All language subtitles for Rodgers.and.Hammersteins.Carousel.Live.From.Lincoln.Center.2013.1080p.WEBRip.x264-RARBG2_English

>> IN 1944, RICHARD RODGERS AND
OSCAR HAMMERSTEIN WERE JUST

COMING OFF OF THEIR TRIUMPH WITH
"OKLAHOMA." FACED WITH THE

CHALLENGE OF TOPPING THAT
SUCCESS, THEY DECIDED THEY

WOULDN'T EVEN TRY. INSTEAD, THEY
TOOK THE BROODING HUNGARIAN PLAY

"LILIOM," TRANSFERRED THE
SETTING TO A REMOTE NEW ENGLAND

FISHING VILLAGE, AND COMPOSED
SOME OF THE MOST GLORIOUS MUSIC

EVER WRITTEN FOR THE STAGE
AROUND THEMES OF BRUTALITY,

POVERTY, AND DISAPPOINTMENT.

SOUND OPERATIC? WELL, PUCCINI
HAD TRIED AND FAILED TO GET

PERMISSION TO ADAPT THE SAME
PLAY INTO AN OPERA. "CAROUSEL"

REMAINS ONE OF THE MOST BELOVED
AND INFLUENTIAL MUSICALS OF ALL

TIME. IN 1994, AS A RECENT
JULLIARD GRADUATE, I HAD THE

HONOR OF PLAYING CARRIE
PIPPERIDGE IN THE LINCOLN CENTER

THEATER PRODUCTION, AND TONIGHT
A NEW GENERATION GETS TO HEAR

THIS MASTERPIECE PERFORMED BY
THE NEW YORK PHILHARMONIC AND

SOME OF THE BRIGHTEST STARS FROM
THE WORLDS OF MUSICAL THEATER

AND OPERA. I'M AUDRA McDONALD,
AND THIS IS "CAROUSEL."

[APPLAUSE]
[ORCHESTRA PLAYING]
[APPLAUSE]

[APPLAUSE]

>> C'MON, JULIE!

IT'S GETTING LATE!

JULIE!

DON'T PAY HER NO MIND!

HURRY, SHE'S COMING AROUND AT
YOU AGAIN!

>> I AIN'T SCARED OF HER!

>> I GOT ONE MORE THING TO TELL
YOU, YOUNG WOMAN!

IF YOU EVER SO MUCH AS POKE YOUR
NOSE IN MY CAROUSEL AGAIN,

YOU'LL BE THROWN OUT!

>> WHAT IS THAT WOMAN TALKING
ABOUT?

>> LETTING MY BARKER FOOL WITH
YOU!

AIN'T YOU ASHAMED?

LETTING HIM LEAN AGAINST YOU ALL
THROUGH THE RIDE!

>> HE LEANED AGAINST THE HORSE.

HE NEVER LAID A HAND ON ME!

>> AND I SUPPOSE HE DIDN'T PUT
HIS ARM AROUND YOUR WAIST,

NEITHER?

>> AND SUPPOSE HE DID?

IS THAT ANY REASON TO HAVE A
CAPULUPTIC FIT?

>> I DON'T RUN MY BUSINESS OF A
LOT OF CHIPPIES!

>> CHIPPY YOURSELF.

>> YES, CHIPPY YOURSELF.

>> OH, SHUT UP, ALL OF YOU!

>> TAKE A LOOK AT THAT GIRL,
BILLY!

SHE AIN'T NEVER ALLOWED ON MY
CAROUSEL AGAIN!

>> WHAT'D SHE DO, ANYWAY?

>> SHE SAID YOU PUT YOUR ARM
AROUND MY WAIST.

>> SO THAT'S IT?

I CAN'T PUT MY ARM AROUND A GIRL
WITHOUT I ASK YOUR PERMISSION?

>> I JUST DON'T WANT THAT ONE
AROUND ANYMORE.

>> YOU...

YOU COME AROUND HERE ALL YOU
WANT.

AND IF YOU DON'T HAVE THE PRICE,
BILLY BIGELOW'LL TREAT YOU TO A

RIDE.

>> BIG TALKER, AIN'T YOU, MR.
BIGELOW?

I SUPPOSE YOU THINK I CAN'T
THROW YOU OUT, TOO?

YOU'RE SUCH A GOOD BARKER THAT I
CAN'T DO WITHOUT YOU?

WELL, JUST FOR THAT, YOU'RE
DISCHARGED!

YOUR SERVICES ARE NO LONGER
REQUIRED!

YOU ARE BOUNCED!

>> VERY WELL, MRS. MULLIN.

>> WELL, YOU KNOW, I...

I COULD BOUNCE YOU, IF I FELT
LIKE IT.

>> YOU JUST DID.

>> WELL, DON'T PICK
UP EVERY WORD I SAY!

OH, IF ONLY MY SAINTLY, DEPARTED
HUSBAND, MR. MULLIN WERE HERE.

HE WOULD SET YOU STRAIGHT!

I ONLY WISH MY POOR HUSBAND WAS
ALIVE THIS MINUTE!

>> I BET HE DON'T!

>> UPSTART!

AFTER ALL I DONE FOR YOU!

YOU'RE DONE FOR GOOD NOW!

I WON'T TAKE YOU BACK LIKE
BEFORE!

>> MR. BIGELOW...

>> DON'T GET SORRY FOR ME OR
I'LL MAKE YOU REGRET IT!

DON'T YOU FEEL SORRY FOR ME
NEITHER!

YOU THINK I CAN'T GET
ANOTHER JOB?

>> WHAT WILL YOU DO NOW, MR.
BIGELOW?

>> WELL, I'LL GET MYSELF A GLASS
OF BEER.

WHENEVER I'M FEELING BAD ABOUT
SOMETHING, I JUST DRINK A GLASS

OF BEER.

I'M GOING TO THE CAROUSEL TO GET
MY THINGS.

YOU STAY HERE TILL I COME BACK.

THEN WE'LL GO HAVE A DRINK.

>> JULIE?

JULIE, DO YOU LIKE HIM?

>> I DUNNO.

>> DID YOU LIKE IT WHEN HE
TALKED TO YOU TODAY?

WHEN HE PUT YOU ON THE CAROUSEL,
THAT WAY?

DID YOU LIKE THAT?

>> 'DRUTHER NOT SAY.

>> * YOU'RE A QUEER ONE
JULIE JORDAN

YOU WERE QUIETER AND DEEPER
THAN A WELL

AN' YE NEVER TELL ME NUTHIN'
>> THERE'S NUTHIN' THAT I CARE

T' CHOOSE T' TELL
>> YOU BEEN ACTING MOST PECULIAR

EVERY MORNING
YOU'RE AWAKE AHEAD OF ME

ALWAYS SETTIN' BY THE WINDER
>> I LIKE TO WATCH THE RIVER

MEET THE SEA
>> WHEN WE WORK IN THE MILL

WEAVIN' AT THE LOOM
YOU GAZE ABSENT-MINDED

AT THE ROOF
AND HALF THE TIME, YOUR SHUTTLE

GETS TWISTED IN THE THREADS
TILL YOU CAN'T TELL

THE WARP FROM THE WOOF
>> 'TAIN'T SO

>> YOU'RE A QUEER ONE
JULIE JORDAN

YOU WON'T EVER TELL A BODY
WHAT YOU THINK

YOU'RE AS TIGHT-LIPPED
AS AN OYSTER

AND AS SILENT
AS AN OLD SAHARA SPINK *

>> SPINX.

>> HUH?

>> SPINX.

>> UH-UH. SPINK.

>> YOU SPELL IT WITH AN "X."

>> THAT'S ONLY WHEN THERE'S MORE
THAN ONE.

>> OH.

>> JULIE, I BEEN BUSTING TO TELL
YOU SOMETHING LATELY.

>> YOU HAVE?

>> WELL, THE REASON I DIDN'T
CARE TO TELL YOU BEFORE WAS

BECAUSE YOU DIDN'T HAVE A FELLOW
OF YOUR OWN.

NOW THAT YOU GOT ONE, I CAN TELL
YOU ABOUT MINE.

>> I'M GLAD YOU'VE GOTTA FELLOW,
CARRIE.

WHAT'S HIS NAME?

>> * HIS NAME IS MR. SNOW
AND AN UPSTANDIN' MAN IS HE

HE COMES HOME EVERY NIGHT
IN HIS ROUND-BOTTOMED BOAT

WITH A NET FULL OF HERRING
FROM THE SEA

AN ALMOST PERFECT BEAU
AS REFINED AS A GIRL COULD WISH

BUT HE SPENDS SO MUCH TIME
IN HIS ROUND-BOTTOMED BOAT

THAT HE CAN'T SEEM TO LOSE
THE SMELL OF FISH

[BOTH LAUGH]
THE FIRST TIME HE KISSED ME

THE WHIFF OF HIS CLOTHES
KNOCKED ME FLAT ON THE FLOOR

OF THE ROOM
BUT NOW THAT I LOVE HIM

MY HEART'S IN MY NOSE
AND FISH IS MY FAV'RITE PERFUME

LAST NIGHT, HE SPOKE QUITE LOW
AND A FAIR-SPOKEN MAN IS HE

AND HE SAID, "MISS PIPPERIDGE
I'D LIKE IT FINE

IF I COULD BE WED WITH A WIFE
AND INDEED, MISS PIPPERIDGE

IF YOU'LL BE MINE
I'LL BE YOURS

FOR THE REST OF MY LIFE"
NEXT MOMENT, WE WERE PROMISED

AND NOW MY MIND'S IN A MAZE
FOR ALL I CAN DO

IS LOOK FORWARD TO
THAT WONDERFUL DAY OF DAYS

WHEN I MARRY MR. SNOW
THE FLOWERS'LL BE BUZZIN'

WITH THE HUM OF BEES
THE BIRDS'LL MAKE A RACKET

IN THE CHURCH YARD TREES
WHEN I MARRY MR. SNOW

THEN IT'S OFF TO HOME WE'LL GO
AND BOTH OF US'LL LOOK

A LITTLE DREAMY-EYED
A-DRIVING TO A COTTAGE

BY THE OCEANSIDE
WHERE THE SALTY BREEZES BLOW

HE'LL CARRY ME
'CROSS THE THRESHOLD

AND I'LL BE AS MEEK AS A LAMB
THEN HE'LL SET ME ON MY FEET

AND I'LL SAY KINDA SWEET
"WELL, MR. SNOW, HERE I AM"

THEN I'LL KISS HIM SO HE'LL KNOW
THAT EV'RYTHIN'LL BE AS RIGHT

AS RIGHT CAN BE
A-LIVING IN A COTTAGE

BY THE SEA WITH ME
FOR I LOVE THAT MR. SNOW

THAT YOUNG SEA-FARING
BOLD AND DARING

BIG BEWHISKERED, OVERBEARING
DARLING

MR. SNOW *
>> OH, CARRIE!

I'M SO HAPPY FOR YOU!

>> SO YOU SEE, I CAN UNDERSTAND
NOW HOW YOU FEEL ABOUT...

>> ARE YOU STILL HERE?

>> YOU TOLD US TO WAIT FOR YOU.

>> WHAT YOU THINK I WANT WITH
TWO OF YOU?

I MEANT THAT ONE OF YOU WAS TO
WAIT.

THE OTHER CAN GO HOME.

>> WELL, GOOD NIGHT, CARRIE.

>> BUT IF YOU STAY, YOU'LL...

>> GOOD NIGHT.

>> SO THEN...WHY'D YOU STAY?

>> SO YOU WOULDN'T BE LEFT
ALONE.

>> HA HA! GOD, YOU'RE DUMB!

I DON'T NEED TO BE ALONE.

I GET ALL THE GIRLS I WANT.

DON'T YOU KNOW THAT?

>> I KNOW THAT, MR. BIGELOW.

I STAYED BECAUSE YOU BEEN SO
GOOD TO ME.

>> WELL, IN THAT CASE, YOU CAN
GO HOME, TOO.

>> I DON'T WANT TO GO HOME.

>> YEAH? WELL, WHAT IF I WAS TO
GO AWAY AND LEAVE YOU HERE?

>> EVEN THEN I WOULDN'T GO HOME.

>> YOU KNOW WHO YOU REMIND ME
OF?

THIS GIRL I KNEW ON CONEY
ISLAND...

>> IS THAT YOU, MISS JORDAN?

>> YES, MR. BASCOMBE.

>> WHATEVER ARE YOU DOING OUT AT
THIS HOUR?

YOU KNOW WHAT TIME WE CLOSE OUR
DOORS AT THE MILL BOARDINGHOUSE.

YOU COULDN'T BE HOME ON TIME NOW
IF YOU RAN ALL THE WAY.

>> IS THERE ANY TROUBLE, MR.
BASCOMBE?

>> ONE OF MY GIRLS FROM THE
MILL, OUT PAST CURFEW.

>> AND WITH THIS ONE.

WORKS ON CAROUSELS, MAKES A
SPECIALTY OF YOUNG THINGS LIKE

THIS ONE.

PROMISES TO MARRY THEM, THEN
TAKES THEIR MONEY.

>> I AIN'T GOT NO MONEY.

>> SPEAK WHEN YOU'RE SPOKEN TO,
MISS!

>> JULIE, I'M INCLINED TO GIVE
YOU ONE MORE CHANCE.

