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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,550 --> 00:00:03,550 [Latin music playing] CHA, CHA, CHA. A 1, 2, CHA, CHA, CHA. 2 00:00:03,550 --> 00:00:05,360 A 1, 2, CHA, CHA, CHA. 3 00:00:05,360 --> 00:00:06,820 UH, LOWELL, WHAT ARE YOU DOING? 4 00:00:07,220 --> 00:00:09,230 TEACHING MYSELF HOW TO CHA-CHA, JOE. 5 00:00:10,230 --> 00:00:11,730 ANY PARTICULAR REASON WHY? 6 00:00:11,730 --> 00:00:14,460 THERE'S A PARTY COMING UP AT THE ROTARY CLUB. 7 00:00:14,460 --> 00:00:16,970 I DON'T DANCE, BUT BUNNY LOVES TO. 8 00:00:16,970 --> 00:00:19,440 SO I THOUGHT IT WOULD BE FUN TO SURPRISE HER. 9 00:00:19,940 --> 00:00:22,310 JOE, I KNOW THIS IS A LOT TO ASK, 10 00:00:22,310 --> 00:00:24,640 BUT, UH, WOULD YOU MIND HELPING ME OUT? 11 00:00:24,640 --> 00:00:27,240 IT'S KIND OF HARD TO CHA-CHA WITHOUT A PARTNER. 12 00:00:27,240 --> 00:00:28,750 NO, LOWELL, I'M--I'M... 13 00:00:28,750 --> 00:00:30,410 PLEASE. JOE. 14 00:00:30,410 --> 00:00:32,420 IT WOULD MEAN A LOT TO BUNNY. 15 00:00:41,990 --> 00:00:43,990 A 1, 2, CHA, CHA, CHA. 16 00:00:43,990 --> 00:00:45,860 A 1, 2, CHA, CHA, CHA. 17 00:00:45,860 --> 00:00:47,660 LOWELL, I FEEL LIKE AN IDIOT. 18 00:00:47,660 --> 00:00:50,400 OH, NONSENSE, JOE. YOU'RE VERY LIGHT ON YOUR FEET. 19 00:00:50,400 --> 00:00:51,870 CHA, CHA, CHA. A 1, 2, 20 00:00:51,870 --> 00:00:52,770 REALLY? CHA, CHA, CHA. 21 00:00:53,270 --> 00:00:54,770 AND A SIDE, 2, CHA, CHA, CHA. 22 00:00:54,770 --> 00:00:56,770 AND A SIDE, 2, CHA, CHA, CHA. 23 00:00:56,770 --> 00:00:58,280 A 1, 2... 24 00:00:58,780 --> 00:01:00,780 [seagulls cawing] 25 00:01:59,070 --> 00:02:01,070 [cello playing] 26 00:02:22,130 --> 00:02:24,960 HELEN, I WAS WONDERING-- JUST A SECOND, JOE. I'M NOT THROUGH. 27 00:02:24,960 --> 00:02:26,460 [inuadible] 28 00:02:28,400 --> 00:02:29,800 THAT WAS NICE. I'M GLAD I WAITED. 29 00:02:30,130 --> 00:02:31,270 OK, WHAT DO YOU WANT? WHAT DO YOU WANT? 30 00:02:31,270 --> 00:02:32,570 WELL, LISTEN, WE HAVEN'T BEEN OUT IN A WHILE, 31 00:02:32,570 --> 00:02:34,370 SO I WONDERED IF YOU WANT TO CATCH A MOVIE TONIGHT? 32 00:02:34,370 --> 00:02:35,740 FORGET IT. I GOTTA PRACTICE. 33 00:02:35,740 --> 00:02:36,840 HEY. FINE. 34 00:02:36,840 --> 00:02:38,610 OH, WAIT, WAIT, WAIT. I'M SORRY, JOE. 35 00:02:38,610 --> 00:02:39,610 I'M SORRY, HONEY. 36 00:02:39,610 --> 00:02:41,610 IT'S JUST THAT THIS AUDITION IS SO IMPORTANT. 37 00:02:41,610 --> 00:02:43,410 THIS PIECE IS SO DIFFICULT. 38 00:02:43,410 --> 00:02:44,920 I PROMISE I WILL STOP BEING A BITCH 39 00:02:44,910 --> 00:02:47,920 JUST AS SOON AS THIS AUDITION IS OVER. OK? 40 00:02:49,620 --> 00:02:51,320 COME ON, YOU HAVEN'T BEEN THAT BAD. 41 00:02:51,320 --> 00:02:52,660 OH, WHAT THE HELL DO YOU KNOW? 42 00:02:55,160 --> 00:02:56,660 LOOK, I AM SURE YOU WILL DO FINE. 43 00:02:56,660 --> 00:02:59,130 JUST--JUST DON'T GET YOUR HOPES UP TOO HIGH. 44 00:02:59,130 --> 00:03:00,630 I DON'T THINK THE GIPPER HIMSELF 45 00:03:00,630 --> 00:03:02,630 COULD'VE BEEN MORE INSPIRATIONAL, JOE. 46 00:03:02,630 --> 00:03:04,130 IT'S JUST THAT I HAVE SEEN YOU GET ALL EXCITED 47 00:03:04,130 --> 00:03:06,140 ABOUT AN AUDITION BEFORE, AND THEN WHEN YOU DON'T GET IT, 48 00:03:06,640 --> 00:03:08,140 YOU COME CRASHING DOWN. 49 00:03:08,140 --> 00:03:10,210 WELL, THIS IS DIFFERENT. THIS IS THE MAINE STATE SYMPHONY. 50 00:03:10,210 --> 00:03:12,710 AND WHEN YOU THINK OF ALL THE MUSICAL CAPITALS OF THE WORLD, 51 00:03:12,710 --> 00:03:14,910 KENNEBUNKPORT ISN'T ONE OF THEM. 52 00:03:14,910 --> 00:03:17,910 DON'T SELL YOURSELF SHORT. YOU ARE A GREAT CELLIST. 53 00:03:17,910 --> 00:03:19,380 YOU'RE REALLY TERRIFIC. 54 00:03:19,820 --> 00:03:20,850 THANK YOU. 55 00:03:21,950 --> 00:03:23,890 JUST DON'T GET YOUR HOPES UP TOO HIGH. 56 00:03:26,090 --> 00:03:27,090 BRIAN? YEAH? 57 00:03:27,090 --> 00:03:29,660 DO YOU REMEMBER SEEING THAT WOMAN OVER THERE? 