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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:03:30,145 --> 00:03:31,346 [GLASS CLINKING] 2 00:03:31,746 --> 00:03:34,699 YOU GUYS? SORRY. UM, I JUST WANT TO TAKE A SECOND 3 00:03:34,699 --> 00:03:38,203 TO THANK EVERYBODY FOR COMING OUT TONIGHT 4 00:03:38,703 --> 00:03:42,707 TO HELP US CELEBRATE OUR FIFTH WEDDING ANNIVERSARY. 5 00:03:43,208 --> 00:03:48,213 IT'’’S NOT OFTEN THAT, UM, YOU MEET THE GIRL OF YOUR DREAMS, 6 00:03:48,213 --> 00:03:49,714 MUCH LESS GET A CHANCE TO MARRY HER. 7 00:03:50,215 --> 00:03:50,715 Guests: AW. 8 00:03:51,216 --> 00:03:55,220 MARRIAGE THESE DAYS, UM, IS--IS-- 9 00:03:55,220 --> 00:03:59,224 AS MOST OF YOU KNOW, IS NOT ANY EASY THING TO GET RIGHT. 10 00:03:59,224 --> 00:04:04,029 IT TAKES LOVE AND HUMOR AND ATTRACTION 11 00:04:04,529 --> 00:04:08,533 AND A REAL WILLINGNESS TO REALLY, REALLY LET YOURSELF 12 00:04:09,034 --> 00:04:10,535 BE SEEN BY SOMEONE. 13 00:04:10,535 --> 00:04:12,537 I KNOW PEOPLE WHO HAVE SEARCHED THEIR WHOLE LIVES 14 00:04:12,537 --> 00:04:16,458 FOR WHAT WE HAVE, AND I'’’M JUST GLAD TO HAVE IT WITH YOU. 15 00:04:16,458 --> 00:04:17,826 I LOVE YOU, AUDREY. 16 00:04:17,826 --> 00:04:20,328 Guests: OH. AW. 17 00:04:20,328 --> 00:04:21,830 Same man: HAPPY ANNIVERSARY. 18 00:04:21,830 --> 00:04:23,331 OH, AND WAIT. SORRY. 19 00:04:23,331 --> 00:04:26,835 I WANT TO ALSO THANK OUR GOOD FRIEND NORA WILDER, 20 00:04:26,835 --> 00:04:28,536 WHO INTRODUCED US, 21 00:04:28,536 --> 00:04:31,923 AND WITHOUT HER THERE WOULDN'’’T BE AN "US." 22 00:04:32,424 --> 00:04:36,928 MAY THERE BE MANY YEARS OF CELEBRATION. CHEERS, EVERYBODY. 23 00:04:37,429 --> 00:04:38,430 Guests: CHEERS. 24 00:04:38,430 --> 00:04:40,932 WHEN ARE YOU GONNA GIVE US SOME GRANDCHILDREN? 25 00:04:40,932 --> 00:04:42,934 [LAUGHTER] 26 00:04:48,940 --> 00:04:49,941 HI. 27 00:04:49,941 --> 00:04:50,942 OH, HI, BABY. 28 00:04:50,942 --> 00:04:51,943 HI, MOM. 29 00:04:51,943 --> 00:04:52,944 YOU LOOK LOVELY. 30 00:04:52,944 --> 00:04:54,446 OH, THANK YOU. SO DO YOU. 31 00:04:54,946 --> 00:04:55,947 GIVE ME A HUG. 32 00:04:55,947 --> 00:04:57,949 HI, IRVING. HI. 33 00:04:57,949 --> 00:04:58,950 HOW ARE YOU? 34 00:04:58,950 --> 00:05:00,452 I'’’M GONNA GET YOU A DRINK. 35 00:05:00,452 --> 00:05:01,453 YOU WANT ONE? 36 00:05:01,453 --> 00:05:02,454 UH, CHAMPAGNE. 37 00:05:02,454 --> 00:05:03,455 3 COMING UP. 38 00:05:03,455 --> 00:05:05,957 THANK YOU. 39 00:05:05,957 --> 00:05:09,461 OH, I DIDN'’’T MEAN TO EMBARRASS YOU. 40 00:05:09,461 --> 00:05:10,962 Mom: I WISH YOU WOULD HAVE MARRIED MARK. 41 00:05:11,463 --> 00:05:12,464 OH, MOM. 42 00:05:12,464 --> 00:05:14,966 HE WAS ALWAYS SO CRAZY ABOUT YOU. YOU KNOW THAT. 43 00:05:14,966 --> 00:05:16,468 IT WOULD HAVE BEEN PERFECT. 44 00:05:16,468 --> 00:05:17,469 GOOD FAMILY AND FRIENDS. 45 00:05:17,469 --> 00:05:20,472 L. HE'’’S SO HANDSOME, AND HE'’’S SUCCESSFU 46 00:05:20,972 --> 00:05:23,975 HE HAS A TERRIFIC TRUST FUND. 47 00:05:24,476 --> 00:05:25,977 AUDREY'’’S NEVER GON NA HAVE TO WORK AGAIN IN HER LIFE 48 00:05:25,977 --> 00:05:28,980 IF SHE DOESN'’’T FEEL LIKE IT. 49 00:05:28,980 --> 00:05:31,483 YOU KNOW, I DON'’’T KNOW WHY THEY HAVEN'’’T 50 00:05:31,483 --> 00:05:33,985 STARTED A FAMILY YET, THOUGH. 51 00:05:33,985 --> 00:05:35,487 IT'’’S REALLY ODD. 52 00:05:36,988 --> 00:05:39,491 YOU SHOULD NEVER HAVE INTRODUCED THEM. 53 00:05:39,491 --> 00:05:40,992 AUDREY'’’S MY BEST FRIEND. MARK'’’S MY FRIEND. 54 00:05:40,992 --> 00:05:42,994 THEY'’’RE REALLY HAPPY TOGETHER. 55 00:05:42,994 --> 00:05:43,995 YOU KNOW I LOVE AUDREY. 56 00:05:43,995 --> 00:05:45,497 SHE'’’S PRACTICALLY PART OF THE FAMILY. 57 00:05:45,497 --> 00:05:47,999 I'’’M ONLY SAYING THAT, YOU KNOW, 58 00:05:47,999 --> 00:05:51,002 SHE KNEW A GOOD THING WHEN SHE SAW IT. 59 00:05:52,504 --> 00:05:57,008 THE GOOD ONES GET SNAPPED UP SO QUICKLY AT YOUR AGE. 60 00:06:12,740 --> 00:06:13,541 [TELEPHONE RINGING FAINTLY] 61 00:06:22,450 --> 00:06:25,353 GOOD AFTERNOON. GUEST RELATIONS. THIS IS NORA. 62 00:06:25,353 --> 00:06:27,589 OH, HI, MR. HARRIS. HOW ARE YOU? 63 00:06:27,589 --> 00:06:30,091 I'’’M GOOD, THANKS. HOW CAN I HELP YOU? 64 00:06:30,091 --> 00:06:33,461 [INDISTINCT] 65 00:06:33,461 --> 00:06:36,865 6 PEOPLE AT 8:00 TONIGHT AT NOUVEAU 66 00:06:36,865 --> 00:06:37,665 MIGHT BE A LITTLE TRICKY. 67 00:06:37,665 --> 00:06:39,667 IS THERE A BACKUP YOU'’’D LIKE? 68 00:06:39,667 --> 00:06:42,470 NO? WELL, LET ME TRY TO WORK SOME OF MY MAGIC, 69 00:06:42,887 --> 00:06:45,073 AND I'’’LL CALL YOU BACK WITH AN ANSWER. 70 00:06:45,473 --> 00:06:47,876 YOU'’’RE WELCOME. BYE. 71 00:06:47,876 --> 00:06:49,477 YOUR JOB IS SO WEIRD. 72 00:06:49,477 --> 00:06:51,079 NO KIDDING. 73 00:06:53,314 --> 00:06:55,583 KNOCK, KNOCK, KNOCK. 74 00:06:55,583 --> 00:06:57,185 HEY, GLEN. WHAT'’’S UP? 75 00:06:57,185 --> 00:06:58,786 YOU WEREN'’’T ANSWERING YOUR PHONE, 76 00:06:58,786 --> 00:07:00,855 AND MR. GABLE IS CHECKING IN, 77 00:07:00,855 --> 00:07:02,857 AND HE'’’S NOT HAPPY WITH HIS ROOM, 78 00:07:02,857 --> 00:07:05,260 AND HE'’’S BEING REALLY HIGH-MAINTENANCE ABOUT IT, 79 00:07:05,260 --> 00:07:06,060 AND I DON'’’T KNOW WHAT TO DO WITH HIM. 80 00:07:06,461 --> 00:07:08,997 I'’’LL TAKE CARE OF IT. 81 00:07:08,997 --> 00:07:10,682 OH, HEY, AUDREY. 82 00:07:13,218 --> 00:07:15,220 [TELEPHONE RINGS FAINTLY] 83 00:07:17,722 --> 00:07:19,440 SORRY. I COULD TRY ANOTHER NAME. 84 00:07:19,440 --> 00:07:21,175 TRY KURT VONNEGUT. 85 00:07:23,411 --> 00:07:24,729 I'’’M SORRY. THERE'’’S NOTHING. 86 00:07:24,729 --> 00:07:27,649 WELL, WHAT OTHER NAME COULD I HAVE CHECKED IN UNDER? 87 00:07:28,850 --> 00:07:30,485 TRY WALT WHITMAN. 88 00:07:30,485 --> 00:07:31,402 IT'’’S NOT IN HERE. 89 00:07:31,402 --> 00:07:33,404 MR. GABLE? I'’’M NORA WILDER, 90 00:07:33,404 --> 00:07:36,157 MANAGER OF GUEST RELATIONS AND SPECIAL SERVICES. 91 00:07:36,157 --> 00:07:37,158 IS THERE A PROBLEM? 92 00:07:37,158 --> 00:07:38,159 YEAH, THERE IS A PROBLEM. 93 00:07:38,159 --> 00:07:39,661 I USUALLY GET A ROOM ON THE FIFTH FLOOR. 94 00:07:40,161 --> 00:07:41,663 MY ASSISTANT OR MY MANAGER OR SOMEONE SCREWED UP, 95 00:07:42,163 --> 00:07:43,948 AND NOW IT'’’S APPARENTLY NOT THERE, 96 00:07:43,948 --> 00:07:47,752 AND IT'’’S GOT, LIKE, ARCHED WINDOWS, WOOD FLOORS. 97 00:07:47,752 --> 00:07:48,753 DO YOU KNOW WHAT I'’’M TALKING ABOUT? 98 00:07:49,254 --> 00:07:50,255 YEAH. I THOUGHT THERE MIGHT HAVE BEEN SOME MIX-UP. 99 00:07:50,255 --> 00:07:51,756 THE ROOM YOU USUALLY STAY IN IS OCCUPIED RIGHT NOW, 100 00:07:51,756 --> 00:07:53,041 BUT I CAN SHOW YOU SOMETHING ON THE SEVENTH FLOOR 101 00:07:53,041 --> 00:07:55,009 THAT'’’S VERY SIMILAR. 102 00:07:55,410 --> 00:07:56,261 ALL RIGHT. 103 00:07:56,261 --> 00:07:57,262 YEAH? YEAH. 104 00:07:57,262 --> 00:07:58,763 GREAT. 105 00:07:58,763 --> 00:08:00,515 I DON'’’T WANT TO SEEM LIKE A PAIN IN THE ASS OR ANYTHING, BUT... 106 00:08:00,515 --> 00:08:01,966 NO. IT'’’S NOT A BIG DEAL. 107 00:08:01,966 --> 00:08:04,969 YEAH, WELL, HE'’’S MAKING ME FEEL LIKE A NAZI. 108 00:08:06,471 --> 00:08:09,274 YEAH. WE'’’LL TAKE CARE OF IT RIGHT NOW. 109 00:08:11,993 --> 00:08:13,645 ANYWAY... 110 00:08:14,045 --> 00:08:15,863 I HOPE THIS IS GOOD FOR YOU. 111 00:08:20,368 --> 00:08:22,370 YEAH. OK. THIS IS GOOD. IT'’’S COOL. 112 00:08:22,870 --> 00:08:24,872 IT'’’S BETTER LIGHT. THIS ONE I CAN HAVE? 113 00:08:25,373 --> 00:08:27,075 YEAH. GOOD. 114 00:08:27,575 --> 00:08:28,843 GREAT. LIFE IS SO MUCH BETTER. 115 00:08:29,243 --> 00:08:30,962 I'’’LL JUST GET SOMEONE TO BRING UP YOUR BAGS. 116 00:08:30,962 --> 00:08:32,463 OH, THAT'’’D BE RAD. 117 00:08:32,463 --> 00:08:33,965 HEY, THANK YOU FOR BEING SO SWEET. 118 00:08:33,965 --> 00:08:35,466 NO PROBLEM. 119 00:08:35,466 --> 00:08:36,467 WHAT DO YOU DO HERE? 120 00:08:36,968 --> 00:08:41,472 YOU JUST DEAL WITH PROFESSIONAL COMPLAINERS LIKE ME? 121 00:08:41,472 --> 00:08:44,309 I DEAL WITH V.I.P.s AND THEIR NEEDS AND WANTS. 122 00:08:44,309 --> 00:08:46,344 SO I'’’M A V.I.P. 123 00:08:46,344 --> 00:08:47,845 OF COURSE YOU ARE. 124 00:08:49,147 --> 00:08:51,149 SO IF I NEED ANYTHING, I CAN JUST ASK YOU? 125 00:08:51,149 --> 00:08:53,134 YOU CAN ASK AT THE FRONT DESK OR THE CONCIERGE, 126 00:08:53,134 --> 00:08:55,770 BUT I'’’M IN CHARGE OF ALL THAT STUFF. 127 00:08:55,770 --> 00:08:57,822 HOW COME I'’’VE NEVER SEEN YOU HERE BEFORE? 128 00:08:57,822 --> 00:08:59,874 I'’’VE TAKEN CARE OF THINGS FOR YOU IN THE PAST. 129 00:09:00,274 --> 00:09:02,276 YOU JUST DIDN'’’T KNOW BECAUSE THERE'’’S NEVER BEEN A PROBLEM. 130 00:09:02,276 --> 00:09:04,679 OH. THANKS. 131 00:09:05,079 --> 00:09:05,913 SURE. 132 00:09:07,699 --> 00:09:09,951 OH, SHIT. 133 00:09:09,951 --> 00:09:10,752 WHAT? 134 00:09:10,752 --> 00:09:14,055 CAN I ASK YOU FOR ONE LITTLE FAVOR? 135 00:09:14,055 --> 00:09:15,657 SURE. 136 00:09:15,657 --> 00:09:17,258 WILL YOU GO TO DINNER WITH ME? 137 00:09:20,061 --> 00:09:21,429 UH... 138 00:09:21,896 --> 00:09:24,465 OR DO THEY NOT LET YOU DO THAT HERE? 139 00:09:28,603 --> 00:09:29,854 SURE. I GUESS SO. 140 00:09:29,854 --> 00:09:31,706 GREAT. 141 00:09:32,106 --> 00:09:34,108 HOW ABOUT TOMORROW NIGHT? 142 00:09:34,108 --> 00:09:35,109 YEAH. 143 00:09:35,610 --> 00:09:36,611 SWEET. 144 00:09:37,111 --> 00:09:39,313 I'’’LL JUST CALL DOWN AND GET SOMEONE TO BRING UP YOUR BAGS. 145 00:09:39,714 --> 00:09:40,515 OK. 146 00:09:43,951 --> 00:09:45,903 GOOD AFTERNOON. FRONT DESK. THIS IS GLEN. 147 00:09:45,903 --> 00:09:49,907 HEY, GLEN. COULD YOU BRING UP MR. GABLE'’’S BAGS, PLEASE? 148 00:09:49,907 --> 00:09:54,629 Woman on TV: TAKE A BIG BREATH IN AND EXHALE A BIG SIGH. 149 00:09:54,629 --> 00:09:56,631 Women on TV: AHH. 150 00:09:57,131 --> 00:09:58,132 Nora: DID YOU HAVE A GOOD TIME THE OTHER NIGHT? 151 00:09:58,132 --> 00:10:02,637 I GUESS. MARK DID. 152 00:10:02,637 --> 00:10:06,591 THE WHOLE ANDREWS FAMILY DID. 153 00:10:06,591 --> 00:10:08,393 I'’’M SO STUPID. 154 00:10:08,393 --> 00:10:10,395 I THINK I'’’M HAVING A PERSONAL CRISIS. 155 00:10:10,395 --> 00:10:12,180 Woman on TV: ...AS YOU EXHALE, BEGIN TO BEND THE KNEES. 156 00:10:12,180 --> 00:10:15,933 A LITTLE BIT OF SPACE BETWEEN YOUR HANDS AND THUMB. 157 00:10:15,933 --> 00:10:17,435 I HAVEN'’’T SLEPT WITHOUT A DRINK OR SLEEPING PILL 158 00:10:17,435 --> 00:10:18,786 SINCE I CAN REMEMBER. 159 00:10:18,786 --> 00:10:20,822 JOIN THE CLUB. 160 00:10:21,222 --> 00:10:22,156 NO, REALLY. 161 00:10:24,659 --> 00:10:27,161 I THINK MY MARRIAGE IS FALLING APART. 162 00:10:27,161 --> 00:10:28,362 YOU DON'’’T THINK IT'’’S JUST P.M.S.? 163 00:10:28,362 --> 00:10:30,865 NO. HE'’’S DRIVING ME NUTS. 164 00:10:30,865 --> 00:10:32,166 ALL HE CARES ABOUT IS RECOGNITION 165 00:10:32,166 --> 00:10:34,786 AND GOING TO PARTIES AND WINNING AWARDS, 166 00:10:34,786 --> 00:10:37,205 INSTEAD OF JUST DOING IT BECAUSE IT MAKES HIM HAPPY. 167 00:10:37,205 --> 00:10:39,741 I MEAN, WE USED TO LAUGH ABOUT THAT STUFF. 168 00:10:41,342 --> 00:10:44,212 G. I'’’M SORRY. IT'’’S JUST SO DEPRESSIN 169 00:10:44,212 --> 00:10:45,713 WHAT'’’S GOING ON WITH YOU? 170 00:10:47,498 --> 00:10:49,000 I GOT ASKED OUT ON A DATE. 171 00:10:49,000 --> 00:10:51,502 YOU DID? BY WHO? 172 00:10:51,502 --> 00:10:55,356 THIS GUY--NICK GABLE, THAT ACTOR. 173 00:10:55,356 --> 00:10:58,259 HE'’’S THE HITMAN. HE'’’S INTHE HITMAN. 174 00:10:58,760 --> 00:11:00,728 THAT MR. GABLE? 175 00:11:01,229 --> 00:11:02,730 YOU'’’RE GOING OUT WITH A HOTEL GUEST. 176 00:11:02,730 --> 00:11:04,732 ARE YOU ALLOWED TO DATE HOTEL GUESTS? 177 00:11:04,732 --> 00:11:07,835 I DON'’’T KNOW. DO YOU THINK THAT'’’S CREEPY? 178 00:11:07,835 --> 00:11:09,270 JUST DON'’’T SLEEP WITH HIM ON THE FIRST DATE. 179 00:11:09,270 --> 00:11:11,506 OH, NO. 180 00:11:11,506 --> 00:11:13,441 THAT WOULD BE SO AVAILABLE. 181 00:11:13,441 --> 00:11:15,443 I DON'’’T THINK IT'’’S LIKE THAT. 182 00:11:23,518 --> 00:11:24,318 [WOMAN SPEAKS JAPANESE] 183 00:11:24,719 --> 00:11:25,920 ARIGATO. 184 00:11:32,693 --> 00:11:34,679 DO YOU LIVE IN L.A.? 185 00:11:34,679 --> 00:11:36,848 YEAH. I HATE IT. 186 00:11:36,848 --> 00:11:37,849 OH. 187 00:11:37,849 --> 00:11:38,850 IT'’’S AWFUL. 188 00:11:38,850 --> 00:11:41,152 I MEAN, IT'’’S COOL ONCE YOU FIND 189 00:11:41,152 --> 00:11:43,938 YOUR LITTLE COFFEE SPOTS, BLAH BLAH BLAH. 190 00:11:43,938 --> 00:11:46,073 ANYWAY, I'’’M GONNA BE HERE FOR, LIKE, FOREVER. 191 00:11:46,073 --> 00:11:47,575 WHAT ARE YOU WORKING ON? 192 00:11:47,575 --> 00:11:51,012 I AM WORKING ON A MOVIE CALLED RAIN DANCER, 193 00:11:51,412 --> 00:11:54,215 WHERE I PLAY A MEDICINE MAN, ANWAHATU, 194 00:11:54,615 --> 00:11:57,034 WHO'’’S A MEMBER OF THE CHOCTAW TRIBE. 