I'M MEETING MRS. BASCOMBE AT THE
CHURCH.

WE'LL DRIVE YOU HOME AND I'LL
EXPLAIN EVERYTHING TO THE HOUSE

MATRON.

COME, MY CHILD.

>> WELL, GIRL!

DON'T STAND THERE LIKE YOU DON'T
HAVE GOOD SENSE.

>> I THINK I'LL STAY.

>> AFTER YOU'VE BEEN WARNED?

>> SEE THAT?

THERE ARE SOME YOU JUST CAN'T
HELP!

GOOD NIGHT!

>> GOOD NIGHT, MR. BASCOMBE.

AND YOU!

YOU GOOD FOR NOTHING!

I OUGHTTA THROW YOU IN JAIL!

>> FOR WHAT?

>> DON'T KNOW.

WISH I DID.

>> WELL, AND THEN WHAT HAPPENED?

>> HUH?

>> YOU WERE TELLING ME ABOUT
THAT GIRL FROM CONEY ISLAND.

>> OH, RIGHT. YEAH.

SO ONE NIGHT, I'M PUTTING THE
LIGHTS OUT ON THE CAROUSEL, SEE,

AND THIS GIRL, SHE...

SAY, TELL ME SOMETHING.

AIN'T YOU SCARED OF ME?

I MEAN, AFTER WHAT THAT COP
SAID ABOUT ME TAKING MONEY FROM

GIRLS.

>> I AIN'T SCARED.

>> IS THAT YOUR NAME? JULIE?

JULIE SOMETHING?

>> * JULIE JORDAN
>> [WHISTLES]

YOU'RE A QUEER ONE
JULIE JORDAN

AIN'T YOU SORRY
THAT YOU DIDN'T RUN AWAY?

YOU CAN STILL GO IF YOU WANNA
>> I RECKON THAT I CARE

TO CHOOSE TO STAY
YOU COULDN'T TAKE MY MONEY

IF I DIDN'T HAVE ANY
AND I DON'T HAVE A PENNY

THAT'S TRUE
AND IF I DID HAVE MONEY

YOU COULDN'T TAKE ANY
'CAUSE YOU'D ASK

AN' I'D GIVE IT TO YOU
>> YOU'RE A QUEER ONE

JULIE JORDAN
HAVE YOU EVER HAD A FELLA

YOU GIVE MONEY TO?

>> NO!

>> AIN'T YOU EVER HAD A FELLA
AT ALL?

>> NO!

>> WELL, YOU MUST HAVE A FELLA
YOU WENT WALKIN' WITH

>> YES!

>> WHERE'D YOU WALK?

>> NOWHERE SPECIAL I RECALL
>> IN THE WOODS?

>> NO!

>> ON THE BEACH?

>> NO!

>> DID YOU LOVE HIM *
>> NO! I NEVER LOVED NOBODY.

I TOLD YOU THAT!

>> HA! YOU'RE A FUNNY KID.

SAY, YOU WANT TO GO INTO TOWN
AND DANCE, MAYBE OR...

>> NO, I HAVE TO BE CAREFUL.

>> OF WHAT?

>> OF MY CHARACTER.

YOU SEE, I'M NEVER GOING TO
MARRY.

* I'M NEVER GONNA MARRY
IF I WAS GONNA MARRY

I WOULDN'T HAVE TO BE
SUCH A STICKLER

BUT I'M NEVER GONNA MARRY
AND A GIRL WHO DON'T MARRY

HAS GOT TO BE
MUCH MORE PERTICKLER *

>> WHAT IF I WAS TO SAY I'D
MARRY YOU?

>> YOU?

>> SCARES YOU, DON'T IT?

YOU'RE THINKING ABOUT WHAT THAT
COP SAID.

>> NO, I AIN'T.

I NEVER PAID NO MIND TO WHAT HE
SAID.

>> YEAH, BUT YOU WOULDN'T MARRY
ANYONE LIKE ME, WOULD YOU?

>> YES, I WOULD, IF I LOVED YOU.

IT WOULDN'T MAKE NO DIFFERENCE
WHAT YOU...

WELL, EVEN IF I DIED FOR IT.

>> HOW DO YOU KNOW WHAT YOU'D DO
IF YOU LOVED ME

OR HOW YOU'D FEEL, OR ANYTHING?

>> I DON'T KNOW HOW I'D KNOW.

>> AH.

>> JUST THE SAME, I KNOW HOW
I...

HOW IT'D BE IF I LOVED YOU.

* WHEN I WORKED IN THE MILL
WEAVING AT THE LOOM

I GAZED ABSENT-MINDED
AT THE ROOF

AND HALF THE TIME THE SHUTTLE
GOT TANGLED IN THE THREADS

AND THE WARP COULD GET MIXED
WITH THE WOOF

IF I LOVED YOU... *
>> BUT YOU DON'T.

>> NO, I DON'T.

* BUT SOMEHOW I CAN SEE
JUST EXACTLY HOW I'D BE

IF I LOVED YOU
TIME AND AGAIN

I WOULD TRY TO SAY
ALL I'D WANT YOU TO KNOW

I WOULD TRY TO SAY
ALL I'D WANT YOU TO KNOW

IF I LOVED YOU
WORDS WOULDN'T COME

IN AN EASY WAY
ROUND IN CIRCLES I'D GO

IN AN EASY WAY
ROUND IN CIRCLES I'D GO

LONGIN' TO TELL YOU
BUT AFRAID AND SHY

I'D LET MY GOLDEN CHANCES
PASS ME BY

SOON YOU'D LEAVE ME
OFF YOU WOULD GO

IN THE MIST OF DAY
NEVER, NEVER TO KNOW

IN THE MIST OF DAY
NEVER, NEVER TO KNOW

HOW I LOVED YOU
IF I LOVED YOU *

HOW I LOVED YOU
IF I LOVED YOU *

>> BUT YOU DON'T LOVE ME.

THAT'S WHAT YOU SAID, WASN'T IT?

>> YES.

OH! HA HA HA! OH...

I CAN SMELL THEM. CAN YOU?

>> WHAT?

>> THE BLOSSOMS. MM...

[CHUCKLES]
THE WIND BRINGS THEM DOWN.

HA HA!

>> AIN'T MUCH WIND TONIGHT.

HARDLY ANY.

* YOU CAN'T HEAR A SOUND
NOT THE TURN OF A LEAF

NOR THE FALL OF A WAVE
HITTIN' THE SAND

THE TIDE'S CREEPIN' UP
ON THE BEACH LIKE A THIEF

AFRAID TO BE CAUGHT
STEALIN' THE LAND

ON A NIGHT LIKE THIS
I START TO WONDER

WHAT LIFE IS ALL ABOUT
>> AND I ALWAYS SAY

TWO HEADS ARE BETTER THAN ONE
TO FIGURE IT OUT *

>> I DON'T NEED YOU OR ANYONE TO
HELP ME.

I GOT IT FIGURED OUT FOR MYSELF.

WE AIN'T IMPORTANT.

WHAT ARE WE?

A COUPLE OF SPECKS OF NOTHING.

LOOK UP THERE.

* THERE'S A HELL
OF A LOTTA STARS IN THE SKY

AND THE SKY'S SO BIG
THE SEA LOOKS SMALL

AND TWO LITTLE PEOPLE
YOU AND I

WE DON'T COUNT AT ALL *
YOU'RE A FUNNY KID.

DON'T REMEMBER EVER MEETING A
GIRL LIKE YOU.

YOU...

YOU TRYING TO GET ME TO
MARRY YOU?

>> NO.

>> THEN WHAT'S PUTTING IT INTO
MY HEAD?

YOU'RE DIFFERENT, ALL RIGHT.

I DON'T KNOW WHAT IT IS.

YOU LOOK UP AT ME WITH THAT...

THAT LITTLE KID FACE
LIKE YOU TRUSTED ME.

I WONDER WHAT IT'D BE LIKE.

>> WHAT?

>> NOTHING.

I KNOW WHAT IT'D BE LIKE.

IT'D BE AWFUL.

I CAN JUST SEE MYSELF.

* KINDA SCRAWNY AND PALE
PICKING AT MY FOOD

AND LOVE-SICK
LIKE ANY OTHER GUY

I'D THROW AWAY MY SWEATER
AND DRESS UP LIKE A DUDE

IN A DICKEY
AND A COLLAR AND A TIE

IF I LOVED YOU *
>> BUT YOU DON'T.

>> NO, I DON'T.

* BUT SOMEHOW I CAN SEE
JUST EXACTLY HOW I'D BE

IF I LOVED YOU
TIME AND AGAIN

I WOULD TRY TO SAY
ALL I'D WANT YOU TO KNOW

IF I LOVED YOU
WORDS WOULDN'T COME

IN AN EASY WAY
ROUND IN CIRCLES I'D GO

LONGIN' TO TELL YOU
BUT AFRAID AND SHY

I'D LET MY GOLDEN CHANCES
PASS ME BY

SOON YOU'D LEAVE ME
OFF YOU WOULD GO

IN THE MIST OF DAY
AND YOU NEVER WOULD KNOW

HOW I LOVED YOU
IF I LOVED YOU *

HOW I LOVED YOU
IF I LOVED YOU *

I'M NOT A FELLOW TO EVER GET
MARRIED.

EVEN IF A GIRL WAS FOOLISH
ENOUGH TO WANT ME TO, I

WOULDN'T.

>> DON'T WORRY ABOUT IT, BILLY.

>> WHO'S WORRIED?

>> YOU'RE RIGHT ABOUT THERE
BEING NO WIND TONIGHT.

THE BLOSSOMS ARE JUST COMING
DOWN BY THEIRSELVES.

JUST THEIR TIME TO, I RECKON.

[APPLAUSE]

[ORCHESTRA PLAYING]

[ALL TALKING AT ONCE]
>> NETTIE!

>> OH, NETTIE FOWLER!

>> HOLD YOUR HORSES!

>> GOT ANY OF THEM DOUGHNUTS
FRIED YET?

>> HOW ABOUT SOME APPLE
TURNOVERS?

>> I SAID, "HOLD YOUR HORSES!"
>> WHERE'S NETTIE?

>> IN THE KITCHEN, BUSIER THAN A
BEE IN A BUCKET OF TAR.

AND YOU OUGHTA BE ASHAMED,
MAKING YOURSELVES A PLAGUE AND A

NUISANCE WITH YOUR YELLING AND
SCREAMING AND CARRYING ON!

>> * GIVE IT TO 'EM GOOD, CARRIE
GIVE IT TO 'EM GOOD

>> GET AWAY
YOU NO-ACCOUNT NOTHING'S

WITH YOUR SILLY JOKES
AND PRATTLE

IF YOU PACKED ALL YOUR BRAINS
IN A BUTTERFLY'S HEAD

THEY'D STILL HAVE ROOM TO RATTLE
>> GIVE IT TO 'EM GOOD, CARRIE

GIVE IT TO 'EM GOOD
TELL 'EM SOMTHIN'

THAT'LL LEARN 'EM
>> GET AWAY

YOU ROUSTABOUT RIFF RAFF
WITH YOUR BELLIES FULL OF GROG

IF YOU PACKED ALL YOUR BRAINS
IN A POLYWOG'S HEAD

HE'D NEVER EVEN GROW
TO BE A FROG

>> NO, THE POLLYWOG
WOULD NEVER BE A FROG

THAT'LL LEARN 'EM
DARN 'EM

>> NOW JUST A MINUTE, LADIES
YOU GOT NO CALL TO FRET

WE ONLY ASKED POLITELY
IF YOU WAS READY YET

>> WE'D KINDA LIKE THIS CLAMBAKE
TO GET AN EARLY START

AND WANTED FER TO TELL YOU
WE WENT AND DONE OUR PART

>> LOOK AT THEM CLAMS
>> BEEN DIGGIN' 'EM SINCE SUN UP

>> LOOK AT THEM CLAMS
>> ALL READY FOR THE BOATS

>> LOOK AT THEM CLAMS
>> WE'RE ALL WORN OUT

AND DONE UP
>> AND WHAT'S MORE

WE'RE HUNGRY AS GOATS
>> YOU'LL GET NO DRINKS

OR VITTLES
TILL WE GET ACROSS THE BAY

SO PULL IN YOUR BELTS
AND LOAD THEM BOATS

AND LET'S GET UNDER WAY
THE SOONER WE SAIL

THE SOONER WE START
THE CLAMBAKE 'CROSS THE BAY *

[ALL TALKING AT ONCE]
>> HERE, BOYS!

DOUGHNUTS AND COFFEE!

FALL TO!

>> HEY, HEY! WATCH IT!

>> HERE NOW, DON'T JUMP AT IT
LIKE A BUNCH OF ANIMALS!

>> YOU'RE TOO GOOD TO THEM,
NETTIE.

AFTER THE WAY THEY'VE BEEN
PESTERING AND ANNOYING YOU!

>> OH, YOU CAN'T BLAME THEM.

THEY'VE BEEN DIGGING CLAMS SINCE
5:00 THIS MORNING.

SAW THEM MYSELF, DOWN ON THE
BEACH.

FIRST CLAMBAKE OF THE YEAR IS
ALWAYS LIKE THIS.