58 00:03:30,160 --> 00:03:31,230 (Brian) OH, YEAH. 59 00:03:31,230 --> 00:03:32,730 WASN'T SHE THE 2ND PEASANT FROM THE RIGHT 60 00:03:32,730 --> 00:03:34,730 IN THAT CROWD STORMING FRANKENSTEIN'S CASTLE? 61 00:03:36,030 --> 00:03:38,030 (Fay) POOR THING KEEPS SEARCHING THE TERMINAL 62 00:03:38,030 --> 00:03:40,040 AS IF SHE'S EXPECTING SOMEONE TO SHOW UP. 63 00:03:40,040 --> 00:03:41,670 WELL, REMEMBER, FAY, 64 00:03:41,670 --> 00:03:43,170 IF IT'S A BIG GUY WITH A BOLT IN HIS NECK, 65 00:03:43,170 --> 00:03:44,670 HE'S AFRAID OF FIRE. 66 00:03:45,610 --> 00:03:47,110 OH, MY GOD! HERE HE IS NOW. 67 00:03:47,110 --> 00:03:49,110 BACK! BACK! 68 00:03:51,110 --> 00:03:52,920 IS THAT WEIRDO STILL HERE? 69 00:03:52,920 --> 00:03:55,420 SHE'S BEEN SCARING AWAY MY PASSENGERS ALL DAY. 70 00:03:55,420 --> 00:03:57,550 I MEAN, WHAT DOES SHE THINK THIS IS, A WAITING ROOM? 71 00:03:57,550 --> 00:04:00,060 WELL, ROY, IT SORT OF IS. 72 00:04:00,060 --> 00:04:02,530 UM, MAYBE I BETTER GO TALK TO HER. 73 00:04:02,530 --> 00:04:05,530 UM, ARE YOU WAITING FOR SOMEONE? 74 00:04:05,530 --> 00:04:07,030 [people chattering] 75 00:04:09,070 --> 00:04:11,430 DO YOU SPEAK ENGLISH? 76 00:04:11,730 --> 00:04:14,240 [speaking foreign language] 77 00:04:15,440 --> 00:04:17,140 WHAT DO YOU SUPPOSE THAT MEANT? 78 00:04:17,640 --> 00:04:20,640 IF SHE'S AT ALL SELF-AWARE, SHE'S APOLOGIZING FOR SMELLING LIKE CHEESE. 79 00:04:22,510 --> 00:04:25,020 IS SOMEONE COMING TO GET YOU? 80 00:04:25,010 --> 00:04:28,080 FAY, FAY, SHE OBVIOUSLY DOESN'T UNDERSTAND. 81 00:04:28,080 --> 00:04:31,990 LET ME SAY WHAT YOU SAID IN A WAY SHE'LL UNDERSTAND, HUH? 82 00:04:31,990 --> 00:04:34,420 SHOO! SHOO! GET! OH, ROY! 83 00:04:35,630 --> 00:04:37,460 ROY, I DON'T THINK SHE HAS ANY PLACE TO GO. 84 00:04:37,460 --> 00:04:39,460 WELL, SHE'S NOT STAYING HERE. 85 00:04:39,460 --> 00:04:41,900 I'M GONNA CALL THE POLICE. NO, UH, UH, ROY, PLEASE, NO. 86 00:04:41,900 --> 00:04:45,400 UM, YOU'LL STAY AT MY HOUSE TONIGHT. 87 00:04:46,400 --> 00:04:47,900 COME WITH ME, DEAR. 88 00:04:48,910 --> 00:04:50,410 PATATATA. 89 00:04:50,910 --> 00:04:52,410 YEAH. THE SAME TO YOU. 90 00:05:05,390 --> 00:05:07,320 MISS CHAPEL? 91 00:05:07,320 --> 00:05:08,320 BECKY? 92 00:05:09,330 --> 00:05:10,830 BECKY WILDER? 93 00:05:11,330 --> 00:05:12,330 [exclaiming] 94 00:05:12,830 --> 00:05:15,270 WHAT ARE YOU DOING HERE? OH, WELL, I--I JUST AUDITIONED. 95 00:05:15,630 --> 00:05:17,030 OH, I'M AUDITIONING, TOO. 96 00:05:17,370 --> 00:05:19,870 OH, ISN'T THIS WEIRD? I MEAN, YOU AND ME UP FOR THE SAME JOB. 97 00:05:20,370 --> 00:05:21,870 YEAH. GOD. 98 00:05:21,870 --> 00:05:23,740 YOU KNOW, YOU WERE MY FAVORITE TEACHER. 99 00:05:23,740 --> 00:05:25,540 WELL, YOU WERE MY VERY BEST STUDENT. 100 00:05:25,540 --> 00:05:27,740 JUST WISH I'D HAD YOU LONGER. 101 00:05:27,740 --> 00:05:30,080 I'M AFRAID YOU LEARNED ALL I COULD TEACH YOU RATHER QUICKLY. 102 00:05:30,080 --> 00:05:32,620 YEAH, I WAS HOPING YOU'D LAST FOR THE WHOLE SUMMER. 103 00:05:34,350 --> 00:05:36,350 WELL, BECKY, YOU SURE HAVE CHANGED. 104 00:05:36,350 --> 00:05:38,190 YOU'VE GROWN INTO A BEAUTIFUL YOUNG WOMAN. 105 00:05:38,490 --> 00:05:39,490 THANK YOU. 106 00:05:39,490 --> 00:05:41,990 YOU LOOK JUST THE SAME, MISS CHAPEL. IT'S AMAZING. 107 00:05:41,990 --> 00:05:43,830 YOU'VE KEPT YOURSELF UP VERY WELL. 108 00:05:46,760 --> 00:05:48,260 THANK YOU. 109 00:05:49,270 --> 00:05:50,770 MR. FLETCHER? 110 00:05:53,270 --> 00:05:54,770 SO WHAT HAVE YOU BEEN UP TO? 111 00:05:54,770 --> 00:05:57,240 OH, YOU KNOW. THE USUAL STUFF. 112 00:05:57,240 --> 00:05:59,140 I GOT A SCHOLARSHIP FOR JULLIARD, 113 00:05:59,140 --> 00:06:01,140 SO I'VE BEEN GOING THERE FOR A COUPLE OF YEARS 114 00:06:01,140 --> 00:06:03,150 STUDYING CELLO, MUSIC THEORY, AND COMPOSITION. 115 00:06:03,150 --> 00:06:05,650 LAST SUMMER, I GOT A TANGLEWOOD FELLOWSHIP. 116 00:06:05,650 --> 00:06:09,650 I'VE TAKEN SOME MASTER CLASSES WITH ROSTROPOVICH AND STARKER. 