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1
00:00:34,120 --> 00:00:37,272
[SPEAKING IN CHINESE
GIBBERISH]
2
00:00:38,320 --> 00:00:39,469
[KNOCKING ON DOOR]
3
00:00:39,520 --> 00:00:40,555
Come in.
4
00:00:50,440 --> 00:00:52,511
-Ah, Frog.
-S. Frog, sir.
5
00:00:52,560 --> 00:00:54,676
Shut up. I want to have a word
with you, Frog.
6
00:00:56,320 --> 00:00:57,549
It's about
your advertising campaign
7
00:00:57,600 --> 00:00:59,398
for Conquistador Coffee.
8
00:00:59,440 --> 00:01:01,511
I've had the managing director
of Conquistador to see me,
9
00:01:01,560 --> 00:01:03,471
and he's very unhappy
with your campaign.
10
00:01:03,520 --> 00:01:04,669
Very unhappy.
11
00:01:04,720 --> 00:01:06,358
In fact, he's shot himself.
12
00:01:07,760 --> 00:01:08,795
Badly, sir?
13
00:01:09,000 --> 00:01:10,354
No, extremely well.
14
00:01:15,760 --> 00:01:17,751
Well, before he went
15
00:01:17,800 --> 00:01:21,077
he left a note
with the company secretary,
16
00:01:21,120 --> 00:01:23,270
uh,
the effect of which was,
17
00:01:23,320 --> 00:01:25,038
how disappointed he was
with your work,
18
00:01:25,080 --> 00:01:27,037
and in particular,
19
00:01:27,080 --> 00:01:30,038
why you had changed the name
Conquistador Instant Coffee
20
00:01:30,040 --> 00:01:33,271
to Conquistador Instant
Leprosy.
21
00:01:33,320 --> 00:01:34,674
Why, Frog?
22
00:01:34,680 --> 00:01:36,671
-S. Frog, sir.
-Shut up.
23
00:01:36,680 --> 00:01:38,637
Why did you do it?
24
00:01:38,680 --> 00:01:40,193
It was a joke.
25
00:01:41,200 --> 00:01:42,599
A joke?
26
00:01:42,640 --> 00:01:43,710
No, no, not a joke,
27
00:01:43,720 --> 00:01:46,314
um, a sales campaign.
28
00:01:46,360 --> 00:01:48,112
-I see, Frog.
-S. Frog, sir.
29
00:01:48,160 --> 00:01:49,719
Shut up.
30
00:01:49,760 --> 00:01:51,671
Now, let's have a look
at the sales chart.
31
00:01:51,720 --> 00:01:53,757
When you took over
this account, Frog,
32
00:01:53,800 --> 00:01:55,791
Conquistador was brand leader.
33
00:01:55,840 --> 00:01:57,831
Here you introduced
your first campaign:
34
00:01:58,040 --> 00:01:59,599
"Conquistador Coffee
35
00:01:59,640 --> 00:02:01,278
brings a new meaning
to the word 'vomit'"
36
00:02:02,680 --> 00:02:06,275
Here, you made your special
introductory offer,
37
00:02:06,320 --> 00:02:09,676
of a free dead dog
with every jar.
38
00:02:09,720 --> 00:02:13,076
And this followed
your second campaign:
39
00:02:13,120 --> 00:02:14,997
"The tingling fresh coffee
40
00:02:15,040 --> 00:02:17,156
which brings you
exciting new Cholera,
41
00:02:17,200 --> 00:02:19,669
Mange, Sleepwalkia, Dropsy,
42
00:02:19,720 --> 00:02:23,270
The clap, Hard pad
and Athlete's head.
43
00:02:23,800 --> 00:02:26,758
From the House
of Conquistador.”
44
00:02:26,800 --> 00:02:28,438
It was a soft sell, sir.
45
00:02:28,480 --> 00:02:30,391
-Why, Frog?
-S. Frog, sir.
46
00:02:30,400 --> 00:02:32,118
Shut up!
47
00:02:32,160 --> 00:02:33,230
Well?
48
00:02:33,280 --> 00:02:34,839
People know the name,
sir.
49
00:02:35,040 --> 00:02:36,758
They certainly do know the name,
they burnt the factory down.
50
00:02:36,800 --> 00:02:38,552
The owner is hiding
in my bathroom.
51
00:02:38,600 --> 00:02:42,195
[GUNSHOT] -The owner was
hiding in my bathroom.
52
00:02:42,240 --> 00:02:45,153
-You're not gonna fire me, sir?
Fire you?!
53
00:02:45,200 --> 00:02:47,589
Three men dead,
the factory burnt down,
54
00:02:47,640 --> 00:02:50,200
the account lost and our firm
completely bankrupt?
55
00:02:50,240 --> 00:02:51,560
What--?
What can you possibly say?
56
00:02:51,600 --> 00:02:54,433
What excuse
can you possibly make?
57
00:02:54,480 --> 00:02:56,630
Sorry, Father.
58
00:02:56,680 --> 00:02:58,557
Oh, yes.
Oh, incidentally,
59
00:02:58,560 --> 00:03:01,393
um, your film's won a prize.
60
00:03:02,360 --> 00:03:05,239
[0]
61
00:03:24,760 --> 00:03:27,513
[MUSIC SKIPPING]
62
00:03:35,400 --> 00:03:36,549
Sorry about that.
63
00:03:39,640 --> 00:03:41,631
And now for something
completely diff--
64
00:03:41,640 --> 00:03:44,075
Completely diff-- Completely--
Completely diff--
65
00:03:44,120 --> 00:03:46,031
Completely different.
66
00:03:46,040 --> 00:03:47,030
Its...
67
00:03:47,080 --> 00:03:51,597
[0]
68
00:03:51,640 --> 00:03:55,349
ANNOUNCER:
Monty Python's Flying Circus.
69
00:04:00,400 --> 00:04:04,553
[MUSIC SKIPPING]
70
00:04:23,520 --> 00:04:26,638
NARRATOR: 1929, Stanley Baldwin's
Conservative government
71
00:04:26,680 --> 00:04:28,512
is defeated,
and Ramsay MacDonald becomes,
72
00:04:28,560 --> 00:04:31,074
for the second time,
prime minister of England.
73
00:04:31,120 --> 00:04:33,236
[CLOCK TICKING]
74
00:04:33,280 --> 00:04:35,635
Mm.
75
00:04:35,680 --> 00:04:39,116
Phew!
My, it's hot in here.
76
00:04:56,480 --> 00:04:59,154
Qoh. Ahh.
77
00:05:00,440 --> 00:05:02,317
[KNOCKING ON DOOR]
78
00:05:06,200 --> 00:05:08,510
[WHISTLING]
79
00:05:09,480 --> 00:05:10,754
Hello, come in.
80
00:05:12,560 --> 00:05:14,517
Ah, hello. How much do you
want for the briefcase?
81
00:05:14,560 --> 00:05:15,755
Well, I, uh--
-All right then,
82
00:05:15,800 --> 00:05:17,473
the briefcase
and the umbrella.
83
00:05:17,520 --> 00:05:19,238
A fiver down,
must be my final offer.
84
00:05:19,280 --> 00:05:21,476
I don't really want to sell
them. I've come for a job.
