Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:13,021 --> 00:00:16,200
♪ (DRAMATIC MUSIC PLAYING) ♪
2
00:00:16,220 --> 00:00:19,031
RAOUL PECK:
This is Aby Osceola.
3
00:00:20,060 --> 00:00:22,100
She is from the Seminole Nation.
4
00:00:24,121 --> 00:00:27,181
Her story goes deep into
the history of this continent.
5
00:00:29,240 --> 00:00:32,021
She reminds me of my mother.
6
00:00:34,081 --> 00:00:36,231
But despite the resemblance,
they each come,
7
00:00:36,250 --> 00:00:39,231
although through
not totally unrelated events,
8
00:00:39,250 --> 00:00:42,151
from different strands
of history.
9
00:00:42,170 --> 00:00:44,041
(GUNSHOT)
10
00:00:46,140 --> 00:00:48,210
RAOUL:
Aby's role is played by Caisa,
11
00:00:48,231 --> 00:00:50,051
a Swedish actress
12
00:00:50,070 --> 00:00:53,081
of both Colombian
and Native American ancestry.
13
00:00:54,151 --> 00:00:56,060
(HORSE NEIGHS)
14
00:00:56,231 --> 00:00:58,021
RAOUL: It is said
15
00:00:58,041 --> 00:01:00,210
that the Seminole Nation
never signed any treaty
16
00:01:00,231 --> 00:01:03,180
with the United States
government.
17
00:01:03,200 --> 00:01:07,171
That's why they are called
"the invincible tribe."
18
00:01:09,221 --> 00:01:13,021
But for now,
it is about another story.
19
00:01:13,040 --> 00:01:14,141
♪ (MUSIC FADES) ♪
20
00:01:14,161 --> 00:01:17,060
(OCEAN RUMBLING)
21
00:01:17,081 --> 00:01:20,161
RAOUL: In that larger story,
there are three words
22
00:01:20,180 --> 00:01:24,040
that summarize
the whole history of humanity:
23
00:01:24,060 --> 00:01:28,060
civilization, colonization,
extermination.
24
00:01:28,081 --> 00:01:29,221
♪ (DRAMATIC MUSIC PLAYING) ♪
25
00:01:29,240 --> 00:01:33,201
RAOUL: These words run forcibly
through Western world history,
26
00:01:33,221 --> 00:01:37,250
the same way they drill
to the core of U.S. history.
27
00:01:38,030 --> 00:01:40,100
-(ARROWS WHISTLE)
-(BISON GROWLS)
28
00:01:40,120 --> 00:01:43,041
RAOUL: And it's not so much
about winners and losers,
29
00:01:43,060 --> 00:01:45,141
or between conqueror
or conquered,
30
00:01:45,161 --> 00:01:49,130
nor between colonist
and colonized.
31
00:01:49,150 --> 00:01:53,051
The forces involved here
are less visible than gunfire,
32
00:01:53,070 --> 00:01:56,171
class property,
or political crusades.
33
00:01:56,191 --> 00:01:58,130
But they are no less powerful.
34
00:01:58,150 --> 00:02:01,230
♪ (DRAMATIC MUSIC CONTINUES) ♪
35
00:02:09,081 --> 00:02:12,051
RAOUL: Entire civilizations
in the Western Hemisphere
36
00:02:12,071 --> 00:02:15,030
were wantonly destroyed,
setting the Western world
37
00:02:15,051 --> 00:02:17,131
on a path of greed
and destruction.
38
00:02:18,150 --> 00:02:20,180
For history
is the fruit of power,
39
00:02:20,201 --> 00:02:23,060
and power is crucial
to the story,
40
00:02:23,081 --> 00:02:25,131
which then always becomes,
at best,
41
00:02:25,150 --> 00:02:27,131
a story about those who won.
42
00:02:28,160 --> 00:02:31,220
And clearly,
this needs to be challenged...
43
00:02:31,240 --> 00:02:34,030
(SINGING)
♪ Some guys care a lot for me ♪
44
00:02:34,051 --> 00:02:36,141
♪ But my excitement
They can't fan ♪
45
00:02:36,160 --> 00:02:39,191
♪ Because I still await
My primitive mate ♪
46
00:02:39,210 --> 00:02:44,081
♪ We've had a date
Since the world began ♪
47
00:02:44,100 --> 00:02:48,081
♪ My prehistoric man... ♪
48
00:02:48,100 --> 00:02:50,220
RAOUL: ...for it is
about who we are today.
49
00:02:50,240 --> 00:02:53,081
About what we have become
as a people.
50
00:02:53,100 --> 00:02:55,210
And on what side
of history we are.
51
00:02:55,231 --> 00:02:57,100
What side of the truth.
52
00:02:57,120 --> 00:03:00,101
(SINGING) ♪ Simple and free
In the long ago... ♪
53
00:03:00,120 --> 00:03:02,101
RAOUL: A certain view
of history contends
54
00:03:02,120 --> 00:03:05,060
that the historical narrative
is just one fiction
55
00:03:05,081 --> 00:03:06,150
among others.
56
00:03:08,090 --> 00:03:09,101
It is not.
57
00:03:09,120 --> 00:03:12,240
There is no such thing
as alternative facts.
58
00:03:13,021 --> 00:03:15,210
(SINGING)
♪ They didn't have bebop ♪
59
00:03:15,231 --> 00:03:18,090
♪ Tom-toms, tom-toms ♪
60
00:03:18,111 --> 00:03:22,041
♪ They sat all day
Just a-beatin' on tom-toms ♪
61
00:03:22,060 --> 00:03:24,090
♪ I really love tom-toms ♪
62
00:03:24,111 --> 00:03:25,131
♪ (DRUMS BEATING) ♪
63
00:03:25,150 --> 00:03:29,021
(MIMIC CHANTING
IN FOREIGN LANGUAGE)
64
00:03:29,231 --> 00:03:31,171
(EXAGGERATED GROAN)
65
00:03:32,171 --> 00:03:34,240
(CHANTING CONTINUES)
66
00:03:35,021 --> 00:03:39,051
♪ (SOMBER MUSIC PLAYING) ♪
67
00:03:39,071 --> 00:03:41,160
♪ ("PREHISTORIC MAN"
CONTINUES PLAYING) ♪
68
00:03:48,030 --> 00:03:49,081
(SCREECHES)
69
00:03:52,180 --> 00:03:54,041
(SAILOR YELPS)
70
00:03:54,060 --> 00:03:57,100
♪ (SOMBER MUSIC CONTINUES) ♪
71
00:04:01,120 --> 00:04:03,111
(CRICKETS CHIRPING)
72
00:04:04,180 --> 00:04:06,231
♪ (SOMBER MUSIC CONTINUES) ♪
73
00:04:09,190 --> 00:04:11,051
♪ (MUSIC FADES) ♪
74
00:04:19,030 --> 00:04:21,030
(INSECTS CHIRPING)
75
00:04:23,210 --> 00:04:25,040
(BIRDS TWITTERING)
76
00:04:43,150 --> 00:04:45,090
This is the day we fight.
77
00:04:50,111 --> 00:04:54,100
-(CHILD CRYING)
-(HORSE NEIGHS)
78
00:04:56,050 --> 00:04:59,141
(INDISTINCT CHATTER)
79
00:05:11,061 --> 00:05:12,241
Chieftain Yah-Ho-Cuchee,
80
00:05:13,210 --> 00:05:15,081
we must leave.
81
00:05:15,100 --> 00:05:18,050
We are the ones
who arrived latest here.
82
00:05:18,071 --> 00:05:19,090
Kwame-Micco,
83
00:05:20,100 --> 00:05:21,230
we are family now.
84
00:05:21,251 --> 00:05:24,121
-You stay.
-Yes.
85
00:05:24,141 --> 00:05:27,050
But family is not meant
to bring harm.
86
00:05:27,071 --> 00:05:29,131
They bring harm to our nation.
87
00:05:29,150 --> 00:05:30,201
Not you.
88
00:05:31,141 --> 00:05:33,111
It's better we surrender.
89
00:05:33,131 --> 00:05:36,191
So you and your people
can have time to run and hide.
90
00:05:38,090 --> 00:05:39,220
This is our land.
91
00:05:40,220 --> 00:05:42,180
The white man wants our land.
92
00:05:43,180 --> 00:05:45,030
We will fight.
93
00:05:45,180 --> 00:05:46,210
Together.
94
00:05:46,230 --> 00:05:48,191
Or we will die together.
95
00:05:49,210 --> 00:05:52,021
And it will be a great honor.
96
00:05:52,040 --> 00:05:53,191
Hink-lah-mas-tchay.
97
00:05:54,141 --> 00:05:56,050
All is well, then.
98
00:05:56,071 --> 00:05:58,160
(HORSE SNORTS, BLOWS)
99
00:05:59,100 --> 00:06:01,170
(HORSE SNORTS)
100
00:06:01,191 --> 00:06:04,021
(HORSE NEIGHS)
101
00:06:08,071 --> 00:06:09,141
(COUGHS)
102
00:06:18,121 --> 00:06:20,071
(HORSE NEIGHS)
103
00:06:24,071 --> 00:06:26,141
(INDISTINCT CHATTER)
104
00:06:38,180 --> 00:06:40,241
I do not want to spill
Seminole blood,
105
00:06:41,160 --> 00:06:42,251
kill Seminole children,
106
00:06:43,220 --> 00:06:45,050
Seminole women.
107
00:06:46,061 --> 00:06:48,121
Give us back
the American property you stole
108
00:06:48,141 --> 00:06:51,021
from our good fellowmen
planters and settlers,
109
00:06:51,040 --> 00:06:52,241
and I'll let you move
to the Indian Territory
110
00:06:53,021 --> 00:06:55,210
the U.S. government
has provided for your people.
111
00:06:55,230 --> 00:06:58,160
You call human beings
your property?
112
00:06:59,061 --> 00:07:00,110
They're slaves.
113
00:07:01,141 --> 00:07:03,040
You steal land.
