All language subtitles for M.2025.1080p.WEB-DL.AAC2.0.x264-CatAiD_Track03

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:24,480 --> 00:00:25,936 - [Thomas] Because I danced down close to the floor, 2 00:00:25,936 --> 00:00:27,647 just brushing the floor. 3 00:00:27,647 --> 00:00:31,036 Float like a butterfly and sting like a bee. 4 00:00:31,036 --> 00:00:35,395 - [Keith] Our festival, Maupinfest emphasizes old time music 5 00:00:35,395 --> 00:00:39,021 and then buck dancing in honor of Mr. Thomas Maupin, 6 00:00:39,021 --> 00:00:41,271 who is a national treasure. 7 00:00:43,746 --> 00:00:46,523 - [Daniel] This dance is a dying art, 8 00:00:46,523 --> 00:00:50,692 especially his particular brand of doing it. 9 00:00:50,692 --> 00:00:53,054 - This is something that I grew up with. 10 00:00:53,054 --> 00:00:55,097 To me, it's not about making noise, 11 00:00:55,097 --> 00:00:58,649 it's about making music with your feet. 12 00:00:58,649 --> 00:01:03,317 That's what I try to do. [upbeat music] 13 00:01:15,662 --> 00:01:18,245 Well, it's in me to start with. 14 00:01:20,516 --> 00:01:24,266 I'm one of 10 kids, five boys and five girls, 15 00:01:25,225 --> 00:01:29,115 and I grew up four miles down the road here at Eagleville. 16 00:01:29,115 --> 00:01:33,310 And on my dad's side was dancers, just about as far back 17 00:01:33,310 --> 00:01:35,585 as we can remember. 18 00:01:35,585 --> 00:01:37,418 And on my mom's side, 19 00:01:38,811 --> 00:01:41,894 I never seen my mom dance any at all, 20 00:01:42,918 --> 00:01:46,918 but her mom lived with us and she was a old lady 21 00:01:48,513 --> 00:01:52,564 and she was crippled up really, maybe from, 22 00:01:52,564 --> 00:01:54,707 she might have have cerebral palsy years and years ago, 23 00:01:54,707 --> 00:01:56,703 you know, when she's young. 24 00:01:56,703 --> 00:02:00,370 But she could create a little time and lick. 25 00:02:01,433 --> 00:02:04,296 She'd be barefooted in the summertime, 26 00:02:04,296 --> 00:02:07,668 then come on, radio, TV, whatever. 27 00:02:07,668 --> 00:02:11,126 You'd hear them heels go to hit the floor. 28 00:02:11,126 --> 00:02:14,186 You know, it wouldn't be that loud, 29 00:02:14,186 --> 00:02:16,570 but she'd be standing up straight. 30 00:02:16,570 --> 00:02:19,075 And this arm was crippled, she couldn't do anything with it, 31 00:02:19,075 --> 00:02:21,408 but she'd be playing a tune. 32 00:02:27,408 --> 00:02:29,075 I can hear it today. 33 00:02:33,367 --> 00:02:34,200 Excuse me. 34 00:02:36,692 --> 00:02:41,081 - I grew up about four, five miles down the road 35 00:02:41,081 --> 00:02:43,669 out here in Eagleville. 36 00:02:43,669 --> 00:02:46,891 And I dashed around all on the streets and everything. 37 00:02:46,891 --> 00:02:50,431 It'd be some old people would come by 38 00:02:50,431 --> 00:02:53,810 and say, hey son, help me with a little jig. 39 00:02:53,810 --> 00:02:56,275 And most times that would be somebody that dance too. 40 00:02:56,275 --> 00:02:57,521 So we would dance, 41 00:02:57,521 --> 00:03:00,608 sort of dancing against each other while in music. 42 00:03:00,608 --> 00:03:05,608 ♪ Well, it is all the way down ♪ 43 00:03:07,757 --> 00:03:11,366 ♪ All the way back in Tennessee ♪ 44 00:03:11,366 --> 00:03:13,008 ♪ Way down ♪ 45 00:03:13,008 --> 00:03:15,858 ♪ I love to star gaze ♪ 46 00:03:15,858 --> 00:03:18,764 - I think it's been here since we have been here 47 00:03:18,764 --> 00:03:20,514 and Native Americans. 48 00:03:22,182 --> 00:03:25,780 And no matter how high they jump in the air, 49 00:03:25,780 --> 00:03:29,037 they'll be on the ground at the beat. 50 00:03:29,037 --> 00:03:30,671 At the bottom of the beat, 51 00:03:30,671 --> 00:03:32,556 they'd be right there 52 00:03:32,556 --> 00:03:34,556 with toe, ball and heel. 53 00:03:35,437 --> 00:03:36,930 That's three notes. 54 00:03:36,930 --> 00:03:37,895 - I remember people asking, 55 00:03:37,895 --> 00:03:40,312 does the music lead the dance 56 00:03:42,669 --> 00:03:44,798 or does the dance lead the music? 57 00:03:44,798 --> 00:03:46,854 Well, they're right there together. 58 00:03:46,854 --> 00:03:51,854 In a way, I guess you could say the music leads the dance 59 00:03:52,012 --> 00:03:56,012 because the dancer is trying to match every note 60 00:03:57,340 --> 00:04:02,209 that the music is, or at least the ground rhythm. 61 00:04:02,209 --> 00:04:05,710 - The music is telling my feet what to do 62 00:04:05,710 --> 00:04:09,527 and I'm trying to dance the notes that he's playing 63 00:04:09,527 --> 00:04:12,411 and that's what I've always tried to do is to dance 64 00:04:12,411 --> 00:04:14,856 that tune that you playing. 65 00:04:14,856 --> 00:04:16,516 Whether it's Salad Goodin 66 00:04:16,516 --> 00:04:19,637 or whatever it is, I'm dancing them notes. 67 00:04:19,637 --> 00:04:21,495 I'm part of that tune. 68 00:04:21,495 --> 00:04:24,079 [upbeat music] 69 00:04:27,932 --> 00:04:30,065 - Every dancer has a different approach. 70 00:04:30,065 --> 00:04:32,961 Some people put more notes in it versus others, 71 00:04:32,961 --> 00:04:36,874 and he was always one of them that tried 72 00:04:36,874 --> 00:04:39,187 to knock out every note in the tune. 73 00:04:39,187 --> 00:04:42,259 And you'll have some that do just a shuffle. 74 00:04:42,259 --> 00:04:46,843 But, you know, it's all just different ways of doing it 75 00:04:47,843 --> 00:04:48,790 that people grew up. 76 00:04:48,790 --> 00:04:51,057 You know, that's one way of saying it, 77 00:04:51,057 --> 00:04:51,891 that the music leads, 78 00:04:51,891 --> 00:04:53,785 but really they're right there together 79 00:04:53,785 --> 00:04:56,598 because the musicians are, 80 00:04:56,598 --> 00:04:58,565 if you've got really good musicians 81 00:04:58,565 --> 00:05:01,447 and really good dancers, they're listening to each other 82 00:05:01,447 --> 00:05:05,113 and playing off of what each other is doing. 83 00:05:06,449 --> 00:05:09,048 - I like to get right beside of him 84 00:05:09,048 --> 00:05:11,420 and we dancing together. 85 00:05:11,420 --> 00:05:12,932 He's hitting his best licks 86 00:05:12,932 --> 00:05:13,920 and I'm hitting my best licks. 87 00:05:13,920 --> 00:05:15,766 We are playing off each other. 88 00:05:15,766 --> 00:05:18,100 You know, and you get chills 89 00:05:19,064 --> 00:05:22,564 that, you know, run through you, you know. 90 00:05:25,690 --> 00:05:27,774 - [Daniel] He has been my best friend 91 00:05:27,774 --> 00:05:32,458 since before I could walk, before I could talk. 92 00:05:32,458 --> 00:05:35,663 He encouraged it any way he could. 