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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:26,420 --> 00:01:28,556 MAMA, WHAT'S THAT LADY LOOKING AT? 2 00:01:28,589 --> 00:01:31,559 HUSH NOW, JEREMY. DON'T ASK QUESTIONS. 3 00:01:31,592 --> 00:01:33,427 JEREMY, HOW OLD ARE YOU? 4 00:01:33,461 --> 00:01:34,628 8 YEARS OLD. 5 00:01:34,662 --> 00:01:37,698 Jane: 8? YOU MUST BE A BIG BOY. 6 00:01:37,731 --> 00:01:40,168 I HAD TO ASK BECAUSE I'M BLIND. 7 00:01:40,201 --> 00:01:41,635 I'M SORRY, BUT CHILDREN HIS AGE 8 00:01:41,669 --> 00:01:43,304 ASK SO MANY QUESTIONS. 9 00:01:43,337 --> 00:01:45,839 I KNOW, DON'T APOLOGIZE. 10 00:01:45,873 --> 00:01:47,241 ARE YOU GOING FAR? 11 00:01:47,275 --> 00:01:48,442 Jane: WALNUT GROVE. 12 00:01:48,476 --> 00:01:49,643 IS THAT YOUR HOME? 13 00:01:49,677 --> 00:01:51,579 I WENT TO SCHOOL THERE. 14 00:01:51,612 --> 00:01:53,514 I WENT TO THE BLIND SCHOOL SOME YEARS AGO 15 00:01:53,547 --> 00:01:55,416 BEFORE IT BURNT DOWN. 16 00:01:55,449 --> 00:01:57,818 I'VE SO MANY FRIENDS I HAVEN'T SEEN IN SO LONG. 17 00:02:27,281 --> 00:02:28,449 JANEY. 18 00:02:28,482 --> 00:02:30,918 LAURA. 19 00:02:30,951 --> 00:02:32,920 OH, LAURA! 20 00:02:32,953 --> 00:02:35,856 OH, I CAN'T BELIEVE I'M REALLY HERE. 21 00:02:35,889 --> 00:02:37,725 OHH. 22 00:02:37,758 --> 00:02:40,294 YOU LOOK BEAUTIFUL. 23 00:02:40,328 --> 00:02:42,530 I'M FINE, LAURA. 24 00:02:42,563 --> 00:02:44,665 AND YOU SOUND WONDERFUL. 25 00:02:44,698 --> 00:02:45,866 I KNOW WHY. 26 00:02:45,899 --> 00:02:47,735 WHERE IS HE? 27 00:02:47,768 --> 00:02:49,370 HE'S RIGHT HERE. 28 00:02:49,403 --> 00:02:51,939 Laura: JANEY, THIS IS ALMANZO. 29 00:02:51,972 --> 00:02:53,507 ALMANZO. 30 00:02:53,541 --> 00:02:56,577 OH, I FEEL LIKE WE'RE OLD FRIENDS. 31 00:02:56,610 --> 00:03:00,381 I FIND MOST OF LAURA'S LETTERS ARE ABOUT YOU. 32 00:03:00,414 --> 00:03:01,782 IT'S HIGH TIME WE MET YOU. 33 00:03:06,019 --> 00:03:07,721 GLAD TO HAVE YOU HERE, JANE. 34 00:03:07,755 --> 00:03:09,690 THANK YOU. 35 00:03:09,723 --> 00:03:11,225 I'M JENNY. 36 00:03:11,259 --> 00:03:13,427 JENNY. 37 00:03:13,461 --> 00:03:15,396 I FEEL LIKE I KNOW YOU, TOO. 38 00:03:17,831 --> 00:03:20,601 Laura: AND THIS IS ROSE. 39 00:03:21,902 --> 00:03:24,438 THERE. 40 00:03:24,472 --> 00:03:26,507 OH, LAURA. SHE'S BEAUTIFUL. 41 00:03:26,540 --> 00:03:27,708 [ROSE CRIES] 42 00:03:27,741 --> 00:03:29,977 AW, MAY I HOLD HER? 43 00:03:30,010 --> 00:03:32,580 OF COURSE. 44 00:03:32,613 --> 00:03:33,781 OHH. 45 00:03:33,814 --> 00:03:34,982 [ROSE CRIES] 46 00:03:35,015 --> 00:03:36,550 SHH. 47 00:03:36,584 --> 00:03:38,286 THERE. 48 00:03:38,319 --> 00:03:40,521 NOW, THERE'S SOMEBODY ELSE WHO WANTS TO SEE YOU, 49 00:03:40,554 --> 00:03:42,490 SO LET ME HAVE MY BABY BACK. 50 00:03:42,523 --> 00:03:44,425 COME HERE, BABY, OOH. 51 00:03:44,458 --> 00:03:46,327 HERE, JANE. 52 00:03:46,360 --> 00:03:47,528 I'LL GET THE BAGS. 53 00:03:47,561 --> 00:03:48,729 OKAY. 54 00:03:50,764 --> 00:03:52,800 JANE, IS IT TRUE THAT YOU AND AUNT LAURA 55 00:03:52,833 --> 00:03:55,569 REALLY PUT PURPLE DYE IN MRS. OLESON'S WASH WATER ONCE? 56 00:03:55,603 --> 00:03:57,305 Jane: OH, MY. 57 00:03:57,338 --> 00:03:59,340 JENNY, IT'S TRUE. HA HA! 58 00:03:59,373 --> 00:04:02,042 I HOPE MRS. OLESON NEVER FOUND OUT WHO IT WAS. 59 00:04:02,075 --> 00:04:04,345 Laura: SHE STILL THINKS IT'S WILLIE. 60 00:04:04,378 --> 00:04:07,315 [LAUGHS] 61 00:04:07,348 --> 00:04:10,351 I TOLD MY AUNT I THOUGHT I NEEDED A CHANGE. 62 00:04:10,384 --> 00:04:12,386 I REMEMBER HOW HAPPY I WAS HERE, 63 00:04:12,420 --> 00:04:14,688 SO I DECIDED TO COME BACK TO WALNUT GROVE. 64 00:04:14,722 --> 00:04:17,425 Hester-Sue: AND WE'RE SO GLAD YOU DID. 65 00:04:17,458 --> 00:04:20,628 OH, I CAN'T TELL YOU HOW GRATEFUL I AM, HESTER-SUE. 66 00:04:20,661 --> 00:04:22,963 YOU GETTING ME A JOB HERE AT THE HOTEL. 67 00:04:22,996 --> 00:04:24,565 HONEY, IT WAS MY PLEASURE. 68 00:04:24,598 --> 00:04:27,435 JUST HAVING YOU AROUND IS THANKS ENOUGH FOR ME. 69 00:04:27,468 --> 00:04:29,303 HESTER-SUE CAN USE THE HELP. 70 00:04:29,337 --> 00:04:32,005 SHE PRACTICALLY RUNS THE PLACE SINGLE-HANDEDLY. 71 00:04:32,039 --> 00:04:34,308 HA HA, AND I'M ABOUT TO RUN OUT OF HANDS. 72 00:04:34,342 --> 00:04:35,709 [LAUGHS] 73 00:04:35,743 --> 00:04:37,478 JANEY, WHY DID YOU LEAVE ROCKFORD? 74 00:04:39,747 --> 00:04:41,715 I TOLD YOU, LAURA. 75 00:04:41,749 --> 00:04:45,353 I FELT LIKE I NEEDED A CHANGE IN MY LIFE. 76 00:04:45,386 --> 00:04:46,887 Almanzo: I HAVE THE TRUNK UP IN THE ROOM. 77 00:04:46,920 --> 00:04:48,589 Hester-Sue: THANK YOU, ALMANZO. 78 00:04:48,622 --> 00:04:50,791 I GOT TO GET BACK TO WORK. YOU ALL HAVE A NICE TIME. 79 00:04:50,824 --> 00:04:52,760 BYE-BYE. BYE, DADDY. 80 00:04:52,793 --> 00:04:55,028 BYE. BYE. 81 00:04:55,062 --> 00:04:56,597 WORK. 82 00:04:56,630 --> 00:04:58,332 THAT'S WHY I'M HERE, ISN'T IT? 83 00:04:58,366 --> 00:04:59,533 WHERE DO I START? 84 00:04:59,567 --> 00:05:01,101 MY GOODNESS! YOU JUST GOT HERE. 85 00:05:01,134 --> 00:05:03,337 YOU DON'T HAVE TO START THIS INSTANT. 86 00:05:03,371 --> 00:05:05,639 I WANT TO EARN MY WAY, HESTER-SUE. 87 00:05:05,673 --> 00:05:07,441 OH, YOU'LL EARN IT SOON ENOUGH. 88 00:05:07,475 --> 00:05:10,344 MRS. OLESON ISN'T THE EASIEST PERSON TO WORK FOR. 89 00:05:10,378 --> 00:05:12,846 [HESTER-SUE LAUGHS] 90 00:05:12,880 --> 00:05:15,683 I'M SURE I CAN DO IT, MRS. OLESON. 91 00:05:15,716 --> 00:05:19,720 WELL, IT'S ALL SO TECHNICAL, DEAR. 92 00:05:19,753 --> 00:05:25,125 I MEAN, THERE'S SO MANY LINES AND CONNECTIONS TO LEARN. 