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12 OZ. MOUSE [CAPTIONING MADE POSSIBLE BY
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TURNER ENTERTAINMENT GROUP] >> ♪ OUT OF MY WAY
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I'M DRUNK AS HELL I'LL BLOW YOUR ASS AWAY
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LIKE RINGING A BELL FOOT'S TO THE FLOOR
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AND THE WHISKEY'S FLOWING I GOT A PORN SHOOT
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I GOTTA GET GOING YOU DON'T UNDERSTAND
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HE DON'T GIVE A DAMN ♪ >> ♪ 12 OZ. MOUSE, 12 OZ. MOUSE
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12 OZ. MOUSE, 12 OZ. MOUSE ♪ >> ♪ JET CAR'S ROLLING
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ALL NIGHT LONG CRANKING UP THE JAMS
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AND SINGING ALONG CAR'S FULL OF BITCHES
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AND A BRAND NEW BONG ♪ [CAPTIONED BY THE NATIONAL
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CAPTIONING INSTITUTE --www.ncicap.org--]
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>> YOU SAY YOU'VE DONE THIS BEFORE AND IT'S GONNA WORK.
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>> IT'S LIKE ROCKETRY.
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[CHUCKLES] YOUR PEE IS LIKE ROCKETRY
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BECAUSE IT ROCKETS OUT, YOU KNOW, AND IF YOU HAVE TWO
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ROCKETS, STEP BACK.
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HERE GO THE ROCKETS.
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>> ALL RIGHT.
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JUST DO IT AND DON'T GET ANY ON ME.
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>> FEELS SO GOOD.
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OH, WAS THAT YOUR JOE?
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HA HA HA!
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>> HOLY CRAP, IT WORKED.
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OK, OK. IT WORKED. NOW STOP.
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>> YOU CAN'T TELL ME WHEN TO STOP, MAN.
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YOU CAN'T TELL MY JACK TO STOP.
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MAN, THAT'S MESSED UP.
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I CAN'T STOP.
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MAN...
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[CAR ALARM BEEPING] I GOT TO GO.
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>> NO, NO, NO, NO, NO.
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HA HA HA!
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>> THAT'S A TRICKY BOOKCASE, ISN'T IT?
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>> STOP YOUR STOP TALK.
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I'M TRYING TO-- >> I KNOW.
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YOU'RE READING, BUT YOU'RE NOT READING.
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YOU'RE NOT READING.
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YOU'RE NOT DOING ANYTHING HERE BUT NOT DOING.
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>> HARDLY.
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>> WHAT'S-- UH, WHAT'S BACK THERE?
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WHAT'S BEHIND THE CASE?
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OR ARE YOU TOO SCARED TO TELL ME?
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>> MAKE ME.
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>> OH, MAN, WHERE'S THE, UH-- WHAT IS THIS?
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IS THIS MY-- [BEEP BEEP]
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WOW, WHAT IS ALL THIS?
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WHAT IS-- THIS IS MY OFFICE...
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OR IS IT?
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NECKTIE.
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WOW, THIS IS A GREAT NECKTIE.
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THANKS.
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>> YOU HAVE TO WEAR IT.
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>> I REALLY LIKE IT.
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>> YOU HAVE TO WEAR IT NOW.
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>> I'LL PUT IT ON IN THE MORNING.
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>> THE MORNING WAS TOO LATE.
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PUT IT ON NOW.
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>> WHAT?
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>> YOU HAVE TO PUT IT ON NOW.
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>> OK. HERE. HOW'S THIS?
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IS THAT GOOD?
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>> TIE IT AROUND YOUR NECK.
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IT HAS TO MAKE CONTACT WITH YOUR FLESH.
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>> IT'S LATE.
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I'LL TIE IT TOMORROW.
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>> TOMORROW IS TOO LATE.
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NOW IS TIME.
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>> WHY? WHAT'S THAT?
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THAT SOUNDS LIKE A BABY.
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>> IT'S OUR BABY.
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>> WE DON'T HAVE A BABY.
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>> WE HAD A BABY.
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WHEN WE HAD HER, THE TIME IS COMING THAT--
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TO HER-- US--
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PUT ON THE TIE. MM.
