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1
00:00:08,878 --> 00:00:11,011
GIRL: HEY, MOM, CAN
AMBER COME OVER TONIGHT?
2
00:00:11,054 --> 00:00:13,056
WOMAN: I DON'T KNOW.
WHAT ABOUT YOUR HOMEWORK?
3
00:00:13,100 --> 00:00:14,057
I ALREADY DID IT
IN SCHOOL.
4
00:00:14,101 --> 00:00:15,841
REALLY?
YEAH.
5
00:00:15,885 --> 00:00:17,713
WELL, LET'S TALK ABOUT
IT AFTER DINNER.
6
00:00:17,756 --> 00:00:19,715
OK, MOM.
7
00:00:21,238 --> 00:00:23,284
[CAR TURNS OFF]
8
00:00:30,769 --> 00:00:32,206
[OPENS MAILBOX]
9
00:00:46,220 --> 00:00:47,786
WE STILL GOT
LEFT OVER MEATLOAF.
10
00:00:47,830 --> 00:00:48,961
YOU WANT TO DO THAT?
11
00:00:49,005 --> 00:00:50,441
GIRL: SURE.
12
00:01:22,256 --> 00:01:24,214
WHAT'S WRONG?
13
00:01:27,261 --> 00:01:29,393
[CAR ALARM SOUNDS]
14
00:01:33,310 --> 00:01:35,095
[DOG BARKING]
15
00:01:38,489 --> 00:01:39,490
[KIDS LAUGHING]
16
00:01:39,534 --> 00:01:41,318
JAKE: MOM! MOM!CHLOE: MOM!
17
00:01:41,362 --> 00:01:43,233
HI, GUYS.
18
00:01:43,277 --> 00:01:45,235
YOU DON'T LOOK SICK, MOM.
19
00:01:45,279 --> 00:01:47,281
OH, I'M NOT,
SWEETIE.
20
00:01:47,324 --> 00:01:48,586
I'M...I'M JUST
RESTING.
21
00:01:48,630 --> 00:01:49,892
ARE YOU GOING
TO THROW UP?
22
00:01:49,935 --> 00:01:51,981
[LAUGHS]
NO, NO, I'M FINE.
23
00:01:52,024 --> 00:01:53,200
HERE, MOMMY.
24
00:01:53,243 --> 00:01:54,244
AHH.
25
00:01:54,288 --> 00:01:56,638
SHE MADE YOU A SANDWICH.
26
00:01:56,681 --> 00:01:59,684
HEH. WHY,
THANK YOU, LILY.
27
00:01:59,728 --> 00:02:02,557
IT'S TUNA FISH.
AND PEANUT BUTTER.
28
00:02:02,600 --> 00:02:03,862
YEAH, I SEE THAT.
29
00:02:03,906 --> 00:02:05,125
ALL RIGHT, KIDS.
THAT'S ENOUGH.
30
00:02:05,168 --> 00:02:06,387
COME ON, YOUR MOM NEEDS
SOME PEACE AND QUIET.
31
00:02:06,430 --> 00:02:08,258
LET'S GO.
COME ON.
32
00:02:08,302 --> 00:02:09,955
DAVID: I WANT TO
PLAY MONOPOLY.
33
00:02:12,697 --> 00:02:15,570
PHEW.
MM-HMM.
34
00:02:15,613 --> 00:02:17,093
YIKES.
35
00:02:17,137 --> 00:02:19,269
ALL RIGHT, SO YOU REMEMBER
THE GROUND RULES?
36
00:02:19,313 --> 00:02:21,489
THE DOCTOR SAID
24 TO 48 HOURS
37
00:02:21,532 --> 00:02:23,099
COMPLETE BED REST.
38
00:02:23,143 --> 00:02:25,406
NOT HERE AND THERE
BED REST, COMPLETE.
39
00:02:25,449 --> 00:02:26,537
OH.
40
00:02:26,581 --> 00:02:28,409
AND IF YOU NEED ANYTHING...
41
00:02:28,452 --> 00:02:30,237
[BELL DINGS]
42
00:02:30,280 --> 00:02:32,326
JUST RING AND I WILL
COME AND TAKE CARE OF IT.
43
00:02:32,369 --> 00:02:35,677
WELL, LET'S TEST
THIS THING OUT.
44
00:02:35,720 --> 00:02:37,200
[BELL DINGS]
45
00:02:37,244 --> 00:02:38,810
I NEED A KISS.
46
00:02:40,247 --> 00:02:42,205
BOY: I'M TELLING MOM.
AND I'M TELLING DAD.
47
00:02:42,249 --> 00:02:44,294
YOU SURE YOU'RE
UP TO THIS?
48
00:02:44,338 --> 00:02:46,340
WELL, ADMINISTRATIVE
DAY AT SCHOOL, NO SITTERS,
49
00:02:46,383 --> 00:02:47,950
SO I BETTER BE UP TO IT.
50
00:02:47,993 --> 00:02:49,473
UGH.
51
00:02:49,517 --> 00:02:52,346
I MIGHT BE THE FIRST
WOMAN TO GIVE BIRTH
TO A BEACH BALL.
52
00:02:52,389 --> 00:02:53,477
WELL, JUST HANG IN THERE.
53
00:02:53,521 --> 00:02:55,349
NUMBER 5.
54
00:02:55,392 --> 00:02:56,437
NUMBER 5.
55
00:02:56,480 --> 00:02:58,613
HAVE WE TOTALLY
LOST OUR MINDS?
56
00:03:00,049 --> 00:03:01,442
YOU START RESTING.
57
00:03:01,485 --> 00:03:03,183
NOW.
[LAUGHS]
58
00:03:07,578 --> 00:03:09,232
I'M GONNA...
YEAH, THANKS.
59
00:03:09,276 --> 00:03:10,581
APPRECIATE THAT.
60
00:03:16,283 --> 00:03:17,371
REID: YOU'RE BACK.
61
00:03:17,414 --> 00:03:19,895
HI. YEAH, THOUGHT
I'D GET IN EARLY,
62
00:03:19,938 --> 00:03:21,723
STAKE OUT MY SPOT.
63
00:03:23,159 --> 00:03:24,291
MMM.
64
00:03:24,334 --> 00:03:26,075
FEELS LIKE OLD TIMES.
65
00:03:26,118 --> 00:03:27,816
IT DOES.
66
00:03:27,859 --> 00:03:29,383
THAT'S GOOD, RIGHT?
67
00:03:29,426 --> 00:03:30,688
IT'S GREAT.
68
00:03:30,732 --> 00:03:33,430
GARCIA: JJ, OH, MY GOD,
OH, MY GOD, OH, MY GOD.
69
00:03:33,474 --> 00:03:35,389
JJ! OH, MY GOD.
LOOK AT THAT.
70
00:03:35,432 --> 00:03:36,868
LOOK AT YOU.OHH, HEY.
71
00:03:36,912 --> 00:03:38,218
HI.IT'S ME.
72
00:03:38,261 --> 00:03:40,481
[LAUGHS] HI.
73
00:03:40,524 --> 00:03:42,222
MISSED YOU.
74
00:03:42,265 --> 00:03:43,527
HEY, THERE.
75
00:03:43,571 --> 00:03:47,096
HEY. WELCOME BACK.
SO GOOD TO HAVE YOU BACK.
76
00:03:47,139 --> 00:03:48,315
GREAT TO BE HERE.
77
00:03:48,358 --> 00:03:50,795
[CHUCKLES]
78
00:03:50,839 --> 00:03:54,277
WE DID DISCUSS YOU
MAYBE EASING BACK
79
00:03:54,321 --> 00:03:55,713
INTO THINGS SLOWLY.
80
00:03:55,757 --> 00:03:57,976
EMILY, I'M GOOD
TO GO, REALLY.
81
00:03:58,020 --> 00:04:00,283
I EVEN BROUGHT
A PERMISSION SLIP
FROM MY DOCTOR.
82
00:04:00,327 --> 00:04:02,242
PROMISE ME,
83
00:04:02,285 --> 00:04:04,418
NO JUMPING OUT OF
HELICOPTERS.
84
00:04:04,461 --> 00:04:06,071
ONLY AS A LAST RESORT.
85
00:04:06,115 --> 00:04:07,464
YOU HAVE MY WORD.
86
00:04:07,508 --> 00:04:09,466
SO WHAT HAVE WE GOT?
87
00:04:09,510 --> 00:04:12,600
WELL, THE TWO MAIL
BOMBING DEATHS WE'VE
BEEN MONITORING IN OHIO
88
00:04:12,643 --> 00:04:15,646
AND KENTUCKY, THIRD ONE
JUST HAPPENED IN MEMPHIS.
89
00:04:15,690 --> 00:04:16,734
WE AREN'T
MONITORING ANYMORE.
90
00:04:16,778 --> 00:04:18,301
THIS CASE IS NOW
OUR TOP PRIORITY.
91
00:04:18,345 --> 00:04:20,172
TWO VICTIMS
ARE RHONDA KIRKMAN
92
00:04:20,216 --> 00:04:21,478
AND HER DAUGHTER SOPHIA,
93
00:04:21,522 --> 00:04:24,307
BUT UNLIKE JOSEPH AINSWORTH
AND SHEILA STECHER,
94
00:04:24,351 --> 00:04:26,309
BOTH OF THESE SWEET
SOULS HAVE SURVIVED.
95
00:04:26,353 --> 00:04:28,572
APPARENTLY THAT BLAST
WASN'T AS STRONG
AS THE OTHERS.
96
00:04:28,616 --> 00:04:31,314
MOTHER AND DAUGHTER
ARE IN CRITICAL
CONDITION, THOUGH.
97
00:04:31,358 --> 00:04:33,664
AND WE STILL DON'T KNOW
HOW THESE BOMBS WERE SENT?
98
00:04:33,708 --> 00:04:36,450
NONE OF THE TRADITIONAL MAIL
CARRIERS SENT ANY PACKAGES
99
00:04:36,493 --> 00:04:38,321
TO THE VICTIMS ON
THE DAYS OF THE ATTACKS.
100
00:04:38,365 --> 00:04:40,671
WELL, GOOD CHANCE HE
DROPPED THEM OFF HIMSELF.
101
00:04:40,715 --> 00:04:42,325
WELL, THAT'D BE
A SIGNIFICANT DEVIATION
102
00:04:42,369 --> 00:04:43,979
FROM THE TRADITIONAL
M.O. OF A MAIL BOMBER.
103
00:04:44,022 --> 00:04:45,633
MOST DON'T GET ANYWHERE
NEAR THEIR VICTIMS.
104
00:04:45,676 --> 00:04:48,505
AND I WONDER WHY THE THIRD
BOMB DIDN'T PACK THE SAME PUNCH.
105
00:04:48,549 --> 00:04:50,333
DEVICE MALFUNCTION, MAYBE?
106
00:04:50,377 --> 00:04:51,987
THAT WOULD BE MY GUESS.
107
00:04:52,030 --> 00:04:54,119
GUYS LIKE THIS DON'T
USUALLY DIAL DOWN
THE VIOLENCE,
108
00:04:54,163 --> 00:04:55,425
THEY ESCALATE.
109
00:04:55,469 --> 00:04:56,948
WELL, IF THIS LATEST BOMB
WAS LESS POWERFUL,
110
00:04:56,992 --> 00:04:59,429
HOPEFULLY WE HAVE MORE
FORENSIC EVIDENCE
TO SIFT THROUGH.
111
00:04:59,473 --> 00:05:01,388
WHAT I'M WORRIED ABOUT
IS A PISSED OFF UNSUB.
112
00:05:01,431 --> 00:05:03,128
HE BOTCHED THIS ONE.
113
00:05:03,172 --> 00:05:06,349
WE CAN BE DAMN SURE
THE NEXT ATTACK WILL
GET THE JOB DONE
114
00:05:06,393 --> 00:05:07,785
AND THEN SOME.
