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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:17,370 --> 00:01:18,830 Carrie: I GOT THE FLOWERS! 2 00:01:18,990 --> 00:01:19,780 DID YOU LEAVE ANY? 3 00:01:19,950 --> 00:01:21,450 A WHOLE BUSHEL! 4 00:01:23,000 --> 00:01:24,540 HEY, MA, CAN YOU COME OUT HERE A SECOND? 5 00:01:24,710 --> 00:01:25,870 Caroline: IS IT YOUR PA? 6 00:01:26,040 --> 00:01:28,250 OH, NOT YET, BUT I WANT YOU TO SEE SOMETHING. 7 00:01:30,670 --> 00:01:32,090 OH, ISN'T IT PRETTY? 8 00:01:35,050 --> 00:01:37,010 I WONDERED WHAT YOU WERE UP TO. I HAD NO IDEA. 9 00:01:37,180 --> 00:01:38,430 WELL, YOU WEREN'T SUPPOSED TO. 10 00:01:38,600 --> 00:01:40,260 IT WAS SUPPOSED TO BE A SURPRISE FOR YOU AND PA, 11 00:01:40,430 --> 00:01:42,890 BUT IT'S GETTING SO LATE I THOUGHT I'D BETTER PUT IT UP NOW. 12 00:01:43,060 --> 00:01:44,020 WELL, I GUESS WE'LL JUST HAVE TO 13 00:01:44,180 --> 00:01:46,940 TAKE OUR SURPRISES ONE AT A TIME. 14 00:01:47,100 --> 00:01:48,440 I WISH HE'D COME, THOUGH. 15 00:01:48,610 --> 00:01:50,150 Laura: MA, I THINK THE CAKE'S DONE. 16 00:01:50,320 --> 00:01:52,110 COMING! THANK YOU, MARY. 17 00:01:54,150 --> 00:01:56,400 OH, CARRIE, HOW SWEET. 18 00:02:01,200 --> 00:02:02,740 Carrie: WHOOPS! 19 00:02:02,910 --> 00:02:03,950 DARN IT, CARRIE! 20 00:02:04,120 --> 00:02:05,080 IT FELL OVER. 21 00:02:05,250 --> 00:02:06,250 WELL, I CAN SEE THAT, 22 00:02:06,410 --> 00:02:07,710 AND AFTER ALL THE TROUBLE I WENT TO 23 00:02:07,870 --> 00:02:10,080 TO MAKE THE TABLE LOOK NICE FOR MA AND PA. 24 00:02:10,250 --> 00:02:11,750 NO HARM DONE. 25 00:02:11,920 --> 00:02:14,670 THANK YOU FOR THE FLOWERS, CARRIE. 26 00:02:14,840 --> 00:02:18,430 LAURA, YOUR TABLE LOOKS BEAUTIFUL. 27 00:02:18,590 --> 00:02:19,590 MA, I'M HUNGRY. 28 00:02:19,760 --> 00:02:20,550 I KNOW, DEAR. 29 00:02:20,720 --> 00:02:22,010 - ME, TOO. - I KNOW. 30 00:02:23,810 --> 00:02:27,060 WELL, EVERYTHING'S JUST ABOUT READY. 31 00:02:27,230 --> 00:02:28,850 AND EVERYONE'S HERE... 32 00:02:29,020 --> 00:02:30,100 EXCEPT THE GROOM. 33 00:02:30,270 --> 00:02:32,900 HA! HE SHOULD BE ALONG ANY MOMENT NOW. 34 00:02:49,120 --> 00:02:51,210 COME ON, DAVID! COME ON! 35 00:02:54,170 --> 00:02:56,300 [HORSES NEIGHING] 36 00:02:57,800 --> 00:02:59,510 COME ON, DAVID! PULL. 37 00:03:22,820 --> 00:03:24,780 MA. 38 00:03:24,950 --> 00:03:26,830 DO YOU THINK ANYTHING HAPPENED TO PA? 39 00:03:27,000 --> 00:03:28,790 NO, OF COURSE NOT. 40 00:03:28,960 --> 00:03:31,250 HE'S PROBABLY JUST...DELAYED A BIT 41 00:03:31,420 --> 00:03:33,170 WITH SOME BUSINESS. 42 00:03:33,330 --> 00:03:34,380 I WAS HUNGRY. 43 00:03:34,540 --> 00:03:37,050 HA HA! SOMEHOW I GUESSED THAT, CARRIE. 44 00:03:37,210 --> 00:03:38,840 I'M GLAD WE DIDN'T WAIT. 45 00:03:39,010 --> 00:03:39,840 WELL, IT'S NOT THE FIRST TIME 46 00:03:40,010 --> 00:03:42,140 I'VE WAITED FOR YOUR PA. 47 00:03:42,300 --> 00:03:43,720 I'M SURE IT WON'T BE THE LAST. 48 00:03:43,890 --> 00:03:46,260 DO YOU REMEMBER THE FIRST TIME HE KEPT YOU WAITING? 49 00:03:46,430 --> 00:03:48,060 IT WAS A LONG TIME AGO. 50 00:03:48,220 --> 00:03:50,640 I WAS NO OLDER THAN YOU, LAURA. 51 00:03:50,810 --> 00:03:52,230 Laura: DID HE HAVE A GOOD EXCUSE? 52 00:03:52,400 --> 00:03:55,020 HA! A WHIPPING GOOD EXCUSE, YOU MIGHT SAY. 53 00:03:55,190 --> 00:03:56,150 WELL, WHAT HAPPENED? 54 00:03:56,320 --> 00:03:58,150 DID YOU FALL IN LOVE AT FIRST SIGHT? 55 00:03:58,320 --> 00:03:59,860 WELL... 56 00:04:00,030 --> 00:04:02,360 YES...AND NO. 57 00:04:02,530 --> 00:04:05,370 WELL, WHAT'S THAT SUPPOSED TO MEAN? 58 00:04:05,530 --> 00:04:09,000 WELL, FROM THE WAY YOUR PA ACTED, I COULDN'T TELL. 59 00:04:09,160 --> 00:04:11,580 WELL, WHAT HAPPENED? 60 00:04:11,750 --> 00:04:13,210 WE WERE LIVING ON THE FARM 61 00:04:13,370 --> 00:04:16,670 ON THE BANKS OF THE OCONOMOWOC RIVER. 62 00:04:16,840 --> 00:04:18,960 OH, MY. 63 00:04:19,130 --> 00:04:21,930 I CAN SEE IT SO CLEARLY. 64 00:04:22,090 --> 00:04:24,510 WELL, ONE DAY, A WAGON CAME UP THE ROAD, 65 00:04:24,680 --> 00:04:26,640 AND SOMEBODY HAILED US. 66 00:04:26,800 --> 00:04:29,520 WE RAN OUTSIDE TO SEE WHO IT WAS. 67 00:04:39,940 --> 00:04:41,400 HOW DO, YOUNG LADY? 68 00:04:41,570 --> 00:04:42,700 HELLO. 69 00:04:44,610 --> 00:04:45,410 HELLO, MA'AM. 70 00:04:45,570 --> 00:04:46,700 HOW DO YOU DO? 71 00:04:46,870 --> 00:04:49,410 HOW DO YOU DO? MY NAME'S LANSFORD INGALLS. 72 00:04:49,580 --> 00:04:50,410 THIS IS MY WIFE LAURA. 73 00:04:50,580 --> 00:04:51,500 Woman: HELLO, MRS. INGALLS. 74 00:04:51,660 --> 00:04:53,080 HOW DO YOU DO? 75 00:04:53,250 --> 00:04:54,920 WE'RE TO BE YOUR NEW NEIGHBORS. 76 00:04:55,080 --> 00:04:56,580 I JUST BOUGHT THE OLD BARTON PLACE. 77 00:04:56,750 --> 00:04:58,540 WELL, I'M SO PLEASED YOU STOPPED BY. 78 00:04:58,710 --> 00:05:01,760 OUR NAME'S HOLBROOK, AND THESE ARE MY CHILDREN-- 79 00:05:01,920 --> 00:05:03,090 HENRY, 80 00:05:03,260 --> 00:05:04,380 - ELIZA ANN, - HI. 81 00:05:04,550 --> 00:05:06,260 - AND CAROLINE. - HELLO. 82 00:05:06,430 --> 00:05:08,260 - HI. - MY HUSBAND'S IN THE FIELD WORKING. 83 00:05:08,430 --> 00:05:09,760 HENRY, WHY DON'T YOU GO AND FETCH HIM? 84 00:05:09,930 --> 00:05:11,640 OH, NO NEED TO BOTHER DOING THAT, MA'AM. 85 00:05:11,810 --> 00:05:12,560 NO? 86 00:05:12,730 --> 00:05:14,100 Lansford: THIS IS MY BROOD. 87 00:05:14,270 --> 00:05:15,690 - THIS IS POLLY, - HI. 88 00:05:15,850 --> 00:05:17,560 - PETER... - HI. 89 00:05:17,730 --> 00:05:19,400 All: HI. 90 00:05:19,570 --> 00:05:20,940 AND, UH-- BUT WHERE'S CHARLES? 91 00:05:21,110 --> 00:05:23,360 Peter: HE'S IN THE WAGON. 92 00:05:23,530 --> 00:05:25,360 - CHARLES? - CHARLES. 