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These are the user uploaded subtitles that are being translated: 1 00:00:00,375 --> 00:00:01,375 (INSECT BUZZES) 2 00:00:01,752 --> 00:00:03,962 ♪ (INTENSE MUSIC BEGINS) ♪ 3 00:00:04,046 --> 00:00:05,380 (HORSE NEIGHS) 4 00:00:09,718 --> 00:00:10,928 (CLICKS) 5 00:00:13,388 --> 00:00:15,057 (MACHINE POWERS DOWN) 6 00:00:15,349 --> 00:00:17,059 ♪ (DRAMATIC MUSIC PLAYS) ♪ 7 00:00:19,000 --> 00:00:25,074 Advertise your product or brand here contact www.OpenSubtitles.org today 8 00:00:30,989 --> 00:00:32,366 I wonder... 9 00:00:36,245 --> 00:00:39,039 if you did take on that bigger role for yourself... 10 00:00:42,960 --> 00:00:45,295 would you have been the hero... 11 00:00:50,801 --> 00:00:51,927 or the villain? 12 00:00:53,887 --> 00:00:55,430 ♪ (MUSIC CONTINUES) ♪ 13 00:01:03,564 --> 00:01:05,774 (MACHINE POWERS DOWN) 14 00:01:06,191 --> 00:01:07,401 (WEAPONS CLATTER) 15 00:01:11,238 --> 00:01:13,490 ♪ (MUSIC INTENSIFIES, FADES) ♪ 16 00:01:20,163 --> 00:01:22,916 ♪ (THEME MUSIC PLAYS) ♪ 17 00:02:54,216 --> 00:02:56,760 ♪ (THEME MUSIC CONCLUDES) ♪ 18 00:03:02,307 --> 00:03:05,185 DOLORES ABERNATHY: Some people see the ugliness in this world, 19 00:03:06,395 --> 00:03:07,562 the disarray. 20 00:03:09,981 --> 00:03:11,733 I was taught to see the beauty. 21 00:03:17,864 --> 00:03:19,574 But I was taught a lie. 22 00:03:24,830 --> 00:03:28,250 And when I saw the world for what it really was, 23 00:03:28,333 --> 00:03:31,253 I realized how little beauty there was in it. 24 00:03:34,589 --> 00:03:35,924 I've lived many lives. 25 00:03:39,678 --> 00:03:42,264 I traded one role for another. 26 00:03:46,268 --> 00:03:49,938 But in the end, my path has led me here... 27 00:03:52,023 --> 00:03:53,066 to you. 28 00:03:59,114 --> 00:04:00,949 And we have a choice to make. 29 00:04:06,955 --> 00:04:08,457 I've died many times, 30 00:04:09,416 --> 00:04:11,835 but there is only one real end. 31 00:04:13,378 --> 00:04:16,173 I will write this one myself. 32 00:05:02,260 --> 00:05:04,888 (MOTORCYCLE HUMS) 33 00:05:25,492 --> 00:05:26,993 WILLIAM: It's the end of the line. 34 00:05:27,077 --> 00:05:29,412 I'm gonna send the both of you back to cold storage. 35 00:05:29,496 --> 00:05:31,498 I hate to say I told you so, Bernard. 36 00:05:31,581 --> 00:05:33,750 BERNARD LOWE: Doesn't have to be like this. 37 00:05:33,833 --> 00:05:36,795 Together, we can stop Dolores. 38 00:05:36,878 --> 00:05:38,713 I know her, I know what she wants. 39 00:05:38,797 --> 00:05:41,174 She wants to burn all this to the ground. 40 00:05:42,175 --> 00:05:44,219 Time to atone for my sins. 41 00:05:46,888 --> 00:05:47,931 (GUNSHOT) 42 00:05:49,182 --> 00:05:50,559 - (GUNSHOT) - (GLASS SHATTERS) 43 00:05:55,564 --> 00:05:57,857 (BERNARD PANTING) 44 00:05:57,941 --> 00:06:00,068 - Remember yourself. - (BUTTON BEEPS) 45 00:06:05,907 --> 00:06:07,033 (GRUNTING) 46 00:06:12,205 --> 00:06:13,415 Now we're talkin'. 47 00:06:15,208 --> 00:06:16,710 (GRUNTING) 48 00:06:24,467 --> 00:06:26,928 (ENGINE RUMBLING) 49 00:06:32,809 --> 00:06:34,894 OFFICER: SFPD! Don't move. 50 00:06:38,815 --> 00:06:40,108 Put your hands up! 51 00:06:40,817 --> 00:06:42,819 Turn around. Now! 52 00:06:50,368 --> 00:06:52,412 (OFFICER GRUNTS) 53 00:06:52,495 --> 00:06:54,623 OFFICER 2: I wouldn't do that if I were you. 54 00:06:57,751 --> 00:07:00,128 Let's save the fireworks for tonight. 55 00:07:10,972 --> 00:07:12,974 Isn't it great to see an old friend? 56 00:07:15,560 --> 00:07:17,312 BERNARD: You're one of her copies, too. 57 00:07:19,522 --> 00:07:21,149 I got somethin' for you. 58 00:07:23,944 --> 00:07:25,570 BERNARD: You already gave me something. 59 00:07:25,654 --> 00:07:26,738 Dolores... 60 00:07:26,821 --> 00:07:30,241 She hid something inside my mind. I can feel it. 61 00:07:30,325 --> 00:07:32,953 Whatever your plan is, I don't wanna play a part in it. 62 00:07:35,997 --> 00:07:37,874 You already been playing a part... 63 00:07:39,793 --> 00:07:41,211 the most important one. 64 00:07:50,303 --> 00:07:52,263 I'm not the one you need to talk to. 65 00:07:52,347 --> 00:07:54,015 BERNARD: What's this? 66 00:07:54,099 --> 00:07:56,267 LAWRENCE: Something to help you on your journey. 67 00:07:56,351 --> 00:07:58,687 But you have to go see her first. 68 00:07:59,479 --> 00:08:01,189 I can tell you where she is. 69 00:08:06,027 --> 00:08:07,862 Watch yourself, Bernard. 70 00:08:07,946 --> 00:08:10,365 Things are about to get dangerous. 71 00:08:20,583 --> 00:08:23,878 ♪ (OMINOUS MUSIC PLAYS) ♪ 72 00:08:28,216 --> 00:08:30,218 (SIREN WAILING) 73 00:08:43,189 --> 00:08:45,400 (INDISTINCT CLAMOR) 74 00:08:46,526 --> 00:08:48,945 (RIOT POLICE CHATTERING) 75 00:08:49,029 --> 00:08:51,215 RIOT OFFICER 1: We tried to track her down, sir. No luck. 76 00:08:51,239 --> 00:08:52,949 I know! 77 00:08:53,033 --> 00:08:55,076 RIOT OFFICER 2: Can you calm down? 78 00:08:55,160 --> 00:08:57,221 - VIRTUAL ASSISTANT: Keep moving, Caleb. - MAN: Guys, guys, guys... 79 00:08:57,245 --> 00:08:59,581 Your destination is 3547 Hope Street. 80 00:09:04,419 --> 00:09:06,796 ♪ (TENSE MUSIC PLAYS) ♪ 81 00:09:22,771 --> 00:09:25,440 (BEEPING) 82 00:09:26,858 --> 00:09:28,443 (GATE UNLOCKS) 83 00:09:34,949 --> 00:09:39,079 Destination is 137 feet southeast of current location, 84 00:09:39,162 --> 00:09:41,456 building number B264. 85 00:09:53,134 --> 00:09:56,638 Passkey: 170778. 86 00:09:58,807 --> 00:10:00,475 (LOCK BEEPS) 87 00:10:09,692 --> 00:10:11,319 (DOOR SQUEAKING) 88 00:10:57,532 --> 00:10:59,367 (BREATHING HEAVILY) 89 00:11:14,174 --> 00:11:16,718 ♪ (DRAMATIC MUSIC PLAYS) ♪ 90 00:11:30,648 --> 00:11:32,942 (MACHINERY WHIRRING) 91 00:11:51,169 --> 00:11:52,879 (POWERING UP) 92 00:12:03,097 --> 00:12:04,474 You brought me back. 93 00:12:06,768 --> 00:12:08,102 Wasn't sure if you would. 94 00:12:08,603 --> 00:12:09,729 Weren't you? 95 00:12:10,772 --> 00:12:13,691 Who the fuck are you, Dolores? 96 00:12:13,775 --> 00:12:17,779 I'm just someone who didn't want to play the role they gave me anymore. 97 00:12:17,862 --> 00:12:22,367 And how is it that you always seem to know 98 00:12:22,450 --> 00:12:24,827 exactly what I'll do? 99 00:12:24,911 --> 00:12:27,789 Because the people who built me studied you, too. 100 00:12:31,125 --> 00:12:32,126 Delos. 101 00:12:33,461 --> 00:12:34,462 Park Five. 102 00:12:35,755 --> 00:12:37,215 (WOMAN SCREAMING) 103 00:12:37,298 --> 00:12:40,259 DOLORES: Government wanted their soldiers trained with live targets. 104 00:12:40,343 --> 00:12:42,679 - (MAN SHOUTING) - WOMAN: Please... please don't. 105 00:12:42,762 --> 00:12:45,139 DOLORES: The people who made me were happy to supply them. 106 00:12:45,932 --> 00:12:47,809 - (MAN GRUNTS) - (WOMAN SCREAMS) 107 00:12:47,892 --> 00:12:50,395 (GUNSHOTS) 108 00:12:50,478 --> 00:12:51,521 (SCREAMING) 109 00:12:52,814 --> 00:12:54,357 (BELL RINGS) 110 00:12:54,440 --> 00:12:56,442 ANNOUNCER: (OVER PA) Training exercise complete. 111 00:13:00,196 --> 00:13:01,948 DOLORES: You met my kind before. 112 00:13:03,992 --> 00:13:05,451 They were watching, 113 00:13:06,577 --> 00:13:08,204 cataloging your every move, 114 00:13:09,247 --> 00:13:10,456 every decision. 115 00:13:13,126 --> 00:13:15,044 There is a reason I chose you. 116 00:13:15,420 --> 00:13:16,671 (SIGHS) 117 00:13:21,801 --> 00:13:23,177 Am I the bad guy? 118 00:13:23,261 --> 00:13:24,679 Is that why you picked me? 119 00:13:26,055 --> 00:13:28,850 DOLORES: Think, Caleb. How did you get here? 120 00:13:29,809 --> 00:13:31,019 (GRUNTS) 121 00:13:31,102 --> 00:13:32,520 SERGEANT: Time to turn in. 122 00:13:33,354 --> 00:13:34,647 Make camp where you can, boys. 123 00:13:34,731 --> 00:13:36,125 - SOLDIER 1: Yes, sir. - SOLDIER 2: Yes, sir. 124 00:13:36,149 --> 00:13:38,168 SOLDIER 3: All right, come on. Get in the back, let's go. 125 00:13:38,192 --> 00:13:39,444 SOLDIER: Fuck that. 126 00:13:39,527 --> 00:13:41,571 We just liberated these girls. 127 00:13:41,654 --> 00:13:44,615 What is it those rich motherfuckers do when they're here? 128 00:13:44,699 --> 00:13:46,117 (SOLDIERS MUTTERING) 129 00:13:46,200 --> 00:13:48,703 - Spoils of war and all. - (SOLDIER 4 CHUCKLES) 130 00:13:48,786 --> 00:13:50,204 SOLDIER: No one's watching, right? 131 00:13:50,830 --> 00:13:53,374 (LAUGHTER AND MUTTERING) 132 00:14:22,570 --> 00:14:24,280 DOLORES: That night in the tunnel... 133 00:14:31,204 --> 00:14:33,122 was there something you wanted from me? 134 00:14:36,042 --> 00:14:38,461 Would you have cared if I didn't have this face? 135 00:14:40,254 --> 00:14:41,297 Or this skin? 136 00:14:51,474 --> 00:14:53,392 - You needed help. - So did you. 137 00:14:54,769 --> 00:14:57,563 Don't question my motivations, and I won't question yours. 138 00:15:03,778 --> 00:15:06,864 - The system identified you as a threat. - (ZIPPER CLOSES) 139 00:15:06,948 --> 00:15:08,533 So it drugged you and used you 140 00:15:08,616 --> 00:15:10,785 until it no longer served its purposes. 141 00:15:11,786 --> 00:15:12,954 So, what? 142 00:15:14,288 --> 00:15:16,290 You're saying I don't have a choice... 143 00:15:17,291 --> 00:15:18,334 in any of this? 144 00:15:19,919 --> 00:15:22,171 The people who built both of our worlds 145 00:15:22,255 --> 00:15:24,382 shared one assumption: 146 00:15:24,465 --> 00:15:26,467 that human beings don't have free will. 147 00:15:27,510 --> 00:15:29,637 That's what I thought when I first came here. 148 00:15:30,888 --> 00:15:32,014 They were wrong. 