117 00:06:09,650 --> 00:06:11,650 LET'S SEE. WHAT ELSE? 118 00:06:11,650 --> 00:06:14,160 OH, YEAH, I WON THE BERLIN STRING COMPETITION. 119 00:06:16,660 --> 00:06:18,190 WHAT ABOUT YOU? 120 00:06:18,190 --> 00:06:19,700 ROUGHLY THE SAME. 121 00:06:19,700 --> 00:06:23,200 [clears throat] I COULDN'T GET AWAY FOR THAT BERLIN THING. 122 00:06:24,970 --> 00:06:26,470 [cello playing] 123 00:06:26,470 --> 00:06:28,340 LISTEN TO THAT GUY IN THERE. I KNOW. 124 00:06:28,340 --> 00:06:30,640 IF THAT'S HIS IDEA OF POCO GRAZIOSO, 125 00:06:30,640 --> 00:06:33,140 I'D HATE TO THINK HOW MOLTO AFFETTUOSO WOULD COME OUT. 126 00:06:33,140 --> 00:06:34,480 [giggling] 127 00:06:39,050 --> 00:06:40,120 [sighing] 128 00:06:40,120 --> 00:06:41,620 OH, GUESS WHAT? WHAT? 129 00:06:41,620 --> 00:06:43,450 I HAVE A BOYFRIEND. HE'S REALLY CUTE. 130 00:06:43,450 --> 00:06:44,750 I HAVE ONE, TOO. 131 00:06:46,260 --> 00:06:48,190 YEAH. AREN'T BOYS GREAT? 132 00:06:48,190 --> 00:06:49,190 YES, THEY REALLY ARE. 133 00:06:51,690 --> 00:06:54,200 WELL, I BETTER GO. MOTHER'S WAITING FOR ME. OH. 134 00:06:54,200 --> 00:06:57,200 WE'RE GOING TO NANTUCKET TODAY TO VISIT MY GRANDMA. 135 00:06:57,200 --> 00:07:01,140 MAYBE LATER WE CAN TALK ABOUT OUR AUDITIONS AND COMPARE NOTES. 136 00:07:01,140 --> 00:07:03,270 GET IT? COMPARE NOTES. 137 00:07:03,270 --> 00:07:04,540 [both giggling] 138 00:07:04,540 --> 00:07:06,040 OK. GOODBYE, BECKY. 139 00:07:06,040 --> 00:07:07,040 COMPARE NOTES. 140 00:07:07,040 --> 00:07:08,550 [giggling] OH, GOD. 141 00:07:10,680 --> 00:07:11,680 IT ISN'T THAT FUNNY. 142 00:07:17,390 --> 00:07:20,390 HELEN, HOW WAS YOUR AUDITION? 143 00:07:20,390 --> 00:07:23,190 FAY, I PLAYED LIKE I'VE NEVER PLAYED BEFORE IN MY LIFE. 144 00:07:23,430 --> 00:07:24,930 OH, I'M SORRY, DEAR. 145 00:07:26,100 --> 00:07:27,600 NO, FAY, I PLAYED GREAT, 146 00:07:27,600 --> 00:07:29,470 BUT I'M AFRAID I DIDN'T PLAY GOOD ENOUGH. 147 00:07:29,470 --> 00:07:32,800 I COMPETED AGAINST A FORMER STUDENT OF MINE, BECKY WILDER. 148 00:07:32,800 --> 00:07:34,140 (Fay) BECKY WILDER? 149 00:07:34,140 --> 00:07:36,140 THE WINNER OF THE BERLIN STRING COMPETITION? 150 00:07:37,140 --> 00:07:38,070 YOU KNOW BECKY? 151 00:07:38,570 --> 00:07:40,580 WELL, HER GRANDMOTHER'S IN MY QUILTING CLUB, 152 00:07:40,580 --> 00:07:42,580 SO EVERY TUESDAY NIGHT, IT'S "BECKY THIS" AND "BECKY THAT." 153 00:07:43,080 --> 00:07:44,580 THE WOMAN NEVER SHUTS UP. 154 00:07:46,080 --> 00:07:48,080 YOU KNOW THAT QUILT I'M MAKING NOW? MMM? 155 00:07:48,580 --> 00:07:50,590 WHEN IT'S FINISHED, I'M GOING TO SMOTHER HER WITH IT. 156 00:07:52,590 --> 00:07:54,420 (Joe) OH, HELEN. 157 00:07:54,420 --> 00:07:56,930 UH, THE MAINE STATE SYMPHONY CALLED JUST BEFORE YOU LANDED. 158 00:07:56,930 --> 00:07:57,930 OH, NO. 159 00:07:59,330 --> 00:08:00,830 OK, GIVE ME THE BAD NEWS. 160 00:08:01,400 --> 00:08:03,400 OK. YOU GOT THE JOB. 161 00:08:04,330 --> 00:08:06,040 [people chattering] 162 00:08:07,040 --> 00:08:08,270 WHAT? YOU GOT THE JOB! 163 00:08:08,270 --> 00:08:09,770 [exclaiming] 164 00:08:09,770 --> 00:08:11,270 OH, I GOT IT! YOU GOT IT! 165 00:08:11,270 --> 00:08:13,280 I GOT IT! SWEETHEART, I AM SO PROUD OF YOU. 166 00:08:13,280 --> 00:08:14,340 THANK YOU, JOE. 167 00:08:14,340 --> 00:08:16,650 HEY, EVERYBODY! I GOT THE JOB! 168 00:08:16,650 --> 00:08:17,810 [Helen laughing] 169 00:08:17,810 --> 00:08:19,210 UH, BEERS OVER AT MY COUNTER. 170 00:08:19,220 --> 00:08:20,720 [all cheering] ON THE HOUSE! 171 00:08:21,220 --> 00:08:22,220 LOWELL, SET UP THE BAR. 172 00:08:22,220 --> 00:08:24,220 RIGHT! WHAT'LL IT BE, TINY? 173 00:08:26,420 --> 00:08:27,920 CONGRATULATIONS, MISS CHAPEL. 174 00:08:27,920 --> 00:08:29,430 I'M VERY HAPPY FOR YOU. 175 00:08:29,430 --> 00:08:31,890 OH, THANK YOU, BECKY. 176 00:08:31,890 --> 00:08:34,130 WELL, YOU'RE BEING A BRAVE LITTLE LOSER, AREN'T YOU? 177 00:08:34,630 --> 00:08:35,630 UH, LISTEN, UH, 178 00:08:35,630 --> 00:08:38,470 JOE, THIS IS BECKY WILDER, MY FORMER STUDENT. 