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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:34,120 --> 00:00:37,272 [SPEAKING IN CHINESE GIBBERISH] 2 00:00:38,320 --> 00:00:39,469 [KNOCKING ON DOOR] 3 00:00:39,520 --> 00:00:40,555 Come in. 4 00:00:50,440 --> 00:00:52,511 -Ah, Frog. -S. Frog, sir. 5 00:00:52,560 --> 00:00:54,676 Shut up. I want to have a word with you, Frog. 6 00:00:56,320 --> 00:00:57,549 It's about your advertising campaign 7 00:00:57,600 --> 00:00:59,398 for Conquistador Coffee. 8 00:00:59,440 --> 00:01:01,511 I've had the managing director of Conquistador to see me, 9 00:01:01,560 --> 00:01:03,471 and he's very unhappy with your campaign. 10 00:01:03,520 --> 00:01:04,669 Very unhappy. 11 00:01:04,720 --> 00:01:06,358 In fact, he's shot himself. 12 00:01:07,760 --> 00:01:08,795 Badly, sir? 13 00:01:09,000 --> 00:01:10,354 No, extremely well. 14 00:01:15,760 --> 00:01:17,751 Well, before he went 15 00:01:17,800 --> 00:01:21,077 he left a note with the company secretary, 16 00:01:21,120 --> 00:01:23,270 uh, the effect of which was, 17 00:01:23,320 --> 00:01:25,038 how disappointed he was with your work, 18 00:01:25,080 --> 00:01:27,037 and in particular, 19 00:01:27,080 --> 00:01:30,038 why you had changed the name Conquistador Instant Coffee 20 00:01:30,040 --> 00:01:33,271 to Conquistador Instant Leprosy. 21 00:01:33,320 --> 00:01:34,674 Why, Frog? 22 00:01:34,680 --> 00:01:36,671 -S. Frog, sir. -Shut up. 23 00:01:36,680 --> 00:01:38,637 Why did you do it? 24 00:01:38,680 --> 00:01:40,193 It was a joke. 25 00:01:41,200 --> 00:01:42,599 A joke? 26 00:01:42,640 --> 00:01:43,710 No, no, not a joke, 27 00:01:43,720 --> 00:01:46,314 um, a sales campaign. 28 00:01:46,360 --> 00:01:48,112 -I see, Frog. -S. Frog, sir. 29 00:01:48,160 --> 00:01:49,719 Shut up. 30 00:01:49,760 --> 00:01:51,671 Now, let's have a look at the sales chart. 31 00:01:51,720 --> 00:01:53,757 When you took over this account, Frog, 32 00:01:53,800 --> 00:01:55,791 Conquistador was brand leader. 33 00:01:55,840 --> 00:01:57,831 Here you introduced your first campaign: 34 00:01:58,040 --> 00:01:59,599 "Conquistador Coffee 35 00:01:59,640 --> 00:02:01,278 brings a new meaning to the word 'vomit'" 36 00:02:02,680 --> 00:02:06,275 Here, you made your special introductory offer, 37 00:02:06,320 --> 00:02:09,676 of a free dead dog with every jar. 38 00:02:09,720 --> 00:02:13,076 And this followed your second campaign: 39 00:02:13,120 --> 00:02:14,997 "The tingling fresh coffee 40 00:02:15,040 --> 00:02:17,156 which brings you exciting new Cholera, 41 00:02:17,200 --> 00:02:19,669 Mange, Sleepwalkia, Dropsy, 42 00:02:19,720 --> 00:02:23,270 The clap, Hard pad and Athlete's head. 43 00:02:23,800 --> 00:02:26,758 From the House of Conquistador.” 44 00:02:26,800 --> 00:02:28,438 It was a soft sell, sir. 45 00:02:28,480 --> 00:02:30,391 -Why, Frog? -S. Frog, sir. 46 00:02:30,400 --> 00:02:32,118 Shut up! 47 00:02:32,160 --> 00:02:33,230 Well? 48 00:02:33,280 --> 00:02:34,839 People know the name, sir. 49 00:02:35,040 --> 00:02:36,758 They certainly do know the name, they burnt the factory down. 50 00:02:36,800 --> 00:02:38,552 The owner is hiding in my bathroom. 51 00:02:38,600 --> 00:02:42,195 [GUNSHOT] -The owner was hiding in my bathroom. 52 00:02:42,240 --> 00:02:45,153 -You're not gonna fire me, sir? Fire you?! 53 00:02:45,200 --> 00:02:47,589 Three men dead, the factory burnt down, 54 00:02:47,640 --> 00:02:50,200 the account lost and our firm completely bankrupt? 55 00:02:50,240 --> 00:02:51,560 What--? What can you possibly say? 56 00:02:51,600 --> 00:02:54,433 What excuse can you possibly make? 57 00:02:54,480 --> 00:02:56,630 Sorry, Father. 58 00:02:56,680 --> 00:02:58,557 Oh, yes. Oh, incidentally, 59 00:02:58,560 --> 00:03:01,393 um, your film's won a prize. 60 00:03:02,360 --> 00:03:05,239 [0] 61 00:03:24,760 --> 00:03:27,513 [MUSIC SKIPPING] 62 00:03:35,400 --> 00:03:36,549 Sorry about that. 63 00:03:39,640 --> 00:03:41,631 And now for something completely diff-- 64 00:03:41,640 --> 00:03:44,075 Completely diff-- Completely-- Completely diff-- 65 00:03:44,120 --> 00:03:46,031 Completely different. 66 00:03:46,040 --> 00:03:47,030 Its... 67 00:03:47,080 --> 00:03:51,597 [0] 68 00:03:51,640 --> 00:03:55,349 ANNOUNCER: Monty Python's Flying Circus. 69 00:04:00,400 --> 00:04:04,553 [MUSIC SKIPPING] 70 00:04:23,520 --> 00:04:26,638 NARRATOR: 1929, Stanley Baldwin's Conservative government 71 00:04:26,680 --> 00:04:28,512 is defeated, and Ramsay MacDonald becomes, 72 00:04:28,560 --> 00:04:31,074 for the second time, prime minister of England. 73 00:04:31,120 --> 00:04:33,236 [CLOCK TICKING] 74 00:04:33,280 --> 00:04:35,635 Mm. 75 00:04:35,680 --> 00:04:39,116 Phew! My, it's hot in here. 76 00:04:56,480 --> 00:04:59,154 Qoh. Ahh. 77 00:05:00,440 --> 00:05:02,317 [KNOCKING ON DOOR] 78 00:05:06,200 --> 00:05:08,510 [WHISTLING] 79 00:05:09,480 --> 00:05:10,754 Hello, come in. 80 00:05:12,560 --> 00:05:14,517 Ah, hello. How much do you want for the briefcase? 81 00:05:14,560 --> 00:05:15,755 Well, I, uh-- -All right then, 82 00:05:15,800 --> 00:05:17,473 the briefcase and the umbrella. 83 00:05:17,520 --> 00:05:19,238 A fiver down, must be my final offer. 84 00:05:19,280 --> 00:05:21,476 I don't really want to sell them. I've come for a job. 85 00:05:21,520 --> 00:05:22,715 Oh, take a seat, take a seat. 86 00:05:22,760 --> 00:05:24,512 Thank you. 87 00:05:24,560 --> 00:05:26,471 I see you chose the canvas chair with the aluminum frame. 