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1
00:00:02,520 --> 00:00:04,020
HI, I'D LIKE
TO MAKE A RESERVATION
2
00:00:04,020 --> 00:00:05,520
ON YOUR NEXT FLIGHT
TO PROVINCETOWN.
3
00:00:05,520 --> 00:00:08,530
UH, I'M SORRY,
OUR COMPUTER'S
TIED UP RIGHT NOW.
4
00:00:08,530 --> 00:00:11,030
[music playing]
5
00:00:11,530 --> 00:00:15,530
85,000 POINTS AND 3 SWORDS
IN THE DRAGON'S EYE.
6
00:00:15,530 --> 00:00:16,530
BEAT THAT, YOU WEENIE.
7
00:00:18,200 --> 00:00:21,200
STEP ASIDE, YODA.
YOU'RE IN THE WIZARD'S GLOW.
8
00:00:21,200 --> 00:00:24,210
NO. NO, NO.
I--I NEED THIS COMPUTER
FOR BUSINESS.
9
00:00:24,210 --> 00:00:26,210
OK, OK. KENNY, WE GOT
AN IMPORTANT JOB TO DO.
10
00:00:26,210 --> 00:00:27,710
WHAT'S THAT?
11
00:00:27,710 --> 00:00:30,710
WE'VE GOT TO SNEAK INTO
ROY'S PLANE AND CUT HOLES
IN HIS AIRSICK BAGS.
12
00:00:32,220 --> 00:00:33,220
COOL.
13
00:00:35,220 --> 00:00:37,020
WHO ARE THOSE BOZOS?
14
00:00:37,020 --> 00:00:38,520
OUR PILOTS.
15
00:00:40,520 --> 00:00:41,520
NAME?
16
00:00:43,630 --> 00:00:45,630
[seagulls cawing]
17
00:01:48,320 --> 00:01:49,330
JOE?
18
00:01:49,330 --> 00:01:50,830
(Joe)
I'M OUT IN THE HANGAR,
HELEN.
19
00:01:50,830 --> 00:01:52,830
JOE, I NEED TO SEND
SOME FLOWERS.
20
00:01:52,830 --> 00:01:54,660
WHERE DID YOU GET
THOSE ROSES YOU SENT ME?
21
00:01:54,660 --> 00:01:57,670
UH, THE FLOWER BASKET
OUT ON CLIFF ROAD.
22
00:01:57,670 --> 00:01:59,170
DO YOU HAVE
THAT NUMBER?
23
00:01:59,170 --> 00:02:01,170
YEAH.
IT'S IN MY PHONE BOOK.
TOP RIGHT-HAND DRAWER.
24
00:02:04,110 --> 00:02:05,610
HERE, LET ME
FIND THAT FOR YOU.
25
00:02:07,110 --> 00:02:09,750
THAT NUMBER IS 9-5-6--
EXCUSE ME.
26
00:02:10,250 --> 00:02:13,680
UH, WHY'D YOU RUN IN HERE
AND GRAB THAT BOOK
OUT OF MY HAND?
27
00:02:13,680 --> 00:02:15,990
NO REASON.
JUST A CRAZY IMPULSE.
28
00:02:15,990 --> 00:02:17,250
YOU KNOW
WHAT A MADCAP I AM.
29
00:02:18,150 --> 00:02:19,660
THAT'S HUBCAP.
30
00:02:21,520 --> 00:02:22,860
WHAT ARE YOU TRYIN'
TO HIDE FROM ME?
31
00:02:23,290 --> 00:02:25,290
[laughing]
OH, DON'T BE RIDICULOUS.
32
00:02:25,290 --> 00:02:27,800
HIDE SOMETHING?
33
00:02:27,800 --> 00:02:30,800
HELEN, YOU ARE BEING
A LITTLE BIT PARANOID.
34
00:02:30,800 --> 00:02:32,800
YOU HAVE ABSOLUTELY
NO REASON TO THINK
35
00:02:32,800 --> 00:02:34,770
THAT I'M TRYING TO HIDE
SOMETHING FROM YOU.
36
00:02:34,770 --> 00:02:36,710
MY LIFE IS AN OPEN BOOK.
37
00:02:36,710 --> 00:02:37,610
[keys clinking]
38
00:02:37,940 --> 00:02:39,940
NOW,
WHAT WAS THE QUESTION?
39
00:02:39,940 --> 00:02:41,440
[drawer rattling]
OPEN UP THIS DAMN DRAWER.
40
00:02:41,440 --> 00:02:43,950
I WANNA KNOW WHAT'S IN HERE
AND I WANNA KNOW RIGHT NOW.
41
00:02:43,950 --> 00:02:45,450
HEY, HEY, HELEN,
STOP--STOP THAT.
42
00:02:45,950 --> 00:02:47,450
THAT BOOK IS PRIVATE.
43
00:02:47,450 --> 00:02:49,450
THERE ARE 2 KINDS OF PRIVATE,
JOE.
44
00:02:49,450 --> 00:02:51,450
THERE'S THE KIND
WHERE YOU HAVE
NOTHING TO HIDE,
45
00:02:51,450 --> 00:02:52,960
NOBODY CARES DIDDLYSQUAT
ABOUT THAT,
46
00:02:52,960 --> 00:02:55,460
AND THEN,
THERE'S THE OTHER KIND,
47
00:02:55,460 --> 00:02:57,460
THE KIND
THAT'S REALLY PRIVATE,
48
00:02:57,460 --> 00:03:00,430
THE KIND
THAT MAKES YOUR FOREHEAD
BREAK OUT IN A COLD SWEAT.
49
00:03:00,930 --> 00:03:02,430
I HAVE NO IDEA
WHAT YOU'RE TALKING ABOUT.
50
00:03:04,430 --> 00:03:05,440
THANKS.
51
00:03:06,940 --> 00:03:08,440
HELEN,
HOW WOULD YOU LIKE IT
52
00:03:08,440 --> 00:03:09,440
IF I WENT RIFLING
THROUGH YOUR PURSE?
53
00:03:09,940 --> 00:03:11,740
I WOULDN'T MIND AT ALL,
I HAVE NOTHING TO HIDE.
54
00:03:11,740 --> 00:03:13,480
ESPECIALLY FROM SOMEONE
I CARE ABOUT.
55
00:03:13,480 --> 00:03:15,380
YOU TRYING TO TELL ME
YOU HAVE ABSOLUTELY
NOTHING IN THERE
56
00:03:15,380 --> 00:03:16,880
YOU WOULDN'T
WANT ME TO SEE?
57
00:03:16,880 --> 00:03:18,380
NO, JOE,
I HAVE NOTHING IN HERE.
58
00:03:18,880 --> 00:03:22,390
WHAT, I'VE GOT,
LOOK, A BRUSH, MASCARA...
59
00:03:23,890 --> 00:03:26,020
WHOOPS! GOT TO GO.
60
00:03:26,020 --> 00:03:28,020
HEY, WAIT A MINUTE.
WAIT A MINUTE.
WHAT'S IN THERE?
61
00:03:28,020 --> 00:03:30,730
WHAT? NOTHING, JOE.
JUST, YOU KNOW,
USUAL GIRL STUFF.
62
00:03:30,730 --> 00:03:32,230
WHIPS AND CHAINS AND...
63
00:03:34,230 --> 00:03:36,230
A SELECTION
OF SEXUAL DEVICES
FROM THE FAR EAST.