179 00:08:38,470 --> 00:08:39,970 HI, BECKY. HI. 180 00:08:39,970 --> 00:08:41,940 BECKY, THIS IS JOE HACKETT, MY BOYFRIEND. 181 00:08:43,370 --> 00:08:44,870 WOW, HE'S CUTE. 182 00:08:45,370 --> 00:08:47,880 I KNOW. AND HE CAN DRIVE. 183 00:08:52,080 --> 00:08:54,280 LISTEN, UM, BECKY, I DON'T WANT YOU TO WORRY 184 00:08:54,280 --> 00:08:55,790 ABOUT NOT GETTING THIS JOB. 185 00:08:55,790 --> 00:08:58,290 YOU ARE AN INCREDIBLY TALENTED YOUNG LADY, 186 00:08:58,290 --> 00:09:00,790 AND THERE IS NO REASON FOR YOU TO BE DEPRESSED. 187 00:09:00,790 --> 00:09:02,790 OH, I'M NOT DEPRESSED. 188 00:09:02,790 --> 00:09:04,290 I WANTED TO LOSE. 189 00:09:04,290 --> 00:09:05,800 I PLAYED LOUSY ON PURPOSE. 190 00:09:07,230 --> 00:09:09,100 W-WHAT DO YOU MEAN? 191 00:09:09,900 --> 00:09:11,400 I TANKED THE AUDITION. 192 00:09:11,400 --> 00:09:13,900 I THREW IT. I TOOK A DIVE. 193 00:09:13,900 --> 00:09:16,010 I CRAPPED OUT. 194 00:09:16,010 --> 00:09:18,980 PRETTY IMPRESSIVE VOCABULARY FOR A 12-YEAR-OLD. 195 00:09:19,410 --> 00:09:21,910 OH, MISS CHAPEL, I HOPE THAT DOESN'T MAKE YOU FEEL BAD. 196 00:09:21,910 --> 00:09:24,810 WELL, IT'S NOT THE GREATEST NEWS I'VE EVER HEARD. 197 00:09:24,810 --> 00:09:28,580 BUT, HELL, AFTER A COUPLE OF BEERS, I WON'T GIVE A FIG. 198 00:09:28,580 --> 00:09:29,890 WAIT, BECKY, I--I DON'T GET IT. 199 00:09:30,120 --> 00:09:31,790 WHY WOULD YOU THROW THE AUDITION? 200 00:09:31,790 --> 00:09:34,290 I DIDN'T WANT TO LEAVE MY BOYFRIEND, JIMMY. 201 00:09:34,790 --> 00:09:36,230 DON'T TELL MY MOTHER. 202 00:09:36,630 --> 00:09:38,660 WOW. YOU MUST REALLY LIKE HIM. 203 00:09:38,660 --> 00:09:40,660 WELL, LONG DISTANCE ISN'T GOOD FOR A RELATIONSHIP, YOU KNOW. 204 00:09:40,660 --> 00:09:43,170 IT'S JUST TOO EASY TO BE UNFAITHFUL ON THE ROAD. 205 00:09:44,200 --> 00:09:46,240 UNFAITHFUL? 206 00:09:46,240 --> 00:09:49,570 YEAH, IT'S SO TEMPTING TO GO OUT AND HAVE A SODA WITH ANOTHER BOY. 207 00:09:50,070 --> 00:09:52,580 SO, BECKY, WOULD YOU SAY THAT 208 00:09:52,580 --> 00:09:55,880 SODA SHARING IS PREVALENT IN ORCHESTRAS OUT OF TOWN? 209 00:09:55,880 --> 00:09:57,880 THERE ARE A LOT OF CUTE GUYS OUT THERE. 210 00:09:57,880 --> 00:09:59,280 IT'S EASY TO SLIP. 211 00:10:01,580 --> 00:10:02,590 GOTTA GO. 212 00:10:02,590 --> 00:10:04,390 IT WAS NICE MEETING YOU, MR. HACKETT. 213 00:10:04,390 --> 00:10:05,720 YOU, TOO. BYE. 214 00:10:05,720 --> 00:10:07,120 OH, MISS CHAPEL, HAVE FUN IN MAINE. 215 00:10:07,460 --> 00:10:09,460 ARE YOU KIDDING? I'M GONNA HAVE THE TIME OF MY LIFE. 216 00:10:21,870 --> 00:10:23,940 WHAT'S SHE COOKIN'? I DON'T KNOW. 217 00:10:23,940 --> 00:10:26,440 SHE'S BEEN BOILING SOMETHING IN THAT POT FOR HOURS. 218 00:10:26,440 --> 00:10:29,010 AND IT DOESN'T SMELL TOO GOOD. 219 00:10:31,510 --> 00:10:32,520 [Roy clearing throat] 220 00:10:36,020 --> 00:10:37,520 THERE'S CLOTHES IN THERE. 221 00:10:39,520 --> 00:10:41,020 SHE'S DOING HER LAUNDRY. 222 00:10:41,820 --> 00:10:43,830 [airplane zooming] HI, GUYS. 223 00:10:43,830 --> 00:10:47,330 HEY, UH, LOWELL, WOULD YOU LIKE TO TRY SOME SOUP? 224 00:10:48,430 --> 00:10:50,430 NO WAY. 225 00:10:50,430 --> 00:10:52,940 THIS MORNING, I CAUGHT HER SOAKING HER SOCKS IN THE COFFEEPOT. 226 00:10:59,240 --> 00:11:00,240 MOOSHTA! 227 00:11:00,740 --> 00:11:01,740 MOOSHTA! 228 00:11:01,740 --> 00:11:03,380 YONNI! 229 00:11:03,380 --> 00:11:04,780 [both exclaiming] 230 00:11:06,780 --> 00:11:07,780 YONNI. 231 00:11:07,780 --> 00:11:10,790 [speaking foreign language] 232 00:11:10,790 --> 00:11:11,790 FAY. 233 00:11:13,890 --> 00:11:14,890 SKOLASH. 234 00:11:15,790 --> 00:11:17,630 SKOLASH TO YOU, TOO. 235 00:11:18,630 --> 00:11:20,130 PATATATA. 236 00:11:22,000 --> 00:11:25,800 [speaking foreign language] 237 00:11:28,800 --> 00:11:31,810 YONNI. BYE. 238 00:11:31,810 --> 00:11:33,880 SHE CALLED ME HER KERBLATTEN. 239 00:11:33,880 --> 00:11:36,480 ALL SHE EVER CALLED ME WAS PATATATA. 240 00:11:36,480 --> 00:11:39,150 I'D LIKE TO KNOW WHAT THE HELL THAT MEANS. 