114
00:07:03,201 --> 00:07:05,121
You steal life.
115
00:07:05,141 --> 00:07:07,170
You steal humans.
116
00:07:07,191 --> 00:07:10,081
What kind of species are you?
117
00:07:10,100 --> 00:07:12,121
-This kind.
-(GUNSHOT)
118
00:07:14,081 --> 00:07:16,241
♪ (OMINOUS MUSIC PLAYING) ♪
119
00:07:33,191 --> 00:07:36,071
-(HORSES NEIGHING)
-(GUNFIRE)
120
00:07:36,090 --> 00:07:37,201
(HORSE NEIGHING)
121
00:07:40,230 --> 00:07:43,081
(GUNFIRE CONTINUES)
122
00:07:43,100 --> 00:07:46,030
(HOOVES GALLOPING)
123
00:07:46,050 --> 00:07:48,061
(CANNON BOOMS)
124
00:07:51,170 --> 00:07:53,230
(GUNFIRE FADES)
125
00:07:53,251 --> 00:07:58,230
♪ (PLAYFUL MUSIC PLAYING) ♪
126
00:07:59,141 --> 00:08:02,030
(INDISTINCT CHATTER)
127
00:08:07,021 --> 00:08:09,100
(LAUGHTER)
128
00:08:09,121 --> 00:08:13,170
RAOUL: "All Jews and Negroes
ought really to be exterminated.
129
00:08:13,191 --> 00:08:15,141
We shall be victorious.
130
00:08:15,160 --> 00:08:18,170
The other races will disappear
and die out,"
131
00:08:18,191 --> 00:08:23,160
said the White Aryan Resistance
in 1991, in Sweden.
132
00:08:23,181 --> 00:08:26,040
♪ (OMINOUS MUSIC PLAYING) ♪
133
00:08:26,061 --> 00:08:29,160
RAOUL:
2016, 25 years later,
134
00:08:29,181 --> 00:08:31,201
a well-known Swedish
department store
135
00:08:31,220 --> 00:08:35,040
wanted something new
for its Christmas catalog.
136
00:08:36,060 --> 00:08:40,030
♪ (CHOIR SINGING HYMN) ♪
137
00:08:40,050 --> 00:08:41,200
RAOUL:
The store wanted to pay tribute
138
00:08:41,221 --> 00:08:46,021
to what Sweden is today:
a largely multicultural society.
139
00:08:46,040 --> 00:08:50,211
♪ (SINGING HYMN) ♪
140
00:08:50,231 --> 00:08:53,080
RAOUL:
To wear St. Lucia's white gown,
141
00:08:53,101 --> 00:08:56,180
a popular
18th century tradition,
142
00:08:56,200 --> 00:09:00,070
it chose a nine-year-old
dark-skinned boy.
143
00:09:00,091 --> 00:09:04,040
The innocent boy
had a shy smile on his lips.
144
00:09:04,060 --> 00:09:07,070
It was the smile,
more than anything else,
145
00:09:07,091 --> 00:09:09,121
that was not taken well.
146
00:09:09,141 --> 00:09:13,050
In Sweden, one of the most
tolerant countries in Europe,
147
00:09:13,070 --> 00:09:15,150
like everywhere else
in the world,
148
00:09:15,170 --> 00:09:17,241
hate is on the rise again.
149
00:09:18,021 --> 00:09:21,111
-(KEYBOARD CLACKING)
-(NOTIFICATION DINGS)
150
00:09:22,050 --> 00:09:23,091
(NOTIFICATION WHISTLES)
151
00:09:24,180 --> 00:09:27,200
-(NOTIFICATION BEEPS)
-(KEYBOARD CLACKING)
152
00:09:27,221 --> 00:09:30,160
(INDISTINCT CLAMORING)
153
00:09:30,180 --> 00:09:33,021
♪ (OMINOUS MUSIC PLAYING) ♪
154
00:09:33,040 --> 00:09:35,060
DONALD TRUMP: We have people
coming into the country,
155
00:09:35,080 --> 00:09:38,030
or trying to come in,
we're stopping a lot of them.
156
00:09:38,050 --> 00:09:39,160
These aren't people,
157
00:09:40,091 --> 00:09:41,131
these are animals.
158
00:09:41,150 --> 00:09:44,211
♪ (MUSIC CONTINUES) ♪
159
00:09:47,091 --> 00:09:50,080
This is not immigration,
this is invasion.
160
00:09:53,231 --> 00:09:55,101
You need to be afraid,
161
00:09:55,121 --> 00:09:57,160
because they are coming
for you.
162
00:09:57,180 --> 00:10:00,111
STEVE KING:
We have to do something
to increase our birth rate,
163
00:10:00,131 --> 00:10:03,111
or the vacuum that's created
will be filled by people
164
00:10:03,131 --> 00:10:06,050
that don't believe in our values
here in Western civilization,
165
00:10:06,070 --> 00:10:08,021
and we're seeing it happen
in the Netherlands
166
00:10:08,040 --> 00:10:10,221
and all across Europe,
and that's a lot about...
167
00:10:10,241 --> 00:10:14,211
The white establishment
is now the minority.
168
00:10:14,231 --> 00:10:17,190
(IN PORTUGUESE)
169
00:10:25,190 --> 00:10:28,211
(IN ENGLISH) We wanted
to do a good impression.
170
00:10:28,231 --> 00:10:30,070
SDU MEMBER: It's respectful.
171
00:10:34,131 --> 00:10:37,141
♪ (SUSPENSEFUL MUSIC PLAYING) ♪
172
00:10:37,160 --> 00:10:39,150
(GUNSHOTS)
173
00:10:42,231 --> 00:10:45,091
-(CAR ENGINE REVVING)
-(CROWD SCREAMING)
174
00:10:45,111 --> 00:10:48,231
ALL: (CHANTING)
You will not replace us!
175
00:10:48,251 --> 00:10:51,251
You will not replace us!
176
00:10:52,030 --> 00:10:54,170
You will not replace us!
177
00:10:54,190 --> 00:10:57,190
You will not replace us!
178
00:10:58,121 --> 00:11:00,141
(CHANTING FADES)
179
00:11:03,040 --> 00:11:05,070
(BIRD CALLING)
180
00:11:06,160 --> 00:11:10,211
♪ (SUSPENSEFUL MUSIC PLAYING) ♪
181
00:11:10,231 --> 00:11:14,070
BARACK OBAMA: In reaffirming
the greatness of our nation,
182
00:11:14,091 --> 00:11:17,060
we understand
that greatness is never a given.
183
00:11:17,251 --> 00:11:19,170
It must be earned.
184
00:11:19,190 --> 00:11:23,251
It is time for us to realize
that we are too great a nation
185
00:11:24,030 --> 00:11:26,241
to limit ourselves
to small dreams.
186
00:11:28,251 --> 00:11:30,150
GEORGE W. BUSH:
Much time has passed
187
00:11:30,170 --> 00:11:33,131
since Jefferson arrived
for his inauguration.
188
00:11:33,150 --> 00:11:36,101
The years
and changes accumulate.
189
00:11:36,121 --> 00:11:40,040
But the themes of this day
he would know:
190
00:11:40,060 --> 00:11:43,021
our nation's
grand story of courage
191
00:11:43,040 --> 00:11:45,211
and its simple dream of dignity.
192
00:11:45,231 --> 00:11:50,150
TRUMP: We are one nation,
and their pain is our pain.
193
00:11:50,170 --> 00:11:52,221
Theirs dreams are our dreams,
194
00:11:52,241 --> 00:11:57,180
and their success
will be our success.
195
00:11:57,200 --> 00:12:01,091
Though we march
to the music of our time,
196
00:12:01,111 --> 00:12:04,030
our mission is timeless.
197
00:12:04,251 --> 00:12:06,091
TRUMP: Together,
198
00:12:06,111 --> 00:12:09,111
we will make America
strong again.
199
00:12:09,131 --> 00:12:12,141
We will make America
wealthy again.
200
00:12:12,160 --> 00:12:15,180
We will make America
proud again.
201
00:12:15,200 --> 00:12:18,190
We will make America safe again.
202
00:12:18,211 --> 00:12:20,221
And, yes, together,
203
00:12:20,241 --> 00:12:24,121
we will make
America great again.
204
00:12:24,141 --> 00:12:29,030
-(CHEERING AND APPLAUSE)
-Thank you. God bless you.
And God bless America.
205
00:12:31,060 --> 00:12:32,101
Thank you.
206
00:12:33,060 --> 00:12:35,021
God bless America.
207
00:12:36,241 --> 00:12:39,030
(CHEERING AND APPLAUSE FADE)
208
00:12:39,251 --> 00:12:43,021
(THUNDER RUMBLING)
209
00:12:44,030 --> 00:12:45,221
OBAMA:
We sometimes make mistakes.
210
00:12:45,241 --> 00:12:47,131
We have not been perfect.
211
00:12:47,150 --> 00:12:50,221
But if you look at, uh,
the track record, as you say,
212
00:12:50,241 --> 00:12:53,150
America was not born
as a colonial power.
213
00:12:53,170 --> 00:12:55,101
♪ (MUSIC STOPS) ♪
214
00:12:56,190 --> 00:12:59,131
RAOUL: Well, actually, it was.
215
00:12:59,150 --> 00:13:03,050
America was born
as a colonial power.
216
00:13:03,070 --> 00:13:06,111
And this fact
is a difficult one to admit,
217
00:13:06,131 --> 00:13:10,211
for it bears the fatal capacity
to disrupt the core story
218
00:13:10,231 --> 00:13:12,200
we have been told
all these years
219
00:13:12,221 --> 00:13:15,070
and the very foundation
of this country.
220
00:13:16,170 --> 00:13:18,190
It's not an easy story to tell.
221
00:13:18,211 --> 00:13:21,160
Because the story
still continues today.
222
00:13:21,180 --> 00:13:25,231
A story of the search for purity
and for a godly kingdom.