93 00:05:25,158 --> 00:05:28,028 YOU KNOW, IT TOOK ME ALMOST, 94 00:05:28,061 --> 00:05:32,966 WELL, ALMOST TWO WEEKS TO BECOME COMFORTABLE WITH IT MYSELF. 95 00:05:33,000 --> 00:05:35,536 IT'S ONLY A MATTER OF MEMORIZATION. 96 00:05:35,569 --> 00:05:37,671 HESTER-SUE'S ALREADY SHOWN ME THE LINES, 97 00:05:37,705 --> 00:05:41,108 AND I HAVE A LIST OF EVERYONE'S RINGS RIGHT HERE IN BRAILLE. 98 00:05:41,141 --> 00:05:43,811 WELL, I DON'T KNOW. 99 00:05:43,844 --> 00:05:45,012 [RING] 100 00:05:45,045 --> 00:05:46,414 OH, HERE. I'LL GET IT. 101 00:05:46,447 --> 00:05:47,781 LET ME, PLEASE. 102 00:05:47,815 --> 00:05:48,982 OH. UH-- 103 00:05:49,016 --> 00:05:50,918 WALNUT GROVE. 104 00:05:50,951 --> 00:05:52,119 THE BANK? 105 00:05:52,152 --> 00:05:54,121 YES, SIR. ONE MOMENT. 106 00:05:55,923 --> 00:05:58,158 Edwards: IS ANYBODY WAITING TABLES OUT HERE? 107 00:05:58,191 --> 00:06:00,428 JUST A MOMENT, PLEASE. 108 00:06:00,461 --> 00:06:02,763 [RING RING] 109 00:06:02,796 --> 00:06:04,598 IT'S RINGING, SIR. 110 00:06:07,801 --> 00:06:09,136 DONE. 111 00:06:09,169 --> 00:06:10,904 OH, HUH. 112 00:06:10,938 --> 00:06:12,806 WELL, THAT'S JUST FINE. 113 00:06:12,840 --> 00:06:14,542 YES, YES, YES. 114 00:06:14,575 --> 00:06:19,547 I THINK THAT YOU'LL GET THE HANG OF IT, GIVEN TIME. 115 00:06:19,580 --> 00:06:22,883 WE HAVE A TABLE FOR YOU, MR. EDWARDS. 116 00:06:22,916 --> 00:06:23,851 TAKE MY ADVICE. 117 00:06:23,884 --> 00:06:25,586 YOU WANT TO KEEP YOUR JOB, 118 00:06:25,619 --> 00:06:27,755 DON'T EVER GET ANY BETTER AT THAT THAN HARRIET OLESON. 119 00:06:27,788 --> 00:06:30,458 HA HA! I'LL REMEMBER THAT. 120 00:06:30,491 --> 00:06:32,025 HEY, YOU'RE LAURA'S FRIEND, AREN'T YOU? 121 00:06:32,059 --> 00:06:34,495 UH-HUH. JANE CANFIELD. 122 00:06:34,528 --> 00:06:37,965 WELL, MY NAME'S EDWARDS, A KIND OF OLD FRIEND OF HALF-PINT'S MYSELF. 123 00:06:37,998 --> 00:06:40,000 HALF-PINT. 124 00:06:40,033 --> 00:06:42,603 I REMEMBER WHEN LAURA'S PA USED TO CALL HER THAT. 125 00:06:42,636 --> 00:06:44,538 HEH! GOT IT FROM ME. 126 00:06:44,572 --> 00:06:47,007 STARTED CALLING HER THAT ABOUT THE SAME TIME I TAUGHT HER TO SPIT. 127 00:06:47,040 --> 00:06:49,109 SPIT? HA HA! 128 00:06:49,142 --> 00:06:51,679 OH, WAIT A MINUTE, NOW. IT'S REAL IMPORTANT TO LEARN TO DO THAT PROPER, 129 00:06:51,712 --> 00:06:53,046 ESPECIALLY IF THE WIND'S BLOWING. 130 00:06:53,080 --> 00:06:54,748 [TELEPHONE RINGS] 131 00:06:54,782 --> 00:06:58,051 OH, EXCUSE ME, MR. EDWARDS, I HAVE TO GET BACK TO WORK. 132 00:07:01,822 --> 00:07:03,090 Jane: WALNUT GROVE. 133 00:07:04,525 --> 00:07:07,194 [SQUARE-DANCE MUSIC PLAYING] [CLAPPING] 134 00:07:11,098 --> 00:07:13,100 GOOD EVENING, FOLKS. ARE YOU HAVING A GOOD TIME? 135 00:07:13,133 --> 00:07:14,935 OH, WE SURE ARE. REVEREND ALDEN, YOU REMEMBER JANE CANFIELD. 136 00:07:14,968 --> 00:07:16,670 OH, I DO, INDEED. 137 00:07:16,704 --> 00:07:18,572 SHE NEVER MISSED A SUNDAY SERMON WHILE SHE LIVED HERE. 138 00:07:18,606 --> 00:07:19,773 HOW ARE YOU, JANE? 139 00:07:19,807 --> 00:07:21,074 JUST FINE, REVEREND. AND YOURSELF? 140 00:07:21,108 --> 00:07:23,210 OH, I'M VERY WELL, THANK YOU. 141 00:07:23,243 --> 00:07:25,679 I WAS DELIGHTED TO HEAR YOU WERE VISITING, I HOPE YOU'LL MAKE IT PERMANENT. 142 00:07:25,713 --> 00:07:27,815 OH, I DON'T KNOW YET, BUT WE'LL SEE. 143 00:07:33,554 --> 00:07:34,788 THIS IS THE ONE I'VE BEEN WAITING FOR, JANE. 144 00:07:34,822 --> 00:07:36,724 WOULD YOU DO ME THE HONOR? 145 00:07:36,757 --> 00:07:40,227 OH, THANK YOU, ALMANZO, BUT I'VE NEVER BEEN MUCH OF A DANCER. 146 00:07:40,260 --> 00:07:42,530 PLEASE, YOU AND LAURA GO AHEAD. 147 00:07:42,563 --> 00:07:44,164 GO ON, YOU TWO. JANE WILL KEEP ME COMPANY. 148 00:07:44,197 --> 00:07:45,999 I'M NOT MUCH OF A DANCER EITHER. [LAUGHS] 149 00:07:46,033 --> 00:07:47,167 Almanzo: ALL RIGHT, REVEREND. 150 00:07:53,140 --> 00:07:54,908 EXCUSE ME, REVEREND. YOU MIND IF I CUT IN? 151 00:07:54,942 --> 00:07:56,209 NOT AT ALL. 152 00:07:56,243 --> 00:07:58,111 IT SEEMS A SHAME TO WASTE A PRETTY GIRL 153 00:07:58,145 --> 00:07:59,713 AND ALL THIS MUSIC AT THE SAME TIME. 154 00:07:59,747 --> 00:08:01,749 OH, MR. EDWARDS, I CAN'T DANCE. 155 00:08:01,782 --> 00:08:03,050 OH, OF COURSE YOU CAN DANCE. 156 00:08:03,083 --> 00:08:05,586 EVERYBODY CAN DANCE. HERE, JUST HOLD ON HERE. 157 00:08:05,619 --> 00:08:06,854 HA HA HA! 158 00:08:12,560 --> 00:08:14,061 [LAUGHS] 159 00:08:16,730 --> 00:08:19,933 Jane: OH. OH. 160 00:08:19,967 --> 00:08:22,135 OH, MR. EDWARDS. 161 00:08:22,169 --> 00:08:24,304 I CAN HARDLY CATCH MY BREATH. 162 00:08:24,337 --> 00:08:25,706 YEAH, IT IS KIND OF STUFFY IN HERE. 163 00:08:25,739 --> 00:08:26,907 WANT TO STEP OUTSIDE AND GET SOME AIR? 164 00:08:26,940 --> 00:08:28,108 I'D LIKE THAT. 165 00:08:28,141 --> 00:08:29,610 ALL RIGHT. HERE WE GO. 166 00:08:32,680 --> 00:08:35,048 OOH. 167 00:08:35,082 --> 00:08:37,217 WHAT ARE YOU DOING, TELLING FOLKS YOU CAN'T DANCE? 168 00:08:37,250 --> 00:08:39,687 I'D SAY YOU DID ALL THE WORK. 169 00:08:39,720 --> 00:08:41,689 I JUST CAME ALONG FOR THE RIDE. 170 00:08:44,324 --> 00:08:46,026 OH, IT'S WONDERFUL OUT HERE. 171 00:08:46,059 --> 00:08:47,595 YEAH. 172 00:08:47,628 --> 00:08:48,996 ARE THERE CLOUDS TONIGHT? 173 00:08:49,029 --> 00:08:51,632 OH, NARY A ONE. CLEAR AS A BELL. 174 00:08:51,665 --> 00:08:54,935 STARS POPPING OUT ALL OVER THE PLACE. 