93 00:05:35,663 --> 00:05:39,449 He had recordings of bluegrass and country 94 00:05:39,449 --> 00:05:40,413 and old time string band music 95 00:05:40,413 --> 00:05:43,444 that he had all these cassettes of. 96 00:05:43,444 --> 00:05:45,656 And I would stay over at his house at night 97 00:05:45,656 --> 00:05:49,101 and listened to the albums and things that he had 98 00:05:49,101 --> 00:05:51,711 when I was going to sleep. 99 00:05:51,711 --> 00:05:55,519 And also he was dancing all the time. 100 00:05:55,519 --> 00:05:57,661 - Daniel means the world to me. 101 00:05:57,661 --> 00:06:00,507 We've been partners ever since he was born. 102 00:06:00,507 --> 00:06:05,507 And he is a good boy. He's almost as smart as granddad. 103 00:06:05,732 --> 00:06:08,399 He's extremely smart, extremely. 104 00:06:09,267 --> 00:06:13,221 All the times he's been to college, he's made one B. 105 00:06:13,221 --> 00:06:16,605 - Like I say, he's been about my best friend 106 00:06:16,605 --> 00:06:17,939 and mentor since 107 00:06:21,050 --> 00:06:22,557 as long as I can remember. 108 00:06:22,557 --> 00:06:24,608 Like he said, we've kind of been partners 109 00:06:24,608 --> 00:06:26,767 since I was born, you know. 110 00:06:26,767 --> 00:06:30,088 Like I've kind of said before, he has been granddaddy 111 00:06:30,088 --> 00:06:32,718 to just about everybody, 112 00:06:32,718 --> 00:06:35,218 but he sure has to me, I know. 113 00:06:40,495 --> 00:06:41,829 He's been my pal 114 00:06:43,519 --> 00:06:46,519 and it's been a big part of my life. 115 00:06:52,733 --> 00:06:56,567 Big part of my definition of who I am is that, 116 00:06:58,105 --> 00:07:00,949 you know, Thomas' grandson, you know, 117 00:07:00,949 --> 00:07:03,572 which that's not all I am, 118 00:07:03,572 --> 00:07:05,512 but it's a doggone big part of who I am 119 00:07:05,512 --> 00:07:07,762 and I'm proud of that part. 120 00:07:11,255 --> 00:07:16,255 [upbeat music] [feet tapping] 121 00:07:17,024 --> 00:07:21,274 He won the national championship at least six times 122 00:07:22,273 --> 00:07:24,422 and won state championships 123 00:07:24,422 --> 00:07:28,588 in Tennessee, Alabama, Kentucky, Indiana, Georgia. 124 00:07:30,550 --> 00:07:35,550 Since he had become recognized as a master of this art, 125 00:07:35,565 --> 00:07:38,564 he's had the articles written about him 126 00:07:38,564 --> 00:07:41,398 in magazines and been given awards 127 00:07:42,507 --> 00:07:45,992 by different music associations. 128 00:07:45,992 --> 00:07:48,838 Here's probably one of the biggest ones 129 00:07:48,838 --> 00:07:51,201 as he got the National Endowment 130 00:07:51,201 --> 00:07:54,728 for the Arts National Heritage Fellowship Award. 131 00:07:54,728 --> 00:07:56,598 - Maupin has always viewed buck dance 132 00:07:56,598 --> 00:08:00,322 as a personal interpretation of the music one hears, 133 00:08:00,322 --> 00:08:02,757 and he continues to encourage young dancers 134 00:08:02,757 --> 00:08:05,954 to find their own steps and rhythms. 135 00:08:05,954 --> 00:08:09,045 Let's welcome Thomas Maupin. 136 00:08:09,045 --> 00:08:13,213 [audience cheering and clapping] 137 00:08:15,548 --> 00:08:18,132 [feet tapping] 138 00:08:25,910 --> 00:08:28,492 [upbeat music] 139 00:08:55,484 --> 00:09:00,484 [upbeat music continues] [feet tapping] 140 00:09:25,600 --> 00:09:30,600 [upbeat music continues] [feet tapping] 141 00:10:01,383 --> 00:10:04,383 [audience clapping] 142 00:10:07,272 --> 00:10:10,105 [machine beeping] 143 00:10:16,053 --> 00:10:17,357 - Since I've had a stroke, 144 00:10:17,357 --> 00:10:22,020 I can't switch over anything now like I did then. 145 00:10:22,020 --> 00:10:25,020 At age 60 years old, you can't 146 00:10:25,020 --> 00:10:28,241 or do anything that you used to do 147 00:10:28,241 --> 00:10:29,567 and then add a stroke on top of that, 148 00:10:29,567 --> 00:10:32,408 it makes it a little worse. 149 00:10:32,408 --> 00:10:34,158 It means a lot to me. 150 00:10:37,171 --> 00:10:40,769 So when I had a stroke, I couldn't even do this. 151 00:10:40,769 --> 00:10:42,393 [hands clapping] 152 00:10:42,393 --> 00:10:44,393 So his Shuffelo daughter 153 00:10:45,852 --> 00:10:47,686 that I'd helped before 154 00:10:48,969 --> 00:10:53,043 and then the little blonde girls you see all over TV. 155 00:10:53,043 --> 00:10:56,434 - [Daniel] Yeah, Hillary Klug and Courtney Berry. 156 00:10:56,434 --> 00:10:58,268 - Yeah, I helped them. 157 00:10:59,552 --> 00:11:02,634 And so they came to the nursing home. 158 00:11:04,365 --> 00:11:05,692 - Well, first of all, 159 00:11:05,692 --> 00:11:09,519 when Thomas had his stroke, I remember you saying, 160 00:11:09,519 --> 00:11:12,352 "If I can't dance, I'm gonna die." 161 00:11:13,748 --> 00:11:15,414 - I really felt bad. 162 00:11:17,717 --> 00:11:20,049 [hands clapping] 163 00:11:20,049 --> 00:11:21,775 I couldn't do this, I couldn't do this. 164 00:11:21,775 --> 00:11:24,049 I couldn't do anything. 165 00:11:24,049 --> 00:11:27,597 - So we said, let's get you dancing. 166 00:11:27,597 --> 00:11:30,876 - So they came and helped me get started back. 167 00:11:30,876 --> 00:11:33,543 [upbeat music] 168 00:11:42,065 --> 00:11:45,384 Well, I've been doing it so long 169 00:11:45,384 --> 00:11:47,217 and it was bred in me, 170 00:11:49,077 --> 00:11:50,995 so I like to hear that. 171 00:11:52,155 --> 00:11:54,455 I feel I can do it instead of sitting down but. 172 00:11:54,455 --> 00:11:57,320 [hands clapping] 173 00:11:57,320 --> 00:11:59,388 Anybody can clap their hands 174 00:11:59,388 --> 00:12:01,441 but everybody can't do this. 175 00:12:01,441 --> 00:12:06,205 [hands clapping] [feet tapping] 176 00:12:06,205 --> 00:12:07,638 And you dance on both feet. 177 00:12:07,638 --> 00:12:08,868 You don't dance on one foot 178 00:12:08,868 --> 00:12:10,731 and change over and dance. 179 00:12:10,731 --> 00:12:13,057 You dance on both feet at the same time. 180 00:12:13,057 --> 00:12:15,171 [upbeat music] 181 00:12:15,171 --> 00:12:20,052 - Our festival, Maupinfest emphasizes old time music 182 00:12:20,052 --> 00:12:24,211 and then buck dancing in honor of Mr. Thomas Maupin, 183 00:12:24,211 --> 00:12:28,533 who is a national treasure, heritage fellow 184 00:12:28,533 --> 00:12:31,610 for the National Endowments for the Arts. 185 00:12:31,610 --> 00:12:34,068 - Bradley Hansen with the Tennessee Arts Commission 186 00:12:34,068 --> 00:12:36,187 approached our band, 187 00:12:36,187 --> 00:12:38,673 Uncle Shuffelo Music and His Haint Hall Hollow Hootenanny 188 00:12:38,673 --> 00:12:41,756 and asked us if we would take part in 189 00:12:44,208 --> 00:12:47,038 a festival to honor Thomas Maupin 190 00:12:47,038 --> 00:12:50,837 and his craft of buck dancing and flatfoot dancing. 