IT'S LIKE UNLOCKING A DOOR, AND
ALL THE CRAZY NOTIONS THEY KEPT

SHUT UP FOR THE WINTER COME
WHOOPING OUT IN THE SUNSHINE.

THIS YEAR'S JUST LIKE EVERY
OTHER!

* MARCH WENT OUT LIKE A LION
A-WHIPPIN' UP THE WATER

IN THE BAY
THEN APRIL CRIED

AND STEPPED ASIDE
AND ALONG COME

PRETTY LITTLE MAY
MAY WAS FULL OF PROMISES

BUT SHE DIDN'T KEEP 'EM
QUICK ENOUGH FOR SOME

AND A CROWD OF DOUBTIN' THOMASES
WAS PREDICTIN'

THAT THE SUMMER'D NEVER COME
>> BUT IT'S COMIN', BY GUM

YOU CAN FEEL IT COME
YOU CAN FEEL IT IN YOUR HEART

YOU CAN SEE IT IN THE GROUND
>> YOU CAN HEAR IT IN THE TREES

YOU CAN SMELL IT IN THE BREEZE
>> LOOK AROUND, LOOK AROUND

LOOK AROUND
>> JUNE IS BUSTIN' OUT ALL OVER

ALL OVER THE MEADOW
AND THE HILL

BUDS'RE BUSTIN' OUTTA BUSHES
AND THE ROMPIN' RIVER PUSHES

EV'RY LITTLE WHEEL
THAT WHEELS BESIDE A MILL

>> JUNE IS BUSTIN' OUT ALL OVER
>> THE FEELIN' IS GETTIN'

SO INTENSE
THAT THE YOUNG VIRGINIA CREEPERS

HEV BEEN HUGGIN' THE BEJEEPERS
OUTTA ALL THE MORNIN' GLORIES

ON THE FENCE
BECAUSE IT'S JUNE

>> JUNE, JUNE, JUNE
JUST BECAUSE IT'S JUNE

JUNE, JUNE
>> FRESH AND ALIVE

AND GAY AND YOUNG
JUNE IS A LOVE SONG

SWEETLY SUNG
>> JUNE IS BUSTING OUT ALL OVER

>> THE SAPLIN'S
ARE BUSTIN' OUT WITH SAP

>> LOVE HAS FOUND
MY BROTHER JUNIOR

>> AND MY SISTER'S EVEN LOONIER
>> AND MY MA IS GETTIN'

KITTENISH WITH PAP
>> JUNE IN BUSTIN' OUT ALL OVER

>> TO LADIES THE MEN
ARE PAYIN' COURT

LOTSA SHIPS ARE KEPT AT ANCHOR
JEST BECAUSE THE CAPTAINS HANKER

FER A COMFORT
THEY KEN ONLY GET IN PORT

>> BECAUSE IT'S JUNE
JUNE, JUNE, JUNE

JUST BECAUSE IT'S JUNE
JUNE, JUNE

>> JUNE MAKES THE BAY
LOOK BRIGHT AND NEW

SAILS GLEAMING WHITE
ON SUNLIT BLOOM

>> JUNE IS BUSTIN' OUT ALL OVER
THE OCEAN IS FULL

OF JACKS AND JILLS
WITH HER LITTLE TAIL A-SWISHIN

EV'RY LADY FISH IS WISHIN'
THAT A MALE WOULD COME

AND GRAB 'ER BY THE GILLS
>> JUNE IS BUSTIN' OUT ALL OVER

>> THE SHEEP
AREN'T SLEEPIN' ANYMORE

ALL THE RAMS
THAT CHASE THE EWE SHEEP

ARE DETERMINED
THERE'LL BE NEW SHEEP

AND THE EWE-SHEEP
AREN'T EVEN KEEPIN' SCORE

>> ON ACOUNTA IT'S JUNE
JUNE, JUNE, JUNE

JUST BECAUSE IT'S JUNE
JUNE, JUNE *

JUST BECAUSE IT'S JUNE
JUNE, JUNE *

* JUNE IS BUSTIN' OUT ALL OVER
>> THE BEACHES ARE CROWDED

EV'RY NIGHT
FROM PENNOBSCOT TO AUGUSTY

ALL THE BOYS ARE FEELIN' LUSTY
AND THE GIRLS

AIN'T EVEN PUTTIN' UP A FIGHT
>> BECAUSE IT'S JUNE

JUNE, JUNE, JUNE
JEST BECAUSE IT'S JUNE

JUNE, JUNE *
>> ALL RIGHT.

THAT'S ENOUGH OF THAT. COME ON.

>> HELLO, JULIE!

>> DID YOU FIND HIM?

>> NO.

BILLY WENT OUT WITH JIGGER
CRAIGIN LAST NIGHT AND

DIDN'T COME HOME.

>> JIGGER CRAIGIN?

>> HIS NEW FRIEND.

HE'S A SAILOR ON THAT WHALER
BOAT.

THEY SAIL TOMORROW, AND I'LL
BE GLAD.

>> WHY DON'T YOU TWO VISIT FOR A
WHILE?

LOOK, GIRLS, WE GOT WORK TO DO.

C'MON.

>> YOU NEED ME, COUSIN NETTIE?

>> NO.

YOU STAY HERE AND VISIT WITH
CARRIE.

YOU HAVEN'T SEEN EACH OTHER IN
A LONG TIME.

IT'LL DO YOU GOOD.

>> IS HE WORKING YET?

>> NO.

NETTIE'S BEEN REAL GOOD TO US,
LETTING US STAY HERE WITH HER.

>> MR. SNOW SAYS A MAN WHO
CAN'T FIND WORK THESE DAYS IS

JUST BONE LAZY.

>> BILLY DON'T KNOW ANY TRADE.

HE'S ONLY GOOD AT WHAT HE USED
TO DO.

SO NOW HE JUST DOESN'T DO
ANYTHING.

>> WELL, WOULDN'T THAT CAROUSEL
WOMAN TAKE HIM BACK?

>> I THINK SHE WOULD, BUT HE
WON'T GO.

I ASKED HIM WHY, AND HE WON'T
TELL ME...

AND LAST MONDAY...

HE HIT ME.

>> DID YOU HIT HIM BACK?

>> NO.

>> WHY DON'T YOU LEAVE HIM?

>> I DON'T WANT TO LEAVE HIM.

>> WELL, I WOULD. I'D LEAVE HIM.

HE THINKS HE CAN DO WHATEVER HE
LIKES JUST BECAUSE HE'S BILLY

BIGELOW.

HE DON'T SUPPORT YOU!

HE BEATS YOU?

HE'S A BAD ONE!

>> HE AIN'T WILLINGLY OR
MEANINGLY BAD.

>> THAT NIGHT WHEN YOU SAT ON
THE BENCH TOGETHER.

HE WAS GENTLE THEN, YOU SAID.

BUT NOW HE'S ALWAYS ACTING UP...

>> NOT ALWAYS.

SOMETIMES HE'S GENTLE.

EVEN NOW.

AFTER SUPPER, HE STANDS OUT
HERE AND HE LISTENS TO THE MUSIC

FROM THE CAROUSEL.

SOMETHING COMES OVER HIM.

AND HE'S GENTLE.

>> WHAT'S HE SAY?

>> NOTHING.

HE JUST SITS AND GETS
REAL THOUGHTFUL.

YOU SEE, HE'S UNHAPPY BECAUSE HE
AIN'T WORKING.

THAT'S WHY HE HIT ME MONDAY.

>> FINE REASON FOR HITTING YOU.

BEATS HIS WIFE BECAUSE HE AIN'T
WORKING.

>> IT PREYS ON HIS MIND.

>> DID HE HURT YOU?

>> OH, NO.

NO.

>> OH, JULIE...

I GOT SOME GOOD NEWS
TO TELL YOU ABOUT ME...

ABOUT MR. SNOW AND ME.

>> YEAH?

>> WE'RE GOING TO BE CRYING IN
CHURCH NEXT SUNDAY!

>> OH, THAT'S GREAT!

>> EVERYBODY, STOP IT! STOP IT!

DON'T ALL COME AT ME TOGETHER!

>> HOW LONG HAVE YOU BEEN
BESPOKE?

>> NEAR ONTO TWO MONTHS.

JULIE WAS THE FIRST TO KNOW!

>> WELL, WHAT'S HE LIKE, JULIE?

>> WELL, JULIE'S NEVER SEEN HIM.

BUT YOU ALL WILL SOON.

HE'S COMING HERE.

I ASKED HIM TO THE CLAMBAKE.

>> I CAN'T HARDLY WAIT TO SEE
HIM!

>> I CAN'T HARDLY WAIT FOR THE
WEDDING!

>> ME EITHER!

>> WHAT A DAY THAT'LL BE FOR
YOU!

>> * WHEN YOU WALK
DOWN THE AISLE

ALL THE HEADS WILL TURN
WHAT A RUSTLIN' OF BONNETS

THERE'LL BE
AND YOU'LL TRY TO SMILE

BUT YOUR CHEEKS WILL BURN
AND YOUR EYES'LL GET SO DIM

YOU CAN HARDLY SEE
WITH YOUR ORANGE BLOSSOMS

QUIVERIN' IN YOUR HAND
YOU'LL STUMBLE TO THE SPOT

WHERE THE PARSON IS
THEN YOUR FINGER WILL BE RINGED

WITH A GOLDEN BAND
AND YOU'LL KNOW

THE FELLER'S YOURS
AND YOU ARE HIS

>> WHEN I MARRY MR. SNOW
>> WHAT A DAY

WHAT A DAY
>> THE FLOWERS'LL BE BUZZING

WITH THE HUM OF BEES
>> THE BIRDS'LL MAKE A RACKET

IN THE CHURCH YARD TREES
>> WHEN I MARRY MR. SNOW

>> HEIGH-HO
>> THEN IT'S OFF

TO HOME WE'LL GO
>> SPILLIN' RICE ON THE WAY

>> AND BOTH OF US'LL LOOK
A LITTLE DREAMY-EYED

A-DRIVIN' TO A COTTAGE
BY THE OCEANSIDE

WHERE THE SALTY BREEZES BLOW
>> YOU AND MR. SNOW

>> HE'LL CARRY ME
'CROSS THE THRESHOLD

AND I'LL BE AS MEEK AS A LAMB
THEN HE'LL SET ME ON MY FEET

AND I'LL SAY KIND OF SWEET
"WELL, MR. SNOW, HERE I AM"

>> THEN I'LL KISS HER
SHOW SHE'LL KNOW

>> MR. SNOW!

>> MR. SNOW!

>> THAT EV'RYTHING'LL BE
AS RIGHT AS RIGHT CAN BE

A-LIVIN' IN A COTTAGE
BY THE SEA WITH ME

WHERE THE SALTY BREEZES BLOW
I LOVE MISS PIPPERIDGE

AND I AIM TO
MAKE MISS PIPPERIDGE

CHANGE HER NAME TO
MRS. ENOCH SNOW *

CHANGE HER NAME TO
MRS. ENOCH SNOW *

>> I'M SO EMBARRASSED,
I'LL NEVER LOOK HIM IN THE FACE

AGAIN!

NEVER!

>> COME ON IN AND LEAVE THE LOVE
BIRDS ALONE.

>> SURPRISED?

>> SURPRISED?

I'M MORTIFIED!

>> HA HA HA! AHH...

>> AHH, WELL, THIS IS HIM.

>> CARRIE'S TOLD ME A LOT ABOUT
YOU.

>> I TOLD YOU A LOT ABOUT JULIE,
DIDN'T I?

>> CARRIES TELLS ME YOU'RE
COMING TO THE CLAMBAKE.

>> LOOKS LIKE WE'LL HAVE GOOD
WEATHER FOR IT, TOO.

>> NOT A CLOUD IN THE SKY.

>> YOU'RE RIGHT.

>> HE DON'T SAY MUCH, BUT WHAT
HE DOES SAY IS AWFUL PITHY.

>> I BROUGHT YOU SOME FLOWERS!

>> FLOWERS? WHERE ARE THEY?

OH, LOOK. SEEDS. HOORAY.

>> THERE'S GERANIUM.

AND HYDRANGEA.

THOUGHT WE'D PLANT THOSE
IN FRONT OF THE COTTAGE.

THEY DO GOOD IN THE SALT AIR.

>> THEY'LL BE BEAUTIFUL!

>> WELL, AIN'T YOU GONNA WISH US
LUCK?

>> OF COURSE!

ALL THAT YOUR ARMS CAN HOLD!

>> WHY ARE YOU CRYING, MRS....

MRS....

>> IT'S BECAUSE SHE HAS SUCH A
GOOD HEART.

>> WELL, WE THANK YOU FOR YOUR
HEARTFELT SYMPATHIES, MRS....

MRS....

>> BIGELOW.

MRS. BILLY BIGELOW.

THAT'S MY NAME, MRS....

BILLY, OH, YOU REMEMBER CARRIE.

AND THIS IS HER INTENDED,
MR. SNOW.

>> MR. BIGELOW!

I ALMOST FEEL I KNOW YOU.

>> HOW ARE YOU?

>> OH, I'M DOING PRETTY WELL.

JUST GETTING OVER A LITTLE
CHEST COLD.

THIS TIME OF YEAR, YOU KNOW...

>> BILLY...

>> ALL RIGHT, SAY IT!

I STAYED OUT ALL NIGHT.

