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These are the user uploaded subtitles that are being translated: 1 00:00:01,131 --> 00:00:05,918 [PEACEFUL MUSIC] 2 00:00:09,052 --> 00:00:10,575 -MITCH: HEY, WHAT'S WITH YOU ANYWAY? 3 00:00:11,402 --> 00:00:13,143 YOU HAVEN'T SAID A WORD IN OVER AN HOUR. 4 00:00:17,234 --> 00:00:18,409 -IT'S OVER BETWEEN LANI AND ME. 5 00:00:19,019 --> 00:00:20,107 -HOW CAN YOU BE SO SURE? 6 00:00:20,237 --> 00:00:22,544 -HER WORDS, "I'M ENGAGED, CODY." 7 00:00:22,674 --> 00:00:24,198 -OH. -YEAH. 8 00:00:24,328 --> 00:00:25,808 FIRST C.J., AND NOW LANI? 9 00:00:25,938 --> 00:00:27,505 TALK ABOUT A NIGHTMARE. 10 00:00:27,636 --> 00:00:30,117 -COME ON, YOU'RE JUST GOING THROUGH A BAD SPELL. 11 00:00:30,726 --> 00:00:32,380 THINGS WILL EVEN OUT EVENTUALLY. 12 00:00:32,510 --> 00:00:35,644 -BUT IN THE MEANTIME, I'M GOING ON A HIATUS, NO MORE WOMEN. 13 00:00:35,774 --> 00:00:37,472 -HIATUS, FOR HOW LONG? 14 00:00:37,602 --> 00:00:38,429 -EVER. 15 00:00:38,560 --> 00:00:40,736 -EVER? -EVER, I'M DONE. 16 00:00:40,866 --> 00:00:41,954 -RIGHT. 17 00:00:42,085 --> 00:00:44,740 [VIOLIN MUSIC] 18 00:00:44,870 --> 00:00:45,915 -HEY, MITCH, YOU HEAR THAT? 19 00:00:47,047 --> 00:00:48,048 -YEAH. 20 00:00:48,787 --> 00:00:49,832 -IT'S COMING FROM THAT YACHT. 21 00:00:49,962 --> 00:00:50,833 LET'S CHECK IT OUT. 22 00:00:54,184 --> 00:00:58,580 [COMPELLING VIOLIN MUSIC] 23 00:01:16,902 --> 00:01:17,860 -WOW. 24 00:01:21,298 --> 00:01:22,865 -I THINK I'M IN LOVE. 25 00:01:22,995 --> 00:01:25,607 -I THOUGHT YOU WERE ON HIATUS? 26 00:01:25,737 --> 00:01:27,130 -HIATUS IS OVER. 27 00:01:52,590 --> 00:01:53,678 -SHE'S AWESOME. 28 00:01:55,158 --> 00:01:56,072 -CODY: WOW. 29 00:01:56,203 --> 00:02:00,816 [ELECTRONIC VIOLIN MUSIC] 30 00:02:07,649 --> 00:02:09,868 -NO, STOP PLAYING THAT MUSIC! 31 00:02:09,999 --> 00:02:11,043 -OOH! -OOH! 32 00:02:13,785 --> 00:02:14,612 -WHAT'S UP WITH THAT? 33 00:02:15,787 --> 00:02:16,875 SOMEONE'S NOT HAPPY. 34 00:02:17,006 --> 00:02:20,749 [MELANCHOLY MUSIC] 35 00:02:20,879 --> 00:02:22,751 -KEEP HER UNDER GUARD AT ALL TIMES. 36 00:02:29,279 --> 00:02:31,020 [THEME MUSIC PLAYING] 37 00:02:33,153 --> 00:02:36,199 ♪ SOME PEOPLE STAND IN THE DARKNESS ♪ 38 00:02:37,069 --> 00:02:40,725 ♪ AFRAID TO STEP INTO THE LIGHT ♪ 39 00:02:40,856 --> 00:02:44,773 ♪ SOME PEOPLE NEED TO HELP SOMEBODY ♪ 40 00:02:44,903 --> 00:02:48,342 ♪ WHEN THE EDGE OF SURRENDER'S IN SIGHT ♪ 41 00:02:48,472 --> 00:02:51,345 ♪ DON'T YOU WORRY 42 00:02:51,475 --> 00:02:54,174 ♪ IT'S GONNA BE ALL RIGHT 43 00:02:56,785 --> 00:02:58,743 ♪ 'CAUSE I'M ALWAYS READY 44 00:02:58,874 --> 00:03:02,573 ♪ I WON'T LET YOU OUT OF MY SIGHT ♪ 45 00:03:05,620 --> 00:03:08,013 ♪ I'LL BE READY 46 00:03:08,144 --> 00:03:09,624 ♪ I'LL BE READY 47 00:03:09,754 --> 00:03:11,713 ♪ NEVER YOU FEAR 48 00:03:11,843 --> 00:03:13,584 ♪ NO DON'T YOU FEAR 49 00:03:13,715 --> 00:03:16,805 ♪ I'LL BE READY 50 00:03:16,935 --> 00:03:19,895 ♪ FOREVER AND ALWAYS 51 00:03:20,025 --> 00:03:22,854 ♪ I'M ALWAYS HERE 52 00:03:35,867 --> 00:03:40,132 [UPBEAT MUSIC] 53 00:04:04,679 --> 00:04:05,767 [MAN SCREAMS] 54 00:04:05,897 --> 00:04:09,684 [DRAMATIC MUSIC] 55 00:04:09,814 --> 00:04:11,773 [MAN GASPING] 56 00:04:25,700 --> 00:04:27,528 -HEY, HEY! 57 00:04:30,705 --> 00:04:35,710 [DRAMATIC MUSIC] 58 00:05:13,617 --> 00:05:14,923 [MAN COUGHING] 59 00:05:15,053 --> 00:05:16,141 -PILOT: YOU ALL RIGHT? 60 00:05:17,839 --> 00:05:19,754 -YEAH, WAIT. 61 00:05:19,884 --> 00:05:21,059 -GIVE ME YOUR HAND. 62 00:05:22,191 --> 00:05:23,366 -WOULD YOU LIKE AT THAT? 63 00:05:23,497 --> 00:05:24,933 HE'S GOT THE VICTIM ON BOARD, 64 00:05:25,063 --> 00:05:25,890 AND OUR PEOPLE AREN'T EVEN HALFWAY THERE YET. 65 00:05:26,021 --> 00:05:27,631 -ABSOLUTELY AMAZING, 66 00:05:27,762 --> 00:05:30,504 I CAN'T BELIEVE WE'VE GOTTEN THIS FAR WITHOUT ONE. 67 00:05:30,634 --> 00:05:32,636 --YOU KNOW WHAT, MARK, DID YOU GET ALL THE SHOTS YOU NEEDED? 68 00:05:32,767 --> 00:05:34,812 WE CAN DO ANOTHER SIMULATION, IT'S REALLY YOUR CALL. 69 00:05:34,943 --> 00:05:36,640 -HOW MUCH MONEY DID YOU SPEND ON VIDEOTAPES 70 00:05:36,771 --> 00:05:38,250 SINCE YOU GOT HERE, ANYWAY? 71 00:05:38,381 --> 00:05:39,817 -ACTUALLY I WANTED THE EDITED TAPE 72 00:05:39,948 --> 00:05:41,341 ON MY DESK FIRST THING IN THE MORNING. 73 00:05:41,471 --> 00:05:43,212 I PROMISED IT TO THE CHIEF BY TOMORROW, ALL RIGHT. 74 00:05:43,343 --> 00:05:45,170 -A FLYING BOAT. 75 00:05:45,301 --> 00:05:47,303 WHERE DO YOU COME UP WITH THESE THINGS ANYWAY? 76 00:05:47,434 --> 00:05:50,567 -WELL, ACTUALLY THIS WAS ORIGINALLY DEVELOPED FOR BAYGUARD, 77 00:05:50,698 --> 00:05:52,264 BUT THEY PULLED OUT OF THE CONTRACT. 78 00:05:52,395 --> 00:05:53,744 WHICH MEANS, BY THE WAY, 79 00:05:53,875 --> 00:05:54,919 THAT WE CAN GET IT FOR NEXT TO NOTHING. 80 00:05:55,050 --> 00:05:56,486 -WHICH IS ABOUT WHAT IT'S WORTH. 81 00:06:01,099 --> 00:06:02,753 -YOU KNOW YOU'RE A TECHNOPHOBE, BUCHANNON. 