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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:37,265 --> 00:01:39,667 Laura: NEW YORK CITY IS DIVIDED UP INTO 5 AREAS. 2 00:01:39,700 --> 00:01:41,769 CAN ANYONE NAME THEM FOR US? 3 00:01:44,405 --> 00:01:47,308 CAN YOU NAME EVEN ONE? 4 00:01:47,341 --> 00:01:49,577 - HILDY? - MANHATTAN? 5 00:01:49,610 --> 00:01:50,778 Boy: OW! 6 00:01:50,811 --> 00:01:52,413 WHAT'S THE MATTER? 7 00:01:52,446 --> 00:01:55,283 SOMEBODY HIT ME WITH A SPIT BALL. [LAUGHTER] 8 00:01:55,316 --> 00:01:57,618 WILLIE... 9 00:01:57,651 --> 00:01:59,153 I DIDN'T DO NOTHING. 10 00:01:59,187 --> 00:02:00,421 ANYTHING! 11 00:02:00,454 --> 00:02:02,756 I DIDN'T DO THAT, EITHER. [LAUGHTER] 12 00:02:02,790 --> 00:02:05,493 WILLIE, I'D LIKE JUST ONE DAY TO GO BY 13 00:02:05,526 --> 00:02:07,828 WITHOUT YOU HAVING TO LEARN FROM THAT CORNER. 14 00:02:07,861 --> 00:02:09,897 YES, MA'AM. 15 00:02:09,930 --> 00:02:11,799 BUT WHY DO WE HAVE TO STUDY NEW YORK CITY? 16 00:02:11,832 --> 00:02:13,634 WE'LL PROBABLY NEVER GO THERE. 17 00:02:13,667 --> 00:02:17,505 IN CASE YOU DO. IN CASE YOU GO ANYWHERE OUTSIDE OF MINNESOTA, 18 00:02:17,538 --> 00:02:21,375 YOU'LL HAVE SOMETHING BESIDES TOTAL IGNORANCE TO TAKE WITH YOU. 19 00:02:21,409 --> 00:02:23,344 Albert: [LAUGHS] Laura: NOW, HILDY... 20 00:02:23,377 --> 00:02:26,580 MANHATTAN IS ONE OF THE 5 AREAS. CAN YOU NAME THE OTHER 4? 21 00:02:26,614 --> 00:02:28,482 NO, MA'AM. 22 00:02:29,617 --> 00:02:31,785 Laura: CAN ANYBODY? 23 00:02:34,555 --> 00:02:39,827 THEY ARE QUEENS, STATEN ISLAND, BROOKLYN, AND THE BRONX. 24 00:02:39,860 --> 00:02:42,563 Laura: NOW, THEY AND MANHATTAN SHARE A COMMON DESIGNATION, 25 00:02:42,596 --> 00:02:44,932 SUCH AS TOWN, CITY, COUNTY, STATE. 26 00:02:44,965 --> 00:02:48,369 CAN ANYONE TELL ME WHAT THAT DESIGNATION IS? 27 00:02:48,402 --> 00:02:50,404 Laura: WILLIE, CAN YOU TELL ME? 28 00:02:50,438 --> 00:02:52,973 UH, GEE, I DON'T THINK SO. 29 00:02:53,006 --> 00:02:55,609 THEY'RE CALLED BOROUGHS. 30 00:02:55,643 --> 00:02:57,845 - REALLY? - REALLY! 31 00:02:57,878 --> 00:03:00,248 I THOUGHT BURROS WERE SOME KIND OF A DONKEY. 32 00:03:00,281 --> 00:03:02,516 [LAUGHTER] 33 00:03:02,550 --> 00:03:04,218 HONEST, THAT'S WHAT I HEARD. 34 00:03:04,252 --> 00:03:05,886 THAT'S A DIFFERENT SPELLING. 35 00:03:05,919 --> 00:03:08,389 NOW, I'M REFERRING TO "BOROUGH," 36 00:03:08,422 --> 00:03:12,960 AS IN B-O-R-O-U-G-H. 37 00:03:12,993 --> 00:03:15,496 YOU'RE TALKING ABOUT SIMPLY "BURRO," 38 00:03:15,529 --> 00:03:18,299 B-U-R-R-O. 39 00:03:18,332 --> 00:03:19,600 [BRAYING] 40 00:03:19,633 --> 00:03:21,769 [LAUGHTER] 41 00:03:23,637 --> 00:03:25,406 WILLIE OLESON, IN THE CORNER. 42 00:03:25,439 --> 00:03:27,475 Willie: I DIDN'T... 43 00:03:29,009 --> 00:03:33,514 NOW, THOUGH IT'S NOT COMPLETED YET, THE... 44 00:03:33,547 --> 00:03:35,816 THE BROOKLYN BRIDGE IS BEING CONSIDERED 45 00:03:35,849 --> 00:03:39,287 THE ENGINEERING MARVEL OF THE 19th CENTURY. 46 00:03:39,320 --> 00:03:41,755 NOW, IT'S SITUATED AT THE SOUTHERN TIP OF MANHATTAN 47 00:03:41,789 --> 00:03:44,358 ACROSS THE EAST RIVER TO...? 48 00:03:44,392 --> 00:03:46,494 CAN ANYONE TELL ME WHICH BOROUGH? 49 00:03:48,329 --> 00:03:51,832 IT'S CALLED THE BROOKLYN BRIDGE. 50 00:03:51,865 --> 00:03:56,304 DOES ANYONE FIND IT LOGICAL THAT IT MIGHT BE CONNECTED TO BROOKLYN? 51 00:03:56,337 --> 00:03:58,539 Harriet: YOO-HOO? 52 00:03:58,572 --> 00:04:00,874 [CHUCKLES] EXCUSE ME. 53 00:04:00,908 --> 00:04:04,812 I'M SO SORRY. I DON'T MEAN TO INTERRUPT, BUT I... 54 00:04:07,080 --> 00:04:08,449 HI, MA. 55 00:04:08,482 --> 00:04:11,852 UH...WILLIE, TAKE YOUR SEAT. 56 00:04:15,623 --> 00:04:18,859 [LAUGHS] OH, THIS IS MR. STOHLER. 57 00:04:18,892 --> 00:04:20,928 HE'S FROM THE BOARD OF EDUCATION. 58 00:04:20,961 --> 00:04:22,663 Laura: OH, IT'S A PLEASURE TO MEET YOU. 59 00:04:22,696 --> 00:04:23,864 MRS. WILDER. 60 00:04:23,897 --> 00:04:26,434 HE'S HERE TO MAKE AN EVALUATION. 61 00:04:26,467 --> 00:04:28,001 AN EVALUATION? 62 00:04:28,035 --> 00:04:30,003 FOR THE SCHOOL IMPROVEMENT PROGRAM. 63 00:04:30,037 --> 00:04:31,939 OH, YES! 64 00:04:31,972 --> 00:04:35,409 YES, THE STATE IS PREPARED TO FUND A PORTION OF YOUR NEEDS, 65 00:04:35,443 --> 00:04:36,977 IF THEY'RE FOUND TO BE JUSTIFIED. 66 00:04:37,010 --> 00:04:39,780 WELL, WE ARE SHORT OF A FEW THINGS, 67 00:04:39,813 --> 00:04:41,882 AND THE BUILDING COULD USE SOME REPAIRING. 68 00:04:41,915 --> 00:04:45,953 WELL, I'LL LOOK OVER YOUR SITUATION AND FILE MY REPORT. 69 00:04:45,986 --> 00:04:50,691 Mr. Stohler: IN THE MEANTIME, I'D LIKE TO MONITOR THE CLASS, IF I MAY. 70 00:04:50,724 --> 00:04:52,626 OH, OF COURSE. 71 00:04:52,660 --> 00:04:55,929 WE'RE STUDYING THE MAJOR CITIES OF THE UNITED STATES RIGHT NOW, 72 00:04:55,963 --> 00:04:57,898 WHAT MAKES THEM SPECIAL AND SO FORTH. 73 00:04:57,931 --> 00:04:59,433 SOUNDS INTERESTING. 74 00:04:59,467 --> 00:05:02,035 YES, WELL, WE'LL JUST SIT IN THE BACK. 75 00:05:02,069 --> 00:05:05,973 YOU JUST CARRY ON AS IF WE WEREN'T HERE. 76 00:05:09,443 --> 00:05:11,745 THE ATLANTIC OCEAN AND 3 RIVERS 77 00:05:11,779 --> 00:05:14,582 CAUSE MANHATTAN TO BE AN ISLAND. 78 00:05:14,615 --> 00:05:16,617 CAN ANYONE NAME THOSE 3 RIVERS? 79 00:05:19,553 --> 00:05:21,021 Laura: CARRIE? 80 00:05:25,559 --> 00:05:26,894 MARIA? 81 00:05:31,499 --> 00:05:32,700 WILLIE? 82 00:05:44,812 --> 00:05:46,447 WHOA. 83 00:05:56,957 --> 00:05:58,025 [DOOR SLAMS] 84 00:05:58,058 --> 00:05:59,660 Almanzo: I'M HOME! 85 00:05:59,693 --> 00:06:02,863 MANLY, COULD YOU PLEASE NOT SLAM THE DOOR THAT WAY? 86 00:06:04,965 --> 00:06:07,501 Almanzo: SORRY. 87 00:06:07,535 --> 00:06:09,937 SOUNDS LIKE YOU HAD SOME KIND OF A DAY. 88 00:06:09,970 --> 00:06:12,172 YOU WANT TO KNOW WHAT KIND OF A DAY I HAD? 89 00:06:12,205 --> 00:06:13,974 I HAD THE KIND OF A DAY 90 00:06:14,007 --> 00:06:15,809 THAT MAKES ME WONDER WHY I EVER WANTED 91 00:06:15,843 --> 00:06:18,412 TO BE A TEACHER IN THE FIRST PLACE. 92 00:06:18,446 --> 00:06:19,980 WHERE ARE ALL THOSE SHINING FACES 93 00:06:20,013 --> 00:06:22,583 FILLED WITH THE EXCITEMENT OF LEARNING? 94 00:06:22,616 --> 00:06:26,620 WHAT MAKES OTHERWISE INTELLIGENT STUDENTS SUDDENLY BECOME RUDE, 95 00:06:26,654 --> 00:06:29,189 UNRULY, AND STUPID? 96 00:06:29,222 --> 00:06:32,626 WHAT HAS TURNED TEACHING INTO AN EXERCISE IN FORCE-FEEDING? 97 00:06:32,660 --> 00:06:33,894 SOUNDS PRETTY BAD ALL RIGHT. 98 00:06:33,927 --> 00:06:35,696 THE WORST OF IT IS 99 00:06:35,729 --> 00:06:38,065 MRS. OLESON BRINGS A REPRESENTATIVE OF THE SCHOOL BOARD IN 100 00:06:38,098 --> 00:06:40,601 TO WATCH ME BE MADE A FOOL OF. 101 00:06:40,634 --> 00:06:42,703 LISTEN, WHY DON'T YOU SIT DOWN FOR A WHILE AND RELAX? 102 00:06:42,736 --> 00:06:44,204 I CAN'T. I HAVE TO MAKE SUPPER. 103 00:06:44,237 --> 00:06:45,439 WELL, IT'S EARLY! 104 00:06:45,473 --> 00:06:46,206 I HAVE TO GO BACK. 105 00:06:46,239 --> 00:06:48,108 WHY? 106 00:06:48,141 --> 00:06:52,780 BECAUSE MRS. OLESON CALLED AN EMERGENCY MEETING OF THE SCHOOL BOARD. 107 00:06:52,813 --> 00:06:57,485 I HAVE NEVER MET ANYONE THAT GETS ON MY NERVES MORE THAN THAT WOMAN. 108 00:06:57,518 --> 00:06:58,886 OH, NOW... 109 00:07:00,888 --> 00:07:03,123 I'D BEST GO UNHITCH THE HORSES. 110 00:07:15,969 --> 00:07:19,940 THE POINT IS THAT OUR SCHOOL IS JUST NOT UP TO THE STANDARDS 111 00:07:19,973 --> 00:07:22,643 OF THE OTHER SCHOOLS IN THE STATE. 