191 00:12:50,837 --> 00:12:53,020 And so we talked about it 192 00:12:53,020 --> 00:12:56,389 and we just decided we've got the place to do it. 193 00:12:56,389 --> 00:13:00,222 We got plenty of space and so we took this on. 194 00:13:02,620 --> 00:13:06,620 This property has been in my family since 1820s. 195 00:13:08,875 --> 00:13:12,063 William and Dillie Litle purchased this couple of decades 196 00:13:12,063 --> 00:13:14,511 after this became Bedford County, 197 00:13:14,511 --> 00:13:17,238 broke off of Rutherford County and became a county. 198 00:13:17,238 --> 00:13:19,058 And they had a home here. 199 00:13:19,058 --> 00:13:21,975 Behind me, you can see their cabin. 200 00:13:22,946 --> 00:13:25,864 This was the kitchen for their home. 201 00:13:25,864 --> 00:13:28,871 Five generations have lived in that house 202 00:13:28,871 --> 00:13:30,955 and it's just home to us. 203 00:13:32,924 --> 00:13:35,445 So we decided to open up our home 204 00:13:35,445 --> 00:13:38,700 and let people from all over the world come and hang out 205 00:13:38,700 --> 00:13:41,798 in our backyard on one day in September. 206 00:13:41,798 --> 00:13:44,716 [thunder rumbling] 207 00:13:56,971 --> 00:13:58,289 - Good afternoon, everyone. 208 00:13:58,289 --> 00:14:00,120 This is Mike Brennan here at the National Hurricane Center. 209 00:14:00,120 --> 00:14:01,616 It's just after 5:30 PM Eastern time 210 00:14:01,616 --> 00:14:03,679 on Thursday, September 26th. 211 00:14:03,679 --> 00:14:04,966 Coming on with the latest 212 00:14:04,966 --> 00:14:07,285 on very dangerous Hurricane Helene, 213 00:14:07,285 --> 00:14:09,937 which is rapidly approaching the Florida Big Bend coastline. 214 00:14:09,937 --> 00:14:11,250 Helene has strengthened today. 215 00:14:11,250 --> 00:14:12,865 It's a powerful category three hurricane 216 00:14:12,865 --> 00:14:16,767 maximum sustained winds of around 125 miles per hour. 217 00:14:16,767 --> 00:14:18,056 - I think we've gotten maybe a remnants 218 00:14:18,056 --> 00:14:19,150 of a hurricane coming through, 219 00:14:19,150 --> 00:14:21,595 but we're pretty far in, so we'll be okay. 220 00:14:21,595 --> 00:14:24,261 [upbeat music] 221 00:14:58,942 --> 00:15:02,592 - Yeah, just pull in right on this and park. 222 00:15:02,592 --> 00:15:05,259 [upbeat music] 223 00:15:16,780 --> 00:15:18,119 - [Interviewer] How are you? 224 00:15:18,119 --> 00:15:19,710 - I'm good. 225 00:15:19,710 --> 00:15:20,663 - [Interviewer] Good, good. 226 00:15:20,663 --> 00:15:22,609 - A little damp at the moment. 227 00:15:22,609 --> 00:15:26,330 - Exactly. [upbeat music] 228 00:15:26,330 --> 00:15:28,538 - Lord, we are thankful for your provision. 229 00:15:28,538 --> 00:15:30,464 Lord, we're thankful for the rain, 230 00:15:30,464 --> 00:15:34,952 but we would humbly ask for a little break here today 231 00:15:34,952 --> 00:15:38,620 if you could give us the grace of a good day 232 00:15:40,076 --> 00:15:42,875 and Lord, we'll be most thankful and grateful. 233 00:15:42,875 --> 00:15:45,149 Lord, bless the efforts here. 234 00:15:45,149 --> 00:15:46,942 Bless each person that's come out. 235 00:15:46,942 --> 00:15:51,014 Bless each musician, each vendor, each dancer, 236 00:15:51,014 --> 00:15:53,129 each spectator, Lord 237 00:15:53,129 --> 00:15:56,839 and just give us a good day of good, clean fun. 238 00:15:56,839 --> 00:15:59,255 In Jesus' name we pray. Amen. 239 00:16:00,894 --> 00:16:05,267 - [Host] Ladies and gentlemen, welcome to Maupinfest 2024. 240 00:16:05,267 --> 00:16:06,945 - Here we go. - Alright. 241 00:16:06,945 --> 00:16:09,528 [upbeat music] 242 00:16:35,894 --> 00:16:39,311 [upbeat music continues] 243 00:17:06,423 --> 00:17:09,839 [upbeat music continues] 244 00:17:31,413 --> 00:17:32,247 - Yep! 245 00:17:37,074 --> 00:17:40,574 [upbeat music continues] 246 00:17:48,540 --> 00:17:49,869 [audience clapping] 247 00:17:49,869 --> 00:17:51,221 - Thank you. Thank you. 248 00:17:51,221 --> 00:17:53,968 Can you hear it all right out there? 249 00:17:53,968 --> 00:17:56,323 Can you see us all right? 250 00:17:56,323 --> 00:17:57,417 I hate that. - I don't know 251 00:17:57,417 --> 00:17:58,250 if they want to see us. 252 00:17:58,250 --> 00:18:00,652 - I hate that for you right there. I hate it. 253 00:18:00,652 --> 00:18:04,152 - Old time music carries on a lot of the traditions 254 00:18:04,152 --> 00:18:06,242 that were brought over with the Scotch Irish 255 00:18:06,242 --> 00:18:07,942 and some of the other immigrants. 256 00:18:07,942 --> 00:18:10,510 It was a way for them to gather together as families 257 00:18:10,510 --> 00:18:12,700 and feel like home somewhat 258 00:18:12,700 --> 00:18:15,484 as they shared some of their songs they had before 259 00:18:15,484 --> 00:18:16,317 and their dance. 260 00:18:16,317 --> 00:18:19,673 This is the type of event that you can't find just anywhere. 261 00:18:19,673 --> 00:18:23,251 Old time music is kind of a rarity. 262 00:18:23,251 --> 00:18:27,669 In the world around Nashville, country music is huge, 263 00:18:29,253 --> 00:18:32,637 bluegrass music is here, and old time is right here 264 00:18:32,637 --> 00:18:34,546 but old time's what started it all. 265 00:18:34,546 --> 00:18:36,352 It's the foundation for all of that music. 266 00:18:36,352 --> 00:18:37,211 - You ready? 267 00:18:37,211 --> 00:18:39,795 [upbeat music] 268 00:19:07,612 --> 00:19:11,028 [upbeat music continues] 269 00:19:37,519 --> 00:19:40,936 [upbeat music continues] 270 00:20:07,209 --> 00:20:10,709 [upbeat music continues] 271 00:20:14,901 --> 00:20:16,423 - Thank you. Thank you. 272 00:20:16,423 --> 00:20:17,759 See you later, y'all. 273 00:20:17,759 --> 00:20:19,261 - It was a real honor, son. 274 00:20:19,261 --> 00:20:23,596 - What we call old time string band music, it's a genre 275 00:20:23,596 --> 00:20:27,990 that really came about with the Ralph Peer recordings 276 00:20:27,990 --> 00:20:30,607 in Bristol, Tennessee in 1927. 277 00:20:30,607 --> 00:20:32,400 He recorded several people. 278 00:20:32,400 --> 00:20:34,464 He basically put out a big cattle call, 279 00:20:34,464 --> 00:20:37,015 if you've got a song, come sing it. 280 00:20:37,015 --> 00:20:40,652 And two musicians came out of that 281 00:20:40,652 --> 00:20:43,583 that became really famous and sold a lot of records. 282 00:20:43,583 --> 00:20:46,186 That's Jimmie Rogers and the Carter Family 283 00:20:46,186 --> 00:20:50,867 and that's known as the big bang of country music. 