82 00:06:02,884 --> 00:06:04,364 YOU'RE AFRAID OF JOINING THE MODERN AGES. 83 00:06:04,494 --> 00:06:06,757 THAT PIECE OF EQUIPMENT IS STATE OF THE ART. 84 00:06:06,888 --> 00:06:08,455 -LIFEGUARDING IS NOT 85 00:06:08,585 --> 00:06:10,065 ABOUT THE LATEST ADVANTAGES IN TECHNOLOGY, ALEX. 86 00:06:10,195 --> 00:06:12,372 IT'S ABOUT THE PERSON MAKING THE RESCUE. 87 00:06:12,502 --> 00:06:14,112 -ARE YOU SUGGESTING 88 00:06:14,243 --> 00:06:16,071 THAT BECAUSE I HAVE AN UNDERSTANDING OF TECHNOLOGY, 89 00:06:16,201 --> 00:06:18,334 THAT I AM SOMEHOW INADEQUATE IN THE WATER? 90 00:06:18,465 --> 00:06:19,988 -NO, ALL I'M SAYING IS 91 00:06:20,118 --> 00:06:21,555 THAT YOU SPEND A LOT MORE TIME SIMULATING RESCUES 92 00:06:21,685 --> 00:06:23,426 THAN ACTUALLY MAKING THEM. 93 00:06:23,557 --> 00:06:25,472 -BECAUSE YOU HAVEN'T ASSIGNED ME A TOWER YET, REMEMBER? 94 00:06:25,602 --> 00:06:27,343 -I TOLD YOU I'D GIVE YOU A TOWER WHEN YOU'RE READY. 95 00:06:27,474 --> 00:06:28,736 -WHEN I'M READY? 96 00:06:28,866 --> 00:06:31,565 HELLO, I HAVE BEEN AN OCEAN LIFEGUARD 97 00:06:31,695 --> 00:06:33,480 SINCE I WAS 18 YEARS OLD. 98 00:06:33,610 --> 00:06:35,699 -IF YOU'RE UNHAPPY, WHY DON'T YOU JUST TALK TO THE CHIEF? 99 00:06:35,830 --> 00:06:38,702 -I DON'T NEED THE CHIEF TO FIGHT MY BATTLES FOR ME. 100 00:06:38,833 --> 00:06:40,312 LOOK, WHY DON'T YOU JUST TELL ME 101 00:06:40,443 --> 00:06:41,966 WHAT HOOPS I HAVE TO JUMP THROUGH 102 00:06:42,097 --> 00:06:43,228 TO GET SOME RESPECT FROM YOU? 103 00:06:44,273 --> 00:06:45,405 -I'LL WORK ON A LIST. 104 00:06:46,971 --> 00:06:47,972 [ALEX GROANS] 105 00:06:53,369 --> 00:06:58,156 [WATER RUNNING] 106 00:07:00,855 --> 00:07:02,117 -JESSIE: HEY, ALEX. 107 00:07:02,247 --> 00:07:03,161 -HEY, JESSIE. 108 00:07:04,119 --> 00:07:05,163 -IS EVERYTHING OKAY? 109 00:07:05,860 --> 00:07:07,383 -NEVER HAD A BETTER DAY. 110 00:07:07,949 --> 00:07:09,037 GOD! 111 00:07:09,167 --> 00:07:10,430 WOULD YOU LISTEN TO ME? 112 00:07:10,560 --> 00:07:11,387 I'M EVEN STARTING TO SOUND LIKE HIM. 113 00:07:11,518 --> 00:07:12,301 -LIKE WHO? 114 00:07:12,432 --> 00:07:13,824 -LIKE MITCH. 115 00:07:14,695 --> 00:07:15,652 -IS THAT WHO YOU'RE MAD AT? 116 00:07:16,305 --> 00:07:17,524 -YEP. 117 00:07:17,654 --> 00:07:18,742 -WHY, WHAT HAPPENED? 118 00:07:19,830 --> 00:07:22,920 -HE JUST KEEPS TREATING ME LIKE I'M A DAMN ROOKIE. 119 00:07:24,792 --> 00:07:26,750 I'M SORRY, NO OFFENSE. 120 00:07:26,881 --> 00:07:28,099 -IT'S OKAY. 121 00:07:28,230 --> 00:07:29,623 I'M ACTUALLY NOT OFFICIALLY A ROOKIE YET. 122 00:07:29,753 --> 00:07:31,451 -I THOUGHT ROOKIE SCHOOL WAS ALREADY OVER? 123 00:07:31,581 --> 00:07:33,365 -EVERYTHING BUT THE FINAL EXAM. 124 00:07:33,496 --> 00:07:35,716 THE RUN/SWIM/RUN AND THE WRITTEN TEST ARE STILL TODAY. 125 00:07:35,846 --> 00:07:37,631 I WAS JUST DOING SOME LAST MINUTE CRAMMING. 126 00:07:37,761 --> 00:07:40,808 HEY, DO YOU THINK YOU COULD ASK ME A COUPLE OF QUESTIONS? 127 00:07:42,636 --> 00:07:44,376 -SO YOU SAY THE TEST IS TODAY? 128 00:07:44,507 --> 00:07:45,987 -YEAH, THIS AFTERNOON AT ZUMA. 129 00:07:47,945 --> 00:07:48,990 -YEAH, I HAVE TIME TO GIVE YOU A QUIZ. 130 00:07:49,120 --> 00:07:49,947 LET ME SEE THE MANUAL. 131 00:07:51,122 --> 00:07:52,167 -THANK YOU. 132 00:07:52,297 --> 00:07:53,385 -SO WHERE YOU AT? 133 00:07:53,516 --> 00:07:55,649 -WELL, SPECIAL OPERATIONS. 134 00:07:57,215 --> 00:07:58,869 THIS WHOLE SCUBA THING. 135 00:08:02,133 --> 00:08:03,918 -HEY, I CHECKED WITH THE HARBOR MASTER. 136 00:08:04,048 --> 00:08:05,963 THE YACHT WE SAW YESTERDAY, THE "REVE D'EAU," 137 00:08:06,486 --> 00:08:07,965 NEVER RETURNED TO THE MARINA. 138 00:08:08,096 --> 00:08:09,227 -SO WHAT? 139 00:08:09,924 --> 00:08:12,143 -WELL ISN'T IT ILLEGAL TO ANCHOR OFFSHORE ALL NIGHT? 140 00:08:13,101 --> 00:08:14,624 -WELL HOW DO WE KNOW IT'S STILL OUT THERE? 141 00:08:15,451 --> 00:08:16,757 -WOULDN'T HURT TO CHECK IT OUT. 142 00:08:16,887 --> 00:08:18,236 -YOU MEAN IT WOULDN'T HURT 143 00:08:18,367 --> 00:08:20,108 TO CHECK OUT THAT BEAUTIFUL VIOLIN PLAYER. 144 00:08:20,238 --> 00:08:21,805 -WELL, THAT TOO. 145 00:08:22,327 --> 00:08:24,547 -WELL, WE ARE LIFEGUARDS. 146 00:08:25,156 --> 00:08:26,070 -DUTY CALLS. 147 00:08:26,201 --> 00:08:27,376 -DUTY CALLS! 148 00:08:28,072 --> 00:08:30,771 [ENGINE REVVING] 149 00:08:30,901 --> 00:08:36,211 [MELANCHOLY MUSIC] 150 00:08:58,842 --> 00:08:59,669 -ARIANA? 151 00:09:01,541 --> 00:09:02,890 I'M SORRY I SLAPPED YOU. 152 00:09:03,020 --> 00:09:04,587 -THAT'S WHAT YOU SAID THE LAST TIME. 153 00:09:04,718 --> 00:09:08,025 -THIS TOUR, THE RECITALS IN MALIBU AND SAN FRANCISCO, 154 00:09:08,156 --> 00:09:09,549 THEY'RE IMPORTANT TO YOU. 155 00:09:10,201 --> 00:09:12,116 -TO ME, OR TO YOU? 156 00:09:12,639 --> 00:09:14,728 -IT'S BEEN OUR DREAM, REMEMBER? 157 00:09:14,858 --> 00:09:16,686 A RECORDING CONTRACT. 158 00:09:16,817 --> 00:09:20,516 THAT'S WHY YOU PRACTICE SO HARD, TO BE THE BEST YOU CAN BE. 159 00:09:20,647 --> 00:09:22,039 NOW IS YOUR TIME. 160 00:09:22,170 --> 00:09:24,564 -I KNOW THOSE CONCERTOS BACKWARDS AND FORWARDS. 161 00:09:25,565 --> 00:09:27,088 I EVEN PLAY THEM IN MY SLEEP. 162 00:09:27,218 --> 00:09:29,090 -WELL, LATELY YOU HAVE BEEN PLAYING THEM 163 00:09:29,220 --> 00:09:30,004 AS IF YOU WERE ASLEEP. 