Original subtitles

- PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS...

- YOU MADE THESE COMMENTS IN FRONT OF PEOPLE,

WHICH ARE COMPLETELY DEFAMATORY.

- WHAT BRANDI IS SAYING IS CHARACTER ASSASSINATION.

OH, BOY, SHE'S GOING TO GET SLAPPED

WITH A FAT, OLD LAWSUIT.

- I HAD TO GET A LAWYER TODAY.

- COME HERE. - WHAT ARE YOU TALKING ABOUT?

- ADRIENNE AND PAUL ARE SUING ME.

- JUST DON'T THROW THINGS OUT ABOUT PEOPLE.

- DUDE. - SHE SAID SOMETHING.

SHE'S ADMITTING SHE'S WRONG

TO EVERYBODY EXCEPT FOR ADRIENNE.

WHY DID SHE SAY IT?

- I DON'T KNOW. - TO CREATE [bleep].

- TO BE NICE. - DID YOU SAY IT TO BE NICE?

- YOU DON'T EVEN KNOW

WHAT YOU'RE [bleep] TALKING ABOUT.

[upbeat music]

- LIFE ISN'T ALL DIAMONDS AND ROSE,

BUT IT SHOULD BE.

- MONEY DOESN'T GIVE YOU CLASS.

IT JUST GIVES YOU MONEY.

- KNOW YOUR FRIENDS.

SHOW YOUR ENEMIES THE DOOR.

- I FOUGHT TOO HARD FOR THIS ZIP CODE

TO GO HOME NOW.

- I LIKE TO HAVE FUN, BUT I DON'T PLAY GAMES.

- LIFE IS A JOURNEY,

AND I'M FINDING MYSELF EVERY DAY.

- I'M BORN AND RAISED IN BEVERLY HILLS.

THIS IS MY TOWN.

- BOTTOM LINE IS, I COULD TELL YOU RIGHT NOW,

I'VE NEVER BEEN SUED IN MY LIFE, AND I'VE ACTUALLY,

THE THREE OR FOUR TIMES I'VE EVER BEEN SUED,

I PICK UP THE PHONE, I CALL UP THE OTHER PERSON,

AND IT ENDS.

NO, NO, IT ENDS. IT ENDS RIGHT THERE.

IT'S DONE.

I'VE NEVER-- IT'S--

IT'S NEVER GONE PAST A LETTER.

OKAY? THAT'S IT.

YOU FINISH IT. END OF STORY.

YOU DON'T HIRE THIS,

AND YOU--YOU CALL UP, AND YOU FINISH IT.

- TO BE NICE. - DID YOU SAY IT TO BE NICE?

- NO, I SAID IT BECAUSE-- I WILL TELL YOU--

- SHE JUST SAID IT. - BECAUSE I--

- SHE SAID SHE WAS WRONG. - KYLE ASKED ME A QUESTION.

- 'CAUSE IT WAS A MISTAKE. - AND I'M HONEST.

- 'CAUSE IT WAS A MISTAKE. - AND I ANSWER THINGS--

- PICK UP THE PHONE AND CALL HER.

- I CALLED HER TWO TIMES. - YOU HAVE?

- AND I GOT A LAWYER'S LETTER. - YOU JUST ADMITTED--

TWO SECONDS AGO, YOU JUST SAID YOU DIDN'T.

- YOU JUST SAID YOU DIDN'T. - DID SHE NOT SAY SHE DIDN'T?

- WHY CAN'T SHE PICK UP THE PHONE?

- I'LL TELL YOU WHY.

BECAUSE YOU'RE THE ONE THAT STARTED IT ALL.

- WAIT, WAIT, WAIT, WAIT. LET ME [bleep] TALK.

I DID SAY THAT. I DID SAY IT.

- AND YOU KNOW WHAT? - AND WAS I PISSED?

MOTHER[bleep], YES, I WAS PISSED.

SO GO [bleep] YOURSELF.

IT'S ABOUT MY KIDS,

AND IT'S ABOUT MY LIFE.

- RIGHT, AND YOU'RE-- - SERIOUSLY.

- AND YOU DESERVE ALL OF THAT.

- SHUT THE [bleep] UP.

- WHAT BRANDI IS SAYING DOESN'T SHOCK ME.

I MEAN, YOU CANNOT CONTROL THIS GIRL'S MOUTH.

- YOU DON'T DESERVE THAT. - I WANT YOU TO STOP THIS.

- OKAY, FINE. - CAN YOU UNDERSTAND ME?

- YEAH.

- STOP IT. - FINE.

- FOR SOMEBODY ELSE TO FIGHT SOMEBODY ELSE'S BATTLE

ALWAYS IRRITATES ME,

SO I'M ONE OF THOSE PEOPLE,

IF YOU HAVE A FIGHT WITH SOMEBODY,

IT'S BETWEEN THOSE PEOPLE,

AND EVERYONE ELSE SHOULD KIND OF BACK OFF.

- BRANDI, LISTEN.

I DON'T AGREE WITH WHAT HAPPENED,

BUT I DON'T WANT YOU TO FEEL UNDER ATTACK TONIGHT.

I REALLY DON'T.

THIS IS EXACTLY WHAT I DIDN'T WANT TO HAPPEN.

MY HUSBAND HAS VERY STRONG OPINIONS ABOUT WHAT HAPPENED.

HE'S CLOSE WITH PAUL AND ADRIENNE.

SO I APOLOGIZE.

- SO MAYBE MAURICIO SHOULD GET TO KNOW MY KIDS.

LET ME-- LET ME TELL YOU.

MASON JUST TURNED NINE,

AND JAKE JUST TURNED [bleep] FIVE,

AND I NEED TO TAKE CARE OF THEM.

ME, MYSELF, AND I. YOU GOT IT?

- 100%.

- AND SHE HAS A BILLION [bleep] DOLLARS.

SORRY.

AND NOW SHE'S SUING ME.

PERFECT. NO, IT'S GOOD.

- FIRST, IT'S PAUL AND BRANDI,

AND NOW IT'S MAURICIO AND BRANDI.

WHETHER IT'S BRANDI'S FAULT OR NOT,

SHE IS NOW BEING PUSHED TO HER LIMIT.

- AND I BELIEVE YOUR KIDS DESERVE EVERYTHING.

I REALLY DO, BRANDI.

I MEAN, KYLE KNOWS THAT. I'VE SAID--

AND LISA KNOWS THAT, AND KEN--

- YOU HAVE A TOTAL DIFFERENCE OF OPINION TONIGHT.

EVEN YOU SAYING THAT THE FACT

THAT SHE CAN ACCUSE ME OF SOMETHING,

YOU SAY IT'S NO BIG DEAL.

- I'M SAYING IT'S NOT COMPARED TO ABOUT THE KIDS.

- MAURICE IS THE TYPE THAT LETS THINGS ROLL OFF HIS SHOULDERS...

- I DIDN'T SAY IT'S NO BIG DEAL. - THAT'S WHY.

- YOU NEVER LISTEN. - YEAH, DON'T WORRY.

- YOU JUST TALK ON YOUR OWN THING.

LISTEN TO HER.

- YOU CAN'T INSULT PEOPLE AND ATTACK PEOPLE

AND ACCUSE PEOPLE.

- MAY I ANSWER TO WHAT YOU SAID?

- THAT'S WHAT HE'S SAYING. THAT'S WHAT HE'S SAYING.

- SHE SPOKE THE TRUTH AS SHE KNEW IT.

SHE WASN'T ATTACKING--

- CAN I GET A WORD IN EDGEWISE? - OKAY.

- YOU HAVE PAUL AND ADRIENNE,

WITH THE MIGHT OF THE MALOOF FAMILY BEHIND THEM,

ALL OF THEIR LAWYERS AND WHATEVER,

THREATENING THIS SINGLE MOTHER.

I THINK IT'S WRONG.

YOU'VE GOT TO REALIZE, MAURICIO,

THAT SHE SAID IT-- JUST SAID IT.

MAYBE MALICIOUSLY, MAYBE NOT.

- I THOUGHT SHE SAID IT MALICIOUSLY.

- WELL, KEN, I THINK THAT IF IT WAS ABOUT LISA,

YOU WOULD'VE FELT DIFFERENTLY.

- I FEEL SHE SAID IT MALICIOUSLY,

AND THAT'S WHAT I HAVE A PROBLEM WITH.

- YEAH, BUT WE LIVE A VERY HONEST LIFE.

- IF IT WASN'T MALICIOUSLY--

- IT DOESN'T MATTER.

IF IT WASN'T ABOUT YOU, IT DOESN'T MATTER.

YOU AND I ARE NEVER GOING TO AGREE ABOUT THIS.

- I'M GOING TO THE RESTROOM. I'LL BE RIGHT BACK.

- SHE NEEDS HELP. - MM-HMM.

WHY IS SHE GO-- BRANDI.

- YOU KNOW WHAT, I'VE BEEN A SINGLE MOM A LONG TIME,

AND YOU JUST LEARN NOT TO SAY BAD THINGS ABOUT PEOPLE.

YOU JEOPARDIZE YOUR JOBS AND SITUATIONS.

- END OF STORY.

- I'M NOT MAKING ANY MORE EFFORT

TO TRY TO GET ANYBODY TOGETHER

OR TRY TO MAKE PEACE WITH ANYBODY.

EVERYBODY CAN [bleep] OFF.

