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1
00:00:01,520 --> 00:00:03,520
[seagulls cawing]
2
00:01:07,480 --> 00:01:08,990
FAY, I HAVE TO ADMIT,
3
00:01:08,990 --> 00:01:11,290
I'M A LITTLE NERVOUS ABOUT
HAVING MY FORTUNE READ.
4
00:01:11,550 --> 00:01:14,060
OH, LOWELL, RELAX.
IT'S JUST GOOD-NATURED FUN.
5
00:01:14,060 --> 00:01:16,560
THERE'S NOTHING
TO WORRY ABOUT.
6
00:01:16,560 --> 00:01:20,560
OH, TORTURED SOULS
OF ETERNAL DARKNESS,
7
00:01:20,560 --> 00:01:23,070
OPEN MY EYES
THAT I MIGHT SEE.
8
00:01:23,070 --> 00:01:24,570
[plane engine roaring]
9
00:01:24,570 --> 00:01:26,200
[exclaiming]
WHAT?
10
00:01:26,700 --> 00:01:28,410
IT'S THE CARD
OF GOOD FORTUNE.
11
00:01:28,400 --> 00:01:29,910
OH, GOD, I KNEW IT.
12
00:01:31,910 --> 00:01:33,340
WHAT DOES IT MEAN?
13
00:01:33,340 --> 00:01:37,950
IT MEANS THAT A STRANGER
IS GOING TO BRING YOU
UNEXPECTED GOOD FORTUNE.
14
00:01:38,210 --> 00:01:40,180
WHAT IS THIS,
A MEETING OF THE MINDLESS?
15
00:01:40,680 --> 00:01:41,850
WHAT'S GOIN' ON HERE?
16
00:01:41,850 --> 00:01:44,350
I'M REHEARSING
FOR THE V.F.W. CARNIVAL.
17
00:01:44,350 --> 00:01:48,230
I, MADAME ZORCO, AM WORKING
THE FORTUNETELLING BOOTH.
18
00:01:48,220 --> 00:01:49,730
I HOLD THE KEY
TO THE FUTURE.
19
00:01:49,730 --> 00:01:52,730
WHAT QUESTION DO YOU
SEEK THE ANSWER TO?
20
00:01:52,730 --> 00:01:54,730
DO I LOOK
LIKE AN IDIOT?
21
00:01:55,200 --> 00:01:57,630
WELL, MADAME ZORCO,
SHALL WE SEE?
22
00:01:59,140 --> 00:02:01,140
[plane engine roaring]
23
00:02:01,140 --> 00:02:02,140
[gasping]
24
00:02:02,140 --> 00:02:03,610
OH, MY GOD!
25
00:02:03,610 --> 00:02:05,040
I DON'T BELIEVE IT.
WHAT? WHAT?
26
00:02:05,540 --> 00:02:06,540
LOOK, THAT MAN
OVER THERE.
27
00:02:06,540 --> 00:02:07,540
THAT'S
EDWARD TINSDALE.
28
00:02:08,040 --> 00:02:10,050
HE'S THE CONDUCTOR
OF THE MINNEAPOLIS
PHILHARMONIC.
29
00:02:10,050 --> 00:02:11,050
HE IS A GENIUS.
30
00:02:11,050 --> 00:02:13,020
I CAN'T LET HIM
SEE ME LIKE THIS.
31
00:02:13,020 --> 00:02:15,220
I LOOK LIKE
A WAITRESS.
32
00:02:15,220 --> 00:02:16,220
(Helen)
HERE HE COMES.
33
00:02:19,860 --> 00:02:21,930
NICELY DONE.
34
00:02:21,920 --> 00:02:24,930
HEY, GUYS,
GUESS WHO WAS
ON MY FLIGHT.
35
00:02:24,930 --> 00:02:26,930
YEAH, YEAH, YEAH,
WE KNOW.
EDWARD TINSDALE,
36
00:02:26,930 --> 00:02:28,800
THE CONDUCTOR
OF THE MINNEAPOLIS
PHILHARMONIC.
37
00:02:28,800 --> 00:02:30,800
NO, POPPO, THE CLOWN.
38
00:02:31,270 --> 00:02:32,270
POPPO!
39
00:02:32,270 --> 00:02:33,770
BIG SHOW ON CHANNEL 8.
REMEMBER, BRIAN?
40
00:02:33,770 --> 00:02:35,340
WE USED TO WATCH IT
ALL THE TIME.
41
00:02:35,340 --> 00:02:37,340
WHERE IS HE?
ARE HIS PANTS LIT UP?
42
00:02:38,340 --> 00:02:39,340
GOD, WHAT I WOULDN'T DO
43
00:02:39,840 --> 00:02:41,340
TO PLAY IN
AN ORCHESTRA LIKE HIS.
44
00:02:41,340 --> 00:02:43,750
POPPO'S RAGTIME BAND?
45
00:02:43,750 --> 00:02:45,750
NO, THE MINNEAPOLIS
PHILHARMONIC.
46
00:02:45,750 --> 00:02:47,920
WELL, MAYBE HE NEEDS
A CELLIST.
47
00:02:47,920 --> 00:02:51,420
NO, HE MOSTLY USES
COWBELLS AND KAZOOS.
48
00:02:51,420 --> 00:02:53,620
WELL, WHY DON'T YOU GO
AND INTRODUCE YOURSELF
TO THE GUY?
49
00:02:53,620 --> 00:02:56,330
NO, I CAN'T
MEET HIM LIKE THIS.
I SMELL LIKE EGG SALAD.
50
00:02:56,330 --> 00:02:58,430
THIS IS YOUR CHANCE.
SEIZE THE MOMENT.
51
00:02:58,430 --> 00:03:00,260
HUH! HOW DO I TALK
TO A LEGEND?
52
00:03:00,260 --> 00:03:01,770
I MEAN, WHAT DO I SAY?
53
00:03:01,760 --> 00:03:03,870
WELL, I DON'T KNOW.
HOW ABOUT, UH, WHO'S YOUR
FAVORITE COMPOSER?
54
00:03:03,870 --> 00:03:05,230
OH, RIGHT, JOE.
55
00:03:05,670 --> 00:03:08,740
UH, EXCUSE ME, MR. EINSTEIN,
WHAT'S YOUR FAVORITE NUMBER?
56
00:03:08,740 --> 00:03:11,870
I CAN'T ASK HIM
SOMETHING THAT SIMPLISTIC.
57
00:03:11,870 --> 00:03:15,380
I KNOW, I'LL ASK HIM
IF HE THINKS SCHOENBERG'S
DODECAPHONIC SCALE
58
00:03:15,880 --> 00:03:17,380
IS THE MUSICAL FRAUD
OF THE 20TH CENTURY
59
00:03:17,880 --> 00:03:20,880
OR JUST A VIABLE EXPRESSION
OF NON-CADENTIAL POLYTONALITY.
60
00:03:21,320 --> 00:03:24,320
THAT SHOULDN'T BE TOO HARD TO
WORK INTO THE CONVERSATION.
61
00:03:25,420 --> 00:03:26,420
WISH ME LUCK.
62
00:03:26,420 --> 00:03:27,420
GOOD LUCK.