164 00:09:30,134 --> 00:09:31,571 -ALL I DO IS PLAY THE VIOLIN! 165 00:09:31,701 --> 00:09:33,311 -YOU HAVE A GIFT! 166 00:09:34,138 --> 00:09:35,531 -BUT NO LIFE. 167 00:09:38,447 --> 00:09:40,014 [ARIANA SIGHING ANGRILY] 168 00:09:50,633 --> 00:09:55,812 [VIOLIN MUSIC] 169 00:10:03,907 --> 00:10:06,431 COULD I, FOR ONCE, HAVE SOME PRIVACY HERE? 170 00:10:06,562 --> 00:10:10,871 YOU KNOW, IT'S IMPOSSIBLE TO DO ANYTHING WITH YOU HERE. 171 00:10:11,001 --> 00:10:11,872 GO! 172 00:10:13,134 --> 00:10:14,091 THANK YOU. 173 00:10:15,615 --> 00:10:16,790 [DOOR LOCKING] 174 00:10:30,064 --> 00:10:35,199 [VIOLIN MUSIC] 175 00:10:39,290 --> 00:10:40,291 -BINGO. 176 00:10:41,249 --> 00:10:42,163 IT'S STILL THERE. 177 00:10:43,686 --> 00:10:45,645 -WELL, I GUESS THE HIATUS IS OVER. 178 00:10:45,775 --> 00:10:47,037 -I'VE SUFFERED LONG ENOUGH. 179 00:10:47,168 --> 00:10:49,126 -YEP, ALMOST 24 HOURS. 180 00:10:49,649 --> 00:10:50,867 -HEY, MAN, WHAT ARE YOU SUPPOSED TO DO 181 00:10:50,998 --> 00:10:51,781 WHEN YOU GET THROWN FROM A HORSE? 182 00:10:51,912 --> 00:10:53,348 GET RIGHT BACK ON. 183 00:10:53,478 --> 00:10:55,176 --YOU'RE SUPPOSED TO HIT THE GROUND FIRST. 184 00:10:55,742 --> 00:10:56,873 -WELL. 185 00:10:57,004 --> 00:11:02,357 [VIOLIN MUSIC] 186 00:11:57,194 --> 00:12:02,373 [DRAMATIC MUSIC] 187 00:12:04,811 --> 00:12:05,812 -SHE'S GONE. 188 00:12:08,118 --> 00:12:09,424 -THERE, THERE SHE IS! 189 00:12:10,294 --> 00:12:11,600 BRING HER BACK NOW! 190 00:12:18,781 --> 00:12:20,130 -COME ON, LET'S GO AFTER HER. 191 00:12:20,870 --> 00:12:23,873 [ENGINE STARTING] 192 00:12:24,004 --> 00:12:26,397 LET'S GO, THERE SHE IS. 193 00:12:26,963 --> 00:12:27,921 GO AFTER HER! 194 00:12:41,543 --> 00:12:43,153 THIS IS HOPELESS. 195 00:12:49,507 --> 00:12:50,552 -LET ME GO! 196 00:12:51,640 --> 00:12:53,555 LET ME GO, LET ME GO! 197 00:12:53,685 --> 00:12:55,818 -THAT WAS VERY STUPID, ARIANA. 198 00:12:55,949 --> 00:12:56,906 VERY STUPID! 199 00:13:01,302 --> 00:13:02,651 -HEY, HEAD TOWARDS THAT ZODIAC. 200 00:13:03,173 --> 00:13:04,566 -WHAT'S GOING ON? 201 00:13:04,696 --> 00:13:05,872 --I DON'T KNOW, BUT LET'S CHECK IT OUT. 202 00:13:07,395 --> 00:13:08,657 -WHAT ARE YOU THINKING ABOUT? 203 00:13:17,057 --> 00:13:18,754 I DON'T KNOW WHAT'S GOING ON, GIRL. 204 00:13:19,276 --> 00:13:20,712 YOU BETTER GET YOUR STUFF TOGETHER. 205 00:13:20,843 --> 00:13:22,540 I MEAN IT, RIGHT NOW! 206 00:13:25,021 --> 00:13:25,848 OKAY, RIGHT HERE. 207 00:13:32,942 --> 00:13:34,378 COME ON, LENA. 208 00:13:34,509 --> 00:13:35,597 LENA IS REALLY UPSET. 209 00:13:39,166 --> 00:13:39,993 -I HATE YOU! 210 00:13:41,603 --> 00:13:42,517 -RIDICULOUS. 211 00:13:43,474 --> 00:13:48,523 [DRAMATIC MUSIC] 212 00:13:56,748 --> 00:13:58,141 -MORNING. 213 00:13:58,272 --> 00:13:59,490 -SORRY, GUYS, WE'RE NOT ENTERTAINING TODAY. 214 00:14:00,100 --> 00:14:01,275 -WELL, IT'S NOT A HOUSE CALL. 215 00:14:01,405 --> 00:14:02,624 WE'RE HERE ON OFFICIAL BUSINESS. 216 00:14:02,754 --> 00:14:03,755 -OH. 217 00:14:03,886 --> 00:14:05,366 WHAT'S THE PROBLEM? 218 00:14:05,496 --> 00:14:06,367 -THE PROBLEM IS YOU WERE ANCHORED OVERNIGHT 219 00:14:06,497 --> 00:14:07,847 WITHOUT A PERMIT. 220 00:14:09,022 --> 00:14:11,894 -WE'RE FROM OUT OF TOWN, AND WE JUST DIDN'T GET A CHANCE 221 00:14:12,025 --> 00:14:13,243 TO READ THE LOCAL RULE BOOK. 222 00:14:13,374 --> 00:14:14,288 -WE'RE COMING ABOARD. 223 00:14:14,418 --> 00:14:15,811 -WHERE ARE YOUR MANNERS, ERIC? 224 00:14:15,942 --> 00:14:17,073 WE HAVE COMPANY. 225 00:14:18,596 --> 00:14:21,208 YOU'LL HAVE TO PARDON ERIC, HE'S INSTINCTIVELY RUDE. 226 00:14:21,338 --> 00:14:22,339 -SO I'VE NOTICED. 227 00:14:24,776 --> 00:14:25,647 -HOW YOU DOING? 228 00:14:27,431 --> 00:14:28,302 THANK YOU. 229 00:14:35,526 --> 00:14:37,441 -HI, MY NAME IS MITCH BUCHANNON 230 00:14:37,572 --> 00:14:39,791 AND THIS IS CODY MADISON, WE'RE L.A. COUNTY LIFEGUARDS. 231 00:14:39,922 --> 00:14:41,054 -I'M LENA SVENSON. 232 00:14:41,184 --> 00:14:42,272 PLEASE SIT DOWN. 233 00:14:44,971 --> 00:14:46,407 SO HOW CAN I HELP YOU? 234 00:14:46,537 --> 00:14:47,930 -THERE'S A YOUNG LADY ON BOARD. 235 00:14:48,061 --> 00:14:49,018 WE WANTED TO MAKE SURE SHE'S ALL RIGHT. 236 00:14:49,149 --> 00:14:50,019 -ARIANA? 237 00:14:50,150 --> 00:14:51,542 SHE'S PERFECTLY FINE. 238 00:14:51,673 --> 00:14:52,804 -IS SHE BEING HELD AGAINST HER WILL? 239 00:14:52,935 --> 00:14:54,676 -ACTUALLY, YES. 240 00:14:54,806 --> 00:14:57,984 IT'S PRACTICE HOUR FOR HER, AND SHE SO HATES TO PRACTICE. 241 00:14:58,985 --> 00:15:00,073 -DO YOU MIND IF WE TALK TO HER? 242 00:15:01,901 --> 00:15:03,119 -ARIANA? 243 00:15:04,425 --> 00:15:05,295 -HI AGAIN. 244 00:15:05,426 --> 00:15:06,688 -HI. 245 00:15:06,818 --> 00:15:08,124 -MITCH BUCHANNON, CODY MADISON. 246 00:15:08,777 --> 00:15:09,691 -PLEASURE TO MEET YOU. 247 00:15:09,821 --> 00:15:11,345 -YOU ALSO. 248 00:15:11,475 --> 00:15:12,563 -THEY WERE CONCERNED ABOUT YOU, AND I TOLD THEM 249 00:15:12,694 --> 00:15:14,696 THAT YOUR SWIM WAS TO ESCAPE PRACTICE. 