284 00:20:50,867 --> 00:20:54,541 That fits in the realm of old time music 285 00:20:54,541 --> 00:20:59,541 ♪ Summer rain, the clouds hang low ♪ 286 00:21:00,356 --> 00:21:05,356 ♪ Everglades and oranges grow ♪ 287 00:21:07,252 --> 00:21:12,252 ♪ My dear grandpa sang this song ♪ 288 00:21:14,327 --> 00:21:18,244 ♪ Once he sang it all day long ♪ 289 00:21:22,049 --> 00:21:24,717 [upbeat music] 290 00:21:39,763 --> 00:21:43,838 ♪ Climbing up the big oak tree ♪ 291 00:21:43,838 --> 00:21:48,417 ♪ Hummingbirds and honeybees ♪ 292 00:21:48,417 --> 00:21:53,050 ♪ Sleeping turtles on the log ♪ 293 00:21:53,050 --> 00:21:58,045 ♪ Going hunting with my dog ♪ 294 00:21:58,045 --> 00:22:02,394 ♪ Holy Liza, Liza Jane ♪ 295 00:22:02,394 --> 00:22:06,795 ♪ Holy Liza, Liza Jane ♪ 296 00:22:06,795 --> 00:22:11,683 ♪ Holy Liza, Liza Jane ♪ 297 00:22:11,683 --> 00:22:16,128 ♪ Holy Liza, Liza Jane ♪ 298 00:22:16,128 --> 00:22:20,521 ♪ Grandpa, grandpa was saying ♪ 299 00:22:20,521 --> 00:22:25,198 ♪ Turtles who can hold me down ♪ 300 00:22:25,198 --> 00:22:29,724 ♪ Bullfrogs singing in the pond ♪ 301 00:22:29,724 --> 00:22:34,599 ♪ Alligators on my lawn ♪ 302 00:22:34,599 --> 00:22:39,009 ♪ Holy Liza, Liza Jane ♪ 303 00:22:39,009 --> 00:22:43,260 ♪ Holy Liza, Liza Jane ♪ 304 00:22:43,260 --> 00:22:48,066 ♪ Holy Liza, Liza Jane ♪ 305 00:22:48,066 --> 00:22:52,515 ♪ Holy Liza, Liza Jane ♪ 306 00:22:52,515 --> 00:22:57,148 ♪ Can you hear the robin sing ♪ 307 00:22:57,148 --> 00:23:01,630 ♪ Magnolias blooming in the spring ♪ 308 00:23:01,630 --> 00:23:06,174 ♪ Fly away sweet dragonfly ♪ 309 00:23:06,174 --> 00:23:11,012 ♪ Grandpa's resting in the sky ♪ 310 00:23:11,012 --> 00:23:15,319 ♪ Holy Liza, Liza Jane ♪ 311 00:23:15,319 --> 00:23:19,941 ♪ Holy Liza, Liza Jane ♪ 312 00:23:19,941 --> 00:23:24,701 ♪ Holy Liza, Liza Jane ♪ 313 00:23:24,701 --> 00:23:29,567 ♪ Holy Liza, Liza Jane ♪ 314 00:23:29,567 --> 00:23:34,567 ♪ Fly away sweet dragonfly ♪ 315 00:23:37,063 --> 00:23:42,063 ♪ Grandpa's resting in the sky ♪ 316 00:23:44,565 --> 00:23:49,565 ♪ We'll meet again by and by ♪ 317 00:23:51,015 --> 00:23:54,765 ♪ We'll meet again by and by ♪ 318 00:23:59,952 --> 00:24:01,994 - Miss Lela May Smith, y'all. [audience clapping] 319 00:24:01,994 --> 00:24:04,742 - If we don't expose younger people to it 320 00:24:04,742 --> 00:24:08,855 and other people don't play it, it will eventually die out 321 00:24:08,855 --> 00:24:10,650 and it'll just be something you see 322 00:24:10,650 --> 00:24:12,011 on old YouTube recordings. 323 00:24:12,011 --> 00:24:14,809 But we want it to stay alive 324 00:24:14,809 --> 00:24:16,546 and that's part of the mission. 325 00:24:16,546 --> 00:24:19,128 [upbeat music] 326 00:24:42,306 --> 00:24:44,473 - That's one of the best things is that we work together 327 00:24:44,473 --> 00:24:47,141 as a family to put on this event 328 00:24:48,636 --> 00:24:51,220 and to play together as a band. 329 00:24:52,390 --> 00:24:54,972 [upbeat music] 330 00:25:21,345 --> 00:25:24,845 [upbeat music continues] 331 00:25:32,335 --> 00:25:35,484 I had really very little interest 332 00:25:35,484 --> 00:25:39,022 and zero knowledge of what old time music was 333 00:25:39,022 --> 00:25:42,786 when we started, but my children were interested in it. 334 00:25:42,786 --> 00:25:46,118 Therefore, mama wanted to be part of it. 335 00:25:47,727 --> 00:25:50,309 [upbeat music] 336 00:26:16,170 --> 00:26:17,821 And so I've learned to love it. 337 00:26:17,821 --> 00:26:21,791 I appreciate it so much for the rich history of it. 338 00:26:21,791 --> 00:26:24,292 - I call this the wash tub bass-jo. 339 00:26:24,292 --> 00:26:25,792 It's a base banjo. 340 00:26:26,761 --> 00:26:28,845 It uses an old floor com, 341 00:26:29,834 --> 00:26:33,334 and a number two wash tub for a resonator. 342 00:26:36,299 --> 00:26:38,967 The neck is a sawmill two by six 343 00:26:40,102 --> 00:26:42,490 that was in the barn since the seventies 344 00:26:42,490 --> 00:26:45,231 where my granddad had some timber cut. 345 00:26:45,231 --> 00:26:47,651 It's a walnut two by six. 346 00:26:47,651 --> 00:26:51,232 And then the fingerboard actually came out of the same one. 347 00:26:51,232 --> 00:26:54,355 It's glued on, but it's right here. 348 00:26:54,355 --> 00:26:58,740 These are just some cheap base tuners, electric base tuners 349 00:26:58,740 --> 00:27:02,056 and it has weed whacker string, 350 00:27:02,056 --> 00:27:03,453 but from the hardware store 351 00:27:03,453 --> 00:27:06,008 and one piece of clothesline here. 352 00:27:06,008 --> 00:27:08,069 So it plays like a double bass. 353 00:27:08,069 --> 00:27:11,069 [strings strumming] 354 00:27:13,705 --> 00:27:14,984 The lady at Tractor Supply 355 00:27:14,984 --> 00:27:16,940 thinks I've got the world's shortest clothesline 356 00:27:16,940 --> 00:27:18,606 so it's really good. 357 00:27:20,449 --> 00:27:23,180 - This here is a harmonica megaphone. 358 00:27:23,180 --> 00:27:25,776 It doubles the volume in the direction of play, 359 00:27:25,776 --> 00:27:27,644 which is important for a harmonica 360 00:27:27,644 --> 00:27:29,048 as it's a quiet instrument. 361 00:27:29,048 --> 00:27:31,019 Now a fiddle might be 90 decibels, 362 00:27:31,019 --> 00:27:32,622 but a harmonica is only 80 363 00:27:32,622 --> 00:27:35,102 so you really do have to double it just to get in the mix, 364 00:27:35,102 --> 00:27:36,241 especially for this old time music 365 00:27:36,241 --> 00:27:38,907 where you don't have a microphone guaranteed. 366 00:27:38,907 --> 00:27:40,714 And I've got this little warbler here 367 00:27:40,714 --> 00:27:43,707 that cuts off the sound intermittently 368 00:27:43,707 --> 00:27:45,923 and creates a nice effect. 369 00:27:45,923 --> 00:27:48,507 [bright music] 370 00:27:56,410 --> 00:27:58,902 - Well, all old time music's in the public domain, 371 00:27:58,902 --> 00:28:03,068 so you'll hear people do it without the fear 372 00:28:03,068 --> 00:28:05,669 of copyright infringement. 373 00:28:05,669 --> 00:28:08,047 And there are floating verses 374 00:28:08,047 --> 00:28:11,198 that you'll hear different phrases that might appear 375 00:28:11,198 --> 00:28:14,559 in a dozen songs that just get passed around 376 00:28:14,559 --> 00:28:18,819 and sometimes I think that the singer might forget the words 377 00:28:18,819 --> 00:28:20,352 and they'll just throw in the words 378 00:28:20,352 --> 00:28:22,635 to another song and keep going. 