GO GET HIM.
63
00:03:27,920 --> 00:03:29,860
[people chattering]
64
00:03:29,860 --> 00:03:32,360
EXCUSE ME, UH,
MR. TINSDALE?
65
00:03:33,360 --> 00:03:34,260
YES?
66
00:03:35,600 --> 00:03:37,100
WHO'S YOUR
FAVORITE COMPOSER?
67
00:03:39,040 --> 00:03:40,540
[laughing]
I AM.
68
00:03:41,640 --> 00:03:43,440
THAT'S--THAT'S
A GOOD ONE.
69
00:03:43,440 --> 00:03:46,210
I WASN'T JOKING.
NO, YOU...
OF COURSE YOU WEREN'T.
70
00:03:47,740 --> 00:03:49,610
WHY DON'T I JUST
GO AWAY NOW?
71
00:03:50,410 --> 00:03:51,980
FINE.
72
00:03:51,980 --> 00:03:54,980
I BLEW IT, I BLEW IT,
I BLEW IT. THANKS, JOE.
73
00:03:54,980 --> 00:03:56,990
POOR HELEN.
WHO KNOWS WHEN SHE'LL GET
74
00:03:56,990 --> 00:03:58,350
ANOTHER OPPORTUNITY
LIKE THAT.
75
00:03:58,350 --> 00:04:00,960
HEY, HEY, HEY, HEY.
IT MIGHT BE SOONER
THAN YOU THINK.
76
00:04:05,800 --> 00:04:06,800
(Brian)
AH!
77
00:04:07,800 --> 00:04:09,830
LOWELL,
78
00:04:09,830 --> 00:04:11,270
I WANT YOU TO
LOSE THIS.
79
00:04:11,270 --> 00:04:13,140
WHAT?
W-WHAT, BRIAN,
WHAT ARE YOU DOING?
80
00:04:13,570 --> 00:04:15,540
THIS IS TINSDALE'S BAG.
I WANT LOWELL TO LOSE IT.
81
00:04:15,970 --> 00:04:17,840
DID I MISS
SOME KIND OF POLICY MEMO?
82
00:04:17,840 --> 00:04:19,680
SHH, JOE.
JOE, JOE.
83
00:04:19,680 --> 00:04:21,680
WE'RE NOT ACTUALLY
GONNA LOSE THE BAG.
84
00:04:21,680 --> 00:04:22,710
IN AN HOUR,
85
00:04:22,710 --> 00:04:24,110
HELEN WILL BRING
TINSDALE HIS BAG,
86
00:04:24,110 --> 00:04:25,620
HE'LL BE SO OVERJOYED
TO GET IT,
87
00:04:25,620 --> 00:04:27,680
HE'LL HAVE TO
GIVE HER AN AUDITION.
88
00:04:27,680 --> 00:04:29,690
JOE, YOU'RE THE BOSS.
WHAT DO YOU SAY?
89
00:04:31,190 --> 00:04:32,420
LOSE IT.
90
00:04:32,420 --> 00:04:33,920
ALL RIGHT,
I'LL LOSE IT.
91
00:04:33,920 --> 00:04:36,430
BUT IT GOES AGAINST
EVERY FIBER OF MY BEING.
92
00:04:37,860 --> 00:04:38,860
I JUST MIGHT
HAVE TO HUG YOU.
DON'T.
93
00:04:39,360 --> 00:04:40,360
I JUST MIGHT HAVE
TO HUG YOU.
NO, NO, BRIAN,
94
00:04:40,360 --> 00:04:41,660
I MEAN IT.
SHH, HERE HE COMES.
95
00:04:41,660 --> 00:04:43,170
UH, EXCUSE ME,
ONE OF YOU.
96
00:04:43,170 --> 00:04:46,900
I HAVE, UH, 2 BAGS.
THERE'S ONE HERE,
ONE'S MISSING.
97
00:04:46,900 --> 00:04:48,370
IS THERE
MORE LUGGAGE OUTSIDE?
98
00:04:48,810 --> 00:04:50,310
NO.
99
00:04:50,310 --> 00:04:52,310
I'M AFRAID
YOUR BAG IS LOST.
100
00:04:56,850 --> 00:04:57,850
THE STRING PARTS
WITH ALL THE BOWINGS
101
00:04:58,350 --> 00:05:00,220
FOR NEXT WEEK'S CONCERT
ARE IN THAT BAG.
102
00:05:00,220 --> 00:05:01,720
I CAN'T POSSIBLY
DUPLICATE THEM.
103
00:05:01,720 --> 00:05:03,050
E-EXCUSE ME,
MR. TINSDALE.
104
00:05:03,050 --> 00:05:05,350
MY NAME IS JOE HACKETT.
I RUN SANDPIPER AIR.
105
00:05:05,350 --> 00:05:07,720
I JUST GOT OFF
THE PHONE WITH LOGAN.
THEY FOUND YOUR BAG.
106
00:05:07,720 --> 00:05:10,930
IT'LL BE HERE IN AN HOUR.
I'LL HAVE IT DELIVERED TO YOU
AS SOON AS IT ARRIVES.
107
00:05:10,930 --> 00:05:12,430
YOU HAVE NO IDEA
HOW IMPORTANT--
108
00:05:12,430 --> 00:05:14,430
RELAX, EDWARD,
IT'S OUR HONEYMOON.
109
00:05:14,430 --> 00:05:16,930
I'M SURE WE CAN FIND
SOMETHING TO DO
TO PASS THE TIME.
110
00:05:17,430 --> 00:05:19,440
YES, I--I SUPPOSE
YOU'RE RIGHT.
111
00:05:23,440 --> 00:05:25,780
AN HOUR?
YOU HAVE MY WORD.
112
00:05:25,780 --> 00:05:27,780
WE'RE STAYING
AT 480 MADAKET ROAD.
113
00:05:27,780 --> 00:05:29,510
(Joe)
IT'LL BE THERE.
DON'T HURRY.
114
00:05:33,520 --> 00:05:35,020
(Helen)
WHAT WAS THAT
ALL ABOUT?
115
00:05:35,020 --> 00:05:37,020
YOU, YOU. YOU'RE GONNA
BRING TINSDALE HIS BAG,
116
00:05:37,020 --> 00:05:38,520
AND WHEN YOU ASK
FOR AN AUDITION,
117
00:05:38,520 --> 00:05:39,660
DON'T TAKE NO
FOR AN ANSWER.
118
00:05:39,660 --> 00:05:41,660
NO, BRIAN,
I CAN'T DO THAT.
HELEN, HELEN,
119
00:05:41,660 --> 00:05:42,990
DO YOU KNOW WHAT THEY SAY
ABOUT THE SQUEAKY WHEEL?
120
00:05:42,990 --> 00:05:46,000
IF YOU DON'T WATCH YOURSELF,
THIS EGG SALAD IS
GONNA BE YOUR FUTURE.
121
00:05:47,000 --> 00:05:48,500
HAS THIS BEEN
SITTING OUT?
122
00:05:50,230 --> 00:05:51,740
ALL RIGHT, I'LL DO IT.