195 00:11:57,034 --> 00:11:58,536 THERE'’’S ACTUALLY A WHOLE TRIBE OF MEDICINE MEN 196 00:11:58,536 --> 00:12:00,037 THAT USED TO BASICALLY TRAVEL AROUND 197 00:12:00,538 --> 00:12:02,340 SORT OF POISONING THE EUROPEAN SETTLERS. 198 00:12:02,340 --> 00:12:03,291 OH, MY GOD. 199 00:12:03,291 --> 00:12:04,525 YEAH, I KNOW. 200 00:12:04,525 --> 00:12:05,726 HE'’’S KIND OF A VILLAIN, I GUESS. 201 00:12:06,127 --> 00:12:07,862 DO YOU LIKE PLAYING BAD GUYS? 202 00:12:07,862 --> 00:12:09,630 YEAH. YOU KNOW, IT WOULD BE NICE 203 00:12:09,630 --> 00:12:11,432 TO TAKE A SHOT FOR LEADING MAN EVERY NOW AND AGAIN. 204 00:12:11,432 --> 00:12:12,733 MM-HMM. 205 00:12:13,134 --> 00:12:14,635 DON'’’T WANT TO GET PIGEONHOLED. 206 00:12:15,136 --> 00:12:17,638 I MEAN, I'’’M GRATEF UL FOR WORKING. 207 00:12:18,139 --> 00:12:19,640 THAT'’’S SO COOL. 208 00:12:19,640 --> 00:12:22,476 THANKS. 209 00:12:22,476 --> 00:12:23,694 HOW ABOUT YOU? 210 00:12:24,195 --> 00:12:25,196 ARE YOU INTERESTED IN THE HOTEL BIZ? 211 00:12:25,646 --> 00:12:27,949 YEAH. UH, I'’’VE BEEN WORKING AT THE HOTEL 212 00:12:28,349 --> 00:12:30,351 FOR ABOUT 6 YEARS, SINCE IT OPENED. 213 00:12:30,751 --> 00:12:35,156 OH, MY GOD. 6 YEARS. THAT'’’S, LIKE, FOREVER. 214 00:12:35,156 --> 00:12:36,357 IT'’’S AWESOME. 215 00:12:36,757 --> 00:12:38,759 SO IS THERE, LIKE, A HOTEL SCHOOL FOR THAT 216 00:12:39,160 --> 00:12:40,027 OR SOMETHING? 217 00:12:40,027 --> 00:12:42,847 [LAUGHS] 218 00:12:43,264 --> 00:12:47,401 NO. UM, I WENT TO SARAH LAWRENCE. 219 00:12:47,401 --> 00:12:49,003 OH. SARAH LAWRENCE. 220 00:12:49,403 --> 00:12:51,405 I GOT A LIBERAL ARTS DEGREE, 221 00:12:51,405 --> 00:12:52,607 AND I WAS AN ARTS MAJOR THERE. 222 00:12:52,607 --> 00:12:55,376 I THOUGHT I'’’D DO SOMETHING IN THE ART WORLD. 223 00:12:56,978 --> 00:12:58,579 SO NOW YOU DO JUST HOTEL STUFF, 224 00:12:58,980 --> 00:13:00,314 WHICH IS COOL. 225 00:13:00,314 --> 00:13:01,916 YEAH. YEAH. 226 00:13:03,517 --> 00:13:05,920 I MEAN, YOU CAN'’’T JUST SAY YOU'’’RE GONNA BE AN ACTOR. 227 00:13:05,920 --> 00:13:06,721 YOU KNOW, YOU'’’VE GOT TO, LIKE, 228 00:13:07,188 --> 00:13:08,823 REALLY DEDICATE YOURSELF TO IT. 229 00:13:08,823 --> 00:13:11,325 YOU'’’VE GOT TO, LIK E, GO TO SCHOOL FOR IT. 230 00:13:11,325 --> 00:13:12,827 YOU CAN'’’T JUST WALK IN AND DO IT. 231 00:13:12,827 --> 00:13:13,828 YOU GOT TO STUDY, YOU KNOW? 232 00:13:14,328 --> 00:13:16,931 I STUDIED FOR... 6 MONTHS. 233 00:13:17,365 --> 00:13:19,834 I DID, LIKE, THIS INTENSIVE THING ON "MELROSE PLACE" 234 00:13:19,834 --> 00:13:22,536 WHERE YOU JUST, FROM 10:00 TO 3:00 EVERY DAY, 235 00:13:22,536 --> 00:13:24,038 YOU'’’RE IN THERE JU ST DOING MONOLOGUES 236 00:13:24,038 --> 00:13:25,539 AND DOING SCENES FROM TV SHOWS, 237 00:13:25,539 --> 00:13:27,041 AND IT'’’S UNBELIEVABLE. 238 00:13:27,041 --> 00:13:28,542 IT'’’S HARD WORK. 239 00:13:28,542 --> 00:13:29,543 YEAH. OF COURSE, I THINK I'’’M GONNA JUST WALK 240 00:13:30,044 --> 00:13:31,545 INTO SOME CASTING DIRECTOR'’’S OFFICE 241 00:13:31,545 --> 00:13:32,546 WHEN I GRADUATE 242 00:13:33,030 --> 00:13:34,015 AND, YOU KNOW, JUST GET SOME BIG HUGE ROLE 243 00:13:34,515 --> 00:13:35,516 AND BECOME A BIG STAR. 244 00:13:35,516 --> 00:13:37,652 OH, DEFINITELY. I KNOW WHAT YOU MEAN. 245 00:13:37,652 --> 00:13:39,687 HEY, WHEN I WAS MUCH YOUNGER, 246 00:13:39,687 --> 00:13:41,389 I THOUGHT THAT I WOULD BE MARRIED, 247 00:13:41,389 --> 00:13:43,641 I'’’D HAVE KIDS, YOU KNOW, BY THE TIME I WAS 30 248 00:13:44,141 --> 00:13:47,128 AND I'’’D HAVE THE EXACT CAREER THAT I WANTED. 249 00:13:47,128 --> 00:13:50,281 I STILL DON'’’T KNOW WHAT I WANT TO BE WHEN I GROW UP. 250 00:13:53,601 --> 00:13:56,003 I'’’M SO GLAD I MET YOU. 251 00:13:56,003 --> 00:13:57,605 ME, TOO. 252 00:13:57,605 --> 00:14:00,508 NO, I'’’M SERIOUS. I THINK YOU'’’RE TOTALLY REFRESHING. 253 00:14:00,508 --> 00:14:02,109 [CHUCKLES] 254 00:14:02,109 --> 00:14:04,345 YEAH. 255 00:14:04,345 --> 00:14:05,997 WHAT DO YOU SAY WE GET OUT OF HERE? 256 00:14:08,149 --> 00:14:10,217 [SLURRED] YOU KNOW WHAT [MUMBLING] SAYS ABOUT [INDISTINCT]? 257 00:14:10,217 --> 00:14:13,220 THAT 3 ARE TOO MANY AND ONE IS NOT ENOUGH. 258 00:14:13,220 --> 00:14:14,021 WHO SAYS THAT? 259 00:14:14,021 --> 00:14:16,190 HEFNER. HUGH HEFNER. 260 00:14:16,190 --> 00:14:17,892 [GIGGLING] 261 00:14:17,892 --> 00:14:19,226 THE GUY SHOULD TALK. 262 00:14:19,226 --> 00:14:20,561 HE'’’S ONLY GOT 19 GIRLFRIENDS. 263 00:14:20,962 --> 00:14:23,064 [BOTH LAUGHING] 264 00:14:26,934 --> 00:14:29,837 DO YOU KNOW HOW PRETTY YOU ARE? 265 00:14:29,837 --> 00:14:31,522 THANK YOU. I THINK THAT YOU'’’RE REALLY CUTE 266 00:14:32,023 --> 00:14:34,108 AND THAT YOU'’’RE A REALLY GOOD ACTOR 267 00:14:34,108 --> 00:14:36,911 AND THAT YOU'’’RE GONNA BE REALLY SUCCESSFUL. 268 00:14:37,311 --> 00:14:38,913 I THINK SO, TOO, 269 00:14:38,913 --> 00:14:40,114 ABOUT YOU. 270 00:14:51,792 --> 00:14:53,294 I'’’M SORRY. 271 00:14:53,294 --> 00:14:57,031 WHY? WHY? 272 00:14:57,031 --> 00:15:00,051 I SHOULD HAVE ASKED YOU IF I SHOULD KISS YOU. 273 00:15:00,551 --> 00:15:02,803 [SLURRED] OH, DON'’’T WORRY ABOUT IT. 274 00:15:02,803 --> 00:15:05,272 I'’’M THE SPECIAL SERVICES DIRECTOR, 275 00:15:05,673 --> 00:15:10,511 AND I WANT YOU TO KNOW THAT I DON'’’T JUST GO AROUND KISSING GUESTS. 276 00:15:10,511 --> 00:15:15,016 DO YOU KNOW YOU ARE A V.I.P.? 277 00:15:15,016 --> 00:15:16,617 [BOTH CHUCKLING] 278 00:15:16,617 --> 00:15:18,285 THANK YOU. 279 00:15:25,526 --> 00:15:26,727 MMM. 280 00:15:26,727 --> 00:15:27,962 MMM. 281 00:15:44,678 --> 00:15:45,479 [WHISPERING] Fuck. 282 00:16:27,521 --> 00:16:29,290 [DOORBELL RINGS] 283 00:16:29,290 --> 00:16:30,091 [DOOR CLOSES] 284 00:16:30,091 --> 00:16:31,692 LOOK WHO'’’S HERE--NORA. 285 00:16:31,692 --> 00:16:32,693 Woman: OH, MY GOODNESS. 286 00:16:32,693 --> 00:16:35,996 HEY, DARLING. COME ON IN. 287 00:16:36,447 --> 00:16:37,948 YOU REMEMBER ELEANOR, DON'’’T YOU? 288 00:16:38,449 --> 00:16:38,949 NORA. 289 00:16:39,450 --> 00:16:41,452 OF COURSE. HOW ARE YOU? 290 00:16:41,452 --> 00:16:43,454 SIT DOWN, NORA. I'’’LL GET YOU A DRINK. 291 00:16:43,454 --> 00:16:47,958 WE'’’VE JUST BEEN BRAGGING ABOUT YOUR GLAMOROUS LIFE. 292 00:16:47,958 --> 00:16:48,959 YOU REMEMBER BILL, DON'’’T YOU? 293 00:16:48,959 --> 00:16:49,960 HELLO, NORA. IT'’’S GOOD TO SEE YOU. 294 00:16:50,461 --> 00:16:53,464 YOU, TOO. YOU, TOO. 295 00:16:53,464 --> 00:17:01,972 SO IS IT JUST EXCITING, RUNNING THAT LITTLE CHIC HOTEL OF YOURS? 296 00:17:02,473 --> 00:17:04,975 WELL, I DON'’’T ACTUALLY RUN IT, BUT-- 297 00:17:04,975 --> 00:17:05,976 Mom: OH, SURE, SHE DOES. 298 00:17:05,976 --> 00:17:07,478 SHE DOES EVERYTHING OVER THERE. 299 00:17:07,478 --> 00:17:09,980 SHE PLANS ALL THEIR PARTIES, ALL OF THE SPECIAL EVENTS. 300 00:17:09,980 --> 00:17:12,733 THEY'’’RE A PRETTY SPOILED GROUP. 301 00:17:13,234 --> 00:17:15,102 THAT'’’S MY JOB. 302 00:17:15,102 --> 00:17:17,238 NORA. 303 00:17:17,238 --> 00:17:19,006 DO YOU HAVE SOMEONE SPECIAL? 304 00:17:21,408 --> 00:17:25,045 WELL, UH, ACTUALLY, I HAVE STARTED TO SEE SOMEONE. 305 00:17:25,045 --> 00:17:27,915 HE'’’S, UM--HE'’’S AN ACTOR. 306 00:17:27,915 --> 00:17:29,116 ANYONE WE KNOW? 307 00:17:29,116 --> 00:17:31,785 HIS NAME IS NICK GABLE. HE'’’S INTHE HITMAN. 308 00:17:31,785 --> 00:17:33,003 OH, WE JUST SAW THAT LAST WEEK. 309 00:17:33,003 --> 00:17:34,788 IT WAS TERRIFIC. 310 00:17:34,788 --> 00:17:35,723 I LOVED THAT MOVIE. 311 00:17:35,723 --> 00:17:39,593 REALLY? YEAH. HE'’’S THE HITMAN. 312 00:17:39,593 --> 00:17:40,594 WELL, THAT'’’S WONDERFUL. 313 00:17:40,594 --> 00:17:42,229 WELL, WHY DON'’’T YOU INVITE HIM OVER? 314 00:17:42,229 --> 00:17:44,098 WE WOULD JUST LOVE TO MEET HIM. 315 00:17:44,098 --> 00:17:46,534 YOU KNOW, WE COULD HAVE MAYBE A LITTLE DINNER PARTY. 316 00:17:46,967 --> 00:17:47,468 THAT WOULD BE GREAT. 317 00:17:47,968 --> 00:17:48,836 LET'’’S HAVE A TOAST TO CELEBRATE 318 00:17:48,836 --> 00:17:50,988 NORA HAVING A NEW BOYFRIEND. 319 00:17:51,906 --> 00:17:53,724 HEY--NICK AND NORA. 320 00:17:54,141 --> 00:17:56,026 OH, YOU'’’RE DATING YOURSELF. 321 00:17:56,026 --> 00:17:57,027 [LAUGHTER] 322 00:17:57,027 --> 00:17:58,529 A LITTLE BIT. 323 00:18:02,616 --> 00:18:05,019 WHO'’’S THAT? 324 00:18:05,019 --> 00:18:07,021 I DON'’’T KNOW. LISA SOMEONE. 325 00:18:07,021 --> 00:18:10,224 SOME TV ACTRESS. SHE SCARES ME. 326 00:18:10,624 --> 00:18:13,427 SHE'’’S SO TACKY. LOOK AT THOSE LIPS. 327 00:18:13,427 --> 00:18:16,230 IT'’’S THE ONLY PART OF HER FACE THAT CAN MOVE. 328 00:18:16,230 --> 00:18:17,431 WHAT AN IDIOT. 329 00:18:17,831 --> 00:18:19,033 YOU TWO ARE THE MOST JUDGMENTAL PEOPLE IN THE WORLD. 330 00:18:19,033 --> 00:18:21,835 WHO WATCHES THESE STUPID ENTERTAINMENT SHOWS? 331 00:18:21,835 --> 00:18:23,437 IT'’’S BETTER THAN WATCHING THE NEWS. 332 00:18:23,437 --> 00:18:24,922 PROPAGANDA NIGHTMARE. 333 00:18:27,408 --> 00:18:29,727 OH, LOOK. TURN IT UP. 334 00:18:29,727 --> 00:18:32,229 OH. 335 00:18:32,229 --> 00:18:34,081 PEOPLE WONDER WHAT'’ ’S INSIDE THE MIND 336 00:18:34,081 --> 00:18:35,282 OF A HITMAN. 337 00:18:35,282 --> 00:18:37,685 YOU KNOW, THESE GUYS ARE SICK, SICK GUYS. 338 00:18:37,685 --> 00:18:40,821 YOU KNOW, AS A RESULT, THEY SPEND A LOT OF TIME ALONE, 339 00:18:40,821 --> 00:18:45,392 SO MOST OF MY SCENES WERE SHOT VIRTUALLY BY MYSELF, YOU KNOW. 340 00:18:45,793 --> 00:18:47,394 I THINK I'’’M GONNA BE OK, THOUGH. 341 00:18:47,795 --> 00:18:48,996 OOH. 342 00:18:48,996 --> 00:18:51,398 Woman on TV: DON'’’T FEEL TOO SORRY FOR THIS GUY. 343 00:18:51,398 --> 00:18:54,168 HE'’’S BEEN DATING HIS SEXYHITMANCOSTAR SERENA HILL. 344 00:18:54,168 --> 00:18:56,237 SERENA. OH, GOD. 345 00:18:56,237 --> 00:18:57,438 OH, SERENA--SHE'’’S A GREAT WOMAN. 346 00:18:57,438 --> 00:19:00,241 SHE'’’S TOTALLY REFRESHING, 347 00:19:00,241 --> 00:19:03,043 AND, UH, I'’’M CRAZY ABOUT HER. 348 00:19:03,043 --> 00:19:05,045 WHAT ELSE CAN I SAY? 349 00:19:05,045 --> 00:19:06,647 THAT'’’S PROBABLY AL L I SHOULD SAY, 350 00:19:06,647 --> 00:19:08,249 YOU KNOW WHAT I'’’M SAYING? 351 00:19:11,852 --> 00:19:13,053 WHAT IS WRONG WITH ME? 352 00:19:13,053 --> 00:19:13,854 WHY CAN'’’T I MEET SOMEONE NICE? 353 00:19:14,255 --> 00:19:15,639 THERE'’’S NOTHING WRONG WITH YOU, NORA. 354 00:19:15,639 --> 00:19:17,358 YOU JUST GO OUT WITH THE WRONG PEOPLE. 355 00:19:17,358 --> 00:19:19,893 STOP DATING ACTORS. THEY'’’RE CRAZY. 356 00:19:19,893 --> 00:19:21,595 NO, THAT'’’S ACTRESSES. 357 00:19:21,996 --> 00:19:23,998 I SHOULDN'’’T GO OUT WITH ANYONE ANYMORE. 358 00:19:24,398 --> 00:19:26,200 I'’’M GOING HOME. 359 00:19:26,700 --> 00:19:30,204 HEY, DON'’’T FEEL BAD. THAT GUY'’’S A JERK. 360 00:19:30,204 --> 00:19:31,205 I LOVE YOU. 361 00:19:31,205 --> 00:19:33,073 ME, TOO. 362 00:19:33,073 --> 00:19:34,491 OK, I'’’LL CALL YOU. 363 00:19:34,491 --> 00:19:35,492 OK. 364 00:19:39,997 --> 00:19:40,998 OH, GOD. 365 00:19:40,998 --> 00:19:43,500 POOR NORA. SHE HAS THE WORST TIME WITH MEN. 366 00:19:43,500 --> 00:19:44,501 YOU KNOW, I LOVE NORA, 367 00:19:44,501 --> 00:19:46,003 BUT SHE HAS NO INSIGHT WHEN IT COMES TO MEN. 368 00:19:46,003 --> 00:19:47,004 SHE DOESN'’’T UNDERSTAND THE HUNT. 369 00:19:47,504 --> 00:19:49,006 MEN LIKE A CHALLENGE. 370 00:19:49,006 --> 00:19:51,008 LIKE A BITCH, LIKE ME? 371 00:19:55,012 --> 00:19:56,430 KINDA. 372 00:19:56,430 --> 00:19:57,815 YOU THINK I'’’M A BITCH? 373 00:19:57,815 --> 00:20:01,318 COME ON, BABY. DON'’’T FIGHT ME ALL THE TIME. 374 00:20:01,318 --> 00:20:02,820 I THINK YOU'’’RE GREAT. I WORSHIP YOU. 375 00:20:02,820 --> 00:20:04,822 I PUT YOU ON A PEDESTAL. 376 00:20:04,822 --> 00:20:06,323 LIKE AN OBJECT. 377 00:20:06,323 --> 00:20:07,808 SHUT UP. 378 00:20:36,303 --> 00:20:38,939 HONEY, DO YOU FEEL ALL RIGHT? 379 00:20:38,939 --> 00:20:40,274 YOU LOOK PALE. 380 00:20:40,274 --> 00:20:42,443 I'’’M OK. 381 00:20:42,443 --> 00:20:44,845 YOU DON'’’T THINK YOU SHOULD SEE THE DOCTOR? 382 00:20:45,245 --> 00:20:46,480 NO. NO. I'’’M FINE. REALLY. 383 00:20:46,480 --> 00:20:48,148 THANK YOU, THOUGH. 384 00:20:48,148 --> 00:20:49,350 I'’’VE JUST BEEN WORKING TOO HARD 385 00:20:49,350 --> 00:20:53,120 AND JUST DRINKING TOO MUCH, SMOKING TOO MUCH. 386 00:20:53,120 --> 00:20:56,023 YOU KNOW WHAT I HEARD ABOUT YOUR LIVER? 387 00:20:56,023 --> 00:20:58,459 YOU SHOULD NOT HAVE ANYTHING TO DRINK 388 00:20:58,459 --> 00:21:00,127 TWO DAYS A WEEK. 389 00:21:00,127 --> 00:21:02,363 THEY DON'’’T HAVE TO BE CONSECUTIVE. 