115
00:05:07,829 --> 00:05:09,047
KRISTY'S ON MANDATED
BED REST,
116
00:05:09,091 --> 00:05:10,658
SO MATT WILL STAY BEHIND
AND CONSULT BY PHONE.
117
00:05:10,701 --> 00:05:13,922
HIS MILITARY EXPERIENCE
WITH MUNITIONS SHOULD
BE HELPFUL.
118
00:05:13,965 --> 00:05:16,403
FOR THE REST OF US,
WHEELS UP IN 10.
119
00:05:27,501 --> 00:05:28,980
IT'S 250, RIGHT?
120
00:05:29,024 --> 00:05:32,201
PLUS TIP, IF YOU'RE
SO INCLINED.
121
00:05:35,422 --> 00:05:38,207
OK, LET'S DO THIS.
122
00:05:40,644 --> 00:05:43,168
ONE RED HOT,
STONE COLD CADAVER
123
00:05:43,212 --> 00:05:44,474
COMING UP.
124
00:05:46,041 --> 00:05:48,043
YOU SAID THIS
WOULD BE A WOMAN.
125
00:05:48,086 --> 00:05:50,567
BODY STEALING BUSINESS,
SOMETIMES YOU TAKE THE--
126
00:05:50,611 --> 00:05:52,961
NO, MAN, WE AGREED THAT
THIS WOULD BE A WOMAN.
127
00:05:53,004 --> 00:05:55,442
DEAD'S DEAD.
WHAT THE HELL'S
THE DIFFERENCE?
128
00:05:58,358 --> 00:06:01,448
OH, YOU DON'T GOT TO GO
THIS ROUTE, BUDDY.
129
00:06:01,491 --> 00:06:04,929
THEY'VE GOT ONLINE
DATING SITES NOW.
130
00:06:04,973 --> 00:06:07,279
SPRUCE UP A LITTLE.
YOU'RE NOT A BAD-LOOKING GUY.
131
00:06:07,323 --> 00:06:09,412
LEARN A LITTLE
BALLROOM DANCING.
132
00:06:09,456 --> 00:06:11,414
[LAUGHS]
133
00:06:11,458 --> 00:06:15,113
I'M JOKING, MAN.
JUST YANKING YOUR CHAIN.
134
00:06:17,072 --> 00:06:19,683
OK, UH, THIS TRANSACTION,
135
00:06:19,727 --> 00:06:21,816
THE MERCHANDISE
BEING WHAT IT IS,
136
00:06:21,859 --> 00:06:23,383
ALL SALES ARE FINAL.
137
00:06:23,426 --> 00:06:25,167
SO YOU WANT
THE STIFF OR NOT?
138
00:06:27,604 --> 00:06:28,779
YEAH, PUT IT IN.
139
00:06:28,823 --> 00:06:31,652
MM-MMM.
FREE SHIPPING STOPS HERE.
140
00:06:31,695 --> 00:06:33,610
PUT IT IN YOURSELF.
141
00:06:37,701 --> 00:06:39,877
[BAG ZIPS]
142
00:07:19,264 --> 00:07:21,049
[DOOR CLOSES]
143
00:07:23,660 --> 00:07:25,445
[SNIFFS]
144
00:07:38,283 --> 00:07:40,155
[CHUCKLES]
145
00:08:02,003 --> 00:08:05,397
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.
146
00:08:36,603 --> 00:08:38,605
PRENTISS: "LIFE IS UNDER
NO OBLIGATION
147
00:08:38,648 --> 00:08:40,432
TO GIVE US WHAT WE EXPECT."
148
00:08:40,476 --> 00:08:42,826
MARGARET MITCHELL.
149
00:08:42,870 --> 00:08:44,175
RHONDA KIRKMAN
AND HER DAUGHTER
150
00:08:44,219 --> 00:08:45,742
ARE STILL IN THE ICU.
151
00:08:45,786 --> 00:08:47,831
GARCIA: FRIENDS,
PACKAGING RECEIVED
FROM THE LATEST BOMBING
152
00:08:47,875 --> 00:08:50,965
HAD U.S. POSTAGE,
BUT CURIOUSLY, NO
CANCELLATION MARKS.
153
00:08:51,008 --> 00:08:53,533
WELL, THE UNSUB PUT THEM ON
JUST TO MAKE THEM LOOK LEGIT.
154
00:08:53,576 --> 00:08:55,012
SO IT'S WHAT
WE THEORIZED.
155
00:08:55,056 --> 00:08:56,448
HE'S HAND DELIVERING
THE BOMBS.
156
00:08:56,492 --> 00:08:59,277
RISKY BUSINESS
EXPOSING YOURSELF
LIKE THAT.
157
00:08:59,321 --> 00:09:01,541
MOST BOMBERS ARE
COWARDS WHO DO THEIR
158
00:09:01,584 --> 00:09:03,107
DIRTY WORK FROM
THE SHADOWS.
159
00:09:03,151 --> 00:09:04,456
YOU KNOW, THERE'S
SOMETHING ELSE MISSING
160
00:09:04,500 --> 00:09:05,632
THAT WE USUALLY FIND WITH
THIS TYPE OF KILLER--
161
00:09:05,675 --> 00:09:06,763
A MANIFESTO,
162
00:09:06,807 --> 00:09:08,548
SOME SORT OF CAUSE THEY
WISH TO ESPOUSE.
163
00:09:08,591 --> 00:09:10,288
TED KACZYNSKI,
ERIC RUDOLPH,
164
00:09:10,332 --> 00:09:12,595
TIMOTHY McVEIGH,
BOMBERS TEND
TO BE FANATICS
165
00:09:12,639 --> 00:09:14,423
DRIVEN BY EXTREME
IDEOLOGIES.
166
00:09:14,466 --> 00:09:16,512
VICTIMOLOGY'S ALSO
TOUGH ON THIS ONE.
167
00:09:16,556 --> 00:09:18,514
GARCIA, STILL NOTHING TO
CONNECT THE VICTIMS?
168
00:09:18,558 --> 00:09:20,472
THEY ARE HOMO SAPIENS
ON THE PLANET EARTH,
169
00:09:20,516 --> 00:09:23,432
BUT BESIDES THAT--AGE,
RACE, ETHNICITY--
IT'S ONE BIG MASH UP.
170
00:09:23,475 --> 00:09:25,303
WELL, THEY HAD ONE
THING IN COMMON--
171
00:09:25,347 --> 00:09:27,131
THE UNSUB WANTED
THEM ALL DEAD.
172
00:09:27,175 --> 00:09:30,482
TARA, YOU AND LUKE
GO TAKE A LOOK AT THE
LATEST CRIME SCENE.
173
00:09:30,526 --> 00:09:32,615
REID, JJ, YOU'LL HEAD
TO THE HOSPITAL.
174
00:09:32,659 --> 00:09:34,182
DAVE AND I WILL SET UP
WITH LOCAL LAW ENFORCEMENT
175
00:09:34,225 --> 00:09:36,010
ONCE WE LAND.
176
00:09:39,666 --> 00:09:42,233
SO HOW'S KRISTY'S
BED REST GOING?
177
00:09:42,277 --> 00:09:44,584
SHE'S COMPLYING, BUT
SHE'S NOT HAPPY ABOUT IT.
178
00:09:44,627 --> 00:09:46,803
AND I AM BEING THAT
HARD-ASS HALL MONITOR
179
00:09:46,847 --> 00:09:48,413
THAT EVERYBODY HATES.
180
00:09:48,457 --> 00:09:49,937
ROSSI: HAVE YOU HAD A CHANCE
TO REVIEW THAT BOMB EVIDENCE
181
00:09:49,980 --> 00:09:51,199
WE SENT YOU?
182
00:09:51,242 --> 00:09:52,635
YEAH, THAT'S WHY
I'M CALLING.
183
00:09:52,679 --> 00:09:55,464
SO WE'RE DEFINITELY
DEALING WITH
ONE UNSUB HERE.
184
00:09:55,507 --> 00:09:58,685
THE ASSEMBLY AND
PACKAGING IN ALL 3
ATTACKS ARE IDENTICAL.
185
00:09:58,728 --> 00:10:02,253
THOSE BOMBS DIDN'T LOOK
ESPECIALLY SOPHISTICATED.
186
00:10:02,297 --> 00:10:03,428
NO, THEY'RE NOT.
187
00:10:03,472 --> 00:10:04,995
YOU STUMBLE ACROSS
THE RIGHT WEBSITE,
188
00:10:05,039 --> 00:10:06,736
AND YOUR AVERAGE PERSON
COULD PROBABLY PUT
THESE TOGETHER.
189
00:10:06,780 --> 00:10:09,521
ONE MORE THING.
IT LOOKS LIKE EACH
PACKAGE CONTAINED
190
00:10:09,565 --> 00:10:10,914
A BOOK OF SOME KIND.
191
00:10:10,958 --> 00:10:12,829
MAYBE THAT'S WHAT SET OFF
THE EXPLOSIVE.
192
00:10:12,873 --> 00:10:14,614
YOU OPEN THE COVER, BOOM.
193
00:10:14,657 --> 00:10:16,137
THAT WAS MY
INITIAL THOUGHT, TOO,
194
00:10:16,180 --> 00:10:18,835
BUT I'M NOT SEEING ANY
SPRING-LOADED TRIGGERS.
195
00:10:18,879 --> 00:10:21,359
THEN WHAT THEN, A TIMER?
196
00:10:21,403 --> 00:10:23,231
NO, NO TIMING
DEVICES, EITHER.
197
00:10:23,274 --> 00:10:24,580
[CHILDREN LAUGHING]
198
00:10:24,624 --> 00:10:26,713
I THINK THESE EXPLOSIVES
ARE BEING DETONATED
199
00:10:26,756 --> 00:10:27,844
VIA REMOTE CONTROL.
200
00:10:27,888 --> 00:10:29,672
OK, I'LL LET YOU GO.
201
00:10:29,716 --> 00:10:31,413
SO WHAT ARE YOUR
KIDDIE PLANS FOR TODAY?
202
00:10:31,456 --> 00:10:32,675
OH, WE'RE GONNA GO BIG.
203
00:10:32,719 --> 00:10:35,417
UH, COOK A FANCY MEAL,
MAYBE PLAY A BOARD GAME.
204
00:10:35,460 --> 00:10:36,679
BOARD GAME?
205
00:10:36,723 --> 00:10:38,072
YEAH, I'VE GOT ONE
HERE I BOUGHT
206
00:10:38,115 --> 00:10:40,204
IN THAILAND YEARS AGO,
HAVEN'T OPENED YET.
207
00:10:40,248 --> 00:10:42,424
ATTENZIONE ALLA VARIETA.
208
00:10:42,467 --> 00:10:43,991
TRANSLATION?
209
00:10:44,034 --> 00:10:46,689
ROUGHLY, DEVIATE
FROM VIDEO GAMES
210
00:10:46,733 --> 00:10:48,082
AT YOUR OWN RISK.
211
00:10:48,125 --> 00:10:49,823
[LAUGHS] THANKS.
212
00:10:49,866 --> 00:10:52,521
BUONA FORTUNA.
213
00:10:54,915 --> 00:10:58,832
PHOTO ALBUM. THIS MUST
BE THE BOOK MATT WAS
TALKING ABOUT.
214
00:10:58,875 --> 00:11:00,703
YEAH, SIMILAR ALBUMS
WERE PIECED TOGETHER
215
00:11:00,747 --> 00:11:02,400
AT THE OTHER CRIME SCENES.
216
00:11:02,444 --> 00:11:04,098
WE'RE TRYING TO
TRACK DOWN WHERE
THEY WERE PURCHASED.
217
00:11:04,141 --> 00:11:05,621
ANY ACTUAL PHOTOGRAPHS
RECOVERED?
218
00:11:05,665 --> 00:11:08,319
ONLY THIS ONE FROM
RHONDA'S HOUSE.