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[GUNSHOTS] [WHIRRING]
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[GUNSHOTS] [WHIRRING]
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[RAGTIME MUSIC PLAYING] [WHIRRING]
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[RAGTIME MUSIC PLAYING] >> FACADES OF THIS EXPENSE ARE
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BECOMING UNPOPULAR WITH MY INVESTORS.
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>> YOUR INVESTORS ARE ONE.
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>> I DON'T KNOW IF YOU KNOW THIS, BUT THERE ARE MANY THAT
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MAKE ONE.
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>> ONE IS ENOUGH FOR TOO MUCH.
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>> YOUR JEALOUSY OVERWHELMS YOUR REPUTATION.
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>> MY REPUTATION IS BIG-TIME AND RECORDED.
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YOU ARE EYELESS AND SQUARED.
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>> 60 OF WHAT YOU THINK IS A REPUTATION FOR ONE IS YOUR
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DOWNFALL.
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>> WELL, WE'LL SEE ABOUT THAT IN DUE TIME, WON'T WE?
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>> TIME IS DUE, INDEED.
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>> [SCREECH] >> AND YOU--
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YOU NEED A WHIFF OF MY FRIEND.
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>> [SCREECH SCREECH SCREECH] >> WHAT'S UP WITH THIS PARTY,
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MAN?
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THIS BLOWS.
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>> MAN, THIS PARTY IS STRAIGHT JACK.
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IT'S COMPLETELY WACK.
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I COULD'VE GOT WITH MONIQUE TONIGHT.
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>> WILL YOU SHUT UP?
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OH, DAMN, BOY, YOUR VOICE IS LIKE A HUMAN P.A., AND WHERE'S
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THAT BAKED COP AT?
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>> WHO ARE YOU?
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WHAT ARE YOU DOING AT THIS PARTY?
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WHO INVITED YOU?
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WHO DO YOU THINK YOU ARE?
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I KNOW WHO YOU ARE.
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I KNOW WHAT YOU'RE DOING HERE.
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YOU KNOW I KNOW.
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YOU'RE WEIRD-LOOKING.
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I'M NOT WEIRD-LOOKING, BUT YOU'RE WEIRD-LOOKING.
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>> HEY, ARE YOU ROOSTER?
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>> SOMETIMES ALL IN CAPS, DEPENDING ON--
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>> IF I'M YELLING AT YOU OR NOT, RIGHT?
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>> UH-HUH.
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>> DO YOU HAVE A SON, BY ANY CHANCE?
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>> NO.
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>> HE WENT TO CAMP.
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YOU WENT TO CAMP.
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>> HOW DID YOU-- >> THIS LETTER.
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>> I'LL BE.
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>> THERE'S SOMETHING I HAVE TO SHOW YOU RIGHT NOW.
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>> JUST WHEN I THINK I KNOW WHAT I'M THINKING, I'M IN THIS CLOUD.
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I KNOW THAT WHEN A MAN HAS MEMORIES, IT'S JUST ELECTRICAL
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IMPULSES THROUGH THE BRAIN THAT CREATE THE MEMORIES BECAUSE
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THOSE IMPULSES TRAVEL AT THE SPEED OF LIGHT.
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THEREFORE, THE BRAIN TIME-TRAVELS, AND THAT'S HOW HE
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REMEMBERS...
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BUT HOW DOES HE FEEL?
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HOW DOES HE FEEL THOSE MEMORIES?
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HOW DOES HE FEEL THOSE THOUGHTS?
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WHAT...TIME IS IT?
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[BABY CRYING] >> IN HERE.
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>> IN WHERE?
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>> SEE THIS?
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>> YEAH. I SEE IT.
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WHAT THE HELL HAPPENED IN HERE?
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>> YOUR LETTER.
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>> MY LETTER DID THIS?
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MAN, YOU GOT A BAR AROUND HERE?
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BECAUSE I'M TIRED AS HELL.
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>> COME DOWN HERE TO THE BASEMENT.
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>> WHAT'S A LIQUOR STORE DOING WITH A BASEMENT?
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>> IT'S, UH-- IT'S FOR, UH, TORNADOS AND SOME
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OTHER STUFF.
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>> WHAT IN THE HELL IS THAT?
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>> I THINK YOU KNOW WHAT IT IS.
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>> FIRST OFF, I DON'T EVEN THINK YOU KNOW WHAT I KNOW, AND
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I'M TELLING YOU, I DON'T KNOW WHAT THAT IS.