112 00:07:22,676 --> 00:07:25,479 Harriet: SO, WHEN MR. STOHLER RETURNS IN A COUPLE OF WEEKS, 113 00:07:25,513 --> 00:07:27,948 UNLESS WE HAVE AN IMPROVED CURRICULUM, 114 00:07:27,981 --> 00:07:30,484 WE'RE JUST NOT GOING TO GET THE FUNDS THAT WE NEED 115 00:07:30,518 --> 00:07:35,122 FOR THE IMPROVEMENTS AND REPAIRS AND EQUIPMENT AND NEW TEXTBOOKS. 116 00:07:35,155 --> 00:07:38,526 WHAT DOES MR. STOHLER OBJECT TO? 117 00:07:38,559 --> 00:07:40,994 WELL, HE FEELS THAT THE TEACHING OF THE 3 Rs 118 00:07:41,028 --> 00:07:43,731 IS JUST NOT ADEQUATE ANYMORE. 119 00:07:43,764 --> 00:07:46,567 WHAT KIND OF SUBJECTS DO YOU THINK WE SHOULD ADD? 120 00:07:46,600 --> 00:07:49,036 WELL, ART APPRECIATION, FOR ONE THING, 121 00:07:49,069 --> 00:07:50,671 AND FRENCH... 122 00:07:50,704 --> 00:07:54,241 ART APPRECIATION AND FRENCH? 123 00:07:54,274 --> 00:07:56,577 THEN THERE'S THE MATTER OF THE DRESS CODE. 124 00:07:56,610 --> 00:08:00,881 WHY, SOME OF THE CHILDREN COME TO SCHOOL LOOKING LIKE COMMON LITTLE BEGGARS. 125 00:08:00,914 --> 00:08:03,050 MRS. OLESON, THE CHILDREN YOU'RE REFERRING TO 126 00:08:03,083 --> 00:08:04,952 COME FROM DESPERATELY POOR FAMILIES. 127 00:08:04,985 --> 00:08:06,987 NOW, THEIR CLOTHES MAY BE IN TATTERS, 128 00:08:07,020 --> 00:08:09,590 BUT AT LEAST I MAKE SURE THAT THEY'RE CLEAN TATTERS. 129 00:08:09,623 --> 00:08:11,124 YES, I'M SURE THAT YOU DO... 130 00:08:11,158 --> 00:08:13,761 NOW, I DO KNOW SOMETHING ABOUT ART APPRECIATION, 131 00:08:13,794 --> 00:08:16,564 BUT I CAN BARELY GRASP THE BASICS OF FRENCH. 132 00:08:16,597 --> 00:08:19,633 WELL, I CAN MOST CERTAINLY COACH YOU. 133 00:08:19,667 --> 00:08:22,603 WHAT I'M TRYING TO SAY IS THAT MY STUDENTS 134 00:08:22,636 --> 00:08:25,272 NEED TO PUSH THEMSELVES TO HANDLE THE ESSENTIAL SUBJECTS, 135 00:08:25,305 --> 00:08:28,208 LIKE MATH AND HISTORY, AND READING AND WRITING AND SPELLING. 136 00:08:28,241 --> 00:08:31,311 WELL, IF OTHER SCHOOLS CAN EXPAND THEIR CURRICULUM, 137 00:08:31,344 --> 00:08:33,080 THEN SURELY WE CAN, TOO. 138 00:08:33,113 --> 00:08:36,216 OTHER SCHOOLS HAVE MORE THAN ONE TEACHER. 139 00:08:37,751 --> 00:08:40,053 OH, ARE YOU TELLING US 140 00:08:40,087 --> 00:08:43,090 THAT YOU CAN'T DEAL WITH SUCH A SCHEDULE? 141 00:08:43,123 --> 00:08:45,593 I CAN DEAL WITH IT, 142 00:08:45,626 --> 00:08:48,896 BUT AT THE EXPENSE OF THE MORE PRACTICAL SUBJECTS. 143 00:08:48,929 --> 00:08:50,764 MRS. OLESON, I AGREE WITH MY DAUGHTER. 144 00:08:50,798 --> 00:08:53,300 I MEAN, THESE ARE CHILDREN FROM HARDWORKING FARM FAMILIES. 145 00:08:53,333 --> 00:08:55,569 THEY'RE GOING TO GROW UP TO BE FARMERS OR THE WIVES OF FARMERS. 146 00:08:55,603 --> 00:08:57,237 I THINK THEY NEED TO KNOW MORE ABOUT BUSHELS AND PECKS 147 00:08:57,270 --> 00:09:00,641 THAN THEY DO SOME FOREIGN LANGUAGE THEY'LL LIKELY NEVER USE. 148 00:09:00,674 --> 00:09:01,842 THAT'S A GOOD POINT, HARRIET. 149 00:09:01,875 --> 00:09:02,810 OH, IS THAT SO? 150 00:09:02,843 --> 00:09:04,244 Nels: YES! 151 00:09:04,277 --> 00:09:07,047 CAN YOU IMAGINE WILLIE TAKING ON TWO MORE SUBJECTS? 152 00:09:07,080 --> 00:09:08,949 HE'D BE IN SCHOOL THE REST OF HIS LIFE. 153 00:09:08,982 --> 00:09:11,819 IT WOULD BE TOO MUCH FOR ANY OF THE STUDENTS. 154 00:09:11,852 --> 00:09:14,922 WELL, PROPERLY TAUGHT, I'M SURE THAT THEY COULD MANAGE. 155 00:09:14,955 --> 00:09:16,323 PROPERLY TAUGHT? 156 00:09:16,356 --> 00:09:17,725 Harriet: YES, INDEED. 157 00:09:17,758 --> 00:09:18,959 NOW, PERHAPS YOU HAVE FORGOTTEN, 158 00:09:18,992 --> 00:09:21,194 BUT I DO POSSESS A TEACHING CERTIFICATE. 159 00:09:21,228 --> 00:09:23,063 OF COURSE, I MARRIED NELS. 160 00:09:23,096 --> 00:09:25,699 I WOULD HAVE HAD A VERY IMPORTANT CAREER OTHERWISE, 161 00:09:25,733 --> 00:09:30,237 BUT I CERTAINLY AM QUALIFIED TO JUDGE TEACHING CAPABILITIES. 162 00:09:30,270 --> 00:09:33,974 AND MINE ARE LACKING. IS THAT WHAT YOU'RE TRYING TO SAY? 163 00:09:34,007 --> 00:09:36,710 WELL, IF TODAY WAS ANY EXAMPLE OF... 164 00:09:36,744 --> 00:09:37,911 Nels: HARRIET. 165 00:09:37,945 --> 00:09:39,947 THAT'S NOT FAIR. 166 00:09:39,980 --> 00:09:42,916 NO, MR. OLESON, WE DID HAVE A BAD DAY. 167 00:09:42,950 --> 00:09:44,785 TO SAY THE VERY LEAST. 168 00:09:44,818 --> 00:09:47,788 NOW, I THINK THAT WE MUST FACE THE FACT 169 00:09:47,821 --> 00:09:50,691 THAT IF WE ARE GOING TO GET ANY KIND OF STATE FUNDING, 170 00:09:50,724 --> 00:09:54,862 WE ARE GOING TO HAVE TO ALTER THE CURRICULUM AS I HAVE SUGGESTED. 171 00:09:54,895 --> 00:09:57,064 I SAY WE DO WITHOUT STATE FUNDING. 172 00:09:57,097 --> 00:09:58,866 Harriet: OH, WELL, FINE! 173 00:09:58,899 --> 00:10:02,903 THEN LET THE REST OF THE TOWN BEAR THE BURDEN OF THE EXPENSE. 174 00:10:02,936 --> 00:10:06,373 NOW, ALL IN FAVOR OF THE NEW PLAN, PLEASE, RAISE YOUR HANDS. 175 00:10:06,406 --> 00:10:08,909 ABSTAIN. 176 00:10:08,942 --> 00:10:10,978 Harriet: OPPOSED? 177 00:10:12,913 --> 00:10:15,916 WELL, LAURA, IT SEEMS THAT YOU'VE BEEN OVERRULED. 178 00:10:15,949 --> 00:10:18,285 I GUESS WE HAVE TO ACCEPT MAJORITY RULE, DON'T WE? 179 00:10:18,318 --> 00:10:21,655 YES, I GUESS WE DO. 180 00:10:21,689 --> 00:10:22,956 MRS. OLESON, ARE YOU SURE 181 00:10:22,990 --> 00:10:25,025 THAT ONE TEACHER CAN HANDLE THIS SCHEDULE? 182 00:10:25,058 --> 00:10:28,228 [CHUCKLING] 183 00:10:28,261 --> 00:10:30,964 YES, YES, OF COURSE. 184 00:10:30,998 --> 00:10:32,432 GOOD. I WISH YOU LUCK. 185 00:10:32,465 --> 00:10:33,834 WHAT? 186 00:10:33,867 --> 00:10:35,869 BECAUSE I QUIT. 187 00:10:35,903 --> 00:10:38,706 LADIES AND GENTLEMEN, MEET YOUR NEW SCHOOLTEACHER. 188 00:11:06,499 --> 00:11:09,436 GRACE IS ALL TUCKED IN. 189 00:11:09,469 --> 00:11:11,438 SHOULDN'T WE GET READY FOR BED? 190 00:11:11,471 --> 00:11:12,706 I'M JUST FINISHING UP. 191 00:11:12,740 --> 00:11:14,107 WHAT ARE YOU DOING? 192 00:11:14,141 --> 00:11:15,709 I'M TRYING TO FIGURE OUT WHAT MRS. OLESON'S 193 00:11:15,743 --> 00:11:17,410 NEW DRESS CODE IS GOING TO COST US. 194 00:11:17,444 --> 00:11:19,880 IT CAN'T BE THAT MUCH. 195 00:11:19,913 --> 00:11:21,181 WHATEVER IT IS, IT'S TOO MUCH. 196 00:11:21,214 --> 00:11:22,883 IT'S JUST PLAIN FOOLISHNESS. 197 00:11:22,916 --> 00:11:24,217 CAN I HAVE ANOTHER PIECE OF CAKE? 198 00:11:24,251 --> 00:11:27,254 OH, I'M SAVING THAT FOR TOMORROW NIGHT. 199 00:11:27,287 --> 00:11:30,223 I DON'T KNOW WHY I'M SO HUNGRY. 200 00:11:30,257 --> 00:11:32,359 HERE, HAVE AN APPLE. 201 00:11:32,392 --> 00:11:34,161 THANKS. 202 00:11:34,194 --> 00:11:38,131 CARRIE IS GOING TO NEED A NEW DRESS, SOME WHITE STOCKINGS... 203 00:11:38,165 --> 00:11:40,300 ALBERT IS GOING TO NEED AT LEAST TWO NEW SHIRTS, 204 00:11:40,333 --> 00:11:42,235 BLACK STOCKINGS, STRING TIE. 205 00:11:42,269 --> 00:11:44,037 I ALREADY MADE THE STRING TIE MYSELF. 206 00:11:44,071 --> 00:11:46,807 YOU CAN FORGET THE BLACK STOCKINGS. 207 00:11:46,840 --> 00:11:48,876 Caroline: YOU ONLY HAVE ONE PAIR. 208 00:11:48,909 --> 00:11:50,177 THAT'S GOOD ENOUGH FOR CHURCH ON SUNDAY, 209 00:11:50,210 --> 00:11:52,846 AND I'M NOT WEARING STOCKINGS TO SCHOOL. 210 00:11:52,880 --> 00:11:55,783 [LAUGHS] THAT'LL HELP A LITTLE MORE. 211 00:11:57,851 --> 00:12:00,353 YEAH, WE'VE GOT TO PAY IT. THERE'S NOTHING WE CAN DO ABOUT IT. 212 00:12:03,023 --> 00:12:04,992 ARE YOU STILL WORRIED ABOUT LAURA? 