Original subtitles

[PEACEFUL MUSIC]

-MITCH: HEY, WHAT'S WITH YOU ANYWAY?

YOU HAVEN'T SAID A WORD IN OVER AN HOUR.

-IT'S OVER BETWEEN LANI AND ME.

-HOW CAN YOU BE SO SURE?

-HER WORDS, "I'M ENGAGED, CODY."

-OH. -YEAH.

FIRST C.J., AND NOW LANI?

TALK ABOUT A NIGHTMARE.

-COME ON, YOU'RE JUST GOING THROUGH A BAD SPELL.

THINGS WILL EVEN OUT EVENTUALLY.

-BUT IN THE MEANTIME, I'M GOING ON A HIATUS, NO MORE WOMEN.

-HIATUS, FOR HOW LONG?

-EVER.

-EVER? -EVER, I'M DONE.

-RIGHT.

[VIOLIN MUSIC]

-HEY, MITCH, YOU HEAR THAT?

-YEAH.

-IT'S COMING FROM THAT YACHT.

LET'S CHECK IT OUT.

[COMPELLING VIOLIN MUSIC]

-WOW.

-I THINK I'M IN LOVE.

-I THOUGHT YOU WERE ON HIATUS?

-HIATUS IS OVER.

-SHE'S AWESOME.

-CODY: WOW.

[ELECTRONIC VIOLIN MUSIC]

-NO, STOP PLAYING THAT MUSIC!

-OOH! -OOH!

-WHAT'S UP WITH THAT?

SOMEONE'S NOT HAPPY.

[MELANCHOLY MUSIC]

-KEEP HER UNDER GUARD AT ALL TIMES.

[THEME MUSIC PLAYING]

♪ SOME PEOPLE STAND IN THE DARKNESS ♪

♪ AFRAID TO STEP INTO THE LIGHT ♪

♪ SOME PEOPLE NEED TO HELP SOMEBODY ♪

♪ WHEN THE EDGE OF SURRENDER'S IN SIGHT ♪

♪ DON'T YOU WORRY

♪ IT'S GONNA BE ALL RIGHT

♪ 'CAUSE I'M ALWAYS READY

♪ I WON'T LET YOU OUT OF MY SIGHT ♪

♪ I'LL BE READY

♪ I'LL BE READY

♪ NEVER YOU FEAR

♪ NO DON'T YOU FEAR

♪ I'LL BE READY

♪ FOREVER AND ALWAYS

♪ I'M ALWAYS HERE

[UPBEAT MUSIC]

[MAN SCREAMS]

[DRAMATIC MUSIC]

[MAN GASPING]

-HEY, HEY!

[DRAMATIC MUSIC]

[MAN COUGHING]

-PILOT: YOU ALL RIGHT?

-YEAH, WAIT.

-GIVE ME YOUR HAND.

-WOULD YOU LIKE AT THAT?

HE'S GOT THE VICTIM ON BOARD,

AND OUR PEOPLE AREN'T EVEN HALFWAY THERE YET.

-ABSOLUTELY AMAZING,

I CAN'T BELIEVE WE'VE GOTTEN THIS FAR WITHOUT ONE.

--YOU KNOW WHAT, MARK, DID YOU GET ALL THE SHOTS YOU NEEDED?

WE CAN DO ANOTHER SIMULATION, IT'S REALLY YOUR CALL.

-HOW MUCH MONEY DID YOU SPEND ON VIDEOTAPES

SINCE YOU GOT HERE, ANYWAY?

-ACTUALLY I WANTED THE EDITED TAPE

ON MY DESK FIRST THING IN THE MORNING.

I PROMISED IT TO THE CHIEF BY TOMORROW, ALL RIGHT.

-A FLYING BOAT.

WHERE DO YOU COME UP WITH THESE THINGS ANYWAY?

-WELL, ACTUALLY THIS WAS ORIGINALLY DEVELOPED FOR BAYGUARD,

BUT THEY PULLED OUT OF THE CONTRACT.

WHICH MEANS, BY THE WAY,

THAT WE CAN GET IT FOR NEXT TO NOTHING.

-WHICH IS ABOUT WHAT IT'S WORTH.

-YOU KNOW YOU'RE A TECHNOPHOBE, BUCHANNON.

