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[ INDISTINCT CONVERSATIONS ]
♪ THE WORLD IS TURNING SIDEWAYS ♪
♪ LIKE A FIRE IN THE LOOKING GLASS ♪
♪ 'CAUSE I THINK I'M SEEING CLEARLY ♪
♪ THE MIST THAT HIDES THE PAST ♪
♪ AND THERE'S SOMETHING I'VE BEEN MISSING ♪
[ MUSIC STOPS ]
[ CRICKETS CHIRPING ]
[ WOMAN LAUGHS ]
[ MUSIC RESUMES ]
[ LAUGHING ]
GRANDMOTHER?!
GRANDMA, PLEASE OPEN UP THE DOOR!
[ Echoing ] GRANDMA!
[ SIGHS ]
[ BIRDS CHIRPING ]
[ SIGHS ]
[ FLOORBOARDS CREAK ]
[ DOOR CREAKS ]
[ GRUNTING ]
EXCUSE ME.
THIS IS PRIVATE PROPERTY.
UH, JANET HARDY'S FAMILY MIGHT NOT APPRECIATE YOU
GOING ALL DEMOLITION DERBY ON IT.
WE DON'T MIND.
OH, WAIT A MINUTE.
YOU'RE HER GRANDDAUGHTER -- KATIE LAWRENCE.
I PLAYED A LITTLE GIRL ON TV CALLED KATIE LAWRENCE.
MY NAME IS CILLA McGOWAN.
AND PLEASE DON'T TELL ME I HAVEN'T CHANGED A BIT,
'CAUSE I KNOW THAT'S JUST NOT TRUE.
NO, UM, YOU'VE CHANGED...
A LOT.
YOUR GRANDMOTHER WAS AMAZING,
WORKING WITH BRANDO AND BEATTY AND McQUEEN,
THOSE HIT SONGS, AN ACADEMY AWARD WINNER.
TWO-TIME ACADEMY AWARD WINNER.
YEAH, AND I NEVER MET HER. SHE DIED BEFORE I WAS BORN.
LISTEN, YOU'RE NOT GONNA BRAIN ME WITH THAT SLEDGEHAMMER
IF I COME A LITTLE CLOSER, ARE YOU? WELL, NOT UNLESS YOU GIVE ME CAUSE.
I'M FORD SAWYER.
[ SIGHS ]
I LIVE ACROSS THE ROAD.
WHO NAMES THEIR KID AFTER A CAR?
APPARENTLY, I WAS CONCEIVED IN THE BACK OF A FORD MUSTANG.
GOOD THING YOUR FATHER DIDN'T HAVE A CAMRY.
WELL, UM...
I'LL LET YOU GET BACK TO WORK.
I WORK AT HOME, TOO,
SO IF YOU NEED ANYTHING, GIVE A HOLLER.
THANKS FOR THE HELP, NEIGHBOR.
[ ENGINE TURNS OVER ]
[ INSECTS CHIRPING ]
[ CRICKETS CHIRPING ]
[ DOG BARKING IN DISTANCE ]
[ INDISTINCT CONVERSATIONS ]
[ WOMAN LAUGHING ]
YOU!
OH! HI.
[ LAUGHING ]
GRANDMOTHER?
CILLA?!
OH!
HI.
DID -- DID YOU BRING MY PILLS?
OH, THAT'S A GOOD GIRL.
[ CHUCKLES ] GRANDMA NEEDS TO SLEEP.
[ CAP UNSCREWING, PILLS RATTLING ]
[ CHUCKLES NERVOUSLY ]
WHERE'S YOUR MOTHER? WHERE'S JOHNNIE?
GRANDMA, JOHNNIE'S DEAD.
[ POUNDING ON DOOR ] [ GASPS ]
I HAVE TO HURRY.
[ DOORKNOB RATTLING ] DON'T DO THAT.
NO, DON'T DO THAT. GRANDMA.
[ DOORKNOB RATTLING ]
[ POUNDING CONTINUES ] DON'T TAKE THOSE.
DON'T DO IT.
[ EXHALES SHARPLY ]
[ SIGHS ]
[ DOG BARKS IN DISTANCE ]
[ BIRDS CHIRPING ]
ARE YOU KIDDING ME?
[ BREATHING HEAVILY ]
[ VEHICLE APPROACHES ]
WHAT THE HECK HAPPENED HERE?
SOMEBODY JUST CUT DOWN MY NEW TREES.
I DON'T KNOW. SOME GUY'S BEEN LURKING AROUND.
MUST HAVE REALLY DISAGREED WITH YOUR LANDSCAPING CHOICES.
YOU MUST BE BRIAN.
I AM.
YOU'RE DEFINITELY CILLA McGOWAN.
HI. HI.
I'M GONNA GET THIS FIXED UP FOR YOU, OKAY?
I'M GONNA GIVE THE NURSERY A CALL AND GET YOU SOME REPLACEMENTS.
THANK YOU, BRIAN.
THIS IS THE MASTER BATHROOM.
BUDDY, WE'RE GONNA TAKE THIS WALL BACK,
PUSH IT BACK 4 FEET.
THAT TOILET IS GONNA END UP RIGHT THERE,
AND THEN THIS WHOLE ENTIRE WALL IS GONNA BE ALL GLASS BRICKS.
WHOLE SHOWER WALL RIGHT THERE.
YOU KNOW, YOU WON'T HAVE ANY PRIVACY.
THAT'S SO THAT THE NATURAL SUNLIGHT GETS IN THE SHOWER.
WHY IN GOD'S WORLD DOES ANYBODY NEED THIS MANY SHOWER HEADS?
IT'S BODY JETS, BUDDY. IT'S VERY MODERN.
OH, IT'S NOT JUST A SHOWER, BUDDY.
IT'S AN EXPERIENCE. MM-HMM.
WAIT TILL YOU TRY IT OUT.
COME ON. CHECK OUT THE KITCHEN. YOU'LL LIKE IT.
Brian: YOU WANT ME TO GET THAT FOR YOU, CILLA?
NO, THANKS. I GOT IT.
[ DOOR CREAKS ]
CHECK THIS OUT.
AWESOME. RIGHT?
YES.
ISN'T THAT AMAZING?
I'M SURPRISED ANYTHING'S LEFT IN HERE
WITH ALL THE TENANTS THIS PLACE HAD OVER THE YEARS.
DOESN'T THAT MAKE THE MOST INCREDIBLE OFFICE SPACE, THOUGH?
IT WOULD.
WOULD YOU HAVE THE GUYS MOVE ALL THIS STUFF INTO THE BARN TOMORROW?
ABSOLUTELY.
THAT'D BE GREAT.
HAVE THEM BE CAREFUL. IT'S ALL MY GRANDMOTHER'S STUFF.
I DON'T EVEN KNOW WHAT'S IN HERE.
[ LAUGHS ] LOOK AT THIS.
SO, THE GARDENS WILL BE RESTORED TO THEIR ORIGINAL GLORY.
YEAH, I'LL GET RID OF ALL THE VINES AND SQUATTER BUSHES
THAT HAVE TAKEN OVER.
PERFECT. THAT TREE --
THAT, UH, OAK TREE -- I...
SHANNA, WHO IS THAT MAN?
UM, THAT'S CARL HENNESSY.
HENNESSY. THANK YOU.
EXCUSE ME, MR. HENNESSY!
MR. HENNESSY.
HI, MR. HENNESSY.
DID YOU SEE WHO CUT DOWN MY TREES?
OHH! UGH!
ARE YOU OKAY?
YEAH.
OH, WHAT IS HIS PROBLEM?
OH.
OH, WOW.
GRANDMA, YOU KEPT YOUR RARE ONES.
YOU SAVED THEM.
♪ AND WHERE WOULD I GO, GO, GO? ♪
"SONGS FOR A RAINY AFTERNOON."
♪ YOU'RE MY SUNNY DAY
♪ AND YOU'RE THE SKY THAT'S BLUE ♪
♪ WHEN MY HEAD'S UP IN THE CLOUDS ♪
♪ YOU KEEP MY FEET DOWN ON THE GROUND ♪
[ DOG BARKS IN DISTANCE ]
PERFECT.
GRANDMA, MOM, AND JOHNNIE.
OH, GRANDMA.
"TRUDY, MY HEART POUNDS AS I WRITE THIS.
"EVERY NIGHT, I DREAM OF YOU,
"YOUR LAUGH, YOUR SMELL, YOUR TASTE --
"I DREAM OF MAKING LOVE TO YOU.
I'M YOURS FOREVER."
SECRET ADMIRER.
Ford: CILLA, YOU IN THERE? YEP.
HI.
HMM.
HOUSEWARMING PRESENT?
UH, ACTUALLY, NO.
IT'S PAYMENT...
IN ADVANCE.
I'M A GRAPHIC NOVELIST,
AND I'M CREATING A NEW CHARACTER FOR A NEW SERIES,
AND I NEED YOU.
YOU'RE MY WOMAN.
WILL I BE NEEDING MY SLEDGEHAMMER?
UH, WAIT, LOOK...
THIS IS DR. CASS MURPHY.
SHE'S AN ARCHAEOLOGIST, PROFESSOR OF THE SAME.
SHE'S A QUIET, UH, COOL, SOLITARY WOMAN,
EMOTIONALLY REPRESSED, YOU KNOW?
SHE LOOKS BORING.
UH, SHE'LL FIND AN ANCIENT WEAPON
WHEN SHE'S TRAPPED IN A CAVE BY AN EVIL SORCERER.
NATURALLY.
LISTEN, FORD, I HAVE A LOT OF WORK TO DO STILL, OKAY?