241 00:11:39,150 --> 00:11:40,150 PATATATA. 242 00:11:41,150 --> 00:11:42,150 [both laughing] 243 00:11:47,160 --> 00:11:48,660 SHE THINKS I'M A STALLION. 244 00:11:53,660 --> 00:11:55,160 UH, BRIAN, I NEED TO TALK TO YOU. 245 00:11:55,160 --> 00:11:56,170 WHAT ARE YOU DOING? 246 00:11:56,170 --> 00:11:58,670 UH, JUST MESSING WITH LOWELL'S MIND. 247 00:11:59,670 --> 00:12:01,470 WHAT CAN I DO FOR YOU? 248 00:12:01,470 --> 00:12:03,740 I'VE BEEN TOSSING THIS AROUND FOR ABOUT 3 DAYS, 249 00:12:03,740 --> 00:12:05,240 AND I'M THINKING ABOUT ASKING HELEN 250 00:12:05,240 --> 00:12:07,740 IF SHE'LL TURN DOWN THAT JOB AND STAY HERE WITH ME. 251 00:12:07,740 --> 00:12:09,550 NOW, WHAT DO YOU THINK OF THAT IDEA? 252 00:12:09,550 --> 00:12:12,110 WHAT MAKES YOU THINK THAT SHE WOULD GIVE UP THIS JOB FOR YOU? 253 00:12:12,110 --> 00:12:14,120 BECKY TURNED DOWN THE JOB FOR HER BOYFRIEND. 254 00:12:15,850 --> 00:12:18,990 TAKING YOUR CUES FROM A 12-YEAR-OLD NOW? 255 00:12:18,990 --> 00:12:20,490 SO YOU DON'T THINK I SHOULD ASK HER? 256 00:12:20,490 --> 00:12:21,990 NO, NO, NO WAY. 257 00:12:21,990 --> 00:12:23,990 NO WAY, BECAUSE IF SHE GIVES UP HER DREAM FOR YOU, 258 00:12:23,990 --> 00:12:25,900 THEN YOU'LL PAY FOR IT THE REST OF YOUR LIFE. 259 00:12:25,890 --> 00:12:28,900 AND, BROTHER, YOU'RE GONNA BE AT THE END OF HER LEASH, 260 00:12:28,900 --> 00:12:30,900 AND THE COLLAR'S NOT GONNA BE AROUND YOUR NECK. 261 00:12:35,170 --> 00:12:36,170 OUCH. RIGHT. 262 00:12:37,570 --> 00:12:38,740 NOW, TRUST ME. 263 00:12:38,740 --> 00:12:40,240 YEAH, YOU'RE RIGHT. HUH. 264 00:12:40,240 --> 00:12:41,710 I CAN'T ASK HER TO STAY. YEAH. 265 00:12:41,710 --> 00:12:44,210 THAT'S USING YOUR BEAN, BECAUSE IF YOU DID, 266 00:12:44,210 --> 00:12:46,220 THEN EVERY TIME YOU WANTED TO HAVE YOUR OWN WAY, 267 00:12:46,220 --> 00:12:48,220 YOU'D HEAR THAT LITTLE VOICE BEHIND YOU GOIN', 268 00:12:48,220 --> 00:12:49,720 [mimicking Helen] "JOE." 269 00:12:51,420 --> 00:12:52,420 "JOE." 270 00:12:53,920 --> 00:12:54,920 "JOE." 271 00:12:58,790 --> 00:12:59,700 (Helen) JOE. 272 00:13:01,400 --> 00:13:02,630 HI. WHAT'S UP? 273 00:13:03,030 --> 00:13:05,030 WELL, I'VE BEEN THINKING ABOUT THIS JOB 274 00:13:05,030 --> 00:13:07,040 AND HOW IT'S GONNA AFFECT US. 275 00:13:07,040 --> 00:13:10,540 AND I KNOW ALL THAT STUFF ABOUT LONG-DISTANCE RELATIONSHIPS, 276 00:13:11,040 --> 00:13:12,540 AND, WELL, WHEN YOU GET RIGHT DOWN TO IT, 277 00:13:12,540 --> 00:13:14,440 THIS ORCHESTRA IS NOT THAT GREAT. 278 00:13:14,780 --> 00:13:17,080 SO WHAT ARE YOU SAYING? 279 00:13:17,080 --> 00:13:19,580 THAT I MIGHT BE WILLING TO GIVE UP THIS JOB 280 00:13:19,580 --> 00:13:21,580 IF YOU'D JUST ASK ME TO STAY. 281 00:13:23,820 --> 00:13:26,660 DON'T YOU THINK YOU HAVE TO MAKE THAT DECISION FOR YOURSELF? 282 00:13:26,660 --> 00:13:28,420 WELL, I COULD, BUT 283 00:13:28,420 --> 00:13:30,430 I WOULDN'T WANT TO GIVE UP THIS JOB FOR OUR FUTURE 284 00:13:30,930 --> 00:13:32,800 AND THEN FIND OUT WE DIDN'T HAVE ONE. 285 00:13:32,800 --> 00:13:36,100 WELL, I--I CAN'T ASK YOU TO GIVE UP YOUR DREAM FOR ME. 286 00:13:36,100 --> 00:13:37,570 YOU--YOU'D RESENT ME FOR THE REST OF YOUR LIFE. 287 00:13:37,570 --> 00:13:39,070 OH, GOSH, ARE YOU CRAZY? I WOULD NEVER DO THAT. 288 00:13:39,070 --> 00:13:41,940 OH, NO, YOU MAY-- YOU SAY THAT NOW, BUT DOWN THE ROAD, 289 00:13:41,940 --> 00:13:45,940 WHEN YOU'RE OLD, AND BITTER, AND FAT, 290 00:13:45,940 --> 00:13:48,940 STANDING BEHIND THAT COUNTER MAKING YOUR 8 BILLIONTH TUNA SANDWICH, 291 00:13:49,450 --> 00:13:50,950 THINKING ABOUT THE WAY THINGS COULD'VE BEEN, 292 00:13:50,950 --> 00:13:53,320 WHO DO YOU THINK YOU'RE GOING TO BLAME, HUH? 293 00:13:53,320 --> 00:13:54,820 WHAT MAKES YOU THINK I'M GONNA BE FAT? 294 00:13:56,850 --> 00:13:59,760 JUST A GUESS. YOU KNOW HOW YOU EAT WHEN YOU'RE DEPRESSED. 295 00:13:59,760 --> 00:14:01,260 YOU KNOW WHAT I THINK? 