390 00:21:03,564 --> 00:21:06,734 AND OF COURSE YOU KNOW SMOKING IS SUICIDE. 391 00:21:06,734 --> 00:21:07,968 MM-HMM. 392 00:21:08,919 --> 00:21:11,889 HOW ARE THINGS WITH YOUR BOYFRIEND? 393 00:21:11,889 --> 00:21:13,390 OH, IT'’’S OVER. 394 00:21:15,075 --> 00:21:17,694 OH, IS THAT WHY YOU'’’RE DEPRESSED? 395 00:21:21,698 --> 00:21:25,102 NO, THAT'’’S NOT IT. 396 00:21:25,102 --> 00:21:26,720 I JUST FEEL LIKE I HAVE THE WORST LUCK IN THE WORLD 397 00:21:26,720 --> 00:21:28,789 WHEN IT COMES TO MEN. 398 00:21:32,826 --> 00:21:35,763 I THINK I MUST BE DOING SOMETHING HORRIBLY WRONG, 399 00:21:35,763 --> 00:21:38,165 BUT I DON'’’T KNOW WHAT IT IS. 400 00:21:38,565 --> 00:21:40,167 WHAT HAPPENED? 401 00:21:40,167 --> 00:21:43,303 OH, HE HAS A GIRLFRIEND. 402 00:21:43,303 --> 00:21:44,621 OH. 403 00:21:47,257 --> 00:21:50,043 YOU KNOW, I CAN'’’T QUIT THINKING ABOUT 404 00:21:50,043 --> 00:21:54,515 HOW HARD IT MUST BE FOR YOUNG WOMEN NOWADAYS. 405 00:21:54,515 --> 00:21:57,951 I MEAN, ON THE ONE HAND, THE WORLD IS WIDE OPEN TO YOU. 406 00:21:58,352 --> 00:21:59,553 ALL THE CHOICES YOU WANT. 407 00:21:59,553 --> 00:22:01,955 I THINK THERE ARE TOO MANY CHOICES, REALLY. 408 00:22:01,955 --> 00:22:04,858 IT JUST MUST BE VERY CONFUSING 409 00:22:05,259 --> 00:22:07,661 TO TRY TO FIND A PATH THROUGH ALL OF THAT, 410 00:22:08,061 --> 00:22:10,464 ESPECIALLY WITH MEN, 411 00:22:10,464 --> 00:22:13,917 THOUGH YOU HAVE HAD SOME VERY NICE BOYFRIENDS. 412 00:22:13,917 --> 00:22:16,870 I KNOW... 413 00:22:16,870 --> 00:22:18,872 BUT THAT WAS COLLEGE. 414 00:22:20,507 --> 00:22:22,509 I DON'’’T KNOW WHAT HAPPENED. 415 00:22:25,712 --> 00:22:28,115 I FEEL SO CLOSED OFF, 416 00:22:28,582 --> 00:22:31,084 SO DESPERATE TO FIND SOMEONE TO LOVE. 417 00:22:31,485 --> 00:22:32,836 OH, HONEY. 418 00:22:32,836 --> 00:22:35,856 EVEN I CAN'’’T STAND THE SIGHT OF MY OWN DESPERATION. 419 00:22:35,856 --> 00:22:38,659 HONEY, HEY, YOU KNOW WHAT? 420 00:22:39,092 --> 00:22:41,094 YOU'’’RE IN A FUNK, THAT'’’S ALL, 421 00:22:41,094 --> 00:22:42,796 AND THERE'’’S ONLY ONE WAY TO GET OUT OF A FUNK, 422 00:22:43,197 --> 00:22:44,798 AND THAT IS TO ENGAGE. 423 00:22:44,798 --> 00:22:47,968 EVEN IF YOU DON'’’T FEEL LIKE IT, JUST FAKE IT. 424 00:22:47,968 --> 00:22:50,404 JUST GO OUT AND GET THE HIGHEST HEELS IN TOWN 425 00:22:50,854 --> 00:22:53,157 AND SOME NEW LIPSTICK AND GO EVERYPLACE. 426 00:22:53,157 --> 00:22:54,658 [LAUGHS] 427 00:22:54,658 --> 00:22:57,161 SMILE. ACT LIKE YOU'’’RE HAVING THE TIME OF YOUR LIFE. 428 00:22:57,161 --> 00:22:59,913 BUT DON'’’T ALWAYS GO WITH MARRIED COUPLES. 429 00:22:59,913 --> 00:23:02,316 YOU'’’RE NEVER GONNA MEET ANYONE THAT WAY. 430 00:23:04,334 --> 00:23:06,620 SURE. I'’’LL GIVE IT A TRY, YOU KNOW. 431 00:23:10,090 --> 00:23:10,958 YOU KNOW... 432 00:23:11,959 --> 00:23:13,861 I COULD FIX YOU UP. 433 00:23:13,861 --> 00:23:14,678 NO. 434 00:23:14,678 --> 00:23:16,964 NOW, JUST LISTEN TO ME FOR A MINUTE. 435 00:23:17,464 --> 00:23:18,765 YOU KNOW MEGAN ROSS, MY FRIEND. 436 00:23:19,166 --> 00:23:21,168 SHE HAS A SON. I DON'’’T THINK YOU'’’VE EVER MET HIM. 437 00:23:21,168 --> 00:23:24,371 NICE-LOOKING, SUCCESSFUL, 438 00:23:24,771 --> 00:23:29,059 AND I KNOW HE'’’S NOT SEEING ANYONE RIGHT NOW. 439 00:23:29,560 --> 00:23:30,060 ARE YOU NORA? 440 00:23:30,561 --> 00:23:31,061 YES. 441 00:23:31,562 --> 00:23:32,062 I'’’M CHARLIE ROSS. 442 00:23:32,563 --> 00:23:33,063 HI. HI. 443 00:23:33,564 --> 00:23:36,066 NICE TO MEET YOU. YOU, TOO. 444 00:23:36,066 --> 00:23:40,070 IT'’’S PRETTY FUNNY THAT OUR MOMS SET US UP. 445 00:23:40,070 --> 00:23:42,823 YOU DON'’’T KNOW THE IRONY BEHIND IT. 446 00:23:43,240 --> 00:23:45,459 I'’’M GLAD. 447 00:23:45,459 --> 00:23:47,127 ME, TOO. 448 00:23:50,864 --> 00:23:52,633 I HAVEN'’’T SEEN THIS MOVIE IN A REALLY LONG TIME. 449 00:23:52,633 --> 00:23:54,134 IT'’’S ONE OF MY FAVORITE FILMS. 450 00:23:54,134 --> 00:23:55,636 YEAH? NO, I LOVE THIS FILM, TOO. 451 00:23:56,136 --> 00:23:57,137 I'’’VE NEVER SEEN IT IN A THEATER, THOUGH. 452 00:23:57,137 --> 00:23:59,640 REALLY? YEAH. 453 00:23:59,640 --> 00:24:02,759 UH, SHOULD WE GO IN AND GET SEATS? 454 00:24:02,759 --> 00:24:03,760 YEAH. 455 00:24:09,766 --> 00:24:13,453 Woman: YESTERDAY, ABOUT 3 P.M. 456 00:24:13,453 --> 00:24:15,455 I WANTED YOU TO THINK ABOUT IT TWICE, TOO. 457 00:24:15,856 --> 00:24:17,457 [ROMANTIC MUSIC PLAYING] 458 00:24:23,196 --> 00:24:25,632 Man: I'’’VE BEEN LOOKING FOR SOMEONE FOR A LONG TIME. 459 00:24:29,236 --> 00:24:30,120 I LOVE THAT MOVIE. 460 00:24:30,621 --> 00:24:32,472 IT REALLY HOLDS UP. 461 00:24:32,472 --> 00:24:35,425 BOGART REMINDS ME OF MY DAD. 462 00:24:35,425 --> 00:24:36,927 I MET YOUR DAD ONCE. 463 00:24:36,927 --> 00:24:38,929 HE SEEMED LIKE A GREAT GUY. 464 00:24:38,929 --> 00:24:39,930 M. I'’’M SORRY ABOUT HI 465 00:24:39,930 --> 00:24:42,933 YEAH, ME, TOO. I REALLY MISS HIM. 466 00:24:43,433 --> 00:24:45,936 I FEEL LUCKY TO HAVE HAD HIM AT ALL, REALLY. 467 00:24:45,936 --> 00:24:48,438 NOW MY MOM HAS IRVING, SO SHE'’’S NOT ALONE. 468 00:24:48,939 --> 00:24:52,943 YEAH. MY MOM DOESN'’ ’T REALLY DATE ANYONE ANYMORE. 469 00:24:52,943 --> 00:24:53,944 SHE WENT THROUGH A STRING OF THEM 470 00:24:53,944 --> 00:24:55,262 AFTER MY PARENTS DIVORCED, 471 00:24:55,262 --> 00:24:57,664 BUT SHE ALWAYS DRIVES THEM AWAY, 472 00:24:57,664 --> 00:25:00,450 ON PURPOSE, I THINK. 473 00:25:00,450 --> 00:25:03,470 I WONDER IF WE ALWAYS TURN INTO OUR PARENTS. 474 00:25:03,470 --> 00:25:07,474 I LIKE TO THINK OF IT AS WHERE MY PARENTS LEFT OFF. 475 00:25:07,474 --> 00:25:09,643 THAT'’’S A GREAT WAY OF PUTTING IT. 476 00:25:13,747 --> 00:25:15,349 OH, SHIT. 477 00:25:15,349 --> 00:25:16,149 Nora: WHAT? 478 00:25:16,633 --> 00:25:17,634 UH, NOTHING. IT'’’S JUST MY E X, JENNIFER. 479 00:25:17,634 --> 00:25:18,635 Y. SHE'’’S TOTALLY CRAZ 480 00:25:18,635 --> 00:25:19,636 IS IT GONNA BE OK? 481 00:25:19,636 --> 00:25:20,637 HI, JENNIFER. 482 00:25:20,637 --> 00:25:21,638 HELLO, CHARLIE. 483 00:25:21,638 --> 00:25:22,639 HOW ARE YOU? THIS IS NORA. 484 00:25:23,140 --> 00:25:24,641 "HOW ARE YOU?" HOW AM I? 485 00:25:25,125 --> 00:25:26,393 I'’’M FUCKING GREAT, CHARLIE. HOW ARE YOU? 486 00:25:26,393 --> 00:25:27,894 AND NORA? 487 00:25:27,894 --> 00:25:28,895 WE'’’RE GOOD. WE'’’RE GOOD. 488 00:25:28,895 --> 00:25:30,397 WE JUST WENT TO THE MOVIES. 489 00:25:30,397 --> 00:25:32,899 HE TOOK YOU TO SEE AN OLD ROMANTIC MOVIE. 490 00:25:32,899 --> 00:25:34,201 IT'’’S HIS SIGNATURE MOVE, YOU KNOW. 491 00:25:34,201 --> 00:25:35,485 MY MOM WAS-- 492 00:25:35,485 --> 00:25:37,487 CAN I TALK TO YOU FOR A MINUTE? 493 00:25:37,487 --> 00:25:38,989 WILL YOU EXCUSE ME FOR ONE SECOND? 494 00:25:38,989 --> 00:25:40,490 I'’’M SORRY. 495 00:25:40,490 --> 00:25:41,491 Charlie: WHY ARE YOU DOING THIS? 496 00:25:41,491 --> 00:25:42,492 Jennifer: WHAT ARE YOU DOING HERE? 497 00:25:42,492 --> 00:25:43,443 WHAT DO YOU MEAN-- 498 00:25:43,443 --> 00:25:44,244 I JUST TALKED TO YOU THIS MORNING. 499 00:25:44,645 --> 00:25:45,529 YOU SAID YOU WEREN'’’T DATING ANYBODY. 500 00:25:45,529 --> 00:25:46,880 Charlie: I'’’M NOT DATING ANYBODY. 501 00:25:46,880 --> 00:25:48,749 SHE'’’S THE DAUGHTER OF MY MOM'’’S FRIEND. 502 00:25:48,749 --> 00:25:51,585 I THINK I BROUGHT HER HERE BECAUSE I... 503 00:25:51,985 --> 00:25:54,421 I WAS MISSING YOU, AND THIS REMINDED ME OF OUR FIRST DATE. 504 00:25:54,421 --> 00:25:57,424 DON'’’T TOUCH ME. 505 00:25:57,424 --> 00:25:59,926 . HEY, WE'’’RE LEAVING 506 00:26:04,431 --> 00:26:05,716 ARE YOU OK? 507 00:26:05,716 --> 00:26:06,717 LOOK, I'’’M SO SORRY YOU HAD TO SEE THAT. 508 00:26:06,717 --> 00:26:09,219 WHAT HAPPENED? 509 00:26:09,219 --> 00:26:10,721 WE HAVEN'’’T BEEN BROKEN UP THAT LONG. 510 00:26:10,721 --> 00:26:14,474 IT'’’S--IT'’’S BEEN REALLY HARD. 511 00:26:14,474 --> 00:26:21,048 YOU'’’RE ACTUALLY THE FIRST PERSON I'’’VE DATED SINCE JENNIFER. 512 00:26:21,448 --> 00:26:23,050 I THINK I'’’M STILL IN LOVE WITH HER. 513 00:26:23,050 --> 00:26:26,536 I'’’M--I'’’M SO SORRY. THIS WAS--IT WAS TOO SOON. 514 00:26:28,789 --> 00:26:32,459 UM, YOU KNOW, I THINK I'’’M JUST GONNA GO. 515 00:26:32,859 --> 00:26:35,762 I'’’M JUST SO, YOU KNOW, OUT OF IT. 516 00:26:36,163 --> 00:26:37,831 IS IT OK IF I JUST PUT YOU IN A CAB? 517 00:26:38,265 --> 00:26:39,466 YEAH. 518 00:26:42,669 --> 00:26:45,672 I'’’M REALLY SORRY. YOU'’’RE SO NICE. 519 00:27:01,021 --> 00:27:04,224 Nora: MEN HATE ME. 520 00:27:04,224 --> 00:27:05,926 YOU HATE YOURSELF. 521 00:27:05,926 --> 00:27:07,661 NO, I DON'’’T. WHY DO YOU SAY THAT? 522 00:27:07,661 --> 00:27:08,862 YOU'’’VE GOT TO STOP PUNISHING YOURSELF ALL THE TIME 523 00:27:08,862 --> 00:27:10,313 FOR NOT HAVING A BOYFRIEND. 524 00:27:10,313 --> 00:27:11,698 EVERYONE ELSE IS IN A RELATIONSHIP. 525 00:27:11,698 --> 00:27:13,300 WHY CAN'’’T I BE IN ONE? 526 00:27:13,300 --> 00:27:16,503 YOU'’’LL MEET SOMEONE. JUST DON'’’T GO NUTS NEXT TIME. 527 00:27:16,503 --> 00:27:18,105 IT'’’S LIKE THE ONLY THING THAT MATTERS IS FINDING THIS GUY. 528 00:27:18,105 --> 00:27:20,006 IT DOESN'’’T EVEN MATTER WHO IT IS. 529 00:27:20,006 --> 00:27:22,008 NOT EVERY GUY YOU MEET HAS TO BE YOUR FUTURE HUSBAND. 530 00:27:22,008 --> 00:27:23,210 BELIEVE ME. DO SOMETHING ELSE. 531 00:27:23,610 --> 00:27:25,011 GO TO YOGA OR SOMETHING. 532 00:27:25,011 --> 00:27:27,414 YOU'’’RE RIGHT. I'’’M BEING A TOTAL FREAK. 533 00:27:27,414 --> 00:27:28,615 I HAVE TO CALM DOWN. 534 00:27:28,615 --> 00:27:31,518 I LOVE YOU. I DON'’’T LIKE TO SEE YOU LIKE THIS. 535 00:27:31,518 --> 00:27:32,419 [CELL PHONE MUSIC PLAYS] 536 00:27:32,819 --> 00:27:35,055 OH, GOD. ONE MINUTE. 537 00:27:35,055 --> 00:27:37,057 YEAH. UH-HUH. 538 00:27:37,057 --> 00:27:40,277 OK. 539 00:27:40,277 --> 00:27:41,778 IT'’’S MARK. HE'’’LL BE HERE IN TWO MINUTES. 540 00:27:41,778 --> 00:27:43,063 WHERE WAS HE? 541 00:27:43,063 --> 00:27:46,533 MMM. HAVING A MEETING WITH THAT ACTRESS CAITLIN FOX. 542 00:27:46,533 --> 00:27:47,334 OH, NO. 543 00:27:47,334 --> 00:27:48,568 YEAH. SHE WANTS HIM TO DIRECT HER 544 00:27:48,568 --> 00:27:50,320 IN A MOVIE ABOUT FAIRIES. 545 00:27:50,320 --> 00:27:51,621 BARF. 546 00:27:51,621 --> 00:27:52,973 I KNOW. 547 00:27:54,574 --> 00:27:56,576 I DON'’’T WANT TO SOUND LIKE A BROKEN RECORD. 548 00:27:56,977 --> 00:27:59,379 I JUST FEEL LIKE WE'’’RE NOT BEST FRIENDS ANYMORE. 549 00:27:59,780 --> 00:28:00,981 DO YOU TALK ABOUT IT? 550 00:28:00,981 --> 00:28:02,182 YEAH, WE HAVE BEEN. 551 00:28:02,582 --> 00:28:04,501 HE THINKS EVERYTHING IS FINE AND THAT I'’’M JUST FREAKING OUT. 552 00:28:05,001 --> 00:28:06,953 I SWEAR, IF HE BLAMES IT ON MY HORMONES ONE MORE TIME, 553 00:28:06,953 --> 00:28:08,155 I'’’M GONNA LOSE IT. 554 00:28:08,555 --> 00:28:11,591 HE'’’S THE ONE WHO'’’S HESITANT ABOUT HAVING KIDS. 555 00:28:11,591 --> 00:28:13,093 REALLY? 556 00:28:15,529 --> 00:28:16,730 . I DIDN'’’T KNOW THAT 557 00:28:16,730 --> 00:28:18,331 YEAH, WHATEVER. I DON'’’T WANT TO TALK ABOUT IT. 558 00:28:18,732 --> 00:28:20,150 LET'’’S JUST DROP IT. 559 00:28:23,103 --> 00:28:24,738 BUT I CAN'’’T BELIEVE YOU'’’RE NOT COMING TO MIAMI WITH US. 560 00:28:24,738 --> 00:28:26,406 PLEASE COME. MARK WILL PAY. 561 00:28:26,406 --> 00:28:28,008 I JUST DON'’’T FEEL LIKE IT. 562 00:28:28,408 --> 00:28:30,277 I JUST WANT TO STAY HERE. 563 00:28:31,778 --> 00:28:33,680 LADIES. I'’’M DOING THE FAIRY MOVIE. 564 00:28:33,680 --> 00:28:36,349 [CHUCKLING] 565 00:28:36,349 --> 00:28:37,951 [MUSIC PLAYING ON TV] 566 00:28:42,038 --> 00:28:43,540 Woman on TV: I'’’M JILL SCOTT. 567 00:28:43,540 --> 00:28:45,959 HAMBURGERS AND HOT DOGS ARE A STANDARD FOR JULY FOURTH WEEKEND, 568 00:28:45,959 --> 00:28:47,711 BUT IF YOU'’’RE LOOKING TO SPICE UP YOUR HOLIDAY... 569 00:28:47,711 --> 00:28:48,962 [TELEPHONE RINGS] 570 00:28:48,962 --> 00:28:50,564 JOINING ME NOW WITH SOME NEW IDEAS OF THINGS 571 00:28:50,564 --> 00:28:52,682 YOU CAN COOK ON THE GRILL IS ANITA LOWE FROM ANITA'’’S RESTAURANT. 572 00:28:52,682 --> 00:28:53,900 HI, ANITA. HOW ARE YOU? 573 00:28:54,301 --> 00:28:55,502 . Answering machine: HI, IT'’’S NORA. LEAVE A MESSAGE 574 00:28:55,902 --> 00:28:56,703 [ANSWERING MACHINE BEEPS] 575 00:28:57,103 --> 00:28:59,272 HEY, NORA, IT'’’S GLEN FROM WORK, 576 00:28:59,272 --> 00:29:01,308 AND I GOT MY PARTY SATURDAY NIGHT, 577 00:29:01,308 --> 00:29:02,909 AND I WANT TO MAKE SURE YOU KNOW ABOUT IT. 578 00:29:03,310 --> 00:29:04,911 I LEFT A FLIER IN YOUR MAILBOX 579 00:29:04,911 --> 00:29:08,181 AND ALSO STUCK ONE IN YOUR PURSE. 