64
00:03:38,300 --> 00:03:39,700
YOU'RE KIDDING, RIGHT?
65
00:03:39,700 --> 00:03:40,700
YEAH.
YEAH.
66
00:03:43,810 --> 00:03:46,310
THIS IS DISGRACEFUL.
67
00:03:46,310 --> 00:03:47,810
WHAT'S THAT, ROY?
68
00:03:47,810 --> 00:03:48,810
IT SAYS HERE,
69
00:03:48,810 --> 00:03:52,820
"MISS NANTUCKET PICKLED
AT STATE BEAUTY PAGEANT."
70
00:03:52,820 --> 00:03:54,320
I MEAN, HERE SHE IS,
71
00:03:54,320 --> 00:03:56,320
A REPRESENTATIVE
OF THIS LOVELY ISLAND
72
00:03:56,320 --> 00:03:57,820
AND SHE GETS DRUNK
AT THE PAGEANT.
73
00:03:58,690 --> 00:04:01,490
WELL, ACTUALLY, ROY,
IT SAYS,
74
00:04:01,490 --> 00:04:04,860
"MISS NANTUCKET PICKED
AT STATE BEAUTY PAGEANT,"
75
00:04:04,860 --> 00:04:05,660
NOT PICKLED.
76
00:04:05,660 --> 00:04:07,160
GIVE ME THAT.
77
00:04:08,660 --> 00:04:10,170
OH, YOU'RE RIGHT.
78
00:04:10,670 --> 00:04:13,500
THAT'S GOOD FOR HER.
79
00:04:13,500 --> 00:04:16,170
HAVE YOU EVER CONSIDERED
THAT YOU MIGHT NEED GLASSES,
ROY?
80
00:04:16,470 --> 00:04:18,980
GLASSES? NO WAY.
I DON'T NEED GLASSES.
UH-UH.
81
00:04:18,980 --> 00:04:22,480
ROY, THE LOSS
OF PHYSICAL PROWESS
AS WE AGE
82
00:04:22,480 --> 00:04:25,050
SHOULD NOT BE
A SOURCE OF SHAME,
83
00:04:25,050 --> 00:04:29,820
SOMETHING TO BE HIDDEN
FROM THE PITY OF A YOUNGER,
MORE CAPABLE WORLD.
84
00:04:29,820 --> 00:04:31,820
AS DYLAN ONCE SAID,
85
00:04:31,820 --> 00:04:34,760
"DO NOT GO GENTLE
INTO THAT GOOD NIGHT.
86
00:04:34,760 --> 00:04:37,230
"RAGE, RAGE,
87
00:04:37,230 --> 00:04:38,730
FOR THE TIMES
THEY ARE A-CHANGIN'."
88
00:04:41,500 --> 00:04:45,000
I THINK YOU'RE
MIXING UP BOB DYLAN
WITH DYLAN THOMAS.
89
00:04:45,000 --> 00:04:47,270
NO, THAT'S RIDICULOUS.
90
00:04:47,270 --> 00:04:50,270
DYLAN THOMAS WAS
THE POET LAUREATE OF WALES.
91
00:04:50,270 --> 00:04:53,280
BOB DYLAN STARRED
IN GILLIGAN'S ISLAND.
92
00:04:54,410 --> 00:04:56,780
NO, NO, NO,
THAT'S BOB DENVER.
93
00:04:57,110 --> 00:05:01,120
NO, BOB DENVER
IS THE ONE WHO SINGS
ROCKY MOUNTAIN HIGH.
94
00:05:02,720 --> 00:05:04,220
OH, RIGHT, RIGHT.
95
00:05:05,760 --> 00:05:06,760
[phone ringing]
96
00:05:08,760 --> 00:05:12,200
WOW, LOOK WHAT
JUST CAME IN
FROM GATE ONE.
97
00:05:12,560 --> 00:05:13,560
UH!
98
00:05:13,560 --> 00:05:16,170
I COULDN'T EVEN IMAGINE
TALKING TO A WOMAN LIKE THAT.
99
00:05:19,170 --> 00:05:20,170
WATCH THIS.
100
00:05:22,170 --> 00:05:24,170
UM, EXCUSE ME.
101
00:05:24,170 --> 00:05:26,680
UH, DO I KNOW YOU?
102
00:05:26,680 --> 00:05:28,180
ARE YOU A MODEL?
103
00:05:28,180 --> 00:05:29,680
WHAT'S A NICE GIRL LIKE YOU
DOING IN A PLACE LIKE THIS?
104
00:05:29,680 --> 00:05:30,680
WHAT'S YOUR SIGN?
105
00:05:31,180 --> 00:05:32,980
DON'T YOU THINK YOU SHOULD
HAVE THAT MOLE CHECKED?
106
00:05:32,980 --> 00:05:33,920
WHAT?
107
00:05:34,320 --> 00:05:35,820
NAH,
I WAS JUST TRYIN' TO GET
ALL THOSE HORRIBLE CLICHES
108
00:05:36,320 --> 00:05:37,120
OUT OF THE WAY.
109
00:05:37,120 --> 00:05:39,120
WELL, I'VE NEVER HEARD
THE ONE ABOUT THE MOLE.
110
00:05:39,420 --> 00:05:41,660
OH, WELL,
WORKS LIKE A CHARM
IN EASTERN EUROPE.
111
00:05:43,260 --> 00:05:45,760
AH! BRIAN'S INCREDIBLE,
ISN'T HE?
112
00:05:45,760 --> 00:05:49,100
I--I JUST HOPE THAT SOMEDAY
I'M AS SUCCESSFUL WITH WOMEN
AS HE IS.
113
00:05:49,400 --> 00:05:51,400
OH, WELL, SURE.
SHOOT AT ANYTHING
THAT MOVES.
114
00:05:51,400 --> 00:05:52,900
YOU'RE BOUND
TO HIT SOMETHING.
115
00:05:54,040 --> 00:05:56,540
UH-HUH. SO, UH,
YOU GOING OUT WITH HER?
116
00:05:56,540 --> 00:05:59,540
TONIGHT, DINNER ON ME,
BUT NOT ITALIAN.
117
00:05:59,540 --> 00:06:02,510
THE MEATBALLS TEND
TO ROLL OFF MY CHEST.
118
00:06:02,510 --> 00:06:04,510
WELL, IF YOU'RE IN THE MOOD
FOR SOMETHING DEEP-FRIED,
119
00:06:04,510 --> 00:06:07,750
I'M WORKING
THE DRIVE-THROUGH WINDOW
AT AHAB'S FAST FISH.
120
00:06:07,750 --> 00:06:09,250
I DIDN'T KNOW
YOU HAD A 2ND JOB.
121
00:06:09,250 --> 00:06:12,460
OH, NO OFFENSE,
BUT YOUR BROTHER
DOESN'T PAY VERY WELL.
122
00:06:13,460 --> 00:06:15,460
ARE THEY STILL HIRING?
123
00:06:22,230 --> 00:06:23,230
HELEN.
YEAH?
124
00:06:24,200 --> 00:06:25,200
I CHANGED MY MIND.
125
00:06:25,700 --> 00:06:26,700
I THINK,
AS LONG AS WE'RE DATING,
126
00:06:26,700 --> 00:06:29,210
WE SHOULDN'T HAVE ANY SECRETS,
SO, HERE'S MY ADDRESS BOOK.
