1 00:00:03,300 --> 00:00:05,170 - PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:05,166 --> 00:00:08,096 - YOU MADE THESE COMMENTS IN FRONT OF PEOPLE, 3 00:00:08,100 --> 00:00:10,670 WHICH ARE COMPLETELY DEFAMATORY. 4 00:00:10,667 --> 00:00:13,397 - WHAT BRANDI IS SAYING IS CHARACTER ASSASSINATION. 5 00:00:13,400 --> 00:00:15,070 OH, BOY, SHE'S GOING TO GET SLAPPED 6 00:00:15,066 --> 00:00:16,696 WITH A FAT, OLD LAWSUIT. 7 00:00:16,700 --> 00:00:17,870 - I HAD TO GET A LAWYER TODAY. 8 00:00:17,867 --> 00:00:18,897 - COME HERE. - WHAT ARE YOU TALKING ABOUT? 9 00:00:18,900 --> 00:00:21,830 - ADRIENNE AND PAUL ARE SUING ME. 10 00:00:21,834 --> 00:00:23,874 - JUST DON'T THROW THINGS OUT ABOUT PEOPLE. 11 00:00:23,867 --> 00:00:26,267 - DUDE. - SHE SAID SOMETHING. 12 00:00:26,266 --> 00:00:27,666 SHE'S ADMITTING SHE'S WRONG 13 00:00:27,667 --> 00:00:28,797 TO EVERYBODY EXCEPT FOR ADRIENNE. 14 00:00:28,800 --> 00:00:30,070 WHY DID SHE SAY IT? 15 00:00:30,066 --> 00:00:31,626 - I DON'T KNOW. - TO CREATE [bleep]. 16 00:00:31,633 --> 00:00:32,873 - TO BE NICE. - DID YOU SAY IT TO BE NICE? 17 00:00:32,867 --> 00:00:33,967 - YOU DON'T EVEN KNOW 18 00:00:33,967 --> 00:00:34,967 WHAT YOU'RE [bleep] TALKING ABOUT. 19 00:00:34,967 --> 00:00:36,527 [upbeat music] 20 00:00:36,533 --> 00:00:38,733 - LIFE ISN'T ALL DIAMONDS AND ROSE, 21 00:00:38,734 --> 00:00:41,574 BUT IT SHOULD BE. 22 00:00:41,567 --> 00:00:42,827 - MONEY DOESN'T GIVE YOU CLASS. 23 00:00:42,834 --> 00:00:45,774 IT JUST GIVES YOU MONEY. 24 00:00:45,767 --> 00:00:46,927 - KNOW YOUR FRIENDS. 25 00:00:46,934 --> 00:00:50,304 SHOW YOUR ENEMIES THE DOOR. 26 00:00:50,300 --> 00:00:52,200 - I FOUGHT TOO HARD FOR THIS ZIP CODE 27 00:00:52,200 --> 00:00:55,100 TO GO HOME NOW. 28 00:00:55,100 --> 00:00:59,670 - I LIKE TO HAVE FUN, BUT I DON'T PLAY GAMES. 29 00:00:59,667 --> 00:01:00,727 - LIFE IS A JOURNEY, 30 00:01:00,734 --> 00:01:04,604 AND I'M FINDING MYSELF EVERY DAY. 31 00:01:04,600 --> 00:01:06,570 - I'M BORN AND RAISED IN BEVERLY HILLS. 32 00:01:06,567 --> 00:01:09,567 THIS IS MY TOWN. 33 00:01:13,633 --> 00:01:15,303 - BOTTOM LINE IS, I COULD TELL YOU RIGHT NOW, 34 00:01:15,300 --> 00:01:16,930 I'VE NEVER BEEN SUED IN MY LIFE, AND I'VE ACTUALLY, 35 00:01:16,934 --> 00:01:18,404 THE THREE OR FOUR TIMES I'VE EVER BEEN SUED, 36 00:01:18,400 --> 00:01:20,370 I PICK UP THE PHONE, I CALL UP THE OTHER PERSON, 37 00:01:20,367 --> 00:01:21,367 AND IT ENDS. 38 00:01:21,367 --> 00:01:23,397 NO, NO, IT ENDS. IT ENDS RIGHT THERE. 