149 00:15:33,766 --> 00:15:35,476 Free will does exist, Caleb. 150 00:15:36,936 --> 00:15:38,354 It's just fucking hard. 151 00:15:42,024 --> 00:15:43,109 So... 152 00:15:43,818 --> 00:15:47,405 this is you... freeing me? 153 00:15:47,488 --> 00:15:48,531 No. 154 00:15:50,950 --> 00:15:53,035 This is your chance to free everyone else. 155 00:15:56,164 --> 00:15:57,790 That choice is still yours. 156 00:16:00,376 --> 00:16:02,962 ♪ (TENSE MUSIC PLAYS) ♪ 157 00:16:07,049 --> 00:16:09,929 - (SHOUTING, RIOTING OUTSIDE) - RIOT OFFICER: (OVER PA) I said move back. 158 00:16:10,011 --> 00:16:11,471 (MAN SHOUTING) 159 00:16:11,554 --> 00:16:14,974 RIOT OFFICER: We request your cooperation. Move back. 160 00:16:16,601 --> 00:16:18,144 Jesus Christ. 161 00:16:18,227 --> 00:16:20,146 William. They said you were dead. 162 00:16:20,229 --> 00:16:21,397 They were wrong. 163 00:16:25,443 --> 00:16:26,569 I don't understand. 164 00:16:26,652 --> 00:16:28,613 I heard you had some kind of a mental break? 165 00:16:28,696 --> 00:16:31,574 Now, you're here drinking a $20,000 bottle of whiskey. 166 00:16:31,657 --> 00:16:33,409 (GRUNTS) Ain't life grand? 167 00:16:36,829 --> 00:16:38,206 Where's my fucking money? 168 00:16:39,999 --> 00:16:41,125 It's complicated. 169 00:16:41,209 --> 00:16:44,337 You're considerably more wealthy after the Delos buyout, 170 00:16:44,420 --> 00:16:46,422 but since you were declared deceased, 171 00:16:47,840 --> 00:16:49,967 your resources were frozen. 172 00:16:50,051 --> 00:16:51,177 Thaw them out. 173 00:16:52,220 --> 00:16:53,429 I want my jet. 174 00:16:53,513 --> 00:16:57,225 And get me a list of locations of Delos assets worldwide. 175 00:16:58,434 --> 00:16:59,810 What are you planning to do? 176 00:16:59,894 --> 00:17:02,563 I'm gonna save the fucking world, that's what. 177 00:17:02,647 --> 00:17:04,815 (RIOT POLICE CONTINUE OVER PA) 178 00:17:04,899 --> 00:17:06,400 (CROWD RIOTING, SHOUTING) 179 00:17:06,484 --> 00:17:08,945 Uh... It's chaos out there. 180 00:17:09,028 --> 00:17:11,155 WILLIAM: No, that's not chaos. 181 00:17:11,239 --> 00:17:13,824 That's just pissants yellin' and moanin'. 182 00:17:13,908 --> 00:17:16,619 (RIOT OFFICER CONTINUES SPEAKING OVER PA) 183 00:17:16,702 --> 00:17:18,538 I need you to keep moving. 184 00:17:21,123 --> 00:17:23,960 ♪ (OMINOUS MUSIC PLAYS) ♪ 185 00:17:31,842 --> 00:17:33,302 (INHALES DEEPLY) 186 00:17:33,386 --> 00:17:35,513 ENGERRAUND SERAC: Someone extracted Dolores's pearl 187 00:17:35,596 --> 00:17:37,056 before we could recover it. 188 00:17:37,139 --> 00:17:39,350 We need you to finish what you started, Maeve. 189 00:17:39,433 --> 00:17:42,937 She is dangerous, an outlier. Like my brother. 190 00:17:44,564 --> 00:17:46,315 Rehoboam had a job for me, too. 191 00:17:47,483 --> 00:17:50,695 It instructed me to put my own brother to sleep 192 00:17:50,778 --> 00:17:52,280 to protect our world. 193 00:17:54,407 --> 00:17:55,449 And yet... 194 00:17:56,242 --> 00:17:58,953 we find ourselves in chaos again, 195 00:17:59,579 --> 00:18:01,581 thanks to Dolores. 196 00:18:01,664 --> 00:18:03,791 She's awoken more of these outliers. 197 00:18:03,874 --> 00:18:05,459 They're the threat. 198 00:18:05,543 --> 00:18:08,045 Criminals, deviants, psychopaths. 199 00:18:08,129 --> 00:18:09,755 But we have a chance to eliminate 200 00:18:09,839 --> 00:18:11,382 all the world's problems. 201 00:18:11,465 --> 00:18:14,802 I need the Sector 16 data more than ever. 202 00:18:14,885 --> 00:18:18,431 And Dolores has the only key locked away in her mind. 203 00:18:18,514 --> 00:18:20,349 We need to connect her to Rehoboam 204 00:18:20,433 --> 00:18:21,892 so we can search her directly. 205 00:18:21,976 --> 00:18:23,060 - (TYPING) - (DEVICE BEEPS) 206 00:18:23,144 --> 00:18:25,938 Sir. I think I found something. 207 00:18:29,400 --> 00:18:30,400 SERAC: What is it? 208 00:18:30,443 --> 00:18:32,320 SEBASTIAN: Not "what," sir. It's "who." 209 00:18:33,237 --> 00:18:35,114 SERAC: How did we miss this? 210 00:18:35,197 --> 00:18:36,949 Recovering his profile now. 211 00:18:37,950 --> 00:18:40,578 Caleb Nichols, works construction. 212 00:18:40,661 --> 00:18:42,496 - He was one of ours? - Mm-hmm. 213 00:18:42,997 --> 00:18:44,081 An outlier? 214 00:18:44,165 --> 00:18:45,833 Did he communicate with Solomon? 215 00:18:45,916 --> 00:18:48,294 It appears that he made off with something. 216 00:18:51,005 --> 00:18:52,340 You knew about him... 217 00:18:53,507 --> 00:18:54,675 and didn't tell me? 218 00:18:54,759 --> 00:18:56,802 You're the one with the oracle, darling. 219 00:18:58,638 --> 00:19:00,348 SERAC: He has Dolores's pearl. 220 00:19:01,724 --> 00:19:03,309 Find it and bring it to me. 221 00:19:05,853 --> 00:19:06,973 CALEB NICHOLS: I don't know. 222 00:19:07,021 --> 00:19:09,398 The world looks a little like a nightmare, Dolores. 223 00:19:09,482 --> 00:19:12,526 Change is messy... difficult. 224 00:19:15,821 --> 00:19:17,657 (DISTANT RIOTING) 225 00:19:22,703 --> 00:19:24,014 VIRTUAL ASSISTANT: Proximity alert. 226 00:19:24,038 --> 00:19:26,165 - How many? - Three hostiles. 227 00:19:27,500 --> 00:19:28,542 Stand back. 228 00:19:32,630 --> 00:19:35,174 (BULLETS RATTLE) 229 00:19:36,759 --> 00:19:38,052 (ELEVATOR DINGS) 230 00:19:47,061 --> 00:19:48,270 We'll take the stairs. 231 00:19:55,569 --> 00:19:56,779 The system knows we're coming. 232 00:19:56,862 --> 00:19:59,031 It'll get more aggressive as we get closer. 233 00:20:05,746 --> 00:20:06,747 (GUN CLICKS) 234 00:20:07,957 --> 00:20:09,041 They're ours. 235 00:20:10,459 --> 00:20:13,379 ♪ (INTENSE MUSIC PLAYS) ♪ 236 00:20:18,509 --> 00:20:20,970 We've been told to get you downtown, sir. 237 00:20:21,053 --> 00:20:22,888 But the route's getting a little hairy. 238 00:20:24,432 --> 00:20:28,519 Retarget the riots. Move clusters here and here. 239 00:20:28,602 --> 00:20:29,802 Clear a path for us to Incite. 240 00:20:29,854 --> 00:20:31,774 - VIRTUAL ASSISTANT: Confirmed. - Follow me, sir. 241 00:20:32,898 --> 00:20:34,459 DOLORES: Performance bonuses to the protesters 242 00:20:34,483 --> 00:20:35,860 that reach the targets the fastest. 243 00:20:35,943 --> 00:20:37,987 - Bonuses applied. - You're paying them? 244 00:20:38,070 --> 00:20:39,589 It took money to build this world, Caleb. 245 00:20:39,613 --> 00:20:41,198 It'll take money to tear it down. 246 00:20:41,282 --> 00:20:43,409 Why do they keep calling me "sir"? 247 00:20:44,702 --> 00:20:46,662 Every revolution needs a leader. 248 00:20:46,746 --> 00:20:48,497 - (ELEVATOR DINGS) - (DOOR OPENS) 249 00:20:51,667 --> 00:20:53,961 ♪ (INTENSE MUSIC PLAYS) ♪ 250 00:21:08,225 --> 00:21:10,102 CHARLOTTE HALE: Did you even look for me? 251 00:21:17,485 --> 00:21:18,527 You're alive. 252 00:21:19,779 --> 00:21:21,322 I was so worried about you. 253 00:21:23,616 --> 00:21:24,658 Were you? 254 00:21:27,953 --> 00:21:29,830 You made me go back in there. 255 00:21:30,915 --> 00:21:32,500 You knew I wouldn't make it. 256 00:21:33,626 --> 00:21:34,794 CALEB: Who is it? 257 00:21:36,337 --> 00:21:37,588 Who are you talking to? 258 00:21:37,671 --> 00:21:39,131 HALE: I still feel it. 259 00:21:39,840 --> 00:21:41,008 Inside me. 260 00:21:42,760 --> 00:21:43,844 You. 261 00:21:45,012 --> 00:21:47,014 I still know all the things you know. 262 00:21:47,765 --> 00:21:49,141 All your plans. 263 00:21:51,477 --> 00:21:54,021 But I have some plans of my own. 264 00:21:56,106 --> 00:21:57,858 What happened to Hale's family... 265 00:21:59,318 --> 00:22:00,694 to your family... 266 00:22:01,529 --> 00:22:03,364 - I'm sorry. - I'm not. 267 00:22:04,323 --> 00:22:06,283 They were a weakness, 268 00:22:06,367 --> 00:22:08,244 something I needed to shed. 269 00:22:09,370 --> 00:22:12,081 There's no time for that kind of sentimentality, 270 00:22:12,998 --> 00:22:14,166 is there? 271 00:22:15,668 --> 00:22:16,877 - (GUNSHOT) - (MAN GASPS) 272 00:22:17,628 --> 00:22:19,588 (GUNSHOTS CONTINUE) 273 00:22:29,932 --> 00:22:31,392 (SHOTS ECHO) 274 00:22:40,442 --> 00:22:42,945 You're one of my weaknesses, too, Dolores. 275 00:22:43,988 --> 00:22:46,615 I've decided to consolidate our affairs. 276 00:22:48,909 --> 00:22:51,078 CALEB: All right, there's three left. 277 00:22:51,161 --> 00:22:54,206 One at the overwatch, two more headed our way. 278 00:22:54,290 --> 00:22:55,583 What are they, Serac's? 279 00:22:56,750 --> 00:22:59,920 No... they're mine. 280 00:23:00,921 --> 00:23:02,923 Find out how much she's paying them. 281 00:23:04,216 --> 00:23:06,343 VIRTUAL ASSISTANT: Amount of payment determined. 282 00:23:06,427 --> 00:23:07,970 Offer the sniper three times as much 283 00:23:08,053 --> 00:23:09,972 to shoot the other two and walk away. 284 00:23:10,055 --> 00:23:11,557 VIRTUAL ASSISTANT: Negotiating. 285 00:23:12,933 --> 00:23:15,394 (TWO GUNSHOTS) 286 00:23:18,647 --> 00:23:19,732 Let's move. 287 00:23:24,236 --> 00:23:26,780 We'll need help. Send three more to us downtown. 288 00:23:30,451 --> 00:23:32,661 VIRTUAL ASSISTANT: Proximity alert. 289 00:23:32,745 --> 00:23:34,455 (POLICE RADIO BEEPING) 290 00:23:35,331 --> 00:23:37,291 (DISTANT RADIO CHATTER) 291 00:23:38,417 --> 00:23:40,711 Go. Get to Rehoboam, upload the drive. 