213 00:12:05,025 --> 00:12:07,094 I CAN'T HELP IT. 214 00:12:07,127 --> 00:12:09,362 TEACHING'S BEEN SUCH AN IMPORTANT PART OF HER LIFE, 215 00:12:09,396 --> 00:12:12,432 I DON'T SEE HOW SHE CAN BE HAPPY WITHOUT IT. 216 00:12:12,465 --> 00:12:14,301 OH, MAYBE WE'RE MAKING A MISTAKE. 217 00:12:14,334 --> 00:12:16,403 MAYBE TEACHING ISN'T THAT IMPORTANT. 218 00:12:16,436 --> 00:12:18,038 I MEAN, MAYBE SHE WANTED TO QUIT, 219 00:12:18,071 --> 00:12:19,907 AND THIS JUST GAVE HER THE EXCUSE, THAT'S ALL. 220 00:12:19,940 --> 00:12:23,343 CHARLES, YOU DON'T BELIEVE THAT. 221 00:12:23,376 --> 00:12:25,245 NO, I DON'T. 222 00:12:27,014 --> 00:12:28,982 LET'S GO TO BED. 223 00:12:29,016 --> 00:12:30,383 WILL YOU TURN OUT THE LIGHTS? 224 00:12:30,417 --> 00:12:32,052 SURE. 225 00:12:34,221 --> 00:12:36,089 THANK YOU, MRS. OLESON. 226 00:12:38,391 --> 00:12:39,559 [BELL RINGING] 227 00:12:39,592 --> 00:12:42,930 Harriet: TIME FOR SCHOOL, CHILDREN! 228 00:12:42,963 --> 00:12:45,899 TIME FOR SCHOOL! [LAUGHS] 229 00:12:49,269 --> 00:12:52,039 Harriet: YES, COME ON, HURRY UP. COME ON. 230 00:12:52,072 --> 00:12:54,374 IT'S GOING TO BE FUN, NOW. 231 00:12:54,407 --> 00:12:57,310 COME ON, JED! [LAUGHS] 232 00:12:57,344 --> 00:13:01,581 COME ALONG. HURRY UP, FOR HEAVEN'S SAKES. 233 00:13:01,614 --> 00:13:05,118 Harriet: YES. COME IN, CHILDREN. COME ON, NOW. 234 00:13:05,152 --> 00:13:06,920 ALL RIGHT, BOYS AND GIRLS, 235 00:13:06,954 --> 00:13:08,121 LINE UP FOR INSPECTION. 236 00:13:08,155 --> 00:13:10,223 GIRLS ON THIS SIDE, BOYS ON THAT SIDE. 237 00:13:10,257 --> 00:13:12,893 HURRY UP, HURRY UP, TAKE YOUR PLACES. 238 00:13:12,926 --> 00:13:14,527 LET ME SEE, MARIA. 239 00:13:14,561 --> 00:13:18,298 YES, VERY NICE. YES, GET YOUR TIE STRAIGHT. 240 00:13:18,331 --> 00:13:20,934 VERY NICE, HONEY. STAND IN LINE. 241 00:13:20,968 --> 00:13:23,103 THERE YOU ARE. 242 00:13:23,136 --> 00:13:26,373 AH, WHERE ARE YOUR WHITE STOCKINGS, YOUNG LADY? 243 00:13:26,406 --> 00:13:30,277 MY FOLKS DON'T HAVE THE MONEY TO AFFORD THEM. 244 00:13:30,310 --> 00:13:33,280 OH, I SEE. 245 00:13:33,313 --> 00:13:36,316 WELL, COULD THEY AFFORD ONE PENNY EVERY WEEK? 246 00:13:36,349 --> 00:13:38,385 I THINK SO! 247 00:13:38,418 --> 00:13:42,055 ALL RIGHT, THEN YOU COME IN TO THE MERCANTILE AFTER SCHOOL, 248 00:13:42,089 --> 00:13:43,456 AND WE'LL GET YOU SOME WHITE STOCKINGS. 249 00:13:43,490 --> 00:13:44,892 YES, MA'AM. 250 00:13:44,925 --> 00:13:47,961 ALL RIGHT, DARLING. OH, ALL RIGHT, CARRIE. 251 00:13:47,995 --> 00:13:48,996 LET ME SEE. 252 00:13:49,029 --> 00:13:50,363 YES, VERY NICE. 253 00:13:50,397 --> 00:13:52,132 Harriet: YES, YOU LOOK NICE AND NEAT AND CLEAN. 254 00:13:52,165 --> 00:13:54,634 WELL, STAND UP STRAIGHT, FOR HEAVEN'S SAKES. 255 00:13:54,667 --> 00:13:58,005 ALL RIGHT, YES, WILLIE. 256 00:13:58,038 --> 00:14:02,575 OH! YOUR SHOES ARE ALL SCUFFED, ALBERT... 257 00:14:06,079 --> 00:14:07,247 ALBERT INGALLS. 258 00:14:07,280 --> 00:14:08,448 YES, MA'AM? 259 00:14:08,481 --> 00:14:10,383 DON'T TELL ME THAT YOUR PARENTS 260 00:14:10,417 --> 00:14:12,385 CAN'T AFFORD BLACK STOCKINGS. 261 00:14:12,419 --> 00:14:14,254 NO, MA'AM. 262 00:14:14,287 --> 00:14:17,991 HMM. THEN WHERE ARE THEY? 263 00:14:18,025 --> 00:14:19,626 THEY'RE AT HOME. 264 00:14:19,659 --> 00:14:21,962 I ONLY WEAR THEM FOR SPECIAL OCCASIONS. 265 00:14:21,995 --> 00:14:24,164 OH, I SEE. 266 00:14:24,197 --> 00:14:27,935 AND SCHOOL IS NOT A SPECIAL OCCASION? 267 00:14:27,968 --> 00:14:29,336 I GUESS SO. 268 00:14:29,369 --> 00:14:31,071 BUT THEY'RE JUST NOT COMFORTABLE. 269 00:14:31,104 --> 00:14:33,173 WELL, THAT'S TOO BAD. 270 00:14:33,206 --> 00:14:34,641 NOW, WHILE I'M HERE, 271 00:14:34,674 --> 00:14:37,044 YOU ARE GOING TO LEARN FROM ME 272 00:14:37,077 --> 00:14:39,079 THAT A DRESS CODE IS A DRESS CODE, 273 00:14:39,112 --> 00:14:41,248 AND YOU ARE GOING TO BE REQUIRED TO DO IT, 274 00:14:41,281 --> 00:14:42,649 JUST LIKE EVERYBODY ELSE. 275 00:14:42,682 --> 00:14:44,217 IS THAT CLEAR? 276 00:14:44,251 --> 00:14:46,219 - YES, MA'AM. - ALL RIGHT, VERY GOOD. 277 00:14:46,253 --> 00:14:48,655 ALL RIGHT, YOU'RE FINE. OH, CLAY, YOUR TIE. 278 00:14:48,688 --> 00:14:52,392 Harriet: ALL RIGHT, EVERYONE, SIT DOWN NOW. WE'RE GOING TO START. 279 00:14:52,425 --> 00:14:55,095 HURRY UP, SIT DOWN, DARLINGS. 280 00:14:55,128 --> 00:14:57,230 VERY NICE... 281 00:14:57,264 --> 00:14:59,666 NOW, WE'RE GOING TO BEGIN... 282 00:14:59,699 --> 00:15:00,633 Parker: EXCUSE ME. 283 00:15:00,667 --> 00:15:02,535 YES? 284 00:15:02,569 --> 00:15:06,206 MY NAME'S PARKER. MY BOY RALPH HERE IS STARTING SCHOOL TODAY. 285 00:15:06,239 --> 00:15:08,708 UH-HUH, MR. PARKER AND RALPH. 286 00:15:08,741 --> 00:15:11,144 HOW COME EVERYBODY IS DRESSED THE SAME? 287 00:15:11,178 --> 00:15:13,981 BECAUSE I REQUIRE IT. 288 00:15:14,014 --> 00:15:15,515 I AIN'T GETTING UP LIKE THAT. 289 00:15:15,548 --> 00:15:16,483 YOU DO AS YOU'RE TOLD. 290 00:15:16,516 --> 00:15:18,218 IT LOOKS DUMB. 291 00:15:18,251 --> 00:15:20,988 MIND YOUR MOUTH, BOY. I'LL BE PUTTING A FIST IN IT. 292 00:15:21,021 --> 00:15:23,090 HE'LL HAVE THE PROPER CLOTHES TOMORROW. 293 00:15:23,123 --> 00:15:24,657 OH, VERY GOOD. 294 00:15:24,691 --> 00:15:26,526 IF YOU'LL JUST TAKE A SEAT 295 00:15:26,559 --> 00:15:28,628 RIGHT BACK THERE IN THE LAST ROW, RALPH. 296 00:15:38,105 --> 00:15:40,207 ALL RIGHT, CHILDREN. 297 00:15:40,240 --> 00:15:45,312 NOW, WE'RE GOING TO BEGIN TODAY WITH A LECTURE ON RENAISS-- 298 00:15:45,345 --> 00:15:46,513 [RASPBERRY] 299 00:15:46,546 --> 00:15:49,382 [LAUGHTER] 300 00:15:49,416 --> 00:15:51,118 WHO MADE THAT RUDE NOISE? 301 00:15:51,151 --> 00:15:52,319 OUCH! 302 00:15:52,352 --> 00:15:55,022 - [LAUGHTER] - WILLIE OLESON! 303 00:15:55,055 --> 00:15:56,689 IT WASN'T ME! IT WAS... 304 00:15:56,723 --> 00:15:58,225 OH... 305 00:15:58,258 --> 00:15:59,459 IN THE CORNER. 306 00:15:59,492 --> 00:16:01,628 HONEST, MA! 307 00:16:01,661 --> 00:16:03,363 NOT ANOTHER WORD. 308 00:16:09,436 --> 00:16:11,304 [LAUGHTER] 309 00:16:21,514 --> 00:16:25,518 AIMEZ-VOUS MA NOUVELLE ROBE? 310 00:16:25,552 --> 00:16:30,590 OUI, J'AIME VOTRE NOUVELLE ROBE. 311 00:16:34,627 --> 00:16:38,765 AVEZ-VOUS VOTRE PARAPLUIE BLEU? 312 00:16:38,798 --> 00:16:44,504 NON, JE N'AI PAS MON PARAPLUIE BLEU. 313 00:16:44,537 --> 00:16:47,107 HARRIET, WILL YOU STOP THE CATERWAULING AND FIX SUPPER? 314 00:16:47,140 --> 00:16:49,542 CATERWAULING! I'M NOT CATERWAULING! 315 00:16:49,576 --> 00:16:52,379 I'M PREPARING AN EXERCISE FOR TOMORROW'S CLASS. 316 00:16:52,412 --> 00:16:53,580 IS THAT SO? 317 00:16:53,613 --> 00:16:55,415 YES, THAT'S SO. 318 00:16:55,448 --> 00:16:57,650 I ASK THE CLASS A QUESTION IN FRENCH, 319 00:16:57,684 --> 00:16:59,686 AND THEY RESPOND IN FRENCH. 320 00:16:59,719 --> 00:17:01,421 - REALLY? - YES, REALLY! 321 00:17:01,454 --> 00:17:02,722 HOW WOULD YOU ASK THE QUESTION, 322 00:17:02,755 --> 00:17:04,457 "DO YOU THINK SUPPER WILL EVER BE READY?" 323 00:17:04,491 --> 00:17:07,360 AH... CROYEZ-VOUS... 324 00:17:07,394 --> 00:17:09,662 OH! THAT'S NOT VERY FUNNY, NELS. 325 00:17:09,696 --> 00:17:11,698 IF THE ANSWER IS ANYTHING BUT "YES, IN 5 MINUTES," 326 00:17:11,731 --> 00:17:13,100 I'M GOING TO THE RESTAURANT. 327 00:17:13,133 --> 00:17:16,336 OH, WELL, VA AU RESTAURANT! 328 00:17:16,369 --> 00:17:18,738 QUEL IMBECILE! 329 00:17:18,771 --> 00:17:22,309 BETE...BETEMENT. 330 00:17:22,342 --> 00:17:23,743 UH...BRUTE! 331 00:17:23,776 --> 00:17:26,646 IDIOT! VA AU RESTAURANT! 