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These are the user uploaded subtitles that are being translated: 1 00:01:06,050 --> 00:01:08,383 >> MAGIC REMINDS US THAT THE 2 00:01:08,384 --> 00:01:10,049 WORLD, THE UNIVERSE, IS A HUGE, 3 00:01:10,050 --> 00:01:14,257 CAPITAL "M" MYSTERY. 4 00:01:17,217 --> 00:01:18,674 >> IT'S SOMETHING UNEXPLAINABLE. 5 00:01:18,675 --> 00:01:19,881 BUT IT IS A SPECIFIC STATE OF 6 00:01:19,882 --> 00:01:22,340 MIND THAT HAPPENS WHEN YOUR-- 7 00:01:22,341 --> 00:01:24,881 YOU KNOW, YOUR WORLDVIEW IS--IS 8 00:01:24,882 --> 00:01:26,924 SHATTERED FOR A SECOND. 9 00:01:32,465 --> 00:01:33,756 >> MAGIC IS JUST ONE OF THOSE 10 00:01:33,757 --> 00:01:35,880 THINGS WHICH PEOPLE--IT'S GOT 11 00:01:35,881 --> 00:01:36,382 MANY, MANY LEVELS. 12 00:01:36,383 --> 00:01:38,423 ON A SIGNIFICANT LEVEL AND A 13 00:01:38,424 --> 00:01:40,339 MORE DEEPER, IN FACT, IT IS 14 00:01:40,340 --> 00:01:41,630 CHANGING LIVES. 15 00:01:41,631 --> 00:01:43,005 WHEN YOU'RE ABLE TO DO THE 16 00:01:43,006 --> 00:01:44,755 IMPOSSIBLE, THERE ARE NO 17 00:01:44,756 --> 00:01:46,005 OBSTACLES IN YOUR LIFE ANYMORE. 18 00:01:46,006 --> 00:01:49,839 [all cheering] 19 00:01:49,840 --> 00:01:50,798 >> I THINK ONE OF THE EXCITING 20 00:01:50,799 --> 00:01:51,963 THINGS ABOUT GETTING INTO MAGIC 21 00:01:51,964 --> 00:01:53,838 AS A TEENAGER IS IT IS THIS 22 00:01:53,839 --> 00:01:54,921 WONDERFUL CHANCE TO REALLY 23 00:01:54,922 --> 00:01:58,130 EXPLORE WHO YOU ARE AT A PERIOD 24 00:01:58,131 --> 00:01:59,838 OF TIME WHERE THAT IS STILL VERY 25 00:01:59,839 --> 00:02:01,839 MUCH BEING FORMED. 26 00:02:27,546 --> 00:02:28,794 >> WHAT DRAWS MANY KIDS INTO 27 00:02:28,795 --> 00:02:30,002 MAGIC IS ALL OF A SUDDEN YOU CAN 28 00:02:30,003 --> 00:02:32,253 DO SOMETHING THAT NOBODY ELSE 29 00:02:32,254 --> 00:02:33,045 CAN. 30 00:02:33,046 --> 00:02:34,502 MAYBE YOU'RE NOT GOOD AT SPORTS. 31 00:02:34,503 --> 00:02:35,295 MAYBE YOU'RE NOT GOOD WITH OTHER 32 00:02:35,296 --> 00:02:37,460 ASPECTS OF SCHOOL. 33 00:02:37,461 --> 00:02:38,836 BUT ALL OF A SUDDEN, YOU KIND OF 34 00:02:38,837 --> 00:02:40,044 HAVE THIS ESOTERIC POWER TO 35 00:02:40,045 --> 00:02:43,712 ENCHANT PEOPLE. 36 00:02:46,253 --> 00:02:47,460 >> I FOUND SOMETHING THAT CAME 37 00:02:47,461 --> 00:02:48,876 NATURALLY TO ME, CAME EASY TO 38 00:02:48,877 --> 00:02:51,876 ME, BLEW PEOPLE AWAY, MADE A 39 00:02:51,877 --> 00:02:53,210 LASTING IMPRESSION, MADE PEOPLE 40 00:02:53,211 --> 00:02:54,418 WANT TO TALK TO ME, MADE PEOPLE 41 00:02:54,419 --> 00:02:55,751 LIKE ME. 42 00:02:55,752 --> 00:02:58,668 >> I AM SO INTO LOGIC AND ORDER 43 00:02:58,669 --> 00:02:59,918 AND FIGURING OUT THE WAY 44 00:02:59,919 --> 00:03:02,042 EVERYTHING WORKS AND THEN, WHEN 45 00:03:02,043 --> 00:03:04,251 I FINALLY ENCOUNTER SOMETHING 46 00:03:04,252 --> 00:03:07,167 WHERE THERE IS NO POSSIBILITY, 47 00:03:07,168 --> 00:03:09,209 HOW CAN YOU AVOID BEING 48 00:03:09,210 --> 00:03:11,126 FASCINATED BY THAT? 49 00:03:11,127 --> 00:03:13,127 >> [speaking Japanese] 50 00:03:20,167 --> 00:03:22,916 >> IT'S A GOOD ESCAPE TO BE 51 00:03:22,917 --> 00:03:25,375 ABLE TO JUST GO INTO A ROOM AND 52 00:03:25,376 --> 00:03:27,916 PRACTICE FOR SO LONG AND DO 53 00:03:27,917 --> 00:03:28,625 SOMETHING THAT YOU REALLY LOVE 54 00:03:28,626 --> 00:03:30,541 TO DO. 55 00:03:30,542 --> 00:03:31,417 >> YEAH, I COULD USE IT 56 00:03:31,418 --> 00:03:33,958 ANYWHERE. 57 00:03:33,959 --> 00:03:35,124 YEAH, THE WAY OF SOCIALIZING 58 00:03:35,125 --> 00:03:37,499 WITH PEOPLE, HOW TO TALK WITH 59 00:03:37,500 --> 00:03:39,499 PEOPLE, HOW TO MAKE FRIENDS, HOW 60 00:03:39,500 --> 00:03:40,041 TO COMMUNICATE. 61 00:03:40,041 --> 00:03:40,916 >> MAYBE THAT'S WHAT WE'RE ALL 62 00:03:40,917 --> 00:03:42,832 DOING... 63 00:03:42,833 --> 00:03:45,540 WITH MAGIC--TRYING TO FIND WHO 64 00:03:45,541 --> 00:03:48,206 WE ARE AS A PERSON. 65 00:03:48,207 --> 00:03:48,958 MAYBE WE CAN DO THAT WITH MAGIC 66 00:03:48,959 --> 00:03:51,164 BY FINDING OUT WHO WE WANT TO 67 00:03:51,165 --> 00:03:53,749 BE. 68 00:04:06,623 --> 00:04:07,498 >> THE WORLD MAGIC SEMINAR 69 00:04:07,499 --> 00:04:08,996 STARTED WELL OVER 30 YEARS AGO, 70 00:04:08,997 --> 00:04:10,497 MAYBE 35 YEARS AGO. 71 00:04:10,498 --> 00:04:11,206 AND IT STARTED JUST AS A SMALL 72 00:04:11,207 --> 00:04:12,913 GROUP OF PEOPLE, AND IT BECAME 73 00:04:12,914 --> 00:04:14,996 A COMMUNITY THAT, BECAUSE OF ALL 74 00:04:14,997 --> 00:04:16,079 THESE DIFFERENT PEOPLE KIND OF 75 00:04:16,081 --> 00:04:18,663 NURTURING THE SEED, IT GREW AND 76 00:04:18,664 --> 00:04:20,079 GREW. 77 00:04:20,081 --> 00:04:20,956 >> THE WORLD MAGIC SEMINAR IN 78 00:04:20,957 --> 00:04:22,663 LAS VEGAS IS SPECIFICALLY 79 00:04:22,664 --> 00:04:24,246 INTERESTING AND SIGNIFICANT IN 80 00:04:24,247 --> 00:04:25,663 THAT THEY HAVE A TEEN EVENT, 81 00:04:25,664 --> 00:04:26,995 WHICH ATTRACTS TEENAGE 82 00:04:26,996 --> 00:04:28,663 PERFORMERS FROM AROUND THE 83 00:04:28,664 --> 00:04:30,037 WORLD. 84 00:04:30,038 --> 00:04:31,121 >> DEFINITELY THE ULTIMATE EVENT 85 00:04:31,122 --> 00:04:32,538 ON THE MAGIC CALENDAR. 86 00:04:32,539 --> 00:04:34,079 YOU ASK ANY MAGICIAN THROUGHOUT 87 00:04:34,080 --> 00:04:34,913 THE WORLD IF THERE'S ONE EVENT 88 00:04:34,913 --> 00:04:35,579 THAT THEY WANT TO ATTEND OR 89 00:04:35,579 --> 00:04:36,205 PARTICIPATE IN, IT'S 90 00:04:36,206 --> 00:04:38,037 THE WORLD MAGIC SEMINAR. 91 00:04:38,038 --> 00:04:39,412 >> OH, YEAH, IT'S PROBABLY 92 00:04:39,413 --> 00:04:41,412 THE MOST PRESTIGIOUS 93 00:04:41,413 --> 00:04:43,412 COMPETITION IN THE WORLD. 94 00:04:43,413 --> 00:04:45,036 >> AND IT'S THE CLOSEST 95 00:04:45,037 --> 00:04:46,828 EQUIVALENT THAT YOU CAN GET OF 96 00:04:46,829 --> 00:04:48,828 THE MAGIC OLYMPICS AS IT WERE 97 00:04:48,829 --> 00:04:49,413 BECAUSE THERE ARE PEOPLE 98 00:04:49,414 --> 00:04:51,412 PERFORMING AGAINST EACH OTHER, 99 00:04:51,413 --> 00:04:53,120 AND LAS VEGAS IS ONE OF THOSE 100 00:04:53,121 --> 00:04:54,744 CITIES WHERE EVERYTHING ABOUT 101 00:04:54,745 --> 00:04:57,787 IT IS MAGICAL. 102 00:04:59,370 --> 00:05:00,203 >> WHEN YOU'RE A YOUNG 103 00:05:00,203 --> 00:05:01,203 MAGICIAN--I MEAN, I REMEMBER 104 00:05:01,204 --> 00:05:02,910 BACK WHEN I WAS A TEENAGER AND 105 00:05:02,911 --> 00:05:05,494 STARTED ATTENDING MAGIC 106 00:05:05,495 --> 00:05:07,868 CONVENTIONS, AND I WAS VERY 107 00:05:07,869 --> 00:05:10,618 INTERESTED IN THE COMPETITION. 108 00:05:10,619 --> 00:05:12,119 >> WELL, LOOK AT LANCE BURTON. 109 00:05:12,120 --> 00:05:14,868 LANCE WON REAL BIG AT ALL OF 110 00:05:14,869 --> 00:05:17,951 'EM, AND IF HE HADN'T HAVE WON 111 00:05:17,952 --> 00:05:18,910 BIG, HE WOULDN'T HAVE MADE IT TO 112 00:05:18,911 --> 00:05:21,867 VEGAS. 113 00:05:21,868 --> 00:05:23,992 >> YOU KNOW, LANCE BURTON WAS 114 00:05:23,993 --> 00:05:26,243 PART OF THE MAGIC SEMINAR, BUT 115 00:05:26,244 --> 00:05:26,952 REALLY WANTED TO DO SOMETHING 116 00:05:26,953 --> 00:05:30,325 TO REALLY HELP THE YOUNG PEOPLE. 117 00:05:30,326 --> 00:05:32,283 AND SO WE DECIDED TO DO A TEEN 118 00:05:32,284 --> 00:05:32,910 CONTEST. 119 00:05:32,910 --> 00:05:33,868 >> THE TEENS NEED TO SUBMIT A 120 00:05:33,869 --> 00:05:35,033 VIDEOTAPE. 121 00:05:35,034 --> 00:05:37,033 THEY NEED TO BE APPROVED AND 122 00:05:37,034 --> 00:05:37,867 BE ONE OF ONLY THE HANDFUL THAT 123 00:05:37,868 --> 00:05:40,575 ARE EVEN ALLOWED TO COMPETE AT 124 00:05:40,576 --> 00:05:41,201 THE WORLD MAGIC SEMINAR. 125 00:05:41,202 --> 00:05:43,117 SO, REALLY, IT'S AN HONOR FOR 126 00:05:43,118 --> 00:05:44,325 THEM TO EVEN BE ABLE TO 127 00:05:44,326 --> 00:05:45,783 PARTICIPATE. 128 00:05:45,784 --> 00:05:46,950 >> WELL, FROM A GLOBAL BASIS, 129 00:05:46,951 --> 00:05:47,991 THE WORLD MAGIC SEMINAR IS A 130 00:05:47,992 --> 00:05:50,282 PLATFORM SHOWCASE, SO THEY 131 00:05:50,283 --> 00:05:51,366 LITERALLY ARE GETTING THE BEST 132 00:05:51,367 --> 00:05:52,699 OF THE BEST FROM AROUND THE 133 00:05:52,700 --> 00:05:53,450 WORLD. 134 00:05:53,450 --> 00:05:54,409 AND YOU DO WELL AT 135 00:05:54,409 --> 00:05:55,409 THE WORLD MAGIC SEMINAR, YOUR 136 00:05:55,409 --> 00:05:56,033 CAREER CAN CATAPULT, AND 137 00:05:56,033 --> 00:05:56,825 SUDDENLY YOU'RE ON THE WORLD 138 00:05:56,826 --> 00:05:58,907 STAGE. 139 00:05:58,908 --> 00:05:59,699 >> AND IF YOU WEREN'T COMPETING 140 00:05:59,700 --> 00:06:01,657 AGAINST THE BEST, THEN YOU 141 00:06:01,658 --> 00:06:02,491 WOULDN'T BE ABLE TO STAND THERE 142 00:06:02,492 --> 00:06:03,865 AND SAY, "I AM THE BEST IN THE 143 00:06:03,866 --> 00:06:05,907 WORLD." 144 00:06:05,908 --> 00:06:06,574 >> YOU KNOW, WE USED TO JUST 145 00:06:06,575 --> 00:06:08,115 HAVE KIDS FROM AMERICA. 146 00:06:08,116 --> 00:06:09,490 NOW THEY'RE COMING FROM EUROPE. 147 00:06:09,491 --> 00:06:10,199 THEY'RE COMING FROM ASIA. 148 00:06:10,199 --> 00:06:10,949 WE HAD A HUGE CONTINGENT FROM 149 00:06:10,950 --> 00:06:14,031 SOUTH AFRICA. 150 00:06:14,032 --> 00:06:16,906 IT'S REALLY--IT AMAZES ME 151 00:06:16,907 --> 00:06:20,281 HOW DIVERSE THE BACKGROUNDS OF 152 00:06:20,282 --> 00:06:21,322 THE KIDS ARE. 153 00:06:21,323 --> 00:06:22,240 >> I MEAN, YOU'RE GONNA SEE THE 154 00:06:22,241 --> 00:06:23,406 BEST IN THE WORLD--THE BEST 155 00:06:23,407 --> 00:06:24,032 TEENS, THE BEST MAGICIANS. 156 00:06:24,033 --> 00:06:26,114 YOU'RE GONNA SEE JEFF MCBRIDE, 157 00:06:26,115 --> 00:06:27,531 EUGENE BURGER, LANCE BURTON, 158 00:06:27,532 --> 00:06:30,155 CRISS ANGEL, JOHNNY THOMPSON. 159 00:06:30,156 --> 00:06:32,114 THEN YOU'RE GONNA SEE PEOPLE 160 00:06:32,115 --> 00:06:35,488 LIKE KRYSTYN LAMBERT, BILL KOCH, 161 00:06:35,489 --> 00:06:36,822 AND ALL THOSE PEOPLE, SO YOU'RE 162 00:06:36,823 --> 00:06:38,446 LEARNING FROM THE BEST, AND 163 00:06:38,447 --> 00:06:40,238 YOU'RE WITH THE BEST PEOPLE IN 164 00:06:40,239 --> 00:06:41,571 THE BUSINESS. 165 00:06:41,572 --> 00:06:43,279 >> SO WE'RE VERY HAPPY TO HAVE 166 00:06:43,280 --> 00:06:44,030 THEM HERE AND BRINGING ALL THESE 167 00:06:44,031 --> 00:06:47,029 YOUNG PEOPLE IN AND SHOWCASING 168 00:06:47,030 --> 00:06:48,071 THEIR TALENT, BECAUSE THEY'RE 169 00:06:48,072 --> 00:06:49,571 THE STARS OF TOMORROW. 170 00:06:49,572 --> 00:06:52,364 [applause] 171 00:07:06,029 --> 00:07:08,278 >> WELL, I'VE BEEN INTERESTED IN 172 00:07:08,279 --> 00:07:09,820 MAGIC SINCE I WAS REALLY LITTLE, 173 00:07:09,821 --> 00:07:12,028 I THINK, LIKE, THREE OR FOUR OR 174 00:07:12,029 --> 00:07:12,320 SO. 175 00:07:12,321 --> 00:07:14,153 WE WENT TO UNIVERSAL STUDIOS, 176 00:07:14,154 --> 00:07:15,778 MY MOTHER AND I, AND THERE WAS A 177 00:07:15,779 --> 00:07:17,611 WHITE-FACE MIME THERE WHO 178 00:07:17,612 --> 00:07:18,529 STARTED DOING MISER'S DREAM, 179 00:07:18,530 --> 00:07:19,611 PULLING QUARTERS OUT OF MY EAR, 180 00:07:19,612 --> 00:07:21,027 AND I JUST THOUGHT THAT WAS THE 181 00:07:21,028 --> 00:07:21,903 COOLEST THING. 182 00:07:21,904 --> 00:07:23,735 THAT'S WHEN I REALLY FELL IN 183 00:07:23,736 --> 00:07:24,694 LOVE WITH MAGIC. 184 00:07:24,694 --> 00:07:25,529 THAT'S WHEN I REALLY REALIZED, 185 00:07:25,530 --> 00:07:29,486 "OH, MY GOSH, THIS IS FOR ME." 186 00:07:31,028 --> 00:07:33,820 [applause] 187 00:07:35,778 --> 00:07:36,361 >> KRYSTYN IS ABSOLUTELY 188 00:07:36,361 --> 00:07:36,820 SENSATIONAL. 189 00:07:36,821 --> 00:07:41,235 IN '07, SHE WON THE AWARD AS 190 00:07:41,236 --> 00:07:43,318 UP-AND-COMING YOUNG MAGICIAN. 191 00:07:43,319 --> 00:07:45,484 THIS YEAR SHE DID 192 00:07:45,485 --> 00:07:46,277 MASTERS OF ILLUSION WITH AN 193 00:07:46,278 --> 00:07:47,526 ACT. 194 00:07:47,527 --> 00:07:48,818 WE LOVINGLY REFER TO HER AS OUR 195 00:07:48,819 --> 00:07:49,235 MALIBU BARBIE. 196 00:07:49,236 --> 00:07:52,526 >> A LITTLE BIT OF CO-2 FOR ME. 197 00:07:52,527 --> 00:07:53,901 THE RUBBER BANDS MAGICALLY MELT 198 00:07:53,902 --> 00:07:55,526 APART. 199 00:07:55,527 --> 00:07:57,733 >> WOW! YAY! 200 00:07:57,734 --> 00:07:59,234 >> SHE'S A WITCH. 201 00:07:59,235 --> 00:07:59,943 >> I THINK THAT SHE ENJOYS 202 00:07:59,944 --> 00:08:02,067 POPULARITY WITH THE CROWD OF 203 00:08:02,068 --> 00:08:03,733 MAGICIANS 'CAUSE THEY GET HER, 204 00:08:03,734 --> 00:08:05,733 AND THEY'RE A LITTLE OFFBEAT 205 00:08:05,734 --> 00:08:08,025 THEMSELVES, BUT AT SCHOOL, 206 00:08:08,026 --> 00:08:10,233 ALTHOUGH PEOPLE CLAP AND SMILE 207 00:08:10,234 --> 00:08:11,691 AND THINK IT'S CUTE, I THINK A 208 00:08:11,692 --> 00:08:14,067 LOT OF PEOPLE DON'T GET HER. 209 00:08:17,150 --> 00:08:18,191 >> SHE'S KIND OF A PRINCIPAL'S 210 00:08:18,192 --> 00:08:19,274 DREAM. 211 00:08:19,275 --> 00:08:21,982 SHE'S A STUDENT LEADER, A 212 00:08:21,983 --> 00:08:23,899 STUDENT WHO GETS THINGS DONE, 213 00:08:23,900 --> 00:08:26,816 ORGANIZES OTHER KIDS. 214 00:08:26,817 --> 00:08:29,107 [indistinct chatter] 215 00:08:29,108 --> 00:08:31,731 >> YEAH, AND ALL WHO ABSTAIN? 216 00:08:31,732 --> 00:08:32,856 IT HAS BEEN PASSED. 217 00:08:32,857 --> 00:08:34,524 >> BOO! 218 00:08:34,525 --> 00:08:35,400 >> IF YOU HAVE AN ISSUE, BRING 219 00:08:35,400 --> 00:08:36,357 IT UP DURING THE DISCUSSION 220 00:08:36,359 --> 00:08:38,773 PERIOD. 221 00:08:38,774 --> 00:08:39,565 >> NO. 222 00:08:39,566 --> 00:08:41,065 [laughter] 223 00:08:41,066 --> 00:08:43,063 >> THAT HAPPENS BEFORE WE VOTE. 224 00:08:43,065 --> 00:08:44,689 THAT'S THE WHOLE POINT. 