93 00:05:25,530 --> 00:05:27,200 COME ON OUT AND MEET YOUR NEW NEIGHBORS. 94 00:05:32,370 --> 00:05:34,120 CHARLES... 95 00:05:34,290 --> 00:05:35,790 THIS IS MRS. HOLBROOK. 96 00:05:35,960 --> 00:05:37,290 Mrs. Holbrook: HELLO, CHARLES. 97 00:05:37,460 --> 00:05:38,290 Lansford: AND THIS IS HENRY 98 00:05:38,460 --> 00:05:39,710 - HI, CHARLES. - AND ELIZA ANN 99 00:05:39,880 --> 00:05:40,630 HI. 100 00:05:40,800 --> 00:05:42,130 AND, UM... 101 00:05:42,300 --> 00:05:43,970 CAROLINE. 102 00:05:44,130 --> 00:05:45,170 CAROLINE. 103 00:05:47,930 --> 00:05:49,390 [WHISPERS] Hello. 104 00:05:49,550 --> 00:05:51,680 HELLO, CHARLES. 105 00:05:51,850 --> 00:05:53,140 WELL, WON'T YOU COME INSIDE 106 00:05:53,310 --> 00:05:54,640 AND HAVE SOMETHING REFRESHING? 107 00:05:54,810 --> 00:05:55,640 OH, WELL-- 108 00:05:55,810 --> 00:05:57,350 THE DUST IS SO THICK ON THE ROAD. 109 00:05:57,520 --> 00:05:58,600 IT WON'T TAKE BUT A MINUTE. 110 00:05:58,770 --> 00:05:59,480 LANSFORD? 111 00:05:59,650 --> 00:06:00,480 WE'D BE DELIGHTED. 112 00:06:00,650 --> 00:06:01,650 OH, GOOD. 113 00:06:01,820 --> 00:06:04,990 I'D LIKE THAT VERY MUCH. THANK YOU. 114 00:06:05,150 --> 00:06:06,110 Mrs. Holbrook: COME THIS WAY. 115 00:06:06,280 --> 00:06:07,740 [ALL TALKING AT ONCE] 116 00:06:07,910 --> 00:06:09,240 Mrs. Holbrook: IT'S CHARLOTTE. 117 00:06:38,140 --> 00:06:39,100 CAN YOU GET IT? 118 00:06:39,270 --> 00:06:40,310 YEAH. 119 00:06:48,860 --> 00:06:50,950 LANSFORD, WE'VE GOT COMPANY. 120 00:06:57,870 --> 00:06:59,250 HELLO THERE! 121 00:06:59,420 --> 00:07:02,790 - HI! - GOOD MORNING. I HOPE THIS ISN'T A BAD TIME FOR YOU. 122 00:07:02,960 --> 00:07:04,300 Lansford: IT'S NEVER A BAD TIME 123 00:07:04,460 --> 00:07:05,710 TO BE NEIGHBORLY, MRS. HOLBROOK. 124 00:07:05,880 --> 00:07:07,920 OH, THANK YOU. WELL, I KNOW YOU DIDN'T HAVE 125 00:07:08,090 --> 00:07:09,260 ANY CHANCE TO DO ANY BAKING, 126 00:07:09,430 --> 00:07:11,090 SO I MADE A LITTLE EXTRA THIS MORNING. 127 00:07:11,260 --> 00:07:14,260 THAT SMELLS DELICIOUS! OH, WE'RE VERY GRATEFUL. 128 00:07:14,430 --> 00:07:17,140 YOU'RE WELCOME. HENRY'S GOT SOME SWEETENING FOR YOU. 129 00:07:17,310 --> 00:07:18,890 IT WILL MAKE IT TASTE BETTER. 130 00:07:19,060 --> 00:07:21,730 I NOTICED A STAND OF MAPLES DOWN THERE. THANK YOU. 131 00:07:21,900 --> 00:07:23,480 WE HAVE A SUGARING ONCE A YEAR. 132 00:07:23,650 --> 00:07:25,320 CAROLINE, WHY DON'T YOU PASS OUT YOUR GOODIES? 133 00:07:25,480 --> 00:07:27,150 I'M SURE WE CAN FIND SOMEONE 134 00:07:27,320 --> 00:07:28,570 WITH A SWEET TOOTH AROUND HERE. 135 00:07:28,740 --> 00:07:29,780 IT'S MAPLE SUGAR CANDY. 136 00:07:29,950 --> 00:07:31,240 - THANK YOU. - THANKS. 137 00:07:31,410 --> 00:07:32,740 Laura: CHARLOTTE, WHY DON'T YOU COME IN THE HOUSE? 138 00:07:32,910 --> 00:07:35,080 Charlotte: OH, THANK YOU. I'D LOVE TO. 139 00:07:35,240 --> 00:07:36,950 IT'S SO GOOD YOU CAME OVER. 140 00:07:40,080 --> 00:07:41,170 HAVE SOME. 141 00:07:43,580 --> 00:07:46,130 NO, THANKS. 142 00:07:46,300 --> 00:07:47,760 YOU DON'T WANT ANY? 143 00:07:47,920 --> 00:07:48,970 NO. 144 00:08:13,240 --> 00:08:14,780 WHY DIDN'T YOU TAKE IT? 145 00:08:14,950 --> 00:08:16,280 I DIDN'T WANT IT. 146 00:08:16,450 --> 00:08:19,790 YOU DUMMY, SHE WANTED YOU TO HAVE IT. 147 00:08:19,950 --> 00:08:21,120 WHY? 148 00:08:21,290 --> 00:08:22,790 BECAUSE I THINK SHE LIKES YOU. 149 00:08:27,130 --> 00:08:28,590 YOU HURT HER FEELINGS, YOU KNOW. 150 00:08:28,750 --> 00:08:32,630 YOU OUGHT TO GO OVER TO HER AND APOLOGIZE. THAT'S WHAT. 151 00:08:32,800 --> 00:08:35,050 TELL HER YOU'RE A DUMMY-- A REAL DUMMY. 152 00:08:36,510 --> 00:08:37,680 OK. 153 00:08:42,310 --> 00:08:43,980 I'M SORRY. 154 00:08:44,150 --> 00:08:45,150 FOR WHAT? 155 00:08:45,310 --> 00:08:48,070 BECAUSE I'M A DUMMY. 156 00:08:48,230 --> 00:08:48,980 WHAT? 157 00:08:49,150 --> 00:08:50,360 A REAL DUMMY. 158 00:08:52,860 --> 00:08:54,200 WHAT MAKES YOU SAY THAT? 159 00:08:54,360 --> 00:08:56,160 MY BROTHER. BYE. 160 00:09:05,830 --> 00:09:07,290 SO WHAT DID YOU SAY TO HER? 161 00:09:07,460 --> 00:09:08,840 WHAT YOU TOLD ME TO SAY-- 162 00:09:09,000 --> 00:09:12,510 "I'M SORRY. I'M A DUMMY-- A REAL DUMMY." 163 00:09:12,670 --> 00:09:13,840 OH! 164 00:09:14,010 --> 00:09:14,840 YOU JUST GRADUATED 165 00:09:15,010 --> 00:09:18,300 FROM DUMMY TO JACKASS. 166 00:09:18,470 --> 00:09:19,970 [GRUNTING] 167 00:09:20,140 --> 00:09:21,770 WHY, YOU LITTLE... 168 00:09:21,930 --> 00:09:22,850 Woman: BYE. 169 00:09:23,020 --> 00:09:25,810 Mr. Ingalls: BYE. NICE TO HAVE MET YOU. 170 00:09:25,980 --> 00:09:26,980 BYE, MRS. INGALLS! 171 00:09:27,150 --> 00:09:29,520 Lansford: BYE, HENRY. BYE, CAROLINE. 172 00:09:29,690 --> 00:09:30,570 THANKS FOR THE MAPLE SYRUP. 173 00:09:30,730 --> 00:09:32,650 Henry: BYE! - BYE, PETER. 174 00:09:32,820 --> 00:09:33,610 SEE YOU, PETER. 175 00:09:33,780 --> 00:09:34,990 BYE, EVERYBODY. 176 00:09:35,150 --> 00:09:37,450 BYE-BYE. SEE YOU, POLLY. 177 00:09:37,620 --> 00:09:39,870 WHERE'S CHARLES? 178 00:09:40,030 --> 00:09:41,450 OH, HE'LL COME. 179 00:09:41,620 --> 00:09:42,580 I'M GOING TO RUN AHEAD. 180 00:09:42,750 --> 00:09:44,160 ALL RIGHT, GO ON. WE'LL CATCH UP. 181 00:09:50,090 --> 00:09:52,210 WHAT A STRANGE BOY. 182 00:09:52,380 --> 00:09:55,220 I THINK HE LIKES YOU, CAROLINE. 183 00:09:55,380 --> 00:09:56,180 - REALLY? - MM-HMM. 184 00:09:56,340 --> 00:09:57,390 HOW CAN YOU TELL? 185 00:09:57,550 --> 00:10:00,720 BECAUSE BOYS HIS AGE-- A LOT OLDER, TOO-- 186 00:10:00,890 --> 00:10:02,060 SOMETIMES ACT LIKE THAT-- 187 00:10:02,220 --> 00:10:04,230 YOU KNOW, SORT OF SILLY AND STANDOFFISH-- 188 00:10:04,390 --> 00:10:05,980 WHEN THEY REALLY LIKE A GIRL. 189 00:10:09,810 --> 00:10:13,320 Caroline: I COULDN'T QUITE MAKE OUT YOUR PA AT FIRST, 190 00:10:13,480 --> 00:10:15,440 BUT MY MA SAID HE LIKED ME. 191 00:10:20,410 --> 00:10:21,950 TIME FOR NIGHTGOWNS. 