127
00:06:29,210 --> 00:06:30,670
YOU GO AHEAD
AND LOOK IN IT.
128
00:06:30,670 --> 00:06:32,680
THAT'S OK, JOE. I DON'T
NEED TO LOOK IN YOUR BOOK.
129
00:06:33,180 --> 00:06:34,680
I WANT YOU TO.
NO, NO, NO, NO, NO, NO.
130
00:06:34,680 --> 00:06:36,750
NO, GO AHEAD.
OK.
131
00:06:36,750 --> 00:06:38,750
THE SAME PAGE AS THE FLORIST
YOU WERE LOOKING UP
132
00:06:38,750 --> 00:06:40,750
IS A NAME
YOU MIGHT RECOGNIZE.
133
00:06:41,650 --> 00:06:43,520
NANCY FERGUSON?
134
00:06:43,520 --> 00:06:45,220
[chuckling]
YEAH, THAT'S THE ONE.
135
00:06:45,220 --> 00:06:48,090
WHAT THE HELL
IS NANCY FERGUSON DOING
IN YOUR ADDRESS BOOK?
136
00:06:48,090 --> 00:06:51,530
WELL, TO BE TOTALLY HONEST,
LAST SPRING,
137
00:06:51,530 --> 00:06:54,030
LONG BEFORE
YOU AND I WERE EVEN
THINKING ABOUT DATING,
138
00:06:54,030 --> 00:06:55,600
WE HAD AN AFFAIR.
139
00:06:55,900 --> 00:06:56,900
...LY INNOCUOUS DATE.
140
00:06:58,130 --> 00:06:59,140
NANCY FERGUSON?
141
00:06:59,140 --> 00:07:00,640
COME ON, HELEN,
142
00:07:01,140 --> 00:07:02,140
YOU'RE THE ONE
THAT WANTED TO LOOK
IN MY ADDRESS BOOK.
143
00:07:02,140 --> 00:07:03,940
YOU MADE THIS BED,
NOW YOU HAVE TO LIE IN IT.
144
00:07:03,940 --> 00:07:06,140
I CAN'T.
NANCY FERGUSON'S BEEN THERE.
145
00:07:07,540 --> 00:07:10,050
AND WHAT IS THIS STAR
BY HER NAME?
146
00:07:10,050 --> 00:07:11,550
UH, I...
147
00:07:13,050 --> 00:07:14,550
I WAS DOODLING.
148
00:07:15,820 --> 00:07:16,820
BET YOU WERE.
149
00:07:17,620 --> 00:07:18,890
COME ON, HELEN.
150
00:07:20,390 --> 00:07:22,890
OK, JOE, YOU'RE RIGHT.
I'M SORRY.
151
00:07:22,890 --> 00:07:24,890
IT'S ALL IN THE PAST.
152
00:07:24,890 --> 00:07:26,400
GUESS IT COULD
HAVE BEEN WORSE.
153
00:07:26,400 --> 00:07:27,900
IT COULD HAVE BEEN
SHERRY SCUDDER.
154
00:07:27,900 --> 00:07:29,400
[chuckles]
YEAH, SURE COULD HAVE BEEN.
155
00:07:31,770 --> 00:07:33,100
[clearing throat]
HELEN...
156
00:07:35,170 --> 00:07:36,670
I LET YOU LOOK
IN MY PHONE BOOK,
157
00:07:36,670 --> 00:07:39,310
SO, UH, NOW YOU GOTTA
SHOW ME WHAT YOU'RE HIDING
IN YOUR PURSE.
158
00:07:39,310 --> 00:07:40,810
FAT CHANCE.
159
00:07:40,810 --> 00:07:42,350
HEY, LOOK, HELEN,
THAT'S NOT FAIR.
160
00:07:42,850 --> 00:07:45,350
FAIR? WELCOME TO THE WORLD
OF ROMANCE, TOOTS.
161
00:07:46,850 --> 00:07:48,880
THEY'RE A FUN COUPLE,
AREN'T THEY?
162
00:07:48,880 --> 00:07:50,890
WELL, IT'S STILL BETTER
TO BE IN A RELATIONSHIP
163
00:07:51,390 --> 00:07:53,690
THAN OUT THERE,
TROLLING THE SINGLES' BARS.
164
00:07:53,690 --> 00:07:56,960
IT'S TERRIFYING, HORRIBLE.
IT'S LONELY OUT THERE.
165
00:07:56,960 --> 00:07:58,660
(Lowell)
UH, I KNOW
WHAT YOU MEAN, ROY.
166
00:07:58,930 --> 00:08:00,430
BEFORE I MET BUNNY,
167
00:08:00,430 --> 00:08:01,930
I CAN'T TELL YOU
HOW MANY EVENINGS
I SPENT
168
00:08:02,430 --> 00:08:04,430
SITTING AT
THE KNIGHT AND CASTLE,
169
00:08:04,430 --> 00:08:07,440
WONDERING WHERE
ALL THE GREAT WOMEN WERE.
170
00:08:07,440 --> 00:08:09,440
LOWELL,
THE KNIGHT AND CASTLE
IS A GAY HANGOUT.
171
00:08:14,980 --> 00:08:16,280
IT IS?
172
00:08:16,280 --> 00:08:20,180
WELL, THAT EXPLAINS
THOSE PHONE MESSAGES
FROM STEVE.
173
00:08:24,250 --> 00:08:26,260
WELL, YOU GUYS ARE RIGHT.
IT'S TOUGH OUT THERE.
174
00:08:26,760 --> 00:08:29,060
OH, HACKETT,
WHAT ARE YOU TALKIN' ABOUT?
175
00:08:29,060 --> 00:08:31,360
YOU DON'T SEEM TO HAVE
ANY TROUBLE FINDING WOMEN.
176
00:08:31,860 --> 00:08:34,860
WELL, WOMEN, NO,
BUT THE WOMAN.
I MEAN, IT'S DIFFERENT.
177
00:08:34,860 --> 00:08:36,870
I MEAN, I'M A REASONABLY
INTELLIGENT GUY.
178
00:08:36,870 --> 00:08:38,870
I HAD A SCHOLARSHIP
TO PRINCETON,
179
00:08:38,870 --> 00:08:40,370
SPENT SOME TIME AT NASA.
180
00:08:40,870 --> 00:08:43,870
THERE'S EVEN
A SMALL VILLAGE IN BELIZE
WHERE I'M CONSIDERED A GOD.
181
00:08:45,310 --> 00:08:47,440
BUT I--I JUST DON'T KNOW
WHERE TO FIND
182
00:08:47,440 --> 00:08:50,950
A--A SENSITIVE, ATTRACTIVE,
INTELLIGENT WOMAN, YOU KNOW?
183
00:08:50,950 --> 00:08:51,950
(Melinda)
HERE.
184
00:08:51,950 --> 00:08:54,080
[cup clattering]
185
00:08:54,080 --> 00:08:56,090
I--I--I BEG YOUR PARDON?
186
00:08:56,090 --> 00:08:59,090
WELL, I THINK
I'M A SENSITIVE,
187
00:08:59,090 --> 00:09:01,690
ATTRACTIVE,
INTELLIGENT WOMAN.
188
00:09:01,690 --> 00:09:04,190
AND WITH QUITE A HIGH OPINION
OF HERSELF, I MIGHT ADD.