332 00:17:26,679 --> 00:17:29,616 JE SUIS...JE SUIS... 333 00:17:29,649 --> 00:17:32,719 VERY HAPPY THAT YOU'RE GOING TO THE RESTAURANT. 334 00:17:39,259 --> 00:17:41,461 LISTEN, AS SOON AS YOU EAT YOUR BREAKFAST 335 00:17:41,494 --> 00:17:44,264 YOU CAN COME OUTSIDE AND WATCH PA FIX THE BARN ROOF. 336 00:17:44,297 --> 00:17:45,732 WANT TO DO THAT? 337 00:17:45,765 --> 00:17:48,235 HUH, DO YOU? OKAY. 338 00:17:48,268 --> 00:17:50,270 THAT'S A GOOD GIRL, AND ALL YOU'VE GOT TO DO 339 00:17:50,303 --> 00:17:53,473 IS EAT THESE WONDERFUL EGGIES I MADE. 340 00:17:53,506 --> 00:17:55,608 YOU LIKE EGGIES? 341 00:17:55,642 --> 00:17:57,544 YOU DON'T LIKE EGGIES, HUH? 342 00:17:57,577 --> 00:18:00,147 WHAT ABOUT YOUR DOLLY? SHE LIKES EGGIES. 343 00:18:00,180 --> 00:18:04,284 SHE ATE A LOT OF EGGS THIS MORNING, DIDN'T SHE? 344 00:18:04,317 --> 00:18:06,719 WHY DIDN'T SHE EAT EGGS? 345 00:18:06,753 --> 00:18:08,188 DIDN'T SHE EAT EGGS? 346 00:18:08,221 --> 00:18:10,190 NO, SHE STAYED HOME! 347 00:18:10,223 --> 00:18:11,491 SHE STAYED HOME? 348 00:18:11,524 --> 00:18:12,692 WELL, YOU'RE HOME. 349 00:18:12,725 --> 00:18:15,128 NO, NO, IN MY HOUSE! 350 00:18:16,163 --> 00:18:17,664 WELL, IT'S MY HOUSE, TOO. 351 00:18:17,697 --> 00:18:21,601 AND I ATE MY EGGS THIS MORNING. DON'T YOU WANT SOME? 352 00:18:21,634 --> 00:18:24,637 NO? WOULD YOU EAT THEM IF MOMMY ASKED YOU TO EAT THEM? 353 00:18:26,439 --> 00:18:29,676 WHY WON'T YOU EAT THEM WHEN PA ASKS YOU TO? 354 00:18:29,709 --> 00:18:32,145 A LITTLE BIT? 355 00:18:32,179 --> 00:18:35,782 NO? YOU DON'T WANT THEM? 356 00:18:38,285 --> 00:18:41,288 HOW ABOUT SOME TOAST? 357 00:18:41,321 --> 00:18:43,523 I'LL MAKE YOU TOAST. 358 00:18:43,556 --> 00:18:44,724 ALBERT? 359 00:18:44,757 --> 00:18:45,925 Albert: YES, SIR? 360 00:18:45,958 --> 00:18:47,527 WHAT'S TAKING YOU SO LONG UP THERE? 361 00:18:47,560 --> 00:18:49,662 I'LL BE RIGHT THERE. 362 00:18:49,696 --> 00:18:53,166 Charles: HURRY UP. YOUR MA AND SISTER LEFT FOR TOWN 10 MINUTES AGO. 363 00:18:53,200 --> 00:18:54,667 I'LL CATCH UP. 364 00:18:54,701 --> 00:18:56,669 I'M JUST PUTTING ON MY SOCKS. 365 00:18:56,703 --> 00:18:58,538 WELL, SEE TO IT YOU'RE NOT LATE. 366 00:18:58,571 --> 00:19:00,707 YES, SIR, I WON'T BE. 367 00:19:09,282 --> 00:19:10,650 THERE. 368 00:19:14,487 --> 00:19:17,557 IF I HAD SOME WHITE PAINT I WOULDN'T HAVE TO WEAR THIS DUMB SHIRT. 369 00:19:19,759 --> 00:19:21,594 Harriet: FOR ART APPRECIATION THIS MORNING, 370 00:19:21,628 --> 00:19:25,565 WE'RE GOING TO HAVE A VERY FAMOUS ARTIST-- LEONARDO DA VINCI. 371 00:19:25,598 --> 00:19:28,335 THESE ARE SOME EXAMPLES OF RENAISSANCE ART. 372 00:19:28,368 --> 00:19:30,270 Harriet: I KNOW THAT YOU HAVEN'T HEARD OF THEM YET... 373 00:19:30,303 --> 00:19:31,871 Willie: THIS IS BORING. Harriet: BUT YOU WILL. 374 00:19:31,904 --> 00:19:34,374 THIS IS TYPICAL OF THE PERIOD, 375 00:19:34,407 --> 00:19:37,377 VERY, VERY BEAUTIFULLY DONE. 376 00:19:37,410 --> 00:19:38,478 AND THIS ONE... 377 00:19:38,511 --> 00:19:40,213 [LAUGHTER] 378 00:19:40,247 --> 00:19:44,551 Harriet: THERE'S NOTHING FUNNY ABOUT THIS, YOU KNOW? 379 00:19:44,584 --> 00:19:47,554 AND THIS ONE IS A VERY MODEST YOUNG MAIDEN. 380 00:19:47,587 --> 00:19:49,622 [LAUGHTER] 381 00:19:50,723 --> 00:19:52,859 AHH, OHH... 382 00:19:58,865 --> 00:20:00,767 Ralph: I AIN'T TAKING THIS MUCH LONGER. 383 00:20:00,800 --> 00:20:02,402 Albert: ME, NEITHER. 384 00:20:02,435 --> 00:20:04,437 - FRENCH. - YEAH. 385 00:20:04,471 --> 00:20:06,739 DRESSING UP LIKE A BUNCH OF SISSIES. 386 00:20:06,773 --> 00:20:08,808 AT LEAST I STILL DON'T WEAR SOCKS. 387 00:20:08,841 --> 00:20:12,379 WHAT DO YOU MEAN? SHE GIVES US THE ONCE-OVER EVERY MORNING, DOESN'T SHE? 388 00:20:14,547 --> 00:20:15,848 COAL DUST. 389 00:20:15,882 --> 00:20:17,284 [LAUGHS] 390 00:20:17,317 --> 00:20:18,818 IT COMES OFF REAL EASY. 391 00:20:18,851 --> 00:20:20,787 [LAUGHTER] 392 00:20:28,761 --> 00:20:30,630 MRS. OLESON? 393 00:20:30,663 --> 00:20:32,899 OH, YES, HOW NICE TO SEE YOU, MR. PARKER. 394 00:20:32,932 --> 00:20:36,869 MY BOY SAYS YOU'VE BEEN SHOWING DIRTY PICTURES IN HERE. 395 00:20:36,903 --> 00:20:38,405 HE WHAT? 396 00:20:38,438 --> 00:20:39,639 TRUE OR NOT? 397 00:20:39,672 --> 00:20:41,408 OF COURSE NOT! 398 00:20:41,441 --> 00:20:44,477 WHY, THAT'S AN ABSOLUTE, FILTHY LIE. 399 00:20:44,511 --> 00:20:47,680 YOU AIN'T BEEN SHOWING... NAKED LADIES? 400 00:20:47,714 --> 00:20:50,550 MR. PARKER, THE HUMAN BODY 401 00:20:50,583 --> 00:20:54,587 HAS BEEN THE SUBJECT OF SOME OF OUR GREATEST ART TREASURES. 402 00:20:54,621 --> 00:20:56,689 THEN YOU'D BE SHOWING THEM? 403 00:20:56,723 --> 00:20:58,925 WELL, WE'VE BEEN STUDYING RENAISSANCE... 404 00:20:58,958 --> 00:21:03,696 WHAT I BE TALKING ABOUT IS LADIES WITH NO CLOTHES ON. 405 00:21:03,730 --> 00:21:07,066 THEY'RE CALLED NUDES, MR. PARKER. 406 00:21:07,099 --> 00:21:09,469 NOW, THERE'S ABSOLUTELY NOTHING WRONG... 407 00:21:09,502 --> 00:21:11,604 I'LL BE JUDGING IF IT BE WRONG. 408 00:21:11,638 --> 00:21:14,374 MR. PARKER, I INSIST... 409 00:21:16,543 --> 00:21:18,044 JEHOSHAPHAT. 410 00:21:22,081 --> 00:21:23,850 GREAT SCREAMING GHOSTS. 411 00:21:23,883 --> 00:21:26,653 OH, FOR HEAVEN'S SAKES. THIS IS A VERY FAMOUS PAINTING. 412 00:21:26,686 --> 00:21:28,721 IT'S CALLED "THE BATHERS." 413 00:21:38,665 --> 00:21:40,567 WHAT THIS BE CALLED, MRS. OLESON? 414 00:21:42,502 --> 00:21:43,703 OH, WELL, THAT'S A... 415 00:21:43,736 --> 00:21:45,938 Parker: WHAT IT BE CALLED? 416 00:21:45,972 --> 00:21:51,344 IT'S CALLED "THE RAPE OF THE SABINE WOMEN." 417 00:21:51,378 --> 00:21:53,680 I'VE SEEN THINGS IN THIS LIFE I WISH I HADN'T HAVE, 418 00:21:53,713 --> 00:21:54,681 BUT THIS IS ABOUT THE WORST. 419 00:21:54,714 --> 00:21:56,383 [SIGHS] 420 00:21:56,416 --> 00:21:59,819 TEACHING YOUNG'UNS ABOUT... I CAN'T EVEN SAY IT! 421 00:21:59,852 --> 00:22:02,021 Parker: THIS BE THE END OF IT, MRS. OLESON, 422 00:22:02,054 --> 00:22:04,023 OR I BE CALLING IN THE LAW. 423 00:22:21,774 --> 00:22:22,942 Laura: MORE COFFEE? 424 00:22:22,975 --> 00:22:24,143 HMM, NO, THANKS. 425 00:22:24,176 --> 00:22:25,745 NONE FOR ME. I'LL BE UP ALL NIGHT. 426 00:22:25,778 --> 00:22:28,014 - MANLY? - I'LL HAVE A TOUCH. 427 00:22:28,047 --> 00:22:30,483 OOH, THAT WAS THE MOST WONDERFUL MEAL. 428 00:22:30,517 --> 00:22:31,784 MMM, SURE WAS. 429 00:22:31,818 --> 00:22:32,985 I'M GETTING DOWNRIGHT SPOILED. 430 00:22:33,019 --> 00:22:34,921 IT'S LIKE THIS MOST EVERY NIGHT. 431 00:22:34,954 --> 00:22:37,857 AND THIS HOUSE, IT FAIRLY GLOWS. 432 00:22:37,890 --> 00:22:39,626 IT SURE DOES. 433 00:22:39,659 --> 00:22:42,061 THE GLASS IN THE WINDOWS IS SO CLEAN YOU CAN BARELY SEE IT 434 00:22:42,094 --> 00:22:43,930 WHEN THERE'S NOTHING REFLECTING IN IT. 435 00:22:43,963 --> 00:22:46,165 AND WHAT HAPPENS WHEN YOU RUN OUT OF THINGS TO DO? 436 00:22:46,198 --> 00:22:49,436 I GUESS I'LL JUST HAVE TO DO THEM ALL OVER AGAIN. 437 00:22:52,839 --> 00:22:55,708 HOW'S YOUR GARDEN COMING ALONG? 438 00:22:55,742 --> 00:22:57,544 FINE. 439 00:22:59,045 --> 00:23:01,180 IT HELPS KEEP HER BUSY. 440 00:23:01,213 --> 00:23:03,883 ALL THIS TALK ABOUT ME KEEPING BUSY... 441 00:23:03,916 --> 00:23:06,519 IT'S LIKE EVERYBODY'S WORRIED ABOUT ME NOT FEELING USEFUL. 442 00:23:06,553 --> 00:23:09,956 GEE, HONEY, I DON'T THINK ANY OF US MEAN IT THAT WAY. 443 00:23:09,989 --> 00:23:12,725 THAT'S ALL RIGHT. 