YOU'RE AFRAID OF JOINING THE MODERN AGES.

THAT PIECE OF EQUIPMENT IS STATE OF THE ART.

-LIFEGUARDING IS NOT

ABOUT THE LATEST ADVANTAGES IN TECHNOLOGY, ALEX.

IT'S ABOUT THE PERSON MAKING THE RESCUE.

-ARE YOU SUGGESTING

THAT BECAUSE I HAVE AN UNDERSTANDING OF TECHNOLOGY,

THAT I AM SOMEHOW INADEQUATE IN THE WATER?

-NO, ALL I'M SAYING IS

THAT YOU SPEND A LOT MORE TIME SIMULATING RESCUES

THAN ACTUALLY MAKING THEM.

-BECAUSE YOU HAVEN'T ASSIGNED ME A TOWER YET, REMEMBER?

-I TOLD YOU I'D GIVE YOU A TOWER WHEN YOU'RE READY.

-WHEN I'M READY?

HELLO, I HAVE BEEN AN OCEAN LIFEGUARD

SINCE I WAS 18 YEARS OLD.

-IF YOU'RE UNHAPPY, WHY DON'T YOU JUST TALK TO THE CHIEF?

-I DON'T NEED THE CHIEF TO FIGHT MY BATTLES FOR ME.

LOOK, WHY DON'T YOU JUST TELL ME

WHAT HOOPS I HAVE TO JUMP THROUGH

TO GET SOME RESPECT FROM YOU?

-I'LL WORK ON A LIST.

[ALEX GROANS]

[WATER RUNNING]

-JESSIE: HEY, ALEX.

-HEY, JESSIE.

-IS EVERYTHING OKAY?

-NEVER HAD A BETTER DAY.

GOD!

WOULD YOU LISTEN TO ME?

I'M EVEN STARTING TO SOUND LIKE HIM.

-LIKE WHO?

-LIKE MITCH.

-IS THAT WHO YOU'RE MAD AT?

-YEP.

-WHY, WHAT HAPPENED?

-HE JUST KEEPS TREATING ME LIKE I'M A DAMN ROOKIE.

I'M SORRY, NO OFFENSE.

-IT'S OKAY.

I'M ACTUALLY NOT OFFICIALLY A ROOKIE YET.

-I THOUGHT ROOKIE SCHOOL WAS ALREADY OVER?

-EVERYTHING BUT THE FINAL EXAM.

THE RUN/SWIM/RUN AND THE WRITTEN TEST ARE STILL TODAY.

I WAS JUST DOING SOME LAST MINUTE CRAMMING.

HEY, DO YOU THINK YOU COULD ASK ME A COUPLE OF QUESTIONS?

-SO YOU SAY THE TEST IS TODAY?

-YEAH, THIS AFTERNOON AT ZUMA.

-YEAH, I HAVE TIME TO GIVE YOU A QUIZ.

LET ME SEE THE MANUAL.

-THANK YOU.

-SO WHERE YOU AT?

-WELL, SPECIAL OPERATIONS.

THIS WHOLE SCUBA THING.

-HEY, I CHECKED WITH THE HARBOR MASTER.

THE YACHT WE SAW YESTERDAY, THE "REVE D'EAU,"

NEVER RETURNED TO THE MARINA.

-SO WHAT?

-WELL ISN'T IT ILLEGAL TO ANCHOR OFFSHORE ALL NIGHT?

-WELL HOW DO WE KNOW IT'S STILL OUT THERE?

-WOULDN'T HURT TO CHECK IT OUT.

-YOU MEAN IT WOULDN'T HURT

TO CHECK OUT THAT BEAUTIFUL VIOLIN PLAYER.

-WELL, THAT TOO.

-WELL, WE ARE LIFEGUARDS.

-DUTY CALLS.

-DUTY CALLS!

[ENGINE REVVING]

[MELANCHOLY MUSIC]

-ARIANA?

I'M SORRY I SLAPPED YOU.

-THAT'S WHAT YOU SAID THE LAST TIME.

-THIS TOUR, THE RECITALS IN MALIBU AND SAN FRANCISCO,

THEY'RE IMPORTANT TO YOU.

-TO ME, OR TO YOU?

-IT'S BEEN OUR DREAM, REMEMBER?

A RECORDING CONTRACT.