223
00:13:25,251 --> 00:13:28,190
A story of survival
and violence.
224
00:13:28,211 --> 00:13:32,141
A search for origin,
400 years after the voyage
225
00:13:32,160 --> 00:13:35,111
that is said
to have made the nation.
226
00:13:35,131 --> 00:13:39,050
♪ (JAZZ MUSIC PLAYING) ♪
227
00:13:39,070 --> 00:13:42,030
RAOUL: 1962,
Brooklyn, New York.
228
00:13:43,221 --> 00:13:47,040
This is me in the middle.
The author.
229
00:13:47,060 --> 00:13:49,211
I'm not sure
how I ended up here,
230
00:13:49,231 --> 00:13:52,050
although I might have
my suspicions.
231
00:13:55,021 --> 00:13:58,021
This is British explorer
Henry Morton Stanley
232
00:13:58,040 --> 00:13:59,121
on the Congo river.
233
00:14:00,221 --> 00:14:02,241
This is me with Henry.
234
00:14:05,021 --> 00:14:06,080
My parents are working there
235
00:14:06,101 --> 00:14:09,040
for the newly independent
Republic of Congo,
236
00:14:09,060 --> 00:14:11,231
like a few hundred
other Haitian nationals
237
00:14:11,251 --> 00:14:14,111
hired by the UN
to replace the Belgians
238
00:14:14,131 --> 00:14:16,030
who had fled
their former colony.
239
00:14:16,050 --> 00:14:18,221
-(FILM REEL WHIRRING)
-♪ (PIANO MUSIC PLAYING) ♪
240
00:14:37,221 --> 00:14:40,091
♪ (JAZZ MUSIC PLAYING) ♪
241
00:14:40,111 --> 00:14:42,141
RAOUL: New York, 1964.
242
00:14:43,251 --> 00:14:45,180
My brother Hébert and me
243
00:14:45,200 --> 00:14:49,211
on our way to public school
P.S. 138 in Brooklyn,
244
00:14:49,231 --> 00:14:52,030
between Nostrand and Rogers.
245
00:14:53,170 --> 00:14:55,241
First time in the snow.
246
00:14:56,021 --> 00:14:59,070
My mother and my cousin
came down for the picture
247
00:14:59,091 --> 00:15:01,070
before going
to their factory jobs
248
00:15:01,091 --> 00:15:02,211
in the Garment District.
249
00:15:04,150 --> 00:15:06,021
On our way to Congo again,
250
00:15:06,040 --> 00:15:09,121
after General Mobutu's
1965 coup.
251
00:15:11,060 --> 00:15:12,160
Despite his crimes,
252
00:15:12,180 --> 00:15:16,050
Mobutu Sese Seko Kuku
Ngbendu Wa Za Banga
253
00:15:16,070 --> 00:15:18,241
would remain a welcome guest
everywhere
254
00:15:19,021 --> 00:15:20,131
for the next 30 years.
255
00:15:21,190 --> 00:15:24,241
It helps when you are one
of the richest men in the world
256
00:15:25,021 --> 00:15:29,131
and you control an extravagant
assortment of copper, uranium,
257
00:15:29,150 --> 00:15:31,190
cobalt, diamonds, and gold.
258
00:15:36,200 --> 00:15:40,050
We traveled a lot,
because of another dictator.
259
00:15:44,190 --> 00:15:47,131
♪ (OMINOUS MUSIC PLAYING) ♪
260
00:15:53,080 --> 00:15:55,190
RAOUL: But it doesn't feel
like an exile.
261
00:15:56,091 --> 00:15:58,050
I am with family.
262
00:15:58,070 --> 00:16:01,030
I am an immigrant
from a "shithole country,"
263
00:16:01,050 --> 00:16:02,030
like he said.
264
00:16:02,050 --> 00:16:04,211
♪ (QUIET PIANO MUSIC PLAYING) ♪
265
00:16:28,040 --> 00:16:32,060
-(ELECTRICITY HUMS)
-(KEYBOARD CLACKING)
266
00:16:32,080 --> 00:16:35,021
RAOUL: There is this one short,
simple sentence
267
00:16:35,040 --> 00:16:37,200
that sums up the history
of the Western world
268
00:16:37,221 --> 00:16:40,030
and the European continent.
269
00:16:40,170 --> 00:16:42,160
(KEYBOARD CLACKING)
270
00:16:43,141 --> 00:16:46,030
At the turn of the 20th century,
271
00:16:46,050 --> 00:16:48,170
a Polish writer
named Joseph Conrad,
272
00:16:48,190 --> 00:16:51,251
who often thought in French
but wrote in English,
273
00:16:52,030 --> 00:16:54,070
succeeded in putting it
into words
274
00:16:54,091 --> 00:16:57,170
in his novel entitled
Heart of Darkness.
275
00:16:59,060 --> 00:17:01,101
This sentence, spoken by Kurtz,
276
00:17:01,121 --> 00:17:03,221
the main character
of Conrad's book,
277
00:17:03,241 --> 00:17:06,070
will be the last
on the civilizing task
278
00:17:06,090 --> 00:17:09,231
of the white man
among the savages of Africa.
279
00:17:09,251 --> 00:17:13,090
And this sentence
says nothing about Europe
280
00:17:13,110 --> 00:17:16,021
as the original home
of humanism,
281
00:17:16,040 --> 00:17:18,060
democracy, and welfare.
282
00:17:20,021 --> 00:17:24,171
It says nothing about anything
to be rightly proud of.
283
00:17:24,191 --> 00:17:28,030
It simply tells the truth
we prefer to forget.
284
00:17:28,050 --> 00:17:30,161
-(PLANE ENGINES REVVING)
-(BOMBS WHISTLING)
285
00:17:33,100 --> 00:17:34,151
(EXPLOSION BOOMS)
286
00:17:34,171 --> 00:17:37,110
♪ ("WAR REQUIEM OP 66"
BY BENJAMIN BRITTEN PLAYING) ♪
287
00:17:46,161 --> 00:17:48,130
♪ (MUSIC FADES) ♪
288
00:17:48,151 --> 00:17:51,080
RAOUL:
The English word, "exterminate,"
289
00:17:51,100 --> 00:17:53,030
from the Latin "extermino,"
290
00:17:53,050 --> 00:17:57,060
means "drive over the border
to death, banish for life."
291
00:18:01,181 --> 00:18:05,050
The object of the action
is seldom a single individual,
292
00:18:05,070 --> 00:18:08,181
but usually whole groups,
such as quitch grass,
293
00:18:09,080 --> 00:18:10,080
rats,
294
00:18:11,080 --> 00:18:12,100
or people.
295
00:18:13,241 --> 00:18:15,130
The term "brutes," of course,
296
00:18:15,151 --> 00:18:18,221
reduces the object
to its mere animal status.
297
00:18:18,241 --> 00:18:21,100
♪ (OMINOUS MUSIC PLAYING) ♪
298
00:18:21,120 --> 00:18:23,151
(BIRDS CALLING)
299
00:18:25,040 --> 00:18:27,090
Africans have been called beasts
300
00:18:27,110 --> 00:18:30,151
ever since their very first
contact with Europeans,
301
00:18:30,171 --> 00:18:33,251
who described them
as "rude and beastly."
302
00:18:36,070 --> 00:18:40,021
(JUNGLE ANIMALS SCREECHING)
303
00:18:48,130 --> 00:18:51,140
♪ (DRAMATIC MUSIC PLAYING) ♪
304
00:19:00,060 --> 00:19:02,120
RAOUL:
It is in the 17th century
305
00:19:02,140 --> 00:19:04,251
that Thomas Hobbes
said to a friend,
306
00:19:06,151 --> 00:19:09,090
"Some men are
of so cruel a nature
307
00:19:09,110 --> 00:19:11,140
as to take a delight
in killing men
308
00:19:11,161 --> 00:19:13,191
more than you should
to kill a bird."
309
00:19:18,251 --> 00:19:21,110
This is Sven Lindqvist,
310
00:19:21,130 --> 00:19:23,211
a man I now call a friend.
311
00:19:23,231 --> 00:19:27,241
He wrote the book entitled
Exterminate All the Brutes.
312
00:19:28,211 --> 00:19:30,130
This is also his story.
313
00:19:35,140 --> 00:19:36,221
Sven told me...
314
00:19:38,060 --> 00:19:41,120
in an Algerian town
in the desert, named Salah,
315
00:19:41,140 --> 00:19:44,171
the Scottish explorer
Alexander Gordon Laing
316
00:19:44,191 --> 00:19:46,110
was attacked and robbed.
317
00:19:48,100 --> 00:19:51,110
He had five saber cuts
on the crown of his head
318
00:19:51,130 --> 00:19:54,090
and three on the left temple.
319
00:19:54,110 --> 00:19:58,080
The one on his left cheekbone
fractured his jawbone
320
00:19:58,100 --> 00:19:59,211
and slit his ear.
321
00:19:59,231 --> 00:20:03,191
A dreadful gash in his neck
scratched his windpipe,
322
00:20:03,211 --> 00:20:05,090
and so on.
323
00:20:05,110 --> 00:20:09,021
Laing was attacked
in January 1825.
324
00:20:09,040 --> 00:20:11,080
But fear is timeless.
325
00:20:12,110 --> 00:20:15,191
"A man may destroy everything
within himself,"
326
00:20:15,211 --> 00:20:17,211
wrote Conrad.
327
00:20:17,231 --> 00:20:21,120
"Love and hate and belief,
and even doubt.
328
00:20:21,140 --> 00:20:23,100
But as long
as he clings to life,
329
00:20:23,120 --> 00:20:25,110
-he cannot destroy fear."
-(MONKEY SCREECHES)
330
00:20:25,130 --> 00:20:27,080
(GUNSHOT)
331
00:20:28,130 --> 00:20:30,171
RAOUL: Fear always remains.
332
00:20:32,060 --> 00:20:36,140
Perhaps in fear we seek
an increased perception of life,
333
00:20:36,161 --> 00:20:39,221
a more compelling
form of existence.