88 00:05:26,520 --> 00:05:28,431 I'll throw that in, and the fiver, 89 00:05:28,480 --> 00:05:30,198 for the briefcase and umbrella. 90 00:05:30,240 --> 00:05:31,799 No, make it fair, the briefcase, and the umbrella, 91 00:05:32,000 --> 00:05:33,229 and the two pens in your breast pocket, 92 00:05:33,280 --> 00:05:34,350 and the chair's yours, and a fiver, 93 00:05:34,400 --> 00:05:36,516 and a pair of binoculars. 94 00:05:36,520 --> 00:05:37,715 Really, they're not for sale. 95 00:05:37,760 --> 00:05:39,512 Not for sale? What does that mean? 96 00:05:39,520 --> 00:05:42,034 I came about the advertisement for the job of assistant editor. 97 00:05:42,280 --> 00:05:44,351 Oh, yeah. Yeah, right. 98 00:05:44,400 --> 00:05:46,152 Uh, okay. 99 00:05:46,160 --> 00:05:48,117 How much are you experienced in journalism? 100 00:05:48,160 --> 00:05:49,434 -Five years. -All right. 101 00:05:49,480 --> 00:05:50,754 -Typing speed? Fifty. 102 00:05:50,800 --> 00:05:52,518 -0 Levels? Eight. 103 00:05:52,560 --> 00:05:53,834 -A Levels? -Two. 104 00:05:54,040 --> 00:05:56,031 Right. 105 00:05:56,080 --> 00:05:57,639 00:06:00,280 And the chair, and an all-wool ex-army sleeping bag, 107 00:06:00,320 --> 00:06:01,674 for the briefcase, the umbrella, 108 00:06:01,720 --> 00:06:03,199 the pens in your pocket, 109 00:06:03,240 --> 00:06:04,275 and your string vest. 110 00:06:04,280 --> 00:06:05,475 Och, when do I start? 111 00:06:05,520 --> 00:06:06,669 -Monday. -Oh, that's marvelous. 112 00:06:06,720 --> 00:06:07,755 If you throw in the shoes. 113 00:06:07,960 --> 00:06:09,519 Hello, Ms. Johnson? 114 00:06:09,520 --> 00:06:11,955 Could we have two coffees and biscuits please? 115 00:06:12,000 --> 00:06:13,354 WOMAN: One coffee and one biscuit 116 00:06:13,400 --> 00:06:15,038 for the two ex-army greatcoats, 117 00:06:15,080 --> 00:06:16,753 and the alarm clock on the mantelpiece. 118 00:06:16,760 --> 00:06:19,149 Two ex-army greatcoats and the alarm clock and a table lamp, 119 00:06:19,200 --> 00:06:20,679 for two coffees and biscuits. 120 00:06:20,720 --> 00:06:22,597 Two greatcoats, and two table lamps. 121 00:06:22,600 --> 00:06:25,672 Two greatcoats, one table lamp and a desert boat. 122 00:06:25,720 --> 00:06:27,233 For two coffees and biscuits? 123 00:06:27,240 --> 00:06:29,436 -Done. -Done. 124 00:06:30,440 --> 00:06:31,714 [HUMMING] 125 00:06:31,760 --> 00:06:33,433 [KEYS CLACKING] 126 00:06:33,480 --> 00:06:35,118 NARRATOR: So Ms. Johnson returned to her typing, 127 00:06:35,160 --> 00:06:37,071 and dreamed her little dreamy dreams, 128 00:06:37,120 --> 00:06:39,270 unaware as she was of the cruel trick 129 00:06:39,320 --> 00:06:41,197 fate had in store for her. 130 00:06:41,240 --> 00:06:43,516 For Ms. Johnson was about to fall victim 131 00:06:43,560 --> 00:06:47,519 of the dreaded international Chinese Communist conspiracy. 132 00:06:47,560 --> 00:06:49,790 [CHATTERING] 133 00:06:52,680 --> 00:06:54,717 Yes, these fanatical thieves, under the leadership 134 00:06:54,760 --> 00:06:57,149 of the so-called Mao Zedong, 135 00:06:57,200 --> 00:06:59,316 had caught Ms. Johnson off guard, 136 00:06:59,360 --> 00:07:01,749 ~for one brief, but fatal, moment... [WHIMPERING] 137 00:07:04,240 --> 00:07:07,676 And destroyed her, just as they are ready to do any time 138 00:07:07,720 --> 00:07:11,156 to free men anywhere waver in their defense of democracy. 139 00:07:11,200 --> 00:07:14,511 [GUNSHOTS] 140 00:07:15,760 --> 00:07:19,230 [0] 141 00:07:23,160 --> 00:07:26,516 Yes, once again American defense proves its effectiveness 142 00:07:26,560 --> 00:07:28,471 against international communism. 143 00:07:28,520 --> 00:07:32,195 Using this diagram of a tooth to represent any small country, 144 00:07:32,240 --> 00:07:34,800 we can see how international COMMUNISM Works, 145 00:07:35,000 --> 00:07:37,389 by eroding away from the inside. 146 00:07:39,760 --> 00:07:41,990 When one country, or tooth, falls victim 147 00:07:42,040 --> 00:07:45,476 to international communism, its neighbors soon follow. 148 00:07:45,520 --> 00:07:48,797 In dentistry, this is known as the domino theory. 149 00:07:49,000 --> 00:07:53,358 But with American defense, the decay is stopped before it starts, 150 00:07:53,400 --> 00:07:55,391 and that's why nine out of 10 small countries 151 00:07:55,440 --> 00:07:57,716 choose American defense. 152 00:07:57,760 --> 00:08:01,230 ANNOUNCER: Or Crelm toothpaste, with the miracle ingredient fraudulin. 153 00:08:01,280 --> 00:08:02,998 The white car represents Crem toothpaste, 154 00:08:03,000 --> 00:08:05,355 with the miracle ingredient fraudulin. 155 00:08:05,400 --> 00:08:08,518 The non-white car represents another toothpaste. 156 00:08:08,560 --> 00:08:11,029 Both toothpastes provide 30 percent protection. 157 00:08:13,080 --> 00:08:15,469 At 60 percent protection, both toothpastes are doing well. 158 00:08:17,240 --> 00:08:19,470 And now, at 90 percent protection the-- Wait! 159 00:08:19,520 --> 00:08:22,592 The non-white car is out, and Crem toothpaste 160 00:08:22,640 --> 00:08:25,393 goes on to win with 100 percent protection! 161 00:08:25,440 --> 00:08:28,239 Yes, do like afl smart motorists, 162 00:08:28,280 --> 00:08:30,237 choose Crelm toothpaste. 163 00:08:30,280 --> 00:08:31,714 ANNOUNCER 2: Or Shrill Petrol, 164 00:08:31,760 --> 00:08:35,196 with the new additive, GLC 9424075. 165 00:08:35,200 --> 00:08:38,397 After 6 p.m., 9424047. 