SHE TRANSFORMS INTO A CELTIC GODDESS
WITH CHINA-DOLL SKIN, AMBER EYES --
FIERCE, SEXY.
HER WEAPON OF CHOICE -- A TWO-HEADED HAMMER.
I NEED YOU AND YOUR SLEDGEHAMMER.
I THINK YOU SHOULD GO NOW.
I-I JUST NEED A COUPLE OF SHOTS OF YOU
WHILE YOU'RE WORKING AROUND THE YARD.
Brian: IS THIS GUY BOTHERING YOU? I CAN HANDLE HIM.
HEY, BRIAN.
WHAT, DOES EVERYBODY KNOW EVERYONE ELSE AROUND HERE?
PRETTY MUCH.
YEAH, WE WENT TO HIGH SCHOOL TOGETHER.
AND STILL PLAY A POKER GAME THAT OUR DADDIES' DADDIES STARTED
50 YEARS AGO?
52 YEARS AGO.
I DIDN'T GET TO GO TO HIGH SCHOOL.
I HAD A TUTOR THAT CAME TO THE SET.
THAT'S COOL.
OH, NO, NO, NO, NO. NOT COOL,
ESPECIALLY WHEN IT CAME TIME FOR THE PROM.
MY PARENTS USED TO HANG HERE ALL THE TIME.
THERE WERE SOME WILD-ASS PARTIES HERE.
I'M TALKING WILD-ASS.
HMM.
WELL, THERE'S A TRADITION THAT I'LL RESTORE.
FORD, GO HOME.
NICE.
[ CAMERA SHUTTER CLICKING ]
NICE. HOLD THAT RIGHT THERE.
NO, UP, UP.
BEAUTIFUL.
[ CAMERA SHUTTER CLICKING ]
CAN YOU DO ONE WITH --
LIKE UP OVER YOUR HEAD -- BOTH ARMS?
NICE.
BEAUTIFUL. I'M LOVING IT.
HOW ABOUT ONE JUST, UH, REGULAR,
LIKE YOU'RE GONNA SWING IT RIGHT ABOVE YOUR HEAD?
BEAUTIFUL.
[ CAMERA SHUTTER CLICKING ]
COULD YOU HOLD IT UP THERE?
LOOK, FORD, I DON'T KNOW IF YOU'VE NOTICED OR NOT,
BUT I'M ACTUALLY TRYING TO MAKE SOME PROGRESS HERE.
JUST PRETEND LIKE I'M NOT EVEN HERE.
OH, EASILY DONE.
WAIT, WAIT.
CAN YOU GO BACK TO THAT? JUST HOLD THAT FOR A SECOND?
REAL GOOD. HOLD THAT.
[ CAMERA SHUTTER CLICKING ]
THAT'S BEAUTIFUL.
GREAT.
SO, IT CAN'T BE NICE STAYING IN A HOUSE WITHOUT RUNNING WATER.
IF YOU WANT, YOU COULD SHOWER AT MY PLACE.
THAT...IS ACTUALLY AN OFFER I DON'T THINK I CAN REFUSE
SO, WHAT'S NEXT?
[ CAMERA SHUTTER CLICKING ]
I HAVE TO TAKE MY VIRGINIA STATE CONTRACTOR'S LICENSE TEST.
SO, LISTEN, COULD YOU HELP?
UM, YEAH, NO, I DON'T DO HAMMERS.
BUT I WIELD A PRETTY MEAN SPATULA.
HOW DO YOU LIKE YOUR STEAK?
[ CAMERA SHUTTER CLICKING ]
SO I COULD HEAR IT WHISPER, "Moo."
[ KNOCK ON DOOR ]
I BROUGHT YOUR BOTTLE OF WINE.
THE RETURN OF THE PRODIGAL PINOT.
MM...
I WAS JUST IN THE MIDDLE OF SAVING THE UNIVERSE FROM ALIENS,
BUT THE UNIVERSE CAN WAIT.
NATURALLY.
MY MOTHER, WHO'S AN ACTRESS, ALWAYS HATED IT HERE,
BUT SHE JUST COULDN'T BRING HERSELF TO SELL THE PLACE.
SO I'VE BEEN THINKING ABOUT BUYING IT FROM HER FOR YEARS.
EVEN THOUGH YOU'D NEVER BEEN HERE?
JANET LOVED THE LITTLE FARM, AND I ALWAYS WANTED TO KNOW WHY.
BESIDES, IT'S WHERE SHE DIED.
I NEVER REALLY LIKED HOLLYWOOD, ANYWAY.
WINE?
SURE. HIT ME, BABY.
BUT YOU WERE SO SUCCESSFUL.
OH, WELL, ONE HIT SHOW, SEVERAL -- THANKS --
SEVERAL "B" MOVIES,
IN THE END DOES NOT A CAREER MAKE, SO...
MMM!
MADAME.
THANK YOU, MONSIEUR.
MY MOTHER LOVED THE IDEA OF US BEING THIS BIG ACTING FAMILY,
LIKE THE FONDAS OR THE BARRYMORES.
SHE PUSHED ME INTO IT.
BUT, YOU KNOW, THE ONE GOOD THING ABOUT BEING A CHILD STAR
WAS THAT MY TV FAMILY AND I BECAME VERY CLOSE.
ALL I WANTED WAS A HOME.
WHAT?
WHAT?
WHAT?
YOU KNOW, FROM THE MOVIES AND THE PICTURES I'VE SEEN
OF YOUR GRANDMOTHER,
YOU'RE WAY MORE BEAUTIFUL THAN SHE WAS.
THIS WOULD BE ME OFFICIALLY HITTING ON YOU.
THAT'S NOT A SMART IDEA.
I'VE ALREADY HIT MY QUOTA OF MISTAKES FOR THE DECADE.
OUCH!
LOOK...
LIVE A LITTLE.
OH, I HAVE. SEE, I'VE LIVED A LOT.
FOR INSTANCE, IF I WERE TO SLEEP OVER, RIGHT,
I WOULDN'T SLEEP IN THE SPARE ROOM.
I'D SLEEP WITH YOU.
WOULD YOU LIKE SOME SALAD NOW?
YEAH.
THANK YOU FOR THE LOVELY DINNER AND THE WINE.
I APPRECIATE EVERYTHING -- BEING HIT ON, YOU KNOW?
THANK YOU.
LET ME WALK YOU HOME.
I JUST LIVE RIGHT ACROSS THE STREET.
WHO'S THAT?
STEVE.
STEVE!
HEY!
[ LAUGHS ]
CILLA! STEVE!
HEY!
[ LAUGHS ] OHH!
I'M SO EXCITED YOU'RE HERE!
YOU LOOK BEAUTIFUL.
WE CAN MAKE SOMETHING AMAZING OUT OF THIS, RIGHT?
AND WE'LL CREATE A SPACE RIGHT HERE.
WHY DIDN'T I THINK OF THAT?
AND YOU CAN GO STRAIGHT TO THE PORCH.
YOU'RE A GENIUS. [ KNOCKING ON DOOR ]
EXCUSE ME. OKAY.
HI.
JUST WANTED TO SEE IF YOU GOT HOME OKAY.
WHO IS IT?
THIS IS STEVE CHENSKY,
TO WHOM I WAS MARRIED FOR ABOUT FIVE MINUTES.
IT WAS FIVE MONTHS, CILLA.
STEVE TAUGHT ME EVERYTHING I KNOW ABOUT FLIPPING HOUSES.
AND A FEW OTHER THINGS.
UH, STEVE, THIS IS FORD SAWYER.
FORD SAWYER?
YEAH.
THE FORD SAWYER?
WHAT?
NO FRICKIN' WAY.
FORD HERE CREATED "THE PRODIGAL" SERIES!
HE IS THE PRODIGAL.
DUDE, CHECK THIS OUT, MAN! LOOK AT THIS!
YOU DID THAT?
NOT THAT, BUT, UH...
YEAH, YEAH. THE, UH, PRODIGAL -- HE'S MINE.
COOL.
COOL?
REALLY COOL.
Cilla: YOU KNOW, I'M REALLY HAPPY YOU'RE HERE,
AND YOU CAN STAY AS LONG AS YOU WANT,
BUT YOU REALLY NEED TO GET YOUR OWN SLEEPING BAG, OKAY?
EXCUSE ME, PLEASE.
I JUST -- I CAN'T GET THIS SIDE ZIPPED.
OKAY.
OH, FOR CRYING OUT LOUD.
YOU KNOW, WE'D TAKE UP LESS ROOM IF WE SPOONED.
AND EVEN LESS IF WE...
[ LAUGHS ]
OUCH! HARSH!
OKAY.
[ CRICKETS CHIRPING ]
[ DOOR CREAKS ]
DID YOU HEAR THAT CREAK?
[ DOG BARKING IN DISTANCE ]
IT'S AN OLD HOUSE, CIL.
NO, THAT WAS A CREAK.
IT CREAKS.
SOMEBODY ALREADY VANDALIZED MY TREES.
I JUST WANT TO MAKE SURE.
SHOULD WE GO INVESTIGATE?
NO.
[ INDISTINCT SHOUTING ]
STEVE?
"PRODIGAL" MAN!
HOW GOES IT?
THOUGHT YOU MIGHT LIKE THESE --
"PRODIGAL" ORIGINAL ISSUES ONE THROUGH SIX.
BRO!
[ CHUCKLES ]
WOW. THANKS, MAN.
SO, STEVE, YOU MIND IF I ASK YOU WHY YOU AND, UH, CILLA SPLIT?
WELL, IT TOOK US ABOUT FIVE MINUTES TO REALIZE
WE WERE BETTER AT THE FRIEND GIG THAN THE MARRIAGE THING.
