subtitlecat.com

All language subtitles for Murder.by.Numbers.2002.1080p.WEBRip.x264-RARBG

Afrikaans

Akan

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bemba

Bengali

Bihari

Bosnian

Breton

Bulgarian

Cambodian

Catalan

Cebuano

Cherokee

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch Download

English

Esperanto

Estonian

Ewe

Faroese

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek Download

Guarani

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Interlingua

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Kinyarwanda

Kirundi

Kongo

Korean

Krio (Sierra Leone)

Kurdish

Kurdish (Soranî)

Kyrgyz

Laothian

Latin

Latvian

Lingala

Lithuanian

Lozi

Luganda

Luo

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mauritian Creole

Moldavian

Mongolian

Myanmar (Burmese)

Montenegrin

Nepali

Nigerian Pidgin

Northern Sotho

Norwegian

Norwegian (Nynorsk)

Occitan

Oriya

Oromo

Pashto

Persian

Polish

Portuguese (Brazil)

Portuguese (Portugal)

Punjabi

Quechua

Romanian

Romansh

Runyakitara

Russian

Samoan

Scots Gaelic

Serbian

Serbo-Croatian

Sesotho

Setswana

Seychellois Creole

Shona

Sindhi

Sinhalese

Slovak

Slovenian

Somali

Spanish Download

Spanish (Latin American)