219
00:11:08,363 --> 00:11:09,843
BUT CHECK THIS OUT.
220
00:11:11,758 --> 00:11:14,630
HE SENT RHONDA A PICTURE
OF HER OWN HOUSE.
221
00:11:14,674 --> 00:11:16,719
HER HOUSE, BUT...
222
00:11:16,763 --> 00:11:19,722
WHAT ELSE?
223
00:11:19,766 --> 00:11:22,072
SIMMONS: SO WHAT
DO YOU THINK? HUH?
224
00:11:22,116 --> 00:11:24,771
WE'RE GONNA CHOOSE SOMETHING
WE'VE NEVER EATEN BEFORE,
225
00:11:24,814 --> 00:11:27,382
WE'RE GONNA MAKE IT
FROM SCRATCH TOGETHER.
226
00:11:27,425 --> 00:11:28,992
WHY CAN'T WE EAT
SOMETHING NORMAL?
227
00:11:29,036 --> 00:11:30,124
LIKE PIZZA.
228
00:11:30,167 --> 00:11:32,866
BECAUSE WE EAT NORMAL
ALL THE TIME.
229
00:11:32,909 --> 00:11:34,519
COME ON, YOU GUYS,
IT'LL BE FUN.
230
00:11:34,563 --> 00:11:35,738
WE'LL MAKE EXTRA
FOR YOUR MOMMY.
231
00:11:35,782 --> 00:11:37,044
WE'RE GONNA SURPRISE HER.
232
00:11:37,087 --> 00:11:39,089
HERE'S WHAT WE'LL DO.
I'M GONNA CLOSE MY EYES
233
00:11:39,133 --> 00:11:42,136
AND MOVE MY FINGER,
AND WHEN YOU SAY "STOP,"
234
00:11:42,179 --> 00:11:44,704
THE BOOK I'M POINTING TO,
NO MATTER WHAT,
235
00:11:44,747 --> 00:11:45,835
WE'LL FIX WHAT'S
ON THE COVER.
236
00:11:45,879 --> 00:11:47,271
SOUND GOOD?
237
00:11:49,665 --> 00:11:51,580
LOVING THE ENTHUSIASM.
238
00:11:51,623 --> 00:11:53,451
OK, HERE WE GO.
239
00:11:54,801 --> 00:11:58,021
MMM.
240
00:11:58,065 --> 00:11:59,806
STOP.
241
00:12:02,809 --> 00:12:05,812
[CHILDREN GIGGLE]
242
00:12:05,855 --> 00:12:07,639
"MODERN MOROCCAN."
243
00:12:07,683 --> 00:12:13,341
BASILLA WITH DEJAJ--
DAJAJ--DAJA--
244
00:12:13,384 --> 00:12:14,777
ALL RIGHT, IT'S
A LITTLE COMPLICATED.
245
00:12:14,821 --> 00:12:16,344
WE'RE GONNA CHECK AND SEE
WHAT THE INGREDIENTS ARE.
246
00:12:16,387 --> 00:12:21,653
GINGER, OK. TURMERIC,
CRUMBLED SAFFRON THREADS?
247
00:12:21,697 --> 00:12:24,482
[MUTTERS] CRUMBLED
SAFFRON THREADS.
248
00:12:26,920 --> 00:12:28,269
HOW DOES PIZZA SOUND,
YOU GUYS?
249
00:12:28,312 --> 00:12:30,010
[CHILDREN CHEERING]
250
00:12:30,053 --> 00:12:31,576
YEAH, LET'S DO--
LET'S DO PIZZA.
251
00:12:32,839 --> 00:12:33,927
YEAH.
YEAH!
252
00:12:33,970 --> 00:12:37,495
PIZZA. [EXHALES]
253
00:12:43,850 --> 00:12:46,156
MR. AND MRS. KIRKMAN,
I'M DR. REID.
254
00:12:46,200 --> 00:12:48,811
I'M SSA JENNIFER JAREAU.
WE'RE WITH THE FBI.
255
00:12:48,855 --> 00:12:50,813
THE DOCTORS SAID
YOU'D BE COMING.
256
00:12:50,857 --> 00:12:52,336
WE'RE VERY SORRY
ABOUT WHAT HAPPENED
257
00:12:52,380 --> 00:12:53,903
TO YOUR DAUGHTER
AND GRANDCHILD.
258
00:12:53,947 --> 00:12:55,165
THANK YOU.
259
00:12:55,209 --> 00:12:57,124
WE KNOW THAT THIS
IS A DIFFICULT TIME, BUT--
260
00:12:57,167 --> 00:12:59,691
NO, NO, ASK
YOUR QUESTIONS.
261
00:12:59,735 --> 00:13:01,998
NEITHER ONE OF US HAS
HAD MUCH SLEEP, THOUGH.
262
00:13:02,042 --> 00:13:04,609
FLIGHTS WERE ALL BOOKED
SO WE DROVE DOWN FROM MICHIGAN.
263
00:13:04,653 --> 00:13:06,829
YEAH, STRAIGHT
THROUGH THE NIGHT.
264
00:13:06,873 --> 00:13:08,962
DO YOU HAVE ANY IDEA WHO
MIGHT HAVE DONE THIS?
265
00:13:09,005 --> 00:13:11,355
WOMAN: NOT AT ALL.
266
00:13:11,399 --> 00:13:13,096
EVERYBODY LOVES RHONDA.
267
00:13:13,140 --> 00:13:15,533
SHE DIDN'T HAVE
AN ENEMY IN THE WORLD.
268
00:13:17,666 --> 00:13:19,146
MR. KIRKMAN?
269
00:13:19,189 --> 00:13:23,890
MY WIFE CUTS PEOPLE
TOO MUCH SLACK.
270
00:13:23,933 --> 00:13:25,413
RHONDA'S GOT AN EX
YOU NEED TO CHECK OUT.
271
00:13:25,456 --> 00:13:26,544
FRED.
272
00:13:26,588 --> 00:13:28,677
NO, THESE PEOPLE NEED
TO KNOW, LAURA.
273
00:13:28,720 --> 00:13:29,896
RANDALL GILMAN.
274
00:13:29,939 --> 00:13:32,289
RHONDA DIVORCED THAT
S.O.B. LAST SUMMER,
275
00:13:32,333 --> 00:13:34,552
AND WHEN SHE GOT
CUSTODY OF SOPHIA,
276
00:13:34,596 --> 00:13:36,424
HE SAID HE WAS GONNA
MAKE HER PAY.
277
00:13:36,467 --> 00:13:37,555
THAT'S NOT WHAT HE
MEANT BY THAT.
278
00:13:37,599 --> 00:13:39,906
NO, NO, EXACT WORDS.
MAKE HER PAY.
279
00:13:39,949 --> 00:13:41,733
EXCUSE ME, MR.
AND MRS. KIRKMAN.
280
00:13:41,777 --> 00:13:43,561
RHONDA'S STILL IN SURGERY,
281
00:13:43,605 --> 00:13:45,607
BUT IF YOU WANT TO SEE
YOUR GRANDDAUGHTER FOR
A FEW MINUTES,
282
00:13:45,650 --> 00:13:47,435
COME WITH ME.
283
00:13:50,960 --> 00:13:53,920
OH, MY GOD, SOPHIA.
284
00:13:57,924 --> 00:13:59,839
PLEASE FIND WHO DID THIS.
285
00:14:01,275 --> 00:14:02,972
PLEASE.
286
00:14:06,889 --> 00:14:09,022
OK, SO WE SPOKE TO
RHONDA'S NEIGHBORS,
287
00:14:09,065 --> 00:14:11,415
AND THEY ECHO WHAT
PEOPLE SAID ABOUT
THE PREVIOUS VICTIMS--
288
00:14:11,459 --> 00:14:12,895
QUIET AND WELL LIKED.
289
00:14:12,939 --> 00:14:14,636
YEAH, SHE WORKED
A NORMAL JOB,
290
00:14:14,679 --> 00:14:16,246
MIDDLE OF THE ROAD POLITICS,
291
00:14:16,290 --> 00:14:18,553
NOT INVOLVED IN ANY
CONTROVERSIAL CAUSES.
292
00:14:18,596 --> 00:14:20,990
OK, SO WE HAVE NO
OBVIOUS SHARED IDEOLOGY
AMONG THE VICTIMS
293
00:14:21,034 --> 00:14:22,992
THAT MIGHT HAVE
ANGERED OUR UNSUB.
294
00:14:23,036 --> 00:14:24,776
WELL, MAYBE IT'S
AN INTERNAL IDEOLOGY
295
00:14:24,820 --> 00:14:26,213
UNIQUE TO HIM.
296
00:14:26,256 --> 00:14:28,476
YOU KNOW, THEY CROSSED SOME
LINE ONLY HE UNDERSTANDS.
297
00:14:28,519 --> 00:14:30,304
IT'S RARE WITH BOMBERS,
298
00:14:30,347 --> 00:14:32,567
BUT MAYBE OUR KILLER'S
CHOOSING HIS VICTIMS RANDOMLY.
299
00:14:32,610 --> 00:14:34,482
JJ SAID RHONDA HAD AN EX
WE WERE LOOKING AT.
300
00:14:34,525 --> 00:14:36,310
LOOKED AT AND CLEARED.
SOLID ALIBI.
301
00:14:36,353 --> 00:14:38,529
AND HE HAD NO MOTIVE
TO KILL THE OTHER
TWO VICTIMS.
302
00:14:38,573 --> 00:14:40,140
SO WE'RE BACK TO
SQUARE ONE.
303
00:14:40,183 --> 00:14:41,924
[SIGHS]
304
00:14:41,968 --> 00:14:43,883
REID'S WORKING UP
A GEO PROFILE,
305
00:14:43,926 --> 00:14:45,406
BUT FOR NOW,
IT'S ANYONE'S GUESS
306
00:14:45,449 --> 00:14:47,669
WHERE OUR UNSUB
WILL STRIKE NEXT.
307
00:14:54,154 --> 00:14:56,634
[CAR ENGINE STARTS]
308
00:15:11,736 --> 00:15:14,783
JAREAU: SO IT LOOKS LIKE
THIS RESISTS TRADITIONAL
GEO PROFILING.
309
00:15:14,826 --> 00:15:16,872
ATTACK SITES ARE
OFTEN LIKE SPOKES
310
00:15:16,916 --> 00:15:18,961
EMANATING FROM A SINGLE HUB,
BUT THAT ISN'T THE CASE HERE.
311
00:15:19,005 --> 00:15:20,963
IT'S MORE RANDOM,
SCATTERSHOT.
312
00:15:21,007 --> 00:15:23,400
I THINK THE UNSUB LIVES
IN A DIFFERENT PART OF
THE COUNTRY ALTOGETHER.
313
00:15:23,444 --> 00:15:26,621
THAT MIGHT BE WHY
HE'S RELUCTANT TO MAIL
HIS PACKAGES.
314
00:15:26,664 --> 00:15:27,796
HE'S OUT OF HIS ELEMENT.
315
00:15:27,839 --> 00:15:29,189
JAREAU:
HE'S ALSO SADISTIC.
316
00:15:29,232 --> 00:15:32,322
HE WANTS TO WATCH
HIS VICTIMS DIE WITH
HIS OWN EYES.
317
00:15:32,366 --> 00:15:34,107
AGENTS?
318
00:15:34,150 --> 00:15:38,024
I WENT TO THE POST OFFICE
TO PICK UP RHONDA'S MAIL,
319
00:15:38,067 --> 00:15:40,243
AND...
320
00:15:42,071 --> 00:15:43,986
ALVEZ: "YOUR PRESENCE
IS REQUESTED
321
00:15:44,030 --> 00:15:46,119
"AT THE FUNERAL OF
RHONDA KIRKMAN.
322
00:15:46,162 --> 00:15:48,034
FUN AND GAMES TO FOLLOW."