175 00:08:54,968 --> 00:08:57,037 THERE'S THE EVENING STAR. 176 00:08:57,070 --> 00:08:58,839 OF COURSE, IT AIN'T REALLY A STAR AT ALL. 177 00:08:58,872 --> 00:09:00,674 IT'S VENUS. 178 00:09:00,708 --> 00:09:03,577 TELL ME ABOUT THE STARS. 179 00:09:03,611 --> 00:09:06,614 WELL, I DON'T KNOW WHAT THEY ARE, REALLY, 180 00:09:06,647 --> 00:09:08,181 BUT I HEARD A FELLOW SAY ONCE 181 00:09:08,215 --> 00:09:11,018 THAT STARS WERE THE WINDOWS IN THE FLOOR OF HEAVEN. 182 00:09:11,051 --> 00:09:12,853 HA HA! 183 00:09:12,886 --> 00:09:14,888 RECKON IT'S A GLINT OF ALL THAT GOLD THEY GOT UP THERE 184 00:09:14,922 --> 00:09:17,224 JUST SHINING DOWN THROUGH. 185 00:09:17,257 --> 00:09:20,093 [SLOW WALTZ PLAYING] 186 00:09:24,031 --> 00:09:24,998 MR. EDWARDS? 187 00:09:25,032 --> 00:09:26,600 HMM? 188 00:09:26,634 --> 00:09:29,336 YOU THINK YOU COULD TEACH A GIRL HOW TO WALTZ? 189 00:09:29,369 --> 00:09:32,773 MISS CANFIELD, I COULD TEACH A CIGAR-STORE INDIAN 190 00:09:32,806 --> 00:09:34,975 HOW TO DANCE A JIG IF I PUT MY MIND TO IT. NOW COME ON. 191 00:09:35,008 --> 00:09:39,112 OH, OUT HERE, PLEASE, TILL I GET THE HANG OF IT. 192 00:09:39,146 --> 00:09:41,248 OUT HERE IT IS. 193 00:10:05,372 --> 00:10:07,407 * GET OUT OF THE WAY FOR OLD DAN TUCKER * 194 00:10:07,440 --> 00:10:09,677 * HE'S TOO LATE TO GET HIS SUPPER * 195 00:10:09,710 --> 00:10:11,344 * SUPPER'S OVER AND DINNER'S COOKIN' * 196 00:10:11,378 --> 00:10:14,682 * OLD DAN TUCKER JUST STANDS THERE LOOKIN' * 197 00:10:14,715 --> 00:10:16,684 * OLD DAN TUCKER WAS A FINE OLD MAN * 198 00:10:16,717 --> 00:10:19,720 * WASHED HIS FACE IN A FRYIN'-- * 199 00:10:19,753 --> 00:10:20,921 GOOD MORNING. 200 00:10:20,954 --> 00:10:23,156 MORNING YOURSELF. 201 00:10:23,190 --> 00:10:25,392 YOU LIKED MY APPLE PIE SO MUCH, 202 00:10:25,425 --> 00:10:28,295 I BROUGHT YOU A PIECE TO TAKE ON THE ROAD. 203 00:10:28,328 --> 00:10:30,363 DON'T KNOW WHAT I DONE TO DESERVE ALL THIS GOOD TREATMENT, 204 00:10:30,397 --> 00:10:31,999 BUT I'LL TAKE IT, THANK YOU. 205 00:10:34,968 --> 00:10:36,770 NICE DAY, ISN'T IT? 206 00:10:36,804 --> 00:10:39,139 YES, MA'AM. IT'S A BEAUT. HEH HEH. 207 00:10:39,172 --> 00:10:41,709 TOO NICE A DAY TO BE SITTING BEHIND A SWITCHBOARD. 208 00:10:41,742 --> 00:10:43,176 YOU KNOW, IT'S TOO BAD YOU'RE WORKING. 209 00:10:43,210 --> 00:10:45,112 I'D TAKE YOU FOR A RIDE TO SLEEPY EYE. 210 00:10:45,145 --> 00:10:47,380 OH, I DON'T HAVE TO WORK TODAY. 211 00:10:47,414 --> 00:10:50,250 I MEAN, MRS. OLESON SAID I COULD HAVE THE DAY OFF 212 00:10:50,283 --> 00:10:52,385 SINCE I'VE WORKED EVERY DAY I'VE BEEN HERE, 213 00:10:52,419 --> 00:10:54,888 BUT I TOLD HER I'D WORK ANYWAY. 214 00:10:54,922 --> 00:10:56,089 TELL YOU WHAT YOU DO. 215 00:10:56,123 --> 00:10:57,190 YOU GO ON BACK IN THERE, 216 00:10:57,224 --> 00:10:58,358 TELL HER YOU CHANGED YOUR MIND, 217 00:10:58,391 --> 00:10:59,927 YOU AIN'T GOING TO WORK TODAY. 218 00:10:59,960 --> 00:11:01,361 YOU'RE GOING TO RIDE TO SLEEPY EYE WITH ME. 219 00:11:01,394 --> 00:11:03,263 OH, I DON'T KNOW. 220 00:11:03,296 --> 00:11:06,133 COME ON, GIRL. TIME'S A-WASTING. MAKE UP YOUR MIND. 221 00:11:06,166 --> 00:11:08,468 I'LL GO. I'LL BE RIGHT BACK. 222 00:11:08,501 --> 00:11:10,203 ALL RIGHT. 223 00:11:30,290 --> 00:11:31,759 THROW IN A PLUG OF THIS TOBACCO. 224 00:11:31,792 --> 00:11:34,227 THAT'LL BE 65 CENTS TOTAL. 225 00:11:45,238 --> 00:11:46,406 NASTY HABIT. 226 00:11:46,439 --> 00:11:48,175 Shopkeeper: WHAT? 227 00:11:48,208 --> 00:11:49,409 OH, NOTHING, NOTHING. 228 00:11:56,549 --> 00:11:58,318 LET ME SEE THIS ONE HERE. 229 00:11:58,351 --> 00:11:59,820 OH, YES, SIR. 230 00:12:08,461 --> 00:12:09,897 YEAH. I'LL TAKE THAT ONE. 231 00:12:09,930 --> 00:12:11,231 Shopkeeper: YES, SIR. 232 00:12:23,911 --> 00:12:27,180 JANE, UH... 233 00:12:27,214 --> 00:12:29,049 WELL, I--I BOUGHT YOU SOMETHING. 234 00:12:29,082 --> 00:12:30,250 HERE YOU ARE. 235 00:12:30,283 --> 00:12:31,418 [LAUGHS] 236 00:12:35,923 --> 00:12:37,090 [GASPS] 237 00:12:37,124 --> 00:12:39,159 A CAMEO. 238 00:12:39,192 --> 00:12:40,427 OH, IT'S LOVELY. 239 00:12:42,195 --> 00:12:44,832 WILL YOU HELP PUT IT ON ME? 240 00:12:44,865 --> 00:12:46,967 OH, SURE. 241 00:12:54,441 --> 00:12:56,009 ALL THUMBS. 242 00:13:03,583 --> 00:13:05,118 THERE YOU ARE. 243 00:13:05,152 --> 00:13:07,520 OH, THANK YOU. 244 00:13:07,554 --> 00:13:10,223 HAD TO DO SOMETHING TO SHOW MY THANKS. 245 00:13:10,257 --> 00:13:12,225 Jane: FOR WHAT? 246 00:13:12,259 --> 00:13:13,927 FOR THE COMPANY. 247 00:13:13,961 --> 00:13:15,128 A WONDERFUL TRIP. 248 00:13:17,931 --> 00:13:20,300 WELL, WE'D BETTER GET GOING. 249 00:13:20,333 --> 00:13:21,468 HERE, LET ME HELP YOU. 250 00:13:24,537 --> 00:13:25,906 [BIRDS CHIRPING] 251 00:13:33,213 --> 00:13:35,082 Edwards: HEAR THAT? 252 00:13:35,115 --> 00:13:36,383 MEADOWLARK. 253 00:13:36,416 --> 00:13:37,885 Jane: HOW DO YOU KNOW? 254 00:13:37,918 --> 00:13:40,320 OH, TELL BY HIS SONG. 255 00:13:40,353 --> 00:13:42,122 THE FACT IS, I CAN JUST ABOUT SEE HIM 256 00:13:42,155 --> 00:13:44,324 SETTING WAY OUT THERE ACROSS THE MEADOW, 257 00:13:44,357 --> 00:13:45,893 JUST SWAYING BACK AND FORTH 258 00:13:45,926 --> 00:13:49,897 ON THE TOP OF A BIG, PRETTY GOLDEN SUNFLOWER. 259 00:13:49,930 --> 00:13:51,098 [CHUCKLES] 260 00:13:54,301 --> 00:13:57,404 MAY I LOOK AT YOU? 261 00:13:57,437 --> 00:13:59,940 LOOK AT ME? 262 00:13:59,973 --> 00:14:01,208 NOT MUCH TO LOOK AT. 263 00:14:01,241 --> 00:14:02,375 PLEASE? 264 00:14:04,444 --> 00:14:06,479 WELL, IF YOU WANT. 265 00:14:15,989 --> 00:14:19,092 [SIGHS] 266 00:14:19,126 --> 00:14:21,361 YOU HAVE A BEARD. 