379 00:28:22,635 --> 00:28:25,718 ♪ Stronger than Samson I declare ♪ 380 00:28:25,718 --> 00:28:29,294 ♪ 'Til the soft skinned Delilah barbed his hair ♪ 381 00:28:29,294 --> 00:28:32,893 ♪ Big Bad Bill don't fight anymore ♪ 382 00:28:32,893 --> 00:28:35,804 ♪ No more fighting ♪ 383 00:28:35,804 --> 00:28:39,368 ♪ Doing the dishes, mopping up that floor ♪ 384 00:28:39,368 --> 00:28:41,333 ♪ Yes, dear ♪ 385 00:28:41,333 --> 00:28:44,134 ♪ Well he used to go out drinking, looking for a fight ♪ 386 00:28:44,134 --> 00:28:47,583 ♪ Now he gotta see that woman, every night ♪ 387 00:28:47,583 --> 00:28:51,915 ♪ Big Bad Bill is sweet William now ♪ 388 00:29:26,233 --> 00:29:31,233 ♪ Big Bad Bill is sweet William now ♪ 389 00:29:32,813 --> 00:29:37,813 ♪ Married life done changed him somehow ♪ 390 00:29:38,156 --> 00:29:41,233 ♪ He's the man the town used to fear ♪ 391 00:29:41,233 --> 00:29:44,769 ♪ Now they all call him sweet Papa Willie dear ♪ 392 00:29:44,769 --> 00:29:47,546 ♪ Stronger than Samson I declare ♪ 393 00:29:47,546 --> 00:29:51,167 ♪ 'Til the brown skinned Delilah barbed his hair ♪ 394 00:29:51,167 --> 00:29:54,181 ♪ Big Bad Bill don't fight anymore ♪ 395 00:29:54,181 --> 00:29:57,146 ♪ No fighting ♪ 396 00:29:57,146 --> 00:30:02,146 ♪ Doing the dishes, mopping up that floor ♪ 397 00:30:03,355 --> 00:30:06,313 ♪ Well he used to go out drinking, looking for a fight ♪ 398 00:30:06,313 --> 00:30:09,626 ♪ Now he gotta see that woman, every night ♪ 399 00:30:09,626 --> 00:30:14,626 ♪ Big Bad Bill is sweet William now ♪ 400 00:30:15,592 --> 00:30:20,592 ♪ Big Bad Bill is sweet William now ♪ 401 00:30:22,179 --> 00:30:26,511 ♪ Big Bad Bill is sweet William now ♪ 402 00:30:28,818 --> 00:30:31,558 [audience clapping] 403 00:30:31,558 --> 00:30:33,894 - Old time music is historical. 404 00:30:33,894 --> 00:30:36,478 There are no new old time songs 405 00:30:38,198 --> 00:30:42,538 so it's very much a preservation of history. 406 00:30:42,538 --> 00:30:45,204 [upbeat music] 407 00:30:47,791 --> 00:30:49,845 And we're trying to keep that alive 408 00:30:49,845 --> 00:30:54,724 and we're trying to keep Mr. Maupin's buck dancing alive. 409 00:30:54,724 --> 00:30:57,392 [upbeat music] 410 00:31:02,602 --> 00:31:05,184 - Everybody hear me all right? 411 00:31:24,875 --> 00:31:28,778 ♪ Last night, as I lay sleeping ♪ 412 00:31:28,778 --> 00:31:32,563 ♪ I dreamed I held you in my arms ♪ 413 00:31:32,563 --> 00:31:36,623 ♪ When I awoke, I was mistaken ♪ 414 00:31:36,623 --> 00:31:41,313 ♪ As though I was sleeping through that part ♪ 415 00:31:41,313 --> 00:31:43,895 [feet tapping] 416 00:32:00,468 --> 00:32:04,224 - It is two treadmill handles that they're adjustable. 417 00:32:04,224 --> 00:32:06,376 They're attached to the board 418 00:32:06,376 --> 00:32:09,460 and it folds up to carry in the cart. 419 00:32:11,835 --> 00:32:14,403 So I'm happy that he's got that 420 00:32:14,403 --> 00:32:16,180 and he's getting some use out of it 421 00:32:16,180 --> 00:32:17,905 and I just feel like if we can keep him dancing 422 00:32:17,905 --> 00:32:19,573 as long as possible. 423 00:32:20,990 --> 00:32:25,489 - The key to Thomas Maupin's style of dance is 424 00:32:25,489 --> 00:32:27,655 to play that song with your feet. 425 00:32:27,655 --> 00:32:30,323 [feet tapping] 426 00:32:37,439 --> 00:32:41,207 The other key thing is to keep your feet under you 427 00:32:41,207 --> 00:32:43,500 and it helps with your balance, 428 00:32:43,500 --> 00:32:45,625 but it also helps you keep 429 00:32:45,625 --> 00:32:49,743 that timing and that playing that tune with your feet. 430 00:32:49,743 --> 00:32:51,060 - And the one thing that stays 431 00:32:51,060 --> 00:32:52,866 with me from what Thomas said is 432 00:32:52,866 --> 00:32:57,175 when you apply yourself to learning the steps 433 00:32:57,175 --> 00:33:00,811 and listening to the music, something happens in you, 434 00:33:00,811 --> 00:33:05,811 an electricity that happens in you that just takes over. 435 00:33:06,147 --> 00:33:11,147 [upbeat music] [feet tapping] 436 00:33:29,385 --> 00:33:32,053 [upbeat music] 437 00:33:44,201 --> 00:33:46,651 - And people think of music in terms of pitches, 438 00:33:46,651 --> 00:33:51,339 but the more fundamental thing to me is rhythm. 439 00:33:51,339 --> 00:33:53,423 Music is organized sound. 440 00:33:55,182 --> 00:33:57,848 [upbeat music] 441 00:34:05,058 --> 00:34:09,905 What is it that tells you the order to put the notes in? 442 00:34:09,905 --> 00:34:12,059 It is rhythm and meter 443 00:34:12,059 --> 00:34:13,070 and things like that. 444 00:34:13,070 --> 00:34:14,329 It's just timing. 445 00:34:14,329 --> 00:34:16,996 [upbeat music] 446 00:34:20,351 --> 00:34:23,351 You can have people playing a C note 447 00:34:24,628 --> 00:34:26,478 or a G note or whatever, 448 00:34:26,478 --> 00:34:29,300 but you don't have a melody 449 00:34:29,300 --> 00:34:31,884 until you use rhythm and timing 450 00:34:32,831 --> 00:34:34,998 to organize those pitches. 451 00:34:36,090 --> 00:34:38,672 [upbeat music] 452 00:34:56,000 --> 00:34:59,536 Timing is the most important part of it to me 453 00:34:59,536 --> 00:35:02,335 and my timing is not always a hundred percent, 454 00:35:02,335 --> 00:35:07,335 but I try to keep it between the ditches, you know? 455 00:35:07,396 --> 00:35:11,275 - Yeah, he can. He knows how to keep it between the ditches. 456 00:35:11,275 --> 00:35:13,858 [upbeat music] 457 00:35:20,762 --> 00:35:23,762 [audience clapping] 458 00:35:27,682 --> 00:35:31,961 - So we have a sideline event going on, vintage baseball. 459 00:35:31,961 --> 00:35:33,675 Vintage baseball, for those of you 460 00:35:33,675 --> 00:35:34,983 that aren't familiar with it, 461 00:35:34,983 --> 00:35:37,719 they dress in vintage clothing. 462 00:35:37,719 --> 00:35:40,302 They play by the rules of 1864. 463 00:35:42,032 --> 00:35:45,563 So some people, instead of watching all the contests, 464 00:35:45,563 --> 00:35:47,682 they'll go watch the vintage baseball. 465 00:35:47,682 --> 00:35:50,349 [upbeat music] 466 00:36:24,326 --> 00:36:29,326 - This is old time music, which was basically dance music. 467 00:36:29,606 --> 00:36:32,726 It was what they played before they had recorded music. 468 00:36:32,726 --> 00:36:34,804 Usually somebody would have a fiddle, 469 00:36:34,804 --> 00:36:38,510 somebody might have a banjo and they would get together 470 00:36:38,510 --> 00:36:40,969 and it was, they just played dance music. 471 00:36:40,969 --> 00:36:44,333 It's an American music. We need to keep it alive. 472 00:36:44,333 --> 00:36:46,916 [upbeat music] 473 00:36:56,260 --> 00:37:00,291 - One of the things that gets me about it is things 474 00:37:00,291 --> 00:37:03,998 that are passed down from generation to generation 475 00:37:03,998 --> 00:37:08,248 and this type of dance and music is part of history 476 00:37:09,155 --> 00:37:10,079 and a lot 477 00:37:10,079 --> 00:37:13,932 of the younger children don't know these histories. 478 00:37:13,932 --> 00:37:17,141 - Hey, if anybody gets a chance to come down here, 479 00:37:17,141 --> 00:37:19,123 they need to give it a try. 480 00:37:19,123 --> 00:37:21,635 Yeah, and money well spent for sure. 481 00:37:21,635 --> 00:37:24,302 [upbeat music] 482 00:37:38,268 --> 00:37:41,614 - And I just think it's the yearning for simpler times. 483 00:37:41,614 --> 00:37:44,000 You know, we have three microphones on stage. 484 00:37:44,000 --> 00:37:45,795 It's not a big production. 485 00:37:45,795 --> 00:37:47,293 It's all very simple 486 00:37:47,293 --> 00:37:51,126 and we're going to keep it that way if we can. 487 00:37:52,686 --> 00:37:54,958 It's honestly very surprising to us 488 00:37:54,958 --> 00:37:56,463 how many people have come out 489 00:37:56,463 --> 00:37:58,918 and supported us with a hurricane. 