00:39:22,267 BUT I'M BOTHERED ABOUT HER. 768 00:39:22,334 --> 00:39:24,267 DOC, IS SHE VERY BAD? 769 00:39:24,334 --> 00:39:26,267 NO, I WOULDN'T SAY SO. 770 00:39:26,334 --> 00:39:27,767 WHAT WOULD YOU SAY? 771 00:39:27,834 --> 00:39:30,434 WELL, AS YOU KNOW, LESLIE HAS HER UPS AND DOWNS, AND- 772 00:39:30,501 --> 00:39:33,634 YEAH, BUT I NEVER SAW HER SO FAR DOWN. 773 00:39:33,701 --> 00:39:36,467 GEE, DOC, IT SEEMS LIKE SHE'S GETTING LITTLER AND LITTLER. 774 00:39:36,534 --> 00:39:38,968 YES, BUT I'M REALLY NOT WORRIED ABOUT HER. 775 00:39:39,033 --> 00:39:39,968 I AM. 776 00:39:40,033 --> 00:39:43,133 SHE'S GOING TO BE ALL RIGHT. 777 00:39:43,200 --> 00:39:44,300 DOC... 778 00:39:44,367 --> 00:39:45,767 YES? 779 00:39:45,834 --> 00:39:48,667 DO YOU THINK SHE'LL EVER BE ALL ALL RIGHT? 780 00:39:48,734 --> 00:39:50,467 I HOPE SO. 781 00:39:50,534 --> 00:39:52,501 SHE CAN BE CURED BY THE RIGHT KIND OF MEDICINE. 782 00:39:52,567 --> 00:39:55,434 WELL, WHAT IS IT? PILLS? I'LL GET A TON OF THEM. 783 00:39:55,501 --> 00:39:59,267 NOW, ALBERT, I'VE TOLD YOU MANY, MANY TIMES. 784 00:39:59,334 --> 00:40:02,601 LESLIE NEEDS MORE THAN PILLS TO GET ALL ALL RIGHT. 785 00:40:02,667 --> 00:40:04,534 WHEN SHE WAS A LITTLE GIRL, 786 00:40:04,601 --> 00:40:06,400 SOMETHING HAPPENED TO HER SPIRIT, 787 00:40:06,467 --> 00:40:09,167 THE THING INSIDE US THAT PILLS CAN'T REACH. 788 00:40:09,234 --> 00:40:11,067 I THINK SHE DIDN'T HAVE ENOUGH LOVE. 789 00:40:11,133 --> 00:40:15,501 SO THE BEST MEDICINE FOR LESLIE IS, UH, WELL, UH, 790 00:40:15,567 --> 00:40:19,968 THINGS LIKE GIVING HER THAT RADIO OR THOSE FLOWERS 791 00:40:20,067 --> 00:40:21,501 OR MAKING HER LAUGH- 792 00:40:21,567 --> 00:40:24,534 THINGS WHICH SHOW HER THAT SHE IS LOVED. 793 00:40:24,601 --> 00:40:26,701 NOW, REMEMBER THAT, ALBERT. 794 00:40:26,767 --> 00:40:28,400 I'LL REMEMBER. 795 00:40:28,467 --> 00:40:31,701 NOW YOU GO IN THERE AND MAKE HER LAUGH. 796 00:40:31,767 --> 00:40:33,701 WHO, ME? 797 00:40:33,767 --> 00:40:35,534 YES. 798 00:40:35,601 --> 00:40:37,467 WELL, I AIN'T COMICAL. 799 00:40:37,534 --> 00:40:40,234 I THINK YOU COULD BE IF YOU TRIED. 800 00:40:40,300 --> 00:40:41,734 GOOD LUCK, ALBERT. 801 00:40:41,801 --> 00:40:46,734 I'VE GOT TO GO NOW AND SEE A WOMAN ABOUT A BABY. 802 00:40:46,801 --> 00:40:48,934 GOOD LUCK TO YOU, DOC. 803 00:41:06,033 --> 00:41:08,501 OH, IS THAT YOU, JIMMY? 804 00:41:08,567 --> 00:41:11,334 NO. IT'S ONLY ALBERT. 805 00:41:11,400 --> 00:41:14,767 OH. COME IN, ONLY ALBERT. 806 00:41:17,734 --> 00:41:19,701 HELLO, LESLIE. 807 00:41:22,033 --> 00:41:24,868 I BROUGHT YOU SOME FLOWERS. 808 00:41:24,934 --> 00:41:27,200 THEY'RE FOR-NOT-ME-GETS. 809 00:41:27,267 --> 00:41:28,734 THANK YOU, ALBERT. 810 00:41:28,801 --> 00:41:31,434 I LOVE FOR-NOT-ME-GETS. 811 00:42:30,367 --> 00:42:32,267 ALBERT. 812 00:42:33,734 --> 00:42:37,033 WHAT'S THE MATTER WITH YOU? WHAT ARE YOU DOING? 813 00:42:44,601 --> 00:42:46,234 BEING FUNNY. 814 00:43:02,334 --> 00:43:04,701 I DIDN'T MEAN TO DO THAT. 815 00:43:13,200 --> 00:43:15,501 NO, NO, JIMMY. NOT LIKE THAT. 816 00:43:15,567 --> 00:43:17,200 LIKE THIS. 817 00:43:18,567 --> 00:43:19,767 YOU SEE? 818 00:43:19,834 --> 00:43:20,834 AHH. 819 00:43:20,901 --> 00:43:22,501 TAKE THIS TO HER HIGHNESS. 820 00:43:22,567 --> 00:43:25,834 IF SHE WANTS ME, I'M IN THE BALLROOM DOING THINGS. 821 00:43:27,734 --> 00:43:30,367 THANKS, MR. PUFI. 822 00:43:44,267 --> 00:43:46,501 WHAT DOES IT SAY? 823 00:43:46,567 --> 00:43:49,167 UH... 824 00:43:49,234 --> 00:43:52,601 WELL, UM... 825 00:43:52,667 --> 00:43:56,634 WELL, IT SAYS, UM, "PLEASE WEAR THESE NEAR YOUR HEART. 826 00:43:56,701 --> 00:43:59,634 I ADORE YOU. ZOLTAN." 827 00:43:59,701 --> 00:44:02,133 OH. GIVE THEM TO MY MAID. 828 00:44:02,200 --> 00:44:03,467 YES, YOUR HIGHNESS. 829 00:44:03,534 --> 00:44:05,968 OH, AND, JIMMY, THEN YOU MAY GO HOME. 830 00:44:06,033 --> 00:44:08,300 YES, YOUR HIGHNESS. BUT YOU MIGHT NEED ME. 831 00:44:08,367 --> 00:44:10,367 AT THE BALL? I HARDLY THINK SO. 832 00:44:10,434 --> 00:44:12,133 BUT YOU MIGHT. 833 00:44:12,200 --> 00:44:15,434 OH, BUT, JIMMY, I DON'T WANT TO TAKE UP ALL YOUR TIME. 834 00:44:15,501 --> 00:44:17,033 IT'S ALL YOURS. 835 00:44:17,100 --> 00:44:19,767 VERY WELL, IF YOU WANT TO STAY. 836 00:44:19,834 --> 00:44:21,467 THANK YOU, YOUR HIGHNESS. 837 00:44:34,868 --> 00:44:39,501 ALBERT, HOW MANY PEOPLE DO YOU THINK WILL BE AT THE BALL? 838 00:44:39,567 --> 00:44:43,334 I DON'T KNOW, BUT THERE'LL BE LOTS AND LOTS OF THEM- 839 00:44:43,400 --> 00:44:46,000 ALL HIGH-CLASS INDIVIGITALS, TOO. 840 00:44:46,067 --> 00:44:48,367 NOTRABILITY, IN FACT. 841 00:44:48,434 --> 00:44:52,434 YEP. HER HIGHNESS IS GOING TO TOSS A VERY ELEGANT HOP. 842 00:44:52,501 --> 00:44:54,601 I WONDER WHAT SHE'LL WEAR. 843 00:44:54,667 --> 00:44:56,634 HER BEST CLOTHES, I GUESS. 844 00:44:56,701 --> 00:44:59,634 AND SHE'S GOT A LOT OF THEM - TRUNKS AND TRUNKS. 845 00:44:59,701 --> 00:45:02,634 I SUPPOSE SHE'LL WEAR A CROWN, WON'T SHE? 846 00:45:02,701 --> 00:45:05,133 I WOULD IF I WAS A PRINCESS. 847 00:45:05,200 --> 00:45:07,467 SO WOULD I. 848 00:45:07,534 --> 00:45:11,801 GEE, I BET YOU'D LOOK AWFULLY NICE IN A CROWN. 849 00:45:11,868 --> 00:45:14,801 I BET SHE'LL LOOK AWFULLY NICE IN HERS. 850 00:45:14,868 --> 00:45:16,334 PROBABLY. 851 00:45:18,167 --> 00:45:21,834 IS SHE REALLY AS BEAUTIFUL AS THEY SAY? 852 00:45:21,901 --> 00:45:23,334 AS WHO SAYS? 853 00:45:23,400 --> 00:45:25,334 PEOPLE. 854 00:45:25,400 --> 00:45:27,000 WELL, I ONLY SEEN HER ONCE. 855 00:45:27,067 --> 00:45:28,334 THAT WAS IN THE, UH- 856 00:45:28,400 --> 00:45:31,334 YES. YES, I KNOW. JIMMY TOLD ME. 857 00:45:31,400 --> 00:45:33,534 HIYA, BABE. 858 00:45:36,234 --> 00:45:38,667 IS SHE SO VERY BEAUTIFUL? 859 00:45:38,734 --> 00:45:41,067 WELL, SHE WAS QUITE PRETTY, 860 00:45:41,133 --> 00:45:44,000 UH, THEN. 861 00:45:44,067 --> 00:45:46,167 WILL JIMMY WEAR A UNIFORM? 862 00:45:46,234 --> 00:45:49,200 WELL, I HOPE SO. WHAT WOULD HE WEAR? 863 00:45:49,267 --> 00:45:51,133 I MEAN, A SPECIAL UNIFORM. 864 00:45:51,200 --> 00:45:53,834 OH, I GUESS HE WILL IF SHE WANTS HIM TO. 865 00:45:53,901 --> 00:45:57,133 OH, SHE'LL WANT HIM TO. AFTER ALL, WHEN HE DANCES WITH HER, 866 00:45:57,200 --> 00:45:58,968 HE'LL HAVE TO LOOK NICE- 867 00:45:59,033 --> 00:46:02,667 E- EVEN NICER THAN USUAL. 868 00:46:09,000 --> 00:46:10,767 TAXI? MELODY GARDENS? 869 00:46:10,834 --> 00:46:15,834 THANKS. I DON'T THINK I WANT TO GO ANYWHERE TONIGHT. 870 00:46:18,367 --> 00:46:21,801 WELL, ANYWAY... 871 00:46:21,868 --> 00:46:22,934 HERE. 872 00:46:23,000 --> 00:46:25,467 THANK YOU. 873 00:46:25,534 --> 00:46:29,334 IT'S JUST LIKE A REAL ONE, ALMOST. 874 00:46:29,400 --> 00:46:31,067 YOU'RE VERY CLEVER. 875 00:46:31,133 --> 00:46:35,801 ME? OH, I LEARNED HOW TO MAKE THEM IN REFORM SCHOOL. 876 00:46:35,868 --> 00:46:38,467 WELL, AIN'T YOU GOING TO PUT IT ON? 877 00:46:45,467 --> 00:46:48,367 YOU LOOK A LOT NICER THAN HER. 878 00:46:48,434 --> 00:46:51,467 GLAD SOMEBODY THINKS SO. 879 00:46:51,534 --> 00:46:53,467 EVERYBODY OUGHT TO THINK SO. 880 00:46:55,167 --> 00:46:59,267 EXCUSE ME. I GOT TO GO. I'LL BE BACK IN A LITTLE WHILE. 881 00:46:59,334 --> 00:47:00,634 I'LL SEE YOU LATER. 882 00:47:00,701 --> 00:47:02,634 ALBERT, WHERE ARE YOU GOING? 883 00:47:02,701 --> 00:47:04,100 WELL, UH... 884 00:47:04,167 --> 00:47:07,133 NEW YORK IS NEW YORK WITH NEW YORK AND NEW YORK. 885 00:47:33,701 --> 00:47:35,367 COME IN. 886 00:47:38,400 --> 00:47:40,501 HOW DO YOU DO? 887 00:47:40,567 --> 00:47:43,801 HUH? ME? OH, I'M FINE. AND YOU? 888 00:47:43,868 --> 00:47:46,501 I'M FINE, TOO. WON'T YOU COME IN? 889 00:47:46,567 --> 00:47:47,534 ME? 890 00:47:47,601 --> 00:47:49,367 YES. 891 00:47:52,634 --> 00:47:55,267 I KNOW YOU, DON'T I? 892 00:47:55,334 --> 00:47:56,968 YEAH, BUT NOT VERY WELL. 893 00:47:57,033 --> 00:47:59,601 I KNOW I'VE SEEN YOU BEFORE. 894 00:47:59,667 --> 00:48:01,133 I'M TRYING TO THINK WHERE. 895 00:48:01,200 --> 00:48:02,901 M- MAYBE YOU'D BETTER NOT. 896 00:48:02,968 --> 00:48:05,133 WHERE WAS IT? 897 00:48:06,334 --> 00:48:09,634 DON'T YOU REMEMBER? 898 00:48:09,701 --> 00:48:12,634 I KNOW. YOU'RE JIMMY'S FRIEND. 899 00:48:12,701 --> 00:48:13,667 YEAH. 900 00:48:13,734 --> 00:48:15,634 THEN YOU MUST BE ALBERT. 901 00:48:15,701 --> 00:48:17,334 YEAH, I MUST BE. 902 00:48:17,400 --> 00:48:19,601 HI, BABE. 903 00:48:22,167 --> 00:48:25,634 LOOK, LADY, I DIDN'T KNOW YOU WAS A PRINCESS. 904 00:48:25,701 --> 00:48:27,467 I THOUGHT YOU WAS A WOMAN. 905 00:48:27,534 --> 00:48:30,267 I'M BOTH, ALBERT. 906 00:48:32,367 --> 00:48:37,667 THEN-THEN-THEN YOU AIN'T MAD AT ME FOR TRYING TO DO WHAT I TRIED TO DO? 907 00:48:37,734 --> 00:48:41,901 DON'T YOU KNOW? A WOMAN ONLY GETS REALLY MAD AT A MAN 908 00:48:41,968 --> 00:48:43,534 IF HE DOESN'T WANT TO KISS HER. 909 00:48:43,601 --> 00:48:45,000 IS THAT A FACT? 910 00:48:45,067 --> 00:48:46,534 UH-HUH. 911 00:48:49,567 --> 00:48:52,601 GEE, I'M GLAD TO KNOW THAT. 912 00:48:52,667 --> 00:48:56,567 YOU KNOW SOMETHING? I DON'T BLAME THEM FOR ELECTING YOU PRINCESS. 913 00:48:56,634 --> 00:48:58,667 I DON'T BLAME JIMMY FOR- 914 00:48:58,734 --> 00:49:01,934 FOR WHAT? 915 00:49:02,000 --> 00:49:04,100 CHICKIE, DUMMY UP. 916 00:49:04,167 --> 00:49:05,767 HELLO, ALBERT. 