189
00:09:05,160 --> 00:09:07,160
I CAN'T BELIEVE
WE HAVE SO MUCH IN COMMON.
190
00:09:08,160 --> 00:09:09,670
I'M MELINDA.
HI. BRIAN.
191
00:09:09,670 --> 00:09:10,700
HI.
HI.
192
00:09:10,700 --> 00:09:11,700
I DON'T USUALLY
DO THIS.
193
00:09:11,700 --> 00:09:13,700
I MEAN, I'M NOT
THE KIND OF WOMAN
194
00:09:13,700 --> 00:09:15,200
WHO HANGS AROUND
AT AIRPORTS.
195
00:09:15,200 --> 00:09:17,210
YOU MEAN A TRAVELER?
196
00:09:17,510 --> 00:09:18,740
HEY, HEY,
YOU'RE LAUGHIN' NOW.
197
00:09:18,740 --> 00:09:20,240
WHY DON'T YOU HAVE DINNER
WITH ME TONIGHT
198
00:09:20,240 --> 00:09:23,010
AND YOU'LL BE SNORTING
EXPENSIVE WINE OUT YOUR NOSE.
199
00:09:23,510 --> 00:09:25,510
HOW COULD A GIRL
IN HER RIGHT MIND
200
00:09:25,510 --> 00:09:27,020
TURN DOWN AN INVITATION
LIKE THAT?
201
00:09:27,020 --> 00:09:29,020
OOH, I LIKE HER.
202
00:09:29,020 --> 00:09:33,360
ANNOUNCING THE ARRIVAL
OF SANDPIPER AIR FLIGHT 8
FROM HYANNIS.
203
00:09:33,360 --> 00:09:34,690
THAT'S MY FLIGHT.
204
00:09:34,690 --> 00:09:36,190
WHOA, W-WAIT A SECOND.
YOU'RE NOT LEAVING,
ARE YOU?
205
00:09:36,190 --> 00:09:37,690
OH, NO. NO,
I'M MEETING SOMEBODY.
206
00:09:37,690 --> 00:09:39,200
OH. WELL, AFTER
ALL WE'VE BEEN THROUGH,
207
00:09:39,200 --> 00:09:40,700
I THOUGHT I WAS THE MAN
OF YOUR DREAMS.
208
00:09:41,200 --> 00:09:42,200
HI, MOM.
HI, KENNY.
209
00:09:44,200 --> 00:09:46,700
MOM, KENNY.
KENNY'S MOM.
210
00:09:47,200 --> 00:09:48,200
[exclaiming]
211
00:09:54,390 --> 00:09:56,390
[stammering]
WELL, WOW!
I DON'T BELIEVE THIS.
212
00:09:56,890 --> 00:09:58,760
YOU? YOU AND MY MOM
ARE GOIN' OUT ON A DATE?
213
00:09:58,760 --> 00:10:01,000
BOY, YOU DON'T LOOK
OLD ENOUGH TO BE
KENNY'S MOTHER.
214
00:10:01,000 --> 00:10:03,500
OH, SHE IS, I SWEAR IT.
THANK YOU, DEAR.
215
00:10:03,500 --> 00:10:06,170
SO, UH, YOU DON'T HAVE
ANY PROBLEM WITH THIS,
DO YOU, KENNY LAD?
216
00:10:06,170 --> 00:10:07,100
OH, WHAT? ARE YOU KIDDING?
217
00:10:07,100 --> 00:10:08,610
NO. NO, NO.
I THINK IT'S GREAT.
218
00:10:09,110 --> 00:10:10,110
MOM, I GOTTA GO
FILL OUT MY FLIGHT LOG.
219
00:10:10,110 --> 00:10:12,080
SO I'M GONNA MEET YOU
AT THE CAR, OK?
OK.
220
00:10:12,080 --> 00:10:14,380
SO, GREAT.
I--I--I'LL PICK YOU UP
AT 8:00, OK?
221
00:10:14,380 --> 00:10:16,550
GREAT. I'LL SEE YOU THEN.
OK.
222
00:10:16,550 --> 00:10:18,280
I HOPE YOU LIKE
CLOG DANCING.
223
00:10:18,280 --> 00:10:20,080
I HOPE YOU'RE KIDDING.
224
00:10:21,680 --> 00:10:22,690
[phone ringing]
225
00:10:23,190 --> 00:10:26,090
[whooping]
IMAGINE THAT,
ME DATIN' YOUR MOM.
226
00:10:26,090 --> 00:10:28,360
YOU STAY AWAY
FROM MY MOTHER!
227
00:10:29,760 --> 00:10:31,160
WHAT?
228
00:10:31,160 --> 00:10:33,160
AND I--I KNOW
WHAT YOU'RE LIKE.
I KNOW HOW YOU TREAT WOMEN.
229
00:10:33,160 --> 00:10:35,670
WAIT A SECOND.
WE-- WE'RE JUST GONNA
GO OUT AND HAVE A NICE TIME.
230
00:10:35,670 --> 00:10:37,170
WHAT COULD POSSIBLY
BE WRONG WITH THAT?
231
00:10:37,170 --> 00:10:39,670
WELL, FOR ONE THING,
YOU ALREADY HAVE
A DATE TONIGHT.
232
00:10:39,670 --> 00:10:41,100
I DO?
233
00:10:41,100 --> 00:10:42,610
YOU KNOW, THE GIRL
FROM THE TERMINAL
THIS MORNING?
234
00:10:42,610 --> 00:10:44,670
THE ONE YOU TREATED
LIKE A PIECE OF MEAT?
235
00:10:44,670 --> 00:10:46,180
COULD YOU BE
A LITTLE MORE SPECIFIC?
236
00:10:47,140 --> 00:10:48,650
THE BLONDE.
237
00:10:49,350 --> 00:10:51,350
OH, HER.
238
00:10:51,350 --> 00:10:53,850
A MINOR GLITCH.
I'LL BRUSH HER OFF
LIKE CRUMBS ON A PLACE MAT.
239
00:10:53,850 --> 00:10:56,020
OH, BRIAN, THAT'S EXACTLY
WHAT I'M TALKING ABOUT.
240
00:10:56,020 --> 00:10:58,360
TONIGHT YOU'LL DUMP HER
AND TOMORROW NIGHT,
IT'LL BE MY MOM.
241
00:10:58,690 --> 00:11:00,460
HEY, Y-YOU GOT ME
ALL WRONG, KID.
242
00:11:00,460 --> 00:11:01,960
I'M--I'M NOT
THAT WAY AT ALL.
243
00:11:01,960 --> 00:11:04,460
WELL, I AM.
BUT I CAN TURN IT
ON AND OFF.
244
00:11:04,460 --> 00:11:07,460
COME ON, BRIAN. LOOK,
MAKE ANY EXCUSE YOU HAVE TO,
BUT GET OUT OF IT.
245
00:11:07,960 --> 00:11:09,470
KENNY, YOU KNOW,
I THINK IT'S VERY NICE
246
00:11:09,470 --> 00:11:11,340
THE WAY YOU'RE LOOKIN' OUT
FOR YOUR MOM AND ALL
247
00:11:11,330 --> 00:11:13,170
BUT,
H-HOW CAN I PUT THIS?
248
00:11:13,170 --> 00:11:14,170
IT'S NONE OF
YOUR BUSINESS.