I LOVE HER...
LIKE A SISTER.
THANKS.
YOU KNOW, IF YOU'RE GONNA BE HANGING AROUND FOR A WHILE,
YOU CAN CRASH AT MY PLACE.
NO SENSE YOU SLEEPING IN THE BARN.
I'M NOT SLEEPING IN THE BARN.
OH, REALLY? I JUST FIGURED --
YOU KNOW, I SAW A FLASHLIGHT GOING DOWN THERE LAST NIGHT.
NO FREAKING WAY. WHEN?
UH, 3:00 IN THE MORNING.
NO WAY. PLACE IS TRASHED.
LOOK AT THIS.
THEY TORE THROUGH THESE BOXES.
AND ALL HER JEWELRY.
WHAT ARE YOU BOYS UP TO?
FORD SAW SOMEBODY SKULKING AROUND LAST NIGHT.
SAME TIME YOU HEARD THAT CREAKING NOISE. OH, NO.
Ford: IF I WERE YOU, I'D START LOCKING THE BARN.
[ SIGHS ]
OH, LOOK AT ALL THIS.
OW! WHAT?! WHAT IS IT?
SPLINTER.
OH. I FEEL SO MUCH SAFER WITH YOU BOYS AROUND.
UM...
I OFFERED STEVE A ROOM.
WELL, THAT'S VERY NEIGHBORLY OF YOU.
NOT REALLY.
I COULDN'T SLEEP
KNOWING THE TWO OF YOU GUYS WERE SHARING A BEDROOM.
THANKS.
THANK YOU, NEIGHBOR.
ALL RIGHT.
WANT TO COME TO DINNER WITH ME TONIGHT IN TOWN?
SORRY. I GOT A DATE WITH SHANNA.
OH, THE LANDSCAPER. THAT WAS FAST.
LIFE'S SHORT.
YES, IT IS.
ALL RIGHTY. [ ENGINE TURNS OVER ]
HAVE FUN!
DON'T WAIT UP.
PREGNANT?
YOU WERE PREGNANT.
OH, GRANDMA, WHAT HAPPENED TO YOU?
♪ IF I COULD KNOW WHERE THE SOUL WILL GO... ♪
OH! OH!
HOLLYWOOD IS WHERE THE MAGIC HAPPENS.
IN THE REAL WORLD, WE'RE JUST GHOSTS,
BUT HERE WE'RE REAL.
BUT THIS ISN'T REAL. I HATED ACTING.
I FELT SO ALONE BEING THE CENTER OF EVERYONE'S ATTENTION.
I WAS ALWAYS HAPPY ON SET.
BUT YOU KILLED YOURSELF.
AND IF YOU WERE PREGNANT...
IF?
♪ IF, IF, IF
"IF" IS FOR TOMORROW.
[ CHUCKLES ]
[ GASPS ]
[ Echoing ] WHO WAS THE FATHER?
WHOO!
WHO WAS THE FATHER?
WHO WAS THE FATHER?!
HMM.
HMM.
HEY! AAH!
OHH!
GOOD MORNING, CILLA.
Cilla: MORNING.
I BROUGHT DELICIOUS DOUGHNUTS.
OOH, I LOVE DOUGHNUTS.
HEY, IS STEVE UP YET?
I THOUGHT HE SPENT THE NIGHT WITH YOU.
NO.
Ford: THIS LOCK'S BEEN CUT.
I LOCKED THAT LAST NIGHT.
[ DOOR CREAKS ]
[ GASPS ]
OH, GOD! OH, NO!
OH, GOD!
SOMEBODY CALL 911!
STAY WITH ME, BABY.
IT WAS PROBABLY JUST SOME SCAVENGER.
STEVE WAS JUST IN THE WRONG PLACE AT THE WRONG TIME.
Brian: FORD.
HEY.
CILLA, THIS IS MY MOM, CATHY.
OH, YOU POOR DEAR.
MOM WORKS HERE AS A VOLUNTEER.
OH.
YOUR FRIEND IS IN VERY CAPABLE HANDS.
DR. PATEL IS OPERATING,
BUT IT'S GONNA BE A FEW MORE HOURS.
THANK YOU, MRS. MORROW.
OH, PLEASE CALL ME "CATHY." CATHY.
THANKS, MA.
OH, AND I'LL CALL YOU IF I HEAR ANYTHING.
THANKS.
I'M GONNA GO BACK TO YOUR PLACE AND MAKE SURE EVERYTHING'S OKAY.
OKAY. THANK YOU.
BYE.
ALL RIGHT. SEE YOU LATER.
FORD, YOU DON'T NEED TO STICK AROUND.
I'M NOT LEAVING YOU ALONE.
Woman: MAY I HELP YOU?
Man: I'M LOOKING FOR A CILLA McGOWAN.
THAT'S ME.
MS. McGOWAN. YES.
I'M DETECTIVE WILSON.
NICE TO MEET YOU.
HELLO, ALVIN. FORD.
I'D LIKE TO SPEAK TO YOU ALONE.
FINE. I'LL, UH, GO MAKE A PHONE CALL.
THANKS. OKAY.
WHAT EXACTLY IS YOUR RELATIONSHIP TO MR. CHENSKY?
UH, EXACTLY?
WE USED TO BE MARRIED.
WAS MR. CHENSKY JEALOUS OF MR. SAWYER?
OH, NO, NO.
STEVE ABSOLUTELY IDOLIZES FORD.
YOU KNOW, YOU SHOULD CHECK IN TO MR. HENNESSY
AND SEE WHAT HE WAS DOING LAST NIGHT.
CARL HENNESSY? WHY?
I HAD JUST PLANTED SOME NEW TREES,
AND SOMEBODY CHOSE TO CHOP THEM DOWN.
HENNESSY'S VAN WAS PARKED OUTSIDE MY HOUSE.
I CONFRONTED HIM ABOUT IT. HE SPAT AT ME.
YOU KNOW, UH, HENNESSY DOES HAVE MOTIVE.
WHAT DO YOU MEAN?
WELL, HIS SON DIED LAST YEAR,
AND HE STILL BLAMES YOUR GRANDMOTHER FOR WHAT HAPPENED.
WHAT HAPPENED?
YOU DON'T KNOW ABOUT YOUR UNCLE JOHNNIE'S ACCIDENT?
I KNOW MY UNCLE JOHNNIE DIED IN A CAR CRASH.
WELL, HENNESSY'S SON WAS IN THE CAR WITH HIM
AND HE WAS LEFT A QUADRIPLEGIC.
OH, MY GOD.
YOUR UNCLE JOHNNIE WAS DRIVING, AND HE WAS DRUNK.
SO HENNESSY BLAMED MY GRANDMOTHER,
AND NOW HE BLAMES ME.
I'LL TALK TO HENNESSY.
IN THE MEANTIME,
I'LL SEND A CRUISER PAST YOUR PLACE EVERY COUPLE OF HOURS.
THANK YOU.
THANK YOU.
YOU SHOULD PROBABLY GET AN ALARM SYSTEM...
OR A BIG DOG.
I'LL GET AN ALARM SYSTEM. LESS CLEANUP.
THANKS, AL.
SEE YOU, FORD.
THANK YOU.
[ SIGHS ]
SLEEP AT MY HOUSE TONIGHT. I DON'T WANT YOU STAYING ALONE.
OH, NO.
I'M GONNA BE SLEEPING IN MY HOUSE.
FINE. SO WILL I, THEN.
IN MY OWN BAG.
THIS IS NOT NEGOTIABLE.
UM, YOU COULD PUT YOUR SLEEPING BAG
ON THE MATTRESS NEXT TO ME -- MINE.
OKAY.
YOU CAN TURN AROUND NOW.
I, UH, SLEEP IN BOXERS.
OH, I'VE SEEN BOXERS.
I'M NOT AS DECENT AS YOU.
OKAY.
NEVER SEEN THOSE BOXERS BEFORE.
I GET "PRODIGAL" SWAG FOR FREE.
[ SIGHS ]
I'M GLAD YOU'RE HERE.
GLAD TO BE HERE.
GOOD NIGHT.
Janet: CILLA? CILLA?
OVER HERE. THIS WAY.
WHO ARE YOU LOOKING FOR?
TRUDY.
BUT YOU WERE TRUDY.
[ LAUGHS ]
OF COURSE.
BUT JANET'S MUCH MORE INTERESTING.
[ GASPS ]
HERE IT IS!
OH, MY.
[ BIRD SQUAWKS ]
WHO DID YOU KILL THAT NIGHT --
JANET OR TRUDY?
[ LAUGHS ]
I'M PREGNANT.
I'M FINALLY HAPPY AGAIN.
[ GASPS ]
AAH! CILLA?!
AAAAAAAAHH!
[ GASPS ]
[ THUNDER RUMBLES, RAIN FALLING ]
WOULD YOU KEEP THIS HERE FOR ME?
THERE ARE SO MANY PEOPLE IN AND OUT OF MY HOUSE.
SURE.
TRUDY HAMILTON.
THAT WAS MY GRANDMOTHER'S REAL NAME.
IT SEEMS LIKE THE AFFAIR STARTED
THE LAST LETTER WAS MAILED AND SENT TO THE LITTLE FARM
ABOUT A WEEK BEFORE JANET KILLED HERSELF.
THEY'RE ALL UNSIGNED.
BUT THEY'RE ALL POSTMARKED FROM AROUND HERE.
HE WAS MARRIED.
AND JANET WAS CARRYING HIS BABY.
IF SHE WAS CARRYING HIS BABY AND JANET KNEW SHE WAS PREGNANT,
WHY WOULD SHE KILL HERSELF?