917 00:49:05,834 --> 00:49:07,601 GOOD-BYE, ALBERT. 918 00:49:07,667 --> 00:49:09,434 GOOD-BYE. 919 00:49:09,501 --> 00:49:11,300 UH, YOUR HIGHNESS. 920 00:49:12,667 --> 00:49:14,634 WHAT A BABE. 921 00:49:14,701 --> 00:49:17,634 I THOUGHT I TOLD YOU NEVER TO COME AROUND HERE, DIDN'T I? 922 00:49:17,701 --> 00:49:18,901 BUT-WELL, I WANTED TO SEE YOU. 923 00:49:18,968 --> 00:49:19,901 WHAT ABOUT? 924 00:49:19,968 --> 00:49:22,968 ABOUT NOT SEEING YOU. 925 00:49:23,033 --> 00:49:25,467 WHEN YOU DON'T COME HOME, WELL, 926 00:49:25,534 --> 00:49:27,267 IT BOTHERS I AND LESLIE, 927 00:49:27,334 --> 00:49:30,501 AND WE DON'T KNOW WHAT TO DO WITH OURSELVES. 928 00:49:30,567 --> 00:49:32,634 JIMMY, COULDN'T YOU PLEASE COME HOME TONIGHT? 929 00:49:32,701 --> 00:49:35,200 NO. I'M SORRY, BUT I JUST CAN'T. 930 00:49:35,267 --> 00:49:36,601 JIMMY? 931 00:49:36,667 --> 00:49:39,901 LOOK, BLOW. AM-SCRAY, WILL YOU? AND KEEP YOUR NOSE CLEAN. 932 00:49:39,968 --> 00:49:41,300 WELL, I'M TRYING TO. I- 933 00:50:42,767 --> 00:50:44,567 MAY I CUT IN? 934 00:50:44,634 --> 00:50:46,801 OH! WELL, HELLO, MR. MacMILLAN. 935 00:50:46,868 --> 00:50:49,767 SO YOU DID COME AFTER ALL. WE HOPED YOU WOULD. 936 00:50:49,834 --> 00:50:50,901 WE? 937 00:50:50,968 --> 00:50:52,434 HER HIGHNESS AND I. I'LL TELL HER YOU'RE HERE. 938 00:50:52,501 --> 00:50:53,467 NO. 939 00:50:53,534 --> 00:50:55,000 OH, IT'S ALL RIGHT. SHE ASKED ME TO. 940 00:50:55,067 --> 00:50:56,467 NOW WAIT A MINUTE, JIMMY. 941 00:50:56,534 --> 00:50:58,467 I'D LIKE TO SEE HER HIGHNESS ALONE. 942 00:50:58,534 --> 00:51:00,834 OH. YOU WANT AN INTERVIEW, HUH? 943 00:51:00,901 --> 00:51:01,834 YEAH. 944 00:51:01,901 --> 00:51:03,467 WELL, I THINK I CAN ARRANGE IT. 945 00:51:03,534 --> 00:51:04,467 THANKS. 946 00:51:04,534 --> 00:51:07,334 JUST WAIT IN THIS ROOM RIGHT OVER HERE. 947 00:51:07,400 --> 00:51:09,000 WILL WE HAVE ANY PRIVACY IN THERE? 948 00:51:09,067 --> 00:51:12,167 OH, NOTHING BUT. I HAVEN'T SEEN ANYBODY GO IN HERE ALL NIGHT, 949 00:51:12,234 --> 00:51:14,367 SO THE PLACE IS ALL YOURS. 950 00:51:17,434 --> 00:51:19,834 ALL MINE, EH? 951 00:51:19,901 --> 00:51:22,834 WELL, I FORGOT THAT THERE WAS ANOTHER DOOR. 952 00:51:22,901 --> 00:51:24,334 WELL, GOOD NIGHT. 953 00:51:24,400 --> 00:51:26,667 OH, DON'T YOU WANT TO SEE HER? 954 00:51:26,734 --> 00:51:28,200 NOT IN A CROWD. 955 00:51:28,267 --> 00:51:30,033 WELL, WAIT. 956 00:51:30,100 --> 00:51:32,334 I'LL GET RID OF THEM. 957 00:51:32,400 --> 00:51:33,367 HOW? 958 00:51:33,434 --> 00:51:35,067 LEAVE IT TO ME. 959 00:51:38,734 --> 00:51:40,167 EXCUSE ME! 960 00:51:40,234 --> 00:51:41,868 LADIES AND GENTLEMEN, PLEASE REMAIN CALM. 961 00:51:41,934 --> 00:51:43,734 DON'T GET EXCITED, AND NOBODY'LL GET HURT. 962 00:51:43,801 --> 00:51:45,501 EVERYBODY HAS TO LEAVE THIS ROOM IMMEDIATELY. 963 00:51:45,567 --> 00:51:46,734 BUT WHY? 964 00:51:46,801 --> 00:51:48,234 SIR, THE GOWANDA'S A HOBOKEN IN THE GREAT NECK 965 00:51:48,300 --> 00:51:49,767 AND THE CATSKILLS ARE ROCKAWAY. 966 00:51:49,834 --> 00:51:51,234 THE POOSEPATUCK IS GOING INTO CONEY 967 00:51:51,300 --> 00:51:52,634 AND THE FLATBUSH IS FULL OF DODGERS! 968 00:51:52,701 --> 00:51:54,033 OH! 969 00:51:55,801 --> 00:51:58,801 WHAT IS IT HAPPENING HERE? 970 00:51:58,868 --> 00:52:00,367 LOOK, PLEASE GO BEFORE THE ARCADE PALISADES 971 00:52:00,434 --> 00:52:02,200 IS BACK TO HACKENSACK ON THE SKANEATELES! 972 00:52:02,267 --> 00:52:03,334 �COMO? 973 00:52:03,400 --> 00:52:04,467 OLEAN'S AT THE BRONX! 974 00:52:04,534 --> 00:52:05,501 PARDON? 975 00:52:05,567 --> 00:52:06,934 THE POUGHKEEPSIE IS ALL SCHENECTADY! 976 00:52:07,000 --> 00:52:07,934 AHH! 977 00:52:08,000 --> 00:52:09,734 EVERYBODY WILL HAVE TO GET OUT. 978 00:52:09,801 --> 00:52:11,634 EVERYBODY OUT. EVERYBODY OUT. 979 00:52:19,634 --> 00:52:22,267 WILL YOU EXCUSE ME A MINUTE? 980 00:52:25,033 --> 00:52:26,334 AND WATCH YOUR ALBANY. 981 00:52:26,400 --> 00:52:27,834 HAS SOMETHING HAPPENED? 982 00:52:27,901 --> 00:52:30,300 YES, YOUR HIGHNESS, BUT NOTHING BAD. 983 00:52:40,067 --> 00:52:43,534 YOUR HIGHNESS, THIS IS MR. PAUL MacMILLAN. 984 00:52:47,234 --> 00:52:49,534 HE'D LIKE TO INTERVIEW YOU FOR HIS COLUMN. 985 00:52:49,601 --> 00:52:51,667 VERY WELL. HE MAY. 986 00:52:55,167 --> 00:52:58,467 PLEASE SEE THAT WE'RE NOT DISTURBED. 987 00:52:58,534 --> 00:53:00,634 YES, YOUR HIGHNESS. 988 00:53:08,534 --> 00:53:10,000 HOW ARE YOU, PAUL? 989 00:53:10,067 --> 00:53:11,467 OLDER. 990 00:53:11,534 --> 00:53:13,133 WELL, SO AM I. 991 00:53:13,200 --> 00:53:14,601 AND WISER. 992 00:53:14,667 --> 00:53:16,334 SO AM I. 993 00:53:20,734 --> 00:53:22,167 BUT DON'T YOU UNDERSTAND, FELLOWS? 994 00:53:22,234 --> 00:53:25,133 YOU CAN'T GO IN BECAUSE THE LACKAWANNA HAS TO MAKE ITS FLUSHING. 995 00:53:25,200 --> 00:53:26,234 YEAH. 996 00:53:26,300 --> 00:53:27,501 OH, IT'S NOT SERIOUS. IT'S JUST THAT, UH... 997 00:53:30,033 --> 00:53:31,501 YOU SEE? 998 00:53:31,567 --> 00:53:35,167 I'M SORRY, SIR, BUT THOSE ARE MY ORDERS. 999 00:53:35,234 --> 00:53:37,334 DID YOU UNDERSTAND WHAT HE SAID? 1000 00:53:37,400 --> 00:53:38,701 NATURALLY. 1001 00:53:43,601 --> 00:53:46,133 AND I SAID I WAS WISER. 1002 00:53:46,200 --> 00:53:50,000 I THOUGHT I WAS, AND THEN I CAME HERE AND SAW YOU AGAIN. 1003 00:53:50,067 --> 00:53:52,100 THAT WASN'T A WISE THING FOR ME TO DO, VERONICA. 1004 00:53:52,167 --> 00:53:53,067 NO? 1005 00:53:53,133 --> 00:53:54,534 NO. 1006 00:53:54,601 --> 00:53:57,601 YOU SEE, I THOUGHT I'D LEARNED THE LESSON YOU GAVE ME YEARS AGO, 1007 00:53:57,667 --> 00:53:59,601 LEARNED IT SO WELL I'D NEVER FORGET IT. 1008 00:53:59,667 --> 00:54:02,634 I THOUGHT I COULD SEE YOU AGAIN AND REMEMBER IT. 1009 00:54:02,701 --> 00:54:04,968 I SAW YOU AND FORGOT IT. 1010 00:54:05,033 --> 00:54:08,767 IT WAS A HARD LESSON, AND I DON'T WANT TO HAVE TO LEARN IT ALL OVER AGAIN. 1011 00:54:08,834 --> 00:54:11,467 OH, I'M SORRY FOR WHAT HAPPENED, PAUL. 1012 00:54:11,534 --> 00:54:13,968 WITH ALL MY HEART, I'M SORRY. 1013 00:54:14,067 --> 00:54:19,000 I WANTED FOR SO LONG TO SEE YOU, BUT I WAS AFRAID. 1014 00:54:19,067 --> 00:54:22,601 I KNEW THAT YOU HAD EVERY RIGHT TO DOUBT ME AND TO HATE ME. 1015 00:54:22,667 --> 00:54:26,133 IT WOULD MAKE EVERYTHING SO SIMPLE IF I DID, 1016 00:54:26,200 --> 00:54:27,601 BUT I DON'T. 1017 00:54:27,667 --> 00:54:32,834 I NEVER DID, AND I NEVER WILL HATE YOU. 1018 00:54:32,901 --> 00:54:34,801 GOOD-BYE, VERONICA. 1019 00:54:34,868 --> 00:54:36,434 GOOD-BYE? 1020 00:54:36,501 --> 00:54:39,834 IT'S THE WISEST THING. I'M SURE IT IS. 1021 00:54:39,901 --> 00:54:43,300 YOU SEE, I REMEMBER HOW ONCE YOU TOLD ME THAT YOU LOVED ME, 1022 00:54:43,367 --> 00:54:45,667 THAT YOU'D ALWAYS LOVE ME. 1023 00:54:45,734 --> 00:54:47,267 BUT IT WAS TRUE. 1024 00:54:47,334 --> 00:54:49,200 AND IT'S ALSO TRUE THAT SUDDENLY ONE NIGHT 1025 00:54:49,267 --> 00:54:52,467 I WAS HANDED MY PASSPORT AND TOLD TO LEAVE YOUR COUNTRY. 1026 00:54:52,534 --> 00:54:54,767 AND YOU SAID YOU'D COME TO ME. 1027 00:54:54,834 --> 00:54:55,901 I WAITED. 1028 00:54:55,968 --> 00:54:58,868 INSTEAD CAME THE NEWS YOU HAD MARRIED SOMEONE 1029 00:54:58,934 --> 00:55:02,767 MORE SUITABLE FOR A PRINCESS. 1030 00:55:02,834 --> 00:55:05,133 WELL... 1031 00:55:05,200 --> 00:55:07,234 YOU'RE STILL A PRINCESS. 1032 00:55:07,300 --> 00:55:10,701 YES. I WAS BORN ONE, 1033 00:55:10,767 --> 00:55:13,300 AND I WAS BROUGHT UP TO BELIEVE 1034 00:55:13,367 --> 00:55:16,367 THAT A PRINCESS MUST DO WHAT HER COUNTRY THINKS BEST, 1035 00:55:16,434 --> 00:55:18,934 WHETHER SHE WANTS TO OR NOT. 1036 00:55:19,000 --> 00:55:20,968 AND SO MUST A QUEEN? 1037 00:55:21,033 --> 00:55:22,434 YES. 1038 00:55:22,501 --> 00:55:25,200 AND SOMEDAY, YOU'LL BE QUEEN. 1039 00:55:26,901 --> 00:55:28,534 YES. 1040 00:55:30,901 --> 00:55:32,634 GOOD-BYE, VERONICA. 1041 00:55:40,734 --> 00:55:41,667 MR. MacMILLAN? 1042 00:55:41,734 --> 00:55:43,667 DID YOU GET THE INTERVIEW? 1043 00:55:43,734 --> 00:55:45,167 OH, I DID. THANKS. 1044 00:55:45,234 --> 00:55:46,634 ARE YOU THROUGH? 1045 00:55:46,701 --> 00:55:48,501 YES. ALL THROUGH. 1046 00:56:09,834 --> 00:56:11,501 YOUR HIGHNESS... 1047 00:56:14,367 --> 00:56:17,467 WHAT-WHAT'S THE MATTER? 1048 00:56:17,534 --> 00:56:20,467 IS THERE ANYTHING I CAN DO? 1049 00:56:21,667 --> 00:56:24,634 YES. LEND ME YOUR HANDKERCHIEF. 1050 00:56:26,334 --> 00:56:28,501 THANK YOU. 1051 00:56:28,567 --> 00:56:32,334 IS THAT ALL I CAN DO? 1052 00:56:32,400 --> 00:56:35,267 THERE'S NOTHING WRONG WITH ME, REALLY. 1053 00:56:35,334 --> 00:56:37,100 ARE YOU SURE? 1054 00:56:39,734 --> 00:56:42,000 YOU SEE... 1055 00:56:42,067 --> 00:56:45,000 WELL, THE BUDAPEST WAS HUNGARY 1056 00:56:45,067 --> 00:56:47,434 AND THE CAIRO GOT MADRID AND WOULDN'T LISBON. 1057 00:56:47,501 --> 00:56:51,801 SO THE BALKANS COULDN'T BUCHAREST, 1058 00:56:51,868 --> 00:56:54,334 AND THAT'S WHAT MADE NAPLES TOULOUSE IN TOLLAND. 1059 00:56:54,400 --> 00:56:57,634 OH. OH, I SEE. 1060 00:57:00,167 --> 00:57:01,434 YOU DO? 1061 00:57:01,501 --> 00:57:03,634 OH, OF CORSICA. 1062 00:57:03,701 --> 00:57:07,701 OH, JIMMY. 