249
00:11:14,670 --> 00:11:16,170
I'M WARNIN' YOU.
IF YOU HURT HER,
250
00:11:16,170 --> 00:11:19,880
YOU WILL RUE THE DAY
THAT YOU EVER MESSED WITH
KENNETH MARGARET McELVEY.
251
00:11:20,380 --> 00:11:21,380
MARGARET?
252
00:11:22,850 --> 00:11:23,850
DON'T LAUGH.
253
00:11:23,850 --> 00:11:25,850
I WAS NAMED AFTER
MY GREAT-GRANDMOTHER.
254
00:11:25,850 --> 00:11:28,150
SHE WAS AN INDIAN FIGHTER,
SO YOU WATCH IT.
255
00:11:30,150 --> 00:11:31,660
[chuckling]
256
00:11:31,650 --> 00:11:33,660
NOT THE WORST-LOOKING
MARGARET I EVER MET.
257
00:11:40,100 --> 00:11:43,100
UH, FAY, COULD YOU
COME OVER HERE
FOR A MINUTE?
258
00:11:43,600 --> 00:11:45,100
OH, SURE, ROY.
259
00:11:46,100 --> 00:11:48,610
I WANT YOUR OPINION
ABOUT SOMETHING.
260
00:11:49,110 --> 00:11:52,110
I JUST FOUND OUT
THAT I'M--I'M GONNA
BE NEEDING GLASSES
261
00:11:52,110 --> 00:11:54,610
AND I--I BORROWED
A PAIR OF THESE FRAMES
262
00:11:54,610 --> 00:11:56,110
TO SEE IF I LIKED THEM.
263
00:11:56,610 --> 00:11:58,620
WHAT DO YOU THINK?
264
00:11:58,620 --> 00:12:02,490
HEY, ROY,
THAT'S A GREAT-LOOKING
PAIR OF GLASSES.
265
00:12:02,820 --> 00:12:04,690
[chuckling]
REALLY? THANKS.
266
00:12:04,690 --> 00:12:06,690
BOY, THOSE LENSES
ARE SO CLEAR
267
00:12:06,690 --> 00:12:08,690
YOU'D SWEAR
THEY WEREN'T
IN THERE AT ALL.
268
00:12:12,200 --> 00:12:13,200
[screaming]
269
00:12:13,200 --> 00:12:16,000
OH. GAG GLASSES.
OH, YOU GOT ME, ROY.
270
00:12:17,770 --> 00:12:19,270
WHAT'S NEW, KID?
271
00:12:19,270 --> 00:12:21,770
BEETLE BAILEY
JUST GOT IN TROUBLE
WITH THE SARGE.
272
00:12:21,770 --> 00:12:24,270
GEE, HOW DO THEY
KEEP THAT STUFF FRESH?
273
00:12:25,780 --> 00:12:26,780
LOOK, BRIAN,
274
00:12:26,780 --> 00:12:28,780
I THINK I REALLY
OWE YOU AN APOLOGY.
275
00:12:28,780 --> 00:12:30,780
I--I HAD NO--NO RIGHT
TO SPEAK TO YOU
THE WAY I DID.
276
00:12:30,780 --> 00:12:31,780
AW, DON'T WORRY
ABOUT IT.
277
00:12:32,280 --> 00:12:33,280
YOUR MOM'S A TERRIFIC LADY.
278
00:12:33,280 --> 00:12:34,790
YOU JUST DIDN'T WANT
TO SEE HER GET HURT.
279
00:12:34,780 --> 00:12:36,790
UH, WELL,
SHE SURE DIDN'T.
280
00:12:36,790 --> 00:12:39,290
BETWEEN YOU AND ME,
I THINK SHE HAS
A LITTLE CRUSH ON YOU.
281
00:12:39,290 --> 00:12:41,790
OH, REALLY?
YEAH.
282
00:12:41,790 --> 00:12:43,790
UH, YOU KNOW, I JUST
HAD THIS FUNNY THOUGHT.
WHAT?
283
00:12:43,790 --> 00:12:46,800
WHAT IF, UH, YOU
AND MY MOM KEEP ON HAVIN'
SUCH A GREAT TIME TOGETHER?
284
00:12:46,800 --> 00:12:48,800
THEN MAYBE, UH, SOMEDAY,
YOU'D BE MY DAD.
285
00:12:48,800 --> 00:12:50,800
HEY, THAT'D BE
SOMETHING, HUH?
286
00:12:52,300 --> 00:12:54,300
[both mumbling]
287
00:12:56,170 --> 00:12:57,710
[exclaiming]
288
00:12:57,710 --> 00:12:59,510
KILL ME, JOE.
289
00:12:59,780 --> 00:13:01,280
I'M KIND OF BUSY, BRIAN.
MAYBE LATER.
290
00:13:01,740 --> 00:13:03,250
I WENT OUT ON A DATE
WITH KENNY'S MOM
291
00:13:03,250 --> 00:13:05,250
AND I--I PROMISED KENNY
I WOULDN'T HURT HER,
YOU KNOW.
292
00:13:05,250 --> 00:13:07,880
AND NOW, THE WOMAN HAS
A MASSIVE CRUSH ON ME.
293
00:13:07,880 --> 00:13:09,290
WHAT'S THE PROBLEM?
294
00:13:09,290 --> 00:13:10,720
SHE'S A LOX, JOE.
295
00:13:10,720 --> 00:13:12,090
WHOA, WAIT A MINUTE.
W-WHAT WENT WRONG?
296
00:13:12,590 --> 00:13:14,590
EARLIER TODAY,
YOU SAID, YOU THOUGHT
YOU HAD A WINNER.
297
00:13:14,590 --> 00:13:16,590
LOOK, I'LL TELL YOU
WHAT WENT WRONG.
SHE CHANGED ON ME.
298
00:13:16,590 --> 00:13:18,600
IT WAS LIKE LON CHANEY
DURING A FULL MOON.
299
00:13:18,600 --> 00:13:21,100
I MEAN, THE WOMAN
300
00:13:21,100 --> 00:13:23,530
IS UNABLE TO SHUT UP.
301
00:13:23,900 --> 00:13:25,400
SHE CANNOT STOP TALKING.
302
00:13:25,400 --> 00:13:28,370
SHE'S A HUMAN TAPE LOOP.
IF SHE'S NOT TALKING
ABOUT HERSELF,
303
00:13:28,370 --> 00:13:30,370
SHE'S TALKING ABOUT HER CAT
OR HER GARDENER,
304
00:13:30,370 --> 00:13:31,840
OR HOW WONDERFUL
HER EX-HUSBAND DENNIS IS
305
00:13:31,840 --> 00:13:34,180
AND SHE CAN'T UNDERSTAND
WHY DENNIS RAN OUT ON HER.
306
00:13:34,180 --> 00:13:36,010
I'LL--I'LL TELL YOU
WHY HE RAN OUT ON HER, JOE.
307
00:13:36,010 --> 00:13:38,010
DENNIS HAS 2 GOOD EARS.
308
00:13:40,520 --> 00:13:42,020
[groaning]
309
00:13:42,020 --> 00:13:44,590
WELL, KENNY WARNED ME
TO STAY AWAY FROM HER.
310
00:13:44,590 --> 00:13:47,090
IF ONLY I HAD HEEDED
THE WISDOM OF THAT CHILD.