THAT'S WHY YOU PRACTICE SO HARD, TO BE THE BEST YOU CAN BE.

NOW IS YOUR TIME.

-I KNOW THOSE CONCERTOS BACKWARDS AND FORWARDS.

I EVEN PLAY THEM IN MY SLEEP.

-WELL, LATELY YOU HAVE BEEN PLAYING THEM

AS IF YOU WERE ASLEEP.

-ALL I DO IS PLAY THE VIOLIN!

-YOU HAVE A GIFT!

-BUT NO LIFE.

[ARIANA SIGHING ANGRILY]

[VIOLIN MUSIC]

COULD I, FOR ONCE, HAVE SOME PRIVACY HERE?

YOU KNOW, IT'S IMPOSSIBLE TO DO ANYTHING WITH YOU HERE.

GO!

THANK YOU.

[DOOR LOCKING]

[VIOLIN MUSIC]

-BINGO.

IT'S STILL THERE.

-WELL, I GUESS THE HIATUS IS OVER.

-I'VE SUFFERED LONG ENOUGH.

-YEP, ALMOST 24 HOURS.

-HEY, MAN, WHAT ARE YOU SUPPOSED TO DO

WHEN YOU GET THROWN FROM A HORSE?

GET RIGHT BACK ON.

--YOU'RE SUPPOSED TO HIT THE GROUND FIRST.

-WELL.

[VIOLIN MUSIC]

[DRAMATIC MUSIC]

-SHE'S GONE.

-THERE, THERE SHE IS!

BRING HER BACK NOW!

-COME ON, LET'S GO AFTER HER.

[ENGINE STARTING]

LET'S GO, THERE SHE IS.

GO AFTER HER!

THIS IS HOPELESS.

-LET ME GO!

LET ME GO, LET ME GO!

-THAT WAS VERY STUPID, ARIANA.

VERY STUPID!

-HEY, HEAD TOWARDS THAT ZODIAC.

-WHAT'S GOING ON?

--I DON'T KNOW, BUT LET'S CHECK IT OUT.

-WHAT ARE YOU THINKING ABOUT?

I DON'T KNOW WHAT'S GOING ON, GIRL.

YOU BETTER GET YOUR STUFF TOGETHER.

I MEAN IT, RIGHT NOW!

OKAY, RIGHT HERE.

COME ON, LENA.

LENA IS REALLY UPSET.

-I HATE YOU!

-RIDICULOUS.

[DRAMATIC MUSIC]

-MORNING.

-SORRY, GUYS, WE'RE NOT ENTERTAINING TODAY.

-WELL, IT'S NOT A HOUSE CALL.

WE'RE HERE ON OFFICIAL BUSINESS.

-OH.

WHAT'S THE PROBLEM?

-THE PROBLEM IS YOU WERE ANCHORED OVERNIGHT

WITHOUT A PERMIT.

-WE'RE FROM OUT OF TOWN, AND WE JUST DIDN'T GET A CHANCE

TO READ THE LOCAL RULE BOOK.

-WE'RE COMING ABOARD.

-WHERE ARE YOUR MANNERS, ERIC?

WE HAVE COMPANY.

YOU'LL HAVE TO PARDON ERIC, HE'S INSTINCTIVELY RUDE.

-SO I'VE NOTICED.

-HOW YOU DOING?

THANK YOU.

-HI, MY NAME IS MITCH BUCHANNON

AND THIS IS CODY MADISON, WE'RE L.A. COUNTY LIFEGUARDS.

-I'M LENA SVENSON.

PLEASE SIT DOWN.

SO HOW CAN I HELP YOU?

-THERE'S A YOUNG LADY ON BOARD.

WE WANTED TO MAKE SURE SHE'S ALL RIGHT.

-ARIANA?

SHE'S PERFECTLY FINE.

-IS SHE BEING HELD AGAINST HER WILL?

-ACTUALLY, YES.

IT'S PRACTICE HOUR FOR HER, AND SHE SO HATES TO PRACTICE.

-DO YOU MIND IF WE TALK TO HER?

-ARIANA?

-HI AGAIN.

-HI.

-MITCH BUCHANNON, CODY MADISON.

-PLEASURE TO MEET YOU.

-YOU ALSO.