1063 00:57:07,767 --> 00:57:10,901 I WOULDN'T KNOW WHAT TO DO WITHOUT YOU. 1064 00:57:53,701 --> 00:57:56,300 "THE BALLROOM WAS FULL OF HANDSOME MEN AND LOVELY LADIES, 1065 00:57:56,367 --> 00:57:59,267 "AND THE LOVELIEST OF THEM ALL WAS THE YOUNG PRINCESS, 1066 00:57:59,334 --> 00:58:01,100 "BUT SHE WAS NOT THE HAPPIEST. 1067 00:58:01,167 --> 00:58:05,567 "AS SHE SAT ON HER THRONE WATCHING THE DANCERS, SHE WAS NOT HAPPY AT ALL, 1068 00:58:05,634 --> 00:58:09,300 "FOR SHE WAS THINKING OF THE YOUNG PRINCE WHO WENT AWAY ONE DAY 1069 00:58:09,367 --> 00:58:11,667 "AND TOOK HER HEART WITH HIM. 1070 00:58:11,734 --> 00:58:16,267 "THEN, INTO THE BALLROOM HOPPED A FROG. 1071 00:58:16,334 --> 00:58:18,701 THE PRINCESS WAS... " 1072 00:58:21,534 --> 00:58:26,534 "E-X-A-S-P-E-R-A-T-E-D." 1073 00:58:26,601 --> 00:58:28,534 EXASPERATED. 1074 00:58:28,601 --> 00:58:32,501 "THE PRINCESS WAS EXASPERATED, 1075 00:58:32,567 --> 00:58:35,634 "AND SHE HAD NOT INVITED ANY FROGS. 1076 00:58:35,701 --> 00:58:39,567 "LITTLE DID SHE KNOW THAT THIS FROG WAS THE LONG-LOST PRINCE 1077 00:58:39,634 --> 00:58:43,100 "WHO HAD BEEN TURNED INTO A FROG BY A WITCH. 1078 00:58:43,167 --> 00:58:47,000 "SO IMAGINE HER SURPRISE WHEN A FROG SPOKE TO HER. 1079 00:58:47,067 --> 00:58:51,767 "NOW, ALL YOU CAN EXPECT A FROG TO SAY IS, JUG-A-RUM. JUG-A-RUM. 1080 00:58:51,834 --> 00:58:54,067 "THAT'S ALL THEY CAN SAY, AS A RULE. 1081 00:58:54,133 --> 00:58:58,734 "SO IMAGINE HER DELIGHT WHEN THE FROG SAID IN A PRINCELY VOICE, 1082 00:58:58,801 --> 00:59:01,601 "OH, PRINCESS, DEAR, MY PRINCESS, DEAR, 1083 00:59:01,667 --> 00:59:04,267 "THE ONE YOU LOVE THE BEST IS HERE. 1084 00:59:04,334 --> 00:59:09,634 "THE PRINCESS STARED AT THE FROG WITH BIG, ASTONISHED EYES, 1085 00:59:09,701 --> 00:59:12,234 "AND SHE SAID, HOW IS IT, O FROG, 1086 00:59:12,300 --> 00:59:16,200 "THAT YOU SPEAK IN THE VOICE OF THE PRINCE I LOVE? 1087 00:59:16,267 --> 00:59:20,000 "THE FROG SMILED AND SAID, I AM THE PRINCE YOU LOVE. 1088 00:59:20,067 --> 00:59:23,467 "SO KISS ME, AND I'LL LOOK LIKE MYSELF AGAIN. 1089 00:59:23,534 --> 00:59:28,634 SO SHE KISSED THE FROG, AND LO AND BEHOLD-" 1090 01:00:34,567 --> 01:00:35,801 THERE YOU GO AGAIN, 1091 01:00:35,868 --> 01:00:37,367 MAKING BELIEVE THAT I CAN WALK. 1092 01:00:37,434 --> 01:00:38,868 YOU KNOW VERY WELL I CAN'T. 1093 01:00:38,934 --> 01:00:40,200 WHY, SURE, YOU CAN. 1094 01:00:40,267 --> 01:00:42,701 OH, SURE, AND I CAN DANCE AND STAND ON MY HEAD. 1095 01:00:42,767 --> 01:00:43,801 WHY, SURE, YOU CAN. 1096 01:00:43,868 --> 01:00:45,868 YES. I CAN JUST SEE MYSELF DOING IT. 1097 01:00:45,934 --> 01:00:47,534 SURE, YOU CAN. WATCH. 1098 01:00:56,968 --> 01:00:58,601 SEE? 1099 01:01:05,467 --> 01:01:06,868 HEY, YOU! 1100 01:01:06,934 --> 01:01:09,901 DON'T STAND THERE WANTING TO GO. GO. 1101 01:01:09,968 --> 01:01:11,767 GO ON NOW-OUT. 1102 01:01:15,467 --> 01:01:18,200 SO LONG. I'LL BE SEEING YOU. 1103 01:02:16,033 --> 01:02:18,133 YOUNG LADY IN THE PAJAMAS. 1104 01:02:18,200 --> 01:02:19,968 YES, YOUR MAJESTY? 1105 01:02:20,033 --> 01:02:22,300 WHY HAVE YOU CRASHED MY ROYAL GATE? 1106 01:02:22,367 --> 01:02:24,067 OH, PLEASE, SIR, YOUR MAJESTY, 1107 01:02:24,133 --> 01:02:25,567 I'VE COME TO PETITION YOU 1108 01:02:25,634 --> 01:02:27,434 TO DO ME A ROYAL FAVOR. 1109 01:02:27,501 --> 01:02:29,100 OK, PETITION ME. 1110 01:02:29,167 --> 01:02:35,467 BRING BACK MY LONG-LOST LOVE, I PRAY 1111 01:02:35,534 --> 01:02:41,534 BRING BACK MY PRINCE WHO HAS GONE ASTRAY 1112 01:02:41,601 --> 01:02:48,067 LET ME SEE HIM SMILE FOR A LITTLE WHILE 1113 01:02:48,133 --> 01:02:54,400 AND MY LIFE WON'T BE COLD AND GRAY 1114 01:02:54,467 --> 01:03:01,234 I'M NOT A PRINCESS, AS YOU CAN SEE 1115 01:03:01,300 --> 01:03:08,267 BUT HEARTS KNOW NOTHING OF ROYALTY 1116 01:03:08,334 --> 01:03:11,968 HE WAS ALL I HAD 1117 01:03:12,033 --> 01:03:17,133 AND HE'S ALL I WANT 1118 01:03:17,200 --> 01:03:25,901 PLEASE BRING HIM BACK TO ME 1119 01:03:27,067 --> 01:03:29,501 THAT SOUNDS LIKE A REASONABLE REQUEST. 1120 01:03:29,567 --> 01:03:31,033 PETITION GRANTED. 1121 01:03:31,100 --> 01:03:34,701 ONE PRINCE COMING UP. 1122 01:03:34,767 --> 01:03:37,634 OH, YOUR MAJESTY, I'LL THANK YOU WITH ALL MY HEART 1123 01:03:37,701 --> 01:03:39,334 WHEN I HAVE ONE AGAIN. 1124 01:03:39,400 --> 01:03:40,801 AND WHILE YOU'RE WAITING, 1125 01:03:40,868 --> 01:03:42,334 BE MY PERSONAL GUEST. 1126 01:03:42,400 --> 01:03:43,801 WON'T YOU SIT DOWN? 1127 01:03:43,868 --> 01:03:45,334 THANK YOU, SIR. 1128 01:03:45,400 --> 01:03:46,801 DOWN. OUT. QUEEN, OUT. 1129 01:03:46,868 --> 01:03:48,868 AND TURN ON THE ROYAL BALLET. 1130 01:05:02,701 --> 01:05:06,000 JUG-A-RUM. JUG-A-RUM. JUG-A-RUM. 1131 01:06:16,801 --> 01:06:19,367 I'M IN LOVE WITH YOU 1132 01:06:19,434 --> 01:06:22,200 HONEY, YOU 1133 01:06:22,267 --> 01:06:24,868 WITH A LOVE THAT'S TRUE 1134 01:06:24,934 --> 01:06:27,467 HONEY, YOU 1135 01:06:27,534 --> 01:06:30,067 NO ONE ELSE WILL DO 1136 01:06:30,133 --> 01:06:32,634 HONEY 1137 01:06:32,701 --> 01:06:38,167 IT'S FUNNY, LA LA LA LA 1138 01:06:38,234 --> 01:06:44,000 LOVED YOU FROM THE START, HONEY 1139 01:06:44,067 --> 01:06:49,501 BLESS YOUR LITTLE HEART, HONEY 1140 01:06:49,567 --> 01:06:55,334 EVERY DAY WILL BE SO SUNNY 1141 01:06:55,400 --> 01:06:58,601 HONEY, WITH... 1142 01:07:21,467 --> 01:07:22,868 GOOD MORNING, GLADYS. 1143 01:07:22,934 --> 01:07:24,167 MORNING, JIMMY. CALM DOWN. 1144 01:07:24,234 --> 01:07:26,334 THERE'S NOTHING IN IT ABOUT YOUR DREAM GIRL. 1145 01:07:27,734 --> 01:07:29,667 OH, BOY! WILL YOU TAKE ROMEO? 1146 01:07:29,734 --> 01:07:31,133 I'M SORRY, MADAM, BUT I'M PRIVATE. 1147 01:07:31,200 --> 01:07:32,300 OH! 1148 01:07:34,234 --> 01:07:35,434 NOW, LET ME SEE. 1149 01:07:35,501 --> 01:07:37,133 THAT'S ONE DOZEN ASSORTED SANDY CLAUSES 1150 01:07:37,200 --> 01:07:38,801 AT 6 BITS EACH. THAT'S, UH... 1151 01:07:38,868 --> 01:07:40,801 OH, YOU'D BETTER TAKE WHAT YOU CAN GET. 1152 01:07:40,868 --> 01:07:42,300 DIDN'T YOU SAY 1153 01:07:42,367 --> 01:07:44,300 THE MAN DIDN'T WANT ANY MORE SANTA CLAUSES? 1154 01:07:44,367 --> 01:07:45,767 YEAH. HE WANTS PENGUINS. 1155 01:07:45,834 --> 01:07:47,200 WE GOT SANDY CLAUSES, 1156 01:07:47,267 --> 01:07:48,767 HE GETS SANDY CLAUSES... 1157 01:07:48,834 --> 01:07:50,801 AND HE LIKES THEM. 1158 01:07:50,868 --> 01:07:54,367 HMM. NO, ALBERT. WHAT WOULD JIMMY SAY? 1159 01:07:54,434 --> 01:07:55,767 OH, HIM. 1160 01:07:55,834 --> 01:07:59,300 HE DON'T EVER SAY NOTHING TO ME NO MORE. 1161 01:07:59,367 --> 01:08:00,801 BUT... 1162 01:08:00,868 --> 01:08:02,801 THAT INTERVIEW AIN'T IN TODAY. 1163 01:08:02,868 --> 01:08:04,801 WHERE IS THAT INTERVIEW? 1164 01:08:04,868 --> 01:08:06,300 HMM. 1165 01:08:06,367 --> 01:08:08,834 WHAT'S SO HOT ABOUT AN INTERVIEW? 1166 01:08:08,901 --> 01:08:10,300 I WAS INTERVIEWED ONCE. 1167 01:08:10,367 --> 01:08:11,801 OH, NOW, ALBERT. 1168 01:08:11,868 --> 01:08:13,334 WELL, I WAS, TOO... 1169 01:08:13,400 --> 01:08:15,334 BY THE DISTRICT ATTORNEY. 1170 01:08:18,067 --> 01:08:19,300 "TODAY IT IS 1171 01:08:19,367 --> 01:08:21,801 THE LIFE AND LOVES OF AN ELEPHANT." 1172 01:08:21,868 --> 01:08:24,334 SO... HA HA HA! THAT'S NICE. 1173 01:08:24,400 --> 01:08:25,834 CHIMNEY... 1174 01:08:25,901 --> 01:08:27,801 WHAT IS A ELEPHANT? 1175 01:08:27,868 --> 01:08:29,334 AN ELE- 1176 01:08:29,400 --> 01:08:31,334 WHY, IT'S AN ANIMAL! 1177 01:08:31,400 --> 01:08:34,267 THEY-THEY LOOK LIKE THIS. 1178 01:08:34,334 --> 01:08:37,234 AH! THOSE BIG THINGS WITH THE LONG NOSES. 1179 01:08:37,300 --> 01:08:38,767 YEAH-TRUNK. 1180 01:08:38,834 --> 01:08:40,100 HUH? 1181 01:08:40,167 --> 01:08:41,534 TRUNK. 1182 01:08:41,601 --> 01:08:43,000 WHAT A LANGUAGE. 1183 01:08:43,067 --> 01:08:45,033 THIS IS A TRUNK. 1184 01:08:45,100 --> 01:08:48,000 LAST NIGHT I TRUNK WHISKEY AND GOT TRUNK. 1185 01:08:48,067 --> 01:08:50,067 TODAY I PACK MY TRUNK. 1186 01:08:51,834 --> 01:08:53,467 PACK YOUR... 1187 01:08:54,834 --> 01:08:56,767 YOU'RE-YOU'RE NOT GOING AWAY? 1188 01:08:56,834 --> 01:08:58,133 YES-HOME. 1189 01:08:58,200 --> 01:08:59,434 WHEN? 1190 01:08:59,501 --> 01:09:02,734 I DO NOT KNOW JUST WHEN, BUT I THINK SOON- 1191 01:09:02,801 --> 01:09:04,234 MAYBE SOONER. 1192 01:09:05,868 --> 01:09:07,300 NO! 1193 01:09:07,367 --> 01:09:08,968 DON'T SIT. 1194 01:09:10,334 --> 01:09:12,801 TAKE THE HAT OF HER HIGHNESS TO HER HIGHNESS. 1195 01:09:12,868 --> 01:09:14,467 YES, SIR. 1196 01:09:17,901 --> 01:09:19,334 MR. PUFI... 1197 01:09:19,400 --> 01:09:22,834 I, UM-I'M GOING TO MISS YOU. 1198 01:09:24,367 --> 01:09:25,901 ME, TOO. 1199 01:09:25,968 --> 01:09:27,968 HELLO. THIS IS WHO? 1200 01:09:28,033 --> 01:09:30,167 AH, BARON FALUDI. 1201 01:09:30,234 --> 01:09:32,133 THIS AFTERNOON? 1202 01:09:32,200 --> 01:09:35,667 YES. HER HIGHNESS WILL BE HERE. 1203 01:09:35,734 --> 01:09:39,200 NO, NO PARTY- JUST HER AND YOU. 1204 01:09:39,267 --> 01:09:41,667 YES, BARON, I WILL TELL HER. 1205 01:09:41,734 --> 01:09:43,133 GOOD-BYE. 1206 01:09:44,667 --> 01:09:46,634 AHEM. I SUPPOSE HER HIGHNESS 1207 01:09:46,701 --> 01:09:49,167 WILL BE GETTING MARRIED PRETTY SOON, MAYBE, HUH? 1208 01:09:49,234 --> 01:09:50,634 MAYBE. 1209 01:09:50,701 --> 01:09:53,901 A DUKE OR A PRINCE OR A BARON, I SUPPOSE? 