225 00:08:44,690 --> 00:08:46,022 >> SHE'S VERY SPIRITED, SO SHE 226 00:08:46,023 --> 00:08:49,064 HELPS KEEP US, LIKE, VERY, LIKE, 227 00:08:49,065 --> 00:08:50,772 INTO SCHOOL, AND, YOU KNOW, 228 00:08:50,773 --> 00:08:52,272 SHE'S VERY CONSTITUTIONAL, SO 229 00:08:52,273 --> 00:08:53,148 EVERYTHING HAS TO BE DONE 230 00:08:53,149 --> 00:08:55,022 PERFECTLY AND, YEAH, LIKE, DOWN 231 00:08:55,023 --> 00:08:58,230 TO, LIKE, THE BASIC LIMITS. 232 00:08:58,231 --> 00:08:59,397 LIKE, EVERYTHING HAS TO BE DONE 233 00:08:59,398 --> 00:09:00,023 PERFECT. 234 00:09:00,024 --> 00:09:01,855 >> SO I SHELVE BOOKS. 235 00:09:01,856 --> 00:09:02,979 I GET TO TAKE CARE OF THIS 236 00:09:02,980 --> 00:09:05,064 SECTION HERE. 237 00:09:07,897 --> 00:09:10,979 I DEAL WITH PHILOSOPHICAL TEXTS, 238 00:09:10,980 --> 00:09:15,021 RELIGIOUS TEXTS IN THIS SECTION. 239 00:09:15,022 --> 00:09:17,938 I... 240 00:09:17,939 --> 00:09:21,479 THAT'S NOT IN THE RIGHT PLACE. 241 00:09:21,480 --> 00:09:22,770 >> I THINK HIGH ACHIEVERS ARE 242 00:09:22,771 --> 00:09:24,937 VERY MUCH ABOUT CONTROL... 243 00:09:24,938 --> 00:09:27,020 AS A RULE. 244 00:09:27,021 --> 00:09:27,938 I THINK THEY'RE TRYING HARD TO 245 00:09:27,939 --> 00:09:30,728 CONTROL, AND THEY DO THAT 246 00:09:30,729 --> 00:09:31,270 THROUGH ACHIEVEMENT. 247 00:09:31,271 --> 00:09:33,228 LIKE, ACHIEVEMENT IS PART OF THE 248 00:09:33,229 --> 00:09:35,061 COGNITIVE WHEEL OF CONTROL. 249 00:09:35,062 --> 00:09:36,353 I THINK IT'S--I THINK THEY'RE 250 00:09:36,354 --> 00:09:37,229 PART AND PARCEL. 251 00:09:37,230 --> 00:09:38,812 KRYSTYN, REMEMBER THE TIME YOU 252 00:09:38,813 --> 00:09:40,103 CALLED ME INTO YOUR ROOM--YOU 253 00:09:40,104 --> 00:09:40,937 WERE PROBABLY FOUR AT THAT 254 00:09:40,937 --> 00:09:41,562 POINT, BECAUSE WE WERE AT 255 00:09:41,563 --> 00:09:43,019 DUME DRIVE--AND YOU ASKED ME 256 00:09:43,020 --> 00:09:46,186 SINCERELY IF YOU WERE FROM 257 00:09:46,187 --> 00:09:47,311 ANOTHER PLANET. 258 00:09:47,312 --> 00:09:48,519 >> OH, YEAH, I REMEMBER THAT. 259 00:09:48,520 --> 00:09:49,395 >> 'CAUSE YOU THOUGHT--'CAUSE 260 00:09:49,395 --> 00:09:50,269 YOU KNEW YOU WEREN'T LIKE 261 00:09:50,270 --> 00:09:52,019 ANYBODY ELSE OR--YEAH. 262 00:09:52,020 --> 00:09:53,976 >> YEAH, THAT WAS--THAT WAS, 263 00:09:53,977 --> 00:09:55,352 LIKE--I WAS REALLY, LIKE, 264 00:09:55,353 --> 00:09:56,851 DEPRESSED AT THAT POINT. 265 00:09:56,852 --> 00:09:57,811 LIKE, I REMEMBER BEING ON THE 266 00:09:57,811 --> 00:09:58,811 VERGE OF TEARS, LIKE, THINKING 267 00:09:58,812 --> 00:10:00,851 THERE'S SOMETHING--WELL, NOW-- 268 00:10:00,852 --> 00:10:03,018 THERE'S SOMETHING REALLY WRONG. 269 00:10:03,019 --> 00:10:05,935 LIKE, IT JUST DOESN'T MATCH UP, 270 00:10:05,936 --> 00:10:08,309 'CAUSE I CAN'T--YOU KNOW, I'M 271 00:10:08,310 --> 00:10:10,267 NOT-- 272 00:10:10,268 --> 00:10:12,267 IT JUST--THERE'S-- 273 00:10:12,268 --> 00:10:14,559 SOMETHING'S JUST DIFFERENT. 274 00:10:14,560 --> 00:10:15,268 AND I WAS REALLY SERIOUS ABOUT 275 00:10:15,269 --> 00:10:18,267 THAT WITH YOU. 276 00:10:18,268 --> 00:10:20,268 I REMEMBER. 277 00:10:26,101 --> 00:10:27,018 >> THE MAGIC COMMUNITY AND 278 00:10:27,019 --> 00:10:28,642 KRYSTYN IS A MATCH MADE IN 279 00:10:28,643 --> 00:10:33,266 HEAVEN, BECAUSE SHE LIKES TO 280 00:10:33,267 --> 00:10:34,142 THINK ON A LOT OF DIFFERENT 281 00:10:34,142 --> 00:10:34,892 LEVELS, AND IN MAGIC, YOU 282 00:10:34,893 --> 00:10:35,974 NECESSARILY HAVE TO DO THAT, 283 00:10:35,975 --> 00:10:39,016 AND AT THE RISK OF OFFENDING 284 00:10:39,017 --> 00:10:39,934 SOMEBODY, AND I DON'T WANT TO DO 285 00:10:39,935 --> 00:10:41,141 THAT, BUT IT'S ALMOST LIKE IT'S 286 00:10:41,142 --> 00:10:43,474 A LITTLE WORLD OF ODDBALLS IN 287 00:10:43,475 --> 00:10:47,057 A SENSE, AND KRYSTYN--SHE'S ONE 288 00:10:47,058 --> 00:10:50,265 OF 'EM. 289 00:10:50,266 --> 00:10:50,974 >> I HONESTLY DO BELIEVE THAT 290 00:10:50,975 --> 00:10:53,807 KRYSTYN COULD BE THE GREATEST 291 00:10:53,808 --> 00:10:55,182 LADY MAGICIAN THAT EVER LIVED, 292 00:10:55,183 --> 00:10:56,807 AND I THINK SHE COULD BE THE 293 00:10:56,808 --> 00:10:57,890 GREATEST--THE GREATEST MAGICIAN 294 00:10:57,891 --> 00:11:01,849 THAT EVER LIVED. 295 00:11:15,723 --> 00:11:17,305 >> BEFORE MAGIC, I WAS SHY. 296 00:11:17,306 --> 00:11:19,680 I COULD NOT GO UP ONSTAGE. 297 00:11:19,681 --> 00:11:21,722 I COULDN'T TALK TO ANYBODY. 298 00:11:21,723 --> 00:11:22,930 I COULD NOT TALK TO MY TEACHERS. 299 00:11:22,931 --> 00:11:24,639 I COULD NOT TALK TO ANYBODY BUT 300 00:11:24,640 --> 00:11:25,348 MY MOM AND MY BROTHERS AND MY 301 00:11:25,349 --> 00:11:27,222 FRIENDS, MY CLOSE FRIENDS, SO 302 00:11:27,223 --> 00:11:27,889 IT WAS PRETTY BAD. 303 00:11:27,890 --> 00:11:30,305 BUT MAGIC'S REALLY GOTTEN ME OUT 304 00:11:30,306 --> 00:11:32,222 OF THAT. 305 00:11:32,223 --> 00:11:33,638 >> HE JUST LOVES THE MAGIC. 306 00:11:33,639 --> 00:11:34,888 HE LOVES THE PEOPLE. 307 00:11:34,889 --> 00:11:36,013 HE LOVES THE SHOW. 308 00:11:36,014 --> 00:11:38,805 HE LOVES THE--THE MAGIC OF IT. 309 00:11:38,806 --> 00:11:40,054 >> I READ. 310 00:11:40,055 --> 00:11:41,720 I WATCH MAGIC TELEVISION. 311 00:11:41,721 --> 00:11:42,514 I DON'T WATCH NORMAL TELEVISION. 312 00:11:42,515 --> 00:11:44,346 I JUST WATCH MY, LIKE, MAGIC'S 313 00:11:44,347 --> 00:11:45,678 BIGGEST SECRETS REVEALED, 314 00:11:45,679 --> 00:11:48,804 MASTERS OF ILLUSION. 315 00:11:48,805 --> 00:11:49,970 >> HE DOESN'T HAVE A REAL TIGHT 316 00:11:49,971 --> 00:11:52,637 GROUP OF FRIENDS, JUST BECAUSE 317 00:11:52,638 --> 00:11:54,053 INSTEAD OF JUST GOOFING OFF, 318 00:11:54,054 --> 00:11:56,678 HE'D RATHER GO STUDY HIS MAGIC, 319 00:11:56,679 --> 00:11:58,261 OR HE'D RATHER GO DO SOMETHING 320 00:11:58,262 --> 00:11:59,096 PRODUCTIVE. 321 00:11:59,097 --> 00:12:01,303 HE THINKS IT'S WASTED TIME. 322 00:12:01,304 --> 00:12:03,303 >> I HAVE NOBODY TO TALK TO MY 323 00:12:03,304 --> 00:12:07,344 AGE ABOUT MAGIC. 324 00:12:07,345 --> 00:12:09,135 >> HE WOULD LOVE TO HAVE A-- 325 00:12:09,136 --> 00:12:11,968 SOMEBODY WITH MAGIC INTEREST 326 00:12:11,969 --> 00:12:13,803 THAT HE WENT TO SCHOOL WITH, 327 00:12:13,804 --> 00:12:14,512 YOU KNOW, THAT LIVED CLOSE OR 328 00:12:14,512 --> 00:12:15,178 SOMEBODY THAT HE COULD MEET UP 329 00:12:15,179 --> 00:12:16,885 WITH. 330 00:12:16,886 --> 00:12:17,886 >> IT'S HARD, BUT I STILL-- 331 00:12:17,887 --> 00:12:20,386 I HAVE GREAT MENTORS, AND I'VE 332 00:12:20,387 --> 00:12:22,426 GOT PEOPLE I CAN DEPEND ON TO 333 00:12:22,427 --> 00:12:24,177 HELP ME WITH THIS. 334 00:12:24,178 --> 00:12:25,011 >> I'VE KNOWN DEREK NOW NEARLY 335 00:12:25,011 --> 00:12:25,803 THREE YEARS. 336 00:12:25,804 --> 00:12:28,967 AND I'LL TELL YOU, IN THAT TIME 337 00:12:28,968 --> 00:12:29,844 PERIOD, WE'VE GOTTEN TO KNOW 338 00:12:29,845 --> 00:12:31,051 EACH OTHER VERY WELL. 339 00:12:31,052 --> 00:12:33,759 I MEAN, HE'S AN EXTRAORDINARY 340 00:12:33,760 --> 00:12:34,135 YOUNG MAN. 341 00:12:34,136 --> 00:12:35,842 HE REALLY IS. 342 00:12:35,843 --> 00:12:37,467 DON'T LET HIM HEAR THIS, BECAUSE 343 00:12:37,468 --> 00:12:38,219 I KNOW HIS HEAD'LL JUST SWELL. 344 00:12:38,220 --> 00:12:40,550 >> YOU HAD HIM IN THIS CLASS, 345 00:12:40,551 --> 00:12:41,343 YOU KNOW, ON SUNDAYS, AND YOU'D 346 00:12:41,344 --> 00:12:43,051 SHOW HIM ONE THING, AND THE NEXT 347 00:12:43,052 --> 00:12:44,092 WEEK HE'D COME BACK, AND HE'D 348 00:12:44,093 --> 00:12:45,926 HAVE THIS WHOLE THING ALL 349 00:12:45,927 --> 00:12:47,842 ROUTINED OUT--YOU KNOW, LITTLE 350 00:12:47,843 --> 00:12:49,258 STORY LINES FIGURED OUT. 351 00:12:49,259 --> 00:12:51,593 THAT'S--THAT'S NOT NORMAL. 352 00:12:55,425 --> 00:12:57,591 >> THIS IS MY MAIN PRACTICE 353 00:12:57,592 --> 00:12:58,176 ROOM. 354 00:12:58,177 --> 00:12:59,925 I'VE GOT THE TABLE OF DOOM WITH 355 00:12:59,926 --> 00:13:02,008 EVERYTHING THAT I OWN THAT'S-- 356 00:13:02,009 --> 00:13:04,882 I'M WORKING ON RIGHT NOW. 357 00:13:04,883 --> 00:13:08,049 UM, YEAH, THAT'S AN EXPENSIVE 358 00:13:08,050 --> 00:13:09,008 TABLE. 359 00:13:09,009 --> 00:13:11,257 I PRACTICE FIVE HOURS A DAY FOR 360 00:13:11,258 --> 00:13:13,091 SEVEN DAYS A WEEK. 361 00:13:13,092 --> 00:13:15,548 AND I DO MY HOMEWORK FIRST, AND 362 00:13:15,549 --> 00:13:16,341 THEN WHEN I'M FINISHED WITH 363 00:13:16,341 --> 00:13:17,008 THAT, I GO INTO MY LITTLE 364 00:13:17,009 --> 00:13:20,590 REHEARSAL SPACE, AND IT DOESN'T 365 00:13:20,591 --> 00:13:21,632 MATTER IF I FINISH MY HOMEWORK 366 00:13:21,633 --> 00:13:23,798 AT 8:00 P.M. OR 2:00 P.M., 367 00:13:23,799 --> 00:13:24,839 I AM THERE FOR FIVE HOURS, IF 368 00:13:24,840 --> 00:13:27,840 NOT LONGER. 369 00:13:34,132 --> 00:13:34,799 >> [giggles] 370 00:13:34,800 --> 00:13:36,006 >> WE KNOW ALL OF HIS TRICKS, 371 00:13:36,007 --> 00:13:36,799 'CAUSE WE SEE HIM DOING THEM 372 00:13:36,800 --> 00:13:39,089 ALL THE TIME. 373 00:13:39,090 --> 00:13:43,671 SO IT GETS PRETTY ANNOYING. 374 00:13:43,672 --> 00:13:44,340 >> YOU KNOW, I CAN DO THE MOST 375 00:13:44,341 --> 00:13:46,671 IMPRESSIVE TRICKS EVER, NOT 376 00:13:46,672 --> 00:13:48,713 REALLY, BUT I CAN TAKE--I KEEP A 377 00:13:48,714 --> 00:13:49,880 DECK OF CARDS IN MY POCKET AT 378 00:13:49,881 --> 00:13:50,255 ALL TIMES. 379 00:13:50,256 --> 00:13:51,671 IF YOU SEE ME WITHOUT A DECK OF 380 00:13:51,672 --> 00:13:53,505 CARDS OR TWO, THEN THERE'S 381 00:13:53,506 --> 00:13:55,338 SOMETHING WRONG WITH ME TODAY. 382 00:13:55,339 --> 00:13:57,254 EVERYTHING I WATCH, EVERYTHING 383 00:13:57,255 --> 00:13:59,421 I HEAR, I TRY TO THINK OF A WAY 384 00:13:59,422 --> 00:14:02,172 I CAN MAKE A MAGIC ACT FROM IT. 385 00:14:06,338 --> 00:14:07,545 I MEAN, WITH MAGIC, YOU CAN 386 00:14:07,546 --> 00:14:09,921 PLEASE A THOUSAND PEOPLE A DAY, 387 00:14:09,922 --> 00:14:13,170 WHICH IF YOU DO THAT FOR 388 00:14:13,171 --> 00:14:15,087 EVEN A YEAR, YOU'LL PLEASE A 389 00:14:15,088 --> 00:14:18,296 MILLION PEOPLE--TOUCHED 'EM. 390 00:14:24,004 --> 00:14:25,294 TO GO TO A PLACE LIKE VEGAS IS 391 00:14:25,295 --> 00:14:26,046 HEAVEN. 392 00:14:26,047 --> 00:14:27,461 I MEAN, THERE ARE 40 OF THE BEST 393 00:14:27,462 --> 00:14:28,128 TEEN MAGICIANS IN THE WORLD, 394 00:14:28,129 --> 00:14:30,628 AND YOU CAN JUST HANG OUT AND 395 00:14:30,629 --> 00:14:31,337 JAM WITH THEM, AND IT'S JUST 396 00:14:31,338 --> 00:14:32,461 HEAVEN. 397 00:14:32,462 --> 00:14:33,794 IT'S AMAZING. 398 00:14:33,795 --> 00:14:35,795 [birds chirping] 399 00:14:53,419 --> 00:14:55,419 >> [speaking Japanese] 400 00:15:33,416 --> 00:15:34,707 [water splashes] 401 00:15:34,708 --> 00:15:37,666 [laughs] 402 00:16:12,915 --> 00:16:15,914 >> [speaking Japanese] 403 00:17:01,828 --> 00:17:03,994 >> THIS IS ME IN LOVE. 404 00:17:03,995 --> 00:17:05,992 "I WANT TO BE A PROFESSIONAL 405 00:17:05,993 --> 00:17:07,535 BASEBALL PLAYER." 406 00:17:07,536 --> 00:17:09,453 [laughs] 407 00:17:12,660 --> 00:17:14,867 UH... 408 00:17:14,868 --> 00:17:17,035 I WANT TO BE A... 409 00:17:17,036 --> 00:17:20,242 STAR MAGICIAN. 410 00:17:20,242 --> 00:17:22,201 I WANT TO PERFORM ALL AROUND THE 411 00:17:22,202 --> 00:17:24,160 WORLD. 412 00:17:45,909 --> 00:17:49,867 KRYSTYN LOOKS GORGEOUS. 413 00:18:02,575 --> 00:18:03,698 >> EVERYONE'S GOT THEIR OWN 414 00:18:03,699 --> 00:18:04,450 FAVORITE SONG. 415 00:18:04,450 --> 00:18:05,325 I'D HAVE TO SAY MINE IS... 416 00:18:05,326 --> 00:18:07,324 [Scott Joplin's The Entertainer] 417 00:18:07,325 --> 00:18:14,824 ? ? 418 00:18:33,239 --> 00:18:33,947 I AM WILLIAM M. KOCH. 419 00:18:33,948 --> 00:18:35,655 I AM WILLIAM MICHAEL. 420 00:18:35,656 --> 00:18:36,738 MY DAD'S WILLIAM STANLEY. 421 00:18:36,739 --> 00:18:37,863 UM... 422 00:18:37,864 --> 00:18:40,696 I'M NOT A "JUNIOR." 423 00:18:40,697 --> 00:18:42,821 BUT... 424 00:18:42,822 --> 00:18:44,696 PEOPLE HAVE LEARNED WHEN THEY 425 00:18:44,697 --> 00:18:45,447 CALL HERE TO ASK FOR BIG BILL OR 426 00:18:45,448 --> 00:18:46,780 LITTLE BILL. 427 00:18:46,781 --> 00:18:49,029 I'M LITTLE BILL. 428 00:18:49,030 --> 00:18:50,820 >> HE LIKED TO IMITATE HIS DAD. 429 00:18:50,821 --> 00:18:53,779 HE LIKED TO--WHAT HE WOULD CALL 430 00:18:53,780 --> 00:18:55,237 IT, INSTEAD OF CONDUCTING, WHEN 431 00:18:55,238 --> 00:18:56,030 HE WAS LITTLE, HE'D SAY, "OH, 432 00:18:56,031 --> 00:18:58,695 I'M DUCKING JUST LIKE POPPY." 433 00:18:58,696 --> 00:19:01,695 [soft orchestral music] 434 00:19:01,696 --> 00:19:07,944 ? ? 435 00:19:07,945 --> 00:19:09,736 HE WAS ABOUT THREE, SO HE WAS 436 00:19:09,737 --> 00:19:11,819 STANDING ON MY LAP. 437 00:19:11,820 --> 00:19:12,820 AND HE WAS CONDUCTING TO 438 00:19:12,821 --> 00:19:15,111 BEAUTY AND THE BEAST. 439 00:19:15,112 --> 00:19:17,527 ALL HE SEES IS HIS DRUMMERS AND 440 00:19:17,528 --> 00:19:19,444 OTHER KIDS IN THE BAND, LIKE, 441 00:19:19,445 --> 00:19:21,028 LAUGHING AND GIGGLING, AND HE'S 442 00:19:21,029 --> 00:19:23,652 STARTING TO GET UPSET, AND HE'S 443 00:19:23,653 --> 00:19:24,445 THINKING TO HIMSELF, "I'M JUST 444 00:19:24,445 --> 00:19:25,445 GONNA KILL THEM. 445 00:19:25,445 --> 00:19:26,403 I'M GONNA KILL THEM." 446 00:19:26,403 --> 00:19:27,111 AND HE FINISHES THE SONG, AND 447 00:19:27,112 --> 00:19:29,194 ALL THE WHILE, BILLY'S STANDING 448 00:19:29,195 --> 00:19:30,693 ON MY LAP CONDUCTING. 449 00:19:30,694 --> 00:19:32,194 HE TURNS AROUND TO THE AUDIENCE 450 00:19:32,195 --> 00:19:35,110 TO TAKE A BOW, AND BILLY IS ON 451 00:19:35,111 --> 00:19:36,360 MY LAP, AND HE TURNS AROUND AND 452 00:19:36,361 --> 00:19:37,111 HE BOWS, AND THAT'S WHEN HE 453 00:19:37,112 --> 00:19:39,777 REALIZED THAT THE LITTLE DARLIN' 454 00:19:39,778 --> 00:19:41,942 WAS DOING THAT WHOLE--THE WHOLE 455 00:19:41,943 --> 00:19:43,901 TIME HE WAS CONDUCTING WITH THE 456 00:19:43,902 --> 00:19:44,860 BAND, SO... 457 00:19:44,861 --> 00:19:46,401 >> IT WAS CUTE ONCE. 458 00:19:46,402 --> 00:19:47,443 >> YEAH, THAT'S WHAT HE TOLD ME. 459 00:19:47,444 --> 00:19:48,402 "IT WAS CUTE ONCE. 460 00:19:48,402 --> 00:19:49,194 DON'T EVER LET HIM DO IT AGAIN." 