39 00:01:23,400 --> 00:01:24,430 IT'S DONE. 40 00:01:24,433 --> 00:01:25,433 I'VE NEVER-- IT'S-- 41 00:01:25,433 --> 00:01:26,833 IT'S NEVER GONE PAST A LETTER. 42 00:01:26,834 --> 00:01:28,674 OKAY? THAT'S IT. 43 00:01:28,667 --> 00:01:30,797 YOU FINISH IT. END OF STORY. 44 00:01:30,800 --> 00:01:32,030 YOU DON'T HIRE THIS, 45 00:01:32,033 --> 00:01:33,973 AND YOU--YOU CALL UP, AND YOU FINISH IT. 46 00:01:33,967 --> 00:01:35,227 - TO BE NICE. - DID YOU SAY IT TO BE NICE? 47 00:01:35,233 --> 00:01:37,033 - NO, I SAID IT BECAUSE-- I WILL TELL YOU-- 48 00:01:37,033 --> 00:01:38,603 - SHE JUST SAID IT. - BECAUSE I-- 49 00:01:38,600 --> 00:01:39,970 - SHE SAID SHE WAS WRONG. - KYLE ASKED ME A QUESTION. 50 00:01:39,967 --> 00:01:41,327 - 'CAUSE IT WAS A MISTAKE. - AND I'M HONEST. 51 00:01:41,333 --> 00:01:42,433 - 'CAUSE IT WAS A MISTAKE. - AND I ANSWER THINGS-- 52 00:01:42,433 --> 00:01:43,533 - PICK UP THE PHONE AND CALL HER. 53 00:01:43,533 --> 00:01:44,973 - I CALLED HER TWO TIMES. - YOU HAVE? 54 00:01:44,967 --> 00:01:46,227 - AND I GOT A LAWYER'S LETTER. - YOU JUST ADMITTED-- 55 00:01:46,233 --> 00:01:47,803 TWO SECONDS AGO, YOU JUST SAID YOU DIDN'T. 56 00:01:47,800 --> 00:01:48,930 - YOU JUST SAID YOU DIDN'T. - DID SHE NOT SAY SHE DIDN'T? 57 00:01:48,934 --> 00:01:50,174 - WHY CAN'T SHE PICK UP THE PHONE? 58 00:01:50,166 --> 00:01:51,396 - I'LL TELL YOU WHY. 59 00:01:51,400 --> 00:01:52,930 BECAUSE YOU'RE THE ONE THAT STARTED IT ALL. 60 00:01:52,934 --> 00:01:55,534 - WAIT, WAIT, WAIT, WAIT. LET ME [bleep] TALK. 61 00:01:55,533 --> 00:01:57,733 I DID SAY THAT. I DID SAY IT. 62 00:01:57,734 --> 00:01:59,104 - AND YOU KNOW WHAT? - AND WAS I PISSED? 63 00:01:59,100 --> 00:02:00,530 MOTHER[bleep], YES, I WAS PISSED. 64 00:02:00,533 --> 00:02:01,773 SO GO [bleep] YOURSELF. 65 00:02:01,767 --> 00:02:02,967 IT'S ABOUT MY KIDS, 66 00:02:02,967 --> 00:02:04,297 AND IT'S ABOUT MY LIFE. 67 00:02:04,300 --> 00:02:05,300 - RIGHT, AND YOU'RE-- - SERIOUSLY. 68 00:02:05,300 --> 00:02:06,300 - AND YOU DESERVE ALL OF THAT. 69 00:02:06,300 --> 00:02:10,500 - SHUT THE [bleep] UP. 70 00:02:14,166 --> 00:02:16,596 - WHAT BRANDI IS SAYING DOESN'T SHOCK ME. 71 00:02:16,600 --> 00:02:18,970 I MEAN, YOU CANNOT CONTROL THIS GIRL'S MOUTH. 