-THEY WERE CONCERNED ABOUT YOU, AND I TOLD THEM

THAT YOUR SWIM WAS TO ESCAPE PRACTICE.

-IT'S TRUE, I WAS JUST BEING LAZY.

-WELL, YOU PLAY BEAUTIFULLY.

-I WISH I COULD SWIM AS WELL.

-I COULD TEACH YOU.

-ARIANA'S TOO BUSY RIGHT NOW.

YOU HAVE A RECITAL TOMORROW AFTERNOON.

-WOULD YOU LIKE TO COME?

-SURE.

-IT'S AT THE MARINA YACHT CLUB.

-ARIANA, DON'T YOU THINK WE SHOULD TRY

TO ARRANGE FOR THE INVITATIONS FIRST?

-I'LL ARRANGE IT.

I WILL LEAVE YOUR NAMES AT THE DOOR.

-OKAY.

-THANK YOU VERY MUCH, W LOOK FORWARD TO IT.

-IT'S FORMAL, YOU'LL NEED A TUXEDO.

-NO PROBLEM, WE'LL BE THERE.

THANK YOU.

-THANKS, GUYS, BYE-BYE. WE'LL SEE YOU.

-SEE YOU. -SEE YA.

-MAN: CAN I HAVE EVERYONE SIGN IN

AND GET THEIR NUMBER FROM BRAD?

-HEY, JESSIE.

HEY, BRAD. -ALEX, WHAT ARE YOU DOING HERE?

-PROVING SOMETHING TO MITCH AND MYSELF.

ACTUALLY, I THOUGHT YOU MIGHT BE ABLE

TO USE A LITTLE HEALTHY COMPETITION.

[JESSIE LAUGHING]

24, ALL RIGHT.

YOU BETTER WATCH OUT, THAT'S MY LUCKY NUMBER, JESSIE.

THANKS, BRAD.

-GREAT.

[CLASSICAL MUSIC]

[ATTENDEES CONVERSING]

-CODY I THINK SHE LIKES ME.

-YOU THINK SO?

-YOU DON'T THINK SHE DOES?

-I DIDN'T SAY THAT.

-WHAT, DO YOU THINK SHE LIKES YOU?

-I DIDN'T SAY THAT EITHER.

-BUT COULDN'T YOU FEEL IT, THE CHEMISTRY?

-YEAH, IT WAS HOT.

-"YEAH, IT WAS HOT," THE CHEMISTRY BETWEEN ARIANA AND ME,

OR "HOT," THE CHEMISTRY BETWEEN ARIANA AND YOU?

-HEY, RELAX, WILL YOU, PAL?

I'M NOT INTERESTED IN GETTING INVOLVED

WITH ANOTHER WOMAN RIGHT NOW.

I'M STILL TRYING TO SORT THINGS OUT WITH NEELY.

-CHEERS. -CHEERS.

-HEY, MITCH AND CODY.

-HEY, HOW YOU DOING?

-TWO OF THEM.

I'M SO GLAD YOU CAME.

-I WOULDN'T HAVE MISSED IT.

-ME NEITHER.

SO ARE WE STILL ON FOR THAT SWIM LESSON TOMORROW?

-I WOULDN'T MISS IT.

-WHAT TIME SHOULD WE MEET?

-I'LL HAVE TO DISCUSS THAT WITH LENA.

-SEEMS LIKE LENA AND ERIC OVER HERE KEEP YOU

ON A PRETTY TIGHT LEASH.

-NO, THEY'RE JUST BEING PROTECTIVE.

-OF WHAT?

-MY CAREER.

IF I PLAY WELL TONIGHT,

LENA THINKS I'LL BE OFFERED A RECORDING CONTRACT.

IT'S BEEN MY DREAM SINCE I WAS A LITTLE GIRL.

-ARIANA?

IT'S TIME TO GO.

-OH. WISH ME LUCK.

-BREAK A LEG. -KNOCK 'EM DEAD.

-I WILL.

-YOU SHOULD THINK ABOUT A PERSONALITY TRANSPLANT, PAL.

[MITCH AND CODY LAUGHING]

-LET'S GO GET A GOOD SEAT, HUH?

IT SURE IS BEAUTIFUL.

-YOU KNOW, LITTLE [MUMBLES] ?

-LENA.

-CLAYTON.