- I'VE [bleep] HAD IT.

I'VE BEEN THROUGH MORE THAN ANYBODY SITTING HERE TIMES TEN.

- TAYLOR, YOU'RE TALKING SUCH NONSENSE.

IT SEEMS LIKE, WHENEVER THERE'S A CONVERSATION,

TAYLOR TAKES THE CONVERSATION AND SPINS IT,

SO SHE ENDS UP TALKING ABOUT HERSELF.

- I DON'T WANT TO HEAR YOLANDA'S OPINION

WHEN SHE'S SITTING IN A MULTIMILLION-DOLLAR HOUSE

IN MALIBU, ABOUT HOW I SHOULD FEEL.

I'VE ALWAYS SUPPORTED YOU, SO DON'T RIGHT NOW.

- WHY ARE YOU SO AGGRESSIVE?

- FIND DAVID HANGING AND THEN BE BANKRUPT

AND HAVE A $1.5-MILLION LAWSUIT

AND PUBLIC COMPANY SUING YOU

AND NOT HAVE BEEN A SUPERMODEL IN YOUR LIFE.

THEN LET ME KNOW HOW YOU FEEL. - YOU'VE BEEN THROUGH A LOT.

- BECAUSE IT'S A VERY DIFFERENT SITUATION ON MY END,

AND I DON'T APPRECIATE THAT.

SHE'S NOT--

- WELL, MAYBE IT'S NOT ALL ROSY IN HER LIFE, EITHER.

- AND I THINK WE KNOW A LITTLE BIT MORE

ABOUT HER HUSBAND THAN SHE KNOWS WE KNOW.

I MEAN, HE WAS MARRIED

TO ONE OF OUR VERY GOOD FRIENDS FOR 20 YEARS.

WASN'T ALL KISSES AND ROSES THEN, WAS IT?

- IT'S JUST SO TAYLOR TO GO,

"OKAY, IT'S ALL ABOUT ME AGAIN."

OKAY, NO, TAYLOR. LET'S MOVE ON.

WE DON'T WANT TO HEAR ABOUT YOUR STORY AGAIN.

- B, ARE YOU OKAY?

- YEAH. NO, I'M FINE.

- I REALLY JUST WANT TO RUN AWAY FROM--

I CAN'T--I CAN'T FIGHT WITH EVERYONE HERE AGAIN.

THE ONLY PERSON I SHOULD BE SPEAKING TO IS ADRIENNE.

AND I'M SPEAKING TO HER LAWYER THROUGH MY LAWYER.

- IT'S OKAY. DON'T GET UPSET.

- NO, I'M NOT.

I STARTED TO GET REALLY UPSET

BECAUSE MAURICIO--MAURICIO-- - I KNOW, YOU LOST IT AGAIN.

- MAURICIO WAS AFTER ME.

- WHY JUST HAVE WORDS WITH HIM THERE? I KNOW.

- THE GUYS SHOULD STAY OUT OF IT.

IT'S BETWEEN YOU AND ADRIENNE.

- IT'S VERY STRESSFUL. - IT IS SO STRESSFUL.

AND I COULD SEE YOU GETTING STRESSED.

IT'S, LIKE, TAKE A DEEP BREATH.

- WHEN I GET ATTACKED, I JUST--I GO CRAZY.

- WHOA, YOU DON'T NEED TO GO CRAZY.

YOU NEED TO THINK ABOUT WHAT YOU'RE SAYING.

- TAKE A DEEP BREATH.

- I LOVE BRANDI, BUT SHE NEEDS

TO KEEP IT TOGETHER.

BRANDI KIND OF LOSES IT.

AND THEN SHE DOESN'T REALLY GET HER POINT ACROSS.

- SHE HAS A SIDE TO HER THAT'S VERY SWEET,

BUT I ALSO SEE SHE HAS A VERY--

IT'S NOT, YOU KNOW,

"OH, I JUST SAY STUPID THINGS."

THIS IS A SIDE THAT COMES OUT OF HER

THAT IS NOT RIGHT.

- KIM, THIS IS THE FIRST TIME

I HAVE AGREED WITH YOU IN TEN YEARS.

- WELL... - [laughs]

- GOOD FOR YOU, MAURICE. - ON MULTIPLE THINGS.

- THEY'RE JUST NOT-- THEY'RE JUST--THANK YOU.

- THIS IS AN UNBELIEVABLE NIGHT FOR YOU TONIGHT.

- WELL, ALL RIGHT, MAURICE.

TO WATER. - TO WATER.

- YES.

- WELL, AT LEAST SOMEONE'S AGREEING ABOUT SOMETHING.

- I GOTTA GO.

- BRANDI. - YES?

- DO YOU UNDERSTAND THAT I HAVE NOTHING PERSONAL

AGAINST YOU, RIGHT?

IT'S NOT A PERSONAL ISSUE.

I JUST WANT YOU TO KNOW THAT.

- IT FEELS PERSONAL.

- I JUST WANT YOU TO KNOW IT'S NOT.

IT'S A MATTER OF WHAT I PERSONALLY FEEL

IS A PRINCIPLE.

IT HAS ZERO PERSONAL. THERE'S NOTHING PERSONAL.

I CARE ABOUT YOU, I CARE ABOUT YOUR KIDS.

I JUST WANT YOU TO KNOW THAT.

- RIGHT, AND I UNDERSTAND, AND I RESPECT

EVERYONE TO HAVE THEIR OPINION.

I CAN SAY I DID WRONG TIME AND TIME AND TIME AGAIN.

BUT, LIKE, TO COME AFTER ME FOR SOMETHING

IN A GROUP OF PEOPLE WHERE YOU DON'T KNOW

WHAT'S SHE'S DONE TO ME... - I DON'T.

- IT WAS A LITTLE AGGRESSIVE. - I DON'T KNOW.

- THAT'S ALL.

- I'M ONLY TALKING ABOUT WHAT I DO KNOW ABOUT.

I DON'T KNOW WHAT I DON'T KNOW ABOUT.

AND THAT'S THE TRUTH.

- BUT MAYBE-- YOU HAVE TO MAYBE

GET THE FULL STORY... - TYPICAL MAN.

- BEFORE YOU ATTACK SOMEBODY AT A DINNER PARTY.

- TYPICAL MAN.

- [laughs] - TYPICAL MAN.

- MEN ARE FROM MARS, WOMEN ARE FROM VENUS,

OR WHATEVER THAT THEY SAY.

- KEN, MY HUSBAND IS ANYTHING BUT A TYPICAL MAN.

- THANK YOU.

- ANYWAY, I JUST WANTED TO SAY THAT.

- THANK YOU.

- BYE, GORGEOUS. - ALL RIGHT, I'M GONNA GO. BYE.

- I'D NEVER GO AGAINST MAURICIO NORMALLY.

BUT I HAD TO DO IT TONIGHT.

- WELL, EVEN WHEN HE SAID TO ME--

HE SAID, "OH, THAT'S NONSENSE."

SOME OF IT IS NONSENSE TO YOU, BUT IT'S NOT TO ME.

IF SOMEBODY WAS ATTACKING YOUR INTEGRITY,

YOU'D FEEL THE SAME WAY. - ABSOLUTELY.

- OF COURSE YOU WOULD.

IT'S FUNNY HOW THINGS CHANGE SO QUICKLY, ISN'T IT?

- YEAH.

- I HATE THE FACT THAT KYLE AND MAURICIO

AND KEN AND I ARE AT ODDS WITH THIS MATTER,

BUT IT IS WHAT IT IS.

I CAN'T CHANGE IT.

- WHAT A NIGHTMARE. - SHALL WE--

- CAN WE STOP OFF AT THE POLO LOUNGE

AND HAVE A DRINK? - LET'S GO TO THE POLO LOUNGE

FOR A DRINK. - A CUP OF TEA OR--

- AND MAYBE--

- I HAVEN'T ACTUALLY GOT TO WORK TOMORROW.

- YOU HAVEN'T? OH, MY GOD.

THIS IS MY LUCKY NIGHT.

- SO YOU CAN SPEND THE WHOLE DAY PUSHING ME ON MY SWING.

- UM, I WAS THINKING OF OTHER THINGS.

- EASY.

- COMING UP...

- THIS WAS PROBABLY A LITTLE BIT OF A PORTAL

THAT YOU HAVE HERE.

IT'S, LIKE, A DOOR TO THE OTHER DIMENSION.

- THERE'S SOMEBODY HERE THAT WE CAN'T SEE.

- THIS IS KIND OF BROKEN.

- WELL, HONEY, THINGS THAT ARE BROKEN

IS YOUR JOB.

I DO NOT REPAIR THINGS.

I DO EVERYTHING ELSE IN THIS HOUSE.

YOU REPAIR.

ENTIENDO, MI AMOR?

- ENTIENDO.

HONEY. - YES, MY LOVE?

- I HOPE THEY GET HERE SOON. I'M EXCITED TO SEE THEM.

I HAVEN'T SEEN THEM FOREVER.

- I LIKE TO HAVE THIS ON 'CAUSE IT LOOKS PRETTY.

- COME ON, LET'S GO.

COME ON, COME ON. - I KNOW, I KNOW.

YOU KNOW WHAT, I'M IN HEELS.

PLEASE DON'T PUSH.

- I CAN WALK ON THIS IN HEELS.