192 00:10:22,120 --> 00:10:23,080 OH, MA. 193 00:10:23,240 --> 00:10:24,080 MA. 194 00:10:24,250 --> 00:10:25,870 NO ARGUMENTS. 195 00:10:26,040 --> 00:10:27,290 NIGHTGOWNS. 196 00:10:31,710 --> 00:10:32,960 [QUIETLY] OFF TO BED, HONEY. 197 00:10:35,510 --> 00:10:36,590 [YAWNS] 198 00:10:38,930 --> 00:10:41,050 [THUNDER] 199 00:11:22,140 --> 00:11:23,100 GOOD NIGHT, MA. 200 00:11:23,260 --> 00:11:24,890 GOOD NIGHT, DEAR. 201 00:11:25,060 --> 00:11:26,520 LOOKS LIKE IT'S GOING TO RAIN. 202 00:11:26,680 --> 00:11:28,560 I SURE HOPE YOUR PA ISN'T CAUGHT OUT IN IT. 203 00:11:28,730 --> 00:11:30,940 MA, TELL US SOME MORE ABOUT YOU AND PA. 204 00:11:31,100 --> 00:11:32,060 WHAT'S MORE TO TELL? 205 00:11:32,230 --> 00:11:33,400 WELL, YOU STILL HAVEN'T TOLD US 206 00:11:33,560 --> 00:11:36,530 ABOUT HOW HE KEPT YOU WAITING THE FIRST TIME. 207 00:11:36,690 --> 00:11:37,900 MAYBE I'D JUST AS SOON FORGET. 208 00:11:38,070 --> 00:11:39,450 COME ON NOW! OFF TO BED. 209 00:11:39,610 --> 00:11:40,860 PLEASE, MA? 210 00:11:42,450 --> 00:11:44,200 WELL... 211 00:11:44,370 --> 00:11:47,120 IF YOU MUST KNOW... 212 00:11:47,290 --> 00:11:49,330 Mary: WAS IT AWFUL WAITING FOR HIM? 213 00:11:49,500 --> 00:11:51,330 OH, I GOT OVER IT. 214 00:11:51,500 --> 00:11:54,040 BEAUS ARE AN UNPREDICTABLE LOT AT THAT AGE. 215 00:11:54,210 --> 00:11:55,920 WAS HE YOUR FIRST BEAU? 216 00:11:56,090 --> 00:11:58,840 I SUPPOSE YOU COULD SAY HE WAS. 217 00:11:59,010 --> 00:12:02,220 THERE WAS ANOTHER BOY-- HAROLD WATSON. 218 00:12:02,390 --> 00:12:05,510 TO THINK I CAN STILL REMEMBER HIS NAME. 219 00:12:05,680 --> 00:12:07,890 HE SEEMED TO THINK HE WAS MY BEAU, 220 00:12:08,060 --> 00:12:09,520 BUT I DIDN'T EVEN LIKE HIM. 221 00:12:09,680 --> 00:12:10,430 WHY NOT? 222 00:12:10,600 --> 00:12:13,190 OH, HE WAS SO... 223 00:12:13,350 --> 00:12:14,770 SELF-IMPORTANT. 224 00:12:14,940 --> 00:12:17,320 HIS FATHER WAS THE SCHOOLTEACHER, 225 00:12:17,480 --> 00:12:19,940 AND MR. WATSON SEEMED TO HAVE IT IN FOR CHARLES 226 00:12:20,110 --> 00:12:22,450 FROM THE FIRST DAY HE SHOWED UP AT SCHOOL. 227 00:12:22,610 --> 00:12:24,570 NOW, FOR THE BENEFIT 228 00:12:24,740 --> 00:12:27,950 OF THOSE WHO ARE NEW AMONGST US, 229 00:12:28,120 --> 00:12:30,700 I'D LIKE TO STRESS THE FACT THAT IN THIS SCHOOL, 230 00:12:30,870 --> 00:12:32,210 WE WORK HARD, 231 00:12:32,370 --> 00:12:34,880 HARD, HARD! 232 00:12:35,040 --> 00:12:37,380 AND THAT WE REGARD EVERY SUBJECT, 233 00:12:37,550 --> 00:12:40,420 INCLUDING DEPORTMENT, 234 00:12:40,590 --> 00:12:43,800 OF EQUAL SIGNIFICANCE. 235 00:12:43,970 --> 00:12:44,720 DO I MAKE MYSELF 236 00:12:44,890 --> 00:12:47,470 CLEAR, CLEAR, CLEAR? 237 00:12:55,400 --> 00:12:57,190 YOU THERE. 238 00:12:57,360 --> 00:12:59,650 WE HAVEN'T HAD THE PLEASURE OF MEETING BEFORE. 239 00:12:59,820 --> 00:13:02,740 I BELIEVE YOU KNOW MY NAME--MR. WATSON. 240 00:13:02,900 --> 00:13:05,530 W-A-T-S-O-N. 241 00:13:05,700 --> 00:13:07,620 MAY I BE ENLIGHTENED AS TO YOURS? 242 00:13:09,200 --> 00:13:10,240 [QUIETLY] TELL HIM YOUR NAME. 243 00:13:10,410 --> 00:13:12,710 I GIVE THE INSTRUCTIONS HERE, YOUNG MAN. 244 00:13:14,920 --> 00:13:17,380 NOW, I WAS ADDRESSING MYSELF TO YOU, BOY. 245 00:13:17,540 --> 00:13:18,670 WHAT IS YOUR NAME? 246 00:13:20,130 --> 00:13:21,090 CHARLES INGALLS. 247 00:13:21,260 --> 00:13:23,170 STAND UP AND SPEAK UP, BOY! 248 00:13:26,640 --> 00:13:27,890 CHARLES INGALLS. 249 00:13:28,050 --> 00:13:28,970 LOUDER, PLEASE, 250 00:13:29,140 --> 00:13:31,060 FOR THE BENEFIT OF THE ENTIRE ROOM. 251 00:13:31,220 --> 00:13:34,440 WE ARE ALL CURIOUS AS TO YOUR IDENTITY. 252 00:13:34,600 --> 00:13:35,770 CHARLES INGALLS. 253 00:13:35,940 --> 00:13:38,150 WE ENUNCIATE CLEARLY IN THIS CLASS, 254 00:13:38,310 --> 00:13:40,940 AND WE SPEAK SO AS TO BE HEARD. 255 00:13:41,110 --> 00:13:43,110 NOW, MAY WE DISCOVER 256 00:13:43,280 --> 00:13:45,950 WHETHER YOU ARE CAPABLE OF DOING EITHER? 257 00:13:46,110 --> 00:13:47,620 CHARLES INGALLS! 258 00:13:47,780 --> 00:13:49,700 [LAUGHTER] 259 00:13:49,870 --> 00:13:51,490 [LAUGHTER STOPS] 260 00:13:51,660 --> 00:13:52,910 [CANE CLINKS] 261 00:13:58,750 --> 00:14:01,050 CHARLES INGALLS... 262 00:14:01,210 --> 00:14:04,340 YOU WILL REMAIN IN THE CLASSROOM AT LUNCH RECESS 263 00:14:04,510 --> 00:14:09,010 UNTIL YOU HAVE LEARNED A LESSON IN DEPORTMENT. 264 00:14:09,180 --> 00:14:11,350 DO I MAKE MYSELF CLEAR? 265 00:14:15,100 --> 00:14:16,140 WELL? 266 00:14:32,830 --> 00:14:35,960 [FLOGGING] 267 00:14:40,170 --> 00:14:41,380 HI, CAROLINE. 268 00:14:41,540 --> 00:14:42,840 WHAT DID YOU BRING FOR LUNCH? 269 00:14:43,000 --> 00:14:44,000 I'LL SPLIT WITH YOU. 270 00:14:44,170 --> 00:14:45,420 I DON'T WANT TO. 271 00:14:45,590 --> 00:14:47,420 I GOT APPLESAUCE AND BUTTER AND SUGAR ON BROWN BREAD. 272 00:14:47,590 --> 00:14:50,760 I SAID I DON'T WANT TO, HAROLD WATSON. 273 00:14:50,930 --> 00:14:52,220 YOU FEELING SORRY FOR HIM? 274 00:14:52,390 --> 00:14:56,020 [DOOR OPENS AND CLOSES] 275 00:14:56,180 --> 00:14:57,520 YOU WANT SOMETHING TO EAT? 276 00:14:57,690 --> 00:14:59,020 NO, THANKS. 277 00:15:03,770 --> 00:15:06,530 HEY, INGALLS, HOW'S YOUR DEPORTMENT FEEL? 278 00:15:06,690 --> 00:15:07,860 STOP IT, HAROLD! 