267 00:14:21,394 --> 00:14:23,931 I KNEW YOU WOULD. 268 00:14:23,964 --> 00:14:27,567 MUST BE LIKE TOUCHING AN OLD GRIZZLY BEAR. 269 00:14:27,600 --> 00:14:30,203 NO, ISAIAH. 270 00:14:30,237 --> 00:14:31,571 YOU'RE BEAUTIFUL. 271 00:14:37,144 --> 00:14:38,979 BEST BE GETTING BACK ON THE ROAD. 272 00:14:39,012 --> 00:14:41,949 YOU KNOW, FOLKS ARE GOING TO WONDER WHAT HAPPENED TO US. 273 00:15:00,667 --> 00:15:02,569 ARE YOU SURE YOU DON'T NEED ANY HELP WITH THAT? 274 00:15:02,602 --> 00:15:04,637 POSITIVE, LAURA. 275 00:15:04,671 --> 00:15:08,175 YOU KNOW, I THINK MRS. OLESON'S FINALLY ACCEPTING MY ABILITIES. 276 00:15:08,208 --> 00:15:11,544 SHE HASN'T COME INTO THE SWITCHBOARD ROOM FOR DAYS. 277 00:15:11,578 --> 00:15:13,981 ARE YOU GLAD YOU CAME BACK, JANEY? 278 00:15:14,014 --> 00:15:16,649 OH, I DON'T THINK I'VE EVER BEEN SO HAPPY, LAURA. 279 00:15:16,683 --> 00:15:18,385 GOOD, THEN MAYBE YOU'LL STAY. 280 00:15:18,418 --> 00:15:20,487 JANE, YOU'VE GOT A LETTER! 281 00:15:20,520 --> 00:15:23,090 A LETTER? IT MUST BE FROM MY AUNT. 282 00:15:23,123 --> 00:15:27,227 NO, IT SAYS HERE A DR. THOMAS VANDERAN, CHICAGO. 283 00:15:27,260 --> 00:15:29,062 GIVE IT TO ME, PLEASE. 284 00:15:49,049 --> 00:15:50,217 Laura: JANE, WHAT'S WRONG? 285 00:15:50,250 --> 00:15:51,484 WHO IS THIS DOCTOR? 286 00:15:54,087 --> 00:15:56,256 AN EYE SURGEON IN CHICAGO. 287 00:15:58,225 --> 00:16:00,127 HE CAME TO ROCKFORD 288 00:16:00,160 --> 00:16:03,396 TWO MONTHS AGO AND EXAMINED MY EYES. 289 00:16:03,430 --> 00:16:04,998 HE WAS LOOKING FOR PATIENTS 290 00:16:05,032 --> 00:16:08,201 TO UNDERGO AN OPERATION HE'S PERFECTING. 291 00:16:08,235 --> 00:16:10,037 WELL, DID HE CHOOSE YOU? 292 00:16:10,070 --> 00:16:11,771 I DON'T KNOW. 293 00:16:11,804 --> 00:16:14,141 I LEFT TOWN BEFORE HE NOTIFIED US. 294 00:16:14,174 --> 00:16:15,342 WELL, AREN'T YOU ANXIOUS 295 00:16:15,375 --> 00:16:16,609 TO FIND OUT IF HE CHOSE YOU? 296 00:16:16,643 --> 00:16:18,545 JANE, THIS COULD CHANGE YOUR WHOLE LIFE. 297 00:16:18,578 --> 00:16:20,680 I'M HAPPY. 298 00:16:20,713 --> 00:16:23,350 I'M GOING TO ACCEPT MY LIFE THE WAY IT IS. 299 00:16:26,186 --> 00:16:28,655 IS THAT WHY YOU CAME BACK HERE? 300 00:16:28,688 --> 00:16:30,457 I TOLD YOU... 301 00:16:30,490 --> 00:16:32,425 I DON'T NEED AN OPERATION. 302 00:16:32,459 --> 00:16:33,760 I DON'T WANT IT! 303 00:16:36,763 --> 00:16:38,531 HIS DECISION'S IN THAT LETTER. 304 00:16:38,565 --> 00:16:41,068 [JANE SIGHS] 305 00:16:41,101 --> 00:16:43,002 LET ME READ IT. 306 00:16:51,611 --> 00:16:54,114 "DEAR MISS CANFIELD, 307 00:16:54,147 --> 00:16:55,748 "I'M TAKING THE LIBERTY OF WRITING YOU 308 00:16:55,782 --> 00:16:59,152 "AT THE ADDRESS PROVIDED BY YOUR AUNT. 309 00:16:59,186 --> 00:17:03,090 "WITH REGARD TO THE EXAMINATION I PERFORMED THESE SEVERAL WEEKS AGO, 310 00:17:03,123 --> 00:17:06,326 "IT HAS BECOME THE CONCLUSION OF MINE AND MY STAFF 311 00:17:06,359 --> 00:17:08,828 "THAT YOU ARE THE MOST SUITABLE CANDIDATE 312 00:17:08,861 --> 00:17:12,765 "FOR THE EXPERIMENTAL SURGERY WE DISCUSSED AT THAT EARLIER DATE. 313 00:17:12,799 --> 00:17:17,504 "IT IS MY PROFOUND HOPE THAT YOU WILL DECIDE IN FAVOR OF THE SURGERY 314 00:17:17,537 --> 00:17:20,540 "AND TRAVEL TO CHICAGO AT YOUR EARLIEST CONVENIENCE. 315 00:17:20,573 --> 00:17:24,244 "ALL OF YOUR EXPENSES WILL, OF COURSE, BE PAID BY THE FOUNDATION. 316 00:17:24,277 --> 00:17:26,146 "ANXIOUSLY AWAITING YOUR REPLY, 317 00:17:26,179 --> 00:17:30,083 WITH SINCEREST REGARDS, DR. THOMAS VANDERAN, M.D." 318 00:17:30,117 --> 00:17:31,551 HONEY, THEY WANT TO OPERATE! 319 00:17:32,752 --> 00:17:35,122 NO. 320 00:17:35,155 --> 00:17:37,624 BUT, JANE, THERE'S A CHANCE THAT YOU MIGHT SEE. 321 00:17:37,657 --> 00:17:41,528 AND THERE'S A BETTER CHANCE THAT I WON'T. 322 00:17:41,561 --> 00:17:43,163 [SIGHS] 323 00:17:43,196 --> 00:17:44,364 PLEASE... 324 00:17:46,199 --> 00:17:47,834 TRY AND UNDERSTAND. 325 00:17:51,304 --> 00:17:54,407 FOR AS LONG AS I CAN REMEMBER, 326 00:17:54,441 --> 00:17:58,411 EVER SINCE I WAS OLD ENOUGH TO KNOW I WAS BLIND, 327 00:17:58,445 --> 00:18:03,416 I'VE HAD ONE CONSTANT DREAM-- 328 00:18:03,450 --> 00:18:05,818 TO SEE... 329 00:18:05,852 --> 00:18:09,489 Jane: TO SEE THE LIGHT OF ONE SUN-FILLED DAY. 330 00:18:09,522 --> 00:18:11,491 THEN HAVE THE OPERATION. 331 00:18:11,524 --> 00:18:12,725 NO! 332 00:18:12,759 --> 00:18:14,127 I CAN'T! 333 00:18:14,161 --> 00:18:16,763 I WON'T! 334 00:18:16,796 --> 00:18:18,131 I'M SORRY. 335 00:18:19,366 --> 00:18:21,601 I WON'T BE DISAPPOINTED AGAIN. 336 00:18:40,953 --> 00:18:42,322 Isaiah: JANE! 337 00:18:45,592 --> 00:18:47,227 COULD I TALK TO YOU FOR A MINUTE? 338 00:18:47,260 --> 00:18:49,296 YES. CERTAINLY. 339 00:18:49,329 --> 00:18:50,863 WILL YOU ALL EXCUSE US? WON'T BE A MINUTE. 340 00:18:50,897 --> 00:18:52,265 Almanzo: WELL, SURE. 341 00:19:10,350 --> 00:19:12,385 SIT DOWN RIGHT HERE. 342 00:19:12,419 --> 00:19:15,288 GOT SOMETHING KIND OF IMPORTANT TO SAY. 343 00:19:15,322 --> 00:19:16,556 WHAT IS IT, ISAIAH? 344 00:19:19,226 --> 00:19:20,727 WHEN THAT REVEREND WAS TALKING THIS MORNING, 345 00:19:20,760 --> 00:19:23,596 IT KIND OF GOT ME TO THINKING. 346 00:19:23,630 --> 00:19:28,468 YOU KNOW, HE WAS TALKING ABOUT HOPE, OPPORTUNITY, 347 00:19:28,501 --> 00:19:32,472 HOW YOU GOT TO TAKE AN OPPORTUNITY WHEN IT COME. 348 00:19:32,505 --> 00:19:35,408 AND JANE, LIFE IS TOO SHORT, 349 00:19:35,442 --> 00:19:39,312 IT'S TOO PRECIOUS NOT TO JUST REACH OUT 350 00:19:39,346 --> 00:19:41,514 AND GRAB ALL THE HAPPINESS YOU CAN GET. 351 00:19:44,284 --> 00:19:45,885 WHAT ARE YOU TRYING TO SAY? 352 00:19:48,521 --> 00:19:50,690 I THINK YOU OUGHT TO HAVE THAT OPERATION. 