85
00:05:21,520 --> 00:05:22,715
Oh, take a seat,
take a seat.
86
00:05:22,760 --> 00:05:24,512
Thank you.
87
00:05:24,560 --> 00:05:26,471
I see you chose the canvas
chair with the aluminum frame.
88
00:05:26,520 --> 00:05:28,431
I'll throw that in,
and the fiver,
89
00:05:28,480 --> 00:05:30,198
for the briefcase and
umbrella.
90
00:05:30,240 --> 00:05:31,799
No, make it fair, the
briefcase, and the umbrella,
91
00:05:32,000 --> 00:05:33,229
and the two pens
in your breast pocket,
92
00:05:33,280 --> 00:05:34,350
and the chair's yours,
and a fiver,
93
00:05:34,400 --> 00:05:36,516
and a pair of binoculars.
94
00:05:36,520 --> 00:05:37,715
Really,
they're not for sale.
95
00:05:37,760 --> 00:05:39,512
Not for sale?
What does that mean?
96
00:05:39,520 --> 00:05:42,034
I came about the advertisement
for the job of assistant editor.
97
00:05:42,280 --> 00:05:44,351
Oh, yeah.
Yeah, right.
98
00:05:44,400 --> 00:05:46,152
Uh, okay.
99
00:05:46,160 --> 00:05:48,117
How much are you experienced
in journalism?
100
00:05:48,160 --> 00:05:49,434
-Five years.
-All right.
101
00:05:49,480 --> 00:05:50,754
-Typing speed?
Fifty.
102
00:05:50,800 --> 00:05:52,518
-0 Levels?
Eight.
103
00:05:52,560 --> 00:05:53,834
-A Levels?
-Two.
104
00:05:54,040 --> 00:05:56,031
Right.
105
00:05:56,080 --> 00:05:57,639
00:06:00,280
And the chair, and an all-wool
ex-army sleeping bag,
107
00:06:00,320 --> 00:06:01,674
for the briefcase,
the umbrella,
108
00:06:01,720 --> 00:06:03,199
the pens in your pocket,
109
00:06:03,240 --> 00:06:04,275
and your string vest.
110
00:06:04,280 --> 00:06:05,475
Och, when do I start?
111
00:06:05,520 --> 00:06:06,669
-Monday.
-Oh, that's marvelous.
112
00:06:06,720 --> 00:06:07,755
If you throw in the shoes.
113
00:06:07,960 --> 00:06:09,519
Hello, Ms. Johnson?
114
00:06:09,520 --> 00:06:11,955
Could we have two coffees
and biscuits please?
115
00:06:12,000 --> 00:06:13,354
WOMAN:
One coffee and one biscuit
116
00:06:13,400 --> 00:06:15,038
for the two ex-army
greatcoats,
117
00:06:15,080 --> 00:06:16,753
and the alarm clock
on the mantelpiece.
118
00:06:16,760 --> 00:06:19,149
Two ex-army greatcoats and the
alarm clock and a table lamp,
119
00:06:19,200 --> 00:06:20,679
for two coffees
and biscuits.
120
00:06:20,720 --> 00:06:22,597
Two greatcoats,
and two table lamps.
121
00:06:22,600 --> 00:06:25,672
Two greatcoats, one table lamp
and a desert boat.
122
00:06:25,720 --> 00:06:27,233
For two coffees and biscuits?
123
00:06:27,240 --> 00:06:29,436
-Done.
-Done.
124
00:06:30,440 --> 00:06:31,714
[HUMMING]
125
00:06:31,760 --> 00:06:33,433
[KEYS CLACKING]
126
00:06:33,480 --> 00:06:35,118
NARRATOR: So Ms. Johnson
returned to her typing,
127
00:06:35,160 --> 00:06:37,071
and dreamed
her little dreamy dreams,
128
00:06:37,120 --> 00:06:39,270
unaware as she was
of the cruel trick
129
00:06:39,320 --> 00:06:41,197
fate had in store for her.
130
00:06:41,240 --> 00:06:43,516
For Ms. Johnson
was about to fall victim
131
00:06:43,560 --> 00:06:47,519
of the dreaded international
Chinese Communist conspiracy.
132
00:06:47,560 --> 00:06:49,790
[CHATTERING]
133
00:06:52,680 --> 00:06:54,717
Yes, these fanatical thieves,
under the leadership
134
00:06:54,760 --> 00:06:57,149
of the so-called Mao Zedong,
135
00:06:57,200 --> 00:06:59,316
had caught
Ms. Johnson off guard,
136
00:06:59,360 --> 00:07:01,749
~for one brief, but fatal, moment...
[WHIMPERING]
137
00:07:04,240 --> 00:07:07,676
And destroyed her, just as
they are ready to do any time
138
00:07:07,720 --> 00:07:11,156
to free men anywhere waver
in their defense of democracy.
139
00:07:11,200 --> 00:07:14,511
[GUNSHOTS]
140
00:07:15,760 --> 00:07:19,230
[0]
141
00:07:23,160 --> 00:07:26,516
Yes, once again American defense
proves its effectiveness
142
00:07:26,560 --> 00:07:28,471
against international
communism.
143
00:07:28,520 --> 00:07:32,195
Using this diagram of a tooth
to represent any small country,
144
00:07:32,240 --> 00:07:34,800
we can see how international
COMMUNISM Works,
145
00:07:35,000 --> 00:07:37,389
by eroding away
from the inside.
146
00:07:39,760 --> 00:07:41,990
When one country,
or tooth, falls victim
147
00:07:42,040 --> 00:07:45,476
to international communism,
its neighbors soon follow.
148
00:07:45,520 --> 00:07:48,797
In dentistry, this is known
as the domino theory.
149
00:07:49,000 --> 00:07:53,358
But with American defense, the
decay is stopped before it starts,
150
00:07:53,400 --> 00:07:55,391
and that's why nine out of 10
small countries
151
00:07:55,440 --> 00:07:57,716
choose American defense.
152
00:07:57,760 --> 00:08:01,230
ANNOUNCER: Or Crelm toothpaste, with
the miracle ingredient fraudulin.
153
00:08:01,280 --> 00:08:02,998
The white car represents
Crem toothpaste,
154
00:08:03,000 --> 00:08:05,355
with the miracle ingredient
fraudulin.
155
00:08:05,400 --> 00:08:08,518
The non-white car
represents another toothpaste.
156
00:08:08,560 --> 00:08:11,029
Both toothpastes
provide 30 percent protection.
157
00:08:13,080 --> 00:08:15,469
At 60 percent protection, both
toothpastes are doing well.
158
00:08:17,240 --> 00:08:19,470
And now, at 90 percent
protection the-- Wait!
159
00:08:19,520 --> 00:08:22,592
The non-white car is out,
and Crem toothpaste
160
00:08:22,640 --> 00:08:25,393
goes on to win
with 100 percent protection!
161
00:08:25,440 --> 00:08:28,239
Yes, do like afl smart
motorists,
162
00:08:28,280 --> 00:08:30,237
choose Crelm toothpaste.