1210 01:09:53,968 --> 01:09:55,467 SURE. 1211 01:09:55,534 --> 01:09:57,200 IT COULDN'T JUST BE 1212 01:09:57,267 --> 01:09:59,234 SOME COMMON, ORDINARY PERSON, COULD IT? 1213 01:09:59,300 --> 01:10:01,267 OH, NO. 1214 01:10:01,334 --> 01:10:03,534 NO. HAS TO BE SOMEBODY WHO IS SOMEBODY, HUH? 1215 01:10:03,601 --> 01:10:05,567 SURE. IT COULD NOT BE 1216 01:10:05,634 --> 01:10:07,400 SOMEBODY WHO IS NOBODY. 1217 01:10:07,467 --> 01:10:10,400 I TOLD YOU THIS TWO TIMES NOW ALREADY. 1218 01:10:10,467 --> 01:10:11,834 PRINCESSES CAN'T- 1219 01:10:11,901 --> 01:10:13,367 CHIMNEY! 1220 01:10:13,434 --> 01:10:15,367 DON'T SIT. 1221 01:10:28,133 --> 01:10:29,734 VERONICA, YOU MUST SEE THAT BY NOW. 1222 01:10:29,801 --> 01:10:31,634 THE ONLY THING FOR YOU TO DO 1223 01:10:31,701 --> 01:10:34,567 IS TO GO HOME RIGHT AWAY AND FORGET ABOUT HIM. 1224 01:10:34,634 --> 01:10:37,067 OH, I KNOW HOW YOU FEEL ABOUT HIM, BUT- 1225 01:10:37,133 --> 01:10:38,534 OH, IT IS IMPOSSIBLE- 1226 01:10:38,601 --> 01:10:40,634 YOU AND THIS NOBODY. 1227 01:10:40,701 --> 01:10:43,133 I DON'T CONSIDER HIM A NOBODY. 1228 01:10:43,200 --> 01:10:45,834 OH, YOU KNOW WHAT I MEAN. 1229 01:10:45,901 --> 01:10:48,334 HE HAS NO TITLE, NO FAMILY, 1230 01:10:48,400 --> 01:10:51,133 NO SOCIAL POSITION- EVEN OVER HERE. 1231 01:10:51,200 --> 01:10:52,801 HE HAS INTELLIGENCE... 1232 01:10:52,868 --> 01:10:54,834 CHARM... 1233 01:10:54,901 --> 01:10:56,534 A SENSE OF HUMOR... 1234 01:10:56,601 --> 01:10:57,701 AHH... 1235 01:10:57,767 --> 01:10:59,267 WELL, WHAT IF HE HAS? 1236 01:10:59,334 --> 01:11:02,300 THEY ARE NOT WHAT WE REQUIRE OF OUR KING. 1237 01:11:02,367 --> 01:11:04,767 I KNOW. LOOK AT UNCLE FREDDY. 1238 01:11:04,834 --> 01:11:08,000 VERONICA, THAT IS NO WAY TO SPEAK OF HIS MAJESTY. 1239 01:11:09,601 --> 01:11:12,000 HE'S A-A TOMATO. 1240 01:11:12,067 --> 01:11:14,767 QUITE SO, BUT HE IS OUR KING. 1241 01:11:15,901 --> 01:11:17,367 YES... 1242 01:11:17,434 --> 01:11:19,801 AND JIMMY WOULD MAKE A BETTER ONE. 1243 01:11:21,434 --> 01:11:22,868 IT'S ALL SETTLED THEN, HUH? 1244 01:11:22,934 --> 01:11:25,367 WE GO AS SOON AS WE CAN. 1245 01:11:25,434 --> 01:11:27,834 THERE'S REALLY NO POINT IN STAYING, YOU KNOW. 1246 01:11:27,901 --> 01:11:29,400 THE SOONER YOU GO, 1247 01:11:29,467 --> 01:11:31,801 THE SOONER YOU'LL BE CURED OF THIS INFATUATION. 1248 01:11:31,868 --> 01:11:34,434 DON'T TALK AS IF IT WERE A CASE OF MEASLES. 1249 01:11:35,901 --> 01:11:37,334 ALL RIGHT. 1250 01:11:37,400 --> 01:11:39,133 YOU'RE IN LOVE WITH HIM. 1251 01:11:39,200 --> 01:11:40,634 YES. 1252 01:11:40,701 --> 01:11:44,033 BUT IS HE IN LOVE WITH YOU? NO! 1253 01:11:45,400 --> 01:11:47,367 Yes. 1254 01:11:47,434 --> 01:11:48,901 IT'S QUITE CLEAR 1255 01:11:48,968 --> 01:11:50,901 HE'S NOT EVEN VAGUELY INTERESTED IN YOU. 1256 01:11:50,968 --> 01:11:53,834 IF HE WERE, HE'D SHOW SOME SIGN OF IT, WOULDN'T HE? 1257 01:11:53,901 --> 01:11:55,334 WELL, HAS HE? HUH? 1258 01:11:55,400 --> 01:11:57,968 I LEAVE YOU WITH THE THOUGHT. 1259 01:12:20,667 --> 01:12:21,834 MR. PUFI! 1260 01:12:21,901 --> 01:12:25,834 HERE! W-WHAT IS IT? HAVE THINGS HAPPENED? 1261 01:12:25,901 --> 01:12:27,334 NO! UH, YES! 1262 01:12:27,400 --> 01:12:29,334 HAS HER HIGHNESS GOT AN ENGAGEMENT FOR TONIGHT? 1263 01:12:29,400 --> 01:12:30,667 NO! 1264 01:12:30,734 --> 01:12:32,267 OH, THANKS. 1265 01:12:35,067 --> 01:12:36,501 HA HA! 1266 01:12:56,734 --> 01:12:58,801 YOUR HIGHNESS! 1267 01:12:58,868 --> 01:13:00,834 YES, JIMMY. 1268 01:13:01,901 --> 01:13:03,534 OH, MY NEW HAT. 1269 01:13:05,400 --> 01:13:07,000 OH. 1270 01:13:08,934 --> 01:13:12,067 WELL, JUST PUT IT DOWN SOMEWHERE. 1271 01:13:17,934 --> 01:13:20,367 OH, IT'S A BEAUTIFUL DAY. 1272 01:13:20,434 --> 01:13:21,868 YES. 1273 01:13:21,934 --> 01:13:24,868 IT'S GOING TO BE A BEAUTIFUL NIGHT, TOO. 1274 01:13:24,934 --> 01:13:27,367 AT LEAST, THAT'S MY FRANK OPINION. 1275 01:13:27,434 --> 01:13:28,868 MINE, TOO. 1276 01:13:28,934 --> 01:13:30,534 OH, FOR STEPPING OUT, I MEAN. 1277 01:13:30,601 --> 01:13:31,868 FOR WHAT? 1278 01:13:31,934 --> 01:13:33,934 OH, FOR GOING SOMEWHERE AND DOING SOMETHING. 1279 01:13:34,000 --> 01:13:36,634 OH, YOU WANT TO STEP OUT TONIGHT, IS THAT IT? 1280 01:13:36,701 --> 01:13:39,667 YEAH, THAT'S IT. THAT CERTAINLY IS IT. 1281 01:13:39,734 --> 01:13:41,167 WELL, THEN, STEP. 1282 01:13:41,234 --> 01:13:43,367 IT'S ABOUT TIME YOU TOOK A NIGHT OFF, 1283 01:13:43,434 --> 01:13:46,067 AND I HOPE YOU HAVE A VERY GOOD TIME. 1284 01:13:49,033 --> 01:13:50,434 OH, JIMMY. 1285 01:13:50,501 --> 01:13:51,934 YES, YOUR HIGHNESS. 1286 01:13:52,000 --> 01:13:54,767 HAVE YOU ALREADY MADE YOUR PLANS FOR TONIGHT? 1287 01:13:54,834 --> 01:13:56,901 UH, WELL... 1288 01:13:56,968 --> 01:13:58,734 I HAD MADE SOME, YES, BUT- 1289 01:13:58,801 --> 01:14:00,234 OH, WELL, NEVER MIND. 1290 01:14:00,300 --> 01:14:01,901 I WAS GOING TO ASK YOU 1291 01:14:01,968 --> 01:14:03,367 TO TAKE ME SOMEWHERE, 1292 01:14:03,434 --> 01:14:05,067 BUT IF YOU HAVE ANOTHER ENGAGEMENT, 1293 01:14:05,133 --> 01:14:06,801 KEEP IT. 1294 01:14:06,868 --> 01:14:10,033 YES, YOUR HIGHNESS. THANK YOU. 1295 01:14:15,601 --> 01:14:17,367 LOOK, DID YOU SAY WHAT YOU SAID 1296 01:14:17,434 --> 01:14:18,868 ABOUT TONIGHT AND YOU AND ME? 1297 01:14:18,934 --> 01:14:20,200 YES. 1298 01:14:20,267 --> 01:14:22,701 WELL, LOOK, WHERE SHOULD WE GO? I MEAN, WHAT TIME- 1299 01:14:22,767 --> 01:14:24,133 BUT YOU HAVE OTHER PLANS. 1300 01:14:24,200 --> 01:14:26,167 OH, I- WHERE SHALL WE GO? 1301 01:14:26,234 --> 01:14:28,834 WELL, I'D LIKE TO GO TO JAKE'S JOINT. 1302 01:14:28,901 --> 01:14:30,367 J- JAKE'S? 1303 01:14:30,434 --> 01:14:32,300 OH, NO, YOU DON'T WANT TO GO THERE. 1304 01:14:32,367 --> 01:14:33,634 BUT I DO! 1305 01:14:33,701 --> 01:14:36,067 OH, I KNOW, BUT THAT'S AN AWFULLY LOW PLACE. 1306 01:14:36,133 --> 01:14:38,100 I'D LIKE TO SEE A VERY LOW PLACE. 1307 01:14:38,167 --> 01:14:39,968 YES, BUT NOT THAT LOW! 1308 01:14:41,367 --> 01:14:44,300 VERY WELL. IF YOU WON'T TAKE ME WHERE I WANT TO GO- 1309 01:14:44,367 --> 01:14:45,801 OH, I WILL. 1310 01:14:45,868 --> 01:14:49,701 WELL, THEN, CALL FOR ME AT, UM, 10:00. 1311 01:14:49,767 --> 01:14:51,667 WITH THE GREATEST OF PLEASURE. 1312 01:14:53,067 --> 01:14:55,033 ARE WE DRESSING? 1313 01:14:56,400 --> 01:14:57,701 IF YOU WISH. 1314 01:14:57,767 --> 01:14:59,901 THANK YOU. 1315 01:15:06,901 --> 01:15:08,167 OOH! 1316 01:15:09,567 --> 01:15:11,167 DON'T SIT! 1317 01:15:32,567 --> 01:15:35,000 WHY DON'T YOU DO SOME PENGUINS? 1318 01:15:35,067 --> 01:15:36,501 PENGUINS IS MORE POPULAR. 1319 01:15:36,567 --> 01:15:38,968 JIMMY SAID TO DO SANTA CLAUSES. 1320 01:15:39,033 --> 01:15:40,934 HMM. HOW IS HIS LORDSHIP? 1321 01:15:41,000 --> 01:15:44,501 OH, HE'S FINE, AND HE LOVES HIS NEW JOB. 1322 01:15:44,567 --> 01:15:47,501 WHY NOT? HE'S GOT A SOFT ONE. 1323 01:15:47,567 --> 01:15:51,300 NO. HE WORKS VERY HARD AND VERY LATE. 1324 01:15:51,367 --> 01:15:52,767 SOMETIMES IT'S MIDNIGHT 1325 01:15:52,834 --> 01:15:55,300 BEFORE I HEAR HIM COME HOME. 1326 01:15:55,367 --> 01:15:57,067 HMM. THEM'S LONG HOURS. 1327 01:15:58,567 --> 01:16:00,601 HOURS ARE VERY LONG. 1328 01:16:00,667 --> 01:16:02,567 DON'T HE GET NO TIME OFF? 1329 01:16:02,634 --> 01:16:06,834 HE HASN'T HAD ANY FOR OVER A WEEK. 1330 01:16:06,901 --> 01:16:09,000 MAYBE HE'LL GET TONIGHT OFF. 1331 01:16:10,400 --> 01:16:11,834 MAYBE. 1332 01:16:11,901 --> 01:16:14,334 WELL, I GOT TO DRAG MYSELF 1333 01:16:14,400 --> 01:16:15,801 OVER TO THE BEANERY. 1334 01:16:15,868 --> 01:16:18,501 HMM! I WISH I'D BEEN BORN A PRINCESS. 1335 01:16:18,567 --> 01:16:20,501 INSTEAD, I WAS BORN TIRED. 1336 01:16:21,934 --> 01:16:25,000 SAY, IS THEM ALL THE SANTA CLAUSES YOU'VE DONE TODAY? 1337 01:16:25,067 --> 01:16:26,334 YES, MA'AM. 1338 01:16:26,400 --> 01:16:27,634 ONLY 3? HUH. 1339 01:16:27,701 --> 01:16:29,367 YOU USED TO DO A DOZEN. 1340 01:16:29,434 --> 01:16:30,868 GUESS MAYBE YOU'RE GETTING SICK 1341 01:16:30,934 --> 01:16:32,300 OF DOING SANTA CLAUSES. 1342 01:16:32,367 --> 01:16:34,334 WHY DON'T YOU DO SOME PENGUINS? 1343 01:16:34,400 --> 01:16:35,801 GOOD-BYE, AUNT GERT. 1344 01:17:57,701 --> 01:17:59,567 GEE! JIMMY. 1345 01:17:59,634 --> 01:18:02,067 I NEARLY ALMOST DIDN'T RECOGNIZE YOU. 1346 01:18:02,133 --> 01:18:05,000 I THOUGHT YOU WAS A WAITER GOING TO WORK. 1347 01:18:06,334 --> 01:18:08,300 WELL, YOU LOOK LIKE ONE. 1348 01:18:08,367 --> 01:18:10,801 OH, I DO, HUH?! 1349 01:18:10,868 --> 01:18:12,334 DO I? 1350 01:18:12,400 --> 01:18:13,801 YEAH... 1351 01:18:13,868 --> 01:18:15,300 BUT A HEADWAITER. 1352 01:18:15,367 --> 01:18:18,334 YEAH, WELL, I'D HATE TO THINK WHAT YOU LOOK LIKE. 1353 01:18:18,400 --> 01:18:19,968 ALBERT, HOW'D YOU GET THAT OUTFIT? 1354 01:18:20,033 --> 01:18:22,300 HUH? OH. OH, THIS OLD THING? 1355 01:18:22,367 --> 01:18:25,167 WELL, THE TRUTH OF THE MATTER IS, I FOUND IT. SO LONG. 1356 01:18:25,234 --> 01:18:26,834 ALBERT, PLEASE DON'T DO ANYTHING DUMB. 1357 01:18:26,901 --> 01:18:28,000 WHO, ME? 1358 01:18:28,067 --> 01:18:29,300 TRY TO BEHAVE YOURSELF 1359 01:18:29,367 --> 01:18:31,033 UNTIL I CAN TALK TO YOU, WILL YOU? 1360 01:18:31,100 --> 01:18:32,968 I CAN'T NOW. I HAVEN'T GOT TIME. 1361 01:18:33,033 --> 01:18:34,367 YEAH, I KNOW THAT. 1362 01:18:34,434 --> 01:18:36,000 SO DOES LESLIE. 