MAYBE IT WAS AN ACCIDENTAL OVERDOSE.
LISTEN TO THIS --
LAST ONE.
"THIS STOPS NOW --
"THE CALLS TO MY WIFE, THE THREATS.
"THE HYSTERIA STOPS NOW.
WHATEVER WE HAD, IT'S OVER, JANET."
AND THERE'S THIS SECTION --
"DON'T THREATEN ME AGAIN, OR YOU WILL PAY FOR IT.
I PROMISE YOU."
WHAT IF SHE DIDN'T COMMIT SUICIDE?
WILSON SHOULD HAVE THESE.
NO, NOT YET.
LETTERS FROM JANET HARDY'S LOVER.
NO.
ALL THAT SPECULATION, PRESS, THE OBSESSED FANS.
MY GRANDMOTHER'S NAME WILL BE DRAGGED THROUGH THE MUD AGAIN,
AND ANY CHANCE THAT I HAD AT A NORMAL LIFE
WILL GO UP IN FLAMES.
SO FOR NOW, THIS WILL JUST BE OUR LITTLE SECRET.
YOU WANT TO GO GET SOME ICE CREAM?
YOU ARE A VERY CONFUSING MAN, FORD.
THANK YOU. YOU'RE WELCOME.
THANKS.
That's Janet's granddaughter.
HI. HI.
WHOO!
SEE WHAT IT'S LIKE BEING JANET HARDY'S GRANDDAUGHTER?
COMPLETE STRANGERS JUST STOP YOU AND STARE AT YOU,
TELL YOU THAT YOU REMIND THEM OF HER.
DO I? AM I LIKE HER?
I DON'T EVEN KNOW WHO I AM.
WELL, I'M NOT SURE WHAT YOUR GRANDMOTHER WAS LIKE,
BUT, UH, I'M GETTING TO KNOW YOU.
WHAT -- NEUROTIC, SELF-DOUBTING?
AND SMART, SELF-ASSURED, DRIVEN.
OH, YEAH, RIGHT.
[ LAUGHS ] PUT IT THERE.
WHAT DO YOU THINK?
OKAY.
SO, YOU WANT TO REPLACE ALL THE BROKEN ROSETTE MEDALLIONS
WITH THESE, UH...
SHAMROCKS.
SHAMROCKS? YES.
YES, THEY ARE IRISH AND LUCKY,
AND I THINK MY GRANDMOTHER WOULD HAVE GOTTEN
A BIG KICK OUT OF THEM.
OKAY.
WHAT WAS SHE LIKE -- MY GRANDMA?
I REMEMBER HER LAUGH. JUST KIND OF LIT THE PLACE UP.
DO YOU REMEMBER ANY TALK
OF HER GETTING FRIENDLY WITH A LOCAL MAN?
LOTS OF FOLKS SAID ALL KINDS OF THINGS.
MOST OF IT WASN'T EVEN IN THE SAME NEIGHBORHOOD
AS THE TRUTH.
"WHAT DISCilla: COME IN.ED
[ SHOWER RUNNING ]
THIS IS REALLY FANTASTIC...
AND EXTREMELY DISAPPOINTING.
YOU DON'T LIKE IT?
I LOVE IT.
IT MEANS YOU WON'T BE SHOWERING AT MY PLACE ANYMORE.
[ WATER STOPS ]
I MIGHT...
IF YOU ASK NICELY.
TOWEL, PLEASE.
THANK YOU.
THIS IS HUGE! IT'S A BEACH TOWEL.
WELL, YOU SAID, "BIG."
A "PRODIGAL" TOWEL?
I THOUGHT I MIGHT MAKE YOU, UH, DINNER TONIGHT.
OH, THANK YOU, BUT I'M NOT HUNGRY.
I'M REALLY NERVOUS ABOUT THAT TEST.
IT'S COMING UP SOON. I HAVE TO STUDY FOR IT.
WELL, YOU CAN'T STUDY ON AN EMPTY STOMACH.
[ SIGHS ]
BESIDES, I'M MAKING MY NUMBER-TWO SPECIALTY.
YOU ALL RIGHT?
OW! OW! OW!
MAC AND CHEESE?
OH, WHAT'S YOUR THIRD SPECIALITY -- LUNCHABLES?
YOU KNOW, WHEN A GUY OFFERS TO COOK, UH, DINNER FOR YOU,
ESPECIALLY WHEN YOUR KITCHEN'S A DISASTER,
I WOULDN'T COMPLAIN.
WHY ARE YOU DOING ALL THIS FOR ME?
'CAUSE I BELIEVE YOU MATTER.
THAT'S THE SECOND TIME YOU'VE SAID SOMETHING TO ME
THAT NOBODY'S EVER SAID TO ME BEFORE.
WHAT WAS THE FIRST?
THAT YOU WOULDN'T LEAVE ME ALONE.
[ INDISTINCT CONVERSATIONS ]
HEY!
HENNESSY!
HEY! GET AWAY!
I'VE HAD ENOUGH OF YOU! YOU HAVE HURT US ENOUGH!
I'VE HURT YOU?! WHAT THE HELL ARE YOU TALKING ABOUT?!
YOU'LL NOT GET AWAY WITH THIS!
YOU ALMOST KILLED STEVE.
DO YOU KNOW HE'S IN THE HOSPITAL?
STOP SPINNING YOUR LIES TO THE POLICE!
I'M NOT LYING TO THE POLICE!
YOU STAY AWAY FROM ME! YOU STAY AWAY FROM MY HOUSE!
YOU STAY AWAY FROM EVERYBODY I KNOW!
YOU STAY AWAY!
[ TIRES SQUEALING ]
CATHY? HI.
CILLA.
HEY. HOW ARE YOU?
HOW'S STEVE?
HE'S DOING BETTER, GETTING STRONGER.
GOOD.
[ CLEARS THROAT ]
I'M, UH, TOM... OH.
CATHY'S HUSBAND.
HELLO.
HOW'S OUR SON WORKING OUT? IS HE DOING THE JOB FOR YOU?
BRIAN'S DOING FANTASTIC.
SO, YOU ARE TOM -- THE TOM. FINALLY, THE REAL-ESTATE GURU.
UM, MAYBE WE COULD TALK SOMETIME ABOUT THE LOCAL MARKET.
I'D LOVE TO FIND SOME FIXER-UPPERS.
ANYTIME. I'D LOVE TO HELP.
[ CHUCKLES ] THANK YOU.
YOU REALLY ARE PUTTING ROOTS DOWN.
THAT'S FANTASTIC.
WELL, I, UH, BETTER GO SEE STEVE.
BUT I'D LOVE IT IF YOU TWO COULD DROP BY
AND MAYBE SEE SOME OF BRIAN'S WORK.
YEAH, I WAS HOPING YOU'D INVITE US.
TAKE CARE. BE STRONG.
[ SMOOCHES ]
OKAY.
BYE. THANKS.
THE REASON TO MAKE THIS PLACE HOME
IS BECAUSE OF PEOPLE LIKE THE MORROWS AND BRIAN AND SHANNA
AND EVEN CRANKY BUDDY...
AND FORD.
I KNOW THAT I DON'T HAVE THE BEST TRACK RECORD
WHEN IT COMES TO RELATIONSHIPS, PRESENT COMPANY INCLUDED,
BUT, UM...
...I really think I'm falling for this guy.
DAMN.
STEVE? STEVE?!
STEVE, DID YOU JUST SAY SOMETHING?
DID YOU JUST T-TALK TO ME, BABY?
WHAT ARE YOU DOING HERE?
[ LAUGHS ]
YOU'RE HERE. YOU'RE IN VIRGINIA.
OH, RIGHT.
YOU'RE FINE. EVERYTHING'S GOING TO HEAL.
I'M SO GLAD YOU'RE AWAKE!
IS MY BIKE OKAY?
[ LAUGHS ]
YOUR BIKE IS PERFECT. IT'S PERFECT.
I ALREADY SHIPPED IT BACK TO L.A.
MM. OH.
[ KEYPAD BEEPING ]
Cilla: LITTLE FARM.
I'M NOT HERE RIGHT NOW,
BUT YOU CAN LEAVE YOUR MESSAGE AFTER THE BEEP.
[ BEEP ]
Ford: HI. YOU DIDN'T ANSWER THE DOOR,
AND -- AND YOU'RE NOT ANSWERING THIS,
SO I'M WONDERING IF I SHOULD WORRY
OR JUST BE INSANELY JEALOUS
BECAUSE YOU RAN OFF WITH SOMEONE.
UM, ANYWAY, GIVE ME A CALL SO I KNOW ONE WAY OR THE OTHER.
[ BEEP ]
MAN, YOU ARE SO CUTE,
AND IF I WASN'T SO TIRED RIGHT NOW,
I'D GO RIGHT ON OVER THERE AND JUMP YOUR BONES.
OHH!
[ GASPS ]
THEY BYPASSED THE ALARM
BY BUSTING THE LOCK OFF THE CELLAR DOORS HERE.
WELL, I'LL GET BRIAN TO WIRE THE CELLAR DOORS, TOO.
WHOEVER DID THIS KNEW YOU WERE OUT OF THE HOUSE.
I STRONGLY BELIEVE THAT MR. HENNESSY
HAD SOMETHING TO DO WITH MY GRANDMOTHER'S DEATH.
YOUR GRANDMOTHER COMMITTED SUICIDE.
NOW, THEY'RE ALL UNSIGNED. IT COULD HAVE BEEN HENNESSY.
LOWERCASE Y's ARE REALLY DISTINCTIVE,
LIKE LITTLE FISHHOOKS.