123
00:05:51,730 --> 00:05:53,240
IF FOR NOTHING ELSE,
TO APOLOGIZE,
124
00:05:53,740 --> 00:05:55,610
AND TO SHOW HIM
THAT THE PEOPLE
ON THIS ISLAND
125
00:05:55,610 --> 00:05:58,110
AREN'T JUST A BUNCH
OF UNSOPHISTICATED,
SIMPLE-MINDED BOOBS.
126
00:05:58,110 --> 00:06:02,140
HEY, SOME GUY'S
IN THE PARKING LOT
JUGGLING CLAM SHELLS.
127
00:06:02,140 --> 00:06:04,150
WERE HIS PANTS LIT UP?
YEAH, I THINK THEY WERE.
128
00:06:04,150 --> 00:06:05,450
(all)
POPPO!
129
00:06:11,250 --> 00:06:14,660
EXCUSE ME, SIR.
YOU DROPPED THIS WALLET
OUT ON THE TARMAC.
130
00:06:14,660 --> 00:06:18,460
OH. OH, THANK YOU.
OH, UH, JUST A MOMENT.
131
00:06:20,200 --> 00:06:21,660
HERE YOU GO.
132
00:06:21,660 --> 00:06:23,670
WOW, $20. THANKS.
133
00:06:25,670 --> 00:06:27,840
HEY, FAY,
DID YOU SEE THAT?
134
00:06:27,840 --> 00:06:29,340
YOUR PREDICTION
CAME TRUE.
135
00:06:29,340 --> 00:06:33,240
YOU SAID A STRANGER
WAS GONNA BRING LOWELL
GOOD FORTUNE.
136
00:06:33,240 --> 00:06:34,240
I DID?
YEAH.
137
00:06:34,240 --> 00:06:35,750
HEY, I AM GOOD.
138
00:06:35,750 --> 00:06:37,250
[laughing]
139
00:06:37,250 --> 00:06:40,250
HEY, UH, FAY.
140
00:06:40,250 --> 00:06:42,320
HOW'D YOU LIKE TO
TRY READING MY FORTUNE?
141
00:06:42,320 --> 00:06:43,820
IF YOU'D LIKE.
142
00:06:44,820 --> 00:06:46,790
OH, TORTURED SOULS--
143
00:06:47,220 --> 00:06:49,690
JUST CUT TO THE CHASE,
MADAM WACKO.
144
00:06:53,600 --> 00:06:54,930
[exclaiming]
WHAT? WHAT?
145
00:06:54,930 --> 00:06:56,200
OH, NO, NO.
W-WHAT WAS THAT?
WHAT WAS THAT?
146
00:06:56,200 --> 00:06:58,200
NOTHING. A MISTAKE.
I FORGOT TO SHUFFLE.
HMM.
147
00:07:03,110 --> 00:07:04,570
[exclaiming]
WHAT? WHAT?
WHAT? WHAT?
148
00:07:04,570 --> 00:07:06,080
ROY, I'M NOT
FEELING VERY WELL.
149
00:07:06,080 --> 00:07:07,410
WHY DON'T WE
DO THIS TOMORROW?
150
00:07:07,410 --> 00:07:09,110
YOU SAW SOMETHING, FAY.
NOW, WHAT WAS IT?
NO.
151
00:07:09,110 --> 00:07:12,480
NO, NO, NO, NOTHING.
ABSOLUTELY NOTHING.
IT WASN'T THE DEATH CARD...
152
00:07:12,480 --> 00:07:13,980
[gasping]
IT WAS, TOO.
NO.
153
00:07:13,980 --> 00:07:15,490
IT WAS THE DEATH CARD.
NO, NO.
154
00:07:15,890 --> 00:07:18,220
NO, IT WAS THE,
UM, UH, CHEESE CARD.
155
00:07:20,720 --> 00:07:22,590
THE CHEESE CARD?
156
00:07:22,590 --> 00:07:25,090
THE CHEESE CARD.
IT MEANS, UM,
157
00:07:25,090 --> 00:07:28,100
IT MEANS YOU'RE GOING TO BUY
MORE AIRPLANES AND BECOME
158
00:07:28,100 --> 00:07:29,930
AN EVEN BIGGER CHEESE
AROUND HERE.
159
00:07:31,730 --> 00:07:33,740
FAY, I--I DON'T LIKE
THIS SUPERNATURAL STUFF.
160
00:07:34,240 --> 00:07:35,970
ARE YOU, UH,
YOU TELLING ME THE TRUTH?
161
00:07:35,970 --> 00:07:39,310
OF COURSE, I AM.
YOU HAVE NOTHING
TO WORRY ABOUT.
162
00:07:39,310 --> 00:07:40,680
[slaps counter]
GOOD. GOOD.
163
00:07:40,980 --> 00:07:43,480
OH, FAY, YOU STILL NEED
A RIDE HOME FROM WORK?
164
00:07:43,480 --> 00:07:44,480
NO. UH...
165
00:07:44,480 --> 00:07:45,480
[laughing]
166
00:07:45,980 --> 00:07:47,980
[stammering]
I FEEL LIKE WALKING.
167
00:07:47,980 --> 00:07:50,990
YOU'RE GONNA WALK
6 MILES IN HEELS?
168
00:07:50,990 --> 00:07:53,820
YOU KNOW WHAT THEY SAY,
"NO PAIN, NO GAIN."
169
00:07:56,330 --> 00:07:58,830
SO, HELEN, ABOUT READY
FOR YOUR ADVENTURE?
170
00:07:58,830 --> 00:08:00,430
AS READY
AS I'LL EVER BE.
171
00:08:00,430 --> 00:08:02,430
UH, HEY, LOWELL,
WHERE'S TINSDALE'S BAG?
172
00:08:02,430 --> 00:08:05,940
I DON'T KNOW
HOW TO TELL YOU GUYS THIS,
BUT THE BAG'S GONE.
173
00:08:05,940 --> 00:08:07,940
IT'S REALLY LOST.
174
00:08:07,940 --> 00:08:09,410
WHAT?
ARE YOU KIDDING?
175
00:08:10,410 --> 00:08:11,910
YES, I AM!
176
00:08:12,910 --> 00:08:15,910
UH, LUGGAGE HUMOR.
YOU GOTTA LOVE IT.
177
00:08:17,550 --> 00:08:19,550
LOWELL, THIS ISN'T
THE RIGHT BAG.
178
00:08:19,550 --> 00:08:21,720
IT ISN'T? UH-OH.
179
00:08:22,720 --> 00:08:24,220
GOT YOU AGAIN!
180
00:08:24,220 --> 00:08:26,120
OH, I'M 2 FOR 2.
181
00:08:27,120 --> 00:08:28,290
GOSH.
182
00:08:29,790 --> 00:08:31,760
HERE GOES NOTHIN'.
GOOD LUCK.
183
00:08:31,760 --> 00:08:32,760
BYE, HELEN.
184
00:08:33,760 --> 00:08:35,270
WAIT A MINUTE.
185
00:08:35,770 --> 00:08:38,470
WHERE'S MY CELLO?
IT WAS SITTING HERE
JUST A SECOND AGO.