163
00:08:30,280 --> 00:08:31,714
ANNOUNCER 2:
Or Shrill Petrol,
164
00:08:31,760 --> 00:08:35,196
with the new additive,
GLC 9424075.
165
00:08:35,200 --> 00:08:38,397
After 6 p.m., 9424047.
166
00:08:38,440 --> 00:08:41,319
Using this white card
to represent engine deposits,
167
00:08:41,360 --> 00:08:44,432
and this black card to represent
Shrill's new additive,
168
00:08:44,440 --> 00:08:49,230
GLC 9424075,
after 6 p.m., 9424077,
169
00:08:49,280 --> 00:08:51,430
we can see
how the engine deposits
170
00:08:51,480 --> 00:08:53,278
are pushed off
the face of the earth,
171
00:08:53,320 --> 00:08:55,357
by the superior forces
available to Shrill--
172
00:08:55,400 --> 00:08:57,073
[GUNSHOT]
-Aah!
173
00:08:59,040 --> 00:09:01,600
Anyway, John, you can catch
the 11:30 from Hornchurch,
174
00:09:01,640 --> 00:09:03,199
and be in Basingstoke by 1:00.
175
00:09:03,240 --> 00:09:05,436
Oh,
and it's a buffet car and--
176
00:09:05,480 --> 00:09:06,754
Oh!
177
00:09:06,960 --> 00:09:08,314
[GASPS] Daddy!
178
00:09:08,360 --> 00:09:10,397
My hat, Sir Horace.
179
00:09:10,440 --> 00:09:12,192
Has he been--?
180
00:09:12,240 --> 00:09:14,629
Yes, after breakfast.
181
00:09:14,680 --> 00:09:16,432
Butit doesn't matter now.
He's dead.
182
00:09:16,440 --> 00:09:19,114
Oh! Poor Daddy.
183
00:09:19,160 --> 00:09:21,436
Looks like I shan't
be catching the 11:30 now.
184
00:09:21,480 --> 00:09:24,074
Oh, no, John,
you mustn't miss your train.
185
00:09:24,080 --> 00:09:26,230
How could I think
of catching a train,
186
00:09:26,280 --> 00:09:27,509
when I should be here
helping you?
187
00:09:27,520 --> 00:09:29,636
Oh, John, thank you.
188
00:09:29,680 --> 00:09:31,751
Anyway, you could always
catch the 9:30 tomorrow.
189
00:09:31,960 --> 00:09:33,473
It goes via Caterham
and Chipstead.
190
00:09:33,520 --> 00:09:35,272
Or the 9:45
is even better.
191
00:09:35,320 --> 00:09:37,152
But you'd have to change
at Lambs Green.
192
00:09:37,200 --> 00:09:39,350
-Yes, but there's only a seven-minute
wait now. -Oh, yes, of course.
193
00:09:39,360 --> 00:09:40,794
Id forgotten
it was Friday.
194
00:09:41,200 --> 00:09:43,669
Oh, who could have
done this?
195
00:09:43,720 --> 00:09:46,599
Oh, do hurry, Sir Horace, your
train leaves in 28 minutes,
196
00:09:46,640 --> 00:09:49,109
and if you don't catch the
10:15, you won't catch the 3:45,
197
00:09:49,160 --> 00:09:51,231
which leaves you to-- Oh!
198
00:09:51,280 --> 00:09:54,432
I'm afraid Sir Horace won't be
catching the 10:15, Lady Partridge.
199
00:09:54,480 --> 00:09:56,357
Has he been--?
200
00:09:56,400 --> 00:09:59,040
Yes, after breakfast.
201
00:09:59,080 --> 00:10:02,038
Lady Partridge, I'm afraid you
can cancel his seat reservation.
202
00:10:02,080 --> 00:10:05,755
Oh, and it was back to the
engine, fourth coach along,
203
00:10:05,800 --> 00:10:07,438
so that he could see
the gradient signs
204
00:10:07,480 --> 00:10:08,993
outside Swanborough.
205
00:10:09,040 --> 00:10:10,758
JOHN: Not anymore,
Lady Partridge.
206
00:10:10,800 --> 00:10:12,518
The line's been closed.
207
00:10:12,560 --> 00:10:14,392
Closed? Not Swanborough?
208
00:10:14,440 --> 00:10:16,113
I'm afraid so.
209
00:10:16,160 --> 00:10:17,798
All right, nobody move.
210
00:10:18,000 --> 00:10:20,071
I'm Inspector Davis
of Scotland Yard.
211
00:10:20,120 --> 00:10:21,838
My word, you were here
quickly, inspector.
212
00:10:22,040 --> 00:10:24,350
I got the 8:55 Pullman Express
from King's Cross,
213
00:10:24,400 --> 00:10:26,198
and missed that bit around
Hornchurch.
214
00:10:26,240 --> 00:10:28,516
-That's a very good train.
-Oh, it's excellent.
215
00:10:28,560 --> 00:10:30,710
Hello, everyone.
-Tony.
216
00:10:30,760 --> 00:10:34,037
Where's Daddy?
Oh, golly!
217
00:10:34,080 --> 00:10:36,435
-Has he been--?
-Yes, after breakfast.
218
00:10:37,520 --> 00:10:40,797
Then he won't be needing
his reservation on the 10:15.
219
00:10:40,840 --> 00:10:42,717
Exactly.
220
00:10:42,760 --> 00:10:45,274
And I suppose, as his eldest
son, it must go to me.
221
00:10:45,320 --> 00:10:46,435
Just a minute, Tony.
222
00:10:46,480 --> 00:10:48,357
There's a small matter
of... murder.
223
00:10:48,400 --> 00:10:51,472
Oh, but surely he simply shot
himself and then hid the gun.
224
00:10:51,520 --> 00:10:54,239
How could anyone shoot himself
and then hide the gun,
225
00:10:54,240 --> 00:10:56,356
without first canceling
his reservation?
226
00:10:56,400 --> 00:10:57,834
Aha...
227
00:10:58,040 --> 00:11:00,111
Well, I must dash
or I'l be late for the 10:15.
228
00:11:00,160 --> 00:11:03,630
I suggest you murdered your
father for his seat reservation.
229
00:11:03,680 --> 00:11:05,273
I may have had
the motive, inspector,
230
00:11:05,280 --> 00:11:06,759
but I could not
have done it.
231
00:11:06,800 --> 00:11:09,189
For I have only just arrived
from Gillingham on the 8:13,
232
00:11:09,240 --> 00:11:11,231
and here's my restaurant car
ticket to prove it.
233
00:11:11,280 --> 00:11:13,999
But the 8:13 from Gillingham
doesn't have a restaurant car.
234
00:11:14,040 --> 00:11:16,031
It's a standing buffet only.
235
00:11:16,080 --> 00:11:19,471
Uh, did I say the 8:13? I meant
the 7:58 stopping train.
236
00:11:19,760 --> 00:11:24,391
But the 7:58 stopping train
arrived at Swindon at 8:19,
237
00:11:24,400 --> 00:11:28,030
owing to annual point maintenance
at Wisborough Junction.
238
00:11:28,080 --> 00:11:30,640
So how did you make the
connection with the 8:13,
239
00:11:30,640 --> 00:11:32,358
which left six minutes
earlier?