72 00:02:18,967 --> 00:02:21,597 - YOU DON'T DESERVE THAT. - I WANT YOU TO STOP THIS. 73 00:02:21,600 --> 00:02:23,730 - OKAY, FINE. - CAN YOU UNDERSTAND ME? 74 00:02:23,734 --> 00:02:24,734 - YEAH. 75 00:02:24,734 --> 00:02:27,534 - STOP IT. - FINE. 76 00:02:27,533 --> 00:02:29,773 - FOR SOMEBODY ELSE TO FIGHT SOMEBODY ELSE'S BATTLE 77 00:02:29,767 --> 00:02:31,127 ALWAYS IRRITATES ME, 78 00:02:31,133 --> 00:02:32,673 SO I'M ONE OF THOSE PEOPLE, 79 00:02:32,667 --> 00:02:33,667 IF YOU HAVE A FIGHT WITH SOMEBODY, 80 00:02:33,667 --> 00:02:34,927 IT'S BETWEEN THOSE PEOPLE, 81 00:02:34,934 --> 00:02:36,934 AND EVERYONE ELSE SHOULD KIND OF BACK OFF. 82 00:02:36,934 --> 00:02:38,204 - BRANDI, LISTEN. 83 00:02:38,200 --> 00:02:39,500 I DON'T AGREE WITH WHAT HAPPENED, 84 00:02:39,500 --> 00:02:40,700 BUT I DON'T WANT YOU TO FEEL UNDER ATTACK TONIGHT. 85 00:02:40,700 --> 00:02:41,930 I REALLY DON'T. 86 00:02:41,934 --> 00:02:44,074 THIS IS EXACTLY WHAT I DIDN'T WANT TO HAPPEN. 87 00:02:44,066 --> 00:02:47,596 MY HUSBAND HAS VERY STRONG OPINIONS ABOUT WHAT HAPPENED. 88 00:02:47,600 --> 00:02:48,700 HE'S CLOSE WITH PAUL AND ADRIENNE. 89 00:02:48,700 --> 00:02:49,970 SO I APOLOGIZE. 90 00:02:49,967 --> 00:02:52,167 - SO MAYBE MAURICIO SHOULD GET TO KNOW MY KIDS. 91 00:02:52,166 --> 00:02:53,326 LET ME-- LET ME TELL YOU. 92 00:02:53,333 --> 00:02:54,673 MASON JUST TURNED NINE, 93 00:02:54,667 --> 00:02:56,167 AND JAKE JUST TURNED [bleep] FIVE, 94 00:02:56,166 --> 00:02:57,466 AND I NEED TO TAKE CARE OF THEM. 95 00:02:57,467 --> 00:02:58,867 ME, MYSELF, AND I. YOU GOT IT? 96 00:02:58,867 --> 00:03:00,027 - 100%. 97 00:03:00,033 --> 00:03:02,173 - AND SHE HAS A BILLION [bleep] DOLLARS. 98 00:03:02,166 --> 00:03:03,166 SORRY. 99 00:03:03,166 --> 00:03:06,096 AND NOW SHE'S SUING ME. 100 00:03:06,100 --> 00:03:07,800 PERFECT. NO, IT'S GOOD. 101 00:03:07,800 --> 00:03:09,970 - FIRST, IT'S PAUL AND BRANDI, 102 00:03:09,967 --> 00:03:12,567 AND NOW IT'S MAURICIO AND BRANDI. 103 00:03:12,567 --> 00:03:13,797 WHETHER IT'S BRANDI'S FAULT OR NOT, 104 00:03:13,800 --> 00:03:15,570 SHE IS NOW BEING PUSHED TO HER LIMIT. 105 00:03:15,567 --> 00:03:17,827 - AND I BELIEVE YOUR KIDS DESERVE EVERYTHING. 106 00:03:17,834 --> 00:03:19,134 I REALLY DO, BRANDI. 107 00:03:19,133 --> 00:03:21,803 I MEAN, KYLE KNOWS THAT. I'VE SAID-- 108 00:03:21,800 --> 00:03:24,270 AND LISA KNOWS THAT, AND KEN-- 109 00:03:24,266 --> 00:03:26,426 - YOU HAVE A TOTAL DIFFERENCE OF OPINION TONIGHT. 