I AIN'T WORKING.

I'M LIVING OFF OF YOUR
COUSIN NETTIE.

>> I DIDN'T SAY ANYTHING!

>> NO, BUT IT WAS ON THE TIP OF
YOUR TONGUE!

>> BE SURE AND BE BACK IN TIME
FOR THE CLAMBAKE!

>> I AIN'T GOING TO NO CLAMBAKE!

COME ON, JIGGER!

>> GLAD YOU AIN'T GOT NO
WHOOP-JAMBOREE NOTIONS LIKE

BILLY.

>> WELL, CARRIE, IT ALWAYS
SEEMED TO ME THAT A MAN HAS GOT

ENOUGH TO WORRY ABOUT, GETTING A
GOOD SLEEP AT NIGHT SO HE CAN

PUT IN A GOOD DAY'S WORK THE
NEXT DAY, WITHOUT GOING OUT AND

LOOKING FOR ANY SPECIAL TROUBLE.

>> THAT'S TRUE, ENOCH.

>> A MAN HAS GOT TO MAKE PLANS
FOR HIS LIFE AND THEN HE'S GOT

TO STICK TO THEM.

>> YOUR PLANS ARE WORKING OUT
JUST FINE, AIN'T THEY, ENOCH?

>> ALL ACCORDING TO SCHEDULE, SO
FAR.

* I OWN A LITTLE HOUSE
AND I SAIL A LITTLE BOAT

AND THE FISH I CATCH I SELL
AND IN A MANNER OF SPEAKIN'

I'M DOIN' VERY WELL
I LOVE A LITTLE GIRL

AND SHE'S IN LOVE WITH ME
AND SOON SHE'LL BE MY BRIDE

AND IN A MANNER OF SPEAKIN'
I SHOULD BE SATISFIED *

>> WELL, AIN'T YOU?

>> * IF I TOLD YOU MY PLANS
AND THE THINGS I INTEND

IT'D MAKE EV'RY CURL
ON YOUR HEAD STAND ON END

WHEN I MAKE ENOUGH MONEY
OUT OF ONE LITTLE BOAT

I'LL PUT ALL OF MY MONEY
IN ANOTHER LITTLE BOAT

I'LL MAKE TWICE AS MUCH
OUTTA TWO LITTLE BOATS

AN' THE FIRST THING YOU KNOW
I'LL HAVE FOUR LITTLE BOATS

THEN EIGHT LITTLE BOATS
THEN A FLEET OF LITTLE BOATS

THEN A GREAT BIG FLEET
OF GREAT, BIG BOATS

ALL CATCHIN' HERRING
BRINGIN' IT TO SHORE

SAILIN' OUT AGAIN
AN' BRINGIN' IN MORE

AN' MORE AN' MORE AN' MORE *
>> WHO'S GONNA EAT ALL THAT

HERRING?

>> AH, THEY AIN'T GOING TO BE
HERRING.

GOING TO PUT THEM IN CANS AND
CALL THEM SARDINES.

I'M GOING TO BUILD A LITTLE
CANNERY, THEN A BIG CANNERY,

THEN THE BIGGEST ONE IN THE
WHOLE COUNTRY!

OH, CARRIE, I'M GOING TO GET
RICH ON SARDINES!

I MEAN, WE'RE GOING TO GET RICH,
YOU AND ME!

I MEAN, YOU AND ME AND...ALL
OF US!

* THE FIRST YEAR WE'RE MARRIED
WE'LL HAVE ONE LITTLE KID

THE SECOND YEAR, WE'LL GO
AND HAVE ANOTHER LITTLE KID

YOU'LL SOON BE DARNIN' SOCKS
FOR EIGHT LITTLE FEET

>> ARE YOU BUILDIN' UP
TO ANOTHER FLEET?

>> WE'LL BUILD A LOT MORE ROOMS
OUR DEAR LITTLE HOUSE

WILL GET BIGGER
OUR DEAR LITTLE HOUSE

WILL GET BIGGER
>> AN' SO WILL MY FIGGER *

>> CARRIE, CAN YOU IMAGINE HOW
IT'LL BE WHEN THE CHILDREN ARE

UPSTAIRS IN BED, AND YOU AND ME
SIT ALONE BY THE FIRESIDE?

ME IN MY ARMCHAIR, YOU ON MY
KNEE, MAYBE?

>> MAYBE.

>> * WHEN THE CHILDREN
ARE ASLEEP

WE'LL SIT AND DREAM
THE THINGS THAT EVERY OTHER

DAD AND MOTHER DREAM
WHEN THE CHILDREN ARE ASLEEP

AND LIGHTS ARE LOW
IF I STILL LOVE YOU

THE WAY I LOVE YOU TODAY
YOU'LL PARDON MY SAYIN'

I TOLD YOU SO
WHEN THE CHILDREN ARE ASLEEP

I'LL DREAM WITH YOU
WE'LL THINK WHAT FUN

WE HAVE HAD
AND BE GLAD

THAT IT ALL CAME TRUE
>> WHEN THE CHILDREN ARE AWAKE

A-ROMPIN' THROUGH THE ROOMS
OR RUNNIN' ON THE STAIRS

THEN, IN A MANNER OF SPEAKIN'
THE HOUSE IS REALLY THEIRS

BUT ONCE THEY CLOSE THEIR EYES
AND WE ARE LEFT ALONE

AND FREE FROM ALL THEIR FUSS
THEN, IN A MANNER OF SPEAKIN'

WE CAN BE REALLY US
WHEN THE CHILDREN ARE ASLEEP

WE'LL SIT AND DREAM
>> DREAM ALL ALONE

>> THE THINGS THAT EVERY OTHER
DAD AND MOTHER DREAM

>> DREAMS THAT WON'T BE
INTERRUPTED

WHEN THE CHILDREN ARE ASLEEP
AND LIGHTS ARE LOW

>> HOLD AND BEHOLD
IF I STILL LOVE YOU

THE WAY I LOVE YOU TODAY
YOU'LL PARDON MY SAYIN'

I TOLD YOU SO
WHEN THE CHILDREN ARE ASLEEP

I'LL DREAM WITH YOU
>> YOU'LL DREAM WITH ME

>> WE'LL THINK WHAT FUN
WE HAVE HAD

AND BE GLAD
THAT IT ALL CAME TRUE

>> WHEN TODAY IS A LONG TIME AGO
>> YOU'LL STILL HEAR ME SAY

THAT THE BEST DREAM I KNOW
IS YOU

>> WHEN THE CHILDREN
ARE ASLEEP

I DREAM WITH YOU *
>> COME HERE. HA HA HA!

WHOO HOO! HA HA HA! WHEW! HA HA!

>> BLOW HIGH, BLOW LOW
AWAY THEN WE WILL GO

WE'LL GO AWAY
IN THE SAILIN' AWAY

AWAY WE'LL GO
BLOW ME HIGH AN' LOW

FOR MANY AN' MANY
A LONG, LONG DAY

FOR MANY AN' MANY
A LONG, LONG DAY

BLOW HIGH, BLOW LOW... *
>> HEY, BILLY! WHERE YOU GOING?

HUH? STICK WITH ME.

AFTER WE GET RID OF MY
SHIPMATES, I GOTTA TALK TO YOU.

I GOT AN IDEA FOR YOU AND ME TO
MAKE MONEY.

>> WHAT? HEY, HOW MUCH?

>> MORE THAN YOU EVER SAW IN
YOUR LIFE!

>> HEY, JIGGER!

COME BACK HERE!

>> * LONG, LONG DAY
>> THE PEOPLE WHO LIVE ON LAND

ARE HARD TO UNDERSTAND
WHEN YOU'RE LOOKIN' FOR FUN

THEY CLAP YOU INTO JAIL
SO I'M SHIPPING OFF TO SEA

WHERE LIFE IS GAY AN' FREE
AN' A FELLA CAN FLIP A HOOK

IN THE HIP OF A WHALE
>> BLOW HIGH, BLOW LOW

A-WHALIN' WE WILL GO
WE'LL GO A-WHALIN'

A-SAILIN' AWAY
AWAY WE'LL GO

BLOW ME HIGH AN' LOW
FOR MANY AN' MANY

A LONG, LONG DAY
FOR MANY AN' MANY

A LONG, LONG DAY
>> IT'S WONDERFUL JUST TO FEEL

YOUR HANDS UPON A WHEEL
AN' LISTEN TO WIND A-WHISTLIN'

IN A SAIL
OR TO CLIMB ALOFT AN' BE

THE VERY FIRST TO SEE
A CHRYSANTHEMUM SPOUT COME OUT

OF THE SNOUT OF A WHALE
>> BLOW HIGH, BLOW LOW

A-WHALIN' WE WILL GO
WE'LL GO A-WHALIN'

A-SAILIN' AWAY
AWAY WE'LL GO

BLOW ME HIGH AN' LOW
FOR MANY AN' MANY

A LONG, LONG DAY
FOR MANY AN' MANY

A LONG, LONG DAY
>> A-ROCKIN' UPON THE SEA

YOUR BOAT WILL SEEM TO BE
LIKE A DEAR, LITTLE BABY

IN HER BASSINET
FOR SHE HASN'T LEARNED TO WALK

AN' SHE HASN'T LEARNED TO TALK
AN' A LITTLE BEHIND

IS KIND OF INCLINED TO BE WET
>> BLOW HIGH, BLOW LOW

A-WHALIN' WE WILL GO
WE'LL GO A-WHALIN'

A-SAILIN' AWAY
AWAY WE'LL GO

BLOW ME HIGH AN' LOW
FOR MANY AN' MANY

A LONG, LONG DAY
FOR MANY AN' MANY

A LONG, LONG DAY *
>> AH! THERE YOU GO!

[ALL TALKING AT ONCE]
I TELL YOU, IT'S AS SAFE AS

SELLING CAKES.

THAT FELLER BASCOMBE THAT OWNS
THE MILL ALSO OWNS MY SHIP.

AND TONIGHT HE'S TAKING
$3,000 OR $4,000

DOWN TO THE CAPTAIN BY HISSELF.

SO TELL YOUR WIFE WE'RE GOING TO
THAT CLAMBAKE.

>> CLAMBAKE? WHY?

>> SAY WE'RE ALL ON THE ISLAND,
HUH, YOU AND I HOP A BOAT,

COME OVER HERE, DO WHAT WE
GOT TO DO, THEN HURRY BACK.

THERE'S YOUR ALIBI.

WE JUST SAY WE GOT LOST ON THE
ISLAND ALL THAT TIME.

>> WHAT DO I GOT TO DO?

>> YOU GO UP TO THE GUY, AND YOU
SAY, "EXCUSE ME, SIR.

DO YOU HAVE THE TIME?"
BY THEN, I GOT MY KNIFE IN HIS

RIBS.

THEN YOU TAKE YOUR KNIFE...

>> DOES HE HAVE TO BE KILLED?

>> NO, DOESN'T HAVE TO BE.

HE CAN GIVE UP THE MONEY WITHOUT
BEING KILLED.

BUT THESE NEW ENGLANDERS ARE
FUNNY.

THEY'D RATHER BE KILLED.

WELL?

>> I WON'T DO IT.

IT'S DIRTY!

>> YOU'RE OUT OF A JOB, AND YOU
GOT A WIFE TO SUPPORT.

>> YOU SHUT UP ABOUT MY WIFE!

WHAT DO YOU WANT?

>> I COME TO TALK BUSINESS!

>> BUSINESS!

>> STILL HANGING AROUND YOUR
JAILBIRD FRIEND, I SEE.

>> IF THERE'S ONE THING I CAN'T
ABIDE, IT'S THE COMMON TYPE OF

WOMAN.

>> WHAT ARE YOU DOING HERE,
MRS. MULLIN?

YOUR NEW BARKER AIN'T AS GOOD
AS ME?

>> WELL, THOSE FOOL GIRLS KEEP
ASKING FOR YOU.

THEY MISS YOU, SEE?

ARE YOU GOING TO BE SENSIBLE AND
COME BACK?

I GOT A NEW ORGAN.

>> YEAH, I CAN HEAR IT FROM
HERE.

I LISTEN TO IT EVERY NIGHT.

IT'S GOT A NICE TONE.

>> YOU AIN'T CUT OUT TO BE A
RESPECTABLE MARRIED MAN.

YOU'RE AN ARTIST.

YOU BELONG AMONGST ARTISTS.

>> WHAT, AND LEAVE JULIE?

>> YOU BEAT HER, DON'T YOU?

>> I DON'T BEAT HER.

WHAT'S ALL THIS DAMN-FOOL TALK
ABOUT BEATING?

I HIT HER ONCE, NOW THE
WHOLE TOWN...

THE NEXT ONE I HEAR,
I WILL SMASH.

>> ALL RIGHT, ALL RIGHT!

I TAKE IT BACK.

I DON'T WANT TO GET MIXED UP IN
IT.

>> BEATING HER!

AS IF I'D BEAT HER!

>> WHAT DOES IT MATTER ONE WAY
OR ANOTHER?

LOOK AT THIS THING STRAIGHT.

YOU'VE BEEN MARRIED FOR TWO
MONTHS, AND YOU'RE SICK OF IT.

>> I DUNNO.

I MIGHT GO BACK.

I COULD STILL GO ON LIVING HERE
WITH JULIE.