323
00:15:48,077 --> 00:15:50,906
THIS WAS ENCLOSED.
324
00:15:54,214 --> 00:15:56,216
[VEHICLE APPROACHING]
325
00:16:10,012 --> 00:16:12,145
[CAR DOOR OPENS, CLOSES]
326
00:16:19,065 --> 00:16:20,544
[CAMERA SHUTTER CLICKS]
327
00:16:55,623 --> 00:16:56,798
WE CONTACTED
THE FAMILY MEMBERS
328
00:16:56,841 --> 00:16:58,234
OF THE FIRST TWO
BOMBING VICTIMS.
329
00:16:58,278 --> 00:17:00,062
THEY FOUND POSTHUMOUS
FUNERAL NOTICES
330
00:17:00,106 --> 00:17:01,107
IN THE MAIL AS WELL.
331
00:17:01,150 --> 00:17:02,151
SAME MESSAGE?
332
00:17:02,195 --> 00:17:04,110
"FUN AND GAMES
TO FOLLOW."
333
00:17:04,153 --> 00:17:05,589
WELL, LET'S JUST HOPE
IT'S A TAUNT
334
00:17:05,633 --> 00:17:08,201
AND NOT A WARNING
OF THINGS TO COME.[CELLPHONE RINGS]
335
00:17:08,244 --> 00:17:10,072
MATT, HOW ARE THINGS
GOING ON THE HOME FRONT?
336
00:17:10,116 --> 00:17:11,334
SO FAR SO GOOD.
337
00:17:11,378 --> 00:17:14,120
AND HOW'D THAT
MICHELIN-STARRED
MEAL PAN OUT?
338
00:17:14,163 --> 00:17:17,079
WELL, IT'S HARD TO GO WRONG
WITH PEPPERONI AND CHEESE.
339
00:17:17,123 --> 00:17:19,603
SO LISTEN, I TOOK ANOTHER
LOOK AT THE EVIDENCE
340
00:17:19,647 --> 00:17:22,084
FROM THE RHONDA KIRKMAN
CRIME SCENE.
341
00:17:22,128 --> 00:17:25,348
AND WHILE THE DIMENSIONS
OF THE DEVICE LOOK THE SAME
AS THE PREVIOUS BOMBS--
342
00:17:25,392 --> 00:17:27,089
HEIGHT, WIDTH, AND LENGTH--
343
00:17:27,133 --> 00:17:30,136
THE ACTUAL BLAST RADIUS
HAD DIMINISHED BY ALMOST HALF.
344
00:17:30,179 --> 00:17:33,269
THE THING IS, I'M NOT
SEEING ANYTHING THAT
SUGGESTS A MISFIRE.
345
00:17:33,313 --> 00:17:36,490
SO HE DELIBERATELY MADE
THE BOMB LESS POWERFUL?
346
00:17:36,533 --> 00:17:37,882
AND LESS DEADLY.
347
00:17:37,926 --> 00:17:40,102
THE SHRAPNEL FROM THE FIRST
TWO BOMBS WERE NASTY--
348
00:17:40,146 --> 00:17:42,235
THUMBTACKS, RAZORS, NAILS--
349
00:17:42,278 --> 00:17:44,672
BUT RHONDA'S BOMB WAS
FILLED WITH BALL BEARINGS,
350
00:17:44,715 --> 00:17:47,283
SMALL ONES, LIKE
BB GUN PELLETS.
351
00:17:47,327 --> 00:17:50,417
INCREASING THE CHANCE THAT
RHONDA AND SOPHIA WOULD SURVIVE.
352
00:17:50,460 --> 00:17:54,203
I DON'T KNOW WHY HE'D
DO THIS EXCEPT TO
PROLONG THE TRAUMA.
353
00:17:54,247 --> 00:17:58,425
IF THEY DON'T SURVIVE,
HOW CAN THEY SUFFER?
THANKS, MATT.
354
00:17:58,468 --> 00:18:01,689
ANOTHER BOMB JUST WENT OFF
ABOUT AN HOUR SOUTH OF HERE.
355
00:18:01,732 --> 00:18:05,301
ONE CONFIRMED FATALITY.
ATF IS ON SITE.
IT LOOKS LIKE OUR GUY.
356
00:18:05,345 --> 00:18:08,348
BACK-TO-BACK ATTACKS
ON CONSECUTIVE DAYS.
HE'S ACCELERATING.
357
00:18:08,391 --> 00:18:10,480
LAW ENFORCEMENT'S
BREATHING DOWN HIS NECK.
358
00:18:10,524 --> 00:18:13,135
HE MUST KNOW HIS WINDOW
TO WREAK HAVOC IS CLOSING.
359
00:18:13,179 --> 00:18:14,832
APPARENTLY OUR UNSUB'S
BACK IN THE SADDLE.
360
00:18:14,876 --> 00:18:16,399
THIS BLAST WAS
FULL OCTANE,
361
00:18:16,443 --> 00:18:18,097
SO WHATEVER THE HICCUP
WAS WITH RHONDA KIRKMAN,
362
00:18:18,140 --> 00:18:20,186
HE FIXED IT.
363
00:18:55,264 --> 00:18:56,831
MAN: NOT LAUGHING NOW,
ARE YOU?
364
00:18:56,874 --> 00:18:59,442
NOT SO FUNNY, HUH?
365
00:18:59,486 --> 00:19:00,400
I DON'T HEAR YOU LAUGHING.
366
00:19:00,443 --> 00:19:01,792
AAH!
367
00:19:01,836 --> 00:19:03,011
[SCREAMING]
368
00:19:03,054 --> 00:19:04,143
WHAT'S SO FUNNY?
369
00:19:04,186 --> 00:19:06,188
STOP! NO!
370
00:19:06,232 --> 00:19:08,408
[WOMAN SCREAMS]
371
00:19:08,451 --> 00:19:09,496
MOM!
372
00:19:09,539 --> 00:19:10,801
HELP ME!
373
00:19:10,845 --> 00:19:14,283
[GRUNTS]
374
00:19:17,330 --> 00:19:19,288
PRENTISS: OK.
375
00:19:19,332 --> 00:19:21,464
GARCIA STILL CAN'T FIND
A LINK BETWEEN THE VICTIMS.
376
00:19:21,508 --> 00:19:23,292
MAYBE WE'RE LOOKING
IN THE WRONG PLACE.
377
00:19:23,336 --> 00:19:24,641
WHAT ARE YOU THINKING?
378
00:19:24,685 --> 00:19:26,339
THERE'S NO LOGIC IN
SENDING FUNERAL NOTICES
379
00:19:26,382 --> 00:19:28,167
TO PEOPLE HE ALREADY KILLED.
380
00:19:28,210 --> 00:19:29,864
I THINK THEY WERE MEANT
FOR SOMEBODY ELSE.
381
00:19:29,907 --> 00:19:31,822
THAT'S WHY GARCIA'S
COMING UP EMPTY.
382
00:19:31,866 --> 00:19:34,390
THE CONNECTION HERE
ISN'T AMONG THE VICTIMS,
383
00:19:34,434 --> 00:19:36,827
BUT IN THE POOL OF
SURVIVING LOVED ONES.
384
00:19:36,871 --> 00:19:37,915
EXACTLY.
385
00:19:37,959 --> 00:19:39,178
COUPLE OF HOURS AGO,
POLICE RESPONDED
386
00:19:39,221 --> 00:19:40,527
TO A NOISE COMPLAINT
IN MILLINGTON,
387
00:19:40,570 --> 00:19:41,963
ABOUT 10 MILES
NORTH OF HERE.
388
00:19:42,006 --> 00:19:43,747
THEY FOUND A BLOWN-UP
SHED IN A FIELD.
389
00:19:43,791 --> 00:19:46,489
THERE WAS A MALE
CADAVER INSIDE.
390
00:19:46,533 --> 00:19:49,100
[BELL DINGING]
391
00:19:50,493 --> 00:19:53,975
I JUST WANTED TO SEE
THAT STUNNINGLY HANDSOME FACE
392
00:19:54,018 --> 00:19:57,283
AND ADMIRE THOSE BROAD,
SQUARED OFF SHOULDERS.
393
00:19:57,326 --> 00:19:58,588
NO.
394
00:19:58,632 --> 00:19:59,763
NO WHAT?
395
00:19:59,807 --> 00:20:01,678
NO, YOU CAN'T GET UP
AND MOVE AROUND
396
00:20:01,722 --> 00:20:02,766
FOR JUST 5 MINUTES.
397
00:20:02,810 --> 00:20:04,028
KRISTY: FINE.
398
00:20:04,072 --> 00:20:05,465
HOW'S THE
BOARD GAME GOING?
399
00:20:05,508 --> 00:20:07,162
LABOR INTENSIVE.
400
00:20:07,206 --> 00:20:09,251
FOR STARTERS,
THE INSTRUCTIONS
ARE IN THAI.
401
00:20:09,295 --> 00:20:11,558
THEN THE DICE TURNED
OUT JUST TO BE BLANK CUBES
402
00:20:11,601 --> 00:20:13,647
THAT YOU HAVE TO LICK
AND STICK DOTS ON BY HAND.
403
00:20:13,690 --> 00:20:14,778
[SCOFFS]
YOU'RE KIDDING.
404
00:20:14,822 --> 00:20:16,084
NO, AND IT TOOK US
HALF AN HOUR,
405
00:20:16,127 --> 00:20:17,564
THEN THE VERY FIRST
ROLL, THEY JUST
406
00:20:17,607 --> 00:20:18,565
[ROLLS TONGUE]
407
00:20:18,608 --> 00:20:20,088
FLUTTERED OFF
LIKE CONFETTI.
408
00:20:20,131 --> 00:20:23,613
SO NOW JAKE'S TRYING TO
DRAW THEM ON WITH A PEN,
409
00:20:23,657 --> 00:20:26,399
BUT THE INK WON'T STICK.
410
00:20:27,574 --> 00:20:29,576
SOMETHING ELSE IS
BOTHERING YOU.
411
00:20:31,882 --> 00:20:33,449
UHH.
412
00:20:36,452 --> 00:20:38,280
WE HAVE A LITTLE
GIRL IN TENNESSEE
413
00:20:38,324 --> 00:20:39,499
WHO'S FIGHTING
FOR HER LIFE.
414
00:20:42,328 --> 00:20:43,503
SOMETIMES I WISH
I COULD JUST...
415
00:20:43,546 --> 00:20:44,547
[SNAP]
416
00:20:44,591 --> 00:20:46,288
SNAP MY FINGERS
AND MAKE ALL THE BAD
417
00:20:46,332 --> 00:20:47,550
IN THE WORLD GO AWAY.
418
00:20:47,594 --> 00:20:49,509
LILY: DAD! OH!
419
00:20:49,552 --> 00:20:51,337
THEY'RE PLAYING MY SONG.
420
00:20:51,380 --> 00:20:53,513
[CHILDREN PLAYING]
421
00:20:53,556 --> 00:20:54,427
I LOVE YOU.
422
00:20:54,470 --> 00:20:57,430
NOW GO OUT THERE
AND SHOW THEM
423
00:20:57,473 --> 00:20:58,779
HOW TO DO IT
OLD SCHOOL.
424
00:20:58,822 --> 00:21:00,259
OK.
425
00:21:00,302 --> 00:21:01,782
WILL DO.
426
00:21:01,825 --> 00:21:03,610
CHLOE: WHAT DID YOU DO?
427
00:21:03,653 --> 00:21:05,438
LILY: I DIDN'T
DO ANYTHING!
428
00:21:05,481 --> 00:21:07,483
[DOOR CLOSES]
429
00:21:07,527 --> 00:21:09,180
OK.
430
00:21:11,618 --> 00:21:13,141
IS EVERYTHING
OK, DAD?
431
00:21:13,184 --> 00:21:15,404
YEAH, EVERYTHING'S
FINE, SON.