279 00:15:08,030 --> 00:15:10,410 SPEAK UP, INGALLS! I CAN'T HEAR YOU! 280 00:15:10,570 --> 00:15:11,700 STOP IT! 281 00:15:11,870 --> 00:15:13,200 YOU'RE THE LAST ONE HE WANTS TO HEAR FROM! 282 00:15:13,370 --> 00:15:14,830 WHAT'S THE MATTER? CAN'T YOU TALK? 283 00:15:14,990 --> 00:15:16,910 YOU SHY OR SOMETHING? 284 00:15:19,370 --> 00:15:21,500 [BOYS GRUNTING] 285 00:15:22,380 --> 00:15:23,880 CHARLES, BE CAREFUL! 286 00:15:33,720 --> 00:15:35,470 HEY, THERE! 287 00:15:35,640 --> 00:15:37,350 STOP THAT! 288 00:15:37,520 --> 00:15:39,100 OH... 289 00:15:39,270 --> 00:15:40,390 YOU! 290 00:15:40,560 --> 00:15:42,650 [GRUNTING] 291 00:15:45,400 --> 00:15:47,530 HE DIDN'T START IT, MR. WATSON! IT WAS HAROLD! 292 00:15:47,690 --> 00:15:49,900 HAROLD BEGAN TEASING HIM THE MINUTE HE CAME OUT! 293 00:15:50,070 --> 00:15:51,410 I'M QUITE CAPABLE OF DISTINGUISHING 294 00:15:51,570 --> 00:15:53,570 THE INNOCENT FROM THE TROUBLEMAKERS, MISS. 295 00:15:53,740 --> 00:15:54,830 THIS ONE IS A TROUBLEMAKER, 296 00:15:54,990 --> 00:15:57,490 AND I'LL THANK YOU FOR NOT INTERFERING. 297 00:15:57,660 --> 00:15:59,750 [FLOGGING] 298 00:16:09,590 --> 00:16:10,880 NOW... 299 00:16:11,050 --> 00:16:13,140 IF WE NEED ANY MORE LESSONS IN DEPORTMENT 300 00:16:13,300 --> 00:16:15,100 TODAY OR THIS WEEK 301 00:16:15,260 --> 00:16:16,760 OR THIS ENTIRE SEMESTER, 302 00:16:16,930 --> 00:16:20,100 YOU MAY COUNT ON ME TO ADMINISTER THEM. 303 00:16:20,270 --> 00:16:22,020 DO I MAKE MYSELF CLEAR? 304 00:16:36,530 --> 00:16:38,410 COME ON, I'LL RACE YOU HOME. 305 00:16:38,580 --> 00:16:39,750 I DON'T WANNA. 306 00:16:41,960 --> 00:16:43,830 ARE YOU GONNA TELL PA? 307 00:16:44,000 --> 00:16:46,630 BUT I BET YOUR SISTER WILL. 308 00:16:46,790 --> 00:16:49,000 YOU RECKON HE'LL THRASH ME, TOO? 309 00:16:49,170 --> 00:16:51,590 I RECKON NOT. 310 00:16:51,760 --> 00:16:52,680 STOP IT, HAROLD WATSON! 311 00:16:52,840 --> 00:16:53,800 JUST LET ME CARRY-- 312 00:16:53,970 --> 00:16:56,010 I DON'T WANT YOU TO CARRY MY BOOKS! 313 00:17:00,220 --> 00:17:00,970 COME ON. 314 00:17:01,140 --> 00:17:02,640 HAROLD, LET GO! 315 00:17:02,810 --> 00:17:04,310 LEAVE HER ALONE, WATSON. 316 00:17:04,480 --> 00:17:05,650 BUTT OUT, INGALLS. 317 00:17:05,810 --> 00:17:08,650 I'LL BUTT YOU RIGHT INTO NEXT WEEK. 318 00:17:08,820 --> 00:17:10,440 MY PA HAS YOU PEGGED RIGHT. 319 00:17:10,610 --> 00:17:12,150 YOU'RE A TROUBLEMAKER. 320 00:17:12,320 --> 00:17:14,490 YOUR PA'S FULL OF APPLESAUCE. 321 00:17:14,660 --> 00:17:17,320 AND YOU'RE THE ONE THAT'S MAKIN' THE TROUBLE. 322 00:17:17,490 --> 00:17:20,700 NOW, ARE YOU GONNA GET OUT OF HERE... 323 00:17:20,870 --> 00:17:24,540 OR DO I COME RAMMIN' AND THUMPIN'? 324 00:17:24,710 --> 00:17:26,540 I'M GONNA TELL MY PA ON YOU. 325 00:17:29,170 --> 00:17:33,010 DOES YOUR PA FIGHT ALL YOUR BATTLES? 326 00:17:33,170 --> 00:17:34,300 THANK YOU. 327 00:17:36,390 --> 00:17:38,180 FOR WHAT? 328 00:17:38,350 --> 00:17:40,640 FOR HELPIN' ME WITH THAT PEST. 329 00:17:40,810 --> 00:17:43,390 OH, UH, I-I REALLY 330 00:17:43,560 --> 00:17:45,640 WASN'T HELPIN' YOU. 331 00:17:45,810 --> 00:17:48,270 UH, I-I WAS JUST TRYIN' 332 00:17:48,440 --> 00:17:51,020 TO FINISH UP SOMETHIN' HE STARTED. 333 00:17:51,190 --> 00:17:52,280 OH. 334 00:17:52,440 --> 00:17:54,360 WELL, THANKS ANYWAY. 335 00:17:54,530 --> 00:17:56,490 YOU CAN CARRY MY BOOKS IF YOU'D LIKE. 336 00:17:56,660 --> 00:17:57,870 UH, I-I CAN'T. 337 00:17:58,030 --> 00:18:00,910 I-I GOTTA GET HOME AND DO MY CHORES. 338 00:18:03,700 --> 00:18:05,000 OH! 339 00:18:05,160 --> 00:18:08,040 THAT BOY! [SIGHS] 340 00:18:10,590 --> 00:18:12,380 CAROLINE'S SWEET ON YOU. 341 00:18:12,550 --> 00:18:13,710 SHE IS NOT! 342 00:18:13,880 --> 00:18:16,430 IS, TOO. SHE'S ALWAYS MAKIN' EYES AT YOU. 343 00:18:16,590 --> 00:18:17,720 AND I SAW YOU MAKIN' COW EYES 344 00:18:17,890 --> 00:18:19,550 AT HER, TOO. JUST NOW. 345 00:18:19,720 --> 00:18:20,800 THAT'S A LIE! 346 00:18:20,970 --> 00:18:22,060 TAKE IT BACK! 347 00:18:22,220 --> 00:18:23,180 WON'T TAKE IT BACK! 348 00:18:23,350 --> 00:18:25,230 ♪ CHARLES GOT A GIRLFRIEND! ♪ 349 00:18:25,390 --> 00:18:27,350 ♪ CHARLES GOT A GIRLFRIEND! ♪ 350 00:18:27,520 --> 00:18:29,400 ♪ CHARLES GOT A GIRLFRIEND! ♪ 351 00:18:29,560 --> 00:18:31,480 ♪ CHARLES GOT A GIRLFRIEND! ♪ 352 00:18:31,650 --> 00:18:32,520 ♪ CHARLES GOT A--♪ 353 00:18:32,690 --> 00:18:33,940 WAIT TILL I GET MY HANDS ON YOU! 354 00:18:34,110 --> 00:18:35,320 ♪...GOT A GIRL--♪ 355 00:18:35,490 --> 00:18:37,910 [INDISTINCT TALKING] 356 00:18:38,070 --> 00:18:40,200 [VIOLIN PLAYING] 357 00:18:53,420 --> 00:18:55,550 [VIOLIN PLAYING CONTINUES] 358 00:18:58,260 --> 00:18:59,640 Peter: GOT YOU. - AAH! 359 00:18:59,800 --> 00:19:02,890 YOU KNOW WHAT WE DO WITH SPIES AROUND HERE. 360 00:19:03,060 --> 00:19:04,100 ANYBODY GOT A GUN? 361 00:19:04,260 --> 00:19:05,600 THIS IS AN ENEMY SPY. 362 00:19:05,770 --> 00:19:07,940 NOW, DON'T EMBARRASS THE CHILD, PETER. 363 00:19:08,100 --> 00:19:11,150 I WASN'T SPYING! 364 00:19:11,310 --> 00:19:12,770 I JUST HEARD THE MUSIC, 365 00:19:12,940 --> 00:19:14,730 AND I WANTED TO SEE WHO WAS PLAYING. 366 00:19:14,900 --> 00:19:16,570 YOU HEARD IT ALL THE WAY FROM YOUR HOUSE, HUH? 367 00:19:16,740 --> 00:19:18,610 NOW, THAT'S ENOUGH, YOUNG MAN! 368 00:19:18,780 --> 00:19:20,780 I THINK YOU HAVE CHORES TO DO. 369 00:19:20,950 --> 00:19:23,700 YES, MA'AM. 370 00:19:23,870 --> 00:19:24,790 [DOOR CLOSES] 371 00:19:24,950 --> 00:19:26,450 NOW, WHY DON'T YOU STAY A BIT? 372 00:19:26,620 --> 00:19:27,960 I'VE MADE SOME FRESH DOUGHNUTS, 373 00:19:28,120 --> 00:19:30,580 AND WE WERE JUST ABOUT TO HAVE SOME WITH MILK. 374 00:19:30,750 --> 00:19:32,420 AND THEN CHARLES CAN WALK YOU HOME, 375 00:19:32,580 --> 00:19:34,000 SO YOU GET HOME SAFELY. 