>> HA HA!

CAN'T YOU IMAGINE HOW THE
GIRLS WOULD LOVE THAT?

A BARKER WHO RUNS HOME TO HIS
WIFE EVERY NIGHT?

WHY, PEOPLE WOULD LAUGH
THEMSELVES SICK.

HA HA HA!

>> YOU WANT SOMETHING?

>> I BROUGHT YOU YOUR COFFEE.

>> I'LL DROP IN AT BASCOMBE'S
BANK FOR SOME SMALL CHANGE

FOR THE CAROUSEL.

I'LL BE BACK IN A FEW MINUTES
FOR YOUR ANSWER TO MY

PROPOSITION.

>> YOU GOT SOMETHING TO TELL
ME, MAKE IT QUICK.

>> I CAN'T TELL IT SO QUICK.

WHY DON'T YOU DRINK YOUR COFFEE
AND BY THE TIME YOU DRINK IT,

I'LL HAVE TOLD YOU?

>> WELL?

>> WELL, YESTERDAY MY HEAD ACHED
AND YOU ASKED ME IF I WERE SICK,

BUT IT WEREN'T NOTHING LIKE
THAT.

IT'S AWFUL HARD TO TELL YOU.

I AIN'T A BIT ASHAMED BECAUSE
IT'S PERFECTLY NATURAL

WHEN TWO PEOPLE LIVE TOGETHER
AND...

I'M GONNA HAVE A BABY.

>> YOU...

>> MM-HMM.

>> A BABY?

>> YEAH.

[BOTH LAUGH]
>> OH...

OH.

>> WHERE YOU GOING?

>> HEY, JIGGER!

JULIE'S GOING TO HAVE A BABY!

>> YEAH, WHAT ABOUT IT?

>> NOTHING!

>> MY MOTHER HAD A BABY ONCE.

>> HE'S HAVING IT OUT WITH HER,
I BET.

WHEN HE COMES BACK TO ME, I
AIN'T GONNA ALLOW HIM TO HANG

AROUND WITH YOU ANYMORE.

>> TUT-TUT-TUT.

CARNIVAL HUSSIE COMING BETWEEN A
MAN AND HIS WIFE!

>> OH, YEAH, CALL NAMES!

BUT I GOT HIM BACK JUST THE SAME
AND YOU'RE THROUGH!

>> PUT ON A NEW COAT A PAINT.

YOU'RE STARTING TO PEEL, YOU OLD
PLEASURE BOAT!

[CHUCKLES]
>> YOU'LL BE WANTING AN ADVANCE

ON YOUR SALARY.

IT'S ONLY FAIR, YOU BEING
OUT OF WORK SUCH A LONG TIME.

>> GO ON BACK TO YOUR CAROUSEL,
MRS. MULLIN.

>> WHAT DID SHE TELL YOU IN
THERE?

SOME LIES ABOUT ME, I BET!

>> NO, MRS. MULLIN.

NOTHING ABOUT YOU.

IT'S JUST ABOUT JULIE AND ME.

THE FACT OF THE MATTER IS, I'M
GOING TO BE A FATHER.

>> HA HA HA!

YOU? A FATHER? HA HA HA!

>> YOU GET THE HELL AWAY FROM
HERE, MRS. MULLIN!

GOOD-BYE, MRS. MULLIN!

>> [GASPS]
>> * I WONDER

WHAT HE'LL THINK OF ME
I GUESS HE'LL CALL ME

THE "OLD MAN"
I GUESS HE'LL THINK

I CAN LICK
EV'RY OTHER FELLER'S FATHER

WELL, I CAN
I BET THAT HE'LL

TURN OUT TO BE
THE SPITTIN' IMAGE

OF HIS DAD
BUT HE'LL HAVE

MORE COMMON SENSE
THAN HIS PUDDIN-HEADED FATHER

EVER HAD
I'LL TEACH HIM TO WRESTLE

AND DIVE THROUGH A WAVE
WHEN WE GO IN THE MORNIN'S

FOR OUR SWIM
HIS MOTHER CAN TEACH HIM

THE WAY TO BEHAVE
BUT SHE WON'T MAKE

A SISSY OUT O' HIM
NOT HIM

NOT MY BOY
NOT BILL *

BILL...

* MY BOY BILL
I WILL SEE THAT HE

IS NAMED AFTER ME
I WILL

MY BOY BILL
HE'LL BE TALL

AND AS TOUGH AS A TREE
WILL BILL

LIKE A TREE HE'LL GROW
WITH HIS HEAD HELD HIGH

AND HIS FEET PLANTED
FIRM ON THE GROUND

AND YOU WON'T SEE
NOBODY DARE TO TRY

TO BOSS HIM OR TOSS HIM AROUND
NO POT-BELLIED, BAGGY-EYED BULLY

WILL BOSS HIM AROUND
AND I DON'T GIVE A DAMN

WHAT HE DOES
AS LONG AS HE DOES

WHAT HE LIKES
HE CAN SIT ON HIS TAIL

OR WORK ON A RAIL
WITH A HAMMER

A-HAMMERING SPIKES
HE CAN FERRY A BOAT ON A RIVER

OR PEDDLE A PACK ON HIS BACK
OR WORK UP AND DOWN

THE STREETS OF A TOWN
WITH A WHIP AND A HORSE

AND A HACK
HE CAN HAUL A SCOW

ALONG A CANAL
RUN A COW AROUND A CORRAL

OR MAYBE BARK FOR A CAROUSEL
OF COURSE, IT TAKES TALENT

TO DO THAT WELL
HE MIGHT BE A CHAMP

OF THE HEAVYWEIGHTS
OR A FELLER THAT SELLS YOU GLUE

OR PRESIDENT
OF THE UNITED STATES

THAT'D BE ALL RIGHT, TOO *
HIS MOTHER WOULD LIKE THAT,

BUT HE WOULDN'T BE PRESIDENT
UNLESS HE WANTED TO BE.

* NOT BILL
MY BOY, BILL

HE'LL BE TALL
AND AS TOUGH AS A TREE

WILL BILL
LIKE A TREE HE'LL GROW

WITH HIS HEAD HELD HIGH
AND HIS FEET PLANTED

FIRM ON THE GROUND
AND YOU WON'T SEE NOBODY

DARE TO TRY
TO BOSS HIM OR TOSS HIM AROUND

NO FAT-BOTTOMED, FLABBY-FACED
POT-BELLIED, BAGGY-EYED BASTARD

WILL BOSS HIM AROUND
AND I'M DAMNED IF HE'LL MARRY

HIS BOSS' DAUGHTER
A SKINNY-LIPPED VIRGIN

WITH BLOOD LIKE WATER
WHO'LL GIVE HIM A PECK

AND CALL IT A KISS
AND LOOK IN HIS EYES

THROUGH A LORGNETTE *
SAY, WHY AM I CARRYIN' ON LIKE

THIS?

* MY KID AIN'T EVEN
BEEN BORN YET

I CAN SEE HIM
WHEN HE'S SEVENTEEN OR SO

AND STARTIN' TO GO WITH A GIRL
I CAN GIVE HIM LOTS

OF POINTERS, VERY SOUND
ON THE WAY TO GET 'ROUND

ANY GIRL
I CAN TELL HIM... *

WAIT A MINUTE!

COULD IT BE?

WHAT THE HELL?

WHAT IF HE IS A GIRL?

BILL?

OH, BILL!

WHAT WOULD I DO WITH HER?

WHAT COULD I DO FOR HER?

A BUM WITH NO MONEY!

* YOU CAN HAVE FUN WITH A SON
BUT YOU GOTTA BE A FATHER

TO A GIRL
SHE MIGHTN'T BE SO BAD, AT THAT

A KID WITH RIBBONS IN HER HAIR
A KIND O' NEAT AND PETITE

LITTLE TINTYPE OF HER MOTHER
WHAT A PAIR

MY LITTLE GIRL
PINK AND WHITE

AS PEACHES AND CREAM IS SHE
MY LITTLE GIRL

IS HALF AGAIN AS BRIGHT
AS GIRLS ARE MEANT TO BE

DOZENS OF BOYS PURSUE HER
MANY A LIKELY LAD

DOES WHAT HE CAN TO WOO HER
FROM HER FAITHFUL DAD

SHE HAS A FEW
PINK AND WHITE YOUNG FELLERS

OF TWO AND THREE
BUT MY LITTLE GIRL

GETS HUNGRY EV'RY NIGHT
AND SHE COMES HOME TO ME *

LITTLE GIRL. MY LITTLE GIRL!

* I GOT TO GET READY
BEFORE SHE COMES

I GOT TO MAKE CERTAIN THAT SHE
WON'T BE DRAGGED UP IN SLUMS

WITH A LOT O' BUMS LIKE ME
SHE'S GOT TO BE SHELTERED

AND FED AND DRESSED
IN THE BEST THAT MONEY CAN BUY

I NEVER KNEW HOW TO GET MONEY
BUT I'LL TRY

BY GOD, I'LL TRY
I'LL GO OUT AND MAKE IT

OR STEAL IT
OR TAKE IT

OR DIE *
>> HEY, YOU ROUSTABOUTS!

TIME TO GET GOING!

COME AND HELP US CARRY
EVERYTHING ON THE BOATS.

HEY, BILLY.

WHAT'S THIS JULIE SAYS ABOUT YOU
NOT GOING TO THE CLAMBAKE?

>> CLAMBAKE?

I MIGHT GO, AFTER ALL.

>> I'LL TELL JULIE YOU'RE
COMING.

SHE'LL BE TICKLED PINK.

>> JIGGER, I CHANGED MY MIND
ABOUT THAT CLAMBAKE AND...

EVERYTHING YOU SAID.

I GOTTA GET MONEY ON ACCOUNT OF
THE BABY, SEE?

>> SURE, THE BABY.

WE JUST NEED TO GET A KNIFE.

I ONLY GOT A POCKET KNIFE, AND
IF HE SHOWS ANY FIGHT, WE'LL

NEED A REAL ONE.

GO INSIDE AND TAKE ONE FROM THE
KITCHEN.

>> WHAT IF SOMEONE SEES ME?

>> TAKE IT SO THEY DON'T SEE
YOU!

>> BILLY, IS IT TRUE?

ARE YOU COMING WITH US?

>> I THINK SO. YES.

>> WE'LL HAVE A BARREL OF FUN.

I'LL SHOW YOU THE WHOLE ISLAND.

KNOW EVERY INCH OF IT.

I'VE BEEN GOING TO PICNICS THERE
SINCE I BEEN A LITTLE GIRL.

>> BILLY, YOU BETTER GO AND
GET THAT...

>> GET WHAT?

>> WELL...

>> THAT SHAWL.

BILLY SAID YOU OUGHTA HAVE A
SHAWL.

GETS COLD AT NIGHTS.

FOGS COME UP.

AIN'T THAT WHAT YOU SAID?

>> THAT'S RIGHT.

I BETTER GO GET IT, THE SHAWL.

>> THAT WAS REAL THOUGHTFUL OF
YOU, BILLY.

>> COME ON, ALL!

>> * JUNE IS BUSTIN' OUT
ALL OVER

THE FLOWERS ARE BUSTIN'
FROM THEIR SEED

>> AND THE PLEASANT LIFE
OF RILEY

THAT IS SPOKEN OF SO HIGHLY
IS THE LIFE

THAT EV'RYBODY WANTS TO LEAD
>> BECAUSE IT'S JUNE

JUNE, JUNE, JUNE
JEST BECAUSE IT'S JUNE

JUNE, JUNE
BECAUSE IT'S JUNE

BECAUSE IT'S JUNE
BECAUSE IT'S JUNE

BECAUSE IT'S JUNE *

[APPLAUSE]

[APPLAUSE]

[ORCHESTRA PLAYING]

>> I DUNNO AS I SHOULD HAVE
EATEN THEM LAST 4 DOZEN CLAMS!

[LAUGHTER]
>> * THIS WAS A REAL NICE

CLAMBAKE
WE'RE MIGHTY GLAD WE CAME

THE VITTLES WE ET WERE GOOD,
YOU BET, THE COMPANY

WAS THE SAME.

OUR HEARTS ARE WARM, OUR
BELLIES ARE FULL, AND WE ARE

FEELING PRIME.

THIS WAS A REAL NICE CLAMBAKE,
AND WE ALL HAD A REAL

GOOD TIME *
>> AHH.

>> * FUST COME CODFISH CHOWDER
COOKED IN IRON KETTLES,

ONIONS FLOATING ON THE TOP,
CURLIN' UP IN PETTALS.

>> THROW'D IN RIBBONS OF
SALTED PORK.

>> AN OLD NEW ENGLAND TRICK.

>> AND LAPPED IT ALL UP WITH
A CLAMSHELL, TIED ONTO A

BAYBERRY STICK.

>> OH...

THIS WAS A REAL NICE CLAMBAKE,
WE'RE MIGHTY GLAD WE CAME.

THE VITTLES WE ET
WERE GOOD, YOU BET,

THE COMPANY WAS THE SAME.

OUR HEARTS ARE WARM, OUR
BELLIES ARE FULL, AND WE ARE

FEELING PRIME.

THIS WAS A REAL NICE CLAMBAKE,
AND WE ALL HAD A REAL GOOD TIME.