432
00:21:15,448 --> 00:21:20,670
OK, LET'S START
WITH LILY.
433
00:21:20,714 --> 00:21:23,586
JAKE: I THINK WE NEED
TO FIND ANOTHER GAME.
434
00:21:23,630 --> 00:21:25,936
THERE'S NOTHING
ON THE DICE.
435
00:21:25,980 --> 00:21:28,287
OF COURSE THERE IS.
436
00:21:28,330 --> 00:21:30,506
YOU'RE JUST NOT LOOKING
HARD ENOUGH.
437
00:21:30,550 --> 00:21:33,683
OK. ALL RIGHT, LILY.
438
00:21:37,818 --> 00:21:39,298
5.
439
00:21:40,473 --> 00:21:42,039
THANK YOU SO MUCH
FOR COMING IN.
440
00:21:42,083 --> 00:21:44,085
THEY SAID YOU WANTED
US TO TAKE A LOOK
AT SOME PICTURES.
441
00:21:44,128 --> 00:21:46,522
IF YOU DON'T MIND,
THEY'RE RIGHT IN HERE.
442
00:21:58,360 --> 00:21:59,970
LAURA: I DON'T RECOGNIZE
ANY OF THESE PEOPLE.
443
00:22:00,014 --> 00:22:01,189
ME, NEITHER.
444
00:22:01,232 --> 00:22:02,408
REID: TAKE YOUR TIME.
445
00:22:02,451 --> 00:22:03,626
TRY FOCUSING ON ONE GROUP
446
00:22:03,670 --> 00:22:05,367
BEFORE MOVING ON
TO THE NEXT.
447
00:22:05,411 --> 00:22:06,716
FRED: WHO ARE THEY,
ANYWAY?
448
00:22:06,760 --> 00:22:10,459
FAMILY MEMBERS OF
THE OTHER 3 VICTIMS,
LIKE YOU.
449
00:22:10,503 --> 00:22:13,593
SO I THINK--
2, 3, 4--
450
00:22:13,636 --> 00:22:17,248
LILY HAS 8 TO WIN.
451
00:22:17,292 --> 00:22:19,468
YEAH, BUT 2, 6, OR 7,
452
00:22:19,512 --> 00:22:20,643
AND YOU'RE DEAD.
453
00:22:22,384 --> 00:22:24,168
NO PRESSURE.
454
00:22:24,212 --> 00:22:25,735
HERE YOU GO.
455
00:22:25,779 --> 00:22:27,041
[BLOWS]
456
00:22:27,084 --> 00:22:29,260
[BLOWS]
457
00:22:34,614 --> 00:22:35,615
8!
458
00:22:35,658 --> 00:22:36,746
[ALL CHEERING]
459
00:22:36,790 --> 00:22:37,965
WE HAVE A WINNER!
460
00:22:38,008 --> 00:22:39,053
NICE!
461
00:22:39,096 --> 00:22:41,055
YES!
462
00:22:51,065 --> 00:22:52,240
I'LL BE DAMNED.
463
00:22:52,283 --> 00:22:53,459
FRED.
464
00:22:53,502 --> 00:22:55,417
FRED: YEAH.
465
00:22:56,853 --> 00:22:58,942
HOW DID YOU DO THIS?
466
00:23:01,554 --> 00:23:03,338
REID: HOW DO YOU KNOW
THESE PEOPLE?
467
00:23:03,382 --> 00:23:05,601
WE MET ON A CRUISE
LAST MONTH.
468
00:23:05,645 --> 00:23:08,125
WENT UP THE ST. LAWRENCE
RIVER IN CANADA.
469
00:23:08,169 --> 00:23:10,214
YEAH, THE BOAT DOCKED
FOR THE DAY IN MONTREAL,
470
00:23:10,258 --> 00:23:12,434
AND THE 5 OF US
DECIDED TO RENT A CAR,
471
00:23:12,478 --> 00:23:15,219
GO DRIVE AROUND
THE COUNTRYSIDE
ON OUR OWN.
472
00:23:17,221 --> 00:23:18,266
SO HERE'S WHAT WE KNOW.
473
00:23:18,309 --> 00:23:21,443
THESE 5 PEOPLE
RENTED A CAR TOGETHER
474
00:23:21,487 --> 00:23:23,750
IN MONTREAL
ON OCTOBER 2.
475
00:23:23,793 --> 00:23:25,099
AND WITHIN WEEKS,
476
00:23:25,142 --> 00:23:26,666
ALL OF THEM HAD
LOVED ONES
477
00:23:26,709 --> 00:23:28,145
WHO WERE ATTACKED
BY OUR UNSUB--
478
00:23:28,189 --> 00:23:30,626
JOSEPH AINSWORTH,
COLIN'S FATHER,
479
00:23:30,670 --> 00:23:33,368
SHEILA STECHER,
THE SISTER OF WANDA,
480
00:23:33,412 --> 00:23:35,675
AND JOEL REYNOLDS,
MEG'S FATHER.
481
00:23:35,718 --> 00:23:37,851
AND THIS IS THE ROUTE
THEY TOOK.
482
00:23:37,894 --> 00:23:40,680
THEY STOPPED FOR LUNCH,
THEN WENT BACK TO THE BOAT.
483
00:23:40,723 --> 00:23:42,812
SOMEWHERE ALONG THE WAY,
THEY ENCOUNTERED THE UNSUB.
484
00:23:42,856 --> 00:23:43,857
MUST HAVE.
485
00:23:43,900 --> 00:23:45,336
WE SHOULD BRING
FRED AND LAURA IN
486
00:23:45,380 --> 00:23:46,729
FOR A COGNITIVE
WITH DAVE.
487
00:23:46,773 --> 00:23:48,775
WE SHOULD ALSO PLACE THEM
IN PROTECTIVE CUSTODY.
488
00:23:48,818 --> 00:23:51,430
WE DON'T KNOW WHO'S
NEXT, BUT THIS UNSUB
ISN'T FINISHED.
489
00:23:51,473 --> 00:23:54,476
OK, DO YOU REMEMBER
THE MALE CADAVER
490
00:23:54,520 --> 00:23:55,738
THEY RETRIEVED
FROM THAT SHED?
491
00:23:55,782 --> 00:23:57,784
NOT THE SORT OF THING
ONE FORGETS.
492
00:23:57,827 --> 00:24:00,439
WELL, ALLOW ME TO MAKE HIM
A LITTLE MORE UNFORGETTABLE.
493
00:24:00,482 --> 00:24:03,572
TURNS OUT OUR BOY WAS
WEARING A BRIGHT YELLOW DRESS,
494
00:24:03,616 --> 00:24:06,140
AND THEY RETRIEVED
VINTAGE LADY'S SUNGLASSES.
495
00:24:06,183 --> 00:24:08,751
SO THE UNSUB DRESSED HIM
UP TO RESEMBLE A WOMAN--
496
00:24:08,795 --> 00:24:09,796
A SURROGATE.
497
00:24:09,839 --> 00:24:11,624
AND THEN BLEW HIM
TO SMITHEREENS--
498
00:24:11,667 --> 00:24:13,452
OVERKILL.
499
00:24:13,495 --> 00:24:15,584
YEAH, THIS GUY'S APPROACHING
THE ULTIMATE SOURCE OF HIS RAGE.
500
00:24:15,628 --> 00:24:17,020
WE COULD BE LOOKING
AT AN END GAME HERE.
501
00:24:17,064 --> 00:24:19,458
OK, LUKE, GET DOWN
TO THE HOSPITAL,
BEEF UP SECURITY.
502
00:24:19,501 --> 00:24:21,460
GOT IT.
503
00:24:21,503 --> 00:24:23,462
GETTING SOME COFFEE.
WANT SOME?
504
00:24:23,505 --> 00:24:24,637
MM-MMM.
505
00:24:24,680 --> 00:24:26,595
[TELEPHONE RINGS]
506
00:24:26,639 --> 00:24:28,554
[INDISTINCT P.A.
ANNOUNCEMENTS]
507
00:24:39,173 --> 00:24:40,653
VISITING SOMEONE?
508
00:24:40,696 --> 00:24:45,005
YEAH, MY, UH, DAUGHTER
AND GRANDDAUGHTER.
509
00:24:48,095 --> 00:24:50,663
UNSUB: I'M HERE
FOR MY MOM.
510
00:24:50,706 --> 00:24:51,794
SHE WAS IN AN ACCIDENT.
511
00:24:51,838 --> 00:24:53,666
OH, I'M SORRY.
512
00:24:53,709 --> 00:24:57,670
I'M HOPING MAYBE THIS
MIGHT CHEER HER UP.
513
00:24:57,713 --> 00:25:00,542
I'M SURE IT WILL.
514
00:25:00,586 --> 00:25:01,717
WHICH DOCTOR
DO YOU GUYS HAVE,
515
00:25:01,761 --> 00:25:03,371
UM, YOUR DAUGHTER
AND GRANDDAUGHTER?
516
00:25:03,414 --> 00:25:04,764
DR. DELANEY.
517
00:25:04,807 --> 00:25:06,374
THAT'S MY MOM'S DOCTOR,
TOO, ACTUALLY.
518
00:25:06,417 --> 00:25:07,767
EVERYONE SAYS HE'S AMAZING.
519
00:25:07,810 --> 00:25:09,551
GOOD.
520
00:25:09,595 --> 00:25:10,987
YOU HAVE A NICE EVENING.
521
00:25:11,031 --> 00:25:12,249
YOU, TOO.
522
00:25:15,862 --> 00:25:17,298
ALL RIGHT, LET'S SEE
IF YOU CAN HAVE
523
00:25:17,341 --> 00:25:19,735
ONE OF YOUR OFFICERS
POST UP HERE IN
THE WAITING ROOM.
524
00:25:21,911 --> 00:25:23,478
I DON'T WANT ANYBODY
GOING INTO THIS ROOM
525
00:25:23,522 --> 00:25:25,045
THAT'S NOT AUTHORIZED
MEDICAL PERSONNEL,
526
00:25:25,088 --> 00:25:26,655
NO EXCEPTIONS.
527
00:25:26,699 --> 00:25:28,178
WE'RE GONNA NEED
A POLICE OFFICER
528
00:25:28,222 --> 00:25:29,702
TO TAKE MR. AND MRS.
KIRKMAN DOWN TO
THE POLICE STATION,
529
00:25:29,745 --> 00:25:31,225
MAKE SURE THAT THEY
UNDERSTAND WHAT'S GOING ON.
530
00:25:31,268 --> 00:25:32,835
OFFICER: YES, SIR.
531
00:25:32,879 --> 00:25:34,576
WHAT'S THAT?
532
00:25:34,620 --> 00:25:36,056
I DON'T KNOW.
IT WASN'T THERE
533
00:25:36,099 --> 00:25:37,840
WHEN I MADE MY ROUNDS
A MINUTE AGO.
534
00:25:37,884 --> 00:25:39,886
GET THE PATIENT
OUT OF HERE NOW,
535
00:25:39,929 --> 00:25:41,409
AND CLEAR THIS
ENTIRE FLOOR NOW.
536
00:25:41,452 --> 00:25:42,628
SHOULDN'T WE WAIT
UNTIL THE BOMB SQUAD
GETS HERE?
537
00:25:42,671 --> 00:25:44,107
NO, THERE'S NO TIME.
538
00:25:44,151 --> 00:25:46,588
HE'S USING A REMOTE.
539
00:25:46,632 --> 00:25:48,895
ALVEZ: LET'S GO.
GET HER OUT.
540
00:25:56,163 --> 00:25:58,165
[BEEPING]
541
00:26:05,955 --> 00:26:07,304
HANG ON A SECOND.
JJ's WALKING IN.
542
00:26:07,348 --> 00:26:08,523
DOES ANYBODY KNOW
WHAT HAPPENED?