Sundanese

Swahili

Swedish

Tajik

Tamil

Tatar

Telugu

Thai

Tigrinya

Tonga

Tshiluba

Tumbuka

Turkish

Turkmen

Twi

Uighur

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Wolof

Xhosa

Yiddish

Yoruba

Zulu

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:02:16,804 --> 00:02:19,072 First man: SHOULD WE SAY THE WORDS ONE LAST TIME? 2 00:02:19,072 --> 00:02:20,374 ONE CANNOT LIVE FULLY 3 00:02:20,374 --> 00:02:23,611 WITHOUT EMBRACING SUICIDE AND CRIME. 4 00:02:23,611 --> 00:02:25,279 SAY IT. 5 00:02:25,279 --> 00:02:27,548 Second man: A PACT MADE WITH RELENTLESS FIRE 6 00:02:27,548 --> 00:02:32,052 THAT REQUIRES THAT WHILE SOME LIVE, OTHERS DIE. 7 00:02:32,052 --> 00:02:33,487 ON 3. 8 00:02:33,487 --> 00:02:34,488 ONE... 9 00:02:37,558 --> 00:02:38,826 2... 10 00:02:40,994 --> 00:02:41,995 3. 11 00:02:41,995 --> 00:02:43,564 [GUNSHOT] 12 00:02:44,632 --> 00:02:48,469 EACH OF US HAS WITHIN US A WEAK ASPECT, 13 00:02:48,469 --> 00:02:49,670 EAGER TO GIVE UP FREEDOM 14 00:02:49,670 --> 00:02:51,739 FOR THE COMFORT OF BEING DOMINATED, 15 00:02:51,739 --> 00:02:53,441 BUT WE ALSO HAVE A WILL TO POWER 16 00:02:53,441 --> 00:02:55,276 THAT DESIRES FREEDOM, 17 00:02:55,276 --> 00:02:57,511 THAT INSISTS ON DECIDING FOR OURSELVES, 18 00:02:57,511 --> 00:03:00,514 EACH OF US, INDIVIDUALLY, 19 00:03:00,514 --> 00:03:04,184 WHAT IS GOOD AND WHAT IS EVIL. 20 00:03:06,787 --> 00:03:08,389 ARE THERE ANY QUESTIONS? 21 00:03:13,327 --> 00:03:14,328 DOESN'T ANYONE WANNA CHALLENGE 22 00:03:14,328 --> 00:03:16,664 JUSTIN'S THESIS? 23 00:03:16,664 --> 00:03:18,131 ARE YOU ALL WILLING TO SUBMIT 24 00:03:18,131 --> 00:03:19,132 TO THIS DARWINIAN STRUGGLE 25 00:03:19,132 --> 00:03:20,868 OF COMPETING EVILS? 26 00:03:20,868 --> 00:03:22,236 I GOT A QUESTION. 27 00:03:22,236 --> 00:03:23,404 Teacher: AH, MR. HAYWOOD, 28 00:03:23,404 --> 00:03:24,405 YOU'RE AWAKE. 29 00:03:24,405 --> 00:03:25,406 [CLASS CHUCKLES] 30 00:03:25,406 --> 00:03:27,107 LET'S HEAR IT. 31 00:03:27,107 --> 00:03:29,743 UH, YEAH. WHAT'S A DORK LIKE YOU 32 00:03:29,743 --> 00:03:30,611 KNOW ABOUT POWER? 33 00:03:30,611 --> 00:03:32,380 WHAT WOULD AN IGNORAMUS LIKE YOU 34 00:03:32,380 --> 00:03:33,581 KNOW ABOUT PHILOSOPHY? 35 00:03:33,581 --> 00:03:37,017 Teacher: KEEP IT CIVIL, PLEASE. 36 00:03:37,017 --> 00:03:38,018 WHAT ARE YOU TALKING ABOUT? 37 00:03:38,018 --> 00:03:40,020 ARE YOU TALKING ABOUT CRIME? 38 00:03:40,020 --> 00:03:41,188 Teacher: GOOD QUESTION. 39 00:03:41,188 --> 00:03:42,323 YOU SHOULD WAKE UP MORE OFTEN, HAYWOOD. 40 00:03:42,323 --> 00:03:43,557 WHAT ABOUT IT, JUSTIN? 41 00:03:43,557 --> 00:03:45,359 Justin: ALL REAL FREEDOM RISKS CRIME. 42 00:03:45,359 --> 00:03:47,160 INDEED, FREEDOM IS CRIME 43 00:03:47,160 --> 00:03:48,562 BECAUSE IT THINKS FIRST OF ITSELF 44 00:03:48,562 --> 00:03:50,030 AND NOT OF THE GROUP. 45 00:03:50,030 --> 00:03:52,032 THANK YOU, JUSTIN. 46 00:03:52,032 --> 00:03:53,033 VERY DARING. 47 00:03:53,033 --> 00:03:54,034 THANK YOU. 48 00:03:54,034 --> 00:03:56,970 [ALL LAUGH] 49 00:03:56,970 --> 00:03:58,606 Teacher: FOR THOSE OF YOU WHO ARE INTERESTED 50 00:03:58,606 --> 00:04:01,141 IN THE SOURCE OF MR. PENDLETON'S REPORT, 51 00:04:01,141 --> 00:04:02,175 MIGHT WANNA TAKE A LOOK AT THE WORKS 52 00:04:02,175 --> 00:04:03,377 OF FRIEDRICH NIETZSCHE. 53 00:04:03,377 --> 00:04:05,212 YOU REALLY NEED TO GET LAID, BONAPARTE. 54 00:04:05,212 --> 00:04:06,914 Teacher: BY LOOKING AT BOOK ONE OF 55 00:04:06,914 --> 00:04:08,916 THUS SPAKE ZARATHUSTRA. 56 00:04:19,927 --> 00:04:20,928 [GASPS] 57 00:04:20,928 --> 00:04:22,563 HEY, JUSTIN. 58 00:04:27,335 --> 00:04:28,902 REMEMBER ME? 59 00:04:28,902 --> 00:04:29,903 WHAT DO YOU WANT? 60 00:04:29,903 --> 00:04:31,605 [COCKS GUN] 61 00:04:31,605 --> 00:04:32,806 I WANNA BLOW YOUR BRAINS OUT... 62 00:04:34,808 --> 00:04:37,945 AND I'M GONNA MAKE IT LOOK LIKE A SUICIDE. 63 00:04:37,945 --> 00:04:39,680 EVERYONE WILL BELIEVE IT, 64 00:04:39,680 --> 00:04:41,349 'CAUSE IF THEY WERE YOU, THEY'D KILL THEMSELVES, TOO. 65 00:04:41,349 --> 00:04:43,517 MMM, YOU WON'T GET AWAY WITH IT. 66 00:04:43,517 --> 00:04:44,585 YOUR SHOE PRINTS, FIRST OF ALL, 67 00:04:44,585 --> 00:04:45,586 ARE A VERY UNIQUE PATTERN. 68 00:04:45,586 --> 00:04:46,587 THEY'D BE TRACED BACK TO YOU 69 00:04:46,587 --> 00:04:47,855 IN A MATTER OF DAYS. 70 00:04:47,855 --> 00:04:51,158 THE FIBERS ON YOUR SHIRT ARE ALL OVER ME NOW. 71 00:04:51,158 --> 00:04:53,126 YOUR HAIR, TOO. 72 00:04:53,126 --> 00:04:55,028 IT'S CALLED TRANSFERENCE. 73 00:04:59,733 --> 00:05:06,474 AND MORE IMPORTANTLY, YOUR FINGERPRINTS ON MY NECK... 74 00:05:06,474 --> 00:05:08,376 WHERE YOU TOUCHED ME. 75 00:05:11,845 --> 00:05:13,246 YOU CAN'T GET FINGERPRINTS OFF OF SKIN. 76 00:05:13,246 --> 00:05:14,515 YEAH, YOU CAN. WITH A MAGNA BRUSH 77 00:05:14,515 --> 00:05:15,783 OR A FINGERPRINT CHEM 78 00:05:15,783 --> 00:05:20,153 OR AN IODINE GUN AND SILVER TRANSFER SHEETS. 79 00:05:20,153 --> 00:05:22,255 BELIEVE ME, RICHARD, YOU DON'T HAVE THE DISCIPLINE 80 00:05:22,255 --> 00:05:24,758 TO COMMIT A MURDER AND GET AWAY WITH IT. 81 00:05:24,758 --> 00:05:26,660 IS THAT RIGHT? 82 00:05:28,128 --> 00:05:29,797 WELL, LET'S SEE. 83 00:05:34,167 --> 00:05:36,169 BANG! 84 00:05:36,169 --> 00:05:37,170 YOU'RE DEAD. 85 00:05:37,170 --> 00:05:39,206 [CHUCKLES] 86 00:05:39,206 --> 00:05:40,941 WHAT TOOK YOU SO LONG? 87 00:05:40,941 --> 00:05:42,810 DO YOU KNOW HOW LONG I'VE BEEN WAITING? 88 00:05:42,810 --> 00:05:46,246 NO. I HAVE SOMETHING BETTER. 89 00:05:46,246 --> 00:05:48,616 Richard: WHAT IS IT? 90 00:05:48,616 --> 00:05:51,419 ABSINTHE: WORMWOOD INFUSED ALCOHOL. 91 00:05:51,419 --> 00:05:53,421 THE MOLECULAR STRUCTURE IS ALMOST IDENTICAL 92 00:05:53,421 --> 00:05:56,023 TO TETRAHEDRAL CHLORINE. 93 00:05:56,023 --> 00:05:58,692 TO TETRA--TETRA WHAT? 94 00:05:58,692 --> 00:06:00,961 IT'S THE, UH, ACTIVE INGREDIENT IN MARIJUANA. 95 00:06:00,961 --> 00:06:03,030 MMM. 96 00:06:05,433 --> 00:06:07,200 WHERE'D YOU GET IT? 97 00:06:07,200 --> 00:06:08,335 POETS USED TO DRINK IT. 98 00:06:08,335 --> 00:06:09,670 THEY USED IT FOR INSPIRATION. 99 00:06:09,670 --> 00:06:12,440 IT'S BEEN ILLEGAL SINCE THE TURN OF THE CENTURY. 100 00:06:12,440 --> 00:06:13,707 EVEN BETTER. 101 00:06:16,577 --> 00:06:19,413 TO THE SYSTEMATIC DERANGEMENT OF OUR SENSES. 102 00:06:19,413 --> 00:06:21,148 OH, FORGET THE SENSES. 103 00:06:21,148 --> 00:06:23,951 LET'S DERANGE THE WORLD. 104 00:06:23,951 --> 00:06:25,653 [CLINK] WE WILL. 105 00:06:27,087 --> 00:06:28,956 WHEN? 106 00:06:30,924 --> 00:06:32,059 SOON. 107 00:06:38,599 --> 00:06:40,067 WHAT ABOUT TONIGHT? 108 00:06:42,302 --> 00:06:43,604 WHAT ABOUT RIGHT NOW? 109 00:06:43,604 --> 00:06:46,474 ACTUALLY, I HAVE, UM, A BIOLOGY EXPERIMENT... 110 00:06:46,474 --> 00:06:47,941 OH, FUCK YOUR BIOLOGY... 111 00:06:49,843 --> 00:06:51,812 YOU ALWAYS HAVE EXCUSES. YOU KNOW THAT? 112 00:06:54,414 --> 00:06:55,315 LET'S JUST FORGET IT. 113 00:06:55,315 --> 00:06:57,317 FORGET WHAT? 114 00:06:57,317 --> 00:06:58,385 WE'VE BEEN PLANNING THIS FOR MONTHS. 115 00:06:58,385 --> 00:07:01,522 I'M SICK OF PLANNING. 116 00:07:01,522 --> 00:07:03,524 THAT'S ALL IT IS WITH YOU. 117 00:07:03,524 --> 00:07:05,459 IT'S TALK AND PLANS AND DREAMS. 118 00:07:05,459 --> 00:07:07,461 YOU'RE A JERK-OFF. 119 00:07:07,461 --> 00:07:09,396 SO JERK OFF. 120 00:07:09,396 --> 00:07:12,099 RICHARD, WAIT. 121 00:07:18,405 --> 00:07:20,140 JUST BE PATIENT. 122 00:07:27,414 --> 00:07:29,950 Dispatcher on radio: WHAT'S YOUR STATUS? 123 00:07:38,659 --> 00:07:40,460 HERE COMES THE HYENA. 124 00:07:41,795 --> 00:07:43,964 HEY, WHY'D YOU TELL 'EM 125 00:07:43,964 --> 00:07:45,165 NOT TO LET ME INSIDE THE PERIMETER? 126 00:07:45,165 --> 00:07:46,299 DON'T GET PISSY ON ME. 127 00:07:46,299 --> 00:07:47,835 I TOLD THEM NOT TO LET ANYBODY IN. 128 00:07:47,835 --> 00:07:49,069 IT'S YOUR FIRST HOMICIDE. 129 00:07:49,069 --> 00:07:51,038 I DIDN'T WANT YOU STEPPIN' ON YOUR TONGUE. 130 00:07:57,044 --> 00:07:58,445 HERE, TAKE THIS. 131 00:07:58,445 --> 00:08:00,080 WHAT IS IT? 132 00:08:00,080 --> 00:08:01,582 A VERY IMPORTANT CRIME SCENE TOOL. 133 00:08:01,582 --> 00:08:03,817 HEY, BOYS, SNACK TIME. 134 00:08:03,817 --> 00:08:05,586 GET ONE OF THE UNIFORMS TO SET UP A STAGING AREA. 135 00:08:05,586 --> 00:08:06,987 THIS PLACE IS GONNA BE CRAWLING WITH PEOPLE 136 00:08:06,987 --> 00:08:08,856 THAT HAVE ABSOLUTELY NO BUSINESS BEING HERE, 137 00:08:08,856 --> 00:08:10,123 INCLUDING OUR REVERED CHIEF. 138 00:08:10,123 --> 00:08:12,125 ROD? YEAH, ROD. 139 00:08:12,125 --> 00:08:13,126 ROD IS NOT A COP. 140 00:08:13,126 --> 00:08:15,262 HEY, DARNELL, 141 00:08:15,262 --> 00:08:17,698 GET THE HELL OUT OF MY CRIME SCENE. COME ON. 142 00:08:20,200 --> 00:08:21,201 SORRY, CASSIE. 143 00:08:21,201 --> 00:08:22,636 ALL RIGHT. 144 00:08:22,636 --> 00:08:24,137 THERE'S ONLY ONE WAY INTO A CRIME SCENE. 145 00:08:24,137 --> 00:08:26,139 I WANT YOU TO PUT YOUR FOOT WHERE MINE GOES 146 00:08:26,139 --> 00:08:27,140 AND NOWHERE ELSE, OK? 147 00:08:27,140 --> 00:08:28,308 OK. 148 00:08:28,308 --> 00:08:29,509 READY? 149 00:08:36,516 --> 00:08:38,485 First man: HEY, ONE MORE. ONE MORE. 150 00:08:38,485 --> 00:08:39,753 Second man: COMING. 151 00:08:41,488 --> 00:08:43,090 YOU NEVER DID THIS IN VICE, DID YOU? 152 00:08:43,090 --> 00:08:45,492 UH, NO. 153 00:08:45,492 --> 00:08:47,795 RIGHT THERE. 154 00:08:47,795 --> 00:08:50,097 LOOKS LIKE SOME KIND OF BOOT. 155 00:09:02,009 --> 00:09:03,677 [FLIES BUZZING] 156 00:09:20,961 --> 00:09:23,396 WHAT'S THIS SMELL LIKE TO YOU? 157 00:09:23,396 --> 00:09:24,665 IT SMELLS LIKE VOMIT. 158 00:09:24,665 --> 00:09:25,899 THAT'S WHAT I THOUGHT. 159 00:09:25,899 --> 00:09:27,735 BAG SOME UP FOR THE LAB. 160 00:09:29,169 --> 00:09:30,570 UNH. 161 00:10:02,202 --> 00:10:03,704 OH. 162 00:10:11,478 --> 00:10:12,379 WHAT'S THE MATTER? 163 00:10:12,379 --> 00:10:13,814 NOTHING. 164 00:10:24,658 --> 00:10:26,493 NOTICE THE PETECHIAL HEMORRHAGING? 165 00:10:26,493 --> 00:10:27,695 SHE WAS STRANGLED. 166 00:10:27,695 --> 00:10:30,731 AH, FINGER SHAPED MARKS AROUND THE NECK. 167 00:10:31,899 --> 00:10:34,034 OH, LOOK AT THIS. 168 00:10:34,034 --> 00:10:36,336 A CLEAN CUT. 169 00:10:36,336 --> 00:10:37,337 A TROPHY? 170 00:10:37,337 --> 00:10:38,806 THAT WOULD BE MY GUESS. 171 00:10:38,806 --> 00:10:43,210 DEFENSIVE WOUNDS. SHE PUT UP A FIGHT. 172 00:10:43,210 --> 00:10:45,245 GOOD FOR YOU. 173 00:10:45,245 --> 00:10:46,146 WE'RE DEALING WITH 174 00:10:46,146 --> 00:10:47,748 A SECONDARY CRIME SCENE HERE. WHY? 175 00:10:47,748 --> 00:10:49,116 WELL, THIS HEAD WOUND WOULD PRODUCE 176 00:10:49,116 --> 00:10:50,751 EXTENSIVE AMOUNTS OF THICK BLOOD, 177 00:10:50,751 --> 00:10:52,385 BUT THERE'S VERY LITTLE HERE. 178 00:10:52,385 --> 00:10:55,055 WHAT DO YOU MAKE OF THESE? 179 00:10:55,055 --> 00:10:55,856 PIQUERISM? 180 00:10:55,856 --> 00:10:57,224 PRE OR POSTMORTEM? 181 00:10:57,224 --> 00:10:58,525 POST. NO BLOOD. 182 00:10:58,525 --> 00:11:00,828 AH. NOT BAD, VICE. 183 00:11:00,828 --> 00:11:01,829 PROBABLY DID REALLY WELL 184 00:11:01,829 --> 00:11:03,596 ON YOUR DETECTIVE'S EXAM. 185 00:11:03,596 --> 00:11:05,699 [SIGHS] ALL RIGHT. 186 00:11:05,699 --> 00:11:06,800 THE WIND IS PICKING UP. 187 00:11:06,800 --> 00:11:08,168 WE'RE GONNA START LOSING EVIDENCE. 188 00:11:08,168 --> 00:11:09,703 WE GOTTA HOLD ON TO EVERYTHING WE CAN GET. 189 00:11:09,703 --> 00:11:11,571 ANY IDEA WHO SHE IS? 190 00:11:11,571 --> 00:11:14,274 NO. NO CAR. NOBODY FOUND ANY ID. 191 00:11:14,274 --> 00:11:15,909 JANE DOE. 192 00:11:46,807 --> 00:11:48,308 Lisa: HEY, BONAPARTE. 193 00:11:54,514 --> 00:11:55,916 BONAPARTE, WHAT'S THE MATTER? 194 00:11:58,651 --> 00:11:59,920 Teacher: MS. MILLS. 195 00:12:03,090 --> 00:12:05,859 Teacher: ALL RIGHT. TIME'S UP. PUT YOUR PENS DOWN 196 00:12:05,859 --> 00:12:08,361 AND EXCHANGE YOUR TESTS WITH A NEIGHBOR. 197 00:12:08,361 --> 00:12:11,464 I DID HORRIBLE. 198 00:12:11,464 --> 00:12:17,070 NUMBER 20 IS C: BERT NORTON. 199 00:12:17,070 --> 00:12:19,406 I SUPPOSE YOU FIND IT FUNNY. 200 00:12:19,406 --> 00:12:20,874 WHAT? 201 00:12:22,475 --> 00:12:25,779 ME FLUNKING A POP QUIZ. 202 00:12:25,779 --> 00:12:27,414 YOU DIDN'T FLUNK. 203 00:12:27,414 --> 00:12:29,116 YOU GOT 19 OUT OF 20. 204 00:12:32,152 --> 00:12:33,353 Teacher: PLEASE PASS THE TESTS FORWARD. 205 00:12:37,190 --> 00:12:38,225 HEY. 206 00:12:39,292 --> 00:12:41,895 HEY, WAIT UP. I WANNA TALK TO YOU. 207 00:12:41,895 --> 00:12:43,496 WHY DID YOU DO THAT? 208 00:12:43,496 --> 00:12:44,631 I HAVE ULTERIOR MOTIVES. 209 00:12:44,631 --> 00:12:46,800 LIKE WHAT? 210 00:12:46,800 --> 00:12:47,901 I WANT YOU TO HELP ME PREP 211 00:12:47,901 --> 00:12:49,937 FOR MY PHYSICS MIDTERM. 212 00:12:49,937 --> 00:12:51,805 HEY, RED DUDE. HEY. 213 00:12:51,805 --> 00:12:52,806 WHY ME? 214 00:12:52,806 --> 00:12:55,675 BECAUSE YOU'RE A GENIUS, OK? 215 00:12:55,675 --> 00:12:57,677 OH. 216 00:12:57,677 --> 00:12:58,846 I LIVE AT 1108 CHANDLER. 217 00:12:58,846 --> 00:13:02,282 CAN YOU REMEMBER THAT? AROUND 5:00? 218 00:13:02,282 --> 00:13:04,517 YOU, UH... 219 00:13:04,517 --> 00:13:06,786 UM... 220 00:13:06,786 --> 00:13:08,856 HI, LISA. 221 00:13:10,323 --> 00:13:11,591 Sam: SO THIS FRIEND OF MINE-- 222 00:13:11,591 --> 00:13:12,525 Cassie: THIS IS IT. TURN RIGHT. 223 00:13:15,462 --> 00:13:16,396 IT'S RIGHT HERE. 224 00:13:16,396 --> 00:13:17,931 YOU LIVE IN A HOUSEBOAT. THAT'S NEAT. 225 00:13:17,931 --> 00:13:21,101 NEAT, INDEED. I LIKE IT OUT HERE. 226 00:13:21,101 --> 00:13:22,302 NOT TOO MANY PEOPLE. 227 00:13:22,302 --> 00:13:23,837 [HORN BLARES] 228 00:13:23,837 --> 00:13:25,805 THANKS FOR THE RIDE. SEE YOU TOMORROW. 229 00:13:30,343 --> 00:13:31,811 WHAT, ARE YOU GONNA SEE ME TO THE DOOR? 230 00:13:31,811 --> 00:13:33,780 OF COURSE. [CHUCKLES] 231 00:13:33,780 --> 00:13:35,582 SO YOU MADE DETECTIVE IN 4 YEARS? 232 00:13:35,582 --> 00:13:36,683 MM-HMM. 233 00:13:36,683 --> 00:13:38,118 YOU MUST BE SMARTER THAN YOU LOOK. 234 00:13:38,118 --> 00:13:39,452 THANK YOU VERY MUCH. 235 00:13:39,452 --> 00:13:43,590 IT'S ONLY GONNA GET WORSE, I WARN YOU. 236 00:13:43,590 --> 00:13:45,458 YOU BEEN TALKING TO THE BOYS? 237 00:13:45,458 --> 00:13:46,626 I'VE HEARD A FEW THINGS. 238 00:13:46,626 --> 00:13:49,229 YEAH? THEY TELL YOU WHY I WAS CALLED "THE HYENA?" 239 00:13:49,229 --> 00:13:51,231 NO, WHY? 240 00:13:51,231 --> 00:13:53,934 FEMALE HYENAS HAVE KIND OF A MOCK PENIS. 241 00:13:53,934 --> 00:13:55,802 DRAW YOUR OWN CONCLUSIONS. 242 00:13:55,802 --> 00:13:57,004 DOES THAT BOTHER YOU? 243 00:13:57,004 --> 00:13:59,472 NO. I JUST WEAR LOOSE-FITTING SLACKS. 244 00:13:59,472 --> 00:14:02,042 IT'S REALLY NOT A PROBLEM. 245 00:14:06,613 --> 00:14:07,948 SEE YA LATER. 246 00:14:19,026 --> 00:14:21,228 [SHERYL CROW'S ANYTHING BUT DOWN PLAYS] 247 00:14:34,074 --> 00:14:38,078 * I LIGHT YOUR CIGARETTE * 248 00:14:38,078 --> 00:14:41,982 * I BRING YOU APPLES FROM THE BARN * 249 00:14:41,982 --> 00:14:45,986 * HOW QUICKLY YOU FORGET * 250 00:14:45,986 --> 00:14:49,556 * I RUN THE BATH AND POUR THE WINE * 251 00:14:51,658 --> 00:14:52,892 * I BRING YOU... * 252 00:14:55,495 --> 00:14:56,796 [HEART BEATING LOUDLY] 253 00:14:56,796 --> 00:14:58,999 [WOMAN GASPING] 254 00:15:01,969 --> 00:15:03,436 NO PRINTS OFF THE GIRL'S SKIN. 255 00:15:03,436 --> 00:15:04,938 THE KILLER MUST HAVE BEEN WEARING GLOVES. 256 00:15:04,938 --> 00:15:06,573 WELL, THEN IT'S NOT A HUSBAND OR BOYFRIEND. 257 00:15:06,573 --> 00:15:08,208 WHY NOT? 258 00:15:08,208 --> 00:15:09,342 WELL, WHEN YOU KILL YOUR WIFE, 259 00:15:09,342 --> 00:15:10,610 YOU DON'T STOP TO PUT ON GLOVES. 260 00:15:10,610 --> 00:15:13,280 UNLESS YOU'VE PUT A LOT OF THOUGHT INTO IT. 261 00:15:13,280 --> 00:15:15,615 MISSING RING FINGER. WHAT'S THAT, A RITUAL? 262 00:15:15,615 --> 00:15:17,017 SERIAL KILLER? 263 00:15:17,017 --> 00:15:18,818 MAYBE A COMMENT ON MATRIMONY. 264 00:15:18,818 --> 00:15:20,587 THAT'S PROBABLY A NEGATIVE COMMENT. 265 00:15:20,587 --> 00:15:22,355 YOU THINK? HUH. 266 00:15:22,355 --> 00:15:23,490 MAYBE WE SHOULD INVESTIGATE 267 00:15:23,490 --> 00:15:25,225 EVERY BAD MARRIAGE IN THE COUNTY. 268 00:15:25,225 --> 00:15:26,960 WHY DON'T YOU GET ON IT? 269 00:15:26,960 --> 00:15:28,161 LET'S START WITH YOU. 270 00:15:28,161 --> 00:15:29,963 YOU EVER BEEN MARRIED? 271 00:15:29,963 --> 00:15:31,431 NOPE. 272 00:15:33,033 --> 00:15:34,234 WHAT'S THIS? 273 00:15:36,569 --> 00:15:38,205 THAT'S, UH, THAT'S AN OLD MURDER CASE 274 00:15:38,205 --> 00:15:39,672 I WAS INVOLVED IN. 275 00:15:39,672 --> 00:15:40,907 THE GUY'S UP FOR PAROLE, 276 00:15:40,907 --> 00:15:43,210 AND THEY WANT ME TO TESTIFY AT THE BOARD. 277 00:15:43,210 --> 00:15:44,978 SO WHAT DO WE HAVE ON OUR JANE DOE? 278 00:15:44,978 --> 00:15:47,547 I'VE BEEN CHECKING MISSING PERSONS NATIONWIDE. 279 00:15:47,547 --> 00:15:48,448 NOTHIN' YET. 280 00:15:48,448 --> 00:15:49,616 ALL RIGHT. WELL, RUN HER PRINTS 281 00:15:49,616 --> 00:15:50,984 AND GET AN ARTIST TO START HER SKETCH. 282 00:15:50,984 --> 00:15:52,385 OK. 283 00:15:55,922 --> 00:15:57,357 [DOORBELL RINGS] 284 00:15:57,357 --> 00:15:58,691 GOT IT, MOM. 285 00:15:58,691 --> 00:15:59,859 HEY, BONAPARTE. 286 00:15:59,859 --> 00:16:02,495 I DIDN'T THINK YOU WOULD SHOW. COME IN. 287 00:16:07,067 --> 00:16:09,869 WHO DID THESE? THEY'RE ACTUALLY QUITE GOOD. 288 00:16:09,869 --> 00:16:11,671 THANK YOU. 289 00:16:11,671 --> 00:16:12,672 YOU DID THEM? 290 00:16:12,672 --> 00:16:14,707 DON'T LOOK SO SURPRISED. 291 00:16:14,707 --> 00:16:17,010 I MODELED FOR THEM, TOO. 292 00:16:18,445 --> 00:16:21,081 BONAPARTE, YOU'RE BLUSHING. 