240
00:11:32,400 --> 00:11:34,550
Uh, uh... Simple. I caught
the 7:16 Football Special,
241
00:11:34,600 --> 00:11:36,273
arriving at Swindon at 8:09.
242
00:11:36,320 --> 00:11:39,119
But the 7:16 Football Special
only stops at Swindon
243
00:11:39,160 --> 00:11:40,480
on alternate Saturdays.
244
00:11:40,520 --> 00:11:43,034
Yes, surely you mean
the Holidaymaker Special.
245
00:11:43,080 --> 00:11:44,593
Oh, yes. How daft of me.
246
00:11:44,640 --> 00:11:46,313
Of course. I came on
the Holidaymaker Special,
247
00:11:46,320 --> 00:11:48,118
calling at Bedford, Colmworth,
248
00:11:48,160 --> 00:11:49,719
Vendetton, Sutton,
Wallington and Gillingham.
249
00:11:49,760 --> 00:11:51,717
That's Sundays only.
250
00:11:53,240 --> 00:11:54,719
Damn.
251
00:11:54,760 --> 00:11:57,070
Allright, I confess.
did it
252
00:11:57,120 --> 00:11:58,519
I killed him for his
reservation.
253
00:11:58,560 --> 00:12:00,358
But you won't take me alive!
254
00:12:01,360 --> 00:12:04,432
I'm going to throw myself
under the 10:12 from Reading.
255
00:12:04,440 --> 00:12:06,272
Don't be a fool, Tony,
don'tdoit.
256
00:12:06,320 --> 00:12:08,630
The 10:12 has the new narrow
fraction bogies.
257
00:12:08,680 --> 00:12:10,079
You wouldn't
stand a chance.
258
00:12:10,080 --> 00:12:11,434
Exactly.
259
00:12:11,480 --> 00:12:15,360
[0]
260
00:12:15,400 --> 00:12:18,119
ANNOUNCER: That was an excerpt
from the latest West End hit,
261
00:12:18,120 --> 00:12:21,078
It All Happened On the 11:20
From Hainault to Redhill,
262
00:12:21,120 --> 00:12:23,555
Via Horsham and Reigate,
Calling at Carshalton Beaches,
263
00:12:23,560 --> 00:12:25,597
Malmesbury, Tooting Bec
and Croydon West.
264
00:12:25,640 --> 00:12:27,677
The author
is Mr. Neville Shunt.
265
00:12:27,720 --> 00:12:30,792
[IMITATING TRAIN ENGINE
AND WHISTLE]
266
00:12:31,000 --> 00:12:32,638
Train now standing
at platform:
267
00:12:32,680 --> 00:12:34,591
[IMITATING TRAIN ENGINE]
268
00:12:34,640 --> 00:12:36,438
[IMITATING EXPLOSIONS]
269
00:12:36,480 --> 00:12:39,632
RINGING]
-Whoo!
270
00:12:39,640 --> 00:12:42,075
Some people have made the
mistake of seeing Shunt's work
271
00:12:42,120 --> 00:12:44,350
as a load of rubbish about
railway timetables,
272
00:12:44,400 --> 00:12:46,630
but clever people like me, who
talk loudly in restaurants,
273
00:12:46,680 --> 00:12:48,353
see this as
a deliberate ambiguity,
274
00:12:48,400 --> 00:12:50,311
a plea for understanding
in a mechanized world.
275
00:12:50,320 --> 00:12:52,231
The points are frozen.
The beast is dead.
276
00:12:52,280 --> 00:12:54,032
What is the difference?
What, indeed, is the point?
277
00:12:54,080 --> 00:12:56,356
The point is frozen, the beast
is late out of Paddington.
278
00:12:56,400 --> 00:12:57,515
The point is taken.
279
00:12:57,560 --> 00:12:58,675
If La Fontaine's elk
280
00:12:58,720 --> 00:13:00,154
would spurn Tom Jones,
281
00:13:00,200 --> 00:13:01,395
the engine must be our head,
282
00:13:01,400 --> 00:13:03,277
the dining car our esophagus,
283
00:13:03,320 --> 00:13:05,596
the guard's van our left lung,
the cattle truck our shins,
284
00:13:05,600 --> 00:13:07,193
the first-class compartment,
285
00:13:07,240 --> 00:13:08,389
the piece of skin at the nape
of the neck,
286
00:13:09,040 --> 00:13:10,360
and the crossing, an electric
elk called Simon.
287
00:13:10,400 --> 00:13:12,311
The clarity is devastating.
288
00:13:12,360 --> 00:13:14,590
But where is the ambiguity?
It's over there in a box.
289
00:13:14,640 --> 00:13:16,677
Shunt is saying
the 8:15 from Gillingham,
290
00:13:16,720 --> 00:13:19,360
when, in reality, he means
the 8:13 from Gillingham.
291
00:13:19,400 --> 00:13:21,357
The train is the same,
only the time is altered.
292
00:13:21,400 --> 00:13:23,311
Ecce homo, ergo elk.
293
00:13:23,360 --> 00:13:26,000
La Fontaine knew its sister,
and knew her bloody well.
294
00:13:26,040 --> 00:13:28,793
The point is taken, the beast is
molting, the fluff gets up your nose.
295
00:13:29,000 --> 00:13:30,638
The illusion is complete,
it's reality.
296
00:13:30,680 --> 00:13:33,513
Reality is illusion, and the
ambiguity is the only truth.
297
00:13:33,560 --> 00:13:35,676
Butis the truth, as Hitchcock
observes, in the box?
298
00:13:35,720 --> 00:13:38,189
No. There isn't room, the
ambiguity has put on weight.
299
00:13:38,200 --> 00:13:40,555
The point is taken, the elk is
dead, the beast stops at Swindon.
300
00:13:40,600 --> 00:13:42,193
Chabrol stops at nothing,
I'm having treatment,
301
00:13:42,240 --> 00:13:44,356
and La Fontaine
can get knotted.
302
00:13:44,400 --> 00:13:45,834
Gavin Millarrrrrrrrr--
303
00:13:46,040 --> 00:13:47,269
[ROLLING R'S]
304
00:13:47,320 --> 00:13:49,630
was not talking to
Neville Shunt.
305
00:13:49,680 --> 00:13:52,832
From the world of the theater, we
turn to the world of dental hygiene.
306
00:13:53,040 --> 00:13:54,633
No, no, no.
307
00:13:54,680 --> 00:13:56,796
From the world of theater,
we turn to the silver screen.
308
00:13:56,840 --> 00:13:58,638
We honor one of
the silver screen's
309
00:13:58,680 --> 00:14:00,034
outstanding writer-dentists--
310
00:14:00,040 --> 00:14:01,519
Uh, writer-directors.
311
00:14:01,560 --> 00:14:03,278
Martin Curry,
who is visiting London,
312
00:14:03,320 --> 00:14:04,674
to have a tooth--
For the pre-molar--
313
00:14:04,720 --> 00:14:06,711
Premiere of his filling--
314
00:14:06,760 --> 00:14:08,717
Film next Toothday--
315
00:14:08,760 --> 00:14:10,080
Tuesday, at the Dental
Theater
316
00:14:10,120 --> 00:14:12,031
Film Theater.