WONDERFUL PARTY.

-THANK YOU.

DID YOU BRING IT?

-OF COURSE.

-IT MATCHES ARIANA'S CASE PERFECTLY.

-OH YES.

-WHAT ABOUT THE MONEY?

-IT WILL BE DEPOSITED IN YOUR ZURICH ACCOUNT,

ONCE I'VE VERIFIED THE AUTHENTICITY OF THE MERCHANDISE.

-THAT SHOULD BE THE LEAST OF YOUR PROBLEMS.

-SO WHEN DO I GET IT?

-WE'LL MAKE THE EXCHANGE RIGHT AFTER THE PERFORMANCE.

-FINE.

-OH, AND THERE'S ONE MORE THING, CLAYTON.

ARIANA MUST NEVER KNOW ABOUT OUR TRANSACTION.

-WHATEVER YOU WISH, LENA.

-ARIANA, I'D LIKE YOU TO MEET OUR HOST FOR THE EVENING.

-MILES CLAYTON.

OH MY DEAR, YOU ARE EXQUISITE.

-THANK YOU, MR. CLAYTON.

-I HAVE THE FEELING YOUR LIFE CHANGES TONIGHT, ARIANA.

YOU'RE GONNA BELONG TO THE WORLD.

NOW IF YOU'LL EXCUSE ME,

I WILL GO AND SET YOUR STAGE FOR YOU.

-WELL, ARE YOU READY?

-LADIES AND GENTLEMAN, WELCOME,

AND THANK YOUR FOR ATTENDING MY LITTLE EVENING OF THE ARTS.

I ASSURE YOU IT WILL BE WORTH YOUR TIME.

NOW I'D LIKE TO INTRODUCE A VERY BEAUTIFUL

AND TALENTED YOUNG LADY,

ALREADY WELL KNOWN THROUGHOUT EUROPE,

AND A STAR BEING BORN IN AMERICA TONIGHT.

LADIES AND GENTLEMAN, THE LOVELY ARIANA.

[AUDIENCE APPLAUDING]

[HAUNTING VIOLIN MUSIC]

[ROMANTIC POP AND VIOLIN MUSIC]

[AUDIENCE APPLAUDING AND CHEERING]

-WHERE IS SHE?

-I DON'T KNOW.

-WHAT'S GOING ON?

-IT LOOKS LIKE ARIANA'S PULLING ONE

OF HER DISAPPEARING ACTS AGAIN.

-FIND HER!

-ARIANA, WHERE YOU ARE?

PLEASE, COME BACK TO THE STAGE.

WHAT'S WRONG, WHERE DID SHE GO?

-SHE'S VERY SHY.

SOMETIMES THE SPOTLIGHT BECOMES TOO MUCH FOR HER.

-BUT THE CASE IS GONE!

-FIND HER!

[DRAMATIC MUSIC]

-GO ON, HELP THEM!

-SO, WHAT WERE YOU DOING HERE SO EARLY THIS MORNING?

-WENT OUT ON A SURF SKI.

-OH LET ME GUESS WHERE.

-YOU DIDN'T THINK IT WAS WEIRD

THAT ARIANA JUST DISAPPEARED FROM THE RECITAL?

-YEAH, I DID.

WHAT DID YOU FIND OUT?

-LENA AND HER BOYS DIDN'T LOOK TOO HAPPY.

I DON'T THINK ARIANA MADE IT BACK TO THE YACHT LAST NIGHT.

-I THINK YOU SHOULD FORGET ABOUT ARIANA.

-YEAH, THAT'D BE NICE, BUT I CAN'T.

I JUST KEEP HEARING HER MUSIC OVER AND OVER IN MY HEAD.

IT'S CRAZY.

[BEACH-GOERS EXCLAIMING]

-ANOTHER DAY AT THE OFFICE.

YOU GOTTA LOVE IT, HUH?

-YES, SIR.

-IT LOOKS LIKE THE STORM DRAIN IS OVERFLOWING AGAIN.

YOU WANNA CALL IT IN?

-YEAH, YOU'VE GOT IT, MAN.

-ALL RIGHT.

-HEY, MITCH, MITCH.

LOCKS ARE BUSTED.

[DRAMATIC MUSIC]

ARIANA?

-YOU ALL RIGHT?