444 00:23:12,759 --> 00:23:15,161 WE KNOW IT'S AN ADJUSTMENT FOR YOU. 445 00:23:15,194 --> 00:23:18,498 WELL, SURE IT IS. TEACHING MEANT A GREAT DEAL TO YOU. 446 00:23:18,531 --> 00:23:19,666 IT TOOK A LOT OF YOUR TIME. 447 00:23:21,000 --> 00:23:22,502 I GUESS IT DID. 448 00:23:23,803 --> 00:23:26,172 HEY... 449 00:23:26,205 --> 00:23:28,508 WE JUST WANT TO KNOW YOU'RE HAPPY, THAT'S ALL. 450 00:23:28,541 --> 00:23:30,009 YES. 451 00:23:31,978 --> 00:23:35,181 WELL, YOU DON'T HAVE TO WORRY. 452 00:23:35,214 --> 00:23:37,884 I KNOW IT'S A DIFFERENT LIFE, 453 00:23:37,917 --> 00:23:40,086 BUT KNOWING THAT I'M A GOOD HOUSEWIFE... 454 00:23:40,119 --> 00:23:42,221 AND A GOOD HOMEMAKER... 455 00:23:42,254 --> 00:23:43,690 WELL, IT'S JUST... 456 00:23:45,658 --> 00:23:47,994 LAURA. 457 00:23:48,027 --> 00:23:50,162 I KNOW THAT TAKING CARE OF MANLY 458 00:23:50,196 --> 00:23:53,032 AND TAKING CARE OF THE HOUSE SHOULD BE ENOUGH, 459 00:23:53,065 --> 00:23:55,535 BUT IT'S JUST NOT. 460 00:23:55,568 --> 00:23:57,970 WITHOUT MY TEACHING... 461 00:23:58,004 --> 00:23:59,839 I JUST FEEL SO USELESS. 462 00:24:06,613 --> 00:24:08,047 [SOBBING] 463 00:24:16,088 --> 00:24:19,559 I'M SORRY. 464 00:24:19,592 --> 00:24:20,860 I JUST FELT LIKE CRYING ALL DAY, 465 00:24:20,893 --> 00:24:23,095 AND ALL OF A SUDDEN IT HAPPENED. 466 00:24:23,129 --> 00:24:25,832 WELL, THAT'S ALL RIGHT. NOW, I UNDERSTAND. 467 00:24:25,865 --> 00:24:28,968 I WISH I UNDERSTOOD. 468 00:24:29,001 --> 00:24:31,804 I DON'T KNOW WHY I'M ACTING THIS WAY. 469 00:24:31,838 --> 00:24:33,840 LORD KNOWS I'VE BEEN BUSY. 470 00:24:33,873 --> 00:24:36,543 WELL, IT'S LIKE YOUR PA SAID, 471 00:24:36,576 --> 00:24:38,945 THAT TEACHING MEANS A LOT TO YOU. 472 00:24:38,978 --> 00:24:42,915 BUT I'M NOT TEACHING ANYMORE. 473 00:24:42,949 --> 00:24:46,586 ANYWAY, IT'S SILLY OF ME TO BE ACTING THIS WAY. 474 00:24:46,619 --> 00:24:50,657 THAT'S IT. NO MORE CRYING. 475 00:24:50,690 --> 00:24:52,659 I'M GOING TO MAKE THIS WORK FOR ME. 476 00:24:52,692 --> 00:24:53,826 YOU WAIT AND SEE. 477 00:24:54,994 --> 00:24:56,696 I KNOW YOU WILL. 478 00:24:58,164 --> 00:24:59,799 WHY DON'T YOU COME OUT NOW? 479 00:24:59,832 --> 00:25:02,134 SHOW YOUR FOLKS THAT YOU'RE ALL RIGHT. 480 00:25:03,803 --> 00:25:06,706 I'VE GOT TO PUT ON A FRESH POT OF COFFEE. 481 00:25:06,739 --> 00:25:09,108 I CAN DO THAT. 482 00:25:09,141 --> 00:25:11,778 NONSENSE. YOU GO ON. 483 00:25:14,280 --> 00:25:15,915 I LOVE YOU, HONEY. 484 00:25:19,285 --> 00:25:20,887 I LOVE YOU, TOO. 485 00:25:20,920 --> 00:25:22,789 GO ON. 486 00:25:22,822 --> 00:25:23,990 OKAY. 487 00:25:46,879 --> 00:25:49,348 ALL RIGHT, NOW, REPEAT AFTER ME. 488 00:25:49,381 --> 00:25:52,819 UN, DEUX, TROIS. 489 00:25:52,852 --> 00:25:54,787 All: UN, DEUX, TROIS. 490 00:25:54,821 --> 00:25:56,322 SIT UP. 491 00:25:56,355 --> 00:25:59,158 QUATRE, CINQ, SIX. 492 00:25:59,191 --> 00:26:02,328 All: QUATRE, CINQ, SIX. 493 00:26:02,361 --> 00:26:04,731 SEPT, HUIT, NEUF. 494 00:26:04,764 --> 00:26:07,667 All: SEPT, HUIT, NEUF. 495 00:26:07,700 --> 00:26:08,868 Harriet: DIX. 496 00:26:08,901 --> 00:26:10,069 All: DIX. 497 00:26:10,102 --> 00:26:11,804 [SIGHS] 498 00:26:11,838 --> 00:26:13,673 WELL, YOUR PRONUNCIATION IS NOT VERY GOOD AT ALL. 499 00:26:13,706 --> 00:26:15,808 NOW, THE FRENCH LANGUAGE 500 00:26:15,842 --> 00:26:19,078 HAS FAR DIFFERENT SOUNDS THAN WE ARE USED TO. 501 00:26:19,111 --> 00:26:20,312 LET'S HAVE A DEMONSTRATION. 502 00:26:20,346 --> 00:26:21,814 ALBERT, 503 00:26:21,848 --> 00:26:23,249 Harriet: LEVEZ-VOUS, S'IL VOUS PLAIT. 504 00:26:23,282 --> 00:26:24,884 THAT MEANS STAND UP, PLEASE. 505 00:26:24,917 --> 00:26:26,218 Willie, French accent: STAND UP, ALBERT. 506 00:26:26,252 --> 00:26:28,821 Harriet: LEVEZ-VOUS, S'IL VOUS PLAIT, ALBERT. 507 00:26:28,855 --> 00:26:31,090 NOW, REPEAT AFTER ME. 508 00:26:31,123 --> 00:26:32,959 UN, DEUX, TROIS. 509 00:26:32,992 --> 00:26:36,629 UHN, DUN, TWA. 510 00:26:36,663 --> 00:26:38,030 Harriet: NO, NO "DUN." 511 00:26:38,064 --> 00:26:40,166 UN. 512 00:26:40,199 --> 00:26:42,001 UN. 513 00:26:42,034 --> 00:26:44,036 - DEUX, TROIS. - DEUX. 514 00:26:44,070 --> 00:26:45,237 TWA. 515 00:26:45,271 --> 00:26:46,806 Harriet: TROIS. 516 00:26:46,839 --> 00:26:50,677 Albert: UHN, DUH, TO... 517 00:26:50,710 --> 00:26:52,311 TROIS! 518 00:26:52,344 --> 00:26:54,380 - AAH! - [LAUGHTER] 519 00:26:54,413 --> 00:26:56,649 WILLIE. HOW DARE YOU? 520 00:26:56,683 --> 00:26:58,718 Harriet: IN THE CORNER. 521 00:26:58,751 --> 00:27:00,286 BUT HE WAS PULLING MY HAIR. 522 00:27:00,319 --> 00:27:02,154 RALPH, IS THAT TRUE? 523 00:27:03,923 --> 00:27:05,825 WHY'D I WANT TO DO A THING LIKE THAT FOR? 524 00:27:05,858 --> 00:27:07,259 WILLIE, IN THE CORNER. 525 00:27:07,293 --> 00:27:08,728 - HE DID. - IN THE CORNER. 526 00:27:08,761 --> 00:27:10,930 - HE WAS PULLING MY... - IN THE CORNER! 527 00:27:10,963 --> 00:27:12,899 - MA! - WILLIE! 528 00:27:12,932 --> 00:27:15,434 Albert: IN THE CORNER. 529 00:27:15,467 --> 00:27:18,771 Harriet: DISGRACING ME IN FRONT OF EVERYBODY. 530 00:27:18,805 --> 00:27:20,206 NOW, CHILDREN... 531 00:27:20,239 --> 00:27:24,076 ALBERT, REPEAT AFTER ME. 532 00:27:24,110 --> 00:27:26,946 UN, DEUX, TROIS. 533 00:27:28,748 --> 00:27:31,684 UHN, DUN, TWA. 534 00:27:44,130 --> 00:27:46,265 Ralph: UHN, DUN, TWA. 535 00:27:46,298 --> 00:27:48,167 Albert: CUT IT OUT. 536 00:27:48,200 --> 00:27:49,969 Willie: HEY, RALPH. 537 00:27:52,872 --> 00:27:54,907 THAT'S THE LAST TIME YOU PULL ANYTHING ON ME. 538 00:27:54,941 --> 00:27:56,108 OH, YEAH? 539 00:27:56,142 --> 00:27:57,309 YEAH! 540 00:27:57,343 --> 00:27:59,311 - OH, MY HAND! - [LAUGHS] 541 00:27:59,345 --> 00:28:01,080 OH, OH, MY HAND. 542 00:28:01,113 --> 00:28:02,248 OH! 543 00:28:04,250 --> 00:28:05,852 ABOUT THE ONLY FUN LEFT IN SCHOOL 544 00:28:05,885 --> 00:28:08,087 ARE THOSE TRICKS YOU PLAY ON WILLIE. 545 00:28:08,120 --> 00:28:09,756 YEAH, I GUESS SO. 546 00:28:09,789 --> 00:28:12,725 WHEN MY SISTER WAS TEACHING, IT WAS REAL INTERESTING. 547 00:28:12,759 --> 00:28:14,160 MAYBE WE CAN GET HER BACK. 548 00:28:14,193 --> 00:28:15,361 HOW? 549 00:28:15,394 --> 00:28:17,429 BY GETTING RID OF MRS. OLESON. 550 00:28:17,463 --> 00:28:19,832 WHEN IS THAT FELLOW FROM THE STATE COMING BACK? 551 00:28:19,866 --> 00:28:21,033 TOMORROW. 552 00:28:21,067 --> 00:28:22,835 YEAH. 553 00:28:22,869 --> 00:28:24,036 SEE YOU TOMORROW. 554 00:28:24,070 --> 00:28:25,371 ALL RIGHT, SEE YOU LATER. 555 00:28:41,353 --> 00:28:42,889 HI, LAURA. 556 00:28:42,922 --> 00:28:44,791 HI, ALBERT. 557 00:28:44,824 --> 00:28:46,192 HOW'S THE GARDEN? 558 00:28:46,225 --> 00:28:47,994 STUBBORN, THAT'S HOW. 559 00:28:48,027 --> 00:28:49,428 ANYTHING IN PARTICULAR YOU WANTED? 560 00:28:49,461 --> 00:28:51,297 JUST TO TALK. 561 00:28:58,570 --> 00:29:02,041 EVERYBODY IS PRETTY FED UP WITH MRS. OLESON. 562 00:29:02,074 --> 00:29:04,343 JOIN THE CLUB. 563 00:29:04,376 --> 00:29:07,847 EVEN THE SUBJECTS I USED TO LIKE ARE NO FUN ANYMORE. 564 00:29:07,880 --> 00:29:10,282 ALBERT, I DON'T KNOW WHAT TO TELL YOU. 565 00:29:10,316 --> 00:29:11,984 I WISH YOU WERE BACK. 566 00:29:13,385 --> 00:29:15,154 TRUTH IS, SO DO I. 567 00:29:15,187 --> 00:29:16,889 YOU DO? 568 00:29:16,923 --> 00:29:19,425 YOU KNOW... I WAS SECRETLY HOPING 569 00:29:19,458 --> 00:29:21,227 THAT MRS. OLESON WOULD DO SO BADLY 570 00:29:21,260 --> 00:29:23,529 THEY WOULD COME TO ME AND BEG ME TO GO BACK. 571 00:29:23,562 --> 00:29:25,798 AND ON MY TERMS. 