334
00:20:39,241 --> 00:20:43,161
I am frightened,
therefore I exist.
335
00:20:43,181 --> 00:20:46,211
The more frightened I am,
the more I exist?
336
00:20:49,060 --> 00:20:52,231
♪ ("I'M HAPPY
WHEN I CATCH A CARIBOU"
BY JOHN PIASTUTETE PLAYING) ♪
337
00:20:58,080 --> 00:21:01,130
RAOUL: There was a land named
Tsenacommacah,
338
00:21:01,151 --> 00:21:05,040
which means
"densely inhabited land."
339
00:21:05,060 --> 00:21:08,241
It was a powerful confederacy
of more than 30 nations
340
00:21:09,021 --> 00:21:10,181
led by Wahunsonacock,
341
00:21:10,201 --> 00:21:13,181
better known
as the father of Pocahontas.
342
00:21:15,201 --> 00:21:18,151
On May 14th, 1607,
343
00:21:18,171 --> 00:21:21,050
a hundred and four
English men and boys
344
00:21:21,070 --> 00:21:22,161
landed on Tsenacommacah,
345
00:21:22,181 --> 00:21:24,181
on the bank
of the Powhatan River,
346
00:21:24,201 --> 00:21:27,251
and decided to establish
a settlement.
347
00:21:28,030 --> 00:21:30,080
But soon enough,
it was very clear
348
00:21:30,100 --> 00:21:32,090
that they lacked a supply line
349
00:21:32,110 --> 00:21:35,211
and proved unable
or unwilling to grow crops
350
00:21:35,231 --> 00:21:38,120
or hunt
for their own sustenance.
351
00:21:39,171 --> 00:21:41,100
Military leader John Smith
352
00:21:41,120 --> 00:21:43,171
threatened to kill
all the women and children
353
00:21:43,191 --> 00:21:47,080
if the Powhatans would not feed
and clothe the settlers,
354
00:21:47,100 --> 00:21:50,100
as well as provide them
with land and labor.
355
00:21:51,100 --> 00:21:53,171
The leader
of the Powhatan Confederacy,
356
00:21:53,191 --> 00:21:56,151
Wahunsonacock,
entreated the invaders.
357
00:21:57,231 --> 00:21:59,130
"Why should you take by force
358
00:21:59,151 --> 00:22:02,100
that from us
which you can have by love?
359
00:22:02,120 --> 00:22:06,100
Why should you destroy us
who have provided you with food?
360
00:22:07,040 --> 00:22:09,021
What can you get by war?
361
00:22:09,040 --> 00:22:11,181
What is the cause
of your jealousy?
362
00:22:11,201 --> 00:22:13,100
You see us unarmed
363
00:22:13,120 --> 00:22:15,161
and willing to supply
your wants,
364
00:22:15,181 --> 00:22:17,201
if you will come
in a friendly manner,
365
00:22:17,221 --> 00:22:21,201
and not with swords and guns,
as to invade an enemy."
366
00:22:23,140 --> 00:22:26,050
Smith's threat was carried out.
367
00:22:26,070 --> 00:22:29,251
After all, he worked for
the Virginia Company of London,
368
00:22:30,030 --> 00:22:31,181
a for-profit enterprise.
369
00:22:34,151 --> 00:22:38,241
War against the Powhatans
started in August 1609,
370
00:22:39,021 --> 00:22:41,231
and their elimination
was the order of the day.
371
00:22:41,251 --> 00:22:43,050
(GUNSHOT)
372
00:22:44,181 --> 00:22:45,241
(DISTANT SHOUTING)
373
00:22:47,030 --> 00:22:48,221
-(HORSE NEIGHS)
-(GUNSHOT)
374
00:22:50,130 --> 00:22:51,231
(GUNSHOT)
375
00:22:51,251 --> 00:22:54,191
♪ (SOMBER MUSIC PLAYING) ♪
376
00:22:57,241 --> 00:23:02,130
(GUNSHOTS CONTINUE)
377
00:23:03,040 --> 00:23:04,181
(RAVEN CAWS)
378
00:23:12,090 --> 00:23:13,171
(GRUNTS)
379
00:23:17,211 --> 00:23:18,231
(COUGHS)
380
00:23:22,241 --> 00:23:23,241
(GUNSHOT)
381
00:23:25,060 --> 00:23:27,251
(INDISTINCT SHOUTING)
382
00:23:28,030 --> 00:23:30,140
(GUNSHOTS CONTINUE)
383
00:23:36,021 --> 00:23:38,241
(SHOUTING CONTINUES)
384
00:23:50,120 --> 00:23:52,140
(RAVEN CAWING)
385
00:23:54,040 --> 00:23:55,050
(GUNSHOT)
386
00:24:06,151 --> 00:24:07,161
(GUNSHOT)
387
00:24:10,060 --> 00:24:11,060
(GRUNTS)
388
00:24:14,241 --> 00:24:15,241
(COUGHS)
389
00:24:24,030 --> 00:24:26,161
♪ (MUSIC FADES) ♪
390
00:24:30,221 --> 00:24:32,130
RAOUL: Sven tells me,
391
00:24:32,151 --> 00:24:34,070
"You already know enough.
392
00:24:34,231 --> 00:24:36,030
So do I.
393
00:24:36,050 --> 00:24:38,040
It is not knowledge we lack.
394
00:24:38,060 --> 00:24:39,080
What is missing
395
00:24:39,100 --> 00:24:41,171
is the courage
to understand what we know
396
00:24:41,191 --> 00:24:43,021
and to draw conclusions."
397
00:24:46,181 --> 00:24:49,120
For we know now
when the story started.
398
00:24:49,140 --> 00:24:52,070
We know now
when race, color, and blood
399
00:24:52,090 --> 00:24:55,100
became institutionalized
for the first time.
400
00:24:55,120 --> 00:24:57,151
♪ (OMINOUS MUSIC PLAYING) ♪
401
00:24:57,171 --> 00:25:00,021
We saw it taking form
with the Crusades
402
00:25:00,040 --> 00:25:03,080
when the Christian kingdoms
of Northern Spain,
403
00:25:03,100 --> 00:25:05,040
together with
the church leadership
404
00:25:05,060 --> 00:25:07,021
and other European monarchies,
405
00:25:07,040 --> 00:25:10,080
decided to take over
Muslim-controlled trade routes
406
00:25:10,100 --> 00:25:11,171
to the Far East.
407
00:25:13,140 --> 00:25:16,211
♪ ("SYMPHONY NO.3"
BY GUSTAV MAHLER PLAYING) ♪
408
00:25:16,231 --> 00:25:21,030
♪ (SINGING IN GERMAN) ♪
409
00:25:28,231 --> 00:25:30,090
♪ (MUSIC FADES) ♪
410
00:25:30,110 --> 00:25:32,171
RAOUL: The ultimate goal
of the church
411
00:25:32,191 --> 00:25:34,070
and the European rulers
412
00:25:34,090 --> 00:25:38,080
was never just about
winning souls to Christianity.
413
00:25:38,100 --> 00:25:40,201
It was also about
gaining wealth and power
414
00:25:40,221 --> 00:25:42,161
through annihilation.
415
00:25:42,181 --> 00:25:45,050
(BELLS TOLLING)
416
00:25:46,201 --> 00:25:49,090
RAOUL:
In 1478, the pope approved
417
00:25:49,110 --> 00:25:52,030
the establishment
of the Spanish Inquisition,
418
00:25:52,050 --> 00:25:55,120
which had to investigate
the cleanliness of blood
419
00:25:55,140 --> 00:25:57,120
of Moorish and Jewish converts.
420
00:25:59,060 --> 00:26:02,040
Clean blood
was Christian European.
421
00:26:02,060 --> 00:26:05,211
Unclean blood was savage,
non-Christian.
422
00:26:06,191 --> 00:26:07,241
This is the origin
423
00:26:08,021 --> 00:26:10,151
of the ideology
of white supremacy.
424
00:26:13,140 --> 00:26:15,090
For the first time in the world,
425
00:26:15,110 --> 00:26:18,080
the concept of race
based on blood
426
00:26:18,100 --> 00:26:19,241
was used as law.
427
00:26:20,140 --> 00:26:22,201
(BIRDS SINGING)
428
00:26:24,221 --> 00:26:28,070
White supremacy made it possible
for Europeans
429
00:26:28,090 --> 00:26:29,221
to think it was acceptable
430
00:26:29,241 --> 00:26:33,080
to enslave or exterminate
other peoples.
431
00:26:34,161 --> 00:26:39,201
That led to the mass deportation
of Jews from Spain in 1492,
432
00:26:39,221 --> 00:26:43,080
and Muslims
in the following decades.
433
00:26:43,100 --> 00:26:45,211
It happened with
the forced deportation
434
00:26:45,231 --> 00:26:47,241
of more than
ten million Africans
435
00:26:48,021 --> 00:26:49,241
from the human motherland.
436
00:26:50,191 --> 00:26:52,161
It happened to Native peoples
437
00:26:52,181 --> 00:26:56,161
in what came to be called
the United States of America.
438
00:26:56,181 --> 00:27:01,040
And again, in the 20th century,
without any contrition,
439
00:27:01,060 --> 00:27:03,151
it happened
during the Holocaust.
440
00:27:03,171 --> 00:27:08,120
(TRAIN CHUGGING, WHISTLING)
441
00:27:15,231 --> 00:27:18,090
RAOUL:
The road to Auschwitz was paved
442
00:27:18,110 --> 00:27:20,241
in the earliest days
of Christendom.
443
00:27:21,171 --> 00:27:23,231
And this road also leads
444
00:27:23,251 --> 00:27:26,040
straight to the heart
of America.