376 00:19:36,800 --> 00:19:39,470 I'D INVITE YOU TO SUPPER AFTERWARDS WITH YOUR BROTHER, 377 00:19:39,630 --> 00:19:41,430 BUT I THINK YOUR MA WOULD WORRY. 378 00:19:44,470 --> 00:19:46,640 YOU PLAY VERY WELL, CHARLES. 379 00:19:46,810 --> 00:19:49,690 WHEN DID YOU START PRACTICING? 380 00:19:49,850 --> 00:19:51,900 I STARTED WHEN I WAS 5. 381 00:19:52,060 --> 00:19:53,650 HOW OLD ARE YOU NOW? 382 00:19:53,810 --> 00:19:54,690 12. 383 00:19:54,860 --> 00:19:56,530 NO WONDER YOU PLAY SO WELL. 384 00:19:56,690 --> 00:19:59,860 YOU OUGHT TO PLAY FOR THE SCHOOL EXERCISES IN JUNE. 385 00:20:00,030 --> 00:20:01,660 I CAN'T. 386 00:20:01,820 --> 00:20:02,820 WHY NOT? 387 00:20:02,990 --> 00:20:06,580 OLD MAN WATSON. HOW I HATE HIM. 388 00:20:06,740 --> 00:20:08,540 YOU KNOW, EVERYBODY HATES HIM... 389 00:20:08,700 --> 00:20:10,750 ESPECIALLY THE WAY HE PICKS ON YOU. 390 00:20:14,500 --> 00:20:16,840 I'D LIKE TO FIX HIS GOOSE FOR IT. 391 00:20:17,000 --> 00:20:18,550 ME, TOO. 392 00:20:18,710 --> 00:20:20,590 WHAT WOULD YOU DO? 393 00:20:20,760 --> 00:20:22,550 I DON'T KNOW. 394 00:20:22,720 --> 00:20:24,470 SURE LIKE TO DO IT, THOUGH. 395 00:20:25,680 --> 00:20:27,890 COMING TO THE BERRY FESTIVAL SATURDAY? 396 00:20:28,060 --> 00:20:30,020 EVERYONE WILL BE THERE. 397 00:20:30,180 --> 00:20:31,520 I DON'T KNOW. 398 00:20:31,690 --> 00:20:34,060 NEVER BEEN TO ONE BEFORE. 399 00:20:34,230 --> 00:20:35,360 THEY'RE FUN. 400 00:20:35,520 --> 00:20:37,320 AROUND HERE, THE GIRLS MAKE UP THE LUNCHES. 401 00:20:37,480 --> 00:20:39,360 THEY MAKE ENOUGH FOR TWO AND WRAP THEM. 402 00:20:39,530 --> 00:20:41,030 IF THERE'S SOMEONE THEY ESPECIALLY LIKE, 403 00:20:41,190 --> 00:20:42,650 THEY MARK THEM IN A SECRET WAY 404 00:20:42,820 --> 00:20:45,700 SO NO ONE BUT THE BOY THEY WANT CAN RECOGNIZE THEM. 405 00:20:45,870 --> 00:20:47,870 SOUNDS LIKE FUN. 406 00:20:48,040 --> 00:20:49,750 WOULD YOU LIKE ME TO MAKE A LUNCH FOR US? 407 00:20:53,710 --> 00:20:55,790 OK. I WON'T TELL YOU WHAT'S IN IT 408 00:20:55,960 --> 00:20:57,920 SO IT WILL BE A SURPRISE, 409 00:20:58,090 --> 00:21:00,710 BUT I'LL TIE IT WITH THIS RIBBON SO YOU'LL KNOW IT. 410 00:21:00,880 --> 00:21:02,220 TAKE A GOOD LOOK AT IT NOW. 411 00:21:12,480 --> 00:21:15,900 DEPORTMENT, DEPORTMENT, DEPORTMENT! 412 00:21:16,060 --> 00:21:18,400 I'LL TEACH YOU THE MEANING OF THAT WORD YET! 413 00:21:19,570 --> 00:21:22,030 DO I MAKE MYSELF CLEAR? 414 00:21:22,190 --> 00:21:23,820 Charles: YES, SIR. 415 00:21:23,990 --> 00:21:25,030 YOU MAY GO. 416 00:21:37,290 --> 00:21:38,590 CHARLES, I'M SORRY. 417 00:21:41,550 --> 00:21:43,090 CHARLES, WAIT! DON'T GO! 418 00:22:44,650 --> 00:22:46,650 Mr. Watson: WHO'S THERE? 419 00:22:46,820 --> 00:22:49,870 WHO'S OUT THERE? 420 00:22:50,030 --> 00:22:52,830 WHAT'S GOING ON? 421 00:22:52,990 --> 00:22:54,830 WHO DID THIS? 422 00:22:55,000 --> 00:22:55,870 OPEN THE DOOR! 423 00:22:56,040 --> 00:22:58,170 [DOOR RATTLING] 424 00:23:00,920 --> 00:23:03,920 OPEN THE DOOR! OPEN IT AT ONCE! 425 00:23:06,510 --> 00:23:09,010 HEY, CHARLES INGALLS! 426 00:23:09,180 --> 00:23:10,680 YOU'LL SUFFER FOR THIS! 427 00:23:10,840 --> 00:23:12,010 I'LL GET MY HANDS ON YOU 428 00:23:12,180 --> 00:23:13,760 NO MATTER WHERE YOU ARE, 429 00:23:13,930 --> 00:23:15,350 AND YOU'LL HAVE A THRASHING 430 00:23:15,520 --> 00:23:18,020 YOU'LL NEVER FORGET! 431 00:23:18,190 --> 00:23:19,810 LET ME OUT! 432 00:23:19,980 --> 00:23:21,480 LET ME OUT OF HERE! 433 00:23:21,650 --> 00:23:22,940 LET ME OUT! 434 00:23:28,070 --> 00:23:31,820 Lansford: COME ON. WHEE! 435 00:23:31,990 --> 00:23:34,080 SHALL WE GO, DEAR? 436 00:23:34,240 --> 00:23:35,410 THANK YOU. 437 00:23:43,420 --> 00:23:46,800 I WONDER WHAT MR. WATSON'S DOING OUT HERE. 438 00:23:46,960 --> 00:23:49,050 DON'T KNOW. 439 00:23:49,220 --> 00:23:50,680 BETTER FIND OUT, EH? 440 00:23:59,230 --> 00:24:00,270 WHOA! 441 00:24:22,790 --> 00:24:23,920 Lansford: WELL... 442 00:24:26,590 --> 00:24:27,670 OVER HERE. 443 00:24:37,760 --> 00:24:40,390 MR. WATSON HERE SAYS THAT... 444 00:24:40,560 --> 00:24:44,270 THAT YOU ROPED THE SCHOOL OUTHOUSE SHUT 445 00:24:44,440 --> 00:24:46,940 WITH HIM INSIDE. 446 00:24:47,110 --> 00:24:48,190 IS THAT TRUE? 447 00:24:49,900 --> 00:24:51,070 YES, SIR. 448 00:24:54,110 --> 00:24:55,780 WELL, THEN YOU KNOW WHAT TO EXPECT. 449 00:24:58,200 --> 00:24:59,290 YES, SIR. 450 00:25:03,540 --> 00:25:04,670 BEND OVER. 451 00:25:13,470 --> 00:25:14,800 UH, AHEM. 452 00:25:22,390 --> 00:25:24,480 [FLOGGING] 453 00:25:27,980 --> 00:25:29,190 MORE THAN ENOUGH. 454 00:25:35,360 --> 00:25:36,320 CHARLES NOW KNOWS 455 00:25:36,490 --> 00:25:39,370 THAT NO MATTER WHAT THE PROVOCATION... 456 00:25:40,990 --> 00:25:44,330 PUNISHMENT WILL FOLLOW WRONGDOING. 457 00:25:44,500 --> 00:25:45,620 HE WON'T REPEAT IT. 458 00:25:50,300 --> 00:25:54,130 AND NEITHER WILL YOU REPEAT THE PROVOCATION, 459 00:25:54,300 --> 00:25:56,800 MR. WATSON. 460 00:25:56,970 --> 00:25:58,350 WHY, I DON'T KNOW WHAT YOU MEAN. 461 00:26:00,180 --> 00:26:02,560 I MEAN THE WAY YOU'VE BEEN TREATING HIM. 462 00:26:04,020 --> 00:26:07,020 WELL, NATURALLY, THE BOY WOULD EXAGGERATE-- 463 00:26:07,190 --> 00:26:08,980 LIE, IN FACT. 464 00:26:09,150 --> 00:26:10,400 YOU MIGHT EXPECT THAT. 465 00:26:12,150 --> 00:26:14,900 CHARLES NEVER SAID A WORD TO ME, 466 00:26:15,070 --> 00:26:18,370 BUT HIS BROTHER DID. 467 00:26:18,530 --> 00:26:21,790 AND I AM TELLING YOU... 468 00:26:21,950 --> 00:26:24,000 THAT IF I EVER HEAR FROM ANYONE 469 00:26:24,160 --> 00:26:25,870 THAT YOU'VE LAID A FINGER ON HIM 470 00:26:26,040 --> 00:26:29,710 WITHOUT JUSTIFICATION... 