461 00:19:49,195 --> 00:19:50,776 >> IT WASN'T ABOUT THE FACT 462 00:19:50,777 --> 00:19:51,817 HE UPSTAGED ME. 463 00:19:51,818 --> 00:19:52,985 HE UPSTAGED THE BAND. 464 00:19:56,568 --> 00:19:58,025 THIS IS--THIS IS THE OTHER HOUSE 465 00:19:58,026 --> 00:19:59,484 THAT BILLY GREW UP IN. 466 00:19:59,485 --> 00:20:02,443 >> THIS IS MY HOME. 467 00:20:06,401 --> 00:20:08,441 LOVE THIS PLACE. 468 00:20:08,442 --> 00:20:09,151 THE FIRST RUN-THROUGH OF MY ACT, 469 00:20:09,152 --> 00:20:11,816 I BOMBED RIGHT HERE. 470 00:20:11,817 --> 00:20:12,817 IN FRONT OF A CROWD FULL OF 471 00:20:12,818 --> 00:20:15,524 TEENAGE THEATER KIDS, 472 00:20:15,525 --> 00:20:17,899 I BOMBED MY ACT. 473 00:20:17,900 --> 00:20:19,899 RIGHT UNDERNEATH THIS CURTAIN. 474 00:20:19,900 --> 00:20:20,816 EVERYTHING THAT COULD HAVE GONE 475 00:20:20,817 --> 00:20:23,316 WRONG DIDN'T JUST GO WRONG, IT 476 00:20:23,317 --> 00:20:25,024 FAILED, IT BURNED TO THE GROUND 477 00:20:25,025 --> 00:20:26,690 AND EXPLODED IN A MASS OF 478 00:20:26,691 --> 00:20:28,315 CATACLYSMIC HELL. 479 00:20:28,316 --> 00:20:29,774 >> YEAH, WE LEARN MORE FROM OUR 480 00:20:29,775 --> 00:20:32,065 FAILURE THAN WE DO FROM SUCCESS. 481 00:20:32,066 --> 00:20:33,315 >> THANKS, DAD. 482 00:20:33,316 --> 00:20:34,814 >> EXCELLENCE ALL AROUND HIM HIS 483 00:20:34,815 --> 00:20:35,191 WHOLE LIFE. 484 00:20:35,191 --> 00:20:36,024 I DON'T WANT TO SAY HE'S BEEN 485 00:20:36,025 --> 00:20:38,565 GROOMED FOR SUCCESS, BUT, YOU 486 00:20:38,566 --> 00:20:40,856 KNOW, HE'S BEEN EXPOSED TO 487 00:20:40,857 --> 00:20:43,356 WORLD-CLASS EVENTS, WORLD-CLASS 488 00:20:43,357 --> 00:20:45,023 EDUCATIONS HIS WHOLE LIFE. 489 00:20:45,024 --> 00:20:46,856 AND OF COURSE HE DIDN'T KNOW IT. 490 00:20:46,857 --> 00:20:47,565 YOU KNOW, HE JUST WENT ALONG, 491 00:20:47,565 --> 00:20:48,398 'CAUSE THAT'S WHERE DAD WAS 492 00:20:48,399 --> 00:20:51,481 GOING. 493 00:20:51,482 --> 00:20:53,230 >> I HEARD MY DAD SAY IT ONCE. 494 00:20:53,231 --> 00:20:54,439 AND IT'S JUST STUCK WITH ME. 495 00:20:54,440 --> 00:20:55,273 "THE GOAL IS EXCELLENCE, NOTHING 496 00:20:55,274 --> 00:20:57,897 LESS." 497 00:20:57,898 --> 00:21:00,355 THE STAGE WAS HERE. 498 00:21:00,356 --> 00:21:01,480 ALL THE COMPETITORS WAIT OVER 499 00:21:01,481 --> 00:21:03,355 IN THIS AREA. 500 00:21:03,356 --> 00:21:04,023 FOR THE PAST SIX YEARS, 501 00:21:04,023 --> 00:21:04,606 THEY'VE HELD THE 502 00:21:04,607 --> 00:21:06,937 CHICAGO MAGIC COMPETITION HERE. 503 00:21:06,938 --> 00:21:08,438 AND I WAS THE FIRST-PLACE WINNER 504 00:21:08,439 --> 00:21:09,480 AND PEOPLE'S CHOICE AWARD WINNER 505 00:21:09,481 --> 00:21:10,481 THIS YEAR. 506 00:21:10,481 --> 00:21:11,189 I WAS THE FIRST PERSON IN THE 507 00:21:11,190 --> 00:21:12,438 HISTORY OF THE COMPETITION TO 508 00:21:12,439 --> 00:21:13,896 WIN BOTH, FIRST PLACE AND 509 00:21:13,897 --> 00:21:15,188 PEOPLE'S CHOICE. 510 00:21:15,189 --> 00:21:15,897 I WAS THE YOUNGEST COMPETITOR 511 00:21:15,898 --> 00:21:18,021 THIS YEAR, SO I KNOCKED OUT 512 00:21:18,022 --> 00:21:19,104 THE OTHER SIX COMPETITORS AND 513 00:21:19,105 --> 00:21:20,729 WON FIRST PLACE. 514 00:21:20,730 --> 00:21:22,645 >> BILLY CAME OUT, AND HE HAD A 515 00:21:22,646 --> 00:21:24,729 STRONG PROGRAM, AND HE EXECUTED 516 00:21:24,730 --> 00:21:25,771 IT FLAWLESSLY. 517 00:21:25,772 --> 00:21:28,020 HE HAD A SHOW THAT HE KNEW WOULD 518 00:21:28,021 --> 00:21:30,062 PLAY REAL WELL THERE. 519 00:21:30,063 --> 00:21:31,145 AND THERE WAS A COUPLE OF OTHER 520 00:21:31,146 --> 00:21:33,020 PEOPLE THAT I WAS LIKE... 521 00:21:33,021 --> 00:21:33,854 >> OH, HE'S GOT SOME STIFF 522 00:21:33,855 --> 00:21:34,936 COMPETITION. 523 00:21:34,937 --> 00:21:35,896 >> YOU KNOW, BUT EACH ONE OF 524 00:21:35,897 --> 00:21:38,394 THEM HAD SOMETHING THAT DIDN'T 525 00:21:38,395 --> 00:21:39,228 PLAY WELL. 526 00:21:39,229 --> 00:21:42,144 THAT WAS LIKE, EH, CHINK IN THE 527 00:21:42,145 --> 00:21:42,895 ARMOR. 528 00:21:42,896 --> 00:21:45,353 >> AND HE JUST BLEW EVERYBODY 529 00:21:45,354 --> 00:21:47,935 AWAY. 530 00:21:47,936 --> 00:21:50,685 >> I'M ON TOP. YES. 531 00:21:50,686 --> 00:21:51,935 THAT WAS REALLY--THE FIRST 532 00:21:51,936 --> 00:21:53,602 FEELING OFF THE BAT WAS, YOU 533 00:21:53,603 --> 00:21:55,352 KNOW, I'M NOT SECOND, I'M FIRST. 534 00:21:55,353 --> 00:21:56,020 AND THEN WHEN THEY ANNOUNCED 535 00:21:56,021 --> 00:21:57,685 PEOPLE'S CHOICE, IT'S LIKE, "OH, 536 00:21:57,686 --> 00:21:58,519 DEAR GOD. 537 00:21:58,520 --> 00:22:02,310 I'M FIRST TWICE." 538 00:22:02,311 --> 00:22:03,477 TO BE THE BEST IN A CITY LIKE 539 00:22:03,478 --> 00:22:05,310 CHICAGO, I'M UP THERE WITH 540 00:22:05,311 --> 00:22:06,227 GREATS LIKE MICHAEL JORDAN, 541 00:22:06,228 --> 00:22:08,018 WALTER PAYTON... 542 00:22:08,019 --> 00:22:12,392 BILL KOCH. 543 00:22:12,393 --> 00:22:13,143 I KNOW, IN MY EYES, IF I'M 544 00:22:13,144 --> 00:22:14,851 COMPETING AGAINST INTERNATIONAL 545 00:22:14,852 --> 00:22:17,142 CONTESTANTS, IT MAKES ME WANT 546 00:22:17,143 --> 00:22:18,392 TO WORK HARDER, BECAUSE I WANT 547 00:22:18,393 --> 00:22:22,392 TO IMPRESS UPON THE OTHER 548 00:22:22,393 --> 00:22:23,143 PERFORMERS AND THE OTHER 549 00:22:23,144 --> 00:22:25,725 COMPETITORS THAT I'M ACTUALLY 550 00:22:25,726 --> 00:22:27,683 GOOD AT WHAT I DO. 551 00:22:27,684 --> 00:22:28,850 >> FINALLY WE JUST HAD TO JUST 552 00:22:28,851 --> 00:22:30,892 NARROW THE FOCUS AND SAY, "LET'S 553 00:22:30,893 --> 00:22:32,767 JUST FOCUS ON VEGAS. 554 00:22:32,768 --> 00:22:33,932 LET'S NOT WORRY ABOUT ANYTHING 555 00:22:33,933 --> 00:22:35,891 ELSE BUT YOU GOING TO LAS VEGAS 556 00:22:35,892 --> 00:22:38,350 AND DOING THE BEST YOU CAN AND 557 00:22:38,351 --> 00:22:40,515 MAKE THAT YOUR GOAL, AND THEN 558 00:22:40,516 --> 00:22:41,932 EVERYTHING ELSE WILL FALL IN 559 00:22:41,933 --> 00:22:44,766 PLACE." 560 00:22:44,767 --> 00:22:46,557 >> HE LOVES GOING TO 561 00:22:46,558 --> 00:22:48,182 THE WORLD MAGIC SEMINAR. 562 00:22:48,183 --> 00:22:49,807 I MEAN, HE LOOKS FORWARD TO 563 00:22:49,808 --> 00:22:52,349 THAT. 564 00:22:52,350 --> 00:22:53,890 PLUS, THIS IS THE LAST YEAR THAT 565 00:22:53,891 --> 00:22:55,182 HE COULD COMPETE IN THE TEEN 566 00:22:55,183 --> 00:22:57,599 COMPETITION AS A TEEN. 567 00:23:07,599 --> 00:23:08,599 [boys singing 568 00:23:08,599 --> 00:23:09,599 in native language] 569 00:23:09,600 --> 00:23:17,598 ? ? 570 00:23:31,389 --> 00:23:33,471 >> I'M SIPHIWE FANGASE, AND I'M 571 00:23:33,472 --> 00:23:35,429 FROM SAMORA MACHEL IN 572 00:23:35,430 --> 00:23:38,763 PHILIPPI. 573 00:23:38,764 --> 00:23:40,262 >> MY NAME IS NKUMBUZO. 574 00:23:40,263 --> 00:23:41,846 NKUMBUZO NICHOLAS NKONYANA. 575 00:23:41,847 --> 00:23:43,637 I'M COMING FROM 576 00:23:43,638 --> 00:23:46,430 KHAYELITSHA, MAKAZA. 577 00:23:49,637 --> 00:23:50,803 >> WHEN I PERFORM MAGIC, I'M 578 00:23:50,804 --> 00:23:52,678 JUST ENJOYING MYSELF-- 579 00:23:52,679 --> 00:23:54,803 BEING MYSELF WHEN I PERFORM FOR 580 00:23:54,804 --> 00:23:56,178 THE AUDIENCE. 581 00:23:56,179 --> 00:23:57,261 I JUST WANT TO MAKE THEM 582 00:23:57,262 --> 00:23:58,179 ENTERTAINED AND JUST 583 00:23:58,180 --> 00:24:00,595 ENTERTAINING THEM. 584 00:24:00,596 --> 00:24:01,720 SEVEN... 585 00:24:01,721 --> 00:24:03,803 [all cheering] 586 00:24:32,218 --> 00:24:34,593 >> YOU CAN SEE MANY YOUTH IN 587 00:24:34,594 --> 00:24:36,634 STREETS, LIKE, GOING UP AND 588 00:24:36,635 --> 00:24:36,926 DOWN. 589 00:24:36,927 --> 00:24:39,426 THEY DON'T KNOW WHAT TO DO, AND 590 00:24:39,427 --> 00:24:40,884 AT THE END OF THEIR DAY, THEY, 591 00:24:40,885 --> 00:24:43,633 LIKE, END UP, LIKE, GETTING 592 00:24:43,634 --> 00:24:45,009 INTO TROUBLES BECAUSE THEY DON'T 593 00:24:45,010 --> 00:24:46,508 HAVE ANYTHING TO DO AT THE END 594 00:24:46,509 --> 00:24:47,217 OF THE DAY. 595 00:24:47,218 --> 00:24:49,300 LIKE, MOST OF THEM, THEY ARE 596 00:24:49,301 --> 00:24:50,884 INVOLVED IN DOING DRUGS AND 597 00:24:50,885 --> 00:24:55,384 ALCOHOL. 598 00:25:13,799 --> 00:25:17,132 I DECIDED THAT MAYBE MAGIC COULD 599 00:25:17,133 --> 00:25:17,883 KEEP ME MAYBE AWAY FROM THESE 600 00:25:17,884 --> 00:25:19,674 THINGS. 601 00:25:30,257 --> 00:25:31,714 >> THE COLLEGE OF MAGIC BEGAN 602 00:25:31,715 --> 00:25:33,423 BACK IN 1980, AND THAT'S 603 00:25:33,424 --> 00:25:33,923 29 YEARS AGO NOW. 604 00:25:33,924 --> 00:25:36,048 WE'RE A TRAINING ORGANIZATION, 605 00:25:36,049 --> 00:25:38,213 WHERE WE TRAIN YOUNG PEOPLE IN 606 00:25:38,214 --> 00:25:39,339 THE PERFORMING ARTS, THE 607 00:25:39,340 --> 00:25:40,589 PERFORMING ART OF MAGIC. 608 00:25:40,590 --> 00:25:41,756 BUT MORE IMPORTANTLY, WE'RE 609 00:25:41,757 --> 00:25:43,380 USING MAGIC TO TRANSFORM AND 610 00:25:43,381 --> 00:25:44,797 EMPOWER YOUNG PEOPLE. 611 00:25:44,798 --> 00:25:45,797 >> WHEN I COME TO THE COLLEGE, 612 00:25:45,798 --> 00:25:47,671 I KNOW THAT I'M GOING TO LEARN 613 00:25:47,672 --> 00:25:49,005 SOMETHING, SOMETHING NEW, 614 00:25:49,006 --> 00:25:51,797 SOMETHING AMAZING. 615 00:25:54,505 --> 00:25:55,921 MOST OF THE TIME, I'M NOT AROUND 616 00:25:55,922 --> 00:25:58,296 THE COMMUNITY OFF DOING BAD 617 00:25:58,297 --> 00:25:58,881 THINGS. 618 00:25:58,882 --> 00:26:02,129 I'M ALWAYS PRACTICING MY MAGIC. 619 00:26:02,130 --> 00:26:04,796 I'M AT THE COLLEGE OF MAGIC. 620 00:26:09,838 --> 00:26:11,670 >> THANKS TO THE GENEROSITY OF 621 00:26:11,671 --> 00:26:13,211 SIEGFRIED AND ROY, WHO ARE 622 00:26:13,212 --> 00:26:15,128 SPONSORS OF OUR ORGANIZATION, 623 00:26:15,129 --> 00:26:16,920 AND THEIR FAN CLUB, THEY MAKE IT 624 00:26:16,921 --> 00:26:18,253 POSSIBLE FOR OUR YOUNG PEOPLE 625 00:26:18,254 --> 00:26:20,086 THEN TO TRAVEL TO LAS VEGAS TO 626 00:26:20,087 --> 00:26:21,961 COMPETE IN THE WORLD TEEN 627 00:26:21,962 --> 00:26:23,337 CONTEST. 628 00:26:23,338 --> 00:26:24,004 >> SO WE WERE BOTH CALLED TO 629 00:26:24,005 --> 00:26:26,753 REPRESENT SOUTH AFRICA OVERSEAS 630 00:26:26,754 --> 00:26:30,586 IN LAS VEGAS. 631 00:26:30,587 --> 00:26:32,003 >> SIPHIWE AND NKUMBUZO ARE 632 00:26:32,004 --> 00:26:34,169 COMING FROM THE BACKGROUND THEY 633 00:26:34,170 --> 00:26:36,294 DO FROM THE MARGINALIZED AREAS. 634 00:26:36,295 --> 00:26:39,544 THIS TRIP OVERSEAS IS A TRIP OF 635 00:26:39,545 --> 00:26:40,378 A LIFETIME. 636 00:26:40,379 --> 00:26:43,003 IT'S A LIFE-ALTERING EXPERIENCE. 637 00:27:46,915 --> 00:27:48,332 >> ALL RIGHT, SO FIRST OF ALL, 638 00:27:48,333 --> 00:27:49,082 I'D LIKE TO START BY SAYING 639 00:27:49,083 --> 00:27:51,581 CONGRATULATIONS FOR TAKING THE 640 00:27:51,582 --> 00:27:52,789 STEP TO DO THIS, GUYS. 641 00:27:52,790 --> 00:27:54,664 WE KNOW IT'S NOT EASY. 642 00:27:54,665 --> 00:27:55,415 BUT THIS IS WHERE IT ALL BEGINS. 643 00:27:55,415 --> 00:27:56,124 SOME OF THE GREATEST NAMES IN 644 00:27:56,125 --> 00:27:59,914 MAGIC HAVE BEGUN RIGHT HERE. 645 00:27:59,915 --> 00:28:00,582 >> YOU KNOW, IF YOU GO TO A 646 00:28:00,583 --> 00:28:02,456 COMPETITION, IT'S ONLY AS STRONG 647 00:28:02,457 --> 00:28:03,123 AS THE PEOPLE THAT SHOW UP. 648 00:28:03,124 --> 00:28:04,622 BUT WHEN YOU GO TO 649 00:28:04,623 --> 00:28:05,955 THE WORLD MAGIC SEMINAR, YOU'RE 650 00:28:05,956 --> 00:28:06,997 COMPETING AGAINST SOME OF THE 651 00:28:06,998 --> 00:28:08,496 FINEST IN THE WORLD. 652 00:28:08,497 --> 00:28:09,913 >> TO BE IN THIS COMPETITION 653 00:28:09,914 --> 00:28:11,913 IS NOT AN EASY TASK. 654 00:28:11,914 --> 00:28:14,747 IF IT WERE EASY, EVERYBODY WOULD 655 00:28:14,748 --> 00:28:16,204 BE DOING IT, OKAY? 656 00:28:16,205 --> 00:28:17,538 >> THE TEEN CONTEST OF 657 00:28:17,539 --> 00:28:18,996 THE WORLD MAGIC SEMINAR IS 658 00:28:18,997 --> 00:28:20,787 UNIQUE, IN THAT A PANEL OF 659 00:28:20,788 --> 00:28:22,204 EXPERT MAGICIANS SELECTS THE 660 00:28:22,205 --> 00:28:23,829 TOP EIGHT PERFORMERS, AND THE 661 00:28:23,830 --> 00:28:26,620 AUDIENCE GETS TO PICK THE ACT 662 00:28:26,621 --> 00:28:28,412 THEY THOUGHT WAS THE TOP ACT 663 00:28:28,413 --> 00:28:29,454 FROM THE SHOW. 664 00:28:29,455 --> 00:28:30,330 THEY CIRCLE IT ON THEIR VOTING 665 00:28:30,330 --> 00:28:31,039 CARD AND THEN TURN THAT IN AT 666 00:28:31,040 --> 00:28:33,287 THE END OF THE PERFORMANCE. 667 00:28:33,288 --> 00:28:33,955 SO PEOPLE'S CHOICE VOTING 668 00:28:33,956 --> 00:28:35,829 SELECTS THE FIRST-, SECOND-, AND 669 00:28:35,830 --> 00:28:39,037 THIRD-PLACE WINNERS. 670 00:28:39,038 --> 00:28:40,495 >> OKAY. 671 00:28:40,496 --> 00:28:41,953 ANYBODY NERVOUS? 672 00:28:41,954 --> 00:28:44,703 AWESOME. 673 00:28:44,704 --> 00:28:45,579 PERFECT. 674 00:28:45,580 --> 00:28:49,078 >> CHANNEL THAT ENERGY. 675 00:28:49,079 --> 00:28:50,202 >> TOMORROW MORNING YOUR 676 00:28:50,203 --> 00:28:53,494 REHEARSAL BEGINS AT 6:00 677 00:28:53,495 --> 00:28:55,911 IN THE BALLROOM. 678 00:29:01,329 --> 00:29:02,037 >> YOU NEED TO PUT IN THE TIME 679 00:29:02,038 --> 00:29:04,827 TO BE A SUCCESSFUL MAGICIAN. 680 00:29:04,828 --> 00:29:07,744 YOU NEED TO PUT IN THE TIME OF, 681 00:29:07,745 --> 00:29:09,535 YOU KNOW, PRACTICE AND STUDY 682 00:29:09,536 --> 00:29:12,160 AND R&D AND THINKING ABOUT 683 00:29:12,161 --> 00:29:12,869 WHAT YOU'RE DOING AND 684 00:29:12,869 --> 00:29:13,744 PERFORMING. 