353 00:19:54,627 --> 00:19:57,297 LAURA TOLD ME ABOUT IT. 354 00:19:57,330 --> 00:20:00,733 NOW, LISTEN, I KNOW YOU'VE SUFFERED A LOT IN THE PAST, 355 00:20:00,767 --> 00:20:03,970 YOU HAD A LOT OF PAIN, A LOT OF DISAPPOINTMENT. 356 00:20:04,003 --> 00:20:06,839 BUT THAT DOCTOR IN CHICAGO, I MEAN, 357 00:20:06,873 --> 00:20:08,275 HE CAN OFFER YOU SOMETHING 358 00:20:08,308 --> 00:20:11,978 NO OTHER MAN IN THE WORLD CAN OFFER YOU. 359 00:20:12,011 --> 00:20:15,782 HE'S HOLDING OUT-- HOLDING OUT HOPE, JANE, 360 00:20:15,815 --> 00:20:19,319 HOPE THAT YOU CAN SEE. 361 00:20:19,352 --> 00:20:21,288 GRAB IT, JANE, JUST... 362 00:20:21,321 --> 00:20:25,492 GRAB HOLD OF THAT HOPE AND RUN WITH IT. 363 00:20:25,525 --> 00:20:26,926 JUST RUN WITH IT, DARLING. 364 00:20:34,066 --> 00:20:35,768 ALL RIGHT. 365 00:20:38,338 --> 00:20:40,273 FOR YOU, ISAIAH. 366 00:20:45,512 --> 00:20:47,914 I'LL DO IT FOR YOU. 367 00:21:01,494 --> 00:21:05,598 MISS CANFIELD, THE DOCTOR'S READY FOR YOU. 368 00:21:05,632 --> 00:21:07,934 OKAY, I HAVE A WHEELCHAIR HERE FOR YOU. 369 00:21:07,967 --> 00:21:09,369 Hester-Sue: GO STRAIGHT. 370 00:21:11,604 --> 00:21:12,805 NOW STEP UP. 371 00:21:16,042 --> 00:21:17,510 YOU NERVOUS? 372 00:21:17,544 --> 00:21:18,911 ANXIOUS. 373 00:21:26,386 --> 00:21:27,687 OKAY? 374 00:22:03,523 --> 00:22:08,361 [HUMMING] 375 00:22:08,395 --> 00:22:09,596 AFTERNOON, ISAIAH. 376 00:22:09,629 --> 00:22:11,097 NELS. HARRIET. 377 00:22:11,130 --> 00:22:12,499 Harriet: EDWARDS. 378 00:22:12,532 --> 00:22:14,066 WHAT CAN I DO FOR YOU? 379 00:22:14,100 --> 00:22:17,437 WELL, I'M JUST ABOUT TO RUN OUT OF EVERYTHING. 380 00:22:17,470 --> 00:22:19,572 WORK'S PILING UP AT THE MILL. 381 00:22:19,606 --> 00:22:21,040 I'LL PICK THIS STUFF UP ON THE WAY HOME. 382 00:22:21,073 --> 00:22:23,410 Nels: SURE THING. ISAIAH? 383 00:22:23,443 --> 00:22:24,711 YEAH. 384 00:22:24,744 --> 00:22:26,946 ARE YOU ALL RIGHT? 385 00:22:26,979 --> 00:22:28,114 [SIGHS] 386 00:22:28,147 --> 00:22:29,148 TELL YOU THE TRUTH, NELS, 387 00:22:29,181 --> 00:22:31,584 IF I WAS STILL A DRINKING MAN, 388 00:22:31,618 --> 00:22:35,021 I'D ADD A COUPLE OF BOTTLES OF YOUR EXTRA-STRENGTH COUGH MEDICINE TO THAT LIST. 389 00:22:35,054 --> 00:22:37,824 WHAT'S WRONG? 390 00:22:37,857 --> 00:22:40,727 OH, I CAN'T STOP WORRYING ABOUT JANE. 391 00:22:40,760 --> 00:22:42,529 Nels: I THOUGHT AS MUCH. 392 00:22:42,562 --> 00:22:44,063 NOW, LOOK... 393 00:22:44,096 --> 00:22:46,899 SHE IS UNDER THE CARE OF ONE OF THE FINEST EYE SURGEONS 394 00:22:46,933 --> 00:22:48,601 IN THE COUNTRY. 395 00:22:48,635 --> 00:22:50,703 YEAH, I KNOW. I KNOW. 396 00:22:50,737 --> 00:22:53,773 JUST IF THAT OPERATION DOESN'T TAKE, IT'S GOING TO BREAK HER HEART. 397 00:22:53,806 --> 00:22:57,744 MINE, TOO, JUST SEEING HER DISAPPOINTMENT. 398 00:22:57,777 --> 00:22:59,646 WELL, I BETTER GET BACK TO WORK. 399 00:23:06,719 --> 00:23:08,921 WHAT A FINE AND CARING MAN. 400 00:23:10,790 --> 00:23:13,493 OH, YES. 401 00:23:13,526 --> 00:23:17,430 HE CERTAINLY IS. 402 00:23:17,464 --> 00:23:19,198 HARRIET, I KNOW YOU DON'T LIKE ISAIAH, 403 00:23:19,231 --> 00:23:21,601 BUT EVEN YOU CAN SEE WHAT HE'S GOING THROUGH. 404 00:23:23,470 --> 00:23:25,805 YES. YES, INDEED. 405 00:23:25,838 --> 00:23:27,740 I CERTAINLY CAN. 406 00:23:27,774 --> 00:23:34,180 JUST IMAGINE A SMELLY, OLD GRIZZLY BEAR LIKE THAT 407 00:23:34,213 --> 00:23:41,020 PINING AWAY OVER SUCH A SWEET AND DEFENSELESS YOUNG GIRL. 408 00:23:41,053 --> 00:23:45,525 I THINK IT'S ABSOLUTELY DISGUSTING. 409 00:23:45,558 --> 00:23:47,059 Nels: HARRIET, IS THERE NO LIMIT 410 00:23:47,093 --> 00:23:49,529 TO THE LOW THINGS THAT YOU'LL SAY ABOUT A PERSON? 411 00:23:49,562 --> 00:23:51,230 I THINK THAT'S POSITIVELY EVIL! 412 00:23:51,263 --> 00:23:52,632 OH, IS THAT SO? 413 00:23:52,665 --> 00:23:54,100 YES, THAT'S SO! 414 00:23:54,133 --> 00:23:57,103 AND I'M SHOCKED. I AM SHOCKED AND HORRIFIED. 415 00:23:57,136 --> 00:23:58,805 WELL! 416 00:23:58,838 --> 00:24:03,510 LET ME TELL YOU SOMETHING, MR. SHOCKED AND HORRIFIED. 417 00:24:03,543 --> 00:24:06,479 A WOMAN CAN ALWAYS TELL ABOUT THINGS LIKE THAT, 418 00:24:06,513 --> 00:24:10,049 WHEREAS A MAN WOULD ALWAYS BE TOTALLY BLIND. 419 00:24:10,082 --> 00:24:11,984 NOW, YOU MARK MY WORDS. 420 00:24:12,018 --> 00:24:15,822 YOUR FINE AND CARING MR. EDWARDS THERE 421 00:24:15,855 --> 00:24:18,925 IS IN LOVE WITH A CHILD. 422 00:24:21,628 --> 00:24:23,062 AHH! 423 00:24:23,095 --> 00:24:24,531 OHH. 424 00:24:29,268 --> 00:24:31,638 MR. EDWARDS! 425 00:24:31,671 --> 00:24:33,139 MR. EDWARDS! 426 00:24:33,172 --> 00:24:35,274 HELLO THERE, HALF-PINT, WHAT'S ALL THE EXCITEMENT? 427 00:24:35,307 --> 00:24:36,943 IT'S A TELEGRAM FROM HESTER-SUE. 428 00:24:36,976 --> 00:24:38,144 JANE HAD THE OPERATION, 429 00:24:38,177 --> 00:24:39,278 AND THE DOCTORS ARE HOPEFUL. 430 00:24:39,311 --> 00:24:41,581 HOPEFUL? WHAT DOES THAT MEAN? 431 00:24:41,614 --> 00:24:43,583 WELL, THEY'RE NOT SURE YET. SHE STILL HAS TO WEAR BANDAGES FOR 10 DAYS. 432 00:24:43,616 --> 00:24:45,084 YEAH, BUT YOU SAID, "HOPEFUL." 433 00:24:45,117 --> 00:24:47,687 THAT--THAT MEANS THERE'S A CHANCE, DON'T IT? 434 00:24:47,720 --> 00:24:48,888 YES! 435 00:24:48,921 --> 00:24:52,058 - HA HA HA! - YES! 436 00:24:52,091 --> 00:24:54,293 [LAUGHS] 437 00:24:54,326 --> 00:24:57,930 HALF-PINT, SHE'S GOING TO SEE, I CAN FEEL IT IN MY BONES. 