166 00:08:38,440 --> 00:08:41,319 Using this white card to represent engine deposits, 167 00:08:41,360 --> 00:08:44,432 and this black card to represent Shrill's new additive, 168 00:08:44,440 --> 00:08:49,230 GLC 9424075, after 6 p.m., 9424077, 169 00:08:49,280 --> 00:08:51,430 we can see how the engine deposits 170 00:08:51,480 --> 00:08:53,278 are pushed off the face of the earth, 171 00:08:53,320 --> 00:08:55,357 by the superior forces available to Shrill-- 172 00:08:55,400 --> 00:08:57,073 [GUNSHOT] -Aah! 173 00:08:59,040 --> 00:09:01,600 Anyway, John, you can catch the 11:30 from Hornchurch, 174 00:09:01,640 --> 00:09:03,199 and be in Basingstoke by 1:00. 175 00:09:03,240 --> 00:09:05,436 Oh, and it's a buffet car and-- 176 00:09:05,480 --> 00:09:06,754 Oh! 177 00:09:06,960 --> 00:09:08,314 [GASPS] Daddy! 178 00:09:08,360 --> 00:09:10,397 My hat, Sir Horace. 179 00:09:10,440 --> 00:09:12,192 Has he been--? 180 00:09:12,240 --> 00:09:14,629 Yes, after breakfast. 181 00:09:14,680 --> 00:09:16,432 Butit doesn't matter now. He's dead. 182 00:09:16,440 --> 00:09:19,114 Oh! Poor Daddy. 183 00:09:19,160 --> 00:09:21,436 Looks like I shan't be catching the 11:30 now. 184 00:09:21,480 --> 00:09:24,074 Oh, no, John, you mustn't miss your train. 185 00:09:24,080 --> 00:09:26,230 How could I think of catching a train, 186 00:09:26,280 --> 00:09:27,509 when I should be here helping you? 187 00:09:27,520 --> 00:09:29,636 Oh, John, thank you. 188 00:09:29,680 --> 00:09:31,751 Anyway, you could always catch the 9:30 tomorrow. 189 00:09:31,960 --> 00:09:33,473 It goes via Caterham and Chipstead. 190 00:09:33,520 --> 00:09:35,272 Or the 9:45 is even better. 191 00:09:35,320 --> 00:09:37,152 But you'd have to change at Lambs Green. 192 00:09:37,200 --> 00:09:39,350 -Yes, but there's only a seven-minute wait now. -Oh, yes, of course. 193 00:09:39,360 --> 00:09:40,794 Id forgotten it was Friday. 194 00:09:41,200 --> 00:09:43,669 Oh, who could have done this? 195 00:09:43,720 --> 00:09:46,599 Oh, do hurry, Sir Horace, your train leaves in 28 minutes, 196 00:09:46,640 --> 00:09:49,109 and if you don't catch the 10:15, you won't catch the 3:45, 197 00:09:49,160 --> 00:09:51,231 which leaves you to-- Oh! 198 00:09:51,280 --> 00:09:54,432 I'm afraid Sir Horace won't be catching the 10:15, Lady Partridge. 199 00:09:54,480 --> 00:09:56,357 Has he been--? 200 00:09:56,400 --> 00:09:59,040 Yes, after breakfast. 201 00:09:59,080 --> 00:10:02,038 Lady Partridge, I'm afraid you can cancel his seat reservation. 202 00:10:02,080 --> 00:10:05,755 Oh, and it was back to the engine, fourth coach along, 203 00:10:05,800 --> 00:10:07,438 so that he could see the gradient signs 204 00:10:07,480 --> 00:10:08,993 outside Swanborough. 205 00:10:09,040 --> 00:10:10,758 JOHN: Not anymore, Lady Partridge. 206 00:10:10,800 --> 00:10:12,518 The line's been closed. 207 00:10:12,560 --> 00:10:14,392 Closed? Not Swanborough? 208 00:10:14,440 --> 00:10:16,113 I'm afraid so. 209 00:10:16,160 --> 00:10:17,798 All right, nobody move. 210 00:10:18,000 --> 00:10:20,071 I'm Inspector Davis of Scotland Yard. 211 00:10:20,120 --> 00:10:21,838 My word, you were here quickly, inspector. 212 00:10:22,040 --> 00:10:24,350 I got the 8:55 Pullman Express from King's Cross, 213 00:10:24,400 --> 00:10:26,198 and missed that bit around Hornchurch. 214 00:10:26,240 --> 00:10:28,516 -That's a very good train. -Oh, it's excellent. 215 00:10:28,560 --> 00:10:30,710 Hello, everyone. -Tony. 216 00:10:30,760 --> 00:10:34,037 Where's Daddy? Oh, golly! 217 00:10:34,080 --> 00:10:36,435 -Has he been--? -Yes, after breakfast. 218 00:10:37,520 --> 00:10:40,797 Then he won't be needing his reservation on the 10:15. 219 00:10:40,840 --> 00:10:42,717 Exactly. 220 00:10:42,760 --> 00:10:45,274 And I suppose, as his eldest son, it must go to me. 221 00:10:45,320 --> 00:10:46,435 Just a minute, Tony. 222 00:10:46,480 --> 00:10:48,357 There's a small matter of... murder. 223 00:10:48,400 --> 00:10:51,472 Oh, but surely he simply shot himself and then hid the gun. 224 00:10:51,520 --> 00:10:54,239 How could anyone shoot himself and then hide the gun, 225 00:10:54,240 --> 00:10:56,356 without first canceling his reservation? 226 00:10:56,400 --> 00:10:57,834 Aha... 227 00:10:58,040 --> 00:11:00,111 Well, I must dash or I'l be late for the 10:15. 228 00:11:00,160 --> 00:11:03,630 I suggest you murdered your father for his seat reservation. 229 00:11:03,680 --> 00:11:05,273 I may have had the motive, inspector, 230 00:11:05,280 --> 00:11:06,759 but I could not have done it. 231 00:11:06,800 --> 00:11:09,189 For I have only just arrived from Gillingham on the 8:13, 232 00:11:09,240 --> 00:11:11,231 and here's my restaurant car ticket to prove it. 233 00:11:11,280 --> 00:11:13,999 But the 8:13 from Gillingham doesn't have a restaurant car. 234 00:11:14,040 --> 00:11:16,031 It's a standing buffet only. 235 00:11:16,080 --> 00:11:19,471 Uh, did I say the 8:13? I meant the 7:58 stopping train. 236 00:11:19,760 --> 00:11:24,391 But the 7:58 stopping train arrived at Swindon at 8:19, 237 00:11:24,400 --> 00:11:28,030 owing to annual point maintenance at Wisborough Junction. 238 00:11:28,080 --> 00:11:30,640 So how did you make the connection with the 8:13, 239 00:11:30,640 --> 00:11:32,358 which left six minutes earlier? 240 00:11:32,400 --> 00:11:34,550 Uh, uh... Simple. I caught the 7:16 Football Special, 241 00:11:34,600 --> 00:11:36,273 arriving at Swindon at 8:09. 