1363 01:18:37,534 --> 01:18:39,000 HOW IS SHE? 1364 01:18:39,067 --> 01:18:40,667 DIDN'T YOU SEE HER TONIGHT? 1365 01:18:40,734 --> 01:18:41,934 NO. 1366 01:18:42,033 --> 01:18:43,300 I DID. 1367 01:18:43,367 --> 01:18:45,467 DID YOU TELL HER ABOUT MY DATE? YEAH. 1368 01:18:45,534 --> 01:18:46,968 WHAT DID SHE SAY? 1369 01:18:47,033 --> 01:18:48,801 NOTHING. 1370 01:18:48,868 --> 01:18:52,133 SHE JUST KEPT ON PAINTING SANDY CLAUSES. 1371 01:18:53,300 --> 01:18:55,767 WELL, I GOT TO GO NOW. 1372 01:18:56,767 --> 01:18:58,801 REMEMBER, KEEP YOUR NOSE CLEAN. 1373 01:19:00,200 --> 01:19:01,834 SURE, SURE. 1374 01:19:22,901 --> 01:19:24,834 COME IN. 1375 01:19:34,367 --> 01:19:35,834 WHY, I'M SORRY, SIR, 1376 01:19:35,901 --> 01:19:38,534 BUT YOU'RE IN THE WRONG PLACE. 1377 01:19:39,901 --> 01:19:43,067 OH, JIMMY, YOU LOOK SO WONDERFUL. 1378 01:19:43,133 --> 01:19:45,334 I- I DO? 1379 01:19:45,400 --> 01:19:46,834 REALLY? 1380 01:19:46,901 --> 01:19:48,200 UH-HUH, AND YOU LOOK 1381 01:19:48,267 --> 01:19:49,868 SO HANDSOME AND SO WORLDLY. 1382 01:19:49,934 --> 01:19:51,367 WELL, THANK YOU, MISS ODELL. 1383 01:19:51,434 --> 01:19:54,067 SIT DOWN, JIMMY, AND TELL ME ALL ABOUT WHAT YOU'VE BEEN DOING 1384 01:19:54,133 --> 01:19:56,200 AND WHAT YOU'RE GOING TO DO TONIGHT. 1385 01:19:56,267 --> 01:19:57,467 WELL, I REALLY CAN'T STAY. 1386 01:19:57,534 --> 01:20:00,467 I- I JUST POPPED IN TO SAY HELLO. 1387 01:20:00,534 --> 01:20:02,968 OH, WELL, HELLO. THANKS FOR POPPING IN, 1388 01:20:03,033 --> 01:20:04,634 AND NOW YOU BETTER POP OUT, 1389 01:20:04,701 --> 01:20:06,901 OR YOU'LL BE LATE FOR YOUR PRINCESS. 1390 01:20:09,434 --> 01:20:11,334 WELL, GO ON. 1391 01:20:11,400 --> 01:20:13,567 YEAH, I'M-I'M- I'M GOING. 1392 01:20:16,400 --> 01:20:19,868 AW, THEY-THEY SENT THE WRONG HAT. 1393 01:20:19,934 --> 01:20:21,801 IT'S TOO LARGE. 1394 01:20:21,868 --> 01:20:24,000 WELL, GIVE IT TO ME. I'LL FIX IT. 1395 01:20:24,067 --> 01:20:25,501 OH, WOULD YOU? 1396 01:20:25,567 --> 01:20:27,133 UH-HUH. HAND ME THOSE BEARDS. 1397 01:20:27,200 --> 01:20:29,400 YOU KNOW, JIMMY, I THOUGHT I'D MAKE 1398 01:20:29,467 --> 01:20:30,901 SOME SUPERDELUXE SANTA CLAUSES 1399 01:20:30,968 --> 01:20:32,367 WITH REAL CLOTHES ON. 1400 01:20:32,434 --> 01:20:34,801 THAT IS, IF YOU THINK IT'S A GOOD IDEA. 1401 01:20:34,868 --> 01:20:37,234 OH, YEAH, YEAH, THAT'S A VERY GOOD IDEA. 1402 01:20:37,300 --> 01:20:39,834 THEN WE'LL MAKE LOTS OF THEM, SHALL WE? 1403 01:20:39,901 --> 01:20:41,067 WELL- 1404 01:20:41,133 --> 01:20:44,200 OH, I KNOW YOU CAN'T HELP ME WITH THEM 1405 01:20:44,267 --> 01:20:46,033 TILL AFTER SHE GOES. HERE. 1406 01:20:50,901 --> 01:20:53,334 OH, THAT- THAT'S JUST RIGHT. 1407 01:20:53,400 --> 01:20:55,200 THANKS, LESLIE. 1408 01:20:55,267 --> 01:20:57,033 JIMMY, WHEN IS SHE GOING AWAY? 1409 01:20:57,100 --> 01:20:58,501 QUITE SOON, ISN'T IT? 1410 01:20:58,567 --> 01:21:00,334 YEAH, YEAH. 1411 01:21:00,400 --> 01:21:02,234 QUITE SOON. 1412 01:21:04,801 --> 01:21:06,434 GOOD NIGHT, LESLIE. 1413 01:21:07,601 --> 01:21:09,267 GOOD NIGHT, JIMMY. 1414 01:21:35,400 --> 01:21:37,000 LESLIE, I'M- I'M SUCH A DOPE. 1415 01:21:37,067 --> 01:21:38,334 I GOT THAT FOR YOU, 1416 01:21:38,400 --> 01:21:40,801 AND I ALMOST FORGOT TO GIVE IT TO YOU. 1417 01:21:40,868 --> 01:21:42,133 GOOD NIGHT, LESLIE. 1418 01:22:17,968 --> 01:22:19,701 I SAID NOW, WAIT 1419 01:22:19,767 --> 01:22:22,701 TILL THE SUN SHINES, NELLIE 1420 01:22:22,767 --> 01:22:26,367 WHEN THE CLOUDS ALL GO A-DRIFTIN' BY 1421 01:22:26,434 --> 01:22:30,200 WE WILL BE SO HAPPY, NELLIE 1422 01:22:30,267 --> 01:22:32,334 OH, DON'T YOU LET ME HEAR YOU MAKE A SIGH 1423 01:22:32,400 --> 01:22:34,334 HOW DARE YOU SIGH, I BELIEVE THAT 1424 01:22:34,400 --> 01:22:37,667 DOWN LOVERS' LANE WE'LL WANDER 1425 01:22:37,734 --> 01:22:41,501 SWEETHEART, YOU AND I 1426 01:22:41,567 --> 01:22:43,701 WAIT, WAIT, WAIT, NOW, DON'T BE LATE 1427 01:22:43,767 --> 01:22:45,033 DOWN BY THE GARDEN GATE 1428 01:22:45,100 --> 01:22:48,701 IN THE SWEET BY-AND-BY 1429 01:22:51,467 --> 01:22:55,000 A BOODLE-AH, A BOODLE-AH DOO DAY 1430 01:22:55,067 --> 01:22:57,200 DRIFTIN' BY 1431 01:22:57,267 --> 01:23:00,868 A BOODLE-AH, A BOODLE-AH DOO DAY 1432 01:23:00,934 --> 01:23:02,501 OH, BABY, LET ME HEAR YOU SIGH 1433 01:23:02,567 --> 01:23:03,634 OH... 1434 01:23:03,701 --> 01:23:05,200 ISN'T THAT PITIFUL? 1435 01:23:05,267 --> 01:23:08,534 DOWN LOVERS' LANE WE'LL WANDER 1436 01:23:08,601 --> 01:23:12,067 SWEETHEART, YOU AND I 1437 01:23:12,133 --> 01:23:13,267 OH, WELL 1438 01:23:13,334 --> 01:23:15,868 I WANT TO HEAR THAT WEDDING BELL 1439 01:23:16,901 --> 01:23:19,701 IN THE SWEET BY-AND-BY 1440 01:23:19,767 --> 01:23:22,901 BUM, BUM, BUM, BUM 1441 01:23:22,968 --> 01:23:24,234 WAIT 1442 01:23:24,300 --> 01:23:27,400 TILL THE SUN SHINES, NELLIE 1443 01:23:27,467 --> 01:23:31,033 WHEN THE CLOUDS GO DRIFTIN' BY 1444 01:23:31,100 --> 01:23:34,868 OH, WE WILL BE SO HAPPY, NELLIE 1445 01:23:34,934 --> 01:23:36,801 OH, HONEY, I'M IN LOVE WITH YOU 1446 01:23:36,868 --> 01:23:39,000 AND I LOVE YOU, TOO, LET'S MEANDER 1447 01:23:39,067 --> 01:23:42,701 DOWN LOVERS' LANE WE'LL WANDER 1448 01:23:42,767 --> 01:23:46,033 SWEETHEART, YOU AND I 1449 01:23:46,100 --> 01:23:48,334 AND AFTER A WHILE, WE'LL LIVE IN STYLE 1450 01:23:48,400 --> 01:23:50,200 AND BUY A BUNGALOW 1451 01:23:50,267 --> 01:23:52,033 BUT LET'S BE WISE, ECONOMIZE 1452 01:23:52,100 --> 01:23:53,868 WE'LL USE YOUR FATHER'S DOUGH 1453 01:23:53,934 --> 01:23:55,868 IN THE SWEET 1454 01:23:55,934 --> 01:23:57,567 IN THE SWEET, SWEET 1455 01:23:57,634 --> 01:23:59,801 IN THE SWEET, SWEET BY 1456 01:23:59,868 --> 01:24:07,334 IN THE SWEET, SWEET BY-AND-BY 1457 01:24:11,133 --> 01:24:14,033 UH, LOOK, WHAT DO YOU SAY? SHALL WE BLOW? 1458 01:24:14,100 --> 01:24:15,300 BLOW? 1459 01:24:15,367 --> 01:24:16,834 BLOW WHAT? 1460 01:24:16,901 --> 01:24:18,334 BLOW OUT OF HERE. 1461 01:24:18,400 --> 01:24:19,734 OH, SO SOON? WHY? 1462 01:24:19,801 --> 01:24:21,267 OH, IT'S... 1463 01:24:21,334 --> 01:24:23,267 IT'S SO UNROMANTIC. 1464 01:24:23,334 --> 01:24:25,033 YOO-HOO! 1465 01:24:25,100 --> 01:24:28,200 PEEKABOO! HA HA HA! 1466 01:24:30,400 --> 01:24:31,968 SEE WHAT I MEAN? 1467 01:24:32,033 --> 01:24:33,300 YES. 1468 01:24:33,367 --> 01:24:35,000 OH, BUT LET'S STAY ANYWAY. 1469 01:24:36,334 --> 01:24:38,534 I'D LIKE TO. 1470 01:24:39,834 --> 01:24:41,634 OH, THEN I'D LIKE TO. 1471 01:24:43,801 --> 01:24:45,734 I NEVER THOUGHT I'D EVER BE ANYWHERE WITH A PRINCESS, 1472 01:24:45,801 --> 01:24:47,234 ESPECIALLY YOU, 1473 01:24:47,300 --> 01:24:48,701 AND I CERTAINLY NEVER THOUGHT THAT A PRINCESS- 1474 01:24:48,767 --> 01:24:50,300 WHAT'S IT GOING TO BE, FOLKS? 1475 01:24:50,367 --> 01:24:52,334 PIGS' FEET ARE VERY GOOD TONIGHT. 1476 01:24:52,400 --> 01:24:54,334 HAVE YOU GOT ANY CHAMPAGNE? 1477 01:24:54,400 --> 01:24:55,834 CHAMPAGNE? SURE. 1478 01:24:55,901 --> 01:24:57,267 BARRELS OF IT. BARRELS OF IT. 1479 01:24:57,334 --> 01:24:58,834 IS IT GOOD? 1480 01:24:58,901 --> 01:25:00,834 THE BEST. WE MAKE IT OURSELVES. 1481 01:25:00,901 --> 01:25:02,801 WOULD YOU CARE FOR SOME? 1482 01:25:02,868 --> 01:25:04,334 UH, YES. 1483 01:25:04,400 --> 01:25:06,801 OH, AND SOME PIGS' FEET, TOO, HUH? 1484 01:25:06,868 --> 01:25:08,300 NO, THANK YOU. 1485 01:25:08,367 --> 01:25:10,334 UH, WAITER, JUST CHAMPAGNE. 1486 01:25:10,400 --> 01:25:12,000 OK, SPORT. 1487 01:25:16,400 --> 01:25:18,801 WELL, AS I WAS SAYING, 1488 01:25:18,868 --> 01:25:20,801 HERE WE ARE. 1489 01:25:20,868 --> 01:25:23,868 I- I STILL CAN'T BELIEVE IT YET. 1490 01:25:23,934 --> 01:25:26,834 MAYBE I WILL A LITTLE BIT LATER. 1491 01:25:26,901 --> 01:25:28,601 BELIEVE WHAT, JIMMY? 1492 01:25:28,667 --> 01:25:31,367 THAT WHAT'S HAPPENED HAS HAPPENED. 1493 01:25:31,434 --> 01:25:33,300 I MEAN, AFTER ALL, 1494 01:25:33,367 --> 01:25:36,801 A PERSON LIKE YOU AND A PERSON LIKE ME- 1495 01:25:36,868 --> 01:25:39,400 IT JUST CAN'T BE, CAN IT? 1496 01:25:39,467 --> 01:25:42,200 BUT-BUT IT IS, ISN'T IT? 1497 01:25:45,367 --> 01:25:47,634 I'M AFRAID I - I DON'T QUITE UNDERSTAND. 1498 01:25:47,701 --> 01:25:49,634 YOUR HIGHNESS... 1499 01:25:49,701 --> 01:25:51,634 PRINCESS VERONICA... 1500 01:25:51,701 --> 01:25:55,133 THERE'S SOMETHING I'VE WANTED TO SAY FOR A LONG TIME. 1501 01:26:00,901 --> 01:26:03,834 NOW, UH, WHAT ABOUT THE PIGS' FEET? 1502 01:26:03,901 --> 01:26:05,267 THEY'RE NICE AND TASTY. 1503 01:26:05,334 --> 01:26:06,834 NO! 1504 01:26:06,901 --> 01:26:09,968 OK. MAYBE A LITTLE LATER ON, HUH? 1505 01:26:13,901 --> 01:26:16,300 TO THE HAPPINESS OF A PRINCESS 1506 01:26:16,367 --> 01:26:18,033 AND A NOBODY. 1507 01:26:19,367 --> 01:26:21,000 SO YOU KNOW? 1508 01:26:21,067 --> 01:26:22,901 EVERYTHING. 1509 01:26:24,901 --> 01:26:26,601 WHAT DO YOU THINK I SHOULD DO? 1510 01:26:26,667 --> 01:26:28,100 WHAT YOU WANT TO. 1511 01:26:28,167 --> 01:26:30,501 NEVER MIND WHAT ANYBODY ELSE SAYS. IT'S YOUR HEART. 1512 01:26:30,567 --> 01:26:32,801 WHAT DO YOU CARE IF THEY-IF THEY CALL- 1513 01:26:32,868 --> 01:26:34,534 IF THEY CALL A MAN A NOBODY, 1514 01:26:34,601 --> 01:26:37,033 EVEN IF HE IS ONE FOR THE TIME BEING ANYWAY? 