438 00:24:57,964 --> 00:24:59,165 THIS IS FOR YOU. 439 00:24:59,198 --> 00:25:00,199 WHAT'S THIS? 440 00:25:00,232 --> 00:25:02,001 THERE'S A LETTER FROM JANE. 441 00:25:02,034 --> 00:25:04,270 SHE ASKED ME TO GIVE IT TO YOU SOMETIME AFTER THE OPERATION. 442 00:25:04,303 --> 00:25:05,972 SEEMS KIND OF FUNNY, DON'T IT? 443 00:25:06,005 --> 00:25:07,707 WHY DOESN'T SHE JUST TELL ME WHAT SHE HAD TO SAY? 444 00:25:07,740 --> 00:25:09,876 WELL, I GUESS YOU'LL HAVE TO READ IT TO FIND OUT. 445 00:25:46,078 --> 00:25:47,680 IS SOMETHING WRONG? 446 00:25:53,119 --> 00:25:54,987 SHE LOVES ME, LAURA. 447 00:25:57,356 --> 00:25:59,558 IT'S ALL RIGHT HERE. 448 00:26:02,194 --> 00:26:04,063 THE THING IS I LOVE HER, TOO. 449 00:26:06,332 --> 00:26:08,134 THE DAY SHE LEFT OUT OF HERE ON THAT STAGE, 450 00:26:08,167 --> 00:26:11,203 I FELT THE LONELIEST I'VE EVER FELT IN MY LIFE. 451 00:26:13,105 --> 00:26:15,274 I'VE JUST BEEN EMPTY INSIDE. 452 00:26:17,409 --> 00:26:18,745 [SIGHS] 453 00:26:22,281 --> 00:26:23,650 I KNOW WHAT YOU'RE THINKING. 454 00:26:23,683 --> 00:26:25,618 YOU'RE THINKING I'M TOO OLD. 455 00:26:27,920 --> 00:26:29,088 I DIDN'T SAY THAT. 456 00:26:29,121 --> 00:26:31,190 LAURA, YOU DON'T HAVE TO SAY IT. 457 00:26:31,223 --> 00:26:33,259 IT'S WRITTEN ALL OVER YOUR FACE! 458 00:26:33,292 --> 00:26:35,394 Isaiah: SHE HAS A RIGHT TO SOMETHING BETTER. 459 00:26:35,427 --> 00:26:36,796 MR. EDWARDS-- 460 00:26:36,829 --> 00:26:38,264 I MEAN, WHAT DO I HAVE A RIGHT TO? 461 00:26:38,297 --> 00:26:39,966 TELL ME THAT. 462 00:26:39,999 --> 00:26:42,068 I MEAN, A YOUNG AND A BEAUTIFUL WOMAN COMES ALONG, 463 00:26:42,101 --> 00:26:44,203 SHE FALLS IN LOVE WITH ME, I FALL IN LOVE WITH HER. 464 00:26:44,236 --> 00:26:45,838 WHAT AM I SUPPOSED TO DO ABOUT THAT, 465 00:26:45,872 --> 00:26:48,340 PRETEND LIKE IT DOESN'T EXIST? 466 00:26:48,374 --> 00:26:50,910 OH, THAT'D MAKE EVERYBODY HAPPY, WOULDN'T IT? 467 00:26:50,943 --> 00:26:53,880 YEAH. FUNNY OLD MR. EDWARDS, JUST KEEP ON LIVING ALONE 468 00:26:53,913 --> 00:26:55,882 AND MAKING FOLKS A-LAUGH. 469 00:26:55,915 --> 00:26:57,149 YOU'RE JUST UPSET. 470 00:26:57,183 --> 00:26:58,951 YOU'RE PUTTING WORDS IN MY MOUTH. 471 00:26:58,985 --> 00:27:02,989 I AM JUST SAYING WHAT I KNOW EVERYBODY ELSE IS THINKING! 472 00:27:03,022 --> 00:27:05,357 NOW, CAN YOU LOOK ME IN THE EYE AND TELL ME I'M NOT RIGHT? 473 00:27:12,164 --> 00:27:16,969 YOU'RE THE DEAREST FRIEND I'VE GOT IN THE WHOLE WORLD. 474 00:27:17,003 --> 00:27:19,005 Laura: I DON'T WANT TO SEE YOU GET HURT. 475 00:27:19,038 --> 00:27:22,108 I DON'T WANT TO SEE JANE GET HURT. 476 00:27:22,141 --> 00:27:24,877 I JUST WANT YOU BOTH TO BE CAREFUL. 477 00:27:29,081 --> 00:27:30,683 JANE MET A MAN WHO WAS KIND AND MADE HER LAUGH. 478 00:27:35,888 --> 00:27:38,290 THOUGHT THAT'S WHAT LOVE WAS ALL ABOUT-- 479 00:27:38,324 --> 00:27:41,260 BEING KIND, MAKING SOMEBODY LAUGH ONCE IN A WHILE. 480 00:27:41,293 --> 00:27:43,896 I MEAN, WHAT'S WRONG WITH THAT? 481 00:27:43,930 --> 00:27:46,999 I'M NOT JUDGING WHAT'S RIGHT OR WRONG. 482 00:27:47,033 --> 00:27:50,036 TWO OF MY CLOSEST FRIENDS ARE INVOLVED HERE. 483 00:27:50,069 --> 00:27:51,938 I JUST WANT WHAT'S BEST FOR BOTH OF YOU. 484 00:27:51,971 --> 00:27:53,439 OH, I SEE. 485 00:27:53,472 --> 00:27:56,108 AND YOU THINK I'M NOT WHAT'S BEST FOR HER. 486 00:27:56,142 --> 00:27:59,979 WHY CAN'T EVERYBODY LET HER DECIDE THAT? 487 00:28:00,012 --> 00:28:01,447 OH, I KNOW WHAT YOU'RE THINKING. 488 00:28:01,480 --> 00:28:02,982 WHEN SHE GETS HER EYESIGHT BACK, 489 00:28:03,015 --> 00:28:06,118 AND SHE SEES HOW UGLY I AM, HOW OLD, HOW-- 490 00:28:06,152 --> 00:28:10,022 THAT'S NOT WHAT I WAS THINKING, AND YOU KNOW IT. 491 00:28:10,056 --> 00:28:11,390 YOU THINK I'M TOO OLD, DON'T YOU? 492 00:28:15,227 --> 00:28:16,362 WELL, ANSWER ME! 493 00:28:23,035 --> 00:28:24,971 I THINK ONLY YOU CAN BE THE JUDGE OF THAT. 494 00:28:26,505 --> 00:28:29,408 SHE IS A GROWN WOMAN, I AM A GROWN MAN, 495 00:28:29,441 --> 00:28:31,844 AND WE HAVE A RIGHT TO A LIFE! 496 00:28:33,012 --> 00:28:34,513 [CHUCKLES] 497 00:28:34,546 --> 00:28:37,283 YOU'RE JUST A CHILD. WHAT WOULD YOU KNOW ABOUT IT? 498 00:28:42,521 --> 00:28:44,423 I'M THE SAME AGE AS JANE. 499 00:29:29,969 --> 00:29:32,905 ALL RIGHT, JANE. 500 00:29:32,939 --> 00:29:36,909 I'M GOING TO SLOWLY REMOVE THE BANDAGE. 501 00:29:36,943 --> 00:29:39,011 NOW, IF YOU FEEL ANY PAIN, 502 00:29:39,045 --> 00:29:40,446 YOU TELL ME. 503 00:29:48,087 --> 00:29:52,358 NOW, KEEP YOUR EYES CLOSED... 504 00:29:52,391 --> 00:29:54,360 TILL I TELL YOU TO OPEN THEM. 505 00:29:56,528 --> 00:29:58,097 [GASPS] 506 00:29:59,899 --> 00:30:01,500 KEEP THEM CLOSED. 507 00:30:09,976 --> 00:30:12,311 NOW... 508 00:30:12,344 --> 00:30:15,014 VERY SLOWLY... 509 00:30:15,047 --> 00:30:16,315 OPEN YOUR EYES. 510 00:30:32,631 --> 00:30:34,901 DR. VANDERAN. 511 00:30:34,934 --> 00:30:36,268 YES? 512 00:30:38,971 --> 00:30:41,040 I CAN SEE YOU. 513 00:30:41,073 --> 00:30:42,574 HALLELUJAH. 514 00:31:05,697 --> 00:31:07,199 NOW, THERE YOU ARE, FLOYD. 515 00:31:07,233 --> 00:31:08,667 WOOD'S ALL STACKED. 516 00:31:08,700 --> 00:31:10,469 THANK YOU KINDLY, ISAIAH. 517 00:31:10,502 --> 00:31:11,670 WHAT DO I OWE YOU? 518 00:31:11,703 --> 00:31:13,439 OH, NOTHING. NOTHING AT ALL. 519 00:31:13,472 --> 00:31:16,075 NO? WELL, THAT IS KIND. 520 00:31:16,108 --> 00:31:17,309 YOU KNOW, THIS IS THE FIRST YEAR 521 00:31:17,343 --> 00:31:20,012 I COULDN'T DO THE CUTTING MYSELF. 