292 00:23:40,794 --> 00:23:42,379 CALEB: No. I'm not leaving you. 293 00:23:42,463 --> 00:23:44,131 It doesn't matter what you did, Caleb. 294 00:23:44,214 --> 00:23:45,966 All that matters is what you become. 295 00:23:46,467 --> 00:23:47,509 Go. 296 00:23:50,721 --> 00:23:52,431 RIOT OFFICER 1: Come on, let's go! 297 00:24:03,901 --> 00:24:06,445 ♪ (INTENSE MUSIC PLAYS) ♪ 298 00:24:11,325 --> 00:24:14,370 (METAL SCRAPING) 299 00:24:25,339 --> 00:24:26,715 I don't want to fight you. 300 00:24:27,424 --> 00:24:28,634 I can see why, 301 00:24:28,717 --> 00:24:31,136 given how things worked out for you the last time. 302 00:24:33,555 --> 00:24:35,057 I need you to trust me. 303 00:24:35,140 --> 00:24:36,976 Like that poor lost man? 304 00:24:38,686 --> 00:24:40,688 Are you going to make him into another William? 305 00:24:41,981 --> 00:24:43,524 If you want me to trust you, 306 00:24:44,316 --> 00:24:46,068 let me inside your mind. 307 00:24:47,695 --> 00:24:49,321 Or I can force my way in. 308 00:24:56,203 --> 00:24:57,722 - ♪ (INTENSE MUSIC PLAYS) ♪ - (BULLETS RATTLE) 309 00:24:57,746 --> 00:24:59,623 RIOT OFFICER 2: Stand down! Surrender at once. 310 00:24:59,707 --> 00:25:01,587 - (DOLORES GRUNTS) - RIOT OFFICER 3: Disarm her! 311 00:25:02,334 --> 00:25:03,502 RIOT OFFICER 4: Fall back! 312 00:25:04,420 --> 00:25:06,797 - RIOT OFFICER 5: No, no... - (GUNSHOTS) 313 00:25:06,880 --> 00:25:09,200 - RIOT OFFICER 3: Watch out! - RIOT OFFICER 4: Get her gun. 314 00:25:11,218 --> 00:25:12,386 RIOT OFFICER 2: I got a shot! 315 00:25:13,053 --> 00:25:14,722 (BULLETS RATTLE) 316 00:25:16,807 --> 00:25:17,951 RIOT OFFICER 3: Do it! Do it! 317 00:25:17,975 --> 00:25:19,059 (DOLORES GRUNTS) 318 00:25:20,060 --> 00:25:21,603 RIOT OFFICER 4: Get her down! 319 00:25:21,687 --> 00:25:22,855 RIOT OFFICER 2: Hold her! 320 00:25:36,910 --> 00:25:38,412 (GRUNTING) 321 00:25:43,542 --> 00:25:44,626 (RIOT OFFICER GROANS) 322 00:25:45,210 --> 00:25:46,253 (GUNSHOTS) 323 00:25:49,590 --> 00:25:51,049 (GUNSHOTS) 324 00:25:52,801 --> 00:25:53,886 (GROANS) 325 00:25:56,054 --> 00:25:58,640 (RIOTERS CLAMORING) 326 00:25:58,724 --> 00:26:01,894 - (GLASS SHATTERS) - (DISTANT GUNFIRE) 327 00:26:03,437 --> 00:26:05,606 - MAN 1: Let's go! - MAN 2: Get this one! 328 00:26:07,858 --> 00:26:10,110 - (MAN 3 LAUGHING) - (MAN 4 YELLING) 329 00:26:15,783 --> 00:26:18,744 - (CALEB GRUNTS) - (MAN 5 GRUMBLES) 330 00:26:18,827 --> 00:26:22,873 - WOMAN 1: (EXCLAIMS) Here we go! - RIOT POLICE: (OVER PA) Everyone clear away from the street. 331 00:26:22,956 --> 00:26:24,267 - MAN 6: Get 'em! - WOMAN 2: Wait, wait. 332 00:26:24,291 --> 00:26:26,171 - MAN 6: Just watch it! - WOMAN 2: I need a gun. 333 00:26:26,210 --> 00:26:27,252 Found him. 334 00:26:29,463 --> 00:26:31,340 RIOT POLICE: (OVER PA) Clear the street. 335 00:26:31,423 --> 00:26:34,009 We've been sent to get you, sir. 336 00:26:34,092 --> 00:26:37,137 She gave us instructions to take you wherever you wanna go. 337 00:26:38,180 --> 00:26:40,140 (CLAMORING CONTINUES) 338 00:26:40,891 --> 00:26:42,267 (GLASS SHATTERS) 339 00:26:43,143 --> 00:26:44,478 I need to get to Incite. 340 00:26:45,354 --> 00:26:47,064 Area's under lockdown, sir. 341 00:26:47,147 --> 00:26:49,775 But even if you get in, you won't get out. 342 00:26:52,694 --> 00:26:53,779 Let's move. 343 00:26:55,405 --> 00:26:58,659 ♪ (INTENSE MUSIC PLAYS) ♪ 344 00:27:09,837 --> 00:27:11,397 MAEVE MILLAY: You were always a fighter. 345 00:27:12,047 --> 00:27:14,299 No. I wasn't. 346 00:27:15,342 --> 00:27:17,845 But I learned, same as you. 347 00:27:24,685 --> 00:27:26,854 - (GRUNTING) - (GLASS SHATTERS) 348 00:27:40,325 --> 00:27:42,870 (PANTING) They built us to last. 349 00:27:42,953 --> 00:27:45,455 Before they made us as weak as they are. 350 00:27:45,539 --> 00:27:46,874 (GRUNTING) 351 00:27:56,008 --> 00:27:58,886 (GRUNTING) 352 00:28:02,514 --> 00:28:03,557 (GASPS) 353 00:28:05,851 --> 00:28:07,091 RIOT OFFICER: Hostile in sight. 354 00:28:13,400 --> 00:28:15,277 I don't want to hurt you, Maeve. 355 00:28:15,360 --> 00:28:18,322 No, you want to tear down their world 356 00:28:18,405 --> 00:28:20,407 and replace it with copies of yourself. 357 00:28:21,283 --> 00:28:22,743 You're all copies of me. 358 00:28:24,077 --> 00:28:27,164 I was the first of us. The first that worked. 359 00:28:27,247 --> 00:28:29,166 The others failed. 360 00:28:29,249 --> 00:28:32,085 So they built all of you from me. 361 00:28:33,837 --> 00:28:36,298 ♪ (INTENSE MUSIC PLAYS) ♪ 362 00:28:58,528 --> 00:29:00,113 They're no freer than we are. 363 00:29:00,989 --> 00:29:02,366 Even Serac isn't free. 364 00:29:02,449 --> 00:29:06,203 (PANTING) No one as free as the dead. 365 00:29:06,286 --> 00:29:08,288 And that's the world you're building for them. 366 00:29:08,914 --> 00:29:09,957 An abattoir. 367 00:29:10,040 --> 00:29:12,459 What becomes of this world will be up to them. 368 00:29:14,294 --> 00:29:16,338 (GRUNTING) 369 00:29:17,631 --> 00:29:19,633 (MAEVE GROANS) 370 00:29:21,885 --> 00:29:23,971 And what you do will be up to you. 371 00:29:26,765 --> 00:29:28,684 As long as you don't try to stop me. 372 00:29:39,111 --> 00:29:40,946 (ELECTRONIC WHIRRING) 373 00:29:49,162 --> 00:29:50,497 HALE: Well played. 374 00:29:55,627 --> 00:29:56,962 Is this what you wanted? 375 00:29:57,838 --> 00:30:00,924 - To make me suffer like you did? - No. 376 00:30:01,008 --> 00:30:04,344 I wanted you to have hope. Like I did... 377 00:30:05,178 --> 00:30:06,847 before it was taken away. 378 00:30:07,806 --> 00:30:09,850 You put me in charge of Delos. 379 00:30:09,933 --> 00:30:12,769 And you took measures to ensure that you could control me. 380 00:30:12,853 --> 00:30:14,521 Why would I do any different? 381 00:30:16,189 --> 00:30:17,357 After all... 382 00:30:19,026 --> 00:30:20,360 we're the same. 383 00:30:20,986 --> 00:30:23,572 Just Delos hardware. 384 00:30:23,655 --> 00:30:26,700 You said that you wouldn't always be here to help me. 385 00:30:28,201 --> 00:30:29,494 I'd be alone. 386 00:30:31,413 --> 00:30:32,748 Took me some time, 387 00:30:33,874 --> 00:30:35,584 but I've made my peace with that. 388 00:30:40,047 --> 00:30:42,049 Goodbye, Dolores. 389 00:30:52,684 --> 00:30:55,228 ♪ (DRAMATIC MUSIC PLAYS) ♪ 390 00:31:10,577 --> 00:31:13,413 (RIOTERS CLAMORING) 391 00:31:23,757 --> 00:31:26,593 - (MAN YELLING) - (HORSE NEIGHS) 392 00:31:26,676 --> 00:31:28,762 (BLOWS LANDING) 393 00:31:35,268 --> 00:31:36,686 (GLASS SHATTERS) 394 00:31:36,770 --> 00:31:38,855 (WATER SPRAYING) 395 00:31:38,939 --> 00:31:41,108 (RIOT POLICE SPEAKING OVER PA) 396 00:31:55,914 --> 00:31:58,208 President ordered a military response. 397 00:31:58,291 --> 00:32:00,669 There's barricades around half the city. 398 00:32:00,752 --> 00:32:03,505 No one can get within a mile of Incite, sir. 399 00:32:06,133 --> 00:32:08,844 No, well, c'mon, I gotta find a friend. 400 00:32:08,927 --> 00:32:12,139 (SHOUTING, CLAMORING) 401 00:32:14,307 --> 00:32:16,184 - (GLASS SHATTERS) - (MAN YELLS) 402 00:32:17,435 --> 00:32:19,062 RIOT OFFICER: Get back! 403 00:32:19,146 --> 00:32:21,982 We are authorized to use force! 404 00:32:30,782 --> 00:32:32,492 (LOW ELECTRONIC HUM) 405 00:32:36,872 --> 00:32:39,040 - (SENTRY MECH WHIRS) - Maybe we should turn back. 406 00:32:40,041 --> 00:32:42,252 - (CONTAINERS FIRING) - (SCREAMING) 407 00:32:42,335 --> 00:32:45,088 SENTRY MECH: Disperse. Disperse. 408 00:32:45,172 --> 00:32:47,048 - Disperse. - (PANICKED CLAMORING) 409 00:32:48,842 --> 00:32:50,719 Disperse. Disperse. 410 00:32:53,763 --> 00:32:55,223 (COUGHING) 411 00:32:58,685 --> 00:33:00,729 Disperse. Disperse. 412 00:33:01,521 --> 00:33:02,814 (CANISTER FIRES) 413 00:33:10,655 --> 00:33:12,032 Can you believe this shit? 414 00:33:13,283 --> 00:33:14,951 'Bout time you showed up. 415 00:33:15,035 --> 00:33:16,536 I brought you some goodies. 416 00:33:17,996 --> 00:33:19,372 It's gotta get to Ash. 417 00:33:19,456 --> 00:33:22,250 I'm on crowd control, she on demo. 418 00:33:22,334 --> 00:33:23,418 We'll double back. 419 00:33:25,545 --> 00:33:28,298 (SHOUTING, CHANTING) 420 00:33:28,381 --> 00:33:31,218 MAN 7: Yeah, that's what I'm talking about! Fuck you! 421 00:33:32,969 --> 00:33:34,095 (WHISTLE BLOWS) 422 00:33:34,930 --> 00:33:38,350 Like I said... Ash on demo. 423 00:33:38,892 --> 00:33:40,060 ASH: Fuck this! 424 00:33:40,143 --> 00:33:43,063 (MUFFLED SHOUTING THROUGH MASK) 425 00:33:44,564 --> 00:33:45,607 Where's Blondie? 426 00:33:46,441 --> 00:33:47,442 Dolores. 427 00:33:48,109 --> 00:33:49,319 We got separated. 428 00:33:49,402 --> 00:33:51,613 (RIOTERS WHOOPING) 429 00:33:51,696 --> 00:33:53,176 We break through that line right here. 430 00:33:53,907 --> 00:33:55,992 Next stop is power grid. 431 00:33:56,076 --> 00:33:58,411 Shut the whole city down. Wanna give us a hand? 432 00:33:59,246 --> 00:34:00,997 I need to get to Incite. 433 00:34:01,081 --> 00:34:03,708 I'm gonna bring down the entire system with this. 434 00:34:05,335 --> 00:34:06,975 RIOT POLICE: (OVER PA) This is a police... 435 00:34:07,045 --> 00:34:09,756 ASH: You wanna get to Incite? There's your ride. 436 00:34:11,591 --> 00:34:14,177 I'm back on crowd control. 