[doorbell rings]

- OOPS. both: THEY'RE HERE.

- OKAY.

- HI. - HELLO.

- HOW ARE YOU?

- HELLO. - SO GOOD TO SEE YOU.

- GOOD TO SEE YOU. - HOW HAVE YOU BEEN?

IT'S SO GOOD TO SEE YOU GUYS.

- WE MISS YOU. - I MISSED YOU GUYS SO MUCH.

I WAS JUST TELLING KYLE HOW MUCH I MISSED YOU GUYS.

- HOW ARE YOU? - HOW MUCH I MISSED YOU.

- WELL, YEAH. WE WERE IN NEW YORK.

- YOU GOOD?

- WE WERE IN NEW YORK FOR A WHILE.

- I KNOW.

- PAUL AND I NEEDED A BREAK

FROM BRANDI'S TOXICITY.

WE WANTED TO GET SOME FRESH AIR

AND TRY TO GET AWAY FROM ALL THE NEGATIVE ENERGY.

- HI.

- YOU GUYS, THERE'S A LITTLE SOMETHING--

- OH, MY GOSH.

- JUST A LITTLE NIBBLE FOR US.

- SHOULD WE DRINK IT, OR SHOULD WE WAIT TILL--

- OF COURSE.

- I DON'T KNOW. - WHATEVER HAS TO BE DONE.

- [clears throat] ISN'T THAT NICE?

- IT'S A SINGLE MALT.

- IS FRUIT FIRST OR FRUIT DESSERT?

- WELL, THERE'S EVERYTHING. - THE SALAD.

- IT DOESN'T MATTER. - WHATEVER, WHO CARES.

- I DON'T WANT ANY. I DON'T WANT IT.

- YOU DON'T WANT IT?

- [laughs] YOU'D LIKE SOME FRUIT FIRST?

- WELL, YOU-- WELL, YOU KNOW WHAT?

SO WHAT? - WHAT'S SO FUNNY?

WHAT ARE YOU MAKING FUN OF? - SO I LIKE FRUIT FIRST.

- I DON'T KNOW.

HE'S LAUGHING AT OUR-- AT OUR--

- HE CAN'T MISS THE OPPORTUNITY FOR THAT...

- TO TAKE A JAB. - SMALL LITTLE DIG.

CHEERS.

- WE MISSED YOU GUYS.

- I HOPE YOUR TRIP WAS A SUCCESS.

- YEAH, WE HAD-- WE HAD A GOOD TRIP.

- IT'S WHY WE'VE BEEN MISSING YOU GUYS FOR A WHILE.

BEEN A LITTLE M.I.A.

- I KNOW. - UNDERSTANDABLY SO.

- I KNOW LAST TIME WE SAW YOU WASN'T EXACTLY PLEASANT.

- NO. [sighs]

YOU ARE LYING!

THAT'S A LIE. - I AM NOT LYING, BITCH.

- ARE YOU CALLING MY WIFE A BITCH?

- [bleep] YOU. - YOU'RE A PIECE OF [bleep].

- I FELT BAD BECAUSE IT WAS OUR EVENT,

AND, YOU KNOW.

- IT HAD NOTHING TO DO WITH YOU.

IT HAD TO DO WITH THE CIRCUMSTANCE,

AND UNFORTUNATELY, IT JUST, WITH BRANDI,

I THINK IT WENT A LITTLE TOO FAR.

- WAY TOO FAR.

- AND WHATEVER PERSONAL ISSUES SHE HAS WITH ME

OR WITH PAUL, WITH US TOGETHER,

SHOULDN'T REALLY INCLUDE PEOPLE THAT I LOVE.

AND SHE WAS, YOU KNOW, OUT OF LINE.

- I FEEL BAD THAT THIS HAPPENED

AT MAURICIO'S EVENT BECAUSE I LOST IT.

YOU KNOW, IF SOMEONE, YOU KNOW, HAD AN ISSUE WITH YOU,

YOU'RE GONNA REACT THE SAME WAY. - OF COURSE.

- I KNOW YOU'D SUPPORT US FOR SOMETHING LIKE THAT.

- WE HAVE HAD YOUR BACK, JUST SO YOU KNOW THAT.

- YEAH. NO, NO, NO.

- WELL, I CAN TELL YOU, LIKE, I FLAT-OUT TOLD HER

THAT SHE WAS COMPLETELY OUT OF LINE.

SHE GOT VERY UPSET WITH ME.

SHE TOLD ME TO [bleep] OFF, MOTHER[bleep],

IS WHAT I GOT.

- BUT DO YOU KNOW WHAT THE WEIRD THING IS?

IF ANYBODY ELSE HAD SAID THAT TO MY HUSBAND,

I THINK I WOULD HAVE FLOWN ACROSS THE ROOM.

YOU DIDN'T EVEN BLINK. - I DIDN'T EVEN FLINCH.

- I FEEL SORT OF STUCK IN THE MIDDLE

WITH BEING FRIENDLY WITH BOTH ADRIENNE AND BRANDI.

I DEFINITELY FEEL LIKE IT'S A BALANCING ACT

WHEN YOU HAVE FRIENDS THAT ARE ARGUING.

- YOU GUYS ARE GOOD FRIENDS.

YOU SUPPORT US, YOU HAVE SUPPORTED US,

THAT'S ALL THAT COUNTS.

YOU KNOW, WE DON'T REALLY NEED

TO HEAR AN APOLOGY. - TO BE HONEST WITH YOU...

- WE NEED TO MOVE ON AND TAKE CARE OF OUR STUFF.

- THIS IS A LOT OF TIME THAT'S NOT NECESSARY.

I'D RATHER MOVE ON.

IF SHE HAS AN ISSUE WITH ME,

THEN CONFRONT ME-- CONFRONT ME FACE-TO-FACE.

AND I WOULD APPRECIATE HER DOING THAT ACTUALLY.

- HEY, GUYS.

CAN TWO GUYS GIVE ME A HAND, PLEASE?

THE FLOWERS ARE HERE.

THANK YOU, SIR. OH, MY GOD, THEY'RE BEAUTIFUL.

ALL RIGHT.

SO, GUYS, LET'S TAKE ALL OF THEM.

AND LET'S PUT THEM ALL ON THE BAR

IN THE ROOM THERE, YEAH?

YEAH, I CAN TAKE ONE TOO.

CAN I HAVE ONE?

- I USED TO BE MARRIED TO MOHAMED,

AND OCCASIONALLY I HELP HIM FINALIZE

THE INTERIORS OF THE MANSIONS THAT HE'S BUILDING.

WHEN I WAS MARRIED TO MOHAMED,

I WOULD DECORATE EVERY PROJECT THAT HE WAS BUILDING.

WE WERE ACTUALLY A GREAT TEAM, WORK-WISE.

AND OCCASIONALLY, MOHAMED WILL CALL ME

AND SAY, "OH, I NEED HELP. COME AND LOOK AND GIVE ME--

YOU KNOW, GIVE ME SOME IDEAS TO DECORATE THIS

OR HOW TO DO THAT."

WE MIGHT NOT BE MARRIED ANYMORE, BUT HE'S STILL SMART ENOUGH

TO LISTEN TO ME.

LET'S JUST PUT THEM ALL ON THE BAR HERE.

RIGHT HERE. LET'S LINE 'EM UP HERE.

ALL RIGHT, OKAY, LET'S GET THE GUYS--

I WANT TO TRY TO FINISH THIS ROOM, OKAY?

WE DON'T HAVE TOO MUCH TIME.

WHEN I STOPPED MODELING,

I STARTED TAGGING ALONG WITH MOHAMED.

AND HE WAS ALREADY, AT THAT TIME, YOU KNOW,

THE LARGEST DEVELOPER OF THE RITZ-CARLTON HOTELS.

SO I JUST START TAGGING ALONG WITH HIM.

THAT'S KIND OF HOW I GOT INTO, YOU KNOW, DECORATING.

ALL RIGHT, GUYS, LET'S CENTER THIS.

OH, MY GOD, THAT'S HEAVY, NO?

- YEAH. A LITTLE HEAVY.

- COME TO ME A LITTLE BIT.

- [speaking Spanish] - BACKWARDS.

- YOU GOTTA LEARN ENGLISH.

- YEAH, I KNOW. - YOU KNOW? YOU'RE IN AMERICA.

THEY SPEAK ENGLISH HERE.

YOU KNOW, WHEN I COME TO AMERICA,

I DON'T SPEAK NO ENGLISH.

AND ALL I KNOW HOW TO SAY WAS "PLEASE," "THANK YOU,"

"YES," "NO."

BUT EVERY NIGHT, BEFORE I GO TO SLEEP, I STUDY.

- YES. - OKAY? SO YOU DO THE SAME.

OKAY.

WHEN IT COMES TO DAVID AND MOHAMED,

IT'S JUST IMPORTANT FOR OUR CHILDREN

THAT WE ALL GET ALONG AND THAT WE ALL ARE RESPECTFUL.

BETWEEN US ALL, WE HAVE 12 KIDS AND STEP-KIDS.

AND IT'S A BIG, BLENDED FAMILY, BUT WE LOVE IT.

YEAH. OKAY.

YEAH. IT'S A LITTLE BIG FOR HERE,

BUT I THINK MAYBE ONCE WE LET IT BREATHE A LITTLE...

BUT IT'S FINE TO SHOW IT. IT'S OKAY.