572 00:29:25,832 --> 00:29:27,466 THEY STILL MIGHT. 573 00:29:27,499 --> 00:29:29,135 I DON'T THINK SO. 574 00:29:30,436 --> 00:29:33,005 THIS CAN'T BE MUCH FUN. 575 00:29:33,039 --> 00:29:34,941 WELL, IT DOESN'T MATTER, DOES IT? 576 00:29:34,974 --> 00:29:38,310 THIS IS ALL I'VE GOT, AND I'M DETERMINED TO MAKE IT WORK. 577 00:29:40,346 --> 00:29:43,049 THE MAN FROM THE STATE IS COMING BACK TOMORROW. 578 00:29:43,082 --> 00:29:44,583 OH. 579 00:29:44,616 --> 00:29:46,853 AND IF HE DOESN'T LIKE WHAT HE SEES, 580 00:29:46,886 --> 00:29:48,821 WE AREN'T GOING TO GET ANY STATE FUNDS. 581 00:29:48,855 --> 00:29:50,923 AND IF WE DON'T GET ANY STATE FUNDS... 582 00:29:50,957 --> 00:29:54,193 ALBERT... ARE YOU TRYING TO SAY SOMETHING? 583 00:29:54,226 --> 00:29:57,029 NO. JUST IF HE DOESN'T LIKE THE JOB MRS. OLESON'S DONE, 584 00:29:57,063 --> 00:29:58,497 AND WE DON'T GET THE MONEY 585 00:29:58,530 --> 00:30:00,366 I DON'T THINK SHE'S GOING TO WANT TO STAY ON. 586 00:30:02,134 --> 00:30:04,070 YOU'RE UP TO SOMETHING, AREN'T YOU? 587 00:30:04,103 --> 00:30:06,105 ME? LIKE WHAT? 588 00:30:06,138 --> 00:30:08,374 I WAS JUST ASKING. 589 00:30:08,407 --> 00:30:10,943 YOU WOULDN'T MIND IF MRS. OLESON QUIT, AND YOU SAID SO YOURSELF. 590 00:30:10,977 --> 00:30:12,544 WELL, YES, I DID. 591 00:30:12,578 --> 00:30:14,546 AND YOU JUST NEVER KNOW ABOUT THESE THINGS, 592 00:30:14,580 --> 00:30:17,183 THAT'S ALL. 593 00:30:17,216 --> 00:30:19,886 I'VE GOT TO GO. I'LL SEE YOU LATER. 594 00:30:19,919 --> 00:30:21,087 BYE. 595 00:30:21,120 --> 00:30:22,288 BYE-BYE. 596 00:30:32,999 --> 00:30:35,902 Almanzo: YOU REALLY THINK HE'S GOING TO DO SOMETHING? 597 00:30:35,935 --> 00:30:37,970 Laura: I DON'T KNOW, BUT ALBERT GETS A CERTAIN LOOK IN HIS EYE 598 00:30:38,004 --> 00:30:40,072 WHEN HE'S UP TO SOMETHING, AND HE HAD THAT LOOK. 599 00:30:40,106 --> 00:30:41,340 BESIDES, I THINK IT WOULD BE A GOOD IDEA 600 00:30:41,373 --> 00:30:42,909 IF I WAS THERE WHEN MR. STOHLER ARRIVED. 601 00:30:42,942 --> 00:30:44,110 WHAT'S THIS? 602 00:30:44,143 --> 00:30:46,112 - IT'S A SPECIAL TREAT. - CHICKEN. 603 00:30:46,145 --> 00:30:50,382 NOT JUST CHICKEN. IT'S LEMON CHICKEN. TRY IT. YOU'LL LOVE IT. 604 00:30:50,416 --> 00:30:52,919 WHAT IS ALL THIS STUFF STICKING TO IT HERE? 605 00:30:52,952 --> 00:30:54,620 THAT'S CALLED ASPIC. 606 00:30:54,653 --> 00:30:56,255 OH. 607 00:31:07,099 --> 00:31:08,600 IT'S COLD. 608 00:31:08,634 --> 00:31:12,204 [LAUGHS] OF COURSE IT IS, SILLY. I HAD IT ON ICE ALL DAY. 609 00:31:12,238 --> 00:31:13,906 IT'S SUPPOSED TO BE THAT WAY. 610 00:31:13,940 --> 00:31:15,507 IT'S A NICE CHANGE IN THE HOT SUMMER WEATHER. 611 00:31:15,541 --> 00:31:17,309 THERE'S POTATO SALAD IF YOU WANT SOME. 612 00:31:20,246 --> 00:31:22,982 WHAT'S ALL THIS STUFF? WHAT ARE ALL THESE SPECKLES ON THIS HERE? 613 00:31:25,217 --> 00:31:27,987 THAT'S CALLED TARRAGON. IT'S AN HERB. 614 00:31:30,022 --> 00:31:32,691 THAT'S WHAT I'M TASTING, HUH? 615 00:31:32,724 --> 00:31:34,526 MANLY, THIS IS A VERY SPECIAL DISH. 616 00:31:34,560 --> 00:31:37,063 IT TOOK ALL DAY TO PREPARE. 617 00:31:37,096 --> 00:31:40,166 I'M SORRY, HONEY, IT JUST DOESN'T TASTE GOOD TO ME. 618 00:31:40,199 --> 00:31:43,302 MAYBE IF I TAKE THE SKIN OFF, IT'LL HELP. 619 00:31:43,335 --> 00:31:46,072 HONEY, I SAID I'M SORRY. 620 00:31:51,243 --> 00:31:53,980 I THINK I LIKED YOUR CINNAMON CHICKEN BETTER. 621 00:32:01,287 --> 00:32:05,457 "LA TABLE..." 622 00:32:05,491 --> 00:32:08,260 SUR LA TABLE... 623 00:32:08,294 --> 00:32:09,461 OH... 624 00:32:09,495 --> 00:32:10,963 HARRIET, IT'S TIME FOR BED. 625 00:32:10,997 --> 00:32:13,499 OUI, MON CHER. 626 00:32:13,532 --> 00:32:15,334 AND SPEAK ENGLISH. 627 00:32:15,367 --> 00:32:19,038 OH, NELS, YOU'RE SUCH AN OLD GROUCH. 628 00:32:19,071 --> 00:32:20,472 HEAVENS. 629 00:32:20,506 --> 00:32:23,175 AREN'T YOU THE LEAST BIT EXCITED? 630 00:32:23,209 --> 00:32:25,144 ABOUT WHAT? 631 00:32:25,177 --> 00:32:29,015 WELL, MR. STOHLER ARRIVES. 632 00:32:29,048 --> 00:32:31,083 THERE'S NO GUARANTEE HE'S GOING TO OKAY A GRANT. 633 00:32:31,117 --> 00:32:33,319 Harriet: OH, NELS, OF COURSE HE WILL. 634 00:32:33,352 --> 00:32:37,189 ONCE HE HEARS MY CLASS SPEAKING FRENCH... [LAUGHS] 635 00:32:37,223 --> 00:32:39,191 WELL, I HOPE HE'S AS IMPRESSED AS YOU THINK. 636 00:32:39,225 --> 00:32:40,993 OH, HE WILL BE. 637 00:32:42,594 --> 00:32:44,396 ARE YOU GOING TO COME TO BED LIKE THAT AGAIN? 638 00:32:44,430 --> 00:32:48,634 YES, I'M GOING TO COME TO BED LIKE THAT AGAIN. 639 00:32:48,667 --> 00:32:50,536 AFTER ALL, I HAVE TO LOOK MY BEST. 640 00:32:50,569 --> 00:32:53,739 JUST ONCE, THAT THOUGHT OUGHT TO CROSS YOUR MIND AT BEDTIME. 641 00:32:53,772 --> 00:32:56,142 [CLICKS TONGUE] 642 00:33:16,195 --> 00:33:19,365 YOU KNOW, I FINISHED ALL MY CHICKEN. 643 00:33:21,200 --> 00:33:23,735 I JUST HAD TO GET USED TO THAT... 644 00:33:23,769 --> 00:33:25,237 TARRAGON. 645 00:33:25,271 --> 00:33:28,407 YEAH, TARRAGON. 646 00:33:28,440 --> 00:33:30,742 I ATE THE SKIN AND EVERYTHING. 647 00:33:32,411 --> 00:33:34,580 I'M SORRY. 648 00:33:34,613 --> 00:33:37,183 I DIDN'T MEAN TO MAKE YOU MAD AT ME. 649 00:33:38,617 --> 00:33:40,252 I JUST HAVE TO GET USED TO 650 00:33:40,286 --> 00:33:42,821 EATING STUFF WITH WEEDS ON IT. 651 00:33:42,854 --> 00:33:46,758 THEY'RE NOT WEEDS, THEY'RE HERBS. 652 00:33:46,792 --> 00:33:49,261 BESIDES, I'M NOT ANGRY ABOUT THAT. 653 00:33:50,762 --> 00:33:52,498 WHAT, THEN? 654 00:33:54,133 --> 00:33:56,135 I'M ANGRY AT MYSELF. 655 00:33:57,636 --> 00:33:59,338 WHY? 656 00:34:01,740 --> 00:34:04,076 BECAUSE I KNOW THAT THE CHILDREN ARE GOING TO DO SOMETHING 657 00:34:04,110 --> 00:34:06,512 TO EMBARRASS MRS. OLESON TOMORROW. 658 00:34:11,117 --> 00:34:14,220 WHY SHOULD YOU BE ANGRY WITH YOURSELF ABOUT THAT? 659 00:34:18,157 --> 00:34:20,692 BECAUSE I WANT THEM TO. 660 00:34:20,726 --> 00:34:22,261 I WANT THEM TO EMBARRASS HER 661 00:34:22,294 --> 00:34:25,331 IN FRONT OF MR. STOHLER SO THAT SHE'LL QUIT. 662 00:34:28,267 --> 00:34:30,169 I SEE. 663 00:34:33,172 --> 00:34:37,109 YOU REALLY WANT THE TEACHING JOB BACK, DON'T YOU? 664 00:34:37,143 --> 00:34:39,645 I DO. 665 00:34:39,678 --> 00:34:42,181 OH, MANLY, I REALLY DO. 666 00:34:45,684 --> 00:34:48,320 WELL, MAYBE YOU'LL GET YOUR WISH. 667 00:34:50,289 --> 00:34:53,292 I'M GOING TO PUT THE LAMPS OUT DOWNSTAIRS. 668 00:34:56,428 --> 00:34:58,797 Laura: ALMANZO? 669 00:34:58,830 --> 00:35:00,199 YEAH? 670 00:35:01,600 --> 00:35:03,469 DO YOU THINK IT'S WRONG? 671 00:35:03,502 --> 00:35:05,604 ME WANTING HER TO QUIT THIS WAY? 672 00:35:07,773 --> 00:35:10,442 YOU'RE THE ONLY ONE THAT CAN JUDGE THAT. 673 00:35:17,316 --> 00:35:19,117 [SIGHS] 674 00:35:37,469 --> 00:35:39,938 Willie: I CAN'T GO ALONG. SHE'S MY OWN MA. 675 00:35:39,971 --> 00:35:41,573 Ralph: OKAY, THEN DON'T. 676 00:35:41,607 --> 00:35:43,409 Albert: THERE'S ENOUGH OF US TO MAKE IT WORK. 677 00:35:43,442 --> 00:35:45,811 Ralph: YEAH. JUST KEEP YOUR MOUTH SHUT, OKAY? 678 00:35:45,844 --> 00:35:47,446 Willie: YEAH. 679 00:35:47,479 --> 00:35:49,548 [BELL RINGING] 680 00:35:49,581 --> 00:35:52,484 ATTENTION, MES ENFANTS! 681 00:35:52,518 --> 00:35:54,320 ICI, ICI! 682 00:35:54,353 --> 00:35:58,357 ALLEZ, ALLEZ. ALLEZ, ALBERT! 683 00:35:58,390 --> 00:35:59,691 Harriet: ALL RIGHT, COME ON IN. 684 00:35:59,725 --> 00:36:01,660 COME ON, HURRY UP. WE HAVE A CLASS TO DO NOW. 685 00:36:01,693 --> 00:36:02,961 HURRY UP. HE'S COMING. 