317
00:14:12,080 --> 00:14:15,232
Martin Curry talking to
Matthew Palate-- Padget.
318
00:14:15,240 --> 00:14:17,038
Martin Curry, welcome.
319
00:14:17,040 --> 00:14:18,713
One of the big teeth
320
00:14:18,760 --> 00:14:22,071
Um, big points that the
American critics made
321
00:14:22,080 --> 00:14:24,230
about your latest film,
The Twelve Caesars,
322
00:14:24,280 --> 00:14:26,271
was that it was
on so all-embracing a topic.
323
00:14:26,280 --> 00:14:29,159
Now, what made you undertake
0 enormous a tusk?
324
00:14:29,200 --> 00:14:30,270
Task!
325
00:14:30,320 --> 00:14:32,550
Well, I've
326
00:14:32,600 --> 00:14:35,479
I've always been interested
in Imperial Rome,
327
00:14:35,520 --> 00:14:38,638
right from Julius Caesar,
right through to Vespasian.
328
00:14:38,680 --> 00:14:40,637
Who?
-Vespasian.
329
00:14:40,680 --> 00:14:42,717
-Oh, Vespasian.
-Yes.
330
00:14:42,760 --> 00:14:44,592
When I saw your film,
it did seem to me
331
00:14:44,600 --> 00:14:48,275
that you had taken a rather,
um, subjective approach to it.
332
00:14:48,320 --> 00:14:50,038
I'm
sorry?
333
00:14:50,080 --> 00:14:52,674
Well, I mean, all your main
characters had these enormous
334
00:14:52,720 --> 00:14:54,597
Well, not enormous,
but uh,
335
00:14:54,640 --> 00:14:57,473
these, um, very big...
336
00:14:57,520 --> 00:14:59,318
Let's have a look at a clip,
337
00:14:59,360 --> 00:15:01,317
in which Julius Incisor--
Caesar.
338
00:15:01,320 --> 00:15:02,993
--talks to his generals
339
00:15:03,040 --> 00:15:04,553
during the battle
against Caractacus.
340
00:15:04,600 --> 00:15:06,193
I don't see that at all.
341
00:15:07,320 --> 00:15:10,119
Shall I order the cavalry
342
00:15:10,160 --> 00:15:14,711
that they may hide themselves
in the wood, O Caesar?
343
00:15:14,760 --> 00:15:18,196
SOLDIERS:
Thus, oh, Caesar.
344
00:15:18,200 --> 00:15:23,229
Today is about to be a triumph
for our native country.
345
00:15:23,280 --> 00:15:26,989
Martin Curry, why do all your
characters have these very big--
346
00:15:27,240 --> 00:15:29,390
Um, very big, uh, teeth?
347
00:15:29,440 --> 00:15:31,272
What do you mean?
348
00:15:31,280 --> 00:15:34,033
Well, I mean, even in your
biblical epic, The Son of Man.
349
00:15:34,080 --> 00:15:36,799
John the Baptist had the most
enormous dental appendages,
350
00:15:37,000 --> 00:15:38,559
and, of course, um,
351
00:15:38,600 --> 00:15:40,989
himself had the most
monumental ivories.
352
00:15:41,040 --> 00:15:44,237
No, I'm afraid
I don't see that at all.
353
00:15:44,280 --> 00:15:47,238
Well, um--
-Could I have a straw?
354
00:15:47,280 --> 00:15:49,396
Oh, a straw, yes, yes.
355
00:15:49,400 --> 00:15:51,277
While we're doing that, um,
perhaps we can take another look
356
00:15:51,320 --> 00:15:53,118
at an earlier film,
Trafalgar.
357
00:15:53,160 --> 00:15:55,470
Cover my coat,
Mr. Bush,
358
00:15:55,520 --> 00:15:59,275
the men must not know of this
till victory is ours.
359
00:15:59,320 --> 00:16:01,072
The surgeon's coming, sir.
360
00:16:01,120 --> 00:16:06,194
No, tell the surgeon to attend
the men that can be saved.
361
00:16:06,240 --> 00:16:08,675
He can do little for me,
I fear.
362
00:16:08,720 --> 00:16:10,233
Aye, aye, sir.
363
00:16:10,280 --> 00:16:13,591
Hardy? Hardy?
364
00:16:13,640 --> 00:16:17,190
Sir?
365
00:16:17,240 --> 00:16:19,550
Put your hand
on my thigh.
366
00:16:22,520 --> 00:16:23,715
Ha.
367
00:16:23,760 --> 00:16:25,319
Well, Martin Curry,
thank you.
368
00:16:25,360 --> 00:16:26,998
Well, we asked the
first-night audience
369
00:16:27,040 --> 00:16:28,713
what they thought of
that film.
370
00:16:28,760 --> 00:16:30,637
It wasn't true to life.
371
00:16:30,680 --> 00:16:32,034
Yes, it was.
372
00:16:32,040 --> 00:16:33,155
No, it wasn't.
373
00:16:33,200 --> 00:16:35,430
I thought it was totally
bizarre.
374
00:16:35,480 --> 00:16:38,233
Well, I've been in the city
for over 40 years,
375
00:16:38,280 --> 00:16:40,476
and I think the importance
of looking after poor people
376
00:16:40,480 --> 00:16:42,118
cannot be understressed.
377
00:16:42,160 --> 00:16:45,312
Well, I've been
in the city for 20 years,
378
00:16:45,320 --> 00:16:46,594
and I must admit
379
00:16:46,640 --> 00:16:49,029
I'm lost.
380
00:16:49,080 --> 00:16:51,151
MAN: Well, I've been in
the city all my life,
381
00:16:51,200 --> 00:16:53,589
and I'm as alert
and active as I've ever been.
382
00:16:53,640 --> 00:16:56,393
Well, I've been in the city
since I was two,
383
00:16:56,400 --> 00:16:59,392
and I certainly wouldn't say
that I was stuck in a rut.
384
00:17:04,640 --> 00:17:07,109
Doo-dah, Mr. Bulstrode's
stuck again.
385
00:17:08,640 --> 00:17:11,996
I certainly wouldn't say
that I was stuck in a rut.
386
00:17:12,040 --> 00:17:15,078
Well, I've been
in the city for 30 years,
387
00:17:15,120 --> 00:17:17,350
and I've never once regretted
being a nasty,
388
00:17:17,400 --> 00:17:20,074
greedy, cold-hearted,
avaricious money-grubber.
389
00:17:20,120 --> 00:17:21,758
Conservative.
390
00:17:23,640 --> 00:17:26,200
and I'd like to see the
reintroduction of flogging.
391
00:17:26,240 --> 00:17:28,993
Every Thursday,
‘round my place.
392
00:17:29,040 --> 00:17:31,316
Well, I've been
in the sea for 33 years
393
00:17:31,360 --> 00:17:33,158
and I've never regretted it.
394
00:17:33,200 --> 00:17:35,111
-MAN 1: Neither have I.
-MAN 2: Neither have I.
395
00:17:35,160 --> 00:17:36,514
MAN 1: Yes.
396
00:17:36,560 --> 00:17:39,234
[MEN CHATTERING]
397
00:17:39,240 --> 00:17:42,596
1 think it must be
a naturalist outing.