543
00:26:08,567 --> 00:26:09,698
NO, LUKE WAS THERE,
544
00:26:09,742 --> 00:26:10,743
AND THEN EVERYBODY
STARTED EVACUATING,
545
00:26:10,786 --> 00:26:12,353
AND THEN NO ONE WAS
THERE BUT LUKE,
546
00:26:12,396 --> 00:26:13,789
AND I DON'T KNOW
WHAT HAPPENED TO HIM.
547
00:26:13,833 --> 00:26:15,008
THE HOSPITAL'S ON LOCKDOWN,
548
00:26:15,051 --> 00:26:16,313
BUT THERE'S NO SIGNS
OF AN EXPLOSION.
549
00:26:16,357 --> 00:26:18,359
EMILY AND DAVE SHOULD
BE THERE BY NOW.
550
00:26:18,402 --> 00:26:19,621
I'LL LET YOU KNOW
IF I FIND ANYTHING.
551
00:26:19,665 --> 00:26:20,753
YOU LET ME KNOW IF
YOU FIND ANYTHING,
552
00:26:20,796 --> 00:26:22,711
BUT WE NEED TO
FIND SOMETHING.
553
00:26:22,755 --> 00:26:24,800
[INDISTINCT POLICE
RADIO CHATTER]
554
00:26:30,066 --> 00:26:31,590
LUKE, ARE YOU OK?
555
00:26:31,633 --> 00:26:33,635
I'M FINE.
556
00:26:33,679 --> 00:26:35,811
I WON'T NEED ANY CAFFEINE
FOR A WHILE, THOUGH.
557
00:26:35,855 --> 00:26:37,770
DID IT MISFIRE?
558
00:26:37,813 --> 00:26:38,901
NO, IT WAS NEVER
RIGGED TO GO OFF.
559
00:26:38,945 --> 00:26:40,686
I THINK IT WAS
JUST FOR SHOW.
560
00:26:44,080 --> 00:26:47,083
JAREAU: HE CAME
OUT OF SOPHIA'S ROOM.
HE'S GOT TO BE OUR GUY.
561
00:26:47,127 --> 00:26:48,824
LAURA ALREADY ID'd HIM
AS THE MAN WHO SAT
562
00:26:48,868 --> 00:26:50,565
AND TALKED WITH HER
IN THE WAITING ROOM.
563
00:26:50,609 --> 00:26:51,871
SHE'D NEVER
SEEN HIM BEFORE?
564
00:26:51,914 --> 00:26:53,655
NOPE, NOT HERE,
NOT IN CANADA.
565
00:26:53,699 --> 00:26:55,091
IF THE UNSUB'S GOAL
ALL THIS TIME HAS BEEN
566
00:26:55,135 --> 00:26:57,006
TO PUNISH AND EVENTUALLY KILL
RHONDA AND HER DAUGHTER,
567
00:26:57,050 --> 00:26:59,052
HE JUST HAD HIS BEST
CHANCE TO FINISH THE JOB.
568
00:26:59,095 --> 00:27:00,531
WHY DIDN'T HE TAKE IT?
569
00:27:00,575 --> 00:27:02,621
THE SAME REASON HE
MADE THEIR INITIAL
BOMB LESS LETHAL.
570
00:27:02,664 --> 00:27:05,145
HE WANTS THEM TO
SURVIVE IN ORDER
TO SUFFER,
571
00:27:05,188 --> 00:27:06,320
STRING OUT THE PAIN.
572
00:27:06,363 --> 00:27:08,104
WHY ONLY THEM,
NOT THE OTHER VICTIMS?
573
00:27:08,148 --> 00:27:09,279
WE'RE MISSING SOMETHING.
574
00:27:09,323 --> 00:27:10,672
WELL, DAVE'S ABOUT TO
START HIS COGNITIVE
575
00:27:10,716 --> 00:27:11,673
WITH FRED KIRKMAN.
576
00:27:11,717 --> 00:27:13,240
MAYBE WE'LL FIND
SOME ANSWERS THERE.
577
00:27:14,502 --> 00:27:16,330
YOU RENTED A CAR
IN MONTREAL
578
00:27:16,373 --> 00:27:18,114
AND YOU LEFT
RIGHT AWAY.
579
00:27:18,158 --> 00:27:19,768
YEAH.
580
00:27:19,812 --> 00:27:22,728
EVERYBODY WANTED TO GO
SEE THE LEAVES CHANGING.
581
00:27:22,771 --> 00:27:24,425
DID YOU STOP
ALONG THE WAY?
582
00:27:24,468 --> 00:27:25,905
YEAH, LOTS OF TIMES.
583
00:27:25,948 --> 00:27:27,907
EVERYBODY HAD TO GET OUT
AND TAKE PICTURES.
584
00:27:27,950 --> 00:27:30,910
WELL, WHERE DID YOU
STOP FOR LUNCH?
585
00:27:30,953 --> 00:27:34,870
A LITTLE MOM AND POP
TYPE PLACE OFF BY ITSELF.
586
00:27:36,393 --> 00:27:39,832
NOW PICTURE THE MAN
YOUR WIFE TALKED TO
AT THE HOSPITAL.
587
00:27:39,875 --> 00:27:41,747
IS HE THERE?
588
00:27:43,009 --> 00:27:44,271
COULD HAVE BEEN
AN EMPLOYEE
589
00:27:44,314 --> 00:27:46,447
OR SOMEONE ELSE WHO
WAS HAVING LUNCH.
590
00:27:48,841 --> 00:27:50,669
NO. UH-UH.
591
00:27:51,844 --> 00:27:54,847
ALL RIGHT, UM,
AFTER LUNCH,
592
00:27:54,890 --> 00:27:58,459
THEN WHAT, YOU DROVE
BACK TO RETURN THE CAR?
593
00:27:58,502 --> 00:28:00,113
YES, I WAS NERVOUS
WE'D BE LATE
594
00:28:00,156 --> 00:28:01,897
GETTING BACK TO
THE CRUISE SHIP.
595
00:28:04,944 --> 00:28:09,949
WERE YOU FEELING
ANXIOUS ABOUT THAT
DURING LUNCH?
596
00:28:09,992 --> 00:28:11,820
NO.
597
00:28:11,864 --> 00:28:15,519
THEN WHAT HAPPENED TO
MAKE YOU START WORRYING?
598
00:28:15,563 --> 00:28:18,218
I DON'T KNOW. UH...
599
00:28:18,261 --> 00:28:19,741
WAIT, I REMEMBER NOW.
600
00:28:19,785 --> 00:28:22,657
THIS OTHER GUY
THAT WAS WITH US,
601
00:28:22,701 --> 00:28:26,966
WE WERE PRACTICALLY
BACK TO MONTREAL,
602
00:28:27,009 --> 00:28:30,317
MAYBE 10 MINUTES AWAY, UH,
603
00:28:30,360 --> 00:28:32,885
HE MADE US STOP AND TAKE
ANOTHER PICTURE.
604
00:28:32,928 --> 00:28:36,410
OTHER GUY, AS IN
COLIN AINSWORTH?
605
00:28:36,453 --> 00:28:38,586
YEAH, I GUESS THAT
WAS HIS NAME, YEAH.
606
00:28:38,629 --> 00:28:41,371
WHAT DID COLIN WANT
TO TAKE A PICTURE OF?
607
00:28:41,415 --> 00:28:45,506
IT WAS...IT WAS
JUST THIS HOUSE.
608
00:28:45,549 --> 00:28:47,769
THERE WAS TAPE AROUND IT.
609
00:28:47,813 --> 00:28:49,510
TAPE?
YEAH.
610
00:28:49,553 --> 00:28:52,339
YOU MEAN POLICE TAPE?
611
00:28:52,382 --> 00:28:54,907
YEAH. I DIDN'T PAY
THAT MUCH ATTENTION,
612
00:28:54,950 --> 00:28:57,518
BUT THIS GUY,
THIS COLIN, HE...
613
00:28:57,561 --> 00:28:59,781
HE SAID THE PLACE
WAS FAMOUS.
614
00:29:03,829 --> 00:29:06,005
LET'S TAKE A LITTLE
BREAK, FRED.
615
00:29:10,313 --> 00:29:12,533
YOU'RE RIGHT, THEY WOULD
HAVE GONE RIGHT
PAST MANNER STREET.
616
00:29:12,576 --> 00:29:14,491
THAT HAS TO BE IT.I DON'T UNDERSTAND.
617
00:29:14,535 --> 00:29:15,710
WHAT'S MANNER STREET?
618
00:29:15,754 --> 00:29:17,233
A COUPLE OF MONTHS AGO
CANADIAN POLICE
619
00:29:17,277 --> 00:29:20,541
FOUND 8 BODIES IN
THE BASEMENT
OF A HOUSE THERE.
620
00:29:20,584 --> 00:29:21,890
MURDERED?
621
00:29:21,934 --> 00:29:23,239
POISONED.
622
00:29:23,283 --> 00:29:24,937
THE HOMEOWNER RENTED
A SPARE ROOM
623
00:29:24,980 --> 00:29:27,766
TO PENSIONERS AND
PEOPLE ON DISABILITY,
624
00:29:27,809 --> 00:29:29,942
KILLED THEM,
AND KEPT CASHING THEIR
GOVERNMENT CHECKS.
625
00:29:29,985 --> 00:29:31,030
WHAT HAPPENED TO THE GUY?
626
00:29:31,073 --> 00:29:32,422
WHEN THE POLICE
ZEROED IN,
627
00:29:32,466 --> 00:29:33,902
HE BLEW HIMSELF UP
IN FRONT OF HIS HOUSE
628
00:29:33,946 --> 00:29:35,643
USING A HOMEMADE
EXPLOSIVE.
629
00:29:35,686 --> 00:29:37,601
GARCIA'S ON IT.
WE NEED TO FIND OUT
630
00:29:37,645 --> 00:29:39,778
EVERYTHING ABOUT
THE PEOPLE CONNECTED
TO THAT CASE--
631
00:29:39,821 --> 00:29:42,258
THE KILLER, VICTIMS,
FRIENDS, AND FAMILY.
632
00:29:42,302 --> 00:29:44,695
LET'S SEE IF I CAN
GET SOME MORE FROM FRED.
633
00:29:48,090 --> 00:29:50,353
OK.
634
00:29:50,397 --> 00:29:52,791
LET'S GET BACK
TO THE HOUSE.
635
00:29:52,834 --> 00:29:55,271
[CELLPHONE RINGS]
636
00:29:55,315 --> 00:29:56,882
YES?
637
00:29:56,925 --> 00:29:59,623
THIS IS SHE.
638
00:29:59,667 --> 00:30:01,234
WELL, THEY TOLD ME
I NEEDED TO STAY HERE
639
00:30:01,277 --> 00:30:03,671
AT THE POLICE DEPARTMENT.
640
00:30:03,714 --> 00:30:06,761
ALL RIGHT, DR. DELANEY.
I UNDERSTAND.
641
00:30:06,805 --> 00:30:08,850
I'M ON MY WAY.
642
00:30:12,854 --> 00:30:14,160
HE DIDN'T SAY ANYTHING.
643
00:30:14,203 --> 00:30:16,510
ALL HE WANTED WAS
HIS DAMN PICTURE.
644
00:30:16,553 --> 00:30:18,555
HE HAD A REGULAR CAMERA,
645
00:30:18,599 --> 00:30:21,036
NOT ONE OF THOSE--
THOSE PHONE THINGS,
646
00:30:21,080 --> 00:30:22,864
SO HE NEEDED ONE OF US
TO TAKE IT.
647
00:30:22,908 --> 00:30:24,648
THANK YOU.
648
00:30:24,692 --> 00:30:26,259
THIS IS SO COOL.
649
00:30:26,302 --> 00:30:27,651
OK.
YEAH.
650
00:30:27,695 --> 00:30:28,827
LAURA SAID SHE'D DO IT.