522 00:31:20,046 --> 00:31:21,613 DANG. MAKES ME MAD. 523 00:31:21,647 --> 00:31:23,015 AIN'T NO REASON FOR THAT. 524 00:31:23,049 --> 00:31:24,683 THAT'S WHAT NEIGHBORS ARE FOR. 525 00:31:24,716 --> 00:31:26,919 IT MAKES ME MAD ANYWAY. 526 00:31:26,953 --> 00:31:29,155 YOU DO THINGS ALL YOUR LIFE, AND THEN ALL OF A SUDDEN 527 00:31:29,188 --> 00:31:30,589 YOU CAN'T DO THEM NO MORE. 528 00:31:30,622 --> 00:31:33,292 YEAH, WELL, THAT HAPPENS TO ALL OF US. 529 00:31:33,325 --> 00:31:37,229 YEAH, WELL, PROBABLY. THAT DON'T MAKE IT NO EASIER TO TAKE. 530 00:31:37,263 --> 00:31:40,566 A FELLOW YOUR AGE DON'T THINK OF IT NONE, BUT 531 00:31:40,599 --> 00:31:43,469 IT'LL COME ON YOU SOONER THAN YOU KNOW. 532 00:31:43,502 --> 00:31:45,537 ALL OF A SUDDEN, YOU GET OUT OF BED ONE MORNING, 533 00:31:45,571 --> 00:31:48,307 AND YOU'RE OLD. 534 00:31:48,340 --> 00:31:50,943 CAN'T BE AS BAD AS ALL THAT. 535 00:31:50,977 --> 00:31:52,478 HOW OLD ARE YOU? 536 00:31:52,511 --> 00:31:55,347 I'M 45, I RECKON. 537 00:31:55,381 --> 00:31:57,049 YEAH, WELL, GIVE IT 20 YEARS. 538 00:31:57,083 --> 00:31:59,485 YOU'LL SEE. 539 00:31:59,518 --> 00:32:01,087 [SIGHS] 540 00:32:01,120 --> 00:32:02,454 WELL, I'LL LET YOU KNOW IN 20 YEARS, FLOYD. 541 00:32:02,488 --> 00:32:03,655 YEAH. 542 00:32:03,689 --> 00:32:05,057 TAKE CARE OF YOURSELF. 543 00:32:05,091 --> 00:32:07,093 YOU'LL SEE, ISAIAH. 544 00:32:10,396 --> 00:32:13,665 YOU MARK MY WORDS, ISAIAH, YOU'LL SEE. 545 00:32:25,311 --> 00:32:29,015 WHAT ARE YOU DOING HERE, HALF-PINT? 546 00:32:29,048 --> 00:32:31,717 I WAS WORRIED ABOUT YOU. 547 00:32:31,750 --> 00:32:35,287 NOBODY'S SEEN YOU IN TOWN THE PAST FEW DAYS. 548 00:32:35,321 --> 00:32:38,057 YEAH, WELL, UH... 549 00:32:38,090 --> 00:32:40,359 I HAVEN'T FELT MUCH LIKE WORKING LATELY. 550 00:32:46,332 --> 00:32:48,967 HESTER-SUE SENT A TELEGRAM. 551 00:32:54,340 --> 00:32:56,108 SHE CAN SEE. 552 00:32:58,310 --> 00:33:00,012 THANK GOD. 553 00:33:08,054 --> 00:33:09,321 WELL... 554 00:33:13,225 --> 00:33:15,227 I'D BETTER BE GETTING HOME. 555 00:33:30,109 --> 00:33:32,111 - I'M SORRY-- - I'M SORRY-- 556 00:33:36,248 --> 00:33:38,750 GO AHEAD. 557 00:33:38,784 --> 00:33:42,788 I WAS JUST GOING TO SAY... 558 00:33:42,821 --> 00:33:45,091 I'M SORRY ABOUT THE OTHER DAY. 559 00:33:51,130 --> 00:33:55,334 HALF-PINT, YOU DON'T HAVE ANYTHING TO BE SORRY ABOUT. 560 00:33:55,367 --> 00:33:58,204 YOU DIDN'T DO ANYTHING WRONG. 561 00:33:58,237 --> 00:33:59,405 [SIGHS] 562 00:33:59,438 --> 00:34:01,407 IT'S ME. 563 00:34:01,440 --> 00:34:04,176 IT AIN'T NO CALL TO GET MAD LIKE THAT. 564 00:34:06,545 --> 00:34:08,380 I UNDERSTAND. 565 00:34:11,217 --> 00:34:15,121 I'M NOT SURE YOU DO. 566 00:34:15,154 --> 00:34:19,091 YOU SEE, WHEN YOU'RE MY AGE, YOU, UH... 567 00:34:19,125 --> 00:34:21,793 I MEAN, WHEN YOU LIVE ALONE, 568 00:34:21,827 --> 00:34:25,297 YOU LIVE WITH A LOT OF DREAMS. 569 00:34:25,331 --> 00:34:29,335 ONE OF MY DREAMS WAS THAT... 570 00:34:29,368 --> 00:34:35,307 SOME ANGEL WOULD COME ALONG AND FALL IN LOVE WITH ME, 571 00:34:35,341 --> 00:34:36,508 FIND ME HANDSOME... 572 00:34:39,311 --> 00:34:41,147 Isaiah: WHEN... 573 00:34:41,180 --> 00:34:45,417 THE MIRACLE HAPPENED, I JUST DIDN'T KNOW WHAT TO DO WITH IT, 574 00:34:45,451 --> 00:34:47,286 I DIDN'T KNOW WHAT TO GRAB ON TO. 575 00:34:51,423 --> 00:34:54,626 THAT'S ALL I WAS MAD AT. 576 00:34:54,660 --> 00:34:57,229 IT'S KNOWING THE TRUTH AND NOT WANTING TO. 577 00:35:00,199 --> 00:35:02,501 I THINK THAT'S THE HARDEST PART ABOUT GETTING OLD. 578 00:35:04,736 --> 00:35:06,138 IS... 579 00:35:06,172 --> 00:35:10,576 IS SAYING, "I'M GETTING OLD," 580 00:35:10,609 --> 00:35:12,644 FOR THAT TO BE ALL RIGHT. 581 00:35:16,582 --> 00:35:17,816 YOU WANT TO CRY? 582 00:35:21,320 --> 00:35:24,623 NO, HALF-PINT. 583 00:35:24,656 --> 00:35:26,892 I WANT TO LAUGH. 584 00:35:32,231 --> 00:35:33,665 COME HERE, YOU. 585 00:35:45,244 --> 00:35:46,378 I LOVE YOU. 586 00:35:48,414 --> 00:35:49,815 YOU KNOW THAT. 587 00:35:50,882 --> 00:35:53,352 OF COURSE YOU DO. 588 00:35:53,385 --> 00:35:56,255 EVERYBODY LOVES ME. I'M A LOVABLE FELLOW. 589 00:35:58,490 --> 00:35:59,825 ALL RIGHT. NOW, LOOK HERE. 590 00:35:59,858 --> 00:36:01,527 I WANT YOU TO GET ON HOME NOW. 591 00:36:01,560 --> 00:36:03,495 I DON'T WANT YOU TO NEGLECT THAT GODCHILD OF MINE. 592 00:36:06,598 --> 00:36:07,799 ALL RIGHT. 593 00:36:11,970 --> 00:36:13,772 HALF-PINT. 594 00:36:17,576 --> 00:36:20,546 GO ON NOW. 595 00:37:28,914 --> 00:37:31,750 OH, JANEY, I'M SO HAPPY FOR YOU. 596 00:37:36,788 --> 00:37:40,326 YOU LOOK JUST LIKE I PICTURED YOU'D LOOK. 597 00:37:40,359 --> 00:37:41,993 YOU'RE SO PRETTY. 598 00:37:42,027 --> 00:37:44,430 WELL, HOW ABOUT YOU? 599 00:37:44,463 --> 00:37:46,398 I'M PRETTY, TOO! 600 00:37:46,432 --> 00:37:47,999 [GIGGLING] 601 00:38:02,814 --> 00:38:04,616 SO THIS IS WALNUT GROVE. 602 00:38:06,918 --> 00:38:08,420 THIS IS IT. 603 00:38:12,458 --> 00:38:13,559 LAURA, WHERE'S ISAIAH? 604 00:38:13,592 --> 00:38:15,327 YES, WHERE IS EVERYBODY? 605 00:38:15,361 --> 00:38:18,564 I HALF-EXPECTED A SMALL ARMY TO BE HERE WAITING FOR US. 606 00:38:18,597 --> 00:38:21,433 WELL, AN ARMY IS PRECISELY WHAT I WAS TRYING TO AVOID. 607 00:38:21,467 --> 00:38:23,669 HOWEVER, EVERYONE IS IN THE RESTAURANT. 608 00:38:23,702 --> 00:38:26,037 WE'RE HAVING A SMALL HOMECOMING PARTY IN JANE'S HONOR. 609 00:38:26,071 --> 00:38:27,038 A PARTY? 