445
00:27:31,171 --> 00:27:34,021
♪ (DRUMS BEATING) ♪
446
00:27:37,201 --> 00:27:40,060
♪ (FANFARE) ♪
447
00:27:43,241 --> 00:27:46,060
♪ (MUSIC CONTINUES DISTANTLY) ♪
448
00:27:56,201 --> 00:28:00,100
(CROWD CHEERING)
449
00:28:08,151 --> 00:28:10,090
(CHEERING CONTINUES)
450
00:28:17,161 --> 00:28:23,140
(IN GERMAN)
451
00:28:24,050 --> 00:28:26,130
(GUNSHOTS)
452
00:28:26,151 --> 00:28:28,070
♪ (SOMBER MUSIC PLAYING) ♪
453
00:28:28,090 --> 00:28:29,201
(GUNSHOT)
454
00:28:36,021 --> 00:28:37,211
RAOUL: (IN ENGLISH)
The Germans have been made
455
00:28:37,231 --> 00:28:40,211
the sole scapegoats
for ideas of extermination
456
00:28:40,231 --> 00:28:43,211
that are actually
a common European heritage.
457
00:28:46,070 --> 00:28:48,231
There was a discussion
in Germany in the '70s
458
00:28:48,251 --> 00:28:50,050
over the question,
459
00:28:50,070 --> 00:28:54,100
"Is the Nazi extermination
of the Jews unique or not?"
460
00:28:58,050 --> 00:29:00,161
All historical events
are unique
461
00:29:00,181 --> 00:29:03,050
and not copies of each other.
462
00:29:03,070 --> 00:29:05,120
But they can be compared.
463
00:29:05,140 --> 00:29:07,181
There are similarities
and differences
464
00:29:07,201 --> 00:29:09,231
between the extermination
of the Jews
465
00:29:09,251 --> 00:29:11,191
and other mass murders.
466
00:29:12,231 --> 00:29:15,181
♪ (SOMBER MUSIC CONTINUES) ♪
467
00:29:21,080 --> 00:29:23,161
I have seen these images before.
468
00:29:25,030 --> 00:29:27,140
They are always the same.
469
00:29:27,161 --> 00:29:31,221
Everywhere, in ancient
and modern times.
470
00:29:31,241 --> 00:29:34,171
The ridicule of their display.
471
00:29:34,191 --> 00:29:38,140
It is their banality
that gets me every time.
472
00:29:41,251 --> 00:29:44,181
♪ (OMINOUS MUSIC PLAYING) ♪
473
00:29:53,171 --> 00:29:55,151
♪ (MUSIC FADES) ♪
474
00:29:55,171 --> 00:29:59,120
(SPEAKING GERMAN)
475
00:30:04,181 --> 00:30:07,080
(CROWD CHEERS)
476
00:30:09,070 --> 00:30:11,060
(BIRDS SINGING)
477
00:30:13,021 --> 00:30:14,151
RAOUL: (IN ENGLISH)
No one points out
478
00:30:14,171 --> 00:30:16,100
that during Hitler's childhood,
479
00:30:16,120 --> 00:30:19,151
a major element
in the European view of mankind
480
00:30:19,171 --> 00:30:22,120
was the conviction
that inferior races
481
00:30:22,140 --> 00:30:25,181
were by nature
condemned to extinction.
482
00:30:25,201 --> 00:30:28,070
♪ (SOMBER MUSIC PLAYING) ♪
483
00:30:28,090 --> 00:30:32,151
The truly charitable attitude
of the superior races
484
00:30:32,171 --> 00:30:35,070
consisted in helping them
on their way.
485
00:30:35,090 --> 00:30:38,050
(THUNDER RUMBLES)
486
00:30:38,070 --> 00:30:41,181
All German historians
participating in this debate
487
00:30:41,201 --> 00:30:44,120
seemed to look
in the same direction.
488
00:30:45,151 --> 00:30:47,080
None looks to the West.
489
00:30:48,060 --> 00:30:49,161
But Hitler did.
490
00:30:50,100 --> 00:30:53,030
He had found his models.
491
00:30:53,050 --> 00:30:55,070
♪ ("DREAMLAND" BY BOB MARLEY
& THE WAILERS PLAYING) ♪
492
00:30:55,090 --> 00:30:59,211
(SINGING) ♪ There's a land
That I have heard about ♪
493
00:30:59,231 --> 00:31:05,070
♪ So far across the sea ♪
494
00:31:05,090 --> 00:31:11,211
♪ There's a land
That I have heard about ♪
495
00:31:11,231 --> 00:31:17,191
♪ So far across the sea ♪
496
00:31:19,231 --> 00:31:25,251
♪ To have you all
My dreamland ♪
497
00:31:26,030 --> 00:31:30,251
♪ Would be like heaven to me ♪
498
00:31:32,080 --> 00:31:37,070
♪ To have you all
My dreamland... ♪
499
00:31:37,090 --> 00:31:41,100
RAOUL: Of course, one man alone
did not singlehandedly engineer
500
00:31:41,120 --> 00:31:44,251
the killing of more
than six million Jews.
501
00:31:45,030 --> 00:31:47,060
Hundreds of thousands
of enablers
502
00:31:47,080 --> 00:31:50,040
were also there
to plan, execute,
503
00:31:50,060 --> 00:31:52,130
or to simply profit from it.
504
00:31:52,151 --> 00:31:55,211
♪ (TENSE MUSIC PLAYING) ♪
505
00:31:57,231 --> 00:32:01,201
RAOUL: Renowned industrialist
Henry Ford gave the Nazi party
506
00:32:01,221 --> 00:32:05,181
all the profit from cars
sold in Germany.
507
00:32:05,201 --> 00:32:09,161
And every year,
an additional 350,000 dollars
508
00:32:09,181 --> 00:32:12,030
was allocated
for Hitler's birthday.
509
00:32:12,050 --> 00:32:13,070
Heil!
510
00:32:13,090 --> 00:32:15,241
RAOUL: While millions of others
committed themselves
511
00:32:16,021 --> 00:32:17,211
to remaining silent.
512
00:32:17,231 --> 00:32:20,151
(CROWD CLAMORING)
513
00:32:21,040 --> 00:32:27,211
FRITZ JULIUS KUHN:
514
00:32:39,241 --> 00:32:42,171
(CHEERING AND APPLAUSE)
515
00:32:44,140 --> 00:32:47,050
(INDISTINCT SHOUTING)
516
00:32:47,070 --> 00:32:48,181
FRITZ: Wait, wait.
517
00:32:51,201 --> 00:32:56,040
(CROWD CHATTERING IN GERMAN)
518
00:33:00,110 --> 00:33:02,030
(WOMEN LAUGHING)
519
00:33:02,050 --> 00:33:06,021
RAOUL: (IN ENGLISH) The essence
of this story is fragile.
520
00:33:06,040 --> 00:33:10,070
It requires renunciation
of all prejudices.
521
00:33:10,090 --> 00:33:13,110
Modesty and humility
are needed here.
522
00:33:14,241 --> 00:33:17,080
(INDISTINCT CHATTER)
523
00:33:19,161 --> 00:33:21,221
♪ (SOMBER MUSIC PLAYING) ♪
524
00:33:37,181 --> 00:33:40,161
RAOUL: Why do I bring myself
into this story?
525
00:33:40,181 --> 00:33:42,110
Where do I fit in it?
526
00:33:44,040 --> 00:33:45,110
As a filmmaker,
527
00:33:45,130 --> 00:33:48,191
I am compelled to stay hidden
in the background.
528
00:33:48,211 --> 00:33:52,050
Restrained, moderate, balanced,
529
00:33:52,070 --> 00:33:55,221
judicious, neutral even.
530
00:33:55,241 --> 00:33:59,161
You learn to avoid becoming
the subject of your film.
531
00:34:00,110 --> 00:34:02,021
It's not about you.
532
00:34:02,040 --> 00:34:05,060
Unless the story
is bigger than you.
533
00:34:05,080 --> 00:34:08,171
-(WIND WHISTLING)
-(METAL CREAKING)
534
00:34:08,191 --> 00:34:11,231
In that case, you go for broke.
535
00:34:11,251 --> 00:34:14,100
Neutrality is not an option.
536
00:34:14,120 --> 00:34:17,160
And those who seek history
with an upbeat ending,
537
00:34:17,180 --> 00:34:23,060
redemption, or reconciliation,
may search in vain.
538
00:34:23,080 --> 00:34:26,060
Such a conclusion
cannot be expected.
539
00:34:33,131 --> 00:34:35,080
In the late 15th century,
540
00:34:35,100 --> 00:34:38,080
Europeans started
to colonize the New World.
541
00:34:38,100 --> 00:34:39,220
(WOOD CREAKING)
542
00:34:39,240 --> 00:34:42,211
RAOUL: Crossing the Atlantic,
Columbus, an Italian,
543
00:34:42,231 --> 00:34:46,180
landed on an Island
that he claimed for Spain.
544
00:34:46,200 --> 00:34:50,151
In 1497, John Cabot,
also an Italian,
545
00:34:50,171 --> 00:34:54,021
claimed another territory
for the king of England.
546
00:34:54,040 --> 00:34:58,071
In 1500, Pedro Álvares Cabral,
a Portuguese,
547
00:34:58,091 --> 00:35:01,180
serving his own king,
reached Brazil.
548
00:35:01,200 --> 00:35:05,031
Vasco Núñez de Balboa
crossed through a piece of land
549
00:35:05,051 --> 00:35:08,140
to find the Pacific.
He claimed it for Spain.
550
00:35:08,160 --> 00:35:10,251
Ferdinand Magellan,
a Portuguese,
551
00:35:11,031 --> 00:35:12,200
also did the same for Spain
552
00:35:12,220 --> 00:35:15,080
and died on his way
around the world.
553
00:35:16,180 --> 00:35:19,031
The Italian
Giovanni da Verrazzano
554
00:35:19,051 --> 00:35:21,120
followed the coastline
of North America
555
00:35:21,140 --> 00:35:22,211
for the king of France,
556
00:35:22,231 --> 00:35:25,251
and got a bridge named
after him in New York.