580 00:29:08,181 --> 00:29:11,451 IT'’’S GONNA BE GREAT, SO HOPE TO SEE YOU. 581 00:29:11,451 --> 00:29:12,369 BYE! 582 00:29:12,369 --> 00:29:14,371 [ANSWERING MACHINE BEEPS] 583 00:29:14,871 --> 00:29:16,373 Anita on TV: THIS IS A JAPANESE VERSION OF BUFFALO CHICKEN WINGS. 584 00:29:16,373 --> 00:29:19,409 THEY'’’RE MARINATED WITH A GOOD [SPEAKING JAPANESE] 585 00:29:19,910 --> 00:29:21,595 WHICH IS A JAPANESE... 586 00:29:22,796 --> 00:29:24,798 [DOGS BARKING] 587 00:29:52,826 --> 00:29:53,827 Glen on voicemail: HEY, NORA. IT'’’S GLEN. 588 00:29:53,827 --> 00:29:56,329 I THINK I CALLED YOU ALREADY. I'’’M NOT SURE. 589 00:29:56,329 --> 00:29:57,831 I'’’M JUST TAKING A HEAD COUNT-- 590 00:30:01,301 --> 00:30:03,703 [CLASSICAL MUSIC PLAYING] 591 00:30:09,309 --> 00:30:11,311 [MEDITATION TAPE PLAYING] 592 00:30:16,116 --> 00:30:17,317 [TELEPHONE RINGING] 593 00:30:35,969 --> 00:30:36,903 NORA. 594 00:30:36,903 --> 00:30:37,904 HI. 595 00:30:37,904 --> 00:30:39,906 OH, MY GOD. WHAT A SURPRISE. 596 00:30:39,906 --> 00:30:41,408 WOW. YOU LOOK GREAT. 597 00:30:41,408 --> 00:30:43,410 THANK YOU. 598 00:30:43,410 --> 00:30:46,413 WOW. JEEZ. 599 00:30:46,413 --> 00:30:48,415 I WAS BEGINNING TO FEEL LIKE THE LAST PERSON ON EARTH, 600 00:30:48,415 --> 00:30:51,051 SO I THOUGHT I'’’D COME BY. 601 00:30:51,051 --> 00:30:52,552 WELL, THIS IS THE PLACE. 602 00:30:53,053 --> 00:30:54,054 IT'’’S A NICE PLACE, GLEN. 603 00:30:54,054 --> 00:30:56,556 VE OH, THANKS. I JUST CAN'’’T BELIE 604 00:30:56,556 --> 00:30:57,557 THAT YOU'’’RE NOT OUT OF TOWN. 605 00:30:57,557 --> 00:30:59,559 I JUST DIDN'’’T FEEL LIKE IT THIS YEAR. 606 00:30:59,559 --> 00:31:02,562 OH. WELL, I'’’M GLAD THAT YOU'’’RE HERE. 607 00:31:03,063 --> 00:31:04,564 HEY, UH, I'’’LL GET YOU A DRINK, 608 00:31:04,564 --> 00:31:06,816 AND I'’’LL INTRODUCE YOU TO SOME PEOPLE. 609 00:31:06,816 --> 00:31:08,818 THIS IS, UM, UH... 610 00:31:08,818 --> 00:31:10,820 CARL. 611 00:31:10,820 --> 00:31:13,323 HI. 612 00:31:13,823 --> 00:31:15,825 YOU'’’RE KIND OF PRETTY. 613 00:31:15,825 --> 00:31:17,827 DO YOU, UH--DO YOU WORK WITH GLEN? 614 00:31:17,827 --> 00:31:19,829 YEAH. 615 00:31:20,330 --> 00:31:20,830 HOTEL BUSINESS? 616 00:31:21,331 --> 00:31:23,833 MM-HMM. I HAVE TO GET MY DRINK. 617 00:31:25,835 --> 00:31:26,836 HOT. 618 00:31:31,841 --> 00:31:33,843 Man: IT'’’S A FINE DAY 619 00:31:33,843 --> 00:31:36,846 TO ESCAPE FROM A BAD DREAM... 620 00:31:42,852 --> 00:31:46,356 HI. THERE YOU ARE. ARE YOU HAVING A GOOD TIME? 621 00:31:46,856 --> 00:31:49,359 YEAH. I'’’M EXHAUSTED. 622 00:31:49,359 --> 00:31:50,860 REALLY? 623 00:31:50,860 --> 00:31:51,861 I'’’M GONNA GO. 624 00:31:51,861 --> 00:31:52,862 REALLY? 625 00:31:52,862 --> 00:31:53,863 YEAH. 626 00:31:53,863 --> 00:31:54,864 OH, COME ON. STAY. HAVE ONE DRINK. 627 00:31:54,864 --> 00:31:55,865 I'’’M SO TIRED. 628 00:31:55,865 --> 00:31:56,866 PLEASE? WITH ME. 629 00:31:56,866 --> 00:31:58,368 YOU KNOW, WE NEVER GET A CHANCE TO DO THIS. 630 00:31:58,368 --> 00:32:01,371 I KNOW. THANK YOU SO MUCH FOR INVITING ME. 631 00:32:01,371 --> 00:32:03,873 I'’’M SO GLAD THAT YOU CAME. 632 00:32:03,873 --> 00:32:05,375 ? ARE YOU SURE YOU DON'’’T WANT TO STAY 633 00:32:05,875 --> 00:32:07,377 COME ON. IT'’’LL BE FUN. 634 00:32:07,377 --> 00:32:09,379 PLEASE? JUST ONE LITTLE DRINK. 635 00:32:09,379 --> 00:32:10,380 HEY. 636 00:32:10,380 --> 00:32:11,381 JULIAN! 637 00:32:11,381 --> 00:32:13,383 CÇÇA VA? SALUT! 638 00:32:13,383 --> 00:32:15,385 HEY, NORA, NORA. 639 00:32:15,385 --> 00:32:16,886 JULIAN, I WANT YOU TO MEET SOMEONE. 640 00:32:16,886 --> 00:32:19,389 NORA, THIS IS JULIAN. 641 00:32:19,389 --> 00:32:20,390 HELLO, NORA. 642 00:32:20,390 --> 00:32:21,891 HI. 643 00:32:21,891 --> 00:32:23,893 IS THIS YOUR FIANCEE? 644 00:32:23,893 --> 00:32:25,678 NO. WE WORK TOGETHER. 645 00:32:26,096 --> 00:32:29,099 OH. COOL. WOULD YOU HAVE ANOTHER DRINK WITH ME? 646 00:32:29,099 --> 00:32:30,600 NORA HAS GOT TO LEAVE. 647 00:32:30,600 --> 00:32:32,685 NO! WHY? WHY ARE YOU LEAVING? 648 00:32:32,685 --> 00:32:34,687 I'’’M TIRED. I'’’M EXHAUSTED. 649 00:32:34,687 --> 00:32:35,688 IT WAS NICE MEETING YOU, THOUGH. 650 00:32:35,688 --> 00:32:37,690 WHAT ARE YOU DOING? 651 00:32:37,690 --> 00:32:38,691 CONVINCING YOU TO STAY. 652 00:32:38,691 --> 00:32:41,694 COME ON, FOR JUST ONE DRINK. 653 00:32:41,694 --> 00:32:42,695 PLEASE. 654 00:32:47,700 --> 00:32:49,202 OK. 655 00:32:50,703 --> 00:32:53,206 Glen: HA HA HA! MON AMI. 656 00:32:53,206 --> 00:32:54,207 HOW DO YOU KNOW THIS GUY? 657 00:32:54,707 --> 00:32:55,708 WELL, I LIVED FOR A YEAR 658 00:32:55,708 --> 00:32:57,210 WITH HIS FAMILY IN FRANCE. 659 00:32:57,210 --> 00:32:58,711 IT'’’S A LONG STORY. 660 00:33:05,218 --> 00:33:07,887 SO, UM, CAN I GET YOU GUYS A DRINK? 661 00:33:07,887 --> 00:33:11,674 YEAH. I'’’LL HAVE A VODKA STRAIGHT UP WITH A TWIST. 662 00:33:11,674 --> 00:33:13,643 OOH. ET JULIAN? 663 00:33:14,127 --> 00:33:15,862 YEAH, I'’’LL HAVE THE SAME. 664 00:33:16,262 --> 00:33:17,063 OK. 665 00:33:17,063 --> 00:33:18,798 CÇÇA VA? 666 00:33:18,798 --> 00:33:20,483 YEAH, SAY VA. 667 00:33:20,483 --> 00:33:23,603 YOU KNOW, I SAW YOU BEFORE. 668 00:33:23,603 --> 00:33:25,205 REALLY? WHERE? 669 00:33:25,205 --> 00:33:26,806 IN A HOTEL. 670 00:33:27,207 --> 00:33:29,609 YOU WERE WITH A MAN WHO HAD A PILLOW. 671 00:33:32,412 --> 00:33:34,013 OH, YEAH. 672 00:33:35,465 --> 00:33:37,467 HI. 673 00:33:37,467 --> 00:33:38,468 [SPEAKING FRENCH] 674 00:33:38,468 --> 00:33:40,970 [SPEAKING FRENCH] 675 00:33:46,025 --> 00:33:46,893 [GLEN LAUGHS] 676 00:33:51,815 --> 00:33:53,299 YOU DON'’’T SPEAK FRENCH? 677 00:33:53,299 --> 00:33:55,435 NO. 678 00:33:55,435 --> 00:33:58,505 A LITTLE IN HIGH SCHOOL, BUT NO, NOT REALLY. 679 00:33:58,505 --> 00:34:02,108 TU ES TREÈÈS JOLIE, NORA. 680 00:34:02,108 --> 00:34:03,309 THANKS. 681 00:34:04,277 --> 00:34:06,146 YOU DON'’’T BELIEVE ME? 682 00:34:06,546 --> 00:34:07,747 NO, I BELIEVE YOU. 683 00:34:07,747 --> 00:34:11,184 I JUST DON'’’T THINK YOU'’’RE PROBABLY THAT PICKY. 684 00:34:11,184 --> 00:34:13,186 I DON'’’T UNDERSTAND. 685 00:34:13,186 --> 00:34:15,121 FORGET IT. 686 00:34:15,121 --> 00:34:16,623 I'’’M GLAD YOU ARE HERE. 687 00:34:16,623 --> 00:34:19,926 ONE MORE MINUTE, AND WE WOULD HAVE MISSED EACH OTHER. 688 00:34:19,926 --> 00:34:23,596 IT'’’S FATE TO SEE YOU AGAIN, DON'’’T YOU THINK? 689 00:34:23,596 --> 00:34:25,598 WHY DO YOU LAUGH? 690 00:34:25,598 --> 00:34:27,100 YOU ARE AFRAID? 691 00:34:29,669 --> 00:34:32,872 YOU KNOW, YOUR APPROACH IS JUST REALLY INTENSE. 692 00:34:38,061 --> 00:34:39,562 DO YOU WANT ANOTHER DRINK? 693 00:34:39,562 --> 00:34:40,563 YEAH. 694 00:34:49,572 --> 00:34:50,573 OH. 695 00:34:50,573 --> 00:34:52,659 [ROCK MUSIC PLAYING] 696 00:35:04,871 --> 00:35:08,308 SO, WHAT ARE YOU DOING IN NEW YORK? 697 00:35:08,308 --> 00:35:11,177 I CAME HERE TO MEET YOU. 698 00:35:11,177 --> 00:35:12,378 NO. REALLY. 699 00:35:12,378 --> 00:35:14,013 NO, REALLY, I CAME HERE TO DO SOME WORK 700 00:35:14,013 --> 00:35:17,200 ON A PROJECT, ON A FILM. 701 00:35:17,200 --> 00:35:18,401 YOU'’’RE NOT AN ACTOR, ARE YOU? 702 00:35:18,401 --> 00:35:19,219 NO. 703 00:35:19,219 --> 00:35:20,420 GOOD. 704 00:35:24,991 --> 00:35:25,992 YOU KNOW, ONCE YOU'’’RE CALM, 705 00:35:25,992 --> 00:35:27,994 YOU'’’RE NOT THAT BAD. 706 00:35:27,994 --> 00:35:28,995 WHY? 707 00:35:28,995 --> 00:35:29,996 WHY WHAT? 708 00:35:29,996 --> 00:35:31,497 WHY WAS I BAD? 709 00:35:31,497 --> 00:35:33,499 NO, I'’’M SAYING THAT YOU'’’RE NOT BAD. 710 00:35:33,499 --> 00:35:35,001 OH. COOL. 711 00:35:38,004 --> 00:35:39,706 LET'’’S GO SOMEWHERE. 712 00:35:41,874 --> 00:35:42,875 I DON'’’T THINK SO. 713 00:35:42,875 --> 00:35:43,876 WHY NOT? 714 00:35:45,878 --> 00:35:47,380 I'’’M NOT LOOKING FOR ANYTHING. 715 00:35:47,380 --> 00:35:48,248 LIKE WHAT? 716 00:35:48,248 --> 00:35:49,182 TROUBLE. 717 00:35:49,182 --> 00:35:52,418 TROUBLE? I'’’M NO TROUBLE. 718 00:35:52,418 --> 00:35:54,020 I'’’M NOT LOOKING FOR TROUBLE. 719 00:35:59,225 --> 00:36:00,994 WHERE DO YOU WANT TO GO? 720 00:36:03,780 --> 00:36:06,266 SHOW ME SOMETHING. 721 00:36:06,266 --> 00:36:07,066 LIKE WHAT? 722 00:36:07,467 --> 00:36:10,370 I DON'’’T KNOW. SOMETHING... 723 00:36:10,370 --> 00:36:11,871 VERY NEW YORK. 724 00:36:18,044 --> 00:36:19,045 [DOOR CLOSES] 725 00:36:19,045 --> 00:36:21,547 [WHIRRING] 726 00:36:30,556 --> 00:36:31,557 NO. 727 00:36:32,058 --> 00:36:34,060 WHAT? 728 00:36:34,060 --> 00:36:37,563 I DON'’’T WANT YOU TO KISS ME. 729 00:36:37,563 --> 00:36:38,564 I TOLD YOU NO. 730 00:36:38,564 --> 00:36:40,066 WHY? 731 00:36:40,566 --> 00:36:41,567 OH. 732 00:36:41,567 --> 00:36:42,568 BUT I JUST WANT TO KISS YOU. 733 00:36:43,069 --> 00:36:44,570 NO. 734 00:36:46,072 --> 00:36:47,073 NO. 735 00:36:47,073 --> 00:36:48,074 COME ON. 736 00:36:48,074 --> 00:36:50,076 NO. I'’’M SORRY. 737 00:36:50,576 --> 00:36:51,911 EXCUSE ME. 738 00:36:59,369 --> 00:37:00,820 [DOOR OPENS] 739 00:37:05,008 --> 00:37:06,009 OK, YOU DON'’’T LIKE ME. 740 00:37:06,009 --> 00:37:09,012 IT'’’S MORE LIKE I DON'’’T WANT Y OU TO KISS ME. 741 00:37:09,012 --> 00:37:10,513 WHY NOT? 742 00:37:11,014 --> 00:37:13,016 I DON'’’T KNOW. BECAUSE. 743 00:37:14,517 --> 00:37:15,518 I DON'’’T KNOW. WE WERE HAVING SOME FUN, 744 00:37:15,518 --> 00:37:17,303 AND YOU ARE SO BEAUTIFUL. 745 00:37:17,303 --> 00:37:18,304 I JUST WANTED TO KISS YOU. 746 00:37:18,304 --> 00:37:19,305 WELL... 747 00:37:21,808 --> 00:37:23,309 LISTEN, I HAD A GREAT NIGHT WITH YOU TONIGHT, 748 00:37:23,309 --> 00:37:24,310 BUT I JUST WANT TO GO HOME. 749 00:37:24,744 --> 00:37:25,561 OH, NO. COME ON, NORA. 750 00:37:25,561 --> 00:37:28,014 I'’’M EXCITING TO BE WITH YOU. 751 00:37:29,282 --> 00:37:31,918 IT'’’S LATE. 752 00:37:31,918 --> 00:37:33,119 THERE'’’S NOTHING TO DO. 753 00:37:33,119 --> 00:37:34,020 I WOULDN'’’T KNOW WHAT TO DO. 754 00:37:34,020 --> 00:37:35,905 BUT WE'’’LL FIND SOMETHING. 755 00:37:35,905 --> 00:37:38,408 COME ON. IT'’’S A BEAUTIFUL NIGHT. 756 00:37:39,409 --> 00:37:41,027 I PROMISE. 757 00:37:46,916 --> 00:37:47,917 WHAT DO YOU WANT TO DO? 758 00:37:47,917 --> 00:37:49,419 WHERE DO YOU WANT TO GO? 759 00:37:49,919 --> 00:37:50,420 WE'’’LL GO IN HERE. 760 00:37:50,920 --> 00:37:51,921 HERE? 761 00:37:53,423 --> 00:37:55,975 [LOUD ROCK MUSIC PLAYING] 762 00:37:55,975 --> 00:37:56,976 NORA, DANCE WITH ME. 763 00:37:56,976 --> 00:38:00,480 OH, NO, NO. BREAK. BREAK. 764 00:38:00,980 --> 00:38:02,982 UH, TWO SHOTS OF TEQUILA. 765 00:38:02,982 --> 00:38:03,983 IS THAT OK WITH YOU? 766 00:38:03,983 --> 00:38:04,984 YEAH. 767 00:38:04,984 --> 00:38:05,985 OK. 768 00:38:07,987 --> 00:38:09,489 [MUSIC PLAYING] 769 00:38:40,019 --> 00:38:42,522 ALL I NEED IS SOMETHING TO DRINK. 770 00:38:49,529 --> 00:38:50,029 BOBBY. 771 00:38:50,530 --> 00:38:52,031 NORA. HEY, BABY. 772 00:38:52,031 --> 00:38:53,533 WHAT ARE YOU DOING HERE? 773 00:38:53,533 --> 00:38:55,535 I WAS ON TOUR IN PHILLY. I HAD THE NIGHT OFF. 774 00:38:55,535 --> 00:38:57,537 I CAME BACK. I HAD TO DO A FEW THINGS. 775 00:38:58,037 --> 00:38:59,038 WHAT ARE YOU DOING? 776 00:38:59,539 --> 00:39:01,541 ACTUALLY, I HAVE HIM WITH ME. 777 00:39:04,043 --> 00:39:06,045 VERY NICE. 778 00:39:06,045 --> 00:39:08,548 SO YOU WANT TO BE ALONE, NO? 779 00:39:08,548 --> 00:39:10,550 NO. YOU KNOW WHAT? THIS IS PERFECT. 780 00:39:18,057 --> 00:39:19,025 [LAUGHTER] 781 00:39:19,025 --> 00:39:23,679 OH, MY GOD. IT'’’S SO CRAZY. 782 00:39:23,679 --> 00:39:24,680 AY, AY, AY. 783 00:39:24,680 --> 00:39:26,182 AND YOU, JULIAN. WHAT ARE YOU DOING HERE? 784 00:39:26,182 --> 00:39:28,100 ARE YOU ON VACATION? 785 00:39:28,100 --> 00:39:29,735 Nora: HE'’’S WORKING ON A MOVIE. 786 00:39:29,735 --> 00:39:31,337 HE'’’S NOT AN ACTOR, THOUGH. 787 00:39:31,337 --> 00:39:33,940 Bobby: NO? 788 00:39:33,940 --> 00:39:35,441 I CAME HERE FOR A WOMAN. 789 00:39:35,942 --> 00:39:38,911 AY, DIOS MIO. NO, PLEASE. OK. 790 00:39:38,911 --> 00:39:41,330 TELL ME. LET'’’S GO. 791 00:39:41,330 --> 00:39:45,201 SHE WAS MY GIRLFRIEND, SHE'’’S AN ACTRESS, 792 00:39:45,601 --> 00:39:49,005 AND SHE CAME HERE TO DO A MOVIE, 793 00:39:49,505 --> 00:39:53,860 SO I TAKE A JOB ON THE MOVIE SO I CAN BE CLOSE TO HER. 794 00:39:53,860 --> 00:39:58,264 BUT THEN SHE LEAVES ME FOR THE ACTOR IN THE MOVIE. 795 00:39:58,764 --> 00:40:01,701 [SPEAKING SPANISH] 796 00:40:03,052 --> 00:40:05,021 THAT'’’S TERRIBLE. 797 00:40:05,021 --> 00:40:07,440 SO YOU'’’RE NO GOOD AT LOVE, TOO, HUH? 798 00:40:07,440 --> 00:40:10,343 NO. TREÈÈS MAUVAIS. 