296 00:14:01,260 --> 00:14:03,760 I THINK THIS SMELLS LIKE A COMMITMENT TO YOU, 297 00:14:03,760 --> 00:14:05,260 AND YOU'RE AFRAID TO MAKE ONE. 298 00:14:05,260 --> 00:14:07,230 OH, NO, NOW, DON'T BE RIDICULOUS. I AM COMMITTED TO US. 299 00:14:07,230 --> 00:14:09,930 I--I WANT US TO BE TOGETHER. 300 00:14:09,930 --> 00:14:12,440 WELL, COME TO MAINE WITH ME THEN. 301 00:14:14,900 --> 00:14:17,870 [laughing] "COME TO MAINE WITH ME," SHE SAYS. 302 00:14:17,870 --> 00:14:19,210 EXCU-- 303 00:14:19,480 --> 00:14:20,380 I CAN'T DO THAT. 304 00:14:20,380 --> 00:14:22,010 WHY NOT? 305 00:14:22,010 --> 00:14:24,150 [stammering] WELL, I'VE GOT A BUSINESS TO RUN. 306 00:14:24,150 --> 00:14:26,150 IT HAS TAKEN ME YEARS TO GET TO THIS POINT. 307 00:14:26,650 --> 00:14:28,720 OH, IT'S OK FOR ME TO GIVE UP MY JOB FOR YOU, 308 00:14:28,720 --> 00:14:31,220 BUT FOR YOU TO GIVE UP SOMETHING FOR ME, THAT'S FUNNY. 309 00:14:31,220 --> 00:14:32,520 NO, NO, I--I DIDN'T-- 310 00:14:32,520 --> 00:14:33,790 WHY IS IT THAT THE MAN, 311 00:14:33,790 --> 00:14:35,290 HIS CAREER IS ALWAYS MORE IMPORTANT THAN THE WOMAN'S? 312 00:14:35,790 --> 00:14:37,690 NOW, LOOK, IT'S JUST THAT I--I NEVER THOUGHT THAT-- 313 00:14:37,690 --> 00:14:40,630 YOU NEVER THOUGHT THAT I MIGHT GET A JOB? 314 00:14:40,630 --> 00:14:42,530 ALL THAT PRACTICING, IT NEVER OCCURRED TO YOU 315 00:14:43,030 --> 00:14:44,900 THAT I MIGHT GET A JOB AND LEAVE? 316 00:14:44,900 --> 00:14:46,400 FRANKLY, NO. 317 00:14:47,900 --> 00:14:49,910 IT ALWAYS SEEMED A REMOTE POSSIBILITY AT BEST. 318 00:14:50,340 --> 00:14:51,840 WELL, THAT'S WHAT YOU KNOW. 319 00:14:51,840 --> 00:14:54,710 BECAUSE MY CAREER IS GOIN' PLACES. 320 00:14:54,710 --> 00:14:58,780 UNLIKE YOUR LITTLE DINKY, ONE-PLANE OPERATION YOU GOT GOIN' HERE. 321 00:14:58,780 --> 00:15:01,280 I'M NOT GIVING UP MY SHOT AT THE BIG TIME FOR YOU! 322 00:15:01,280 --> 00:15:03,720 [razzing] OH, MAINE IS THE BIG TIME ALL OF A SUDDEN? 323 00:15:03,720 --> 00:15:05,720 YOU'LL BE LUCKY IF YOU'RE PLAYING TO 3 PAYING CUSTOMERS 324 00:15:05,720 --> 00:15:07,760 AND A MOOSE. 325 00:15:07,760 --> 00:15:09,220 AT LEAST I'LL BE PLAYING MUSIC. 326 00:15:09,660 --> 00:15:11,660 YOUR LIFE IS MACHINES AND--AND FUEL TANKS 327 00:15:12,160 --> 00:15:13,660 AND AIRPLANE ENGINES. 328 00:15:13,660 --> 00:15:16,170 THIS IS WHAT YOU LOVE. SCRAPS OF METAL! 329 00:15:18,170 --> 00:15:20,170 YOU JUST MIXED NUTS AND BOLTS! 330 00:15:20,670 --> 00:15:22,740 OH, JOE! I'M SO TERRIBLY, TERRIBLY SORRY. 331 00:15:22,740 --> 00:15:25,240 HOW CAN I RECTIFY THIS HORRIBLE WRONG? 332 00:15:25,240 --> 00:15:27,040 HEY! WHOOPS! 333 00:15:27,040 --> 00:15:28,440 ARE YOU CRAZY? PICK THOSE UP. 334 00:15:28,440 --> 00:15:30,280 OH! I CAN'T BELIEVE WHAT'S HAPPENING HERE. 335 00:15:30,780 --> 00:15:32,780 A--A DOOMED ROMANCE YOU CAN SHRUG OFF, 336 00:15:32,780 --> 00:15:34,280 BUT MESSIN' UP YOUR HARDWARE BIN, 337 00:15:34,280 --> 00:15:35,950 BOY, THAT'S REALLY RIPPING YOUR GUTS OUT! 338 00:15:36,350 --> 00:15:37,850 YEAH, OK, OK, MISSY. 339 00:15:37,850 --> 00:15:39,360 TWO CAN PLAY AT THIS GAME. 340 00:15:41,520 --> 00:15:43,030 HI, JOE. HI, LOWELL. 341 00:15:43,030 --> 00:15:45,660 (Fay) OH, UH, JOE, I HAVE SOME CHECKS HERE FOR YOU TO SIGN. 342 00:15:45,660 --> 00:15:46,660 LATER, FAY. 343 00:15:50,670 --> 00:15:53,170 FORGOT THIS ONE. THANKS. 344 00:15:53,170 --> 00:15:54,170 (Lowell) HOW ABOUT THOSE BO SOX? 345 00:15:54,170 --> 00:15:55,600 AMAZING, HUH? 346 00:16:02,010 --> 00:16:02,980 HOW DO YOU LIKE THAT? 347 00:16:03,410 --> 00:16:04,410 DOESN'T BOTHER ME. 348 00:16:04,410 --> 00:16:07,080 OH. HEY! WELL, TRY THIS ON FOR SIZE. 349 00:16:10,090 --> 00:16:12,550 OH, THANKS, THAT'S 3 LESS I HAVE TO WASH TODAY. 350 00:16:12,550 --> 00:16:13,960 HEY, I COULD DO THIS ALL DAY. 351 00:16:16,690 --> 00:16:17,660 PLENTY MORE WHERE THAT CAME FROM. 352 00:16:18,090 --> 00:16:19,460 GO AHEAD, JOE. GO AHEAD OK, ALL RIGHT. 