250 00:15:14,826 --> 00:15:16,567 -IT'S TRUE, I WAS JUST BEING LAZY. 251 00:15:17,220 --> 00:15:19,222 -WELL, YOU PLAY BEAUTIFULLY. 252 00:15:19,353 --> 00:15:21,137 -I WISH I COULD SWIM AS WELL. 253 00:15:21,268 --> 00:15:22,486 -I COULD TEACH YOU. 254 00:15:24,271 --> 00:15:26,186 -ARIANA'S TOO BUSY RIGHT NOW. 255 00:15:27,665 --> 00:15:29,319 YOU HAVE A RECITAL TOMORROW AFTERNOON. 256 00:15:29,450 --> 00:15:30,668 -WOULD YOU LIKE TO COME? 257 00:15:30,799 --> 00:15:32,105 -SURE. 258 00:15:32,235 --> 00:15:33,976 -IT'S AT THE MARINA YACHT CLUB. 259 00:15:34,107 --> 00:15:35,630 -ARIANA, DON'T YOU THINK WE SHOULD TRY 260 00:15:35,760 --> 00:15:37,849 TO ARRANGE FOR THE INVITATIONS FIRST? 261 00:15:37,980 --> 00:15:39,503 -I'LL ARRANGE IT. 262 00:15:40,330 --> 00:15:41,766 I WILL LEAVE YOUR NAMES AT THE DOOR. 263 00:15:42,419 --> 00:15:43,943 -OKAY. 264 00:15:44,073 --> 00:15:45,248 -THANK YOU VERY MUCH, W LOOK FORWARD TO IT. 265 00:15:46,554 --> 00:15:48,556 -IT'S FORMAL, YOU'LL NEED A TUXEDO. 266 00:15:48,686 --> 00:15:49,949 -NO PROBLEM, WE'LL BE THERE. 267 00:15:50,471 --> 00:15:51,689 THANK YOU. 268 00:15:51,820 --> 00:15:52,864 -THANKS, GUYS, BYE-BYE. WE'LL SEE YOU. 269 00:15:52,995 --> 00:15:53,996 -SEE YOU. -SEE YA. 270 00:16:00,916 --> 00:16:02,526 -MAN: CAN I HAVE EVERYONE SIGN IN 271 00:16:02,657 --> 00:16:04,093 AND GET THEIR NUMBER FROM BRAD? 272 00:16:04,224 --> 00:16:05,486 -HEY, JESSIE. 273 00:16:06,008 --> 00:16:08,184 HEY, BRAD. -ALEX, WHAT ARE YOU DOING HERE? 274 00:16:08,706 --> 00:16:11,100 -PROVING SOMETHING TO MITCH AND MYSELF. 275 00:16:11,622 --> 00:16:12,841 ACTUALLY, I THOUGHT YOU MIGHT BE ABLE 276 00:16:12,972 --> 00:16:14,582 TO USE A LITTLE HEALTHY COMPETITION. 277 00:16:14,712 --> 00:16:15,931 [JESSIE LAUGHING] 278 00:16:16,540 --> 00:16:18,151 24, ALL RIGHT. 279 00:16:18,281 --> 00:16:20,153 YOU BETTER WATCH OUT, THAT'S MY LUCKY NUMBER, JESSIE. 280 00:16:20,283 --> 00:16:21,154 THANKS, BRAD. 281 00:16:21,284 --> 00:16:22,372 -GREAT. 282 00:16:24,157 --> 00:16:27,899 [CLASSICAL MUSIC] 283 00:16:28,030 --> 00:16:32,861 [ATTENDEES CONVERSING] 284 00:16:40,042 --> 00:16:41,000 -CODY I THINK SHE LIKES ME. 285 00:16:41,130 --> 00:16:42,131 -YOU THINK SO? 286 00:16:42,784 --> 00:16:43,698 -YOU DON'T THINK SHE DOES? 287 00:16:43,828 --> 00:16:45,047 -I DIDN'T SAY THAT. 288 00:16:45,743 --> 00:16:46,875 -WHAT, DO YOU THINK SHE LIKES YOU? 289 00:16:47,006 --> 00:16:48,355 -I DIDN'T SAY THAT EITHER. 290 00:16:48,920 --> 00:16:51,488 -BUT COULDN'T YOU FEEL IT, THE CHEMISTRY? 291 00:16:51,619 --> 00:16:53,055 -YEAH, IT WAS HOT. 292 00:16:54,535 --> 00:16:56,711 -"YEAH, IT WAS HOT," THE CHEMISTRY BETWEEN ARIANA AND ME, 293 00:16:56,841 --> 00:16:59,453 OR "HOT," THE CHEMISTRY BETWEEN ARIANA AND YOU? 294 00:16:59,583 --> 00:17:00,932 -HEY, RELAX, WILL YOU, PAL? 295 00:17:01,063 --> 00:17:02,456 I'M NOT INTERESTED IN GETTING INVOLVED 296 00:17:02,586 --> 00:17:03,805 WITH ANOTHER WOMAN RIGHT NOW. 297 00:17:04,632 --> 00:17:06,938 I'M STILL TRYING TO SORT THINGS OUT WITH NEELY. 298 00:17:07,461 --> 00:17:08,810 -CHEERS. -CHEERS. 299 00:17:10,072 --> 00:17:11,726 -HEY, MITCH AND CODY. 300 00:17:11,856 --> 00:17:12,988 -HEY, HOW YOU DOING? 301 00:17:14,294 --> 00:17:15,121 -TWO OF THEM. 302 00:17:16,774 --> 00:17:18,037 I'M SO GLAD YOU CAME. 303 00:17:18,167 --> 00:17:19,212 -I WOULDN'T HAVE MISSED IT. 304 00:17:19,342 --> 00:17:20,909 -ME NEITHER. 305 00:17:21,040 --> 00:17:22,041 SO ARE WE STILL ON FOR THAT SWIM LESSON TOMORROW? 306 00:17:22,171 --> 00:17:23,303 -I WOULDN'T MISS IT. 307 00:17:23,868 --> 00:17:25,218 -WHAT TIME SHOULD WE MEET? 308 00:17:25,348 --> 00:17:26,697 -I'LL HAVE TO DISCUSS THAT WITH LENA. 309 00:17:27,394 --> 00:17:29,396 -SEEMS LIKE LENA AND ERIC OVER HERE KEEP YOU 310 00:17:29,526 --> 00:17:30,832 ON A PRETTY TIGHT LEASH. 311 00:17:30,962 --> 00:17:32,442 -NO, THEY'RE JUST BEING PROTECTIVE. 312 00:17:32,573 --> 00:17:33,487 -OF WHAT? 313 00:17:33,617 --> 00:17:34,488 -MY CAREER. 314 00:17:34,618 --> 00:17:36,229 IF I PLAY WELL TONIGHT, 315 00:17:36,359 --> 00:17:38,448 LENA THINKS I'LL BE OFFERED A RECORDING CONTRACT. 316 00:17:38,579 --> 00:17:41,321 IT'S BEEN MY DREAM SINCE I WAS A LITTLE GIRL. 317 00:17:43,540 --> 00:17:44,411 -ARIANA? 318 00:17:45,064 --> 00:17:46,152 IT'S TIME TO GO. 319 00:17:46,282 --> 00:17:47,936 -OH. WISH ME LUCK. 320 00:17:48,067 --> 00:17:49,633 -BREAK A LEG. -KNOCK 'EM DEAD. 321 00:17:49,764 --> 00:17:50,678 -I WILL. 322 00:17:52,375 --> 00:17:55,987 -YOU SHOULD THINK ABOUT A PERSONALITY TRANSPLANT, PAL. 323 00:17:56,814 --> 00:17:59,643 [MITCH AND CODY LAUGHING] 324 00:18:00,209 --> 00:18:01,602 -LET'S GO GET A GOOD SEAT, HUH? 325 00:18:02,342 --> 00:18:03,212 IT SURE IS BEAUTIFUL. 326 00:18:09,653 --> 00:18:10,611 -YOU KNOW, LITTLE [MUMBLES] ? 327 00:18:19,968 --> 00:18:20,925 -LENA. 328 00:18:21,491 --> 00:18:22,449 -CLAYTON. 329 00:18:22,579 --> 00:18:23,885 WONDERFUL PARTY. 330 00:18:24,015 --> 00:18:25,234 -THANK YOU. 331 00:18:25,365 --> 00:18:26,235 DID YOU BRING IT? 332 00:18:26,844 --> 00:18:27,932 -OF COURSE. 333 00:18:30,500 --> 00:18:32,763 -IT MATCHES ARIANA'S CASE PERFECTLY. 