242 00:11:36,320 --> 00:11:39,119 But the 7:16 Football Special only stops at Swindon 243 00:11:39,160 --> 00:11:40,480 on alternate Saturdays. 244 00:11:40,520 --> 00:11:43,034 Yes, surely you mean the Holidaymaker Special. 245 00:11:43,080 --> 00:11:44,593 Oh, yes. How daft of me. 246 00:11:44,640 --> 00:11:46,313 Of course. I came on the Holidaymaker Special, 247 00:11:46,320 --> 00:11:48,118 calling at Bedford, Colmworth, 248 00:11:48,160 --> 00:11:49,719 Vendetton, Sutton, Wallington and Gillingham. 249 00:11:49,760 --> 00:11:51,717 That's Sundays only. 250 00:11:53,240 --> 00:11:54,719 Damn. 251 00:11:54,760 --> 00:11:57,070 Allright, I confess. did it 252 00:11:57,120 --> 00:11:58,519 I killed him for his reservation. 253 00:11:58,560 --> 00:12:00,358 But you won't take me alive! 254 00:12:01,360 --> 00:12:04,432 I'm going to throw myself under the 10:12 from Reading. 255 00:12:04,440 --> 00:12:06,272 Don't be a fool, Tony, don'tdoit. 256 00:12:06,320 --> 00:12:08,630 The 10:12 has the new narrow fraction bogies. 257 00:12:08,680 --> 00:12:10,079 You wouldn't stand a chance. 258 00:12:10,080 --> 00:12:11,434 Exactly. 259 00:12:11,480 --> 00:12:15,360 [0] 260 00:12:15,400 --> 00:12:18,119 ANNOUNCER: That was an excerpt from the latest West End hit, 261 00:12:18,120 --> 00:12:21,078 It All Happened On the 11:20 From Hainault to Redhill, 262 00:12:21,120 --> 00:12:23,555 Via Horsham and Reigate, Calling at Carshalton Beaches, 263 00:12:23,560 --> 00:12:25,597 Malmesbury, Tooting Bec and Croydon West. 264 00:12:25,640 --> 00:12:27,677 The author is Mr. Neville Shunt. 265 00:12:27,720 --> 00:12:30,792 [IMITATING TRAIN ENGINE AND WHISTLE] 266 00:12:31,000 --> 00:12:32,638 Train now standing at platform: 267 00:12:32,680 --> 00:12:34,591 [IMITATING TRAIN ENGINE] 268 00:12:34,640 --> 00:12:36,438 [IMITATING EXPLOSIONS] 269 00:12:36,480 --> 00:12:39,632 RINGING] -Whoo! 270 00:12:39,640 --> 00:12:42,075 Some people have made the mistake of seeing Shunt's work 271 00:12:42,120 --> 00:12:44,350 as a load of rubbish about railway timetables, 272 00:12:44,400 --> 00:12:46,630 but clever people like me, who talk loudly in restaurants, 273 00:12:46,680 --> 00:12:48,353 see this as a deliberate ambiguity, 274 00:12:48,400 --> 00:12:50,311 a plea for understanding in a mechanized world. 275 00:12:50,320 --> 00:12:52,231 The points are frozen. The beast is dead. 276 00:12:52,280 --> 00:12:54,032 What is the difference? What, indeed, is the point? 277 00:12:54,080 --> 00:12:56,356 The point is frozen, the beast is late out of Paddington. 278 00:12:56,400 --> 00:12:57,515 The point is taken. 279 00:12:57,560 --> 00:12:58,675 If La Fontaine's elk 280 00:12:58,720 --> 00:13:00,154 would spurn Tom Jones, 281 00:13:00,200 --> 00:13:01,395 the engine must be our head, 282 00:13:01,400 --> 00:13:03,277 the dining car our esophagus, 283 00:13:03,320 --> 00:13:05,596 the guard's van our left lung, the cattle truck our shins, 284 00:13:05,600 --> 00:13:07,193 the first-class compartment, 285 00:13:07,240 --> 00:13:08,389 the piece of skin at the nape of the neck, 286 00:13:09,040 --> 00:13:10,360 and the crossing, an electric elk called Simon. 287 00:13:10,400 --> 00:13:12,311 The clarity is devastating. 288 00:13:12,360 --> 00:13:14,590 But where is the ambiguity? It's over there in a box. 289 00:13:14,640 --> 00:13:16,677 Shunt is saying the 8:15 from Gillingham, 290 00:13:16,720 --> 00:13:19,360 when, in reality, he means the 8:13 from Gillingham. 291 00:13:19,400 --> 00:13:21,357 The train is the same, only the time is altered. 292 00:13:21,400 --> 00:13:23,311 Ecce homo, ergo elk. 293 00:13:23,360 --> 00:13:26,000 La Fontaine knew its sister, and knew her bloody well. 294 00:13:26,040 --> 00:13:28,793 The point is taken, the beast is molting, the fluff gets up your nose. 295 00:13:29,000 --> 00:13:30,638 The illusion is complete, it's reality. 296 00:13:30,680 --> 00:13:33,513 Reality is illusion, and the ambiguity is the only truth. 297 00:13:33,560 --> 00:13:35,676 Butis the truth, as Hitchcock observes, in the box? 298 00:13:35,720 --> 00:13:38,189 No. There isn't room, the ambiguity has put on weight. 299 00:13:38,200 --> 00:13:40,555 The point is taken, the elk is dead, the beast stops at Swindon. 300 00:13:40,600 --> 00:13:42,193 Chabrol stops at nothing, I'm having treatment, 301 00:13:42,240 --> 00:13:44,356 and La Fontaine can get knotted. 302 00:13:44,400 --> 00:13:45,834 Gavin Millarrrrrrrrr-- 303 00:13:46,040 --> 00:13:47,269 [ROLLING R'S] 304 00:13:47,320 --> 00:13:49,630 was not talking to Neville Shunt. 305 00:13:49,680 --> 00:13:52,832 From the world of the theater, we turn to the world of dental hygiene. 306 00:13:53,040 --> 00:13:54,633 No, no, no. 307 00:13:54,680 --> 00:13:56,796 From the world of theater, we turn to the silver screen. 308 00:13:56,840 --> 00:13:58,638 We honor one of the silver screen's 309 00:13:58,680 --> 00:14:00,034 outstanding writer-dentists-- 310 00:14:00,040 --> 00:14:01,519 Uh, writer-directors. 311 00:14:01,560 --> 00:14:03,278 Martin Curry, who is visiting London, 312 00:14:03,320 --> 00:14:04,674 to have a tooth-- For the pre-molar-- 313 00:14:04,720 --> 00:14:06,711 Premiere of his filling-- 314 00:14:06,760 --> 00:14:08,717 Film next Toothday-- 315 00:14:08,760 --> 00:14:10,080 Tuesday, at the Dental Theater 316 00:14:10,120 --> 00:14:12,031 Film Theater. 317 00:14:12,080 --> 00:14:15,232 Martin Curry talking to Matthew Palate-- Padget. 