685 00:29:13,745 --> 00:29:16,201 >> IT'S LIKE A CRAZY DICHOTOMY, 686 00:29:16,202 --> 00:29:17,784 BECAUSE WE'RE DOING SOMETHING 687 00:29:17,785 --> 00:29:19,826 INCREDIBLY DIFFICULT A LOT OF 688 00:29:19,827 --> 00:29:21,534 THE TIME BUT MAKING IT LOOK 689 00:29:21,535 --> 00:29:22,617 EFFORTLESS. 690 00:29:22,618 --> 00:29:23,826 SO PEOPLE DON'T APPRECIATE IT 691 00:29:23,827 --> 00:29:26,617 FOR, REALLY, HOW HARD AND 692 00:29:26,618 --> 00:29:27,743 ARTISTIC IT IS. 693 00:29:27,744 --> 00:29:31,284 SPLIT FANS TAKE YEARS TO LEARN. 694 00:29:31,285 --> 00:29:32,658 CARD PRODUCTIONS, FLOURISHES 695 00:29:32,659 --> 00:29:33,867 TAKE YEARS. 696 00:29:33,868 --> 00:29:35,533 >> OKAY. UM... 697 00:29:35,534 --> 00:29:39,825 HOW TO DO A SPLIT FAN... 698 00:29:39,826 --> 00:29:42,450 YOU TAKE THE MIDDLE AND THE 699 00:29:42,451 --> 00:29:45,991 THUMB... 700 00:29:45,992 --> 00:29:46,992 LIKE THAT. 701 00:29:46,993 --> 00:29:49,116 YOU GO, AND YOU CLOSE THE FAN 702 00:29:49,117 --> 00:29:51,991 AND DROP THE CARDS, BUT WHAT 703 00:29:51,992 --> 00:29:54,449 YOU'RE DOING HERE--SECRET MOVE 704 00:29:54,450 --> 00:29:56,116 IS SOMETHING THAT LOOKS KIND OF 705 00:29:56,117 --> 00:29:59,949 LIKE... 706 00:29:59,950 --> 00:30:01,949 THAT. 707 00:30:18,699 --> 00:30:19,905 >> THESE KIDS HAVE PUT IN AN 708 00:30:19,906 --> 00:30:22,573 ENORMOUS NUMBER OF HOURS TO 709 00:30:22,574 --> 00:30:24,197 CREATE THESE ACTS, AND THEY'RE 710 00:30:24,198 --> 00:30:24,865 TEENAGERS. 711 00:30:24,865 --> 00:30:25,614 THEY HAVE A LOT OF OTHER THINGS 712 00:30:25,615 --> 00:30:27,281 GOING ON IN THEIR LIVES. 713 00:30:27,282 --> 00:30:28,905 SO, REALLY, IT REQUIRES A LOT OF 714 00:30:28,906 --> 00:30:30,322 SACRIFICE. 715 00:30:30,323 --> 00:30:33,739 [French horn playing] 716 00:30:33,740 --> 00:30:41,739 ? ? 717 00:30:43,406 --> 00:30:45,779 >> THE DECISION... 718 00:30:45,780 --> 00:30:48,196 THAT WE MADE AS A FAMILY THAT HE 719 00:30:48,197 --> 00:30:51,404 WOULD TAKE THIS YEAR... 720 00:30:51,405 --> 00:30:52,446 WELL, NOT GOING BACK TO SCHOOL, 721 00:30:52,447 --> 00:30:54,696 NOT GOING BACK TO COLLEGE, WHICH 722 00:30:54,697 --> 00:30:56,029 WAS PRETTY RADICAL WHEN YOU 723 00:30:56,030 --> 00:30:56,738 CONSIDER HE HAD A MUSIC 724 00:30:56,739 --> 00:30:58,987 SCHOLARSHIP TO A FAIRLY 725 00:30:58,988 --> 00:31:01,862 REPUTABLE STATE UNIVERSITY. 726 00:31:01,863 --> 00:31:03,154 >> I HAD A FRENCH HORN 727 00:31:03,155 --> 00:31:04,113 SCHOLARSHIP TO NORTHEASTERN 728 00:31:04,114 --> 00:31:05,237 ILLINOIS UNIVERSITY. 729 00:31:05,238 --> 00:31:09,986 I HANDED IT BACK TO DO MAGIC. 730 00:31:09,987 --> 00:31:11,986 AND INSTEAD OF, LIKE, READING 731 00:31:11,987 --> 00:31:14,153 HISTORY AND, YOU KNOW, WRITING 732 00:31:14,154 --> 00:31:16,819 ESSAYS AND DOING STATE EXAMS 733 00:31:16,820 --> 00:31:20,986 AND THIS CRAP AND THAT CRAP, 734 00:31:20,987 --> 00:31:22,402 I'M JUST GOING TO READ AND STUDY 735 00:31:22,403 --> 00:31:23,236 MAGIC. 736 00:31:23,237 --> 00:31:24,736 AND MY EXAMS ARE MY 737 00:31:24,737 --> 00:31:27,277 COMPETITIONS. 738 00:31:27,278 --> 00:31:27,944 >> HE WANTED TO MAKE SURE THAT 739 00:31:27,945 --> 00:31:31,527 HE MADE ALL HIS OWN ILLUSIONS. 740 00:31:31,528 --> 00:31:33,651 SO FOR CHRISTMAS, HE ASKED FOR 741 00:31:33,652 --> 00:31:35,068 SOME POWER TOOLS. 742 00:31:35,069 --> 00:31:38,111 [tool whirring] 743 00:31:41,485 --> 00:31:42,277 >> I HAD THIS VISION WHERE 744 00:31:42,277 --> 00:31:43,193 I WOULD MAKE iPODS APPEAR AT MY 745 00:31:43,193 --> 00:31:44,152 FINGERTIPS. 746 00:31:44,153 --> 00:31:46,859 SO I SPENT A YEAR--ACTUALLY, 747 00:31:46,860 --> 00:31:48,192 REALLY EIGHT MONTHS REALLY 748 00:31:48,193 --> 00:31:49,276 HUNKERING DOWN AND MAKING THE 749 00:31:49,277 --> 00:31:50,734 FIRST DRAFTS AND THEN FOUR 750 00:31:50,735 --> 00:31:54,650 MONTHS TO POLISH 'EM OUT, AND 751 00:31:54,651 --> 00:31:57,317 I'M STILL NOT DONE WITH THEM. 752 00:31:57,318 --> 00:31:58,110 >> I'M USUALLY HIS GUINEA PIG. 753 00:31:58,110 --> 00:31:58,443 >> YEAH. 754 00:31:58,444 --> 00:31:59,901 >> ALWAYS. 755 00:32:08,484 --> 00:32:09,941 >> HE WOULD BARE ALL TO MOM, BUT 756 00:32:09,942 --> 00:32:12,733 BE VERY GUARDED AROUND ME AS 757 00:32:12,734 --> 00:32:14,316 FAR AS WHAT HE WOULD SHOW ME, 758 00:32:14,317 --> 00:32:16,316 AND HE WOULD NEVER PUT ON A SHOW 759 00:32:16,317 --> 00:32:17,357 FOR ME. 760 00:32:17,358 --> 00:32:19,357 IN MY PROFESSION, AS A 761 00:32:19,358 --> 00:32:20,733 HIGH-SCHOOL-BAND DIRECTOR/ 762 00:32:20,734 --> 00:32:22,773 MUSICIAN, WE'RE FAULT-FINDERS. 763 00:32:22,774 --> 00:32:24,274 OUR JOB IS TO CORRECT THINGS, 764 00:32:24,275 --> 00:32:25,441 MAKE IT RIGHT. 765 00:32:25,442 --> 00:32:26,606 THAT NOTE'S WRONG. 766 00:32:26,607 --> 00:32:27,400 THAT RHYTHM'S WRONG. 767 00:32:27,400 --> 00:32:27,983 THIS IS WRONG. 768 00:32:27,984 --> 00:32:29,357 I MEAN, YOU KNOW, PRAISE WHEN 769 00:32:29,358 --> 00:32:30,732 YOU CAN, BUT MOST OF THE 770 00:32:30,733 --> 00:32:32,523 REHEARSAL IS MAKING THINGS SOUND 771 00:32:32,524 --> 00:32:35,774 BETTER BY FIXING PROBLEMS. 772 00:32:41,149 --> 00:32:42,398 >> A GOAL IS A DREAM WITH A 773 00:32:42,399 --> 00:32:44,398 DEADLINE. 774 00:32:44,399 --> 00:32:45,897 AND SO MY DREAM WITH A DEADLINE 775 00:32:45,898 --> 00:32:47,856 IS EXCELLENCE. 776 00:32:47,857 --> 00:32:49,689 I'M DOING SOMETHING WITH 777 00:32:49,690 --> 00:32:50,731 SOMETHING THAT EVERYBODY KNOWS 778 00:32:50,732 --> 00:32:51,897 IS HARD TO MANAGE, HARD TO 779 00:32:51,898 --> 00:32:52,773 WORK WITH. 780 00:32:52,774 --> 00:32:55,147 IF I'M OFF BY ANY LITTLE BIT, 781 00:32:55,148 --> 00:32:57,355 THE WHOLE ROOM SEES THAT 782 00:32:57,356 --> 00:32:58,397 SOMETHING'S FLASHING BEHIND MY 783 00:32:58,398 --> 00:32:59,730 HAND. 784 00:32:59,731 --> 00:33:01,063 iPODS HAVE A REFLECTIVE SCREEN. 785 00:33:01,064 --> 00:33:02,188 IF I'M OFF BY A LITTLE BIT, IT'S 786 00:33:02,189 --> 00:33:04,646 GONNA REFLECT. 787 00:33:04,647 --> 00:33:06,604 I TRY AND LET AS MANY PEOPLE AS 788 00:33:06,605 --> 00:33:08,521 POSSIBLE KNOW THAT I MADE 789 00:33:08,522 --> 00:33:09,480 EVERYTHING IN MY ACT. 790 00:33:09,481 --> 00:33:11,396 AND THE REASON BEING IS IT TOOK 791 00:33:11,397 --> 00:33:12,937 ME--I KNOW HOW LONG IT TOOK ME 792 00:33:12,938 --> 00:33:14,021 TO MAKE EVERYTHING, AND IF THEY 793 00:33:14,022 --> 00:33:15,770 WANT TO GO THROUGH THE TROUBLE, 794 00:33:15,771 --> 00:33:17,438 HAVE FUN. 795 00:33:17,439 --> 00:33:18,812 I CAN'T TELL THEM WHERE TO GET 796 00:33:18,813 --> 00:33:19,854 ANY OF MY STUFF, BECAUSE YOU 797 00:33:19,855 --> 00:33:21,729 CAN'T GET ANY OF MY STUFF UNLESS 798 00:33:21,730 --> 00:33:22,937 YOU MAKE MY STUFF. 799 00:33:22,938 --> 00:33:26,895 THAT'S THE iPOD. 800 00:33:26,896 --> 00:33:28,520 >> THIS IS FANTASTIC 801 00:33:28,521 --> 00:33:30,020 CRAFTSMANSHIP. 802 00:33:30,021 --> 00:33:31,395 I MEAN, I'M ACTUALLY JEALOUS 803 00:33:31,396 --> 00:33:32,645 THAT HE MADE THESE. 804 00:33:32,646 --> 00:33:33,354 HE DIDN'T HAVE TO GO TO A 805 00:33:33,355 --> 00:33:34,894 MANUFACTURER OR, YOU KNOW, 806 00:33:34,895 --> 00:33:36,978 PEOPLE WHO MAKE iPODS TO DO 807 00:33:36,979 --> 00:33:37,271 THIS. 808 00:33:37,272 --> 00:33:40,311 HE MADE THIS. 809 00:33:40,312 --> 00:33:42,061 >> LIKE, ON TUESDAYS, USUALLY, 810 00:33:42,062 --> 00:33:42,937 HE WOULD GET TOGETHER WITH JOE. 811 00:33:42,938 --> 00:33:46,686 AND THEY WOULD JUST, YOU KNOW, 812 00:33:46,687 --> 00:33:47,977 FEED OFF OF ONE ANOTHER, LEARN 813 00:33:47,978 --> 00:33:52,144 DIFFERENT THINGS, JUST DO MAGIC 814 00:33:52,145 --> 00:33:53,436 ALL DAY LONG. 815 00:33:53,437 --> 00:33:54,436 [exciting music plays] 816 00:33:54,437 --> 00:34:02,436 ? ? 817 00:34:17,435 --> 00:34:18,101 >> I FLUBBED--I FLUBBED TWO 818 00:34:18,101 --> 00:34:21,016 THINGS DURING THAT. 819 00:34:21,018 --> 00:34:21,891 >> UM... 820 00:34:21,893 --> 00:34:23,475 >> BUT... 821 00:34:23,476 --> 00:34:24,226 >> BUT, YOU KNOW, I MEAN, WELL, 822 00:34:24,226 --> 00:34:24,726 SHIT HAPPENS. 823 00:34:24,726 --> 00:34:25,268 NOTHING'S PERFECT. 824 00:34:25,268 --> 00:34:25,976 I MEAN, THE WHOLE POINT OF ALL 825 00:34:25,976 --> 00:34:27,933 THIS IS TO KNOW YOUR STUFF COLD. 826 00:34:27,934 --> 00:34:30,433 I MEAN, YOU'VE GOT TO KNOW THAT. 827 00:34:30,434 --> 00:34:31,101 WHEN YOU KNOW YOUR STUFF COLD 828 00:34:31,101 --> 00:34:33,516 WHEN SHIT GOES DOWN, YOU CAN-- 829 00:34:33,516 --> 00:34:34,434 YOU CAN WORK WITH IT. 830 00:34:34,435 --> 00:34:36,433 EVERYTHING'S JUST, YOU KNOW, 831 00:34:36,434 --> 00:34:38,099 RIGHT WHERE--RIGHT WHERE IT'S 832 00:34:38,100 --> 00:34:39,349 SUPPOSED TO BE. 833 00:34:39,350 --> 00:34:40,266 I'M NOT SAYING THAT IT WON'T 834 00:34:40,268 --> 00:34:41,516 GROW. 835 00:34:41,516 --> 00:34:42,391 BUT I THINK TO CHANGE ANYTHING 836 00:34:42,391 --> 00:34:43,183 RIGHT NOW FOR THE SAKE OF 837 00:34:43,184 --> 00:34:44,516 CHANGING SOMETHING WOULD BE A 838 00:34:44,516 --> 00:34:49,225 MISTAKE--A HUGE MISTAKE. 839 00:34:57,725 --> 00:35:00,724 >> [speaking Japanese] 840 00:35:40,305 --> 00:35:41,387 >> TWO... 841 00:35:41,388 --> 00:35:43,305 AND ONE. 842 00:36:08,053 --> 00:36:11,053 [speaking Japanese] 843 00:37:35,382 --> 00:37:36,839 >> THE MAGIC CASTLE, YEAH, IS A 844 00:37:36,840 --> 00:37:38,381 REALLY SPECIAL PLACE. 845 00:37:38,382 --> 00:37:41,297 IT WAS THE FIRST SORT OF, YOU 846 00:37:41,298 --> 00:37:42,588 KNOW, PRIVATE CLUB FOR 847 00:37:42,589 --> 00:37:44,922 MAGICIANS. 848 00:37:44,923 --> 00:37:46,839 >> WELL, THE CASTLE'S BEEN A 849 00:37:46,840 --> 00:37:48,046 RESOURCE FOR ME IN A NUMBER OF 850 00:37:48,047 --> 00:37:48,715 WAYS. 851 00:37:48,716 --> 00:37:49,963 I MEAN, SO MANY PEOPLE GO 852 00:37:49,964 --> 00:37:50,423 THROUGH THERE. 853 00:37:50,424 --> 00:37:51,588 I MEAN, IT REALLY IS A MECCA, 854 00:37:51,589 --> 00:37:54,046 JUST 'CAUSE EVERYONE'S THERE. 855 00:37:54,047 --> 00:37:54,839 >> THE MAGIC CASTLE'S A PRIVATE 856 00:37:54,840 --> 00:37:56,380 CLUB BY NATURE. 857 00:37:56,381 --> 00:37:58,504 SO YOU CAN'T JUST CALL AND MAKE 858 00:37:58,505 --> 00:37:59,380 A RESERVATION. 859 00:37:59,381 --> 00:38:00,796 YOU HAVE TO EITHER BE A MEMBER 860 00:38:00,797 --> 00:38:02,254 OR KNOW A MEMBER. 861 00:38:02,255 --> 00:38:04,170 >> EVERYBODY WHO'S INTO MAGIC 862 00:38:04,171 --> 00:38:04,839 THROUGHOUT THE WORLD I THINK 863 00:38:04,840 --> 00:38:07,504 ALL WANT TO GET HERE ONE DAY. 864 00:38:07,505 --> 00:38:08,338 THEY WANT TO BE ABLE TO STEP 865 00:38:08,338 --> 00:38:09,005 THROUGH THESE DOORS AND SAY, 866 00:38:09,006 --> 00:38:10,462 "I'VE BEEN TO THE MAGIC CASTLE." 867 00:38:10,463 --> 00:38:13,045 THAT'S HOW SPECIAL IT IS. 868 00:38:13,046 --> 00:38:15,962 >> FOR MY 11TH BIRTHDAY, MY 869 00:38:15,963 --> 00:38:16,838 PARENTS TOOK ME TO 870 00:38:16,839 --> 00:38:18,461 THE MAGIC CASTLE. 871 00:38:18,462 --> 00:38:21,420 AND JUST BY CHANCE, THE DIRECTOR 872 00:38:21,421 --> 00:38:22,753 OF THE JUNIOR PROGRAM, 873 00:38:22,754 --> 00:38:24,836 BOB DORIAN, WAS THERE. 874 00:38:24,837 --> 00:38:26,378 >> MAGIC CASTLE JUNIOR GROUP IS 875 00:38:26,379 --> 00:38:27,586 COMPOSED OF A VERY TALENTED 876 00:38:27,587 --> 00:38:29,378 GROUP OF YOUNG PEOPLE BETWEEN 877 00:38:29,379 --> 00:38:31,669 THE AGES OF 13 TO 20 WHO MEET 878 00:38:31,670 --> 00:38:32,919 UP AT THE CASTLE ONCE A MONTH 879 00:38:32,920 --> 00:38:34,794 AND WORK ON THEIR ACTS. 880 00:38:34,795 --> 00:38:37,085 >> AND WE DECIDED TO SET THE BAR 881 00:38:37,086 --> 00:38:38,836 A LITTLE BIT HIGHER WITH KIDS TO 882 00:38:38,837 --> 00:38:40,210 MAKE IT VERY DIFFICULT TO GET 883 00:38:40,211 --> 00:38:41,169 IN, 'CAUSE WE REALLY WANTED TO 884 00:38:41,170 --> 00:38:45,835 TAKE THE BEST OF THE BEST. 885 00:38:45,836 --> 00:38:47,127 KRYSTYN CAME INTO THE PROGRAM-- 886 00:38:47,128 --> 00:38:48,918 I THINK SHE WAS 12 OR 13 WHEN 887 00:38:48,919 --> 00:38:51,418 SHE CAME IN THE PROGRAM. 888 00:38:51,419 --> 00:38:53,835 THIS ABSOLUTELY DARLING, PRETTY 889 00:38:53,836 --> 00:38:56,293 BLOND GIRL. 890 00:38:56,294 --> 00:39:00,042 I SAW MYSELF IN HER. 891 00:39:00,043 --> 00:39:01,418 >> I PERFORM THERE. 892 00:39:01,419 --> 00:39:02,625 I WORKSHOP JUST ABOUT EVERY 893 00:39:02,626 --> 00:39:03,709 MONTH AND DEFINITELY GIVE, YOU 894 00:39:03,710 --> 00:39:04,834 KNOW, FEEDBACK AND AM VERY 895 00:39:04,835 --> 00:39:06,917 ACTIVE, IN TERMS OF MY 896 00:39:06,918 --> 00:39:09,333 PARTICIPATION WITH THE GROUP. 897 00:39:09,334 --> 00:39:11,125 >> I KNOW THAT KRYSTYN AND IAN 898 00:39:11,126 --> 00:39:12,458 ARE GONNA BE IN THE PALACE. 899 00:39:12,459 --> 00:39:14,000 ANYONE ELSE IN THE PALACE? 900 00:39:14,001 --> 00:39:17,749 [indistinct chatter] 901 00:39:17,750 --> 00:39:20,582 >> THIS IS FOR THE NEW 902 00:39:20,583 --> 00:39:21,749 TEN-MINUTE ACT OF MINE THAT WILL 903 00:39:21,750 --> 00:39:24,166 GO TO COMPETITION, AND I'M 904 00:39:24,167 --> 00:39:25,332 WORKING A COUPLE CONVENTIONS 905 00:39:25,333 --> 00:39:26,666 IN THE SUMMER. 906 00:39:26,667 --> 00:39:27,874 SO THIS IS THE MIDDLE PORTION. 907 00:39:27,875 --> 00:39:29,165 >> LET'S GIVE IT UP ONE MORE 908 00:39:29,166 --> 00:39:31,082 TIME FOR KRYSTYN LAMBERT. 909 00:39:31,083 --> 00:39:31,874 [cheers and applause] 910 00:39:31,874 --> 00:39:32,874 [upbeat music plays] 911 00:39:32,875 --> 00:39:38,915 ? ? 912 00:39:38,916 --> 00:39:41,666 [cheers and applause] 913 00:39:47,374 --> 00:39:49,039 >> OUR GOAL IS TO TAKE KIDS THAT 914 00:39:49,040 --> 00:39:51,164 COME IN AS HAPPY AMATEURS, 915 00:39:51,165 --> 00:39:52,914 LOVING IT, AND PREPARE THEM TO 916 00:39:52,915 --> 00:39:53,416 BE ABLE TO WORK IN A 917 00:39:53,417 --> 00:39:55,373 PROFESSIONAL WORLD. 