334 00:18:32,894 --> 00:18:33,938 -OH YES. 335 00:18:37,377 --> 00:18:38,552 -WHAT ABOUT THE MONEY? 336 00:18:38,682 --> 00:18:41,076 -IT WILL BE DEPOSITED IN YOUR ZURICH ACCOUNT, 337 00:18:41,207 --> 00:18:44,732 ONCE I'VE VERIFIED THE AUTHENTICITY OF THE MERCHANDISE. 338 00:18:44,862 --> 00:18:46,864 -THAT SHOULD BE THE LEAST OF YOUR PROBLEMS. 339 00:18:47,691 --> 00:18:49,258 -SO WHEN DO I GET IT? 340 00:18:49,389 --> 00:18:51,434 -WE'LL MAKE THE EXCHANGE RIGHT AFTER THE PERFORMANCE. 341 00:18:52,000 --> 00:18:53,393 -FINE. 342 00:18:53,523 --> 00:18:55,351 -OH, AND THERE'S ONE MORE THING, CLAYTON. 343 00:18:55,482 --> 00:18:58,180 ARIANA MUST NEVER KNOW ABOUT OUR TRANSACTION. 344 00:18:59,181 --> 00:19:00,574 -WHATEVER YOU WISH, LENA. 345 00:19:04,186 --> 00:19:06,841 -ARIANA, I'D LIKE YOU TO MEET OUR HOST FOR THE EVENING. 346 00:19:06,971 --> 00:19:07,842 -MILES CLAYTON. 347 00:19:09,887 --> 00:19:12,803 OH MY DEAR, YOU ARE EXQUISITE. 348 00:19:12,934 --> 00:19:14,631 -THANK YOU, MR. CLAYTON. 349 00:19:14,762 --> 00:19:17,852 -I HAVE THE FEELING YOUR LIFE CHANGES TONIGHT, ARIANA. 350 00:19:17,982 --> 00:19:19,680 YOU'RE GONNA BELONG TO THE WORLD. 351 00:19:20,811 --> 00:19:22,161 NOW IF YOU'LL EXCUSE ME, 352 00:19:22,291 --> 00:19:24,250 I WILL GO AND SET YOUR STAGE FOR YOU. 353 00:19:25,947 --> 00:19:27,166 -WELL, ARE YOU READY? 354 00:19:42,268 --> 00:19:44,574 -LADIES AND GENTLEMAN, WELCOME, 355 00:19:44,705 --> 00:19:48,622 AND THANK YOUR FOR ATTENDING MY LITTLE EVENING OF THE ARTS. 356 00:19:48,752 --> 00:19:51,190 I ASSURE YOU IT WILL BE WORTH YOUR TIME. 357 00:19:51,799 --> 00:19:54,410 NOW I'D LIKE TO INTRODUCE A VERY BEAUTIFUL 358 00:19:54,541 --> 00:19:56,064 AND TALENTED YOUNG LADY, 359 00:19:56,586 --> 00:19:58,327 ALREADY WELL KNOWN THROUGHOUT EUROPE, 360 00:19:58,458 --> 00:20:01,374 AND A STAR BEING BORN IN AMERICA TONIGHT. 361 00:20:02,026 --> 00:20:05,291 LADIES AND GENTLEMAN, THE LOVELY ARIANA. 362 00:20:05,421 --> 00:20:10,774 [AUDIENCE APPLAUDING] 363 00:20:43,329 --> 00:20:48,203 [HAUNTING VIOLIN MUSIC] 364 00:21:03,218 --> 00:21:09,137 [ROMANTIC POP AND VIOLIN MUSIC] 365 00:24:47,268 --> 00:24:52,708 [AUDIENCE APPLAUDING AND CHEERING] 366 00:25:07,680 --> 00:25:08,507 -WHERE IS SHE? 367 00:25:09,420 --> 00:25:10,291 -I DON'T KNOW. 368 00:25:11,031 --> 00:25:11,858 -WHAT'S GOING ON? 369 00:25:12,772 --> 00:25:14,077 -IT LOOKS LIKE ARIANA'S PULLING ONE 370 00:25:14,208 --> 00:25:15,992 OF HER DISAPPEARING ACTS AGAIN. 371 00:25:16,123 --> 00:25:17,298 -FIND HER! 372 00:25:21,041 --> 00:25:23,130 -ARIANA, WHERE YOU ARE? 373 00:25:23,260 --> 00:25:25,306 PLEASE, COME BACK TO THE STAGE. 374 00:25:29,571 --> 00:25:30,833 WHAT'S WRONG, WHERE DID SHE GO? 375 00:25:31,530 --> 00:25:33,053 -SHE'S VERY SHY. 376 00:25:33,183 --> 00:25:35,011 SOMETIMES THE SPOTLIGHT BECOMES TOO MUCH FOR HER. 377 00:25:35,534 --> 00:25:36,796 -BUT THE CASE IS GONE! 378 00:25:37,971 --> 00:25:38,972 -FIND HER! 379 00:25:39,102 --> 00:25:40,147 [DRAMATIC MUSIC] 380 00:25:40,277 --> 00:25:41,496 -GO ON, HELP THEM! 381 00:25:45,805 --> 00:25:47,894 -SO, WHAT WERE YOU DOING HERE SO EARLY THIS MORNING? 382 00:25:48,416 --> 00:25:49,460 -WENT OUT ON A SURF SKI. 383 00:25:49,591 --> 00:25:51,724 -OH LET ME GUESS WHERE. 384 00:25:51,854 --> 00:25:53,377 -YOU DIDN'T THINK IT WAS WEIRD 385 00:25:53,508 --> 00:25:55,205 THAT ARIANA JUST DISAPPEARED FROM THE RECITAL? 386 00:25:55,902 --> 00:25:56,729 -YEAH, I DID. 387 00:25:56,859 --> 00:25:57,730 WHAT DID YOU FIND OUT? 388 00:25:58,731 --> 00:26:00,471 -LENA AND HER BOYS DIDN'T LOOK TOO HAPPY. 389 00:26:01,168 --> 00:26:03,474 I DON'T THINK ARIANA MADE IT BACK TO THE YACHT LAST NIGHT. 390 00:26:03,605 --> 00:26:05,999 -I THINK YOU SHOULD FORGET ABOUT ARIANA. 391 00:26:07,609 --> 00:26:11,831 -YEAH, THAT'D BE NICE, BUT I CAN'T. 392 00:26:13,136 --> 00:26:15,312 I JUST KEEP HEARING HER MUSIC OVER AND OVER IN MY HEAD. 393 00:26:16,531 --> 00:26:17,576 IT'S CRAZY. 394 00:26:24,060 --> 00:26:26,497 [BEACH-GOERS EXCLAIMING] 395 00:26:40,250 --> 00:26:41,251 -ANOTHER DAY AT THE OFFICE. 396 00:26:41,382 --> 00:26:42,209 YOU GOTTA LOVE IT, HUH? 397 00:26:42,339 --> 00:26:43,993 -YES, SIR. 398 00:26:44,124 --> 00:26:45,168 -IT LOOKS LIKE THE STORM DRAIN IS OVERFLOWING AGAIN. 399 00:26:45,299 --> 00:26:46,387 YOU WANNA CALL IT IN? 400 00:26:46,517 --> 00:26:47,475 -YEAH, YOU'VE GOT IT, MAN. 401 00:26:47,606 --> 00:26:48,476 -ALL RIGHT. 402 00:26:53,699 --> 00:26:54,787 -HEY, MITCH, MITCH. 403 00:26:57,006 --> 00:26:58,051 LOCKS ARE BUSTED. 404 00:27:02,446 --> 00:27:05,624 [DRAMATIC MUSIC] 405 00:27:05,754 --> 00:27:06,842 ARIANA? 406 00:27:09,236 --> 00:27:10,063 -YOU ALL RIGHT? 407 00:27:10,193 --> 00:27:11,107 -YEAH, I'M FINE. 408 00:27:11,717 --> 00:27:13,501 ACTUALLY, I'M A LITTLE CHILLY. 409 00:27:14,110 --> 00:27:16,025 I DIDN'T REALIZE IT WOULD BE SO COLD IN THE MORNING. 410 00:27:16,156 --> 00:27:17,679 -HERE, TAKE MY JACKET. 411 00:27:17,810 --> 00:27:19,376 -WHY DID YOU BREAK INTO THE TOWER? 412 00:27:19,507 --> 00:27:21,248 -I DIDN'T KNOW WHERE ELSE TO GO. 413 00:27:22,031 --> 00:27:23,380 -THEY WON'T GIVE ME ANY MONEY. 