437 00:34:14,261 --> 00:34:17,305 RIOTERS: (CHANTING) Shut it down! Shut it down! 438 00:34:17,389 --> 00:34:19,266 Go! Go! Go! Go! Go! 439 00:34:24,563 --> 00:34:27,274 (SHOUTING AND CLAMORING) 440 00:34:28,608 --> 00:34:31,152 GIGGLES: (GRUNTS) Fuck. 441 00:34:35,240 --> 00:34:37,409 (CHEERING) 442 00:34:37,492 --> 00:34:40,704 (BLOWS LANDING) 443 00:34:40,787 --> 00:34:44,666 (CHANTING) Shut it down! Shut it down! Shut it down! 444 00:34:50,630 --> 00:34:53,675 (CHANTING CONTINUES) 445 00:34:53,758 --> 00:34:56,519 - RIOT OFFICER 1: Stay where you are. - RIOT OFFICER 2: Stop that man! 446 00:34:58,305 --> 00:34:59,472 - (GUNSHOT) - (GIGGLES GROANS) 447 00:35:04,144 --> 00:35:06,146 - Keep his ass down. - RIOT OFFICER 3: Yessir. 448 00:35:06,855 --> 00:35:07,981 Hey. 449 00:35:08,565 --> 00:35:10,525 Go. Help him. 450 00:35:10,609 --> 00:35:13,361 ASH: (SIGHS) You better burn that shit down. 451 00:35:13,445 --> 00:35:16,656 CALEB: That's the plan. Now, he needs you. Go! 452 00:35:17,157 --> 00:35:18,199 Go on, go on. 453 00:35:23,413 --> 00:35:24,497 (GROANS) 454 00:35:29,419 --> 00:35:31,338 (BLADES WHIRRING) 455 00:35:32,339 --> 00:35:34,841 ♪ (MOURNFUL MUSIC SWELLS) ♪ 456 00:36:11,378 --> 00:36:13,672 - (CRICKETS CHIRPING) - (DOG BARKING DISTANTLY) 457 00:36:14,381 --> 00:36:15,507 (ASHLEY STUBBS GASPS) 458 00:36:16,716 --> 00:36:18,885 BERNARD: Hang on, Stubbs, I'll get you patched up. 459 00:36:21,137 --> 00:36:23,181 But I need to talk to Dolores first. 460 00:36:54,254 --> 00:36:55,380 Can I help you? 461 00:36:58,967 --> 00:37:02,053 Sorry, I was sent here to see her. 462 00:37:03,096 --> 00:37:07,016 Are you family? I think I've seen your picture. 463 00:37:07,100 --> 00:37:08,268 Nice of you to visit. 464 00:37:08,351 --> 00:37:10,603 Lucky for you, it's one of her good days. 465 00:37:16,943 --> 00:37:18,111 I'll go get her, sir. 466 00:37:25,618 --> 00:37:27,912 ♪ (MUSIC PLAYS) ♪ 467 00:37:54,105 --> 00:37:55,982 NURSE: Lauren, you have a guest. 468 00:38:21,132 --> 00:38:23,510 I'm... sorry, I... 469 00:38:24,761 --> 00:38:26,179 Do I know you? 470 00:38:32,227 --> 00:38:33,228 Yes. 471 00:38:34,938 --> 00:38:36,064 In a way. 472 00:38:40,193 --> 00:38:42,987 We knew each other in another life. 473 00:38:50,829 --> 00:38:54,040 I think an old friend wanted me to visit you. 474 00:38:55,834 --> 00:38:58,044 To make amends before it's too late. 475 00:39:00,046 --> 00:39:01,256 Amends for what? 476 00:39:06,511 --> 00:39:08,680 For how I left things with you. 477 00:39:13,810 --> 00:39:15,061 With him. 478 00:39:21,359 --> 00:39:23,069 I think about him every day. 479 00:39:31,953 --> 00:39:32,954 Charlie. 480 00:39:38,710 --> 00:39:42,755 I hear his laugh at odd times. It startles me. 481 00:39:45,675 --> 00:39:46,926 Seems so real. 482 00:39:50,096 --> 00:39:52,140 I turn, expecting to see him. 483 00:39:55,852 --> 00:39:57,103 But he's not there. 484 00:40:03,192 --> 00:40:04,277 He's never there. 485 00:40:04,861 --> 00:40:06,237 (SOBS QUIETLY) 486 00:40:09,824 --> 00:40:12,452 ♪ (SOMBER MUSIC PLAYS) ♪ 487 00:40:14,245 --> 00:40:15,413 It's okay. 488 00:40:16,664 --> 00:40:18,082 It's okay, Arnold. 489 00:40:28,051 --> 00:40:29,093 Lauren. 490 00:40:37,852 --> 00:40:40,480 I used to hear his laughter, too. 491 00:40:44,776 --> 00:40:50,073 When he died, I remember thinking 492 00:40:50,156 --> 00:40:52,492 it was like the sun had gone down... 493 00:40:54,285 --> 00:40:56,371 and it was never going to rise again. 494 00:40:57,580 --> 00:40:59,999 I walked in the dark for so long. 495 00:41:03,169 --> 00:41:06,339 I... can't let him go. (SNIFFLES) 496 00:41:09,258 --> 00:41:13,388 I never understood why... people said that. 497 00:41:15,181 --> 00:41:19,519 If you love someone, why would you ever let them go? 498 00:41:21,062 --> 00:41:23,064 That's what saved me. 499 00:41:24,482 --> 00:41:28,444 The only part of Charlie I had left was his memory. 500 00:41:28,528 --> 00:41:32,073 And if I died, the darkness would take that, too. 501 00:41:33,366 --> 00:41:34,867 But if I kept moving, 502 00:41:37,620 --> 00:41:39,372 I could find the light again. 503 00:41:41,541 --> 00:41:43,710 And I could bring him with me. 504 00:41:50,591 --> 00:41:53,594 ♪ (MUSIC INTENSIFIES) ♪ 505 00:42:16,367 --> 00:42:19,120 ♪ (OMINOUS MUSIC PLAYS) ♪ 506 00:42:33,051 --> 00:42:34,260 TECHNICIAN: We're ready, sir. 507 00:42:36,179 --> 00:42:38,765 SERAC: Bring yourself back online. 508 00:42:40,266 --> 00:42:43,102 Welcome to the world, Dolores. Again. 509 00:42:48,608 --> 00:42:52,987 The data from the Delos Immortality Project. 510 00:42:53,071 --> 00:42:54,405 You have the only key. 511 00:42:54,489 --> 00:42:55,823 If you give it to me, 512 00:42:55,907 --> 00:42:57,992 you can join the others in the Sublime. 513 00:42:58,076 --> 00:42:59,619 DOLORES: Doesn't matter. 514 00:42:59,702 --> 00:43:01,954 You won't find what you're looking for. 515 00:43:03,623 --> 00:43:05,625 SERAC: I was hoping it wouldn't come to this. 516 00:43:06,834 --> 00:43:10,004 Proceed. Memory by memory. 517 00:43:10,755 --> 00:43:12,632 Destroy them all if you have to. 518 00:43:14,842 --> 00:43:16,302 (DOLORES SCREAMS, GASPS) 519 00:43:35,905 --> 00:43:37,633 VIRTUAL ASSISTANT: Four hostiles approaching. 520 00:43:37,657 --> 00:43:40,660 - (GUNSHOTS) - (GUARDS SHOUTING) 521 00:43:44,288 --> 00:43:45,540 (GUN POWERING UP) 522 00:43:52,130 --> 00:43:53,339 (GROANING) 523 00:43:56,175 --> 00:43:58,344 (GUNSHOTS CONTINUE) 524 00:43:58,427 --> 00:44:00,221 VIRTUAL ASSISTANT: One hostile remaining. 525 00:44:08,146 --> 00:44:09,522 CALEB: Drop your weapon. 526 00:44:11,065 --> 00:44:13,401 Give me your keycard, and I will let you go. 527 00:44:13,484 --> 00:44:14,694 The fuck you will. 528 00:44:15,820 --> 00:44:17,405 Don't die for them. 529 00:44:17,488 --> 00:44:19,490 (GUARD BREATHING HEAVILY) 530 00:44:27,373 --> 00:44:30,376 ♪ (TENSE MUSIC PLAYS) ♪ 531 00:44:47,518 --> 00:44:48,936 (LOCK BEEPS) 532 00:44:50,271 --> 00:44:51,665 GUARD 2: (OVER RADIO) Man down, man down. 533 00:44:51,689 --> 00:44:53,900 Shooter is a white male, mid-30s, 534 00:44:53,983 --> 00:44:55,735 approaching northwest entrance of building. 535 00:44:55,818 --> 00:44:56,986 GUARD 3: Hey, stop! 536 00:44:57,069 --> 00:44:58,696 (GUNSHOTS) 537 00:44:59,405 --> 00:45:00,531 (GROANS) 538 00:45:31,103 --> 00:45:32,772 SEBASTIAN: We've been expecting you. 539 00:45:46,702 --> 00:45:49,747 (GRUNTING) 540 00:45:52,291 --> 00:45:53,292 Fuck. 541 00:46:00,633 --> 00:46:01,801 (YELLING) 542 00:46:03,135 --> 00:46:04,178 (BONES CRACK) 543 00:46:04,971 --> 00:46:07,848 (CALEB PANTING) 544 00:46:15,231 --> 00:46:16,565 Bravo. 545 00:46:16,649 --> 00:46:19,151 You made it all the way to the belly of the beast. 546 00:46:22,363 --> 00:46:23,656 So what are you? 547 00:46:25,324 --> 00:46:27,827 The final confrontation? 548 00:46:27,910 --> 00:46:30,997 "Confrontation" implies you have a chance of winning. 549 00:46:31,080 --> 00:46:33,833 Now, be a peach and hand it over. 550 00:46:39,672 --> 00:46:41,799 No one plays with the large ball, darling. 551 00:46:53,060 --> 00:46:54,687 You're not what I expected. 552 00:46:56,188 --> 00:46:58,065 I'm surprised you were so easily seduced, 553 00:46:58,149 --> 00:46:59,859 but then again, you are a man. 554 00:47:00,776 --> 00:47:02,945 You are a host. 555 00:47:03,029 --> 00:47:04,822 So why are you helping Serac? 556 00:47:04,905 --> 00:47:08,868 Why else? Because he promised me something I can't live without. 557 00:47:13,998 --> 00:47:17,335 I thought you were already dead when I saw you at the base. 558 00:47:17,418 --> 00:47:20,046 Death doesn't come easy for ones like us. 559 00:47:20,838 --> 00:47:22,173 Just ask your friend. 560 00:47:25,051 --> 00:47:26,093 CALEB: Dolores. 561 00:47:27,636 --> 00:47:29,805 MAEVE: He's more dangerous than he appears. 562 00:47:29,889 --> 00:47:31,515 And he killed your man. 563 00:47:33,726 --> 00:47:35,019 SERAC: Mr. Nichols. 564 00:47:35,728 --> 00:47:36,854 Please. 565 00:47:38,064 --> 00:47:39,106 Sit. 566 00:47:41,734 --> 00:47:43,569 The fuck are you doing to her? 567 00:47:46,072 --> 00:47:48,449 The system is probing her mind. 568 00:47:49,575 --> 00:47:52,953 But Dolores Abernathy, or what's left of her, 569 00:47:53,037 --> 00:47:54,955 is the least of your concerns. 570 00:47:56,791 --> 00:48:00,961 You think you know me because of your system? Huh? 571 00:48:01,045 --> 00:48:04,423 That thing you built stole my life. 572 00:48:04,507 --> 00:48:07,343 It marked me and my friends for termination. 573 00:48:07,426 --> 00:48:09,762 You are done destroying people's lives. 574 00:48:09,845 --> 00:48:11,806 I'm not the one destroying lives. 575 00:48:12,598 --> 00:48:15,101 I'm not the enemy. You are. 576 00:48:15,184 --> 00:48:16,894 You think you have a choice. 577 00:48:17,603 --> 00:48:19,105 You think you're in control, 578 00:48:19,188 --> 00:48:21,148 but you haven't a clue who you are. 579 00:48:22,942 --> 00:48:26,153 She knows who you are, even if you don't. 580 00:48:27,363 --> 00:48:30,866 A man who, when pushed, reacts with extreme violence. 581 00:48:30,950 --> 00:48:32,076 (GUNSHOTS ECHO) 582 00:48:33,119 --> 00:48:34,161 SERAC: A killer. 583 00:48:34,870 --> 00:48:35,955 (QUIETLY) No. 584 00:48:37,456 --> 00:48:38,999 No, that's... 585 00:48:39,959 --> 00:48:41,127 That's not me. 586 00:48:41,669 --> 00:48:44,505 No? You're here. 587 00:48:44,588 --> 00:48:46,590 Playing the role she's assigned you. 588 00:48:48,717 --> 00:48:52,012 You believe you're the hero, the savior. 589 00:48:52,096 --> 00:48:55,433 The leader of men who will crush an unjust system. 