311
00:13:47,090 --> 00:13:50,760
IF ONLY I HADN'T
GONE OUT WITH HER.
BUT, NO.
312
00:13:50,760 --> 00:13:53,260
WELL, IF IFS AND BUTS
WERE CANDY AND NUTS,
313
00:13:53,260 --> 00:13:55,260
WE'D ALL HAVE
A WONDERFUL CHRISTMAS.
314
00:14:03,110 --> 00:14:05,180
YOU'RE ENJOYING YOURSELF,
AREN'T YOU?
315
00:14:05,170 --> 00:14:08,280
I HAVE SO FEW PLEASURES
IN LIFE, ALLOW ME THIS.
316
00:14:08,280 --> 00:14:10,780
WHAT AM I GONNA DO?
I DON'T WANNA HURT THE KID,
317
00:14:10,780 --> 00:14:14,220
BUT I'VE GOT TO
DUMP HIS MOTHER LIKE
A LOAD OF BAD ASPHALT.
318
00:14:14,220 --> 00:14:16,020
BREAK IT OFF,
DON'T LET IT
GO ANY FURTHER.
319
00:14:16,020 --> 00:14:19,160
CALL HIS MOTHER RIGHT NOW
AND THEN EXPLAIN IT TO KENNY.
HE'LL UNDERSTAND.
320
00:14:19,160 --> 00:14:21,160
[stammering]
YEAH, YEAH, RIGHT.
321
00:14:21,660 --> 00:14:24,660
HONESTY IS THE WAY TO GO.
ALL RIGHT?
322
00:14:26,660 --> 00:14:28,230
YEAH.
323
00:14:28,730 --> 00:14:30,730
HERE, UH, TELL HER
YOU'RE FROM THE CENTER FOR
DISEASE CONTROL IN ATLANTA.
324
00:14:31,230 --> 00:14:33,700
ASK HER IF SHE'S HAD
ANY CONTACT AT ALL
WITH A BRIAN HACKETT.
325
00:14:33,700 --> 00:14:35,100
[phone ringing]
326
00:14:35,100 --> 00:14:36,040
BRIAN.
OK, OK, OK.
327
00:14:38,540 --> 00:14:40,540
HEY, MELINDA.
328
00:14:40,540 --> 00:14:43,050
HI, IT'S BRIAN--
IT'S-- YEAH--
IT'S--
329
00:14:45,050 --> 00:14:47,050
[Melinda chattering on phone]
330
00:14:47,050 --> 00:14:48,050
YEAH.
331
00:14:52,290 --> 00:14:53,760
[people chattering]
332
00:14:53,760 --> 00:14:55,590
[airplane engine whirring]
333
00:15:00,560 --> 00:15:01,560
AHA!
334
00:15:01,560 --> 00:15:02,930
AHA, HER DIARY.
335
00:15:03,270 --> 00:15:04,270
[chuckling]
336
00:15:05,770 --> 00:15:06,770
WHAT?
337
00:15:07,770 --> 00:15:08,770
OH, NO.
338
00:15:09,210 --> 00:15:10,710
OH, MY GOD!
339
00:15:10,710 --> 00:15:12,210
JOE, WHAT ARE YOU DOIN'?
340
00:15:12,210 --> 00:15:13,210
WHAT AM I DOING?
341
00:15:13,710 --> 00:15:15,710
WHAT ARE YOU DOING?
WHO THE HELL IS BOB
342
00:15:15,710 --> 00:15:18,050
AND WHY DID YOUR LOINS
BURN FOR HIM LAST NIGHT?
343
00:15:19,680 --> 00:15:21,050
WHAT? ARE YOU NUTS?
344
00:15:21,350 --> 00:15:23,350
EXCUSE ME.
I THINK I LEFT MY--
345
00:15:23,350 --> 00:15:24,850
HEY, THAT'S MY PURSE.
346
00:15:24,850 --> 00:15:25,860
[stuttering]
347
00:15:25,860 --> 00:15:27,860
IT'S NOT YOUR PURSE.
IT'S HER PURSE.
348
00:15:27,860 --> 00:15:28,860
IT IS NOT.
349
00:15:28,860 --> 00:15:31,360
SHE'S RIGHT.
THIS IS MINE.
350
00:15:32,330 --> 00:15:34,330
YOU'RE READING MY DIARY.
351
00:15:35,330 --> 00:15:36,830
NO. I'M NOT, I SWEAR.
352
00:15:36,830 --> 00:15:38,340
I DON'T KNOW ANYTHING
ABOUT YOUR LOINS.
353
00:15:42,710 --> 00:15:45,210
JOE HACKETT,
I'M SURPRISED AT YOU.
354
00:15:45,210 --> 00:15:47,740
I-- I'M SORRY,
I DON'T KNOW
WHAT HAS GOTTEN INTO ME.
355
00:15:47,740 --> 00:15:50,750
I AM JUST OBSESSED
WITH WHATEVER IT IS
YOU'RE HIDING IN THERE.
356
00:15:50,750 --> 00:15:53,750
JOE, I'M NOT HIDING
ANYTHING IN HERE.
I WAS JUST TEASING YOU.
357
00:15:55,250 --> 00:15:56,750
OBVIOUSLY, YOU'RE NOT
GONNA BELIEVE ME.
358
00:15:56,750 --> 00:15:59,260
OK, SO LET'S JUST
TAKE A LOOK, SHALL WE?
359
00:15:59,260 --> 00:16:01,760
THERE, JOE.
THERE IT ALL IS.
360
00:16:01,760 --> 00:16:04,260
SEE, THERE'S ALL
MY DEEP, DARK SECRETS.
361
00:16:04,260 --> 00:16:05,760
[gasping]
OH, WHAT'S THIS?
362
00:16:05,760 --> 00:16:07,200
LIPSTICK.
363
00:16:08,730 --> 00:16:11,270
I'M NEVER GONNA BE ABLE
TO LOOK IN YOUR FACE AGAIN.
364
00:16:12,440 --> 00:16:13,840
[screaming]
WHAT'S THIS?
365
00:16:13,840 --> 00:16:15,640
KEYS.
366
00:16:15,640 --> 00:16:17,410
(Helen)
OH, THE SHAME OF IT.
367
00:16:17,410 --> 00:16:18,740
ARE YOU THROUGH?
368
00:16:18,740 --> 00:16:20,140
I DON'T KNOW, JOE.
HAVE YOU SEEN ENOUGH?
369
00:16:20,480 --> 00:16:22,980
UH, OK, YOU WIN.
I DON'T WANNA
DO THIS ANYMORE.
370
00:16:22,980 --> 00:16:25,480
I'M EMBARRASSED ENOUGH
THAT IT BECAME
SO IMPORTANT TO ME.
371
00:16:25,980 --> 00:16:26,680
BUT NOW IT'S OVER.
372
00:16:26,680 --> 00:16:28,220
GOOD, JOE.
373
00:16:28,220 --> 00:16:29,720
HEY, HELEN,
WHAT'S THAT?
374
00:16:30,220 --> 00:16:32,720
OH, MY GOD. I FORGOT
THAT WAS STILL IN THERE.
375
00:16:32,720 --> 00:16:35,060
HEY, HEY, HELEN.
WHAT IS-- WHAT IS THAT?
NOTHING.
376
00:16:35,060 --> 00:16:35,990
HELEN?
NOTHING.
