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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:52,230 --> 00:00:55,850 Learning that the missing shoes from Betty Winslow's white horse are actually 2 00:00:55,850 --> 00:00:58,970 at the blacksmith shop, which was previously used as a trap. 3 00:00:59,210 --> 00:01:04,230 X-1 again sends men to get them. As they force the blacksmith to help them search 4 00:01:04,230 --> 00:01:05,930 the shop... Hold it. 5 00:01:06,310 --> 00:01:07,330 Stand where you are. 6 00:01:10,630 --> 00:01:11,710 I'll take those shoes. 7 00:01:12,010 --> 00:01:13,010 You want these too? 8 00:03:02,600 --> 00:03:04,300 The Masked One will overtake us. Faster! 9 00:03:10,660 --> 00:03:12,980 We must do something to stop them. 10 00:03:13,340 --> 00:03:16,020 I will make use of our weapon when we reach the curve ahead. 11 00:04:08,140 --> 00:04:09,140 Number, please. 12 00:04:09,180 --> 00:04:11,360 This is X3. I must see X1 at once. 13 00:04:11,600 --> 00:04:12,880 Come inside, X3. 14 00:04:28,240 --> 00:04:30,340 Was your mission successful, X3? 15 00:04:30,680 --> 00:04:32,420 No, sir, it was not. Why not? 16 00:04:32,840 --> 00:04:34,940 We ran into trouble at the blacksmith shop. 17 00:04:35,400 --> 00:04:38,300 Two of Prince Emile's men were there, and the vigilante was too. 18 00:04:38,720 --> 00:04:41,700 Where are the shoes taken from Betty Winslow's Erevanian horse? 19 00:04:42,560 --> 00:04:45,880 Prince Emile's men got two of them, and the vigilante got the other pair. 20 00:04:46,120 --> 00:04:48,100 The problem now is how to get them back. 21 00:04:48,320 --> 00:04:51,320 To your mentality, everything is a problem. 22 00:04:52,000 --> 00:04:54,380 Actually, the matter can be handled very simply. 23 00:04:55,300 --> 00:04:58,240 Come on, folks. Come on. Ten cents only costs you a dime. 24 00:04:59,880 --> 00:05:01,980 That's it. There we are. She's a big gorilla. 25 00:05:07,370 --> 00:05:07,929 Hello, Betty. 26 00:05:07,930 --> 00:05:09,430 Oh, the life of a movie star. 27 00:05:09,830 --> 00:05:11,170 They get through work so early. 28 00:05:11,410 --> 00:05:13,850 Well, they're making all the good things today, so they don't need me. 29 00:05:14,530 --> 00:05:15,530 Don't be so modest. 30 00:05:15,790 --> 00:05:16,790 Won't you come in, Greg? 31 00:05:17,070 --> 00:05:17,909 Thanks, I will. 32 00:05:17,910 --> 00:05:19,430 I have a few things I want to talk to you about. 33 00:05:38,670 --> 00:05:40,430 Who could have put these horseshoes in my trailer? 34 00:05:41,130 --> 00:05:42,710 Evidently somebody who wanted you to have them. 35 00:05:43,090 --> 00:05:44,350 Why? It doesn't make sense. 36 00:05:45,070 --> 00:05:46,130 Don't be too sure, Betty. 37 00:05:46,510 --> 00:05:48,990 You mind if I have a look at it? No, you're welcome to it. 38 00:05:51,690 --> 00:05:53,970 Believe it or not, I think there's a secret compartment in this shoe. 39 00:05:56,610 --> 00:05:59,330 After all that's happened, I wouldn't be surprised at anything. 40 00:06:10,320 --> 00:06:11,320 Crimson pearl? 41 00:06:11,460 --> 00:06:12,800 Yes, and rare and priceless. 42 00:06:13,400 --> 00:06:14,420 What does it all mean? 43 00:06:15,240 --> 00:06:17,440 I'm afraid that's going to take some time to figure out. 44 00:06:18,220 --> 00:06:21,220 But this much I do know, thanks to Gary the blacksmith. 45 00:06:22,080 --> 00:06:25,520 There was some kind of ruckus in his shop last night, and two characters in 46 00:06:25,520 --> 00:06:27,800 foreign costumes came in and swiped a couple of horseshoes. 