-YEAH, I'M FINE.

ACTUALLY, I'M A LITTLE CHILLY.

I DIDN'T REALIZE IT WOULD BE SO COLD IN THE MORNING.

-HERE, TAKE MY JACKET.

-WHY DID YOU BREAK INTO THE TOWER?

-I DIDN'T KNOW WHERE ELSE TO GO.

-THEY WON'T GIVE ME ANY MONEY.

I HAVE NO FRIENDS.

-IT AIN'T SO BAD, WE'RE YOUR FRIENDS.

-I HAD TO GET AWAY FROM LENA.

[ARIANA CRYING]

I WANT MY LIFE BACK.

[ARIANA SOBBING]

-IT'S OKAY.

[DRAMATIC MUSIC]

-LENA CAME INTO MY LIFE

WHEN MY PARENTS DIED IN A CAR CRASH.

I WAS JUST A TEENAGER.

SHE TOOK ME HOME WITH HER

AND BECAME MY LEGAL GUARDIAN, TEACHER.

SHE CONTROLS EVERY PART OF MY LIFE.

-IF YOU'RE SO UNHAPPY, WHY DON'T YOU JUST LEAVE?

-I OWE LENA A LOT.

SHE RAISED ME.

SHE GAVE ME EVERYTHING.

I SIGNED A CONTRACT WITH HER FOR FIVE YEARS,

AND I CAN'T LEAVE.

-WHAT ABOUT THOSE GUYS IN THE YACHT?

WHO ARE THEY?

-THEY MAKE SURE I DON'T GO ANYWHERE,

AND IT'S ONLY GOING TO GET WORSE

IF I GET THAT RECORDING CONTRACT.

-YOU WANT THE CONTRACT?

-I WANT A DAY WITHOUT PRACTICE, I WANT A DAY FOR ME.

AND I WANT TO EAT A HOT DOG!

-I'LL TELL YOU WHAT.

I'M GONNA ASSIGN YOU A BAYWATCH SECURITY GUARD FOR THE DAY.

CODY?

TAKE THIS GIRL OUT, AND BUY HER THE BIGGEST,

BEST HOT DOG ON VENICE STRAND.

-WITH PLEASURE.

-SEE YA.

-LET'S GO.

OH ALLOW ME.

-OH, THANK YOU.

-SEE YA, BUD.

[UPBEAT MUSIC]

-HEY, DO YOU LIKE IT?

-NOW THAT IS PERFECT HOT DOG ATTIRE.

-YOU THINK SO?

-YEAH, SOUTHERN CALIFORNIA STYLE.

OKAY, HERE YOU GO.

KEEP THE CHANGE.

-OH, THANK YOU.

-NOW I'M HUNGRY.

I WANT A HOT DOG. -YOU GOT IT.

WHAT I'M SAYING IS YOU GOTTA PUT EVERYTHING ON IT.

CAN WE PLEASE HAVE A HOT DOG?

NOW I'M GONNA MAKE YOU ONE

OF CODY MADISON'S FAMOUS HOT DOG'S STYLE.

-ARE YOU GONNA MAKE IT?

-YEAH, A LITTLE KETCHUP.

-A LITTLE KETCHUP?

-A LITTLE MUSTARD.

AND YOU TOP IT OFF WITH A SPRINKLE OF RELISH.

-I'M GONNA EAT THIS?

-WHAT, THIS IS IT, THIS IS IT.

TAKE A BITE.

-AH, DINNER!

LIKE THIS?

-JUST TAKE A BITE.

DON'T BE SCARED.

-WHICH END?

-ANY END, TAKE A BITE!

WHAT DO YOU THINK?

-CHECK OVER THERE.

-YOU GOT ME.

-THERE SHE IS.

[TELEPHONE RINGING]

-HELLO?

-ERIC: LENA? -DID YOU FIND HER?

-YEAH, WE FOUND HER.

-DOES SHE HAVE HER VIOLIN WITH HER?

-NO, SHE DOESN'T.

-WELL STAY WITH HER UNTIL SHE DOES.

-YOU GOT IT.

-LET'S GO.

-WHAT'S UP?

-WHAT ARE THEY GONNA DO TO US?

WHOA, MAYBE WE BETTER BE MOVING ON.

THANK YOU.