414 00:27:23,511 --> 00:27:24,860 I HAVE NO FRIENDS. 415 00:27:24,991 --> 00:27:26,906 -IT AIN'T SO BAD, WE'RE YOUR FRIENDS. 416 00:27:28,821 --> 00:27:30,736 -I HAD TO GET AWAY FROM LENA. 417 00:27:33,347 --> 00:27:34,740 [ARIANA CRYING] 418 00:27:34,870 --> 00:27:36,916 I WANT MY LIFE BACK. 419 00:27:37,046 --> 00:27:38,918 [ARIANA SOBBING] 420 00:27:39,048 --> 00:27:39,875 -IT'S OKAY. 421 00:27:40,006 --> 00:27:43,749 [DRAMATIC MUSIC] 422 00:27:50,625 --> 00:27:51,887 -LENA CAME INTO MY LIFE 423 00:27:52,018 --> 00:27:54,150 WHEN MY PARENTS DIED IN A CAR CRASH. 424 00:27:54,281 --> 00:27:55,717 I WAS JUST A TEENAGER. 425 00:27:57,153 --> 00:27:58,502 SHE TOOK ME HOME WITH HER 426 00:27:58,633 --> 00:28:01,114 AND BECAME MY LEGAL GUARDIAN, TEACHER. 427 00:28:01,854 --> 00:28:04,378 SHE CONTROLS EVERY PART OF MY LIFE. 428 00:28:04,508 --> 00:28:06,554 -IF YOU'RE SO UNHAPPY, WHY DON'T YOU JUST LEAVE? 429 00:28:07,163 --> 00:28:08,425 -I OWE LENA A LOT. 430 00:28:09,078 --> 00:28:10,210 SHE RAISED ME. 431 00:28:11,167 --> 00:28:12,255 SHE GAVE ME EVERYTHING. 432 00:28:13,039 --> 00:28:14,693 I SIGNED A CONTRACT WITH HER FOR FIVE YEARS, 433 00:28:14,823 --> 00:28:16,216 AND I CAN'T LEAVE. 434 00:28:16,346 --> 00:28:17,391 -WHAT ABOUT THOSE GUYS IN THE YACHT? 435 00:28:17,957 --> 00:28:19,262 WHO ARE THEY? 436 00:28:19,393 --> 00:28:20,481 -THEY MAKE SURE I DON'T GO ANYWHERE, 437 00:28:20,611 --> 00:28:21,874 AND IT'S ONLY GOING TO GET WORSE 438 00:28:22,004 --> 00:28:23,571 IF I GET THAT RECORDING CONTRACT. 439 00:28:24,180 --> 00:28:25,268 -YOU WANT THE CONTRACT? 440 00:28:26,879 --> 00:28:30,491 -I WANT A DAY WITHOUT PRACTICE, I WANT A DAY FOR ME. 441 00:28:31,492 --> 00:28:35,757 AND I WANT TO EAT A HOT DOG! 442 00:28:39,456 --> 00:28:41,197 -I'LL TELL YOU WHAT. 443 00:28:41,328 --> 00:28:43,330 I'M GONNA ASSIGN YOU A BAYWATCH SECURITY GUARD FOR THE DAY. 444 00:28:43,460 --> 00:28:44,853 CODY? 445 00:28:44,984 --> 00:28:45,767 TAKE THIS GIRL OUT, AND BUY HER THE BIGGEST, 446 00:28:45,898 --> 00:28:47,638 BEST HOT DOG ON VENICE STRAND. 447 00:28:48,378 --> 00:28:49,640 -WITH PLEASURE. 448 00:28:50,206 --> 00:28:51,033 -SEE YA. 449 00:28:51,164 --> 00:28:51,991 -LET'S GO. 450 00:28:56,169 --> 00:28:57,039 OH ALLOW ME. 451 00:28:57,170 --> 00:28:58,562 -OH, THANK YOU. 452 00:29:04,525 --> 00:29:05,569 -SEE YA, BUD. 453 00:29:05,700 --> 00:29:10,705 [UPBEAT MUSIC] 454 00:29:14,665 --> 00:29:15,841 -HEY, DO YOU LIKE IT? 455 00:29:17,059 --> 00:29:18,974 -NOW THAT IS PERFECT HOT DOG ATTIRE. 456 00:29:19,105 --> 00:29:20,280 -YOU THINK SO? 457 00:29:20,410 --> 00:29:22,021 -YEAH, SOUTHERN CALIFORNIA STYLE. 458 00:29:22,151 --> 00:29:24,806 OKAY, HERE YOU GO. 459 00:29:24,937 --> 00:29:25,851 KEEP THE CHANGE. 460 00:29:25,981 --> 00:29:27,069 -OH, THANK YOU. 461 00:29:27,200 --> 00:29:28,679 -NOW I'M HUNGRY. 462 00:29:29,289 --> 00:29:30,638 I WANT A HOT DOG. -YOU GOT IT. 463 00:29:32,988 --> 00:29:35,208 WHAT I'M SAYING IS YOU GOTTA PUT EVERYTHING ON IT. 464 00:29:37,123 --> 00:29:38,689 CAN WE PLEASE HAVE A HOT DOG? 465 00:29:40,779 --> 00:29:42,345 NOW I'M GONNA MAKE YOU ONE 466 00:29:42,476 --> 00:29:45,392 OF CODY MADISON'S FAMOUS HOT DOG'S STYLE. 467 00:29:45,522 --> 00:29:46,393 -ARE YOU GONNA MAKE IT? 468 00:29:46,523 --> 00:29:47,829 -YEAH, A LITTLE KETCHUP. 469 00:29:47,960 --> 00:29:49,048 -A LITTLE KETCHUP? 470 00:29:49,178 --> 00:29:50,353 -A LITTLE MUSTARD. 471 00:29:50,963 --> 00:29:53,704 AND YOU TOP IT OFF WITH A SPRINKLE OF RELISH. 472 00:29:54,227 --> 00:29:55,228 -I'M GONNA EAT THIS? 473 00:29:55,358 --> 00:29:56,925 -WHAT, THIS IS IT, THIS IS IT. 474 00:29:57,056 --> 00:29:57,926 TAKE A BITE. 475 00:29:58,057 --> 00:29:59,058 -AH, DINNER! 476 00:30:00,059 --> 00:30:01,103 LIKE THIS? 477 00:30:01,930 --> 00:30:02,888 -JUST TAKE A BITE. 478 00:30:03,018 --> 00:30:03,932 DON'T BE SCARED. 479 00:30:04,063 --> 00:30:05,020 -WHICH END? 480 00:30:05,151 --> 00:30:06,674 -ANY END, TAKE A BITE! 481 00:30:10,852 --> 00:30:11,722 WHAT DO YOU THINK? 482 00:30:13,724 --> 00:30:14,900 -CHECK OVER THERE. 483 00:30:22,124 --> 00:30:22,995 -YOU GOT ME. 484 00:30:30,611 --> 00:30:31,612 -THERE SHE IS. 485 00:30:36,573 --> 00:30:38,140 [TELEPHONE RINGING] 486 00:30:39,663 --> 00:30:41,013 -HELLO? 487 00:30:41,143 --> 00:30:42,188 -ERIC: LENA? -DID YOU FIND HER? 488 00:30:42,318 --> 00:30:43,363 -YEAH, WE FOUND HER. 489 00:30:43,493 --> 00:30:44,799 -DOES SHE HAVE HER VIOLIN WITH HER? 490 00:30:44,930 --> 00:30:46,235 -NO, SHE DOESN'T. 491 00:30:46,366 --> 00:30:47,280 -WELL STAY WITH HER UNTIL SHE DOES. 492 00:30:47,410 --> 00:30:48,672 -YOU GOT IT. 493 00:30:53,155 --> 00:30:53,939 -LET'S GO. 494 00:30:54,069 --> 00:30:54,896 -WHAT'S UP? 495 00:30:56,071 --> 00:30:57,594 -WHAT ARE THEY GONNA DO TO US? 496 00:30:59,901 --> 00:31:01,860 WHOA, MAYBE WE BETTER BE MOVING ON. 497 00:31:02,469 --> 00:31:03,296 THANK YOU. 498 00:31:03,426 --> 00:31:04,819 [DRAMATIC MUSIC] 499 00:31:04,950 --> 00:31:06,125 -COME ON, AFTER HER. 500 00:31:07,648 --> 00:31:08,823 -EXCUSE US. 501 00:31:20,617 --> 00:31:21,923 -OUT OF THE WAY. 502 00:31:33,239 --> 00:31:34,109 -CODY: THIS WAY. 503 00:31:47,862 --> 00:31:50,212 [DOG BARKING] 504 00:31:51,605 --> 00:31:52,432 -COMING THROUGH. 