686 00:36:02,994 --> 00:36:05,564 HURRY UP, WILLIE, COME ON! 687 00:36:05,597 --> 00:36:07,966 TAKE YOUR TIME DAWDLING ALL THE TIME. 688 00:36:07,999 --> 00:36:09,868 YOU SHOULD SET A GOOD EXAMPLE. 689 00:36:09,901 --> 00:36:12,571 HURRY UP. GOOD MORNING, ALBERT. 690 00:36:25,684 --> 00:36:27,453 Driver: WHOA! 691 00:36:32,791 --> 00:36:34,860 HELLO, MR. STOHLER. RIGHT ON TIME. 692 00:36:34,893 --> 00:36:36,395 HOW WAS THE TRIP? 693 00:36:36,428 --> 00:36:37,796 HOT AND DUSTY. 694 00:36:37,829 --> 00:36:39,498 WONDER IF I MIGHT HAVE A GLASS OF WATER. 695 00:36:39,531 --> 00:36:41,267 HOW ABOUT A NICE, COOL GLASS OF LEMONADE? 696 00:36:41,300 --> 00:36:42,868 PERFECT. 697 00:36:44,836 --> 00:36:47,239 [SHOUTING] 698 00:36:52,644 --> 00:36:54,179 Harriet: ENOUGH OF THAT! 699 00:36:58,049 --> 00:36:59,985 ALL RIGHT, THAT'S ENOUGH! 700 00:37:00,018 --> 00:37:01,787 I SAID, STOP IT! 701 00:37:01,820 --> 00:37:03,889 ALBERT! STOP IT. 702 00:37:08,427 --> 00:37:10,962 I'M ASHAMED OF EACH AND EVERY ONE OF YOU WHO IS INVOLVED IN THIS, 703 00:37:10,996 --> 00:37:14,700 ESPECIALLY YOU, ALBERT INGALLS. 704 00:37:14,733 --> 00:37:16,668 I'M SORRY. 705 00:37:16,702 --> 00:37:19,438 WHAT I DON'T UNDERSTAND IS WHY. 706 00:37:20,972 --> 00:37:24,410 THEY WANTED TO EMBARRASS YOU IN FRONT OF MR. STOHLER. 707 00:37:24,443 --> 00:37:26,445 OH! WHAT FOR? 708 00:37:26,478 --> 00:37:30,549 SO THAT YOU'D LOSE THE GRANT AND BE FORCED TO RESIGN. 709 00:37:30,582 --> 00:37:32,618 AND SO THAT THEY COULD HAVE BACK A TEACHER 710 00:37:32,651 --> 00:37:35,487 WHO WOULDN'T FORCE THEM TO LEARN FRENCH AND FOLLOW A DRESS CODE. 711 00:37:35,521 --> 00:37:37,255 ISN'T THAT RIGHT, ALBERT? 712 00:37:40,792 --> 00:37:42,928 I APOLOGIZE, MRS. OLESON. 713 00:37:42,961 --> 00:37:46,264 I SHOULD HAVE SEEN THIS COMING, AND I DIDN'T. 714 00:37:49,468 --> 00:37:52,371 WHEN MRS. OLESON TOOK THIS JOB... 715 00:37:54,706 --> 00:37:57,776 I KNEW IT WAS GOING TO BE A DIFFICULT ONE, 716 00:37:57,809 --> 00:38:01,480 FAR MORE DIFFICULT THAN ANYTHING I HAD TO DEAL WITH. 717 00:38:01,513 --> 00:38:04,650 AND I WAS SURE THAT SHE WOULD FAIL. 718 00:38:04,683 --> 00:38:06,485 BUT SHE DIDN'T. 719 00:38:07,686 --> 00:38:10,489 Laura: YOU HAVE CONTINUED TO LEARN, 720 00:38:10,522 --> 00:38:13,592 NOT JUST THE USUAL SUBJECTS, 721 00:38:13,625 --> 00:38:15,927 BUT YOU HAVE LEARNED SOME FRENCH, 722 00:38:15,961 --> 00:38:19,431 AND YOU HAVE LEARNED SOMETHING ABOUT ART APPRECIATION. 723 00:38:20,999 --> 00:38:23,635 WHAT MRS. OLESON DESERVES 724 00:38:23,669 --> 00:38:27,873 IS THE HIGHEST FORM OF RESPECT FOR HER ACCOMPLISHMENT. 725 00:38:27,906 --> 00:38:30,041 AND WHAT DOES SHE GET? 726 00:38:30,075 --> 00:38:32,478 THIS. 727 00:38:32,511 --> 00:38:35,681 NOW, I WANT YOU TO GET YOURSELVES 728 00:38:35,714 --> 00:38:37,816 AND THIS ROOM BACK IN ORDER. 729 00:38:37,849 --> 00:38:39,385 NOW! 730 00:38:47,526 --> 00:38:49,861 Harriet: COME ON NOW, CHILDREN, SIT DOWN. HURRY UP. 731 00:38:49,895 --> 00:38:52,898 HURRY UP. SIT DOWN. LEAVE THAT ALONE. SIT DOWN. 732 00:38:52,931 --> 00:38:56,535 Harriet: HURRY UP. THERE. THERE. 733 00:39:04,410 --> 00:39:08,914 AIMEZ-VOUS MA NOUVELLE ROBE? 734 00:39:08,947 --> 00:39:14,152 Students: OUI, J'AIME VOTRE NOUVELLE ROBE. 735 00:39:14,185 --> 00:39:19,157 NOW, AVEZ-VOUS VOTRE PARAPLUIE BLEU? 736 00:39:19,190 --> 00:39:24,696 Students: NON, JE N'AI PAS MON PARAPLUIE BLEU. 737 00:39:24,730 --> 00:39:27,766 OH, EXCELLENT, CHILDREN. EXCELLENT! 738 00:39:27,799 --> 00:39:32,003 NOW, I WANT YOU TO STUDY PAGES 26 THROUGH 30, 739 00:39:32,037 --> 00:39:35,574 BECAUSE TOMORROW WE'RE GOING TO HAVE A TEST. 740 00:39:35,607 --> 00:39:37,042 CLASS DISMISSED. 741 00:39:42,047 --> 00:39:44,750 THAT WAS VERY IMPRESSIVE, MRS. OLESON. 742 00:39:44,783 --> 00:39:48,520 OH! [LAUGHS] WHY, THANK YOU. 743 00:39:48,554 --> 00:39:50,155 YES, INDEED. VERY IMPRESSIVE. 744 00:39:50,188 --> 00:39:51,590 OH. 745 00:39:51,623 --> 00:39:52,891 I'M RECOMMENDING THE GRANT BE APPROVED. 746 00:39:52,924 --> 00:39:54,092 [GASPS] 747 00:39:54,125 --> 00:39:55,494 WELL, THAT'S WONDERFUL. 748 00:39:55,527 --> 00:39:56,728 THAT IS VERY GOOD NEWS. 749 00:39:56,762 --> 00:39:58,664 HOWEVER, I DO HAVE A RECOMMENDATION. 750 00:39:58,697 --> 00:40:00,198 OH, YES. 751 00:40:00,231 --> 00:40:03,535 SOME OF THE EXPANDED CURRICULUM I DISCUSSED WITH YOU 752 00:40:03,569 --> 00:40:05,771 THAT OTHER SCHOOLS IN THE STATE UTILIZE, 753 00:40:05,804 --> 00:40:07,539 WELL, THEY GENERALLY HAVE 754 00:40:07,573 --> 00:40:11,109 A PRACTICAL APPLICATION RELATING TO THE REGION. 755 00:40:11,142 --> 00:40:14,145 HOWEVER, ART APPRECIATION IS UNIVERSALLY USEFUL. 756 00:40:14,179 --> 00:40:15,547 OH, YES... 757 00:40:15,581 --> 00:40:19,184 BUT, SAY, IN METROPOLITAN AREAS, 758 00:40:19,217 --> 00:40:21,186 ENGINEERING IS OFTEN TAUGHT. 759 00:40:21,219 --> 00:40:22,788 YES. 760 00:40:22,821 --> 00:40:25,223 INDUSTRIAL DESIGN IS ALSO BECOMING VERY POPULAR. 761 00:40:25,256 --> 00:40:26,625 OH! 762 00:40:26,658 --> 00:40:29,495 AND AS TO LANGUAGES, WELL... 763 00:40:29,528 --> 00:40:31,763 I MENTIONED FRENCH ONLY BECAUSE 764 00:40:31,797 --> 00:40:33,632 IN OUR BORDER COMMUNITIES TO THE NORTH, 765 00:40:33,665 --> 00:40:36,101 PEOPLE DO INDEED ENCOUNTER A NUMBER OF FRENCH-SPEAKING CANADIANS. 766 00:40:36,134 --> 00:40:37,969 WELL, YES... 767 00:40:38,003 --> 00:40:40,839 Stohler: SO, THEREFORE, IT'S A VERY PRACTICAL THING TO KNOW. 768 00:40:40,872 --> 00:40:46,712 BUT...BUT IN THIS PART OF THE STATE, 769 00:40:46,745 --> 00:40:48,580 WHO WOULD HAVE A USE FOR IT? 770 00:40:50,582 --> 00:40:53,819 OH, WELL, UH, I ALWAYS FELT 771 00:40:53,852 --> 00:40:56,822 THAT A SECOND LANGUAGE IS VERY VALUABLE. 772 00:40:56,855 --> 00:40:59,057 Stohler: OH, I DON'T DENY THAT, 773 00:40:59,090 --> 00:41:01,493 BUT LEARNING FRENCH IS A VERY DIFFICULT THING. 774 00:41:01,527 --> 00:41:02,961 OH, YES. YES, INDEED. 775 00:41:02,994 --> 00:41:05,263 Stohler: REQUIRING A GREAT DEAL OF ACADEMIC SKILL. 776 00:41:05,296 --> 00:41:07,065 OH. [LAUGHS] YES. 777 00:41:07,098 --> 00:41:09,100 ALSO REQUIRING A GREAT DEAL OF TIME. 778 00:41:09,134 --> 00:41:12,003 OH. 779 00:41:12,037 --> 00:41:15,907 MR. STOHLER, ARE YOU SUGGESTING THAT WE DROP FRENCH? 780 00:41:15,941 --> 00:41:18,076 OH, NOT NECESSARILY. 781 00:41:18,109 --> 00:41:20,145 IF THE MAJORITY OF YOUR STUDENTS WANT IT, 782 00:41:20,178 --> 00:41:22,047 THEN, BY ALL MEANS, THEY SHOULD HAVE IT. 783 00:41:22,080 --> 00:41:24,683 BUT IF THEY DON'T... 784 00:41:24,716 --> 00:41:28,554 Stohler: MRS. OLESON, THIS IS A FARMING COMMUNITY. 785 00:41:28,587 --> 00:41:30,021 DON'T YOU THINK IT LIKELY 786 00:41:30,055 --> 00:41:33,024 THAT A GOOD MANY OF YOUR STUDENTS WILL BECOME FARMERS? 787 00:41:35,093 --> 00:41:38,196 [CHUCKLES] YES, I SUPPOSE SO. 788 00:41:38,229 --> 00:41:41,533 GREAT STRIDES HAVE BEEN MADE IN THE FIELD OF AGRICULTURE. 789 00:41:41,567 --> 00:41:44,770 Stohler: IN FACT, THERE'S AN OUTSTANDING NEW TEXTBOOK ON THE SUBJECT. 790 00:41:44,803 --> 00:41:46,171 AGRICULTURE? 791 00:41:46,204 --> 00:41:48,974 Stohler: I CAN GIVE YOU EVERYTHING YOU NEED. 792 00:41:49,007 --> 00:41:52,177 WELL, MR. STOHLER, I REALLY HADN'T THOUGHT IN TERMS OF... 793 00:41:52,210 --> 00:41:54,880 THE RETURN STAGE IS ABOUT READY TO LEAVE, I THINK. 