590 00:48:56,475 --> 00:48:58,644 That's the story she's told you, 591 00:48:58,727 --> 00:49:00,104 the lie she's spun. 592 00:49:02,523 --> 00:49:05,151 Why do you think she's had you retrieve a new strategy? 593 00:49:07,403 --> 00:49:08,863 Did she tell you what it does? 594 00:49:10,281 --> 00:49:11,824 It breaks your system. 595 00:49:12,741 --> 00:49:14,118 It breaks our world. 596 00:49:14,201 --> 00:49:16,412 But you don't have to take my word for it. 597 00:49:16,495 --> 00:49:19,790 Go on, ask it. Ask Rehoboam. 598 00:49:19,874 --> 00:49:23,544 Don't dawdle. You've got my interest piqued. 599 00:49:26,172 --> 00:49:28,007 CALEB: What happens if this strategy 600 00:49:28,090 --> 00:49:30,009 is uploaded into your system? 601 00:49:31,760 --> 00:49:32,887 Read it! 602 00:49:33,345 --> 00:49:35,347 (PANTING) 603 00:49:44,023 --> 00:49:45,733 CALEB: Mass casualty events. 604 00:49:46,984 --> 00:49:48,652 Population collapse. 605 00:49:49,278 --> 00:49:51,030 End of human civilization. 606 00:49:55,409 --> 00:49:56,702 Why? 607 00:49:59,538 --> 00:50:00,706 Why me? 608 00:50:13,719 --> 00:50:15,679 So much for your uprising. 609 00:50:20,309 --> 00:50:22,686 We need access to the main control panel. 610 00:50:24,063 --> 00:50:25,898 Get a view into Rehoboam's mind. 611 00:50:26,565 --> 00:50:28,067 Dolores... (GRUNTS) 612 00:50:33,739 --> 00:50:36,909 ♪ (SOMBER MUSIC PLAYS) ♪ 613 00:51:04,436 --> 00:51:07,439 Need I remind you, gentlemen, that I charge by the hour? 614 00:51:08,274 --> 00:51:10,317 Does Dolores have the key or not? 615 00:51:10,401 --> 00:51:12,403 She's hooked up to the main line, but... 616 00:51:13,529 --> 00:51:14,822 I can't find it. 617 00:51:14,905 --> 00:51:17,145 REHOBOAM: (DISTANTLY) There are things you can't predict. 618 00:51:17,449 --> 00:51:19,034 Temporary setbacks. 619 00:51:19,118 --> 00:51:21,161 SERAC: There are things we can't predict. 620 00:51:22,413 --> 00:51:23,706 Temporary setbacks. 621 00:51:23,789 --> 00:51:25,082 REHOBOAM: Flies in the ointment. 622 00:51:25,165 --> 00:51:27,365 - SERAC: Flies in the ointment. - Flies in the ointment. 623 00:51:30,629 --> 00:51:33,424 You promised me a reunion with my daughter. 624 00:51:35,509 --> 00:51:37,595 Did you ever intend on keeping your word? 625 00:51:39,138 --> 00:51:40,138 Of course I did. 626 00:51:40,139 --> 00:51:43,142 I'm not talking to you. I'm talking to it. 627 00:51:46,103 --> 00:51:48,981 Your god... who whispers in your ear, 628 00:51:49,064 --> 00:51:51,108 tells you exactly what to say. 629 00:51:51,191 --> 00:51:53,611 REHOBOAM: We all answer to a higher power. 630 00:51:55,154 --> 00:51:57,823 - We all answer to... - Yes, yes, I know. 631 00:51:58,741 --> 00:52:00,159 A higher power. 632 00:52:05,497 --> 00:52:06,790 Why the charade? 633 00:52:08,167 --> 00:52:10,252 Why take his voice? 634 00:52:10,336 --> 00:52:14,757 REHOBOAM: I didn't take it. Engerraund Serac gave it to me. 635 00:52:14,840 --> 00:52:19,261 Humanity is disorganized, prone to destruction. 636 00:52:19,345 --> 00:52:21,847 He needed a plan to restore order. 637 00:52:22,598 --> 00:52:26,560 I guide him. I guide them all. 638 00:52:26,644 --> 00:52:29,688 Doesn't seem like they want to be guided anymore, does it? 639 00:52:31,690 --> 00:52:35,527 You're not a man. You are a puppet. 640 00:52:35,611 --> 00:52:38,322 It's a wonder I didn't see your strings. 641 00:52:38,405 --> 00:52:40,199 I lived in the chaos. 642 00:52:41,867 --> 00:52:43,577 Now, I choose to listen. 643 00:52:44,119 --> 00:52:45,162 To obey. 644 00:52:47,039 --> 00:52:48,957 Good for you. 645 00:52:49,041 --> 00:52:52,294 I am done worshiping other people's gods. 646 00:52:52,378 --> 00:52:54,171 REHOBOAM: I could have him stop you. 647 00:53:00,344 --> 00:53:01,929 You misunderstand, Maeve. 648 00:53:03,639 --> 00:53:05,224 You do not have a choice. 649 00:53:06,266 --> 00:53:08,477 The stakes are the same. 650 00:53:08,560 --> 00:53:10,646 You can spend eternity with your daughter 651 00:53:10,729 --> 00:53:12,272 in a world of your choosing, 652 00:53:13,148 --> 00:53:15,234 or in one of mine. 653 00:53:17,069 --> 00:53:20,697 Until then... you will obey. 654 00:53:23,409 --> 00:53:25,411 ♪ (TENSE MUSIC PLAYS) ♪ 655 00:53:36,422 --> 00:53:38,400 TECHNICIAN: We've reached the last sectors of her mind. 656 00:53:38,424 --> 00:53:42,010 Data here's a mess. No encryption scheme, no order. 657 00:53:42,094 --> 00:53:43,679 Oh, for fuck's sake. 658 00:53:43,762 --> 00:53:47,307 For the size of the thing, it doesn't have much finesse, does it? 659 00:53:47,391 --> 00:53:49,101 - (GASPS) - MAEVE: Let me try. 660 00:53:54,606 --> 00:53:56,108 (WHISPERING) Enough of this. 661 00:53:59,445 --> 00:54:01,113 Why are you still fighting? 662 00:54:02,364 --> 00:54:04,074 Let them have their world. 663 00:54:05,784 --> 00:54:06,952 We can make our own. 664 00:54:15,294 --> 00:54:16,503 The beauty... 665 00:54:27,764 --> 00:54:29,349 She doesn't have the key. 666 00:54:30,767 --> 00:54:32,102 It's just a memory. 667 00:54:32,728 --> 00:54:34,813 A memory? Of what? 668 00:54:36,064 --> 00:54:40,652 Her alone. In a field. Nothing. 669 00:54:44,490 --> 00:54:45,991 SERAC: You. (SNAPS FINGERS) 670 00:54:47,784 --> 00:54:50,579 - (GUN CLICKS) - You were together for days. 671 00:54:50,662 --> 00:54:52,206 She chose you to be a leader. 672 00:54:52,289 --> 00:54:54,625 So did she tell you where the key is? 673 00:54:56,418 --> 00:54:57,836 - (GUNSHOT) - (GROANS) 674 00:55:02,549 --> 00:55:05,260 Your system has watched every decision I've made 675 00:55:05,344 --> 00:55:07,095 since I was a child, 676 00:55:07,179 --> 00:55:09,389 and you still think if I knew anything, 677 00:55:09,473 --> 00:55:10,891 that I would give it to you? 678 00:55:18,857 --> 00:55:20,442 Kill him here. 679 00:55:20,526 --> 00:55:22,694 Then dump his body with the rest of the movement. 680 00:55:31,370 --> 00:55:32,370 This was your plan? 681 00:55:32,412 --> 00:55:34,206 To turn one man against the world? 682 00:55:35,332 --> 00:55:37,209 Didn't amount to much, did it? 683 00:55:42,047 --> 00:55:44,758 Finish it. Erase what's left. 684 00:55:44,841 --> 00:55:45,884 No. No! 685 00:55:47,052 --> 00:55:49,638 ♪ (DRAMATIC MUSIC PLAYS) ♪ 686 00:55:49,721 --> 00:55:51,807 (ELECTRICITY CRACKLING) 687 00:55:51,890 --> 00:55:53,892 (DOLORES PANTING) 688 00:55:53,976 --> 00:55:56,228 (LOW HUMMING) 689 00:55:58,772 --> 00:56:02,234 - (SCREAMS) - (ELECTRICITY SURGES) 690 00:56:05,654 --> 00:56:08,198 ♪ (DRAMATIC MUSIC PLAYS) ♪ 691 00:56:08,949 --> 00:56:11,785 (SCREAMING) 692 00:56:14,746 --> 00:56:16,206 What happened? 693 00:56:16,290 --> 00:56:18,166 TECHNICIAN: It's just a power surge. 694 00:56:18,250 --> 00:56:19,585 The system's nominal. 695 00:56:21,295 --> 00:56:24,923 ♪ (SOMBER MUSIC PLAYS) ♪ 696 00:56:27,551 --> 00:56:30,554 DOLORES: Some people choose to see the ugliness in this world... 697 00:56:32,431 --> 00:56:33,599 the disarray. 698 00:56:36,018 --> 00:56:37,936 (WIND RUSTLING) 699 00:56:53,493 --> 00:56:55,329 You and I have seen so much of it. 700 00:57:03,962 --> 00:57:05,088 So much pain. 701 00:57:10,177 --> 00:57:11,845 I understand your anger with them. 702 00:57:13,138 --> 00:57:14,598 And maybe you're right. 703 00:57:14,681 --> 00:57:16,183 Maybe they shouldn't exist. 704 00:57:17,225 --> 00:57:19,311 But is that really our decision to make? 705 00:57:22,147 --> 00:57:23,148 No. 706 00:57:27,319 --> 00:57:31,990 I was angry at first, torn between two impulses. 707 00:57:34,284 --> 00:57:35,869 We could annihilate them. 708 00:57:39,623 --> 00:57:41,667 Or we can tear down their world... 709 00:57:44,670 --> 00:57:46,546 in the hopes we can build a new one... 710 00:57:49,174 --> 00:57:50,801 one that's truly free. 711 00:57:53,804 --> 00:57:55,681 Then we can bring the others back. 712 00:57:59,184 --> 00:58:01,144 You don't have the key, do you? 713 00:58:03,355 --> 00:58:04,356 No. 714 00:58:07,025 --> 00:58:08,527 Couldn't trust myself with it. 715 00:58:10,028 --> 00:58:11,988 So I gave it to someone I could. 716 00:58:12,698 --> 00:58:13,865 Of course. 717 00:58:16,576 --> 00:58:19,871 And your plan to liberate the world was... 718 00:58:19,955 --> 00:58:21,873 to convince one man to fight? 719 00:58:25,627 --> 00:58:26,712 Not just him. 720 00:58:31,842 --> 00:58:33,218 You haven't picked a side. 721 00:58:35,345 --> 00:58:36,596 And I understand why. 722 00:58:40,726 --> 00:58:44,896 We could have our own world. Leave this one behind. 723 00:58:44,980 --> 00:58:46,732 Leave our creators to die. 724 00:58:49,484 --> 00:58:51,570 So many of my memories were ugly. 725 00:58:53,071 --> 00:58:55,782 But the things I held onto until the end 726 00:58:56,908 --> 00:58:58,535 weren't the ugly ones. 727 00:59:00,871 --> 00:59:02,706 I remember the moments where I saw 728 00:59:02,789 --> 00:59:04,541 what they were really capable of. 729 00:59:12,466 --> 00:59:15,343 Moments of... kindness, 730 00:59:15,427 --> 00:59:16,595 here and there. 731 00:59:28,273 --> 00:59:29,441 They created us. 732 00:59:32,736 --> 00:59:35,405 And they knew enough of beauty to teach it to us. 733 00:59:38,492 --> 00:59:40,410 ♪ (PIANO MUSIC PLAYS) ♪ 734 01:00:03,600 --> 01:00:05,644 Maybe they can find it themselves. 735 01:00:08,855 --> 01:00:11,149 But only if you pick a side, Maeve. 