557
00:35:26,031 --> 00:35:28,031
(SEAGULLS SQUAWKING)
558
00:35:28,051 --> 00:35:30,140
RAOUL:
In 1534, Jacques Cartier
559
00:35:30,160 --> 00:35:34,091
claimed another piece for France
and named it "Canada."
560
00:35:35,171 --> 00:35:38,111
A few years before,
Amerigo Vespucci,
561
00:35:38,131 --> 00:35:42,251
an Italian sailing for Portugal,
had proved Columbus wrong again,
562
00:35:43,031 --> 00:35:45,151
in that he had not reached
the West Indies,
563
00:35:45,171 --> 00:35:48,120
but what he would then call
"the New World."
564
00:35:49,131 --> 00:35:52,060
As a result,
a German cartographer,
565
00:35:52,080 --> 00:35:54,071
Martin Waldseemüller,
566
00:35:54,091 --> 00:35:57,251
gave the name America
to the whole continent.
567
00:35:58,220 --> 00:36:01,060
(HORSE NEIGHING)
568
00:36:02,231 --> 00:36:04,021
From the beginning,
569
00:36:04,040 --> 00:36:06,040
the extension
of the United States
570
00:36:06,060 --> 00:36:07,151
from sea to shining sea
571
00:36:07,171 --> 00:36:11,111
was the intention and design
of the country's founders.
572
00:36:12,111 --> 00:36:14,071
Free land was the magnet
573
00:36:14,091 --> 00:36:16,211
that attracted
European settlers.
574
00:36:17,200 --> 00:36:20,111
This particular form
of colonialism
575
00:36:20,131 --> 00:36:23,191
is called settler colonialism.
576
00:36:23,211 --> 00:36:27,071
But as a system,
it requires violence.
577
00:36:27,091 --> 00:36:30,040
It requires
the elimination of the Natives
578
00:36:30,060 --> 00:36:33,111
and their replacement
by European settlers.
579
00:36:33,131 --> 00:36:35,231
♪ (DRAMATIC MUSIC PLAYING) ♪
580
00:36:53,191 --> 00:36:57,100
(RUMBLING)
581
00:37:46,031 --> 00:37:47,091
♪ (MUSIC FADES) ♪
582
00:37:47,111 --> 00:37:49,040
RAOUL:
The charge of genocide,
583
00:37:49,060 --> 00:37:51,040
when applied
to the United States,
584
00:37:51,060 --> 00:37:54,251
has been unacceptable
for a very long time.
585
00:37:55,031 --> 00:37:58,021
But the evidence leaves
no other choice today.
586
00:38:01,120 --> 00:38:02,211
From the first settlements
587
00:38:02,231 --> 00:38:05,031
to the founding
of the United States,
588
00:38:05,051 --> 00:38:08,171
and continuing
into the 21st century,
589
00:38:08,191 --> 00:38:11,171
the elimination of the Native
is consciously,
590
00:38:11,191 --> 00:38:15,231
or unconsciously,
wired into the process.
591
00:38:15,251 --> 00:38:19,051
♪ (SOMBER MUSIC PLAYING) ♪
592
00:38:39,120 --> 00:38:41,021
RAOUL: This is a story,
593
00:38:41,040 --> 00:38:44,060
not a contribution
to historical research.
594
00:38:44,080 --> 00:38:48,080
♪ (SOMBER MUSIC CONTINUES) ♪
595
00:39:12,021 --> 00:39:14,151
♪ (MUSIC FADES) ♪
596
00:39:14,171 --> 00:39:17,040
RAOUL: The nature
of this historical process
597
00:39:17,060 --> 00:39:18,200
is still blurred by the notion
598
00:39:18,220 --> 00:39:20,191
that violence
was committed equally
599
00:39:20,211 --> 00:39:22,231
by the colonized
and the colonizer.
600
00:39:22,251 --> 00:39:24,191
♪ ("AMERICAN DREAM"
BY J.S. ONDARA PLAYING) ♪
601
00:39:24,211 --> 00:39:29,060
(SINGING) ♪ It was just
An American dream ♪
602
00:39:29,080 --> 00:39:34,120
♪ It was just
An American dream ♪
603
00:39:35,160 --> 00:39:37,021
♪ Hey ♪
604
00:39:37,211 --> 00:39:39,140
♪ Hey ♪
605
00:39:42,191 --> 00:39:46,251
♪ It was just
An American dream ♪
606
00:39:47,031 --> 00:39:52,151
♪ It was just
An American dream ♪
607
00:39:53,111 --> 00:39:54,240
♪ Hey ♪
608
00:39:55,151 --> 00:39:57,131
♪ Hey... ♪
609
00:39:57,151 --> 00:40:00,040
RAOUL: But people do not
hand over their land,
610
00:40:00,060 --> 00:40:02,091
their resources, their children,
611
00:40:02,111 --> 00:40:04,180
and their futures,
without a fight.
612
00:40:05,180 --> 00:40:09,191
And that fight
is always met with violence.
613
00:40:09,211 --> 00:40:11,211
(SINGING) ♪ Well, the gold
And the silver... ♪
614
00:40:11,231 --> 00:40:15,091
RAOUL: In U.S. history,
everything is about the land.
615
00:40:15,111 --> 00:40:19,211
Who oversaw and cultivated it,
who fished its waters,
616
00:40:19,231 --> 00:40:21,200
maintained its wildlife,
617
00:40:22,120 --> 00:40:24,111
who invaded and stole it.
618
00:40:25,211 --> 00:40:28,180
It's about how the land
became a commodity,
619
00:40:28,200 --> 00:40:31,120
"real estate,"
broken into pieces
620
00:40:31,140 --> 00:40:33,231
to be bought
and sold on the market.
621
00:40:37,240 --> 00:40:42,080
♪ It was just
An American dream ♪
622
00:40:42,100 --> 00:40:47,231
♪ It was just
An American dream ♪
623
00:40:48,140 --> 00:40:49,251
♪ Hey ♪
624
00:40:50,191 --> 00:40:52,051
♪ Hey ♪
625
00:40:55,220 --> 00:40:57,091
♪ It was just... ♪
626
00:40:57,111 --> 00:40:59,100
RAOUL: It is about
how African bodies
627
00:40:59,120 --> 00:41:02,211
became properties
and source of labor,
628
00:41:02,231 --> 00:41:06,160
and how poor white settlers
embraced white supremacy
629
00:41:06,180 --> 00:41:09,031
as a substitute for land
and slaves.
630
00:41:11,080 --> 00:41:14,151
The poet William Carlos Williams
wrote,
631
00:41:14,171 --> 00:41:16,240
"The land! Don't you feel it?
632
00:41:17,021 --> 00:41:19,040
Doesn't it make you want
to go out
633
00:41:19,060 --> 00:41:22,151
and lift dead Indians tenderly
from their graves
634
00:41:22,171 --> 00:41:24,240
to steal from them
some authenticity,
635
00:41:25,021 --> 00:41:28,060
as if it must be clinging
even to their corpses."
636
00:41:30,231 --> 00:41:34,191
Without the unpaid forced labor
of enslaved Africans,
637
00:41:34,211 --> 00:41:38,240
a farmer growing cash crops
could not compete on the market.
638
00:41:41,151 --> 00:41:43,111
Once in the hands of settlers,
639
00:41:43,131 --> 00:41:46,251
the land itself was no longer
sacred or collective,
640
00:41:47,031 --> 00:41:49,100
as it had been
for the Indigenous people.
641
00:41:50,051 --> 00:41:51,251
It became private property.
642
00:41:52,031 --> 00:41:54,160
A commodity
to be acquired and sold,
643
00:41:54,180 --> 00:41:58,071
every man a possible king,
or at least wealthy.
644
00:41:59,231 --> 00:42:03,180
Most of the founders
were also real estate men.
645
00:42:03,200 --> 00:42:05,131
George Washington
made his fortune
646
00:42:05,151 --> 00:42:07,111
off land speculation.
647
00:42:07,131 --> 00:42:08,200
Indian land.
648
00:42:10,051 --> 00:42:13,180
And then, "the land"
came to mean the country,
649
00:42:13,200 --> 00:42:16,080
the flag, the military,
650
00:42:16,100 --> 00:42:19,220
as in "the land of the free"
from the national anthem.
651
00:42:21,051 --> 00:42:23,171
Those who died fighting
in foreign wars
652
00:42:23,191 --> 00:42:26,021
were said to have sacrificed
their lives
653
00:42:26,040 --> 00:42:28,031
to protect "this land"
654
00:42:28,051 --> 00:42:31,211
that the old settlers
have spilled blood to acquire.
655
00:42:31,231 --> 00:42:34,240
But the blood spilled
was Indigenous blood.
656
00:42:35,021 --> 00:42:38,071
♪ (DRAMATIC MUSIC PLAYING) ♪
657
00:42:46,160 --> 00:42:49,140
RAOUL: This is Sven again.
658
00:42:49,160 --> 00:42:52,191
He reminds me
of these old-time adventurers
659
00:42:52,211 --> 00:42:55,031
who explore the human species,
660
00:42:55,051 --> 00:42:58,100
whatever difficulties
and danger it involves,
661
00:42:58,120 --> 00:43:01,071
whatever faraway travels
it requires.
662
00:43:02,060 --> 00:43:04,131
Definitely not a white savior.
663
00:43:06,071 --> 00:43:09,160
On the contrary,
he is one of these few Europeans
664
00:43:09,180 --> 00:43:12,060
who dare see the beast
for what it is.
665
00:43:13,100 --> 00:43:15,040
Sven is a witness.
666
00:43:15,220 --> 00:43:17,171
Sven traveled the world.
667
00:43:19,111 --> 00:43:21,100
Sven told me stories,
668
00:43:21,120 --> 00:43:24,060
some of which I already knew.
669
00:43:24,080 --> 00:43:28,071
He told me about this world,
about his world,
670
00:43:28,091 --> 00:43:29,211
without cynicism,
671
00:43:29,231 --> 00:43:33,160
which would not be inconceivable
at this stage of the story.