293 00:16:21,081 --> 00:16:23,716 WHY DO YOU CALL ME THAT? 294 00:16:23,716 --> 00:16:27,687 YOU EVER TAKE ONE OF THOSE CAREER APTITUDE TESTS? 295 00:16:27,687 --> 00:16:28,955 NO. 296 00:16:28,955 --> 00:16:30,090 WELL, IF YOU EVER DID, 297 00:16:30,090 --> 00:16:31,258 I GUARANTEE THEY'D RECOMMEND 298 00:16:31,258 --> 00:16:33,393 THAT YOU PURSUE A CAREER AS A DICTATOR. 299 00:16:35,562 --> 00:16:37,297 WHY? 300 00:16:37,297 --> 00:16:40,200 WHO WOULD LISTEN TO ME? 301 00:16:40,200 --> 00:16:42,269 WHERE'S YOUR PHYSICS BOOK? 302 00:16:49,109 --> 00:16:52,245 [BIRD SQUAWKS] 303 00:16:53,980 --> 00:16:56,083 Richard: YOU'RE OVERFEEDING THAT THING. 304 00:16:56,083 --> 00:16:59,419 IT'S GONNA GET AS FAT AS YOU ARE. 305 00:16:59,419 --> 00:17:01,321 I SURE HOPE THIS IS BETTER 306 00:17:01,321 --> 00:17:03,723 THAN THAT OTHER STUFF YOU SOLD ME. 307 00:17:03,723 --> 00:17:04,657 IT'S THE KGB, RICHARD. 308 00:17:04,657 --> 00:17:07,127 YEAH, WELL, FOR 400 BUCKS AN OUNCE, 309 00:17:07,127 --> 00:17:08,528 IT HAD BETTER PUT ME ON THE MOON, RAY. 310 00:17:08,528 --> 00:17:11,698 YOU'LL BE TOTALLY SATISFIED. I GUARANTEE IT. 311 00:17:11,698 --> 00:17:12,532 MONEY BACK? 312 00:17:12,532 --> 00:17:16,469 COME ON. CAN'T WE CUT A DEAL? 313 00:17:16,469 --> 00:17:18,271 IF YOU DON'T WANT IT, DON'T TAKE IT, RICHIE. 314 00:17:18,271 --> 00:17:19,572 WELL, YOU KNOW, I WANT IT. 315 00:17:19,572 --> 00:17:20,907 RICHIE RICH. 316 00:17:20,907 --> 00:17:22,509 I HATE IT WHEN YOU CALL ME THAT. 317 00:17:22,509 --> 00:17:24,844 I'M CUTTIN' OFF ON YOU ALREADY, MAN. 318 00:17:24,844 --> 00:17:26,079 BRING ME A COUPLE 319 00:17:26,079 --> 00:17:28,648 OF THOSE PIGTAILED CHEERLEADERS OVER HERE, 320 00:17:28,648 --> 00:17:31,284 AND THEN I'LL GIVE IT TO YOU FOR FREE. 321 00:17:31,284 --> 00:17:33,453 WELL, HOW CAN I TRUST THAT? 322 00:17:33,453 --> 00:17:35,988 AH, AH. I LOVE THIS PART. [LAUGHS] 323 00:17:35,988 --> 00:17:37,124 LOOK AT THAT. 324 00:17:37,124 --> 00:17:39,025 [SIGHS] YEAH. 325 00:17:39,025 --> 00:17:40,026 SO CAN I JUST GET THE PRODUCT 326 00:17:40,026 --> 00:17:41,994 AND GET OUTTA HERE? 327 00:17:41,994 --> 00:17:44,431 CHECK THIS OUT. CHECK THIS OUT. 328 00:17:44,431 --> 00:17:45,365 COME ON. 329 00:17:45,365 --> 00:17:46,833 YOU'RE GETTIN' THE PRODUCT. HANG ON. 330 00:17:46,833 --> 00:17:49,369 [WHIP CRACKS, WOMAN SCREAMS] 331 00:17:49,369 --> 00:17:54,141 LISTEN TO HER. SHE LOVES IT. 332 00:17:54,141 --> 00:17:56,376 * OPEN THE DOOR * 333 00:17:59,179 --> 00:18:02,849 * AND SHOW ME YOUR FACE TONIGHT * 334 00:18:04,717 --> 00:18:06,553 * I KNOW IT'S TRUE * 335 00:18:06,553 --> 00:18:09,456 * NO ONE HEALS ME LIKE YOU * 336 00:18:09,456 --> 00:18:13,326 * AND YOU HOLD THE KEY * 337 00:18:14,794 --> 00:18:18,131 * NEVER AGAIN * 338 00:18:20,167 --> 00:18:23,503 * WOULD I TURN AWAY FROM YOU * 339 00:18:25,338 --> 00:18:28,040 * I'M SO HEAVY TONIGHT * 340 00:18:28,040 --> 00:18:31,144 * BUT YOUR LOVE IS ALL RIGHT * 341 00:18:31,144 --> 00:18:34,581 * AND I DO BELIEVE * 342 00:18:36,783 --> 00:18:39,352 * THAT NOT EVERYTHING IS GONNA BE * 343 00:18:39,352 --> 00:18:42,622 * THEY WAY YOU THINK IT OUGHTA BE * 344 00:18:42,622 --> 00:18:45,358 * SEEMS LIKE EVERY TIME I TRY TO MAKE IT RIGHT * 345 00:18:45,358 --> 00:18:47,827 * IT ALL COMES DOWN ON ME * 346 00:18:47,827 --> 00:18:48,828 * PLEASE SAY... * 347 00:18:48,828 --> 00:18:49,829 [MAN YELLING] 348 00:18:49,829 --> 00:18:51,831 [WOMAN GASPING] 349 00:18:57,604 --> 00:18:58,971 [GLASS BREAKS] 350 00:18:58,971 --> 00:19:00,707 * I SHALL BELIEVE * 351 00:19:00,707 --> 00:19:02,442 MMM. 352 00:19:09,148 --> 00:19:12,552 [FOG HORN BLOWS] 353 00:19:13,420 --> 00:19:16,523 Cassie: WE'VE GOT OUR JANE DOE. 354 00:19:16,523 --> 00:19:17,524 HER NAME WAS OLIVIA LAKE. 355 00:19:17,524 --> 00:19:18,525 SHE DIDN'T SHOW UP FOR WORK 356 00:19:18,525 --> 00:19:20,260 FRIDAY, SATURDAY, OR TODAY. 357 00:19:20,260 --> 00:19:23,263 HER SUPERVISOR FOUND THE PLACE LIKE THIS. 358 00:19:24,997 --> 00:19:26,799 SO... 359 00:19:26,799 --> 00:19:28,735 WHAT DO WE KNOW ABOUT THE SUPERVISOR? 360 00:19:28,735 --> 00:19:33,240 MMM. MARRIED, 2 KIDS, SOLID ALIBI. 361 00:19:35,608 --> 00:19:38,110 MAYBE--MAYBE SHE CAUGHT SOMEBODY 362 00:19:38,110 --> 00:19:40,580 IN THE MIDDLE OF A 459 AND HE PANICKED? 363 00:19:40,580 --> 00:19:43,283 YEAH, AND WHAT, TOOK THE BODY WITH HIM? 364 00:19:46,353 --> 00:19:48,288 Cassie: WHERE DID THESE MUD PRINTS COME FROM? 365 00:19:51,758 --> 00:19:53,760 THERE'S--THERE'S A PLANTING BED OUT HERE. 366 00:19:59,799 --> 00:20:01,501 LOOKS DRY AS A BONE. 367 00:20:01,501 --> 00:20:03,603 MAYBE YOU SHOULD WATER THE LAWN. 368 00:20:03,603 --> 00:20:05,338 MMM. 369 00:20:07,707 --> 00:20:09,576 Sam: WE GET A TIME OF DEATH FROM THE CORONER YET? 370 00:20:09,576 --> 00:20:12,745 BASED ON STOMACH CONTENT, LIVER TEMP AND RIGOR, 371 00:20:12,745 --> 00:20:16,215 SOMEWHERE BETWEEN 9:00 AND 10:00 THURSDAY NIGHT. 372 00:20:16,215 --> 00:20:17,684 HOW ABOUT 9:27? 373 00:20:17,684 --> 00:20:18,951 HMM? 374 00:20:22,389 --> 00:20:24,424 [BELL DINGS, KNOCK ON DOOR] 375 00:20:26,459 --> 00:20:28,160 CAN WE COME IN? 376 00:20:28,160 --> 00:20:30,229 LET THE GAMES BEGIN. 377 00:20:31,798 --> 00:20:32,799 HMM. 378 00:20:33,600 --> 00:20:36,836 SAM KENNEDY, AL SWANSON, 379 00:20:36,836 --> 00:20:39,205 NEW ASSISTANT D.A... 380 00:20:39,205 --> 00:20:40,473 AND FORMER MEMBER OF OUR DEPARTMENT. 381 00:20:40,473 --> 00:20:41,674 PLEASED TO MEET YOU, SAM. 382 00:20:41,674 --> 00:20:44,344 MS. MAYWEATHER, IT'S ALWAYS A PLEASURE. 383 00:20:44,344 --> 00:20:46,479 SO I HEARD YOU FINALLY PASSED THE BAR, AL. 384 00:20:46,479 --> 00:20:47,480 WHAT DID THEY DO, 385 00:20:47,480 --> 00:20:48,681 CHANGE IT TO TRUE OR FALSE? 386 00:20:48,681 --> 00:20:51,484 I SEE THE SCORPION HASN'T LOST HER STING. 387 00:20:51,484 --> 00:20:52,485 Cassie: WHAT ARE YOU DOING HERE? 388 00:20:52,485 --> 00:20:53,953 I JUST WANNA STAY INFORMED. 389 00:20:53,953 --> 00:20:55,755 REALLY? 390 00:20:55,755 --> 00:20:58,425 SAM, PLEASE KEEP HIM INFORMED. 391 00:21:04,230 --> 00:21:05,798 THANK YOU. 392 00:21:06,999 --> 00:21:08,601 SO WHAT HAVE WE GOT HERE? 393 00:21:10,370 --> 00:21:12,772 * PLEASE SAY HONESTLY * 394 00:21:12,772 --> 00:21:14,040 Man: SORRY. 395 00:21:14,040 --> 00:21:16,376 * YOU WON'T GIVE UP ON ME * 396 00:21:18,110 --> 00:21:20,780 * I SHALL BELIEVE * 397 00:21:22,749 --> 00:21:26,285 * I SHALL BELIEVE * 398 00:21:28,254 --> 00:21:30,990 * I SHALL BELIEVE * 399 00:21:35,227 --> 00:21:36,529 DETECTIVE? YEAH. 400 00:21:36,529 --> 00:21:37,530 CAN I HAVE YOU SIGN OFF 401 00:21:37,530 --> 00:21:38,898 ON THE COPY OF EVIDENCE? 402 00:21:38,898 --> 00:21:39,899 Cassie: OK. 403 00:21:50,477 --> 00:21:51,911 [CAR HORN HONKS] 404 00:21:55,782 --> 00:21:57,384 [HONK, HONK] 405 00:21:57,384 --> 00:21:58,418 HEY, SAM, IT'S ME. 406 00:21:58,418 --> 00:22:00,152 UM, I'M GONNA BE A LITTLE LATE. 407 00:22:00,152 --> 00:22:02,021 WHY DON'T YOU GET STARTED, OK? 408 00:22:04,424 --> 00:22:06,593 [HORN HONKS] 409 00:22:47,299 --> 00:22:48,501 [GASPS] 410 00:22:50,937 --> 00:22:52,572 AH. OH. 411 00:22:52,572 --> 00:22:56,108 [MAN YELLING] 412 00:22:56,108 --> 00:22:59,011 [WOMAN GASPING] 413 00:23:01,748 --> 00:23:03,616 LOOKS LIKE A BODY DUMP. 414 00:23:16,095 --> 00:23:18,565 JESUS. SHE'S ALIVE. 415 00:23:21,300 --> 00:23:24,136 * LED ME TO THIS TOWN * 416 00:23:27,406 --> 00:23:28,975 HA HA. YO, BUD. 417 00:23:35,247 --> 00:23:37,249 NICE DETECTIVE WORK. 418 00:23:37,249 --> 00:23:39,652 HOW DID YOU FIND ME? 419 00:23:39,652 --> 00:23:42,154 Sam: RULE NUMBER ONE: TALK TO THE NEIGHBORS. 420 00:23:42,154 --> 00:23:44,223 MMM. 421 00:23:44,223 --> 00:23:45,291 LOOK, YOU SAID "A LITTLE LATE." 422 00:23:45,291 --> 00:23:47,794 IT'S BEEN MORE THAN 3 HOURS. 423 00:24:00,673 --> 00:24:02,374 IS THIS ABOUT THE D.A.? 424 00:24:02,374 --> 00:24:03,776 WHAT'S HIS NAME, SWANSON? 425 00:24:03,776 --> 00:24:06,445 THAT ASSHOLE? NO. [LAUGHS] 426 00:24:06,445 --> 00:24:07,514 HE SEEMED OK. 427 00:24:07,514 --> 00:24:10,817 YEAH, WELL, TRY DATING HIM. 428 00:24:10,817 --> 00:24:12,418 HE GOT A LITTLE ROUGH WITH ME ONCE, 429 00:24:12,418 --> 00:24:14,386 SO I BROKE HIS NOSE WITH THE CAT. 430 00:24:14,386 --> 00:24:15,522 THE CAT. 431 00:24:15,522 --> 00:24:18,090 WELL, THE CERAMIC CAT. 432 00:24:26,132 --> 00:24:28,067 UH, NO, THANKS. 433 00:24:29,836 --> 00:24:31,871 GOOD. NOW YOU CAN WALK ME HOME. 434 00:24:31,871 --> 00:24:33,773 SURE. 435 00:24:46,519 --> 00:24:48,588 THANK YOU. 436 00:24:48,588 --> 00:24:49,922 SIT DOWN. 437 00:25:04,470 --> 00:25:05,504 I SHOULD GET GOIN'. 438 00:25:05,504 --> 00:25:07,506 MMM, WHAT'S THE RUSH? 439 00:25:07,506 --> 00:25:09,508 UH... 440 00:25:14,213 --> 00:25:16,916 UM... 441 00:25:16,916 --> 00:25:18,785 CAN I, UH, ASK YOU A PERSONAL QUESTION? 442 00:25:18,785 --> 00:25:22,088 [CLEARS THROAT] I CAN HARDLY WAIT. 443 00:25:22,088 --> 00:25:23,489 HOW DID YOU GET INTO THIS WORK? 444 00:25:23,489 --> 00:25:25,725 I MEAN, HOW-- WHY HOMICIDE? 445 00:25:28,027 --> 00:25:29,495 BECAUSE SOMEBODY I KNEW WAS MURDERED, 446 00:25:29,495 --> 00:25:31,130 AND I GOT INTERESTED IN THE PROCESS. 447 00:25:31,130 --> 00:25:33,065 REALLY? NO. 448 00:25:33,065 --> 00:25:34,701 [LAUGHS] 449 00:25:34,701 --> 00:25:36,803 I'M JUST BULLSHITTIN' YOU. 450 00:25:36,803 --> 00:25:39,606 IT'S JUST THE KIND OF CRAP PEOPLE LIKE TO HEAR. 451 00:25:49,215 --> 00:25:51,450 WAIT. 452 00:25:51,450 --> 00:25:52,451 WHAT ARE YOU DOIN'? 453 00:25:52,451 --> 00:25:53,686 IT'S CALLED SEX. 454 00:25:53,686 --> 00:25:56,623 IT'S FUN, AND YOU SHOULD TRY IT. 455 00:26:01,694 --> 00:26:03,696 LOOK. WAIT. 456 00:26:03,696 --> 00:26:04,931 WE'RE PARTNERS. WE GOTTA WORK TOGETHER. 457 00:26:04,931 --> 00:26:06,065 THIS IS NOT A GOOD IDEA. 458 00:26:06,065 --> 00:26:07,900 DON'T WORRY. I WON'T GET POSSESSIVE. 459 00:26:10,970 --> 00:26:14,206 WAIT. OH, WAIT. WHY ARE YOU DOING THIS? 460 00:26:14,206 --> 00:26:15,341 OH, 'CAUSE I WANT TO. 461 00:26:17,243 --> 00:26:18,778 WHAT ABOUT WHAT I WANT? 462 00:26:18,778 --> 00:26:20,880 WHAT DO YOU WANT? 463 00:26:22,214 --> 00:26:23,215 RIGHT NOW? 464 00:26:23,215 --> 00:26:24,216 YEAH. 465 00:26:25,217 --> 00:26:26,653 THIS. 466 00:26:34,994 --> 00:26:38,865 MMM. MMM. 467 00:26:46,773 --> 00:26:49,608 WAIT. LET'S NOT HURRY. 468 00:26:57,817 --> 00:26:59,251 NO, NO, NO, NO. JUST LEAVE THAT-- 469 00:26:59,251 --> 00:27:02,221 LEAVE THAT ALONE. JUST THAT. PLEASE. 470 00:27:03,389 --> 00:27:04,691 SURE. 471 00:27:26,679 --> 00:27:27,880 MMM. 472 00:27:31,450 --> 00:27:32,985 MMM. WHAT'S THE MATTER? 473 00:27:32,985 --> 00:27:35,321 YOU GOTTA GET UP. YOU GOTTA GO. 474 00:27:35,321 --> 00:27:37,056 WHY? 475 00:27:37,056 --> 00:27:38,190 BECAUSE I GOTTA GET SOME SLEEP. 476 00:27:38,190 --> 00:27:39,591 WE GOT A LOT OF WORK TO DO TOMORROW. 477 00:27:39,591 --> 00:27:41,060 WELL, WHY CAN'T WE SLEEP TOGETHER? 478 00:27:41,060 --> 00:27:42,795 MMM, 'CAUSE THE BED'S TOO SMALL. 479 00:27:42,795 --> 00:27:44,063 MMM, NO, IT'S NOT. 480 00:27:44,063 --> 00:27:46,465 MMM, COME ON, COME ON. YOU GOTTA GO. 481 00:27:46,465 --> 00:27:48,167 HEY. 482 00:27:48,167 --> 00:27:49,401 [THUD] OH! 483 00:27:49,401 --> 00:27:50,402 AH, JESUS. 484 00:27:56,508 --> 00:27:58,110 MMM. 485 00:28:00,847 --> 00:28:04,784 MMM. I'LL SEE YOU TOMORROW. GOOD NIGHT. 486 00:28:30,042 --> 00:28:31,577 Justin: THE EVIDENCE IS SO TINY, YOU WOULDN'T KNOW IT 487 00:28:31,577 --> 00:28:33,112 IF YOU HELD IT IN YOUR HAND. 488 00:28:33,112 --> 00:28:34,847 A FEW COMMON YELLOW CARPET FIBERS, 489 00:28:34,847 --> 00:28:37,183 SOME RED CARPET FIBERS AND SOME HAIR. 490 00:28:37,183 --> 00:28:38,650 THAT'S IT. 491 00:28:38,650 --> 00:28:41,854 THE FIBERS WILL BE SUBJECTED TO INFRARED SPECTROPHOTOMETRY 492 00:28:41,854 --> 00:28:44,156 TO DETERMINE THEIR GENERIC AND SUB-GENERIC CLASSES, 493 00:28:44,156 --> 00:28:45,792 THEN COMPARED AGAINST THE DATABASE 494 00:28:45,792 --> 00:28:47,126 TO DETERMINE THE MANUFACTURER, 495 00:28:47,126 --> 00:28:48,394 BUT THAT WON'T BE MUCH HELP. 496 00:28:48,394 --> 00:28:50,229 YELLOW CARPET FIBERS, CONSISTENT WITH 497 00:28:50,229 --> 00:28:52,431 A MASS-PRODUCED LINE OF THE TRIACETATE VARIETY. 498 00:28:52,431 --> 00:28:54,600 MANUFACTURED OUT OF DENVER, DISTRIBUTED ALL OVER 499 00:28:54,600 --> 00:28:55,734 THE WESTERN UNITED STATES 500 00:28:55,734 --> 00:28:58,070 UNDER SEVERAL DIFFERENT BRAND NAMES. 501 00:28:58,070 --> 00:28:59,038 NO HELP. 502 00:28:59,038 --> 00:29:01,007 SAME WITH THE RED FIBERS. 503 00:29:01,007 --> 00:29:03,642 SEVERAL LUSTROUS TRILOBAL NYLON FIBERS 504 00:29:03,642 --> 00:29:07,046 ALONG WITH SEVERAL OTHER RED DELUSTERED FIBERS 505 00:29:07,046 --> 00:29:08,680 WILL BE EXAMINED AND MATCHED WITH THE BRANDS. 506 00:29:08,680 --> 00:29:10,116 SOLD BY HANOVER SAMPSON 507 00:29:10,116 --> 00:29:13,052 FOR SEVERAL WHOLESALE DISCOUNT STORES. 508 00:29:13,052 --> 00:29:13,853 OH. 509 00:29:13,853 --> 00:29:15,922 THAT NARROWS IT DOWN. 510 00:29:15,922 --> 00:29:19,191 THEY SOLD 50,000 OF THEM IN THAT COLOR LAST YEAR. 511 00:29:19,191 --> 00:29:22,728 MICROSCOPIC EXAMINATION OF THE CUTICLE, THE CORTEX, 512 00:29:22,728 --> 00:29:23,963 AND THE MEDULLA OF THE HAIR 513 00:29:23,963 --> 00:29:26,065 WILL REVEAL THEM TO BE HUMAN IN ORIGIN. 514 00:29:26,065 --> 00:29:27,266 2 BROWN HUMAN HEAD HAIRS. 515 00:29:27,266 --> 00:29:29,802 DEFINITELY NOT THE VICTIM'S. 516 00:29:29,802 --> 00:29:31,804 Justin: ALL BUT ONE. 517 00:29:38,144 --> 00:29:39,311 THIS ONE WILL BAFFLE THEM, 518 00:29:39,311 --> 00:29:41,047 BUT IT WILL ALL MAKE SENSE LATER. 519 00:29:41,047 --> 00:29:42,849 ONE HAIR OF NONHUMAN ORIGIN. 520 00:29:42,849 --> 00:29:44,150 SCALE PATTERN OF THE HAIR MATCHES THAT 521 00:29:44,150 --> 00:29:46,052 OF CYNOCEPHALUS MAIMON. 522 00:29:47,920 --> 00:29:49,956 IT'S A FREAKIN' BABOON HAIR. 523 00:29:49,956 --> 00:29:52,892 NO FINGERPRINTS, NO MURDER WEAPON. 524 00:29:52,892 --> 00:29:54,994 THEY'LL HAVE THEIR WORK CUT OUT FOR THEM. 525 00:29:56,762 --> 00:29:59,365 THAT'S WHAT THEY'RE PAID FOR, RIGHT? 526 00:29:59,365 --> 00:30:00,299 Sam: HERE IT IS. 527 00:30:00,299 --> 00:30:02,101 CORONER SAID STRANGULATION WAS SLOW, 528 00:30:02,101 --> 00:30:05,004 PERHAPS THE VICTIM WAS BEING TORTURED. 529 00:30:05,004 --> 00:30:06,839 UM, THAT THE POSTMORTEM STAB WOUNDS 530 00:30:06,839 --> 00:30:08,074 BARELY BROKE THE SURFACE. 531 00:30:08,074 --> 00:30:09,808 THEY WERE TENTATIVE. 532 00:30:18,918 --> 00:30:20,186 OK, THAT'S IT. 533 00:30:20,186 --> 00:30:21,520 ONCE THEY PUT IT ALL TOGETHER, 534 00:30:21,520 --> 00:30:23,789 THEY'LL DECIDE THAT, GIVEN THE SLOPPY NATURE 535 00:30:23,789 --> 00:30:24,924 OF THE CRIME SCENE-- 536 00:30:24,924 --> 00:30:26,859 THE POSTMORTEM MUTILATION-- 537 00:30:26,859 --> 00:30:28,627 THE PROFILE WILL LEAN TOWARDS THAT 538 00:30:28,627 --> 00:30:30,729 OF A DISORGANIZED OFFENDER. 539 00:30:30,729 --> 00:30:31,931 POOR SOCIAL SKILLS. 540 00:30:31,931 --> 00:30:34,600 Justin: NOCTURNAL BY NATURE. 541 00:30:34,600 --> 00:30:37,136 PROBABLY INTO PORNOGRAPHY. 542 00:30:37,136 --> 00:30:39,005 Justin: ABOVE AVERAGE INTELLIGENCE, BUT UNEDUCATED. 543 00:30:39,005 --> 00:30:40,172 LIVES ALONE. 544 00:30:40,172 --> 00:30:41,673 LIMITED RELATIONS WITH WOMEN. 545 00:30:41,673 --> 00:30:45,244 ATTACK WAS SPONTANEOUS. 546 00:30:45,244 --> 00:30:47,179 UNPLANNED. 547 00:30:47,179 --> 00:30:48,680 EXCEPT, HE DIDN'T DRIVE DOWN CLOSE 548 00:30:48,680 --> 00:30:50,649 TO THE DUMP SPOT. 549 00:30:50,649 --> 00:30:52,919 THAT IS PLANNING. 550 00:30:52,919 --> 00:30:55,621 BUT HE LEFT THE FOOTPRINTS. 551 00:30:55,621 --> 00:30:58,157 NONE OF THE PHYSICAL EVIDENCE WILL LEAD TO THE SUSPECT, 552 00:30:58,157 --> 00:31:00,326 BUT THEY WILL DAMN HIM WHEN HE IS DISCOVERED. 553 00:31:00,326 --> 00:31:02,461 WHEN WILL THEY HAVE A SUSPECT? 554 00:31:02,461 --> 00:31:03,930 THEY SHOULD BE EATING OUT OF OUR HANDS 555 00:31:03,930 --> 00:31:05,197 RIGHT ABOUT NOW. 556 00:31:05,197 --> 00:31:07,833 Richard: POOR RAY. HE'LL NEVER SEE IT COMING. 557 00:31:07,833 --> 00:31:09,535 CASSIE, LOOK AT THIS. 558 00:31:12,638 --> 00:31:13,805 "VIGI BOOTS." 559 00:31:13,805 --> 00:31:16,075 WHAT THE HELL ARE VIGI BOOTS? 560 00:31:18,210 --> 00:31:20,779 THERE HE IS, IN THE BLACK COAT. 561 00:31:20,779 --> 00:31:22,581 DON'T LET HIM CHARM YOU TOO MUCH. 562 00:31:23,682 --> 00:31:24,883 RICHARD HAYWOOD? 563 00:31:28,354 --> 00:31:29,555 CASSIE MAYWEATHER, SAM KENNEDY. 564 00:31:29,555 --> 00:31:30,422 SAN BENITO POLICE. 565 00:31:30,422 --> 00:31:32,791 CAN WE TALK TO YOU FOR A MINUTE? 566 00:31:32,791 --> 00:31:34,160 YEAH, SURE. 567 00:31:38,264 --> 00:31:39,265 SO, YOU'RE WILLING TO SPEAK TO US 568 00:31:39,265 --> 00:31:41,700 WITHOUT AN ATTORNEY PRESENT? 569 00:31:41,700 --> 00:31:42,901 SURE. 570 00:31:44,236 --> 00:31:46,438 WHERE WERE YOU LAST THURSDAY NIGHT? 571 00:31:49,641 --> 00:31:51,910 YOU THINK YOU COULD TELL ME WHAT THIS IS ABOUT? 572 00:31:51,910 --> 00:31:53,445 WE'LL GET TO THAT. JUST ANSWER THE QUESTION. 573 00:31:53,445 --> 00:31:57,183 I WAS CRAMMING FOR THIS CALCULUS MID-TERM. 574 00:31:57,183 --> 00:31:58,717 I WAS WITH A STUDY GROUP. 575 00:31:58,717 --> 00:31:59,952 HOW LONG? 576 00:31:59,952 --> 00:32:03,722 FROM ABOUT 7:00 UNTIL 3:00 FRIDAY MORNING. 577 00:32:03,722 --> 00:32:05,724 THAT'S QUITE A CRAM SESSION. 578 00:32:05,724 --> 00:32:07,960 YEAH, WELL... 579 00:32:07,960 --> 00:32:09,428 YOU KNOW, I GOT KIND OF A SPOTTY RECORD. 580 00:32:09,428 --> 00:32:12,431 I GOT TO KEEP MY GRADES UP FOR COLLEGE. 581 00:32:18,337 --> 00:32:20,706 CAN YOU GIVE US THE NAMES OF THE OTHER PEOPLE THERE? 