799 00:40:18,384 --> 00:40:21,487 OK. KIDDIES, I GOT TO GO. 800 00:40:21,487 --> 00:40:22,388 IT'’’S GETTING LATE. 801 00:40:22,788 --> 00:40:24,207 IT'’’S SO LATE, IT'’’S ALMOST EARLY. 802 00:40:24,207 --> 00:40:25,024 IT WAS A PLEASURE MEETING YOU. 803 00:40:25,024 --> 00:40:26,325 I HOPE TO SEE YOU AROUND MORE. 804 00:40:26,325 --> 00:40:27,827 OK, AND THANK YOU FOR THE SMOKE. 805 00:40:28,327 --> 00:40:28,828 AH. 806 00:40:29,328 --> 00:40:30,329 CIAO. 807 00:40:32,832 --> 00:40:35,234 Bobby: OH. 808 00:40:35,718 --> 00:40:37,336 SHE'’’S A VERY GOOD GIRL, OK? 809 00:40:37,737 --> 00:40:39,338 YES. I KNOW. 810 00:40:39,338 --> 00:40:41,374 OK. CIAO BELLO. 811 00:42:13,983 --> 00:42:15,484 HI. 812 00:42:15,484 --> 00:42:18,437 WHAT ARE YOU DOING HERE? 813 00:42:18,437 --> 00:42:19,772 I'’’M MAKING YOU COFFEE? 814 00:42:20,272 --> 00:42:21,607 I THOUGHT YOU LEFT. 815 00:42:22,008 --> 00:42:24,143 NO. I'’’M HERE. 816 00:42:27,747 --> 00:42:29,498 YOU HAVE PLANS FOR TODAY? 817 00:42:31,000 --> 00:42:34,754 UH, NO. NO. I GUESS NOT. 818 00:42:34,754 --> 00:42:36,188 IT'’’S OK, THEN? 819 00:42:38,724 --> 00:42:41,043 YEAH. YEAH. 820 00:42:47,550 --> 00:42:48,868 [GLASS CLATTERS] 821 00:42:48,868 --> 00:42:50,603 GOD. 822 00:42:51,003 --> 00:42:52,972 SO, WHAT DO YOU WANT TO DO? 823 00:42:53,472 --> 00:42:54,974 I'’’M ANGRY. 824 00:42:56,976 --> 00:42:57,977 YEAH? ABOUT WHAT? 825 00:42:58,477 --> 00:43:00,980 I DON'’’T KNOW. ANYTHING. 826 00:43:01,981 --> 00:43:03,482 WHAT? 827 00:43:03,983 --> 00:43:04,984 I'’’M ANGRY. 828 00:43:06,485 --> 00:43:08,988 OH, YOU'’’RE HUNGRY. OH. 829 00:43:08,988 --> 00:43:10,489 I THOUGHT YOU SAID YOU WERE ANGRY. 830 00:43:10,489 --> 00:43:13,993 OH, NO. NEVER. NEVER. 831 00:43:13,993 --> 00:43:15,995 SO WHERE DO YOU WANT TO EAT? 832 00:43:18,998 --> 00:43:22,501 FOOD. MANJA. 833 00:43:22,501 --> 00:43:24,003 COME ON. 834 00:43:27,306 --> 00:43:29,842 I HAD A NICE TIME WITH YOU LAST NIGHT. 835 00:43:29,842 --> 00:43:30,810 REALLY? 836 00:43:30,810 --> 00:43:31,761 YEAH, SURE. 837 00:43:35,514 --> 00:43:37,900 EVEN THOUGH WE DIDN'’’T HAVE SEX? 838 00:43:37,900 --> 00:43:39,985 OF COURSE. 839 00:43:39,985 --> 00:43:41,487 WHY NOT? 840 00:43:44,023 --> 00:43:45,624 DO YOU THINK IF YOU DON'’’T HAVE SEX WITH A MAN, 841 00:43:46,025 --> 00:43:47,760 HE DOES NOT LIKE YOU? 842 00:43:47,760 --> 00:43:49,078 NO. 843 00:43:54,417 --> 00:43:56,368 I DON'’’T KNOW. MAYBE. 844 00:43:56,368 --> 00:43:58,370 I THINK IT JUST DEPENDS ON THE GUY. 845 00:43:59,972 --> 00:44:02,875 YOU DON'’’T HAVE ANY HANG-UPS, DO YOU? 846 00:44:02,875 --> 00:44:04,794 WHAT IS HANG-UPS? 847 00:44:04,794 --> 00:44:08,280 PROBLEMS, FEARS, THINGS THAT SCARE YOU. 848 00:44:08,280 --> 00:44:10,216 LIKE WHAT THINGS? 849 00:44:10,216 --> 00:44:11,517 I DON'’’T KNOW. 850 00:44:11,517 --> 00:44:16,322 UH, HEART ATTACKS, TERRORISM, 851 00:44:16,322 --> 00:44:20,326 RANDOM ACTS OF VIOLENCE, 852 00:44:20,326 --> 00:44:23,629 WORRYING ABOUT WHAT OTHER PEOPLE THINK, 853 00:44:23,629 --> 00:44:25,397 NOT SUCCEEDING IN LIFE. 854 00:44:25,397 --> 00:44:28,484 WOW. THAT'’’S A LOT. 855 00:44:30,169 --> 00:44:33,155 NO. WHEN I WAS 8 YEARS OLD, 856 00:44:33,155 --> 00:44:35,708 MY MOTHER DIED, AND MY FATHER TOLD ME 857 00:44:35,708 --> 00:44:38,110 THAT LIFE WAS SOMETHING SHORT 858 00:44:38,110 --> 00:44:40,679 AND TO ALWAYS MAKE SOME VALUE IN IT. 859 00:44:41,080 --> 00:44:43,349 WHEN MY FATHER DIED, I THINK I DID THE OPPOSITE. 860 00:44:46,418 --> 00:44:47,920 IS HE STILL ALIVE, YOUR DAD? 861 00:44:48,420 --> 00:44:51,841 YES. HE LIVES IN THE SOUTH OF FRANCE. 862 00:44:51,841 --> 00:44:52,842 MARSEILLES. 863 00:44:55,027 --> 00:44:56,228 MARSEILLES? 864 00:44:59,315 --> 00:45:00,816 COME ON, NORA. 865 00:45:01,300 --> 00:45:03,102 YOU'’’VE GOT TO GO SOMEWHERE. 866 00:45:04,970 --> 00:45:06,639 I KNOW. YOU'’’RE RIGHT. 867 00:45:15,164 --> 00:45:16,165 WE'’’VE BEEN WALKING A LOT. 868 00:45:16,165 --> 00:45:17,166 ARE YOU TIRED OF WALKING? 869 00:45:17,166 --> 00:45:18,167 NO. IT'’’S PERFECT. 870 00:45:18,167 --> 00:45:19,668 YEAH? 871 00:45:29,879 --> 00:45:31,380 I KNOW WHAT WE CAN DO. 872 00:45:36,569 --> 00:45:38,170 Nora: I LOVE THESE PENGUINS. 873 00:45:40,172 --> 00:45:41,373 SOMETIMES WHEN I'’’M SAD, I COME HERE 874 00:45:41,373 --> 00:45:43,526 AND JUST WATCH THEM. 875 00:45:44,860 --> 00:45:46,362 THEY MAKE ME FEEL BETTER. 876 00:45:49,865 --> 00:45:51,367 COME HERE. 877 00:45:55,087 --> 00:45:56,572 COME HERE. 878 00:46:03,379 --> 00:46:04,880 I WANT TO KISS YOU. 879 00:46:46,956 --> 00:46:47,957 [LAUGHING] 880 00:46:47,957 --> 00:46:48,958 LA PIROUETTE. 881 00:46:48,958 --> 00:46:49,959 LA PIROUETTE. 882 00:46:49,959 --> 00:46:50,960 BIEN. PIROUETTE. 883 00:46:50,960 --> 00:46:51,944 PWE WET. 884 00:46:51,944 --> 00:46:53,145 PWE WET? 885 00:46:53,145 --> 00:46:54,430 [LAUGHING] 886 00:46:54,430 --> 00:46:56,882 [SPEAKING FRENCH] 887 00:46:59,418 --> 00:47:00,619 WHAT WOULD YOU SAY TO A FRENCH GIRL 888 00:47:00,619 --> 00:47:02,655 IF YOU WERE HAVING SEX WITH HER? 889 00:47:02,655 --> 00:47:04,757 I WOULD SAY, "OH! OH! 890 00:47:04,757 --> 00:47:07,109 C'’’EST TREÈÈS BON!" 891 00:47:07,109 --> 00:47:09,612 AH! HA HA HA! 892 00:47:13,115 --> 00:47:14,617 ARE YOU STARTING TO LOVE ME? 893 00:47:15,117 --> 00:47:16,118 HA HA! I'’’M NOT READY 894 00:47:16,118 --> 00:47:18,621 TO GIVE OUT THAT INFORMATION AT THIS TIME. 895 00:47:20,623 --> 00:47:24,126 . NORA, YOU ARE THE EXACT GIRL THAT'’’S ON MY MIND 896 00:47:24,610 --> 00:47:25,911 [LAUGHING] 897 00:47:26,412 --> 00:47:30,549 SHH. SHH. SHH. 898 00:47:54,039 --> 00:47:55,441 Julian: WHAT ARE YOU THINKING? 899 00:47:58,477 --> 00:47:59,311 HEY. 900 00:48:02,815 --> 00:48:04,316 NOTHING. 901 00:48:07,219 --> 00:48:08,821 I WAS JUST THINKING ABOUT HOW I WAS TELLING MY FRIEND AUDREY 902 00:48:08,821 --> 00:48:11,323 THAT I WASN'’’T GONNA SEE ANYONE. 903 00:48:11,323 --> 00:48:14,126 AND I CHANGED YOUR MIND? 904 00:48:14,126 --> 00:48:16,128 ARE YOU SEEING ANYONE RIGHT NOW? 905 00:48:16,128 --> 00:48:20,899 NO, NOT NOW. JUST YOU. 906 00:48:20,899 --> 00:48:23,168 BUT YOU DO SEE OTHER WOMEN. 907 00:48:23,569 --> 00:48:25,971 IF I MEET SOMEONE I LIKE, YES. 908 00:48:30,776 --> 00:48:33,579 WHY? WHAT? 909 00:48:33,979 --> 00:48:35,581 NOTHING. OF COURSE YOU DO. 910 00:48:35,581 --> 00:48:37,182 BUT YOU DON'’’T? 911 00:48:41,186 --> 00:48:43,989 WHAT IS THIS? WHAT ARE WE DOING HERE? 912 00:48:44,390 --> 00:48:46,058 WE TAKE A BATH. 913 00:48:46,058 --> 00:48:46,859 WHY DO YOU TALK ABOUT LOVE? 914 00:48:47,259 --> 00:48:48,060 WHEN? 915 00:48:48,060 --> 00:48:51,296 BEFORE. 916 00:48:51,296 --> 00:48:52,498 I'’’M JUST TRYING TO FIGURE OUT 917 00:48:52,498 --> 00:48:53,699 IF THIS IS SUPPOSED TO MEAN SOMETHING. 918 00:48:54,099 --> 00:48:55,768 I DON'’’T KNOW, NORA. 919 00:48:55,768 --> 00:48:57,219 WE HAVE NO CONTRACT. 920 00:48:57,636 --> 00:49:00,339 WE ARE JUST MEETING EACH OTHER. 921 00:49:03,542 --> 00:49:06,095 YOU'’’RE RIGHT. I'’’M SORRY, I'’’M SORRY. 922 00:49:12,434 --> 00:49:14,937 YOU STILL DIDN'’’T TELL ME WHAT YOU DO. 923 00:49:14,937 --> 00:49:16,939 I START TO RECORD SOUND ON MOVIES. 924 00:49:17,439 --> 00:49:19,441 AH. MYSTERY SOLVED. 925 00:49:19,441 --> 00:49:20,442 DO YOU LIKE IT? IS IT FUN? 926 00:49:20,943 --> 00:49:22,444 YES, I LIKE IT. 927 00:49:22,444 --> 00:49:24,630 I LIKE TO LISTEN TO PEOPLE, 928 00:49:25,030 --> 00:49:28,033 TO HEAR THEIR VOICE, HOW THEY FEEL, 929 00:49:28,534 --> 00:49:29,835 AND I GET TO TRAVEL. 930 00:49:32,621 --> 00:49:33,622 BUT THERE'’’S NOT ONLY WORK. 931 00:49:33,622 --> 00:49:34,940 I ALSO PLAY SOME MUSIC. 932 00:49:35,340 --> 00:49:38,343 UGH. I'’’M SO GLAD I DON'’’T HAVE AN ACOUSTIC GUITAR. 933 00:49:49,304 --> 00:49:51,306 NORA? 934 00:49:51,306 --> 00:49:53,308 GUY, HI. HOW ARE YOU? 935 00:49:53,308 --> 00:49:54,810 I'’’M GREAT. HOW ARE YOU? 936 00:49:54,810 --> 00:49:55,811 GOOD. HOW ARE YOU? 937 00:49:55,811 --> 00:49:57,312 I'’’M GREAT. I JUST GOT BACK 938 00:49:57,312 --> 00:49:59,314 FROM A WEDDING IN ROME LAST NIGHT. 939 00:49:59,314 --> 00:50:00,816 YOU KNOW JIM, RIGHT? YEAH. 940 00:50:00,816 --> 00:50:01,817 YEAH. IT WAS HIS WEDDING. 941 00:50:02,317 --> 00:50:03,318 IT WAS TOTALLY INSANE. 942 00:50:03,318 --> 00:50:04,620 THAT SOUNDS GREAT. 943 00:50:04,620 --> 00:50:08,624 YEAH. HEY. UH, I'’’M GUY. 944 00:50:08,624 --> 00:50:09,625 SORRY. 945 00:50:10,125 --> 00:50:11,126 HI. I'’’M JULIAN. 946 00:50:12,628 --> 00:50:14,129 YOU, UH, YOU AROUND THIS SUMMER? 947 00:50:14,630 --> 00:50:16,131 YEAH. YEAH. I HAVE NO PLANS. 948 00:50:16,131 --> 00:50:17,633 I'’’M JUST WORKING, YOU KNOW? 949 00:50:17,633 --> 00:50:19,885 OK. WELL, COOL. 950 00:50:19,885 --> 00:50:21,220 UM, I'’’M HERE AND AT THE BEACH, 951 00:50:21,220 --> 00:50:22,221 SO I'’’LL GIVE YOU A CALL. 952 00:50:22,221 --> 00:50:23,722 GREAT. NICE TO MEET YOU, MAN. 953 00:50:23,722 --> 00:50:24,723 NICE TO MEET YOU. 954 00:50:24,723 --> 00:50:26,225 SEE YOU. BYE. 955 00:50:35,234 --> 00:50:39,188 I'’’LL HAVE, UM, HALF A DOZEN 956 00:50:39,188 --> 00:50:41,690 OF THE WHITE COOKIES WITH THE SPRINKLES 957 00:50:41,690 --> 00:50:44,693 AND, UM--THEY'’’RE FAMOUS FOR THEIR CANNOLIS. 958 00:50:44,693 --> 00:50:46,578 I'’’LL HAVE A HALF A DOZEN OF THOSE 959 00:50:46,578 --> 00:50:47,496 AND, UM... 960 00:50:47,496 --> 00:50:49,498 [HISSING] 961 00:50:59,174 --> 00:51:01,059 I'’’M SO SORRY. I WAS SO RUDE. 962 00:51:01,059 --> 00:51:03,061 I DON'’’T KNOW WHAT HAPPENED. 963 00:51:05,497 --> 00:51:07,132 I'’’M JUST SO STUPID SOMETIMES. 964 00:51:07,132 --> 00:51:08,734 I JUST GOT CAUGHT OFF GUARD. 965 00:51:08,734 --> 00:51:12,070 I'’’M JUST NOT USED TO BEING WITH SOMEONE. 966 00:51:12,070 --> 00:51:14,072 I MEAN, NOT THAT WE'’’RE TOGETHER OR ANYTHING, 967 00:51:14,072 --> 00:51:16,074 BUT I'’’M JUST NOT THAT EXPERIENCED 968 00:51:16,074 --> 00:51:19,378 IN HOW TO ACT WITH A GUY. 969 00:51:19,378 --> 00:51:20,729 IT'’’S JUST SO WEIRD YOU COME INTO MY LIFE, 970 00:51:20,729 --> 00:51:23,232 AND--I DON'’’T KNOW-- YOU'’’VE... 971 00:51:28,987 --> 00:51:30,322 I HAVE TO GO TO THE BATHROOM. 972 00:51:40,299 --> 00:51:41,800 [WHISPERING] What are you doing here? 973 00:51:41,800 --> 00:51:43,569 I'’’m such a freak. 974 00:51:46,505 --> 00:51:49,341 I'’’VE TURNED INTO SUCH A BITCH. 975 00:51:49,841 --> 00:51:50,842 [INDISTINCT] 976 00:51:54,346 --> 00:51:56,798 [DOOR CREAKING] 977 00:51:58,817 --> 00:52:01,220 [WATER RUNNING] 978 00:52:01,220 --> 00:52:04,022 [DOOR CREAKING] 979 00:52:06,825 --> 00:52:07,826 ARE YOU OK? 980 00:52:07,826 --> 00:52:09,995 YEAH. 981 00:52:10,395 --> 00:52:11,597 . I'’’M NOT MAD AT YOU 982 00:52:11,597 --> 00:52:14,399 OH, GOOD. I'’’M RELIEVED. 983 00:52:14,800 --> 00:52:17,603 SOMETHING WRONG? 984 00:52:17,603 --> 00:52:19,288 I JUST WANT TO GO HOME. 985 00:52:23,759 --> 00:52:25,143 HEY. I DON'’’T THINK YOU'’’RE OK. 986 00:52:25,143 --> 00:52:28,380 I'’’M OK. I JUST WANT TO GO HOME. 987 00:52:28,380 --> 00:52:29,881 DO YOU RUN FROM ME? NO. 988 00:52:30,382 --> 00:52:31,383 DO YOU FEEL SICK? 989 00:52:31,883 --> 00:52:33,385 YES, I FEEL SICK. 990 00:52:33,385 --> 00:52:34,886 I FEEL LIKE I'’’M GOING TO DIE. 991 00:52:43,328 --> 00:52:44,313 WHAT ARE YOU DOING? 992 00:52:44,313 --> 00:52:45,314 OH, COME ON, NO. WHAT ARE YOU DOING? 993 00:52:45,314 --> 00:52:46,315 NO, NO! GIVE IT TO ME! 994 00:52:46,815 --> 00:52:47,816 GIVE IT TO ME! I'’’M NOT GONNA KILL MYSELF! 995 00:52:47,816 --> 00:52:49,318 I'’’M JUST GONNA TAKE ONE! 996 00:52:54,323 --> 00:52:55,324 [PILLS RATTLE] 997 00:52:55,824 --> 00:52:58,327 [WATER RUNNING] 998 00:53:26,638 --> 00:53:27,606 ARE YOU OK? 999 00:53:31,109 --> 00:53:32,311 I WILL BE. 1000 00:53:35,247 --> 00:53:38,050 IS THERE SOMETHING WRONG WITH YOU? 1001 00:53:38,050 --> 00:53:39,651 YEAH. I'’’M A FREAK. 1002 00:53:42,854 --> 00:53:44,856 I HAD AN ANXIETY ATTACK. 1003 00:53:48,860 --> 00:53:49,761 DO YOU WANT ME TO STAY WITH YOU, 1004 00:53:50,162 --> 00:53:53,365 OR DO YOU WANT TO BE ALONE? 1005 00:53:53,365 --> 00:53:54,566 YOU CAN STAY. 1006 00:54:00,105 --> 00:54:01,707 I'’’M NOT GOOD FOR A NY ACTION, THOUGH. 1007 00:54:15,404 --> 00:54:18,824 THAT HASN'’’T HAPPEN ED IN A REALLY LONG TIME. 1008 00:54:19,224 --> 00:54:20,425 IT'’’S REALLY SCARY. 1009 00:54:42,848 --> 00:54:44,449 JULIAN? 1010 00:54:50,922 --> 00:54:52,274 JULIAN? 1011 00:55:58,173 --> 00:55:59,174 HI. 1012 00:55:59,174 --> 00:56:03,178 HEY. YOU CAME BACK. 1013 00:56:03,678 --> 00:56:05,180 I'’’M--I'’’M VERY SORRY FOR WHAT I DID. 1014 00:56:05,180 --> 00:56:07,682 NO. I'’’M SORRY. I'’’M JUST AN IDIOT. 