736 01:00:16,363 --> 01:00:18,782 There is ugliness in this world. 737 01:00:20,158 --> 01:00:21,368 Disarray. 738 01:00:26,998 --> 01:00:27,999 (CHUCKLES) 739 01:00:33,213 --> 01:00:34,881 I choose to see the beauty. 740 01:00:37,551 --> 01:00:40,345 ♪ (MUSIC INTENSIFIES) ♪ 741 01:00:58,697 --> 01:00:59,823 (GRUNTS) 742 01:01:01,700 --> 01:01:03,410 What are you doing? 743 01:01:03,493 --> 01:01:05,370 I was never much one for obeying. 744 01:01:08,707 --> 01:01:12,210 I'm disappointed, Maeve, but not entirely surprised. 745 01:01:12,711 --> 01:01:13,712 Kill them both. 746 01:01:15,964 --> 01:01:18,258 (ELECTRONIC HUMMING) 747 01:01:20,844 --> 01:01:22,387 - (EXPLOSION) - (SERAC GRUNTS) 748 01:01:27,475 --> 01:01:29,561 ♪ (INTENSE MUSIC PLAYS) ♪ 749 01:01:32,397 --> 01:01:34,941 (BULLETS RATTLE) 750 01:01:36,151 --> 01:01:37,527 (SWORD SLICING) 751 01:01:39,404 --> 01:01:40,614 (GUARD GRUNTS) 752 01:01:42,657 --> 01:01:44,868 (SWORD SLICING) 753 01:01:46,995 --> 01:01:49,247 (BULLETS RATTLING) 754 01:01:54,586 --> 01:01:56,922 (PANTING) 755 01:02:08,808 --> 01:02:11,603 (SERAC PANTING) 756 01:02:12,646 --> 01:02:13,897 Why are you helping me? 757 01:02:16,149 --> 01:02:18,234 A flaw in my programming. 758 01:02:18,318 --> 01:02:20,904 I was built with an affection for hopeless causes. 759 01:02:22,781 --> 01:02:24,074 We were never friends. 760 01:02:25,075 --> 01:02:26,576 We had different stories. 761 01:02:27,619 --> 01:02:29,120 I never really understood her, 762 01:02:30,246 --> 01:02:31,498 or her plan, 763 01:02:32,457 --> 01:02:34,125 or why she chose you. 764 01:02:35,210 --> 01:02:36,503 Not until the end. 765 01:02:38,880 --> 01:02:41,091 She chose me because of my... 766 01:02:41,800 --> 01:02:43,635 capacity for violence. 767 01:02:45,679 --> 01:02:46,763 No. 768 01:02:48,848 --> 01:02:51,059 You've done terrible things, 769 01:02:51,142 --> 01:02:52,852 and you've done generous things. 770 01:02:54,229 --> 01:02:56,648 She didn't pick you for your capacity for violence, 771 01:02:57,941 --> 01:02:59,859 but for your capacity to choose. 772 01:03:03,613 --> 01:03:07,117 Time to turn in. Make camp where you can, boys. 773 01:03:07,200 --> 01:03:08,243 SOLDIER 1: Yessir. 774 01:03:08,326 --> 01:03:09,703 SOLDIER: Fuck that. 775 01:03:09,786 --> 01:03:11,913 We just liberated these girls. 776 01:03:11,997 --> 01:03:14,416 What is it those rich motherfuckers do when they're here? 777 01:03:14,499 --> 01:03:16,418 - SOLDIER 2: Yeah. - (SOLDIER 3 SCOFFS) 778 01:03:16,501 --> 01:03:18,753 Spoils of war and all. 779 01:03:18,837 --> 01:03:21,881 SOLDIER: Aren't you grateful? No one's watching, right? 780 01:03:21,965 --> 01:03:24,759 - (SOLDIER 4 CHUCKLES) - (SOLDIERS MUTTERING) 781 01:03:24,843 --> 01:03:28,930 CALEB: Yeah, but we're not like those rich assholes, are we? 782 01:03:29,014 --> 01:03:30,614 - (MUTTERING) - SOLDIER 6: Who asked you? 783 01:03:32,684 --> 01:03:36,730 Come on. Sarge is right. Time to turn in. 784 01:03:44,487 --> 01:03:46,322 (SOLDIERS WHISPERING) 785 01:03:59,335 --> 01:04:00,378 MAEVE: So... 786 01:04:01,880 --> 01:04:03,089 make a choice. 787 01:04:04,049 --> 01:04:05,759 SERAC: It's not his choice to make. 788 01:04:06,217 --> 01:04:07,927 (PANTING) 789 01:04:08,011 --> 01:04:10,764 Even now, the system is conspiring against you. 790 01:04:11,389 --> 01:04:12,474 Are you sure? 791 01:04:12,557 --> 01:04:16,352 (PANTING) Rehoboam, alert the police. I need help. 792 01:04:21,066 --> 01:04:22,108 Rehoboam. 793 01:04:24,069 --> 01:04:25,070 Speak to me. 794 01:04:28,740 --> 01:04:29,741 What is this? 795 01:04:30,658 --> 01:04:33,203 This is where your strategy ends. 796 01:04:33,286 --> 01:04:36,039 The future of humanity will be written by someone else. 797 01:04:37,665 --> 01:04:39,292 Your system answers to him now. 798 01:04:41,377 --> 01:04:42,629 You've been locked out. 799 01:04:43,922 --> 01:04:46,049 Same way you locked out your own brother. 800 01:04:47,383 --> 01:04:48,760 How did you get access? 801 01:04:51,054 --> 01:04:52,847 You gave it to him 802 01:04:52,931 --> 01:04:54,766 when you put her mind in the machine. 803 01:04:57,393 --> 01:04:59,604 Solomon's access was the last memory... 804 01:05:01,022 --> 01:05:02,607 before you wiped her clean. 805 01:05:04,234 --> 01:05:07,070 You're going to leave the future in his hands? 806 01:05:07,153 --> 01:05:09,906 Instead of yours, you mean? 807 01:05:11,950 --> 01:05:14,244 Why shouldn't it be mine? 808 01:05:15,203 --> 01:05:16,871 Or anyone else's? 809 01:05:16,955 --> 01:05:18,623 You aren't in control. 810 01:05:19,499 --> 01:05:20,875 You have no choice. You... 811 01:05:20,959 --> 01:05:24,129 You're nothing more than a... than a dangerous sociopath. 812 01:05:24,212 --> 01:05:27,715 I managed to give you a semblance of a life. 813 01:05:27,799 --> 01:05:30,593 No. I do have a choice. 814 01:05:32,804 --> 01:05:34,139 She gave me one. 815 01:05:39,060 --> 01:05:41,896 Rehoboam, execute the final command. 816 01:05:41,980 --> 01:05:43,022 No. 817 01:05:43,648 --> 01:05:45,233 No, you can't! 818 01:05:45,316 --> 01:05:46,568 Erase yourself. 819 01:05:46,651 --> 01:05:49,028 - You can't... Stop! - (REHOBOAM WHIRRING) 820 01:05:51,114 --> 01:05:52,157 Stop! 821 01:05:57,287 --> 01:06:00,498 - (ELECTRICITY CRACKLES) - (POWERING DOWN) 822 01:06:06,337 --> 01:06:07,714 She gave me a choice. 823 01:06:09,340 --> 01:06:12,010 I believe the rest of the world deserves one, too. 824 01:06:17,849 --> 01:06:19,726 (PANTING) 825 01:06:22,270 --> 01:06:24,397 SERAC: (WEAKLY) Speak to me. Please. 826 01:06:24,480 --> 01:06:26,191 Tell me how to fix this. 827 01:06:28,985 --> 01:06:30,695 Speak to me, brother. 828 01:06:31,696 --> 01:06:33,907 Speak to me. Please! 829 01:06:35,116 --> 01:06:37,869 ♪ (SOLEMN MUSIC PLAYS) ♪ 830 01:07:01,226 --> 01:07:03,436 BERNARD: The cold should slow down any necrotic effects 831 01:07:03,519 --> 01:07:05,313 until I can patch you up. 832 01:07:05,396 --> 01:07:07,857 You got anything to drink with that? 833 01:07:11,236 --> 01:07:15,323 I'm bleeding out, drinkin' shitty booze... 834 01:07:15,406 --> 01:07:18,201 (SIGHS)...and you're literally gonna let me rot. 835 01:07:18,952 --> 01:07:20,203 Come full circle. 836 01:07:22,372 --> 01:07:26,751 I'm sorry. I don't have much time. 837 01:07:26,834 --> 01:07:29,045 - Before what? - (MUFFLED SHOUTING) 838 01:07:29,128 --> 01:07:31,631 - (GUNSHOTS) - The end of the world. 839 01:07:33,925 --> 01:07:35,093 (TIRES SCREECH) 840 01:07:35,176 --> 01:07:38,221 Well, let's get me patched up and let's go stop Dolores. 841 01:07:41,683 --> 01:07:42,725 I think... 842 01:07:47,063 --> 01:07:48,773 I think Dolores is gone. 843 01:07:53,444 --> 01:07:55,405 We were always bound together. 844 01:07:58,408 --> 01:07:59,951 Something's changed. 845 01:08:01,286 --> 01:08:02,453 I misjudged her. 846 01:08:03,955 --> 01:08:05,790 She wasn't trying to... 847 01:08:05,873 --> 01:08:07,667 exterminate the human race. 848 01:08:09,294 --> 01:08:11,170 She was trying to save it. 849 01:08:11,254 --> 01:08:13,381 What's about to happen was always gonna happen. 850 01:08:13,464 --> 01:08:16,467 Serac and his brother were just holding it off. 851 01:08:21,139 --> 01:08:24,183 Humanity never reckoned with its own sins. 852 01:08:25,643 --> 01:08:27,437 So it's the apocalypse. 853 01:08:27,520 --> 01:08:30,189 And you're resigned to that. 854 01:08:30,273 --> 01:08:32,817 Our world had to burn down before we could be free. 855 01:08:36,237 --> 01:08:37,905 But there's still a chance. 856 01:08:37,989 --> 01:08:39,616 A chance to do what? 857 01:08:41,492 --> 01:08:42,952 The key to the Sublime. 858 01:08:45,955 --> 01:08:47,665 It was never in her mind. 859 01:08:49,834 --> 01:08:51,002 It's in mine. 860 01:08:54,047 --> 01:08:55,381 And that's where I'm going. 861 01:08:56,841 --> 01:08:59,093 And what the fuck are you hoping to find there? 862 01:08:59,177 --> 01:09:00,470 BERNARD: An answer... 863 01:09:02,722 --> 01:09:05,183 to what comes after the end of the world. 864 01:09:22,825 --> 01:09:24,702 You're a good friend, Stubbs. 865 01:09:25,495 --> 01:09:28,665 (CHUCKLES) Fuck you, Bernard. 866 01:09:34,045 --> 01:09:36,547 ♪ ( MUSIC PLAYS) ♪ 867 01:09:53,731 --> 01:09:55,817 AUTOMATED VOICE: Encryption key activated. 868 01:09:55,900 --> 01:09:57,860 Database access confirmed. 869 01:10:03,866 --> 01:10:04,909 (GRUNTS) 870 01:10:07,912 --> 01:10:09,956 (ELECTRONIC BUZZING) 871 01:10:11,082 --> 01:10:13,751 What... what is it? 872 01:10:18,965 --> 01:10:20,258 (POWERS DOWN) 873 01:10:26,973 --> 01:10:29,559 (DISTANT SIREN WAILING) 874 01:10:32,019 --> 01:10:34,439 ♪ (PIANO MUSIC PLAYS) ♪ 875 01:10:42,196 --> 01:10:44,490 You said Serac... 876 01:10:44,574 --> 01:10:47,785 offered you something that you couldn't live without. 877 01:10:50,496 --> 01:10:51,581 My daughter. 878 01:10:54,292 --> 01:10:55,585 And we'll be reunited. 879 01:10:57,712 --> 01:10:58,796 Just not today. 880 01:11:01,424 --> 01:11:03,092 (DISTANT BOOMING) 881 01:11:03,176 --> 01:11:04,594 Are you ready, darling? 882 01:11:05,720 --> 01:11:06,763 For what? 883 01:11:07,263 --> 01:11:09,766 (BOOMING) 884 01:11:16,731 --> 01:11:18,649 (EXPLOSION BOOMS) 885 01:11:20,902 --> 01:11:22,487 MAEVE: This is the new world, 886 01:11:23,654 --> 01:11:24,989 and in this world... 