IT'D BE EASY TO CHECK HIS HANDWRITING.
YEAH.
THAT -- THAT WOULD MAKE HENNESSY AND YOUR GRANDMOTHER LOVERS.
THINK ABOUT IT.
I MEAN, IF HENNESSY WAS SLEEPING WITH JANET
WHEN THE SON WAS KILLED,
IT'D BE A REALLY HEAVY GUILT TRIP.
THE TENOR OF THE LETTERS --
THEY ALL CHANGED AFTER THE ACCIDENT.
THEN JANET FOUND OUT SHE WAS PREGNANT
AND WANTED TO KEEP THE BABY.
HENNESSY COULD HAVE KILLED MY GRANDMOTHER
AND MADE IT LOOK LIKE A SUICIDE.
WELL, HENNESSY CLAIMS HE WAS AT HOME WITH HIS WIFE
WHEN STEVE WAS ATTACKED, AND SHE BACKS HIM UP.
I'M GONNA TALK TO THEM AGAIN. AND I'LL GET A WRITING SAMPLE.
[ KEYPAD BEEPING ]
WHY AM I STILL HERE? HUH?
I COULD GO BACK TO L.A. WITH STEVE,
MAKE A PERFECTLY GOOD LIVING FLIPPING HOUSES.
[ SIGHS ]
"GO" IS NOT AN OPTION. YOU KNOW YOU WANT TO STAY.
YEAH, BUT WHAT IF IT'S A MISTAKE?
I DON'T THINK SO.
I THINK THIS HOUSE IS WORTH FIGHTING FOR.
WOULD, UM...
WOULD YOU HOLD ME FOR A LITTLE WHILE?
PLEASE?
SURE.
THANK YOU.
BETTER?
YEAH.
WE'LL FIGURE IT OUT, BUT NOT TONIGHT.
TONIGHT WE'LL JUST LIE HERE
AND LISTEN TO THE HOUSE SETTLING
AND THE NIGHT...
AND THE BUGS.
WHY AREN'T YOU IN A RELATIONSHIP?
BEEN SAVING MYSELF.
FOR WHAT?
YOU.
WHAT IF I NEVER CAME HERE?
WELL, I'D HAVE BEEN A VERY LONELY MAN.
HENNESSY, OPEN UP!
HI. UH, EXCUSE ME.
I NEED TO SPEAK WITH YOUR HUSBAND, PLEASE.
HE ISN'T HERE.
WAIT, WAIT, WAIT, WAIT, WAIT.
LISTEN, LITTLE GIRL, YOU'VE GOT TO STOP THIS.
WHAT THE HELL ARE YOU TALKING ABOUT?
LYING TO THE POLICE.
TELL YOUR HUSBAND TO STOP. STOP WHAT?
STOP THE VANDALISM, STOP THE ATTACKS. MY HUSBAND IS A GOOD MAN.
STOP STALKING ME! GO AWAY NOW.
DO YOU KNOW THAT YOUR HUSBAND'S A STALKER?
YOU AND YOUR KIN HAVE DONE NOTHING
BUT BRING US SORROW AND MISERY.
[ DOOR SLAMS ]
[ HORN HONKING ]
[ HONKING CONTINUES ]
[ TIRES SQUEAL ]
THAT GUY IS ABSOLUTELY CRAZY.
[ HONKING CONTINUES ]
[ TIRES SQUEAL ]
[ TIRES SQUEAL ]
YOU DO NOT COME TO MY HOUSE, AND YOU DO NOT TALK TO MY WIFE!
YOU ARE ONE CRAZY SON OF A BITCH!
HEY!
GET BACK!
OHH!
[ COUGHING ]
STAY DOWN, OR I WILL NEED TO KEEP YOU DOWN!
I CALLED THE POLICE.
I SEE YOU IN THERE, JANET HARDY.
TAKE MR. HENNESSY TO COUNTY.
Cilla: HE'S ABSOLUTELY CRAZY.
HE THINKS I'M JANET HARDY.
YOU BETTER GET THAT ARM CHECKED OUT AT THE HOSPITAL.
NO, I'M FINE, THANKS.
Ford: IT'S ALL OVER NOW, CILLA.
HENNESSY'S GONE.
COME HERE.
OH, MY LORD.
SHE'S A GODDESS.
AN ASS-KICKING GODDESS.
SHE LOOKS SO STRONG AND BOLD.
AND FIERCE AND SEXY.
AND NOTHING LIKE ME.
WHERE'S THIS COMING FROM?
I GOT ALL THIS FROM YOU.
I'M THINKING ABOUT GIVING BRID A TATTOO.
WOW.
CELTIC SYMBOL OF FEMALE POWER.
LIKE STEVE DIDN'T TELL YOU.
NO. KISMET.
ALL MY LIFE, PEOPLE HAVE WATCHED ME,
TOOK PICTURES OF ME, OBSERVED ME.
AND, UH, I DIDN'T HAVE CONTROL OVER IT.
THIS LITTLE TATTOO IS PRIVATE.
I CONTROL WHO I SHARE IT WITH.
I CAN CHANGE HER FACE IF YOU WANT.
NO, NO, NO.
I LOVE BEING THE INSPIRATION FOR A COMIC-BOOK HEROINE.
IT'S JUST...
I JUST THINK THAT THE CUP SIZE
IS, UM, A BIT EXAGGERATED, YOU KNOW?
WELL, LET ME GET IT RIGHT.
LET YOU SEE YOURSELF AS I DO.
HOW -- HOW DO YOU, UH...
DO YOU WANT ME TO POSE LIKE...
MAKE YOURSELF COMFORTABLE.
WHAT, I'M NOT COMFORTABLE ENOUGH FOR YOU?
[ LAUGHTER ]
JUST LIE BACK.
HOW DO YOU...
MAYBE FACE ME.
[ LAUGHS ]
NICE.
HERE, MOVE THAT LEG UP A LITTLE AND GIVE ME A LITTLE SPACE.
THAT'S NICE.
BRING YOUR HAND UP ABOVE THE -- NEXT TO THE OTHER ARM.
THERE?
YEAH.
A LITTLE MORE COMFORTABLE.
BEAUTIFUL.
WHAT ABOUT...
[ CLICKS TONGUE ]
...ON HER BICEP?
I CAN DO THAT.
LIKE A REAL SUPERHERO.
DONE AND DONE.
THANK YOU.
[ SIGHS ]
UM...
THIS IS BADNESS.
CAN I SEE IT?
SURE.
IT'S READY?
WOW.
I'VE HAD MY PICTURE TAKEN ABOUT A ZILLION TIMES.
NOBODY'S EVER ACTUALLY CAPTURED ME.
WE SHOULD DO THAT AGAIN SOMETIME SOON --
AT LEAST TRY IT, IF YOU CAN MANAGE.
WELL, THE FIRST TIME, I WAS ONLY GOING ABOUT 75%.
NOW FOR ROUND 2...
[ HORN HONKING, CAR ALARM BLARING ]
OH, NO. THAT'S MY ALARM.
[ HONKING, BLARING CONTINUE ]
MY TRUCK!
FORD.
JUST STOP IT!
OH, MAN, MY TIRES!
FORD. FORD, THEY SLASHED MY TIRES.
THEY KEYED THE WHOLE ENTIRE SIDE OF THE TRUCK.
WHAT THE HELL'S THAT?
WHAT?
IT'S ME.
THAT'S A KATIE LAWRENCE DOLL.
OH, MY GOD.
THIS IS WHAT THEY WANT TO DO TO ME.
GIVE ME THAT.
[ SIGHS ]
IT'S NOT OVER. COME HERE.
[ DOOR OPENS ]
Ford: THERE YOU ARE.
[ DOOR CLOSES ]
CAN I GET A HIT OF YOUR COFFEE?
SURE.
[ BIRDS CHIRPING ]
SITTING HERE FOR THE FIRST TIME,
I COULD SEE WHY SHE FELT THE WAY SHE DID ABOUT IT HERE.
I FEEL IT, TOO.
THAT'S 'CAUSE YOU'RE NOT JUST REBUILDING A HOUSE,
YOU'RE BRINGING IT BACK TO LIFE.
AS A TRIBUTE TO MY GRANDMOTHER.
BUT IT'S REALLY --
IT'S FOR ME, TOO.
[ SIGHS ]
MORNING, ALVIN.
MORNING.
MORNING.
FORENSICS COULDN'T LIFT ANY PRINTS FROM THE DOLL,
BUT WE FOUND SOME RESIDUAL CORNSTARCH.
CORNSTARCH?
MODIFIED CORNSTARCH.
WHOEVER DID THIS TO YOUR CAR WAS WEARING LATEX GLOVES.
THEY'RE VERY COMMON, BUT WE'RE LOOKING INTO IT.
GOOD.
AND WE FOUND MRS. HENNESSY.
SHE WAS STAYING DOWN AT A MOTEL NEAR THE PRISON.
SHE WAS VISITING HER HUSBAND.
SHE'S BACK, SO I'M GONNA PAY HER A VISIT.
THANK YOU.
SEE YOU. HAVE A GOOD DAY.
YOU TOO.
SHOULDN'T YOU BE GETTING GOING?
Cilla: EXCUSE ME.
IS THIS THE CONTRACTOR'S LICENSE EXAM?
Man: YES, MA'AM. TAKE A SEAT.
GENTLEMEN.
WELL... THINGS ARE LOOKING UP.
OKAY.
HERE YOU GO.
THANK YOU.
HI. HEY.
Man: OKAY. ALL RIGHT, EVERYONE,
YOU GOT TWO HOURS BEFORE THE BREAK.