47 00:06:28,280 --> 00:06:29,279 Like these? 48 00:06:29,280 --> 00:06:30,280 Mm-hmm. 49 00:06:30,440 --> 00:06:33,600 Now, who do we know that would have comic opera characters like that working 50 00:06:33,600 --> 00:06:34,379 for them? 51 00:06:34,380 --> 00:06:35,380 Prince Emil? 52 00:06:35,980 --> 00:06:37,860 You and the 64 Confederate dollars. 53 00:06:38,100 --> 00:06:39,140 Or maybe I should say rupees. 54 00:06:40,690 --> 00:06:43,190 One thing I do know, I'm going to arrange a session with his Imperial 55 00:06:43,190 --> 00:06:44,970 Highness. Would you like to come along, Kivitz? 56 00:06:45,190 --> 00:06:46,550 I wouldn't miss it for the world. 57 00:06:47,110 --> 00:06:48,330 But who's going to keep the pearl? 58 00:06:49,170 --> 00:06:52,490 I will, which will undoubtedly make me somebody's target for the night. 59 00:06:54,090 --> 00:06:56,910 Well, you see, Your Highness, I'm most anxious to get any information you may 60 00:06:56,910 --> 00:07:00,510 have about the two missing horseshoes. I regret that I have no information to 61 00:07:00,510 --> 00:07:01,229 give you. 62 00:07:01,230 --> 00:07:04,390 The fact that men wearing turbans entered the blacksmith's shop scarcely 63 00:07:04,390 --> 00:07:05,930 means that I'm connected with the robbery. 64 00:07:10,770 --> 00:07:12,650 I'm sure His Highness would help us if he could. 65 00:07:13,690 --> 00:07:15,210 I've got to get back to the office, Greg. 66 00:07:16,170 --> 00:07:17,430 Can I give you a lift, Miss Winslow? 67 00:07:19,070 --> 00:07:21,710 Well, yes, I'd appreciate it very much, Captain. 68 00:07:22,490 --> 00:07:23,429 Good night, Greg. 69 00:07:23,430 --> 00:07:25,170 Good night, Betty. Nice to see you again, Your Highness. 70 00:07:25,890 --> 00:07:26,890 Good night, Steph. 71 00:07:27,810 --> 00:07:29,890 Well, perhaps I should be leaving also. 72 00:07:30,290 --> 00:07:33,770 Well, Your Highness, if you don't mind, I have a collection of rare stamps I'd 73 00:07:33,770 --> 00:07:34,589 like you to see. 74 00:07:34,590 --> 00:07:35,630 I have a couple from Nepal. 75 00:07:35,930 --> 00:07:37,290 Perhaps you can tell me if they're genuine. 76 00:07:38,230 --> 00:07:41,390 Well, I... Stop. Why don't you run along with Betty and see how Pop Gun is? 77 00:07:41,790 --> 00:07:45,490 You know how he is. You just... Well, 78 00:07:46,230 --> 00:07:50,090 things do change mighty fast these days. I guess I will be running along. 79 00:07:50,730 --> 00:07:51,850 Good night, Your Majesty. 80 00:08:00,990 --> 00:08:04,470 Now that we're without an audience, we can speak freely. So let's get down to 81 00:08:04,470 --> 00:08:05,389 business. 82 00:08:05,390 --> 00:08:07,090 I didn't succeed in fooling you. 83 00:08:07,500 --> 00:08:08,500 No. 84 00:08:08,680 --> 00:08:10,060 I have an admission to make. 85 00:08:10,800 --> 00:08:12,880 I have the two horseshoes in question. 86 00:08:13,360 --> 00:08:14,360 And the pearls? 87 00:08:14,560 --> 00:08:15,560 And the pearls. 88 00:08:16,080 --> 00:08:18,500 It's only fair that I should be equally frank, Your Highness. 89 00:08:19,360 --> 00:08:21,480 I have the pearls from another pair of shoes. 90 00:08:25,980 --> 00:08:27,400 I must have them, Mr. Sanders. 91 00:08:27,620 --> 00:08:31,000 I must have all the 100 tears of blood for a very definite purpose. 92 00:08:31,500 --> 00:08:32,720 Perhaps you'd care to explain. 93 00:08:33,159 --> 00:08:34,200 Won't you sit down, please? 