651
00:30:28,870 --> 00:30:30,002
OK.
652
00:30:30,045 --> 00:30:32,265
YOUR WIFE TOOK
A PICTURE OF COLIN?
653
00:30:32,308 --> 00:30:33,701
YEAH.
654
00:30:33,744 --> 00:30:35,790
DAMN NEAR BROKE
HER ANKLE DOING IT, TOO.
655
00:30:35,834 --> 00:30:36,878
HOW?
656
00:30:36,922 --> 00:30:39,315
THE LAWN WAS ALL
OVERGROWN,
657
00:30:39,359 --> 00:30:41,274
AND SHE TRIPPED OVER
A CLUMP OF GRASS.
658
00:30:41,317 --> 00:30:42,362
YOU ALL RIGHT?
659
00:30:42,405 --> 00:30:44,451
LAURA: YEAH.
660
00:30:44,494 --> 00:30:47,019
NOW, THIS IS VERY
IMPORTANT, MR. KIRKMAN.
661
00:30:47,062 --> 00:30:49,586
I WANT YOU THINK
VERY HARD.
662
00:30:49,630 --> 00:30:51,980
WAS THERE ANYBODY
ELSE THERE?
663
00:30:53,939 --> 00:30:55,941
WAIT. WAIT,
THERE WAS SOMEBODY,
664
00:30:55,984 --> 00:30:57,812
OFF BY HIMSELF,
665
00:30:57,856 --> 00:30:59,248
ON THE OTHER SIDE
OF THE YARD,
666
00:30:59,292 --> 00:31:00,902
STANDING NEXT TO A CAR.
667
00:31:00,946 --> 00:31:02,730
HE WAS STARING OVER
TOWARDS LAURA.
668
00:31:02,773 --> 00:31:05,472
ROSSI:
TOWARDS LAURA
OR AT LAURA?
669
00:31:05,515 --> 00:31:07,909
NOT RIGHT AT HER.
HE WAS STARING DOWN,
670
00:31:07,953 --> 00:31:09,128
LIKE WHERE SHE WAS WALKING.
671
00:31:09,171 --> 00:31:10,303
WHERE SHE TRIPPED?
672
00:31:10,346 --> 00:31:12,653
YES, WHERE SHE STOMPED
ON THE--
673
00:31:12,696 --> 00:31:14,437
IT WAS A BOUQUET OF FLOWERS.
674
00:31:14,481 --> 00:31:16,613
MR. KIRKMAN, WHAT WAS
YOUR WIFE WEARING THAT DAY?
675
00:31:16,657 --> 00:31:18,311
WEARING? UM...
676
00:31:21,792 --> 00:31:23,272
A YELLOW DRESS.
677
00:31:23,316 --> 00:31:26,536
RHONDA AND SOPHIA WERE
NEVER THE ULTIMATE TARGETS.
678
00:31:26,580 --> 00:31:29,191
HE'S AFTER LAURA.
679
00:31:29,235 --> 00:31:31,715
WHERE'S MRS. KIRKMAN?
680
00:31:33,979 --> 00:31:36,155
[INDISTINCT POLICE RADIO
CHATTER]
681
00:31:39,854 --> 00:31:41,900
[WOMAN WHIMPERS]
682
00:31:57,611 --> 00:31:59,700
[GRUNTING]
683
00:32:01,876 --> 00:32:03,182
[ELECTRICITY CRACKLES][GRUNTS]
684
00:32:03,225 --> 00:32:04,226
[MUFFLED SCREAMS]
685
00:32:08,665 --> 00:32:10,537
MRS. KIRKMAN WAS SUPPOSED
TO BE IN POLICE CUSTODY.
686
00:32:10,580 --> 00:32:11,625
WHAT THE HELL HAPPENED?
687
00:32:11,668 --> 00:32:12,974
MISCOMMUNICATION
DURING SHIFT CHANGE.
688
00:32:13,018 --> 00:32:15,585
SO APPARENTLY THE UNSUB
POSED AS A DOCTOR
689
00:32:15,629 --> 00:32:17,326
TO LURE HER OUT,
SAID SHE NEEDED TO
SIGN SOME FORMS
690
00:32:17,370 --> 00:32:18,937
AT THE HOSPITAL.[CELLPHONE RINGS]
691
00:32:18,980 --> 00:32:20,286
WHAT IS IT, GARCIA?
692
00:32:20,329 --> 00:32:22,157
I THINK I GOT THE WHO,
BUT I DON'T HAVE THE WHERE.
693
00:32:22,201 --> 00:32:23,942
I LOOKED INTO
EVERYBODY INVOLVED
694
00:32:23,985 --> 00:32:25,639
IN THE MANNER STREET MURDERS,
695
00:32:25,682 --> 00:32:27,206
AND NOTHING INTERESTING
HAS COME UP
696
00:32:27,249 --> 00:32:30,644
UNTIL I GOT TO
THE FINAL VICTIM,
697
00:32:30,687 --> 00:32:32,385
SALLY BAKER.
698
00:32:32,428 --> 00:32:34,430
WHAT'S INTERESTING
ABOUT HER IS SHE'S
A TOTAL BLANK.
699
00:32:34,474 --> 00:32:37,216
WHY IS SHE A BLANK?
TURNS OUT SALLY BAKER'S
NOT HER NAME,
700
00:32:37,259 --> 00:32:38,695
BUT AUDREY MATTSON.
701
00:32:38,739 --> 00:32:41,089
AN ASSUMED NAME? WHY,
WAS SHE IN TROUBLE?
702
00:32:41,133 --> 00:32:42,612
EH, MORE LIKE
GETTING OUT OF TROUBLE.
703
00:32:42,656 --> 00:32:45,050
30 YEARS AGO SHE FALLS
IN LOVE WITH THIS GUY,
KARL BLAIR.
704
00:32:45,093 --> 00:32:48,140
KARL IS A TOTAL DRUNK,
HE'S AN ABUSIVE STALKER.
705
00:32:48,183 --> 00:32:49,532
SHE TRIES TO GET
AWAY FROM HIM,
706
00:32:49,576 --> 00:32:51,143
THE SYSTEM FAILS HER,
SO SHE HAS TO CHANGE HER NAME,
707
00:32:51,186 --> 00:32:53,014
GO UNDERGROUND,
MOVE UP TO CANADA.
708
00:32:53,058 --> 00:32:55,625
KARL BLAIR PROFILES TOO OLD
TO BE OUR UNSUB, THOUGH.
709
00:32:55,669 --> 00:32:58,889
BUT THEIR 26-YEAR-OLD
SON SHELBY DOES NOT.
710
00:32:58,933 --> 00:33:01,240
ACCORDING TO CHILD SERVICES,
HE DID EVERYTHING HE COULD
711
00:33:01,283 --> 00:33:02,806
TO TRY TO PROTECT HIS MOM,
712
00:33:02,850 --> 00:33:05,113
BUT UNFORTUNATELY,
HE INHERITED HIS FATHER'S
VIOLENT NATURE
713
00:33:05,157 --> 00:33:07,028
AND HE'S BEEN IN
AND OUT OF JAIL.
714
00:33:07,072 --> 00:33:10,031
HERE IS HIS MOST
CURRENT MUG SHOT.
715
00:33:10,075 --> 00:33:11,554
PRENTISS: AND WE DON'T
HAVE SHELBY'S ADDRESS?
716
00:33:11,598 --> 00:33:14,253
NO, THAT'S THE ONLY THING
I HAVEN'T BEEN ABLE TO FIGURE.
717
00:33:14,296 --> 00:33:16,255
HE WAS BORN IN TEXAS,
BUT HE'S BEEN A DRIFTER
HIS WHOLE LIFE.
718
00:33:16,298 --> 00:33:17,560
OK, THANKS, GARCIA.
719
00:33:17,604 --> 00:33:19,127
THE MOTHER HE ADORED
AND TRIED TO PROTECT
720
00:33:19,171 --> 00:33:20,259
ENDED UP MURDERED
ANYWAY.
721
00:33:20,302 --> 00:33:21,086
HE MUST HAVE BROUGHT
THE FLOWERS
722
00:33:21,129 --> 00:33:22,348
TO COMMEMORATE
THE SPOT.
723
00:33:22,391 --> 00:33:23,653
ONLY TO FIND A GROUP
OF LOOKIE-LOOS
724
00:33:23,697 --> 00:33:26,047
USING THE TRAGEDY AS
A BACKDROP TO A PHOTO OP,
725
00:33:26,091 --> 00:33:28,484
TRAMPLED HIS FLOWERS,
AND CONTINUED ON
THEIR MERRY WAY.
726
00:33:28,528 --> 00:33:29,833
SO HE FOUND OUT WHO THEY WERE
727
00:33:29,877 --> 00:33:32,140
AND DECIDED TO GIVE THEM
A DOSE OF THE SAME PAIN.
728
00:33:32,184 --> 00:33:35,317
[DIALING]
729
00:33:35,361 --> 00:33:37,319
THIS IS AGENT PRENTISS.
730
00:33:37,363 --> 00:33:38,973
I NEED TO SPEAK WITH
THE SECURITY DETAIL
731
00:33:39,017 --> 00:33:41,106
AT THE KIRKMAN
CRIME SCENE ASAP.
732
00:33:42,846 --> 00:33:44,152
WHAT IS IT?
733
00:33:44,196 --> 00:33:45,458
THEY'VE BEEN TRYING
TO CONTACT THE OFFICER
734
00:33:45,501 --> 00:33:46,937
GUARDING THE CRIME SCENE
FOR THE PAST 10 MINUTES.
735
00:33:46,981 --> 00:33:48,243
HE ISN'T RESPONDING.
736
00:33:53,335 --> 00:33:56,295
PLEASE DON'T DO THIS.
737
00:33:56,338 --> 00:33:57,992
UNSUB: HAVE YOU EVER
BEEN TO NEW ORLEANS?
738
00:33:58,036 --> 00:33:59,907
LISTEN TO ME.
739
00:33:59,950 --> 00:34:02,257
WELL, WHEN I WAS A KID,
I LIVED THERE WITH MY MOM
FOR A LITTLE BIT,
740
00:34:02,301 --> 00:34:04,912
LIKE IT WAS RIGHT
AFTER KATRINA, LIKE
RIGHT AFTER.
741
00:34:04,955 --> 00:34:07,262
I MEAN, THIS PLACE WAS
LIKE YOU CAN'T EVEN IMAGINE.
742
00:34:07,306 --> 00:34:10,657
AND, UH, SHE WORKED
IN ONE OF THOSE FANCY HOTELS,
743
00:34:10,700 --> 00:34:15,270
AND HER JOB WAS
TO PACK THE LUNCHES
744
00:34:15,314 --> 00:34:17,229
FOR THE HOTEL'S
DISASTER TOURS.
745
00:34:17,272 --> 00:34:18,795
WHAT--WHAT ARE YOU
TALKING ABOUT?
746
00:34:18,839 --> 00:34:20,580
SERIOUSLY. I MEAN,
THEY DIDN'T CALL THEM THAT,
747
00:34:20,623 --> 00:34:21,798
BUT THAT'S WHAT
THEY WERE, YOU KNOW.
748
00:34:21,842 --> 00:34:25,541
YOU PILE IN A MINIBUS,
AND YOU GO GAWK.
749
00:34:25,585 --> 00:34:29,241
BOURBON STREET, CHECK.
GARDEN DISTRICT, CHECK.
750
00:34:29,284 --> 00:34:31,678
ITS HUMAN MISERY,
DOUBLE CHECK.
751
00:34:31,721 --> 00:34:33,027
PLEASE!
752
00:34:33,071 --> 00:34:34,681
THESE LUNCHES,
THEY WERE GOURMET.
753
00:34:34,724 --> 00:34:37,031
YOU KNOW, THEY EVEN HAD
LITTLE CHARDONNAY BOTTLES,
754
00:34:37,075 --> 00:34:39,860
YOU KNOW, SOMETHING NICE
TO SIP ON DOWN THERE
IN THE LOWER NINTH.