THIS HOUSE IS SO IMPRESSIVE. IT'S SO INCREDIBLE.

AND SINCE I JUST FINISHED DECORATING,

I'D LOVE TO INVITE THE GIRLS,

IF THEY'D BEHAVE APPROPRIATE, YES.

GIVE ME FIVE. ENGLISH TONIGHT.

WHAT ARE YOU GONNA DO TONIGHT WHEN YOU GET HOME?

- LEARN ENGLISH. - YES! YES, YES, YES, YES.

GOOD JOB.

- I KNEW IT WAS YOU.

- HI. - HOW ARE YA?

- GOOD. HOW ARE YOU? - GOOD.

- THANKS FOR COMING. - OKAY.

SO WHERE DO I NEED TO GO? - IN HERE.

AFTER ALL THE CRAZY FIGHTING AT DAR MAGHREB LAST NIGHT,

THANK GOD LIFE GOES ON.

THIS IS THE KIND OF THING I JUST WANTED TO SHOW YOU--

THESE PEOPLE THAT I FEEL. - MM-HMM.

- THESE SPIRITS. YOU CALL THEM GHOSTS.

THAT IS WHERE I HAVE FELT SOMEBODY SIT.

- RIGHT--RIGHT HERE. - YEAH.

I FEEL THAT THERE MIGHT BE SOMETHING IN THE HOUSE

OTHER THAN...US.

- OKAY, THERE'S THIS ONE THING THAT I FEEL

IS THAT YOU HAVE THE SPIRIT OF YOUR FUTURE GRANDCHILDREN

COMING TO YOU ALREADY.

SO YOU'VE GOT A COUPLE OF LITTLE ONES HERE

PLAYING ON THE BED.

YES, YOU'RE GONNA HAVE SOME GRANDCHILDREN.

NOW, THE OTHER THING IS THERE IS A WOMAN

THAT SITS ON THE END OF THIS BED

AND WATCHES OVER YOU THAT IS NOT YOUR MOTHER.

- WITH ALL THESE SPIRITS HERE,

I DON'T FEEL LIKE I REALLY WANT TO GO ANYWHERE, RIGHT?

- NO. - REBECCA TELLS ME

THAT MY GRANDCHILDREN ARE IN THE HOUSE

WITH SOME OTHER PEOPLE OR SPIRITS.

IF THIS IS THE CASE, I'M REALLY HAPPY.

SOMETIMES I THINK DEALING WITH THE OTHER SIDE

WOULD BE EASIER THAN DEALING WITH THESE GIRLS.

MAYBE. [laughs]

THIS PARTICULAR AREA, I SEE HEARTS.

YOU KNOW, AND I SEE--YOU KNOW, I SEE ALL KINDS OF HEARTS.

- THIS IS PROBABLY A LITTLE BIT OF A PORTAL THAT YOU HAVE HERE.

SO YOUR FAMILY-- - A LITTLE WHAT?

- IT'S CALLED, LIKE, A PORTAL.

THEY CAN COME THROUGH A VORTEX.

IT'S LIKE A DOOR TO THE OTHER DIMENSION.

SO THIS IS YOUR DOOR.

- ARE WE OPENING UP-- - NO, IT'S ALREADY OPEN.

- ARE THEY ALL GONNA COME RUNNING IN HERE, LIKE,

"HI, WE'RE HERE"? - THE DOOR'S ALREADY OPEN.

YOU DIDN'T OPEN IT. IT'S BEEN OPEN.

- I MEAN, AS LONG AS NO CRAZY GUY

COMES FLYING THROUGH THE FIREPLACE,

AND, LIKE, "AAH! GET OUT!"

- COMING UP...

- SO I THINK IT'S BEAUTIFUL, BUT 14,000 IS, LIKE, TOO MUCH.

- WHAT WOULD YOU FEEL COMFORTABLE PAYING FOR IT?

- UM...

- HI, MOHAMED.

- HEY. - BABY, IT'S CRAZY.

- HELLO, LADIES! - WE BROUGHT YOU A PRESENT.

- MWAH. MWAH.

HEY, MAMA.

- DADDY, WE'RE GONNA NEED A LITTLE HELP IN A MINUTE.

- LOOK WHAT WE BROUGHT YOU. HERE. LEMONS.

- OH, MY GOD! LOOK AT THIS, ALL THESE LEMONS.

- MOHAMED AND I, WE WERE MARRIED FOR SEVEN YEARS.

AFTER THE DIVORCE, MY FOCUS WAS ALWAYS

TO KEEP MOHAMED CLOSE AND KEEP HIM INVOLVED

IN THE LIVES OF MY CHILDREN.

BECAUSE AT THE END OF THE DAY,

IT WASN'T REALLY ABOUT HOW I WAS FEELING ABOUT MOHAMED.

IT WAS REALLY ABOUT HOW MY CHILDREN FELT

ABOUT THEIR DADDY.

SO WHAT DO YOU THINK OF THIS? - OH, MY GOD!

THIS ROOM-- I WAS NOT EXPECTING THIS.

I LOVE IT. - OH, YOU LOVE IT? GOOD.

- I'M GOING TO SHOW YOU-- - GIVE ME FIVE.

- YOU DID GOOD, YEAH, YOU DID GOOD.

I LIKE THAT, I LIKE--

I'M GONNA HIRE YOU FOR THE REST OF THE JOB.

- NOT BAD FOR AN EX-WIFE, HUH?

- NO, NOT BAD FOR AN EX-WIFE.

I'M GONNA KEEP YOU AROUND. YOU DID AN AMAZING JOB.

I CAN TELL YOU THIS RIGHT NOW.

- WELL, I'M GLAD YOU LIKE IT. - I'M THINKING ABOUT--

I WANT TO HIRE YOU TO DO THE REST OF THE HOUSE.

- I'M SO EXPENSIVE.

- AND FOR THAT, I'M GONNA ALLOW YOU

TO SPEND MORE TIME WITH MY KIDS.

- I DON'T THINK YOU CAN AFFORD ME, MOHAMED, SO...

I THINK I'VE DONE A GREAT JOB

IN ALWAYS TEACHING MY CHILDREN, YOU KNOW,

DADDY'S WORKING TO MAKE MONEY,

SO HE CAN SUPPORT THE HORSES

AND GOING TO A GOOD SCHOOL AND ALL THESE IMPORTANT THINGS.

DID YOU SEE THE OUTSIDE, GIRLS?

- OH, MY GOSH, IT'S SO PRETTY. - ISN'T THAT PRETTY?

HEY, DON'T SLOUCH. PUT YOUR BODY--

GIGI, HOW MANY TIMES I TOLD YOU? STOP SLOUCHING.

- OH, MY GOD. [laughs]

- YOU KNOW, IT'S LIKE, I TOLD YOU

THAT YOU GOTTA, YOU KNOW, WALK LIKE--

- YOU ALSO TOLD ME TO STOP BITING MY NAILS...

- WALK LIKE YOU'RE WALKING BACKWARDS.

- AND YOU STILL HAVEN'T STOPPED, SO...

- AND YOU'RE STILL BITING YOUR NAILS.

- THERE'S NO OLIVES ON THESE.

SO LISTEN, THESE ARE-- NO, THESE ARE MY OLIVE TREES.

THEY FLEW THEM FROM ITALY. - YES.

- THEY ARE ALL FEMALE,

SO THEY ALL HAVE OLIVES WILL COME OFF, I'M SERIOUS.

- OF COURSE YOUR DAD IS GONNA HAVE ALL FEMALE TREES.

- OH, YEAH. [laughter]

- WHEN YOU RAISE THREE CHILDREN TOGETHER,

YOU KNOW, YOU'RE NOT ALWAYS GONNA AGREE.

- YOU GUYS ARE CRAZY.

- SHE CAN'T WALK ON GRASS. - YOU LOOK LIKE FOOLS.

- I CAN'T WALK ON GRASS. - WHY?

- BECAUSE I'M WEARING MY HEELS. - PULL MY PANTS UP.

SOMETIMES WE CLASH A LITTLE BIT,

BUT WE ALWAYS SEEM TO BE COMING BACK AROUND

TO THE MAIN FOCUS, WHICH IS REALLY, YOU KNOW,

ANWAR, BELLA, AND GIGI.

- GIGI, YOU GUYS LOOK LIKE HIPPIES.

- [laughs] WE ARE HIPPIES.

- ARE YOU KIDDING ME?

- I'M EXCITED.

YOU'RE GONNA LOVE THIS STORE, BY THE WAY.

- WAIT, I'M ALREADY--

- NO, LOOK AT HOW MUCH FUN THIS IS.

- OH, MY GOD. - RIGHT?

LIKE, THIS IS FANTASTIC, ISN'T IT?

- LOOK AT THIS.

I WENT TO BOCA RATON TO DO A BOOK SIGNING.

I FELL IN LOVE WITH A STORE THERE.

EVERY ONE OF MY FAVORITE DESIGNERS,

ACCESSORIES, JEWELRY.

I REACHED OUT TO THE OWNERS, AND I TOLD THEM,

"I'M IN LOVE WITH THIS STORE,

"AND I REALLY WANT TO PARTNER WITH YOU

AND OPEN ONE IN BEVERLY HILLS."

FAYE, STOP!

- I'M JUST BLOCKING IT OUT. - BEHAVE YOURSELF!