1515 01:26:37,100 --> 01:26:38,534 HE CAN OUTGROW IT, CAN'T HE? 1516 01:26:38,601 --> 01:26:40,801 LOTS OF MEN STARTED OUT AS NOBODIES. 1517 01:26:40,868 --> 01:26:43,501 WHY, LOOK AT LINCOLN. LOOK AT NAPOLEON. 1518 01:26:43,567 --> 01:26:45,200 WHERE? 1519 01:26:46,667 --> 01:26:48,434 I- OH! 1520 01:26:48,501 --> 01:26:50,300 IT WAS YOU! 1521 01:26:50,367 --> 01:26:52,400 HA HA HA! 1522 01:26:53,868 --> 01:26:55,267 OH, JIMMY, 1523 01:26:55,334 --> 01:26:57,767 YOU SAID MR. MacMILLAN IS USUALLY HERE. 1524 01:26:57,834 --> 01:26:59,300 YES. 1525 01:26:59,367 --> 01:27:00,801 WELL, I DON'T SEE HIM. 1526 01:27:00,868 --> 01:27:03,434 UH, YOU WON'T OUT HERE. HE STAYS IN THE BAR. 1527 01:27:03,501 --> 01:27:05,501 OH. 1528 01:27:07,367 --> 01:27:09,033 SEE IF HE'S THERE, WILL YOU? 1529 01:27:09,100 --> 01:27:10,734 YES, YOUR HIGH- 1530 01:27:12,400 --> 01:27:13,801 NOW? 1531 01:27:13,868 --> 01:27:16,000 YEAH, BUT, UH... 1532 01:27:36,334 --> 01:27:37,300 ALL RIGHT, GENTLEMEN. 1533 01:27:37,367 --> 01:27:38,300 MAKE YOURSELVES COMFORTABLE. 1534 01:27:38,367 --> 01:27:39,801 PIGS' FEET'S VERY GOOD TONIGHT, 1535 01:27:39,868 --> 01:27:41,000 BY THE WAY. 1536 01:27:48,334 --> 01:27:49,801 HE ISN'T HERE. 1537 01:27:49,868 --> 01:27:51,267 OH. 1538 01:27:51,334 --> 01:27:53,133 WILL HE BE HERE LATER? 1539 01:27:53,200 --> 01:27:55,467 MAYBE. UH, SHALL WE GO NOW? 1540 01:27:55,534 --> 01:27:56,968 OH, NO. NOT YET. 1541 01:27:57,033 --> 01:27:59,634 WELL, IT DOESN'T GET ANY NICER HERE. 1542 01:27:59,701 --> 01:28:01,133 OH, WELL, EVEN SO, 1543 01:28:01,200 --> 01:28:02,601 LET'S STAY A LITTLE LONGER. 1544 01:28:02,667 --> 01:28:04,334 VERY WELL. 1545 01:28:05,701 --> 01:28:07,334 SHALL WE DANCE? 1546 01:28:12,901 --> 01:28:14,868 UH, EXCUSE ME. 1547 01:28:18,868 --> 01:28:20,334 I THOUGHT I TOLD YOU 1548 01:28:20,400 --> 01:28:21,801 NOT TO RUN WITH THESE RATS. 1549 01:28:21,868 --> 01:28:23,200 WELL, IF IT AIN'T JIMMY. 1550 01:28:23,267 --> 01:28:24,667 MERCY, MERCY. LIKE THE MONKEY SUIT. 1551 01:28:24,734 --> 01:28:26,200 ALBERT, GO HOME RIGHT AWAY, WILL YOU? 1552 01:28:26,267 --> 01:28:27,200 NO. 1553 01:28:27,267 --> 01:28:28,167 FOR ME? 1554 01:28:28,234 --> 01:28:30,567 HE'S WITH ME NOW. AIN'T YOU, AL? 1555 01:28:30,634 --> 01:28:33,267 YEAH. I'M WITH YOU NOW, 1556 01:28:33,334 --> 01:28:35,133 FOR KEEPS. 1557 01:28:35,200 --> 01:28:38,200 ALBERT, W-WILL YOU PLEASE DO AS I SAY? 1558 01:28:38,267 --> 01:28:39,968 NOT NO MORE. 1559 01:28:40,033 --> 01:28:42,334 NOW HE DOES WHAT I SAY. DON'T YOU? 1560 01:28:42,400 --> 01:28:44,400 YEAH. WHAT YOU SAY. 1561 01:28:44,467 --> 01:28:46,968 THEN I SAY GET UP. 1562 01:28:48,868 --> 01:28:50,267 SOCK THIS MONKEY. 1563 01:28:50,334 --> 01:28:51,634 HUH? 1564 01:28:51,701 --> 01:28:52,968 SOCK HIM. 1565 01:28:53,033 --> 01:28:54,267 HIM? 1566 01:28:54,334 --> 01:28:55,767 YEAH, HIM. 1567 01:28:55,834 --> 01:28:56,801 NOW? 1568 01:28:56,868 --> 01:28:57,801 NOW. 1569 01:28:57,868 --> 01:28:59,267 GO AHEAD AND GIVE IT TO HIM. 1570 01:28:59,334 --> 01:29:00,801 GO AHEAD, ALBERT. 1571 01:29:00,868 --> 01:29:03,267 YOU'RE WITH HIM NOW, FOR KEEPS. 1572 01:29:03,334 --> 01:29:04,801 YEAH. 1573 01:29:04,868 --> 01:29:06,667 RIGHT HERE, AND HARD. 1574 01:29:06,734 --> 01:29:08,534 OK, HACK. 1575 01:29:09,801 --> 01:29:12,534 HEY, YOU LUNKHEAD, GET OUT OF MY PIGS' FEET! 1576 01:29:12,601 --> 01:29:13,701 GEE, I MISSED. 1577 01:29:23,634 --> 01:29:25,767 HEY, WHO DO YOU THINK YOU'RE PUSHING? 1578 01:29:25,834 --> 01:29:27,934 HEY, CUT IT OUT, YOU GUYS! 1579 01:29:41,400 --> 01:29:44,000 RUN! BEAT IT! 1580 01:29:52,434 --> 01:29:54,467 LET ME GO! 1581 01:30:03,934 --> 01:30:06,367 GOOD EVENING. NICE FIGHT, ISN'T IT? 1582 01:30:06,434 --> 01:30:08,033 PARDON ME. 1583 01:30:21,934 --> 01:30:23,400 OH, ALBERT, YOU'RE TERRIFIC! 1584 01:30:23,467 --> 01:30:25,067 AIN'T I? 1585 01:30:34,901 --> 01:30:36,334 THANKS, MABEL. 1586 01:30:45,400 --> 01:30:47,501 THANK YOU, YOUR HIGHNESS. 1587 01:30:55,300 --> 01:30:57,434 BREAK IT UP! 1588 01:31:02,934 --> 01:31:05,868 LET GO OF ME, YOU BIG LUG! 1589 01:31:06,901 --> 01:31:08,234 OFFICER, LET HER GO AT ONCE. 1590 01:31:08,300 --> 01:31:09,868 LET HER GO, I SAY! 1591 01:31:09,934 --> 01:31:11,367 OH, YOU DO? 1592 01:31:11,434 --> 01:31:12,868 I COMMAND YOU. 1593 01:31:12,934 --> 01:31:14,367 YOU COMMAND? 1594 01:31:14,434 --> 01:31:16,801 WHO DO YOU THINK YOU ARE, THE SERGEANT? 1595 01:31:16,868 --> 01:31:19,267 LET GO, I SAY! LET GO OF HER! 1596 01:31:19,334 --> 01:31:21,033 YOU LET GO OF HER! 1597 01:31:22,934 --> 01:31:24,367 OH! 1598 01:31:24,434 --> 01:31:26,267 THANKS, DEAR. COME ON. LET'S SCRAM! 1599 01:31:26,334 --> 01:31:28,167 OH! LET ME GO! LET ME GO, YOU BIG LUG! 1600 01:31:28,234 --> 01:31:29,734 DO YOU NEED ANY HELP? 1601 01:31:29,801 --> 01:31:32,400 LET ME GO! JIMMY! 1602 01:31:32,467 --> 01:31:33,968 JIMMY! 1603 01:31:34,033 --> 01:31:35,701 YOUR HIGHNESS! 1604 01:31:36,868 --> 01:31:38,667 I SAW YOU DO THAT! 1605 01:31:38,734 --> 01:31:41,667 STOP IT! JIMMY! 1606 01:31:41,734 --> 01:31:44,901 OH, LET ME GO, YOU BIG BRUTES! 1607 01:31:44,968 --> 01:31:46,400 LUGS! 1608 01:31:46,467 --> 01:31:48,167 WAIT A MINUTE. I KNOW YOU FROM SOMEWHERE. 1609 01:31:48,234 --> 01:31:49,901 I'VE SEEN YOUR FACE BEFORE. WHERE? 1610 01:31:49,968 --> 01:31:51,367 ROGUES' GALLERY? 1611 01:31:51,434 --> 01:31:52,901 PERHAPS. WHAT'S YOUR NAME? 1612 01:31:52,968 --> 01:31:54,667 DON'T TELL HIM, DEARIE. 1613 01:31:54,734 --> 01:31:55,834 LET HIM GUESS. 1614 01:31:55,901 --> 01:31:57,334 WELL? WELL? 1615 01:31:57,400 --> 01:31:58,801 MABEL GREEN. 1616 01:31:58,868 --> 01:32:00,334 WHAT'S YOUR RACKET? WHAT DO YOU DO? 1617 01:32:00,400 --> 01:32:04,367 ME? I, UH, I'M A SINGAPORE. I BAGHDAD IN A BOMBAY. 1618 01:32:04,434 --> 01:32:07,367 I CALCUTTA THE MOSCOW IN DUBLIN TO HONG KONG. 1619 01:32:07,434 --> 01:32:10,267 OH, A WISE GUY. TAKE HER AWAY. 1620 01:32:15,734 --> 01:32:17,200 HELLO, MR. MacMILLAN. 1621 01:32:17,267 --> 01:32:18,701 OH, HELLO, CAPTAIN. 1622 01:32:18,767 --> 01:32:20,167 DID YOU JUST GET HERE? 1623 01:32:20,234 --> 01:32:21,367 YEP. 1624 01:32:21,434 --> 01:32:22,868 TOO BAD. THE FIGHT'S ALL OVER. 1625 01:32:22,934 --> 01:32:24,334 I'VE SEEN A FIGHT. 1626 01:32:24,400 --> 01:32:25,868 WELL, THIS ONE WAS BETTER THAN USUAL. 1627 01:32:25,934 --> 01:32:27,334 ANYTHING SPECIAL ABOUT IT? 1628 01:32:27,400 --> 01:32:28,834 NO. I'VE SEEN BIGGER ONES IN THERE 1629 01:32:28,934 --> 01:32:30,300 AND WORSE ONES. 1630 01:32:30,367 --> 01:32:33,501 THEN THERE'S NO COLUMN IN IT FOR ME. 1631 01:33:12,133 --> 01:33:14,868 JIMMY. JIMMY! 1632 01:33:17,934 --> 01:33:20,000 JIMMY... 1633 01:33:20,067 --> 01:33:22,000 SOMETHING MUST HAVE HAPPENED HERE. 1634 01:33:26,434 --> 01:33:28,901 WHERE IS SHE? WHERE'S HER HIGHNESS? 1635 01:33:28,968 --> 01:33:30,734 SHE MUST HAVE LEFT. 1636 01:33:33,367 --> 01:33:35,300 THE COPS! THEY GOT HER IN JAIL! 1637 01:33:35,367 --> 01:33:37,767 ALBERT, I'M RUINED. WHAT AM I GOING TO DO? 1638 01:33:37,834 --> 01:33:39,467 WELL, GO AND TELL HER FOLKS. 1639 01:33:39,534 --> 01:33:40,968 THEY'LL SPRING HER. 1640 01:33:41,033 --> 01:33:42,634 THEY'LL GET A HEEBIUS CORPIUS. 1641 01:33:42,701 --> 01:33:44,834 YEAH. YEAH. THAT'S WHAT I GOT TO DO, I GUESS. 1642 01:33:44,901 --> 01:33:46,300 I GOT TO GO AND TELL THEM. 1643 01:33:46,367 --> 01:33:47,834 YOU KNOW SOMETHING, JIMMY? 1644 01:33:47,901 --> 01:33:48,834 WHAT? 1645 01:33:48,901 --> 01:33:50,534 THEY'RE GOING TO RESENT THIS. 1646 01:33:52,801 --> 01:33:54,367 HAVEN'T YOU ANY IDEA WHERE SHE WENT? 1647 01:33:54,434 --> 01:33:56,501 I ONLY KNOW WITH WHOM SHE WENT. 1648 01:33:56,567 --> 01:33:58,834 AND ON THIS NIGHT, OF ALL NIGHTS. 1649 01:33:58,901 --> 01:34:01,267 NOW, WHERE WOULD A FELLOW LIKE THIS- 1650 01:34:01,334 --> 01:34:02,767 CHIMNEY. 1651 01:34:02,834 --> 01:34:04,834 THIS CHIMNEY BE APT TO TAKE HER? 1652 01:34:04,901 --> 01:34:07,334 TO A CHOP-SUEY PARLOR, I DARESAY. 1653 01:34:07,400 --> 01:34:09,801 WE COULD LOOK FOR HER IN THOSE PLACES. 1654 01:34:09,868 --> 01:34:11,834 NO! WE MIGHT FIND HER! 1655 01:34:11,901 --> 01:34:15,467 WELL, A FINE THING FOR OUR COUNTRY THAT WOULD BE, EH? 1656 01:34:15,534 --> 01:34:18,334 THINK! THINK OF WHAT HISTORY WOULD SAY- 1657 01:34:18,400 --> 01:34:20,367 HER MAJESTY VERONICA I 1658 01:34:20,434 --> 01:34:23,367 RECEIVED THE NEWS THAT SHE HAD BECOME QUEEN 1659 01:34:23,434 --> 01:34:26,367 WHILST SHE WAS CAROUSING IN A CHOP-SUEY JOINT 1660 01:34:26,434 --> 01:34:27,834 WITH A BELLBOY. 1661 01:34:32,200 --> 01:34:33,634 HELLO? 1662 01:34:33,701 --> 01:34:36,801 HOLD ON TO THE WIRE, PLEASE. 1663 01:34:36,868 --> 01:34:38,300 A NEWSPAPER. 1664 01:34:38,367 --> 01:34:40,033 I'LL SPEAK TO THEM. 1665 01:34:41,868 --> 01:34:46,267 THIS IS THE AMBASSADOR, YANOS VON LANKOFITZ. 1666 01:34:46,334 --> 01:34:48,300 YES. THAT IS CORRECT. 1667 01:34:48,367 --> 01:34:52,801 HIS LATE MAJESTY THE KING HAD THE MISFORTUNE 1668 01:34:52,868 --> 01:34:56,834 TO FALL DOWN THE PALACE STAIRS. 1669 01:34:56,901 --> 01:35:02,400 I'M SORRY, BUT QUEEN VERONICA CAN SEE NO ONE TONIGHT. 