>> REMEMBER WHEN WE RAKED
THEM RED HOT LOBSTERS OUT OF

THE DRIFTWOOD FIRE?

THEY SIZZLED AND CRACKLED AND
SPUTTERED A SONG

FITTIN' FOR AN ANGELS' CHOIR.

>> FITTIN' FOR AN ANGELS',
FITTIN' FOR AN ANGELS',

FITTIN' FOR AN ANGELS' CHOIR.

>> WE SLIT 'EM DOWN THE BACK
AND PEPPERED 'EM GOOD, AND

DOUSED 'EM IN MELTED BUTTER.

>> THEN WE TORE AWAY THE
CLAWS AND CRACKED 'EM WITH OUR

TEETH CUZ WE WEREN'T IN THE
MOOD TO PUTTER.

>> FITTIN' FOR AN ANGELS',
FITTIN' FOR AN ANGELS', FITTIN'

FOR AN ANGELS' CHOIR.

>> THEN AT LAST COME THE CLAMS.

>> STEAMED UNDER ROCKWEED AND
POPPIN' FROM THEIR SHELLS.

JUST HOW MANY OF 'EM
GALLOPED DOWN OUR GULLETS,

WE COULDN'T SAY OURSELVES!

OH...

THIS WAS A REAL NICE CLAMBAKE,
WE'RE MIGHTY GLAD WE CAME.

THE VITTLES WE ET
WERE GOOD, YOU BET,

THE COMPANY WAS THE SAME.

OUR HEARTS ARE WARM, OUR
BELLIES ARE FULL, AND WE ARE

FEELING PRIME.

THIS WAS A REAL NICE CLAMBAKE,
AND WE ALL HAD A REAL GOOD TIME.

WE SAID IT 'AFORE AND WE'LL SAY
IT AGAIN, WE ALL HAD A REAL

GOOD TIME! *
[APPLAUSE]

GOOD TIME! *
[APPLAUSE]

>> HEY, NETTIE!

AIN'T IT ABOUT TIME THE BOYS
STARTED THEIR TREASURE HUNT?

>> NOBODY'S HUNTING ANY TREASURE
TILL WE GET THIS ISLAND

CLEANED UP.

GET TO WORK, THE WHOLE KIT AND
KABOODLE OF YOU!

>> [GRUMBLING]
>> HEY, JIGGER!

AIN'T IT NEAR TIME WE START?

>> NO. WE'LL WAIT TILL THEY'RE
READY FOR THE TREASURE HUNT.

THAT'LL BE A GOOD WAY FOR YOU
AND ME TO LEAVE.

WE'RE A TEAM, SEE?

THEN WE GET LOST TOGETHER
LIKE I SAID.

THAT'S A WELL-SET-UP LITTLE
PIECE, THAT CARRIE.

>> LOOK, JIGGER, YOU AIN'T
GOT TIME FOR GIRLS TONIGHT.

>> SURE I DO. YOU KNOW ME,
QUICK OR NOTHING.

WHY DO YOU KEEP PUTTING
YOUR HAND ON YOUR CHEST?

>> MY HEART'S LEAPING UP AND
DOWN UNDERNEATH THIS KNIFE.

>> PUT IT ON THE OTHER SIDE.

>> MR. BIGELOW, JULIE SAYS
YOU SHOULD COME HELP HER.

>> WAIT A MINUTE.

I DON'T FEEL TOO WELL.

>> OH, MAYBE THE CLAMS NOT
SETTING SO GOOD ON YOUR STOMACH.

>> MAYBE. OR MAYBE IT'S CAUSE
YOU'RE SWEETER THAN SUGAR AND

I'M CRAZY FOR YOU!

THERE'S NOTHING I WOULDN'T
DO FOR YOU!

I WOULD SWIM THROUGH BEER
WITH MY MOUTH CLOSED!

>> MR. CRAIGIN!

ENOCH AND ME ARE GOING TO BE
MARRIED IN CHURCH NEXT SUNDAY!

>> ONE MEASLY LITTLE KISS!

>> ENOCH WOULDN'T LIKE IT!

>> I DON'T WANNA KISS ENOCH!

>> THAT'S ENOUGH OR I'LL SCREAM!

>> MY APOLOGIES, MISS
PIPPERIDGE. I LET THE BRUTE

COME OUT IN ME.

>> I THINK I UNDERSTAND,
MR. CRAIGIN.

>> YOU'RE LUCKY I WASN'T A
DIFFERENT SORT OF FELLA.

YOU KNOW, UNPRINCIPLED.

EVERY GIRL OUGHT TO KNOW HOW TO
DEFEND HERSELF AGAINST

BEASTS LIKE THAT.

I COULD TEACH YOU, I SUPPOSE.

>> WELL, I AIN'T STRONG ENOUGH.

>> IT DON'T TAKE STRENGTH.

IT'S ALL BALANCE.

HERE, LET ME JUST SHOW YOU
AN EASY ONE.

THIS MIGHT SAVE YOUR LIFE
SOMEDAY.

I'M GONNA TEACH YOU HOW TO
PICK A FELLA UP AND SEND HIM

SPRAWLING.

NOW I'LL STAND HERE AND GET
AHOLD...WAIT A MINUTE.

I'LL DO IT TO YOU FIRST.

AND THEN YOU DO IT TO ME.

STAND AND RELAX.

>> WHOO!

>> THIS IS HOW FIREMEN
CARRY PEOPLE.

>> IS IT?

>> SEE HOW HELPLESS YOU CAN
MAKE A FELLA IF HE GETS FRESH

WITH YOU?

>> MR. CRAIG...HELLO, ENOCH!

THIS IS THE WAY FIREMEN CARRY
PEOPLE.

>> WHERE'S THE FIRE?

[LAUGHTER]
>> HE WAS JUST SHOWING ME

HOW TO DEFEND MYSELF.

>> IT DIDN'T LOOK LIKE YOU'D
LEARNED VERY MUCH BY THE

TIME I CAME!

>> OH. WELL, YOU SEE...

>> I DO, INDEED!

AND I CAN'T ABIDE WOMEN WHO ARE
FREE, LOOSE, AND LOLLYGAGGIN'.

AND I CERTAINLY WOULD NEVER
MARRY ONE.

>> BUT, ENOCH!

>> LEAVE ME, PLEASE.

LEAVE ME ALONE WITH MY
SHATTERED DREAMS.

THEY'RE ALL I HAVE LEFT!

MEMORIES OF WHAT DIDN'T HAPPEN!

>> OH!

OH!

>> * GERANIUMS IN THE WINDER
HYDRANGEAS ON THE LAWN

AND BREAKFAST IN THE KITCHEN
IN THE TIMID PINK OF DAWN

AND YOU TO BLOW ME KISSES
AS I HEADED FOR THE SEA

WE MIGHT HAVE BEEN A HAPPY
PAIR OF LOVERS,

MIGHTN'T HAVE WE? *
>> [CRYING]

>> * AND COMIN' HOME AT TWILIGHT
IT MIGHT HAVE BEEN SO SWEET TO

TAKE MY CATCH OF HERRING AND
LAY 'EM AT YOUR FEET

I MIGHT HAVE HAD A BABY *
>> WHAT?

>> * TO DANDLE ON MY KNEE
BUT ALL THESE THINGS THAT

MIGHT HAVE BEEN
ARE NEVER, NEVER TO BE! *

>> [CRYING]
>> * I NEVER SEE IT YET TO

FAIL, I NEVER SEE IT FAIL!

A GIRL WHO'S IN LOVE WITH A
VIRTUOUS MAN IS DOOMED TO WEEP

AND WAIL
STONECUTTERS CUT IT ON STONE,

WOODPECKERS PECK IT ON WOOD:
THERE'S NOTHIN' SO BAD

FER A WOMAN AS A MAN WHO
THINKS HE'S GOOD. *

>> [CRYING]
>> NICE TALK!

>> * MY MOTHER USED TO SAY TO
ME, "WHEN YOU GROW UP, MY SON,

I HOPE YOU'RE A BUM LIKE YER
FATHER WAS, 'CAUSE A GOOD MAN

AIN'T NO FUN."

>> STONECUTTERS CUT IT ON STONE,
WOODPECKERS PECK IT ON WOOD:

THERE'S NOTHIN' SO BAD
FER A WOMAN AS

A MAN WHO THINKS HE'S GOOD.

>> 'TAIN'T SO!

>> 'TIS TOO!

>> 'TAIN'T SO!

>> 'TIS TOO! *
>> ENOCH! SAY YOU FORGIVE ME!

SAY SOMETHING SWEET TO ME,
ENOCH!

SOMETHING SOFT AND SWEET!

SAY SOMETHING SOFT AND SWEET!

>> BOSTON CREAM PIE!

[LAUGHTER]
>> [CRYING]

>> HEY, JIGGER...YOU THINK?

>> WHEN IS IT TIME TO
START THAT TREASURE HUNT?

>> RIGHT NOW!

YOU ALL GOT YOUR PARTNERS?

TWO MEN TO EACH TEAM.

YOU HAVE HALF AN HOUR TO FIND
THE TREASURE.

THE WINNERS GET TO KISS
ANY GIRLS THEY WANT!

>> ALL RIGHT! HUH?

>> BILLY? ARE YOU GOING
WITH JIGGER?

DON'T YOU THINK THAT'S FOOLISH?

>> WHY?

>> NEITHER OF YOU KNOWS THE
ISLAND WELL.

YOU OUGHT TO SPLIT UP AND EACH--
>> LOOK, WE'RE PARTNERS, SEE?

>> I DON'T KNOW WHAT GETS
INTO MEN.

[ORCHESTRA PLAYING]
>> * I NEVER SEE IT YET

TO FAIL
>> I NEVER SEE IT FAIL!

A GIRL WHO'S IN LOVE WITH ANY
MAN IS DOOMED TO WEEP

AND WAIL. *
>> AND IT'S EVEN WORSE

WHEN THEY MARRY YOU.

>> YOU OUGHT TO GIVE HIM
BACK THAT RING, CARRIE.

YOU'D BE BETTER OFF.

>> HERE'S ARMINY.

BEEN MARRIED A WHOLE YEAR.

SHE'LL TELL YOU.

>> * THE CLOCK JEST TICKS YER
LIFE AWAY, THERE'S NO RELIEF

IN SIGHT.

IT'S COOKIN' AND SCRUBBIN' AND
SEWIN' ALL DAY AND

GAWD-KNOWS-WHATIN' ALL NIGHT!

>> STONECUTTERS CUT IT ON
STONE, WOODPECKERS PECK IT ON

WOOD: THERE'S NOTHIN' SO BAD
FER A WOMAN AS A MAN

WHO'S BAD OR GOOD. *
>> IT MAKES YOU WONDER,

DON'T IT?

>> NOW YOU TELL HER, JULIE.

>> SHE'S YOUR BEST FRIEND.

>> * TELL IT TO HER GOOD,
JULIE, TELL IT TO HER GOOD!

>> WHAT'S THE USE OF
WOND'RING IF HE'S GOOD OR IF

HE'S BAD, OR IF YOU LIKE THE
WAY HE WEARS HIS HAT?

OH, WHAT'S THE USE OF WOND'RING
IF HE'S GOOD OR IF HE'S BAD?

HE'S YOUR FELLER AND YOU LOVE
HIM, THAT'S ALL

THERE IS TO THAT.

COMMON SENSE MAY TELL YOU THAT
THE ENDING WILL BE SAD, AND

NOW'S THE TIME TO BREAK
AND RUN AWAY.

BUT WHAT'S THE USE OF WOND'RING
IF THE ENDING WILL BE SAD?

HE'S YOUR FELLER AND YOU LOVE
HIM, THERE'S NOTHING

MORE TO SAY.

SOMETHING MADE HIM THE WAY THAT
HE IS, WHETHER HE'S FALSE OR

TRUE, AND SOMETHING GAVE HIM
THE THINGS THAT ARE HIS, ONE OF

THOSE THINGS IS YOU, SO WHEN HE
WANTS YOUR KISSES, YOU WILL

GIVE THEM TO THE LAD, AND
ANYWHERE HE LEADS YOU,

YOU WILL WALK.

AND ANYTIME HE NEEDS YOU,
YOU'LL GO RUNNING THERE

LIKE MAD.

YOU'RE HIS GIRL
AND HE'S YOUR FELLER,

AND ALL THE REST IS TALK. *
>> BILLY! BILLY!

WHERE YOU GOING?

>> WHERE WE GOING?

>> WE'RE LOOKING FOR THE
TREASURE.

>> I DON'T WANT YOU TO, BILLY.

LET ME COME WITH YOU.

>> NO.

>> BILLY!

>> I GOT NO TIME TO FOOL
WITH WOMEN.

GET OUT OF MY WAY!

>> BILLY, LET ME HAVE THAT.

OH, PLEASE.

>> * COMMON SENSE MAY TELL YOU
THAT THE ENDING WILL BE SAD,

AND NOW'S THE TIME TO
BREAK AND RUN AWAY.

BUT WHAT'S THE USE OF WOND'RING
IF THE ENDING WILL BE SAD?

HE'S YOUR FELLER AND YOU
LOVE HIM,

THERE'S NOTHING MORE TO SAY. *
[APPLAUSE]

>> SUPPOSE HE DON'T COME?

>> HE'LL COME.