505 00:31:53,346 --> 00:31:55,087 -BYSTANDER HEY, COME ONE! 506 00:31:55,957 --> 00:31:57,045 -COMING THROUGH. 507 00:32:00,266 --> 00:32:01,180 -THERE SHE IS! 508 00:32:11,146 --> 00:32:11,973 THERE SHE IS! 509 00:32:18,284 --> 00:32:19,372 -COME ON, STAY WITH ME. 510 00:32:26,466 --> 00:32:27,423 -WHAT DO YOU THINK? 511 00:32:27,554 --> 00:32:28,947 DO YOU SEE HER AROUND ANYWHERE? 512 00:32:33,212 --> 00:32:34,039 -I CAN'T SEE A THING. 513 00:32:35,692 --> 00:32:37,303 -IT TAKES ABOUT 10 HOURS TO LEARN TO FLY IT. 514 00:32:38,173 --> 00:32:38,957 -COOL. 515 00:32:39,087 --> 00:32:39,696 -SO WHO'S GOING FIRST? 516 00:32:39,827 --> 00:32:41,437 -ME! -ME! 517 00:32:41,568 --> 00:32:43,004 -I WANNA GO FIRST. 518 00:32:43,135 --> 00:32:44,223 -I KNOW YOU DO, BUT YOU CAN'T. 519 00:32:44,353 --> 00:32:45,137 I AM. 520 00:32:45,267 --> 00:32:46,965 -ARE YOU PULLING RANK ON ME? 521 00:32:47,095 --> 00:32:48,488 -ABSOLUTELY. 522 00:32:48,618 --> 00:32:49,924 RANK HAS TO HAVE SOME PRIVILEGES, RIGHT? 523 00:32:50,881 --> 00:32:52,100 YOU READY TO GO, STAN? 524 00:32:52,231 --> 00:32:53,232 -SHOULD I SALUTE? 525 00:32:53,362 --> 00:32:54,755 -THAT WOULD BE NICE. 526 00:32:55,364 --> 00:32:56,322 -IT MIGHT GET COLD UP THERE. 527 00:32:56,452 --> 00:32:57,714 YOU WANNA GRAB SOME SWEATS? 528 00:32:57,845 --> 00:32:58,454 -YEAH, SURE, I'LL BE RIGHT BACK. 529 00:33:03,024 --> 00:33:04,721 -MITCH: HEY, HEY, BACK SO SOON? 530 00:33:04,852 --> 00:33:06,941 -THOSE GOONS FROM THE YACHT JUST SAW US IN VENICE, MAN. 531 00:33:07,072 --> 00:33:08,160 THEY'RE PACKING HEAT. 532 00:33:08,290 --> 00:33:09,552 WE SHOULD CALL THE COPS. 533 00:33:10,336 --> 00:33:11,554 -YOU WANNA TELL ME WHAT'S GOING ON? 534 00:33:11,685 --> 00:33:14,035 -I DON'T KNOW WHY THEY WOULD CHASE US LIKE THAT. 535 00:33:14,166 --> 00:33:15,602 -THEY WANT HER BACK. 536 00:33:15,732 --> 00:33:16,559 -NO, NO, NO, THERE'S MORE TO IT THAN THAT. 537 00:33:16,690 --> 00:33:17,821 -YEAH, LIKE WHAT? 538 00:33:17,952 --> 00:33:19,214 -WHAT ABOUT THE VIOLIN? 539 00:33:19,345 --> 00:33:20,824 IS IT WORTH A LOT OF MONEY? 540 00:33:20,955 --> 00:33:23,392 -YEAH, BUT NOT ENOUGH TO KILL SOMEONE OVER. 541 00:33:23,523 --> 00:33:24,654 -YOU JUST CAME IN THROUGH CUSTOMS. 542 00:33:29,616 --> 00:33:30,399 YOU WANNA OPEN THIS? 543 00:33:30,530 --> 00:33:31,400 -YEAH. 544 00:33:33,011 --> 00:33:36,101 -ARIANA, IS IT POSSIBLE THEY COULD HAVE SMUGGLED SOMETHING 545 00:33:36,231 --> 00:33:37,015 INSIDE THE VIOLIN? 546 00:33:37,145 --> 00:33:39,278 -NO, THAT'S NOT POSSIBLE. 547 00:33:44,370 --> 00:33:45,762 -MITCH, CHECK IT OUT. 548 00:33:45,893 --> 00:33:46,894 -WHAT IS IT? 549 00:33:47,025 --> 00:33:50,028 [MYSTERIOUS MUSIC] 550 00:33:56,469 --> 00:33:59,298 -SOME SORT OF DRAWING, VERY OLD. 551 00:34:01,343 --> 00:34:02,605 LOOKS PRETTY VALUABLE. 552 00:34:04,999 --> 00:34:07,001 -ORIGINAL [MUMBLES] USUALLY ARE. 553 00:34:11,005 --> 00:34:11,919 [GUN COCKS] 554 00:34:14,052 --> 00:34:14,878 -OOPS. 555 00:34:15,009 --> 00:34:17,055 [DRAMATIC MUSIC] 556 00:34:22,060 --> 00:34:27,021 [MITCH AND CODY STRUGGLING] 557 00:34:30,155 --> 00:34:31,460 -CODY, THE BOX. 558 00:34:32,374 --> 00:34:37,988 [CODY STRUGGLING] 559 00:34:46,084 --> 00:34:47,085 -CUT IT OFF! 560 00:34:54,222 --> 00:34:56,442 -YOU CALL KMF 295. 561 00:34:57,617 --> 00:35:00,141 TELL 'EM TO GET A WIND JET TO TOWER 12 RIGHT AWAY. 562 00:35:00,272 --> 00:35:01,099 -GOT IT. 563 00:35:01,229 --> 00:35:03,971 [DRAMATIC MUSIC] 564 00:35:04,972 --> 00:35:07,192 KMF 295, THIS IS BUCHANNON. 565 00:35:07,322 --> 00:35:08,628 CALL THE COASTIES, TELL 'EM WE'RE LOOKING 566 00:35:08,758 --> 00:35:10,238 FOR A YACHT CALLED THE "REVE D'EAU," 567 00:35:10,369 --> 00:35:12,284 LAST SEEN ANCHORED TWO MILES OFF POINT DOOM. 568 00:35:12,414 --> 00:35:13,676 DO YOU COPY? 569 00:35:13,807 --> 00:35:14,634 -RADIO: COPY THAT, MITCH. 570 00:35:14,764 --> 00:35:15,548 -YOU SEE ANYTHING? 571 00:35:15,678 --> 00:35:16,897 -NADA. 572 00:35:17,811 --> 00:35:19,682 -RADIO: AIR UNIT ONE TO 120, COME IN. 573 00:35:21,380 --> 00:35:23,338 -WHAT THE HELL IS AIR UNIT ONE? 574 00:35:23,469 --> 00:35:25,035 -ALEX: HEY, MITCH, IT'S ME, ALEX. 575 00:35:25,166 --> 00:35:26,646 LOOK UP OVER YOUR SHOULDER. 576 00:35:33,087 --> 00:35:35,002 -OH FOR GOD'S SAKES! 577 00:35:36,482 --> 00:35:39,963 WELL SINCE YOU'RE UP THERE, WE'RE LOOKING FOR A BLACK ZODIAC 578 00:35:40,094 --> 00:35:41,791 WITH TWO GUYS AND A GIRL. 579 00:35:41,922 --> 00:35:43,576 -SOUNDS KINKY. 580 00:35:44,533 --> 00:35:45,969 -ALEX. 581 00:35:46,100 --> 00:35:47,580 THE TWO MEN MAY HAVE KIDNAPPED THE GIRL. 582 00:35:48,320 --> 00:35:49,799 LAST SEEN HEADED TOWARDS A YACHT, 583 00:35:49,930 --> 00:35:51,758 ANCHORED TWO MILES OFF POINT DOOM. 584 00:35:52,411 --> 00:35:53,890 WE CAN'T FIND 'EM. 585 00:35:54,021 --> 00:35:55,631 -YEAH, THAT'S BECAUSE YOU'RE HEADED SOUTHWEST, 586 00:35:55,762 --> 00:35:57,372 AND THEY'RE HEADED NORTH BY NORTHEAST. 587 00:35:57,503 --> 00:35:58,286 -GOT IT. 588 00:35:58,417 --> 00:35:59,635 HEAD NORTH BY NORTHEAST! 