471 00:26:29,880 --> 00:26:31,130 I WILL PERSONALLY 472 00:26:31,290 --> 00:26:33,340 COME TO YOUR SCHOOL 473 00:26:33,510 --> 00:26:38,390 AND THRASH YOU IN FRONT OF YOUR ENTIRE CLASS. 474 00:26:38,550 --> 00:26:40,680 DO I MAKE MYSELF CLEAR? 475 00:27:04,040 --> 00:27:05,160 GIDDY-UP, GIDDY-UP. 476 00:27:16,090 --> 00:27:18,930 I THINK WE'RE DONE. 477 00:27:19,090 --> 00:27:21,050 I'LL APPRECIATE A LITTLE LESS MISCHIEF 478 00:27:21,220 --> 00:27:22,930 FROM YOU, MR. CHARLES, 479 00:27:23,100 --> 00:27:26,180 AND A LITTLE MORE APPLICATION TO YOUR STUDIES. 480 00:27:26,350 --> 00:27:27,430 YES, SIR. 481 00:27:30,440 --> 00:27:33,610 ALL RIGHT, YOU GO ON IN THE HOUSE THERE, AND... 482 00:27:33,770 --> 00:27:36,780 WE'LL BE GOING TO THE BERRY FESTIVAL WITHOUT YOU. 483 00:27:36,940 --> 00:27:37,990 YES, SIR. 484 00:27:48,200 --> 00:27:50,620 I WAITED AND WAITED. 485 00:27:50,790 --> 00:27:53,080 JUST LIKE WE'RE WAITING FOR HIM HERE NOW? 486 00:27:53,250 --> 00:27:56,000 NOT QUITE THE SAME. 487 00:27:56,170 --> 00:27:58,760 TELL US MORE, MA. 488 00:27:58,920 --> 00:28:00,720 NO. THAT'S ALL FOR NOW. 489 00:28:00,880 --> 00:28:02,890 IT'S WAY PAST YOUR BEDTIME. 490 00:28:04,760 --> 00:28:05,970 GOOD NIGHT, MA. 491 00:28:06,140 --> 00:28:06,930 GOOD NIGHT. 492 00:28:07,100 --> 00:28:07,930 GOOD NIGHT, MA. 493 00:28:08,100 --> 00:28:09,140 GOOD NIGHT. 494 00:28:11,480 --> 00:28:13,610 [THUNDER] 495 00:28:15,360 --> 00:28:16,440 WHEREVER YOUR PA IS, 496 00:28:16,610 --> 00:28:20,070 I SURE HOPE HE'S FOUND SHELTER SOMEWHERE. 497 00:28:20,240 --> 00:28:21,400 ME, TOO. 498 00:28:49,640 --> 00:28:51,730 [THUNDER] 499 00:28:59,190 --> 00:29:00,360 MA? 500 00:29:00,530 --> 00:29:02,110 CAN'T YOU SLEEP, EITHER? 501 00:29:02,280 --> 00:29:03,570 I'M WORRIED ABOUT PA. 502 00:29:03,740 --> 00:29:05,700 THE RAIN'S POUNDING AWFUL HARD ON THE ROOF. 503 00:29:05,870 --> 00:29:07,370 COME ON, CUDDLE UP WITH ME. 504 00:29:11,000 --> 00:29:14,460 OH, YOUR FEET ARE LIKE ICE! 505 00:29:14,620 --> 00:29:16,710 I KEEP THINKING ABOUT THAT MR. WATSON 506 00:29:16,880 --> 00:29:19,420 AND THE BERRY FESTIVAL. 507 00:29:19,590 --> 00:29:20,760 I SURE AM GLAD WE DON'T HAVE 508 00:29:20,920 --> 00:29:22,720 A MEAN TEACHER LIKE THAT. 509 00:29:22,880 --> 00:29:25,890 FORTUNATELY, HE DIDN'T LAST LONG. 510 00:29:26,050 --> 00:29:29,060 MA, TELL ME MORE ABOUT YOU AND PA. 511 00:29:29,220 --> 00:29:31,310 DO YOU KNOW WHAT TIME IT IS, YOUNG LADY? 512 00:29:31,470 --> 00:29:33,810 I KNOW, BUT I CAN'T SLEEP. 513 00:29:33,980 --> 00:29:36,230 PLEASE? JUST A LITTLE WHILE LONGER. 514 00:29:36,400 --> 00:29:37,610 ALL RIGHT. 515 00:29:39,520 --> 00:29:40,570 I WAS REALLY GLAD 516 00:29:40,730 --> 00:29:44,070 YOUR PA TIED MR. WATSON UP IN THE OUTHOUSE, 517 00:29:44,240 --> 00:29:47,320 BUT I WASN'T ABOUT TO LET CHARLES KNOW THAT-- 518 00:29:47,490 --> 00:29:48,870 NOT JUST YET. 519 00:30:12,970 --> 00:30:15,980 I'M SORRY I MISSED THE FESTIVAL. 520 00:30:16,140 --> 00:30:17,600 IT'S OF NO CONCERN TO ME. 521 00:30:19,770 --> 00:30:21,270 YOU KNOW WHY? 522 00:30:21,440 --> 00:30:22,400 YES. 523 00:30:22,570 --> 00:30:24,650 MY PARENTS WERE SHOCKED AT WHAT YOU DID. 524 00:30:26,780 --> 00:30:29,950 HE GOT WHAT WAS COMING TO HIM. 525 00:30:30,120 --> 00:30:32,120 I HEAR YOU DID, TOO. 526 00:30:32,290 --> 00:30:34,290 OH, AND IT MIGHT INTEREST YOU TO KNOW 527 00:30:34,450 --> 00:30:37,790 THAT I SHARED OUR LUNCH WITH HAROLD WATSON. 528 00:30:37,960 --> 00:30:39,290 WELL, IT MIGHT INTEREST YOU TO KNOW 529 00:30:39,460 --> 00:30:41,380 THAT IT DON'T INTEREST ME, 530 00:30:41,540 --> 00:30:42,630 SO THERE! 531 00:30:45,720 --> 00:30:46,840 CHARLES... 532 00:30:48,800 --> 00:30:51,970 I DIDN'T SHARE MY LUNCH WITH HAROLD. 533 00:30:52,140 --> 00:30:53,260 YOU DIDN'T? 534 00:30:55,980 --> 00:30:58,310 NO. 535 00:30:58,480 --> 00:31:01,190 I CAN'T STAND TO WATCH HIM CHEW. 536 00:31:01,360 --> 00:31:02,570 HA HA! 537 00:31:09,860 --> 00:31:11,160 HERE. 538 00:31:11,320 --> 00:31:12,740 HERE. IT'S FOR YOU. 539 00:31:36,180 --> 00:31:37,560 THEY'RE BEAUTIFUL. 540 00:31:39,440 --> 00:31:42,360 DID YOU MAKE IT? 541 00:31:42,520 --> 00:31:44,480 THEY'RE SEEDS. 542 00:31:44,650 --> 00:31:46,440 THEY'RE CALLED JOB'S-TEARS. 543 00:31:49,070 --> 00:31:51,450 I THOUGHT THAT-- WELL, MAYBE... 544 00:31:56,200 --> 00:31:57,040 YOU DON'T HAVE TO WEAR THEM 545 00:31:57,200 --> 00:31:58,500 IF YOU DON'T WANT TO. 546 00:32:00,620 --> 00:32:01,750 I WANT TO. 547 00:32:04,670 --> 00:32:05,920 HELP ME, PLEASE. 548 00:32:21,350 --> 00:32:22,520 HOW DOES IT LOOK? 549 00:32:29,400 --> 00:32:30,900 REAL PRETTY ON YOU. 550 00:32:45,540 --> 00:32:48,090 THANK YOU VERY MUCH... 551 00:32:48,250 --> 00:32:49,590 CHARLES INGALLS. 552 00:33:00,600 --> 00:33:03,390 THIS IS THE FIRST PRESENT A BOY EVER GAVE ME, 553 00:33:03,560 --> 00:33:06,110 EXCEPT MY BROTHER. 554 00:33:06,270 --> 00:33:09,690 THE FIRST PRESENT I EVER GAVE A GIRL, 555 00:33:09,860 --> 00:33:11,490 EXCEPT MY SISTER, 556 00:33:11,650 --> 00:33:13,530 AND THAT WAS JUST A FROG. 557 00:33:13,700 --> 00:33:14,740 HA! 558 00:33:17,530 --> 00:33:20,240 COMING TO THE HAYING DANCE? 559 00:33:20,410 --> 00:33:22,120 I DON'T KNOW. 560 00:33:22,290 --> 00:33:24,080 WHAT IS IT? 561 00:33:24,250 --> 00:33:25,330 THE FARMERS AROUND HERE 562 00:33:25,500 --> 00:33:27,000 ALL HELP EACH OTHER WITH THE HAYING. 563 00:33:27,170 --> 00:33:30,210 WHEN THEY'RE FINISHED, THEY HAVE A BARN DANCE. 564 00:33:30,380 --> 00:33:32,090 EVERYBODY? 565 00:33:32,260 --> 00:33:33,220 MM-HMM. 566 00:33:33,380 --> 00:33:34,680 GROWN-UPS AND CHILDREN. 