318 00:14:15,240 --> 00:14:17,038 Martin Curry, welcome. 319 00:14:17,040 --> 00:14:18,713 One of the big teeth 320 00:14:18,760 --> 00:14:22,071 Um, big points that the American critics made 321 00:14:22,080 --> 00:14:24,230 about your latest film, The Twelve Caesars, 322 00:14:24,280 --> 00:14:26,271 was that it was on so all-embracing a topic. 323 00:14:26,280 --> 00:14:29,159 Now, what made you undertake 0 enormous a tusk? 324 00:14:29,200 --> 00:14:30,270 Task! 325 00:14:30,320 --> 00:14:32,550 Well, I've 326 00:14:32,600 --> 00:14:35,479 I've always been interested in Imperial Rome, 327 00:14:35,520 --> 00:14:38,638 right from Julius Caesar, right through to Vespasian. 328 00:14:38,680 --> 00:14:40,637 Who? -Vespasian. 329 00:14:40,680 --> 00:14:42,717 -Oh, Vespasian. -Yes. 330 00:14:42,760 --> 00:14:44,592 When I saw your film, it did seem to me 331 00:14:44,600 --> 00:14:48,275 that you had taken a rather, um, subjective approach to it. 332 00:14:48,320 --> 00:14:50,038 I'm sorry? 333 00:14:50,080 --> 00:14:52,674 Well, I mean, all your main characters had these enormous 334 00:14:52,720 --> 00:14:54,597 Well, not enormous, but uh, 335 00:14:54,640 --> 00:14:57,473 these, um, very big... 336 00:14:57,520 --> 00:14:59,318 Let's have a look at a clip, 337 00:14:59,360 --> 00:15:01,317 in which Julius Incisor-- Caesar. 338 00:15:01,320 --> 00:15:02,993 --talks to his generals 339 00:15:03,040 --> 00:15:04,553 during the battle against Caractacus. 340 00:15:04,600 --> 00:15:06,193 I don't see that at all. 341 00:15:07,320 --> 00:15:10,119 Shall I order the cavalry 342 00:15:10,160 --> 00:15:14,711 that they may hide themselves in the wood, O Caesar? 343 00:15:14,760 --> 00:15:18,196 SOLDIERS: Thus, oh, Caesar. 344 00:15:18,200 --> 00:15:23,229 Today is about to be a triumph for our native country. 345 00:15:23,280 --> 00:15:26,989 Martin Curry, why do all your characters have these very big-- 346 00:15:27,240 --> 00:15:29,390 Um, very big, uh, teeth? 347 00:15:29,440 --> 00:15:31,272 What do you mean? 348 00:15:31,280 --> 00:15:34,033 Well, I mean, even in your biblical epic, The Son of Man. 349 00:15:34,080 --> 00:15:36,799 John the Baptist had the most enormous dental appendages, 350 00:15:37,000 --> 00:15:38,559 and, of course, um, 351 00:15:38,600 --> 00:15:40,989 himself had the most monumental ivories. 352 00:15:41,040 --> 00:15:44,237 No, I'm afraid I don't see that at all. 353 00:15:44,280 --> 00:15:47,238 Well, um-- -Could I have a straw? 354 00:15:47,280 --> 00:15:49,396 Oh, a straw, yes, yes. 355 00:15:49,400 --> 00:15:51,277 While we're doing that, um, perhaps we can take another look 356 00:15:51,320 --> 00:15:53,118 at an earlier film, Trafalgar. 357 00:15:53,160 --> 00:15:55,470 Cover my coat, Mr. Bush, 358 00:15:55,520 --> 00:15:59,275 the men must not know of this till victory is ours. 359 00:15:59,320 --> 00:16:01,072 The surgeon's coming, sir. 360 00:16:01,120 --> 00:16:06,194 No, tell the surgeon to attend the men that can be saved. 361 00:16:06,240 --> 00:16:08,675 He can do little for me, I fear. 362 00:16:08,720 --> 00:16:10,233 Aye, aye, sir. 363 00:16:10,280 --> 00:16:13,591 Hardy? Hardy? 364 00:16:13,640 --> 00:16:17,190 Sir? 365 00:16:17,240 --> 00:16:19,550 Put your hand on my thigh. 366 00:16:22,520 --> 00:16:23,715 Ha. 367 00:16:23,760 --> 00:16:25,319 Well, Martin Curry, thank you. 368 00:16:25,360 --> 00:16:26,998 Well, we asked the first-night audience 369 00:16:27,040 --> 00:16:28,713 what they thought of that film. 370 00:16:28,760 --> 00:16:30,637 It wasn't true to life. 371 00:16:30,680 --> 00:16:32,034 Yes, it was. 372 00:16:32,040 --> 00:16:33,155 No, it wasn't. 373 00:16:33,200 --> 00:16:35,430 I thought it was totally bizarre. 374 00:16:35,480 --> 00:16:38,233 Well, I've been in the city for over 40 years, 375 00:16:38,280 --> 00:16:40,476 and I think the importance of looking after poor people 376 00:16:40,480 --> 00:16:42,118 cannot be understressed. 377 00:16:42,160 --> 00:16:45,312 Well, I've been in the city for 20 years, 378 00:16:45,320 --> 00:16:46,594 and I must admit 379 00:16:46,640 --> 00:16:49,029 I'm lost. 380 00:16:49,080 --> 00:16:51,151 MAN: Well, I've been in the city all my life, 381 00:16:51,200 --> 00:16:53,589 and I'm as alert and active as I've ever been. 382 00:16:53,640 --> 00:16:56,393 Well, I've been in the city since I was two, 383 00:16:56,400 --> 00:16:59,392 and I certainly wouldn't say that I was stuck in a rut. 384 00:17:04,640 --> 00:17:07,109 Doo-dah, Mr. Bulstrode's stuck again. 385 00:17:08,640 --> 00:17:11,996 I certainly wouldn't say that I was stuck in a rut. 386 00:17:12,040 --> 00:17:15,078 Well, I've been in the city for 30 years, 387 00:17:15,120 --> 00:17:17,350 and I've never once regretted being a nasty, 388 00:17:17,400 --> 00:17:20,074 greedy, cold-hearted, avaricious money-grubber. 389 00:17:20,120 --> 00:17:21,758 Conservative. 390 00:17:23,640 --> 00:17:26,200 and I'd like to see the reintroduction of flogging. 391 00:17:26,240 --> 00:17:28,993 Every Thursday, ‘round my place. 392 00:17:29,040 --> 00:17:31,316 Well, I've been in the sea for 33 years 393 00:17:31,360 --> 00:17:33,158 and I've never regretted it. 394 00:17:33,200 --> 00:17:35,111 -MAN 1: Neither have I. -MAN 2: Neither have I. 395 00:17:35,160 --> 00:17:36,514 MAN 1: Yes. 396 00:17:36,560 --> 00:17:39,234 [MEN CHATTERING] 397 00:17:39,240 --> 00:17:42,596 1 think it must be a naturalist outing. 