918 00:39:55,374 --> 00:39:57,373 >> IF YOU WANT TO COMPETE IN 919 00:39:57,374 --> 00:39:58,539 MAGIC, IF THAT'S WHAT YOU'RE 920 00:39:58,540 --> 00:39:59,998 LOOKING TO DO, THE MAGIC CASTLE 921 00:39:59,999 --> 00:40:02,081 JUNIORS IS A FANTASTIC PLACE, 922 00:40:02,082 --> 00:40:04,122 BECAUSE YOU HAVE NOT ONLY ALL 923 00:40:04,123 --> 00:40:05,580 THE KIDS LOOKING AND TELLING 924 00:40:05,581 --> 00:40:07,747 YOU WHAT THEIR IDEAS ARE, BUT 925 00:40:07,748 --> 00:40:09,163 THEN YOU GET THE ADVISORS THAT 926 00:40:09,164 --> 00:40:10,746 ARE COMING IN WITH YEARS AND 927 00:40:10,747 --> 00:40:14,372 YEARS OF EXPERIENCE. 928 00:40:14,373 --> 00:40:15,621 >> IF YOU'RE COMPETING, THAT'S 929 00:40:15,622 --> 00:40:16,330 MORE PRESS. 930 00:40:16,330 --> 00:40:17,123 IF YOU WIN, THAT'S EVEN MORE 931 00:40:17,123 --> 00:40:17,831 PRESS IN THE MAGIC COMMUNITY. 932 00:40:17,832 --> 00:40:19,705 IF PEOPLE GOOGLE SEARCH YOUR 933 00:40:19,706 --> 00:40:20,706 NAME, MORE RESULTS COME UP, 934 00:40:20,707 --> 00:40:22,788 YOU KNOW. 935 00:40:22,789 --> 00:40:26,162 [applause] 936 00:40:26,163 --> 00:40:28,329 >> I STILL--'CAUSE I THINK I'VE 937 00:40:28,330 --> 00:40:30,162 SAID THIS BEFORE--I STILL WOULD 938 00:40:30,163 --> 00:40:32,912 LIKE TO SEE YOU DEVELOP MATERIAL 939 00:40:32,913 --> 00:40:36,287 THAT IS NOT "CLASSIC"... 940 00:40:36,288 --> 00:40:37,370 >> MM-HMM. 941 00:40:37,371 --> 00:40:39,036 >> BECAUSE I THINK YOU COULD DO 942 00:40:39,037 --> 00:40:40,953 SO MUCH MORE. 943 00:40:40,954 --> 00:40:41,995 >> I'D LIKE TO SEE A LITTLE MORE 944 00:40:41,996 --> 00:40:44,869 OF YOU AND MORE PRONOUNCED MAGIC 945 00:40:44,870 --> 00:40:45,870 MOMENTS THAN SO MANY MAGIC 946 00:40:45,871 --> 00:40:48,078 MOMENTS THAT I JUST GET... 947 00:40:48,079 --> 00:40:48,745 >> RIGHT. 948 00:40:48,745 --> 00:40:49,662 >> ALL CONFUSED AS TO WHERE TO 949 00:40:49,663 --> 00:40:51,369 LOOK, BECAUSE, ULTIMATELY, THIS 950 00:40:51,370 --> 00:40:53,661 IS ABOUT YOU. 951 00:40:53,662 --> 00:40:54,412 THE FACT THAT YOU CAN DO MAGIC, 952 00:40:54,413 --> 00:40:56,661 YOU KNOW, THE FACT THAT YOU CAN 953 00:40:56,662 --> 00:40:57,869 MAKE THIS HAPPEN. 954 00:40:57,870 --> 00:41:00,577 THAT'S YOUR SINGING. 955 00:41:00,578 --> 00:41:02,160 BUT, ULTIMATELY, IT'S ALL ABOUT 956 00:41:02,161 --> 00:41:04,535 YOU. 957 00:41:04,536 --> 00:41:07,703 [indistinct chatter] 958 00:41:27,785 --> 00:41:29,785 YOU'RE DAMN STRAIGHT THAT'S WHY. 959 00:41:39,909 --> 00:41:42,200 [both laughing] 960 00:41:42,201 --> 00:41:45,324 >> [coughs] 961 00:41:45,325 --> 00:41:47,658 NO. 962 00:41:47,659 --> 00:41:49,659 IT'S TRUE. 963 00:42:07,949 --> 00:42:09,739 >> WE'RE HEADING TO REINKE BROS. 964 00:42:09,740 --> 00:42:11,198 THIS IS MY PLACE WHERE 965 00:42:11,199 --> 00:42:13,781 I PRACTICE MY MAGIC. 966 00:42:13,782 --> 00:42:15,782 IT'S A LOT OF FUN. 967 00:42:22,865 --> 00:42:24,698 OKAY, OUT WE GO. 968 00:42:24,699 --> 00:42:25,905 THANK YOU. 969 00:42:25,906 --> 00:42:28,947 WAIT, WAIT, WAIT. 970 00:42:28,948 --> 00:42:29,906 [car horn honks] 971 00:42:29,906 --> 00:42:30,614 >> WORKING IN THE MAGIC SHOP, 972 00:42:30,615 --> 00:42:32,571 THAT'S--THAT'S WHAT'S VALUABLE 973 00:42:32,572 --> 00:42:34,613 TO DEREK RIGHT NOW, BECAUSE HE 974 00:42:34,614 --> 00:42:36,363 CAN MAKE MISTAKES AND LEARN FROM 975 00:42:36,364 --> 00:42:38,822 IT AND CORRECT THEM. 976 00:42:38,823 --> 00:42:40,780 DEREK'S GOING TO BE GOING TO 977 00:42:40,781 --> 00:42:41,904 THE WORLD MAGIC SEMINAR TO 978 00:42:41,905 --> 00:42:43,363 COMPETE, AND HIS GOAL--I MEAN, 979 00:42:43,364 --> 00:42:44,737 REALLY, HE WANTS TO BE ONE OF 980 00:42:44,738 --> 00:42:47,071 THE FIRST, SECOND, OR THIRDS. 981 00:42:47,072 --> 00:42:48,196 MY GOAL WOULD BE TO SEE HIM 982 00:42:48,197 --> 00:42:50,029 NUMBER ONE, AND I BELIEVE IN 983 00:42:50,030 --> 00:42:53,862 HIS HEART HE CAN DO IT. 984 00:42:53,863 --> 00:42:55,696 >> HERE YOU GO. 985 00:42:55,697 --> 00:42:57,697 THANK YOU VERY MUCH. 986 00:43:01,697 --> 00:43:02,820 HAVE A NICE DAY. 987 00:43:02,821 --> 00:43:04,362 >> YOU TOO. 988 00:43:04,363 --> 00:43:05,486 >> I'VE BEEN WORKING ON THE ACT 989 00:43:05,487 --> 00:43:08,778 ALMOST EVERY NIGHT FOR--SINCE 990 00:43:08,779 --> 00:43:10,695 OCTOBER. 991 00:43:10,696 --> 00:43:12,444 AND THAT'S WHAT WE'RE GONNA 992 00:43:12,445 --> 00:43:17,361 PROBABLY WORK ON TONIGHT. 993 00:43:17,362 --> 00:43:19,319 >> HIS GOAL IS TO WIN. 994 00:43:19,320 --> 00:43:21,568 AND SO RICH AND I'S JOB IS TO 995 00:43:21,569 --> 00:43:23,195 HELP HIM. 996 00:43:25,611 --> 00:43:26,694 >> SO WHERE DO WE WANT TO START? 997 00:43:26,695 --> 00:43:29,069 YOU WANT TO DO--YOU WANT TO DO 998 00:43:29,070 --> 00:43:29,903 YOUR BIT SINCE YOU'RE KIND OF 999 00:43:29,904 --> 00:43:31,735 TIRED, GET IT OUT OF THE WAY, 1000 00:43:31,736 --> 00:43:35,901 AND WE CAN KIND OF CRITIQUE IT A 1001 00:43:35,902 --> 00:43:37,277 LITTLE? 1002 00:43:37,278 --> 00:43:37,986 >> THIS IS MY FAVORITE ACT TO 1003 00:43:37,986 --> 00:43:38,860 DO. 1004 00:43:38,861 --> 00:43:41,859 AND I WANT TO WORK ON IT TILL 1005 00:43:41,860 --> 00:43:45,985 I WIN SOMETHING. 1006 00:43:45,986 --> 00:43:47,943 AND IT'S NEVER GONNA BE DONE. 1007 00:43:47,944 --> 00:43:49,359 I'M STILL NOT HAPPY WITH IT, OF 1008 00:43:49,360 --> 00:43:50,151 COURSE, SO IT'S GONNA BE A WORK 1009 00:43:50,152 --> 00:43:53,442 IN PROGRESS TILL I DIE. 1010 00:43:53,443 --> 00:43:55,359 I WANT TO DO A MANIPULATION 1011 00:43:55,360 --> 00:43:57,025 ROUTINE WHICH I HAVE TAKEN OFF 1012 00:43:57,026 --> 00:43:59,692 AN IDEA I GOT FROM WILLY WONKA. 1013 00:43:59,693 --> 00:44:01,025 WILLY WONKA, WHEN I WAS A KID, 1014 00:44:01,026 --> 00:44:02,358 USED TO BE MY FAVORITE MOVIE 1015 00:44:02,359 --> 00:44:03,775 OF ALL TIME AND STILL IS. 1016 00:44:03,776 --> 00:44:08,566 AND WHEN I SAW THAT, I HEARD THE 1017 00:44:08,567 --> 00:44:09,857 SONG PURE IMAGINATION. 1018 00:44:09,858 --> 00:44:10,733 THAT'S WHERE I GOT THE WHOLE 1019 00:44:10,734 --> 00:44:13,565 ACT. 1020 00:44:13,566 --> 00:44:14,816 IT STARTS OUT WITH GENE WILDER 1021 00:44:14,817 --> 00:44:16,607 SINGING PURE IMAGINATION. 1022 00:44:16,608 --> 00:44:19,232 THEN IT KIND OF GOES INTO MAGI-- 1023 00:44:19,233 --> 00:44:20,524 ALMOST AS IF WHAT HE DOES TO 1024 00:44:20,525 --> 00:44:22,399 CANDY I DO TO COINS AND BILLIARD 1025 00:44:22,400 --> 00:44:23,899 BALLS AND--THEY'RE NOT EDIBLE 1026 00:44:23,900 --> 00:44:26,982 UNFORTUNATELY. 1027 00:44:26,983 --> 00:44:27,774 AND IT KIND OF TELLS THE STORY 1028 00:44:27,775 --> 00:44:30,315 OF I WALK IN WITH NOTHING-- 1029 00:44:30,316 --> 00:44:31,233 I MEAN, I WALK IN WITH VERY 1030 00:44:31,234 --> 00:44:32,773 LITTLE STUFF, AND I LEAVE 1031 00:44:32,774 --> 00:44:35,940 WITH... 1032 00:44:35,941 --> 00:44:37,481 A LOT OF STUFF. 1033 00:44:37,482 --> 00:44:38,440 IT'S THE STORY OF LIFE. 1034 00:44:38,441 --> 00:44:40,189 IT'S--YOU GET BORN INTO THIS 1035 00:44:40,190 --> 00:44:42,356 WORLD WITH NOTHING, AND THEN YOU 1036 00:44:42,357 --> 00:44:44,356 LEAVE WITH THE EXPLOSION, WHICH 1037 00:44:44,357 --> 00:44:48,148 IS THE END--THE END OF LIFE. 1038 00:44:52,314 --> 00:44:56,272 >> UM, THERE WAS SOME POINTS 1039 00:44:56,273 --> 00:45:00,854 WHERE DEREK WAS, UH... 1040 00:45:00,855 --> 00:45:02,397 NOT WORKING AS HARD AS I THINK 1041 00:45:02,398 --> 00:45:05,230 HE SHOULD HAVE BEEN. 1042 00:45:05,231 --> 00:45:06,688 >> THIS IS A COMPETITION AGAINST 1043 00:45:06,689 --> 00:45:09,021 PROBABLY SOME OF THE BEST KIDS 1044 00:45:09,022 --> 00:45:11,271 IN THE WORLD. 1045 00:45:11,272 --> 00:45:13,063 AND YOU CAN'T TAKE IT LIGHTLY 1046 00:45:13,064 --> 00:45:15,562 IF YOU TRULY WANT TO WIN. 1047 00:45:15,563 --> 00:45:16,563 >> I'M GONNA BE HONEST WITH YOU. 1048 00:45:16,564 --> 00:45:20,145 YOUR STEALS LOOK LIKE... 1049 00:45:20,146 --> 00:45:20,980 YOU NEED TO WORK ON 'EM, BECAUSE 1050 00:45:20,981 --> 00:45:23,104 YOU DON'T NEED TO GO OUT ON THE 1051 00:45:23,105 --> 00:45:26,561 STAGE AND LOOK LIKE A FOOL. 1052 00:45:26,562 --> 00:45:27,812 MY INTENT WAS NOT TO MAKE HIM 1053 00:45:27,813 --> 00:45:31,937 CRY, BUT PLAYTIME'S OVER. 1054 00:45:31,938 --> 00:45:33,937 THIS IS WORK. 1055 00:46:03,103 --> 00:46:05,686 >> [speaking Japanese] 1056 00:46:18,018 --> 00:46:19,558 YEAH, LAST NIGHT I MADE THIS 1057 00:46:19,559 --> 00:46:21,559 MASK. 1058 00:46:39,850 --> 00:46:42,767 >> [speaking Japanese] 1059 00:46:56,016 --> 00:46:59,015 >> [speaking Japanese] 1060 00:47:21,722 --> 00:47:24,722 >> [speaking Japanese] 1061 00:47:41,846 --> 00:47:44,846 >> [speaking Japanese] 1062 00:48:19,469 --> 00:48:22,469 >> [speaking Japanese] 1063 00:48:49,592 --> 00:48:52,592 [indistinct chatter] 1064 00:48:55,467 --> 00:48:57,424 >> SIPHIWE AND NKUMBUZO ARE TWO 1065 00:48:57,425 --> 00:48:59,883 REMARKABLE AND ENTHUSIASTIC 1066 00:48:59,884 --> 00:49:01,007 YOUNG MEN. 1067 00:49:01,008 --> 00:49:01,883 THEY'RE ENTHUSIASTIC FOR THEIR 1068 00:49:01,883 --> 00:49:02,175 MAGIC. 1069 00:49:02,176 --> 00:49:03,882 THEY'RE VERY TALENTED. 1070 00:49:03,883 --> 00:49:05,674 BOTH HAVE BEEN WITH US FOR A 1071 00:49:05,675 --> 00:49:06,799 NUMBER OF YEARS NOW. 1072 00:49:06,800 --> 00:49:08,715 THEY'VE BEEN TRAINING, 1073 00:49:08,716 --> 00:49:09,757 ESPECIALLY IN THE AREA OF STAGE 1074 00:49:09,758 --> 00:49:11,715 MAGIC, WHICH THEY ENJOY SO MUCH. 1075 00:49:11,716 --> 00:49:14,340 SIPHIWE CAME UP WITH THE INITIAL 1076 00:49:14,341 --> 00:49:15,050 IDEA, AND HE WOULD HAVE STARTED 1077 00:49:15,051 --> 00:49:18,465 WORKING ON THAT TWO YEARS AGO. 1078 00:49:18,466 --> 00:49:20,590 AND NKUMBUZO JOINS SIPHIWE IN 1079 00:49:20,591 --> 00:49:21,383 THE ACT. 1080 00:49:21,384 --> 00:49:23,298 [vuvuzela sounding] 1081 00:49:23,299 --> 00:49:24,299 >> THE MAGIC FROM SOUTH AFRICA 1082 00:49:24,300 --> 00:49:25,756 EACH AND EVERY YEAR, IT'S LIKE 1083 00:49:25,757 --> 00:49:28,131 IT'S DIFFERENT. 1084 00:49:28,132 --> 00:49:32,798 IT COMES WITH A STORY. 1085 00:49:32,799 --> 00:49:34,922 >> SIPHIWE'S VERY KEEN ON HIS 1086 00:49:34,923 --> 00:49:35,757 SOCCER, AND WITH THE 1087 00:49:35,758 --> 00:49:38,713 2010 WORLD CUP SOCCER EVENT 1088 00:49:38,714 --> 00:49:40,464 COMING TO SOUTH AFRICA, WE 1089 00:49:40,465 --> 00:49:42,423 THOUGHT IT APPROPRIATE. 1090 00:49:55,422 --> 00:49:56,130 >> WE ONLY HAVE A CORE TEAM OF 1091 00:49:56,131 --> 00:49:58,129 ABOUT FIVE OR SIX OF OUR SENIOR 1092 00:49:58,130 --> 00:49:59,629 STAFF MEMBERS, AND WE GET 1093 00:49:59,630 --> 00:50:00,256 TOGETHER WITH THEM, AND WE 1094 00:50:00,257 --> 00:50:01,462 WORKSHOP THE ACT AND OBVIOUSLY 1095 00:50:01,463 --> 00:50:03,004 POLISH IT, SO WE NEED TO TAKE 1096 00:50:03,005 --> 00:50:04,337 IT TO THAT NEXT LEVEL IN 1097 00:50:04,338 --> 00:50:06,964 INTERNATIONAL STANDARDS. 1098 00:50:29,337 --> 00:50:30,337 SO YOU'VE GOT THE MAGIC OF 1099 00:50:30,337 --> 00:50:30,920 SOCCER. 1100 00:50:30,921 --> 00:50:32,710 YOU'VE GOT THE ENERGY OF AFRICA. 1101 00:50:32,711 --> 00:50:33,794 AND WHEN YOU SEE THEM PERFORM, 1102 00:50:33,795 --> 00:50:36,253 THEY LITERALLY LIGHT UP THAT 1103 00:50:36,254 --> 00:50:37,128 STAGE. 1104 00:50:37,129 --> 00:50:38,753 [light applause] 1105 00:50:43,795 --> 00:50:45,876 >> ADVERTISING, YES... 1106 00:50:45,877 --> 00:50:47,877 BY TRUE MAGIC. 1107 00:50:52,543 --> 00:50:53,211 >> THEY WORKED INCREDIBLY HARD 1108 00:50:53,212 --> 00:50:56,251 IN DEVELOPING AN ACT WHICH 1109 00:50:56,252 --> 00:50:59,251 WOULD BE SELECTED TO BE ABLE 1110 00:50:59,252 --> 00:51:00,252 TO BE STAGED AT 1111 00:51:00,253 --> 00:51:01,834 THE WORLD MAGIC SEMINAR IN 1112 00:51:01,835 --> 00:51:02,210 LAS VEGAS. 1113 00:51:02,211 --> 00:51:03,709 >> AND I THINK THAT'S WHAT MAKES 1114 00:51:03,710 --> 00:51:04,792 THE SEMINAR SO SPECIAL, IN THAT 1115 00:51:04,793 --> 00:51:05,751 YOU'RE GETTING THESE PERFORMERS 1116 00:51:05,751 --> 00:51:06,709 FROM ALL THESE DIFFERENT PARTS 1117 00:51:06,710 --> 00:51:08,625 OF THE WORLD. 1118 00:51:08,626 --> 00:51:09,418 AND IT'S NOT JUST THE AMERICAN 1119 00:51:09,419 --> 00:51:10,708 ACTS OR NOT JUST THE EUROPEAN 1120 00:51:10,709 --> 00:51:11,750 ACTS. 1121 00:51:11,751 --> 00:51:12,709 EVERYONE'S GETTING A TASTE OF 1122 00:51:12,710 --> 00:51:13,875 WHAT'S HAPPENING IN ALL CORNERS 1123 00:51:13,876 --> 00:51:15,876 OF THE WORLD. 1124 00:51:52,624 --> 00:51:53,624 >> [giggles] 1125 00:51:53,625 --> 00:51:55,122 >> TODAY IS OUR FINAL 1126 00:51:55,123 --> 00:51:56,289 PERFORMANCE. 1127 00:51:56,290 --> 00:51:56,790 >> AND GUESS WHAT. 1128 00:51:56,791 --> 00:51:58,705 >> WE ARE SO HAPPY. 1129 00:51:58,706 --> 00:52:01,122 >> AND WE ARE GOING TO... 1130 00:52:01,123 --> 00:52:05,538 >> REPRESENT SOUTH A-FRI-CA! 1131 00:52:05,539 --> 00:52:06,997 LADIES AND GENTLEMEN... 1132 00:52:06,998 --> 00:52:08,996 >> both: [singing] 1133 00:52:08,997 --> 00:52:12,413 ? ? 1134 00:52:12,414 --> 00:52:14,622 [laughter] 1135 00:52:14,623 --> 00:52:15,414 >> I'M GONNA BRING OUT ALL THAT 1136 00:52:15,415 --> 00:52:19,163 I HAVE FOR VEGAS. 1137 00:52:19,164 --> 00:52:21,663 AND I-I WANT TO WORK HARD FOR 1138 00:52:21,664 --> 00:52:23,788 THE GOOD RESULTS TODAY. 1139 00:52:23,789 --> 00:52:25,287 NO, I'M READY. 1140 00:52:25,288 --> 00:52:27,912 I'M READY. 1141 00:52:27,913 --> 00:52:29,162 >> I'M FEELING PRETTY 1142 00:52:29,163 --> 00:52:29,788 JITTERY RIGHT NOW. 1143 00:52:29,789 --> 00:52:32,329 I'M NOT, LIKE--I'M NOT NERVOUS. 