567 00:33:37,140 --> 00:33:38,100 HAROLD WATSON ALREADY ASKED 568 00:33:38,260 --> 00:33:39,810 IF HE COULD BE MY PARTNER. 569 00:33:39,970 --> 00:33:42,230 I TOLD HIM I WAS GOING WITH SOMEONE ELSE. 570 00:33:42,390 --> 00:33:43,430 WHO? 571 00:33:45,350 --> 00:33:47,810 CHARLES INGALLS! 572 00:33:47,980 --> 00:33:51,820 DO I HAVE TO SAY IT MYSELF? 573 00:33:51,980 --> 00:33:53,360 [SIGH] 574 00:33:53,530 --> 00:33:54,900 WILL YOU BE MY PARTNER? 575 00:33:59,740 --> 00:34:01,040 UH, I GUESS SO. 576 00:34:01,200 --> 00:34:03,410 YOU CAN'T GUESS SO! 577 00:34:03,580 --> 00:34:04,710 YES OR NO. 578 00:34:08,920 --> 00:34:09,840 YES. 579 00:34:10,000 --> 00:34:11,090 I GOT TO GO. 580 00:34:25,480 --> 00:34:27,850 WHAT'S THE MATTER WITH YOU? 581 00:34:28,020 --> 00:34:30,440 I DON'T KNOW HOW TO DANCE. 582 00:34:30,610 --> 00:34:31,820 DON'T BOTHER ME NONE. 583 00:34:31,980 --> 00:34:34,440 I DON'T WANT TO DANCE WITH YOU, ANYWAY. HA HA! 584 00:34:34,610 --> 00:34:36,700 IT'S NOT FUNNY, STUPID. 585 00:34:36,860 --> 00:34:39,870 I'M SUPPOSED TO TAKE CAROLINE TO A DANCE. 586 00:34:40,030 --> 00:34:42,870 YOU TAKING A GIRL? 587 00:34:43,040 --> 00:34:45,540 YEAH, SO THERE. 588 00:34:45,710 --> 00:34:48,460 HA HA HA! 589 00:34:48,620 --> 00:34:51,170 I DON'T SEE NOTHING SO FUNNY. 590 00:34:51,340 --> 00:34:53,170 WELL, IT ISN'T ALL THAT HARD. 591 00:34:53,340 --> 00:34:54,210 ALL YOU GOT TO DO 592 00:34:54,380 --> 00:34:56,130 IS MOVE YOUR FEET TO THE MUSIC. 593 00:34:56,300 --> 00:34:57,220 BUT HOW? 594 00:34:57,380 --> 00:35:00,220 LIKE THIS. 595 00:35:00,390 --> 00:35:02,470 YEAH, BUT HOW DO YOU DO IT WITH A GIRL? 596 00:35:02,640 --> 00:35:04,390 YOU PUT YOUR ARMS LIKE SO. 597 00:35:11,400 --> 00:35:14,280 NO! LIKE THIS. WATCH, NOW. 598 00:35:22,280 --> 00:35:24,790 OH. 599 00:35:24,950 --> 00:35:26,410 THIS ISN'T A WRESTLING MATCH. 600 00:35:26,580 --> 00:35:27,960 I'M TRYING TO SHOW YOU. 601 00:35:28,120 --> 00:35:29,960 NOW, DO AS I DO. 602 00:35:30,120 --> 00:35:31,000 ANYBODY WATCHING? 603 00:35:31,170 --> 00:35:33,090 NOBODY'S WATCHING, ALL RIGHT? 604 00:35:33,250 --> 00:35:34,300 OK. 605 00:35:34,460 --> 00:35:36,260 1, 2, 3. 606 00:35:36,420 --> 00:35:37,630 1, 2, 3. 607 00:35:37,800 --> 00:35:39,180 1, 2-- 608 00:35:39,340 --> 00:35:40,590 YOU'RE STEPPING ON MY FOOT. 609 00:35:40,760 --> 00:35:43,100 WELL, GET IT OUT OF THE WAY. 610 00:35:43,260 --> 00:35:45,430 1, 2--OOH! 611 00:35:45,600 --> 00:35:46,850 YOU DID THAT ON PURPOSE. 612 00:35:47,020 --> 00:35:47,730 I DID NOT! 613 00:35:47,890 --> 00:35:50,270 OH, YEAH? THEN--OOH! OOH! 614 00:35:53,310 --> 00:35:55,440 [BAND PLAYING] 615 00:36:23,720 --> 00:36:24,930 HI, CAROLINE. 616 00:36:25,100 --> 00:36:26,970 OH, HOW PRETTY YOU LOOK, CAROLINE. 617 00:36:29,140 --> 00:36:30,310 WHERE'S CHARLES? 618 00:36:30,480 --> 00:36:32,270 OH, HE'LL BE HERE ANY MOMENT NOW. 619 00:36:32,440 --> 00:36:35,150 HE COULDN'T GET HIS HAIR TO LOOK JUST RIGHT. 620 00:36:35,310 --> 00:36:36,480 NOW, DON'T YOU WORRY. 621 00:36:36,650 --> 00:36:38,820 HE'LL BE RIGHT ALONG. 622 00:36:38,990 --> 00:36:41,650 PERK UP. HE'LL BE HERE. 623 00:36:41,820 --> 00:36:43,160 [CHUCKLES] 624 00:36:43,320 --> 00:36:45,120 - SHALL WE DANCE, LAURA? - OH, I'D LOVE TO. 625 00:36:59,550 --> 00:37:01,760 DANCE WITH ME, CAROLINE. 626 00:37:01,920 --> 00:37:03,340 NO, THANK YOU, HAROLD. 627 00:37:03,510 --> 00:37:05,140 WHY NOT? 628 00:37:05,300 --> 00:37:08,350 I'M SAVING MY DANCES FOR CHARLES INGALLS. 629 00:37:08,510 --> 00:37:09,600 HE'S NOT COMING. 630 00:37:17,150 --> 00:37:18,020 HOW DO YOU KNOW? 631 00:37:18,190 --> 00:37:19,860 I SAW HIM. HE TOLD ME. 632 00:37:33,620 --> 00:37:35,040 YES, DARLING? 633 00:37:35,210 --> 00:37:37,040 HE'S NOT COMING, MAMA. 634 00:37:37,210 --> 00:37:38,460 I DON'T WANT TO STAY. 635 00:37:38,630 --> 00:37:40,170 OH, DARLING, HE'LL BE HERE SOON. 636 00:37:40,340 --> 00:37:41,420 NO, HE WON'T. 637 00:37:45,760 --> 00:37:47,640 I WANT TO GO BACK TO THE HOUSE. 638 00:37:52,640 --> 00:37:54,230 GO AHEAD. 639 00:37:54,390 --> 00:37:55,650 I'LL COME SOON. 640 00:38:15,870 --> 00:38:17,960 [CRYING] 641 00:38:41,940 --> 00:38:43,030 PSST. 642 00:38:45,530 --> 00:38:46,610 PSST. 643 00:38:50,990 --> 00:38:52,410 WHAT ARE YOU HIDING HERE FOR? 644 00:38:52,580 --> 00:38:55,000 I DIDN'T WANT ANYBODY TO SEE ME. 645 00:38:55,160 --> 00:38:56,250 IS CAROLINE HERE? 646 00:38:56,410 --> 00:38:58,790 SHE WENT HOME. WHAT HAPPENED TO YOU? 647 00:39:00,500 --> 00:39:03,000 HAROLD AND IKE JUMPED ON ME. 648 00:39:03,170 --> 00:39:05,630 I CLEANED UP SOME. 649 00:39:05,800 --> 00:39:08,300 I DIDN'T WANT TO KEEP HER WAITING ANY LONGER. 650 00:39:08,470 --> 00:39:10,220 DID YOU GIVE THEM AS GOOD AS YOU GOT? 651 00:39:10,390 --> 00:39:11,970 [SIGHS] COULDN'T-- 652 00:39:12,140 --> 00:39:13,850 NOT AGAINST THE BOTH-- 653 00:39:14,020 --> 00:39:15,390 BUT THEY'LL GET IT. 654 00:39:15,560 --> 00:39:17,350 I GOT TO GO EXPLAIN TO CAROLINE! 655 00:39:29,030 --> 00:39:31,700 HEY, HAROLD, IKE, GOT SOMETHING TO SHOW YOU. 656 00:39:31,870 --> 00:39:32,870 WHAT IS IT? 657 00:39:33,030 --> 00:39:35,490 CAN'T SHOW YOU HERE. DO YOU LIKE GIRLS? 658 00:39:35,660 --> 00:39:36,620 - YEAH! - YEAH! 659 00:39:36,790 --> 00:39:37,830 COME ON. 660 00:40:07,990 --> 00:40:09,490 WHO'S THERE? 661 00:40:09,650 --> 00:40:11,530 IT'S ME--CHARLES. 662 00:40:11,700 --> 00:40:13,490 GO AWAY, CHARLES INGALLS. 663 00:40:13,660 --> 00:40:16,740 I NEVER WANT TO SET EYES ON YOU AGAIN! 664 00:40:16,910 --> 00:40:18,830 PLEASE, CAROLINE. 665 00:40:19,000 --> 00:40:20,160 I'M SORRY I WAS LATE, 666 00:40:20,330 --> 00:40:21,710 BUT I CAN EXPLAIN. 667 00:40:21,870 --> 00:40:24,920 YOU'RE NEVER GOING TO KEEP ME WAITING AGAIN! 