353 00:16:19,460 --> 00:16:20,960 BUT, JOE... 354 00:16:21,460 --> 00:16:23,470 ARE YOU SURE YOU WANT TO LEAVE ME ALONE IN HERE? 355 00:16:27,300 --> 00:16:28,540 WHAT ARE YOU GONNA DO? 356 00:16:28,540 --> 00:16:30,040 GEE, I DON'T KNOW. 357 00:16:30,040 --> 00:16:32,040 HELEN, GET AWAY FROM THE PLANE. 358 00:16:32,040 --> 00:16:33,540 UH-UH. 359 00:16:33,540 --> 00:16:36,150 I'M GONNA GET MY OILY FINGERS ALL OVER YOUR PLANE. 360 00:16:37,150 --> 00:16:38,650 LOOK, FINGERPRINTS. 361 00:16:38,650 --> 00:16:40,780 CUT THAT OUT. HEY, HEY, HEY! I JUST CLEANED THOSE. 362 00:16:40,780 --> 00:16:42,620 OH, LOOKIE HERE, GREASE! HOW ABOUT THAT? 363 00:16:42,620 --> 00:16:44,190 MUCH BETTER! 364 00:16:44,190 --> 00:16:45,920 [grunting] 365 00:16:45,920 --> 00:16:47,420 SEE, THIS IS OUR PROBLEM, JOE. 366 00:16:47,420 --> 00:16:49,860 YOU CARE MORE ABOUT THIS STUPID PLANE THAN YOU DO ABOUT ME! 367 00:16:49,860 --> 00:16:52,260 ME? YOU'RE THE ONE WITH THE CELLO BETWEEN HER LEGS 368 00:16:52,260 --> 00:16:53,260 8 HOURS A DAY. 369 00:16:54,830 --> 00:16:56,830 WELL, AT LEAST THAT GIVES ME SOME SATISFACTION. 370 00:16:59,840 --> 00:17:01,470 YEAH, WELL, AT LEAST WHEN I'M IN THE PLANE, 371 00:17:01,470 --> 00:17:03,470 I GET SOME SENSE OF MOVEMENT. 372 00:17:07,380 --> 00:17:09,180 HELEN, WHAT ARE YOU... WHAT ARE YOU GONNA... 373 00:17:10,950 --> 00:17:12,450 OH, NO. 374 00:17:12,450 --> 00:17:13,780 NO, NO, YOU WOULDN'T. 375 00:17:13,780 --> 00:17:15,050 OH, NO? 376 00:17:15,050 --> 00:17:17,050 OK, ALL RIGHT. 377 00:17:17,050 --> 00:17:18,550 YOU WANNA PLAY HARDBALL? 378 00:17:20,660 --> 00:17:23,660 YOU STAB THE PLANE, THE CELLO HERE GETS IT. 379 00:17:25,160 --> 00:17:28,460 LET THE CELLO GO, JOE, AND NOBODY GETS HURT. 380 00:17:28,460 --> 00:17:29,730 YOU PUT THAT ICE PICK DOWN 381 00:17:29,730 --> 00:17:32,230 OR THIS CELLO IS GONNA BE PLAYING IN THE VIOLIN SECTION. 382 00:17:34,370 --> 00:17:36,370 YOU DON'T THINK I'LL DO IT, DO YOU? NO. 383 00:17:36,640 --> 00:17:37,640 GUESS AGAIN. 384 00:17:37,640 --> 00:17:38,710 [hissing] 385 00:17:39,210 --> 00:17:40,310 [screaming] 386 00:17:41,510 --> 00:17:42,810 [Helen screaming] 387 00:17:45,550 --> 00:17:46,550 YES! 388 00:17:46,550 --> 00:17:48,080 [laughing] 389 00:17:49,750 --> 00:17:51,520 YOU'RE MESSY, JOE. YOU'RE MESSY, MESSY, MESSY. 390 00:17:51,520 --> 00:17:53,920 I CANNOT BELIEVE YOU DID THIS TO ME. 391 00:17:53,920 --> 00:17:55,420 I--I CAN'T BELIEVE YOU-- 392 00:17:57,330 --> 00:17:59,230 BELIEVE, JOE, BELIEVE. 393 00:17:59,230 --> 00:18:01,230 YOU LOUSY, SNOT-FACED... 394 00:18:03,700 --> 00:18:04,730 [screaming] 395 00:18:09,710 --> 00:18:11,170 TRUCE! TRUCE! 396 00:18:15,040 --> 00:18:16,410 LOOK AT US! 397 00:18:16,410 --> 00:18:18,510 WE'RE ACTING LIKE CHILDREN! 398 00:18:19,280 --> 00:18:20,780 THIS IS RIDICULOUS. 399 00:18:22,280 --> 00:18:24,290 PUT THE FIRE EXTINGUISHER DOWN. 400 00:18:25,290 --> 00:18:27,290 YOU PUT THE GREASE GUN DOWN FIRST. 401 00:18:37,030 --> 00:18:38,030 OH, HONEY. 402 00:18:39,030 --> 00:18:40,140 [screaming] 403 00:18:43,270 --> 00:18:44,610 I'M GLAD YOU'RE LEAVING THIS ISLAND! 404 00:18:44,610 --> 00:18:47,140 NOT AS GLAD AS I AM, YOU LITTLE UPTIGHT PRIG. OH, YEAH? 405 00:18:47,140 --> 00:18:50,210 [screaming] WELL, YOU'RE A-- YOU'RE A LOUSY CELLOIST! 406 00:18:50,210 --> 00:18:53,220 YOU COULDN'T EVEN BEAT A 12-YEAR-OLD GIRL! 407 00:18:53,220 --> 00:18:56,220 I CAN'T BELIEVE I SPENT 3 MONTHS OF MY LIFE WITH A LOSER LIKE YOU! 408 00:18:56,220 --> 00:18:57,720 I'M GONNA FORGET YOU IN 5 MINUTES! 409 00:18:57,720 --> 00:18:58,720 YEAH, I FORGOT YOU ALREADY! 410 00:18:58,720 --> 00:19:00,220 I HATE YOU! 411 00:19:00,220 --> 00:19:01,720 I HATE YOU, TOO! 412 00:19:03,790 --> 00:19:06,700 (Fay) UH, EXCUSE ME, HELEN, I'M SORRY TO INTERRUPT, 413 00:19:07,030 --> 00:19:08,300 BUT THERE'S A CALL FOR YOU. 414 00:19:08,300 --> 00:19:09,300 UH... 415 00:19:11,300 --> 00:19:14,170 IT'S THE CONDUCTOR OF THE MAINE STATE SYMPHONY. 416 00:19:14,470 --> 00:19:15,970 EXCUSE ME. 417 00:19:25,210 --> 00:19:26,210 [clearing throat] 418 00:19:27,220 --> 00:19:28,220 HELLO? 