110 00:03:26,433 --> 00:03:28,303 EVEN YOU SAYING THAT THE FACT 111 00:03:28,300 --> 00:03:29,430 THAT SHE CAN ACCUSE ME OF SOMETHING, 112 00:03:29,433 --> 00:03:30,873 YOU SAY IT'S NO BIG DEAL. 113 00:03:30,867 --> 00:03:32,267 - I'M SAYING IT'S NOT COMPARED TO ABOUT THE KIDS. 114 00:03:32,266 --> 00:03:34,226 - MAURICE IS THE TYPE THAT LETS THINGS ROLL OFF HIS SHOULDERS... 115 00:03:34,233 --> 00:03:35,803 - I DIDN'T SAY IT'S NO BIG DEAL. - THAT'S WHY. 116 00:03:35,800 --> 00:03:38,400 - YOU NEVER LISTEN. - YEAH, DON'T WORRY. 117 00:03:38,400 --> 00:03:39,770 - YOU JUST TALK ON YOUR OWN THING. 118 00:03:39,767 --> 00:03:41,027 LISTEN TO HER. 119 00:03:41,033 --> 00:03:42,603 - YOU CAN'T INSULT PEOPLE AND ATTACK PEOPLE 120 00:03:42,600 --> 00:03:43,600 AND ACCUSE PEOPLE. 121 00:03:43,600 --> 00:03:45,170 - MAY I ANSWER TO WHAT YOU SAID? 122 00:03:45,166 --> 00:03:46,196 - THAT'S WHAT HE'S SAYING. THAT'S WHAT HE'S SAYING. 123 00:03:46,200 --> 00:03:47,630 - SHE SPOKE THE TRUTH AS SHE KNEW IT. 124 00:03:47,633 --> 00:03:48,633 SHE WASN'T ATTACKING-- 125 00:03:48,633 --> 00:03:50,403 - CAN I GET A WORD IN EDGEWISE? - OKAY. 126 00:03:50,400 --> 00:03:52,230 - YOU HAVE PAUL AND ADRIENNE, 127 00:03:52,233 --> 00:03:54,903 WITH THE MIGHT OF THE MALOOF FAMILY BEHIND THEM, 128 00:03:54,900 --> 00:03:56,570 ALL OF THEIR LAWYERS AND WHATEVER, 129 00:03:56,567 --> 00:04:00,397 THREATENING THIS SINGLE MOTHER. 130 00:04:00,400 --> 00:04:02,100 I THINK IT'S WRONG. 131 00:04:02,100 --> 00:04:04,500 YOU'VE GOT TO REALIZE, MAURICIO, 132 00:04:04,500 --> 00:04:07,500 THAT SHE SAID IT-- JUST SAID IT. 133 00:04:07,500 --> 00:04:08,930 MAYBE MALICIOUSLY, MAYBE NOT. 134 00:04:08,934 --> 00:04:10,674 - I THOUGHT SHE SAID IT MALICIOUSLY. 135 00:04:10,667 --> 00:04:11,697 - WELL, KEN, I THINK THAT IF IT WAS ABOUT LISA, 136 00:04:11,700 --> 00:04:12,700 YOU WOULD'VE FELT DIFFERENTLY. 137 00:04:12,700 --> 00:04:14,100 - I FEEL SHE SAID IT MALICIOUSLY, 138 00:04:14,100 --> 00:04:15,500 AND THAT'S WHAT I HAVE A PROBLEM WITH. 139 00:04:15,500 --> 00:04:16,500 - YEAH, BUT WE LIVE A VERY HONEST LIFE. 140 00:04:16,500 --> 00:04:17,770 - IF IT WASN'T MALICIOUSLY-- 141 00:04:17,767 --> 00:04:19,127 - IT DOESN'T MATTER. 142 00:04:19,133 --> 00:04:21,203 IF IT WASN'T ABOUT YOU, IT DOESN'T MATTER. 143 00:04:21,200 --> 00:04:22,900 YOU AND I ARE NEVER GOING TO AGREE ABOUT THIS. 144 00:04:22,900 --> 00:04:24,730 - I'M GOING TO THE RESTROOM. I'LL BE RIGHT BACK. 145 00:04:24,734 --> 00:04:26,934 - SHE NEEDS HELP. - MM-HMM. 146 00:04:26,934 --> 00:04:28,604 WHY IS SHE GO-- BRANDI. 