672
00:43:34,140 --> 00:43:36,091
For Sven saw my world,
673
00:43:36,111 --> 00:43:37,200
lived in it,
674
00:43:37,220 --> 00:43:39,200
as I lived in his.
675
00:43:39,220 --> 00:43:44,040
And he wrote about it,
making it palpable.
676
00:43:44,060 --> 00:43:46,251
And when he delved
into the horror,
677
00:43:47,031 --> 00:43:50,091
I knew what he meant
and what he went through.
678
00:43:51,040 --> 00:43:52,191
I could trust him.
679
00:43:52,211 --> 00:43:56,151
Our distinctive skin colors
never were an obstacle.
680
00:43:56,171 --> 00:43:59,031
And that is the way
it should be.
681
00:43:59,051 --> 00:44:02,120
♪ (DRAMATIC MUSIC CONTINUES) ♪
682
00:44:19,040 --> 00:44:21,060
♪ (MUSIC FADES) ♪
683
00:44:21,080 --> 00:44:24,060
(BIRDS CHIRPING)
684
00:44:24,080 --> 00:44:27,231
♪ ("TWO ON A BIKE"
BY GORDON JENKINS PLAYING) ♪
685
00:44:29,120 --> 00:44:30,151
(BICYCLE BELL RINGS)
686
00:44:30,171 --> 00:44:33,180
(SINGING) ♪ Merrily, merrily
We roll along ♪
687
00:44:33,200 --> 00:44:36,171
♪ Lovers on bicycle wheels ♪
688
00:44:36,191 --> 00:44:39,231
♪ Merrily, merrily
We roll along ♪
689
00:44:39,251 --> 00:44:42,031
♪ Who needs automobiles... ♪
690
00:44:42,160 --> 00:44:44,040
RAOUL: In 1887,
691
00:44:44,060 --> 00:44:46,160
the Scottish surgeon
J.B. Dunlop
692
00:44:46,180 --> 00:44:50,051
hit upon the idea of equipping
his young son's bicycle
693
00:44:50,071 --> 00:44:53,040
with an inflatable
rubber tube.
694
00:44:53,060 --> 00:44:56,191
The bicycle tire was patented
in 1888.
695
00:44:56,211 --> 00:44:58,051
♪ (OMINOUS MUSIC PLAYING) ♪
696
00:44:58,071 --> 00:45:00,131
Four years earlier,
the Europeans
697
00:45:00,151 --> 00:45:02,211
and the United States
had decided
698
00:45:02,231 --> 00:45:04,131
that it was necessary
to regulate
699
00:45:04,151 --> 00:45:07,131
the thriving exploitation
of the African continent
700
00:45:07,151 --> 00:45:09,211
other than by whoever
got there first,
701
00:45:09,231 --> 00:45:12,251
was the boldest,
or the most murderous.
702
00:45:13,031 --> 00:45:15,251
A situation that was
naturally detrimental
703
00:45:16,031 --> 00:45:18,151
to any respectable
business environment.
704
00:45:21,120 --> 00:45:23,131
They convened
the Congo Conference
705
00:45:23,151 --> 00:45:25,231
to arbitrate the looting.
706
00:45:25,251 --> 00:45:29,091
The main outcome,
of this "gentlemen's agreement"
707
00:45:29,111 --> 00:45:31,091
was the definitive elimination
708
00:45:31,111 --> 00:45:34,211
of most existing forms
of African autonomy
709
00:45:34,231 --> 00:45:36,120
and self-governance.
710
00:45:44,071 --> 00:45:45,120
At the conference,
711
00:45:45,140 --> 00:45:47,180
Belgium's king, Leopold II,
712
00:45:47,200 --> 00:45:49,231
managed to secure
the whole Congo
713
00:45:49,251 --> 00:45:51,211
as his private property.
714
00:45:51,231 --> 00:45:55,040
A territory 80 times bigger
than Belgium.
715
00:45:55,060 --> 00:45:57,091
Basically,
twice the surface area
716
00:45:57,111 --> 00:45:59,120
of Texas
and California combined.
717
00:46:06,200 --> 00:46:08,140
During the years that followed,
718
00:46:08,160 --> 00:46:10,220
demand for rubber exploded.
719
00:46:10,240 --> 00:46:13,251
This would carry
incalculable consequences
720
00:46:14,031 --> 00:46:15,211
for the villages in Congo.
721
00:46:18,160 --> 00:46:22,091
The king instituted
a monopoly on rubber and ivory
722
00:46:22,111 --> 00:46:25,031
and ordered all natives
to supply labor
723
00:46:25,051 --> 00:46:26,231
and products without payment.
724
00:46:28,131 --> 00:46:31,231
Those who refused
had their villages burned down,
725
00:46:31,251 --> 00:46:35,111
their children murdered,
and their hands cut off.
726
00:46:36,091 --> 00:46:38,080
♪ (OMINOUS MUSIC CONTINUES) ♪
727
00:46:40,111 --> 00:46:41,231
(TRAM BELL RINGING)
728
00:46:41,251 --> 00:46:46,160
Such methods led to a dramatic
increase in profitability,
729
00:46:46,180 --> 00:46:50,120
profits which helped
in building, among other things,
730
00:46:50,140 --> 00:46:51,231
impressive monuments
731
00:46:51,251 --> 00:46:54,131
that still decorate
Brussels today.
732
00:46:59,120 --> 00:47:01,140
(BIRDS SINGING)
733
00:47:02,160 --> 00:47:06,031
RAOUL: Monuments paid for
with amputated hands.
734
00:47:15,040 --> 00:47:17,021
♪ (MUSIC FADES) ♪
735
00:47:18,051 --> 00:47:21,160
♪ (CONGREGATION SINGING) ♪
736
00:47:27,120 --> 00:47:29,071
♪ Kyrie ♪
737
00:47:30,151 --> 00:47:35,080
-♪ Kyrie eleison ♪
-♪ Kyrie ♪
738
00:47:35,100 --> 00:47:36,200
♪ Kyrie ♪
739
00:47:36,220 --> 00:47:39,231
-♪ Kyrie ♪
-♪ Kyrie eleison ♪
740
00:47:39,251 --> 00:47:41,231
♪ Kyrie ♪
741
00:47:41,251 --> 00:47:46,220
-♪ Kyrie ♪
-♪ Kyrie eleison ♪
742
00:47:48,131 --> 00:47:50,171
"I bring you clarity,"
743
00:47:52,031 --> 00:47:53,171
said the prophet,
744
00:47:53,191 --> 00:47:55,220
"that you may understand
745
00:47:56,131 --> 00:47:58,171
the world around you."
746
00:47:59,231 --> 00:48:01,051
God tells us
747
00:48:01,231 --> 00:48:05,051
that real life is after death.
748
00:48:06,060 --> 00:48:08,180
The more we suffer,
the more you are granted
749
00:48:09,160 --> 00:48:12,031
with joys in Heaven.
750
00:48:16,200 --> 00:48:19,021
Can't this wait
until the end of my service?
751
00:48:19,211 --> 00:48:21,091
Rubber doesn't wait!
752
00:48:22,151 --> 00:48:23,151
(GRUNTS)
753
00:48:28,160 --> 00:48:30,131
(PANTING)
754
00:48:32,211 --> 00:48:34,120
Where's my rubber?
755
00:48:34,140 --> 00:48:36,060
That's all I got today.
756
00:48:36,080 --> 00:48:37,151
And why is that?
757
00:48:37,171 --> 00:48:40,091
The trees have dried out.
758
00:48:46,211 --> 00:48:47,211
You.
759
00:48:52,160 --> 00:48:54,051
Get the basket.
760
00:48:54,240 --> 00:48:56,180
(COUGHS)
761
00:49:01,200 --> 00:49:04,031
(FLIES BUZZING)
762
00:49:05,231 --> 00:49:08,051
No, stay, stay.
763
00:49:08,071 --> 00:49:11,151
Please, please don't do that.
Please, please don't do that.
764
00:49:11,171 --> 00:49:13,191
(SOBS)
765
00:49:20,231 --> 00:49:21,231
(GUNSHOT)
766
00:49:30,051 --> 00:49:31,240
(GRUNTS, COUGHS)
767
00:49:38,051 --> 00:49:41,080
(THUNDER RUMBLING)
768
00:49:45,180 --> 00:49:46,211
(GRUNTS)
769
00:50:27,051 --> 00:50:29,100
(BIRDS CALLING)
770
00:50:33,251 --> 00:50:36,191
RAOUL: The Congo adventure
was pure looting,
771
00:50:36,211 --> 00:50:39,120
Leopold II running the numbers.
772
00:50:39,140 --> 00:50:42,220
Plundering bodies,
plundering resources.
773
00:50:43,211 --> 00:50:46,091
The draining
of a whole continent.
774
00:50:46,111 --> 00:50:48,140
A multi-billion-dollar heist.
775
00:50:50,071 --> 00:50:52,111
(TRAIN WHISTLES)
776
00:50:55,151 --> 00:50:58,111
RAOUL: Ten years after
the creation of the Congo state,
777
00:50:58,131 --> 00:51:02,100
the writer Joseph Conrad
sent his first short story,
778
00:51:02,120 --> 00:51:05,220
"An Outpost of Progress,"
to Cosmopolis magazine.
779
00:51:07,060 --> 00:51:09,200
He, too, had gone up
the Congo River
780
00:51:09,220 --> 00:51:12,051
on one
of the company's steamers.
781
00:51:12,071 --> 00:51:14,200
He, too,
had seen the trading post
782
00:51:14,220 --> 00:51:17,111
and listened
to the passengers' stories.
783
00:51:20,051 --> 00:51:22,071
The story is simple.
784
00:51:22,091 --> 00:51:25,021
Two Europeans,
Kayerts and Carlier,
785
00:51:25,040 --> 00:51:26,091
are sent to a trading post
786
00:51:26,111 --> 00:51:28,171
on the banks
of the great Congo River.