398
00:17:42,640 --> 00:17:44,472
No.
399
00:17:44,520 --> 00:17:48,593
I think it must be one of
them crackpot religions.
400
00:17:51,120 --> 00:17:53,111
This is an example
of the sort of abuse,
401
00:17:53,120 --> 00:17:55,316
we get all the time
from ignorant people.
402
00:17:55,360 --> 00:17:57,158
I inherited this religion
from my father,
403
00:17:57,200 --> 00:17:58,793
an ex-used-car salesman,
404
00:17:59,000 --> 00:18:01,389
and part-time window box,
and I am very proud
405
00:18:01,440 --> 00:18:04,353
to be in charge of the first
religion with free gifts.
406
00:18:04,400 --> 00:18:07,995
You get this luxury tea trolley
with every new enrollment.
407
00:18:08,040 --> 00:18:10,190
In addition to this,
you can win,
408
00:18:10,240 --> 00:18:12,436
a three-piece lounge suite,
409
00:18:12,440 --> 00:18:14,590
this luxury caravan,
410
00:18:14,640 --> 00:18:18,156
a weekend for two
with Peter Bonetti,
411
00:18:18,200 --> 00:18:20,157
and tonight's star prize,
412
00:18:20,200 --> 00:18:23,511
the entire
Norwich City Council.
413
00:18:23,560 --> 00:18:26,757
[PLAYING FANFARE]
414
00:18:26,960 --> 00:18:29,110
And remember,
with only eight scoring draws,
415
00:18:29,160 --> 00:18:32,755
you can win a bishopric
in a sea of your own choice.
416
00:18:32,960 --> 00:18:36,078
You see, we have a much more
modern approach to religion.
417
00:18:38,440 --> 00:18:40,750
[COIN CLANKING]
418
00:18:50,440 --> 00:18:54,798
Blessed is Arthur Crackpot
and all his subsidiaries, Ltd.
419
00:18:55,000 --> 00:18:57,310
You see, in our church,
we have a lot more fun.
420
00:18:58,560 --> 00:18:59,789
Well, Mrs. Collins,
421
00:19:00,000 --> 00:19:01,752
you did say you were nervous,
didn't you?
422
00:19:01,960 --> 00:19:04,110
You have eyes
on the coffee machine?
423
00:19:04,160 --> 00:19:05,389
I don't mind,
I don't mind.
424
00:19:05,440 --> 00:19:07,556
It's just nice
to be here, Reverend.
425
00:19:07,600 --> 00:19:09,273
Archdeacon.
426
00:19:09,320 --> 00:19:11,516
Well, you asked
for the coffee machine
427
00:19:11,560 --> 00:19:13,358
so let's see
what you've won.
428
00:19:13,400 --> 00:19:16,677
You chose Hymn 437.
429
00:19:18,440 --> 00:19:21,080
Oh, Mrs. Collins,
430
00:19:21,120 --> 00:19:23,396
you had eyes
on the coffee machine.
431
00:19:23,440 --> 00:19:25,670
Well, you have won
tonight's star prize:
432
00:19:25,680 --> 00:19:28,354
The entire
Norwich City Council!
433
00:19:28,400 --> 00:19:30,516
[APPLAUSE AND CHEERING]
434
00:19:30,560 --> 00:19:32,710
[FANFARE PLAYING]
435
00:19:32,720 --> 00:19:34,154
I've got one already.
436
00:19:36,600 --> 00:19:39,160
Alot of religions--
No names, no pack deal.
437
00:19:39,200 --> 00:19:40,554
--do go for
the poorer type of person.
438
00:19:40,600 --> 00:19:41,999
Face it, there's more of them.
439
00:19:42,000 --> 00:19:43,593
Poor people, thieves,
villains,
440
00:19:43,600 --> 00:19:45,273
poor people
without no money at all.
441
00:19:45,320 --> 00:19:47,152
Well, we don't have
none of that tat.
442
00:19:47,200 --> 00:19:50,397
Rich people and crumpet over
16 can enter free.
443
00:19:50,440 --> 00:19:52,238
Upper middle class,
quite welcome.
444
00:19:52,240 --> 00:19:55,039
Lower middle class,
not under five-grand a year.
445
00:19:55,080 --> 00:19:56,514
Lower class, I can't touch it.
446
00:19:56,560 --> 00:19:58,119
There's no return on it,
you see.
447
00:19:58,160 --> 00:20:01,039
Do you have any difficulty
converting people?
448
00:20:01,080 --> 00:20:03,390
Oh, no, well, we have ways
of making them join.
449
00:20:03,720 --> 00:20:05,518
Norman there does
alot of converting,
450
00:20:05,560 --> 00:20:07,312
a lot of protection,
that sort of thing.
451
00:20:07,320 --> 00:20:10,312
And, uh, there's his mate,
Bruce Beer.
452
00:20:10,360 --> 00:20:13,796
Brucie has personally
converted 92 people,
453
00:20:14,000 --> 00:20:16,196
25 inside the distance.
454
00:20:16,240 --> 00:20:18,993
Then again, we're not afraid
to use more modern methods.
455
00:20:19,040 --> 00:20:21,475
ANNOUNCER: Sarah, today's
diocesan lovely,
456
00:20:21,520 --> 00:20:23,830
is enough to make any chap
go down on his knees.
457
00:20:24,040 --> 00:20:27,476
This 23-year-old bishop hails,
appropriately enough,
458
00:20:27,520 --> 00:20:29,830
from Bishop's Stortford,
and lists her hobbies
459
00:20:30,040 --> 00:20:33,476
as swimming, riding, and film
producers. What a gas!
460
00:20:33,520 --> 00:20:36,034
Bet she's no novice
when it comes
461
00:20:36,080 --> 00:20:38,117
fo converting all in her sea.
462
00:20:38,160 --> 00:20:39,480
Basically...
463
00:20:40,520 --> 00:20:46,232
I believe in peace,
464
00:20:46,280 --> 00:20:51,400
and bashing two bricks
together.
465
00:20:54,840 --> 00:20:56,797
I'm starting a war for peace.
466
00:20:56,840 --> 00:21:00,117
[HACKING]
467
00:21:03,000 --> 00:21:04,638
Cor, blimey.
468
00:21:04,680 --> 00:21:08,116
I'm raising polecats for
peace.
469
00:21:08,160 --> 00:21:09,389
[COUGHS]
470
00:21:09,440 --> 00:21:11,317
Peace? I like a piece.
471
00:21:11,320 --> 00:21:12,674
Know what I mean?
Know what I mean?
472
00:21:12,720 --> 00:21:15,030
Say no more. Nudge, nudge.
473
00:21:15,080 --> 00:21:17,037
Our religion
is the first church
474
00:21:17,080 --> 00:21:19,435
to cater for
the naughty type of person.
475
00:21:19,480 --> 00:21:22,040
If you'd like a bit of,
uh, love-your-neighbor--
476
00:21:22,080 --> 00:21:23,673
And who doesn't
now and again?
477
00:21:23,720 --> 00:21:27,190
--then see Vera and Ciceley
during the hymns.