377
00:16:35,990 --> 00:16:37,330
HELEN.
378
00:16:38,830 --> 00:16:40,830
THEY ARE A FUN COUPLE,
AREN'T THEY?
379
00:16:41,800 --> 00:16:43,230
[phone ringing]
380
00:16:43,730 --> 00:16:46,040
OH, KENNY, KENNY, KENNY.
JUST THE MAN I'M LOOKING FOR.
381
00:16:46,540 --> 00:16:48,040
UH...
382
00:16:48,540 --> 00:16:50,040
THERE'S NO EASY WAY
OF SAYING THIS.
383
00:16:50,040 --> 00:16:52,210
SO, I GUESS, I'LL JUST
COME RIGHT OUT AND SAY IT.
384
00:16:52,210 --> 00:16:54,080
UH, JUST GOT OFF THE PHONE
WITH YOUR MOM.
385
00:16:54,510 --> 00:16:55,980
OH, YEAH?
YEAH.
386
00:16:55,980 --> 00:16:58,780
AND I'M NOT GONNA BE
SEEING HER ANYMORE.
387
00:16:58,780 --> 00:17:00,320
WHAT?
388
00:17:00,320 --> 00:17:03,220
YEAH, WE'VE DECIDED
THAT IT JUST WOULDN'T
WORK OUT.
389
00:17:03,590 --> 00:17:05,090
"WE DECIDED?"
390
00:17:05,090 --> 00:17:06,760
"WE DECIDED?"
391
00:17:06,760 --> 00:17:08,490
NO, NO, NO,
YOU MEAN YOU DECIDED.
I KNEW YOU'D DO THIS.
392
00:17:08,490 --> 00:17:09,990
OH, NO, KENNY,
YOU DON'T UNDERSTAND.
393
00:17:09,990 --> 00:17:12,430
NO, NO, NO, I UNDERSTAND.
WELL, I UNDERSTAND JUST FINE.
394
00:17:12,430 --> 00:17:13,930
YOU BROKE MY MOTHER'S HEART,
395
00:17:13,930 --> 00:17:15,430
AND I HOPE YOU DIE.
396
00:17:21,770 --> 00:17:23,270
WELL, I THINK
THAT WENT PRETTY WELL.
397
00:17:27,640 --> 00:17:29,150
THANK YOU, SIR.
398
00:17:31,650 --> 00:17:32,650
[bell ringing]
399
00:17:33,650 --> 00:17:35,650
AHOY, MATEY,
WELCOME TO AHAB'S.
400
00:17:35,650 --> 00:17:38,150
ARGH! MAY I TAKE
YOUR ORDER, PLEASE?
401
00:17:38,150 --> 00:17:39,660
(Brian)
HEY, KENNY.
IT'S ME, BRIAN.
402
00:17:39,660 --> 00:17:43,030
UH, I JUST
CAME TO TALK TO YOU
FOR--FOR A SECOND.
403
00:17:43,030 --> 00:17:43,830
[crickets chirping]
404
00:17:45,260 --> 00:17:46,760
MAY I TAKE YOUR ORDER?
405
00:17:46,760 --> 00:17:48,930
UH, KENNY,
I'M REALLY NOT HUNGRY.
406
00:17:48,930 --> 00:17:50,400
I JUST-- I JUST
NEED TO TALK TO YOU.
407
00:17:50,400 --> 00:17:52,330
IF YOU'RE NOT GONNA ORDER,
JUST DRIVE ON THROUGH.
408
00:17:52,340 --> 00:17:53,840
OH, KENNY, COME ON.
409
00:17:53,840 --> 00:17:54,840
I CAN'T HEAR YOU.
410
00:17:54,840 --> 00:17:56,340
SPEAK INTO THE WHALE'S
BLOWHOLE.
411
00:17:57,770 --> 00:17:59,280
I DON'T WANT TO.
412
00:17:59,280 --> 00:18:00,780
I DON'T KNOW
WHERE THIS WHALE'S BEEN.
413
00:18:03,150 --> 00:18:05,150
YEAH. UH, A-ALL RIGHT,
YEAH, I'LL ORDER.
414
00:18:05,650 --> 00:18:09,350
UH, LET ME HAVE THE,
UH, "THE FEEDING FRENZY."
415
00:18:09,350 --> 00:18:11,220
DO YOU WANT FRIES
WITH THAT, SIR?
416
00:18:11,520 --> 00:18:14,520
A DISH CALLED "FEEDING FRENZY"
DOESN'T COME WITH FRIES?
417
00:18:15,690 --> 00:18:17,630
NO. THAT'LL BE $4.75.
418
00:18:17,630 --> 00:18:20,130
DRIVE FORWARD
AND PICK UP YOUR ORDER.
419
00:18:20,130 --> 00:18:21,560
[yelling]
ONE FRENZY!
420
00:18:29,210 --> 00:18:32,210
[mimicking Popeye]
OH, MY GOSH.
421
00:18:33,780 --> 00:18:34,780
KENNY.
422
00:18:35,910 --> 00:18:36,910
KENNY, COME ON.
423
00:18:36,910 --> 00:18:39,420
[stammering]
WE GOTTA TALK
ABOUT THIS NOW.
424
00:18:42,550 --> 00:18:44,120
OK. NOW, LOOK,
425
00:18:44,120 --> 00:18:46,620
WHEN I GO OUT
WITH A WOMAN,
426
00:18:46,620 --> 00:18:48,620
I ALWAYS HOPE
IT'S GONNA WORK OUT.
427
00:18:48,620 --> 00:18:50,630
OH, THAT IS SUCH A LIE.
428
00:18:50,630 --> 00:18:53,100
ALL YOU CARE ABOUT,
ALL YOU WANT TO DO
IS TAKE THEM OUT,
429
00:18:53,100 --> 00:18:55,100
HAVE YOUR WAY WITH THEM,
THEN DUMP THEM.
430
00:18:55,100 --> 00:18:56,530
YOU DON'T CARE
ABOUT THEIR FEELINGS.
431
00:18:56,530 --> 00:18:58,430
YOU KNOW, ALL YOU CARE ABOUT
IS YOURSELF
432
00:18:58,430 --> 00:18:59,800
AND YOUR BASE ANIMAL NEEDS.
433
00:19:00,140 --> 00:19:01,140
[bell ringing]
434
00:19:01,140 --> 00:19:03,040
AHOY, MATEY,
WELCOME TO AHAB'S.
435
00:19:03,040 --> 00:19:05,540
ARGH!
MAY I TAKE YOUR ORDER?
436
00:19:05,540 --> 00:19:08,040
(man)
3 AHAB BURGERS
AND A LARGE MOBY SHAKE.
437
00:19:08,040 --> 00:19:09,550
YOU DISGUST ME.
438
00:19:09,550 --> 00:19:12,050
OK, MAKE THAT 2 BURGERS
AND A MEDIUM SHAKE.
439
00:19:14,050 --> 00:19:17,050
YOU KNOW, IF I WASN'T
WORKIN' RIGHT NOW,
440
00:19:17,050 --> 00:19:19,420
I'D TAKE YOU OUT BACK
AND BEAT THE SNOT
OUT OF YOU.
441
00:19:19,420 --> 00:19:21,760
OH, REALLY?
DO YOU WANNA HIT ME?
442
00:19:21,760 --> 00:19:22,760
WILL THAT MAKE YOU
FEEL BETTER?