1144 00:52:32,330 --> 00:52:33,288 BUT YOU CAN TELL I'VE GOT, LIKE, 1145 00:52:33,289 --> 00:52:34,578 MY TIC GOING HERE. 1146 00:52:34,579 --> 00:52:35,662 I'M EXCITED. 1147 00:52:35,663 --> 00:52:39,329 >> I'M REALLY NERVOUS. 1148 00:52:41,996 --> 00:52:44,119 >> IT'S LIKE HOT POTATO. 1149 00:52:44,120 --> 00:52:45,245 TO SAY THAT I'M NERVOUS IS A 1150 00:52:45,246 --> 00:52:45,995 COMPLETE UNDER--TO SAY I'M 1151 00:52:45,996 --> 00:52:48,036 NERVOUS IS LIKE SAYING PICASSO 1152 00:52:48,037 --> 00:52:49,911 DREW LINE PAINTINGS ON A NAPKIN. 1153 00:52:49,912 --> 00:52:50,870 >> [laughs] 1154 00:52:50,870 --> 00:52:51,703 I AM VERY NERVOUS. 1155 00:52:51,703 --> 00:52:52,703 >> VERY NERVOUS? 1156 00:52:52,704 --> 00:52:55,327 >> YES, BUT IT'S FUN. 1157 00:52:55,328 --> 00:52:55,912 >> YEAH? 1158 00:52:55,913 --> 00:52:58,702 >> YES. 1159 00:52:58,703 --> 00:53:01,285 >> I DON'T GET NERVOUS BEFORE 1160 00:53:01,286 --> 00:53:02,494 A SHOW. 1161 00:53:02,495 --> 00:53:05,910 I GET PREPARED. 1162 00:53:05,911 --> 00:53:06,744 BY JEFF MCBRIDE. 1163 00:53:06,745 --> 00:53:11,285 I LEARNED IT YESTERDAY. 1164 00:53:11,286 --> 00:53:13,576 >> HANDMADE. 1165 00:53:13,577 --> 00:53:14,161 YEAH. 1166 00:53:14,162 --> 00:53:16,160 >> OH, WOW. 1167 00:53:21,327 --> 00:53:21,993 DID YOU MAKE THOSE AS WELL? 1168 00:53:21,994 --> 00:53:23,618 >> YEAH. 1169 00:53:23,619 --> 00:53:26,326 >> HOW DO YOU GET IT TO STAY ON? 1170 00:53:26,327 --> 00:53:27,533 I WANT TO BE ASIAN WHEN I GROW 1171 00:53:27,534 --> 00:53:29,160 UP. 1172 00:53:33,701 --> 00:53:36,701 >> [speaking Japanese] 1173 00:54:06,783 --> 00:54:07,574 >> I'M NOT GONNA TAKE ANYTHING 1174 00:54:07,574 --> 00:54:08,449 FOR GRANTED. 1175 00:54:08,449 --> 00:54:09,241 I'M GONNA GO OUT THERE AND GIVE 1176 00:54:09,242 --> 00:54:11,156 IT 110%. 1177 00:54:11,157 --> 00:54:13,323 AND--HELL WITH IT, I'LL GIVE IT 1178 00:54:13,324 --> 00:54:14,199 120%. 1179 00:54:14,200 --> 00:54:16,199 [laughter] 1180 00:54:20,615 --> 00:54:22,447 >> NOW IT IS 8:00, AND I'M 1181 00:54:22,448 --> 00:54:23,739 GONNA GET READY AND GET PUMPED 1182 00:54:23,740 --> 00:54:25,740 AND PERFORM. 1183 00:54:42,656 --> 00:54:44,154 >> OH, I AM NERVOUS UP UNTIL THE 1184 00:54:44,155 --> 00:54:44,822 POINT THEY ANNOUNCE MY NAME. 1185 00:54:44,823 --> 00:54:46,781 I PACE. I SHAKE. 1186 00:55:17,071 --> 00:55:18,277 >> OUR HEARTS WERE RACING, 1187 00:55:18,278 --> 00:55:19,819 POUNDING, BECAUSE AT THAT 1188 00:55:19,820 --> 00:55:21,611 MOMENT THE CURTAINS OPEN, IT'S 1189 00:55:21,612 --> 00:55:22,777 TEN MINUTES OF THEIR 1190 00:55:22,778 --> 00:55:23,195 PERFORMANCE. 1191 00:55:23,196 --> 00:55:24,777 WHAT PEOPLE DON'T REALIZE IS 1192 00:55:24,778 --> 00:55:26,777 WE'VE BEEN INVESTED IN THEIR ACT 1193 00:55:26,778 --> 00:55:27,818 FOR THE PAST TWO YEARS PRIOR TO 1194 00:55:27,819 --> 00:55:32,526 THAT. 1195 00:55:32,527 --> 00:55:32,861 [applause] 1196 00:55:32,862 --> 00:55:34,902 >> WELCOME TO THE TEEN MAGICIAN 1197 00:55:34,903 --> 00:55:37,026 CONTEST. 1198 00:55:37,027 --> 00:55:38,943 FROM LITTLETON, COLORADO IS 1199 00:55:38,944 --> 00:55:40,610 DEREK MCKEE. 1200 00:55:40,611 --> 00:55:41,194 >> I DON'T KNOW. 1201 00:55:41,194 --> 00:55:41,902 I'VE ALWAYS WANTED TO BE THE 1202 00:55:41,903 --> 00:55:44,651 HOMETOWN HERO WHO WINS THESE 1203 00:55:44,652 --> 00:55:47,109 BIG COMPETITIONS. 1204 00:55:47,110 --> 00:55:48,609 AND THAT'S MY GOAL--TO WIN 1205 00:55:48,610 --> 00:55:51,275 THE WORLD MAGIC SEMINAR. 1206 00:55:51,276 --> 00:55:52,276 [Pure Imagination] 1207 00:55:52,277 --> 00:55:58,275 ? ? 1208 00:55:58,276 --> 00:55:59,650 ONSTAGE YOU CAN SHOW YOUR 1209 00:55:59,651 --> 00:56:02,025 GREATEST DREAMS. 1210 00:56:02,026 --> 00:56:03,733 I MEAN, IF I COULD REALLY DO 1211 00:56:03,734 --> 00:56:05,025 MAGIC, THAT'S WHAT IT WOULD LOOK 1212 00:56:05,026 --> 00:56:05,776 LIKE. 1213 00:56:05,777 --> 00:56:06,942 THAT'S WHAT MY WISH WOULD BE. 1214 00:56:06,943 --> 00:56:09,107 >> COUNT TO THREE. 1215 00:56:09,108 --> 00:56:10,900 ? COME WITH ME... ? 1216 00:56:10,901 --> 00:56:11,734 >> THE MESSAGE TO MY MAGIC IS 1217 00:56:11,735 --> 00:56:15,899 THAT YOU CAN ESCAPE YOUR 1218 00:56:15,900 --> 00:56:18,107 EVERYDAY PROBLEMS IF YOU 1219 00:56:18,108 --> 00:56:19,399 BELIEVE. 1220 00:56:19,400 --> 00:56:20,690 >> ? AND YOU'LL SEE ? 1221 00:56:20,691 --> 00:56:26,273 ? INTO YOUR IMAGINATION ? 1222 00:56:26,274 --> 00:56:30,690 ? ? 1223 00:56:30,691 --> 00:56:32,106 >> HE'S DEVELOPED THE 1224 00:56:32,107 --> 00:56:33,898 DEREK MCKEE METHOD. 1225 00:56:33,899 --> 00:56:35,898 AND IT WORKS FOR HIM. 1226 00:56:35,899 --> 00:56:37,106 >> EVERYONE DOES MANIPULATION 1227 00:56:37,107 --> 00:56:37,857 WITH THEIR DOMINANT HAND. 1228 00:56:37,858 --> 00:56:40,190 TO DO IT WITH THEIR OTHER HAND, 1229 00:56:40,191 --> 00:56:42,606 IT'S A LOT HARDER. 1230 00:56:42,607 --> 00:56:43,398 THE DOUBLE SHELL--YOU DON'T SEE 1231 00:56:43,398 --> 00:56:44,232 IT TOO MUCH, 'CAUSE IT'S SUCH 1232 00:56:44,232 --> 00:56:44,774 A HARD MOVE. 1233 00:56:44,775 --> 00:56:50,189 IT'S AWESOME. 1234 00:56:50,190 --> 00:56:53,730 [applause] 1235 00:56:53,731 --> 00:56:55,730 >> WHAT MAKES A MAGICIAN GOOD 1236 00:56:55,731 --> 00:56:57,022 IS NOT HOW TECHNICALLY 1237 00:56:57,023 --> 00:56:58,480 PROFICIENT THEY ARE. 1238 00:56:58,481 --> 00:56:59,647 LIKE, IT'S AGAIN, LIKE, HOW MUCH 1239 00:56:59,648 --> 00:57:02,605 THEY CAN MAKE THE AUDIENCE CARE. 1240 00:57:02,606 --> 00:57:03,813 >> ? AND VIEW IT ? 1241 00:57:03,814 --> 00:57:06,979 ? ANYTHING YOU WANT TO ? 1242 00:57:06,980 --> 00:57:09,021 ? DO IT ? 1243 00:57:09,022 --> 00:57:12,021 ? WANT TO CHANGE THE WORLD ? 1244 00:57:12,022 --> 00:57:14,854 ? THERE'S NOTHING TO IT ? 1245 00:57:14,855 --> 00:57:15,688 >> CARD MANIPULATIONS ARE 1246 00:57:15,689 --> 00:57:18,896 EXTREMELY DIFFICULT, BECAUSE ONE 1247 00:57:18,897 --> 00:57:19,855 MISTAKE BETRAYS THE METHOD. 1248 00:57:19,856 --> 00:57:22,187 ONE FLASH BETRAYS THE METHOD, 1249 00:57:22,188 --> 00:57:24,103 BECAUSE IT'S EXTREMELY DEPENDENT 1250 00:57:24,104 --> 00:57:26,770 ON ANGLES, BLOCKING, LIKE, WHERE 1251 00:57:26,771 --> 00:57:27,811 YOU ARE IN RESPECT TO THE 1252 00:57:27,812 --> 00:57:31,811 AUDIENCE, AND IT'S VERY EASY TO 1253 00:57:31,812 --> 00:57:33,145 MESS UP. 1254 00:57:33,146 --> 00:57:35,519 >> AND THE IDEA IS TO MAKE--MAKE 1255 00:57:35,520 --> 00:57:36,770 IT LOOK EASY. 1256 00:57:36,771 --> 00:57:38,811 AND I THINK HE DOES. 1257 00:57:38,812 --> 00:57:41,519 >> ? LIVING THERE ? 1258 00:57:41,520 --> 00:57:43,436 ? YOU'LL BE FREE ? 1259 00:57:43,437 --> 00:57:46,727 ? IF YOU TRULY WISH TO BE ? 1260 00:57:46,728 --> 00:57:51,311 [cheers and applause] 1261 00:57:54,770 --> 00:57:55,893 >> DEREK MCKEE FROM LITTLETON, 1262 00:57:55,894 --> 00:58:00,185 COLORADO. 1263 00:58:00,186 --> 00:58:01,268 >> I'M SO EXCITED, I CAN'T GET 1264 00:58:01,269 --> 00:58:02,186 OVER IT. 1265 00:58:02,187 --> 00:58:04,392 I HAD TO TELL EVERYBODY, RIGHT? 1266 00:58:04,393 --> 00:58:09,601 I'M VERY PROUD OF HIM. 1267 00:58:09,602 --> 00:58:10,935 >> TO GET, LIKE, FIRST PRIZE OR 1268 00:58:10,936 --> 00:58:12,892 WIN, IT WILL BE LIKE A BONUS TO 1269 00:58:12,893 --> 00:58:14,934 ME, BECAUSE I'M HERE TO ENJOY 1270 00:58:14,935 --> 00:58:16,517 MYSELF. 1271 00:58:16,518 --> 00:58:17,435 >> WE GET VERY CONCERNED BEFORE 1272 00:58:17,436 --> 00:58:18,476 SHOWTIME, BECAUSE THEY GET VERY 1273 00:58:18,477 --> 00:58:19,934 FOCUSED, GET VERY INWARD, AND 1274 00:58:19,935 --> 00:58:20,768 WE'RE TRYING TO GET THEIR ENERGY 1275 00:58:20,769 --> 00:58:23,142 LEVELS UP, AND THE MINUTE THAT 1276 00:58:23,143 --> 00:58:23,768 THOSE CURTAINS OPEN, THEY 1277 00:58:23,769 --> 00:58:26,017 SPRING OUT ONSTAGE, AND THEY 1278 00:58:26,018 --> 00:58:27,350 DELIVER SOMETHING WHICH YOU 1279 00:58:27,351 --> 00:58:28,142 CANNOT SEE ANYWHERE ELSE IN THE 1280 00:58:28,142 --> 00:58:28,726 WORLD. 1281 00:58:28,727 --> 00:58:30,308 IT IS UNIQUELY SOUTH AFRICAN. 1282 00:58:30,309 --> 00:58:32,308 [siren wailing, horn blares] 1283 00:58:32,309 --> 00:58:33,309 [jazz bass line] 1284 00:58:33,310 --> 00:58:36,475 ? ? 1285 00:58:36,476 --> 00:58:37,724 >> THEY'RE SO FUNNY... 1286 00:58:37,725 --> 00:58:39,849 THE SOCCER PERFORMERS. 1287 00:58:39,850 --> 00:58:42,307 I LOVE IT--SO FUNNY 1288 00:58:42,308 --> 00:58:46,516 AND REALLY ORIGINAL. 1289 00:59:03,932 --> 00:59:06,097 [laughter] 1290 00:59:06,098 --> 00:59:06,848 >> IT'S A BIG CELEBRATION OF 1291 00:59:06,849 --> 00:59:09,264 SOCCER, AND THAT--YOU KNOW, IT 1292 00:59:09,265 --> 00:59:10,057 ADDS TO IT. 1293 00:59:10,057 --> 00:59:10,765 >> THE GUYS FROM SOUTH AFRICA 1294 00:59:10,766 --> 00:59:13,139 ALWAYS MAKE ME NERVOUS. 1295 00:59:13,140 --> 00:59:16,305 [laughter] 1296 00:59:16,306 --> 00:59:17,057 >> THIS IS ONE OF THE MOST 1297 00:59:17,058 --> 00:59:18,347 ENJOYABLE STAGE ACTS I'VE SEEN 1298 00:59:18,348 --> 00:59:19,847 IN A LONG TIME, 'CAUSE YOU HAVE 1299 00:59:19,848 --> 00:59:20,889 INTERACTION BETWEEN CHARACTERS, 1300 00:59:20,890 --> 00:59:21,681 AND THAT'S INTERESTING TO AN 1301 00:59:21,682 --> 00:59:25,679 AUDI--OR AT LEAST HUMOROUS. 1302 00:59:25,680 --> 00:59:28,638 [tires screeching] 1303 00:59:28,639 --> 00:59:29,763 >> THERE WASN'T A WHOLE LOT OF 1304 00:59:29,764 --> 00:59:31,971 MAGIC IN THE ROUTINE, BUT IT'S 1305 00:59:31,972 --> 00:59:33,055 VERY VISUAL. 1306 00:59:33,056 --> 00:59:34,056 IT'S VERY UPBEAT. 1307 00:59:34,057 --> 00:59:35,262 YOU CAN'T HELP BUT ENJOY 1308 00:59:35,263 --> 00:59:36,222 YOURSELF. 1309 00:59:36,223 --> 00:59:37,930 >> 'CAUSE THEY'RE ENTERTAINING, 1310 00:59:37,931 --> 00:59:38,764 NOT THE TRICKS. 1311 00:59:38,765 --> 00:59:43,304 >> YEAH. 1312 00:59:43,305 --> 00:59:45,305 [laughter] 1313 00:59:54,970 --> 00:59:56,053 >> I MEAN, IT WASN'T TECHNICALLY 1314 00:59:56,054 --> 00:59:57,428 PERFECT, BUT AGAIN THE AUDIENCE 1315 00:59:57,429 --> 00:59:58,095 DOESN'T CARE. 1316 00:59:58,095 --> 00:59:58,845 THEY'RE ON THEIR SIDE, AND 1317 00:59:58,846 --> 01:00:00,345 THAT'S WHAT'S IMPORTANT. 1318 01:00:00,346 --> 01:00:01,346 >> AND IF YOU'RE AN EXPERIENCED 1319 01:00:01,347 --> 01:00:03,094 MAGICIAN, THE HARD THING IS 1320 01:00:03,095 --> 01:00:05,636 WHAT THEY HAD IN SPADES-- 1321 01:00:05,637 --> 01:00:07,636 WAS, YOU KNOW, STAGE PRESENCE, 1322 01:00:07,637 --> 01:00:09,552 AND THE AUDIENCE REALLY LIKED 1323 01:00:09,553 --> 01:00:10,802 THEM. 1324 01:00:10,803 --> 01:00:13,678 [cheers and applause] 1325 01:00:16,886 --> 01:00:20,510 >> SIPHIWE AND NKUMBUZO. 1326 01:00:26,886 --> 01:00:28,259 >> THIS YEAR WAS MY YEAR TO 1327 01:00:28,260 --> 01:00:30,551 SIT DOWN AT THE POKER TABLE, PUT 1328 01:00:30,552 --> 01:00:31,302 ALL MY CHIPS IN, AND SAY, "GUYS, 1329 01:00:31,303 --> 01:00:33,676 THIS IS--THIS IS--I'M ALL-IN. 1330 01:00:33,677 --> 01:00:34,177 THIS IS IT FOR ME." 1331 01:00:34,178 --> 01:00:35,551 >> OUR NEXT PERFORMER, FROM 1332 01:00:35,552 --> 01:00:38,717 CHICAGO, ILLINOIS, BILL KOCH. 1333 01:00:38,718 --> 01:00:40,760 [cheers and applause] 1334 01:00:45,384 --> 01:00:46,134 >> THIS GUY, YOU KNOW, HE HAS A 1335 01:00:46,135 --> 01:00:47,675 LOT OF ENERGY. 1336 01:00:47,676 --> 01:00:48,717 HE'S GOT A LOT OF, YOU KNOW, 1337 01:00:48,718 --> 01:00:51,258 CONFIDENCE MOVING AROUND THE 1338 01:00:51,259 --> 01:00:52,383 STAGE. 1339 01:00:52,384 --> 01:00:54,633 [applause] 1340 01:00:54,634 --> 01:00:56,424 >> YOU COULD TELL THAT HE REALLY 1341 01:00:56,425 --> 01:00:57,134 WORKED ON HIS STAGE MOVEMENT, 1342 01:00:57,135 --> 01:00:58,633 BECAUSE BEFORE, IT WAS JUST THIS 1343 01:00:58,634 --> 01:01:01,591 BIG GUY JUST KIND OF THUMPING 1344 01:01:01,592 --> 01:01:03,174 AROUND PRODUCING CDs. 1345 01:01:03,175 --> 01:01:04,424 AND NOW, YOU KNOW, HE HAD LITTLE 1346 01:01:04,425 --> 01:01:07,007 DANCES HERE AND THERE. 1347 01:01:07,008 --> 01:01:08,591 >> THAT'S WHO I AM. 1348 01:01:08,592 --> 01:01:10,424 I DON'T CARE IF I LOOK AWKWARD. 1349 01:01:10,425 --> 01:01:12,341 I'M AN AWKWARD DANCER. 1350 01:01:12,342 --> 01:01:13,590 I SAID EARLIER I CAN'T DANCE. 1351 01:01:13,591 --> 01:01:14,673 I CAN MOVE IN RHYTHM. 1352 01:01:14,674 --> 01:01:17,882 AND PEOPLE LAUGH BECAUSE I'M 1353 01:01:17,883 --> 01:01:19,298 GENUINELY HAVING A GOOD TIME 1354 01:01:19,299 --> 01:01:19,758 AT THAT POINT. 1355 01:01:19,758 --> 01:01:20,758 [upbeat music] 1356 01:01:20,759 --> 01:01:25,881 ? ? 1357 01:01:25,882 --> 01:01:29,672 [applause] 1358 01:01:29,673 --> 01:01:31,380 I STARTED THIS ACT FRESHMAN 1359 01:01:31,381 --> 01:01:32,090 YEAR IN HIGH SCHOOL AS JUST A 1360 01:01:32,091 --> 01:01:35,048 PIPE DREAM ONE DAY SITTING IN 1361 01:01:35,049 --> 01:01:36,089 MATH CLASS. 1362 01:01:36,090 --> 01:01:37,589 IT HAPPENED TO BE THE CDs 1363 01:01:37,590 --> 01:01:38,590 POPPED INTO MY HEAD, BECAUSE 1364 01:01:38,591 --> 01:01:40,464 I'M LIKE, "I'VE NEVER SEEN A 1365 01:01:40,465 --> 01:01:42,130 GOOD CD GUY," BEFORE I REALLY 1366 01:01:42,131 --> 01:01:42,923 STARTED TO RESEARCH IT. 1367 01:01:42,924 --> 01:01:44,380 "I'VE NEVER SEEN A GOOD CD GUY. 1368 01:01:44,381 --> 01:01:48,880 I COULD DO MAGIC WITH CDs." 1369 01:01:48,881 --> 01:01:50,463 >> YEAH, THEY'RE VERY AWKWARD 1370 01:01:50,464 --> 01:01:51,006 OBJECTS TO MANIPULATE. 1371 01:01:51,007 --> 01:01:52,922 CARDS ARE AT LEAST PLIABLE. 1372 01:01:52,923 --> 01:01:53,923 BILLIARD BALLS ARE ROUND AND 1373 01:01:53,923 --> 01:01:54,255 COMPACT. 