186
00:08:38,970 --> 00:08:41,200
TA-DA!
187
00:08:41,200 --> 00:08:44,240
OH, SOMEBODY STOP ME.
I'M A PISTOL TODAY.
188
00:08:47,840 --> 00:08:49,550
[knocking on door]
189
00:08:53,680 --> 00:08:55,180
(Mrs. Tinsdale)
HURRY BACK, HONEY.
190
00:08:55,180 --> 00:08:57,190
OH, I WILL, SWEETHEART.
191
00:08:57,690 --> 00:08:59,190
YES?
192
00:08:59,690 --> 00:09:01,660
IT'S HELEN CHAPEL
FROM THE AIRPORT.
I HAVE YOUR SUITCASE.
193
00:09:01,660 --> 00:09:04,560
AH, THANK YOU.
194
00:09:04,560 --> 00:09:07,260
YOU PROBABLY NOTICED
THAT I HAVE A CELLO WITH ME.
195
00:09:09,170 --> 00:09:10,600
IS THAT WHAT THAT IS?
196
00:09:10,600 --> 00:09:12,940
YOUNG LADY,
I'M ON MY HONEYMOON.
197
00:09:12,940 --> 00:09:14,740
DON'T TELL ME YOU'RE HERE
TO AUDITION FOR ME.
198
00:09:15,240 --> 00:09:17,240
OH, PLEASE, MR. TINSDALE,
I'VE STUDIED THIS INSTRUMENT
199
00:09:17,240 --> 00:09:18,740
SINCE IT WAS
TALLER THAN I WAS.
200
00:09:18,740 --> 00:09:20,740
IT IS MY DREAM TO PLAY
IN AN ORCHESTRA LIKE YOURS.
201
00:09:20,740 --> 00:09:21,740
IT'S ALL
I'VE EVER CARED ABOUT.
202
00:09:21,740 --> 00:09:23,750
I KNOW THIS IS
AN INCREDIBLE IMPOSITION,
203
00:09:23,750 --> 00:09:25,980
BUT IF YOU DON'T MIND,
I--I HAVE TO FIND OUT
IF I'M GOOD ENOUGH.
204
00:09:25,980 --> 00:09:27,650
LET'S JUST ASSUME
THAT YOU ARE.
205
00:09:27,650 --> 00:09:30,350
OH, NO, PLEASE, PLEASE.
I HAVE TO PLAY FOR YOU.
206
00:09:30,350 --> 00:09:33,260
YOU'RE NOT GOING TO LEAVE
UNTIL I LISTEN TO YOU,
ARE YOU?
207
00:09:33,260 --> 00:09:35,260
I CAN LIVE 8 DAYS
WITHOUT WATER.
208
00:09:37,190 --> 00:09:38,630
COME IN. PLAY.
209
00:09:38,630 --> 00:09:40,130
THANK YOU.
210
00:09:41,130 --> 00:09:43,000
THANK YOU VERY MUCH.
HMM.
211
00:09:46,000 --> 00:09:47,000
DON'T...
212
00:09:50,770 --> 00:09:52,580
OH, SORRY.
213
00:09:52,580 --> 00:09:53,580
NO PROBLEM.
214
00:10:14,060 --> 00:10:15,570
WHENEVER YOU'RE READY.
215
00:10:17,670 --> 00:10:18,530
THAT WAS IT.
216
00:10:18,530 --> 00:10:20,040
AH, AH, AH.
217
00:10:20,540 --> 00:10:21,540
[clears throat]
218
00:10:21,540 --> 00:10:24,040
FRANKLY,
MISS, UH, CHAPEL?
219
00:10:24,040 --> 00:10:25,310
MMM-HMM.
220
00:10:25,310 --> 00:10:26,810
YOUR TECHNIQUE IS POOR.
221
00:10:27,310 --> 00:10:29,710
YOUR PLAYING LACKS PASSION.
222
00:10:29,710 --> 00:10:33,780
BUT YOUR UNDERSTANDING
OF THE MUSIC
IS UTTERLY SUPERFICIAL.
223
00:10:33,780 --> 00:10:36,890
I DON'T THINK YOU'RE EVER
GONNA PLAY IN AN ORCHESTRA
OF ANY CONSEQUENCE.
224
00:10:36,890 --> 00:10:39,890
MY ADVICE TO YOU
WOULD BE TO
ABANDON THE CELLO.
225
00:10:39,890 --> 00:10:40,890
GET ON WITH YOUR LIFE.
226
00:10:40,890 --> 00:10:42,390
(Mrs. Tinsdale)
HONEY, I'M WAITING.
227
00:10:42,890 --> 00:10:44,430
AND I WILL
GET ON WITH MINE.
228
00:10:44,430 --> 00:10:47,930
BUT I'VE PRACTICED
FOR OVER 20 YEARS.
I MEAN, THIS IS MY DREAM.
229
00:10:47,930 --> 00:10:49,430
IF I'M NOT A CELLIST, I'M...
230
00:10:50,430 --> 00:10:52,100
I'M A WAITRESS.
231
00:10:52,100 --> 00:10:55,100
THEN BE THE BEST DARN
WAITRESS YOU CAN BE.
232
00:11:06,020 --> 00:11:07,920
MAYBE YOU JUST
CAUGHT HIM AT A BAD TIME.
233
00:11:07,920 --> 00:11:09,420
I'LL SAY.
234
00:11:09,420 --> 00:11:13,060
THE MAN WAS
ON HIS HONEYMOON.
WHAT WAS I THINKING?
235
00:11:13,060 --> 00:11:15,820
THERE'S REALLY NOTHING
I COULD HAVE DONE
TO HAVE PLEASED HIM.
236
00:11:15,820 --> 00:11:17,190
YOU COULD HAVE
JOINED THEM.
237
00:11:20,460 --> 00:11:23,470
IT WAS THE MOST HUMILIATING
EXPERIENCE OF MY LIFE.
238
00:11:23,470 --> 00:11:25,470
I'LL NEVER FORGET
THE LOOK ON HIS FACE.
239
00:11:25,470 --> 00:11:28,040
IT WAS A COMBINATION
OF PITY AND LOATHING.
240
00:11:28,040 --> 00:11:29,540
POATHING.
241
00:11:29,540 --> 00:11:31,670
I'VE SEEN
THAT LOOK BEFORE.
242
00:11:31,670 --> 00:11:32,680
THERE IT IS.
243
00:11:35,410 --> 00:11:36,910
H-HELEN.
244
00:11:36,910 --> 00:11:39,420
LEAVE ME ALONE, JOE.
I'M GONNA GO EAT
SOME COOKIE DOUGH.
245
00:11:41,280 --> 00:11:42,280
BURNS ME UP.
246
00:11:42,280 --> 00:11:43,790
WHERE DOES THAT JERK
CONDUCTOR GET OFF
247
00:11:43,790 --> 00:11:45,290
SMASHING SOMEONE'S HOPES?
248
00:11:45,290 --> 00:11:46,790
UH, WELL,
I DON'T KNOW, JOEY.
249
00:11:46,790 --> 00:11:48,320
I MEAN, HAVEN'T YOU EVER
WONDERED ABOUT HELEN?