668 00:40:25,090 --> 00:40:27,090 PLEASE. 669 00:40:27,250 --> 00:40:28,510 I COULDN'T HELP IT. 670 00:40:31,550 --> 00:40:33,260 LET ME IN, AND I'LL SHOW YOU. 671 00:40:36,010 --> 00:40:37,220 PLEASE, CAROLINE. 672 00:40:39,680 --> 00:40:40,940 PLEASE? 673 00:40:41,100 --> 00:40:42,140 WHY SHOULD I LET YOU IN 674 00:40:42,310 --> 00:40:44,860 WHEN I DON'T EVEN WANT TO LOOK AT YOU? 675 00:40:45,020 --> 00:40:47,110 BECAUSE THAT'S WHY I'M LATE. 676 00:40:49,570 --> 00:40:51,780 PLEASE. IT WASN'T MY FAULT. 677 00:40:53,240 --> 00:40:54,700 I'D HAVE BEEN THERE. 678 00:40:58,370 --> 00:41:00,370 WELL... 679 00:41:00,540 --> 00:41:02,920 I'LL JUST WAIT UNTIL YOUR FOLKS COME HOME 680 00:41:03,080 --> 00:41:04,580 IF YOU WON'T LET ME IN! 681 00:41:13,880 --> 00:41:15,050 PLEASE, CAROLINE. 682 00:41:32,900 --> 00:41:34,820 WHAT HAPPENED? 683 00:41:34,990 --> 00:41:36,700 HAROLD AND IKE TRIED TO KEEP ME 684 00:41:36,870 --> 00:41:39,870 FROM COMING TO THE DANCE. 685 00:41:40,040 --> 00:41:41,120 UH... 686 00:41:41,290 --> 00:41:42,620 I KNOW I... 687 00:41:42,790 --> 00:41:44,420 DON'T LOOK TOO FANCY. 688 00:41:47,170 --> 00:41:48,420 DOES IT HURT? 689 00:41:51,420 --> 00:41:53,300 BET YOU'RE ASHAMED OF ME-- 690 00:41:53,470 --> 00:41:54,630 THE WAY I LOOK. 691 00:41:54,800 --> 00:41:57,050 I'LL NEVER BE ASHAMED OF YOU, CHARLES INGALLS. 692 00:41:59,720 --> 00:42:01,390 I JUST HAD TO TELL YOU. 693 00:42:03,600 --> 00:42:05,020 I WAS SO ASHAMED... 694 00:42:05,190 --> 00:42:08,690 NOT SHOWING UP AND KEEPING YOU FROM THE DANCE. 695 00:42:13,150 --> 00:42:16,490 WE CAN HAVE OUR OWN DANCE... 696 00:42:16,660 --> 00:42:17,950 RIGHT HERE... 697 00:42:18,120 --> 00:42:19,910 ALONE. 698 00:42:20,080 --> 00:42:21,990 I'D LIKE THAT BETTER. 699 00:42:22,160 --> 00:42:23,250 WOULDN'T YOU? 700 00:42:24,830 --> 00:42:25,830 YES. 701 00:42:30,040 --> 00:42:32,170 I CAN'T DANCE TOO GOOD. 702 00:42:32,340 --> 00:42:33,760 MY BROTHER TAUGHT ME. 703 00:43:19,470 --> 00:43:23,720 WHAT DID PA SAY WHEN HE FOUND OUT ABOUT THE BEADS? 704 00:43:23,890 --> 00:43:26,600 I NEVER TOLD HIM. 705 00:43:26,770 --> 00:43:29,400 I PICKED THEM UP-- AS MANY AS I COULD FIND-- 706 00:43:29,560 --> 00:43:31,770 AND I RESTRUNG THEM, 707 00:43:31,940 --> 00:43:34,570 AND I KEPT THEM. 708 00:43:34,730 --> 00:43:37,030 WOULD YOU LIKE TO SEE THEM? 709 00:43:37,190 --> 00:43:38,650 HERE. I'LL SHOW YOU. 710 00:43:58,800 --> 00:43:59,970 HERE THEY ARE... 711 00:44:05,140 --> 00:44:08,480 AND I'LL NEVER PART WITH THEM. 712 00:44:08,640 --> 00:44:11,940 THEY'LL ALWAYS HAVE A SPECIAL MEANING FOR ME 713 00:44:12,100 --> 00:44:14,400 BECAUSE THEY REMIND ME... 714 00:44:14,570 --> 00:44:17,610 NEVER TO MAKE A HASTY JUDGMENT ABOUT CHARLES. 715 00:44:19,780 --> 00:44:20,780 OH! 716 00:44:41,470 --> 00:44:43,640 [CARRIAGE APPROACHING] 717 00:44:58,150 --> 00:44:59,230 HA HA! 718 00:45:00,440 --> 00:45:01,780 OH! HA HA! CHARLES! 719 00:45:01,950 --> 00:45:03,240 HEY, WHOA! HOLD IT. HOLD IT. 720 00:45:03,410 --> 00:45:04,820 WHOA! HEY, COME ON. 721 00:45:04,990 --> 00:45:06,240 YOU'RE GOING TO GET ALL WET. I'M SOAKED TO THE SKIN. 722 00:45:06,410 --> 00:45:07,870 I DON'T CARE. YOU'RE HERE. 723 00:45:08,040 --> 00:45:10,120 OH, I'D HAVE BEEN HERE A LOT SOONER, TOO. I LOST A WHEEL, 724 00:45:10,290 --> 00:45:12,460 AND I DIDN'T HAVE THE WAGON JACK, SO I HAD TO MAKE DO. 725 00:45:12,620 --> 00:45:14,750 I GOT SO MAD THERE WAS STEAM COMING OFF ME. 726 00:45:14,920 --> 00:45:16,000 WHY DON'T YOU GO INSIDE BEFORE YOU CATCH A CHILL? 727 00:45:16,170 --> 00:45:17,040 NO, I'M ALL RIGHT. 728 00:45:17,210 --> 00:45:18,170 LISTEN, I GOT SOMETHING FOR YOU. 729 00:45:18,340 --> 00:45:19,130 OH, YOU REMEMBERED. 730 00:45:19,300 --> 00:45:20,340 OF COURSE I REMEMBER. 731 00:45:20,510 --> 00:45:22,550 HOW WAS I GOING TO FORGET? THERE YOU GO. 732 00:45:27,350 --> 00:45:28,220 WELL, WHAT'S THE MATTER? 733 00:45:28,390 --> 00:45:29,680 ISN'T THAT THE RIGHT SPICE? 734 00:45:29,850 --> 00:45:31,730 WELL, YOU SAID A YELLOW CAN WITH A RED STRIPE-- 735 00:45:31,890 --> 00:45:33,230 STUFF YOU COULDN'T GET AT OLESON'S. 736 00:45:36,520 --> 00:45:39,860 THIS IS EXACTLY WHAT I ASKED FOR, CHARLES. 737 00:45:42,030 --> 00:45:43,650 THANK YOU. I KNEW YOU'D REMEMBER. 738 00:45:44,860 --> 00:45:46,780 WELL, I'LL WAIT FOR YOU INSIDE. 739 00:45:46,950 --> 00:45:48,030 CAROLINE? 740 00:45:49,950 --> 00:45:53,540 I DID GET YOU SOMETHING ELSE. 741 00:45:53,710 --> 00:45:54,830 [GASPS] 742 00:45:57,920 --> 00:46:01,590 IT'S A LITTLE SOMETHING SPECIAL 743 00:46:01,760 --> 00:46:02,840 FOR A VERY SPECIAL LADY 744 00:46:03,010 --> 00:46:04,970 ON A VERY, VERY SPECIAL DAY. 745 00:46:13,730 --> 00:46:14,850 HAPPY ANNIVERSARY. 746 00:46:16,730 --> 00:46:18,190 HAPPY ANNIVERSARY. 747 00:46:22,110 --> 00:46:23,240 MMM. 748 00:46:29,240 --> 00:46:31,910 CHARLES INGALLS... 749 00:46:32,080 --> 00:46:34,910 ON THIS VERY SPECIAL DAY... 750 00:46:35,080 --> 00:46:37,540 MAY I HAVE THE PLEASURE OF THIS DANCE? 751 00:46:38,710 --> 00:46:41,130 WHAT ARE YOU TALKING ABOUT? WHAT, OUT HERE? 752 00:46:41,300 --> 00:46:43,510 UH-HUH, OUT HERE. 753 00:46:43,670 --> 00:46:44,510 OH, CAROLINE, COME ON. 754 00:46:44,670 --> 00:46:45,420 WHAT ARE YOU TALKING ABOUT? 755 00:46:45,590 --> 00:46:47,430 I JUST FEEL LIKE DANCING. 756 00:46:51,600 --> 00:46:53,220 ALL RIGHT. 757 00:46:53,390 --> 00:46:55,060 MRS. INGALLS, MAY I HAVE THIS DANCE? 758 00:47:01,270 --> 00:47:03,110 HOW'S THAT FOR REMEMBERING? 759 00:47:05,400 --> 00:47:07,490 I LOVE YOU. THAT'S REMEMBERING. 49225

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