147 00:04:28,600 --> 00:04:31,200 - YOU KNOW WHAT, I'VE BEEN A SINGLE MOM A LONG TIME, 148 00:04:31,200 --> 00:04:33,270 AND YOU JUST LEARN NOT TO SAY BAD THINGS ABOUT PEOPLE. 149 00:04:33,266 --> 00:04:34,726 YOU JEOPARDIZE YOUR JOBS AND SITUATIONS. 150 00:04:34,734 --> 00:04:35,774 - END OF STORY. 151 00:04:35,767 --> 00:04:37,597 - I'M NOT MAKING ANY MORE EFFORT 152 00:04:37,600 --> 00:04:38,900 TO TRY TO GET ANYBODY TOGETHER 153 00:04:38,900 --> 00:04:40,430 OR TRY TO MAKE PEACE WITH ANYBODY. 154 00:04:40,433 --> 00:04:43,873 EVERYBODY CAN [bleep] OFF. 155 00:04:45,433 --> 00:04:46,903 - I'VE [bleep] HAD IT. 156 00:04:46,900 --> 00:04:51,770 I'VE BEEN THROUGH MORE THAN ANYBODY SITTING HERE TIMES TEN. 157 00:04:51,767 --> 00:04:57,027 - TAYLOR, YOU'RE TALKING SUCH NONSENSE. 158 00:04:57,033 --> 00:04:59,873 IT SEEMS LIKE, WHENEVER THERE'S A CONVERSATION, 159 00:04:59,867 --> 00:05:02,227 TAYLOR TAKES THE CONVERSATION AND SPINS IT, 160 00:05:02,233 --> 00:05:04,573 SO SHE ENDS UP TALKING ABOUT HERSELF. 161 00:05:04,567 --> 00:05:06,927 - I DON'T WANT TO HEAR YOLANDA'S OPINION 162 00:05:06,934 --> 00:05:09,504 WHEN SHE'S SITTING IN A MULTIMILLION-DOLLAR HOUSE 163 00:05:09,500 --> 00:05:11,600 IN MALIBU, ABOUT HOW I SHOULD FEEL. 164 00:05:11,600 --> 00:05:14,070 I'VE ALWAYS SUPPORTED YOU, SO DON'T RIGHT NOW. 165 00:05:14,066 --> 00:05:16,326 - WHY ARE YOU SO AGGRESSIVE? 166 00:05:16,333 --> 00:05:21,333 - FIND DAVID HANGING AND THEN BE BANKRUPT 167 00:05:21,333 --> 00:05:23,773 AND HAVE A $1.5-MILLION LAWSUIT 168 00:05:23,767 --> 00:05:25,197 AND PUBLIC COMPANY SUING YOU 169 00:05:25,200 --> 00:05:27,770 AND NOT HAVE BEEN A SUPERMODEL IN YOUR LIFE. 170 00:05:27,767 --> 00:05:31,097 THEN LET ME KNOW HOW YOU FEEL. - YOU'VE BEEN THROUGH A LOT. 171 00:05:31,100 --> 00:05:33,670 - BECAUSE IT'S A VERY DIFFERENT SITUATION ON MY END, 172 00:05:33,667 --> 00:05:35,097 AND I DON'T APPRECIATE THAT. 173 00:05:35,100 --> 00:05:36,730 SHE'S NOT-- 174 00:05:36,734 --> 00:05:39,174 - WELL, MAYBE IT'S NOT ALL ROSY IN HER LIFE, EITHER. 175 00:05:39,166 --> 00:05:41,026 - AND I THINK WE KNOW A LITTLE BIT MORE 176 00:05:41,033 --> 00:05:44,373 ABOUT HER HUSBAND THAN SHE KNOWS WE KNOW. 177 00:05:44,367 --> 00:05:45,527 I MEAN, HE WAS MARRIED 178 00:05:45,533 --> 00:05:50,773 TO ONE OF OUR VERY GOOD FRIENDS FOR 20 YEARS. 179 00:05:50,767 --> 00:05:55,367 WASN'T ALL KISSES AND ROSES THEN, WAS IT? 180 00:05:55,367 --> 00:05:57,067 - IT'S JUST SO TAYLOR TO GO, 181 00:05:57,066 --> 00:05:58,866 "OKAY, IT'S ALL ABOUT ME AGAIN." 