490 00:37:58,918 --> 00:38:01,159 You know, I mean, the weather is far from perfect. 491 00:38:01,159 --> 00:38:03,530 It's one thing when you have a big audience 492 00:38:03,530 --> 00:38:06,387 with perfect weather, 70 degrees, 493 00:38:06,387 --> 00:38:09,353 but it's a whole separate thing when it's 60 degrees 494 00:38:09,353 --> 00:38:12,146 and rainy and drizzling all day long. 495 00:38:12,146 --> 00:38:13,900 So these are the real troopers. 496 00:38:13,900 --> 00:38:17,737 They're the real MVPs. Really appreciate 'em. 497 00:38:17,737 --> 00:38:19,570 - It's worth the rain. 498 00:38:21,793 --> 00:38:22,969 - Okay, worth the weather. - Yeah, it's good. 499 00:38:22,969 --> 00:38:25,268 It's worth the weather. Yeah, it's a fun time. 500 00:38:25,268 --> 00:38:28,019 I like old timey stuff. I don't know. 501 00:38:28,019 --> 00:38:29,260 I'm a big fan of history 502 00:38:29,260 --> 00:38:32,336 and it's nice to see like cultural traditions preserved. 503 00:38:32,336 --> 00:38:34,833 So yeah, it's fun to be a part of that and see it. 504 00:38:34,833 --> 00:38:37,911 - Lots of young kids playing. 505 00:38:37,911 --> 00:38:40,250 Did you see the little guy buck dancing? 506 00:38:40,250 --> 00:38:43,896 He just like locked right in and started going. 507 00:38:43,896 --> 00:38:45,108 I love that. 508 00:38:45,108 --> 00:38:47,690 [upbeat music] 509 00:39:10,362 --> 00:39:13,445 [audience clapping] 510 00:39:14,820 --> 00:39:17,748 - Y'all, if you can dance, you need to come sign up. 511 00:39:17,748 --> 00:39:20,331 [upbeat music] 512 00:39:37,909 --> 00:39:40,115 This is the nationals, y'all. The nationals. 513 00:39:40,115 --> 00:39:42,577 If you win this today, the overall, 514 00:39:42,577 --> 00:39:44,280 you get to tell everybody 515 00:39:44,280 --> 00:39:47,067 that you are the national old time buck dance champion. 516 00:39:47,067 --> 00:39:49,733 [upbeat music] 517 00:39:53,809 --> 00:39:56,375 - The cool thing about buck dancing and flatfoot is that 518 00:39:56,375 --> 00:39:58,070 when you're doing like a song, 519 00:39:58,070 --> 00:39:59,820 like if you're dancing to a song, 520 00:39:59,820 --> 00:40:02,708 flatfoot and buck dancing are very like rhythmic. 521 00:40:02,708 --> 00:40:06,195 Like the steps are very like, you dance to the song 522 00:40:06,195 --> 00:40:08,536 and you're like helping make the song. 523 00:40:08,536 --> 00:40:11,204 [upbeat music] 524 00:40:16,523 --> 00:40:18,407 - It's like Mr. Thomas Maupin was saying, 525 00:40:18,407 --> 00:40:20,130 it's all about dancing with the music 526 00:40:20,130 --> 00:40:22,969 and staying in time with rhythm 527 00:40:22,969 --> 00:40:25,780 and you're playing the song with your feet. 528 00:40:25,780 --> 00:40:28,447 [upbeat music] 529 00:40:34,123 --> 00:40:37,244 - Just to see the joy in the children's faces, 530 00:40:37,244 --> 00:40:39,476 it just means so much. 531 00:40:39,476 --> 00:40:43,476 He loves teaching this to other kids and people. 532 00:40:46,019 --> 00:40:47,295 And it's just like, 533 00:40:47,295 --> 00:40:50,246 you can see his heart just about to burst. 534 00:40:50,246 --> 00:40:52,913 [upbeat music] 535 00:40:58,188 --> 00:41:00,315 - I am a buck dancer 536 00:41:00,315 --> 00:41:04,398 and this is one of the most perhaps fair contests 537 00:41:06,351 --> 00:41:09,018 in the area for particularly buck dancing. 538 00:41:09,018 --> 00:41:11,318 So I like to come to the buck dancing competition 539 00:41:11,318 --> 00:41:14,318 where it's judged more for the style 540 00:41:15,447 --> 00:41:19,382 that Mr. Thomas has kind of passed down. 541 00:41:19,382 --> 00:41:21,425 Your feet are your instrument 542 00:41:21,425 --> 00:41:25,878 and you yourself are a musician if you apply it. 543 00:41:25,878 --> 00:41:30,878 I would like to kind of continue his lineage as just one. 544 00:41:31,442 --> 00:41:34,873 I'm a middle Tennesseean, he's a middle Tennesseean. 545 00:41:34,873 --> 00:41:37,460 We're good people and we have to continue that. 546 00:41:37,460 --> 00:41:39,476 So he's a very good role model 547 00:41:39,476 --> 00:41:42,248 in just how to be a decent individual. 548 00:41:42,248 --> 00:41:46,532 - That's Angela Wood from Flat Creek, Tennessee. 549 00:41:46,532 --> 00:41:47,786 - It means a lot to me 550 00:41:47,786 --> 00:41:49,702 and I wanna pass it on. 551 00:41:51,143 --> 00:41:55,032 My kind of dancing, I'm gonna pass it on. 552 00:41:55,032 --> 00:42:00,032 [upbeat music] [feet tapping] 553 00:42:01,731 --> 00:42:03,869 Daniel, what's the name of this? 554 00:42:03,869 --> 00:42:05,119 - Staccato. 555 00:42:05,119 --> 00:42:07,369 - Staccato, yeah. See this? 556 00:42:08,786 --> 00:42:12,277 And they like this right here, it's a two piece deal 557 00:42:12,277 --> 00:42:15,193 and these won't make as much noise. 558 00:42:17,762 --> 00:42:19,608 You can hear 'em. 559 00:42:19,608 --> 00:42:22,646 It'll be a quick sound just like that, you know. 560 00:42:22,646 --> 00:42:24,902 Some you can hear it rattling after you pick 'em up, 561 00:42:24,902 --> 00:42:27,402 you know, it rattle like this. 562 00:42:28,626 --> 00:42:30,429 But this is the kind I like to use. 563 00:42:30,429 --> 00:42:34,554 - He got the staccatos 'cause they rattled less, 564 00:42:34,554 --> 00:42:37,324 but then he found these, 565 00:42:37,324 --> 00:42:38,490 which rattle even less. - See this? 566 00:42:38,490 --> 00:42:42,121 That's just a solid tap right here. It don't rattle. 567 00:42:42,121 --> 00:42:45,289 See I like that quick and just that... 568 00:42:46,559 --> 00:42:47,849 - [Interviewer] Just that hit, that single. 569 00:42:47,849 --> 00:42:50,791 - Yeah, because I can hear that 'cause I'm listening. 570 00:42:50,791 --> 00:42:51,958 I'm listening. 571 00:42:53,454 --> 00:42:57,313 And this right here, these have been used a little bit. 572 00:42:57,313 --> 00:43:00,313 - [Interviewer] Yeah, a little bit. 573 00:43:02,288 --> 00:43:03,938 - I can hardly walk in the gravel with these 574 00:43:03,938 --> 00:43:06,411 'cause they got pretty... 575 00:43:06,411 --> 00:43:07,244 Well, but now. 576 00:43:07,244 --> 00:43:08,751 - [Interviewer] How much mileage? How long is it? 577 00:43:08,751 --> 00:43:11,842 - Hey, we've been a lot of places. 578 00:43:11,842 --> 00:43:14,708 We've been a lot of places. 579 00:43:14,708 --> 00:43:17,079 - [Interviewer] How often now do you have to change? 