FAYE IS GOING TO BE DESIGNING THE STORE,

AND TODAY WE ARE GOING TO LOOK FOR MANNEQUINS.

- I HEAR THERE'S A, LIKE, THIS SASSY COUTURE MANNEQUIN LINE,

AND THEN YOU HAVE, LIKE, A MORE SEXY LINE WITH A--

- MORE VOLUPTUOUS. - WHERE'S THAT? VOLUPTUOUS.

- YEAH, 'CAUSE THESE ARE SO SKINNY,

BUT THOSE ALSO, LIKE-- - RIGHT.

- I STARTED FAYE RESNICK DESIGN 18 YEARS AGO,

AND I DON'T THINK YOU FIND DESIGN,

I THINK DESIGN FINDS YOU.

I DON'T THINK IT'S SOMETHING YOU CAN LEARN,

I THINK YOU'RE EITHER BORN WITH IT

OR YOU'RE NOT.

- SHOW US THE-- - JUST THE AVERAGE GIRL.

WHERE IS SHE? - OVER THERE.

- THIS IS THE AVERAGE GIRL IN BEVERLY HILLS.

- LET'S GO TO THE ONE THAT'S EATEN A FEW DINNERS.

[laughter]

- THERE'S SO MANY DIFFERENT COLORS.

I WASN'T EXPECTING THAT. - IT'S ALL IN THE DETAILS.

- THAT IS INTERESTING. SO THEY HAVE MANNEQUINS...

- STOP TOUCHING IT. - WITH BOOB JOBS.

- YES. - HERS ARE BETTER THAN HERS.

- NO, I LIKE HERS TOO.

- THIS MUST BE, LIKE, THE ADULT TOY SECTION OR SOMETHING.

- OH, YEAH, THOSE ARE A LITTLE BIT--

- HI. WELCOME TO MY STORE. [laughs]

- I HAVE A LOT OF A-LISTER CLIENTS:

AVRIL LAVIGNE, PARIS HILTON,

NICK LACHEY, KEVIN CONNOLLY,

WHICH IS A LOT OF FUN, VERY DEMANDING,

SO IT IS REALLY EASY WORKING WITH KYLE.

WE NEED, LIKE, 25 MANNEQUINS, KYLE.

- WHAT? WHY SO MANY? - SO WE CAN GET--A LOT.

WE'RE PUTTING 'EM ON TOP FOR DISPLAYS.

WE'RE DOING THE JEAN DISPLAY.

WE'RE DOING UNDER THE CHANDELIERS...

- DOESN'T THAT SEEM A LOT? - SO WE'RE LOOKING AT 20 TO 25.

YOU HAVE A 5,000-SQUARE-FOOT STORE.

- OKAY. RIGHT NOW, THE STORE IS EMPTY.

THERE'S ABSOLUTELY NOTHING IN IT.

SO THE PRESSURE IS ON FOR FAYE TO GET THIS DONE.

- I THINK WHAT SUZANNA IS GOING TO LET US DO IS,

ESSENTIALLY, BRING TWO OF THEM IN THE CAR,

AND DELIVER THE REST.

- THIS STORE IS LIKE HAVING ANOTHER BABY.

I FEEL LIKE I'M STARTING FROM BIRTH

AND WATCHING IT GROW.

AND I'M JUST GONNA BE NURTURING THIS NEW, LITTLE, HIP,

FASHIONABLE BABY.

- ABSOLUTELY, YES.

- THANK YOU. SEE YOU NEXT TIME. - THANK YOU. BYE.

- BYE, SUZANNA. APPRECIATE IT.

IT'S GONNA BE A LOT TO JUGGLE BEING A MOM,

A WIFE, AND A STORE OWNER,

BUT PORTIA IS NOW IN SCHOOL EVERY DAY.

I REALLY FEEL LIKE, AT THIS POINT IN MY LIFE,

I CAN HANDLE IT.

- THIS IS GONNA BE REALLY EMBARRASSING

DRIVING DOWN THE STREET WITH YOUR NEW BEST FRIENDS.

- WHAT'RE YOU TALKING ABOUT? - WHAT?

THESE GIRLS ARE MORE REAL

THAN SOME OF OUR FRIENDS IN BEVERLY HILLS, SO...

- I LOVE IT.

- [laughs] - IT'S TRUE.

AND WE DON'T HAVE TO WORRY

ABOUT WHAT COMES OUT OF THEIR MOUTH NEXT.

- EXACTLY. - RIGHT?

- [laughs]

- HI, GUYS. - HI.

- HELLO. - HI.

- HI. HOW ARE YOU? - GOOD. HOW ARE YOU?

- GOOD. NICE TO SEE YOU. NICE TO SEE YOU.

- GREAT.

- WELL, I'M GLAD YOU COULD COME. I'M GLAD WE COULD ALL HANG OUT.

- YEAH. - WE HAD FUN THE OTHER NIGHT.

- YEAH, IT WAS A GOOD TIME. - THE FOUR OF US.

- YEAH, THAT WAS--

THAT PART-- OUR LITTLE TABLE WAS GOOD.

- OUR LITTLE CORNER, YEAH. - OUR LITTLE AREA WAS FUN.

- THE REST OF IT WAS NOT THAT FUN.

- SAFE HAVEN OVER THERE. - YEAH.

AT KYLE'S DINNER PARTY,

I REALLY ENJOYED SPEAKING TO MARISA.

WE ACTUALLY HIT IT OFF.

- YOU HAVE BOYS, YEAH? - BOYS, YEAH.

I DON'T LIKE TO SNUGGLE EXCEPT FOR WITH THE BOYS.

THAT'S IT. OTHERWISE, IT DOESN'T REALLY HAPPEN.

- WELL, NO, I'D RATHER SNUGGLE WITH MY KIDS THAN MY HUSBAND.

- YEAH. [laughs]

WHEN SHE INVITED ME TO DINNER, I WAS LIKE,

"SURE. WHY NOT? LET'S DO THIS."

- THIS IS GONNA BE ENJOYABLE, FUN, RELAXING...

- YEAH. - GOOD FOOD.

- I CAN'T BELIEVE YOU TWO ARE EVEN RELATED.

LOOKING AT YOU, IT'S LIKE NOTHING ALIKE.

- I KNOW, NOTHING. - NOT--NOTHING. RIGHT?

- HE AND I LOOK MORE ALIKE.

- YEAH.

- PEOPLE SOMETIMES SAY, "ARE YOU--"

- BUT PEOPLE DATE PEOPLE THAT LOOK LIKE EACH OTHER TOO.

- I KNOW, BUT USUALLY MY KIND OF GUY IS, LIKE, DARK.

- YEAH, MINE TOO. - DARK HAIR, LIKE YOUR EX.

LIKE, I LOVE THAT LOOK. - [laughs]

BUT WHAT ABOUT THIS? THIS IS SO HANDSOME.

- NO, HE'S SO HANDSOME, BUT IT'S LIKE

I ENDED UP MARRYING EXACTLY OPPOSITE

OF WHAT I'M INTERESTED IN, LIKE--

- [laughs] - NO--[laughs]

- THAT DID NOT--

THAT DID NOT SOUND GOOD. - CHECK, PLEASE.

- I LIKE THE FACT THAT MARISA'S BLUNT AND HONEST,

BUT I FEEL SORRY FOR DEAN A LITTLE BIT

BECAUSE OF THE THINGS SHE TALKS ABOUT IN FRONT OF HIM,

I THINK CAN BE A LITTLE DISRESPECTFUL.

I JUST-- I FEEL BAD FOR HIM.

WOW--SO, WHAT ARE YOU DOING RIGHT NOW?

ARE YOU WORKING ON A MOVIE, OR...

- I'VE GOT, UH... - FILLET. FILLET SOUNDS GOOD.

- TWO INDEPENDENTS THAT LOOK LIKE THEY'RE GONNA SHOOT

IN EUROPE IN THE FALL. - OH, AWESOME.

DO YOU GO, THEN? - MAYBE A THIRD, YEAH.

- OH. - YEAH.

- MY HUSBAND DEAN IS A MOVIE PRODUCER.

HE HAS FOLLOWED IN THE FOOTSTEPS OF HIS WHOLE ENTIRE FAMILY.

HIS PARENTS, LILI ZANUCK AND HIS FATHER RICHARD ZANUCK

ARE BIG HERE IN TOWN.

MY HUSBAND REALLY ENJOYS WORKING ON INDEPENDENT FILMS.

I WISH HE WOULD DO

A STUDIO FILM WHERE HE MAKES A GREAT DEAL OF MONEY

AND ALL OF THE PERKS THAT COME WITH THE STUDIO FILMS.

HE'S GONNA BE FILMING ONE IN ITALY.

- AND THEN ANOTHER ONE IN-- IN ROMANIA.

- I WAS IN ROMANIA. IN BUCHAR--BUDAPE--

BUCHAREST? - YEAH, BUCHAREST.

- MY EX SHOT A MOVIE THERE.

AND I WAS ANNOYED LEAVING MY HUSBAND THERE.

- REALLY? - YEAH.

ALL THE GIRLS ARE STUNNING, AND THEY'RE HOOKERS, AND...

YOU'RE--YOU'RE COMING BACK A HAPPY MAN.

KIDDING. KIDDING, OBVIOUSLY.