1374 01:01:54,256 --> 01:01:55,630 BUT CDs ARE THESE STIFF-- 1375 01:01:55,631 --> 01:01:57,837 >> AND THEY'RE SLIPPERY TOO. 1376 01:01:57,838 --> 01:01:58,547 >> TRYING TO HOLD THAT IN YOUR 1377 01:01:58,548 --> 01:02:03,504 HAND, GOOD LUCK. 1378 01:02:03,505 --> 01:02:06,171 [applause] 1379 01:02:06,172 --> 01:02:08,378 >> THE WHOLE iPOD-TO-CD THING IS 1380 01:02:08,379 --> 01:02:10,629 KIND OF--IS SYMBOLIC OF WHERE WE 1381 01:02:10,630 --> 01:02:11,712 ARE NOW. 1382 01:02:11,713 --> 01:02:13,754 PEOPLE STILL WANT TO BE IN THE 1383 01:02:13,755 --> 01:02:15,629 CD WORLD, BUT WE'RE MOVING 1384 01:02:15,630 --> 01:02:17,711 FORWARD. 1385 01:02:17,712 --> 01:02:19,836 I ACTUALLY MAPPED IT OUT THAT 1386 01:02:19,837 --> 01:02:20,878 WAY, THAT THIS IS WHAT ALL THIS 1387 01:02:20,879 --> 01:02:23,087 MEANS. 1388 01:02:26,004 --> 01:02:27,294 >> IT'S THE MILDEST LEVEL OF 1389 01:02:27,295 --> 01:02:28,046 INNOVATION. 1390 01:02:28,046 --> 01:02:28,795 IT'S LIKE, "I WANT TO DO A 1391 01:02:28,796 --> 01:02:29,836 MANIPULATION ACT. 1392 01:02:29,837 --> 01:02:30,960 OKAY, SO LET'S UPDATE IT. 1393 01:02:30,961 --> 01:02:32,002 OKAY, WELL, I CAN USE iPODS 1394 01:02:32,003 --> 01:02:33,669 INSTEAD OF BILLIARD BALLS." 1395 01:02:33,670 --> 01:02:35,044 >> SO, LIKE, THIS IS ESSENTIALLY 1396 01:02:35,045 --> 01:02:35,961 THE SAME THING WE SAW WITH 1397 01:02:35,962 --> 01:02:37,710 CARDS. 1398 01:02:37,711 --> 01:02:40,711 [applause] 1399 01:02:43,711 --> 01:02:47,376 [cheers and applause] 1400 01:02:47,377 --> 01:02:48,710 >> BILL KOCH. 1401 01:02:48,711 --> 01:02:50,792 >> I PERSONALLY HOPE BILL WINS. 1402 01:02:50,793 --> 01:02:53,293 HE HAS THE MOST ORIGINAL ACT, 1403 01:02:53,294 --> 01:02:54,834 TO ME, SO FAR. 1404 01:02:54,835 --> 01:02:56,667 I HOPE HE WINS. 1405 01:02:56,668 --> 01:02:58,210 >> I'VE NEVER BEEN CONFIDENT 1406 01:02:58,211 --> 01:02:59,542 ABOUT MY OWN WORK. 1407 01:02:59,543 --> 01:03:00,335 THAT WAS THE BEST I'VE EVER DONE 1408 01:03:00,336 --> 01:03:04,500 THAT ACT, SO... 1409 01:03:04,501 --> 01:03:06,500 [applause] 1410 01:03:06,501 --> 01:03:07,501 >> BECAUSE THIS IS NO LONGER 1411 01:03:07,502 --> 01:03:09,459 JUST ABOUT THE MAGIC, THIS IS 1412 01:03:09,460 --> 01:03:10,958 ABOUT THE OVERALL SHOW 1413 01:03:10,959 --> 01:03:12,042 PERFORMANCE AND THE OVERALL 1414 01:03:12,043 --> 01:03:12,751 QUALITY. 1415 01:03:12,752 --> 01:03:14,708 >> FROM MALIBU, CALIFORNIA, 1416 01:03:14,709 --> 01:03:18,208 KRYSTYN LAMBERT. 1417 01:03:18,209 --> 01:03:19,209 [upbeat music] 1418 01:03:19,210 --> 01:03:27,209 ? ? 1419 01:03:28,958 --> 01:03:29,708 >> THE LINK--FLOATING LINKED 1420 01:03:29,708 --> 01:03:30,625 RINGS IS PROBABLY THE MOST 1421 01:03:30,626 --> 01:03:31,874 TECHNICALLY DIFFICULT THING SHE 1422 01:03:31,875 --> 01:03:34,832 DOES, AND IT TAKES A LOT OF 1423 01:03:34,833 --> 01:03:36,749 SKILL TO BE ABLE TO OPEN WITH 1424 01:03:36,750 --> 01:03:38,790 YOUR MOST TECHNICALLY DIFFICULT 1425 01:03:38,791 --> 01:03:40,081 THING, BECAUSE THAT'S WHEN THE 1426 01:03:40,082 --> 01:03:41,540 AUDIENCE IS JUDGING YOU, AND IF 1427 01:03:41,541 --> 01:03:43,457 YOU MESS UP YOUR OPENER, YOU 1428 01:03:43,458 --> 01:03:45,165 KNOW, THAT CAN SPOIL THE REST 1429 01:03:45,166 --> 01:03:46,581 OF THE SHOW, EVEN IF THE REST OF 1430 01:03:46,582 --> 01:03:48,998 IT GOES PERFECTLY. 1431 01:03:48,999 --> 01:03:51,999 [applause] 1432 01:04:10,247 --> 01:04:10,956 >> BILLIARD-BALL ROUTINES ARE 1433 01:04:10,957 --> 01:04:13,954 NOT EASY, AND THERE IS A 1434 01:04:13,955 --> 01:04:14,664 CERTAIN AMOUNT OF SKILL 1435 01:04:14,664 --> 01:04:14,997 INVOLVED. 1436 01:04:14,998 --> 01:04:16,496 >> JUST EVEN A COUPLE 1437 01:04:16,497 --> 01:04:17,206 MILLIMETERS, A LITTLE, YOU KNOW, 1438 01:04:17,207 --> 01:04:18,913 EIGHT OF AN INCH MAKES A HUGE 1439 01:04:18,914 --> 01:04:19,996 AMOUNT OF DIFFERENCE, AND THAT'S 1440 01:04:19,997 --> 01:04:21,954 SO DIFFICULT TO CONTROL, BUT, 1441 01:04:21,955 --> 01:04:22,747 I MEAN, SHE ALMOST NEVER MAKES A 1442 01:04:22,748 --> 01:04:26,080 MISTAKE. 1443 01:04:30,121 --> 01:04:32,621 [audience gasps] 1444 01:04:32,622 --> 01:04:34,287 [murmuring] 1445 01:04:34,288 --> 01:04:35,662 >> IN ANY MANIPULATION ACT, IN 1446 01:04:35,663 --> 01:04:38,953 ANY ONE MINUTE, THERE'S DOZENS 1447 01:04:38,954 --> 01:04:40,661 OF THINGS THAT CAN GO WRONG. 1448 01:04:40,662 --> 01:04:41,330 AND THAT'S PART OF THE 1449 01:04:41,331 --> 01:04:42,786 CHALLENGE OF DOING THAT TYPE 1450 01:04:42,787 --> 01:04:45,161 OF ACT IS YOU HAVE TO HAVE OUTS 1451 01:04:45,162 --> 01:04:46,995 FOR ALL THE THINGS THAT CAN GO 1452 01:04:46,996 --> 01:04:48,952 WRONG, BUT INVARIABLY YOU CAN'T 1453 01:04:48,953 --> 01:04:50,369 THINK OF EVERYTHING, SO IT'S 1454 01:04:50,370 --> 01:04:51,994 ALWAYS THAT MOMENT ONSTAGE IN 1455 01:04:51,995 --> 01:04:52,621 FRONT OF AN AUDIENCE WHEN 1456 01:04:52,621 --> 01:04:53,329 SOMETHING GOES WRONG THAT YOU 1457 01:04:53,329 --> 01:04:54,037 NEVER THOUGHT OF, AND YOU'RE 1458 01:04:54,038 --> 01:04:56,203 GOING, "UH-OH, NOW WHAT DO 1459 01:04:56,204 --> 01:04:59,953 I DO?" 1460 01:05:12,494 --> 01:05:13,784 >> KRYSTYN LAMBERT. 1461 01:05:13,785 --> 01:05:16,784 [applause] 1462 01:05:16,785 --> 01:05:19,701 >> I DO NOT RECALL AT ALL ANY 1463 01:05:19,702 --> 01:05:23,701 TIME WHEN SOMETHING MESSED UP. 1464 01:05:23,702 --> 01:05:28,409 AND BELIEVE ME, THAT IS UNUSUAL. 1465 01:05:28,410 --> 01:05:31,618 >> UM, I'VE NEVER HAD... 1466 01:06:00,700 --> 01:06:05,573 [applause] 1467 01:06:05,574 --> 01:06:07,657 >> [speaking Japanese] 1468 01:06:15,741 --> 01:06:18,740 >> [speaking Japanese] 1469 01:06:27,781 --> 01:06:31,864 >> OUR NEXT ACT, FROM JAPAN, 1470 01:06:31,865 --> 01:06:32,698 HIROKI HARA. 1471 01:06:32,699 --> 01:06:34,655 [applause] 1472 01:06:34,656 --> 01:06:35,656 [upbeat music] 1473 01:06:35,657 --> 01:06:39,280 ? ? 1474 01:06:39,281 --> 01:06:40,529 >> HE'S AMAZING. 1475 01:06:40,530 --> 01:06:41,863 I LIKE THAT ONE. 1476 01:06:41,864 --> 01:06:44,071 I LIKE THAT ONE, YEAH. 1477 01:06:44,072 --> 01:06:46,279 HE LOOKS LIKE HE'S AN ADULT, 1478 01:06:46,280 --> 01:06:50,738 BUT HE'S JUST A YOUNG MAGICIAN. 1479 01:06:50,739 --> 01:06:52,655 [laughter] 1480 01:07:03,446 --> 01:07:05,486 >> HIROKI DOES STUFF THAT YOU'RE 1481 01:07:05,487 --> 01:07:06,029 NOT EXPECTING TO SEE. 1482 01:07:06,030 --> 01:07:07,737 WHAT HE'S DOING HAS BEEN 1483 01:07:07,738 --> 01:07:10,069 IN BOOKS ALMOST AS A GAG THAT, 1484 01:07:10,070 --> 01:07:12,403 YOU KNOW, THERE'S THIS, BUT IT'S 1485 01:07:12,404 --> 01:07:14,777 EXTREMELY HARD. 1486 01:07:14,778 --> 01:07:16,569 THE CIRCULAR FAN. 1487 01:07:16,570 --> 01:07:18,986 THE CIRCULAR FAN--I WAS LIKE... 1488 01:07:18,987 --> 01:07:20,111 IT GAVE ME A HEADACHE FOR A 1489 01:07:20,112 --> 01:07:22,069 WHILE. 1490 01:07:25,278 --> 01:07:26,943 [applause] 1491 01:07:26,944 --> 01:07:28,319 >> IT'S NOT JUST HIS TECHNICAL 1492 01:07:28,320 --> 01:07:29,902 PROFICIENCY THAT HE CAN DO THESE 1493 01:07:29,903 --> 01:07:31,651 THINGS, BUT HOW FAST HE'S DOING 1494 01:07:31,652 --> 01:07:31,944 THEM. 1495 01:07:31,944 --> 01:07:32,736 I MEAN, HE'S POPPING OUT THOSE 1496 01:07:32,737 --> 01:07:35,943 FOUR-CARD STARS LIKE NOBODY'S 1497 01:07:35,944 --> 01:07:36,903 BUSINESS. 1498 01:07:36,904 --> 01:07:37,943 YOU KNOW, HE'S TURNING 'EM BACK 1499 01:07:37,944 --> 01:07:38,652 AND FORTH. 1500 01:07:38,652 --> 01:07:39,402 YOU KNOW, THEY'RE POPPING OUT 1501 01:07:39,402 --> 01:07:39,819 EVERYWHERE. 1502 01:07:39,820 --> 01:07:41,860 AND HE GETS PROGRESSIVELY FASTER 1503 01:07:41,861 --> 01:07:43,776 AT IT. 1504 01:07:43,777 --> 01:07:45,067 >> AND TO MAGICIANS, I THINK 1505 01:07:45,068 --> 01:07:46,151 THEY CAN APPRECIATE IT, 'CAUSE 1506 01:07:46,152 --> 01:07:48,109 THEY DON'T EVEN KIND OF DELVE 1507 01:07:48,110 --> 01:07:49,276 INTO THAT BECAUSE THEY KNOW IT'S 1508 01:07:49,277 --> 01:07:50,068 SO HARD, AND THERE'S NO REASON 1509 01:07:50,069 --> 01:07:51,525 TO EVEN SCREW AROUND WITH THAT, 1510 01:07:51,526 --> 01:07:53,067 BUT HE'S DONE IT, AND HE DOES IT 1511 01:07:53,068 --> 01:07:53,818 VERY WELL. 1512 01:07:53,819 --> 01:07:56,193 [applause] 1513 01:08:03,692 --> 01:08:04,774 >> BUT I DON'T KNOW IF THAT 1514 01:08:04,775 --> 01:08:07,358 WOULD TRANSLATE TO LAYMEN. 1515 01:08:07,359 --> 01:08:08,109 ONLY A FEW PEOPLE IN THE 1516 01:08:08,110 --> 01:08:09,482 AUDIENCE CAN REALLY APPRECIATE 1517 01:08:09,483 --> 01:08:11,483 THE SKILL. 1518 01:08:20,108 --> 01:08:22,108 [applause] 1519 01:08:48,607 --> 01:08:51,689 [applause] 1520 01:08:51,689 --> 01:08:53,814 >> HIROKI HARA. 1521 01:09:09,689 --> 01:09:11,270 >> THANK YOU SO MUCH. 1522 01:09:11,272 --> 01:09:12,022 >> [laughs] 1523 01:09:12,023 --> 01:09:13,770 GREAT SHOW. GREAT SHOW. 1524 01:09:13,770 --> 01:09:15,979 >> WHEN I WAS EIGHT YEARS OLD, 1525 01:09:15,979 --> 01:09:19,520 I FOUND ONE MAGIC BOOK AT A 1526 01:09:19,520 --> 01:09:25,687 SMALL BOOKSTORE, AND I READ... 1527 01:09:25,688 --> 01:09:28,395 ABOUT THE MAGIC CASTLE. 1528 01:09:28,395 --> 01:09:29,604 I SAW A PICTURE. 1529 01:09:29,604 --> 01:09:30,810 AND I CUT THE PICTURE. 1530 01:09:30,812 --> 01:09:32,560 >> UH-HUH. 1531 01:09:32,562 --> 01:09:34,270 >> AND I PUT ON THE... 1532 01:09:34,270 --> 01:09:35,188 >> ABOVE THE DRESSER? 1533 01:09:35,188 --> 01:09:36,188 >> YEAH. 1534 01:09:36,189 --> 01:09:37,519 >> OH, THAT'S VERY NICE. 1535 01:09:37,520 --> 01:09:38,478 >> I REALLY... 1536 01:09:38,479 --> 01:09:39,728 >> WELL, YOU DO--I LOVE THE 1537 01:09:39,729 --> 01:09:40,604 LOOK. 1538 01:09:40,604 --> 01:09:41,853 I LOVE WHAT YOU DO. 1539 01:09:41,854 --> 01:09:43,394 I THINK IT'S REALLY BEAUTIFUL. 1540 01:09:43,395 --> 01:09:43,978 COME HERE. COME HERE. 1541 01:09:43,979 --> 01:09:46,310 DON'T WORRY ABOUT BEING SWEATY. 1542 01:09:46,312 --> 01:09:47,768 [laughter] 1543 01:09:47,769 --> 01:09:49,185 YOU'RE WORKING VERY HARD, AND 1544 01:09:49,187 --> 01:09:50,685 WE LOVE THAT. 1545 01:09:50,685 --> 01:09:54,310 AND YOU ARE SUCH A SHINING STAR. 1546 01:09:54,311 --> 01:09:55,476 >> YEAH, SHINY. 1547 01:09:55,477 --> 01:09:56,227 [laughter] 1548 01:09:56,227 --> 01:09:57,144 >> WELL, SHINY IN MORE WAYS THAN 1549 01:09:57,145 --> 01:09:58,268 ONE. 1550 01:09:58,269 --> 01:09:59,727 [laughter] 1551 01:09:59,728 --> 01:10:00,851 SO YOU GONNA GO TO COLLEGE HERE 1552 01:10:00,852 --> 01:10:01,769 MAYBE, THEN? 1553 01:10:01,770 --> 01:10:03,976 >> MM, MAYBE I WILL GO TO 1554 01:10:03,977 --> 01:10:05,101 COLLEGE. 1555 01:10:05,102 --> 01:10:06,893 MAYBE ENGLISH SCHOOL IN THE 1556 01:10:06,894 --> 01:10:07,852 UNITED STATES. 1557 01:10:07,852 --> 01:10:08,727 >> YEAH? 1558 01:10:08,728 --> 01:10:10,059 THAT WOULD BE FANTASTIC IF YOU 1559 01:10:10,060 --> 01:10:10,810 COULD DO--SO WHO'S PERFORMING 1560 01:10:10,810 --> 01:10:11,602 OVER THERE NOW? 1561 01:10:11,603 --> 01:10:13,434 WHO ARE SOME OF THE MAGICIANS IN 1562 01:10:13,435 --> 01:10:15,601 JAPAN THAT ARE REALLY POPULAR? 1563 01:10:15,602 --> 01:10:16,185 >> MY FAVORITE MAGICIAN? 1564 01:10:16,186 --> 01:10:17,517 >> UH-HUH. 1565 01:10:17,518 --> 01:10:19,392 >> MY FAVORITE MAGICIAN IN JAPAN 1566 01:10:19,393 --> 01:10:21,059 IS MAHKA TENDO. 1567 01:10:40,100 --> 01:10:41,683 >> HIROKI HARA. 1568 01:11:11,806 --> 01:11:12,640 >> NOW, THE YAMAGAMI BROTHERS-- 1569 01:11:12,641 --> 01:11:15,930 THEY WERE SO ADORABLE. 1570 01:11:15,931 --> 01:11:17,597 THEIR STRUCTURE AND THEIR 1571 01:11:17,598 --> 01:11:20,680 STAGING WAS SO GOOD. 1572 01:11:20,681 --> 01:11:22,847 MOST OF THE TIME, IT WAS VERY 1573 01:11:22,848 --> 01:11:24,513 SOPHISTICATED. 1574 01:11:24,514 --> 01:11:27,513 I WAS EXTREMELY IMPRESSED. 1575 01:11:27,514 --> 01:11:29,514 >> BILL KOCH. 1576 01:11:43,888 --> 01:11:44,928 >> AND HE'S SO DARN COMFORTABLE 1577 01:11:44,929 --> 01:11:45,970 UP THERE. 1578 01:11:45,971 --> 01:11:48,345 >> YEAH. 1579 01:11:48,346 --> 01:11:49,429 ERIC GILLIAM... 1580 01:11:49,430 --> 01:11:51,179 THE ORANGE ACT WHERE EVERYTHING 1581 01:11:51,180 --> 01:11:52,138 TURNS ORANGE. 1582 01:11:52,139 --> 01:11:53,678 WHICH WAS A VERY--HIS SKILL WAS 1583 01:11:53,679 --> 01:11:55,803 GOOD, BUT THE CONCEPT WAS GREAT. 1584 01:11:55,804 --> 01:11:58,636 AND NOW HIS SKILL IS IMPROVING. 1585 01:11:58,637 --> 01:12:01,011 >> EXACTLY. 1586 01:12:01,012 --> 01:12:01,721 >> THE OTHER FELLOW WHO 1587 01:12:01,722 --> 01:12:03,469 CREATIVELY WAS INTERESTING WAS 1588 01:12:03,470 --> 01:12:04,220 NAREK. 1589 01:12:04,220 --> 01:12:04,887 IF YOU LOOKED AT SOME OF THE 1590 01:12:04,888 --> 01:12:06,969 STUFF HE DID, IT WAS A VERY 1591 01:12:06,970 --> 01:12:07,636 INTERESTING STEAL THAT HE DID 1592 01:12:07,637 --> 01:12:12,468 WITH THAT CANDLE. 1593 01:12:12,469 --> 01:12:13,760 >> THE TWO BOYS FROM 1594 01:12:13,761 --> 01:12:15,552 SOUTH AFRICA, THEY HAD A REALLY 1595 01:12:15,553 --> 01:12:15,928 GOOD IDEA. 1596 01:12:15,929 --> 01:12:18,260 THEY WERE EXTREMELY LIKEABLE. 1597 01:12:18,261 --> 01:12:20,135 THEY--BUBBLY PERSONALITIES, 1598 01:12:20,136 --> 01:12:21,843 WARM. 1599 01:12:21,844 --> 01:12:23,302 THE AUDIENCE RESPONDED TO THEM 1600 01:12:23,303 --> 01:12:26,469 IN A BIG WAY. 1601 01:12:55,384 --> 01:12:57,758 >> I THINK SO TOO. 1602 01:13:03,925 --> 01:13:05,925 >> RIGHT... 1603 01:13:31,257 --> 01:13:31,965 >> SO THESE ARE THE FINALISTS. 1604 01:13:31,966 --> 01:13:33,465 [applause] 1605 01:13:33,466 --> 01:13:34,589 LET'S GIVE ALL THESE WONDERFUL 1606 01:13:34,590 --> 01:13:35,672 PERFORMERS A GREAT ROUND OF 1607 01:13:35,673 --> 01:13:38,547 APPLAUSE. 1608 01:13:38,548 --> 01:13:41,380 [cheers and applause] 1609 01:13:41,381 --> 01:13:43,046 MARK YOUR BALLOTS AND THEN HAND 1610 01:13:43,047 --> 01:13:45,046 IT IN AS YOU EXIT THE THEATER. 