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[CRASH] [CRASH]
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[SLAM] [CLANG]
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[CLOCK TICKING] [CLANG]
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[CLOCK TICKING] [CLANG]
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>> I DID IT.
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I DID IT, AND I WON, AND I BEAT THEM ALL...
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[SLURP] AND IT TASTES GOOD.
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[DOOR SLAMS] >> HEY, KIDS.
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NO ONE WINS UNTIL I WIN BECAUSE I WIN AT STUFF ALL THE TIME.
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HA HA! YOU GOT THAT?
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AAH! WHAT THE-- OH! WHAT'S WRONG, LITTLE MAN?
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HA HA! YOU GOT-- UH, YOU GOT SOME ARROWS STUCK
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THROUGH YOU.
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HA HA HA! ZINGER.
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BOING. HA HA HA!
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UP TOP. LET'S TOUR, RIGHT?
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AM I RIGHT? AM I RIGHT?
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>> WRONG, VERY, VERY WRONG.
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>> COME ON, SHARK. WE'RE A TEAM.
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IT'S ME AND YOU, AND WE GO TO THE ZOO, RIGHT?
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HA HA HA! COME ON.
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CHUG ALONG, BUDDY.
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>> IT'S OVER.
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>> CHUGGA CHUGGA CHUGGA CHUGGA CHUGGA BAAH!
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>> STOP IT.
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>> I DO IT AT MY RESTAURANT EVERY NIGHT, BUT SOMETIMES I
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FORGET, AND THEN THE BOSS MAN IS ALL, "DO YOUR SIDE WORK,"
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AND I'M LIKE, "I'M MARRYING THESE KETCHUPS AS FAST AS I
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CAN."
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EEEH! HA HA HA!
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I GOT THESE T-SHIRTS MADE.
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>> LOOK. IT'S OVER.
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>> SHARK, IT AIN'T OVER.
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IT'S YOU AND ME AND YOU AND ME AND YOU AND ME AND YOU.
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BAP! DAMN IT.
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>> WHERE'S THE ZINGER?
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WE ALL LOVE TO LAUGH.
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>> HEY, LIQUOR, COME HERE FOR A SECOND.
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I NEED TO TALK TO YOU.
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THIS IS VERY IMPORTANT.
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I NEED TO FIND MY TEACHER, TELL HER I NEED TO GET BACK IN THE
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BOAT, AND I NEED TO GO HOME.
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>> YEAH. IT'S A WEB. GET IT?
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>> YEAH. I GET IT.
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NOW CAN YOU LET ME OUT OF HERE?
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>> LET YOU OUT? NO.
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>> WHY ME?
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I MEAN, WHAT DID I DO?
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>> YOU COME TOO CLOSE TO RESTARTING EVERYTHING.
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I KNOW YOU.
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YOU'LL SET THE ALARM.
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[DOOR SLAMS] >> I'LL SET THE ALARM?
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IS THERE A BEER DOWN THERE?
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IS THERE A BEER DOWN THERE?
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>> IS THIS FINALLY THE END?
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>> IT'S NEVER THE END.
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TAKE HIM OUT AND DO IT FOR REAL THIS TIME, OK?
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YOU'RE SUPPOSED TO BE GOOD AT THIS.
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>> [BEEPING] >> NO. YOU CAN'T GO WITH HIM
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BECAUSE YOU'LL JUST [BEEP] IT UP BECAUSE YOU'RE RETARDED.
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>> [BEEPING] >> I'M SO EXTREMELY BORED.
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WHAT ELSE IS ON?
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>> IT'S ONLY THIS DAY AFTER DAY AFTER DAY.
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>> ♪ 12 OZ. MOUSE, 12, OZ. MOUSE 12 OZ. MOUSE, 12, OZ. MOUSE
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12 OZ. MOUSE, 12, OZ. MOUSE 12 OZ. MOUSE, 12, OZ. MOUSE
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12 OZ. MOUSE, 12, OZ. MOUSE 12 OZ. MOUSE, 12, OZ. MOUSE
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12 OZ. MOUSE, 12, OZ. MOUSE 12 OZ. MOUSE ♪
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>> HMM, I KIND OF WANT TO OPEN THE DOOR, BUT I'M SCARED.
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[CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP]
15106
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