610 00:38:27,072 --> 00:38:29,040 OH, GOOD! 611 00:38:29,074 --> 00:38:32,544 THEN WE'LL JUST HAVE ONE OF THE MENFOLK COME BACK AND GET OUR BAGGAGE. 612 00:38:32,578 --> 00:38:34,346 HA HA HA! 613 00:38:36,848 --> 00:38:38,950 OH, A MIRACLE IS WHAT IT WAS. 614 00:38:38,984 --> 00:38:40,952 GOD ANSWERED ALL OUR PRAYERS. 615 00:38:40,986 --> 00:38:42,654 AND THERE'S NOT A MORE DESERVING PERSON. 616 00:38:42,688 --> 00:38:43,955 AMEN! 617 00:38:43,989 --> 00:38:46,392 JANE, WHAT ARE YOUR PLANS NOW? 618 00:38:46,425 --> 00:38:49,395 I MEAN, NOW THAT YOUR LIFE HAS CHANGED SO. 619 00:38:49,428 --> 00:38:51,930 I DON'T KNOW YET, ETTA. 620 00:38:51,963 --> 00:38:53,732 [SIGHS] 621 00:38:53,765 --> 00:38:55,801 THINGS ARE RATHER UNCERTAIN RIGHT NOW. 622 00:39:02,608 --> 00:39:03,775 I'M SORRY. 623 00:39:03,809 --> 00:39:05,577 WILL YOU ALL EXCUSE ME, PLEASE? 624 00:39:09,481 --> 00:39:11,116 MMM. 625 00:39:11,149 --> 00:39:13,952 YOU'RE JUST IN TIME TO HELP ME SERVE THE REST OF THIS CAKE. 626 00:39:13,985 --> 00:39:16,021 LAURA, ISAIAH'S NOT HERE. 627 00:39:16,054 --> 00:39:17,423 DO YOU KNOW WHERE HE IS? 628 00:39:21,460 --> 00:39:22,794 HE'S NOT COMING. 629 00:39:24,530 --> 00:39:25,964 HE'S NOT ILL, IS HE? 630 00:39:25,997 --> 00:39:29,468 NO, NO, NOTHING LIKE THAT. 631 00:39:29,501 --> 00:39:32,504 WELL, YOU GAVE HIM MY LETTER. 632 00:39:32,538 --> 00:39:33,705 I DID. 633 00:39:38,477 --> 00:39:41,880 WHY DIDN'T HE COME? 634 00:39:41,913 --> 00:39:43,682 WHY ISN'T HE HERE? 635 00:39:46,485 --> 00:39:48,487 YOU'RE GOING TO HAVE TO ASK HIM THAT. 636 00:40:27,693 --> 00:40:29,094 IT LOOKS LIKE THERE'S NOBODY HOME. 637 00:40:46,578 --> 00:40:47,946 OHH. 638 00:40:50,081 --> 00:40:51,583 ISAIAH. 639 00:40:54,119 --> 00:40:55,854 PRETTY HAZEL EYES. 640 00:40:58,123 --> 00:41:01,627 I'M SORRY I DIDN'T MEET YOUR STAGE, YOU KNOW, BUT, UH... 641 00:41:01,660 --> 00:41:05,230 KIND OF WORKING AROUND THE PLACE A LOT. 642 00:41:05,263 --> 00:41:06,998 CAN WE GO INSIDE? 643 00:41:09,568 --> 00:41:11,570 YEAH, SURE. 644 00:41:11,603 --> 00:41:13,071 KIND OF MESSY. 645 00:41:29,721 --> 00:41:31,489 LIKE I SAID, IT'S MESSY. 646 00:41:34,893 --> 00:41:37,529 NEVER WAS VERY GOOD FOR... 647 00:41:37,563 --> 00:41:39,130 PICKING UP AFTER MYSELF. 648 00:41:45,937 --> 00:41:48,239 WAS IT FOOLISH OF ME TO WRITE THAT LETTER? 649 00:41:52,578 --> 00:41:55,146 NO, JANE, YOU'RE NOT FOOLISH. 650 00:41:55,180 --> 00:41:56,748 YOU JUST DIDN'T KNOW WHAT YOU WERE SAYING. 651 00:41:58,584 --> 00:41:59,818 I DID KNOW. 652 00:42:01,853 --> 00:42:03,789 I MEANT IT. 653 00:42:03,822 --> 00:42:05,991 HOW COULD YOU MEAN IT? 654 00:42:06,024 --> 00:42:07,826 YOU DIDN'T KNOW YOU WERE WRITING IT 655 00:42:07,859 --> 00:42:10,161 TO A BROKEN-DOWN, GRIZZLED-UP OLD 656 00:42:10,195 --> 00:42:13,031 MAN WHO NEVER AMOUNTED TO ANYTHING IN HIS WHOLE LIFE. 657 00:42:16,334 --> 00:42:19,304 I WROTE THAT LETTER TO A MAN... 658 00:42:20,972 --> 00:42:25,176 THE MAN I LEARNED TO LOVE. 659 00:42:25,210 --> 00:42:28,914 THE MAN WHO'S INSIDE OF YOU, ISAIAH. 660 00:42:28,947 --> 00:42:30,816 NOTHING ELSE MATTERS. 661 00:42:32,250 --> 00:42:34,786 IT MATTERS. 662 00:42:34,820 --> 00:42:36,722 EVERYTHING MATTERS. 663 00:42:37,889 --> 00:42:39,190 WHY? 664 00:42:41,192 --> 00:42:42,728 SO LONG AS WE LOVE EACH OTHER, 665 00:42:42,761 --> 00:42:46,264 WHY CAN'T WE BE HAPPY TOGETHER? 666 00:42:46,297 --> 00:42:49,000 JANEY, YOU GOT EYES. 667 00:42:49,034 --> 00:42:51,803 I'M TOO OLD. 668 00:42:51,837 --> 00:42:54,640 I MEAN, YOU GOT A RIGHT TO YOUNG'UNS. 669 00:42:54,673 --> 00:42:57,876 I'M TOO OLD TO CHASE AFTER THEM. 670 00:42:57,909 --> 00:43:02,147 YOU GOT A RIGHT TO A HUSBAND YOU CAN GROW OLD WITH, 671 00:43:02,180 --> 00:43:04,983 NOT ONE YOU'RE GOING TO HAVE TO FEED AND TEND LIKE A BABY 672 00:43:05,016 --> 00:43:07,085 WHEN I GET TOO OLD TO LIFT A SPOON. 673 00:43:09,154 --> 00:43:12,190 BUT I WANT TO TAKE CARE OF YOU WHEN YOU'RE OLD. 674 00:43:19,765 --> 00:43:21,366 I LOVE YOU. 675 00:43:23,268 --> 00:43:27,839 I WANT TO BE WITH YOU, NO MATTER WHAT... 676 00:43:27,873 --> 00:43:30,208 ISAIAH. 677 00:43:39,217 --> 00:43:43,121 NOW, YOU LISTEN TO ME, JANE CANFIELD. 678 00:43:43,154 --> 00:43:45,323 YOU'RE YOUNG. 679 00:43:45,356 --> 00:43:49,661 YOU GOT THE WHOLE WIDE WORLD TO EXPLORE, 680 00:43:49,695 --> 00:43:52,430 TO LOOK FOR HAPPINESS IN. 681 00:43:52,463 --> 00:43:56,134 AND YOU'LL FIND IT. MARK MY WORDS. 682 00:43:56,167 --> 00:43:59,404 I'M JUST NOT THE FELLOW THAT CAN GIVE YOU THAT, DARLING. 683 00:44:04,810 --> 00:44:06,712 YOU GO ON HOME WITH LAURA. 684 00:44:21,292 --> 00:44:22,861 GO HOME, JANE. 685 00:45:19,484 --> 00:45:22,187 IT SEEMS LIKE WE'RE ALWAYS SAYING HELLO OR GOODBYE. 686 00:45:22,220 --> 00:45:25,323 I GUESS IT DOES. 687 00:45:25,356 --> 00:45:26,958 I WISH I COULD STAY, LAURA. 688 00:45:26,992 --> 00:45:30,996 I KNOW. I KNOW. 689 00:45:31,029 --> 00:45:32,764 YOU WRITE. 690 00:45:32,798 --> 00:45:34,532 OF COURSE. 691 00:45:34,565 --> 00:45:36,201 YOU WRITE BACK. 692 00:45:38,303 --> 00:45:40,271 LET ME KNOW HOW HE'S DOING. 693 00:45:41,572 --> 00:45:42,908 I WILL. 694 00:45:57,555 --> 00:46:00,091 Hester-Sue: GIVE OUR BEST REGARDS TO YOUR AUNT. 695 00:47:01,652 --> 00:47:05,323 * OLD DAN TUCKER WAS A FINE OLD MAN * 696 00:47:05,356 --> 00:47:10,361 * WASHED HIS FACE IN A FRYIN' PAN * 697 00:47:10,395 --> 00:47:11,897 HMM. 698 00:47:11,930 --> 00:47:15,300 * COMBED HIS HAIR WITH A WAGON WHEEL... * 44642

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