GOOD LUCK.
[ CORK POPS ]
I AM CONTRACTOR GIRL!
Ford: TO YOUR SUCCESS.
[ Laughing ] YEAH, OKAY.
WE TRIED.
MM.
SO, I'VE BEEN DOING SOME DETECTIVE WORK.
AFTER THE TEST,
I WENT DOWN TO THE HALL OF RECORDS.
LOOK WHAT I FOUND.
THAT'S JANET HARDY'S AUTOPSY REPORT.
JANET HARDY WAS A 38-YEAR-OLD CAUCASIAN WOMAN,
DIED OF ACUTE COMBINED DRUG-AND-ALCOHOL INTOXICATION.
THE MANNER OF DEATH IS DETERMINED TO BE ACCIDENT.
THERE'S NO MENTION OF A PREGNANCY.
LOOK.
IT'S POSSIBLE THAT JANET LIED ABOUT BEING PREGNANT.
WELL, THAT'S WHAT I'M GONNA FIND OUT.
EXCUSE ME. DR. RICE?
DO I KNOW YOU?
NO, BUT MY GRANDMOTHER WAS JANET HARDY.
HERE. LOOK AT THIS.
YOU EXAMINED HER HEART, HER STOMACH, HER BLOOD.
HOW DID YOU MISS THE PREGNANCY?
LOOK, I, UH, WAS PERSUADED
TO LEAVE THAT DETAIL OUT OF MY OFFICIAL REPORT.
BY WHOM?
I-I-I GOT A FRANTIC PHONE CALL.
IT -- IT WAS -- IT WAS A PUBLICIST WHO CALLED ME.
SHE -- SHE BEGGED ME NOT TO NOTE THE PREGNANCY.
WHY WOULD YOU LISTEN TO HER?
THE WAY I SAW IT,
THE ONLY VICTIM OF MY OMISSION WAS THE UNBORN BABY.
UNLESS JANET DIDN'T KILL HERSELF,
THEN THEY'RE BOTH VICTIMS.
YOUNG LADY, I DIDN'T SEE ANY HAND IN JANET HARDY'S DEATH
EXCEPT HER OWN.
IF JANET'S PUBLICIST KNEW SHE WAS PREGNANT,
SHE PROBABLY KNEW SHE WAS HAVING AN AFFAIR.
LET ME TRY SOMETHING.
WHO ARE YOU CALLING?
Hello?
MOM? IT'S CILLA.
YES. NO, I KNOW YOU'RE BUSY.
I KNOW. I JUST HAVE TO ASK YOU ONE QUICK QUESTION.
WHO WAS GRANDMOTHER'S PUBLICIST WHEN SHE DIED?
She had the same publicist her whole life.
It was George. WHO?
Do you remember?
ARE YOU SURE?
NO, I-I DON'T WANT TO FLY THERE AND BE IN YOUR SHOW, OKAY?
I'M SORRY.
UM, DID YOU KNOW THAT GRANDMA WAS PREGNANT WHEN SHE DIED
OR THAT SHE WAS HAVING AN AFFAIR?
You are obsessed!
I'M NOT OBSESSED, MOM.
Yes, you are.
[ Click ] MOM?
OKAY.
I COME FROM A DYSFUNCTIONAL FAMILY.
THAT WAS INTERESTING.
SO, IT COULDN'T HAVE BEEN JANET'S PUBLICIST
THAT CALLED DR. RICE.
JANET'S PUBLICIST WAS A MAN.
MRS. HENNESSY?
MRS. HENNESSY, PLEASE.
HAVEN'T YOU DONE ENOUGH?
NO, LISTEN, LET'S JUST STOP THIS CRAZINESS, OKAY?
GO AWAY. I'M NOT GOING ANYWHERE.
MRS. HENNESSY, WHAT HAPPENED TO YOUR SON'S A TRAGEDY, BUT...
BUT IT WAS AN ACCIDENT THAT I HAD NOTHING TO DO WITH.
MRS. HENNESSY, PLEASE.
WHEN MY GRANDMOTHER DIED, WAS IT YOU THAT CALLED DR. RICE?
[ SCOFFS ]
MRS. HENNESSY, PLEASE.
Ford: ARE YOU ALL RIGHT?
I'M FINE.
[ GRUNTS ]
I JUST NEED TO MAIL THIS TO THE PUBLISHER.
I'LL BE RIGHT BACK. OKAY.
[ SIGHS ]
[ GASPS ] OHH!
I'M SORRY.
[ LAUGHS ]
I'M SORRY. ARE YOU OKAY?
YEAH, I'M FINE.
I SAW FORD'S TRUCK, AND MY OFFICE IS RIGHT THERE.
OKAY.
AND FOLLOWING UP ON OUR CONVERSATION,
CURRENT COMPS AND LISTINGS.
THAT'S GREAT.
THE SOFT MARKET IS A GREAT OPPORTUNITY.
WELL, I WILL CHECK IT OUT.
SHE'S NOT SELLING YOU THE LITTLE FARM, TOM.
WE'RE TALKING ABOUT FUTURE BUSINESS VENTURES, OKAY?
I'LL SEE YOU KIDS LATER.
OKAY. HAVE A GREAT DAY.
GET OUT OF HERE.
AH, GET OUT OF HERE, YOU.
Cilla: THIS IS WHAT I WAS TELLING YOU ABOUT UP HERE --
ORIGINAL PLASTER.
OH! LOOK AT THE LITTLE SHAMROCKS!
I LOVE THEM!
OH, THE PARTIES --
THEY WERE SO MUCH FUN.
I ESPECIALLY REMEMBER THAT LAST CHRISTMAS PARTY.
THAT'S THE LAST TIME I WAS HERE.
ALL THE DECORATIONS.
OH, AND THE LIGHTS --
THEY WERE ALL OVER.
AND MUSIC.
OH, THE MUSIC!
[ LAUGHS ]
OH, AND THE AMAZING PINK COUCH RIGHT HERE.
[ LAUGHS ]
AND JANET.
[ LAUGHS ]
IN HER SEXY BLUE DRESS.
AND EVERYBODY JUST BEGGED HER TO SING.
Janet: ♪ WHAT WOULD I DO...
THERE WAS A BOX BABY GRAND PIANO OVER THERE.
OH, AND WHO WAS IT?
OH, EVERYBODY THOUGHT SHE WAS HAVING AN AFFAIR
WITH -- WITH, UM, THAT COMPOSER.
LENNY EISNER.
LENNY EISNER, RIGHT.
BUT THEN IT TURNED OUT THAT...
HE WAS GAY.
[ SIGHS ]
IT WAS HAPPIER TIMES.
IT WAS, UM --
IT WAS THAT CHRISTMAS, TOO, BEFORE JOHNNIE'S DEATH.
[ BREATHES DEEPLY ]
I'M SORRY.
I TOOK A MORBID TURN.
[ SIGHS ]
OLD HOUSES --
THEY'RE FULL OF LIFE AND DEATH.
UM...
CATHY?
DO YOU REMEMBER JANET HAVING AN AFFAIR
WITH SOME -- A LOCAL MARRIED MAN?
SOMEBODY LOCAL?
MM-HMM.
I DON'T KNOW, HONEY.
NO JEALOUS WIVES BEATING HER DOOR DOWN?
NOT THAT I EVER HEARD OF.
OKAY.
YOU ARE SO VERY MUCH LIKE YOUR GRANDMOTHER --
YOUR SPUNK AND YOUR DETERMINATION --
AND ALL THESE HORRIBLE THINGS KEEP HAPPENING TO YOU.
BUT YOU STAY.
I THINK YOUR GRANDMOTHER
WOULD BE VERY, VERY PROUD OF YOU.
MAYBE YOU COULD HELP ME WITH SOMETHING.
I'M JUST TRYING TO PUT NAMES TO ALL THE FACES.
HONEY, THAT'S BIG DREW MORROW, BRIAN'S GRANDFATHER.
HE DIED ABOUT 20 YEARS AGO.
SWEET.
LOOK AT HIM.
[ FOOTSTEPS ]
HEY.
WHAT'S THE MATTER?
I'M DEPRESSED.
I THOUGHT I FOUND OUT SOMETHING,
BUT IT WAS JUST ANOTHER DEAD END.
WELL...
LET ME MAKE YOU FEEL BETTER.
SIT.
OKAY.
CLOSE YOUR EYES.
CLOSE THEM.
CAN I OPEN THEM NOW?
NOT YET.
CAN I OPEN MY EYES, PLEASE? OPEN THEM.
OH, MY GOSH.
IT'S FANTASTIC.
WOW!
YOU'RE THE FIRST TO SEE IT.
IT'S SUCH A WORK OF ART.
"THE QUEST HAD TAKEN HER FAR AWAY."
I COULDN'T HAVE DONE IT WITHOUT YOU.
SERIOUSLY, I HAD NOTHING BEFORE YOU CAME HERE
AND STARTED SWINGING YOUR SLEDGEHAMMER.
BE MINE.
BE YOUR WHAT?
MY FAMILY.
Ford, please don't do this.
LOOK, I DRAW COMICS AND I PLAY VIDEO GAMES.
I MAKE A PRETTY DECENT LIVING.
I'M A FAIRLY GOOD COOK,
IF YOU LIKE STEAK AND MAC AND CHEESE,
WHICH I THINK YOU DO.
FORD...
LISTEN TO ME.
YOU'RE STEADY.
I'M -- I'M DISORDERED.
ALL RIGHT?
YEAH.
MARRY ME.
OKAY. UH, LOOK...
I'M A THIRD-GENERATION SCREW-UP WHEN IT COMES TO MEN.