1015 00:56:07,682 --> 00:56:09,184 YOU DIDN'’’T DO ANYTHING. 1016 00:56:09,184 --> 00:56:11,803 I JUST BLEW THINGS OUT OF PROPORTION. 1017 00:56:11,803 --> 00:56:13,188 WE WERE HAVING SO MUCH FUN. 1018 00:56:13,188 --> 00:56:14,189 I'’’M FINE NOW. 1019 00:56:18,193 --> 00:56:20,645 YOU KNOW, NORA, I'’’M LEAVING TOMORROW, 1020 00:56:20,645 --> 00:56:23,849 AND I THOUGHT MAYBE WE COULD SPEND THIS NIGHT TOGETHER IF YOU WANT. 1021 00:56:23,849 --> 00:56:25,333 TOMORROW? 1022 00:56:25,333 --> 00:56:26,835 YES. VERY EARLY. 1023 00:56:34,843 --> 00:56:37,312 I HAD THE BEST TIME WITH YOU, NORA. 1024 00:56:37,729 --> 00:56:40,398 ME, TOO. 1025 00:56:40,398 --> 00:56:42,384 COME WITH ME. COME TO SEE PARIS. 1026 00:56:42,384 --> 00:56:43,385 COME ON THE PLANE TOMORROW 1027 00:56:43,885 --> 00:56:44,886 AND RUN AWAY WITH ME. 1028 00:56:45,387 --> 00:56:46,388 NO. I CAN'’’T. 1029 00:56:46,388 --> 00:56:47,889 I CAN'’’T. WHY NOT? 1030 00:56:47,889 --> 00:56:49,391 A MILLION REASONS. 1031 00:56:49,391 --> 00:56:50,892 LIKE, I COULDN'’’T POSSIBLY BE READY TO DO THAT IN TIME. 1032 00:56:50,892 --> 00:56:53,395 I--I HAVE TO WORK. I HAVE OBLIGATIONS. 1033 00:56:53,395 --> 00:56:55,397 THOSE ARE ONLY SOME EXCUSES, ALL RIGHT? 1034 00:56:55,897 --> 00:56:56,898 I WANT YOU TO COME. 1035 00:56:56,898 --> 00:56:57,899 WHAT ARE YOU GONNA DO? 1036 00:56:57,899 --> 00:56:59,901 STAY ALL YOUR LIFE, DO THE SAME THING? 1037 00:56:59,901 --> 00:57:03,905 NO. I'’’M--I'’’M JUST BEING REALISTIC. 1038 00:57:03,905 --> 00:57:06,408 WE'’’VE ONLY KNOWN EACH OTHER FOR A COUPLE OF DAYS. 1039 00:57:06,408 --> 00:57:07,409 I CAN'’’T JUST PRETEND THAT EVERYTHING 1040 00:57:07,909 --> 00:57:08,910 WOULD JUST MAGICALLY WORK ITSELF OUT. 1041 00:57:09,411 --> 00:57:10,412 I KNOW BETTER. 1042 00:57:14,416 --> 00:57:16,418 YOU SHOULDN'’’T MAKE PROMISES THAT YOU CAN'’’T KEEP. 1043 00:57:16,418 --> 00:57:18,737 WHY NOT? 1044 00:57:18,737 --> 00:57:21,540 I DON'’’T KNOW. UH... 1045 00:57:21,540 --> 00:57:23,391 IT'’’S JUST NOT WHAT I IMAGINED FOR MYSELF. 1046 00:57:23,391 --> 00:57:25,176 I'’’M NOT LIKE THAT. 1047 00:57:25,176 --> 00:57:27,112 WHY? BECAUSE I'’’M FRENCH, 1048 00:57:27,112 --> 00:57:27,979 BECAUSE I'’’M YOUNGE R THAN YOU? 1049 00:57:28,480 --> 00:57:30,949 WHAT IS IT? 1050 00:57:31,349 --> 00:57:33,351 YEAH. YOU LIVE IN ANOTHER COUNTRY. 1051 00:57:39,357 --> 00:57:41,426 WE'’’VE HAD A REALLY NICE WEEKEND. 1052 00:57:44,229 --> 00:57:47,465 YOU SHOULDN'’’T FEEL BAD ABOUT IT. 1053 00:57:47,465 --> 00:57:49,534 I DON'’’T WANT TO FIGHT ABOUT THIS NOW. 1054 00:57:51,620 --> 00:57:53,121 I'’’LL COME TO PARIS WITH YOU 1055 00:57:53,121 --> 00:57:57,626 AND WE'’’LL JUST SEE HOW IT GOES SOMETIME IN THE FUTURE. 1056 00:57:57,626 --> 00:57:59,010 YOU PROMISE? 1057 00:58:01,763 --> 00:58:02,264 YEAH. 1058 00:58:10,405 --> 00:58:12,407 [ALARM CLOCK BUZZING] 1059 00:58:58,336 --> 00:59:00,071 OK, NORA. I HAVE TO GO. 1060 00:59:04,392 --> 00:59:06,044 I HAD A GREAT TIME WITH YOU. 1061 00:59:10,048 --> 00:59:11,449 DON'’’T CRY. 1062 00:59:15,487 --> 00:59:18,289 I LEFT MY CELL PHONE NUMBER NEXT TO YOUR BED. 1063 00:59:18,289 --> 00:59:19,891 [CRYING] 1064 00:59:19,891 --> 00:59:22,677 COME HERE. 1065 00:59:22,677 --> 00:59:23,678 KISS ME. 1066 01:00:02,634 --> 01:00:03,435 [DOOR CLOSES] 1067 01:00:15,847 --> 01:00:17,849 WHAT? 1068 01:00:17,849 --> 01:00:18,850 YOU NEED TO GO ON A DATE. 1069 01:00:19,350 --> 01:00:21,352 UGH. NO. MM-HMM. 1070 01:00:21,853 --> 01:00:22,854 DUTY DATING. 1071 01:00:23,354 --> 01:00:24,355 WHAT'’’S THAT? 1072 01:00:24,355 --> 01:00:25,857 THERE'’’S A THEORY THAT YOU SHOULD GO OUT 1073 01:00:25,857 --> 01:00:27,358 WITH GUYS WHO ASK YOU OUT, 1074 01:00:27,358 --> 01:00:29,861 EVEN IF YOU KNOW YOU DON'’’T LIKE THE M IN THAT WAY. 1075 01:00:29,861 --> 01:00:31,362 FOR PRACTICE. 1076 01:00:31,362 --> 01:00:34,365 THAT IS THE SADDEST THING I THINK I'’’VE EVER HEARD. 1077 01:00:34,365 --> 01:00:36,367 NO, IT'’’S NOT. 1078 01:00:36,367 --> 01:00:38,169 YOU NEED TO GET OUT THERE AGAIN. 1079 01:00:38,169 --> 01:00:39,671 OTHERWISE, YOU'’’RE JUST GONNA RETREAT. 1080 01:00:39,671 --> 01:00:41,439 I KNOW YOU, NORA. 1081 01:00:41,439 --> 01:00:43,441 NOBODY'’’S ASKING ME OUT. 1082 01:00:43,441 --> 01:00:44,876 UH-UH 1083 01:00:45,176 --> 01:00:49,047 STEVE, YOU TELL NORA YOU WERE AN ARCHITECT? 1084 01:00:49,047 --> 01:00:52,550 YEAH. I WAS DOING PRIVATE HOMES AND OFFICE BUILDINGS. 1085 01:00:52,984 --> 01:00:55,804 I MOSTLY BUILD BOUTIQUE HOTELS NOW. 1086 01:00:55,804 --> 01:00:59,691 I HAVE TO SAY, IT'’’S REALLY CHALLENGING, YOU KNOW... 1087 01:00:59,691 --> 01:01:02,894 MM-HMM. MAKING EACH ONE DIFFERENT. 1088 01:01:02,894 --> 01:01:03,695 MM. 1089 01:01:06,498 --> 01:01:08,399 NORA WORKS IN A HOTEL, SULLIVAN HOUSE. 1090 01:01:08,900 --> 01:01:11,402 IS THAT RIGHT? 1091 01:01:11,402 --> 01:01:13,138 YEAH. 1092 01:01:13,138 --> 01:01:14,739 DO YOU LIKE IT? 1093 01:01:17,942 --> 01:01:19,144 NO. 1094 01:01:20,745 --> 01:01:21,946 NOT REALLY. 1095 01:01:33,975 --> 01:01:35,443 HI, NORA. 1096 01:01:35,443 --> 01:01:36,728 YOU GOT A MINUTE? 1097 01:01:36,728 --> 01:01:38,062 YEAH. 1098 01:01:38,062 --> 01:01:40,064 I JUST WANTED TO TALK TO YOU SERIOUSLY 1099 01:01:40,565 --> 01:01:42,267 JUST FOR A BIT. 1100 01:01:42,267 --> 01:01:45,186 OK. 1101 01:01:45,186 --> 01:01:47,839 I WAS WONDERING, UM, HOW IT'’’S GOING, 1102 01:01:47,839 --> 01:01:52,510 HOW YOU'’’RE DOING WITH THE PLANNING OF THE COMPANY PICNIC. 1103 01:01:52,510 --> 01:01:54,145 OH. THAT. 1104 01:01:54,145 --> 01:01:59,217 UM, I, UH, HAVEN'’’T REALLY GOTTEN AROUND TO IT YET. 1105 01:01:59,217 --> 01:02:02,420 WE'’’VE BEEN KIND OF SWAMPED. 1106 01:02:02,420 --> 01:02:05,356 HAVEN'’’T GOT AROUND TO IT YET? 1107 01:02:05,356 --> 01:02:08,510 UH, NORA, THERE'’’S ONLY 5 WEEKS LEFT. 1108 01:02:08,510 --> 01:02:09,511 I MEAN, THERE'’’S A LOT MORE TO IT 1109 01:02:10,011 --> 01:02:12,797 THAN--THAN JUST LOCATIONS ALONE. 1110 01:02:12,797 --> 01:02:14,883 I MEAN, YOU'’’VE GOT FOOD AND INVITES, BUSES, 1111 01:02:14,883 --> 01:02:16,885 GAMES, EMPLOYEE OF THE MONTH. 1112 01:02:16,885 --> 01:02:19,904 HAVE YOU EVEN VOTED FOR THE EMPLOYEE OF THE MONTH YET? 1113 01:02:19,904 --> 01:02:21,506 NOT YET. 1114 01:02:21,906 --> 01:02:24,609 WELL, WHEN WERE YOU PLANNING ON DOING ALL OF THIS? 1115 01:02:24,609 --> 01:02:28,213 T. I DON'’’T KNOW. I'’’M SORRY. I FORGO 1116 01:02:28,213 --> 01:02:29,531 LOOK. YOU KNOW WHAT? I DON'’’T UNDERSTAND WHAT'’’S WRONG 1117 01:02:29,531 --> 01:02:30,532 WITH YOU LATELY, NORA. 1118 01:02:31,032 --> 01:02:33,034 YOU WERE ALWAYS SO RELIABLE, 1119 01:02:33,034 --> 01:02:34,285 AND NOW YOU DON'’’T EVEN COME AROUND ANYMORE. 1120 01:02:34,285 --> 01:02:37,155 NOBODY'’’S SEEN YOU. WHAT'’’S WRONG WITH YOU? 1121 01:02:37,155 --> 01:02:39,240 IS EVERYTHING OK? 1122 01:02:39,724 --> 01:02:42,560 BECAUSE YOU CANNOT GO ON LIKE THIS. 1123 01:02:42,560 --> 01:02:44,162 YOU KNOW WHAT, PERRY? YOU'’’RE RIGHT. 1124 01:02:44,162 --> 01:02:45,830 I CAN'’’T GO ON LIKE THIS. 1125 01:02:45,830 --> 01:02:47,632 I'’’VE BEEN AWFUL. 1126 01:02:47,632 --> 01:02:49,901 I CAN'’’T DO THIS ANYMORE. 1127 01:02:49,901 --> 01:02:51,502 DO WHAT? 1128 01:02:51,502 --> 01:02:55,256 THIS! I CAN'’’T DO THIS ANYMORE! 1129 01:03:43,888 --> 01:03:46,391 I SEE SOMETHING IN YOU. 1130 01:03:46,391 --> 01:03:48,393 HUH? 1131 01:03:48,393 --> 01:03:50,862 I CAN TELL YOU THINGS ABOUT YOUR LIFE. 1132 01:03:55,033 --> 01:03:59,320 YOUR FATHER MISSES YOU. 1133 01:03:59,821 --> 01:04:02,624 YOU WERE HIS FAVORITE PERSON IN THE WORLD. 1134 01:04:02,624 --> 01:04:04,125 [SOBS] 1135 01:04:06,628 --> 01:04:09,314 HE KNOWS HOW LONELY YOU ARE, 1136 01:04:09,714 --> 01:04:13,718 AND HE WANTS ME TO HELP YOU. 1137 01:04:13,718 --> 01:04:15,219 COME INSIDE. 1138 01:04:20,725 --> 01:04:24,228 Audrey: SO WAIT A MINUTE. 1139 01:04:24,228 --> 01:04:26,230 YOU WENT TO A PSYCHIC TO HAVE 1140 01:04:26,230 --> 01:04:27,732 A CURSE PUT ON YOU. 1141 01:04:27,732 --> 01:04:30,601 PLEASE. I'’’M HUMILIATED ENOUGH AS IT IS. 1142 01:04:31,002 --> 01:04:31,803 SHE DIDN'’’T PUT A CURSE ON ME. 1143 01:04:31,803 --> 01:04:33,404 SHE REMOVED A CURSE. 1144 01:04:33,821 --> 01:04:35,173 DID YOU PAY HER? 1145 01:04:35,173 --> 01:04:36,491 I DON'’’T WANT TO TALK ABOUT IT. 1146 01:04:36,491 --> 01:04:38,242 NO. PLEASE. I HAVE TO KNOW 1147 01:04:38,643 --> 01:04:40,745 SO I CAN UNDERSTAND YOUR INSANITY. 1148 01:04:40,745 --> 01:04:42,747 I DON'’’T KNOW. 1149 01:04:43,147 --> 01:04:44,882 I'’’M GOING TOTALLY CRAZY. 1150 01:04:44,882 --> 01:04:46,951 YOU'’’LL BE FINE. 1151 01:04:46,951 --> 01:04:49,020 NO, I WON'’’T. I QUIT MY JOB, 1152 01:04:49,420 --> 01:04:52,223 AND I WENT TO A WITCHDOCTOR. 1153 01:04:52,223 --> 01:04:54,325 I CAN'’’T BELIEVE YOU QUIT YOUR JOB. 1154 01:04:54,325 --> 01:04:56,344 I KNOW. 1155 01:04:56,344 --> 01:04:58,496 DO YOU THINK THAT WAS THE RIGHT THING TO DO? 1156 01:05:02,100 --> 01:05:03,701 MAYBE IT WAS. 1157 01:05:06,504 --> 01:05:10,108 MAYBE I SHOULD HAVE GONE WITH JULIAN. 1158 01:05:10,108 --> 01:05:13,311 WHY DIDN'’’T YOU? 1159 01:05:13,311 --> 01:05:14,512 I'’’M A COWARD. 1160 01:05:16,948 --> 01:05:20,585 SO...WHAT ARE YOU GONNA DO ABOUT IT? 1161 01:05:25,456 --> 01:05:27,959 IS THIS SAFE? 1162 01:05:27,959 --> 01:05:29,961 IT'’’S FINE. RELAX. 1163 01:05:29,961 --> 01:05:31,462 WE DON'’’T EVEN KNOW WHAT'’’S IN HERE. 1164 01:05:31,462 --> 01:05:32,463 ? WHAT IF IT'’’S DRUGS 1165 01:05:32,463 --> 01:05:34,465 IT IS NOT DRUGS. MY PARENTS KNOW THE GUY. 1166 01:05:34,465 --> 01:05:36,434 I CAN'’’T BELIEVE WE'’’RE DOING THIS. 1167 01:05:36,434 --> 01:05:38,469 LISTEN. IT WAS THE ONLY CHEAP TICKET. I SWEAR. 1168 01:05:38,970 --> 01:05:40,755 OH! I HATE MARK. 1169 01:05:40,755 --> 01:05:44,075 HE'’’S MAD THAT WE'’’RE DOING THIS COURIER SHIT, 1170 01:05:44,075 --> 01:05:46,477 RIDING COACH. OY. 1171 01:06:00,992 --> 01:06:03,995 Audrey: UH, HI. WE'’’RE NOT SURE WHERE TO GO. 1172 01:06:03,995 --> 01:06:05,997 UM, WE NEED A SMALL, LITTLE HOTEL 1173 01:06:06,497 --> 01:06:11,502 IN THE MIDDLE OF TOWN THAT'’’S NOT VERY EXPENSIVE. 1174 01:06:11,502 --> 01:06:13,504 I DON'’’T THINK HE UNDERSTANDS YOU. 1175 01:06:13,504 --> 01:06:15,006 OH, NO. I THINK HE DOES. 1176 01:06:15,006 --> 01:06:17,008 THEY JUST PRETEND NOT TO UNDERSTAND. 1177 01:06:17,008 --> 01:06:18,009 WATCH THIS. 1178 01:06:18,009 --> 01:06:20,011 EXCUSEZ-MOI. VOUS COMPRENDRE? 1179 01:06:20,011 --> 01:06:23,514 OUI, OUI. I UNDERSTAND. 1180 01:06:23,514 --> 01:06:24,515 HMM? 1181 01:06:46,654 --> 01:06:48,156 MERCI BEAUCOUP. 1182 01:06:50,158 --> 01:06:51,659 THANK YOU VERY MUCH. 1183 01:06:52,160 --> 01:06:55,163 I HOPE YOU FIND HAPPINESS. 1184 01:06:55,163 --> 01:06:56,664 A PENIS? 1185 01:06:56,664 --> 01:06:57,665 YES. 1186 01:07:12,180 --> 01:07:14,182 OH... 1187 01:07:14,182 --> 01:07:15,683 SKANKY. 1188 01:07:22,440 --> 01:07:24,942 WELL, AT LEAST IT HAS A BATHROOM. 1189 01:07:24,942 --> 01:07:27,445 THIS REALLY SUCKS. I'’’M SORRY, AUDREY. 1190 01:07:27,445 --> 01:07:28,946 DON'’’T BE RIDICULOUS. WE'’’RE IN PARIS. 1191 01:07:28,946 --> 01:07:30,448 WE'’’RE GONNA FIND JULIAN. 1192 01:07:30,448 --> 01:07:32,450 LET'’’S DELIVER THES E PACKAGES FIRST, 1193 01:07:32,450 --> 01:07:33,951 GET IT OUT OF THE WAY. 1194 01:07:33,951 --> 01:07:35,453 WE'’’RE SO CRAZY FOR DOING THIS. 1195 01:07:35,453 --> 01:07:37,455 . I KNOW. IT'’’S TOTALLY CRAZY 1196 01:07:37,455 --> 01:07:40,458 YOU KNOW, WE COULD PROBABLY GET A MAP DOWNSTAIRS. 1197 01:07:40,458 --> 01:07:41,876 OH, YOU'’’RE SO ON IT. 1198 01:07:42,376 --> 01:07:43,377 WELL, IT'’’S PROBABL Y JUST EASIER FOR ME 1199 01:07:43,377 --> 01:07:45,379 TO BE OBJECTIVE RIGHT NOW. 1200 01:07:45,379 --> 01:07:47,381 WHEN SHOULD WE MEET BACK HERE? 1201 01:07:47,381 --> 01:07:48,883 I DON'’’T KNOW. LIKE AN HOUR, AN HOUR AND A HALF? 1202 01:07:48,883 --> 01:07:51,385 BUT IF WE GET HELD UP, LET'’’S JUS T CALL THE HOTEL 1203 01:07:51,385 --> 01:07:53,387 AND TOUCH BASE, OK? OK. 1204 01:07:53,387 --> 01:07:55,890 OK. NOW WHICH WAY IS THE SEINE? 1205 01:07:55,890 --> 01:07:58,893 BECAUSE I AM GOING THE OPPOSITE DIRECTION. 1206 01:08:07,401 --> 01:08:09,403 EXCUSEZ-MOI. OUI? 1207 01:08:09,403 --> 01:08:11,405 DO YOU SPEAK ENGLISH? A LITTLE. 1208 01:08:11,405 --> 01:08:12,907 COULD YOU TELL ME WHERE THE HOTEL MEURICE IS? 1209 01:08:12,907 --> 01:08:14,408 UH, IT'’’S JUST OVER THERE. 1210 01:08:14,408 --> 01:08:15,409 OK. GREAT. 