755
00:34:39,903 --> 00:34:45,213
HEY, LOOK, THAT'S WHERE
SO AND SO DROWNED LIKE A RAT,
756
00:34:45,257 --> 00:34:47,824
NEXT TO THE OLD LADY
WHO STARVED TO DEATH!
757
00:34:47,868 --> 00:34:49,609
I DON'T KNOW WHO YOU
THINK YOU'RE TALKING TO,
758
00:34:49,652 --> 00:34:51,393
BUT YOU HAVE
THE WRONG PERSON.
759
00:34:51,437 --> 00:34:53,743
NO.
760
00:34:53,787 --> 00:34:56,224
I HAVE THE RIGHT PERSON.
761
00:34:56,268 --> 00:34:58,183
BUT THE SAD THING IS
THAT I COULD GET
762
00:34:58,226 --> 00:34:59,836
PRETTY MUCH ANY PERSON
OFF THE STREET
763
00:34:59,880 --> 00:35:02,491
AND I'D KIND OF HAVE
THE RIGHT PERSON,
764
00:35:02,535 --> 00:35:04,319
BECAUSE PEOPLE ARE
ALL THE SAME.
765
00:35:04,363 --> 00:35:05,929
EVERYBODY LOVES BAD STUFF
766
00:35:05,973 --> 00:35:07,801
WHEN IT HAPPENS
TO SOMEONE ELSE.
767
00:35:07,844 --> 00:35:09,629
IT'S LIKE WHEN THERE'S
A CAR CRASH
768
00:35:09,672 --> 00:35:12,893
AND EVERYONE'S GOT TO STOP
AND RUBBERNECK.
769
00:35:14,242 --> 00:35:18,246
YOU KNOW, MY MOM SAID
THAT, UM,
770
00:35:18,290 --> 00:35:20,509
MAKING THOSE LUNCHES
771
00:35:20,553 --> 00:35:24,296
IS THE MOST SHAMEFUL THING
SHE EVER HAD TO DO.
772
00:35:24,339 --> 00:35:26,385
WHAT ARE YOU GONNA DO?
773
00:35:26,428 --> 00:35:28,169
TAKE A PHOTO
774
00:35:28,213 --> 00:35:30,432
AND SCRAPBOOK OF MY OWN.
775
00:35:30,476 --> 00:35:32,130
NO!
776
00:35:32,173 --> 00:35:34,480
[WHIMPERING] NO.
777
00:35:37,265 --> 00:35:38,223
NO.
778
00:35:38,266 --> 00:35:40,007
PRENTISS: SHELBY MATTSON,
FBI.
779
00:35:40,050 --> 00:35:41,530
HANDS IN THE AIR NOW!
780
00:35:41,574 --> 00:35:44,098
YOU COME ANY CLOSER
AND I'M GONNA RELEASE
THIS TRIGGER.
781
00:35:44,142 --> 00:35:46,448
DON'T DO IT.
782
00:35:46,492 --> 00:35:47,623
I RELEASE THIS,
783
00:35:47,667 --> 00:35:49,799
NONE OF US ARE GOING
ANYWHERE EVER AGAIN.
784
00:35:49,843 --> 00:35:51,758
[WHIMPERING]
785
00:35:54,456 --> 00:35:56,893
I SWEAR TO GOD!
786
00:35:56,937 --> 00:35:58,330
GO AHEAD.
787
00:35:59,635 --> 00:36:01,028
WHAT?
788
00:36:01,071 --> 00:36:02,812
GO AHEAD.
789
00:36:16,086 --> 00:36:18,611
[GRUNTS]
790
00:36:18,654 --> 00:36:20,482
NEED AN AMBULANCE NOW.
791
00:36:20,526 --> 00:36:21,396
YOU OK?
792
00:36:21,440 --> 00:36:23,572
YEAH, I'M GOOD.
793
00:36:32,929 --> 00:36:34,453
[LAURA WHIMPERING]
794
00:36:34,496 --> 00:36:36,498
[SIRENS APPROACHING]
795
00:36:41,199 --> 00:36:42,983
[MONITORS BEEPING]
796
00:36:43,026 --> 00:36:44,767
[SOPHIA LAUGHS]
797
00:36:48,206 --> 00:36:50,033
RHONDA'S ALSO
OUT OF SURGERY.
798
00:36:50,077 --> 00:36:52,384
DOCTOR SAYS THEY'RE
BOTH GONNA BE OK.
799
00:36:52,427 --> 00:36:55,300
THAT'S REALLY
GREAT NEWS.
800
00:36:55,343 --> 00:36:58,868
SO HOW DID YOU KNOW
MATTSON WAS BLUFFING?
801
00:36:58,912 --> 00:37:00,130
I WONDERED THE SAME THING.
802
00:37:00,174 --> 00:37:01,262
WHAT IF THE DEVICE
HE WAS HOLDING
803
00:37:01,306 --> 00:37:02,524
HAD BEEN THE ACTUAL
DETONATOR.
804
00:37:02,568 --> 00:37:04,744
"FUN AND GAMES TO FOLLOW."
805
00:37:04,787 --> 00:37:08,138
SHELBY MATTSON WASN'T SUICIDAL,
HE WAS ON A MISSION.
806
00:37:08,182 --> 00:37:09,444
AND IF WE HADN'T SHOWN UP,
807
00:37:09,488 --> 00:37:12,491
IT WASN'T GONNA END IN
RHONDA KIRKMAN'S FRONT YARD.
808
00:37:12,534 --> 00:37:14,319
SOPHIA: ME, TOO, GRANDMA.
809
00:37:14,362 --> 00:37:16,538
I LOVE YOU MORE.
810
00:37:16,582 --> 00:37:18,932
[OPERA MUSIC PLAYING]
811
00:37:20,760 --> 00:37:22,544
JAKE: DAD?
812
00:37:22,588 --> 00:37:24,416
HEY.
813
00:37:24,459 --> 00:37:25,852
WHAT'S UP?
814
00:37:32,467 --> 00:37:34,252
IS MOM GONNA BE OK?
815
00:37:35,775 --> 00:37:37,777
YOUR MOM'S GONNA BE FINE.
816
00:37:37,820 --> 00:37:41,476
SHE'S JUST GETTING STRONG
FOR WHEN YOUR NEW
817
00:37:41,520 --> 00:37:43,565
BROTHER OR SISTER
SHOWS UP.
818
00:37:46,394 --> 00:37:50,137
YOU REALLY COULDN'T SEE
THE NUMBERS ON THE DICE,
COULD YOU?
819
00:37:55,577 --> 00:37:57,492
NO.
820
00:37:57,536 --> 00:37:58,841
I COULDN'T.
821
00:37:58,885 --> 00:38:01,540
THAT'LL BE OUR
LITTLE SECRET, OK?
822
00:38:03,324 --> 00:38:06,240
BUT, HEY, IT WAS FUN
ANYWAY, WASN'T IT?
823
00:38:06,284 --> 00:38:07,328
YEAH.
RIGHT?
824
00:38:07,372 --> 00:38:09,287
MM-HMM. YEAH, IT WAS.
825
00:38:09,330 --> 00:38:10,288
YEAH.
826
00:38:10,331 --> 00:38:12,594
[BELL RINGING]
827
00:38:12,638 --> 00:38:14,422
I AM BEING SUMMONED.
828
00:38:17,207 --> 00:38:19,035
HEY, HEY.
829
00:38:23,649 --> 00:38:24,954
I LOVE YOU.
830
00:38:24,998 --> 00:38:26,565
I LOVE YOU, TOO.
831
00:38:26,608 --> 00:38:28,306
OK.
832
00:38:37,053 --> 00:38:38,838
[BELL RINGING]
833
00:38:40,535 --> 00:38:42,581
I COULD GET USED TO THIS.
834
00:38:44,278 --> 00:38:46,019
EMILY CALLED
FROM THE JET,
835
00:38:46,062 --> 00:38:47,629
AND THE LITTLE GIRL
I TOLD YOU ABOUT
836
00:38:47,673 --> 00:38:48,804
IS GOING TO BE OK.
837
00:38:48,848 --> 00:38:50,589
AW.
AND HER MOM, TOO.
838
00:38:50,632 --> 00:38:51,590
THAT'S WONDERFUL NEWS.
839
00:38:51,633 --> 00:38:53,331
YEAH.
840
00:38:53,374 --> 00:38:54,854
NICE MUSIC.
841
00:38:54,897 --> 00:38:56,812
MM-HMM.
842
00:38:56,856 --> 00:39:00,294
BEFORE BED LILY
ASKED ME WHAT OPERA WAS,
843
00:39:00,338 --> 00:39:03,253
SO I TOLD HER
THE WHOLE STORY.
844
00:39:03,297 --> 00:39:04,603
OF MADAME BUTTERFLY?
845
00:39:04,646 --> 00:39:06,344
MM-HMM.
846
00:39:06,387 --> 00:39:09,825
HOW AN AMERICAN SAILOR
CAME TO JAPAN
AND THEY FELL IN LOVE,
847
00:39:09,869 --> 00:39:11,740
THEY HAD A BABY,
BUT BACK IN THOSE DAYS,
848
00:39:11,784 --> 00:39:16,179
IT WAS HARD FOR
THE TWO CULTURES
TO COME TOGETHER.
849
00:39:17,616 --> 00:39:19,052
AND DID LILY UNDERSTAND?
850
00:39:19,095 --> 00:39:21,054
I DON'T THINK SO.
MM-MMM.
851
00:39:21,097 --> 00:39:22,621
BECAUSE AT THE END
OF THE STORY,
852
00:39:22,664 --> 00:39:26,320
SHE ASKED ME IF
THE AMERICAN SAILOR
WAS POPEYE.
853
00:39:26,364 --> 00:39:28,278
[LAUGHS]
854
00:39:28,322 --> 00:39:29,845
OH, DON'T DO THAT,
YOU'LL MAKE MY WATER BREAK.
855
00:39:29,889 --> 00:39:32,370
I CAN'T...
856
00:39:32,413 --> 00:39:35,329
I WAS JUST
OUT THERE THINKING
857
00:39:35,373 --> 00:39:37,592
ABOUT HOW MUCH TRUST
OUR CHILDREN HAVE IN US.
858
00:39:37,636 --> 00:39:41,466
AND HOW AT THE AGE
THEY ARE NOW,
859
00:39:41,509 --> 00:39:43,946
THEIR LIVES ARE
TOTALLY IN OUR HANDS.
860
00:39:45,644 --> 00:39:47,646
WHAT PROMPTED THAT?
861
00:39:47,689 --> 00:39:50,779
A PAIR OF DICE
WITHOUT ANY DOTS.
862
00:39:52,433 --> 00:39:53,913
I'LL TELL YOU
ABOUT IT LATER.
863
00:39:56,872 --> 00:40:01,050
WELL, I'VE BEEN DOING
SOME THINKING OF MY OWN.
864
00:40:02,617 --> 00:40:04,402
AFTER THIS ONE,
865
00:40:04,445 --> 00:40:07,448
WHAT DO YOU SAY
WE CALL IT A DAY,
866
00:40:07,492 --> 00:40:08,710
KID-MAKING-WISE?
867
00:40:10,495 --> 00:40:12,888
5 IS A NICE ROUND NUMBER.
868
00:40:12,932 --> 00:40:13,976
HMM?
869
00:40:14,020 --> 00:40:16,501
MM-HMM.
SURE.
870
00:40:16,544 --> 00:40:18,633
I'LL DRINK TO THAT.
871
00:40:18,677 --> 00:40:19,765
AHH.
872
00:40:19,808 --> 00:40:22,028
[LAUGHS]
873
00:40:41,743 --> 00:40:44,703
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.
874
00:40:44,746 --> 00:40:47,967
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
58137
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