580 00:43:17,079 --> 00:43:18,360 Is there any way of knowing 581 00:43:18,360 --> 00:43:19,726 how often you have to change those out 582 00:43:19,726 --> 00:43:22,260 or the whole shoe or just the taps? 583 00:43:22,260 --> 00:43:24,804 - No, usually just tap 584 00:43:24,804 --> 00:43:27,478 because these right here just wore out 585 00:43:27,478 --> 00:43:29,530 'cause I danced down close to the floor, 586 00:43:29,530 --> 00:43:32,155 or just brushing the floor. 587 00:43:32,155 --> 00:43:35,711 This is a better grade of plywood right here. 588 00:43:35,711 --> 00:43:37,211 And long time ago, 589 00:43:40,867 --> 00:43:44,585 I had one that didn't look like this, 590 00:43:44,585 --> 00:43:47,007 but I would carry it 591 00:43:47,007 --> 00:43:49,224 and get people to sign it, you know, other dancers 592 00:43:49,224 --> 00:43:51,056 to sign the board. 593 00:43:51,056 --> 00:43:54,103 - [Daniel] He forgot to put a finish on it 594 00:43:54,103 --> 00:43:55,704 and it was porous 595 00:43:55,704 --> 00:43:58,224 and the signatures, they all just sunk into the wood. 596 00:43:58,224 --> 00:43:59,474 - Went into the wood 597 00:43:59,474 --> 00:44:02,585 'cause you lay 'em on the ground, it accumulate moisture. 598 00:44:02,585 --> 00:44:04,666 Well, I wanted it dry 599 00:44:04,666 --> 00:44:07,239 and see what would get it to sound better. 600 00:44:07,239 --> 00:44:10,360 So I put several coats of finish on it. 601 00:44:10,360 --> 00:44:14,985 That keeps it from dampness, from the ground going in it 602 00:44:14,985 --> 00:44:15,818 and, well. 603 00:44:17,594 --> 00:44:19,748 - [Interviewer] Well, how long a life, 604 00:44:19,748 --> 00:44:23,585 how long a life do you get out of a board like that? 605 00:44:23,585 --> 00:44:25,038 - As I can tell, I got three 606 00:44:25,038 --> 00:44:25,871 or four sitting around the house 607 00:44:25,871 --> 00:44:29,532 that got some pretty good scratches on 'em. 608 00:44:29,532 --> 00:44:33,083 I made this handle right here working. 609 00:44:33,083 --> 00:44:35,900 So I just changed handles 610 00:44:35,900 --> 00:44:37,411 because they get beat up in here 611 00:44:37,411 --> 00:44:39,461 'cause people come by and dance on them. 612 00:44:39,461 --> 00:44:42,211 It has nails like this right here 613 00:44:44,139 --> 00:44:45,710 and the man that cut the board, 614 00:44:45,710 --> 00:44:48,300 cut your board up, you know. 615 00:44:48,300 --> 00:44:52,121 And you see how badly shaped that type 616 00:44:52,121 --> 00:44:53,717 and this is not tow up 617 00:44:53,717 --> 00:44:56,806 because I think it's close to the floor 618 00:44:56,806 --> 00:44:58,643 and it don't slip and slide 619 00:44:58,643 --> 00:45:00,429 and beat and jump and carry on. 620 00:45:00,429 --> 00:45:02,668 Everybody can jump, anybody can jump, 621 00:45:02,668 --> 00:45:06,751 but it's nowhere in music that tells you to jump. 622 00:45:07,902 --> 00:45:10,786 - [Interviewer] You just feel it when it's time to do it. 623 00:45:10,786 --> 00:45:13,063 Is that it? - Well, 'cause I don't jump. 624 00:45:13,063 --> 00:45:14,018 - [Interviewer] You don't jump. Okay. 625 00:45:14,018 --> 00:45:16,186 - I changed that to a note 626 00:45:17,280 --> 00:45:19,177 that takes more skill to hit. 627 00:45:19,177 --> 00:45:21,217 Anybody can jump. 628 00:45:21,217 --> 00:45:24,635 Even a rabbit can jump up and go running. 629 00:45:25,483 --> 00:45:28,039 - This is a labor of love that was put out 630 00:45:28,039 --> 00:45:29,822 for my dad, Thomas Maupin. 631 00:45:29,822 --> 00:45:32,483 Our family is so appreciative of it 632 00:45:32,483 --> 00:45:34,858 and I'm so appreciative along as they are, 633 00:45:34,858 --> 00:45:37,851 with you people sitting out there in this drizzle. 634 00:45:37,851 --> 00:45:40,322 ♪ Keep my skillet good and greasy ♪ 635 00:45:40,322 --> 00:45:43,271 ♪ All the time, time, time ♪ 636 00:45:43,271 --> 00:45:46,675 ♪ Keep my skillet good and greasy all the time ♪ 637 00:45:46,675 --> 00:45:50,105 - My wife Emma Jean Williams plays the auto harp 638 00:45:50,105 --> 00:45:52,724 and she can sing harmony with a frog. 639 00:45:52,724 --> 00:45:55,775 She can harmonize, sing all the harmony parts. 640 00:45:55,775 --> 00:45:59,204 The bass player Brian Derryberry is the father 641 00:45:59,204 --> 00:46:02,692 of Conner Derryberry who plays the banjo 642 00:46:02,692 --> 00:46:05,552 and the father of Austin Derryberry 643 00:46:05,552 --> 00:46:08,380 who plays the fiddle and anything with the string. 644 00:46:08,380 --> 00:46:12,181 He's married to my daughter, Courtney Williams Derryberry 645 00:46:12,181 --> 00:46:14,652 who plays the guitar. 646 00:46:14,652 --> 00:46:16,237 My oldest daughter 647 00:46:16,237 --> 00:46:20,452 Megan Williams Gilliam plays the washboard. 648 00:46:20,452 --> 00:46:22,856 Don't scoff at that. 649 00:46:22,856 --> 00:46:27,273 I think she's the best washboard player in the world. 650 00:46:30,599 --> 00:46:34,590 - All right, all right. Does anybody wanna dance tonight? 651 00:46:34,590 --> 00:46:35,489 Come on up. 652 00:46:35,489 --> 00:46:36,786 I teach you a simple square dance 653 00:46:36,786 --> 00:46:38,871 even if you never danced before. 654 00:46:38,871 --> 00:46:40,722 Even if you've never danced before, come on up, 655 00:46:40,722 --> 00:46:42,117 and join hands in a big circle. 656 00:46:42,117 --> 00:46:43,925 Everybody, come on down. 657 00:46:43,925 --> 00:46:46,842 Come on over, any age, any ability. 658 00:46:47,844 --> 00:46:51,041 I know you're getting a little chilly just sitting there. 659 00:46:51,041 --> 00:46:52,568 Well, let's move all around. 660 00:46:52,568 --> 00:46:54,094 You see 'em dancing up here, 661 00:46:54,094 --> 00:46:57,380 it makes you probably wanna move, tap your toes. 662 00:46:57,380 --> 00:46:59,431 Circle to the left and around you go 663 00:46:59,431 --> 00:47:01,079 in the other way back and you don't be slow. 664 00:47:01,079 --> 00:47:03,806 Circle to the right and here we go. 665 00:47:03,806 --> 00:47:05,797 [upbeat music] 666 00:47:05,797 --> 00:47:08,940 ♪ Circle in a little bit of a ring ♪ 667 00:47:08,940 --> 00:47:10,403 ♪ The other way back around that thing ♪ 668 00:47:10,403 --> 00:47:14,148 ♪ Circle to the right and here we go ♪ 669 00:47:14,148 --> 00:47:17,940 ♪ Right hand across, say how do you do ♪ 670 00:47:17,940 --> 00:47:19,103 ♪ Back by the left ♪ 671 00:47:19,103 --> 00:47:20,998 ♪ Say fine, thank you ♪ 672 00:47:20,998 --> 00:47:24,614 ♪ Fine, thank you ♪ 673 00:47:24,614 --> 00:47:26,666 ♪ I'll swing yours, you swing mine ♪ 674 00:47:26,666 --> 00:47:30,320 ♪ Swing your corner any old time ♪ 675 00:47:30,320 --> 00:47:33,989 ♪ Swing your partner there just fine ♪ 676 00:47:33,989 --> 00:47:35,266 ♪ Swing 'em up, swing 'em down ♪ 677 00:47:35,266 --> 00:47:37,456 ♪ And you'll wave it upside down ♪ 678 00:47:37,456 --> 00:47:40,675 ♪ Circle to the left, the same old four ♪ 679 00:47:40,675 --> 00:47:45,675 ♪ Move it on over to the couple next door, find two more ♪ 680 00:47:45,750 --> 00:47:47,800 ♪ Circle to the left, you circle south ♪ 681 00:47:47,800 --> 00:47:51,262 ♪ Put a little sunshine on your mouth ♪ 682 00:47:51,262 --> 00:47:54,545 ♪ The other way back, circle right ♪ 683 00:47:54,545 --> 00:47:57,929 ♪ Right hand across, say how do you do ♪ 684 00:47:57,929 --> 00:48:01,534 ♪ Back by the left and fine, thank you ♪ 685 00:48:01,534 --> 00:48:06,534 ♪ I'll swing yours and you swing mine ♪ 686 00:48:07,159 --> 00:48:08,501 ♪ Yours is fine, give me back mine ♪ 687 00:48:08,501 --> 00:48:10,389 ♪ And I'll swing mine any old time ♪ 688 00:48:10,389 --> 00:48:14,862 ♪ Yours a nickel and mine's a dime ♪ 689 00:48:14,862 --> 00:48:16,224 - Folks, if you've stuck around this far, 690 00:48:16,224 --> 00:48:18,474 you're in for a real treat. 