[DRAMATIC MUSIC]

-COME ON, AFTER HER.

-EXCUSE US.

-OUT OF THE WAY.

-CODY: THIS WAY.

[DOG BARKING]

-COMING THROUGH.

-BYSTANDER HEY, COME ONE!

-COMING THROUGH.

-THERE SHE IS!

THERE SHE IS!

-COME ON, STAY WITH ME.

-WHAT DO YOU THINK?

DO YOU SEE HER AROUND ANYWHERE?

-I CAN'T SEE A THING.

-IT TAKES ABOUT 10 HOURS TO LEARN TO FLY IT.

-COOL.

-SO WHO'S GOING FIRST?

-ME! -ME!

-I WANNA GO FIRST.

-I KNOW YOU DO, BUT YOU CAN'T.

I AM.

-ARE YOU PULLING RANK ON ME?

-ABSOLUTELY.

RANK HAS TO HAVE SOME PRIVILEGES, RIGHT?

YOU READY TO GO, STAN?

-SHOULD I SALUTE?

-THAT WOULD BE NICE.

-IT MIGHT GET COLD UP THERE.

YOU WANNA GRAB SOME SWEATS?

-YEAH, SURE, I'LL BE RIGHT BACK.

-MITCH: HEY, HEY, BACK SO SOON?

-THOSE GOONS FROM THE YACHT JUST SAW US IN VENICE, MAN.

THEY'RE PACKING HEAT.

WE SHOULD CALL THE COPS.

-YOU WANNA TELL ME WHAT'S GOING ON?

-I DON'T KNOW WHY THEY WOULD CHASE US LIKE THAT.

-THEY WANT HER BACK.

-NO, NO, NO, THERE'S MORE TO IT THAN THAT.

-YEAH, LIKE WHAT?

-WHAT ABOUT THE VIOLIN?

IS IT WORTH A LOT OF MONEY?

-YEAH, BUT NOT ENOUGH TO KILL SOMEONE OVER.

-YOU JUST CAME IN THROUGH CUSTOMS.

YOU WANNA OPEN THIS?

-YEAH.

-ARIANA, IS IT POSSIBLE THEY COULD HAVE SMUGGLED SOMETHING

INSIDE THE VIOLIN?

-NO, THAT'S NOT POSSIBLE.

-MITCH, CHECK IT OUT.

-WHAT IS IT?

[MYSTERIOUS MUSIC]

-SOME SORT OF DRAWING, VERY OLD.

LOOKS PRETTY VALUABLE.

-ORIGINAL [MUMBLES] USUALLY ARE.

[GUN COCKS]

-OOPS.

[DRAMATIC MUSIC]

[MITCH AND CODY STRUGGLING]

-CODY, THE BOX.

[CODY STRUGGLING]

-CUT IT OFF!

-YOU CALL KMF 295.

TELL 'EM TO GET A WIND JET TO TOWER 12 RIGHT AWAY.

-GOT IT.

[DRAMATIC MUSIC]

KMF 295, THIS IS BUCHANNON.

CALL THE COASTIES, TELL 'EM WE'RE LOOKING

FOR A YACHT CALLED THE "REVE D'EAU,"

LAST SEEN ANCHORED TWO MILES OFF POINT DOOM.

DO YOU COPY?

-RADIO: COPY THAT, MITCH.

-YOU SEE ANYTHING?

-NADA.

-RADIO: AIR UNIT ONE TO 120, COME IN.

-WHAT THE HELL IS AIR UNIT ONE?

-ALEX: HEY, MITCH, IT'S ME, ALEX.

LOOK UP OVER YOUR SHOULDER.

-OH FOR GOD'S SAKES!

WELL SINCE YOU'RE UP THERE, WE'RE LOOKING FOR A BLACK ZODIAC

WITH TWO GUYS AND A GIRL.

-SOUNDS KINKY.

-ALEX.

THE TWO MEN MAY HAVE KIDNAPPED THE GIRL.

LAST SEEN HEADED TOWARDS A YACHT,

ANCHORED TWO MILES OFF POINT DOOM.

WE CAN'T FIND 'EM.

-YEAH, THAT'S BECAUSE YOU'RE HEADED SOUTHWEST,

AND THEY'RE HEADED NORTH BY NORTHEAST.

-GOT IT.