398 00:17:42,640 --> 00:17:44,472 No. 399 00:17:44,520 --> 00:17:48,593 I think it must be one of them crackpot religions. 400 00:17:51,120 --> 00:17:53,111 This is an example of the sort of abuse, 401 00:17:53,120 --> 00:17:55,316 we get all the time from ignorant people. 402 00:17:55,360 --> 00:17:57,158 I inherited this religion from my father, 403 00:17:57,200 --> 00:17:58,793 an ex-used-car salesman, 404 00:17:59,000 --> 00:18:01,389 and part-time window box, and I am very proud 405 00:18:01,440 --> 00:18:04,353 to be in charge of the first religion with free gifts. 406 00:18:04,400 --> 00:18:07,995 You get this luxury tea trolley with every new enrollment. 407 00:18:08,040 --> 00:18:10,190 In addition to this, you can win, 408 00:18:10,240 --> 00:18:12,436 a three-piece lounge suite, 409 00:18:12,440 --> 00:18:14,590 this luxury caravan, 410 00:18:14,640 --> 00:18:18,156 a weekend for two with Peter Bonetti, 411 00:18:18,200 --> 00:18:20,157 and tonight's star prize, 412 00:18:20,200 --> 00:18:23,511 the entire Norwich City Council. 413 00:18:23,560 --> 00:18:26,757 [PLAYING FANFARE] 414 00:18:26,960 --> 00:18:29,110 And remember, with only eight scoring draws, 415 00:18:29,160 --> 00:18:32,755 you can win a bishopric in a sea of your own choice. 416 00:18:32,960 --> 00:18:36,078 You see, we have a much more modern approach to religion. 417 00:18:38,440 --> 00:18:40,750 [COIN CLANKING] 418 00:18:50,440 --> 00:18:54,798 Blessed is Arthur Crackpot and all his subsidiaries, Ltd. 419 00:18:55,000 --> 00:18:57,310 You see, in our church, we have a lot more fun. 420 00:18:58,560 --> 00:18:59,789 Well, Mrs. Collins, 421 00:19:00,000 --> 00:19:01,752 you did say you were nervous, didn't you? 422 00:19:01,960 --> 00:19:04,110 You have eyes on the coffee machine? 423 00:19:04,160 --> 00:19:05,389 I don't mind, I don't mind. 424 00:19:05,440 --> 00:19:07,556 It's just nice to be here, Reverend. 425 00:19:07,600 --> 00:19:09,273 Archdeacon. 426 00:19:09,320 --> 00:19:11,516 Well, you asked for the coffee machine 427 00:19:11,560 --> 00:19:13,358 so let's see what you've won. 428 00:19:13,400 --> 00:19:16,677 You chose Hymn 437. 429 00:19:18,440 --> 00:19:21,080 Oh, Mrs. Collins, 430 00:19:21,120 --> 00:19:23,396 you had eyes on the coffee machine. 431 00:19:23,440 --> 00:19:25,670 Well, you have won tonight's star prize: 432 00:19:25,680 --> 00:19:28,354 The entire Norwich City Council! 433 00:19:28,400 --> 00:19:30,516 [APPLAUSE AND CHEERING] 434 00:19:30,560 --> 00:19:32,710 [FANFARE PLAYING] 435 00:19:32,720 --> 00:19:34,154 I've got one already. 436 00:19:36,600 --> 00:19:39,160 Alot of religions-- No names, no pack deal. 437 00:19:39,200 --> 00:19:40,554 --do go for the poorer type of person. 438 00:19:40,600 --> 00:19:41,999 Face it, there's more of them. 439 00:19:42,000 --> 00:19:43,593 Poor people, thieves, villains, 440 00:19:43,600 --> 00:19:45,273 poor people without no money at all. 441 00:19:45,320 --> 00:19:47,152 Well, we don't have none of that tat. 442 00:19:47,200 --> 00:19:50,397 Rich people and crumpet over 16 can enter free. 443 00:19:50,440 --> 00:19:52,238 Upper middle class, quite welcome. 444 00:19:52,240 --> 00:19:55,039 Lower middle class, not under five-grand a year. 445 00:19:55,080 --> 00:19:56,514 Lower class, I can't touch it. 446 00:19:56,560 --> 00:19:58,119 There's no return on it, you see. 447 00:19:58,160 --> 00:20:01,039 Do you have any difficulty converting people? 448 00:20:01,080 --> 00:20:03,390 Oh, no, well, we have ways of making them join. 449 00:20:03,720 --> 00:20:05,518 Norman there does alot of converting, 450 00:20:05,560 --> 00:20:07,312 a lot of protection, that sort of thing. 451 00:20:07,320 --> 00:20:10,312 And, uh, there's his mate, Bruce Beer. 452 00:20:10,360 --> 00:20:13,796 Brucie has personally converted 92 people, 453 00:20:14,000 --> 00:20:16,196 25 inside the distance. 454 00:20:16,240 --> 00:20:18,993 Then again, we're not afraid to use more modern methods. 455 00:20:19,040 --> 00:20:21,475 ANNOUNCER: Sarah, today's diocesan lovely, 456 00:20:21,520 --> 00:20:23,830 is enough to make any chap go down on his knees. 457 00:20:24,040 --> 00:20:27,476 This 23-year-old bishop hails, appropriately enough, 458 00:20:27,520 --> 00:20:29,830 from Bishop's Stortford, and lists her hobbies 459 00:20:30,040 --> 00:20:33,476 as swimming, riding, and film producers. What a gas! 460 00:20:33,520 --> 00:20:36,034 Bet she's no novice when it comes 461 00:20:36,080 --> 00:20:38,117 fo converting all in her sea. 462 00:20:38,160 --> 00:20:39,480 Basically... 463 00:20:40,520 --> 00:20:46,232 I believe in peace, 464 00:20:46,280 --> 00:20:51,400 and bashing two bricks together. 465 00:20:54,840 --> 00:20:56,797 I'm starting a war for peace. 466 00:20:56,840 --> 00:21:00,117 [HACKING] 467 00:21:03,000 --> 00:21:04,638 Cor, blimey. 468 00:21:04,680 --> 00:21:08,116 I'm raising polecats for peace. 469 00:21:08,160 --> 00:21:09,389 [COUGHS] 470 00:21:09,440 --> 00:21:11,317 Peace? I like a piece. 471 00:21:11,320 --> 00:21:12,674 Know what I mean? Know what I mean? 472 00:21:12,720 --> 00:21:15,030 Say no more. Nudge, nudge. 473 00:21:15,080 --> 00:21:17,037 Our religion is the first church 474 00:21:17,080 --> 00:21:19,435 to cater for the naughty type of person. 475 00:21:19,480 --> 00:21:22,040 If you'd like a bit of, uh, love-your-neighbor-- 476 00:21:22,080 --> 00:21:23,673 And who doesn't now and again? 