691 00:48:19,400 --> 00:48:24,400 The Ozark Highballers are a three to four piece string band 692 00:48:24,518 --> 00:48:27,655 from Fayetteville, Arkansas. 693 00:48:27,655 --> 00:48:30,875 Give 'em a good old Tennessee welcome, Ozark Highballers. 694 00:48:30,875 --> 00:48:33,458 [upbeat music] 695 00:49:00,010 --> 00:49:03,427 [upbeat music continues] 696 00:49:30,201 --> 00:49:33,617 [upbeat music continues] 697 00:49:59,893 --> 00:50:03,393 [upbeat music continues] 698 00:50:07,746 --> 00:50:10,585 [audience clapping] 699 00:50:10,585 --> 00:50:12,300 - Alright, Aviva is gonna sing us a song next. 700 00:50:12,300 --> 00:50:13,527 What are you gonna sing, Aviva? 701 00:50:13,527 --> 00:50:16,777 - I'm gonna sing a Picture on the Wall. 702 00:50:19,965 --> 00:50:22,548 [upbeat music] 703 00:50:42,588 --> 00:50:47,137 ♪ There's an old and faded picture on the wall ♪ 704 00:50:47,137 --> 00:50:51,873 ♪ That has been hanging there since long ago ♪ 705 00:50:51,873 --> 00:50:56,451 ♪ It's a picture of my mother and I know that I love her ♪ 706 00:50:56,451 --> 00:51:01,436 ♪ Old and faded picture on the wall ♪ 707 00:51:01,436 --> 00:51:03,568 ♪ On the wall, on the wall ♪ 708 00:51:03,568 --> 00:51:06,027 ♪ On the wall, on the wall ♪ 709 00:51:06,027 --> 00:51:10,648 ♪ How I love that dear old picture on the wall ♪ 710 00:51:10,648 --> 00:51:12,942 ♪ Time is swiftly passing by ♪ 711 00:51:12,942 --> 00:51:16,731 ♪ And I bow my head and cry ♪ 712 00:51:16,731 --> 00:51:21,648 ♪ For I know I'll meet my mother after all ♪ 713 00:51:39,599 --> 00:51:44,081 ♪ Yes, the family has all have scattered, up and gone ♪ 714 00:51:44,081 --> 00:51:48,940 ♪ And I have a little family of my own ♪ 715 00:51:48,940 --> 00:51:53,375 ♪ And I know I love them well, more than any tongue can tell ♪ 716 00:51:53,375 --> 00:51:58,179 ♪ But I'll hold that dear old picture on the wall ♪ 717 00:51:58,179 --> 00:52:00,456 ♪ On the wall, on the wall ♪ 718 00:52:00,456 --> 00:52:02,956 ♪ On the wall, on the wall ♪ 719 00:52:02,956 --> 00:52:07,414 ♪ How I love that dear old picture on the wall ♪ 720 00:52:07,414 --> 00:52:12,414 ♪ Time is swiftly passing by and I bow my head and cry ♪ 721 00:52:13,541 --> 00:52:18,458 ♪ For I know I'll meet my mother after all ♪ 722 00:52:36,206 --> 00:52:40,804 ♪ Since I lost that dear old mother years ago ♪ 723 00:52:40,804 --> 00:52:45,471 ♪ There is none to which with troubles I can go ♪ 724 00:52:45,471 --> 00:52:47,675 ♪ As my guitar plays its chords ♪ 725 00:52:47,675 --> 00:52:50,047 ♪ I am praying to you, dear Lord ♪ 726 00:52:50,047 --> 00:52:54,867 ♪ Let me hold that dear old picture on the wall ♪ 727 00:52:54,867 --> 00:52:57,175 ♪ On the wall, on the wall ♪ 728 00:52:57,175 --> 00:52:59,554 ♪ On the wall, on the wall ♪ 729 00:52:59,554 --> 00:53:04,159 ♪ How I love that dear old picture on the wall ♪ 730 00:53:04,159 --> 00:53:09,159 ♪ Time is swiftly passing by and I bow my head and cry ♪ 731 00:53:10,288 --> 00:53:15,288 ♪ For I know I'll meet my mother after all ♪ 732 00:53:22,306 --> 00:53:24,389 - Okay, thanks so much everybody. 733 00:53:24,389 --> 00:53:26,074 Thanks Trenton for playing with us. 734 00:53:26,074 --> 00:53:27,166 Thanks so much 735 00:53:27,166 --> 00:53:28,847 for this bringing us this wonderful festival. 736 00:53:28,847 --> 00:53:29,764 Drive safe. 737 00:53:30,625 --> 00:53:31,724 - And what's happening 738 00:53:31,724 --> 00:53:34,684 at Maupinfest now, really special to me. 739 00:53:34,684 --> 00:53:37,824 Who would ever thought a little old country boy 740 00:53:37,824 --> 00:53:39,327 would have a festival? 741 00:53:39,327 --> 00:53:43,023 - Thank you for your support on a less than stellar day. 742 00:53:43,023 --> 00:53:46,556 And remember, next year may be absolutely beautiful, 743 00:53:46,556 --> 00:53:48,197 but thank you, I do appreciate it. 744 00:53:48,197 --> 00:53:50,199 Your passion has been fantastic. 745 00:53:50,199 --> 00:53:51,798 Thank you and God bless you. 746 00:53:51,798 --> 00:53:52,802 If you need a place to worship tomorrow, 747 00:53:52,802 --> 00:53:54,570 come to Rover Baptist Church. 748 00:53:54,570 --> 00:53:57,039 Preaching is at 11:00, Sunday school's at 10:00. 749 00:53:57,039 --> 00:53:59,625 Love to have you. God bless you. 750 00:53:59,625 --> 00:54:01,231 See you next time. 751 00:54:01,231 --> 00:54:03,231 [upbeat music] [feet tapping] 752 00:54:03,231 --> 00:54:05,577 - If you listen closer to the dancer 753 00:54:05,577 --> 00:54:08,119 that's got his feet close to the floor, 754 00:54:08,119 --> 00:54:09,826 even though it doesn't look like he's doing 755 00:54:09,826 --> 00:54:13,036 as much as the one that's kicking their leg in a circle. 756 00:54:13,036 --> 00:54:14,925 If you close your eyes 757 00:54:14,925 --> 00:54:16,949 and listen with your ears close, you can hear 758 00:54:16,949 --> 00:54:21,231 that melody being matched and things like that. 759 00:54:21,231 --> 00:54:24,641 I have heard him many a-times still be dancing 760 00:54:24,641 --> 00:54:26,889 when the music stops 761 00:54:26,889 --> 00:54:29,454 and making his own tune. 762 00:54:29,454 --> 00:54:30,288 - I'm tickled to death 763 00:54:30,288 --> 00:54:33,302 about somebody doing this, you know. 764 00:54:33,302 --> 00:54:36,126 That way, if I didn't dance 765 00:54:36,126 --> 00:54:38,208 and do that, I'd be gone. 766 00:54:39,170 --> 00:54:40,927 They would never know I was here. 767 00:54:40,927 --> 00:54:44,865 Tomorrow, if I pass away, they'll know I've been here 768 00:54:44,865 --> 00:54:47,032 and that's what I'm after. 769 00:54:50,072 --> 00:54:52,405 That means that means a lot. 770 00:54:56,711 --> 00:54:59,295 [upbeat music] 771 00:55:26,126 --> 00:55:29,543 [upbeat music continues] 772 00:55:56,726 --> 00:56:00,143 [upbeat music continues] 773 00:56:27,320 --> 00:56:30,737 [upbeat music continues] 774 00:56:55,949 --> 00:56:59,449 [upbeat music continues] 58914

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.