250
00:11:48,320 --> 00:11:49,330
IF SHE'S REALLY THAT GOOD,
251
00:11:49,830 --> 00:11:51,490
WHAT IS SHE STILL
DOIN' HERE, HUH?
252
00:11:51,490 --> 00:11:52,730
HOW CAN YOU SAY THAT?
253
00:11:52,730 --> 00:11:54,600
WELL, I'M JUST TRYING
TO BE REALISTIC IS ALL.
254
00:11:54,600 --> 00:11:57,300
Y-YOU'RE THE ONE WHO WAS
TALKIN' ABOUT THE SQUEAKY
WHEEL GETTIN' THE GREASE.
255
00:11:57,300 --> 00:11:58,800
AND APPARENTLY
A SQUEAKY WHEEL IS
256
00:11:58,800 --> 00:12:00,140
EXACTLY WHAT
SHE SOUNDS LIKE.
257
00:12:00,640 --> 00:12:01,640
YOU'RE AS BAD
AS TINSDALE.
258
00:12:01,640 --> 00:12:03,110
OH, HEY, HEY,
HEY, HEY, HEY!
259
00:12:04,040 --> 00:12:06,040
NOW, I LIKE HELEN
AS MUCH AS YOU DO,
260
00:12:06,040 --> 00:12:08,580
BUT SOMETIMES IN LIFE
YOU GOTTA KNOW
WHEN TO CUT YOUR LOSSES.
261
00:12:08,580 --> 00:12:10,350
OH, AND YOU KNOW WHEN?
262
00:12:10,350 --> 00:12:11,750
I'M HERE, AREN'T I?
263
00:12:14,950 --> 00:12:16,450
I FEEL SO BAD
FOR HELEN.
264
00:12:16,450 --> 00:12:18,450
IT'S A SAD THING
WHEN A DREAM DIES.
265
00:12:18,950 --> 00:12:21,960
WITHOUT A DREAM,
LIFE IS AN EMPTY,
ENDLESS SLOG
266
00:12:21,960 --> 00:12:25,960
THROUGH A WASTELAND
OF PAIN AND DESPAIR.
267
00:12:25,960 --> 00:12:27,960
AND THEN YOU FIND OUT
POPPO DOESN'T REALLY MAKE
268
00:12:27,960 --> 00:12:30,470
THAT FUNNY NOISE
WHEN YOU SOCK HIM
IN THE STOMACH.
269
00:12:32,430 --> 00:12:35,100
AH, HAVE YOU EVER
HAD A DREAM, LOWELL?
270
00:12:35,100 --> 00:12:37,140
YES.
WHAT WAS IT?
271
00:12:38,640 --> 00:12:39,640
THIS IS IT.
272
00:12:41,840 --> 00:12:43,280
NO, I MEANT...
273
00:12:43,280 --> 00:12:44,180
[sighs]
274
00:12:44,680 --> 00:12:47,220
AND A WONDERFUL DREAM IT IS.
275
00:12:49,220 --> 00:12:52,220
OH, ROY, THANK GOD
YOU'RE HERE.
I'M SO HAPPY TO SEE YOU.
276
00:12:52,220 --> 00:12:53,790
WHY?
NO REASON.
277
00:12:53,790 --> 00:12:56,190
FAY, FAY.
278
00:12:56,190 --> 00:12:59,230
OH, HEY, LOWELL.
UH, HOW'S--HOW'S POPPO?
279
00:12:59,230 --> 00:13:01,730
WELL, THE DOCTOR GAVE HIM
A SEDATIVE,
280
00:13:01,730 --> 00:13:03,200
BUT I THINK
HE'LL BE OK.
281
00:13:03,200 --> 00:13:06,540
STUFFED THE PILL UP HIS NOSE
AND MADE IT COME OUT HIS EAR.
282
00:13:11,070 --> 00:13:12,580
UH, HELEN, LISTEN,
283
00:13:12,570 --> 00:13:15,080
I WAS, UH, THINKING
ABOUT WHAT HAPPENED
WITH TINSDALE.
284
00:13:15,080 --> 00:13:18,010
NOW, DO YOU REMEMBER
THAT OLD EXPRESSION
ABOUT FALLING OFF A HORSE?
285
00:13:18,010 --> 00:13:20,850
WHAT DO YOU DO?
YOU SHOOT THE MISERABLE BEAST
THROUGH THE EYES.
286
00:13:20,850 --> 00:13:23,120
NO, YOU GET RIGHT BACK ON.
287
00:13:23,120 --> 00:13:26,720
NOW, I--I THINK YOU SHOULD
GO BACK OUT THERE
AND PLAY FOR HIM AGAIN.
288
00:13:26,720 --> 00:13:28,160
WHAT, ARE YOU OUT OF
YOUR FREAKIN' MIND?
289
00:13:28,520 --> 00:13:31,330
THERE'S NO WAY I'M GOING
THROUGH THAT AGONY AGAIN.
290
00:13:31,330 --> 00:13:32,830
WELL, THAT DOESN'T
SOUND LIKE YOU.
291
00:13:32,830 --> 00:13:34,830
THE HELEN CHAPEL I KNOW
IS NOT A QUITTER.
292
00:13:35,330 --> 00:13:38,000
THE HELEN CHAPEL I KNOW
CAN TAKE IT ON THE CHIN
AND STILL COME BACK.
293
00:13:38,000 --> 00:13:40,440
THE HELEN CHAPEL I KNOW
DOES NOT TAKE NO
FOR AN ANSWER.
294
00:13:40,800 --> 00:13:42,310
GREAT. SEND HER.
295
00:13:47,240 --> 00:13:49,210
[knocking on door]
296
00:13:49,610 --> 00:13:51,110
[panting]
297
00:13:51,110 --> 00:13:53,120
(Mrs. Tinsdale)
HURRY BACK, HONEY.
298
00:13:53,120 --> 00:13:54,620
GIVE IT A REST,
WILL YOU?
299
00:13:57,220 --> 00:13:59,190
YES?
300
00:13:59,190 --> 00:14:01,220
HELLO. I DON'T KNOW
IF YOU REMEMBER ME, BUT--
301
00:14:01,220 --> 00:14:02,460
I GOT THE BAG.
THANK YOU.
302
00:14:02,460 --> 00:14:03,960
WAIT, WAIT, WAIT.
303
00:14:03,960 --> 00:14:05,460
THIS ISN'T ABOUT THE BAG.
304
00:14:05,460 --> 00:14:07,660
I'VE GOT SOMETHING
I WANNA SAY TO YOU.
305
00:14:07,660 --> 00:14:09,400
I DON'T CARE
WHO YOU ARE.
306
00:14:09,400 --> 00:14:11,400
IT DOESN'T GIVE YOU THE RIGHT
TO SMASH SOMEONE'S HOPES.
307
00:14:11,900 --> 00:14:13,900
WHEN THEY LAY IT
ALL OUT THERE
FOR YOU TO JUDGE,
308
00:14:13,900 --> 00:14:15,770
THE LEAST YOU CAN DO
IS BE KIND.
309
00:14:15,770 --> 00:14:18,770
THIS WOULD BE
ABOUT THE GIRL
WITH THE CELLO?