477 00:21:23,720 --> 00:21:27,190 --then see Vera and Ciceley during the hymns. 478 00:21:27,200 --> 00:21:31,353 In our church, we try to help people to help themselves. 479 00:21:31,400 --> 00:21:34,518 To cars, washing machines, lead piping, no questions asked. 480 00:21:34,560 --> 00:21:36,710 We are the only church, apart from the Baptists, 481 00:21:36,760 --> 00:21:38,319 to do respray jobs. 482 00:21:38,360 --> 00:21:40,317 We at the Church of the Divine Loony, 483 00:21:40,360 --> 00:21:42,590 believe in the power of prayer to turn the head purple. 484 00:21:42,640 --> 00:21:44,711 [LAUGHING] 485 00:21:44,760 --> 00:21:46,637 I'd like to come in here for a moment, if I may, 486 00:21:46,680 --> 00:21:48,432 and disassociate our church 487 00:21:48,480 --> 00:21:51,279 from these frivolous and offensive religions. 488 00:21:51,640 --> 00:21:54,154 We are primarily concerned with what is best-- 489 00:21:54,200 --> 00:21:56,430 [RINGS] 490 00:21:56,480 --> 00:21:59,472 Hello? Oh. 491 00:21:59,520 --> 00:22:02,592 Well, how about Allied Breweries? 492 00:22:02,640 --> 00:22:05,439 All right, but keep the Rio Tinto. 493 00:22:05,440 --> 00:22:07,238 -for the human soul. 494 00:22:07,280 --> 00:22:13,276 In our church, we believe first and foremost in you. 495 00:22:13,280 --> 00:22:15,271 [MUTTERING] 496 00:22:17,280 --> 00:22:22,753 We want you to think of us as your friend. 497 00:22:22,760 --> 00:22:24,353 [MUTTERING] 498 00:22:32,640 --> 00:22:34,472 Now, as I... 499 00:22:34,600 --> 00:22:36,273 Oh, hello? 500 00:22:36,320 --> 00:22:37,549 What? I can't hear you. 501 00:22:37,600 --> 00:22:41,309 Hey Harry, we've got a bad connection on line 422, can you switch the points over? 502 00:22:41,840 --> 00:22:44,832 No that's still not got it, no no, oh the Devil take it. 503 00:22:46,400 --> 00:22:49,392 [THUNDER RUMBLING] 504 00:22:53,520 --> 00:22:55,113 Did somebody call? 505 00:22:55,360 --> 00:22:58,352 Oh I'm sorry, I think this is rather the wrong moment for sales talk. 506 00:22:58,680 --> 00:23:02,469 Terribly sorry, my fault. Excuse me please. 507 00:23:05,360 --> 00:23:08,000 NARRATOR: In this picture there are 40 people. 508 00:23:08,000 --> 00:23:09,479 None of them can be seen. 509 00:23:09,520 --> 00:23:11,238 In this film we hope to show you 510 00:23:11,280 --> 00:23:12,634 how not to be seen. 511 00:23:19,080 --> 00:23:21,720 This is Mr. E.R. Bradsaw of Napier Court, 512 00:23:21,720 --> 00:23:24,234 Black Lion Road, SES. 513 00:23:24,280 --> 00:23:26,032 He cannot be seen. 514 00:23:26,080 --> 00:23:27,718 Now, I'm going to ask him fo stand up. 515 00:23:27,720 --> 00:23:30,280 Mr. Bradsaw, will you stand up, please? 516 00:23:35,480 --> 00:23:37,517 [GUNSHOT] 517 00:23:37,560 --> 00:23:41,599 This demonstrates the value of not being seen. 518 00:23:42,640 --> 00:23:44,551 In this picture we cannot see 519 00:23:44,600 --> 00:23:48,594 Mrs. B.J. Smegma of 13, The Crescent, Belmont. 520 00:23:48,640 --> 00:23:51,678 Mrs. Smegma, will you stand up, please? 521 00:23:54,280 --> 00:23:56,191 [GUNSHOT] 522 00:23:56,240 --> 00:23:59,517 This is Mr. Nesbitt of Harlow New Town. 523 00:23:59,560 --> 00:24:04,191 Mr. Nesbitt, would you stand up, please? 524 00:24:04,240 --> 00:24:07,358 Mr. Nesbitt has leant the first lesson of not being seen: 525 00:24:07,360 --> 00:24:09,192 not fo stand up. 526 00:24:09,240 --> 00:24:12,312 However, he has chosen a very obvious piece of cover. 527 00:24:15,680 --> 00:24:18,672 Mr. E.V. Lambert of Homeleigh, The Burrows, Oswestry, 528 00:24:18,720 --> 00:24:20,631 has presented us with a poser. 529 00:24:20,640 --> 00:24:22,995 We do not know which bush he is behind, 530 00:24:23,040 --> 00:24:24,997 but we can soon find out. 531 00:24:32,440 --> 00:24:34,113 [MAN SCREAMS] 532 00:24:34,120 --> 00:24:36,430 Yes, it was the middle one. 533 00:24:39,360 --> 00:24:42,159 Mr. Ken Andrews, of Leighton Road, Slough, 534 00:24:42,200 --> 00:24:44,191 has concealed himself extremely well. 535 00:24:44,240 --> 00:24:46,072 He could be almost anywhere. 536 00:24:46,120 --> 00:24:49,476 He could be behind the wall inside the water barrel, 537 00:24:49,520 --> 00:24:52,638 beneath a pile of leaves, up in the tree, 538 00:24:52,680 --> 00:24:56,116 squatting down behind the car, concealed in a hollow, 539 00:24:56,160 --> 00:24:59,312 or crouched behind any one of a hundred bushes. 540 00:24:59,360 --> 00:25:02,716 However, we happen to know he's in the water barrel. 541 00:25:09,960 --> 00:25:12,554 Mr. and Mrs. Watson of Ivy Cottage, 542 00:25:12,560 --> 00:25:14,119 Worplesdon Road, Hull, 543 00:25:14,160 --> 00:25:16,470 chose a very cunning way of not being seen. 544 00:25:16,520 --> 00:25:18,318 When we called at their house, 545 00:25:18,360 --> 00:25:20,636 we found they had gone away on two weeks' holiday. 546 00:25:20,680 --> 00:25:23,035 They had not left any forwarding address, 547 00:25:23,040 --> 00:25:24,599 and they had bolted and barred the house 548 00:25:24,640 --> 00:25:26,438 fo prevent us getting in. 549 00:25:26,480 --> 00:25:29,313 However, a neighbor told us where they were. 550 00:25:30,560 --> 00:25:32,312 [MAN & WOMAN SCREAM] 551 00:25:34,280 --> 00:25:38,194 And here is the neighbor who told us where they were. 552 00:25:38,240 --> 00:25:40,072 [GRUNTS] 553 00:25:40,120 --> 00:25:42,680 Nobody likes a clever Dick. 554 00:25:42,720 --> 00:25:45,234 And this is where he lived. 