HEAD NORTH BY NORTHEAST!

-NORTH BY NORTHEAST, YOU GOT IT.

[DRAMATIC MUSIC]

-THIS IS GREAT, STAN.

-BAD GUYS, TWO O'CLOCK!

-MITCH: LET'S GO.

-CODY LET'S DO IT!

[DRAMATIC MUSIC]

[GUNSHOT]

[BODYGUARDS AND ARIANA SCREAMING]

-BODYGUARD: I CAN'T SWIM!

[MEN STRUGGLING AND GRUNTING]

-YOU ALL RIGHT?

-YEAH.

-SHE ALL RIGHT?

-YEAH, MAN, YEAH.

IT'S ALL GOOD.

-EASY.

-LENA?

-NO, THERE'S NOTHING LEFT TO SAY.

[CAR ENGINES STARTING]

[POLICE SIRENS]

-WHAT'S GOING TO HAPPEN TO HER?

-WELL, SHE'LL FACE CHARGES, I'M AFRAID.

THE ART SHE WAS SMUGGLING WAS STOLEN DURING THE WAR.

-I HAVE TO HELP HER, AND MAKE SURE SHE GETS A GOOD LAWYER.

-AFTER WHAT SHE DID TO YOU?

-NO, BECAUSE OF WHAT SHE DID FOR ME.

SHE ONCE HAD A GOOD HEART.

-SO WHAT'S UP FOR YOU?

-I HAVE A RECITAL SCHEDULED

IN SAN FRANCISCO TOMORROW NIGHT.

BUT AFTER THAT, WHO KNOWS?

PERHAPS I'LL BE BACK.

I LIKE IT HERE.

AND YOU'VE GOT THE BEST HOT DOGS IN THE WORLD.

-THAT WE DO!

-OKAY, LISTEN UP.

BEFORE I GET TO THE TOWER ASSIGNMENTS,

I WOULD LIKE TO INTRODUCE THE NEWEST MEMBER

OF OUR RANKS TO GRACE OUR HUMBLE BEACH.

PLEASE WELCOME JESSIE.

[ALL APPLAUDING AND CHEERING]

-SPEECH, SPEECH!

-OKAY.

I JUST WANTED TO SAY THAT I DID NOT FINISH

AT THE TOP OF MY ROOKIE CLASS.

AND THIS WAS THE FIRST TIME THAT THEY LET THE PERSON

WHO FINISHED SECOND CHOOSE HER BEACH.

-HOW COME?

-BECAUSE THE PERSON WHO GOT FIRST WASN'T EXACTLY A ROOKIE.

-WELL WHO WAS IT?

[ALEX CLEARS THROAT]

[ALL LAUGHING AND CHEERING]

-SO WHAT DO YOU THINK, BUCHANNON?

NOT BAD IN REDS, HUH?

-WHEN DID YOU GO THROUGH ROOKIE SCHOOL?

-I DIDN'T.

I JUST TOOK THE FINAL EXAM.

-MITCH AND YOU FINISHED FIRST?

-I HOPE YOU'RE FAKING THAT LOOK OF SURPRISE.

YOU KNOW I DID TEACH ROOKIE SCHOOL

FOR FIVE YEARS IN ORANGE COUNTY.

NOW LOOK, EXCUSE US.

I KNOW THIS DOESN'T EXACTLY PUT US ON EVEN FOOTING.

HOWEVER, I HOPE IT DOES GET US A LITTLE BIT CLOSER.

-A LITTLE BIT. -THANK YOU.

-YOU HAVE A WAYS TO GO.

-BUT IT'S A GOOD START, RIGHT?

-NOT BAD.

-NOW DON'T YOU THINK I SHOULD BE THE ONE

HANDLING THE TOWER ASSIGNMENTS?

YOU'RE THE FIELD GENERAL, REMEMBER?

YOU SHOULD BE OUT THERE WITH THE TROOPS,

YOU SHOULDN'T BE HANDLING THE SMALL STUFF.

NO, WAIT, NO, WHAT ARE YOU DOING?

[ALL LAUGHING]

PUT ME DOWN, JESSIE HELP ME!

THIS IS SEXUAL HARASSMENT!

-MITCH YOU WISH.

[JAZZY MUSIC]

[END MUSIC PLAYING]