582 00:32:20,706 --> 00:32:23,275 YEAH. SURE. 583 00:32:23,275 --> 00:32:24,943 AM I IN SOME KIND OF TROUBLE? 584 00:32:24,943 --> 00:32:26,412 YOU SEEM VERY PARTICULAR 585 00:32:26,412 --> 00:32:28,480 ABOUT YOUR APPEARANCE, RICHARD. 586 00:32:30,349 --> 00:32:32,251 THANKS. 587 00:32:32,251 --> 00:32:34,253 I LIKE YOUR OUTFIT, TOO. 588 00:32:35,154 --> 00:32:37,656 SHE LOOKS GOOD. IT'S LIKE, UH--LIKE, UH... 589 00:32:37,656 --> 00:32:41,227 FEMININE, BUT IT STILL MANAGES TO BE PROFESSIONAL. 590 00:32:41,227 --> 00:32:43,595 IS THAT LIKE, A-- LIKE, A PLEATHER? 591 00:32:43,595 --> 00:32:46,432 KMART. 592 00:32:46,432 --> 00:32:48,267 WHAT WE'RE INTERESTED IN IS YOUR SHOES, RICHARD. 593 00:32:48,267 --> 00:32:50,902 LET'S TALK ABOUT THESE. 594 00:32:50,902 --> 00:32:52,638 VIGIs? 595 00:32:52,638 --> 00:32:55,041 YOU OWN A PAIR OF THESE? 596 00:32:55,041 --> 00:32:56,308 UH... 597 00:32:56,308 --> 00:32:58,077 YOU BOUGHT THEM AT, UH, SCARLATTI'S, 598 00:32:58,077 --> 00:33:01,947 DOWNTOWN SANTA BARBARA, FOR $637.50... 599 00:33:01,947 --> 00:33:05,351 ON YOUR PLATINUM BANK CARD. 600 00:33:05,351 --> 00:33:07,186 SIZE 12-D. 601 00:33:09,488 --> 00:33:12,624 THIS CAN'T BE ABOUT MY SHOES. 602 00:33:12,624 --> 00:33:14,160 Cassie: WHY NOT? 603 00:33:15,394 --> 00:33:18,697 THIS IS ABOUT MY SHOES? 604 00:33:18,697 --> 00:33:20,899 [CHUCKLES] 605 00:33:20,899 --> 00:33:22,234 WHEW. 606 00:33:22,234 --> 00:33:24,436 YOU GOT ME FREAKED OUT LIKE I DID SOMETHING. 607 00:33:24,436 --> 00:33:25,704 JEEZ. 608 00:33:25,704 --> 00:33:27,239 DID YOU FIND THEM OR WHAT? 609 00:33:29,108 --> 00:33:30,842 I REPORTED THEM STOLEN FROM MY LOCKER, 610 00:33:30,842 --> 00:33:32,411 LIKE, 3 WEEKS AGO. 611 00:33:32,411 --> 00:33:35,447 I EVEN FILED A REPORT WITH THE FRONT OFFICE. 612 00:33:37,549 --> 00:33:39,318 WELL, DID YOU FIND THOSE SHOES OR NOT? 613 00:33:42,121 --> 00:33:44,156 OH, YOU KNOW WHAT? 614 00:33:44,156 --> 00:33:46,158 I THINK YOU SHOULD TELL ME WHAT'S GOING ON. 615 00:33:46,158 --> 00:33:49,061 'CAUSE I'M... SPINNING OUT HERE. 616 00:33:49,061 --> 00:33:50,996 SHOE PRINTS MATCHING THESE WERE FOUND 617 00:33:50,996 --> 00:33:52,898 AT THE SCENE OF A MURDER LAST WEEK. 618 00:33:52,898 --> 00:33:55,634 WHAT, THE COVINGTON WOMAN? 619 00:33:55,634 --> 00:33:56,802 THAT'S RIGHT. 620 00:33:56,802 --> 00:33:58,870 SO, YOU THINK THAT THE PERSON THAT STOLE MY SHOES 621 00:33:58,870 --> 00:34:01,807 COMMITTED THIS MURDER? 622 00:34:01,807 --> 00:34:03,275 WELL, I WANT YOU TO KNOW THAT I'M GONNA COOPERATE 623 00:34:03,275 --> 00:34:04,876 IN ANY WAY THAT I CAN. 624 00:34:04,876 --> 00:34:05,877 YOU HAVE ANY IDEA WHO MIGHT 625 00:34:05,877 --> 00:34:07,079 HAVE STOLEN YOUR BOOTS? 626 00:34:07,079 --> 00:34:08,614 NO, I DON'T. 627 00:34:08,614 --> 00:34:10,282 I WISH I DID NOW, THOUGH. HEH HEH. 628 00:34:10,282 --> 00:34:11,517 ANY ENEMIES AT SCHOOL? 629 00:34:11,517 --> 00:34:14,086 OH, WELL, IT'S HIGH SCHOOL. 630 00:34:14,086 --> 00:34:16,054 WHAT DOES THAT MEAN? 631 00:34:16,054 --> 00:34:17,556 COME ON. I DON'T WANT TO SOUND ARROGANT, 632 00:34:17,556 --> 00:34:19,057 BUT THERE'S PEOPLE AT THIS SCHOOL 633 00:34:19,057 --> 00:34:20,092 WHO ENVY ME. 634 00:34:20,092 --> 00:34:21,427 REALLY? 635 00:34:21,427 --> 00:34:22,228 YEAH. 636 00:34:22,228 --> 00:34:24,196 WHY WOULD THEY DO THAT? 637 00:34:25,131 --> 00:34:28,467 WELL, LET'S JUST SAY THAT I'M VERY FORTUNATE, 638 00:34:28,467 --> 00:34:32,037 AND I'VE BEEN BLESSED IN MANY WAYS. 639 00:34:32,037 --> 00:34:34,906 MUST BE NICE BEING YOU, RICHARD. 640 00:34:34,906 --> 00:34:36,742 I GOT NO COMPLAINTS. 641 00:34:38,344 --> 00:34:40,112 IT ALL CHECKED OUT. 642 00:34:40,112 --> 00:34:41,280 HE FILED A REPORT ABOUT THE BOOTS, 643 00:34:41,280 --> 00:34:42,648 JUST LIKE HE SAID, 644 00:34:42,648 --> 00:34:44,049 AND HE MADE A PRETTY BIG FUSS ABOUT IT, 645 00:34:44,049 --> 00:34:45,517 ACCORDING TO THE PRINCIPAL. 646 00:34:45,517 --> 00:34:47,686 YEAH, I BET HE WAS A PAIN IN THE ASS. 647 00:34:49,455 --> 00:34:51,089 WELL, SHE DIDN'T SAY ANYTHING LIKE THAT. 648 00:34:51,089 --> 00:34:52,023 NO, BELIEVE ME. 649 00:34:52,023 --> 00:34:54,226 I HATE KIDS LIKE THAT. 650 00:34:54,226 --> 00:34:55,694 LIKE WHAT? 651 00:34:59,097 --> 00:35:00,166 CASSIE... 652 00:35:00,166 --> 00:35:02,201 WHAT ABOUT THE STUDY SESSION? 653 00:35:03,535 --> 00:35:05,937 6 KIDS--6 KIDS WERE AT HIS HOUSE WITH HIM, 654 00:35:05,937 --> 00:35:09,441 UH, FROM APPROXIMATELY 7:00, 7:30 THURSDAY EVENING 655 00:35:09,441 --> 00:35:11,777 TILL 3:00 A.M. FRIDAY. 656 00:35:11,777 --> 00:35:12,811 I TALKED TO ALL OF THEM. 657 00:35:12,811 --> 00:35:14,246 THEY ALL SAID HE WAS THERE THE WHOLE TIME, 658 00:35:14,246 --> 00:35:15,581 EXCEPT FOR 15 MINUTES, 659 00:35:15,581 --> 00:35:17,649 WHEN HE WENT TO A LOCAL ATM TO GET CASH 660 00:35:17,649 --> 00:35:18,917 FOR SOME PIZZA THEY'D ORDERED. 661 00:35:18,917 --> 00:35:19,951 DID YOU CHECK THAT OUT? 662 00:35:19,951 --> 00:35:24,790 YEAH, HE WITHDREW $40 AT 9:19. 663 00:35:28,260 --> 00:35:29,995 GET THAT ENHANCED. 664 00:35:29,995 --> 00:35:31,129 WHY? 665 00:35:31,129 --> 00:35:33,365 BECAUSE I CAN'T SEE HIS FACE. 666 00:35:33,365 --> 00:35:35,066 WELL, IT'S HIM. 667 00:35:35,066 --> 00:35:38,136 I CAN'T SEE HIS FACE. 668 00:35:40,339 --> 00:35:42,641 YOU REALLY THINK HE HAD ANYTHING TO DO WITH THIS? 669 00:35:42,641 --> 00:35:43,642 I DON'T KNOW. 670 00:35:43,642 --> 00:35:46,578 BUT SOMETHING'S NOT RIGHT WITH THAT KID. 671 00:35:47,913 --> 00:35:49,681 WELL, LOOK, 15 MINUTES-- 672 00:35:49,681 --> 00:35:51,750 IT DOESN'T GIVE HIM ENOUGH TIME. 673 00:35:51,750 --> 00:35:53,652 HE'S GOT TO DRIVE UP TO COVINGTON, KILL THE WOMAN, 674 00:35:53,652 --> 00:35:55,921 DUMP HER BODY IN MARIPOSAS WOODS AND GET BACK. 675 00:35:55,921 --> 00:35:57,689 HE'D NEED AT LEAST AN HOUR. 676 00:36:10,736 --> 00:36:13,472 [CLINKING] 677 00:36:29,455 --> 00:36:30,856 THEY QUESTIONED ME. 678 00:36:30,856 --> 00:36:31,857 AND? 679 00:36:31,857 --> 00:36:33,359 AND IT WAS SO COOL. 680 00:36:33,359 --> 00:36:34,893 DID THEY GO FOR THE SHOES? 681 00:36:34,893 --> 00:36:36,595 OH, THEY GRABBED IT. 682 00:36:36,595 --> 00:36:38,997 I WAS SO GOOD. I REALLY WAS. LISTEN... 683 00:36:38,997 --> 00:36:41,199 Richard, on tape: THIS CAN'T BE ABOUT MY SHOES. 684 00:36:41,199 --> 00:36:42,301 Cassie: WHY NOT? 685 00:36:42,301 --> 00:36:43,469 Richard: DID YOU FIND THEM OR WHAT? 686 00:36:43,469 --> 00:36:45,471 YOU SURE THEY DIDN'T SUSPECT ANYTHING? 687 00:36:45,471 --> 00:36:47,539 I MEAN, YOU DIDN'T OVERDO IT? 688 00:36:49,007 --> 00:36:50,609 A LITTLE BIT. 689 00:36:50,609 --> 00:36:53,745 I OVERDID IT A LITTLE BIT. 690 00:36:53,745 --> 00:36:55,447 Richard: SO, YOU THINK THAT THE PERSON THAT STOLE MY SHOES 691 00:36:55,447 --> 00:36:57,816 COMMITTED THIS MURDER? 692 00:36:57,816 --> 00:37:00,452 WELL, I WANT YOU TO KNOW THAT I'M GONNA COOPERATE 693 00:37:00,452 --> 00:37:02,854 IN ANY WAY THAT I CAN. 694 00:37:02,854 --> 00:37:04,456 YOU KNOW? [LAUGHS] 695 00:37:04,456 --> 00:37:05,591 MEET ME AT THE BLUFF TONIGHT. 696 00:37:05,591 --> 00:37:06,958 I'M GONNA TELL YOU ALL ABOUT IT. 697 00:37:06,958 --> 00:37:08,560 OH, I CAN'T. 698 00:37:12,097 --> 00:37:13,299 WHY NOT? 699 00:37:13,299 --> 00:37:16,134 I--I HAVE SOMETHING TO DO. 700 00:37:16,134 --> 00:37:17,303 LIKE WHAT? 701 00:37:17,303 --> 00:37:21,273 I'LL TELL YOU LATER. I--I SHOULD... 702 00:37:27,846 --> 00:37:29,515 DO YOU KNOW WHO THIS KID'S FATHER IS? 703 00:37:29,515 --> 00:37:31,283 Cassie: I DON'T GIVE A SHIT. I WANT TO SEARCH THE HOUSE. 704 00:37:31,283 --> 00:37:32,651 LAWRENCE HAYWOOD. 705 00:37:32,651 --> 00:37:34,353 HE BUILT THE HILLSDALE MALL. 706 00:37:34,353 --> 00:37:36,221 BIG CAMPAIGN CONTRIBUTOR, ROD? 707 00:37:36,221 --> 00:37:37,523 THAT'S RIGHT, CASSIE. 708 00:37:37,523 --> 00:37:39,157 AND I AM NOT ABOUT TO FUCK WITH A GUY LIKE THAT 709 00:37:39,157 --> 00:37:40,559 ON ANYTHING AS FLIMSY AS THIS. 710 00:37:40,559 --> 00:37:43,295 I'VE GROWN MUCH TOO FOND OF MY OWN ASS TO DO ANYTHING 711 00:37:43,295 --> 00:37:44,763 THAT GODDAMN STUPID. 712 00:37:44,763 --> 00:37:45,997 [SIGHS] 713 00:37:47,165 --> 00:37:48,500 AND WHAT IS YOUR PROBLEM? 714 00:37:50,135 --> 00:37:52,270 Rod: WHERE ARE YOU ON THIS, SAM? 715 00:37:54,440 --> 00:37:56,608 I DON'T CARE WHO HIS FATHER IS, EITHER. 716 00:37:56,608 --> 00:37:58,009 THAT'S NOT WHAT I'M ASKING. 717 00:37:58,009 --> 00:38:01,613 DO YOU THINK WE HAVE ENOUGH TO GO AFTER THIS KID? 718 00:38:04,883 --> 00:38:06,284 NO. 719 00:38:06,284 --> 00:38:07,419 AND IF WE GO IN TOO SOON, 720 00:38:07,419 --> 00:38:08,854 I THINK WE COULD BURN THE WHOLE CASE. 721 00:38:08,854 --> 00:38:11,256 OH, REALLY? AND WHY IS THAT, VICE? 722 00:38:11,256 --> 00:38:12,758 Swanson: LOOK, I DON'T THINK THERE'S A JUDGE IN THE COUNTY 723 00:38:12,758 --> 00:38:14,593 WHO'S GONNA SIGN A WARRANT ON THE BASIS OF-- 724 00:38:14,593 --> 00:38:16,595 OH, YOU KNOW WHAT? SHUT UP, SWANSON. 725 00:38:16,595 --> 00:38:18,096 LOOK, ROD, I'M TELLING YOU THIS KID 726 00:38:18,096 --> 00:38:19,164 WITH HIS DICK HEAD ATTITUDE AND-- 727 00:38:19,164 --> 00:38:20,466 LOOK, HIS ATTITUDE ISN'T A CRIME. 728 00:38:20,466 --> 00:38:22,200 IT IS AN INDICATOR. IT'S A PERSONALITY TYPE 729 00:38:22,200 --> 00:38:23,201 THAT'S VERY CAPABLE OF DOING-- 730 00:38:23,201 --> 00:38:24,436 HE DOESN'T FIT THE PROFILE-- 731 00:38:24,436 --> 00:38:26,338 YEAH, THE PROFILE DOESN'T FIT THE PROFILE! 732 00:38:26,338 --> 00:38:27,873 THE KILLER HAS ENOUGH SMARTS 733 00:38:27,873 --> 00:38:29,641 NOT TO DRIVE THE CAR DOWN TO THE DUMP SITE, 734 00:38:29,641 --> 00:38:30,976 THE FORESIGHT TO STEAL RICHARD'S BOOTS 735 00:38:30,976 --> 00:38:32,478 AND USE THEM INSTEAD OF HIS OWN, BUT THE ATTACK 736 00:38:32,478 --> 00:38:33,612 WAS SPONTANEOUS AND UNPLANNED? 737 00:38:33,612 --> 00:38:34,613 OK, BUT IF YOU'RE RIGHT 738 00:38:34,613 --> 00:38:35,881 AND WE PUSH TOO SOON-- 739 00:38:35,881 --> 00:38:37,816 ROD, WHOSE CASE IS THIS? WHOSE CASE IS THIS? 740 00:38:37,816 --> 00:38:38,884 CALM DOWN, PLEASE. 741 00:38:38,884 --> 00:38:40,386 NO, I'VE BEEN TRYING TO FIND OLIVIA'S KILLER. 742 00:38:40,386 --> 00:38:41,453 OK? I'M BUSTING MY ASS NIGHT AND DAY-- 743 00:38:41,453 --> 00:38:44,155 OLIVIA? WHO THE HELL IS OLIVIA? 744 00:38:44,155 --> 00:38:45,491 THE VICTIM. 745 00:38:45,491 --> 00:38:46,625 IS THIS STILL MY INVESTIGATION? 746 00:38:46,625 --> 00:38:48,627 IT'S A COORDINATED EFFORT. 747 00:38:48,627 --> 00:38:51,997 YOU'RE GETTING WAY TOO INVOLVED IN THIS, CASSIE. 748 00:38:55,333 --> 00:38:56,234 CASSIE? 749 00:38:56,234 --> 00:38:57,302 WHAT? 750 00:38:57,302 --> 00:38:58,970 YOU CALLED HER BY HER FIRST NAME. 751 00:38:58,970 --> 00:39:00,205 I'M SORRY. WHAT? 752 00:39:00,205 --> 00:39:02,908 YOU SAID, "I'VE BEEN TRYING TO FIND OLIVIA'S KILLER." 753 00:39:02,908 --> 00:39:04,976 NO, I DIDN'T. 754 00:39:07,112 --> 00:39:08,113 DID I? 755 00:39:08,113 --> 00:39:10,215 YEAH, YOU DID. 756 00:39:10,215 --> 00:39:12,951 YOU'RE SUPPOSED TO BE IDENTIFYING WITH THE KILLER, 757 00:39:12,951 --> 00:39:14,386 NOT THE VICTIM. 758 00:39:16,922 --> 00:39:18,457 YOU REMEMBER THAT? 759 00:39:20,025 --> 00:39:21,460 [DOOR SLAMS] 760 00:39:23,328 --> 00:39:27,098 Matlock, on TV: YOU DON'T HAVE ANY WITNESSES OR FINGERPRINTS 761 00:39:27,098 --> 00:39:28,567 OR POWDER BURNS OR... 762 00:39:28,567 --> 00:39:30,201 [KNOCK ON DOOR] 763 00:39:30,201 --> 00:39:35,106 Man, on TV: TOBIAS ALWAYS KEPT A GUN RIGHT HERE. 764 00:39:35,106 --> 00:39:36,174 LOADED. 765 00:39:36,174 --> 00:39:37,543 CAN I COME IN? 766 00:39:37,543 --> 00:39:39,545 WITHIN EASY REACH OF ANYBODY SITTING AT THIS DESK. 767 00:39:39,545 --> 00:39:41,913 [LOWERS VOLUME] 768 00:39:45,517 --> 00:39:47,786 LISTEN-- LISTEN, I'M SORRY 769 00:39:47,786 --> 00:39:49,621 I DIDN'T BACK YOU UP IN THERE. 770 00:39:49,621 --> 00:39:50,989 HEY, I'M A BIG GIRL. 771 00:39:50,989 --> 00:39:53,158 YOU SAID WHAT YOU THOUGHT, RIGHT? 772 00:39:53,158 --> 00:39:54,426 YES, BUT IT-- 773 00:39:54,426 --> 00:39:56,027 WELL, THEN, YOU DID THE RIGHT THING. 774 00:39:57,629 --> 00:39:58,830 YOU KNOW, WE CAN'T JUST BUST IN THERE-- 775 00:39:58,830 --> 00:40:01,332 YEAH, I KNOW. I HEARD YOU WITH ROD. 776 00:40:01,332 --> 00:40:03,234 SO, CAN YOU GET OUT OF THE WAY? 777 00:40:03,234 --> 00:40:05,403 YOU KNOW WHAT YOUR PROBLEM IS? 778 00:40:05,403 --> 00:40:06,738 YEAH, IT'S THAT YOU'RE BLOCKING MATLOCK. 779 00:40:06,738 --> 00:40:08,106 NOW CAN YOU GET OUT OF THE WAY? 780 00:40:08,106 --> 00:40:09,307 PLEASE? 781 00:40:09,307 --> 00:40:11,677 I'M JUST--I'M TRYING TO APOLOGIZE HERE. 782 00:40:14,312 --> 00:40:15,380 ALL RIGHT. 783 00:40:15,380 --> 00:40:17,182 APOLOGY ACCEPTED. 784 00:40:19,017 --> 00:40:20,452 YOU WANT TO SIT DOWN? 785 00:40:23,021 --> 00:40:24,656 WANT TO HAVE A COOKIE? 786 00:40:46,011 --> 00:40:48,013 HI. HI. 787 00:40:53,384 --> 00:40:55,020 WHAT'S GOING ON? 788 00:40:55,020 --> 00:40:58,456 MMM, I'M MAKING UP. 789 00:40:58,456 --> 00:41:00,091 WE'RE STILL FRIENDS, RIGHT? 790 00:41:00,091 --> 00:41:01,893 WHAT--WHAT'S THIS? 791 00:41:01,893 --> 00:41:04,029 I DON'T KNOW. LET'S FIND OUT. 792 00:41:04,029 --> 00:41:04,996 SO, WHAT HAPPENS? 793 00:41:04,996 --> 00:41:06,498 WE DO THIS AND YOU THROW ME OUT AGAIN? 794 00:41:06,498 --> 00:41:07,899 OR YOU STAY. 795 00:41:07,899 --> 00:41:10,435 OR, THIS TIME, YOU LEAVE. I DON'T KNOW. 796 00:41:10,435 --> 00:41:13,071 IT'S REALLY HARD TO TELL IN ADVANCE. 797 00:41:13,071 --> 00:41:15,707 WHAT DO YOU WANT, HUH? YOU WANT--YOU WANT PROMISES? 798 00:41:15,707 --> 00:41:16,942 YOU WANT A RING? 799 00:41:16,942 --> 00:41:19,144 IS THAT WHAT YOU WANT? DO YOU WANT A RING? 800 00:41:19,144 --> 00:41:20,646 DON'T. ALL RIGHT? 801 00:41:22,080 --> 00:41:24,282 LOOK, IT'S NOT JUST ABOUT SEX. OK? 802 00:41:24,282 --> 00:41:26,652 I REALLY RESPECT YOU AS A PERSON. 803 00:41:29,387 --> 00:41:30,656 IS THAT WHAT YOU-- 804 00:41:32,591 --> 00:41:34,192 WHY DO YOU ALWAYS WANT TO HURT PEOPLE? 805 00:41:34,192 --> 00:41:36,528 I WOULDN'T SAY ALWAYS. 806 00:41:36,528 --> 00:41:38,296 IT JUST KIND OF HAPPENS SOMETIMES. 807 00:41:38,296 --> 00:41:41,432 YOU--YOU'RE SO-- YOU'RE SO GOOD 808 00:41:41,432 --> 00:41:43,101 AT BREAKING OTHER PEOPLE DOWN. 809 00:41:43,101 --> 00:41:46,271 BUT YOU NEVER STOP AND TAKE A LOOK AT YOURSELF. 810 00:41:59,450 --> 00:42:01,620 THE NEIGHBOR HEARD 2 SHOTS. 811 00:42:01,620 --> 00:42:05,356 ONLY ONE SLUG WAS EVER FOUND. 812 00:42:05,356 --> 00:42:06,491 THE OTHER-- 813 00:42:06,491 --> 00:42:07,826 [SHUTS OFF TV] 814 00:42:40,258 --> 00:42:41,159 ALL RIGHT. 815 00:42:41,159 --> 00:42:43,094 [GIGGLES] WHERE ARE YOU TAKING ME? 816 00:42:43,094 --> 00:42:46,297 NO PEEKING. WE'RE ALMOST THERE. 817 00:42:46,297 --> 00:42:47,899 STEP UP. 818 00:42:51,870 --> 00:42:53,404 OK. 819 00:42:53,404 --> 00:42:55,006 OPEN YOUR EYES. 820 00:42:56,675 --> 00:43:00,145 OH, MY GOD. JUSTIN, THIS IS BEAUTIFUL. 821 00:43:02,748 --> 00:43:04,182 DID YOU GROW THESE? 822 00:43:12,423 --> 00:43:14,192 WHAT HAPPENED? YOU'RE DIFFERENT. 823 00:43:15,794 --> 00:43:17,996 YEAH, I AM DIFFERENT. 824 00:43:30,709 --> 00:43:33,278 [TELEPHONE RINGS] 825 00:43:37,015 --> 00:43:39,617 [RING] 826 00:43:40,719 --> 00:43:42,688 MAYWEATHER. 827 00:43:42,688 --> 00:43:44,022 HELLO? 828 00:43:44,022 --> 00:43:45,423 Operator: YOU HAVE A COLLECT CALL FROM AN INMATE 829 00:43:45,423 --> 00:43:47,793 IN THE CALIFORNIA DEPARTMENT OF CORRECTIONS FACILITY. 830 00:43:47,793 --> 00:43:49,494 THE NAME OF THE INMATE IS... 831 00:43:49,494 --> 00:43:50,729 CARL HUDSON. 832 00:43:50,729 --> 00:43:52,898 IF YOU WISH TO ACCEPT, PRESS-- 833 00:43:56,702 --> 00:43:59,404 [RING] 834 00:44:03,408 --> 00:44:06,611 [RING] 835 00:44:06,611 --> 00:44:08,246 I DO NOT WISH TO ACCEPT ANY CALLS FROM-- 836 00:44:08,246 --> 00:44:09,347 CASSIE? 837 00:44:09,347 --> 00:44:11,016 WHAT? 838 00:44:11,016 --> 00:44:12,317 IT'S SAM. 839 00:44:12,317 --> 00:44:14,419 HEY. HI. I'M SORRY. 840 00:44:14,419 --> 00:44:16,121 UM, WHAT CAN I DO FOR YOU? 841 00:44:16,121 --> 00:44:19,390 REMEMBER THE PUKE AT THE BODY DUMP? 842 00:44:19,390 --> 00:44:20,525 YEAH. 843 00:44:20,525 --> 00:44:22,060 WELL, MOST OF IT WAS UNIDENTIFIABLE, 844 00:44:22,060 --> 00:44:24,262 BUT, UH, KEVIN MANAGED TO ISOLATE 845 00:44:24,262 --> 00:44:27,365 WHAT TURNED OUT TO BE PARTIALLY DIGESTED EGGS. 846 00:44:27,365 --> 00:44:28,366 FISH EGGS. 847 00:44:28,366 --> 00:44:29,500 OH, YOU MEAN CAVIAR? 848 00:44:29,500 --> 00:44:30,635 YEAH, APPARENTLY SO. 849 00:44:30,635 --> 00:44:31,703 ANYWAY, I COMPILED A LIST 850 00:44:31,703 --> 00:44:33,038 OF ALL THE LOCAL RESTAURANTS 851 00:44:33,038 --> 00:44:35,440 AND VENDORS THAT SELL CAVIAR. 852 00:44:39,677 --> 00:44:41,379 "MAISON SAINT CROIX." 853 00:44:41,379 --> 00:44:42,380 WHAT WAS HIS NAME AGAIN? 854 00:44:42,380 --> 00:44:44,415 RICHARD HAYWOOD. 855 00:44:44,415 --> 00:44:45,717 MILES HAYWOOD'S KID? 856 00:44:45,717 --> 00:44:47,252 HE CAME IN HERE ONCE AROUND CHRISTMAS 857 00:44:47,252 --> 00:44:48,153 WITH HIS PARENTS. 858 00:44:48,153 --> 00:44:49,620 NOT LAST WEEK? WEDNESDAY? THURSDAY? 859 00:44:49,620 --> 00:44:50,956 I HARDLY EVER SEE ANY HIGH SCHOOL KIDS 860 00:44:50,956 --> 00:44:52,623 IN HERE DURING THE WEEK. 861 00:44:52,623 --> 00:44:53,725 EXCEPT JUSTIN PENDLETON. 862 00:44:53,725 --> 00:44:55,060 WHO'S JUSTIN PENDLETON? 863 00:44:55,060 --> 00:44:56,427 HE USED TO COME IN WITH HIS FATHER ALL THE TIME, 864 00:44:56,427 --> 00:44:58,830 BUT I THINK HIS PARENTS SPLIT UP. 865 00:44:58,830 --> 00:45:00,732 NOW HE COMES IN BY HIMSELF. 