794 00:41:54,913 --> 00:41:57,816 THANK YOU. 795 00:41:57,849 --> 00:42:00,285 YOU THINK ABOUT IT AND LET ME KNOW. 796 00:42:00,318 --> 00:42:02,220 AND ONCE AGAIN, 797 00:42:02,253 --> 00:42:05,090 THANK YOU FOR A REMARKABLE DEMONSTRATION. 798 00:42:05,123 --> 00:42:06,291 YES, OF COURSE. 799 00:42:06,324 --> 00:42:07,693 I'LL SEE YOU OUT. 800 00:42:07,726 --> 00:42:08,927 THANK YOU. 801 00:42:13,298 --> 00:42:16,067 PRETTY MUCH WHAT LAURA TOLD YOU, ISN'T IT? 802 00:42:27,212 --> 00:42:29,715 AGRICULTURE. 803 00:43:00,178 --> 00:43:01,613 Albert: HI, LAURA. 804 00:43:01,647 --> 00:43:03,381 ALBERT. 805 00:43:03,414 --> 00:43:04,983 THIS IS RALPH. HE'S NEW. 806 00:43:05,016 --> 00:43:07,085 I REMEMBER SEEING RALPH. 807 00:43:08,419 --> 00:43:11,089 GUESS YOU'RE STILL PRETTY MAD, HUH? 808 00:43:11,122 --> 00:43:12,791 YOU COULD SAY THAT. 809 00:43:12,824 --> 00:43:14,726 MAYBE WE WERE WRONG... 810 00:43:14,760 --> 00:43:15,927 MAYBE? 811 00:43:15,961 --> 00:43:17,729 Albert: ALL RIGHT, WE WERE WRONG. 812 00:43:17,763 --> 00:43:20,799 BUT WE ONLY DID IT BECAUSE WE WANTED YOU BACK SO BAD. 813 00:43:20,832 --> 00:43:22,934 THAT'S GOT TO COUNT FOR SOMETHING. 814 00:43:22,968 --> 00:43:25,704 SURE, EVERYBODY'S ALWAYS SAYING HOW MUCH FUN IT WAS WITH YOU TEACHING. 815 00:43:25,737 --> 00:43:29,808 AND I WOUND UP IN THE CORNER JUST AS MUCH, EVEN IF IT WASN'T MY FAULT. 816 00:43:34,312 --> 00:43:37,215 I SUPPOSE I SHOULD APPRECIATE YOUR COMPLIMENTS. 817 00:43:37,248 --> 00:43:39,851 I ACCEPT YOUR APOLOGY. 818 00:43:39,885 --> 00:43:42,020 IT WAS VERY NICE OF YOU ALL TO COME OUT HERE TO MAKE IT. 819 00:43:42,053 --> 00:43:43,689 THANK YOU. 820 00:43:43,722 --> 00:43:45,957 THAT'S NOT THE ONLY REASON WE CAME, MRS. WILDER. 821 00:43:45,991 --> 00:43:47,759 IT ISN'T? 822 00:43:47,793 --> 00:43:50,195 MRS. OLESON SAYS SHE'LL GIVE UP THE JOB IF YOU COME BACK. 823 00:43:50,228 --> 00:43:52,798 AND YOU CAN RUN THE SCHOOL ANY WAY YOU WANT. 824 00:43:52,831 --> 00:43:53,999 - PLEASE, MRS. WILDER? - PLEASE? 825 00:43:54,032 --> 00:43:55,734 WE ALL WANT YOU BACK. 826 00:43:55,767 --> 00:43:57,068 ALL RIGHT, ALL RIGHT. 827 00:43:57,102 --> 00:43:58,670 I'LL COME BACK ON ONE CONDITION. 828 00:43:58,704 --> 00:44:00,772 All: WHAT? 829 00:44:00,806 --> 00:44:03,742 THAT YOU ALL AGREE TO GIVE UP THIS SILLY DRESS CODE. 830 00:44:03,775 --> 00:44:05,844 All: YES! 831 00:44:11,817 --> 00:44:14,152 [CHILDREN LAUGHING] 832 00:44:34,773 --> 00:44:37,008 Harriet: NELS! 833 00:44:37,042 --> 00:44:38,777 YES, DEAR. 834 00:44:41,312 --> 00:44:43,715 WHY ARE ALL THESE SHELVES IN SUCH A MESS? 835 00:44:43,749 --> 00:44:45,784 YOU HAVEN'T KEPT UP WITH THE INVENTORY AT ALL. 836 00:44:45,817 --> 00:44:48,119 BECAUSE I'VE HAD TO DO EVERYTHING ELSE, TOO. ALONE. 837 00:44:48,153 --> 00:44:49,988 OH, FOR HEAVEN'S SAKES. 838 00:44:50,021 --> 00:44:52,991 IT'S GOING TO TAKE ME FOREVER TO STRAIGHTEN THIS OUT NOW. 839 00:44:53,024 --> 00:44:56,194 I HAVE EVERY CONFIDENCE THAT YOU WILL SUCCEED. 840 00:44:56,227 --> 00:44:57,495 - HARRIET. - WHAT? 841 00:44:57,528 --> 00:44:58,897 IT'S GOOD TO HAVE YOU BACK. 842 00:44:58,930 --> 00:45:00,331 OH, YES, I'LL BET IT IS. 843 00:45:00,365 --> 00:45:03,234 NO, NOW, LISTEN, I MEAN IT. 844 00:45:03,268 --> 00:45:05,203 OH, NELS! 845 00:45:05,236 --> 00:45:07,873 AND I'M SORRY ABOUT THE INVENTORY. 846 00:45:09,908 --> 00:45:11,810 [LAUGHS] 847 00:45:11,843 --> 00:45:15,713 OH, IT'S ALL RIGHT. I'LL GET IT DONE. 848 00:45:18,884 --> 00:45:22,921 Girls: 3, 4, 5, 6, 7, 849 00:45:22,954 --> 00:45:27,826 8, 9, 10, 11, 12, 13... 850 00:45:27,859 --> 00:45:30,395 [BELL RINGING] 851 00:45:33,398 --> 00:45:34,900 GOOD MORNING, MRS. WILDER. 852 00:45:34,933 --> 00:45:36,101 GOOD MORNING. 853 00:45:36,134 --> 00:45:37,302 THANK YOU. 854 00:45:37,335 --> 00:45:38,503 GOOD MORNING, LAURA. 855 00:45:38,536 --> 00:45:39,905 HI. HI. 856 00:45:39,938 --> 00:45:41,773 GOOD MORNING. 857 00:45:41,807 --> 00:45:42,974 WELCOME BACK, MRS. WILDER. 858 00:45:43,008 --> 00:45:44,475 THANK YOU. 859 00:45:44,509 --> 00:45:45,877 GOOD MORNING, MRS. WILDER. 860 00:45:45,911 --> 00:45:46,845 GOOD MORNING! 861 00:45:49,347 --> 00:45:52,350 Laura: ALL RIGHT, CLASS, NOW, SINCE YOU'VE ALL VOTED TO DISCONTINUE FRENCH, 862 00:45:52,383 --> 00:45:54,820 YOU'LL FIND SOME NEW TEXTBOOKS ON YOUR DESK. 863 00:45:54,853 --> 00:45:57,823 WILLIE, WOULD YOU READ THE TITLE OF IT TO US, PLEASE? 864 00:45:57,856 --> 00:45:59,357 Willie: A...A...AGREE... 865 00:45:59,390 --> 00:46:02,227 AGREE-CUL-TOUR. AGREECULTOUR. 866 00:46:02,260 --> 00:46:04,830 THE PROPER PRONUNCIATION IS AGRICULTURE. 867 00:46:04,863 --> 00:46:06,998 DO YOU KNOW WHAT IT MEANS? 868 00:46:07,032 --> 00:46:09,100 Willie: I THINK I'VE HEARD IT SOMEWHERE. 869 00:46:09,134 --> 00:46:10,201 Laura: HILDY? 870 00:46:10,235 --> 00:46:11,502 ISN'T THAT, LIKE, FARMING? 871 00:46:11,536 --> 00:46:14,039 EXACTLY! WE'RE GOING TO STUDY FARMING. 872 00:46:14,072 --> 00:46:15,340 JED? 873 00:46:15,373 --> 00:46:18,309 MY PA TAUGHT ME ALL ABOUT THAT ON THE FARM. 874 00:46:18,343 --> 00:46:19,978 Laura: OH, I'M SURE YOU KNOW A GREAT DEAL. 875 00:46:20,011 --> 00:46:22,213 BUT AGRICULTURE IS A SCIENCE. 876 00:46:22,247 --> 00:46:24,315 MORE AND MORE IS LEARNED ABOUT IT EVERY DAY. 877 00:46:24,349 --> 00:46:28,019 NOW, IN THIS BOOK, WE'RE GOING TO LEARN ABOUT ALL THE NEW DISCOVERIES, 878 00:46:28,053 --> 00:46:33,324 SUCH AS CROP ROTATION. 879 00:46:33,358 --> 00:46:34,592 OUCH! 880 00:46:34,625 --> 00:46:36,194 WILLIE... 881 00:46:36,227 --> 00:46:39,264 IT WASN'T MY FAULT, MRS. WILDER. IT WAS... 882 00:46:39,297 --> 00:46:41,166 WILLIE. 883 00:46:41,199 --> 00:46:43,234 HONEST, YOU'VE GOT TO BELIEVE ME. 884 00:46:43,268 --> 00:46:46,471 Laura: WILLIE, WOULD YOU JUST LET ME SAY SOMETHING, PLEASE? 885 00:46:46,504 --> 00:46:48,907 NOW, I DO BELIEVE YOU. 886 00:46:48,940 --> 00:46:50,141 YOU DO? 887 00:46:52,077 --> 00:46:55,280 RALPH, WOULD YOU PLEASE STAND IN THE CORNER? 888 00:46:55,313 --> 00:46:56,915 ME? WHAT DID I DO? 889 00:46:58,349 --> 00:47:00,318 YOU WERE PULLING WILLIE'S HAIR. 890 00:47:00,351 --> 00:47:01,286 WE DON'T DO THAT HERE. 891 00:47:01,319 --> 00:47:03,021 I WASN'T, I... 892 00:47:03,054 --> 00:47:07,025 Laura: RALPH, HAVE YOU EVER HEARD OF PERIPHERAL VISION? 893 00:47:07,058 --> 00:47:08,960 NO. 894 00:47:08,994 --> 00:47:13,098 WELL, I HAVE IT. IT MEANS THAT I CAN SEE OUT OF THE CORNER OF MY EYE. 895 00:47:13,131 --> 00:47:14,966 AND I SAW YOU PULL WILLIE'S HAIR. 896 00:47:15,000 --> 00:47:16,567 NOW, YOU WANT TO SIT THERE AND ARGUE ABOUT IT, 897 00:47:16,601 --> 00:47:19,170 OR DO YOU WANT TO STAND IN THE CORNER AND GET IT OVER WITH? 898 00:47:24,575 --> 00:47:26,377 [LAUGHTER] 899 00:47:26,411 --> 00:47:27,979 Boy: STAND IN THE CORNER. 900 00:47:28,013 --> 00:47:29,414 Girl: STAND IN THE CORNER. 901 00:47:36,922 --> 00:47:40,258 NOW, THE SOIL CONTAINS CERTAIN CHEMICALS, 902 00:47:40,291 --> 00:47:41,993 AS DOES THE HUMAN BODY. 903 00:47:42,027 --> 00:47:44,629 AND CERTAIN CROPS TAKE AWAY THESE CHEMICALS FROM THE SOIL. 904 00:47:44,662 --> 00:47:47,032 Laura: SO IT'S NECESSARY FOR US TO FIND NEW WAYS 905 00:47:47,065 --> 00:47:50,201 OF REPLACING THE CHEMICALS SO THAT WE CAN GROW HEALTHY CROPS. 906 00:47:50,235 --> 00:47:52,070 NOW, IF YOU'LL OPEN YOUR BOOKS TO CHAPTER ONE, 907 00:47:52,103 --> 00:47:54,505 YOU'LL LEARN ALL ABOUT CROP ROTATION... 60054

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