182 00:05:58,867 --> 00:06:01,767 OKAY, NO, TAYLOR. LET'S MOVE ON. 183 00:06:01,767 --> 00:06:04,827 WE DON'T WANT TO HEAR ABOUT YOUR STORY AGAIN. 184 00:06:07,333 --> 00:06:08,733 - B, ARE YOU OKAY? 185 00:06:08,734 --> 00:06:09,834 - YEAH. NO, I'M FINE. 186 00:06:09,834 --> 00:06:11,274 - I REALLY JUST WANT TO RUN AWAY FROM-- 187 00:06:11,266 --> 00:06:13,496 I CAN'T--I CAN'T FIGHT WITH EVERYONE HERE AGAIN. 188 00:06:13,500 --> 00:06:16,930 THE ONLY PERSON I SHOULD BE SPEAKING TO IS ADRIENNE. 189 00:06:16,934 --> 00:06:19,204 AND I'M SPEAKING TO HER LAWYER THROUGH MY LAWYER. 190 00:06:19,200 --> 00:06:20,600 - IT'S OKAY. DON'T GET UPSET. 191 00:06:20,600 --> 00:06:21,800 - NO, I'M NOT. 192 00:06:21,800 --> 00:06:23,230 I STARTED TO GET REALLY UPSET 193 00:06:23,233 --> 00:06:24,233 BECAUSE MAURICIO--MAURICIO-- - I KNOW, YOU LOST IT AGAIN. 194 00:06:24,233 --> 00:06:25,633 - MAURICIO WAS AFTER ME. 195 00:06:25,633 --> 00:06:27,633 - WHY JUST HAVE WORDS WITH HIM THERE? I KNOW. 196 00:06:27,633 --> 00:06:29,433 - THE GUYS SHOULD STAY OUT OF IT. 197 00:06:29,433 --> 00:06:31,233 IT'S BETWEEN YOU AND ADRIENNE. 198 00:06:31,233 --> 00:06:33,503 - IT'S VERY STRESSFUL. - IT IS SO STRESSFUL. 199 00:06:33,500 --> 00:06:34,930 AND I COULD SEE YOU GETTING STRESSED. 200 00:06:34,934 --> 00:06:36,504 IT'S, LIKE, TAKE A DEEP BREATH. 201 00:06:36,500 --> 00:06:39,370 - WHEN I GET ATTACKED, I JUST--I GO CRAZY. 202 00:06:39,367 --> 00:06:40,767 - WHOA, YOU DON'T NEED TO GO CRAZY. 203 00:06:40,767 --> 00:06:42,097 YOU NEED TO THINK ABOUT WHAT YOU'RE SAYING. 204 00:06:42,100 --> 00:06:43,200 - TAKE A DEEP BREATH. 205 00:06:43,200 --> 00:06:44,370 - I LOVE BRANDI, BUT SHE NEEDS 206 00:06:44,367 --> 00:06:45,927 TO KEEP IT TOGETHER. 207 00:06:45,934 --> 00:06:47,334 BRANDI KIND OF LOSES IT. 208 00:06:47,333 --> 00:06:49,133 AND THEN SHE DOESN'T REALLY GET HER POINT ACROSS. 209 00:06:49,133 --> 00:06:51,603 - SHE HAS A SIDE TO HER THAT'S VERY SWEET, 210 00:06:51,600 --> 00:06:54,700 BUT I ALSO SEE SHE HAS A VERY-- 211 00:06:54,700 --> 00:06:56,070 IT'S NOT, YOU KNOW, 212 00:06:56,066 --> 00:06:57,566 "OH, I JUST SAY STUPID THINGS." 213 00:06:57,567 --> 00:06:59,297 THIS IS A SIDE THAT COMES OUT OF HER 214 00:06:59,300 --> 00:07:00,300 THAT IS NOT RIGHT. 215 00:07:00,300 --> 00:07:01,500 - KIM, THIS IS THE FIRST TIME 216 00:07:01,500 --> 00:07:02,700 I HAVE AGREED WITH YOU IN TEN YEARS. 