555 00:25:46,040 --> 00:25:47,792 And this is where Lord Langdon lived, 556 00:25:48,000 --> 00:25:49,991 who refused to speak to us. 557 00:25:51,040 --> 00:25:53,475 And so did the gentleman who lived here. 558 00:25:53,520 --> 00:25:56,034 And here. 559 00:25:56,080 --> 00:25:59,198 And, of course, here. 560 00:25:59,240 --> 00:26:02,073 And Manchester. 561 00:26:02,080 --> 00:26:04,356 And the U.S. midlands. 562 00:26:05,440 --> 00:26:07,113 Spain. 563 00:26:08,440 --> 00:26:09,589 China! 564 00:26:09,640 --> 00:26:11,631 [LAUGHING MANIACALLY] 565 00:26:14,240 --> 00:26:16,470 [LAUGHING CONTINUES] 566 00:26:16,520 --> 00:26:18,670 Ah. Well, I'm afraid we have to stop the film there, 567 00:26:18,720 --> 00:26:20,552 as some of the scenes which followed, 568 00:26:20,600 --> 00:26:23,160 were of a violent nature which might have proved distressing 569 00:26:23,200 --> 00:26:24,679 to some of our viewers. 570 00:26:24,720 --> 00:26:26,438 Though not to me, I can tell you. 571 00:26:26,480 --> 00:26:27,754 [CLEARS THROAT] 572 00:26:27,800 --> 00:26:29,473 In Nova Scotia today, 573 00:26:29,520 --> 00:26:32,114 Mr. Roy Bent of North Walsham in Norfolk, 574 00:26:32,160 --> 00:26:35,471 became the first man to cross the Atlantic on a tricycle. 575 00:26:35,480 --> 00:26:38,040 His tricycle, specially adapted for the crossing, 576 00:26:38,080 --> 00:26:40,356 was 90-foot long, with a protective steel hull, 577 00:26:40,400 --> 00:26:45,315 three funnels, 17 first-class cabins and a radar scanner. 578 00:26:45,320 --> 00:26:48,358 Mr. Bent is in our Durham studios. 579 00:26:48,400 --> 00:26:49,799 Which is rather unfortunate, 580 00:26:50,000 --> 00:26:51,274 aswe'reall down here in London. 581 00:26:55,040 --> 00:26:57,236 And in London-- 582 00:26:57,280 --> 00:26:59,476 In London I have with me Mr. Ludovic Grayson. 583 00:26:59,520 --> 00:27:02,512 The man who scored all six goals in Arsenal's 1-0 victory 584 00:27:02,560 --> 00:27:04,039 over the 585 00:27:04,040 --> 00:27:07,032 Qver the Turkish champions, FC Botty. 586 00:27:07,080 --> 00:27:09,720 Ludovic, first of all, congratulations on the victory. 587 00:27:09,760 --> 00:27:11,034 Thank you, David. 588 00:27:11,080 --> 00:27:12,673 Should-- 589 00:27:12,720 --> 00:27:14,279 Should send you back to botty with a big lead. 590 00:27:14,320 --> 00:27:16,596 Oh, yes, we're fairly confident, David. 591 00:27:16,640 --> 00:27:18,438 Well, at the moment, Ludovic, 592 00:27:18,480 --> 00:27:21,438 you're crouching down inside a filing cabinet. 593 00:27:21,480 --> 00:27:24,518 Yes, that's right, David, I'm trying not to be seen. 594 00:27:24,560 --> 00:27:26,631 I see. Uh, is this through fear? 595 00:27:26,680 --> 00:27:28,637 Oh, no, no, it's common sense really. 596 00:27:28,680 --> 00:27:30,717 If they can't see you, they can't get you. 597 00:27:30,760 --> 00:27:32,353 [BOTH CHUCKLE] 598 00:27:32,400 --> 00:27:33,799 -But, of course, they can still hear you. -Huh? 599 00:27:34,000 --> 00:27:35,638 [EXPLOSION] -Aaah! 600 00:27:37,720 --> 00:27:39,438 Ludovic Grayson, thank you very much, 601 00:27:39,440 --> 00:27:41,033 for coming on the program tonight. 602 00:27:41,040 --> 00:27:42,439 And we end the show with music. 603 00:27:42,480 --> 00:27:44,232 And here with their latest recording, 604 00:27:44,280 --> 00:27:47,272 "Yummy, Yummy, Yummy, I've Got Love in My Tummy," 605 00:27:47,280 --> 00:27:49,430 Jackie Charlton and the Tonettes. 606 00:27:49,480 --> 00:27:51,756 [0] 607 00:27:56,080 --> 00:27:59,152 I Yummy, yummy, yummy 1 got love in my tummy ♪ 608 00:27:59,200 --> 00:28:03,194 2 And I feel like A-loving you 609 00:28:03,200 --> 00:28:04,554 7 Love, you're stich A sweet thing 610 00:28:04,600 --> 00:28:06,955 I Good enough to eat thing ♪ 611 00:28:07,000 --> 00:28:10,516 7 And it's just what I'm gonna do ♪ 612 00:28:10,560 --> 00:28:12,437 2 Ooh, love to hold yas 613 00:28:12,440 --> 00:28:14,511 1 Ooh, love to kiss ya ♪ 614 00:28:14,560 --> 00:28:20,078 ♪ Ooh, love, Hove it so ♪ 615 00:28:20,080 --> 00:28:21,957 1 Ooh, love, you're sweeter 616 00:28:22,000 --> 00:28:23,513 I Sweeter than sugar ♪ 617 00:28:23,560 --> 00:28:28,191 ♪ Ooh, love won't let you go ♪ 618 00:28:37,080 --> 00:28:40,596 I Yummy, yummy, yummy 1 got love in my tummy ♪ 619 00:28:40,640 --> 00:28:44,315 7 And as silly as it may seem} 620 00:28:44,360 --> 00:28:48,354 1 The lovin' that you're givin' Is what keeps me livin'? 621 00:28:48,400 --> 00:28:51,756 I And your love is like Peaches and cream 622 00:28:51,800 --> 00:28:53,677 7 Kinda like sugar § 623 00:28:53,720 --> 00:28:55,677 I Kinda like spices I 624 00:28:55,720 --> 00:29:00,191 I Kinda like Like what you do ♪ 625 00:29:01,240 --> 00:29:03,151 1 Kinda sounds funny 626 00:29:03,200 --> 00:29:05,191 7 But your love, honey ♪ 627 00:29:05,240 --> 00:29:10,758 2 And honey, I love you I 628 00:29:11,280 --> 00:29:14,159 IBada Badadadadal 629 00:29:14,200 --> 00:29:18,558 ♪ Badada Dada dadadal 630 00:29:18,600 --> 00:29:20,193 I Yummy yummy yummy... ♪ 631 00:29:21,440 --> 00:29:23,477 ANNOUNCER: For those who may have just missed 632 00:29:23,480 --> 00:29:26,598 Monty Python's Flying Circus, here it is again. 633 00:29:26,640 --> 00:29:28,711 [0] 634 00:29:47,400 --> 00:29:51,030 1 The lovin' that you're givin' Is what keeps me livin'? 635 00:29:51,040 --> 00:29:54,749 I And your love is like Peaches and cream 636 00:29:54,800 --> 00:29:56,791 7 Kinda like sugar... ♪ 46887

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