866 00:45:00,732 --> 00:45:02,467 HE'S A SENIOR OVER AT JEFFERSON. 867 00:45:02,467 --> 00:45:04,770 RICHARD HAYWOOD'S A SENIOR OVER AT JEFFERSON. 868 00:45:04,770 --> 00:45:06,404 JUSTIN EATS HERE ALONE? 869 00:45:06,404 --> 00:45:08,106 HE ALWAYS BRINGS A BOOK. 870 00:45:08,106 --> 00:45:09,941 HE'S A BIT OF A LONER, I'D SAY, 871 00:45:09,941 --> 00:45:11,109 BUT A BRILLIANT KID. 872 00:45:11,109 --> 00:45:12,778 YOU SHOULD HEAR HIM TALK. 873 00:45:13,945 --> 00:45:16,081 WHEN WAS HE IN HERE LAST? 874 00:45:18,784 --> 00:45:20,485 THE FIFTH. 7:30 P.M. 875 00:45:21,787 --> 00:45:23,421 WHAT TIME DID HE LEAVE? 876 00:45:23,421 --> 00:45:24,489 I'D SAY ABOUT 9:00. 877 00:45:24,489 --> 00:45:25,590 DO YOU KNOW WHAT HE ATE? 878 00:45:25,590 --> 00:45:27,058 DO YOU HAVE THE COMPUTER RECORDS? 879 00:45:32,497 --> 00:45:34,132 JUSTIN... 880 00:45:34,132 --> 00:45:36,902 HI. CASSIE MAYWEATHER WITH THE SAN BENITO POLICE. 881 00:45:38,904 --> 00:45:41,239 YOU'RE A... POLICE OFFICER? 882 00:45:41,239 --> 00:45:43,341 I'M A HOMICIDE INVESTIGATOR. 883 00:45:43,341 --> 00:45:44,876 THEY SAID AT SCHOOL THAT I MIGHT FIND YOU HERE. 884 00:45:44,876 --> 00:45:46,677 CAN I ASK YOU A COUPLE QUESTIONS? 885 00:45:46,677 --> 00:45:47,913 SURE. 886 00:45:47,913 --> 00:45:49,514 YOU HAD DINNER AT THE MAISON SAINT CROIX 887 00:45:49,514 --> 00:45:50,949 ON THE FIFTH OF THIS MONTH? 888 00:45:50,949 --> 00:45:53,251 [CORRECTING PRONUNCIATION] MAISON SAINT CROIX. 889 00:45:53,251 --> 00:45:55,353 OH...THANK YOU. 890 00:45:55,353 --> 00:45:58,756 THE FIFTH WAS A THURSDAY, AND THEY HAD A CAVIAR APPETIZER. 891 00:45:58,756 --> 00:46:00,591 DID YOU HAVE IT? 892 00:46:00,591 --> 00:46:04,262 UM...YEAH. I--I MIGHT HAVE. 893 00:46:04,262 --> 00:46:06,731 CAN YOU TELL ME WHAT HAPPENED? 894 00:46:06,731 --> 00:46:07,833 DO YOU KNOW RICHARD HAYWOOD? 895 00:46:07,833 --> 00:46:10,435 EVERYONE KNOWS HIM. 896 00:46:10,435 --> 00:46:12,003 IS HE INVOLVED IN THIS? 897 00:46:12,003 --> 00:46:13,471 IS HE A FRIEND OF YOURS? 898 00:46:13,471 --> 00:46:14,840 NO. 899 00:46:14,840 --> 00:46:16,975 I MEAN, I-- I TUTORED HIM 900 00:46:16,975 --> 00:46:18,676 FOR HIS BIO S.A.T. LAST YEAR, 901 00:46:18,676 --> 00:46:20,778 BUT I--WE'RE NOT... 902 00:46:21,712 --> 00:46:23,248 WE DON'T OWN MUCH IN COMMON. 903 00:46:23,248 --> 00:46:24,115 HMM. 904 00:46:24,115 --> 00:46:25,650 ARE YOU IN HIS STUDY GROUP? 905 00:46:25,650 --> 00:46:28,486 UH, NO. WHAT STUDY GROUP? 906 00:46:28,486 --> 00:46:29,921 WHEN YOU LEFT THE RESTAURANT ON THURSDAY, 907 00:46:29,921 --> 00:46:31,722 DID YOU TAKE LEFTOVERS WITH YOU? 908 00:46:31,722 --> 00:46:32,891 NO. 909 00:46:32,891 --> 00:46:34,025 YOU DIDN'T TAKE LEFTOVERS 910 00:46:34,025 --> 00:46:35,060 TO YOUR FRIENDS AT THE STUDY GROUP? 911 00:46:35,060 --> 00:46:37,028 GIVE THEM SOMETHING TO EAT? 912 00:46:37,028 --> 00:46:39,998 LOOK, I--I TOLD YOU. I BARELY KNOW HIM. 913 00:46:39,998 --> 00:46:42,834 HE MAKES FUN OF ME IN CLASS. 914 00:46:42,834 --> 00:46:44,435 WHY WOULD HE DO THAT? 915 00:46:44,435 --> 00:46:47,238 'CAUSE, UM... THAT'S WHAT HE'S LIKE. 916 00:46:47,238 --> 00:46:49,875 I MEAN, HE MAKES FUN OF EVERYONE. 917 00:46:49,875 --> 00:46:52,343 HE'S ONE OF THE COOL KIDS. 918 00:46:52,343 --> 00:46:55,246 WHAT MAKES HIM COOL? 919 00:46:55,246 --> 00:46:59,084 YOU KNOW. HE'S SMART, HE'S RICH. 920 00:46:59,084 --> 00:47:01,252 HE'S WITTY AND EVERYONE LIKES HIM. 921 00:47:01,252 --> 00:47:03,354 AND YOU DON'T? 922 00:47:03,354 --> 00:47:05,156 HMM. 923 00:47:05,156 --> 00:47:07,825 YEAH, I KNEW KIDS LIKE THAT. 924 00:47:07,825 --> 00:47:10,295 SUPERSTARS OF HIGH SCHOOL. 925 00:47:10,295 --> 00:47:13,899 TRUST ME--5 YEARS FROM NOW, NOBODY'LL CARE WHO THEY ARE. 926 00:47:14,900 --> 00:47:17,802 YEAH, WELL, RICHARD WILL ALWAYS BE COOL. 927 00:47:17,802 --> 00:47:19,770 I MEAN, HIS DADDY'S RICH. 928 00:47:19,770 --> 00:47:20,906 AND I HATE TO ADMIT IT, 929 00:47:20,906 --> 00:47:22,207 BUT HE'S ACTUALLY PRETTY SMART. 930 00:47:22,207 --> 00:47:24,375 I MEAN, HE'S LAZY AND HE DIDN'T STUDY, 931 00:47:24,375 --> 00:47:26,978 BUT HE STILL GOT, LIKE, A 710 ON THAT BIO S.A.T. 932 00:47:26,978 --> 00:47:29,347 KIND OF SPUN ME OUT. YOU KNOW? 933 00:47:29,347 --> 00:47:30,949 SPINNING OUT, HUH? 934 00:47:32,918 --> 00:47:34,719 YOU SEEM TO KNOW HIM QUITE WELL, ACTUALLY. 935 00:47:34,719 --> 00:47:36,321 WELL, YOU CAN TELL 936 00:47:36,321 --> 00:47:38,089 JUST BY HIS BEHAVIOR IN CLASS. 937 00:47:38,089 --> 00:47:40,391 [CELL PHONE RINGING] SORRY. 938 00:47:42,793 --> 00:47:44,095 YEAH? CASSIE, WHERE YOU BEEN? 939 00:47:44,095 --> 00:47:45,663 EVERYBODY'S LOOKING FOR YOU. 940 00:47:45,663 --> 00:47:47,332 SAM I.D.'d THE SUSPECT. 941 00:47:47,332 --> 00:47:49,200 WHO IS IT? IS HE IN CUSTODY? 942 00:47:49,200 --> 00:47:50,235 I DON'T KNOW. ASK SAM. 943 00:47:50,235 --> 00:47:51,937 HE'S IN CHARGE OF THE CASE NOW. 944 00:47:51,937 --> 00:47:54,906 S.I.D. IS OVER THERE NOW COLLECTING EVIDENCE. 945 00:48:06,417 --> 00:48:07,785 HI, CASS. 946 00:48:07,785 --> 00:48:09,587 LOOK AT THIS, SIR. 947 00:48:10,688 --> 00:48:11,923 THAT COULD BE A MATCH. 948 00:48:11,923 --> 00:48:12,991 GOOD--LOG THAT. 949 00:48:12,991 --> 00:48:14,592 I WANT SAMPLES OF FABRICS, SOILS, 950 00:48:14,592 --> 00:48:17,628 ANY MOLDS, PLANTS, IN HERE AND OUTSIDE. OK? 951 00:48:17,628 --> 00:48:18,796 YES, SIR. GOOD. 952 00:48:18,796 --> 00:48:19,864 HEY, JOHN'S FOUND A SIGNIFICANT STASH 953 00:48:19,864 --> 00:48:21,332 OF MARIJUANA BUDS. 954 00:48:21,332 --> 00:48:23,434 YOU MIND IF WE SMOKE UP WHILE WE WORK? 955 00:48:23,434 --> 00:48:24,469 YES, I DO. 956 00:48:24,469 --> 00:48:25,470 [SNICKERS] 957 00:48:28,606 --> 00:48:30,541 SO, WHO IS HE? 958 00:48:30,541 --> 00:48:31,977 RAYMOND LEE FEATHERS. 959 00:48:31,977 --> 00:48:34,179 HE'S A JANITOR OVER AT JEFFERSON HIGH. 960 00:48:34,179 --> 00:48:36,147 YOU SEE, I COMPILED A LIST OF EVERYONE AT THE SCHOOL, 961 00:48:36,147 --> 00:48:38,083 STUDENTS AND STAFF, WHO MIGHT HAVE STOLEN 962 00:48:38,083 --> 00:48:39,484 RICHARD HAYWOOD'S BOOTS. 963 00:48:39,484 --> 00:48:42,220 THEN I CROSS-INDEXED THAT AGAINST CARPET PURCHASES, 964 00:48:42,220 --> 00:48:44,155 AND OUT CAME THIS. 965 00:48:46,357 --> 00:48:49,160 APPARENTLY, HE SOLD GRASS TO THE KIDS AT SCHOOL. 966 00:48:51,729 --> 00:48:52,964 GOOD WORK. 967 00:48:52,964 --> 00:48:54,332 THANK YOU. 968 00:48:54,332 --> 00:48:55,933 WHERE IS HE? 969 00:48:55,933 --> 00:48:56,968 I DON'T KNOW. 970 00:48:56,968 --> 00:48:58,436 HE SEEMS LIKE HE TOOK OFF. 971 00:49:00,905 --> 00:49:02,040 DID YOU RUN HIM FOR PRIORS? 972 00:49:02,040 --> 00:49:03,574 YEAH. A COUPLE D.U.I.s. 973 00:49:03,574 --> 00:49:05,176 ONE MINOR POT BUST, 974 00:49:05,176 --> 00:49:06,611 BUT HE HASN'T SHOWN UP FOR WORK 975 00:49:06,611 --> 00:49:09,080 SINCE THE DAY WE TALKED TO RICHARD HAYWOOD OVER THERE. 976 00:49:10,715 --> 00:49:12,183 DID YOU FIND THE BOOTS? 977 00:49:12,183 --> 00:49:14,719 NOT YET, BUT WE MAY HAVE A MATCH 978 00:49:14,719 --> 00:49:16,454 ON THE YELLOW CARPET FIBERS. 979 00:49:16,454 --> 00:49:18,889 WE WON'T GET ANYTHING ON THE VEHICLE FIBERS, 980 00:49:18,889 --> 00:49:20,258 YOU KNOW, TILL WE FIND HIS CAR. 981 00:49:20,258 --> 00:49:23,461 BUT HE'S GOT A BIG, BIG, COLLECTION OF PORNO FILMS. 982 00:49:23,461 --> 00:49:24,262 MOSTLY BONDAGE. 983 00:49:24,262 --> 00:49:25,896 Both: JUST LIKE THE PROFILE. 984 00:49:25,896 --> 00:49:27,332 YEAH. 985 00:49:27,332 --> 00:49:28,333 WHAT? 986 00:49:31,369 --> 00:49:32,470 [SQUISH] 987 00:49:33,904 --> 00:49:36,107 WELL, HE'S NOT A NEATNESS FREAK. 988 00:49:36,107 --> 00:49:37,308 WHAT ARE YOU SAYING? 989 00:49:37,308 --> 00:49:38,776 HE'S SLOPPY ENOUGH TO LEAVE BEHIND 990 00:49:38,776 --> 00:49:40,111 FOOTPRINTS OF STOLEN SHOES, 991 00:49:40,111 --> 00:49:42,380 BUT HE'S SMART ENOUGH TO STEAL THEM IN ADVANCE? 992 00:49:42,380 --> 00:49:44,449 OH, COME ON, CASSIE. THIS IS OUR GUY--NO QUESTION. 993 00:49:44,449 --> 00:49:46,784 YEAH, THAT'S GREAT. YOU FIND ANY CAVIAR JARS? 994 00:49:46,784 --> 00:49:49,020 OH, COME ON. WAIT A MINUTE. 995 00:49:49,020 --> 00:49:50,521 YOU KNOW WHAT? 996 00:49:50,521 --> 00:49:52,223 YOU'RE TICKED THAT I GOT HIM, AREN'T YOU? 997 00:49:52,223 --> 00:49:55,426 NO, IF YOU GOT HIM, I'M HAPPY FOR YOU. 998 00:49:55,426 --> 00:49:56,427 CASSIE, I'VE BEEN THINKING. 999 00:49:56,427 --> 00:49:57,695 AFTER WE CLOSE THIS CASE, 1000 00:49:57,695 --> 00:49:59,997 MAYBE WE SHOULD LOOK FOR DIFFERENT PARTNERS. 1001 00:49:59,997 --> 00:50:02,500 MIGHT BE BETTER. 1002 00:50:02,500 --> 00:50:04,169 WHATEVER YOU WANT. 1003 00:50:05,670 --> 00:50:06,671 GOOD. 1004 00:50:08,806 --> 00:50:09,907 NICE WORK, GUYS. 1005 00:50:09,907 --> 00:50:12,477 YOU KNOW WHAT? I GOTTA TAKE A PISS. 1006 00:50:12,477 --> 00:50:15,280 DON'T WORRY, I WON'T CONTAMINATE ANY EVIDENCE. 1007 00:50:16,981 --> 00:50:18,749 SHE PEES STANDING UP, THAT ONE. 1008 00:50:18,749 --> 00:50:19,750 AL... 1009 00:50:19,750 --> 00:50:20,918 Sam: THIS IS MY PARTNER. 1010 00:50:20,918 --> 00:50:22,420 DON'T TALK ABOUT HER LIKE THAT, PLEASE. 1011 00:50:22,420 --> 00:50:24,622 YOU'RE NOT SLEEPING WITH HER ALREADY, ARE YOU? 1012 00:50:24,622 --> 00:50:26,124 WHAT? YOU WILL. 1013 00:50:26,124 --> 00:50:27,825 THAT'S CASSIE'S M.O. 1014 00:50:27,825 --> 00:50:28,926 SHE LETS YOU GET CLOSE 1015 00:50:28,926 --> 00:50:30,695 AND THEN SHE PUSHES YOU AWAY. 1016 00:50:30,695 --> 00:50:32,597 YOU ASK HER WHAT'S WRONG, SHE PICKS A FIGHT. 1017 00:50:32,597 --> 00:50:35,333 WHY DO YOU THINK YOU'RE WORKING WITH HER? 1018 00:50:35,333 --> 00:50:37,235 NO ONE ELSE WILL. [SNICKERS] 1019 00:50:40,471 --> 00:50:43,208 [CRASH, CLANG] 1020 00:51:16,040 --> 00:51:17,708 [SCREECHING] 1021 00:51:19,344 --> 00:51:20,778 AAH! 1022 00:51:28,586 --> 00:51:30,087 [SQUEALING] 1023 00:51:31,656 --> 00:51:34,259 Cassie: LOOKS LIKE A BODY DUMP. 1024 00:51:38,563 --> 00:51:41,132 Man: DON'T LOCK THAT DOOR, JEFF! 1025 00:51:41,132 --> 00:51:43,468 I'M NOT GOING OUT THAT DOOR! 1026 00:51:53,778 --> 00:51:55,546 Radio: WHAT'S THE VICTIM'S STATUS? OVER. 1027 00:51:55,546 --> 00:51:58,149 NOW WE KNOW WHERE THAT BABOON HAIR CAME FROM. 1028 00:51:58,149 --> 00:52:00,685 [LAUGHS] YEAH. 1029 00:52:00,685 --> 00:52:01,752 [GROANS] 1030 00:52:01,752 --> 00:52:03,321 IT'S OK. 1031 00:52:04,389 --> 00:52:07,425 Iron Maiden, on radio: FOR IT IS A HUMAN NUMBER. 1032 00:52:07,425 --> 00:52:12,597 IT'S NUMBER IS 666. 1033 00:52:12,597 --> 00:52:13,631 * YEAH * 1034 00:52:13,631 --> 00:52:16,167 * WHOO AHH * 1035 00:52:16,167 --> 00:52:19,837 * AHH AHH * 1036 00:52:19,837 --> 00:52:25,142 * AHH AHH OW * 1037 00:52:25,142 --> 00:52:27,645 HEY, LISA. 1038 00:52:27,645 --> 00:52:28,446 YOU WANT A RIDE? 1039 00:52:28,446 --> 00:52:30,047 WE ALREADY DID THAT, RICHARD. 1040 00:52:30,047 --> 00:52:31,148 AH, COME ON. 1041 00:52:31,148 --> 00:52:32,983 THAT'S NOT WHAT I'M TALKING ABOUT. 1042 00:52:32,983 --> 00:52:35,119 I WANT TO TALK TO YOU. 1043 00:52:35,119 --> 00:52:36,687 DO YOU WANT ME TO BEG? 1044 00:52:36,687 --> 00:52:37,588 I'M PLEADING. 1045 00:52:37,588 --> 00:52:38,789 YOU'RE GONNA GET IN AN ACCIDENT. 1046 00:52:38,789 --> 00:52:41,892 NO--I DON'T-- PLEASE. I DON'T CARE. 1047 00:52:41,892 --> 00:52:45,530 'CAUSE YOU MAKE ME SAD. 1048 00:52:45,530 --> 00:52:46,364 COME ON. 1049 00:52:46,364 --> 00:52:49,467 * AS THEY START TO CRY * 1050 00:52:49,467 --> 00:52:51,302 * HANDS HELD TO THE SKY * 1051 00:52:51,302 --> 00:52:53,771 COME ON. IT'S FUN IN HERE. 1052 00:52:53,771 --> 00:52:56,841 * THE FIRES ARE BURNING BRIGHT * 1053 00:52:56,841 --> 00:52:59,910 [LISA GIGGLES] 1054 00:52:59,910 --> 00:53:02,313 * SATAN'S WORK IS DONE * 1055 00:53:02,313 --> 00:53:04,249 * 666 * 1056 00:53:04,249 --> 00:53:06,717 * THE NUMBER OF THE BEAST... * 1057 00:53:19,864 --> 00:53:22,733 HELLO, JUSTIN. 1058 00:53:22,733 --> 00:53:24,335 HOW YOU DOING? 1059 00:53:30,207 --> 00:53:32,109 WHAT ARE, UH... 1060 00:53:32,109 --> 00:53:33,578 WHAT ARE YOU DOING HERE? 1061 00:53:40,017 --> 00:53:42,453 YOU STOOD ME UP FOR THAT SLUT? 1062 00:53:42,453 --> 00:53:43,688 SHE'S NOT A SLUT. 1063 00:53:43,688 --> 00:53:46,991 DID YOU TELL HER ANYTHING ABOUT US? 1064 00:53:46,991 --> 00:53:49,327 OF COURSE NOT. 1065 00:53:49,327 --> 00:53:50,428 OF COURSE NOT. 1066 00:53:50,428 --> 00:53:51,596 DID YOU FUCK HER? 1067 00:53:51,596 --> 00:53:53,163 I WAS HELPING HER WITH HER PHYSICS-- 1068 00:53:53,163 --> 00:53:55,833 YOU FUCKED HER. I SAW YOU FUCK HER. 1069 00:53:59,304 --> 00:54:01,672 WE KISSED. 1070 00:54:03,140 --> 00:54:04,442 YOU KISSED? 1071 00:54:04,442 --> 00:54:06,644 THAT WAS IT, I SWEAR. 1072 00:54:08,813 --> 00:54:11,349 AH, JUSTIN. 1073 00:54:12,550 --> 00:54:14,985 YOU HELPED LISA, AND YOU DIDN'T EVEN GET LAID? 1074 00:54:18,456 --> 00:54:19,457 WHAT A SHMUCK. 1075 00:54:19,457 --> 00:54:21,158 SHE'S NOT LIKE THAT. 1076 00:54:21,158 --> 00:54:22,327 BULLSHIT. 1077 00:54:22,327 --> 00:54:24,362 THAT CHICK SPREADS LIKE PEANUT BUTTER. 1078 00:54:36,106 --> 00:54:37,308 I THINK YOU'D BE SURPRISED 1079 00:54:37,308 --> 00:54:39,009 WHAT A GIRL WITHOUT A DADDY'LL DO 1080 00:54:39,009 --> 00:54:40,711 FOR A LITTLE MALE ATTENTION. 1081 00:55:00,264 --> 00:55:03,133 [HEAVY BREATHING] 1082 00:55:03,133 --> 00:55:05,636 Richard: OH, YOU'RE SO PRETTY. 1083 00:55:09,106 --> 00:55:11,676 [TELEPHONE RINGING] 1084 00:55:15,813 --> 00:55:18,315 [RING] 1085 00:55:22,119 --> 00:55:24,989 [RING] 1086 00:55:28,926 --> 00:55:31,362 [RING] 1087 00:55:31,362 --> 00:55:33,898 Richard: DO YOU HATE ME? 1088 00:55:33,898 --> 00:55:35,566 I HAD TO DO IT. 1089 00:55:35,566 --> 00:55:36,967 THE LAST THING I WANT TO DO IS HURT YOU, 1090 00:55:36,967 --> 00:55:39,570 BUT I HAD TO SHOW YOU WHAT SHE'S REALLY LIKE. 1091 00:55:39,570 --> 00:55:41,372 AND THAT'S WHAT SHE'S LIKE. 1092 00:55:44,809 --> 00:55:47,277 SHE'S NOT GOOD ENOUGH FOR YOU. 1093 00:55:47,277 --> 00:55:48,613 SHE DOESN'T APPRECIATE YOU. 1094 00:55:48,613 --> 00:55:50,047 SHE JUST--SHE'S LIKE YOUR MOTHER AND YOUR FATHER 1095 00:55:50,047 --> 00:55:51,849 AND EVERYONE ELSE. 1096 00:55:52,917 --> 00:55:56,020 I'M THE ONLY PERSON WHO REALLY CARES ABOUT YOU. 1097 00:55:57,021 --> 00:55:58,556 YOU KNOW, I THINK I'M, LIKE, THE ONLY PERSON 1098 00:55:58,556 --> 00:56:01,559 WHO SEES HOW INCREDIBLE YOU REALLY ARE. 1099 00:56:01,559 --> 00:56:03,728 DON'T--DON'T GO AWAY, JUSTIN. 1100 00:56:03,728 --> 00:56:05,530 COME ON. WHAT WE DID... 1101 00:56:05,530 --> 00:56:09,534 TOGETHER... 1102 00:56:09,534 --> 00:56:11,769 MAN, HOW MANY PEOPLE HAVE DONE THAT? 1103 00:56:13,604 --> 00:56:17,274 WE PROVED SOMETHING TO EACH OTHER. 1104 00:56:17,274 --> 00:56:19,910 WE SHOWED WHAT WE'RE CAPABLE OF. 1105 00:56:21,479 --> 00:56:23,648 THERE'S NO LIMITS FOR MEN LIKE US. 1106 00:56:30,588 --> 00:56:32,557 DID YOU HEAR ABOUT RAY? 1107 00:56:35,125 --> 00:56:36,961 THEY'RE ON TO HIM. 1108 00:56:39,196 --> 00:56:41,866 JUST ONE LAST THING TO DO, AND THEN WE'RE HOME FREE. 1109 00:56:41,866 --> 00:56:42,867 RIGHT? 1110 00:56:43,868 --> 00:56:45,603 DO WE HAVE TO? 1111 00:56:46,904 --> 00:56:50,040 YOU TELL ME. 1112 00:56:50,040 --> 00:56:51,408 DO WE HAVE TO? 1113 00:57:42,059 --> 00:57:43,460 RICHARD? 1114 00:57:43,460 --> 00:57:44,862 IS THAT YOU? 1115 00:57:44,862 --> 00:57:46,430 WHAT'D YOU BRING, THE POMPOMS? 1116 00:57:46,430 --> 00:57:48,699 SHH. 1117 00:57:48,699 --> 00:57:51,068 I BROUGHT SOMETHING TO HELP YOU SLEEP. 1118 00:57:54,304 --> 00:57:56,574 WHAT THE FUCK? 1119 00:57:56,574 --> 00:57:59,009 [BANG, SPLATTER] 1120 00:58:04,281 --> 00:58:06,383 MY PHYSICS TEST. I GOT A B+. 1121 00:58:06,383 --> 00:58:08,553 YOU'RE A GENIUS. 1122 00:58:08,553 --> 00:58:10,087 DON'T. 1123 00:58:10,921 --> 00:58:12,957 HEY, I HAVE SOMETHING FOR YOU. 1124 00:58:14,424 --> 00:58:15,425 WHAT IS THIS? 1125 00:58:15,425 --> 00:58:17,094 YOU'RE QUITE THE SLUT. 1126 00:58:18,428 --> 00:58:20,264 WHAT? 1127 00:58:20,264 --> 00:58:21,532 HEY! 1128 00:58:21,532 --> 00:58:23,100 WHAT?! 1129 00:58:23,100 --> 00:58:24,835 [GIRLS GASP] 1130 00:58:39,283 --> 00:58:40,785 MMM. 1131 00:58:43,120 --> 00:58:44,989 [SIGHS] 1132 00:58:52,329 --> 00:58:54,331 HOW LONG HAS HE BEEN IN HERE? 1133 00:58:54,331 --> 00:58:55,633 NURSE ON THE NIGHT SHIFT 1134 00:58:55,633 --> 00:58:57,802 SAID HE CAME IN ABOUT 4:00. 1135 00:59:03,507 --> 00:59:05,109 [SAM GRUNTS] 1136 00:59:10,247 --> 00:59:13,017 HOW YOU FEELING? 1137 00:59:13,017 --> 00:59:14,752 OH, I'M OK. 1138 00:59:15,620 --> 00:59:17,655 I'M A LITTLE SORE, BUT... 1139 00:59:19,790 --> 00:59:21,325 WHAT ARE YOU DOING HERE? 1140 00:59:21,325 --> 00:59:23,894 I--YOU KNOW. 1141 00:59:23,894 --> 00:59:25,696 FIGURED YOU'D WANT AN IMMEDIATE REPORT. 1142 00:59:25,696 --> 00:59:29,066 OH...YEAH, I DO. 1143 00:59:31,969 --> 00:59:33,804 SO... 1144 00:59:35,439 --> 00:59:36,974 WE GOT EVERYTHING. 1145 00:59:36,974 --> 00:59:39,309 EXCELLENT. 1146 00:59:39,309 --> 00:59:40,410 THE BOOTS? 1147 00:59:40,410 --> 00:59:42,012 THAT'S AN AFFIRMATIVE. 1148 00:59:42,012 --> 00:59:44,248 AND A PAIR OF TIN SNIPS AND A PHILLIPS HEAD. 1149 00:59:44,248 --> 00:59:47,251 ALL THE TRACES OF BLOOD. 1150 00:59:47,251 --> 00:59:48,653 AND A FINGER, RIGHT? 1151 00:59:48,653 --> 00:59:50,054 WAS IT IN A JAR BEHIND 1152 00:59:50,054 --> 00:59:52,156 A STACK OF OLD MAGAZINES, OR WAS IT 1153 00:59:52,156 --> 00:59:54,625 IN THE FREEZER UNDER THE FROZEN TURKEY THIGH? 1154 00:59:56,961 --> 00:59:59,396 BEHIND THE VANILLA FUDGE ICE CREAM. 1155 00:59:59,396 --> 01:00:00,898 HMM. 1156 01:00:02,299 --> 01:00:03,934 WELL, GOOD WORK. 1157 01:00:03,934 --> 01:00:05,602 ALL YOU NEED NOW IS A CONFESSION. 