I COULDN'T SAY THAT, LIKE, TO SOME OF THE OTHER WOMEN

'CAUSE THEY WOULD BE LIKE, "OH--"

BUT YOU CAN SAY THAT KIND OF THING TO LISA.

YOU CAN JOKE WITH HER ABOUT ANYTHING.

- I AM VERY SIMILAR TO BRANDI.

BRANDI AND I ACTUALLY HAVE A LOT OF THINGS IN COMMON

IN TERMS OF WE SAY WHAT WE FEEL,

WE DON'T REALLY THINK ABOUT IT AT FIRST.

AND THEN AFTERWARDS I'LL THINK,

"OH, MY GOD, SHOULD I HAVE SAID THAT?"

- SO...

NEXT WEEK I'M GOING TO VEGAS.

I BROKERED THIS DEAL WITH THIS NIGHT SCHOOL FOR GIRLS.

I WAS ASKED TO HOST THIS CLASS.

IT'S CALLED BRANDI'S NIGHT SCHOOL FOR GIRLS,

WHERE WE TEACH THE GIRLS

HOW TO FIND THEIR SEXY AGAIN ON A STRIPPER POLE,

AND THEN WE SEND THEM OUT FOR A NIGHTTIME OF VIP PARTYING.

- WHO'S GOING?

- I'VE TALKED TO LISA ABOUT IT. 100%.

I SENT YOLANDA A TEXT. - OKAY.

- I HAVEN'T HEARD BACK YET.

- BUT IT'S NICE FOR YOU TO EXTEND THE INVITE.

- YEAH, EXACTLY.

SO YOU'RE IN? - YEAH, DEFINITELY.

- OH, GOOD.

- I COULD USE A LITTLE TIME AWAY

TO, LIKE, SLEEP IN AND BE ALONE A LITTLE BIT.

- [laughs]

- WHAT? - I LOVE YOU, DEAN.

- SHE'S BACK ON THIS TANGENT.

- [laughs] - WHAT?

- ON THAT NOTE... - OKAY.

- TO ATTRACTIVE AND PROMISCUOUS.

- IT WAS A GOOD NIGHT. - CHEERS.

- THE FOUR OF US, HUH? - WE HAD FUN.

- I'LL SEE YOU AT THE ART GALLERY TOMORROW, RIGHT?

- YEAH, DEFINITELY. - OH, GOOD.

- COMING UP...

- TMZ STOPPED ME TO ASK ME SOMETHING ABOUT YOU.

THEY WERE TELLING ME ABOUT YOUR CONCERT.

- OF COURSE. - I HATE WHEN TMZ--

I HAVE TO LEARN THINGS ABOUT MY OWN FAMILY.

- UGH.

GO FOR IT, GIRLS.

[phone line ringing]

- HELLO. - HEY, KYLE. IT'S BRANDI.

- HEY, WHAT'S GOING ON?

- I ACTUALLY WAS CALLING BECAUSE I FIGURED

YOU'RE PROBABLY GOING TO DANNY'S ART GALLERY OPENING TONIGHT.

- I AM.

- OKAY, SO I THOUGHT-- AND I JUST--

YOU KNOW, MAURICIO AND I HAD A LITTLE BIT OF...

AN ISSUE THE LAST TIME WE SAW EACH OTHER,

AND I JUST WANT TO KNOW THAT, MOVING FORWARD,

WE'RE IN A GOOD PLACE, AND WE CAN GO AND HAVE FUN,

AND THERE'S NO, LIKE, PROBLEM.

- YOU KNOW WHAT, DON'T WORRY, BRANDI.

I MEAN, I HAVE TO SAY, I WAS A LITTLE TAKEN ABACK,

CALLING HIM A MOTHER[bleep].

both: [laugh]

- I THINK THAT'S PROBABLY THE FIRST TIME

ANYONE'S EVER CALLED HIM THAT,

BUT, YOU KNOW, I REALLY DON'T HOLD A GRUDGE,

AND I WOULD LIKE TO MOVE FORWARD AS WELL.

- WELL, YOU KNOW WHAT THEY SAY, YOUR FIRSTS IN LIFE...

[laughs] ARE YOUR MOST MEMORABLE.

I'M KIDDING. - HOPEFULLY, IT'S THE FIRST

AND LAST. - YES, HOPEFULLY.

OKAY, PERFECT. I'LL SEE YOU LATER.

- OKAY. SEE YOU LATER. BYE. - BYE.

- THANK YOU. - YOU'RE WELCOME.

- THANKS, JOHN. - YOU'RE WELCOME.

- HELLO!

WOW, IT'S BEAUTIFUL.

HI. - OH, MY. OH, MY.

WHAT'S UP, GIRLY GIRLS? - IT LOOKS AMAZING.

- HOW YOU DOING? THANK YOU. - HOW ARE YOU?

TONIGHT, MY FRIEND, DANIEL MALTZMAN,

IS THROWING HIS GALLERY OPENING IN THE HEART OF BEVERLY HILLS,

AND BECAUSE OF THE LOCATION AND HOW TALENTED HE IS,

I'M SURE THE WHO'S WHO OF THE TOWN WILL SHOW UP.

- THANK YOU.

CAN'T STAY TOO LONG, DARLING, 'CAUSE WE'VE GOT DINNER AT 8:30.

- OKAY.

- WOW.

THERE SHE IS.

- LONG TIME NO SEE. - [laughs] HELLO.

- HELLO. OH! - I'M DANIEL.

VERY NICE TO SEE YOU... - HI, I'M LISA.

- AND MEET YOU AGAIN, MET YOU BEFORE A COUPLE TIMES.

- IS THIS YOUR GALLERY?

YES, YEAH. - IT IS, YEAH.

- THERE'S SOME SEXY STUFF HERE.

- NO, I LIKE IT. I DIDN'T KNOW WHAT TO EXPECT.

- HELLO. - HI!

- HOW ARE YOU? - UGH, TIRED.

HOW ARE YOU? - GOOD.

- HI! YOU LOOK BEAUTIFUL. - HELLO! HI, SEXY, HOW ARE YOU?

- HOW ARE YOU? GOOD.

YOU SAID YOU'RE GONNA WEAR A DRESS,

SO I THOUGHT I'D GO HOME AND WEAR A DRESS.

- OH, NICE. THIS IS SEXY.

- AS A DECORATOR, I LOVE GOING TO ART GALLERIES.

YOU JUST NEVER KNOW WHEN YOU'RE GONNA FIND SOMETHING SPECIAL.

- SHOULD--I WANT TO START IN THE BEGINNING AND LOOK.

- YEAH, YEAH. - OKAY, COME ON, THEN.

LET'S DO IT. - OKAY, ALL RIGHT,

LET ME GIVE YOU GUYS A LITTLE TOUR HERE.

- I ALREADY SAW ONE THAT TALKED TO ME...

- PERFECT, I LOVE THAT. WE LIKE THAT.

- THAT MIGHT WANT TO BE WITH ME.

THIS ONE. - UH-HUH.

- LOVE THAT. - UH-HUH.

- I LOVE IT, AND HOW MUCH IS IT? - $14,000.

- THE PAINTING IS NOT WORTH $14,000 TO ME.

I'M GONNA HAVE TO, LIKE,

WHEEL AND DEAL WITH HIM A LITTLE BIT.

- HI. HOW ARE YOU?

HI, HOW ARE YOU? GOOD TO SEE YOU.

- HOW ARE YOU, KYLE? - I'M REALLY WELL, THANK YOU.

- HELLO, DARLING.

- I LIKE THAT GREEN. HOW ARE YOU?

- GOOD. - HOW ARE YOU?

- I LIKE THAT HAIR THING--OOH! - AH!

- IT'S OKAY. - [laughs]

YOU DID IT ON PURPOSE. JUST KIDDING. [laughs]

YOU KNOW, I'VE KNOWN DANIEL FOR, LIKE, MORE THAN 20 YEARS.

- I KNOW, AND I'VE KNOWN DANIEL FOR A LONG TIME TOO.

AND YOU HAVE HIS PAINTING. - I HAVE HIS ART IN MY HOUSE.

- I KNOW!

THE ONE IN THE ENTRYWAY,

I SAID LOOKS LIKE THE ONE THAT'S IN YOUR HOUSE.

- THAT'S EXACTLY RIGHT. - A LITTLE BIT.

YEAH, I THINK YOLANDA'S GETTING THAT ONE,

SO--[laughs] - OH, IS SHE?

IT ACTUALLY WOULD GO REALLY WELL IN HER HOUSE.

- OKAY. [laughs] - YEAH, YEAH.

- WHOO.

- HI, GALS. HOW ARE YOU?

- GOOD. - [sighs]

- YOU HAVE TO COME TO VEGAS.

- I REALLY WANT THE LADIES TO COME FOR MY TRIAL RUN

FOR BRANDI'S NIGHT SCHOOL OUT FOR GIRLS

AND LET LOOSE AND LET THEIR HAIR DOWN

AND JUST HAVE FUN.

- WHEN?

- WHAT DAY? - TUESDAY.

YOU DON'T HAVE TO.

- NO, NO, YOU DO. - NO,

IT SOUNDS LIKE SO MUCH FUN, BUT I CAN'T.

- OH! - I HAVE SOME PEOPLE FLYING IN

FROM DENVER FROM A DOMESTIC VIOLENCE ORGANIZATION

THAT I'M GONNA START WORKING WITH, AND I'M DOING--

SHOOTING SOME STUFF FOR THEM, LIKE A PSA,

AND IT'S ON WEDNESDAY. - OH, THAT'S AMAZING.