478
00:21:27,200 --> 00:21:31,353
In our church, we try to help
people to help themselves.
479
00:21:31,400 --> 00:21:34,518
To cars, washing machines, lead
piping, no questions asked.
480
00:21:34,560 --> 00:21:36,710
We are the only church,
apart from the Baptists,
481
00:21:36,760 --> 00:21:38,319
to do respray jobs.
482
00:21:38,360 --> 00:21:40,317
We at the Church
of the Divine Loony,
483
00:21:40,360 --> 00:21:42,590
believe in the power of prayer
to turn the head purple.
484
00:21:42,640 --> 00:21:44,711
[LAUGHING]
485
00:21:44,760 --> 00:21:46,637
I'd like to come in here
for a moment, if I may,
486
00:21:46,680 --> 00:21:48,432
and disassociate our church
487
00:21:48,480 --> 00:21:51,279
from these frivolous
and offensive religions.
488
00:21:51,640 --> 00:21:54,154
We are primarily concerned
with what is best--
489
00:21:54,200 --> 00:21:56,430
[RINGS]
490
00:21:56,480 --> 00:21:59,472
Hello? Oh.
491
00:21:59,520 --> 00:22:02,592
Well, how about
Allied Breweries?
492
00:22:02,640 --> 00:22:05,439
All right,
but keep the Rio Tinto.
493
00:22:05,440 --> 00:22:07,238
-for the human soul.
494
00:22:07,280 --> 00:22:13,276
In our church, we believe
first and foremost in you.
495
00:22:13,280 --> 00:22:15,271
[MUTTERING]
496
00:22:17,280 --> 00:22:22,753
We want you to think of us
as your friend.
497
00:22:22,760 --> 00:22:24,353
[MUTTERING]
498
00:22:32,640 --> 00:22:34,472
Now, as I...
499
00:22:34,600 --> 00:22:36,273
Oh, hello?
500
00:22:36,320 --> 00:22:37,549
What? I can't hear you.
501
00:22:37,600 --> 00:22:41,309
Hey Harry, we've got a bad connection on
line 422, can you switch the points over?
502
00:22:41,840 --> 00:22:44,832
No that's still not got it, no no,
oh the Devil take it.
503
00:22:46,400 --> 00:22:49,392
[THUNDER RUMBLING]
504
00:22:53,520 --> 00:22:55,113
Did somebody call?
505
00:22:55,360 --> 00:22:58,352
Oh I'm sorry, I think this is rather the
wrong moment for sales talk.
506
00:22:58,680 --> 00:23:02,469
Terribly sorry, my fault.
Excuse me please.
507
00:23:05,360 --> 00:23:08,000
NARRATOR: In this picture
there are 40 people.
508
00:23:08,000 --> 00:23:09,479
None of them can be seen.
509
00:23:09,520 --> 00:23:11,238
In this film
we hope to show you
510
00:23:11,280 --> 00:23:12,634
how not to be seen.
511
00:23:19,080 --> 00:23:21,720
This is Mr. E.R. Bradsaw
of Napier Court,
512
00:23:21,720 --> 00:23:24,234
Black Lion Road, SES.
513
00:23:24,280 --> 00:23:26,032
He cannot be seen.
514
00:23:26,080 --> 00:23:27,718
Now, I'm going to ask him
fo stand up.
515
00:23:27,720 --> 00:23:30,280
Mr. Bradsaw,
will you stand up, please?
516
00:23:35,480 --> 00:23:37,517
[GUNSHOT]
517
00:23:37,560 --> 00:23:41,599
This demonstrates
the value of not being seen.
518
00:23:42,640 --> 00:23:44,551
In this picture we cannot see
519
00:23:44,600 --> 00:23:48,594
Mrs. B.J. Smegma
of 13, The Crescent, Belmont.
520
00:23:48,640 --> 00:23:51,678
Mrs. Smegma,
will you stand up, please?
521
00:23:54,280 --> 00:23:56,191
[GUNSHOT]
522
00:23:56,240 --> 00:23:59,517
This is Mr. Nesbitt
of Harlow New Town.
523
00:23:59,560 --> 00:24:04,191
Mr. Nesbitt,
would you stand up, please?
524
00:24:04,240 --> 00:24:07,358
Mr. Nesbitt has leant the first
lesson of not being seen:
525
00:24:07,360 --> 00:24:09,192
not fo stand up.
526
00:24:09,240 --> 00:24:12,312
However, he has chosen
a very obvious piece of cover.
527
00:24:15,680 --> 00:24:18,672
Mr. E.V. Lambert of Homeleigh,
The Burrows, Oswestry,
528
00:24:18,720 --> 00:24:20,631
has presented us with a poser.
529
00:24:20,640 --> 00:24:22,995
We do not know
which bush he is behind,
530
00:24:23,040 --> 00:24:24,997
but we can soon find out.
531
00:24:32,440 --> 00:24:34,113
[MAN SCREAMS]
532
00:24:34,120 --> 00:24:36,430
Yes, it was the middle one.
533
00:24:39,360 --> 00:24:42,159
Mr. Ken Andrews,
of Leighton Road, Slough,
534
00:24:42,200 --> 00:24:44,191
has concealed himself
extremely well.
535
00:24:44,240 --> 00:24:46,072
He could be almost anywhere.
536
00:24:46,120 --> 00:24:49,476
He could be behind the wall
inside the water barrel,
537
00:24:49,520 --> 00:24:52,638
beneath a pile of leaves,
up in the tree,
538
00:24:52,680 --> 00:24:56,116
squatting down behind the car,
concealed in a hollow,
539
00:24:56,160 --> 00:24:59,312
or crouched behind
any one of a hundred bushes.
540
00:24:59,360 --> 00:25:02,716
However, we happen to know
he's in the water barrel.
541
00:25:09,960 --> 00:25:12,554
Mr. and Mrs. Watson
of Ivy Cottage,
542
00:25:12,560 --> 00:25:14,119
Worplesdon Road, Hull,
543
00:25:14,160 --> 00:25:16,470
chose a very cunning way
of not being seen.
544
00:25:16,520 --> 00:25:18,318
When we called at their house,
545
00:25:18,360 --> 00:25:20,636
we found they had gone away
on two weeks' holiday.
546
00:25:20,680 --> 00:25:23,035
They had not left
any forwarding address,
547
00:25:23,040 --> 00:25:24,599
and they had bolted
and barred the house
548
00:25:24,640 --> 00:25:26,438
fo prevent us getting in.
549
00:25:26,480 --> 00:25:29,313
However, a neighbor
told us where they were.
550
00:25:30,560 --> 00:25:32,312
[MAN & WOMAN SCREAM]
551
00:25:34,280 --> 00:25:38,194
And here is the neighbor
who told us where they were.
552
00:25:38,240 --> 00:25:40,072
[GRUNTS]
553
00:25:40,120 --> 00:25:42,680
Nobody likes a clever Dick.
554
00:25:42,720 --> 00:25:45,234
And this is where he lived.
555
00:25:46,040 --> 00:25:47,792
And this is where
Lord Langdon lived,
556
00:25:48,000 --> 00:25:49,991
who refused to speak to us.
557
00:25:51,040 --> 00:25:53,475
And so did the gentleman
who lived here.