1211 01:08:29,924 --> 01:08:30,925 [NO AUDIO] 1212 01:08:35,396 --> 01:08:37,215 [NO AUDIO] 1213 01:09:01,272 --> 01:09:02,873 MADAME GRENELLE? 1214 01:09:11,616 --> 01:09:13,351 MADAME GRENELLE? 1215 01:09:15,920 --> 01:09:18,105 QUI EST LAÁÁ? 1216 01:09:18,105 --> 01:09:20,224 Nora: UH, I'’’M SORRY. 1217 01:09:20,224 --> 01:09:22,960 JE NE PARLEZ FRANCÇÇAIS. 1218 01:09:22,960 --> 01:09:24,962 DO YOU SPEAK ENGLISH? 1219 01:09:24,962 --> 01:09:26,564 OF COURSE I SPEAK ENGLISH. 1220 01:09:26,564 --> 01:09:29,367 WHAT DO YOU WANT? 1221 01:09:29,367 --> 01:09:31,769 MY NAME IS NORA. I HAVE A PACKAGE FOR YOU. 1222 01:09:31,769 --> 01:09:33,371 THE DOOR WAS OPEN. 1223 01:09:33,371 --> 01:09:35,373 WELL, BRING IT TO ME. 1224 01:09:41,879 --> 01:09:43,881 I HOPE I'’’M NOT BOTHERING YOU. 1225 01:09:45,616 --> 01:09:48,419 IT'’’S BEEN A LONG TIME. 1226 01:09:48,419 --> 01:09:49,220 EXCUSE ME? 1227 01:09:49,620 --> 01:09:50,821 [KNOCK ON DOOR] 1228 01:09:56,227 --> 01:09:57,728 MR. LARSON? 1229 01:09:57,728 --> 01:09:59,730 HI. I'’’M AUDREY. 1230 01:09:59,730 --> 01:10:01,232 COME IN. 1231 01:10:07,738 --> 01:10:09,240 PLEASE SIT DOWN. 1232 01:10:16,247 --> 01:10:17,748 THANK YOU VERY MUCH. 1233 01:10:24,255 --> 01:10:27,758 I WOULDN'’’T ENTRUST THI S TO THE REGULAR MAIL. 1234 01:10:29,260 --> 01:10:33,264 BUT I HAVE TO SAY I DIDN'’’T IMAGINE SOMEONE LIKE YOU 1235 01:10:33,264 --> 01:10:34,865 DELIVERING IT TO ME. 1236 01:10:45,076 --> 01:10:47,878 ARE YOU SURPRISED? 1237 01:10:48,279 --> 01:10:49,080 YES. 1238 01:10:53,701 --> 01:10:56,203 ARE YOU HUNGRY? 1239 01:11:00,257 --> 01:11:05,930 UM, ACTUALLY, YEAH, I AM. 1240 01:11:05,930 --> 01:11:06,831 LET'’’S GO. 1241 01:11:20,978 --> 01:11:24,982 YOU TURNED OUT VERY PRETTY. 1242 01:11:24,982 --> 01:11:26,434 THANK YOU. 1243 01:11:28,936 --> 01:11:33,441 YOU KNOW, YOUR MOTHER NEVER LET ME SEE YOU MUCH. 1244 01:11:33,441 --> 01:11:36,527 I THINK SHE WAS ASHAMED OF ME, 1245 01:11:36,527 --> 01:11:38,129 AND SHE MOVED TO AMERICA. 1246 01:11:38,529 --> 01:11:43,334 SHE WAS ALWAYS TAKING THESE WILD CHANCES, 1247 01:11:43,334 --> 01:11:47,138 AND YOUR FATHER WAS QUITE HANDSOME. 1248 01:11:50,207 --> 01:11:51,709 WHERE DO YOU LIVE? 1249 01:11:52,209 --> 01:11:53,711 NEW YORK CITY. 1250 01:11:53,711 --> 01:11:55,212 ARE YOU MARRIED? 1251 01:11:55,212 --> 01:11:56,213 NO. 1252 01:11:56,647 --> 01:11:59,049 BUT YOU WANT TO BE. 1253 01:11:59,049 --> 01:12:00,718 YEAH. I GUESS SO. 1254 01:12:00,718 --> 01:12:03,187 WHY? 1255 01:12:03,187 --> 01:12:04,455 I DON'’’T KNOW. 1256 01:12:04,455 --> 01:12:06,457 I, UM... 1257 01:12:06,457 --> 01:12:11,595 I GUESS THEN I WOULD REALLY KNOW THAT SOMEONE LOVED ME. 1258 01:12:11,595 --> 01:12:14,565 MARRIAGE IS A CONTRACT, 1259 01:12:14,565 --> 01:12:18,736 BUT TO FEEL LOVE IS SOMETHING ELSE ENTIRELY. 1260 01:12:21,138 --> 01:12:24,241 I DON'’’T THINK I'’’ VE EVER REALLY BEEN IN LOVE. 1261 01:12:24,241 --> 01:12:28,646 YOU HAVE PROBABLY BEEN IN LOVE LOTS OF TIMES. 1262 01:12:28,646 --> 01:12:33,984 BESIDES, YOU ARE YOUNG. YOU HAVE TIME. 1263 01:12:33,984 --> 01:12:36,854 BUT I'’’M GETTING OLDER. 1264 01:12:36,854 --> 01:12:39,657 YOU WILL BE FINE. YOU ARE FROM GOOD STOCK. 1265 01:12:39,657 --> 01:12:42,860 DON'’’T LET ANYONE TELL YOU OTHERWISE. 1266 01:12:43,260 --> 01:12:45,513 YOU WILL GET NOWHERE IN THIS WORLD 1267 01:12:45,513 --> 01:12:47,948 BY FEELING SORRY FOR YOURSELF. 1268 01:12:52,002 --> 01:12:56,574 SO WHAT WILL HAPPEN TO YOU WHEN YOUR FRIEND FINDS THIS MAN? 1269 01:12:56,574 --> 01:12:59,360 DEPENDING ON HOW HAPPY HE IS TO SEE HER, 1270 01:12:59,360 --> 01:13:01,362 EITHER I'’’LL LEAVE ON MY OWN, 1271 01:13:01,362 --> 01:13:02,863 OR I'’’LL TAKE NORA WITH ME. 1272 01:13:05,282 --> 01:13:07,318 I LOVE BEING IN PARIS. 1273 01:13:08,919 --> 01:13:11,088 MY WIFE LOVES IT HERE. 1274 01:13:11,088 --> 01:13:14,291 SOMETIMES COMES WITH OUR CHILDREN. 1275 01:13:14,291 --> 01:13:17,561 AND SHE DOESN'’’T MI ND YOU TAKING ANOTHER WOMAN TO LUNCH? 1276 01:13:17,561 --> 01:13:19,313 NOT AT ALL. 1277 01:13:19,313 --> 01:13:23,634 DOES YOUR FIANCEÉÉ MIND YOU GOING TO LUNCH WITH ME? 1278 01:13:23,634 --> 01:13:25,703 YEAH. I DON'’’T THIN K HE'’’D BE TOO CRAZY 1279 01:13:25,703 --> 01:13:27,188 ABOUT ME HAVING LUNCH 1280 01:13:27,188 --> 01:13:30,608 WITH A HANDSOME STRANGER IN PARIS. 1281 01:13:30,608 --> 01:13:32,026 NO. 1282 01:13:32,026 --> 01:13:34,311 D. AND HE'’’S MY HUSBAN 1283 01:13:34,311 --> 01:13:36,947 I JUST FORGOT TO WEAR MY RING. 1284 01:13:39,400 --> 01:13:42,286 IS THAT TERRIBLE? 1285 01:13:42,286 --> 01:13:45,890 YOU KNOW, I THINK IN RELATIONSHIPS 1286 01:13:45,890 --> 01:13:49,493 THERE ARE THINGS YOU ARE HONEST ABOUT 1287 01:13:49,493 --> 01:13:53,097 AND THINGS YOU CHOOSE TO KEEP TO YOURSELF. 1288 01:13:53,097 --> 01:13:57,101 ARE YOU GOOD AT KEEPING SECRETS, AUDREY? 1289 01:14:02,006 --> 01:14:03,007 I HAVE TO CALL MY FRIEND. 1290 01:14:03,507 --> 01:14:06,243 CAN I BORROW YOUR CELL PHONE, PLEASE? 1291 01:14:13,584 --> 01:14:15,586 [MUFFLED VOICES] 1292 01:14:23,193 --> 01:14:25,596 [DOOR OPENS] 1293 01:14:25,996 --> 01:14:27,998 [AUDREY SIGHS] 1294 01:14:27,998 --> 01:14:29,600 SORRY I'’’M LATE. 1295 01:14:35,789 --> 01:14:38,292 WHAT'’’S GOING ON HERE? 1296 01:14:38,292 --> 01:14:40,611 WHAT HAPPENED? 1297 01:14:40,611 --> 01:14:41,812 NORA, WHAT HAPPENED? 1298 01:14:42,212 --> 01:14:43,814 DID WE GET ROBBED OR SOMETHING? 1299 01:14:46,617 --> 01:14:48,218 I LOST THE PIECE OF PAPER 1300 01:14:48,619 --> 01:14:52,222 WITH JULIAN'’’S NUMBER ON IT. 1301 01:14:52,222 --> 01:14:53,023 WHAT? 1302 01:14:53,023 --> 01:14:55,025 I LOOKED EVERYWHERE. 1303 01:14:55,025 --> 01:14:57,428 LOOK AT THIS PLACE. 1304 01:14:57,428 --> 01:14:59,280 IT'’’S GONE. 1305 01:14:59,280 --> 01:15:01,782 OK. WE'’’LL FIND IT. 1306 01:15:02,283 --> 01:15:03,284 YOU DON'’’T UNDERSTAND. 1307 01:15:03,284 --> 01:15:07,371 I LOOKED EVERYWHERE 20 TIMES. 1308 01:15:07,371 --> 01:15:10,574 WELL, I'’’LL LOOK AGAIN WITH FRESH EYES, OK? 1309 01:15:10,574 --> 01:15:13,444 WHAT ABOUT THE PHONE BOOK OR INFORMATION? 1310 01:15:13,444 --> 01:15:15,446 [GROANS] 1311 01:15:15,446 --> 01:15:18,248 HIS LAST NAME IS DURAND. 1312 01:15:18,248 --> 01:15:21,051 IT'’’S LIKE THE SMITH OF FRANCE. 1313 01:15:21,452 --> 01:15:24,855 THEN I TALKED TO THE CONCIERGE FOR, LIKE, AN HOUR. 1314 01:15:24,855 --> 01:15:28,926 I'’’VE TRIED EVERYTHING. 1315 01:15:29,326 --> 01:15:33,330 I EVEN CALLED GLEN. HE WASN'’’T THERE. 1316 01:15:33,731 --> 01:15:35,332 [GROANS] 1317 01:15:35,332 --> 01:15:36,567 ARE YOU OK? 1318 01:15:42,239 --> 01:15:45,242 WELL, I WANT TO FEEL THAT WAY, TOO. 1319 01:15:45,242 --> 01:15:46,443 ALL RIGHT. 1320 01:15:49,363 --> 01:15:51,865 THIS. 1321 01:15:51,865 --> 01:15:53,367 I'’’M GONNA GO TAKE A SHOWER. 1322 01:15:53,367 --> 01:15:54,368 I'’’LL BE BACK. 1323 01:15:54,785 --> 01:15:55,586 OK. 1324 01:16:02,660 --> 01:16:04,511 [SHOWER RUNNING] 1325 01:16:47,871 --> 01:16:51,875 Audrey: I'’’M SORRY ABOUT TODAY. 1326 01:16:51,875 --> 01:16:54,678 YOU CALLED. 1327 01:16:54,678 --> 01:16:56,280 TOMORROW WILL BE FUN. 1328 01:16:59,483 --> 01:17:01,485 THANKS FOR COMING WITH ME. 1329 01:17:03,887 --> 01:17:06,290 I LOVE YOU, NORA. 1330 01:17:06,290 --> 01:17:08,292 I LOVE YOU, TOO. 1331 01:17:11,095 --> 01:17:12,296 GOOD NIGHT. 1332 01:17:27,111 --> 01:17:29,379 GOOD MORNING. 1333 01:17:29,880 --> 01:17:32,816 WHOA. YOU'’’RE PRETTY CHIPPER TODAY. 1334 01:17:32,816 --> 01:17:35,619 YEAH. THIS IS RIDICULOUS. 1335 01:17:36,019 --> 01:17:38,021 I CAME HERE TO SURPRISE SOME GUY I HARDLY KNOW 1336 01:17:38,021 --> 01:17:40,424 THAT I CAN'’’T FIND, BUT SO WHAT? 1337 01:17:40,424 --> 01:17:41,225 WE'’’RE IN PARIS. 1338 01:17:41,625 --> 01:17:43,627 YEAH. WE'’’VE ALWAYS WANTED TO DO THIS. 1339 01:17:43,627 --> 01:17:46,029 YEAH. SO LET'’’S JUST ENJOY IT. 1340 01:17:46,029 --> 01:17:47,631 IT'’’S TIME I GOT MY SENSE OF HUMOR BACK. 1341 01:17:48,031 --> 01:17:50,033 GOOD FOR YOU. 1342 01:17:50,033 --> 01:17:51,235 I THINK WE SHOULD STILL LOOK AROUND TOWN 1343 01:17:51,235 --> 01:17:52,035 FOR YOUR MYSTERY MAN. 1344 01:17:52,436 --> 01:17:53,637 YOU NEVER KNOW. WE MAY RUN INTO HIM. 1345 01:17:54,037 --> 01:17:55,672 YEAH. WHAT DO I HAVE TO LOSE AT THIS POINT? 1346 01:17:55,672 --> 01:17:56,540 NOTHING. 1347 01:17:56,940 --> 01:17:59,343 PLUS WE CAN GO SHOPPING. 1348 01:17:59,343 --> 01:18:00,544 RIGHT. 1349 01:18:00,544 --> 01:18:02,546 [THUNDER] 1350 01:18:03,747 --> 01:18:06,150 Audrey: OHH. I CAN'’’T BELIEVE 1351 01:18:06,150 --> 01:18:09,353 IT'’’S RAINING IN PARIS. 1352 01:18:09,353 --> 01:18:13,056 I CAN'’’T BELIEVE I THOUGHT I'’’D FIND JULIAN IN THESE PLACES 1353 01:18:13,056 --> 01:18:15,559 UNLESS HE'’’S INTO WOMEN'’’S CLOTHES. 1354 01:18:18,562 --> 01:18:22,065 DO YOU WANT TO GET A TEA OR SOMETHING? 1355 01:18:22,065 --> 01:18:24,067 A TEA? 1356 01:18:24,067 --> 01:18:25,068 THAT'’’S FUNNY. 1357 01:18:25,068 --> 01:18:26,069 HA HA HA! 1358 01:18:26,069 --> 01:18:29,990 THANK YOU. MERCI. 1359 01:18:30,390 --> 01:18:32,042 DID YOU SEE WHAT WAS IN THE PACKAGE? 1360 01:18:34,444 --> 01:18:36,914 JUST SOME BUSINESS PAPERS. 1361 01:18:36,914 --> 01:18:37,714 WHAT ABOUT YOU? 1362 01:18:37,714 --> 01:18:40,517 NO. NOTHING TOO EXCITING. 1363 01:18:40,517 --> 01:18:42,920 THE OLD LADY WAS REALLY COOL. 1364 01:18:45,722 --> 01:18:48,125 SHE THOUGHT I WAS HER GRANDDAUGHTER. 1365 01:18:48,125 --> 01:18:50,928 GOD. THAT KIND OF THING ONLY HAPPENS TO YOU, NORA. 1366 01:18:51,428 --> 01:18:53,831 HA HA! 1367 01:18:53,831 --> 01:18:55,432 AHH. 1368 01:18:55,849 --> 01:18:57,317 MARK CALLED THIS MORNING. 1369 01:18:59,369 --> 01:19:00,687 HE SAID HE MISSED ME. 1370 01:19:01,138 --> 01:19:04,908 WANTED TO KNOW IF I WANTED TO WORK ON OUR RELATIONSHIP. 1371 01:19:04,908 --> 01:19:07,711 DO YOU? 1372 01:19:08,111 --> 01:19:10,147 I SUPPOSE. 1373 01:19:10,147 --> 01:19:11,899 I MEAN, I GUESS I JUST SHOULDN'’’T THROW MY MARRIAGE AWAY 1374 01:19:11,899 --> 01:19:14,167 WITHOUT TRYING. 1375 01:19:14,585 --> 01:19:17,020 I MEAN, I DO REALLY LOVE HIM. 1376 01:19:17,020 --> 01:19:18,255 MAYBE I JUST SHOULDN'’’T BE SO CRITICAL 1377 01:19:18,255 --> 01:19:19,456 JUST BECAUSE THINGS AREN'’’T IN THE GREATEST PLACE, 1378 01:19:19,456 --> 01:19:22,259 YOU KNOW? 1379 01:19:22,259 --> 01:19:24,261 I THINK THAT'’’S GREAT, AUDREY. 1380 01:19:34,922 --> 01:19:36,924 OK. 1381 01:19:38,926 --> 01:19:39,927 LET'’’S DO IT. 1382 01:19:44,181 --> 01:19:46,233 AUDREY... 1383 01:19:46,233 --> 01:19:47,718 I KNOW I'’’M CRAZY, 1384 01:19:47,718 --> 01:19:50,520 BUT I THINK I'’’M GONNA STAY. 1385 01:19:50,921 --> 01:19:52,773 [DROPS SUITCASE] 1386 01:19:52,773 --> 01:19:55,425 NORA, I AM YOUR FRIEND, AND I LOVE YOU, 1387 01:19:55,425 --> 01:19:57,194 BUT THIS JUST ISN'’’ T WORKING OUT. 1388 01:19:59,863 --> 01:20:03,367 YOU GOT TO GIVE THIS UP. 1389 01:20:03,367 --> 01:20:06,169 I CAN'’’T. 1390 01:20:06,169 --> 01:20:07,170 YOU GO. 1391 01:20:07,170 --> 01:20:09,172 I KNOW MARK IS WAITING FOR YOU. 1392 01:20:09,172 --> 01:20:10,908 NORA, YOU HAVE NO SENSE OF DIRECTION, 1393 01:20:10,908 --> 01:20:13,143 AND YOU ARE WAY TOO SHY. 1394 01:20:13,543 --> 01:20:14,745 DO YOU WANT ME TO STAY WITH YOU? 1395 01:20:14,745 --> 01:20:16,013 BECAUSE I WILL. 1396 01:20:16,513 --> 01:20:20,517 NO. I HAVE TO DO THIS FOR MYSELF. 1397 01:20:20,517 --> 01:20:22,519 I HAVE TO STOP RELYING ON OTHER PEOPLE 1398 01:20:22,519 --> 01:20:24,454 TO MAKE DECISIONS FOR ME. 1399 01:20:26,306 --> 01:20:27,808 YOU'’’RE GONNA COME HOME, AREN'’’T YOU? 1400 01:20:27,808 --> 01:20:30,811 YEAH. I HAVE NO JOB AND NO MONEY. 1401 01:20:30,811 --> 01:20:32,813 I HAVE TO COME BACK TO REALITY SOON. 1402 01:20:34,314 --> 01:20:36,199 WHAT ARE YOU GONNA DO? 1403 01:20:36,199 --> 01:20:37,951 I DON'’’T KNOW. 1404 01:20:38,452 --> 01:20:41,455 SOMETHING I FEEL LIKE DOING, I GUESS. 1405 01:20:41,455 --> 01:20:44,958 WELL, I'’’M REALLY PROUD OF YOU. 1406 01:20:48,462 --> 01:20:49,463 I GOT TO GO. 1407 01:20:49,463 --> 01:20:50,964 I KNOW. 1408 01:20:52,966 --> 01:20:54,468 OK. 1409 01:20:58,889 --> 01:21:01,124 I'’’LL CALL YOU. 1410 01:21:01,525 --> 01:21:02,426 YOU WEIRDO. 1411 01:22:02,202 --> 01:22:03,704 [NO AUDIO] 1412 01:22:47,497 --> 01:22:52,002 [SPEAKING FRENCH] 1413 01:22:52,002 --> 01:22:53,503 I DON'’’T SPEAK FRENCH. 1414 01:22:53,503 --> 01:22:57,007 AH. I SAID, "IT MAKES ME WANT TO CRY." 1415 01:22:57,007 --> 01:22:58,008 YOU ARE AMERICAN? 1416 01:23:01,011 --> 01:23:03,013 WHAT ARE YOU DOING IN PARIS? 1417 01:23:03,513 --> 01:23:05,015 JUST LOOKING. JUST LOOKING? 