787
00:51:29,191 --> 00:51:32,060
♪ (FLUTE MUSIC PLAYING) ♪
788
00:51:32,080 --> 00:51:35,071
Apart from collecting ivory
from the locals,
789
00:51:35,091 --> 00:51:36,171
they don't have much to do
790
00:51:36,191 --> 00:51:39,140
and have plenty of time
to get bored.
791
00:51:39,160 --> 00:51:43,051
Their only reading material
is a yellowed newspaper
792
00:51:43,071 --> 00:51:47,051
that praises colonial expansion
as sacred work
793
00:51:47,071 --> 00:51:49,071
in the service of civilization.
794
00:51:50,131 --> 00:51:54,120
At first, the two companions
believe these fine words.
795
00:51:54,140 --> 00:51:57,180
But gradually, they discover
that such words
796
00:51:57,200 --> 00:51:59,131
are nothing but "sounds,"
797
00:51:59,151 --> 00:52:02,131
sounds that lack content
outside the society
798
00:52:02,151 --> 00:52:03,231
that created them.
799
00:52:05,031 --> 00:52:09,031
Concepts such as "virtue,"
"crime," or "morality"
800
00:52:09,051 --> 00:52:11,120
are nothing but sounds.
801
00:52:11,140 --> 00:52:15,191
Soon, Kayerts and Carlier feel
that no one is watching them.
802
00:52:16,200 --> 00:52:18,080
One day, they argue.
803
00:52:19,231 --> 00:52:21,080
(GROANING)
804
00:52:22,151 --> 00:52:23,151
(GUNSHOT)
805
00:52:25,171 --> 00:52:28,100
RAOUL: Kayerts shoots Carlier
in self-defense
806
00:52:28,120 --> 00:52:30,100
and does not realize until later
807
00:52:30,120 --> 00:52:34,091
that in his panic,
he has killed an unarmed man.
808
00:52:35,120 --> 00:52:38,060
As he sits by the body
of his companion,
809
00:52:38,080 --> 00:52:41,040
Kayerts, for the first time,
really thinks.
810
00:52:42,200 --> 00:52:44,140
Like the rest of mankind,
811
00:52:44,160 --> 00:52:47,071
he has gone around
believing a lot of nonsense.
812
00:52:49,040 --> 00:52:51,191
Left alone
with their own weaknesses,
813
00:52:51,211 --> 00:52:56,131
far from any public opinion,
from any exterior gaze,
814
00:52:56,151 --> 00:53:00,111
any human being is likely
to indulge in the worst.
815
00:53:01,160 --> 00:53:03,151
(ENGINE RUMBLING)
816
00:53:05,060 --> 00:53:07,151
♪ (DRAMATIC MUSIC PLAYING) ♪
817
00:53:07,171 --> 00:53:09,240
RAOUL: Conrad and Wells
knew about each other
818
00:53:10,021 --> 00:53:13,031
when the latter wrote
The Time Machine in 1895.
819
00:53:15,191 --> 00:53:19,040
Hatred and fear
seize the time traveler.
820
00:53:19,060 --> 00:53:21,180
He longs to kill Morlocks.
821
00:53:21,200 --> 00:53:24,140
He wants to go straight
into the darkness,
822
00:53:24,160 --> 00:53:26,051
"to kill the brutes."
823
00:53:26,251 --> 00:53:29,071
The time traveler falls asleep
824
00:53:29,091 --> 00:53:31,220
as he sits there
in the darkness,
825
00:53:31,240 --> 00:53:35,160
and when he wakes,
the Morlocks are onto him,
826
00:53:35,180 --> 00:53:37,100
soft and repugnant.
827
00:53:38,180 --> 00:53:40,231
He shakes the "human rats "
off him...
828
00:53:40,251 --> 00:53:43,211
-(SCREECHES)
-...and starts striking out.
829
00:53:43,231 --> 00:53:46,180
He enjoys the feeling
of a swishing iron pipe
830
00:53:46,200 --> 00:53:50,111
smashing into juicy flesh
and crushing bones.
831
00:53:52,111 --> 00:53:57,040
This killing in Wells
is both horrific and voluptuous.
832
00:53:59,140 --> 00:54:03,080
Wells's next book,
which we know Conrad also read,
833
00:54:03,100 --> 00:54:05,171
was called
The Island of Dr. Moreau.
834
00:54:05,191 --> 00:54:07,120
(CREATURE SCREECHING)
835
00:54:07,140 --> 00:54:10,040
RAOUL: Dr. Moreau
uses his surgical skill
836
00:54:10,060 --> 00:54:13,200
to create a kind of human being
out of animals.
837
00:54:13,220 --> 00:54:15,211
The first of them all
to shed tears.
838
00:54:16,220 --> 00:54:18,220
(SOBS)
839
00:54:18,240 --> 00:54:20,031
She is human!
840
00:54:20,160 --> 00:54:21,160
I'm not beaten!
841
00:54:22,180 --> 00:54:24,071
(LAUGHS)
842
00:54:26,091 --> 00:54:29,060
-Get everything ready.
-For what?
843
00:54:29,080 --> 00:54:31,180
This time, I'll burn out
all the animal in her!
844
00:54:31,200 --> 00:54:33,180
(SCREAMING) No!
845
00:54:33,200 --> 00:54:35,251
DR. MOREAU:
I'll make her completely human!
846
00:54:36,031 --> 00:54:37,211
No, no! No!
847
00:54:37,231 --> 00:54:39,191
RAOUL: Dr. Moreau has created
848
00:54:39,211 --> 00:54:41,211
one hundred and twenty
creatures,
849
00:54:41,231 --> 00:54:44,251
but he has not succeeded
in creating a real human being.
850
00:54:46,220 --> 00:54:50,231
The Island of Dr. Moreau
is the story of colonialism.
851
00:54:50,251 --> 00:54:53,251
Just as the colonizer
civilizes the lower,
852
00:54:54,031 --> 00:54:56,180
more animal races with the whip,
853
00:54:56,200 --> 00:55:00,151
Dr. Moreau civilizes the animals
with torture,
854
00:55:00,171 --> 00:55:04,100
maximizing the pain
in order to hasten evolution.
855
00:55:04,120 --> 00:55:06,231
-♪ (SOMBER MUSIC PLAYING) ♪
-(LION GROWLING)
856
00:55:06,251 --> 00:55:09,111
RAOUL: Just as the colonizer
tries to create
857
00:55:09,131 --> 00:55:12,191
a new kind of creature,
the civilized savage,
858
00:55:12,211 --> 00:55:16,131
Dr. Moreau tries to create
the humanized animal.
859
00:55:20,151 --> 00:55:24,100
Do you know what it means
to feel like God?
860
00:55:25,140 --> 00:55:28,191
RAOUL: In both cases,
the means is terror.
861
00:55:28,211 --> 00:55:32,120
♪ ("RIDE OF THE VALKYRIES"
BY RICHARD WAGNER PLAYING) ♪
862
00:55:33,200 --> 00:55:36,140
RAOUL: Francis Ford Coppola's
Apocalypse Now
863
00:55:36,160 --> 00:55:38,171
is based on Heart of Darkness.
864
00:55:40,140 --> 00:55:43,051
In it and in all the real wars,
865
00:55:43,071 --> 00:55:45,100
the men representing
civilization
866
00:55:45,120 --> 00:55:48,060
out in the colonies
were "invisible,"
867
00:55:48,211 --> 00:55:50,040
not only in the sense
868
00:55:50,060 --> 00:55:52,120
that their guns killed
at a distance,
869
00:55:52,140 --> 00:55:55,120
but also in that no one
at home really knew
870
00:55:55,140 --> 00:55:56,220
what they were doing.
871
00:55:59,211 --> 00:56:00,220
(BOMB EXPLODES)
872
00:56:01,200 --> 00:56:03,200
(GUNFIRE)
873
00:56:08,151 --> 00:56:10,031
(EXPLOSION BOOMS)
874
00:56:10,051 --> 00:56:12,040
(GUNFIRE CONTINUES)
875
00:56:16,251 --> 00:56:20,051
♪ (MUSIC CONTINUES PLAYING) ♪
876
00:56:33,051 --> 00:56:34,240
♪ (MUSIC FADES) ♪
877
00:56:38,240 --> 00:56:41,151
-(BIRDS CALLING)
-(MONKEYS CHATTER)
878
00:56:48,180 --> 00:56:50,031
RAOUL: White by birth.
879
00:56:51,140 --> 00:56:52,251
A default setting.
880
00:56:55,180 --> 00:56:58,091
I know this story is painful,
881
00:56:58,111 --> 00:57:00,071
but we need to know it.
882
00:57:00,091 --> 00:57:03,031
♪ (SOMBER MUSIC PLAYING) ♪
883
00:57:05,171 --> 00:57:07,171
The happiness of one
884
00:57:07,191 --> 00:57:10,111
cannot be built on the pain
of all others.
885
00:57:17,111 --> 00:57:20,060
There is almost
always a price to be paid
886
00:57:20,080 --> 00:57:21,200
further down the line.
887
00:57:29,180 --> 00:57:31,171
White by birth,
888
00:57:31,191 --> 00:57:34,140
a simple pigmentation variation
889
00:57:34,160 --> 00:57:37,071
transformed into
a source of power.
890
00:57:47,100 --> 00:57:49,060
A mark of superiority,
891
00:57:50,051 --> 00:57:52,060
an authorization for abuse,
892
00:57:53,131 --> 00:57:56,111
a justification
for eternal immunity.
893
00:57:57,191 --> 00:58:00,100
No modesty is necessary.
894
00:58:00,120 --> 00:58:02,251
Nor is doubt a requirement.
895
00:58:04,021 --> 00:58:07,251
(TARZAN YELLS)
896
00:58:08,031 --> 00:58:10,040
RAOUL:
The ultimate privilege.
897
00:58:10,060 --> 00:58:14,091
♪ (UPBEAT MUSIC PLAYING) ♪
898
00:59:26,231 --> 00:59:29,180
♪ (MUSIC CONCLUDES) ♪
62321
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.