310
00:14:18,770 --> 00:14:20,280
(Mrs. Tinsdale)
HONEY, I'M WAITING.
311
00:14:21,480 --> 00:14:23,280
LOOK, I KNOW
THIS IS A BAD TIME.
312
00:14:23,280 --> 00:14:24,780
NO, IT'S PERFECT.
COME IN.
313
00:14:27,680 --> 00:14:30,690
I, UH, I WAS BEING KIND.
314
00:14:31,690 --> 00:14:33,290
I TOLD HER THE TRUTH.
315
00:14:33,290 --> 00:14:35,790
THE MOMENTARY STING
IS EASIER TO BEAR
316
00:14:35,790 --> 00:14:38,630
THAN WASTING YOUR LIFE
CHASING A DREAM
THAT CAN NEVER BE.
317
00:14:38,630 --> 00:14:41,130
WHO ARE YOU
TO TELL HER
SHE'S NO GOOD?
318
00:14:43,130 --> 00:14:46,140
SELECTING MUSICIANS IS
A LARGE PART OF WHAT I DO.
319
00:14:46,640 --> 00:14:50,140
I'VE AUDITIONED, GEE,
THOUSANDS OVER THE YEARS.
320
00:14:51,570 --> 00:14:54,080
I'VE PLAYED THE PIANO
SINCE I WAS 5,
321
00:14:54,080 --> 00:14:56,080
THE VIOLIN SINCE I WAS 7.
322
00:14:56,080 --> 00:14:57,580
AFTER GRADUATING
FROM JUILLIARD
323
00:14:58,080 --> 00:15:01,080
I WAS PICKED BY GEORGE SZELL
OUT OF 1000 CANDIDATES
324
00:15:01,580 --> 00:15:04,090
TO ASSIST HIM
AT THE CLEVELAND ORCHESTRA.
325
00:15:04,090 --> 00:15:05,090
SINCE THEN, I HAVE CONDUCTED
326
00:15:05,590 --> 00:15:07,090
THE AMSTERDAM
KONZERTGEBOUW,
327
00:15:07,090 --> 00:15:09,590
THE LONDON PHILHARMONIC,
THE NATIONAL SYMPHONY
ORCHESTRA.
328
00:15:09,590 --> 00:15:12,790
IN 1985, I CONDUCTED
THE BERLIN PHILHARMONIC
329
00:15:12,800 --> 00:15:15,800
AND A SERIES OF RECORDINGS
OF THE COMPLETE SYMPHONIES
OF SHOSTAKOVICH,
330
00:15:15,800 --> 00:15:18,800
FOR WHICH I HAVE RECEIVED
NUMEROUS AWARDS.
331
00:15:18,800 --> 00:15:21,300
I HOLD HONORARY
DOCTOR OF MUSIC DEGREES
332
00:15:21,300 --> 00:15:23,810
FROM HARVARD, CAMBRIDGE,
THE SORBONNE.
333
00:15:23,810 --> 00:15:26,310
I SIT ON THE BOARD OF
THE NATIONAL ENDOWMENT
FOR THE ARTS.
334
00:15:26,310 --> 00:15:28,310
AND JUST LAST MONTH,
THE ITALIAN ACADEMY
335
00:15:28,310 --> 00:15:30,310
AWARDED ME
THE SILVER BATON.
336
00:15:32,110 --> 00:15:33,120
BUT NOT THE GOLD.
337
00:15:38,420 --> 00:15:39,920
THERE IS NO GOLD.
338
00:15:41,990 --> 00:15:42,990
SO?
339
00:15:45,260 --> 00:15:46,260
TOUCHE.
340
00:15:47,760 --> 00:15:49,770
LOOK, I MAY NOT BE
AN EXPERT ON MUSIC,
341
00:15:49,770 --> 00:15:52,940
BUT--BUT I KNOW A THING
OR TWO ABOUT FLYING.
342
00:15:52,940 --> 00:15:55,470
LET ME TELL YOU A STORY.
343
00:15:55,470 --> 00:15:58,980
YEARS AGO,
THERE WAS A GUY WHO DREAMED
ABOUT BECOMING A PILOT.
344
00:15:58,970 --> 00:16:02,310
ON HIS FIRST LESSON,
HIS INSTRUCTOR TOLD HIM
HE DIDN'T HAVE WHAT IT TOOK.
345
00:16:02,310 --> 00:16:06,280
BUT HE DIDN'T QUIT,
BECAUSE FLYING WAS HIS DREAM.
346
00:16:06,280 --> 00:16:10,290
AND NOT ONLY DID THAT MAN
EVENTUALLY GET TO FLY,
347
00:16:10,290 --> 00:16:13,790
BUT HE BECAME
THE FIRST AMERICAN IN SPACE.
348
00:16:13,790 --> 00:16:18,090
AND THAT MAN WAS JOHN GLENN.
349
00:16:21,560 --> 00:16:22,560
YOU MEAN WALLY SCHIRRA.
350
00:16:24,200 --> 00:16:27,100
I'M PRETTY SURE
IT WAS JOHN GLENN.
351
00:16:29,440 --> 00:16:31,440
JOHN GLENN WAS
FIRST MAN IN ORBIT.
352
00:16:31,440 --> 00:16:33,280
WALLY SCHIRRA WAS
FIRST MAN IN SPACE.
NO, WAIT.
353
00:16:33,280 --> 00:16:35,280
THE ORDER WAS DOG,
MONKEY, GLENN.
DOG, MONKEY, SCHIRRA.
354
00:16:35,280 --> 00:16:37,050
DOG, MONKEY, GLENN.
DOG, MONKEY, SCHIRRA.
355
00:16:37,050 --> 00:16:39,550
(Mrs. Tinsdale)
IT WAS ALAN SHEPARD!
356
00:16:39,550 --> 00:16:41,050
RIGHT. THANK YOU, DEAR.
THAT'S RIGHT. YEAH.
357
00:16:41,550 --> 00:16:42,550
THANK YOU.
358
00:16:43,550 --> 00:16:44,550
[mumbling]
359
00:16:44,550 --> 00:16:48,020
SO, UH, ANYWAY,
ALL I'M SAYIN' IS,
360
00:16:48,020 --> 00:16:50,530
PLEASE, DON'T RUIN
MY FRIEND'S LIFE.
361
00:16:50,530 --> 00:16:53,330
SHE WAS PROBABLY
JUST NERVOUS.
GIVE HER ANOTHER CHANCE.
362
00:16:53,330 --> 00:16:56,330
WELL, PERHAPS
I WAS A LITTLE HASTY
THE OTHER EVENING.
363
00:16:56,330 --> 00:17:00,670
YOU TELL YOUR FRIEND
THAT I'D BE HAPPY TO LISTEN
TO HER PLAY AGAIN SOMETIME.
364
00:17:00,670 --> 00:17:02,170
REALLY?
YEAH, REALLY.
365
00:17:02,170 --> 00:17:03,170
[whistles]
366
00:17:03,170 --> 00:17:04,170
BRIAN, BRING HER IN.