1418 01:23:05,015 --> 01:23:07,517 YOU LIKE ART. 1419 01:23:07,517 --> 01:23:09,970 [KNOCK ON WINDOW] 1420 01:23:10,470 --> 01:23:12,472 AH. I GO WITH MY FRIENDS. 1421 01:23:12,973 --> 01:23:13,974 WE GO HAVE A COFFEE. 1422 01:23:13,974 --> 01:23:15,475 YOU WANT TO COME WITH US? 1423 01:23:15,475 --> 01:23:16,476 NO, THANK YOU. 1424 01:23:16,977 --> 01:23:17,978 OK. WELL, IF YOU CHANGE YOUR MIND, 1425 01:23:17,978 --> 01:23:20,480 WE'’’LL BE JUST ACROSS THE STREET, OK? 1426 01:23:20,480 --> 01:23:21,982 OK. I'’’LL SEE YOU THERE. 1427 01:23:28,872 --> 01:23:30,874 [MAN SPEAKING FRENCH] 1428 01:23:39,883 --> 01:23:42,636 [SPEAKING FRENCH] 1429 01:23:42,636 --> 01:23:45,639 AH, SI, SI. EH, COME, COME. 1430 01:23:50,427 --> 01:23:51,344 HI. HI. 1431 01:23:51,845 --> 01:23:53,346 SIT DOWN, SIT DOWN. 1432 01:23:53,346 --> 01:23:54,848 WHAT'’’S YOUR NAME? 1433 01:23:54,848 --> 01:23:55,849 NORA. NORA, HI. 1434 01:23:55,849 --> 01:23:57,350 I'’’M GUILLAUME. GUILLAUME. 1435 01:23:57,350 --> 01:23:58,351 THIS IS SEÉÉBASTIEN. 1436 01:23:58,852 --> 01:23:59,352 NICE TO MEET YOU. 1437 01:23:59,853 --> 01:24:01,354 AND THAT'’’S KARIM. ENCHANTEÉÉ. 1438 01:24:01,354 --> 01:24:02,856 WOULD YOU LIKE A GLASS OF WINE? 1439 01:24:03,340 --> 01:24:06,443 YES? 1440 01:24:06,443 --> 01:24:07,444 LET'’’S TOAST. 1441 01:24:07,444 --> 01:24:09,946 [SPEAKS FRENCH] 1442 01:24:10,447 --> 01:24:11,948 NO, NO, NO. NO CROSSING. 1443 01:24:11,948 --> 01:24:13,950 GO FIRST. 1444 01:24:13,950 --> 01:24:14,951 AND THEN THE OTHERS. 1445 01:24:14,951 --> 01:24:15,952 VOILAÁÁ! 1446 01:24:15,952 --> 01:24:17,454 IS THAT CROSSING IF I DO THAT? 1447 01:24:17,454 --> 01:24:19,506 NO. NO, NO. THAT'’’S FINE. 1448 01:24:19,506 --> 01:24:21,508 IT'’’S DIRECT LINE. 1449 01:24:21,508 --> 01:24:23,510 WE DRINK NOW. HA HA HA! 1450 01:24:26,012 --> 01:24:28,014 SO WHAT ARE YOU DOING IN PARIS, NORA? 1451 01:24:28,014 --> 01:24:29,015 I'’’M LOOKING FOR SOMEONE. 1452 01:24:29,015 --> 01:24:30,016 AND DID YOU FIND HIM? 1453 01:24:30,016 --> 01:24:31,518 NO. NO. 1454 01:24:31,518 --> 01:24:34,237 WELL, YOU'’’RE NOT SO BAD RIGHT NOW. 1455 01:24:34,237 --> 01:24:36,673 NOT BAD. 1456 01:24:36,673 --> 01:24:38,024 ARE ALL FRENCH GUYS LIKE THIS? 1457 01:24:38,024 --> 01:24:39,025 LIKE WHAT? 1458 01:24:39,025 --> 01:24:41,528 UM, PASSIONATE, INTERESTED, UH... 1459 01:24:42,028 --> 01:24:43,029 MM-HMM. 1460 01:24:43,029 --> 01:24:44,531 ATTENTIVE 1461 01:24:44,531 --> 01:24:46,349 BUT KIND OF LIKE DOGS, TOO? 1462 01:24:46,349 --> 01:24:47,584 NO, NO. DOGS? 1463 01:24:47,584 --> 01:24:49,452 THE WOMEN--THE WOMEN ARE THE ONES, YOU KNOW? 1464 01:24:49,452 --> 01:24:50,954 THE LAST TIME I HAD A GIRLFRIEND, 1465 01:24:50,954 --> 01:24:51,955 ALL THE TIME WE HAD SOME FIGHT. 1466 01:24:51,955 --> 01:24:54,724 SHE TRIED TO JUMP OUT OF THE WINDOW ALL THE TIME. 1467 01:24:54,724 --> 01:24:56,193 YEAH. HA HA! NO. 1468 01:24:56,593 --> 01:24:57,994 THAT WAS SUPER-SCARY. IT WASN'’’T FUNNY, YOU KNOW, 1469 01:24:57,994 --> 01:24:59,996 ESPECIALLY FOR ME. SORRY. 1470 01:24:59,996 --> 01:25:02,432 THERE'’’S ONE, SHE TRIED TO STOP ME. 1471 01:25:02,432 --> 01:25:03,800 YEAH, BUT THAT WAS CRAZY, YOU KNOW. 1472 01:25:03,800 --> 01:25:05,802 IT'’’S TRUE. 1473 01:25:05,802 --> 01:25:07,304 DID YOU EVER THINK THAT MAYBE YOU WERE THE ONES 1474 01:25:07,304 --> 01:25:09,072 DRIVING THEM CRAZY? 1475 01:25:09,072 --> 01:25:11,391 NO, NO, NO, NO. I DON'’’T THINK SO, NO. 1476 01:25:11,808 --> 01:25:12,676 NOT LIKE THIS. 1477 01:25:12,676 --> 01:25:14,177 BECAUSE I'’’VE HEARD DIFFERENTLY. 1478 01:25:14,177 --> 01:25:16,179 YEAH? YEAH. 1479 01:25:16,179 --> 01:25:18,181 BECAUSE OF THE FRENCH MOTHERS. 1480 01:25:18,682 --> 01:25:20,483 WHAT, UH--WHAT ABOUT THE FRENCH MOTHERS? 1481 01:25:20,483 --> 01:25:22,936 THEY, UM, THEY'’’RE IN LOVE WITH THEIR SONS. 1482 01:25:23,353 --> 01:25:24,955 AND THE AMERICAN MOTHERS ARE NOT? 1483 01:25:25,355 --> 01:25:26,239 NOT AS MUCH. 1484 01:25:26,239 --> 01:25:27,741 I THINK BECAUSE OF THE FOOD. 1485 01:25:51,214 --> 01:25:52,015 HERE YOU GO. 1486 01:25:52,015 --> 01:25:53,216 MERCI. 1487 01:26:01,658 --> 01:26:04,094 Bartender: BONSOIR, MONSIEUR. 1488 01:26:04,094 --> 01:26:06,162 BONSOIR, MADEMOISELLE. 1489 01:26:06,162 --> 01:26:08,164 BONSOIR. 1490 01:26:08,565 --> 01:26:10,967 ARE YOU AMERICAN? 1491 01:26:10,967 --> 01:26:12,168 YES. WHY? 1492 01:26:12,569 --> 01:26:14,971 BECAUSE YOU LOOK A VERY BEAUTIFUL AMERICAN WOMAN 1493 01:26:14,971 --> 01:26:17,774 SITTING ALONE IN THIS BAR. 1494 01:26:17,774 --> 01:26:19,776 MAYBE I'’’M WAITING FOR SOMEONE. 1495 01:26:20,176 --> 01:26:22,579 WELL, BUT YOU LOOK ALONE. 1496 01:26:22,979 --> 01:26:26,182 NO? 1497 01:26:26,182 --> 01:26:28,184 MY NAME IS JEAN PAUL CLAREMONT. 1498 01:26:28,184 --> 01:26:28,985 WHAT'’’S YOURS? 1499 01:26:29,386 --> 01:26:30,720 NORA WILDER. 1500 01:26:31,121 --> 01:26:32,005 NICE TO MEET YOU, NORA. 1501 01:26:32,005 --> 01:26:33,323 NICE TO MEET YOU. 1502 01:26:33,323 --> 01:26:35,358 MAY I OFFER YOU ANOTHER DRINK? 1503 01:26:35,358 --> 01:26:37,761 SURE. WELL, AFTER THIS ONE. 1504 01:26:39,763 --> 01:26:40,563 CHEERS. 1505 01:26:42,565 --> 01:26:46,970 I MEAN, WHAT WERE THE CHANCES THAT I WOULD FIND HIM? 1506 01:26:47,370 --> 01:26:48,972 BUT, YOU KNOW, THE FUNNY THING IS 1507 01:26:48,972 --> 01:26:53,376 AFTER A WHILE I WASN'’’T EVEN LOOKING FOR JULIAN. 1508 01:26:53,376 --> 01:26:56,579 I WAS JUST DOING MY OWN THING, AND IT FELT GOOD. 1509 01:26:56,579 --> 01:26:59,783 IT'’’S NOT WRONG TO WANT SOMEONE TO LOVE YOU. 1510 01:27:00,183 --> 01:27:01,785 MOST PEOPLE ARE TOGETHER 1511 01:27:01,785 --> 01:27:03,787 JUST SO THEY ARE NOT ALONE, 1512 01:27:04,187 --> 01:27:07,557 BUT SOME PEOPLE WANT MAGIC. 1513 01:27:07,557 --> 01:27:10,760 I THINK YOU ARE ONE OF THOSE PEOPLE. 1514 01:27:11,161 --> 01:27:12,362 NOTHING WRONG WITH THAT? 1515 01:27:12,362 --> 01:27:17,167 NOTHING, BUT IT DOESN'’’T HAPPEN ALL THE TIME. 1516 01:27:17,567 --> 01:27:20,370 DOES IT EVER HAPPEN? 1517 01:27:20,370 --> 01:27:23,573 FIRST, NORA, YOU MUST FIND LOVE 1518 01:27:23,573 --> 01:27:25,692 AND HAPPINESS IN YOURSELF. 1519 01:27:25,692 --> 01:27:29,312 DO YOU UNDERSTAND? 1520 01:27:29,713 --> 01:27:31,715 I THINK SO. 1521 01:27:32,115 --> 01:27:35,318 OH. WE ARE BOTH DRUNK. 1522 01:27:35,719 --> 01:27:39,322 I WILL PUT YOU IN A TAXI TO YOUR HOTEL. 1523 01:27:39,322 --> 01:27:40,924 IT'’’S TIME TO GO. 1524 01:27:50,133 --> 01:27:53,737 Jean Paul: TOMORROW, YOU WILL START YOUR LIFE AGAIN. 1525 01:27:53,737 --> 01:27:56,539 I DON'’’T KNOW WHY, BUT I WILL NEVER FORGET YOU. 1526 01:27:56,539 --> 01:27:58,141 I'’’LL NEVER FORGET YOU EITHER. 1527 01:27:58,541 --> 01:27:59,342 NEVER. 1528 01:28:08,485 --> 01:28:11,321 [TELEPHONE RINGING] 1529 01:28:11,821 --> 01:28:12,822 HELLO? 1530 01:28:12,822 --> 01:28:13,823 Audrey: HEY, NORA. IT'’’S ME. 1531 01:28:13,823 --> 01:28:14,824 AUDREY, HI. 1532 01:28:14,824 --> 01:28:15,825 HOW'’’S IT GOING? 1533 01:28:15,825 --> 01:28:17,694 EVERYTHING'’’S OK. 1534 01:28:17,694 --> 01:28:19,295 I'’’M JUST LEAVING FOR THE AIRPORT IN A COUPLE OF MINUTES. 1535 01:28:19,696 --> 01:28:20,497 WELL, DID YOU FIND HIM? 1536 01:28:20,497 --> 01:28:21,748 NO, I DIDN'’’T, BUT I'’’M ALL RIGHT. 1537 01:28:21,748 --> 01:28:23,500 REALLY? YEAH, I REALLY AM. 1538 01:28:23,500 --> 01:28:24,334 OK. GOOD. 1539 01:28:24,734 --> 01:28:25,935 LISTEN. I GOT TO GO, BUT I'’’LL CALL YOU 1540 01:28:25,935 --> 01:28:27,137 ON THE WAY TO THE AIRPORT, OK? 1541 01:28:27,137 --> 01:28:28,338 OK. I MISS YOU. 1542 01:28:28,738 --> 01:28:29,556 OH, I MISS YOU, TOO. 1543 01:28:29,556 --> 01:28:31,274 FLY SAFE, OK? OK. 1544 01:28:31,274 --> 01:28:32,075 ALL RIGHT. BYE. 1545 01:28:32,475 --> 01:28:33,343 BYE. 1546 01:29:49,002 --> 01:29:51,504 HI. 1547 01:29:51,504 --> 01:29:53,506 NORA. 1548 01:29:53,506 --> 01:29:54,507 . I CAN'’’T BELIEVE IT 1549 01:29:54,507 --> 01:29:57,510 WHAT ARE YOU DOING HERE? 1550 01:29:57,510 --> 01:30:01,014 WELL, I'’’M--I'’’M GOING TO A SOUND EXPO AT LE BOURGET, 1551 01:30:01,514 --> 01:30:03,516 BUT WHAT ARE YOU DOING HERE? 1552 01:30:03,516 --> 01:30:05,518 I--I'’’M GOING TO THE AIRPORT. 1553 01:30:12,525 --> 01:30:15,528 WHAT TIME IS YOUR FLIGHT? 1554 01:30:15,528 --> 01:30:17,030 IN 3 HOURS. 1555 01:30:18,815 --> 01:30:21,201 THEY MAKE YOU GET TO THE AIRPORT SO EARLY NOW. 1556 01:31:18,791 --> 01:31:21,294 [MAN SPEAKS FRENCH] 1557 01:31:21,294 --> 01:31:22,295 [JULIAN SPEAKS FRENCH] 1558 01:31:31,804 --> 01:31:32,805 MERCI. 1559 01:31:39,963 --> 01:31:44,100 OK. I JUST WANT TO ASK WHAT YOU ARE DOING HERE. 1560 01:31:44,100 --> 01:31:45,868 DID YOU COME TO SEE ME? 1561 01:31:46,369 --> 01:31:46,869 BECAUSE I DON'’’T UNDERSTAND. 1562 01:31:47,370 --> 01:31:48,371 I LIKE YOU SO MUCH, 1563 01:31:48,805 --> 01:31:50,540 AND I NEVER HEAR ANYTHING FROM YOU, 1564 01:31:50,940 --> 01:31:51,741 AND THEN YOU ARE JUST HERE 1565 01:31:51,741 --> 01:31:53,092 IN FRONT OF ME NOW. 1566 01:31:53,092 --> 01:31:54,310 WHY? 1567 01:31:54,310 --> 01:31:55,628 IT'’’S REALLY COMPLICATED. 1568 01:31:55,628 --> 01:31:57,630 OK, BUT TRY TO EXPLAIN. 1569 01:32:01,317 --> 01:32:03,353 I CAME HERE TO FIND YOU. 1570 01:32:05,755 --> 01:32:09,125 THEN I LOST YOUR NUMBER. 1571 01:32:09,125 --> 01:32:11,144 [SIGHS] 1572 01:32:11,144 --> 01:32:12,645 YOU CAME HERE TO SEE ME? 1573 01:32:16,332 --> 01:32:17,583 AND YOU NEVER FIND ME? 1574 01:32:20,903 --> 01:32:22,505 BUT THEN YOU FIND ME? 1575 01:32:26,142 --> 01:32:27,477 AND NOW YOU LEAVE? 1576 01:32:41,624 --> 01:32:43,226 SO YOU LIKE ME? 1577 01:32:47,230 --> 01:32:48,031 YES. 1578 01:32:53,436 --> 01:32:56,005 WOULD YOU STAY WITH ME FOR ANOTHER DRINK? 1579 01:33:00,510 --> 01:33:02,362 BUT YOU KNOW YOU'’’RE GONNA MISS YOUR FLIGHT? 1580 01:33:04,914 --> 01:33:06,199 I KNOW. 1581 01:33:25,501 --> 01:33:28,004 ? COULD HAVE COME THROUGH ? 1582 01:33:30,506 --> 01:33:32,008 ANYTIME 1583 01:33:34,010 --> 01:33:36,012 COLD, LONELY 1584 01:33:38,014 --> 01:33:41,517 PURITAN 1585 01:33:41,517 --> 01:33:44,020 WHAT ARE YOU 1586 01:33:46,022 --> 01:33:49,525 FIGHTING FOR? 1587 01:33:50,026 --> 01:33:52,028 IT'’’S NOT MY 1588 01:33:53,529 --> 01:33:57,033 SECURITY 1589 01:33:57,033 --> 01:34:00,536 IT'’’S JUST AN OLD WAR 1590 01:34:00,536 --> 01:34:05,041 NOT EVEN A COLD WAR 1591 01:34:05,041 --> 01:34:08,544 ?? DON'’’T SAY IT IN RUSSIAN 1592 01:34:08,544 --> 01:34:13,049 ?? DON'’’T SAY IT IN GERMAN 1593 01:34:13,049 --> 01:34:21,057 SAY IT IN BROKEN ENGLISH 1594 01:34:21,057 --> 01:34:28,064 SAY IT IN BROKEN ENGLISH 1595 01:34:37,573 --> 01:34:39,075 LOSE YOUR FATHER 1596 01:34:41,577 --> 01:34:44,080 YOUR HUSBAND 1597 01:34:45,581 --> 01:34:47,583 YOUR MOTHER 1598 01:34:49,585 --> 01:34:52,088 YOUR CHILDREN 1599 01:34:53,589 --> 01:34:55,591 WHAT ARE YOU 1600 01:34:58,094 --> 01:35:00,096 DYING FOR? 1601 01:35:01,597 --> 01:35:03,599 IT'’’S NOT MY 1602 01:35:05,601 --> 01:35:08,604 REALITY 1603 01:35:08,604 --> 01:35:12,608 IT'’’S JUST AN OLD WAR 1604 01:35:12,608 --> 01:35:16,612 NOT EVEN A COLD WAR 1605 01:35:16,612 --> 01:35:20,616 ?? DON'’’T SAY IT IN RUSSIAN 1606 01:35:20,616 --> 01:35:24,620 ?? DON'’’T SAY IT IN GERMAN 1607 01:35:24,620 --> 01:35:33,129 SAY IT IN BROKEN ENGLISH 1608 01:35:33,129 --> 01:35:40,136 SAY IT IN BROKEN ENGLISH 1609 01:35:41,137 --> 01:35:45,141 WHAT ARE YOU FIGHTING FOR? 1610 01:35:45,141 --> 01:35:49,145 WHAT ARE YOU FIGHTING FOR? 1611 01:35:49,145 --> 01:35:53,149 WHAT ARE YOU FIGHTING FOR? 1612 01:35:53,149 --> 01:35:56,152 WHAT ARE YOU FIGHTING FOR? 1613 01:36:05,161 --> 01:36:07,663 ? COULD HAVE COME THROUGH ? 1614 01:36:10,166 --> 01:36:12,168 ANYTIME 1615 01:36:13,669 --> 01:36:15,671 COLD, LONELY 1616 01:36:18,174 --> 01:36:21,677 PURITAN 1617 01:36:21,677 --> 01:36:23,679 WHAT ARE YOU 1618 01:36:26,182 --> 01:36:29,685 FIGHTING FOR? 1619 01:36:29,685 --> 01:36:31,687 IT'’’S NOT MY 1620 01:36:33,689 --> 01:36:36,692 SECURITY 1621 01:36:36,692 --> 01:36:40,696 IT'’’S JUST AN OLD WAR 1622 01:36:40,696 --> 01:36:44,700 NOT EVEN A COLD WAR 1623 01:36:44,700 --> 01:36:48,704 ?? DON'’’T SAY IT IN RUSSIAN 1624 01:36:48,704 --> 01:36:52,708 ?? DON'’’T SAY IT IN GERMAN 1625 01:36:53,209 --> 01:37:01,217 SAY IT IN BROKEN ENGLISH 1626 01:37:01,217 --> 01:37:09,225 SAY IT IN BROKEN ENGLISH 1627 01:37:09,225 --> 01:37:13,229 WHAT ARE YOU FIGHTING FOR? 1628 01:37:13,229 --> 01:37:17,233 WHAT ARE YOU FIGHTING FOR? 1629 01:37:17,233 --> 01:37:21,237 WHAT ARE YOU FIGHTING FOR? 1630 01:37:21,237 --> 01:37:24,540 WHAT ARE YOU FIGHTING FOR? 1631 01:37:24,540 --> 01:37:27,743 WHAT ARE YOU FIGHTING FOR? 104198