1670 01:35:02,467 --> 01:35:05,534 SHE HAS RETIRED TO HER ROOM. 1671 01:35:10,400 --> 01:35:13,334 CAN YOU SPARE ANOTHER CIGARETTE, MABEL? 1672 01:35:13,400 --> 01:35:15,300 SURE. HELP YOURSELF... KID. 1673 01:35:15,367 --> 01:35:16,834 THANKS. 1674 01:35:16,901 --> 01:35:18,300 YOU, TOO. 1675 01:35:18,367 --> 01:35:20,000 THANKS, DEARIE. 1676 01:35:21,734 --> 01:35:24,334 GEE! ARE THESE REAL ROCKS? 1677 01:35:24,400 --> 01:35:26,868 NO. THEY'RE DIAMONDS. 1678 01:35:26,934 --> 01:35:29,367 SOMEBODY'S GOT A DADDY. 1679 01:35:29,434 --> 01:35:31,767 JEEPS! ARE YOU LUCKY! 1680 01:35:31,834 --> 01:35:34,133 A FACE LIKE THAT... 1681 01:35:34,200 --> 01:35:36,801 AND A CASE LIKE THIS. 1682 01:35:36,868 --> 01:35:38,300 DO YOU LIKE IT? 1683 01:35:38,367 --> 01:35:39,801 BOY, DO I! 1684 01:35:39,868 --> 01:35:41,300 KEEP IT. 1685 01:35:41,367 --> 01:35:42,767 FOR KEEPS? 1686 01:35:42,834 --> 01:35:44,300 SURE. 1687 01:35:44,367 --> 01:35:46,267 JEEPS! THANKS, MABEL. 1688 01:35:46,334 --> 01:35:48,801 HEY, IT AIN'T HOT, IS IT? 1689 01:35:48,868 --> 01:35:50,300 HOT? 1690 01:35:50,367 --> 01:35:52,601 MABEL GREEN. 1691 01:35:59,000 --> 01:36:00,634 HELLO, MABEL. 1692 01:36:05,100 --> 01:36:08,667 SHE RECEIVED THE NEWS WITH HER CUSTOMARY DIGNITY. 1693 01:36:08,734 --> 01:36:12,200 UH, WELL, AT FIRST, SHE DIDN'T SAY ANYTHING. 1694 01:36:12,267 --> 01:36:14,834 SHE WAS TOO MOVED TO SPEAK. 1695 01:36:16,400 --> 01:36:17,934 ATTENTION, EVERYONE! 1696 01:36:18,000 --> 01:36:19,901 BE READY! THE QUEEN IS HERE! 1697 01:36:21,968 --> 01:36:24,133 OH, GOOD-BYE. 1698 01:36:29,234 --> 01:36:33,267 THE KING IS DEAD! LONG LIVE THE QUEEN! 1699 01:36:33,334 --> 01:36:35,968 LONG LIVE THE QUEEN! LONG LIVE- 1700 01:36:38,734 --> 01:36:41,167 CHIMNEY! 1701 01:36:43,868 --> 01:36:45,767 WHERE IS HER MAJESTY? 1702 01:36:45,834 --> 01:36:47,767 THE QUEEN! WHERE IS THE QUEEN? 1703 01:36:47,834 --> 01:36:49,801 QUEEN? QUEEN! OH, MY GOLLY! 1704 01:36:49,868 --> 01:36:51,267 WHERE IS SHE? 1705 01:36:51,334 --> 01:36:52,801 WELL, SHE, UM, SHE, UM- 1706 01:36:52,868 --> 01:36:54,300 AND IT'S ALL MY FAULT! 1707 01:36:54,367 --> 01:36:55,634 WHAT HAPPENED? 1708 01:36:55,701 --> 01:36:56,934 AN ACCIDENT! 1709 01:36:57,000 --> 01:36:58,467 NO, NO! IT WASN'T AN ACCIDENT. 1710 01:36:58,534 --> 01:36:59,968 THEN WHAT WAS IT? 1711 01:37:00,033 --> 01:37:01,467 CHIMNEY, TELL, BUT QUICK. 1712 01:37:01,534 --> 01:37:04,634 WELL, WE, UH, WE-WE GOT INTO A FIGHT. 1713 01:37:04,701 --> 01:37:06,100 HE ATTACKED HER! 1714 01:37:06,167 --> 01:37:07,634 YES! LOOK AT HIM! 1715 01:37:07,701 --> 01:37:10,167 ASSASSIN! 1716 01:37:10,234 --> 01:37:11,834 LET ME GO, I TELL YOU! SHE'S ALL RIGHT! 1717 01:37:13,167 --> 01:37:14,434 HER MAJESTY! 1718 01:37:14,501 --> 01:37:15,667 HELP! HELP! 1719 01:37:18,734 --> 01:37:20,300 THE KING IS DEAD! 1720 01:37:20,367 --> 01:37:22,501 LONG LIVE THE QUEEN! 1721 01:37:24,567 --> 01:37:26,000 OH, PARDON ME. 1722 01:37:26,067 --> 01:37:27,834 I THOUGHT YOU WAS FIGHTING. 1723 01:37:27,901 --> 01:37:29,701 THAT IS ONE OF THE MURDERERS! 1724 01:37:29,767 --> 01:37:34,067 HUH? ME? OH, NO, MA'AM. 1725 01:37:34,133 --> 01:37:36,667 OK, JIMMY. IF YOU NEED ME, HOLLER. 1726 01:37:37,868 --> 01:37:39,067 GOOD NIGHT, ALL. 1727 01:37:39,133 --> 01:37:40,567 NOW, WHERE IS SHE? 1728 01:37:40,634 --> 01:37:42,033 YOU TELL US, OR I'LL- 1729 01:37:42,100 --> 01:37:43,734 IS THAT NICE, PULLING A KNIFE ON HIM? 1730 01:37:43,801 --> 01:37:45,868 WELL, WHERE IS SHE? 1731 01:37:45,934 --> 01:37:47,701 I KNOW. 1732 01:37:47,767 --> 01:37:49,000 LET HIM TALK. 1733 01:37:49,067 --> 01:37:50,334 WHERE? 1734 01:37:50,400 --> 01:37:51,667 TELL US. 1735 01:37:51,734 --> 01:37:52,667 IN THE COOLER. 1736 01:37:52,734 --> 01:37:53,667 WHERE? 1737 01:37:53,734 --> 01:37:54,634 IN THE HOOSEGOW. 1738 01:37:54,734 --> 01:37:56,701 HE MEANS HER MAJESTY'S IN JAIL. 1739 01:37:56,767 --> 01:37:58,667 JAIL! OH, MY POOR COUNTRY! 1740 01:37:58,734 --> 01:38:01,200 WELL, DO SOMETHING! YOU'RE A DIPLOMAT! DO SOMETHING! 1741 01:38:01,267 --> 01:38:03,701 OH, OH, YES, YES, YES. NOW TELL ME- 1742 01:38:03,767 --> 01:38:06,934 MR. PUFI! MR. PUFI! GO CALL THE WHITE HOUSE! 1743 01:38:07,000 --> 01:38:08,801 PERSON- TO-PERSON? 1744 01:38:08,868 --> 01:38:10,300 YES! 1745 01:38:10,367 --> 01:38:12,534 UH, WHY IS SHE IN THE JAIL? 1746 01:38:12,601 --> 01:38:14,000 SHE WAS PINCHED. 1747 01:38:14,067 --> 01:38:15,000 PINCHED? 1748 01:38:15,067 --> 01:38:16,000 WHERE? 1749 01:38:16,067 --> 01:38:17,634 HE MEANS ARRESTED. 1750 01:38:17,701 --> 01:38:21,200 OH, OH, BUT-BUT WHAT FOR? WHAT DID SHE DO? 1751 01:38:21,267 --> 01:38:22,767 WELL, A BULL PUSHED HER AROUND, 1752 01:38:22,834 --> 01:38:25,000 SO NATURALLY, SHE TOOK A SOCK AT THE BULL. 1753 01:38:25,067 --> 01:38:26,000 COW? 1754 01:38:26,067 --> 01:38:27,000 BULL. 1755 01:38:27,067 --> 01:38:29,234 SHE RESISTED ARREST. 1756 01:38:29,300 --> 01:38:31,767 AND HOW! BOY, DID SHE BATTLE! 1757 01:38:31,834 --> 01:38:35,767 OPERATION, I WANT WASHINGTON. 1758 01:38:35,834 --> 01:38:37,767 WASHINGTON! 1759 01:38:37,834 --> 01:38:41,767 WHERE THE WHITE HOUSE IS. 1760 01:38:41,834 --> 01:38:44,634 YES. PERSON-TO-PERSON. 1761 01:38:53,701 --> 01:38:56,501 YES, THAT'S YOU. MABEL GREEN. 1762 01:38:58,767 --> 01:39:00,767 I WISH YOU REALLY WERE MABEL GREEN. 1763 01:39:00,834 --> 01:39:02,801 OH, YES. 1764 01:39:02,868 --> 01:39:04,801 PAUL... 1765 01:39:04,868 --> 01:39:06,801 I'M GOING TO BE MABEL GREEN. 1766 01:39:06,868 --> 01:39:08,801 AND GIVE UP YOUR JOB AS PRINCESS? 1767 01:39:08,868 --> 01:39:10,300 UH-HUH. 1768 01:39:10,367 --> 01:39:11,801 BUT CAN YOU? 1769 01:39:11,868 --> 01:39:13,267 I THINK SO. 1770 01:39:13,334 --> 01:39:15,300 IT ISN'T MUCH OF A JOB, 1771 01:39:15,367 --> 01:39:17,834 AND THEY DON'T REALLY NEED A PRINCESS. 1772 01:39:17,901 --> 01:39:21,067 WELL, I THINK WE OUGHT TO TALK THIS OVER, MISS GREEN. 1773 01:39:24,033 --> 01:39:26,667 UH-HUH. IT'S THE NICEST ONE IN TOWN. 1774 01:39:28,801 --> 01:39:30,834 HER MAJESTY! 1775 01:39:33,200 --> 01:39:34,667 THE KING IS DEAD! 1776 01:39:34,734 --> 01:39:36,167 LONG LIVE THE QUEEN! 1777 01:39:36,234 --> 01:39:43,300 THE KING IS DEAD! LONG LIVE THE QUEEN! 1778 01:39:43,367 --> 01:39:45,267 LONG LIVE THE QUEEN. 1779 01:39:49,334 --> 01:39:51,567 YOUR MAJESTY. 1780 01:39:53,901 --> 01:39:55,367 'TWILL BE AN HONOR TO SERVE YOU. 1781 01:39:55,434 --> 01:39:56,701 THANK YOU. 1782 01:39:56,767 --> 01:39:58,200 MAY I SAY THAT IT WOULD BE 1783 01:39:58,267 --> 01:39:59,701 MOST ADVISABLE FOR OUR QUEEN 1784 01:39:59,767 --> 01:40:02,000 TO RETURN TO HER COUNTRY AS SOON AS POSSIBLE? 1785 01:40:03,434 --> 01:40:05,501 I HAVE VENTURED TO MAKE ARRANGEMENTS 1786 01:40:05,567 --> 01:40:07,868 FOR YOUR MAJESTY TO SAIL TOMORROW 1787 01:40:07,934 --> 01:40:09,868 IF THAT IS YOUR WISH. 1788 01:40:09,934 --> 01:40:11,367 YES. 1789 01:40:12,767 --> 01:40:14,734 TOMORROW. 1790 01:40:16,100 --> 01:40:17,734 YOUR MAJESTY. 1791 01:40:22,934 --> 01:40:25,767 WELL, I GUESS THIS DOES IT. 1792 01:40:25,834 --> 01:40:30,367 I MEAN, IT'S GOING TO MAKE A LOT OF DIFFERENCE... TO US. 1793 01:40:30,434 --> 01:40:32,834 IT MEANS WE'VE GOT TO SAY GOOD-BYE, 1794 01:40:32,901 --> 01:40:34,334 SO LET'S SAY IT NOW. 1795 01:40:34,400 --> 01:40:37,334 IT ISN'T GOING TO GET ANY EASIER TO SAY. 1796 01:40:37,400 --> 01:40:40,334 JIMMY, I'D LIKE TO HAVE YOU GO WITH ME 1797 01:40:40,400 --> 01:40:42,000 IF YOU WANT TO. 1798 01:40:42,067 --> 01:40:44,467 YOU DON'T HAVE TO DECIDE NOW, 1799 01:40:44,534 --> 01:40:45,968 BUT IF YOU DO WANT TO GO, 1800 01:40:46,033 --> 01:40:47,400 BE HERE TOMORROW BY NOON. 1801 01:40:47,467 --> 01:40:51,534 NOW GO HOME AND THINK IT OVER. 1802 01:40:56,801 --> 01:40:58,534 OH, THANKS, ALBERT. 1803 01:40:58,601 --> 01:41:00,367 YOU'RE WELCOME, JIMMY. 1804 01:41:00,434 --> 01:41:01,868 WHERE IS IT? 1805 01:41:01,934 --> 01:41:03,367 HUH? WHAT? 1806 01:41:03,434 --> 01:41:04,834 THE TOOTHBRUSH. 1807 01:41:04,901 --> 01:41:06,868 GEE, I-I FORGOT TO GET IT. 1808 01:41:06,934 --> 01:41:09,133 WELL, WHERE HAVE YOU BEEN ALL THIS TIME? 1809 01:41:11,434 --> 01:41:13,601 OH, I WAS GOING TO TELL HER. 1810 01:41:13,667 --> 01:41:14,868 JIMMY, SHE SAID WOULD YOU PLEASE 1811 01:41:14,934 --> 01:41:16,367 COME UP AND SEE HER BEFORE YOU GO. 1812 01:41:16,434 --> 01:41:17,801 OF COURSE I WILL. 1813 01:41:22,400 --> 01:41:23,367 JIMMY? 1814 01:41:23,434 --> 01:41:24,367 WHAT? 1815 01:41:24,434 --> 01:41:25,834 CAN I GO WITH YOU? 1816 01:41:25,901 --> 01:41:26,868 WHAT? 1817 01:41:26,934 --> 01:41:28,367 JUST DOWN TO THE BOAT. 1818 01:41:28,434 --> 01:41:30,067 OH, SURE. 1819 01:41:32,400 --> 01:41:33,334 YEAH? 1820 01:41:33,400 --> 01:41:34,834 CAN I CARRY YOUR BAG? 1821 01:41:34,901 --> 01:41:38,033 SURE. 1822 01:41:54,801 --> 01:41:57,501 THAT'S THE ONLY ONE I EVER HAD TOOK. 1823 01:41:57,567 --> 01:41:58,968 AW, THANKS, ALBERT. 1824 01:41:59,033 --> 01:42:00,667 LISTEN, WHEN I GET OVER THERE, 1825 01:42:00,734 --> 01:42:02,400 I'M GOING TO SEND FOR YOU. 1826 01:42:02,467 --> 01:42:04,367 FOR ME? YOU WILL? 1827 01:42:04,434 --> 01:42:05,751 YEAH. I'M GOING TO FIX YOU UP 1828 01:42:05,752 --> 01:42:07,200 WITH A NICE, SOFT JOB IN THE PALACE. 