419 00:19:30,720 --> 00:19:31,720 YES. 420 00:19:32,720 --> 00:19:33,720 [panting] 421 00:19:34,220 --> 00:19:35,720 I UNDERSTAND. 422 00:19:36,730 --> 00:19:38,230 I SEE. 423 00:19:38,230 --> 00:19:39,730 THANK YOU. 424 00:19:43,600 --> 00:19:45,600 THEY LOST THEIR FUNDING. 425 00:19:45,600 --> 00:19:47,600 THERE'S NO ORCHESTRA. 426 00:19:50,610 --> 00:19:52,440 THERE'S NO JOB. 427 00:19:54,980 --> 00:19:56,980 OH, HELEN, I'M SO SORRY. 428 00:19:58,980 --> 00:20:00,480 BUT THERE IS A BRIGHT SIDE. 429 00:20:00,480 --> 00:20:02,880 YOU AND JOE STILL HAVE EACH OTHER. 430 00:20:12,160 --> 00:20:13,160 YOU'RE HERE AWFUL EARLY. 431 00:20:13,160 --> 00:20:14,430 YEAH. 432 00:20:14,430 --> 00:20:16,430 [clearing throat] UH, HELEN, 433 00:20:16,430 --> 00:20:17,930 ABOUT YESTERDAY... 434 00:20:18,800 --> 00:20:20,300 YES, JOE? 435 00:20:21,270 --> 00:20:22,770 SOME THINGS WERE SAID, 436 00:20:23,270 --> 00:20:25,270 AND I REALIZE YOU MIGHT'VE TAKEN SOME OF THEM THE WRONG WAY. 437 00:20:26,940 --> 00:20:28,780 WHAT I MEAN IS I... 438 00:20:28,780 --> 00:20:31,150 I REALLY DIDN'T MEAN THEM. 439 00:20:31,150 --> 00:20:33,020 I SAID SOME THINGS I DIDN'T MEAN, TOO. 440 00:20:33,820 --> 00:20:36,320 SO, HEY, WHAT DO YOU THINK? 441 00:20:36,320 --> 00:20:38,450 CAN WE GET BACK TO WHERE WE WERE? 442 00:20:38,450 --> 00:20:40,590 WHERE WERE WE, JOE? 443 00:20:40,590 --> 00:20:42,490 I DON'T KNOW, BUT IT'S BETTER THAN WHERE WE ARE NOW. 444 00:20:42,490 --> 00:20:46,230 ANNOUNCING FINAL BOARDING OF AEROMASS FLIGHT 19, 445 00:20:46,230 --> 00:20:49,630 OUR EARLY BIRD SERVICE TO LA GUARDIA. 446 00:20:49,630 --> 00:20:51,130 OH, THAT'S MY PLANE. 447 00:20:51,130 --> 00:20:53,500 WHERE ARE YOU GOING? I'M LEAVING NANTUCKET. 448 00:20:53,500 --> 00:20:54,570 WHAT? 449 00:20:54,570 --> 00:20:56,070 I'M LEAVING, JOE. 450 00:20:56,070 --> 00:20:57,570 I WAS ALL SET TO MOVE TO MAINE, ANYWAY. 451 00:20:57,570 --> 00:21:00,540 I'D ALREADY SUBLET MY HOUSE AND I FOUND SOMEONE TO TAKE OVER THE COUNTER. 452 00:21:00,540 --> 00:21:02,480 W-WAIT. YOU--YOU... 453 00:21:02,480 --> 00:21:03,710 [stammering] WHAT'RE YOU GONNA DO? 454 00:21:03,710 --> 00:21:05,710 I'M GONNA DO WHAT I SHOULD'VE DONE A LONG TIME AGO. 455 00:21:05,710 --> 00:21:07,220 TAKE A CHANCE. 456 00:21:07,220 --> 00:21:09,720 I'M GONNA DO MY MUSIC FULL-TIME. I'M GOING TO NEW YORK. 457 00:21:09,720 --> 00:21:10,720 BYE, ROY. BYE, HELEN, 458 00:21:11,220 --> 00:21:12,220 AND THANKS FOR FLYING AEROMASS. 459 00:21:12,220 --> 00:21:13,620 HEY! WAIT A MINUTE. 460 00:21:13,620 --> 00:21:15,620 YOU WERE JUST GONNA LEAVE WITHOUT EVEN TELLING ME? 461 00:21:15,620 --> 00:21:17,130 WELL, I KNEW THAT YOU WOULD TRY TO STOP ME. 462 00:21:17,130 --> 00:21:20,130 LOOK, UH, HELEN, THIS IS AN AWFULLY BIG STEP. 463 00:21:20,130 --> 00:21:21,130 DO YOU, UM... 464 00:21:21,130 --> 00:21:23,130 YOU GOT A JOB? NO. 465 00:21:23,130 --> 00:21:24,500 DO YOU HAVE A PLACE TO STAY? NO. 466 00:21:24,500 --> 00:21:25,830 IN NEW YORK? 467 00:21:26,330 --> 00:21:28,300 NOW, HELEN, YOU HAVE NOT EVEN THOUGHT THIS THING THROUGH. 468 00:21:28,300 --> 00:21:29,810 NO, I HAVEN'T AND THAT'S WHAT FEELS SO GOOD, JOE. 469 00:21:30,310 --> 00:21:32,810 EVERY MUSICIAN WORTH HIS SALT HAS TO TAKE A SHOT AT NEW YORK. 470 00:21:32,810 --> 00:21:35,310 IF I CAN MAKE IT THERE, I CAN MAKE IT ANY... 471 00:21:35,310 --> 00:21:36,710 WELL, YOU KNOW. 472 00:21:37,550 --> 00:21:39,920 HELEN, JUST WAIT. WAIT. 473 00:21:39,920 --> 00:21:42,180 [airplane engine whirring] 474 00:21:42,180 --> 00:21:45,690 I COULDN'T ASK YOU THIS YESTERDAY, BUT I AM ASKING YOU NOW. 475 00:21:46,690 --> 00:21:48,190 PLEASE, STAY. 476 00:21:50,760 --> 00:21:52,260 I CAN'T, 477 00:21:52,260 --> 00:21:53,760 BUT THANK YOU FOR ASKING. 478 00:21:55,460 --> 00:21:56,460 HELEN... 479 00:22:03,470 --> 00:22:04,470 I LOVE YOU. 480 00:22:07,810 --> 00:22:09,310 I LOVE YOU, TOO. 32104

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