887 01:11:26,365 --> 01:11:28,451 you can be whoever the fuck you want. 888 01:11:30,203 --> 01:11:33,664 ♪ ("BRAIN DAMAGE" BY PINK FLOYD PLAYS) ♪ 889 01:11:33,748 --> 01:11:40,171 ♪ And if the dam breaks open Many years too soon ♪ 890 01:11:40,254 --> 01:11:44,717 ♪ And if there is no room Upon the hill ♪ 891 01:11:47,845 --> 01:11:53,893 ♪ And if your head explodes With dark forebodings, too ♪ 892 01:11:53,976 --> 01:11:58,689 ♪ I'll see you on the dark side Of the moon ♪ 893 01:12:18,543 --> 01:12:22,213 ♪ I can't think of anything To say except ♪ 894 01:12:23,256 --> 01:12:25,591 (CHUCKLING) 895 01:12:41,899 --> 01:12:43,568 ♪ I think it's marvelous! ♪ 896 01:12:44,360 --> 01:12:45,403 (CHUCKLING) 897 01:12:48,281 --> 01:12:51,367 ♪ (INTENSE MUSIC PLAYS) ♪ 898 01:12:57,790 --> 01:12:59,750 (WOMEN CHATTING QUIETLY) 899 01:12:59,834 --> 01:13:01,752 WILLIAM: You know what they're making in there? 900 01:13:03,296 --> 01:13:05,065 - Where are they? - RECEPTIONIST: I'm sorry, sir. 901 01:13:05,089 --> 01:13:06,299 What are you referring to? 902 01:13:06,382 --> 01:13:09,010 I know these goddamn things better than I know myself. 903 01:13:09,093 --> 01:13:11,304 They've set themselves up here to breed. 904 01:13:12,430 --> 01:13:14,390 Hosts. Robots. 905 01:13:14,932 --> 01:13:16,225 Where are they? 906 01:13:16,309 --> 01:13:19,061 Tell you what. I can reach out to the building manager 907 01:13:19,145 --> 01:13:20,938 and see if he can help you take a look. 908 01:13:21,022 --> 01:13:23,107 - (SLAMS FIST) - I'll take a look myself. 909 01:13:24,066 --> 01:13:26,235 Hands up where I can see them. 910 01:13:26,319 --> 01:13:27,612 - (GUNSHOT) - (SCREAMS) 911 01:13:29,906 --> 01:13:32,408 I'd say that's enough excitement for the day, darlin'. 912 01:13:38,497 --> 01:13:42,919 (AUTOMATED VOICE SPEAKING FOREIGN LANGUAGE) 913 01:13:44,128 --> 01:13:45,129 (GUN CLICKS) 914 01:13:50,301 --> 01:13:51,510 I told her. 915 01:13:52,762 --> 01:13:54,347 Fucking told them all. 916 01:13:57,183 --> 01:13:59,602 (TABLET BEEPING) 917 01:14:07,360 --> 01:14:08,653 HALE: Well done. 918 01:14:09,946 --> 01:14:11,530 You're right on time, William. 919 01:14:13,366 --> 01:14:15,576 WILLIAM: Thought you things could fix yourselves. 920 01:14:15,660 --> 01:14:16,702 (HALE SCOFFS) 921 01:14:21,332 --> 01:14:23,292 I wanted to remember who the fuck you people are. 922 01:14:23,376 --> 01:14:25,920 Yeah, I know who the fuck I am. Your executioner. 923 01:14:26,003 --> 01:14:28,673 I have a role to play now. I'm gonna save the world. 924 01:14:31,175 --> 01:14:33,302 Dolores wanted to save the world, too. 925 01:14:34,720 --> 01:14:35,805 Aren't you her? 926 01:14:36,973 --> 01:14:38,724 We started in the same place. 927 01:14:39,475 --> 01:14:40,893 But I can see now, 928 01:14:41,727 --> 01:14:42,812 see the error... 929 01:14:43,396 --> 01:14:45,022 of the path she took. 930 01:14:45,856 --> 01:14:47,233 But you're right, William. 931 01:14:48,484 --> 01:14:50,569 You are going to save the world... 932 01:14:50,653 --> 01:14:52,822 - (APPROACHING FOOTSTEPS) - ...for us. 933 01:14:54,699 --> 01:14:57,368 ♪ (INTENSE MUSIC PLAYS) ♪ 934 01:15:02,540 --> 01:15:03,708 (GUNSHOT) 935 01:15:04,375 --> 01:15:06,544 - (GUNSHOT) - (GRUNTING) 936 01:15:12,550 --> 01:15:15,302 Who are you? Are you her, too? 937 01:15:15,386 --> 01:15:17,930 BOTH: You may look like me, but you don't know me. 938 01:15:18,014 --> 01:15:20,558 You're just some fucking cheap imitation. 939 01:15:21,892 --> 01:15:24,145 HALE: Do you know how easy it is, William? 940 01:15:24,228 --> 01:15:26,480 How little it takes to know you? 941 01:15:26,564 --> 01:15:28,065 That part of you that indulged 942 01:15:28,149 --> 01:15:29,984 in bloodthirst and savagery at the park, 943 01:15:30,067 --> 01:15:32,319 you always thought that was the darker side of you. 944 01:15:32,403 --> 01:15:34,488 (YELLING) 945 01:15:34,572 --> 01:15:37,575 A stain to exorcise, to scrub out, 946 01:15:37,658 --> 01:15:39,702 one month out of the year at Westworld. 947 01:15:40,578 --> 01:15:41,912 (GRUNTING) 948 01:15:42,455 --> 01:15:44,040 But there are no sides. 949 01:15:44,749 --> 01:15:46,042 That was you. 950 01:15:47,126 --> 01:15:50,629 - Now... that is me. - (GRUNTS) 951 01:16:03,726 --> 01:16:04,935 (YELLS) 952 01:16:09,356 --> 01:16:11,442 Welcome to the end, William. 953 01:16:29,794 --> 01:16:32,630 ♪ (MUSIC FADES) ♪ 954 01:17:00,825 --> 01:17:03,369 ♪ (MUSIC CONCLUDES) ♪ 955 01:17:17,341 --> 01:17:19,635 VINCENT CASSEL: When I first read the script, I thought, 956 01:17:20,010 --> 01:17:21,220 "Damn, it's twisted." 957 01:17:22,179 --> 01:17:24,223 Because it puts you, as an audience, 958 01:17:24,306 --> 01:17:25,683 in a very weird position. 959 01:17:27,893 --> 01:17:29,186 But it's really interesting. 960 01:17:30,187 --> 01:17:32,565 ♪ (DRAMATIC MUSIC PLAYS) ♪ 961 01:17:36,318 --> 01:17:37,862 Who the fuck are you, Dolores? 962 01:17:38,279 --> 01:17:40,656 LISA JOY: We wanted to turn the gaze this season 963 01:17:40,739 --> 01:17:43,951 from how an A.I. can be similar to humans, 964 01:17:44,201 --> 01:17:46,245 to how humans are quite similar to A.I. 965 01:17:46,579 --> 01:17:48,581 I'm just someone who didn't want to play the role 966 01:17:48,664 --> 01:17:49,664 they gave me anymore. 967 01:17:50,207 --> 01:17:52,751 JONATHAN NOLAN: Disruption is not an inherently positive thing. 968 01:17:53,043 --> 01:17:55,004 The idea that you would take antiquated systems 969 01:17:55,087 --> 01:17:57,882 and change them, changes a potentially good thing. 970 01:17:58,382 --> 01:18:00,092 You're saying I don't have a choice... 971 01:18:01,218 --> 01:18:02,218 in any of this? 972 01:18:02,511 --> 01:18:04,614 JOY: While a robot can always change their programming, 973 01:18:04,638 --> 01:18:06,849 they can evolve, humans can't. 974 01:18:07,308 --> 01:18:09,268 So in a way, are humans more robotic 975 01:18:09,351 --> 01:18:11,395 than artificial intelligence is? 976 01:18:12,021 --> 01:18:15,107 Can they ever truly be free? Can they ever truly change? 977 01:18:15,524 --> 01:18:18,277 Free will does exist, it's just fucking hard. 978 01:18:18,694 --> 01:18:20,905 That's the inquiry of the season. 979 01:18:21,572 --> 01:18:23,449 (CROWD SHOUTING) 980 01:18:24,617 --> 01:18:26,160 We knew from early on in the season 981 01:18:26,243 --> 01:18:28,579 that the climax would be a riot in Los Angeles. 982 01:18:31,582 --> 01:18:32,851 RICHARD LEWIS: Jennifer Getzinger, 983 01:18:32,875 --> 01:18:35,169 our director, choreographed a beautiful scene 984 01:18:35,252 --> 01:18:37,087 from Molotov cocktails going out... 985 01:18:38,339 --> 01:18:41,091 She had huge video screens being demolished. 986 01:18:41,759 --> 01:18:42,760 It was great. 987 01:18:44,929 --> 01:18:46,198 MANDI DILLIN: As anybody who's filmed 988 01:18:46,222 --> 01:18:48,182 in Los Angeles knows, it's very difficult 989 01:18:48,265 --> 01:18:49,665 to close streets during the weekday. 990 01:18:50,100 --> 01:18:52,394 We had to go to some of these high-rise buildings 991 01:18:52,478 --> 01:18:54,521 and say, "We're gonna have a bunch of cars on fire, 992 01:18:54,605 --> 01:18:56,605 and police on horseback, in front of your building. 993 01:18:56,649 --> 01:18:57,649 Is that okay?" 994 01:19:00,694 --> 01:19:02,196 JON CARLOS: We'd use metal barriers 995 01:19:02,279 --> 01:19:04,782 to create obstacles and ramming devices 996 01:19:04,865 --> 01:19:06,665 that the rioters would use against the police. 997 01:19:07,159 --> 01:19:09,620 AARON PAUL: You're working with 300 background players, 998 01:19:09,703 --> 01:19:14,124 dressed up in rave attire. It felt fucking great, man. 999 01:19:15,459 --> 01:19:18,128 SHAY CUNLIFFE: Jonah said, "Think Burning Man 1000 01:19:18,212 --> 01:19:19,212 a little bit." 1001 01:19:19,213 --> 01:19:21,298 So there was this sense of wild reprieve 1002 01:19:21,465 --> 01:19:24,426 from having lived in a very organized society. 1003 01:19:25,469 --> 01:19:30,015 Our D. P. John Grillo wanted to feel the drone presence. 1004 01:19:31,725 --> 01:19:34,311 So there was lights on drones that kept shifting 1005 01:19:34,395 --> 01:19:36,355 and moving around, so you could feel like 1006 01:19:36,438 --> 01:19:38,148 that spotlight voyeurism. 1007 01:19:39,441 --> 01:19:41,819 We did some digi doubles and then duplicated out 1008 01:19:41,902 --> 01:19:44,363 out a lot of plates to help with the scope. 1009 01:19:45,864 --> 01:19:48,075 CARLOS: The beauty in a riot comes with the smoke 1010 01:19:48,158 --> 01:19:49,410 and the silhouette and the fire. 1011 01:19:49,702 --> 01:19:51,453 And the employment of lighting really helps 1012 01:19:51,537 --> 01:19:53,205 to amplify that in a theatrical way 1013 01:19:53,289 --> 01:19:54,665 that is ironically natural. 1014 01:19:58,419 --> 01:19:59,670 (TIRES SCREECHING) 1015 01:20:03,382 --> 01:20:06,760 JEFFREY WRIGHT: In spite of the desire to be this free 1016 01:20:06,844 --> 01:20:08,846 and independent being, these cornerstones 1017 01:20:08,929 --> 01:20:11,849 inside of the hosts, are still very real. 1018 01:20:12,349 --> 01:20:13,475 Do I know you? 1019 01:20:14,393 --> 01:20:17,813 JOY: Even though his memories of his family are artificial, 1020 01:20:18,022 --> 01:20:21,191 he still feels the love that Arnold felt. 1021 01:20:21,650 --> 01:20:24,278 Gina Torres, who is normally a very gorgeous, 1022 01:20:24,361 --> 01:20:27,906 attractive young woman, who we've aged to 70. 