94 00:08:34,440 --> 00:08:35,440 Thank you. 95 00:08:43,120 --> 00:08:44,620 I shall have to tell you the whole story. 96 00:08:45,260 --> 00:08:50,120 The story of 100 perfectly matched blood-red pearls on which there's been a 97 00:08:50,120 --> 00:08:51,260 curse for a thousand years. 98 00:08:54,240 --> 00:08:56,700 I beg you not to take that curse lightly, Mr. Sanders. 99 00:08:57,380 --> 00:08:59,340 You've already seen some of its consequences. 100 00:09:00,100 --> 00:09:01,100 Yes, Your Highness. 101 00:09:01,320 --> 00:09:06,180 But the story you are going to tell... It all begins with my former aide, 102 00:09:06,260 --> 00:09:07,260 Hamid. 103 00:09:07,440 --> 00:09:10,960 When he learned that I was bringing five Arabian horses to this country... 104 00:09:11,790 --> 00:09:14,810 He tried to persuade me to give or sell them all to Mr. Pierce. 105 00:09:15,910 --> 00:09:19,270 Wishing to learn his reasons, I withheld my decision. 106 00:09:21,490 --> 00:09:26,150 Then I saw something happen on the day of the presentation that caused me to 107 00:09:26,150 --> 00:09:28,210 give the horses to five different people. 108 00:09:29,090 --> 00:09:32,570 I later received word from my palace that the hundred tears of blood were 109 00:09:32,570 --> 00:09:33,570 missing. 110 00:09:33,630 --> 00:09:35,870 I immediately suspected Hamid had taken them. 111 00:09:37,050 --> 00:09:40,650 Then when he died in the fire at Mr. Pierce's barn, I was certain of it. 112 00:09:41,300 --> 00:09:43,440 and that the curse had fallen upon him. 113 00:09:45,820 --> 00:09:49,800 When after his death we couldn't find the pearls, I felt certain their 114 00:09:49,800 --> 00:09:52,120 disappearance was in some way connected with the horses. 115 00:09:55,780 --> 00:09:59,520 That's why I've tried to regain possession of the horses, as well as 116 00:09:59,520 --> 00:10:01,600 find out who is behind the attempts to steal them. 117 00:10:02,760 --> 00:10:05,180 I can see that we're both working toward the same objective. 118 00:10:06,600 --> 00:10:08,400 Would you care to join forces with me? 119 00:10:08,640 --> 00:10:09,760 I'd like to very much. 120 00:10:12,720 --> 00:10:15,080 And as proof of my good faith, I'm turning these over to you. 121 00:10:20,860 --> 00:10:23,220 Incidentally, I believe the headquarters of the men we're searching for is 122 00:10:23,220 --> 00:10:24,220 located at Pierce's Cafe. 123 00:10:24,760 --> 00:10:25,760 That is important. 124 00:10:26,580 --> 00:10:30,100 On my part, I must report that my life has been threatened unless I turn over 125 00:10:30,100 --> 00:10:31,100 the few pearls I have. 126 00:10:32,080 --> 00:10:35,400 They seem to forget that death threats are quite normal to one in my position. 127 00:10:36,040 --> 00:10:37,160 I imagine they are. 128 00:10:37,680 --> 00:10:40,280 In case of any further developments, will you please contact me? 129 00:10:40,640 --> 00:10:41,640 Yes, I will. 130 00:10:42,190 --> 00:10:44,930 In case I'm unable to reach you, I'll contact Captain Riley. 131 00:10:45,490 --> 00:10:47,230 He seems to be a very trustworthy man. 132 00:10:47,490 --> 00:10:48,490 Indeed he is. 133 00:10:49,010 --> 00:10:50,010 Good night, Mr. Sanders. 134 00:10:50,250 --> 00:10:51,250 Good night, Your Highness. 135 00:11:11,020 --> 00:11:12,060 And when's all this going to happen? 136 00:11:12,340 --> 00:11:13,340 Trace this call. 137 00:11:15,040 --> 00:11:16,480 Trace the call, and Captain, run this phone. 