>> JIGGER, YOU EVER KILLED A
MAN BEFORE?

>> IF I DID, I WOULDN'T BE
LIKELY TO SAY SO, WOULD I?

>> NO, GUESS NOT.

IF YOU DID--TONIGHT, I MEAN, IF
WE...YOU KNOW, I SUPPOSE SOMEDAY

WHEN WE DIE WE'LL--WE'LL
HAVE TO GO BEFORE...

>> BEFORE WHO? BEFORE GOD?

YOU AND ME? NOT A CHANCE!

WHAT'S THE HIGHEST COURT THEY
EVER DRAGGED YOU INTO?

>> POLICE MAGISTRATE, I GUESS.

>> SAME THING IN THE NEXT WORLD.

FOR THE RICH FOLKS, THE HEAVENLY
COURT AND THE HIGH JUDGE.

FOR YOU AND ME,
POLICE MAGISTRATES.

FOR THE RICH FOLK, FINE MUSIC
AND CHUBBY LITTLE ANGELS.

>> WE DON'T GET NO MUSIC?

>> NOT A NOTE.

ALL WE GET IS JUSTICE!

THERE'LL BE PLENTY OF THAT
FOR YOU AND ME.

YES, SIR, NOTHING BUT...

SOMEONE'S COMING!

>> EXCUSE ME, SIR.

DO YOU HAVE THE TIME?

>> [GRUNTING]
>> DON'T BUDGE,

EITHER ONE OF YOU.

DROP THE KNIFE.

[WHISTLE BLOWS]
GO AFTER THAT ONE.

HE'S RUNNING UP MAPLE STREET.

I'LL COVER THE OTHER ONE.

YOU WANTED TO KNOW WHAT
TIME IT WAS.

I'LL TELL YOU WHAT, THE TIME
FOR YOU WILL BE 10 OR 20

YEARS IN PRISON.

>> NO, IT WON'T.

I AIN'T GOING TO NO PRISON.

>> STOP HIM!

>> JULIE!

>> THE OTHER ONE GOT AWAY.

IS HE DEAD?

>> I DON'T THINK SO,
HE'S STILL BREATHING.

>> THE FOOLS.

THEY DIDN'T EVEN NOTICE I WAS
COMING FROM THE SHIP, NOT TO IT.

THE MONEY THEY TRIED TO KILL ME
FOR IS LOCKED UP

IN THE SHIP'S SAFE.

[VOICES OFFSTAGE]
>> WHAT'S THAT?

>> THE FOLKS COMING BACK
FROM THE CLAMBAKE.

>> YOU'D BETTER STOP THEM.

>> YES, SIR.

ALL RIGHT, GET BACK THERE.

GET BACK. STAY BACK.

>> WHO IS IT?

>> IT'S BILLY.

>> BILLY BIGELOW?

>> BILLY!

>> JIGGER TOLD ME HOW I
COULD GET AHOLD OF A LOT OF

MONEY, SEE...

>> YES.

>> HOLD MY HAND TIGHT.

>> I AM HOLDING IT TIGHT.

ALL THE TIME.

>> TIGHTER.

TIGHTER STILL!

JULIE?

>> THE GOOD LORD WILL HELP
HIM NOW, MA'AM.

>> JULIE, DON'T BE MAD AT
ME FOR SAYING THIS, BUT YOU'RE

BETTER OFF THIS WAY.

>> CARRIE'S RIGHT.

>> TELL ME, JULIE, AM I RIGHT?

>> YOU'RE RIGHT, CARRIE.

>> HE'S BETTER OFF TOO,
THE POOR FELLOW.

BELIEVE ME, JULIE, HE'S BETTER
OFF, TOO.

>> DON'T YOU CRY, CARRIE.

>> GOD BE WITH YOU, JULIE.

>> WHERE IS HE? WHERE IS HE?

>> DON'T LET HER!

>> NO, NO. PLEASE!

[CRYING]
>> SLEEP, BILLY.

SLEEP LIKE A GOOD BOY.

I KNEW WHY YOU HIT ME.

YOU WERE QUICK-TEMPERED
AND UNHAPPY.

THAT DON'T EXCUSE IT. BUT I
GUESS I ALWAYS KNEW EVERYTHING

YOU WERE THINKING.

BUT YOU DIDN'T ALWAYS KNOW WHAT
I WAS THINKING.

ONE THING I NEVER TOLD YOU,
BECAUSE I WAS SCARED YOU'D

LAUGH AT ME.

BUT I'LL TELL YOU NOW.

I LOVE YOU.

I LOVE YOU.

I WAS ALWAYS SO ASHAMED TO SAY
IT OUT LOUD.

BUT THERE, I SAID IT.

DIDN'T I? I SAID IT.

WHAT AM I GONNA DO NOW?

>> YOU'RE GONNA STAY ON
HERE WITH ME.

SO I CAN BE WITH YOU WHEN YOU
HAVE THE BABY.

MAIN THING IS TO KEEP ON LIVING.

KEEP ON CARING ABOUT WHAT'S
GOING TO HAPPEN.

REMEMBER THAT SONG YOU USED TO
SING AS A GIRL?

DO YOU REMEMBER THE WORDS?

BECAUSE IF YOU DO, SING 'EM NOW.

SEE IF YOU KNOW WHAT THEY MEAN.

[ORCHESTRA PLAYING]
>> * WHEN YOU WALK

THROUGH A STORM
KEEP YOUR CHIN UP HIGH

AND DON'T BE AFRAID...OF...

THE...DARK...

>> WHEN YOU WALK THROUGH A
STORM KEEP YOUR CHIN UP HIGH

AND DON'T BE AFRAID OF THE DARK.

AT THE END OF THE STORM IS A
GOLDEN SKY AND THE SWEET SILVER

AT THE END OF THE STORM IS A
GOLDEN SKY AND THE SWEET SILVER

SONG OF A LARK.

WALK ON THROUGH THE WIND, WALK
ON THROUGH THE RAIN, THO' YOUR

DREAMS BE TOSSED AND BLOWN.

WALK ON, WALK ON, WITH HOPE IN
YOUR HEART AND YOU'LL NEVER

WALK ON, WALK ON, WITH HOPE IN
YOUR HEART AND YOU'LL NEVER

WALK ALONE,
YOU'LL NEVER WALK ALONE. *

WALK ALONE,
YOU'LL NEVER WALK ALONE. *

[APPLAUSE]

>> GET UP, BILLY.

>> HUH? WHO ARE YOU?

>> SHAKE YOURSELF UP.

GOT TO GET GOING.

>> GOING? WHERE?

>> NEVER MIND WHERE.

IMPORTANT THING IS YOU CAN'T
STAY HERE.

>> JULIE!

>> SHE CAN'T HEAR YOU.

NOT SINCE YOU KILLED YOURSELF.

>> SO IT'S ALL OVER?

>> IT'S NOT AS SIMPLE AS THAT.

AS LONG AS THERE IS ONE PERSON
ON EARTH WHO REMEMBERS YOU,

IT ISN'T OVER.

NOW COME ALONG, IT'S TIME FOR
YOU TO SEE THE JUDGE.

>> JUDGE!

I'M GOING BEFORE GOD HIMSELF?

>> WHAT HAVE YOU EVER DONE THAT
YOU SHOULD COME BEFORE HIM?

>> SO THAT'S IT!

JUST LIKE JIGGER SAID, "NO
SUPREME COURT FOR THE LITTLE

PEOPLE, JUST POLICE
MAGISTRATES!"

>> WHO SAID ANYTHING ABOUT THAT?

>> I TELL YOU, IF THEY KICK
ME AROUND UP HERE LIKE THEY

DID DOWN ON EARTH, I'M GOING TO
DO SOMETHING ABOUT IT.

I TELL YOU, I'M GOING BEFORE
THE LORD GOD HIMSELF, STRAIGHT

TO THE TOP, YOU HEAR ME?

>> SIMMER DOWN, BILLY,
SIMMER DOWN!

>> * TAKE ME BEYOND THE
PEARLY GATES THROUGH THE

BEAUTIFUL MARBLE HALL, TAKE ME
BEFORE THE HIGHEST JUDGE AND

LET ME JUDGED BY THE HIGHEST
JUDGE OF ALL!

LET THE LORD SHOUT AND YELL,
LET HIS EYES FLASH FLAME.

I PROMISE NOT TO QUIVER
WHEN HE CALLS MY NAME.

LET HIM SEND ME TO HELL, BUT
BEFORE I GO, I FEEL THAT I'M

ENTITLED TO A HELL OF A SHOW!

WANT PINK-FACED ANGELS ON A
PURPLE CLOUD, TWANGIN' ON THEIR

HARPS TILL THEIR FINGERS
GET RED.

WANT ORGAN MUSIC--LET IT ROLL
OUT LOUD, ROLLING LIKE A WAVE

WASHIN' OVER MY HEAD!

WANT EV'RY STAR IN HEAVEN
HANGIN' IN THE ROOM.

SHININ' IN MY EYES
WHEN I HEAR MY DOOM!

RECKON MY SINS ARE GOOD, BIG
SINS, AND THE PUNISHMENT

WON'T BE SMALL.

SO TAKE ME BEFORE THE HIGHEST
THRONE AND LET ME BE JUDGED BY

THE HIGHEST JUDGE OF ALL. *
[APPLAUSE]

THE HIGHEST JUDGE OF ALL. *
[APPLAUSE]

>> THIS WAY, BILLY!

>> HEY, WHAT'S ALL THIS?

WHO ARE YOU?

[APPLAUSE]
>> NEVER MIND WHO I AM,

BIGELOW.

>> WHERE AM I?

>> YOU'RE IN THE BACK YARD OF
HEAVEN. THERE ARE THE GATES

OVER THERE.

>> THE PEARLY GATES!

>> NOPE. THE PEARLY GATES
ARE IN FRONT.

THOSE ARE THE BACK GATES.

[LAUGHTER]
THEY'RE JUST MOTHER-OF-PEARLY.

[LAUGHTER]
>> I DON'T WANNA GO THROUGH NO

BACK GATE! I'M GOING
BEFORE THE HIGHEST...

>> YOU'LL GO WHERE WE
SEND YOU, YOUNG MAN.

>> AND WHERE IS THAT?

>> DON'T YELL.

>> I DIDN'T YELL!

>> WELL, DON'T.

NOW, THIS--THIS IS A ROUTINE
QUESTION I GOT TO

ASK EVERYBODY.

IS THERE ANYTHING ON EARTH YOU
LEFT UNFINISHED? THE REASON I

ASK IS THAT YOU'RE ENTITLED TO
GO BACK FOR ONE DAY

IF YOU WANT TO.

>> I DON'T KNOW.

AS LONG AS I'M HERE,
I WON'T GO BACK.

>> WAIVES HIS RIGHT TO GO BACK.

>> COULD I ASK YOU A QUESTION,
THOUGH? THE BABY.

IS IT GONNA BE A BOY OR A GIRL?

>> JUST LET ME DO THE ASKING.

YOU DO THE ANSWERING.

I GOT MY ORDERS.

YOU LEFT YOUR WIFE HAVING THAT
BABY COMING ON, WITH NOTHING

FOR THEM TO LIVE ON.

WHY'D YOU DO THAT?

>> I COULDN'T GET ANY WORK, SEE,
AND I COULDN'T BEAR THE--

>> YOU COULDN'T BEAR TO SEE
HER CRY.

WHY'D YOU BEAT HER?

>> I DIDN'T BEAT HER.

I WOULDN'T BEAT A LITTLE
THING LIKE THAT.

I HIT HER.

>> WHY?

>> WELL, WE GET TO ARGUING,
SEE, AND SHE--SHE'D SAY THIS

AND I'D SAY THAT AND
SHE'D BE RIGHT,

SO I HIT HER.

>> NOW, SEE HERE, SON.

IT'S ONLY FAIR TO TELL YOU
YOU'RE IN A PRETTY TIGHT CORNER.

YOU HAVEN'T DONE ENOUGH GOOD
IN YOUR LIFE TO GET IN THERE,

NOT EVEN THROUGH THE BACK DOOR.

>> ALL RIGHT, IF I CAN'T GET
IN, I CAN'T.

>> I DIDN'T SAY YOU CAN'T.

I SAID YOU HAVEN'T DONE ENOUGH
SO FAR.

WHY DON'T YOU GO DOWN TO EARTH
FOR A DAY, LIKE I SAID YOU

COULD. DO SOMETHING REAL FINE
FOR SOMEONE. LIKE YOUR LITTLE

DAUGHTER.

>> A DAUGHTER?

A GIRL? MY BABY?

>> SHE AIN'T A BABY ANYMORE.

SHE'S 15 YEARS OLD.

>> HOW COULD THAT BE?

>> BILLY, A YEAR ON EARTH,
JUST A MINUTE UP HERE.

WOULD YOU LIKE TO LOOK DOWN
AND SEE HER?

>> IS SHE HAPPY?

>> NO, BILLY, SHE AIN'T.

SHE'S A LOT LIKE YOU.

THAT'S WHY I FIGURE YOU'D BE
THE ONE COULD HELP HER THE

MOST, IF YOU WAS THERE.

>> IF SHE AIN'T HAPPY, I
DON'T WANT TO LOOK.