1158 01:00:05,602 --> 01:00:08,706 WELL, THERE WON'T BE ONE. 1159 01:00:08,706 --> 01:00:11,608 RAYMOND FEATHERS COMMITTED SUICIDE LAST NIGHT. 1160 01:00:11,608 --> 01:00:13,043 SUICIDE? 1161 01:00:13,043 --> 01:00:14,044 YEAH. 1162 01:00:16,280 --> 01:00:18,082 IT WAS A GUN TO THE HEAD. 1163 01:00:18,082 --> 01:00:20,985 POWDER BURNS, G.S.R. ON HIS RIGHT HAND. 1164 01:00:20,985 --> 01:00:22,519 YEAH, WELL, WHEN WAS THE LAST TIME 1165 01:00:22,519 --> 01:00:23,788 YOU HEARD OF A RITUAL MUTILATOR, 1166 01:00:23,788 --> 01:00:26,256 AN IMPULSIVE, SERIAL-TYPE KILLER, 1167 01:00:26,256 --> 01:00:27,958 COMMITTING SUICIDE? 1168 01:00:27,958 --> 01:00:28,826 UHH! 1169 01:00:28,826 --> 01:00:29,860 WHAT ARE YOU DOING? 1170 01:00:29,860 --> 01:00:31,361 I CAN'T THINK OF ONE. 1171 01:00:31,361 --> 01:00:32,930 PSYCHOS WANT TO GET CAUGHT. 1172 01:00:32,930 --> 01:00:34,598 OH, WAIT. YOU GOT TO LIE DOWN. 1173 01:00:34,598 --> 01:00:35,833 YOU KNOW WHAT? I'M ACTUALLY FEELING 1174 01:00:35,833 --> 01:00:37,034 A LOT BETTER. THANK YOU. 1175 01:00:37,034 --> 01:00:37,835 WELL, I-- 1176 01:00:37,835 --> 01:00:39,569 I THINK THESE KIDS DID THIS, 1177 01:00:39,569 --> 01:00:41,038 AND I THINK THEY'RE NOT EVEN HIDING IT, 1178 01:00:41,038 --> 01:00:43,607 AND I THINK THEY WANT US TO KNOW. 1179 01:00:43,607 --> 01:00:46,143 SO, LET'S GET TO KNOW THEM A LITTLE BETTER. 1180 01:00:47,211 --> 01:00:48,879 TURN AROUND. I WANT TO GET DRESSED. 1181 01:00:48,879 --> 01:00:51,081 OH, COME ON, WE GOT RAY ALL OVER THIS THING. 1182 01:00:51,081 --> 01:00:51,982 PLUS, HE RAN. 1183 01:00:51,982 --> 01:00:53,117 WHY DID HE RUN IF HE DIDN'T DO IT? 1184 01:00:53,117 --> 01:00:54,484 I DON'T KNOW, BUT THERE'S A REASON. 1185 01:00:54,484 --> 01:00:56,186 IS THIS JEALOUSY 'CAUSE I GOT HIM AND YOU DIDN'T? 1186 01:00:56,186 --> 01:00:58,022 OR ARE YOU SO OBSESSED WITH RICHARD HAYWOOD 1187 01:00:58,022 --> 01:01:00,490 YOU CAN'T EVEN THINK STRAIGHT? 1188 01:01:00,490 --> 01:01:01,625 LOOK, I'M SORRY. I DIDN'T-- 1189 01:01:01,625 --> 01:01:02,893 GET OFF OF ME. 1190 01:01:02,893 --> 01:01:04,628 YOU'VE BEEN ANGLING FOR THIS THE WHOLE TIME. 1191 01:01:04,628 --> 01:01:05,796 PUSH ME OUT, TAKE OVER-- 1192 01:01:05,796 --> 01:01:07,331 PUSH YOU OUT? I TRIED TO TURN IT DOWN. 1193 01:01:07,331 --> 01:01:09,499 THEY MADE ME TAKE IT, 'CAUSE THEY THINK 1194 01:01:09,499 --> 01:01:10,534 YOU'RE LOSING IT. 1195 01:01:10,534 --> 01:01:13,704 WHO THINKS I'M LOSING IT? WHO? 1196 01:01:13,704 --> 01:01:15,672 ROD? 1197 01:01:15,672 --> 01:01:18,275 YOU KNOW WHAT? I DON'T CARE IF I'M LOSING IT. 1198 01:01:18,275 --> 01:01:19,844 I'M RIGHT. 1199 01:02:05,389 --> 01:02:06,924 [DOG BARKING] 1200 01:02:06,924 --> 01:02:08,725 Woman: HEY! HEY! 1201 01:02:08,725 --> 01:02:10,928 [CALLING DOG] 1202 01:02:28,745 --> 01:02:31,548 Woman: HOW DID YOU COME BY THIS? 1203 01:02:31,548 --> 01:02:32,817 WELL, IT WAS THE WEIRDEST THING. 1204 01:02:32,817 --> 01:02:34,819 I WAS DRIVING BY THE HOUSE, 1205 01:02:34,819 --> 01:02:37,087 A TRASH CAN GOT KNOCKED OVER, AND, UH... 1206 01:02:37,087 --> 01:02:39,256 THE STUFF WAS BLOWING OVER IN THE STREET. 1207 01:02:39,256 --> 01:02:40,157 WHAT A BREAK. 1208 01:02:40,157 --> 01:02:41,758 SOME OF THIS WILL BE THE MOTHER'S 1209 01:02:41,758 --> 01:02:43,693 AND SOME WILL BE FROM THE BOY. 1210 01:02:43,693 --> 01:02:45,429 WHAT IS THIS? IS THIS... 1211 01:02:45,429 --> 01:02:47,097 DON'T ASK, DON'T TELL. 1212 01:02:47,097 --> 01:02:49,934 WE WON'T KNOW UNTIL WE GET THE REPORT BACK, 1213 01:02:49,934 --> 01:02:52,636 SEE WHAT, IF ANYTHING, MATCHES THE DNA OF THE PUKE. 1214 01:02:52,636 --> 01:02:53,838 LUCKY YOUR KID WAS SO SQUEAMISH. 1215 01:02:53,838 --> 01:02:55,305 HE GAVE US SOME BLOOD WITH HIS DINNER. 1216 01:02:55,305 --> 01:02:57,875 JUST MAKE SURE YOU GET A SIGNED PURCHASE ORDER. 1217 01:02:57,875 --> 01:02:59,709 HOW LONG BEFORE WE SEE ITS MATCH? 1218 01:02:59,709 --> 01:03:00,978 DEPENDS ON THE LAB. 1219 01:03:00,978 --> 01:03:02,579 DO WANT ME TO CALL THEM FOR YOU? 1220 01:03:02,579 --> 01:03:03,881 NO! LAST TIME YOU CALLED, 1221 01:03:03,881 --> 01:03:05,883 IT TOOK ME HALF AN HOUR TO CALM THE GUY DOWN. 1222 01:03:05,883 --> 01:03:07,684 WELL, JUST MAKE IT FAST, ALL RIGHT? BYE. 1223 01:03:07,684 --> 01:03:09,253 I'LL TAKE CARE OF IT. OK. SEE YA. 1224 01:03:17,594 --> 01:03:19,129 WHAT'S THIS? 1225 01:03:19,129 --> 01:03:21,131 IT'S A PURCHASE ORDER FOR THE DNA ANALYSIS. 1226 01:03:21,131 --> 01:03:24,334 I KNOW WHAT IT IS. THIS CASE IS CLOSED. 1227 01:03:24,334 --> 01:03:25,269 CLOSED! 1228 01:03:25,269 --> 01:03:27,471 NOW, IF YOU CAN'T UNDERSTAND THAT, 1229 01:03:27,471 --> 01:03:28,939 THEN MAYBE WE-- 1230 01:03:34,744 --> 01:03:36,881 YOU NEED SOME TIME OFF? 1231 01:03:36,881 --> 01:03:38,883 NOPE. I'M FINE. 1232 01:03:38,883 --> 01:03:41,151 YOU'RE NOT FINE. 1233 01:03:41,151 --> 01:03:42,586 YOU'RE BRILLIANT SOMETIMES, 1234 01:03:42,586 --> 01:03:45,689 BUT YOU'RE NEVER REALLY FINE, ARE YOU, CASS? 1235 01:03:45,689 --> 01:03:48,058 YOU WANNA SEE DOC SLUZER AGAIN? 1236 01:03:49,493 --> 01:03:50,895 NO. 1237 01:03:50,895 --> 01:03:52,897 THEN NO MORE ON THIS CASE. 1238 01:03:52,897 --> 01:03:55,966 NOT ANOTHER MINUTE. NOT ANOTHER PENNY. 1239 01:03:55,966 --> 01:03:58,368 I'VE ABOUT HAD IT WITH YOU. 1240 01:03:59,970 --> 01:04:02,639 YOU HEAR ME? 1241 01:04:02,639 --> 01:04:03,974 YEP. 1242 01:04:19,056 --> 01:04:20,324 HEY, CORETTA, IT'S CASS. 1243 01:04:20,324 --> 01:04:22,526 LISTEN, I'M GONNA NEED ANOTHER DAY OR TWO 1244 01:04:22,526 --> 01:04:24,328 ON THAT PURCHASE ORDER. 1245 01:04:24,328 --> 01:04:26,330 NO, NO, NO, JUST BOOKKEEPING, YOU KNOW. 1246 01:04:26,330 --> 01:04:28,332 CHANGE IN THE SOFTWARE, THINGS LIKE THAT. 1247 01:04:28,332 --> 01:04:30,334 YEAH. 1248 01:04:30,334 --> 01:04:32,069 SO YOU'LL GO AHEAD AND RUN AN ANALYSIS 1249 01:04:32,069 --> 01:04:33,170 ON THAT PUKE FOR ME? 1250 01:04:33,170 --> 01:04:35,973 THANKS, HONEY. [HANGS UP] 1251 01:04:37,641 --> 01:04:39,209 [SIGHS] 1252 01:04:41,311 --> 01:04:44,048 ROD, I'M SORRY. I SHOULDN'T HAVE DONE IT-- 1253 01:04:44,048 --> 01:04:45,549 ROD, I'M SORRY! COME ON. 1254 01:04:49,486 --> 01:04:50,820 Richard: YOU THREW UP? 1255 01:04:50,820 --> 01:04:52,356 WHY DIDN'T YOU TELL ME? 1256 01:04:52,356 --> 01:04:54,658 I DON'T EVEN REMEMBER DOING IT. 1257 01:04:54,658 --> 01:04:56,193 HE DOESN'T REMEMBER IT. 1258 01:04:56,193 --> 01:04:58,195 WELL, WHAT IF THEY I.D. YOU... 1259 01:04:58,195 --> 01:05:00,397 WITH THE...DNA OR SOMETHING? CAN THEY DO THAT? 1260 01:05:00,397 --> 01:05:02,666 I DOUBT IT. I MEAN, THE STOMACH ACIDS 1261 01:05:02,666 --> 01:05:04,301 USUALLY EAT AWAY AT WHATEVER-- 1262 01:05:04,301 --> 01:05:05,735 YOU DOUBT IT? I DOUBT IT. 1263 01:05:05,735 --> 01:05:08,605 THIS COULD PUT US IN THE FUCKING ELECTRIC CHAIR, 1264 01:05:08,605 --> 01:05:10,174 AND YOU DOUBT IT? 1265 01:05:10,174 --> 01:05:11,841 GAS CHAMBER. WHAT? 1266 01:05:11,841 --> 01:05:14,144 CALIFORNIA USES THE GAS CHAMBER. 1267 01:05:14,144 --> 01:05:16,680 OH, THAT'S-- THAT'S VERY INFORMATIVE. 1268 01:05:16,680 --> 01:05:17,814 IT DOESN'T MATTER. 1269 01:05:17,814 --> 01:05:19,583 NO, THANKS. THANK YOU. 1270 01:05:19,583 --> 01:05:22,086 AND YOU TOLD HER THAT YOU TUTORED ME, TOO? 1271 01:05:22,086 --> 01:05:24,088 GOD, WHAT ARE YOU THINKING? 1272 01:05:24,088 --> 01:05:26,223 I WAS THINKING THAT IF SHE FOUND OUT ON HER OWN 1273 01:05:26,223 --> 01:05:29,693 AND I HADN'T MENTIONED IT, IT WOULD LOOK EVEN WORSE. 1274 01:05:31,895 --> 01:05:34,398 THEY HAVE NOTHING. 1275 01:05:39,103 --> 01:05:41,938 THEY HAVE NOTHING ON ME. 1276 01:05:44,108 --> 01:05:45,309 DON'T WORRY. 1277 01:05:45,309 --> 01:05:47,544 I'M NOT A BACK-STABBER LIKE YOU, RICHARD. 1278 01:05:47,544 --> 01:05:49,179 I'M THE BACK...[LAUGHS] 1279 01:05:50,714 --> 01:05:52,249 HOW AM I A BACK-- 1280 01:05:52,249 --> 01:05:54,684 I'M NOT THE ONE TALKING, JUSTIN. 1281 01:05:54,684 --> 01:05:56,987 I'M NOT THE ONE GIVING AWAY ALL THE INFORMATION! 1282 01:05:56,987 --> 01:05:58,788 I'M NOT THE ONE TRYING TO GET US CAUGHT 1283 01:05:58,788 --> 01:06:01,125 'CAUSE I'M A SCARED LITTLE BITCH WHO FEELS GUILTY! 1284 01:06:01,125 --> 01:06:02,392 DON'T TALK TO ME LIKE THAT, OK? 1285 01:06:02,392 --> 01:06:04,161 I'LL TALK TO YOU ANY WAY I WANT TO. 1286 01:06:04,161 --> 01:06:06,997 I TRUST YOU, I DEPEND ON YOU FOR ALL THIS FORENSIC STUFF, 1287 01:06:06,997 --> 01:06:08,965 AND YOU HAVE NO IDEA WHAT YOU'RE TALKING ABOUT! 1288 01:06:08,965 --> 01:06:11,135 YOU ARE SUPPOSED TO BE THE SMART ONE. 1289 01:06:11,135 --> 01:06:12,436 STOP. JUST... 1290 01:06:12,436 --> 01:06:14,638 NO. YOU'RE SUPPOSED TO BE SMART. YOU'RE DUMB! 1291 01:06:14,638 --> 01:06:15,639 STOP! 1292 01:06:19,776 --> 01:06:21,345 I'M SORRY. 1293 01:06:24,881 --> 01:06:26,683 COME HERE. 1294 01:06:29,786 --> 01:06:31,621 THAT'S A GOOD BOY. HA. 1295 01:06:32,656 --> 01:06:35,592 YOU'RE NOT STILL MAD ABOUT THAT GIRL, ARE YOU? 1296 01:06:37,627 --> 01:06:38,628 HUH? 1297 01:06:41,898 --> 01:06:43,900 LET'S JUST STICK TOGETHER AND STAY CALM 1298 01:06:43,900 --> 01:06:46,403 UNTIL THIS IS OVER, OK? 1299 01:06:49,739 --> 01:06:51,475 AND THEN WHAT? 1300 01:06:59,883 --> 01:07:02,152 AND THEN WHAT? 1301 01:07:02,986 --> 01:07:04,588 JUSTIN? 1302 01:07:04,588 --> 01:07:06,356 WHERE ARE YOU GOING? 1303 01:07:22,906 --> 01:07:24,341 HEY. 1304 01:07:24,341 --> 01:07:27,144 Justin: WE'RE NOT SUPPOSED TO BE SEEN TOGETHER. 1305 01:07:27,144 --> 01:07:30,247 DO YOU THINK THIS IS SOME KIND OF GAME OR WHAT? 1306 01:07:32,015 --> 01:07:35,119 [TELEPHONE LINE RINGS] 1307 01:07:40,424 --> 01:07:41,791 COME ON, COME ON, COME ON. 1308 01:07:41,791 --> 01:07:43,059 Machine: THIS IS SAM KENNEDY. 1309 01:07:43,059 --> 01:07:44,294 I'M NOT HERE TO TAKE YOUR CALL. 1310 01:07:44,294 --> 01:07:46,696 I'LL CALL YOU BACK AS SOON AS I-- 1311 01:07:46,696 --> 01:07:47,731 [CLOSES PHONE] 1312 01:07:49,933 --> 01:07:52,536 RICHARD, WHAT ARE YOU DOING HERE? 1313 01:07:54,471 --> 01:07:56,240 WHAT ARE YOU DOING HERE? 1314 01:07:56,240 --> 01:07:59,343 DO YOU WANT SOMETHING? 1315 01:08:01,678 --> 01:08:03,380 LIKE WHAT? 1316 01:08:08,952 --> 01:08:11,155 I DON'T KNOW. 1317 01:08:17,494 --> 01:08:19,763 EVERYBODY WANTS SOMETHING, DON'T THEY? 1318 01:08:29,573 --> 01:08:31,241 DO THEY? 1319 01:08:31,241 --> 01:08:33,510 THEY JUST DON'T KNOW HOW TO ASK FOR IT. 1320 01:08:36,713 --> 01:08:38,348 WHAT DO YOU WANT? 1321 01:08:50,660 --> 01:08:53,129 YOU THINK I'M TOO YOUNG, DON'T YOU? 1322 01:08:53,129 --> 01:08:55,999 THERE WAS A KILLER AT YOUR SCHOOL... 1323 01:08:55,999 --> 01:08:57,834 THE WHOLE TIME, 1324 01:08:57,834 --> 01:08:59,869 SOMEBODY YOU WERE CLOSE TO. 1325 01:08:59,869 --> 01:09:01,137 WHAT DO YOU MEAN? 1326 01:09:01,137 --> 01:09:03,072 RAYMOND FEATHERS? 1327 01:09:03,072 --> 01:09:04,941 YOU GUYS WERE FRIENDS, RIGHT? 1328 01:09:04,941 --> 01:09:07,777 WHAT, WITH THAT DEGENERATE? 1329 01:09:07,777 --> 01:09:09,078 NO. 1330 01:09:09,078 --> 01:09:11,648 HE DIDN'T REALLY HAVE MANY FRIENDS. 1331 01:09:12,749 --> 01:09:14,751 HE JUST... 1332 01:09:14,751 --> 01:09:16,920 I DON'T KNOW. 1333 01:09:16,920 --> 01:09:18,522 YOU KNOW, EVEN HIS-- 1334 01:09:18,522 --> 01:09:20,790 HIS OLD LADY LEFT HIM. 1335 01:09:23,293 --> 01:09:26,530 SO YOU WERE FRIENDS WITH HIS OLD LADY, TOO, HUH? 1336 01:09:33,303 --> 01:09:35,038 YOU'RE A TEASE. 1337 01:09:35,038 --> 01:09:36,906 I THINK YOU LEAD GUYS ON 1338 01:09:36,906 --> 01:09:38,675 AND THEN YOU PUSH THEM AWAY. 1339 01:09:40,176 --> 01:09:41,911 BUT I THINK... 1340 01:09:41,911 --> 01:09:43,647 YOU LIKE TO FIGHT. 1341 01:09:43,647 --> 01:09:46,250 I THINK YOU REALLY WANT IT. 1342 01:09:46,250 --> 01:09:48,685 YOU JUST KINDA NEED TO FIGHT ABOUT IT. 1343 01:09:48,685 --> 01:09:50,320 NO. 1344 01:09:50,320 --> 01:09:51,755 YOU DON'T HAVE TO DO ANYTHING. 1345 01:09:51,755 --> 01:09:53,523 YOU HAVE NO CHOICE. I'LL DO IT ALL. 1346 01:09:57,060 --> 01:10:00,330 NOW YOU CAN'T HANDLE IT, SO YOU'RE LEAVING, RIGHT? 1347 01:10:00,330 --> 01:10:02,699 THIS IS PART OF IT. THIS IS ALL PART OF IT. 1348 01:10:06,035 --> 01:10:07,103 DAMN IT. 1349 01:10:07,103 --> 01:10:08,438 NO. 1350 01:10:11,207 --> 01:10:13,510 [GROANS] OH... 1351 01:10:15,779 --> 01:10:16,980 THANK YOU, 1352 01:10:16,980 --> 01:10:18,448 DETECTIVE. 1353 01:10:19,316 --> 01:10:20,717 I BET YOU DID THIS 1354 01:10:20,717 --> 01:10:23,253 WITH EVERY GUY YOU EVER DATED. 1355 01:10:25,188 --> 01:10:27,457 TELL ME I'M WRONG. 1356 01:10:30,093 --> 01:10:31,995 [CHUCKLES] 1357 01:11:09,132 --> 01:11:10,567 [BUZZER, KNOCKING] 1358 01:11:13,637 --> 01:11:15,339 [KNOCKING] 1359 01:11:16,640 --> 01:11:19,175 WHAT IF I CAN LINK RICHARD TO RAYMOND FEATHERS? 1360 01:11:19,175 --> 01:11:20,977 YOU CAN'T STOP, CAN YOU? 1361 01:11:20,977 --> 01:11:23,680 NO, SAM, SAM. LOOK, I'M REALLY SORRY ABOUT WHAT I SAID TO YOU. 1362 01:11:23,680 --> 01:11:25,782 I'M JUST A LITTLE MESSED UP RIGHT NOW, 1363 01:11:25,782 --> 01:11:28,918 BUT IF YOU COULD REALLY HEAR ME OUT AS A FRIEND... 1364 01:11:28,918 --> 01:11:31,521 JUST AS A FRIEND, OK? [CLEARS THROAT] 1365 01:11:33,990 --> 01:11:35,258 THANK YOU. 1366 01:11:35,258 --> 01:11:38,227 I SAW RICHARD AND JUSTIN TONIGHT. 1367 01:11:38,227 --> 01:11:40,864 THEY LIED, SAM. THEY KNOW EACH OTHER. 1368 01:11:40,864 --> 01:11:42,532 REALLY? 1369 01:11:42,532 --> 01:11:44,801 THESE KIDS BARELY HAVE PARENTS. 1370 01:11:44,801 --> 01:11:47,637 THEY'RE LIKE ORPHANS WITH CREDIT CARDS. 1371 01:11:47,637 --> 01:11:49,539 SCHOOL'S TOO EASY. THEY DON'T HAVE JOBS. 1372 01:11:49,539 --> 01:11:51,274 THEY DON'T HAVE CHORES. 1373 01:11:51,274 --> 01:11:52,642 NOTHING'S EXPECTED OF THEM. 1374 01:11:52,642 --> 01:11:54,944 NOTHING THEY DO MATTERS... TO THEM OR ANYBODY ELSE. 1375 01:11:54,944 --> 01:11:57,414 SO THEY FIGURED, WHY NOT KILL SOMEBODY? 1376 01:11:57,414 --> 01:11:58,948 MAYBE THAT WILL MATTER. 1377 01:11:58,948 --> 01:12:00,950 MAYBE I'M WRONG. MAYBE RAY DID DO IT, 1378 01:12:00,950 --> 01:12:03,019 BUT CALL ROD AND TELL HIM YOU'RE NOT SURE 1379 01:12:03,019 --> 01:12:05,054 AND THAT YOU WANT TO KEEP THE CASE OPEN. 1380 01:12:05,054 --> 01:12:07,691 WHAT HAPPENED BETWEEN YOU AND RICHARD HAYWOOD TONIGHT? 1381 01:12:07,691 --> 01:12:10,360 DID YOU HIT HIM... IN THE FACE? 1382 01:12:11,761 --> 01:12:12,762 NO. 1383 01:12:13,930 --> 01:12:16,366 NO, IT WASN--WASN'T LIKE THAT. IT-- 1384 01:12:18,167 --> 01:12:19,769 IT WAS AN ACCI-- 1385 01:12:24,908 --> 01:12:26,543 ROD KNOWS? 1386 01:12:26,543 --> 01:12:28,111 HE GOT A CALL FROM RICHARD'S FATHER. 1387 01:12:28,111 --> 01:12:31,548 HE'S GONNA MAKE YOU SEE THE DEPARTMENT SHRINK ABOUT THIS. 1388 01:12:33,316 --> 01:12:34,918 NO. NO SHRINK. 1389 01:12:34,918 --> 01:12:36,920 IT'S NOT GONNA WORK. 1390 01:12:39,856 --> 01:12:42,626 I KNOW WHAT I AM. I'M JUST NOT V-- 1391 01:12:51,334 --> 01:12:53,269 OK... 1392 01:12:53,269 --> 01:12:55,271 SO NOBODY WANTS TO WORK WITH ME. 1393 01:12:55,271 --> 01:12:56,606 THAT'S OK. 1394 01:12:56,606 --> 01:12:58,608 BUT I'M A GOOD COP, 1395 01:12:58,608 --> 01:13:00,610 AND IF WHAT I SAY IS RIGHT 1396 01:13:00,610 --> 01:13:03,847 AND WE LET THESE KIDS GO AND THEY DO IT AGAIN... 1397 01:13:05,615 --> 01:13:07,617 SO PLEASE, JUST TALK TO ROD. 1398 01:13:07,617 --> 01:13:09,853 YOU'RE THE ONLY ONE THAT HE'LL LISTEN TO. 1399 01:13:12,355 --> 01:13:14,323 I'LL CALL HIM IN THE MORNING. 1400 01:13:14,323 --> 01:13:16,259 WELL, CALL HIM NOW BECAUSE HE'S STILL UP, 1401 01:13:16,259 --> 01:13:18,394 AND HE STAYS UP. HE STAYS AWAKE! 1402 01:13:18,394 --> 01:13:19,729 HE'S UP LATE! JUST BACK OFF. 1403 01:13:24,568 --> 01:13:27,036 IF ROD SAYS YES, 1404 01:13:27,036 --> 01:13:29,405 MAYBE YOU COULD EVEN HANG AROUND THE SCHOOL 1405 01:13:29,405 --> 01:13:31,407 AND MAKE THEM NERVOUS, YOU KNOW? 1406 01:13:31,407 --> 01:13:32,576 [BELL RINGS] 1407 01:13:32,576 --> 01:13:34,944 REMEMBER, WE HAVE PAPERS DUE TOMORROW. 1408 01:13:34,944 --> 01:13:36,546 NO EXCUSES. 1409 01:13:38,748 --> 01:13:39,949 Teacher: DON'T FORGET. 1410 01:13:39,949 --> 01:13:41,451 YOU HAVE TO SUPPORT YOUR CONCLUSIONS. 1411 01:13:41,451 --> 01:13:42,819 HAVING A THESIS IS NOT ENOUGH. 1412 01:13:42,819 --> 01:13:46,089 REAL ARGUMENTS WITH QUOTATIONS WITH THE SOURCES. 1413 01:14:02,171 --> 01:14:03,573 Boy: WHAT'S GOIN' ON, CHRIS? 1414 01:14:03,573 --> 01:14:05,074 NOT MUCH. 1415 01:14:05,074 --> 01:14:05,975 MR. CHECHI, 1416 01:14:05,975 --> 01:14:07,711 I'M SAM KENNEDY, SAN BENITO POLICE. 1417 01:14:07,711 --> 01:14:09,045 NICE TO MEET YOU. 1418 01:14:11,981 --> 01:14:13,049 LISA. 1419 01:14:16,986 --> 01:14:19,623 SAM KENNEDY FROM SAN BENITO POLICE. 1420 01:14:59,495 --> 01:15:03,800 [DONG DONG DONG] 1421 01:15:24,387 --> 01:15:27,591 START TIME. LET'S SEE... 1422 01:15:44,140 --> 01:15:45,141 HEY, IT'S ME. 1423 01:15:45,141 --> 01:15:46,676 I KNOW HOW THEY DID IT. 1424 01:15:46,676 --> 01:15:48,678 NOW WE NEED TO KNOW WHY. 1425 01:15:48,678 --> 01:15:50,213 I CAN HELP WITH THAT. 1426 01:15:50,213 --> 01:15:52,616 I GOT SOMEONE HERE YOU OUGHT TO TALK TO. 1427 01:15:55,551 --> 01:15:56,886 Cassie: ROD, LOOK AT THE DNA. 1428 01:15:56,886 --> 01:15:59,155 THE VOMIT IS A PERFECT MATCH 1429 01:15:59,155 --> 01:16:00,824 WITH JUSTIN. 1430 01:16:00,824 --> 01:16:03,492 WHO PAID FOR THIS? 1431 01:16:03,492 --> 01:16:04,694 Sam: CASSIE. 1432 01:16:04,694 --> 01:16:07,664 OUT OF HER OWN POCKET. 1433 01:16:12,035 --> 01:16:14,037 IF YOU GET A JURY WITH 12 FORENSICS EXPERTS, 1434 01:16:14,037 --> 01:16:14,971 YOU'LL BE FINE. 1435 01:16:14,971 --> 01:16:16,640 THAT'S WHY WE WANNA BRING THEM IN. 1436 01:16:16,640 --> 01:16:17,741 IF WE DON'T GET A CONFESSION 1437 01:16:17,741 --> 01:16:18,708 OUT OF AT LEAST ONE OF THESE KIDS, 1438 01:16:18,708 --> 01:16:20,209 THEY BOTH COULD WALK. 1439 01:16:20,209 --> 01:16:22,145 YOU THINK THEY'LL KEEP TALKING WITHOUT AN ATTORNEY PRESENT? 