- ON WEDNESDAY? OH.

- BUT YOU GUYS GOTTA SEND ME SOME PICTURES.

I WANT TO SEE WHAT I'M MISSING.

- WE'VE GOTTA HAVE A LITTLE TALK WITH YOU.

- ALL RIGHT. - I MEAN, I LOVE--

- I LIKE TO TALK. [laughs] - YOU DO?

WELL, WHAT I REALLY WANT TO DO IS NEGOTIATE WITH YOU.

- ALL RIGHT. - SO, YOU KNOW,

WHEN I WALKED IN, WHEN I SAW THIS,

IT SPEAKS ROMANCE TO ME.

LIKE, I SEE--I COULD SEE MY HUSBAND AND I IN THIS.

I DON'T KNOW WHY. SO I THINK IT'S BEAUTIFUL,

BUT AS A FATHER'S DAY GIFT, $14,000 IS, LIKE, TOO MUCH,

SO CAN WE, LIKE... LIKE, I DON'T KNOW.

- WHAT WOULD YOU FEEL COMFORTABLE PAYING FOR IT?

- UM... - DON'T INSULT ME.

- I MEAN HALF. 50 OFF.

JUST BECAUSE, YOU KNOW, LIKE I SAID, I'M A DECORATOR.

WHATEVER I BUY, I ALWAYS GET 50. - 50 OFF?

- BUT IT'LL BE IN OUR HOME.

IT'LL BE SEEN BY SO MANY GREAT PEOPLE,

AND, YOU KNOW, ISN'T THAT-- ISN'T THAT THE WAY IT WORKS?

- IT IS WHAT IT'S ABOUT, BUT IF YOU LOOK AT THIS PIECE,

AND YOU SEE THE AMOUNT OF WORK THAT'S IN THIS PIECE,

WHAT IF I SAID TO YOU THIS--

$8,500 AT, LIKE, FINAL, LAST-OFFER PRICE.

WOULD THAT BE SOMETHING THAT WOULD WORK FOR YOU?

I MEAN, IT'S PRETTY CLOSE TO WHAT YOU WANT IT FOR,

BUT JUST, OUT OF MYSELF, JUST BECAUSE THIS

IS AN IMPORTANT PIECE TO ME--

- WELL, OKAY, TO MAKE-- YOU KNOW, LIKE--

- YEAH, YEAH, YEAH.

- I ALWAYS SAY, "A GOOD DEAL IS MADE

WHEN BOTH PEOPLE LEAVE A LITTLE ON THE TABLE."

- THAT'S WHY I'M PUTTING A NUMBER THAT--

- SO YOU SAID $8,500, SO LET'S DO $8,000,

SO WE'RE BOTH HAPPY. - OH, MAN, YOU'RE KILLING ME.

- RIGHT IN BETWEEN THE TWO OF US.

HOW ABOUT THAT? A DEAL?

- YAY!

- YOU GOT A DEAL. YOU GOT A-- - YOU GOT--YOU GOT A GREAT DEAL,

I'M TELLING YOU. - YOU KNOW WHAT, IT'S BEAUTIFUL.

- SHE'S AMAZING, AND SO ARE YOU. - YEAH, YEAH. YOU DID, YOU DID.

- I GUESS DANIEL'S A GREAT ARTIST,

BUT AS A NEGOTIATOR, MM, I DON'T KNOW.

[laughs] MAYBE NOT THAT GOOD.

- KENNETH, DO YOU MISS ME?

- EXCUSE ME. - SORRY.

[laughter]

- JEEZ, AND I THOUGHT YOU WERE TALL. WHAT ABOUT THAT GUY?

- YOU DON'T WANT TO COME TO VEGAS WITH US?

- NO. - WHY?

- I HAVE A LOT OF WORK TO DO HERE.

- LOOK AT HIM, HANGING OUT WITH ALL THOSE TALL GIRLS

OVER THERE. - I KNOW, RIGHT?

THEY'RE HUGE. I MEAN, WE'RE THE NORMAL ONES.

LIKE, IT'S WHY I FEEL LIKE A LITTLE DWARF

WHEN I'M NEXT TO THEM. - I'M A LITTLE PORK CHOP.

- THEY'RE, LIKE, 5'10", PLUS 6-INCH HEELS.

- I KNOW. LOOK AT KEN,

HE'S LIKE A LITTLE PIG IN [bleep] RIGHT NOW.

HI, KEN. - HOW ARE YOU DOING, KEN?

REMEMBER ME? - LOOK AT KEN.

- WHY DID KEN LEAVE YOU?

- LOOK AT KEN, WITH HIS HAND IN THE COOKIE JAR.

- IT'S ACTUALLY IN HIS POCKET, PLAYING WITH HIMSELF. [laughs]

- THOSE ARE TROUBLE MAKERS, YEAH.

- KEN, SMILE.

PUT YOUR TITTIES IN HIS FACE, PLEASE.

ONE, TWO...SMILE. - AND HE LOOKS RIDICULOUS.

LORD KNOWS. IT'S LIKE, LOOK TO THE RIGHT.

NO, LOOK TO THE RIGHT. [laughs]

- I AM TOO, NOW. - 'CAUSE YOU HAD

ALL THESE BOOBIES IN YOUR FACE.

- IS THIS HAPPINESS?

- FIRST ONE'S BETTER. - WHO'S THAT BLOODY MIDGET

IN THE MIDDLE OF THAT? [laughter]

- WELL...I'VE ALREADY TALKED TO YOLANDA

AND A LITTLE BIT TO LISA,

BUT I HAVE A LITTLE VEGAS TRIP COMING UP,

AND I WOULD LOVE FOR YOU TO COME.

EVERYTHING SEEMS TO BE GOING GOOD

BETWEEN KYLE AND I TONIGHT, SO I'M THINKING,

IT'S PROBABLY SAFE TO INVITE HER TO VEGAS.

I KNOW THAT YOU'RE PROBABLY WEARY

ABOUT SPENDING A COUPLE DAYS AWAY WITH ME,

BUT I PROMISE, IT'S GONNA BE ALL FUN,

AND I'M GOING TO HOST THIS THING,

BUT I'M-- WE'RE JUST PRACTICE HOSTING.

- OKAY. - THIS WOMEN EMPOWERMENT GROUP,

IT'S LIKE, THEY DO DIVORCE PARTIES--

- WE DON'T WANT TO COME. [laughs]

I'M KIDDING, I'M KIDDING, I'M KIDDING.

- WE'RE GONNA STAY AT THE FOUR SEASONS.

IT'LL BE REALLY NICE AND RELAXING.

- LET'S ALL GO AND MAKE IT FUN. - OH, YAY.

- OH, THERE'S MY HUSBAND.

- OH. - HI, HONEY.

- HONEY, MY GOSH. - WHAT?

- YOU LOOK HOT. - DOESN'T SHE?

- I DO? THANK YOU. - YOU'LL BE TAKING HOME AN--

- NO, YOU LOOK LIKE--A LITTLE ARABIC INFLUENCE, MAYBE.

SOMETHING, UH-- - A LITTLE--

- IT'S HOT HIPPIE. - MORE LIKE HIPPIE.

- HI, GIRLS!

- HI. - HI, HONEY, HOW ARE YOU?

- I'M WELL.

- YOU KNOW MARISA. - HI. YES, THANKS.

- NICE TO SEE YA.

- I MET YOU A LONG TIME AGO. HI, HOW ARE YOU?

- GOOD. - THIS IS MY FRIEND, ROBIN.

THIS IS PARIS. - HI, HOW ARE YOU?

- UM... - SO PRETTY.

- SO YEAH, WE'VE BEEN TALKING ABOUT VEGAS.

- VEGAS. - WE'RE GOING--

DOING A GIRLS' TRIP TO VEGAS.

- WHEN? - NEXT WEEK.

- NICE. - WANT TO COME? [laughs]

- I'M GONNA BE IN BRAZIL AT MY CONCERT NEXT WEEK.

- YOUR CONCERT? OH, MY GOD, THAT'S RIGHT.

- YEAH, IT'S GONNA BE, LIKE, 30-SOMETHING-THOUSAND PEOPLE.

I'M CLOSING FOR JENNIFER LOPEZ.

SO IT'S HUGE. - OH, MY GOD.

- IT'S, LIKE, MY FIRST CONCERT.

- I WAS GETTING IN MY CAR THE OTHER NIGHT,

AND TMZ STOPPED ME TO ASK ME SOMETHING ABOUT YOU.

- YES.

- THEY WERE TELLING ME ABOUT YOUR CONCERT.

- OF COURSE. - I'M LIKE, "WELL--OH, WAIT,

NO, I DIDN'T KNOW THAT. I MEAN, I KNOW SHE WAS IN--"

LIKE, OKAY, THANK YOU.

I HATE WHEN TMZ-- - [laughs]

- I HAVE TO LEARN THINGS ABOUT MY OWN FAMILY.

I'M LIKE, "WELL, OH, WAIT. NO, I DIDN'T KNOW THAT."

- IT'S FUNNY 'CAUSE IT'S LIKE,

I'LL LOOK AT HIM ACROSS THE ROOM,

AND I'M--MY SISTER ALWAYS SAYS-- SHE'S LIKE, "HE'S CUTE.