1829 01:42:07,267 --> 01:42:08,534 LOTS OF DOUGH, NOTHING TO DO. 1830 01:42:08,601 --> 01:42:11,567 GEE, THAT SOUNDS VERY ENJOYABLE. 1831 01:42:12,934 --> 01:42:15,000 I WISH I COULD TAKE IT, 1832 01:42:15,067 --> 01:42:16,501 BUT I CAN'T. 1833 01:42:16,567 --> 01:42:18,701 I CAN'T EVER COME OVER THERE. 1834 01:42:18,767 --> 01:42:20,868 WHO'D TAKE CARE OF LESLIE? 1835 01:42:29,934 --> 01:42:31,868 I'LL CLOSE THAT FOR YOU. 1836 01:42:31,934 --> 01:42:35,300 LOOK, BE READY TO GO WHEN I COME BACK, WILL YOU? 1837 01:42:35,367 --> 01:42:36,934 I'LL ONLY BE A MINUTE. 1838 01:43:02,400 --> 01:43:03,834 IS THAT YOU, JIMMY? 1839 01:43:03,901 --> 01:43:05,467 YEAH, IT'S ME. 1840 01:43:06,834 --> 01:43:08,534 COME IN, JIMMY. 1841 01:43:12,934 --> 01:43:14,367 HELLO, YOUR MAJESTY. 1842 01:43:14,434 --> 01:43:17,868 OH, JIMMY, I THINK IT'S THE MOST WONDERFUL THING 1843 01:43:17,934 --> 01:43:19,868 THAT'S EVER HAPPENED TO ANYBODY, 1844 01:43:19,934 --> 01:43:21,868 AND I'M SO GLAD IT HAPPENED TO YOU. 1845 01:43:21,934 --> 01:43:24,367 OH, JUST IMAGINE- KING JAMES. 1846 01:43:24,434 --> 01:43:26,868 WELL, IT'S NOT QUITE SETTLED YET. 1847 01:43:26,934 --> 01:43:29,334 OH, BUT IT WILL BE. I'M SURE IT WILL, 1848 01:43:29,400 --> 01:43:32,667 JUST AS SOON AS THEY GET TO KNOW YOU OVER THERE. 1849 01:43:32,734 --> 01:43:36,200 WHY, THEY'LL SAY, "WHERE COULD SHE - WE FIND A BETTER ONE?" 1850 01:43:36,267 --> 01:43:38,667 AND THEY'LL SEE HOW GOOD AND KIND... 1851 01:43:38,734 --> 01:43:40,300 AND-AND HANDSOME YOU ARE, 1852 01:43:40,367 --> 01:43:43,334 AND THEY'LL SEE HOW YOU'RE ALWAYS DOING THINGS FOR PEOPLE 1853 01:43:43,400 --> 01:43:44,801 TO MAKE THEM HAPPY, 1854 01:43:44,868 --> 01:43:48,300 EVEN IF THEY CAN'T DO ANYTHING FOR YOU, 1855 01:43:48,367 --> 01:43:52,200 AND THEY'LL SEE HOW EVERYBODY LOVES YOU, AND... 1856 01:43:53,734 --> 01:43:55,834 GOOD-BYE, JIMMY. 1857 01:43:55,901 --> 01:43:59,334 THANK YOU, AND GOD BLESS YOU. 1858 01:43:59,400 --> 01:44:03,467 GOOD-BYE. 1859 01:44:15,901 --> 01:44:17,968 LESLIE, I-I- 1860 01:44:18,033 --> 01:44:21,234 OH, I DON'T WANT YOU TO WORRY ABOUT ME. 1861 01:44:21,300 --> 01:44:23,067 YOU DON'T HAVE TO ANYMORE. 1862 01:44:23,133 --> 01:44:24,601 I'LL BE ALL RIGHT. 1863 01:44:24,667 --> 01:44:26,067 I'VE GOT A JOB, 1864 01:44:26,133 --> 01:44:27,801 A GOOD ONE. 1865 01:44:27,868 --> 01:44:29,467 DOING WHAT? 1866 01:44:29,534 --> 01:44:31,501 DANCING. 1867 01:44:31,567 --> 01:44:34,267 DANCING! BUT- 1868 01:44:34,334 --> 01:44:36,868 OH, BUT, JIMMY, I'M WELL, ALL WELL. 1869 01:44:36,934 --> 01:44:39,467 WHY, I CAN WALK MILES AND MILES. 1870 01:44:39,534 --> 01:44:41,133 I WASN'T GOING TO TELL YOU. 1871 01:44:41,200 --> 01:44:42,801 I WAS GOING TO SURPRISE YOU 1872 01:44:42,868 --> 01:44:44,300 BY COMING DOWN TO THE BOAT. 1873 01:44:44,367 --> 01:44:47,968 OF COURSE, I'LL COME ANYWAY. I'M VERY STRONG NOW. 1874 01:44:48,033 --> 01:44:51,100 ARE YOU? REALLY? 1875 01:44:51,167 --> 01:44:53,634 OH, YES. 1876 01:44:56,200 --> 01:44:58,234 I'LL SHOW YOU. 1877 01:45:28,968 --> 01:45:30,868 OH, LESLIE, DARLING. 1878 01:45:30,934 --> 01:45:32,300 OH, YOU'VE GOT TO GET WELL. 1879 01:45:32,367 --> 01:45:33,801 I'M GOING TO MAKE YOU GET WELL. 1880 01:45:33,868 --> 01:45:35,267 I DON'T KNOW HOW. 1881 01:45:35,334 --> 01:45:36,801 I DON'T KNOW WHAT I CAN DO, 1882 01:45:36,868 --> 01:45:39,133 EXCEPT TO- TO LOVE YOU VERY MUCH 1883 01:45:39,200 --> 01:45:41,767 AND GO ON DOING THINGS TO SHOW YOU 1884 01:45:41,868 --> 01:45:44,300 THAT I-I DO LOVE YOU VERY MUCH. 1885 01:45:44,367 --> 01:45:46,300 OH, JIMMY, I WANT TO BELIEVE YOU. 1886 01:45:46,367 --> 01:45:47,801 I'M GOING TO BELIEVE YOU, 1887 01:45:47,868 --> 01:45:49,701 EVEN THOUGH I KNOW IT'S NOT TRUE. 1888 01:45:52,868 --> 01:45:54,200 IT IS TRUE. 1889 01:45:54,267 --> 01:45:55,534 BUT YOU'RE GOING AWAY. 1890 01:45:55,601 --> 01:45:56,534 NO. 1891 01:45:56,601 --> 01:45:57,567 WITH A QUEEN. 1892 01:45:57,634 --> 01:45:59,834 NO. I'M STAYING RIGHT HERE... 1893 01:45:59,901 --> 01:46:01,701 WITH A PRINCESS. 1894 01:46:05,234 --> 01:46:06,634 OH! 1895 01:46:06,701 --> 01:46:08,167 WHAT IS IT, JIMMY? 1896 01:46:08,234 --> 01:46:10,167 I'VE GOT TO DO IT. 1897 01:46:10,234 --> 01:46:11,667 WHAT? 1898 01:46:11,734 --> 01:46:13,701 I'VE GOT TO TELL HER. 1899 01:46:13,767 --> 01:46:18,501 OH, YES. I SUPPOSE YOU MUST. 1900 01:46:18,567 --> 01:46:20,367 IT'S GOING TO BE TOUGH, 1901 01:46:20,434 --> 01:46:21,868 TELLING A QUEEN. 1902 01:46:21,934 --> 01:46:26,834 THE POOR THING. I'M SO SORRY FOR HER. 1903 01:46:26,901 --> 01:46:29,334 JIMMY... 1904 01:46:29,400 --> 01:46:32,367 LET HER DOWN EASY. 1905 01:46:46,868 --> 01:46:48,100 WE COULD START TO BEGIN TO GO NOW TO THE BOAT. 1906 01:46:48,167 --> 01:46:50,934 GET YOUR HAT. IT'S TIME, HIGH TIME. 1907 01:46:51,000 --> 01:46:53,300 VERONICA, WE MUST BE GOING. 1908 01:46:53,367 --> 01:46:54,801 OH, HELLO, JIMMY. 1909 01:46:54,868 --> 01:46:56,801 VERONICA, WE SHOULD BE LEAVING. 1910 01:46:56,868 --> 01:46:58,267 IN A MINUTE. 1911 01:46:58,334 --> 01:47:00,767 I'D JUST ABOUT GIVEN YOU UP. 1912 01:47:00,834 --> 01:47:03,734 I'VE GOT TO TALK TO YOU ABOUT SOMETHING, 1913 01:47:03,801 --> 01:47:05,300 AND THAT'S IT. 1914 01:47:05,367 --> 01:47:06,968 WHAT? 1915 01:47:07,033 --> 01:47:08,801 GIVING ME UP. 1916 01:47:08,868 --> 01:47:10,834 PLEASE DON'T HATE ME. 1917 01:47:10,901 --> 01:47:12,334 I DON'T. 1918 01:47:12,400 --> 01:47:13,834 YOU WILL. 1919 01:47:13,901 --> 01:47:15,300 WHY? 1920 01:47:15,367 --> 01:47:17,834 I- I WISH IT COULD BE, 1921 01:47:17,901 --> 01:47:20,834 BUT IT JUST CAN'T BE, THAT'S ALL. 1922 01:47:20,901 --> 01:47:22,834 WHAT CAN'T BE, JIMMY? 1923 01:47:22,901 --> 01:47:24,534 US. 1924 01:47:24,601 --> 01:47:28,167 I THOUGHT IT WAS THE REAL THING, TOO, 1925 01:47:28,234 --> 01:47:31,767 BUT-BUT IT ISN'T. I KNOW THAT NOW. 1926 01:47:31,834 --> 01:47:34,667 YOU'LL KNOW IT, TOO, IN TIME. 1927 01:47:36,801 --> 01:47:39,767 JIMMY, WHAT ARE YOU TRYING TO TELL ME? 1928 01:47:39,834 --> 01:47:41,767 VERONICA, WE MUST GO. 1929 01:47:41,834 --> 01:47:43,434 NOT YET. 1930 01:47:43,501 --> 01:47:45,033 GO ON. 1931 01:47:45,100 --> 01:47:47,801 YOU'RE WONDERFUL, 1932 01:47:47,868 --> 01:47:51,167 BUT THERE'S SOMEBODY ELSE. 1933 01:47:51,234 --> 01:47:56,300 I KNOW NOW THAT THERE ALWAYS WAS SOMEBODY ELSE. 1934 01:47:56,367 --> 01:47:58,801 I'M SORRY. 1935 01:47:58,868 --> 01:48:02,434 ANYWAY, I'D-I'D MAKE A HECK OF A KING. 1936 01:48:05,968 --> 01:48:07,934 WELL, GOOD-BYE, QUEEN VERONICA. 1937 01:48:08,000 --> 01:48:11,334 THANK YOU VERY MUCH FOR-FOR LETTING ME BE NEAR YOU 1938 01:48:11,400 --> 01:48:13,033 FOR A LITTLE WHILE. 1939 01:48:15,734 --> 01:48:17,901 GOOD-BYE, JIMMY. 1940 01:48:23,367 --> 01:48:24,834 GOOD-BYE, CHIMNEY. 1941 01:48:24,901 --> 01:48:26,501 GOOD-BYE, MR. PUFI. 1942 01:48:33,968 --> 01:48:36,901 DID YOU HEAR HIM? MOST EXTRAORDINARY! 1943 01:48:36,968 --> 01:48:39,901 WHAT DID HE MEAN? DO YOU KNOW? 1944 01:48:39,968 --> 01:48:42,901 NO, BUT DOES IT MATTER? 1945 01:48:42,968 --> 01:48:44,400 COMING, VERONICA? 1946 01:48:44,467 --> 01:48:47,434 IT SEEMS TO MATTER TO HER MAJESTY. 1947 01:48:47,501 --> 01:48:49,434 WHAT HE SAID! A BELLBOY! 1948 01:48:49,501 --> 01:48:50,934 CRAZY, NO DOUBT. 1949 01:48:51,000 --> 01:48:52,434 MUST BE. 1950 01:48:52,501 --> 01:48:54,434 NO. HE'S NOT THE ONE WHO'S CRAZY. 1951 01:48:54,501 --> 01:48:56,400 DO YOU KNOW WHAT HE JUST DID? 1952 01:48:56,467 --> 01:48:57,934 TELL ME ON THE BOAT, DEAR. 1953 01:48:58,000 --> 01:48:59,267 NO. NOW. 1954 01:48:59,334 --> 01:49:00,767 WHAT DID HE DO, YOUR MAJESTY? 1955 01:49:00,834 --> 01:49:02,267 HE GAVE ME UP. 1956 01:49:02,334 --> 01:49:04,734 YES. HE GAVE UP A QUEEN, 1957 01:49:04,801 --> 01:49:07,267 AND HE GAVE UP A THRONE. 1958 01:49:07,334 --> 01:49:10,267 HE COULD HAVE BEEN A KING, HE THOUGHT, 1959 01:49:10,334 --> 01:49:14,167 BUT HE WANTED TO BE SOMETHING BETTER THAN A KING. 1960 01:49:14,234 --> 01:49:17,300 A BELLBOY! A BELLBOY! A BELLBOY! 1961 01:49:17,367 --> 01:49:20,334 YES, BUT A BELLBOY IN LOVE, 1962 01:49:20,400 --> 01:49:23,334 AND IF HE CAN DO IT- 1963 01:49:23,400 --> 01:49:25,834 YOUR MAJESTY! WHERE ARE YOU GOING? 1964 01:49:25,901 --> 01:49:26,639 I ABDICATE. 1965 01:49:26,640 --> 01:49:27,434 NO! NO ABDICATE! 1966 01:49:31,400 --> 01:49:33,868 I'M IN LOVE WITH YOU 1967 01:49:33,934 --> 01:49:36,033 HONEY, OOH OOH 1968 01:49:36,100 --> 01:49:38,367 SAY YOU LOVE ME, TOO 1969 01:49:38,434 --> 01:49:40,501 HONEY, OOH OOH 1970 01:49:40,567 --> 01:49:43,000 NO ONE ELSE BUT YOU 1971 01:49:43,067 --> 01:49:45,200 SHALL WE DANCE, LESLIE? 1972 01:49:45,267 --> 01:49:49,834 IT'S FUNNY, BUT IT'S TRUE 1973 01:49:49,901 --> 01:49:52,200 LOVED YOU FROM THE START 1974 01:49:52,267 --> 01:49:54,400 HONEY, OOH OOH 1975 01:49:54,467 --> 01:49:56,734 BLESS YOUR LITTLE HEART 1976 01:49:56,801 --> 01:49:58,901 HONEY, OOH OOH 1977 01:49:58,968 --> 01:50:03,534 EVERY DAY WILL BE SO SUNNY 1978 01:50:03,601 --> 01:50:09,501 HONEY, WITH YOU 1979 01:50:14,968 --> 01:50:19,334 EVERY DAY WILL BE SO SUNNY 1980 01:50:19,400 --> 01:50:21,701 AND THEY LIVED HAPPILY EVER AFTER. 1981 01:50:21,767 --> 01:50:23,934 FUNNY, BUT IT'S TRUE 133825

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