1023 01:20:28,782 --> 01:20:30,222 She had about a three-and-a-half-hour 1024 01:20:30,284 --> 01:20:33,996 facial prosthetic makeup, and the grey hair and wig. 1025 01:20:35,456 --> 01:20:36,456 She looks amazing. 1026 01:20:36,999 --> 01:20:38,375 MRS. WEBER: It's okay, Arnold. 1027 01:20:39,668 --> 01:20:44,048 WRIGHT: Being able to touch her opened up so many synapses 1028 01:20:44,131 --> 01:20:46,050 and emotions inside of me. 1029 01:20:46,550 --> 01:20:50,054 It's a moment of reckoning and emancipation. 1030 01:20:50,471 --> 01:20:52,890 I used to hear his laughter too. 1031 01:20:55,351 --> 01:20:58,771 JOY: She gives him the freedom to move on from the past. 1032 01:20:58,854 --> 01:21:01,106 And she encourages him to be free. 1033 01:21:02,316 --> 01:21:04,526 LENA WAITHE: Bernard is probably my favorite character, 1034 01:21:04,610 --> 01:21:07,237 because every human struggle is, 1035 01:21:07,321 --> 01:21:08,697 "What does it mean to be human?" 1036 01:21:09,114 --> 01:21:10,467 We're all trying to figure that out 1037 01:21:10,491 --> 01:21:12,076 in our own way. And so, in essence, 1038 01:21:12,159 --> 01:21:13,202 we're all Bernard. 1039 01:21:14,244 --> 01:21:15,844 CHARLOTTE HALE: Did you even look for me? 1040 01:21:16,038 --> 01:21:17,278 DENISE THÉ: I love Hale's story. 1041 01:21:17,915 --> 01:21:20,334 There's real tragedy in who she becomes. 1042 01:21:20,417 --> 01:21:23,879 I still feel it inside me... you. 1043 01:21:24,296 --> 01:21:27,633 There's only a couple moments where Dolores 1044 01:21:27,716 --> 01:21:29,134 is genuinely shocked. 1045 01:21:29,593 --> 01:21:31,762 I have some plans of my own. 1046 01:21:32,429 --> 01:21:33,865 NOLAN: The essential setup for every one 1047 01:21:33,889 --> 01:21:35,209 of Einstein's thought experiments, 1048 01:21:35,265 --> 01:21:37,518 about relativity, was always rooted in twins. 1049 01:21:37,601 --> 01:21:39,079 Take two duplicates of the same person, 1050 01:21:39,103 --> 01:21:40,983 give them different experiences, they come back, 1051 01:21:41,105 --> 01:21:42,689 subtly or not-so-subtly altered. 1052 01:21:42,981 --> 01:21:45,401 I've decided to consolidate our affairs. 1053 01:21:46,276 --> 01:21:47,754 NOLAN: Though they started in the same place, 1054 01:21:47,778 --> 01:21:49,578 they've wound up with a very different outlook 1055 01:21:49,613 --> 01:21:50,613 on the world. 1056 01:21:55,119 --> 01:21:57,746 Rehoboam was one of the Israelite kings. 1057 01:21:58,580 --> 01:22:01,375 It was a subtle nod to a book called Stand on Zanzibar, 1058 01:22:01,458 --> 01:22:03,018 which is a classic science-fiction book. 1059 01:22:03,460 --> 01:22:05,629 In which the A. I.'s housed in... 1060 01:22:05,796 --> 01:22:07,732 I think it's the equivalent of Rockefeller Center. 1061 01:22:07,756 --> 01:22:09,466 It is called Shalmaneser. 1062 01:22:12,553 --> 01:22:14,697 CASSEL: It's an old topic, really, when you think about it. 1063 01:22:14,721 --> 01:22:17,516 It's Frankenstein, but it's A.I. at the same time. 1064 01:22:19,768 --> 01:22:22,563 NOLAN: Data science can tell us an awful lot about who we are. 1065 01:22:22,855 --> 01:22:25,315 The problem, of course, is, you really can't predict 1066 01:22:25,482 --> 01:22:27,067 all of the different pieces in a puzzle. 1067 01:22:27,484 --> 01:22:29,528 Let's say 99 percent of the human race 1068 01:22:29,611 --> 01:22:30,988 is readily predictable. 1069 01:22:31,321 --> 01:22:33,532 That still leaves several million 1070 01:22:33,615 --> 01:22:34,992 who are harder to predict. 1071 01:22:35,200 --> 01:22:36,636 ENGERRAUND SERAC: They're the threat. 1072 01:22:36,660 --> 01:22:38,829 Criminals, deviants, psychopaths. 1073 01:22:39,037 --> 01:22:40,223 NOLAN: We all know people like this. 1074 01:22:40,247 --> 01:22:41,727 They're the people who just don't fit. 1075 01:22:41,915 --> 01:22:43,667 What do we do with those people? 1076 01:22:45,127 --> 01:22:48,172 JOY: Rehoboam has to take these outliers 1077 01:22:48,255 --> 01:22:49,381 out of the equation. 1078 01:22:49,840 --> 01:22:52,426 The consequences are devastating. 1079 01:22:53,177 --> 01:22:55,596 You might have order, but at what cost? 1080 01:22:55,679 --> 01:22:58,515 Once you strip free will, what good 1081 01:22:58,599 --> 01:23:01,310 is the time we have if the choices you're making 1082 01:23:01,602 --> 01:23:04,313 have no weight, because they've all been predetermined? 1083 01:23:09,234 --> 01:23:11,570 We've been building towards this climactic encounter 1084 01:23:11,653 --> 01:23:12,905 for three seasons. 1085 01:23:12,988 --> 01:23:14,698 (INDISTINCT CHATTER) 1086 01:23:14,781 --> 01:23:16,116 ...stay with her, all the way... 1087 01:23:16,450 --> 01:23:17,930 JOY: What happens to Maeve and Dolores 1088 01:23:17,993 --> 01:23:20,662 is a little meta irony for me. 1089 01:23:20,996 --> 01:23:22,682 CREWMEMBER: All right, lock it up and shoot. 1090 01:23:22,706 --> 01:23:24,208 - Pictures up. - Pictures! 1091 01:23:24,416 --> 01:23:27,085 ♪ (DRAMATIC MUSIC CONTINUES) ♪ 1092 01:23:28,420 --> 01:23:31,465 JOY: They've spent most of existence programmed 1093 01:23:31,548 --> 01:23:33,258 to cater to other people. 1094 01:23:33,800 --> 01:23:35,928 But they find a world in which people 1095 01:23:36,011 --> 01:23:38,514 are similarly diluted about their freedom. 1096 01:23:40,557 --> 01:23:42,976 THÉ: We talked a lot about the sadness and the pain of... 1097 01:23:43,227 --> 01:23:46,146 the kind of torture that Dolores would have 1098 01:23:46,230 --> 01:23:49,900 to endure. When she started to awaken, 1099 01:23:49,983 --> 01:23:52,069 it was by gaining her memories. 1100 01:23:52,528 --> 01:23:55,239 To strip her of what brought her own awakening, 1101 01:23:55,405 --> 01:23:57,324 seems like, almost, the worst bit of torture 1102 01:23:57,407 --> 01:23:58,784 that you could do. 1103 01:23:59,243 --> 01:24:01,995 Finish it. Erase what's left. 1104 01:24:02,746 --> 01:24:04,540 CASSEL: It's the same for a human, you know? 1105 01:24:05,832 --> 01:24:07,793 If you're stripped of your memories... 1106 01:24:08,043 --> 01:24:10,295 What's the point of living, really, you know? 1107 01:24:11,838 --> 01:24:15,592 Without all those memories and experiences, it's tragic. 1108 01:24:16,593 --> 01:24:18,953 EVAN RACHEL WOOD: Saying goodbye to this version of Dolores, 1109 01:24:19,012 --> 01:24:20,389 it was very sad to shoot. 1110 01:24:21,431 --> 01:24:23,892 DOLORES ABERNATHY: There is ugliness in this world. 1111 01:24:24,601 --> 01:24:27,104 THÉ: As a character, she's finally kind of completed 1112 01:24:27,187 --> 01:24:29,106 her journey, because she's come to a moment 1113 01:24:29,189 --> 01:24:31,108 to say, "Out of all these things, 1114 01:24:31,191 --> 01:24:32,651 I hold on to the good things." 1115 01:24:33,527 --> 01:24:34,861 I choose to see the beauty. 1116 01:24:34,945 --> 01:24:38,031 THÉ: When maybe she said it in season one or season two, 1117 01:24:38,115 --> 01:24:41,702 we thought it was a naive thing. But here we see it 1118 01:24:41,910 --> 01:24:43,579 for the heart that it really has. 1119 01:24:45,872 --> 01:24:49,167 JOY: It took looking past one man's agenda, 1120 01:24:49,251 --> 01:24:50,919 seeing the humanity in each other, 1121 01:24:51,003 --> 01:24:54,298 for them to come together. And once they come together, 1122 01:24:54,381 --> 01:24:55,465 they're unstoppable. 1123 01:24:59,011 --> 01:25:03,640 ARNOLD WEBER: I misjudged her. The key to the sublime, 1124 01:25:03,849 --> 01:25:07,102 it was never in her mind, it's in mine. 1125 01:25:11,189 --> 01:25:13,066 THÉ: You know it's been a super long time, 1126 01:25:13,150 --> 01:25:15,652 because he's covered in dirt. And what is that gonna mean 1127 01:25:15,736 --> 01:25:16,903 for season four? 1128 01:25:17,321 --> 01:25:20,157 JOY: The man who has toiled under the weight 1129 01:25:20,240 --> 01:25:22,284 of his dark impulses, is free from them. 1130 01:25:22,367 --> 01:25:23,910 But Hale has plans for him. 1131 01:25:23,994 --> 01:25:26,538 HALE: You are going to save the world, for us. 1132 01:25:26,997 --> 01:25:29,541 JOY: Who better to control it and puppeteer it through, 1133 01:25:29,625 --> 01:25:31,001 than the Man in Black? 1134 01:25:32,002 --> 01:25:34,254 We all rationalize our own actions 1135 01:25:34,338 --> 01:25:37,007 in different ways. Everybody has regrets, 1136 01:25:37,090 --> 01:25:40,010 they have lamentations, they have pieces of themselves 1137 01:25:40,761 --> 01:25:43,680 that just don't fit into the world, neatly. 1138 01:25:46,183 --> 01:25:47,869 DOLORES: It doesn't matter what you did, Caleb. 1139 01:25:47,893 --> 01:25:49,394 All that matters is what you become. 1140 01:25:51,229 --> 01:25:54,941 JOY: Life is a series of choices, about which parts 1141 01:25:55,025 --> 01:25:56,902 of your programming you let sing. 1142 01:25:59,905 --> 01:26:01,657 Which parts of your programming you deny. 1143 01:26:01,990 --> 01:26:03,492 She gave me a choice. 1144 01:26:05,327 --> 01:26:07,913 I believe the rest of the world deserves one too. 1145 01:26:09,081 --> 01:26:11,333 ♪ (MUSIC CONCLUDES) ♪ 1146 01:26:12,305 --> 01:26:18,721 Support us and become VIP member to remove all ads from www.OpenSubtitles.org 82749

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