>> WELL, RIGHT THIS MINUTE,
SHE APPEARS TO BE

HAVING A FINE TIME.

YES, SIR!

THERE SHE IS, RUNNING ON THE
BEACH. GOT HER SHOES AND

STOCKINGS OFF.

>> LIKE I USED TO DO!

>> DON'T YOU THINK YOU'D BETTER
TAKE A LOOK?

>> WHERE IS SHE?

WHAT DO I HAVE TO DO TO SEE HER?

>> JUST LOOK AND WAIT.

THE POWER TO SEE HER
WILL COME TO YOU.

>> IS THAT HER?

THE LITTLE KID WITH THE
BRIGHT EYES?

>> PRETTY, AIN'T SHE?

>> MY LITTLE GIRL!

[ORCHESTRA PLAYING]
>> LOOK AT WHAT YOU'RE WEARING!

MY FATHER BOUGHT ME
MY PRETTY DRESS.

>> MY FATHER WOULD HAVE
BOUGHT ME A PRETTY DRESS, TOO.

HE WAS A BARKER ON A CAROUSEL.

>> YOUR FATHER WAS A THIEF.

[ORCHESTRA PLAYING]

[APPLAUSE]

>> WHY DID YOU MAKE ME LOOK?

>> YOU SAID YOU WANTED TO.

>> I KNOW WHAT SHE'S GOING
THROUGH.

>> SOMETHING LIKE WHAT HAPPENED
TO YOU WHEN YOU WAS A

KID, AIN'T IT?

>> SOMEONE OUGHT TO HELP HER.

>> YEAH, SOMEBODY OUGHT TO.

OFFER'S STILL OPEN, BILLY.

LIKE I SAID, YOU'RE THE ONE
COULD HELP HER THE MOST

IF YOU'RE WILLING TO TRY.

>> AND SO THE NEXT DAY WE
ALL CLIMBED TO THE TOP OF THE

STATUE OF LIBERTY.

ENOCH AND ME AND THE 9 KIDS.

[LAUGHTER]
>> DID YOU GO TO ANY THEATERS

IN NEW YORK?

>> COURSE WE DID!

ENOCH TOOK ME TO ONE OF
THOSE "EXTRAVAGANZAS." AND

THE CURTAIN COME UP AND THE
FIRST THING YOU SEE IS 12

HUSSIES WITH NOTHING ON THEIR
LEGS BUT TIGHTS!

>> WHAT HAPPENED THEN?

>> WELL, ENOCH JUST GRABBED
HOLD OF MY ARM, DRAGGED ME

RIGHT OUT OF THE THEATER.

BUT I WENT BACK THE NEXT DAY,
TO A MATINEE, TO SEE HOW THE

STORY COME OUT.

>> ALL BY YOURSELF?

YOU'RE LUCKY YOU DIDN'T SEE
ANYBODY YOU KNOW.

>> I DID.

>> WHO?

>> ENOCH!

[LAUGHTER]
THERE WAS THIS ONE GIRL WHO

SUNG THIS AWFUL CATCHY SONG.

SHE--HERE--SHE THREW HER LEG
UP OVER A FENCE LIKE THIS AND

SHE SUNG...

* I'M A TOMBOY,
JEST A TOMBOY!

I'M A MADCAP MAIDEN FROM
BROADWAY!

I'M A TOMBOY, A MERRY TOMBOY-- *
>> TURN YOUR EYES AWAY, JUNIOR!

>> [LAUGHS]
>> I WAS JUST TELLING JULIE

ABOUT THAT SHOW, "MADCAP
MAIDENS"!

>> WON'T YOU STAY AND VISIT
WITH US?

>> I'M AFRAID WE HAVEN'T TIME.

MRS. SNOW AND I HAVE TO STOP BY
THE MINISTER'S ON OUR WAY

TO THE GRADUATION.

AND I'LL THANK YOU VERY MUCH
NOT TO SING "I'M A TOMBOY" TO

THE MINISTER'S WIFE.

>> I ALREADY DID.

>> PA, CAN I STAY AND TALK TO
LOUISE? JUST FOR 5 MINUTES?

>> 5 MINUTES, NO MORE!

>> I WISH WE COULD STAY LONGER.

>> GOOD-BYE. WE'LL SEE YOU
AT THE GRADUATION.

>> STILL LOLLYGAGGING.

YOU'D THINK A WOMAN WITH 9
CHILDREN WOULD HAVE MORE SENSE.

>> IF I HAD MORE SENSE, I
WOULDN'T HAVE 9 CHILDREN!

[LAUGHTER]
>> SAY, WHAT ARE YOU GOING TO

DO AFTER YOU GRADUATE?

>> CAN YOU KEEP A SECRET?

>> CAN SHE SEE ME?

>> ONLY IF YOU WANT HER TO.

>> WELL, WHAT'S THE SECRET?

>> I'M GOING TO BE AN ACTRESS.

THERE'S A TROUPE COMING THROUGH
HERE NEXT WEEK.

I MET A FELLOW, SAYS HE'LL
HELP ME!

>> YOU MEAN RUN AWAY?

>> SHH!

>> I WON'T LET YOU DO IT!

>> WELL, HOW'LL YOU STOP ME?

>> I'LL--I'LL MARRY YOU.

THAT'S HOW.

HARDEST THING WILL BE TO
PERSUADE PAPA TO LET ME MARRY

BENEATH MY STATION.

[LAUGHTER]
>> YOU NEEDN'T BOTHER ABOUT

MARRYING BENEATH YOUR STATION!

I WOULDN'T HAVE YOU.

AND I WOULDN'T HAVE THAT
STUCK-UP PEACOCK FOR A

FATHER-IN-LAW IF HE PAID ME A
MILLION DOLLARS!

>> YOU'RE A FINE ONE TO TALK
ABOUT MY FATHER!

WHAT ABOUT YOUR OWN?

A CHEAP BARKER ON A CAROUSEL!

AND HE BEAT YOUR MOTHER.

>> YOU GET OUT OF HERE!

YOU AREN'T BETTER THAN ANYBODY,
NO MATTER WHAT YOU SAY!

>> IF I WANT HER TO SEE ME,
SHE WILL?

LITTLE GIRL?

LOUISE?

>> WHO ARE YOU?

HOW'D YOU KNOW MY NAME?

>> I KNEW YOUR FATHER.

I HEARD WHAT THAT NO-GOOD
KID SAID.

IT AIN'T TRUE, ANY OF IT.

>> IT IS TRUE. ALL OF IT.

>> WHAT...WHAT'S YOUR MOTHER
TOLD YOU ABOUT HIM?

>> SHE'S ALWAYS SAYING
WHAT A HANDSOME FELLOW HE WAS.

>> HE WAS!

HANDSOMEST FELLOW AROUND.

LOOK, I WANT TO GIVE YOU A
PRESENT.

>> I'M NOT SUPPOSED TO TAKE
PRESENTS FROM STRANGERS.

>> I DON'T MEAN ANY HARM.

I WANNA GIVE YOU A PRESENT.

>> WHAT'S THAT?

>> IT'S A STAR.

FROM THE SKY.

>> GO AWAY!

YOU'RE FRIGHTENING ME!

>> DARLING, PLEASE!

>> DON'T CALL ME DARLING!

LET GO OF MY ARM!

>> I JUST WANT TO HELP YOU!

>> NO!

>> PLEASE, DARLING, PLEASE!

>> OH! MOTHER! MOTHER!

>> FAILURE. YOU STRUCK
OUT BLINDLY AGAIN.

IS THAT THE ONLY WAY YOU KNOW
HOW TO TREAT THOSE YOU LOVE?

FAILURE.

>> WHERE IS HE?

[ORCHESTRA PLAYING]
>> I DON'T WANT HER TO SEE ME.

>> THEN SHE DOESN'T.

>> I THINK SHE SAW ME
BEFORE I SAID IT.

>> I THINK SHE SAW ME
BEFORE I SAID IT.

>> HE'S GONE!

I DIDN'T MAKE IT UP, MOTHER.

HONEST, THERE WAS A STRANGE MAN
HERE AND HE HIT ME HARD.

I HEARD THE SOUND OF IT.

BUT IT DIDN'T HURT, MOTHER!

IT DIDN'T HURT AT ALL.

IT WAS ALMOST AS IF HE--
KISSED MY HAND!

DON'T YOU BELIEVE ME, MOTHER?

>> I BELIEVE YOU.

>> THEN WHY ARE YOU ACTING
SO FUNNY?

>> IT'S NOTHING, DARLING.

>> BUT IS IT POSSIBLE, MOTHER,
FOR SOMEONE TO HIT YOU

HARD LIKE THAT--REAL LOUD AND
HARD--AND NOT HURT YOU AT ALL?

>> IT'S POSSIBLE, DEAR--FOR
SOMEONE TO HIT YOU--HIT YOU

HARD--AND NOT HURT AT ALL.

>> JULIE! JULIE!

* LONGING TO TELL YOU,
BUT AFRAID AND SHY,

I LET MY GOLDEN
CHANCES PASS ME BY.

NOW I'VE LOST YOU; SOON I WILL
GO IN THE MIST OF DAY, AND YOU

NEVER WILL KNOW HOW I LOVED
YOU, HOW I LOVED YOU *

NEVER WILL KNOW HOW I LOVED
YOU, HOW I LOVED YOU *

[APPLAUSE]
SHE TOOK THE STAR!

SHE TOOK IT!

IT'S AS IF SHE KNEW I WAS HERE.

>> JULIE WOULD ALWAYS KNOW.

>> MY LITTLE GIRL.

I GOT TO DO SOMETHING FOR HER.

CAN YOU TAKE ME TO HER
GRADUATION?

>> ALL RIGHT, BILLY.

>> ENOCH SNOW, JUNIOR.

>> HOORAY, ENOCH!

THAT'S MY BROTHER!

>> ENOUGH OF THAT, YOUNG LADY!

>> MISS LOUISE BIGELOW.

>> LOOK. GETTING HER DIPLOMA
LIKE I NEVER DID.

>> AND NOW WE'LL HAVE A
FEW WORDS FROM DR. SHELDON.

>> SAY, HE LOOKS AN AWFUL LOT
LIKE THAT FELLOW ON THE LADDER.

>> YES, A LOT OF THESE COUNTRY
DOCTORS AND MINISTERS DO.

>> IT'S THE CUSTOM AT
THESE GRADUATIONS TO PICK OUT

SOME OLD DUCK LIKE ME TO
PREACH AT THE KIDS.

I CAN'T PREACH TO YOU.

I KNOW YOU ALL TOO WELL.

BROUGHT MOST OF YOU
INTO THE WORLD.

RUBBED LINIMENT ON YOUR BACKS,
POURED CASTOR OIL

DOWN YOUR THROATS.

WELL, ALL I HOPE IS THAT NOW
I GOT YOU THIS FAR, YOU'LL

TURN OUT TO BE WORTH ALL THE
TROUBLE I TOOK WITH YOU.

I CAN'T TELL YOU ANY SURE WAY
TO HAPPINESS.

ALL I KNOW IS YOU GOT TO GO OUT
AND FIND IT FOR YOURSELVES.

YOU CAN'T LEAN ON THE SUCCESS
OF YOUR PARENTS.

THAT'S THEIR SUCCESS.

AND DON'T BE HELD BACK BY
THEIR FAILURES.

MAKES NO DIFFERENCE
WHAT THEY DID OR DIDN'T DO.

YOU JUST STAND ON YOUR OWN
TWO FEET.

>> LISTEN TO HIM. BELIEVE HIM.

>> THE WORLD BELONGS TO YOU
AS MUCH AS TO THE NEXT FELLOW.

DON'T GIVE UP!

AND TRY NOT TO BE SCARED OF
PEOPLE NOT LIKING YOU,

JUST YOU TRY LIKING THEM.

JUST KEEP YOUR FAITH AND YOUR
COURAGE, AND YOU'LL COME OUT

ALL RIGHT.

IT'S LIKE THAT SONG WE USED TO
SING EVERY MORNING

WHEN I WENT TO SCHOOL.

MAYBE YOU STILL SING IT--
I DUNNO.

"WHEN YOU WALK THROUGH A STORM,
* KEEP YOUR CHIN UP HIGH..."

YOU KNOW THAT ONE?

>> * AND DON'T BE AFRAID
OF THE DARK. *

>> BELIEVE HIM, DARLING!

BELIEVE!

>> * AT THE END OF THE STORM
IS A GOLDEN SKY AND THE SWEET

SILVER SONG OF A LARK.

WALK ON THROUGH THE WIND,
WALK ON THROUGH THE RAIN,

THOUGH YOUR DREAMS BE
TOSSED AND BLOWN. *

>> I LOVE YOU, JULIE!

KNOW I LOVED YOU!

>> * WALK ON, WALK ON,
WITH HOPE IN YOUR HEART,

AND YOU'LL NEVER WALK ALONE!

YOU'LL NEVER WALK ALONE *

YOU'LL NEVER WALK ALONE *

[APPLAUSE]

>> WE HOPE YOU ENJOYED TONIGHT'S
PERFORMANCE OF "CAROUSEL."

ON BEHALF OF "LIVE FROM LINCOLN
CENTER," I'M AUDRA McDONALD.

GOOD NIGHT.

[APPLAUSE]
[PLAYING CLASSICAL MUSIC]