367
00:17:05,640 --> 00:17:07,640
WE COULD EVEN DO IT NOW,
IF YOU'D LIKE.
368
00:17:08,640 --> 00:17:10,850
I APOLOGIZE FOR THIS,
MR. TINSDALE.
369
00:17:10,850 --> 00:17:12,850
THEY MADE ME DO IT.
I DON'T QUESTION
YOUR JUDGMENT.
370
00:17:12,850 --> 00:17:15,550
IF ANYONE WOULD KNOW,
IT'S YOU. I'M SO SORRY.
371
00:17:15,550 --> 00:17:16,550
MISS, CHAPEL.
YES?
372
00:17:16,550 --> 00:17:19,390
IT'S ENTIRELY POSSIBLE
THAT I OWE YOU THE APOLOGY.
373
00:17:19,390 --> 00:17:20,320
(Brian)
WHOA!
374
00:17:20,720 --> 00:17:23,230
OH, HEY, UH, YOU MUST BE
MRS. TINSDALE, HUH?
375
00:17:25,230 --> 00:17:26,230
BRAVO, MAESTRO.
376
00:17:29,130 --> 00:17:31,300
WON'T YOU PLAY
FOR ME AGAIN, PLEASE?
377
00:17:32,300 --> 00:17:33,800
REALLY?
YES.
378
00:17:33,800 --> 00:17:34,800
UH, ARE YOU SURE?
BECAUSE I THINK
379
00:17:35,300 --> 00:17:36,810
I COULD PLAY MUCH BETTER
THAN I DID YESTERDAY.
380
00:17:36,810 --> 00:17:40,180
I WAS VERY FLUSTERED, YES.
WELL, I WASN'T VERY FLUSTERED,
BUT I WAS PRETTY FLUSTERED.
381
00:17:40,180 --> 00:17:41,610
THAT'S WHY I THINK
I'M SURE...
382
00:17:41,610 --> 00:17:43,610
WELL, I'M REALLY SURE
THAT I THINK
I CAN PLAY MUCH BETTER
383
00:17:43,610 --> 00:17:45,350
BECAUSE I'M NOT AS FLUS--
384
00:17:45,350 --> 00:17:47,350
(Mrs. Tinsdale)
PLAY THE DAMN THING!
WHY DON'T I DO THAT?
385
00:17:52,750 --> 00:17:55,760
AND THEN SHE FINISHED PLAYING.
AND HE JUST STARED AT HER.
386
00:17:55,760 --> 00:17:57,260
KIND OF LIKE THE WAY
YOU STARE AT A BUG
387
00:17:57,260 --> 00:18:00,760
AFTER IT'S SPLATTERED
ON YOUR WINDSHIELD.
388
00:18:00,760 --> 00:18:03,770
AND THEN HE TOLD HER
SHE PLAYED BETTER
THE FIRST TIME.
389
00:18:03,770 --> 00:18:05,270
POOR HELEN.
390
00:18:05,270 --> 00:18:06,270
I'M WORRIED
ABOUT HER.
391
00:18:06,270 --> 00:18:08,170
SHE MUST BE
TOTALLY DEVASTATED.
392
00:18:08,170 --> 00:18:11,140
GOOD MORNING.
ISN'T IT A BEAUTIFUL DAY?
393
00:18:11,140 --> 00:18:13,140
GOD, IT KILLS ME
TO SEE HER LIKE THIS.
394
00:18:14,540 --> 00:18:16,810
HELEN, ARE YOU OK?
OH, I'M WONDERFUL.
395
00:18:16,810 --> 00:18:18,810
YOU'RE NOT BOTHERED
BY WHAT HAPPENED?
396
00:18:18,810 --> 00:18:20,320
YES, I WAS.
397
00:18:20,320 --> 00:18:22,320
AS A MATTER OF FACT,
I CRIED MYSELF
TO SLEEP LAST NIGHT.
398
00:18:22,320 --> 00:18:23,820
BUT THEN
WHEN I WOKE UP
THIS MORNING,
399
00:18:24,320 --> 00:18:27,160
I DID WHAT I'VE DONE
EVERY DAY FOR THE PAST
20 YEARS OF MY LIFE.
400
00:18:27,420 --> 00:18:29,560
I DRAGGED MYSELF
OUT OF BED TO PRACTICE.
401
00:18:29,560 --> 00:18:31,560
BUT AFTER LAST NIGHT,
I REALIZED THERE WAS
NO REASON TO.
402
00:18:31,560 --> 00:18:34,060
SO I WATCHED
THE SUNRISE,
403
00:18:34,060 --> 00:18:37,170
I WENT ON A WALK,
AND THEN I TOOK
A HOT BUBBLE BATH,
404
00:18:37,170 --> 00:18:40,170
AND I STILL HAD TIME
TO READ THE NEWSPAPER
OVER BREAKFAST.
405
00:18:40,170 --> 00:18:41,240
I FIGURED IT OUT.
406
00:18:41,240 --> 00:18:45,740
PRACTICING 2 HOURS A DAY,
I HAVE PUT OVER 10,000 HOURS
407
00:18:45,740 --> 00:18:47,240
OF MY LIFE
INTO THAT CELLO.
408
00:18:47,240 --> 00:18:50,780
DO YOU REALIZE
HOW MANY HOURS THAT IS?
409
00:18:50,780 --> 00:18:54,280
UNLESS THIS IS
A TRICK QUESTION,
I'D SAY 10,000.
410
00:19:02,620 --> 00:19:06,630
SO NOW,
I DON'T HAVE TO WASTE
ANY MORE TIME PRACTICING,
411
00:19:06,630 --> 00:19:08,630
HOPING, WONDERING
IF I'M GOOD ENOUGH.
412
00:19:08,630 --> 00:19:11,230
I'M NOT, AND I KNOW IT.
413
00:19:11,230 --> 00:19:12,940
YOU REALLY ARE OK
WITH THIS.
414
00:19:12,930 --> 00:19:14,440
I'VE MADE MY PEACE.
415
00:19:14,440 --> 00:19:15,940
AND NOW,
IF YOU'LL EXCUSE ME,
416
00:19:15,940 --> 00:19:17,440
I'M GONNA GO MAKE
SOME EGG SALAD.
417
00:19:17,440 --> 00:19:19,940
SOME DAMN GOOD EGG SALAD.
418
00:19:19,940 --> 00:19:21,940
OH, AND IF ANYBODY WANTS THIS,
419
00:19:21,940 --> 00:19:23,950
IT'LL BE OUT
BY THE TRASH PILE.
420
00:19:28,680 --> 00:19:30,890
[plane engine roaring]
421
00:19:32,350 --> 00:19:35,620
ROY, YOU LOOK TERRIBLE.
422
00:19:35,620 --> 00:19:38,630
IT'S ALL YOUR FAULT, FAY.
I HAVEN'T SLEPT.
423
00:19:38,630 --> 00:19:41,930
I HAVEN'T EATEN.
YOU GOT ME SPOOKED,
GYPSY WOMAN.
424
00:19:43,500 --> 00:19:45,500
YOU GOTTA TELL ME
WHAT'S GONNA HAPPEN TO ME.