443
00:19:23,260 --> 00:19:24,730
I-IF YOU WANNA HIT ME,
KID,
444
00:19:24,730 --> 00:19:26,160
GO, TAKE YOUR BEST SHOT.
OH.
445
00:19:26,160 --> 00:19:28,230
OK, I'LL EVEN MAKE IT
EASY FOR YOU, COME ON.
446
00:19:28,230 --> 00:19:29,730
[horn honking]
HEY, WOULD YOU
HOLD YOUR HORSES?
447
00:19:30,230 --> 00:19:31,230
I'M TALKING HERE, OK?
448
00:19:31,230 --> 00:19:34,040
COME ON, KID, COME ON,
COME ON, HIT ME. GO AHEAD.
449
00:19:34,040 --> 00:19:35,370
[grunting]
450
00:19:36,870 --> 00:19:38,370
SORRY TO KEEP YOU
WAITING, SIR.
451
00:19:38,370 --> 00:19:39,880
YOUR ORDER WILL BE READY
IN A MINUTE.
452
00:19:39,880 --> 00:19:41,880
HEY, NO PROBLEM.
TAKE YOUR TIME.
453
00:19:43,080 --> 00:19:44,380
OW!
454
00:19:47,150 --> 00:19:49,150
YOU DID IT.
YOU ACTUALLY DID IT.
455
00:19:49,150 --> 00:19:51,620
WELL, YOU SAID I COULD.
456
00:19:51,620 --> 00:19:54,620
YEAH, BUT W-WHEN PEOPLE SAY,
"GO AHEAD AND HIT ME,"
457
00:19:54,620 --> 00:19:57,130
THEY DON'T ACTUALLY EXPECT
THE OTHER PERSON TO DO IT.
458
00:19:58,130 --> 00:20:00,630
OH, MAN.
459
00:20:00,630 --> 00:20:03,500
YOU KNOW, FOR A LITTLE GUY,
YOU GOT A PRETTY GOOD RIGHT,
YOU KNOW.
460
00:20:04,500 --> 00:20:05,500
WELL,
461
00:20:05,500 --> 00:20:07,500
I HAD A ROLL OF QUARTERS
IN MY HAND.
462
00:20:12,940 --> 00:20:16,450
WHICH REMINDS ME,
YOU--YOU STILL OWE ME $4.75.
463
00:20:18,110 --> 00:20:20,120
YEP. YEP.
464
00:20:22,150 --> 00:20:24,650
I DON'T KNOW.
I'VE DONE MY BEST.
465
00:20:24,650 --> 00:20:26,660
I DON'T KNOW WHAT ELSE
I CAN DO.
466
00:20:31,630 --> 00:20:33,000
THANK YOU.
467
00:20:35,530 --> 00:20:38,030
[exhales]
MAN.
468
00:20:38,030 --> 00:20:41,040
I JUST-- I JUST WANT HER
TO FIND SOMEONE AND BE HAPPY.
469
00:20:41,040 --> 00:20:42,540
WELL, THAT WILL HAPPEN.
470
00:20:42,540 --> 00:20:45,040
YEAH. YEAH, SURE.
471
00:20:45,040 --> 00:20:47,040
SHE KEEPS GOIN' OUT
WITH LOTS OF GUYS
472
00:20:47,040 --> 00:20:49,050
BUT NONE OF THEM
EVER SEEM TO COME BACK.
473
00:20:49,050 --> 00:20:51,920
I MEAN, WHAT--WHAT IS
WRONG WITH HER?
ISN'T SHE ANY FUN?
474
00:20:52,720 --> 00:20:55,950
WELL, NO, KENNY,
IT'S NOT THAT.
475
00:20:55,950 --> 00:20:57,820
ISN'T SHE PRETTY ENOUGH?
OH, YEAH, SHE'S PRETTY.
476
00:20:57,820 --> 00:21:00,090
I MEAN, IT'S NOT THAT
EITHER--
WELL, THEN WHAT IS IT?
477
00:21:00,090 --> 00:21:02,090
I MEAN,
IS IT-- IS IT 'CAUSE
SHE'S NOT SMART ENOUGH?
478
00:21:02,090 --> 00:21:04,090
I MEAN,
NO--NO SENSE OF HUMOR?
479
00:21:04,090 --> 00:21:06,100
BAD CLOTHES,
BAD--BAD MANNERS,
BAD POSTURE?
480
00:21:06,600 --> 00:21:08,400
WHAT IS IT?
IT'S GOTTA BE SOMETHING.
481
00:21:08,400 --> 00:21:09,900
NO, NO, KENNY.
IT'S NONE OF THOSE THINGS.
482
00:21:09,900 --> 00:21:11,630
WELL, JUST COME ON,
TELL ME. I CAN TAKE IT.
483
00:21:11,630 --> 00:21:13,570
I MEAN, JUST WHAT IS IT?
TELL ME!
ALL RIGHT, JUST--
484
00:21:13,570 --> 00:21:14,470
YEAH, I'LL TELL YOU
WHAT IT IS.
485
00:21:14,470 --> 00:21:15,670
YOU WANNA KNOW
WHAT IT IS?
YES!
486
00:21:15,670 --> 00:21:16,510
IT IS...
487
00:21:20,780 --> 00:21:22,280
IT'S ME.
488
00:21:23,280 --> 00:21:25,780
IT IS. IT IS ME.
489
00:21:25,780 --> 00:21:28,780
IT'S ALL ME. I--I--I CAN'T
COMMIT TO ANYTHING.
490
00:21:30,290 --> 00:21:32,290
WHENEVER I MEET
A GREAT WOMAN,
491
00:21:33,290 --> 00:21:35,290
LIKE YOUR MOTHER,
492
00:21:35,290 --> 00:21:36,730
I JUST RUN THE OTHER WAY.
493
00:21:38,130 --> 00:21:39,130
AND UNFORTUNATELY,
WHEN I'M RUNNING,
494
00:21:39,630 --> 00:21:40,630
I...
495
00:21:41,130 --> 00:21:42,630
I TRAMPLE
ON PEOPLE'S FEELINGS.
496
00:21:46,140 --> 00:21:47,640
I'M SORRY.
497
00:21:50,970 --> 00:21:52,980
LET ME GIVE YOU
A LITTLE ADVICE, BRIAN.
498
00:21:53,980 --> 00:21:55,340
GROW UP.
499
00:21:56,680 --> 00:21:58,180
I'M TRYING.
500
00:21:59,180 --> 00:22:02,690
AND WHO KNOWS?
MAYBE SOMEDAY,
WITH A LITTLE LUCK,
501
00:22:02,690 --> 00:22:05,020
I'LL BE AS SENSIBLE
AND MATURE AS YOU.
502
00:22:06,920 --> 00:22:08,890
OH, WAIT A SECOND, BRIAN.
503
00:22:08,890 --> 00:22:11,390
HERE'S ANOTHER MILK SHAKE.
OH, NO, YOU DON'T
HAVE TO DO THAT.
504
00:22:11,390 --> 00:22:12,390
YES, I DO.
COME ON.
505
00:22:12,390 --> 00:22:13,760
I SPIT IN THE OTHER ONE.
506
00:22:17,600 --> 00:22:18,600
[sighing]
507
00:22:18,600 --> 00:22:20,100
APPRECIATE THAT.
34822
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