558
00:25:53,520 --> 00:25:56,034
And here.
559
00:25:56,080 --> 00:25:59,198
And, of course, here.
560
00:25:59,240 --> 00:26:02,073
And Manchester.
561
00:26:02,080 --> 00:26:04,356
And the U.S. midlands.
562
00:26:05,440 --> 00:26:07,113
Spain.
563
00:26:08,440 --> 00:26:09,589
China!
564
00:26:09,640 --> 00:26:11,631
[LAUGHING MANIACALLY]
565
00:26:14,240 --> 00:26:16,470
[LAUGHING CONTINUES]
566
00:26:16,520 --> 00:26:18,670
Ah. Well, I'm afraid we have
to stop the film there,
567
00:26:18,720 --> 00:26:20,552
as some of the scenes
which followed,
568
00:26:20,600 --> 00:26:23,160
were of a violent nature which
might have proved distressing
569
00:26:23,200 --> 00:26:24,679
to some of our viewers.
570
00:26:24,720 --> 00:26:26,438
Though not to me,
I can tell you.
571
00:26:26,480 --> 00:26:27,754
[CLEARS THROAT]
572
00:26:27,800 --> 00:26:29,473
In Nova Scotia today,
573
00:26:29,520 --> 00:26:32,114
Mr. Roy Bent
of North Walsham in Norfolk,
574
00:26:32,160 --> 00:26:35,471
became the first man to cross
the Atlantic on a tricycle.
575
00:26:35,480 --> 00:26:38,040
His tricycle, specially
adapted for the crossing,
576
00:26:38,080 --> 00:26:40,356
was 90-foot long,
with a protective steel hull,
577
00:26:40,400 --> 00:26:45,315
three funnels, 17 first-class
cabins and a radar scanner.
578
00:26:45,320 --> 00:26:48,358
Mr. Bent
is in our Durham studios.
579
00:26:48,400 --> 00:26:49,799
Which is rather unfortunate,
580
00:26:50,000 --> 00:26:51,274
aswe'reall
down here in London.
581
00:26:55,040 --> 00:26:57,236
And in London--
582
00:26:57,280 --> 00:26:59,476
In London I have with me
Mr. Ludovic Grayson.
583
00:26:59,520 --> 00:27:02,512
The man who scored all six
goals in Arsenal's 1-0 victory
584
00:27:02,560 --> 00:27:04,039
over the
585
00:27:04,040 --> 00:27:07,032
Qver the Turkish champions,
FC Botty.
586
00:27:07,080 --> 00:27:09,720
Ludovic, first of all,
congratulations on the victory.
587
00:27:09,760 --> 00:27:11,034
Thank you, David.
588
00:27:11,080 --> 00:27:12,673
Should--
589
00:27:12,720 --> 00:27:14,279
Should send you back
to botty with a big lead.
590
00:27:14,320 --> 00:27:16,596
Oh, yes,
we're fairly confident, David.
591
00:27:16,640 --> 00:27:18,438
Well, at the moment, Ludovic,
592
00:27:18,480 --> 00:27:21,438
you're crouching down
inside a filing cabinet.
593
00:27:21,480 --> 00:27:24,518
Yes, that's right, David,
I'm trying not to be seen.
594
00:27:24,560 --> 00:27:26,631
I see. Uh,
is this through fear?
595
00:27:26,680 --> 00:27:28,637
Oh, no, no,
it's common sense really.
596
00:27:28,680 --> 00:27:30,717
If they can't see you,
they can't get you.
597
00:27:30,760 --> 00:27:32,353
[BOTH CHUCKLE]
598
00:27:32,400 --> 00:27:33,799
-But, of course, they can
still hear you. -Huh?
599
00:27:34,000 --> 00:27:35,638
[EXPLOSION]
-Aaah!
600
00:27:37,720 --> 00:27:39,438
Ludovic Grayson,
thank you very much,
601
00:27:39,440 --> 00:27:41,033
for coming on
the program tonight.
602
00:27:41,040 --> 00:27:42,439
And we end the show with
music.
603
00:27:42,480 --> 00:27:44,232
And here with
their latest recording,
604
00:27:44,280 --> 00:27:47,272
"Yummy, Yummy, Yummy,
I've Got Love in My Tummy,"
605
00:27:47,280 --> 00:27:49,430
Jackie Charlton
and the Tonettes.
606
00:27:49,480 --> 00:27:51,756
[0]
607
00:27:56,080 --> 00:27:59,152
I Yummy, yummy, yummy
1 got love in my tummy ♪
608
00:27:59,200 --> 00:28:03,194
2 And I feel like
A-loving you
609
00:28:03,200 --> 00:28:04,554
7 Love, you're stich
A sweet thing
610
00:28:04,600 --> 00:28:06,955
I Good enough to eat thing ♪
611
00:28:07,000 --> 00:28:10,516
7 And it's just what
I'm gonna do ♪
612
00:28:10,560 --> 00:28:12,437
2 Ooh, love to hold yas
613
00:28:12,440 --> 00:28:14,511
1 Ooh, love to kiss ya ♪
614
00:28:14,560 --> 00:28:20,078
♪ Ooh, love, Hove it so ♪
615
00:28:20,080 --> 00:28:21,957
1 Ooh, love, you're sweeter
616
00:28:22,000 --> 00:28:23,513
I Sweeter than sugar ♪
617
00:28:23,560 --> 00:28:28,191
♪ Ooh, love
won't let you go ♪
618
00:28:37,080 --> 00:28:40,596
I Yummy, yummy, yummy
1 got love in my tummy ♪
619
00:28:40,640 --> 00:28:44,315
7 And as silly as it may seem}
620
00:28:44,360 --> 00:28:48,354
1 The lovin' that you're givin'
Is what keeps me livin'?
621
00:28:48,400 --> 00:28:51,756
I And your love is like
Peaches and cream
622
00:28:51,800 --> 00:28:53,677
7 Kinda like sugar §
623
00:28:53,720 --> 00:28:55,677
I Kinda like spices I
624
00:28:55,720 --> 00:29:00,191
I Kinda like
Like what you do ♪
625
00:29:01,240 --> 00:29:03,151
1 Kinda sounds funny
626
00:29:03,200 --> 00:29:05,191
7 But your love, honey ♪
627
00:29:05,240 --> 00:29:10,758
2 And honey, I love you I
628
00:29:11,280 --> 00:29:14,159
IBada
Badadadadal
629
00:29:14,200 --> 00:29:18,558
♪ Badada
Dada dadadal
630
00:29:18,600 --> 00:29:20,193
I Yummy yummy yummy... ♪
631
00:29:21,440 --> 00:29:23,477
ANNOUNCER: For those who
may have just missed
632
00:29:23,480 --> 00:29:26,598
Monty Python's Flying Circus,
here it is again.
633
00:29:26,640 --> 00:29:28,711
[0]
634
00:29:47,400 --> 00:29:51,030
1 The lovin' that you're givin'
Is what keeps me livin'?
635
00:29:51,040 --> 00:29:54,749
I And your love is like
Peaches and cream
636
00:29:54,800 --> 00:29:56,791
7 Kinda like sugar... ♪
46887
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