I DON'T KNOW WHY YOU THINK, LIKE, OTHER GUYS ARE CUTER."

I DON'T EVEN THINK HE'S THAT SEXY.

- HE'S ADORABLE. - I SAID, "YEAH, I KNOW."

I LOVE HIM. I DO. - YEAH,

BUT YOU'VE LOOKED AT HIM FOR SO LONG?

- BUT I'VE LOOKED AT HIM FOR SO LONG,

AND HE'S SO IN LOVE WITH ME, WHICH--I'M SO LUCKY.

- OH. - BUT WE MET SO YOUNG.

LIKE, I MET HIM WHEN I WAS 20, SO--

- AND THAT'S--THOSE ARE THE ONES THAT USUALLY DON'T WORK OUT,

THOUGH. - I KNOW, THAT'S WHAT THEY SAY.

- RIGHT, SO YOU GOT REALLY-- DOUBLE LUCKY.

- YEAH, BUT I ALSO THINK I SHOULD'VE WAITED

TO GET MARRIED TILL I WAS, LIKE, IN MY 30s.

I THINK A WOMAN DOESN'T KNOW WHO SHE IS

UNTIL SHE'S IN HER 30s... - RIGHT.

- AND THEN TO GET MARRIED

WHEN YOU'RE 25, LIKE I WAS--

AND THEN I WANTED TO HAVE A BABY RIGHT AWAY,

WHICH I DID, AND MY SON'S TEN.

- DEAN IS A LITTLE MORE IN LOVE WITH MARISA

THAN MARISA IS WITH DEAN.

I FEEL LIKE MARISSA'S MISSING SOMETHING.

STOP THROWING YOUR HUSBAND UNDER THE BUS. IT'S NOT COOL.

- NOW, I LOOK BACK, AND I'M LIKE, "I DIDN'T PARTY.

I DIDN'T DO ANYTHING," AND, YOU KNOW--

SO IT'S JUST-- - WELL, NEVER TOO LATE TO START.

- I KNOW. - BOTTOMS UP.

[laughter]

- COMING UP...

- WHOA.

- I THOUGHT THAT WOULD LOOK AMAZING ON YOUR BAR.

- IT'S A NICE BOTTLE. - AMAZING.

- IT IS. - I DON'T LIKE IT.

- I CALL LISA THE OTHER DAY,

HER HOUSEKEEPER SAYS, "HOLD ON, KYLE--"

LISTEN. "I'M GONNA GET LISA FOR YOU."

SHE GETS LISA, LISA GETS ON THE PHONE,

SHE SAYS, "YOU JUST INTERRUPTED KEN AND I HAVING SEX."

- [gasps] - NOT WITH EACH OTHER.

[laughter] - THAT'S COFFEE HOUR.

- SHE'S LIKE, "KYLE, PLEASE, I'M RIGHT IN THE MIDDLE OF IT."

- THAT'S OKAY. THAT'S WHAT YOU DO

WHEN YOUR KIDS LEAVE HOME.

- LISTEN, WHY DON'T YOU TELL YOUR HOUSEKEEPER

NOT TO WAKE YOU, "A,"

AND "B," YOU DIDN'T HAVE TO PICK UP THE PHONE.

- WELL, WE STILL CARRIED ON, EVEN WHEN YOU WERE ON THE PHONE.

- [laughs] - WHEN YOU'RE DOING IT ALL DAY,

YOU HAVE TO TAKE PHONE CALLS. - OH, YEAH.

I LIKE TO KNOW THAT MY CALL

IS PRIORITY OVER YOUR SEX WITH KEN.

[laughter]

- OOH.

- WHOA, WHAT DO WE GOT THERE?

- WHOA.

- I THOUGHT THAT WOULD LOOK AMAZING ON YOUR BAR.

- WOW.

- I DON'T LIKE IT.

- IT'S AMAZING. - IT'S A NICE BOTTLE.

- "AMAZING." - IT IS, IT'S AN AMAZ--

- IT'S A NICE BOTTLE. - IT'S--THE TASTE--

- AMAZING! - AMAZING.

- IT'S A GIN. IT'S A GIN. - A GIN?

- THE TASTE IS UNBELIEVABLE. - "GIN"?

- IT'LL LOOK AMAZING ON YOUR BAR.

- MAURICIO GIVES ME THIS BOTTLE OF GIN.

I DON'T KNOW WHETHER IT WAS A PEACE OFFERING OR NOT.

MAURICIO AND I HAD WORDS IN THE RESTAURANT,

AND I JUST DIDN'T LIKE THE WAY HE WAS

ATTACKING BRANDI THAT NIGHT.

- I MEAN, IF YOU WANT, WE COULD TASTE IT NOW.

I MEAN, I'LL GET YOU ANOTHER BOTTLE.

- I DON'T WANT TO TASTE IT NOW, I'M GOING.

- [laughs] - I'VE GOT DINNER

WITH RICK AND KATHY. - OH, YOU DO?

WHERE ARE YOU GOING? - I'M LATE.

- I THINK KEN IS JUST STILL HOLDING

A LITTLE BIT OF A GRUDGE, BUT WE CAN DISAGREE.

YOU KNOW, WHAT AM I GONNA DO? I'M GONNA GO KICK HIS ASS?

- WE HAVE TO GO. - WHERE ARE YOU GUYS GOING?

HOW ARE YOU? NICE TO SEE YOU.

- HI. - HI. [laughs]

- HI. - WHAT'S GOING ON?

- NOT A LOT. WELL, A LOT, BUT NOTHING I CAN--

- SHARE WITH ME? - WELL, NOT RIGHT NOW.

- OKAY. - I MEAN--I MEAN, NO, IT'S...

NOT WORTH TALKING ABOUT RIGHT NOW.

- NO PROBLEM. [laughs] WE CAN SHARE IT AT ANOTHER TIME.

- HUH? YEAH, YEAH. - YOU CAN SHARE IT ANOTHER TIME.

- I WILL SEE YOU LATER.

- ALL RIGHT, COOL. - IT WAS SUPPOSED TO BE 8:00.

BYE, DARLING. - WHERE ARE YOU GUYS GOING?

- WE'RE GOING TO SUNSET TOWER.

- OH, NICE. ENJOY. - YEAH.

- TELL THEM I SAY HI. - ALL RIGHT, I WILL DO.

ENJOY. SO TAKE YOUR BOTTLE. - WE'RE JUST--

- THANKS, BUDDY.

- BYE. BYE. - THANKS. BYE.

- LISA CAME UP, SAID HELLO.

IT WAS DEFINITELY NOT A GENUINE HELLO,

AND, UM, SHE OBVIOUSLY WAS STILL HOLDING A GRUDGE.

SHE WAS CERTAINLY PROTECTING BRANDI.

THAT WAS JUST WEIRD. - WHAT? WHAT WAS?

- UH, WITH LISA. WAS THAT-- WAS THAT WEIRD, THE WAY--

WHAT LISA SAID TO ME OR ANYTHING LIKE THAT,

OR WAS THAT JUST ME? - WHAT DID SHE SAY?

- I DON'T KNOW, I THOUGHT-- I JUST THOUGHT IT WAS, LIKE,

A WEIRD WAY OF GREETING ME. SHE GOES--

I GO, "HI, HOW ARE YOU? WHAT'S UP? WHAT'S GOING ON?"

AND SHE SAYS, "A LOT, BUT, UH,

I DON'T HAVE TIME TO TELL YOU ABOUT IT."

I'M LIKE, "OKAY, SO--" - NO.

- WELL, WHATEVER. I'M SO PAST THAT, IT'S NOT EVEN--

- ANYWAY, WHO CARES? GO GET A DRINK. I LOVE YOU.

WE ALL KNOW THAT LISA-- IF SOMETHING BOTHERS HER,

OR SHE DOESN'T LIKE IT, SHE HAS NO PROBLEM SAYING IT TO YOU.

IT'S HARD WHEN YOU'RE CLOSE WITH SOMEONE

AND THERE'S SOME UNSPOKEN NEGATIVITY

BETWEEN THE TWO OF YOU.

IT'S VERY DIFFICULT, BUT IF YOU KEEP IT IN,

EVENTUALLY, THERE'S GONNA BE AN EXPLOSION.

- NEXT TIME,

ON THE REAL HOUSEWIVES OF BEVERLY HILLS...

- FIND YOUR INNER SEXY!

SO, GIRLS, ARE YOU EXCITED?

WHOO! VEGAS! [cheers and applause]

- DO WE WEAR STRIPPER WEAR?

- SWALLOW, SWALLOW. - UGH!

- I JUST HAVE NEVER FELT THIS SEXUAL.

- YOU BETTER GIVE SOME OF THOSE PILLS TO LISA.

- HOW CAN I HELP YOU TODAY?

- THOUGHT MAYBE, UM, MY NOSE.

I KNOW HE KNOWS ABOUT NOSES. [chuckles]

- HI, BABY. - HI, MY LOVE.

MEN LOVE BEAUTIFUL WOMEN, AND THEY'LL [bleep] YOUR HUSBAND

FOR A CHANEL BAG.

- YOUR HUSBAND IS MORE IN LOVE WITH YOU

THAN YOU ARE WITH HIM.

- TO LEARN MORE ABOUT THE HOUSEWIVES,

GO TO BRAVOTV.COM.