1611 01:13:45,047 --> 01:13:46,380 THANK YOU VERY MUCH. 1612 01:13:46,381 --> 01:13:48,671 AND THANK YOU FOR COMING. 1613 01:13:48,672 --> 01:13:50,172 >> OH, GREAT JOB, MAN. 1614 01:13:50,173 --> 01:13:53,754 >> [coughing] 1615 01:13:53,755 --> 01:13:54,173 >> GREAT JOB. 1616 01:13:54,174 --> 01:13:55,963 >> THANK YOU SO MUCH. 1617 01:13:55,964 --> 01:13:58,005 >> IF I COULD DO WHAT HE COULD 1618 01:13:58,006 --> 01:13:59,714 DO, I WOULD BE, LIKE, IN HEAVEN. 1619 01:14:02,797 --> 01:14:04,546 >> SHAMELESS PLUG-- 1620 01:14:04,547 --> 01:14:05,255 KRYSTYN LAMBERT, 1621 01:14:05,256 --> 01:14:06,462 MASTERS OF ILLUSION, MONDAY 1622 01:14:06,463 --> 01:14:08,588 NIGHTS... 1623 01:14:11,838 --> 01:14:14,587 >> DO IT AGAIN. 1624 01:14:14,588 --> 01:14:16,503 >> EVERYTHING IN THAT FINALS 1625 01:14:16,504 --> 01:14:19,003 PERFORMANCE WENT SEAMLESS. 1626 01:14:19,004 --> 01:14:22,587 AND IT WAS THE PERFORMANCE 1627 01:14:22,588 --> 01:14:26,794 I HAVE BEEN WAITING FOR. 1628 01:14:26,795 --> 01:14:27,753 >> WE ONLY HAVE TWO HOURS TILL 1629 01:14:27,754 --> 01:14:29,086 WE FIGURE OUT WHO WINS 1630 01:14:29,087 --> 01:14:32,628 EVERYTHING. 1631 01:14:43,128 --> 01:14:45,376 >> JEFF MCBRIDE PULLED ME TO THE 1632 01:14:45,377 --> 01:14:46,128 SIDE AND SAID, "IT'S DOWN TO 1633 01:14:46,128 --> 01:14:46,752 SINGLE VOTES." 1634 01:14:46,753 --> 01:14:49,460 I'M LIKE, "OH, DEAR GOD. 1635 01:14:49,461 --> 01:14:50,710 THIS IS INTENSE." 1636 01:14:50,711 --> 01:14:51,586 [applause] 1637 01:14:51,587 --> 01:14:53,501 >> LET'S GIVE A WARM WELCOME TO 1638 01:14:53,502 --> 01:14:55,209 MR. NICK SAINT-ERNE AND A GUY 1639 01:14:55,210 --> 01:14:57,001 NAMED LANCE BURTON. 1640 01:14:57,002 --> 01:14:58,084 HERE THEY ARE. 1641 01:14:58,085 --> 01:15:00,960 [cheers and applause] 1642 01:15:05,251 --> 01:15:06,002 >> ONE OF THE WAYS OF 1643 01:15:06,003 --> 01:15:08,834 ENCOURAGING THE NEW, YOUNG 1644 01:15:08,835 --> 01:15:11,250 TALENT IS WE HAVE THE 1645 01:15:11,251 --> 01:15:13,000 SARMOTI LEGACY AWARD FOR 1646 01:15:13,001 --> 01:15:14,584 ARTISTIC CREATIVITY. 1647 01:15:14,585 --> 01:15:16,791 SO THIS IS A SPECIAL AWARD TO 1648 01:15:16,792 --> 01:15:17,625 ONE OF THE CONTESTANTS. 1649 01:15:17,626 --> 01:15:22,833 AND IT IS TO SIPHIWE AND 1650 01:15:22,834 --> 01:15:25,541 NKUMBUZO FROM SOUTH AFRICA. 1651 01:15:25,542 --> 01:15:27,542 [cheers and applause] 1652 01:15:42,666 --> 01:15:44,248 >> NICE JOB, GUYS. 1653 01:15:44,249 --> 01:15:46,707 >> GREAT JOB. 1654 01:15:46,708 --> 01:15:50,415 >> WE GO THIRD, SECOND, FIRST. 1655 01:15:50,416 --> 01:15:53,206 >> NOW FOR THE LANCE BURTON TEEN 1656 01:15:53,207 --> 01:15:55,581 MAGICIAN CONTEST--STAGE CONTEST 1657 01:15:55,582 --> 01:15:58,622 THIS YEAR--TEEN MAGICIAN STAGE 1658 01:15:58,623 --> 01:16:03,456 CONTEST THIRD-PLACE WINNER IS... 1659 01:16:04,665 --> 01:16:07,038 >> THE YAMAGAMI BROTHERS. 1660 01:16:07,039 --> 01:16:10,746 [cheers and applause] 1661 01:16:10,747 --> 01:16:13,955 >> GOOD JOB, GUYS. 1662 01:16:13,956 --> 01:16:15,788 >> THE 2009 TEEN MAGICIAN STAGE 1663 01:16:15,789 --> 01:16:16,622 CONTEST SECOND-PLACE WINNER 1664 01:16:16,623 --> 01:16:18,622 IS... 1665 01:16:26,038 --> 01:16:27,454 >> BILL KOCH. 1666 01:16:27,455 --> 01:16:30,997 [cheers and applause] 1667 01:16:34,580 --> 01:16:35,662 >> OKAY, STAND BY FOR FIRST 1668 01:16:35,663 --> 01:16:37,579 PLACE, GUYS. 1669 01:16:37,580 --> 01:16:39,580 >> BILL! 1670 01:16:54,704 --> 01:16:58,162 [laughter] 1671 01:17:05,578 --> 01:17:06,785 >> OKAY. 1672 01:17:06,786 --> 01:17:09,869 >> THE LANCE BURTON 2009 TEEN 1673 01:17:09,870 --> 01:17:11,743 MAGICIAN STAGE CONTEST 1674 01:17:11,744 --> 01:17:12,785 FIRST-PLACE WINNER--THE LANCE 1675 01:17:12,786 --> 01:17:15,618 BURTON AWARD CHAMPIONSHIP GOES 1676 01:17:15,619 --> 01:17:20,034 TO... 1677 01:17:20,035 --> 01:17:22,701 >> HARA HIROKI. 1678 01:17:22,702 --> 01:17:25,702 [cheers and applause] 1679 01:17:48,741 --> 01:17:51,741 >> [speaking Japanese] 1680 01:18:32,614 --> 01:18:34,864 >> WHICH ONE OF US REALLY KNEW 1681 01:18:34,865 --> 01:18:37,113 WHO WE WERE AS A TEENAGER? 1682 01:18:37,114 --> 01:18:37,947 THAT'S PART OF BEING A TEENAGER, 1683 01:18:37,948 --> 01:18:40,655 IS GOING FROM BEING A CHILD TO 1684 01:18:40,656 --> 01:18:41,863 BEING AN ADULT AND TRYING TO 1685 01:18:41,864 --> 01:18:43,071 FIGURE OUT WHO YOU ARE AND 1686 01:18:43,072 --> 01:18:44,280 WHERE YOUR PLACE IS IN THE 1687 01:18:44,281 --> 01:18:46,446 WORLD. 1688 01:18:50,655 --> 01:18:51,572 >> AND THIS IS JUST A METAPHOR 1689 01:18:51,573 --> 01:18:53,320 FOR LIFE. 1690 01:18:53,321 --> 01:18:54,696 WHAT HAPPENED ONSTAGE--STUFF IS 1691 01:18:54,697 --> 01:18:55,779 GONNA GO WRONG. 1692 01:18:55,780 --> 01:18:58,363 IT'S HOW WE HANDLE IT. 1693 01:19:03,529 --> 01:19:04,903 MAGIC TEACHES US HOW TO BE 1694 01:19:04,904 --> 01:19:06,361 RESILIENT. 1695 01:19:06,362 --> 01:19:08,778 IT TRANSFORMS GRAVITY THAT HOLDS 1696 01:19:08,779 --> 01:19:10,736 US DOWN INTO LEVITY AND HUMOR 1697 01:19:10,737 --> 01:19:13,195 AND LIFTS US UP. 1698 01:19:30,027 --> 01:19:32,318 MAGIC IS A KEY THAT UNLOCKS 1699 01:19:32,319 --> 01:19:33,610 PEOPLE'S PERSONALITIES. 1700 01:19:33,611 --> 01:19:35,734 IT FORCES YOU TO PARTICIPATE 1701 01:19:35,735 --> 01:19:39,985 IN LIFE. 1702 01:19:39,986 --> 01:19:40,735 >> ONE OF THE THINGS THAT WE SAY 1703 01:19:40,735 --> 01:19:41,652 TO THE KIDS, YOU KNOW, IS THAT-- 1704 01:19:41,653 --> 01:19:43,818 "LOOK AROUND THIS ROOM. 1705 01:19:43,819 --> 01:19:46,067 IF YOU STAY IN MAGIC, THESE ARE 1706 01:19:46,068 --> 01:19:47,151 GONNA BE YOUR FRIENDS FOR THE 1707 01:19:47,152 --> 01:19:49,152 REST OF YOUR LIFE." 1708 01:20:17,191 --> 01:20:19,274 >> [stammering] WHEN I FINISH 1709 01:20:19,275 --> 01:20:21,982 UP TO MY STUDIES, I WOULD LIKE 1710 01:20:21,983 --> 01:20:23,773 TO CONTINUE ON DOING MAGIC, TO 1711 01:20:23,774 --> 01:20:25,566 HAVE MY OWN THEATER SHOW, TO 1712 01:20:25,567 --> 01:20:27,606 HAVE MY OWN STAGE THAT I WOULD 1713 01:20:27,607 --> 01:20:30,481 BE OWNED AND THEN PERFORM THE 1714 01:20:30,482 --> 01:20:32,565 SHOW EACH AND EVERY WEEKDAY. 1715 01:20:32,566 --> 01:20:35,273 YES, THAT IS MY DREAM-- 1716 01:20:35,274 --> 01:20:38,189 ME AND NKUMBUZO ON THE STAGE 1717 01:20:38,190 --> 01:20:40,772 HERE. 1718 01:20:40,773 --> 01:20:44,522 YOU CAN ACHIEVE YOUR DREAM. 1719 01:20:44,523 --> 01:20:45,605 EVERYTHING IS POSSIBLE. 1720 01:20:45,606 --> 01:20:47,897 THERE IS NOTHING IMPOSSIBLE, 1721 01:20:47,898 --> 01:20:49,856 BECAUSE IF YOU WORK HARD FOR 1722 01:20:49,857 --> 01:20:52,522 SOMETHING, YOU WILL GET THE 1723 01:20:52,523 --> 01:20:54,063 GOOD REWARD FOR THAT AT THE 1724 01:20:54,064 --> 01:20:56,480 END OF THE DAY. 1725 01:20:56,481 --> 01:20:57,481 >> [singing in native language] 1726 01:20:57,482 --> 01:21:04,564 ? ? 1727 01:21:19,021 --> 01:21:20,021 >> [playing Fur Elise on piano] 1728 01:21:20,022 --> 01:21:28,353 ? ? 1729 01:21:28,354 --> 01:21:29,728 >> OF COURSE HE WANTED TO WIN, 1730 01:21:29,729 --> 01:21:31,311 NO DOUBT ABOUT IT. 1731 01:21:31,312 --> 01:21:33,520 BUT HE ACCEPTED THAT HE CAME IN 1732 01:21:33,521 --> 01:21:35,061 SECOND. 1733 01:21:35,062 --> 01:21:36,436 HE WAS PROUD TO SAY THAT HE CAME 1734 01:21:36,437 --> 01:21:37,727 IN FIRST AS THE ONLY AMERICAN 1735 01:21:37,728 --> 01:21:41,727 THAT WON SOMETHING. 1736 01:21:41,728 --> 01:21:45,310 IT STUNG A LITTLE BIT. 1737 01:21:45,311 --> 01:21:46,019 >> I THINK IF I HAD WON FIRST 1738 01:21:46,020 --> 01:21:47,602 PLACE INSTEAD OF SECOND, I'D 1739 01:21:47,603 --> 01:21:50,519 ACTUALLY GOTTEN COVERAGE, 1740 01:21:50,520 --> 01:21:52,269 'CAUSE THEY--I DON'T THINK 1741 01:21:52,270 --> 01:21:53,061 PEOPLE CARE ABOUT THE GUY THAT 1742 01:21:53,062 --> 01:21:54,560 WINS SECOND. 1743 01:21:54,561 --> 01:21:56,144 THEY WANT TO SEE THE GUY 1744 01:21:56,145 --> 01:21:57,185 CARRYING THE GOLD MEDAL, THE 1745 01:21:57,186 --> 01:21:59,144 TROPHY, EVEN, HELL, THE 1746 01:21:59,145 --> 01:22:00,476 CERTIFICATE THAT SAID THAT HE 1747 01:22:00,477 --> 01:22:03,018 WON FIRST. 1748 01:22:08,893 --> 01:22:09,685 >> OOH, THAT'S THE MAGIC-TRICK 1749 01:22:09,685 --> 01:22:10,560 GUY. 1750 01:22:10,561 --> 01:22:14,143 >> IT'S THE MAGIC-TRICK GUY. 1751 01:22:14,144 --> 01:22:17,392 SO THIS BATON--I GOT FOR MY DAD 1752 01:22:17,393 --> 01:22:18,725 AS A CHRISTMAS PRESENT. 1753 01:22:18,726 --> 01:22:19,434 I'M GONNA WIND UP USING IT 1754 01:22:19,435 --> 01:22:20,684 TODAY, SO... 1755 01:22:20,685 --> 01:22:22,517 >> UM, WITHOUT FURTHER ADO, 1756 01:22:22,518 --> 01:22:25,433 BILL KOCH CONDUCTING 1757 01:22:25,434 --> 01:22:26,808 BEAUTY AND THE BEAST. 1758 01:22:26,809 --> 01:22:31,349 [applause] 1759 01:22:31,350 --> 01:22:38,350 ? ? 1760 01:22:40,350 --> 01:22:43,765 >> I MADE MY PARENTS CRY TODAY. 1761 01:22:43,766 --> 01:22:45,723 AND MY MOM WAS GETTING CHOKED 1762 01:22:45,724 --> 01:22:46,350 UP, AND MY DAD WAS GETTING 1763 01:22:46,351 --> 01:22:49,765 CHOKED UP, AND... 1764 01:22:49,766 --> 01:22:52,766 I KNOW I MAKE 'EM PROUD. 1765 01:22:56,141 --> 01:22:56,724 [applause] 1766 01:22:56,725 --> 01:23:01,141 THANK YOU, GUYS. 1767 01:23:20,556 --> 01:23:22,888 >> RIGHT NOW SHE'S PROBABLY 1768 01:23:22,889 --> 01:23:24,680 BEEN THE MOST RELAXED I'VE SEEN 1769 01:23:24,681 --> 01:23:29,513 HER IN MEMORY. 1770 01:23:29,514 --> 01:23:30,680 WORLD MAGIC SEMINAR WAS GOOD, 1771 01:23:30,681 --> 01:23:33,346 BECAUSE I THINK IN THE PAST, 1772 01:23:33,347 --> 01:23:35,096 SHE WOULD LOOK AT PLACEMENT AS 1773 01:23:35,097 --> 01:23:35,763 A REFLECTION ON HOW IT REALLY 1774 01:23:35,764 --> 01:23:37,221 WENT. 1775 01:23:37,222 --> 01:23:37,930 SHE DROPS A BILLIARD BALL, IF 1776 01:23:37,931 --> 01:23:41,804 SHE SLIPS, SHE'S GONNA BE OKAY. 1777 01:23:41,805 --> 01:23:43,637 >> KRYSTYN M. LAMBERT. 1778 01:23:43,638 --> 01:23:48,012 [cheers and applause] 1779 01:23:50,263 --> 01:23:51,470 >> I'M REALLY LOOKING FORWARD TO 1780 01:23:51,471 --> 01:23:53,886 GOING INTO AN ENVIRONMENT WHERE 1781 01:23:53,887 --> 01:23:54,595 I'M NOT PIGEONHOLED, WHERE, 1782 01:23:54,596 --> 01:23:58,428 YOU KNOW, I HAVE MORE OF A GRIP 1783 01:23:58,429 --> 01:23:59,887 OF WHO I AM. 1784 01:24:55,759 --> 01:24:56,676 >> I DON'T--NONE OF MY FAMILY 1785 01:24:56,677 --> 01:24:59,091 HAS WHAT HE HAS, JUST TO BE SO 1786 01:24:59,092 --> 01:25:01,882 ALIVE AND TO BE SO--SUCH A 1787 01:25:01,883 --> 01:25:02,633 PASSION ABOUT SOMETHING. 1788 01:25:02,633 --> 01:25:03,633 AND IT JUST SHOWS. 1789 01:25:03,634 --> 01:25:05,715 AND TO KNOW THAT ALL THAT HE'D 1790 01:25:05,716 --> 01:25:09,382 WORKED FOR, WHAT I'D SEEN HIM 1791 01:25:09,383 --> 01:25:10,133 GO THROUGH, AND HOW MUCH HE'D 1792 01:25:10,133 --> 01:25:10,883 WORKED WITH MATTHEW AND RICHARD, 1793 01:25:10,884 --> 01:25:12,965 AND, YOU KNOW, HOW MUCH IT MEANT 1794 01:25:12,966 --> 01:25:14,507 TO HIM TO SEE HIM UP THERE AND 1795 01:25:14,508 --> 01:25:15,881 DO A GOOD JOB IS JUST A 1796 01:25:15,882 --> 01:25:18,006 WONDERFUL THING. 1797 01:25:18,007 --> 01:25:21,756 >> HE'S GONNA BE SOMEBODY. 1798 01:25:21,757 --> 01:25:22,798 IN FACT, HE ALREADY IS SOMEBODY, 1799 01:25:22,799 --> 01:25:23,674 BECAUSE HE HAS MADE HIS 1800 01:25:23,675 --> 01:25:27,048 PRESENCE KNOWN TO PEOPLE FROM 1801 01:25:27,049 --> 01:25:28,714 AROUND THE WORLD. 1802 01:25:28,715 --> 01:25:31,047 AND THEY HAVE FELT HIM AND MADE 1803 01:25:31,048 --> 01:25:34,005 A LASTING FRIENDSHIP WITH HIM 1804 01:25:34,006 --> 01:25:34,798 AS WELL. 1805 01:25:34,799 --> 01:25:36,713 AND THAT'S WHAT HE NEEDS. 1806 01:25:36,714 --> 01:25:37,631 >> THESE ARE HIROKI HARA'S 1807 01:25:37,632 --> 01:25:41,630 MANIPULATION CARDS, A GIFT 1808 01:25:41,631 --> 01:25:45,547 FROM HIM TO ME. 1809 01:25:45,548 --> 01:25:47,548 ALWAYS PRACTICING. 1810 01:25:54,630 --> 01:25:55,838 I WILL GET IT. 1811 01:25:55,839 --> 01:25:57,338 HIROKI HARA--I THINK I STILL 1812 01:25:57,339 --> 01:25:58,838 HAVE HIROKI'S BUSINESS CARD IN 1813 01:25:58,839 --> 01:26:02,254 MY BACK POCKET. 1814 01:26:02,255 --> 01:26:04,212 HANG ON. 1815 01:26:04,213 --> 01:26:06,962 YEP. 1816 01:26:06,963 --> 01:26:07,713 >> DEREK WANTS TO BE ASIAN WHEN 1817 01:26:07,714 --> 01:26:11,004 HE GROWS UP. 1818 01:26:20,546 --> 01:26:22,086 >> DEREK. 1819 01:26:22,087 --> 01:26:25,504 YEAH. 1820 01:26:30,379 --> 01:26:31,586 [speaking Japanese] 1821 01:27:11,251 --> 01:27:13,166 >> WHAT IS THAT? 1822 01:27:13,167 --> 01:27:15,167 >> YEAH, BECAUSE... 1823 01:27:39,250 --> 01:27:39,958 >> TO CLOSE OUR SHOW THIS YEAR, 1824 01:27:39,959 --> 01:27:41,748 WE HAVE A VERY SPECIAL GUEST 1825 01:27:41,749 --> 01:27:42,915 STAR. 1826 01:27:42,916 --> 01:27:44,623 HE WAS THE WINNER OF THE TEEN 1827 01:27:44,624 --> 01:27:46,414 AWARD AT THIS YEAR'S 1828 01:27:46,415 --> 01:27:47,581 WORLD MAGIC SEMINAR IN 1829 01:27:47,582 --> 01:27:49,623 LAS VEGAS--A VERY PRESTIGIOUS 1830 01:27:49,624 --> 01:27:51,831 MAGIC GET-TOGETHER HELD IN 1831 01:27:51,832 --> 01:27:53,164 LAS VEGAS EVERY YEAR. 1832 01:27:53,165 --> 01:27:53,915 LADIES AND GENTLEMEN, AGAIN, IN 1833 01:27:53,915 --> 01:27:54,623 HIS PREMIERE PERFORMANCE AT THE 1834 01:27:54,624 --> 01:27:57,497 MAGIC CASTLE, PLEASE WELCOME 1835 01:27:57,498 --> 01:27:59,956 HARA HIROKI. 1836 01:28:33,704 --> 01:28:35,954 >> HIROKI HARA, LADIES AND 1837 01:28:35,955 --> 01:28:39,286 GENTLEMEN. 1838 01:28:39,287 --> 01:28:39,704 HIROKI HARA. 117161

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