425
00:19:45,930 --> 00:19:48,140
ARE YOU SURE
YOU CAN YOU HANDLE IT?
426
00:19:48,140 --> 00:19:49,140
I HAVE TO KNOW.
427
00:19:53,380 --> 00:19:56,950
OH, THERE IT IS AGAIN!
THE QUEEN OF HEARTS!
THE DEATH CARD!
428
00:19:56,950 --> 00:19:58,950
I--I KNEW IT. I...
429
00:20:00,450 --> 00:20:02,450
WAIT A MINUTE.
430
00:20:02,450 --> 00:20:05,820
THE QUEEN OF HEARTS
IS NOT THE DEATH CARD, FAY.
431
00:20:05,820 --> 00:20:08,290
THE ACE OF SPADES
IS THE DEATH CARD.
432
00:20:08,690 --> 00:20:09,690
EVEN I KNOW THAT.
433
00:20:09,690 --> 00:20:11,560
ARE YOU SURE?
YEAH.
434
00:20:13,800 --> 00:20:14,930
I'LL BE DARNED.
435
00:20:14,930 --> 00:20:15,930
[sighing]
436
00:20:21,970 --> 00:20:24,970
HERE'S THE MAN
THAT SET ME FREE.
I'M GONNA GO THANK HIM.
437
00:20:24,970 --> 00:20:26,480
[clears throat]
EXCUSE ME, MR. TINSDALE.
438
00:20:26,480 --> 00:20:28,480
THERE'S SOMETHING
THAT I NEED TO TELL YOU.
439
00:20:28,480 --> 00:20:30,480
ACTUALLY, MISS CHAPEL,
UPON REFLECTION,
440
00:20:30,480 --> 00:20:32,480
THERE'S SOMETHING
I WOULD LIKE TO SAY TO YOU.
441
00:20:32,480 --> 00:20:34,480
WELL, I JUST--
I MAY HAVE LEFT YOU
THE OTHER EVENING
442
00:20:34,480 --> 00:20:37,990
WITH THE IMPRESSION
THAT YOUR MUSICAL ABILITY
IS NONEXISTENT.
443
00:20:37,990 --> 00:20:39,920
THAT IS NOT
QUITE TRUE.
444
00:20:39,920 --> 00:20:42,760
I BELIEVE THAT YOU POSSESS
A GLIMMER OF TALENT.
445
00:20:44,760 --> 00:20:46,260
A GLIMMER?
YES.
446
00:20:46,260 --> 00:20:48,760
THE TINIEST OF GLIMMERS,
BUT IT IS THERE.
447
00:20:48,760 --> 00:20:50,270
NO, YOU CANNOT
BE SAYING THIS,
448
00:20:50,270 --> 00:20:51,700
BECAUSE, SEE, I JUST
GOT MY LIFE BACK--
449
00:20:52,100 --> 00:20:54,100
OF COURSE, IT MEANS THAT
YOU'RE GONNA HAVE TO PRACTICE
450
00:20:54,100 --> 00:20:56,100
4, MAYBE 5 HOURS
A DAY RELIGIOUSLY.
451
00:20:56,100 --> 00:20:58,540
BUT I BELIEVE
THAT THERE'S A CHANCE
THAT OVER THE NEXT FEW YEARS--
452
00:20:59,040 --> 00:21:00,810
NO, YOU TOLD ME I STINK.
OH, BUT YOU DON'T.
453
00:21:00,810 --> 00:21:02,780
OH, YES, I DO,
COMPLETELY AND TOTALLY.
454
00:21:03,180 --> 00:21:04,680
[exclaiming]
455
00:21:04,680 --> 00:21:05,980
YOU SAID NO
SELF-RESPECTING ORCHESTRA
WOULD HAVE ME.
456
00:21:05,980 --> 00:21:07,320
I EXAGGERATED.
I APOLOGIZE.
457
00:21:07,320 --> 00:21:08,580
NO, YOU CAN'T
BE SAYING THIS.
458
00:21:08,580 --> 00:21:10,820
YOU SAID THAT
I DIDN'T HAVE A CHANCE.
BUT--BUT YOU DO.
459
00:21:10,820 --> 00:21:12,720
WELL, TAKE IT BACK!
TAKE IT BACK!
460
00:21:12,720 --> 00:21:14,720
YOU TAKE THAT BACK!
MISS CHAPEL, PLEASE!
461
00:21:14,720 --> 00:21:16,230
YOU WILL NOT LEAVE
THIS ISLAND ALIVE
462
00:21:16,220 --> 00:21:17,230
UNTIL YOU TAKE THAT BACK!
463
00:21:17,730 --> 00:21:19,230
HELEN, GET A HOLD
OF YOURSELF.
COME BACK HERE!
464
00:21:19,730 --> 00:21:20,730
YOU CAN'T
GIVE ME HOPE!
465
00:21:20,730 --> 00:21:22,600
WHAT KIND OF MONSTER
ARE YOU?
466
00:21:23,430 --> 00:21:24,770
(Joe)
CALM DOWN.
467
00:21:27,040 --> 00:21:29,040
HE SAID I HAD A CHANCE.
JOE, YOU HEARD HIM,
DIDN'T YOU?
468
00:21:29,040 --> 00:21:31,470
HE DIDN'T MEAN IT.
HE DIDN'T MEAN IT.
469
00:21:33,980 --> 00:21:35,980
WELL, HELEN, IF IT MAKES
YOU FEEL ANY BETTER,
470
00:21:35,980 --> 00:21:38,480
I'VE ALWAYS DOUBTED
YOUR TALENT AND I STILL DO.
471
00:21:40,680 --> 00:21:42,150
I'M JUST TRYING
TO COMFORT HER.
472
00:21:43,550 --> 00:21:44,550
YOU GONNA BE
ALL RIGHT?
473
00:21:45,050 --> 00:21:46,560
WHAT AM I GONNA DO?
474
00:21:46,560 --> 00:21:49,060
I'M CURSED WITH
A GLIMMER OF TALENT.
475
00:21:49,060 --> 00:21:52,530
I'M GONNA BE CHAINED
TO THAT INSTRUMENT
FOR THE REST OF MY LIFE.
476
00:21:53,930 --> 00:21:55,730
GOODBYE,
WALKS ON THE BEACH.
477
00:21:55,730 --> 00:21:57,300
GOODBYE, FINGERNAILS.
478
00:21:57,800 --> 00:21:58,800
[sighs]
479
00:21:59,300 --> 00:22:00,300
GOODBYE, LIFE.
480
00:22:03,310 --> 00:22:04,310
THINK SHE'S GONNA
BE ALL RIGHT?
481
00:22:04,310 --> 00:22:06,810
SHE'LL BE FINE.
482
00:22:06,810 --> 00:22:09,080
I DON'T KNOW.
I'VE NEVER SEEN HER
LIKE THIS BEFORE.
483
00:22:09,080 --> 00:22:11,880
YOU DON'T THINK SHE'S GONNA
DO ANYTHING DESPERATE, DO YOU?
484
00:22:11,880 --> 00:22:15,880
[Helen playing cello]
485
00:22:15,880 --> 00:22:16,890
I'M AFRAID SO.
36208
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