1440 01:16:22,145 --> 01:16:23,212 THAT'S THE WHOLE IDEA. 1441 01:16:23,212 --> 01:16:26,683 THEY WANNA PROVE THEY'RE SMARTER THAN WE ARE. 1442 01:16:27,483 --> 01:16:29,185 OK. 1443 01:16:42,732 --> 01:16:45,301 SO WHERE'S THE OTHER ONE? 1444 01:16:45,301 --> 01:16:47,103 WHO? 1445 01:16:47,103 --> 01:16:49,205 THE HOT ONE. 1446 01:16:49,205 --> 01:16:51,007 NOT HERE. 1447 01:16:51,007 --> 01:16:53,609 YOU GET TO WORK WITH HER EVERY DAY? 1448 01:16:53,609 --> 01:16:54,543 YEAH. 1449 01:16:54,543 --> 01:16:56,179 I SHOULD BECOME A COP. 1450 01:17:00,349 --> 01:17:02,351 SO WHAT'S UP WITH RAY? 1451 01:17:02,351 --> 01:17:04,620 I HEAR HE'S LIKE, A... 1452 01:17:04,620 --> 01:17:06,155 SERIAL KILLER OR SOMETHING? 1453 01:17:06,155 --> 01:17:09,358 WELL, ACTUALLY, WE HAVE A THEORY ON THAT. 1454 01:17:09,358 --> 01:17:11,627 IT INVOLVES YOU AND JUSTIN. 1455 01:17:11,627 --> 01:17:13,462 IT'S JUST A THEORY. 1456 01:17:13,462 --> 01:17:15,398 CAN I LAY IT OUT FOR YOU? 1457 01:17:15,398 --> 01:17:16,632 YEAH. 1458 01:17:42,058 --> 01:17:43,426 "THEREFORE, 1459 01:17:43,426 --> 01:17:46,195 "EVERY TRULY FREE ACT IS, IN A SENSE, A CRIME, 1460 01:17:46,195 --> 01:17:48,164 "FOR CRIME SETS ONE APART FROM THE HERD 1461 01:17:48,164 --> 01:17:50,834 "AND FROM THE MACHINERY OF MASS SOCIETY. 1462 01:17:50,834 --> 01:17:52,902 "BUT IT CANNOT BE A CRIME OF PROFIT OR PASSION. 1463 01:17:52,902 --> 01:17:55,939 "IT MUST BE A GRATUITOUS, RANDOM CRIME. 1464 01:17:55,939 --> 01:17:58,141 "CRIME AS PHILOSOPHY 1465 01:17:58,141 --> 01:17:59,408 IS FREEDOM." 1466 01:18:04,613 --> 01:18:06,082 INTERESTING. 1467 01:18:07,884 --> 01:18:09,719 DO YOU BELIEVE IT? 1468 01:18:10,686 --> 01:18:12,756 WELL, IT'S... A SCHOOL PAPER. 1469 01:18:12,756 --> 01:18:14,991 YOU HAVE TO WRITE SOMETHING. 1470 01:18:16,826 --> 01:18:18,828 I ENJOY TAKING INDEFENSIBLE POSITIONS 1471 01:18:18,828 --> 01:18:21,397 AND CREATING AN ARGUMENT FOR THEM. 1472 01:18:21,397 --> 01:18:22,665 MMM. 1473 01:18:22,665 --> 01:18:24,901 BUT, DO YOU BELIEVE IT? 1474 01:18:26,702 --> 01:18:28,838 SO THEN THE QUESTION IS 1475 01:18:28,838 --> 01:18:31,440 HOW'D YOU PICK THE VICTIM? 1476 01:18:31,440 --> 01:18:33,209 WAS IT RANDOM? 1477 01:18:33,209 --> 01:18:36,712 I MEAN, THAT'S THE WAY I'D DO IT. 1478 01:18:36,712 --> 01:18:38,848 Justin: THAT ONE, RIGHT THERE. 1479 01:18:38,848 --> 01:18:40,683 THE ONE WITH THE FLOWERS. SHE'S PERFECT. 1480 01:18:40,683 --> 01:18:42,919 NO, NO, NO, NO. SHE'S TOO SKINNY. 1481 01:18:45,154 --> 01:18:47,390 DO YOU UNDERSTAND WHAT RANDOM MEANS? 1482 01:18:47,390 --> 01:18:48,457 RANDOM MEANS-- 1483 01:18:48,457 --> 01:18:49,725 I UNDERSTAND WHAT RANDOM-- 1484 01:18:49,725 --> 01:18:51,727 DON'T TALK TO ME LIKE I'M A MORON. 1485 01:18:51,727 --> 01:18:52,996 WE HAVE TO FOLLOW THE PLAN. 1486 01:18:52,996 --> 01:18:54,330 IF WE DON'T FOLLOW THE PLAN-- 1487 01:18:54,330 --> 01:18:56,465 THIS ONE. WHAT ABOUT THIS ONE WITH THE BACKPACK? 1488 01:18:56,465 --> 01:18:58,935 DON'T GET IMPATIENT. OH HO. 1489 01:19:01,204 --> 01:19:02,872 WAIT A SECOND. 1490 01:19:04,273 --> 01:19:07,911 PULL UP HERE WHERE THE GIRL'S LOADING THE GROCERIES. 1491 01:19:09,078 --> 01:19:10,079 OK. 1492 01:19:12,882 --> 01:19:14,417 Cassie: BUT YOU LOSE THE POINT 1493 01:19:14,417 --> 01:19:17,753 OF A PHILOSOPHICAL CRIME IF YOU FEEL GUILTY, RIGHT? 1494 01:19:17,753 --> 01:19:19,355 H-HOW DO YOU MEAN? 1495 01:19:19,355 --> 01:19:22,091 IF YOU KILL SOMEBODY TO PROVE YOU'RE FREE 1496 01:19:22,091 --> 01:19:23,692 AND THEN THROW UP YOUR DINNER 1497 01:19:23,692 --> 01:19:25,361 BECAUSE YOU'RE UPSET ABOUT WHAT YOU DID-- 1498 01:19:25,361 --> 01:19:26,362 I DIDN'T-- 1499 01:19:28,164 --> 01:19:29,899 WHAT ARE YOU TALKING ABOUT? 1500 01:19:29,899 --> 01:19:31,700 RICHARD DIDN'T THROW UP HIS DINNER 1501 01:19:31,700 --> 01:19:33,236 BECAUSE HE DIDN'T FEEL GUILTY. 1502 01:19:33,236 --> 01:19:35,805 HE'S FREE, JUSTIN. YOU'RE NOT. 1503 01:19:41,477 --> 01:19:43,079 RELAX. 1504 01:19:43,913 --> 01:19:46,883 LET THEM WONDER WHAT WE'RE UP TO. 1505 01:19:57,861 --> 01:20:00,196 NOW GO IN. GO IN. 1506 01:20:00,196 --> 01:20:01,998 HEY. HEY. 1507 01:20:01,998 --> 01:20:04,233 DON'T FORGET YOUR COFFEE. 1508 01:20:05,468 --> 01:20:07,403 YOU CAN'T SMOKE IN HERE. 1509 01:20:07,403 --> 01:20:08,905 COME ON. 1510 01:20:10,739 --> 01:20:12,842 ARE WE ALMOST DONE HERE? 1511 01:20:12,842 --> 01:20:14,844 TAKE A SEAT. 1512 01:20:26,322 --> 01:20:29,758 SO, UM...RAY WAS AN INSPIRED CHOICE. 1513 01:20:29,758 --> 01:20:32,028 BUT THE GREAT THING, 1514 01:20:32,028 --> 01:20:34,563 THE REALLY GREAT THING WAS HOW SUBTLY 1515 01:20:34,563 --> 01:20:36,966 YOU PLANTED THE FIBERS AND HAIRS AND STUFF. 1516 01:20:36,966 --> 01:20:38,968 I GOT YOU COVERED. 1517 01:20:51,647 --> 01:20:53,582 YOU DID RAY, RIGHT? 1518 01:20:53,582 --> 01:20:55,451 WASN'T HE YOUR FRIEND? 1519 01:20:55,451 --> 01:20:57,653 YOU TOLD HIM TO HIDE IN HIS TRAILER 1520 01:20:57,653 --> 01:20:59,956 IN LOS PALOS, DIDN'T YOU? 1521 01:21:05,428 --> 01:21:07,796 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1522 01:21:07,796 --> 01:21:09,198 Cassie: YOU WENT HOME, 1523 01:21:09,198 --> 01:21:11,700 YOU SAID HELLO TO YOUR MOTHER. 1524 01:21:11,700 --> 01:21:13,970 IT HAD ONLY TAKEN YOU 10 MINUTES 1525 01:21:13,970 --> 01:21:15,972 TO WALK HOME FROM THE RESTAURANT. 1526 01:21:15,972 --> 01:21:17,941 IF SHE FEELS SHE CAN GET AWAY WITH IT, 1527 01:21:17,941 --> 01:21:19,542 SHE'S GONNA DO IT. 1528 01:21:19,542 --> 01:21:21,077 MOTHER, I'M HOME. 1529 01:21:21,077 --> 01:21:23,312 YOU TOLD HER YOU WERE GOING UP TO DO SCHOOLWORK. 1530 01:21:23,312 --> 01:21:25,348 YOU FELT CONFIDENT SHE WOULDN'T LOOK IN. 1531 01:21:25,348 --> 01:21:28,918 AND SHE DIDN'T. SHE NEVER DID, DID SHE? 1532 01:21:29,818 --> 01:21:32,455 [CLASSICAL MUSIC PLAYS] 1533 01:21:38,027 --> 01:21:39,895 Richard: I WAS WITH 6 FRIENDS. 1534 01:21:39,895 --> 01:21:41,230 ALL NIGHT. 1535 01:21:41,230 --> 01:21:44,300 YOU KNOW THAT. YOU TALKED TO THEM. 1536 01:21:44,300 --> 01:21:47,136 THE NIGHT, SURE, BUT NOT THE DAY, RICHARD. 1537 01:21:49,238 --> 01:21:51,107 THAT'S THE SECRET, ISN'T IT? 1538 01:21:51,107 --> 01:21:53,909 YOU WEREN'T THERE AT NIGHT. 1539 01:21:54,910 --> 01:21:56,879 Cassie: THE THING THAT ALWAYS CONFUSED ME 1540 01:21:56,879 --> 01:22:00,349 WAS THE MUDDY FOOTPRINTS IN THE HOUSE. 1541 01:22:00,349 --> 01:22:01,650 YOU KNOW? 1542 01:22:01,650 --> 01:22:04,253 THE SOIL IN THE PLANTING BED WAS DRY, SO... 1543 01:22:04,253 --> 01:22:05,921 WHERE'D THEY COME FROM? 1544 01:22:05,921 --> 01:22:09,258 [FOOTSTEPS] 1545 01:22:28,411 --> 01:22:30,513 SEE, I FIGURED IT WAS YOU AT THE HOUSE 1546 01:22:30,513 --> 01:22:32,815 'CAUSE JUSTIN WOULD HAVE KNOWN BETTER 1547 01:22:32,815 --> 01:22:34,950 THAN TO WALK THROUGH THE WET BEDS. 1548 01:22:34,950 --> 01:22:36,619 THAT WAS EXACTLY 3:30. 1549 01:22:36,619 --> 01:22:39,455 HOW LONG DID YOU HAVE TO WAIT FOR HER 1550 01:22:39,455 --> 01:22:40,623 TO COME HOME? 1551 01:22:57,473 --> 01:23:00,043 YOU DIDN'T REALLY KILL HER AT THE HOUSE. 1552 01:23:00,043 --> 01:23:02,745 I GOTTA SAY, THAT WAS A STROKE OF GENIUS. 1553 01:23:02,745 --> 01:23:06,215 DID--DID YOU THINK IT UP, OR WAS IT JUSTIN? 1554 01:23:07,950 --> 01:23:10,219 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1555 01:23:10,219 --> 01:23:13,289 THAT HELPED US FIGURE OUT THE REAL TIMETABLE. 1556 01:23:29,072 --> 01:23:30,506 THAT GAVE YOU PLENTY OF TIME 1557 01:23:30,506 --> 01:23:33,309 TO GET HOME WITH THE STUDY GROUP. 1558 01:23:38,114 --> 01:23:40,183 WELL, I'M GONNA GO GET SOME, UH... 1559 01:23:40,183 --> 01:23:42,985 Sam: YOU TOLD THEM YOU WERE GOING TO THE ATM 1560 01:23:42,985 --> 01:23:44,987 TO GET CASH FOR THE PIZZA. 1561 01:23:44,987 --> 01:23:46,155 YES. AND YOU DID. 1562 01:23:46,155 --> 01:23:47,990 AND I DID. 1563 01:23:47,990 --> 01:23:50,559 THEN YOU HURRIED BACK. 1564 01:23:50,559 --> 01:23:51,994 THAT TOOK 5 MINUTES. 1565 01:23:51,994 --> 01:23:54,597 IT TOOK 5 MINUTES. 1566 01:23:56,632 --> 01:23:58,134 NOW WE'RE TALKIN'. 1567 01:23:58,134 --> 01:24:00,703 BUT YOU WERE GONE 15. 1568 01:24:32,435 --> 01:24:34,637 WELL, WHAT ARE YOU LOOKIN' AT? 1569 01:24:42,778 --> 01:24:44,480 [ROCK MUSIC PLAYS] 1570 01:24:44,480 --> 01:24:46,782 RICHARD KILLED HER... 1571 01:24:46,782 --> 01:24:48,184 DIDN'T HE, JUSTIN? 1572 01:24:48,184 --> 01:24:50,286 I THINK IT WAS JUSTIN. 1573 01:24:54,157 --> 01:24:55,524 LET ME TELL YOU SOMETHING. 1574 01:24:57,193 --> 01:24:59,061 AND IT'S GONNA BE THE MOST IMPORTANT THING 1575 01:24:59,061 --> 01:25:00,263 YOU EVER HEAR, 1576 01:25:00,263 --> 01:25:02,198 MORE IMPORTANT THAN ALL THE INSTRUCTIONS 1577 01:25:02,198 --> 01:25:04,467 ON THE SATs AND APs. 1578 01:25:04,467 --> 01:25:07,670 THE PERSON WHO ACTUALLY KILLED OLIVIA LAKE 1579 01:25:07,670 --> 01:25:09,305 IS GONNA BE EXECUTED, 1580 01:25:09,305 --> 01:25:11,807 OR AT BEST GO TO JAIL FOR THE REST OF HIS LIFE, 1581 01:25:11,807 --> 01:25:14,610 AND IN YOUR CASE, THAT WOULD BE ABOUT 60 YEARS. 1582 01:25:14,610 --> 01:25:17,346 BUT THE OTHER ONE WHO DIDN'T ACTUALLY KILL HER... 1583 01:25:17,346 --> 01:25:20,349 IF HE COOPERATES... 1584 01:25:20,349 --> 01:25:23,252 WILL HAVE A CHANCE AT A REAL LIFE. 1585 01:25:36,699 --> 01:25:40,736 Cassie: RICHARD WAS BACK IN THE STUDY GROUP BY 9:25. 1586 01:25:40,736 --> 01:25:44,407 SO YOU MUST HAVE BEEN THE ONE WHO DUMPED THE BODY. 1587 01:26:23,712 --> 01:26:26,415 Cassie: THE PLANNING WAS EASY. 1588 01:26:26,415 --> 01:26:29,452 NOW YOU HAD TO ACTUALLY DO IT. 1589 01:26:32,288 --> 01:26:33,489 [CRUNCH] 1590 01:26:55,444 --> 01:26:57,913 AND THAT IS WHY THE POSTMORTEM WOUNDS 1591 01:26:57,913 --> 01:26:59,582 WERE SO TENTATIVE. 1592 01:26:59,582 --> 01:27:02,451 BECAUSE YOU WERE TRYING TO BE LIKE RICHARD, 1593 01:27:02,451 --> 01:27:04,119 BUT YOU COULDN'T. 1594 01:27:04,119 --> 01:27:06,822 YOU WEREN'T THAT FREE. 1595 01:27:06,822 --> 01:27:08,357 THANK GOD. 1596 01:27:12,060 --> 01:27:14,129 GO TO HELL. 1597 01:27:14,730 --> 01:27:16,198 MY GUY'S NOT GONNA ROLL. 1598 01:27:16,198 --> 01:27:17,333 REALLY? MM-MM. 1599 01:27:17,333 --> 01:27:18,601 I FIGURED HE'D BE THE ONE. 1600 01:27:18,601 --> 01:27:20,803 NO. LET'S TALK ABOUT GOLDILOCKS FOR A MINUTE. 1601 01:27:20,803 --> 01:27:21,804 LISA. YEAH. 1602 01:27:21,804 --> 01:27:23,472 YOU SAID THAT SHE WENT OUT WITH RICHARD? 1603 01:27:23,472 --> 01:27:25,073 YEAH, BRIEFLY. SHE FELT TAKEN ADVANTAGE OF, 1604 01:27:25,073 --> 01:27:26,942 THEN SHE GOT INTERESTED IN JUSTIN. 1605 01:27:26,942 --> 01:27:28,076 LET'S USE THAT. 1606 01:27:28,076 --> 01:27:30,012 IT'S AN INTERESTING THEORY... 1607 01:27:30,012 --> 01:27:32,681 BUT I CAN'T ADMIT TO SOMETHING I DIDN'T DO. 1608 01:27:32,681 --> 01:27:35,618 WELL, IT LOOKS LIKE YOU WON'T HAVE TO. 1609 01:27:35,618 --> 01:27:37,753 'CAUSE JUSTIN'S TALKING IN THERE. 1610 01:27:41,189 --> 01:27:42,190 JUSTIN'S HERE? 1611 01:27:42,190 --> 01:27:43,592 MM-HMM. 1612 01:27:48,196 --> 01:27:50,533 HE TOLD US ABOUT YOU, 1613 01:27:50,533 --> 01:27:52,568 ABOUT YOU AND LISA. 1614 01:27:58,741 --> 01:28:00,876 OH...[LAUGHS] 1615 01:28:02,845 --> 01:28:05,448 WHICH LISA? HA. 1616 01:28:07,650 --> 01:28:10,819 SO YOU REALLY NEED TO TELL ME WHAT HAPPENED. 1617 01:28:12,521 --> 01:28:15,157 JUST THINK OF IT AS A GAME. 1618 01:28:15,157 --> 01:28:17,393 WHOEVER TALKS FIRST IS THE WINNER. 1619 01:28:20,396 --> 01:28:22,531 JUSTIN'S SAYING YOU BETRAYED HIM. 1620 01:28:22,531 --> 01:28:25,734 HE TOLD US ABOUT LISA AND THE TAPE YOU MADE. 1621 01:28:27,370 --> 01:28:30,573 JUSTIN'S TALKING. 1622 01:28:30,573 --> 01:28:32,508 HE'S GONNA WIN THIS THING, RICHARD. 1623 01:28:32,508 --> 01:28:34,743 UNLESS YOU HAVE SOMETHING TO TELL ME. 1624 01:28:37,613 --> 01:28:39,682 OK, I'M GONNA GO SEE. 1625 01:28:41,684 --> 01:28:43,919 WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. 1626 01:28:47,423 --> 01:28:49,024 COME ON, SIT DOWN. 1627 01:28:57,299 --> 01:28:59,034 I HAVE TO ADVISE YOU 1628 01:28:59,034 --> 01:29:00,903 OF CERTAIN RIGHTS. 1629 01:29:00,903 --> 01:29:03,305 THE INTERVIEW IS OVER. 1630 01:29:03,305 --> 01:29:05,307 RICHARD'S FATHER SENT HIS LAWYER. 1631 01:29:05,307 --> 01:29:07,810 CHARGE THEM OR LET THEM GO. 1632 01:29:32,200 --> 01:29:35,303 ANOTHER 10 MINUTES, 5, WE WOULD HAVE HAD THOSE KIDS. 1633 01:29:35,303 --> 01:29:36,672 BOTH OF THEM. 1634 01:29:36,672 --> 01:29:38,574 MAN, IF I EVER FIND OUT WHO LEAKED TO THE PARENTS, 1635 01:29:38,574 --> 01:29:40,375 I SWEAR TO GOD... 1636 01:29:43,946 --> 01:29:45,514 NO, NO. 1637 01:29:45,514 --> 01:29:47,215 THAT'S ALL RIGHT. YEAH, UH... 1638 01:29:47,215 --> 01:29:49,652 YEAH, I'LL TALK TO YOU TOMORROW. 1639 01:29:49,652 --> 01:29:52,220 YOU KNOW THE ONLY THING THAT'S STOPPING HIM, JUSTIN, 1640 01:29:52,220 --> 01:29:53,589 FROM TALKING? 1641 01:29:53,589 --> 01:29:56,358 SAID HE NEEDS TO PROVE HE'S AS TOUGH AS HIS BUDDY. 1642 01:29:56,358 --> 01:29:57,426 HE'S TOUGHER. 1643 01:29:57,426 --> 01:29:59,027 YEAH, MAYBE. BUT THAT RICHARD... 1644 01:29:59,027 --> 01:30:01,930 I'M TELLING YOU, I CANNOT WAIT TILL WE NAIL HIM. 1645 01:30:01,930 --> 01:30:03,165 WELL, LOOK, 1646 01:30:03,165 --> 01:30:05,367 ONE OF THEM'S THE DOER, AND HE'S GOING DOWN. 1647 01:30:05,367 --> 01:30:06,502 BUT, I MEAN... 1648 01:30:06,502 --> 01:30:07,570 YEAH, IT HAPPENS. 1649 01:30:07,570 --> 01:30:08,971 IT HAPPENS. THERE'S SOMETHING... 1650 01:30:08,971 --> 01:30:11,807 YOU GET A NARCISSISTIC PRICK LIKE RICHARD HAYWOOD 1651 01:30:11,807 --> 01:30:14,209 WHO DOESN'T CARE ABOUT ANYBODY BUT HIMSELF... 1652 01:30:14,209 --> 01:30:17,345 I'M TELLING YOU, HE USES JUSTIN SOLELY TO FEED HIS EGO, 1653 01:30:17,345 --> 01:30:19,414 PUSH HIM AROUND, HE CAN FEEL LIKE A MAN. 1654 01:30:19,414 --> 01:30:21,216 5 YEARS FROM NOW WHEN NO ONE EVEN CARES 1655 01:30:21,216 --> 01:30:24,152 THAT HE WAS HOMECOMING KING OR FUNNY IN THE LUNCHROOM 1656 01:30:24,152 --> 01:30:26,789 OR STATE POLE VAULTING CHAMP, I PITY ANYBODY 1657 01:30:26,789 --> 01:30:28,691 WHO GETS IN HIS WAY-- ANYBODY. 1658 01:30:28,691 --> 01:30:30,358 IS RICHARD A POLE VAULTER? 1659 01:30:30,358 --> 01:30:32,094 NO--I DON'T KNOW. 1660 01:30:32,094 --> 01:30:36,031 I MEAN, I WAS JUST USING IT AS AN EXAMPLE OF, YOU KNOW... 1661 01:30:37,432 --> 01:30:38,901 LOOK, UM... 1662 01:30:38,901 --> 01:30:40,469 LOOK. 1663 01:30:42,705 --> 01:30:44,773 I--I KNOW ABOUT CARL HUDSON. 1664 01:30:51,046 --> 01:30:53,148 WHERE DID YOU GET THAT? 1665 01:30:54,750 --> 01:30:57,653 THIS IS NONE OF YOUR GOD--THIS IS MY-- 1666 01:30:57,653 --> 01:30:59,221 THIS IS MY-- MY MATTER! 1667 01:30:59,221 --> 01:31:00,656 MINE! 1668 01:31:35,691 --> 01:31:38,460 I KNEW THIS GIRL IN HIGH SCHOOL. 1669 01:31:38,460 --> 01:31:40,729 SMART ENOUGH, BUT... 1670 01:31:40,729 --> 01:31:43,632 SHE DIDN'T REALLY COME FROM ANYTHING. 1671 01:31:43,632 --> 01:31:45,167 AND TO EVERYONE'S AMAZEMENT, 1672 01:31:45,167 --> 01:31:47,936 THE MOST POPULAR BOY IN SCHOOL LIKED HER. 1673 01:31:49,137 --> 01:31:50,839 STATE POLE VAULTING CHAMP. 1674 01:31:50,839 --> 01:31:54,777 AND YOU WOULD WATCH HIM GO OVER THAT BAR IN THE SUNLIGHT... 1675 01:31:54,777 --> 01:31:57,312 THAT GOLDEN BODY. IT WAS LIKE... 1676 01:31:57,312 --> 01:32:01,016 LIFE JUST COULDN'T GET ANY MORE BEAUTIFUL THAN THAT. 1677 01:32:02,718 --> 01:32:04,587 AND IT DIDN'T. 1678 01:32:06,388 --> 01:32:08,724 SHE WAS 16 WHEN SHE MARRIED HIM. 1679 01:32:08,724 --> 01:32:12,194 17 WHEN HE KNOCKED OUT HER UPPER BICUSPID, 1680 01:32:12,194 --> 01:32:14,396 18 WHEN SHE SAID SHE WAS LEAVING. 1681 01:32:14,396 --> 01:32:16,064 HE PUT HER IN THE HOSPITAL 1682 01:32:16,064 --> 01:32:18,033 WITH A PRETTY SERIOUS CONCUSSION. 1683 01:32:19,401 --> 01:32:21,670 A WEEK LATER WHEN SHE GOT OUT, 1684 01:32:21,670 --> 01:32:24,807 SHE STARTED PACKING, AND HE WAS DRUNK. 1685 01:32:24,807 --> 01:32:27,810 POINTED HIS FINGER AT HER, HE SAID, 1686 01:32:27,810 --> 01:32:31,079 "YOU TRY THAT AGAIN, I'LL KILL YOU." 1687 01:32:32,414 --> 01:32:34,549 HE TOOK ANOTHER DRINK, 1688 01:32:34,549 --> 01:32:36,852 AND SHE HEADED FOR THE DOOR. 1689 01:32:38,486 --> 01:32:41,023 WHY DIDN'T SHE WAIT TILL HE WAS OUT, 1690 01:32:41,023 --> 01:32:42,357 LEFT FOR WORK? 1691 01:32:42,357 --> 01:32:45,027 'CAUSE SHE COULDN'T. SHE HAD TO GO RIGHT THEN. 1692 01:32:45,027 --> 01:32:46,294 WHY THEN? 1693 01:32:46,294 --> 01:32:47,763 I--I DON'T KNOW. 1694 01:32:47,763 --> 01:32:50,265 IT WAS BECAUSE... 1695 01:32:50,265 --> 01:32:52,567 'CAUSE SHE... 1696 01:32:52,567 --> 01:32:54,603 [SIGHS] 1697 01:32:56,839 --> 01:32:59,441 BECAUSE IT WASN'T ABOUT GETTING AWAY FROM HIM. 1698 01:32:59,441 --> 01:33:01,810 IT WAS ABOUT STANDING UP TO HIM. 1699 01:33:01,810 --> 01:33:04,312 EVEN IF HE KILLED HER. 1700 01:33:04,312 --> 01:33:06,281 I GUESS SO. 1701 01:33:08,350 --> 01:33:10,385 SO HE STABBED HER 17 TIMES 1702 01:33:10,385 --> 01:33:12,087 WITH A KITCHEN KNIFE 1703 01:33:12,087 --> 01:33:15,290 AND DUMPED HER BODY ON A COUNTRY ROAD. 1704 01:33:18,961 --> 01:33:21,630 YEAH. RUINED MY FAVORITE DRESS. 1705 01:33:23,031 --> 01:33:24,833 CARL HUDSON. 1706 01:33:26,401 --> 01:33:28,804 CUTEST BOY I EVER SAW. 1707 01:33:30,305 --> 01:33:32,274 UNTIL RICHARD HAYWOOD. 1708 01:33:40,048 --> 01:33:41,784 AND YOU'RE SUPPOSED TO TESTIFY 1709 01:33:41,784 --> 01:33:43,518 AT CARL'S PAROLE HEARING. 1710 01:33:43,518 --> 01:33:44,720 MM-HMM. 1711 01:33:46,588 --> 01:33:48,857 WHAT ARE YOU GONNA SAY? 1712 01:33:49,992 --> 01:33:52,828 NOTHING. I'M NOT GOING. 