MY GRANDMOTHER -- COMPLETE DISASTER.
MY MOTHER --
MY MOTHER HAS BEEN MARRIED FIVE TIMES.
YEAH, FIVE HUSBANDS.
FIVE! CAN YOU BELIEVE IT?
ME -- I WAS EVEN MARRIED ONCE,
FOR LIKE FIVE MINUTES.
TRUST ME.
SAVE YOURSELF A LOT OF HEARTACHE.
OPEN IT.
IT'S NOT POISONOUS, I SWEAR.
YOU DON'T WEAR A LOT OF JEWELRY.
WHEN YOU DO, YOU DON'T GO IN FOR THE FLASH.
YOU'RE NOT THE TYPE OF GIRL
WHO'S GONNA IMPRESS THE OTHER GIRLS WITH A BIG, FAT ROCK.
AND YOU WORK WITH YOUR HANDS.
THAT HAD TO BE CONSIDERED.
YOU PUT A LOT OF THOUGHT INTO IT.
IT'S NOT THAT HARD.
ALL RIGHT, SAY I SAID, "YES, YES,"
YOU KNOW, "LET'S GET MARRIED.
"LET'S GO TO VEGAS.
"LIKE MY GRANDMOTHER AND MY MOTHER,
LET'S GO TO THE LITTLE CHAPEL OF LOVE."
IF YOU PACK THE BAGS, I'LL BOOK THE FLIGHTS.
WHAT IS WRONG WITH YOU?
YOU'RE MAKING MY HEAD SPIN HERE.
YOU'RE NOT THINKING ABOUT ANY PRACTICALITY
OR THE REALITY OF THE SITUATION.
LIKE WHAT? LIKE WHERE WOULD WE LIVE?
THE LITTLE FARM.
OKAY, WHAT WOULD WE DO WITH THIS HOUSE, HMM?
THIS HOUSE I BOUGHT AS IS.
YOU'VE MADE A HOME FOR YOURSELF AT THE LITTLE FARM.
LET ME INTO YOUR HOME, CILLA.
[ SIGHS ]
I'M DROWNING HERE.
I JUST WANT TO TRY IT.
IT'S PRETTY.
OKAY.
OKAY? OKAY?
OKAY. OKAY?
[ LAUGHS ]
[ LAUGHS ]
OH, GREAT. AN AUDIENCE.
I NEED MY CONSTRUCTION GLOVES.
YEAH, YOU BIG TOUGHIE. GRR!
[ LAUGHS ]
WHOA. WOULD YOU FOCUS ON THE MATTRESS?
I CAN'T FOCUS ON ANYTHING ELSE.
[ LAUGHS ]
THIS IS JUST RIDICULOUS.
[ CHUCKLES ]
[ CHUCKLES ]
[ LAUGHTER ]
[ GRUNTS ]
DON'T FORGET --
I TAUGHT BRID EVERYTHING THAT SHE KNOWS.
OH, YEAH?
[ LAUGHS ]
[ METALLIC CLACKING ]
[ GASPS ]
FORD? FORD?!
WHAT DOES IT SAY?
Ford: "LEAVE OR DIE."
[ SIGHS ]
PUT IT IN THE BACK.
[ POLICE RADIO CHATTER ]
WE'RE SENDING THIS DOLL TO FORENSICS.
WE FOUND A COUPLE OF FOOTPRINTS IN THE MUD NEAR THE KITCHEN.
THEY'RE SMALL, LIKE A BOY'S OR WOMAN'S PRINTS.
WHAT ABOUT MRS. HENNESSY?
I SENT A CAR TO CHECK ON HER.
WHOEVER'S DOING THIS
IS COMING IN YOUR HOUSE WHILE YOU'RE AT HOME.
I WOULDN'T STAY HERE ANYMORE.
WELL, WE CAN STAY IN MY HOUSE.
THAT'S A GOOD IDEA.
GOOD NEWS IS THEY'RE GETTING SLOPPY.
WE'RE GONNA GET THEM.
Man: I'LL GET ON THAT AS SOON I GET BACK.
Alvin: HEY, SAM, DID YOU GET YOUR NOTE?
WELL, GUESS WE SHOULDN'T HAVE BROUGHT THE MATTRESS OVER HERE.
Man: SEE YOU BACK AT THE OFFICE.
ALL RIGHT. SO, I WANT EVERYTHING HERE.
Woman: Unit 11, come in.
Man: YES, MA'AM. GO AHEAD.
What's your 20, 11?
I'M ABOUT, UH...
[ LAUGHS ]
AH. I BELIEVE IN LOVE.
LOVE NEVER MADE YOU HAPPY.
OH, BUT IT GAVE ME JOHNNIE AND DILLY...
AND THIS ONE.
[ SIGHS ]
[ CHUCKLES ]
MAYBE THIS ONE WILL BE ANOTHER BOY.
WHO'S THE FATHER?
DID HE HURT YOU?
HE LOVED ME.
[ LAUGHS ]
DID THE BABY RUIN EVERYTHING?
NOT MY BABY, CILLA.
HER BABY.
HIS WIFE WAS PREGNANT?
Shh!
YOU'VE READ ALL THE LETTERS.
WHAT'S HIS NAME?
JANET, TELL ME HIS NAME.
PAY ATTENTION.
YOU HAVE THE ANSWER.
[ CAMERA SHUTTER CLICKING ] [ LAUGHS ]
MORNING.
DON'T YOU EVER SLEEP IN?
I HAD ANOTHER DREAM LAST NIGHT. I MISSED SOMETHING.
"I HAVE MY WIFE, MY CHILDREN,
AND THE ONE ON THE WAY TO THINK ABOUT."
HIS WIFE WAS PREGNANT, TOO.
THAT GUY WAS A BABY FACTORY.
MM-HMM.
[ SIGHS ]
AND THE KID WOULD BE ABOUT 35 NOW.
MY AGE. MM-HMM.
WE HAVE TO FIND OUT WHO WAS BORN
IN THE MONTHS FOLLOWING HER DEATH.
WE'LL KNOW EXACTLY WHO THE FATHER WAS.
MONDAY WE COULD DRIVE UP TO RICHMOND
AND LOOK AT THE BIRTH RECORDS.
WHAT ABOUT YOUR YEARBOOK?
THE KIDS HAD TO BE IN YOUR CLASS.
YOU'RE GOOD.
OH. YOU THINK?
Cilla: ROBERT MAUK?
MARK McCORKLE?
THEY MOVED OUT OF TOWN.
UM...
OKAY, DENISE MESSENGER?
SHE'S GONE.
BRIAN MORROW.
EVEN BRIAN'S THE RIGHT AGE.
ABOUT HALF THE CLASS IS.
YOU WERE A MATH NERD?!
[ LAUGHS ]
ALGEBRA TUTOR...
AND GREAT KISSER.
THERE'S JANET AND JOHNNIE.
THAT'S HENNESSY'S SON.
THERE'S TOM. THAT MUST BE CATHY.
I HARDLY RECOGNIZE HER.
THIS MUST BE THE LAST CHRISTMAS PARTY BEFORE JOHNNIE DIED.
THEY ALL LOOK SO YOUNG AND HAPPY.
[ HORN HONKING ]
OH, THAT MUST BE BRIAN. GO.
NO.
OH, COME ON. GO. HAVE FUN.
I'M NOT LEAVING YOU HERE ALONE.
I'M FINE.
BRIAN WILL UNDERSTAND.
NO, BRIAN'S GONNA BLAME ME. GO.
ALL RIGHT.
LOCK THE DOOR BEHIND ME AND SET MY ALARM.
AND IF ANYTHING HAPPENS, YOU CALL ME.
I PROMISE. OKAY?
SCRAM!
HEY, GUYS.
HEY, FORD.
[ DOOR CREAKS ]
HELLO?
FORD?
I'M OUT.
OHH, COME ON. I WAS JUST TEASING.
OHH!
ANYONE WANT ANOTHER BEER?
WHAT THE HECK, MAN?
OKAY, LIVING ON THE EDGE, HUH?
[ CHUCKLES ]
Cilla: HELLO?
HELLO?
[ GASPS ]
[ LAUGHS ]
UH, WAIT ONE SEC.
[ KEYPAD BEEPING ]
CATHY, YOU FRIGHTENED ME.
[ CHUCKLES ]
I'M SO SORRY TO BOTHER YOU.
IT'S OKAY.
I WENT BY YOUR HOUSE FIRST,
AND THEN I SAW THE LIGHT ON HERE.
I LOST ONE OF MY RINGS. IT WAS MY GRANDMOTHER'S.
THAT'S TERRIBLE.
I TOOK IT OFF WHEN I WASHED MY HANDS IN YOUR POWDER ROOM.
OKAY, I DON'T REMEMBER SEEING IT.
THE PLACE IS A REAL MESS,
BUT LET'S GO DOWN THERE. LET'S LOOK FOR IT.
THANK YOU SO MUCH, SWEETHEART.
DON'T WORRY ABOUT IT. I'VE HAD MY RING FOR A FEW DAYS.
IF I LOST IT, I WOULD GO BERSERK.
WHAT? WHAT RING?
WELL, FORD HAS ASKED ME TO MARRY HIM.
OH!
OH, THAT'S BEAUTIFUL.
OH, I CAN'T BELIEVE I DIDN'T NOTICE THAT.
WE'RE GONNA LIVE HERE AT THE LITTLE FARM.
AND IT LOOKS LIKE WE'RE GONNA BE STAYING FOR A WHILE.
[ TWIG SNAPS ]
WHAT WAS THAT? I DON'T KNOW.
DID YOU HEAR THAT? OKAY, UH...