138 00:11:17,300 --> 00:11:18,299 Thanks for the tip. 139 00:11:18,300 --> 00:11:19,300 Who's this calling? 140 00:11:20,260 --> 00:11:21,260 Hello? 141 00:11:22,140 --> 00:11:23,140 Hello? 142 00:11:25,160 --> 00:11:27,360 Skip it. Party's hung up. Never mind the trade. 143 00:11:28,120 --> 00:11:29,120 What was it, Captain? 144 00:11:29,220 --> 00:11:32,420 I've just been informed that there's to be a raid on our jail tonight to spring 145 00:11:32,420 --> 00:11:33,660 Thorne, Sadlow, and Merck. 146 00:11:33,860 --> 00:11:34,900 Could be a phony tip. 147 00:11:35,160 --> 00:11:37,220 Yes, but on the other hand, it might be on the level. 148 00:11:42,890 --> 00:11:46,250 The question, of course, Greg, is whether this tip is a red herring to 149 00:11:46,250 --> 00:11:47,410 clear the way for something else. 150 00:11:48,470 --> 00:11:51,730 It sounds to me like the people behind this are trying to bring someone out 151 00:11:51,730 --> 00:11:52,730 into the open. 152 00:11:52,750 --> 00:11:54,730 Maybe it's the one who calls himself the vigilante. 153 00:11:55,390 --> 00:11:59,030 If they try to crash that jail, they'll find out they're running into a hornet's 154 00:11:59,030 --> 00:11:59,969 nest. 155 00:11:59,970 --> 00:12:02,990 I'll have that place so well guarded that... I think you're off the beam, 156 00:12:03,110 --> 00:12:05,170 Captain. Why not let the break succeed? 157 00:12:05,770 --> 00:12:07,710 Just put up enough fight not to arouse suspicion. 158 00:12:09,230 --> 00:12:10,230 I don't get you. 159 00:12:10,550 --> 00:12:11,990 I'll be on hand to follow them. 160 00:12:12,380 --> 00:12:13,540 Maybe they'll lead us to their headquarters. 161 00:12:15,460 --> 00:12:19,100 I must be getting old not to have figured what you were aiming at. 162 00:12:19,420 --> 00:12:21,500 Well, two can play at that come-on game, Captain. 163 00:12:22,520 --> 00:12:25,460 Well, I think we'll try out your suggestion, Greg. 164 00:12:33,140 --> 00:12:37,120 We're almost there, Lefty. So try to remember everything I told you. It's in 165 00:12:37,120 --> 00:12:38,120 the bag, Doc. 166 00:12:56,840 --> 00:12:58,460 Looks like the show's about to start, Captain. 167 00:13:06,380 --> 00:13:09,000 Hit the motor on him, George, and be ready for a fast getaway. 168 00:13:09,300 --> 00:13:10,560 Put up a good fight, Monroe. 169 00:13:10,800 --> 00:13:12,520 Okay. But not too good. 170 00:13:12,880 --> 00:13:13,880 Right. 171 00:13:27,020 --> 00:13:27,939 Hold it. 172 00:13:27,940 --> 00:13:29,520 Get those keys and let the boys out. 173 00:14:54,540 --> 00:14:56,120 That was a little rougher than I expected. 174 00:14:56,460 --> 00:14:57,460 Certainly was. 175 00:14:58,600 --> 00:14:59,600 Let's get going, George. 176 00:14:59,900 --> 00:15:01,340 Big Santa's been snooping around. 177 00:15:01,560 --> 00:15:03,060 Where is he? He's over there in his car. 178 00:15:05,300 --> 00:15:08,160 Then we better get rid of him. I've already fixed things. He'll be taken 179 00:15:08,160 --> 00:15:09,160 care of. Good. 180 00:15:25,740 --> 00:15:29,600 What will happen when X-1 and the Vigilante meet face to face? 181 00:15:29,820 --> 00:15:34,000 Will the Vigilante find victory in this last wild dash into the night? 182 00:15:34,460 --> 00:15:40,420 For the amazing climax, see The Secret of the Sky Room, the final chapter of 183 00:15:40,420 --> 00:15:43,060 The Vigilante, at this theater next week. 14068

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