1713 01:33:54,329 --> 01:33:55,563 I'M NOT. 1714 01:33:55,563 --> 01:33:58,233 YOU GOTTA GO UP THERE. YOU HAVE TO. 1715 01:33:58,233 --> 01:33:59,467 NO. I DON'T HAVE TO. 1716 01:33:59,467 --> 01:34:02,137 THE GIRL WITH THE DRESS, THAT WAS JESSICA MARIE HUDSON, 1717 01:34:02,137 --> 01:34:04,106 AND I HAVE NOTHING TO SAY ABOUT HER. 1718 01:34:04,106 --> 01:34:06,875 YOU JUST INHERITED HER SCARS. 1719 01:34:06,875 --> 01:34:09,144 LOOK, I MADE A DEAL. 1720 01:34:09,144 --> 01:34:12,147 AND THE DEAL WAS THAT SHE DIED BACK THERE. 1721 01:34:12,147 --> 01:34:15,517 SHE'S IN THE GROUND, AND I CAN GO ON WITH MY LIFE. 1722 01:34:15,517 --> 01:34:17,052 EXCEPT YOU CAN'T, CAN YOU? 1723 01:34:17,052 --> 01:34:19,321 'CAUSE ALL YOU THINK ABOUT IS CARL HUDSON. 1724 01:34:19,321 --> 01:34:22,590 HE'S EVERY CASE. HE'S EVERY GUY YOU DATE. 1725 01:34:22,590 --> 01:34:25,160 YOUR WHOLE WORLD IS CARL HUDSON. 1726 01:34:25,160 --> 01:34:28,764 IS THAT THE LIFE YOU'RE GOIN' ON WITH? 1727 01:34:30,766 --> 01:34:33,235 DID YOU EVER GET HELP FOR ANY OF THIS? 1728 01:34:33,235 --> 01:34:34,903 YEAH. 1729 01:34:34,903 --> 01:34:37,806 I BECAME A COP. 1730 01:34:41,043 --> 01:34:43,645 YOU CAN'T JUST PRETEND IT DIDN'T HAPPEN. 1731 01:34:43,645 --> 01:34:45,513 IT'S NOT THAT SIMPLE, CASS. 1732 01:34:45,513 --> 01:34:47,649 OH...IT HAS TO BE. 1733 01:34:47,649 --> 01:34:50,318 BECAUSE IF IT GETS ANY MORE COMPLICATED, 1734 01:34:50,318 --> 01:34:52,254 I CAN'T MAKE IT. 1735 01:34:58,894 --> 01:35:01,997 Woman: RICHARD HAYWOOD IS ON LINE ONE. 1736 01:35:03,698 --> 01:35:04,867 SWANSON. 1737 01:35:04,867 --> 01:35:06,869 SO YOU WANNA TALK TO ME 1738 01:35:06,869 --> 01:35:08,470 ABOUT THIS COVINGTON WOMAN, OR WHAT? 1739 01:35:08,470 --> 01:35:11,439 YES, I KNOW ALL ABOUT IT. WHAT CAN I DO FOR YOU? 1740 01:35:13,809 --> 01:35:16,779 WELL, I KNOW JUSTIN ALREADY TALKED TO YOU. 1741 01:35:16,779 --> 01:35:18,180 I JUST THOUGHT YOU MIGHT WANNA KNOW 1742 01:35:18,180 --> 01:35:20,482 WHAT REALLY HAPPENED. I THOUGHT IT WAS A GAME. 1743 01:35:20,482 --> 01:35:23,685 HOW DO YOU PICK THE VICTIM, HOW DO YOU GET AWAY WITH IT? 1744 01:35:23,685 --> 01:35:25,487 YOU KNOW, WE WERE BORED. 1745 01:35:25,487 --> 01:35:29,424 I NEVER TOOK IT SERIOUSLY UNTIL I WALK INTO THE ROOM 1746 01:35:29,424 --> 01:35:32,160 AND SHE'S LAYING THERE. 1747 01:35:33,228 --> 01:35:35,097 DID YOU MAKE A DEAL WITH THAT BASTARD? 1748 01:35:35,097 --> 01:35:36,965 HE SAYS HE WASN'T THERE WHEN IT WENT DOWN. 1749 01:35:36,965 --> 01:35:38,466 AL, DID YOU MAKE A DEAL? 1750 01:35:38,466 --> 01:35:39,868 I DON'T MAKE DEALS OVER THE PHONE, CASSIE, 1751 01:35:39,868 --> 01:35:41,403 BUT IF WHAT THIS KID SAYS CHECKS OUT, 1752 01:35:41,403 --> 01:35:43,605 AND THAT'S THE ONLY WAY WE CAN CONVICT EITHER ONE OF THEM, 1753 01:35:43,605 --> 01:35:44,672 THEN MAYBE I WILL. 1754 01:35:44,672 --> 01:35:45,874 FINE. THEN LET'S GET WARRANTS 1755 01:35:45,874 --> 01:35:47,209 ON BOTH OF THEM RIGHT NOW. 1756 01:36:16,771 --> 01:36:18,573 Woman: RICHARD, WHERE ARE YOU GOING? 1757 01:36:18,573 --> 01:36:20,909 YOU'RE NOT SUPPOSED TO LEAVE WITHOUT TELLING US. 1758 01:36:20,909 --> 01:36:22,177 IT'S A CONDITION OF-- 1759 01:36:22,177 --> 01:36:25,180 RICHARD. WELL, WILL YOU BE BACK FOR DINNER? 1760 01:36:25,180 --> 01:36:26,982 [SIREN] 1761 01:36:36,524 --> 01:36:37,792 NO, JUSTIN'S NOT HERE. 1762 01:36:37,792 --> 01:36:39,194 HIS MOTHER THOUGHT HE WAS IN HIS ROOM, 1763 01:36:39,194 --> 01:36:40,595 BUT SHE DOESN'T EVEN KNOW WHEN HE LEFT. 1764 01:36:40,595 --> 01:36:42,797 YEAH, SIMILAR STORY HERE. WHAT ABOUT GOLDILOCKS? 1765 01:36:42,797 --> 01:36:44,066 LISA? 1766 01:36:44,066 --> 01:36:45,667 YEAH, LISA. WHY DON'T YOU GET OVER THERE 1767 01:36:45,667 --> 01:36:47,035 AND SEE WHAT SHE KNOWS. 1768 01:36:47,035 --> 01:36:48,670 DETECTIVE, YOU MIGHT WANNA TAKE A LOOK DOWNSTAIRS. 1769 01:36:48,670 --> 01:36:49,905 OK. GOTTA GO. BYE. 1770 01:37:37,552 --> 01:37:41,056 I DIDN'T...I DIDN'T KNOW WHERE ELSE TO GO. 1771 01:37:47,429 --> 01:37:49,998 WILL YOU TELL ME WHAT'S GOING ON? 1772 01:37:49,998 --> 01:37:51,866 THE COPS ARE ASKING ME QUESTIONS 1773 01:37:51,866 --> 01:37:53,268 ABOUT YOU AND RICHARD, 1774 01:37:53,268 --> 01:37:55,070 AND I DON'T KNOW WHAT TO SAY. 1775 01:37:56,638 --> 01:37:58,340 WE KILLED A WOMAN. 1776 01:37:58,340 --> 01:37:59,541 [LAUGHS] 1777 01:37:59,541 --> 01:38:01,109 NO, YOU DIDN'T. 1778 01:38:02,577 --> 01:38:04,412 YES, WE DID. 1779 01:38:10,018 --> 01:38:11,386 JUSTIN... 1780 01:38:15,757 --> 01:38:18,093 HE MADE YOU DO IT. 1781 01:38:18,093 --> 01:38:20,695 IT WASN'T JUST RICHARD. 1782 01:38:20,695 --> 01:38:24,566 BUT HE DROVE IT. IT WAS HIS IDEA. 1783 01:38:24,566 --> 01:38:27,302 YOU WOULD HAVE NEVER DONE ANYTHING LIKE THIS 1784 01:38:27,302 --> 01:38:29,337 BY YOURSELF. 1785 01:38:31,706 --> 01:38:33,675 HE SEDUCED YOU. 1786 01:38:35,777 --> 01:38:37,980 JUST LIKE HE SEDUCED ME. 1787 01:38:40,682 --> 01:38:43,751 YOU KNOW WHAT YOU HAVE TO DO? 1788 01:38:43,751 --> 01:38:45,787 YOU HAVE TO TELL THEM EVERYTHING. 1789 01:38:45,787 --> 01:38:48,156 I WILL. I WILL. 1790 01:38:49,791 --> 01:38:52,094 I DON'T HAVE ANY FEELINGS LEFT. 1791 01:38:53,795 --> 01:38:56,331 EXCEPT FOR YOU. 1792 01:39:14,682 --> 01:39:17,419 [CELL PHONE RINGS] 1793 01:39:17,419 --> 01:39:18,553 IT'S HIM. 1794 01:39:18,553 --> 01:39:20,722 DON'T ANSWER IT. 1795 01:39:23,091 --> 01:39:25,693 Richard: WHERE ARE YOU? 1796 01:39:25,693 --> 01:39:28,596 ARE YOU WITH HER? 1797 01:39:28,596 --> 01:39:30,565 NO. 1798 01:39:30,565 --> 01:39:32,600 YES, YOU ARE. 1799 01:39:32,600 --> 01:39:35,937 AND YOU TOLD HER ABOUT US, DIDN'T YOU? 1800 01:39:35,937 --> 01:39:38,540 DID YOU TELL HER EVERYTHING? 1801 01:39:38,540 --> 01:39:40,108 WHERE ARE YOU? 1802 01:39:40,108 --> 01:39:43,211 I LEFT HOME. 1803 01:39:43,211 --> 01:39:45,813 ALL RIGHT? I--I-- I'M GONE. 1804 01:39:45,813 --> 01:39:48,050 I'M NEVER GOIN' BACK. IT'S OVER. 1805 01:39:48,050 --> 01:39:51,686 I KNOW IT'S OVER. WE HAVE TO TURN OURSELVES IN. 1806 01:39:51,686 --> 01:39:53,688 AND GO TO PRISON? 1807 01:39:53,688 --> 01:39:55,123 AND BE PUNKS 1808 01:39:55,123 --> 01:39:57,959 AND EAT SHIT FOR THE REST OF OUR LIVES? 1809 01:39:57,959 --> 01:40:00,862 DO YOU EVEN REMEMBER WHAT WE TALKED ABOUT? 1810 01:40:00,862 --> 01:40:03,131 YES. 1811 01:40:04,466 --> 01:40:07,302 MEET ME AT THE BLUFF IN AN HOUR. 1812 01:40:07,302 --> 01:40:08,336 OK? 1813 01:40:12,607 --> 01:40:13,775 JUSTIN? 1814 01:40:15,710 --> 01:40:16,744 OK. 1815 01:40:23,585 --> 01:40:26,721 I HAVE TO MEET HIM. 1816 01:40:26,721 --> 01:40:28,656 TO DO WHAT? 1817 01:40:29,991 --> 01:40:32,394 I JUST HAVE TO. 1818 01:40:34,362 --> 01:40:37,099 I WISH I MET YOU FIRST. 1819 01:40:59,621 --> 01:41:01,623 CASSIE MAYWEATHER. 1820 01:41:32,120 --> 01:41:33,555 HEY. 1821 01:41:35,923 --> 01:41:37,659 HAVE A SEAT. 1822 01:41:46,134 --> 01:41:48,536 THIS IS WHAT WE TALKED ABOUT. 1823 01:41:51,339 --> 01:41:53,275 GLORY OR NOTHING. 1824 01:42:08,089 --> 01:42:11,926 SHOULD WE SAY THE WORDS FOR THE LAST TIME? 1825 01:42:11,926 --> 01:42:13,195 ONE CANNOT LIVE FULLY 1826 01:42:13,195 --> 01:42:16,198 WITHOUT EMBRACING SUICIDE AND CRIME. 1827 01:42:19,234 --> 01:42:21,969 SAY IT. 1828 01:42:21,969 --> 01:42:24,439 A PACT MADE WITH RELENTLESS FIRE 1829 01:42:24,439 --> 01:42:27,975 THAT REQUIRES THAT WHILE SOME LIVE... 1830 01:42:27,975 --> 01:42:30,378 OTHERS DIE. 1831 01:42:31,679 --> 01:42:32,847 ON 3. 1832 01:42:44,592 --> 01:42:46,461 1... 1833 01:42:46,461 --> 01:42:48,596 2... 1834 01:42:57,572 --> 01:42:58,640 3. 1835 01:43:14,822 --> 01:43:16,258 HA HA HA HA... 1836 01:43:16,258 --> 01:43:18,293 WHAT ARE YOU DOING? 1837 01:43:18,293 --> 01:43:20,695 WELL, I HAVE THE BULLETS, RIGHT? 1838 01:43:20,695 --> 01:43:22,330 WHAT ABOUT YOU? 1839 01:43:25,767 --> 01:43:27,769 OPEN YOUR CHAMBER. 1840 01:43:29,304 --> 01:43:30,538 JUSTIN-- 1841 01:43:30,538 --> 01:43:32,240 OPEN IT! 1842 01:43:34,709 --> 01:43:37,445 YOU WERE GONNA WATCH ME KILL MYSELF? 1843 01:43:42,584 --> 01:43:45,320 THEY'RE HERE UP AT THE OLD WINTER LODGE. 1844 01:43:45,320 --> 01:43:46,454 Sam: ROGER THAT, CASS. 1845 01:43:46,454 --> 01:43:47,822 THAT'S UP ON HIGHLAND ROAD? 1846 01:43:49,657 --> 01:43:51,058 SO HERE'S WHAT'S GONNA HAPPEN. 1847 01:43:51,058 --> 01:43:54,195 SINCE I HAVE THE BULLETS AND THE GUTS TO USE THEM, 1848 01:43:54,195 --> 01:43:55,530 I'LL SHOOT YOU, 1849 01:43:55,530 --> 01:43:57,732 AND THEN I'LL SHOOT MYSELF, OK? 1850 01:43:57,732 --> 01:43:58,833 NO. NO? 1851 01:43:58,833 --> 01:44:00,001 NO, NO, NO, NO! 1852 01:44:00,001 --> 01:44:02,737 WHY? WOULD YOU RATHER GO TO PRISON AND BE A PUNK? 1853 01:44:02,737 --> 01:44:03,871 HMM? 1854 01:44:08,676 --> 01:44:10,945 OR YOU THINK YOU'D BEAT PRISON 1855 01:44:10,945 --> 01:44:13,748 'CAUSE YOU MADE A DEAL? 1856 01:44:16,050 --> 01:44:18,553 YOU TALKED. YOU TALKED! 1857 01:44:20,322 --> 01:44:21,723 SHOOT ME. 1858 01:44:21,723 --> 01:44:23,725 SHOOT ME. SHOOT ME IN THE HEAD. 1859 01:44:23,725 --> 01:44:26,561 SHOOT ME IN THE HEART, WHATEVER YOU WANT. DO IT. 1860 01:44:26,561 --> 01:44:28,095 IT DOESN'T MATTER ANYMORE. 1861 01:44:28,095 --> 01:44:31,299 PULL THE FUCKING TRIGGER. PULL IT, PULL IT, PULL IT! 1862 01:44:31,299 --> 01:44:32,667 COME ON. 1863 01:44:33,835 --> 01:44:35,870 JUSTIN, DON'T. 1864 01:44:35,870 --> 01:44:37,605 BUT WE HAVE TO PAY FOR WHAT WE DID. 1865 01:44:37,605 --> 01:44:39,541 NOT LIKE THAT. THAT'S JUST MORE KILLING. 1866 01:44:39,541 --> 01:44:41,676 PUT THE GUN DOWN. PUT THE GUN DOWN. 1867 01:44:41,676 --> 01:44:43,411 JUSTIN. 1868 01:44:43,411 --> 01:44:45,813 PUT IT DOWN. 1869 01:44:45,813 --> 01:44:47,515 JUSTIN. 1870 01:44:51,085 --> 01:44:52,887 PLEASE DON'T. 1871 01:44:52,887 --> 01:44:54,589 JUSTIN, JUST FOR ME. 1872 01:44:54,589 --> 01:44:56,558 FOR ME. [DROPS GUN] 1873 01:44:56,558 --> 01:44:58,393 COME OVER HERE NEXT TO ME. COME ON. 1874 01:44:58,393 --> 01:44:59,427 DON'T LISTEN TO HER. 1875 01:44:59,427 --> 01:45:00,862 DON'T LISTEN TO HER. 1876 01:45:04,366 --> 01:45:05,600 NO, DON'T--DON'T-- 1877 01:45:06,934 --> 01:45:08,069 NO! 1878 01:45:16,844 --> 01:45:20,081 STAY PUT. PEOPLE ARE ON THE WAY. 1879 01:45:47,542 --> 01:45:49,777 HEY, RICHARD. 1880 01:45:49,777 --> 01:45:52,380 YEAH, YOU THINK YOU'RE SO SMART, HUH? 1881 01:45:52,380 --> 01:45:54,582 JUSTIN'S SMARTER. YOU REMEMBER THAT. 1882 01:46:26,414 --> 01:46:28,650 I GOT ONE LEFT. HA. 1883 01:46:28,650 --> 01:46:30,952 AW, TO HELL WITH IT. 1884 01:46:30,952 --> 01:46:32,153 [GUNSHOT] 1885 01:46:32,153 --> 01:46:34,155 [THUDDING] 1886 01:47:07,188 --> 01:47:08,189 OH! 1887 01:47:14,195 --> 01:47:15,863 NO! NO! 1888 01:47:15,863 --> 01:47:17,799 OH! AAH! 1889 01:47:40,755 --> 01:47:41,956 HA HA! 1890 01:47:41,956 --> 01:47:43,691 AAH! 1891 01:47:52,466 --> 01:47:53,868 Carl's voice: LISTEN TO ME! 1892 01:47:53,868 --> 01:47:57,639 LISTEN TO ME! YOU ARE NOT GOIN' OUT THAT DOOR, JESS! 1893 01:47:57,639 --> 01:47:59,807 YOU ARE NOT GOIN' OUT THAT DOOR! 1894 01:48:25,867 --> 01:48:27,802 JUSTIN. 1895 01:48:27,802 --> 01:48:29,403 JUSTIN...JUSTIN, PLEASE. 1896 01:48:29,403 --> 01:48:30,404 JUSTIN, PLEASE. 1897 01:48:30,404 --> 01:48:32,206 PLEASE...DON'T. 1898 01:48:32,206 --> 01:48:33,808 JUSTIN, DON'T, JUSTIN! 1899 01:48:41,448 --> 01:48:43,184 JUSTIN...JUSTIN... 1900 01:48:43,184 --> 01:48:44,385 DON'T. JUSTIN, DON'T. 1901 01:48:44,385 --> 01:48:46,253 [WHIMPERING] 1902 01:48:46,253 --> 01:48:48,355 NO, NO, NO, NO. 1903 01:48:48,355 --> 01:48:50,558 DON'T, DON'T, DON'T, DON'T, JUSTIN. 1904 01:48:50,558 --> 01:48:52,159 [WHIMPERING] 1905 01:48:58,800 --> 01:49:01,869 GRAB IT. GRAB IT. 1906 01:49:13,615 --> 01:49:15,549 I GOT IT. 1907 01:49:15,549 --> 01:49:17,619 THANK YOU. THANK YOU. 1908 01:49:22,089 --> 01:49:23,691 OK. OK. 1909 01:49:23,691 --> 01:49:25,627 I'M OK. THANK YOU. 1910 01:49:28,129 --> 01:49:29,797 OK. I'LL GET YOU. 1911 01:49:52,987 --> 01:49:55,356 WHAT'S GONNA HAPPEN TO ME? 1912 01:49:56,724 --> 01:49:59,661 WELL, GIVEN THAT YOU WEREN'T THE ACTUAL KILLER, 1913 01:49:59,661 --> 01:50:03,330 AND WHAT YOU DID DOWN THERE FOR ME...[PANTING] 1914 01:50:03,330 --> 01:50:06,968 DON'T WORRY ABOUT IT. I'LL TAKE CARE OF YOU. 1915 01:50:39,500 --> 01:50:41,969 YOU ALL RIGHT? 1916 01:50:41,969 --> 01:50:43,237 MM-HMM. 1917 01:50:43,237 --> 01:50:44,638 DO ME A FAVOR. 1918 01:50:44,638 --> 01:50:46,640 LEAN IN AND WHISPER SOMETHING INTO MY EAR. 1919 01:50:46,640 --> 01:50:47,742 WHAT? 1920 01:50:47,742 --> 01:50:49,310 JUST...ANYTHING. 1921 01:50:51,512 --> 01:50:52,914 REMEMBER WHAT I SAID 1922 01:50:52,914 --> 01:50:54,782 ABOUT LOOKING FOR DIFFERENT PARTNERS? 1923 01:50:54,782 --> 01:50:56,818 ARE YOU SERIOUS? 1924 01:50:57,785 --> 01:51:00,788 WHERE WAS IT? 1925 01:51:02,523 --> 01:51:04,726 I WANNA TAKE THAT BACK. 1926 01:51:06,794 --> 01:51:08,662 DID THEY FIND THE VIDEOTAPE? 1927 01:51:08,662 --> 01:51:10,331 YES. 1928 01:51:15,302 --> 01:51:16,637 HOW'S HE DOIN'? 1929 01:51:16,637 --> 01:51:18,072 HE LOOKS OK. 1930 01:51:18,072 --> 01:51:20,875 BUT WE'RE GONNA TRANSPORT HIM FOR TREATMENT. 1931 01:51:29,050 --> 01:51:32,720 WHY DID YOU LET RICHARD VIDEOTAPE THE KILLING? 1932 01:51:34,021 --> 01:51:36,023 I MEAN, THAT WAS REALLY STUPID. 1933 01:51:36,023 --> 01:51:38,625 IT'S LIKE YOU GUYS WANTED TO GET CAUGHT. 1934 01:51:38,625 --> 01:51:40,327 WHAT ARE YOU TALKING ABOUT? 1935 01:51:40,327 --> 01:51:42,296 OH, YOU DON'T KNOW? 1936 01:51:42,296 --> 01:51:44,231 MY PARTNER JUST TOLD ME THAT THEY FOUND 1937 01:51:44,231 --> 01:51:46,233 A HIDDEN CAMERA IN RICHARD'S BASEMENT. 1938 01:51:46,233 --> 01:51:48,836 SEEMS THAT'S HOW HE FILMED HIMSELF WITH LISA, 1939 01:51:48,836 --> 01:51:50,905 AND APPARENTLY, HE FILMED THE KILLING, TOO. 1940 01:51:50,905 --> 01:51:53,074 D.A.'S LOOKING AT IT NOW. 1941 01:51:53,074 --> 01:51:55,442 LOOK, WHATEVER'S ON THAT TAPE... 1942 01:51:57,979 --> 01:52:00,782 WHATEVER'S ON THAT TAPE WHAT? 1943 01:52:03,117 --> 01:52:05,452 IS THERE REALLY A TAPE? 1944 01:52:12,927 --> 01:52:14,862 MAYBE I SHOULD TALK TO A LAWYER. 1945 01:52:14,862 --> 01:52:16,463 ABSOLUTELY. TALK TO A LAWYER. 1946 01:52:16,463 --> 01:52:17,731 WAIT A SECOND! WAIT! 1947 01:52:17,731 --> 01:52:19,133 YOU KNOW, I THOUGHT YOU WERE THE ONE 1948 01:52:19,133 --> 01:52:20,401 BEING MANIPULATED BY RICHARD, 1949 01:52:20,401 --> 01:52:22,603 BUT IT WAS THE OTHER WAY AROUND, WASN'T IT? 1950 01:52:22,603 --> 01:52:23,704 NO! 1951 01:52:23,704 --> 01:52:25,572 DO YOU SEE THESE MARKS ON MY NECK? 1952 01:52:25,572 --> 01:52:26,874 THEY'RE FROM RICHARD'S RING 1953 01:52:26,874 --> 01:52:28,209 WHEN HE TRIED TO STRANGLE ME. 1954 01:52:28,209 --> 01:52:31,278 THERE ARE NONE OF THESE MARKS ON OLIVIA'S NECK. 1955 01:52:31,278 --> 01:52:33,314 LOOK, RICHARD, COULD HAVE TAKEN OFF THAT RING 1956 01:52:33,314 --> 01:52:36,417 AT ANY POINT TO MAKE IT LOOK LIKE RAY DID IT. 1957 01:52:36,417 --> 01:52:38,786 THE RING HAS NOTHING TO DO WITH IT, JUSTIN. 1958 01:52:38,786 --> 01:52:41,322 YOU BETTER TELL ME RIGHT NOW WHAT HAPPENED... 1959 01:52:41,322 --> 01:52:42,489 I AM! 1960 01:52:42,489 --> 01:52:44,859 AND I'LL DO MY BEST TO GET YOU TRIED AS A JUVENILE. 1961 01:52:48,495 --> 01:52:50,231 YOU HAVE TO BELIEVE ME. 1962 01:52:50,231 --> 01:52:53,034 WHEN I WENT OVER THERE, I HAD NO IDEA. 1963 01:52:53,034 --> 01:52:55,469 I NEVER THOUGHT I'D... 1964 01:52:58,372 --> 01:53:01,809 [MUFFLED PLEAS] 1965 01:53:03,510 --> 01:53:04,912 OH, GOD. 1966 01:53:11,986 --> 01:53:14,788 [WOMAN STRUGGLING] 1967 01:53:14,788 --> 01:53:17,224 ARE YOU GONNA DO IT OR WHAT? 1968 01:53:20,727 --> 01:53:23,330 I--I CAN'T. 1969 01:53:26,233 --> 01:53:27,668 FUCK! 1970 01:53:27,668 --> 01:53:29,536 [WOMAN SOBBING] 1971 01:53:31,138 --> 01:53:33,207 SO, WHAT, I HAVE TO DO IT? 1972 01:53:33,207 --> 01:53:34,909 YOU DON'T DO ANYTHING. 1973 01:53:34,909 --> 01:53:36,677 YOU HAVE IDEAS. THAT'S IT! 1974 01:53:36,677 --> 01:53:39,213 YOU'RE SO FULL OF SHIT, TOO. 1975 01:53:39,213 --> 01:53:42,216 YOU'RE ALWAYS TELLING ME THAT... 1976 01:53:42,216 --> 01:53:45,619 CRIME'S NOT AN IDEA, RICHARD, IT'S AN ACT. 1977 01:53:45,619 --> 01:53:49,290 ANYBODY CAN THINK IT. ONLY FREE MEN CAN DO IT. 1978 01:53:51,692 --> 01:53:53,594 I'M FREE. 1979 01:53:57,698 --> 01:54:01,435 [MUFFLED PLEADING] 1980 01:54:01,435 --> 01:54:03,437 GIVE ME THE GLOVES. 1981 01:54:08,475 --> 01:54:10,177 GIVE THEM TO ME. 1982 01:54:15,582 --> 01:54:17,318 THANK YOU. 1983 01:54:18,319 --> 01:54:21,923 [MUFFLED PLEAS] 1984 01:54:41,375 --> 01:54:43,477 I HAD TO SHOW HIM. 1985 01:54:45,679 --> 01:54:48,615 I COULD HAVE LET YOU DIE UP THERE, BUT I DIDN'T. 1986 01:54:48,615 --> 01:54:49,951 I DIDN'T DO THAT. THANK YOU. 1987 01:54:49,951 --> 01:54:52,786 PLEASE, I JUST WANT A CHANCE. 1988 01:54:52,786 --> 01:54:54,888 I WANT TO START OVER. 1989 01:54:54,888 --> 01:54:56,423 I WANT TO START-- 1990 01:54:56,423 --> 01:54:58,892 DOESN'T WORK THAT WAY, JUSTIN. 1991 01:54:58,892 --> 01:55:00,894 YOU GET ONE LIFE. 1992 01:55:00,894 --> 01:55:02,896 AND WHATEVER YOU DO WITH IT 1993 01:55:02,896 --> 01:55:04,765 AND WHATEVER'S DONE TO YOU, 1994 01:55:04,765 --> 01:55:06,900 YOU GOTTA FACE THAT. 1995 01:55:06,900 --> 01:55:09,370 YOU CAN'T PRETEND IT DIDN'T HAPPEN. 1996 01:55:22,249 --> 01:55:24,618 Clerk: JESSICA MARIE HUDSON? 1997 01:55:26,853 --> 01:55:29,456 JESSICA MARIE HUDSON... 1998 01:55:29,456 --> 01:55:33,094 FOR THE CARL HUDSON PAROLE HEARING. 1999 01:55:34,228 --> 01:55:37,331 JESSICA MARIE HUDSON. 2000 01:55:39,000 --> 01:55:41,002 THAT'S ME. 134080