589 00:35:59,766 --> 00:36:01,159 -NORTH BY NORTHEAST, YOU GOT IT. 590 00:36:02,856 --> 00:36:07,600 [DRAMATIC MUSIC] 591 00:36:10,342 --> 00:36:11,952 -THIS IS GREAT, STAN. 592 00:36:24,399 --> 00:36:26,358 -BAD GUYS, TWO O'CLOCK! 593 00:36:26,488 --> 00:36:27,663 -MITCH: LET'S GO. 594 00:36:43,549 --> 00:36:44,332 -CODY LET'S DO IT! 595 00:36:44,463 --> 00:36:48,902 [DRAMATIC MUSIC] 596 00:37:52,966 --> 00:37:54,010 [GUNSHOT] 597 00:37:59,668 --> 00:38:01,322 [BODYGUARDS AND ARIANA SCREAMING] 598 00:38:02,845 --> 00:38:04,238 -BODYGUARD: I CAN'T SWIM! 599 00:38:15,510 --> 00:38:19,514 [MEN STRUGGLING AND GRUNTING] 600 00:38:37,880 --> 00:38:38,707 -YOU ALL RIGHT? 601 00:38:39,273 --> 00:38:40,187 -YEAH. 602 00:38:42,102 --> 00:38:42,885 -SHE ALL RIGHT? 603 00:38:43,016 --> 00:38:44,322 -YEAH, MAN, YEAH. 604 00:38:44,974 --> 00:38:45,845 IT'S ALL GOOD. 605 00:38:56,334 --> 00:38:57,204 -EASY. 606 00:39:08,171 --> 00:39:09,085 -LENA? 607 00:39:10,478 --> 00:39:13,612 -NO, THERE'S NOTHING LEFT TO SAY. 608 00:39:20,575 --> 00:39:23,970 [CAR ENGINES STARTING] 609 00:39:25,580 --> 00:39:29,192 [POLICE SIRENS] 610 00:39:30,280 --> 00:39:31,804 -WHAT'S GOING TO HAPPEN TO HER? 611 00:39:31,934 --> 00:39:33,501 -WELL, SHE'LL FACE CHARGES, I'M AFRAID. 612 00:39:33,632 --> 00:39:36,025 THE ART SHE WAS SMUGGLING WAS STOLEN DURING THE WAR. 613 00:39:36,156 --> 00:39:39,115 -I HAVE TO HELP HER, AND MAKE SURE SHE GETS A GOOD LAWYER. 614 00:39:39,986 --> 00:39:41,074 -AFTER WHAT SHE DID TO YOU? 615 00:39:41,596 --> 00:39:43,642 -NO, BECAUSE OF WHAT SHE DID FOR ME. 616 00:39:44,207 --> 00:39:45,644 SHE ONCE HAD A GOOD HEART. 617 00:39:46,862 --> 00:39:47,907 -SO WHAT'S UP FOR YOU? 618 00:39:48,560 --> 00:39:49,909 -I HAVE A RECITAL SCHEDULED 619 00:39:50,039 --> 00:39:51,389 IN SAN FRANCISCO TOMORROW NIGHT. 620 00:39:51,519 --> 00:39:52,738 BUT AFTER THAT, WHO KNOWS? 621 00:39:52,868 --> 00:39:53,913 PERHAPS I'LL BE BACK. 622 00:39:54,827 --> 00:39:55,915 I LIKE IT HERE. 623 00:39:56,742 --> 00:40:00,398 AND YOU'VE GOT THE BEST HOT DOGS IN THE WORLD. 624 00:40:02,965 --> 00:40:04,010 -THAT WE DO! 625 00:40:10,146 --> 00:40:11,496 -OKAY, LISTEN UP. 626 00:40:11,626 --> 00:40:13,106 BEFORE I GET TO THE TOWER ASSIGNMENTS, 627 00:40:13,236 --> 00:40:15,325 I WOULD LIKE TO INTRODUCE THE NEWEST MEMBER 628 00:40:15,456 --> 00:40:17,719 OF OUR RANKS TO GRACE OUR HUMBLE BEACH. 629 00:40:17,850 --> 00:40:19,504 PLEASE WELCOME JESSIE. 630 00:40:19,634 --> 00:40:22,768 [ALL APPLAUDING AND CHEERING] 631 00:40:22,898 --> 00:40:24,509 -SPEECH, SPEECH! 632 00:40:25,510 --> 00:40:26,946 -OKAY. 633 00:40:27,076 --> 00:40:28,208 I JUST WANTED TO SAY THAT I DID NOT FINISH 634 00:40:28,338 --> 00:40:29,992 AT THE TOP OF MY ROOKIE CLASS. 635 00:40:30,123 --> 00:40:32,734 AND THIS WAS THE FIRST TIME THAT THEY LET THE PERSON 636 00:40:32,865 --> 00:40:34,780 WHO FINISHED SECOND CHOOSE HER BEACH. 637 00:40:34,910 --> 00:40:36,521 -HOW COME? 638 00:40:36,651 --> 00:40:40,612 -BECAUSE THE PERSON WHO GOT FIRST WASN'T EXACTLY A ROOKIE. 639 00:40:40,742 --> 00:40:41,874 -WELL WHO WAS IT? 640 00:40:42,004 --> 00:40:43,702 [ALEX CLEARS THROAT] 641 00:40:43,832 --> 00:40:48,228 [ALL LAUGHING AND CHEERING] 642 00:40:50,622 --> 00:40:52,014 -SO WHAT DO YOU THINK, BUCHANNON? 643 00:40:52,145 --> 00:40:53,407 NOT BAD IN REDS, HUH? 644 00:40:53,538 --> 00:40:54,277 -WHEN DID YOU GO THROUGH ROOKIE SCHOOL? 645 00:40:54,408 --> 00:40:55,365 -I DIDN'T. 646 00:40:55,496 --> 00:40:56,279 I JUST TOOK THE FINAL EXAM. 647 00:40:56,410 --> 00:40:57,846 -MITCH AND YOU FINISHED FIRST? 648 00:40:58,368 --> 00:41:00,283 -I HOPE YOU'RE FAKING THAT LOOK OF SURPRISE. 649 00:41:00,414 --> 00:41:01,371 YOU KNOW I DID TEACH ROOKIE SCHOOL 650 00:41:01,502 --> 00:41:02,982 FOR FIVE YEARS IN ORANGE COUNTY. 651 00:41:03,765 --> 00:41:05,854 NOW LOOK, EXCUSE US. 652 00:41:05,985 --> 00:41:08,770 I KNOW THIS DOESN'T EXACTLY PUT US ON EVEN FOOTING. 653 00:41:08,901 --> 00:41:11,294 HOWEVER, I HOPE IT DOES GET US A LITTLE BIT CLOSER. 654 00:41:11,425 --> 00:41:12,600 -A LITTLE BIT. -THANK YOU. 655 00:41:12,731 --> 00:41:13,862 -YOU HAVE A WAYS TO GO. 656 00:41:13,993 --> 00:41:15,168 -BUT IT'S A GOOD START, RIGHT? 657 00:41:15,298 --> 00:41:16,386 -NOT BAD. 658 00:41:17,170 --> 00:41:18,693 -NOW DON'T YOU THINK I SHOULD BE THE ONE 659 00:41:18,824 --> 00:41:20,173 HANDLING THE TOWER ASSIGNMENTS? 660 00:41:20,303 --> 00:41:21,783 YOU'RE THE FIELD GENERAL, REMEMBER? 661 00:41:21,914 --> 00:41:23,350 YOU SHOULD BE OUT THERE WITH THE TROOPS, 662 00:41:23,481 --> 00:41:24,960 YOU SHOULDN'T BE HANDLING THE SMALL STUFF. 663 00:41:25,091 --> 00:41:26,571 NO, WAIT, NO, WHAT ARE YOU DOING? 664 00:41:26,701 --> 00:41:28,747 [ALL LAUGHING] 665 00:41:28,877 --> 00:41:30,705 PUT ME DOWN, JESSIE HELP ME! 666 00:41:32,315 --> 00:41:34,013 THIS IS SEXUAL HARASSMENT! 667 00:41:34,143 --> 00:41:35,362 -MITCH YOU WISH. 668 00:41:35,493 --> 00:41:40,280 [JAZZY MUSIC] 669 00:41:44,763 --> 00:41:47,374 [END MUSIC PLAYING] 44410

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