COME ON.
I DON'T KNOW WHAT IT WAS. COME ON. LET'S GET IN THERE.
Brian: YOU CAN'T HIDE IN THERE ALL NIGHT.
I'M JUST LOOKING TO, UM, DELAY LOSING THE REST OF MY MONEY.
WELL, THAT'S INEVITABLE. COME ON BACK.
Man: MISS YOU, MAN.
YOU KNOW WHAT?
I CAN'T BELIEVE HE TUCKED A FLUSH.
[ INDISTINCT CONVERSATION ]
[ ALARM BEEPING ]
LET ME JUST RUN AND SEE.
[ KEYPAD BEEPING ]
OH! I FOUND IT!
GREAT.
THANK GOODNESS.
LOOK AT ME. I'M SHAKING.
OH, IT'S BEAUTIFUL.
CILLA, COULD I TROUBLE YOU FOR A GLASS OF WINE...
AND MAYBE AN ASPIRIN?
I'VE GOT SUCH A HEADACHE NOW.
OF COURSE. UH, THE KITCHEN'S RIGHT THAT WAY.
I THINK THERE'S ALREADY AN OPEN BOTTLE OF WINE.
I'LL GET YOUR ASPIRIN.
THANK YOU. NO PROBLEM. HELP YOURSELF.
HI.
YOU FOUND IT.
YEAH.
HERE.
I'D LIKE TO MAKE A LITTLE TOAST TO YOU AND FORD.
MAY YOU HAVE A LONG AND HAPPY LIFE...TOGETHER.
THANK YOU.
MM.
AH, PLEASE EXCUSE THIS MESS.
I HAVE BEEN SORTING THROUGH ALL OF THESE IMAGES, OLD AND NEW,
JUST TRYING TO TELL THE RIGHT STORIES OF THE HOUSE
AND MY GRANDMOTHER'S LIFE.
WHAT A WONDERFUL IDEA.
WHAT'S UP?
YOU HAD AN AFFAIR WITH JANET HARDY.
WHAT?
CILLA FOUND YOUR LETTERS. THE HANDWRITING MATCHES.
I LOVE BRIAN AND CATHY.
THAT'S WHY I'M TALKING TO YOU BEFORE I GO TO THE POLICE.
WITH WHAT -- A BUNCH OF UNSIGNED LETTERS?
I NEVER SAID THEY WERE UNSIGNED, TOM.
[ EXHALES DEEPLY ]
LOOK...
I WAS MESMERIZED BY HER.
I BETRAYED MY WIFE.
AND WHEN I HEARD FROM BRIAN
THAT THINGS WERE FOUND, PERSONAL THINGS...
YOU WENT TO CILLA'S HOUSE AND NEARLY KILLED STEVE?
I NEVER MEANT TO HIT HIM THAT HARD.
DID YOU KILL JANET HARDY?
Cilla: YOU ALL LOOK SO HAPPY.
Cathy: OH, LOOK AT TOM.
HE WAS SO HANDSOME.
HE MEANS EVERYTHING TO ME.
HMM.
Y-YOU GOT THE TIMING MIXED UP.
THE, UH....
THE COUCH WASN'T PINK.
SHE MUST HAVE BOUGHT THAT AFTER THAT CHRISTMAS.
AND SHE'S NOT WEARING THE BLUE DRESS.
MARRIAGES ARE TENUOUS THINGS. THEY TAKE WORK.
THERE WASN'T ANYTHING I WOULDN'T DO TO KEEP TOM.
I'D DO ANYTHING TO KEEP HIM.
I STARVED MYSELF, EXERCISED, LIPOSUCTION,
FACE-LIFT.
TOM WOULD NEVER LOOK AT ME AND WANT ANOTHER WOMAN...
AGAIN.
AGAIN?
MM-HMM.
AGAIN?
[ CHUCKLES ]
YOU.
[ GASPS ]
CILLA?
OHH!
OH, ARE YOU OKAY?
OOH, THAT WINE MUST HAVE WENT STRAIGHT TO MY HEAD.
I HAVE TO GET SOMETHING TO EAT.
[ LAUGHS ]
HERE, NO. IT'S ALL RIGHT.
PLEASE, SIT HERE.
I THINK YOU NEED TO DRINK THE REST OF THAT.
OH, I BETTER -- I BETTER NOT.
COME ON!
I INSIST.
[ GASPS ]
JUST AITTLE MORE. FINISH THE JOB.
I WENT TUH... HOUSE.
SHE SAID THAT SHE WAS KEEPING THE BABY, AND WE ARGUED.
BUT...I SWEAR TO YOU,
SHE WAS ALIVE WHEN I LEFT.
I COULDN'T KILL JANET.
SHE WAS CARRYING MY CHILD.
JANET CALLED YOUR HOUSE.
YES.
SHE SPOKE WITH CATHY.
OH, MY GOD.
WHAT DID SHE DO?
CILLA'S AT MY HOUSE ALONE. YOU CALL THE POLICE.
AAH!
UGH!
YOU!
YOU PUT SOMETHING... IN MY DRINK.
YEAH. YEAH.
SECONAL --
SAME AS YOUR WHORE OF A GRANDMOTHER.
THE PICTURES --
YOU WERE REMEMBERING THE PINK COUCH
THE NIGHT SHE DIED, NOT THE NIGHT OF THE PARTY.
AREN'T YOU A LITTLE SMARTYPANTS?
OH, NO, YOU DON'T.
[ GRUNTS ]
NO!
[ GASPING ]
JUST RELAX, DEAR.
SOON YOU'LL PASS OUT...
[ GRUNTS ]
...JUST LIKE JANET DID.
THEN...OH...
I'LL HELP YOU... TO ANOTHER DRINK...
OR TWO...
OR 10.
[ CELLPHONE RINGING ]
COME ON, CILLA. PICK UP.
BUP, BUP, BUP, BUP, BUP, BUP, BUP, BUP, BUP, BUP, BUP, BUP.
I DON'T THINK YOU WANT TO BE DISTURBED TONIGHT.
JANET.
SHE COULD HAVE HAD ANYBODY, BUT SHE TOOK MY HUSBAND.
AND SHE ME MADE A FOOL OUT OF ME!
I DIDN'T HAVE ANYTHING TO DO WITH IT.
YOU CAME BACK!
AND YOU SHOVED IT IN MY FACE!
[ SNIFFLES ]
OH.
YOU KNOW, I TRIED TO GET YOU TO LEAVE.
YEAH, I CUT DOWN YOUR TREES,
DESTROYED YOUR TRUCK.
[ SOBS ]
IF ONLY... YOU HAD GONE AWAY.
[ WHIMPERS ]
WHY COULDN'T YOU LET THIS HOUSE DIE?
[ TIRES SQUEAL ]
CILLA?!
CILLA?!
CILLA?!
CILLA?!
CILLA?!
[ BREATHING HEAVILY ]
I'M SORRY.
I TRIED TO HELP YOU.
YOU DID, HONEY.
HELP ME. HELP ME.
[ SNIFFLES ]
BUT I COULDN'T SAVE YOU.
SAVE YOURSELF, CILLA.
ALL RIGHT.
THAT'S IT.
CILLA.
MISSY MAE.
♪ LA LA LA
♪ GO TO SLEEP
[ Echoing ] SAVE YOURSELF.
♪ GO TO SLEEP
GO TO SLEEP!
[ GRUNTING ]
[ COUGHS ]
UHH!
[ PANTING ]
[ COUGHS ]
AAH! AAH!
CILLA!
TOM?
[ GUNSHOT ]
CILLA? CILLA?
CILLA?!
YOU MOVE AGAIN, I'LL SHOOT YOU.
FORD, IT WASN'T ME!
IT WASN'T ME! I-I DIDN'T DO IT.
I DIDN'T DO IT. IT WAS HER.
IT WAS HER. IT WAS HER.
CILLA, COME ON. COME HERE, BABY.
FORD, I DID LIKE BRID.
I CSI'd HER ASS.
[ EXHALES DEEPLY ]
CILLA?
CILLA, STAY AWAKE, BABY. [ GASPS ]
COME ON, BABY. HELP'S COMING.
OHH.
[ SIREN WAILING IN DISTANCE ] COME ON. STAY AWAKE.
CILLA? I DID GOOD.
STAY WITH ME, BABY.
♪ OHH, WHAT WOULD I DO, DO, DO
♪ WITHOUT YOU, YOU?
♪ WHERE WOULD I GO, GO, GO?
♪ I, I DON'T KNOW
♪ YOU'RE MY SUNNY DAY
♪ YOU'RE THE SKY THAT'S BLUE
♪ WHEN MY HEAD'S UP IN THE CLOUDS ♪
♪ YOU KEEP MY FEET DOWN ON THE GROUND ♪
BOO! [ LAUGHS ]
WE HAVE TO BE AT BRIAN'S IN AN HOUR.
WELL, IF WE'VE GOT AN HOUR, LET ME DRAW YOU.
UH, THE LAST TIME YOU DREW ME,
I THINK IT TOOK A LITTLE MORE THAN AN HOUR.
WELL, WE COULD SKIP THE PRELIMINARIES
AND GO RIGHT TO THE INTIMATE STUFF.
IN AN HOUR?
I DON'T KNOW.
YEAH, I DON'T KNOW.
[ LAUGHS ]
♪ WHEN MY HEAD'S UP IN THE CLOUDS ♪
♪ YOU KEEP MY FEET DOWN O-O-O-N THE GROUND ♪
♪ AND I HAVEN'T A CLUE
♪ WHAT I'D DO WITHOUT YOU, YOU, YOU ♪
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