217 00:07:02,700 --> 00:07:04,170 - WELL... - [laughs] 218 00:07:04,166 --> 00:07:06,866 - GOOD FOR YOU, MAURICE. - ON MULTIPLE THINGS. 219 00:07:06,867 --> 00:07:09,327 - THEY'RE JUST NOT-- THEY'RE JUST--THANK YOU. 220 00:07:09,333 --> 00:07:11,573 - THIS IS AN UNBELIEVABLE NIGHT FOR YOU TONIGHT. 221 00:07:11,567 --> 00:07:12,797 - WELL, ALL RIGHT, MAURICE. 222 00:07:12,800 --> 00:07:14,530 TO WATER. - TO WATER. 223 00:07:14,533 --> 00:07:15,973 - YES. 224 00:07:15,967 --> 00:07:18,927 - WELL, AT LEAST SOMEONE'S AGREEING ABOUT SOMETHING. 225 00:07:21,367 --> 00:07:24,297 - I GOTTA GO. 226 00:07:24,300 --> 00:07:25,970 - BRANDI. - YES? 227 00:07:25,967 --> 00:07:28,727 - DO YOU UNDERSTAND THAT I HAVE NOTHING PERSONAL 228 00:07:28,734 --> 00:07:29,874 AGAINST YOU, RIGHT? 229 00:07:29,867 --> 00:07:31,197 IT'S NOT A PERSONAL ISSUE. 230 00:07:31,200 --> 00:07:32,330 I JUST WANT YOU TO KNOW THAT. 231 00:07:32,333 --> 00:07:33,473 - IT FEELS PERSONAL. 232 00:07:33,467 --> 00:07:34,667 - I JUST WANT YOU TO KNOW IT'S NOT. 233 00:07:34,667 --> 00:07:36,667 IT'S A MATTER OF WHAT I PERSONALLY FEEL 234 00:07:36,667 --> 00:07:37,997 IS A PRINCIPLE. 235 00:07:38,000 --> 00:07:41,730 IT HAS ZERO PERSONAL. THERE'S NOTHING PERSONAL. 236 00:07:41,734 --> 00:07:43,704 I CARE ABOUT YOU, I CARE ABOUT YOUR KIDS. 237 00:07:43,700 --> 00:07:44,970 I JUST WANT YOU TO KNOW THAT. 238 00:07:44,967 --> 00:07:46,627 - RIGHT, AND I UNDERSTAND, AND I RESPECT 239 00:07:46,633 --> 00:07:47,973 EVERYONE TO HAVE THEIR OPINION. 240 00:07:47,967 --> 00:07:50,497 I CAN SAY I DID WRONG TIME AND TIME AND TIME AGAIN. 241 00:07:50,500 --> 00:07:52,570 BUT, LIKE, TO COME AFTER ME FOR SOMETHING 242 00:07:52,567 --> 00:07:55,027 IN A GROUP OF PEOPLE WHERE YOU DON'T KNOW 243 00:07:55,033 --> 00:07:56,633 WHAT'S SHE'S DONE TO ME... - I DON'T. 244 00:07:56,633 --> 00:07:58,103 - IT WAS A LITTLE AGGRESSIVE. - I DON'T KNOW. 245 00:07:58,100 --> 00:07:59,400 - THAT'S ALL. 246 00:07:59,400 --> 00:08:00,630 - I'M ONLY TALKING ABOUT WHAT I DO KNOW ABOUT. 247 00:08:00,633 --> 00:08:01,973 I DON'T KNOW WHAT I DON'T KNOW ABOUT. 248 00:08:01,967 --> 00:08:03,127 AND THAT'S THE TRUTH. 249 00:08:03,133 --> 00:08:04,203 - BUT MAYBE-- YOU HAVE TO MAYBE 250 00:08:04,200 --> 00:08:05,570 GET THE FULL STORY... - TYPICAL MAN. 251 00:08:05,567 --> 00:08:07,467 - BEFORE YOU ATTACK SOMEBODY AT A DINNER PARTY. 252 00:08:07,467 --> 00:08:09,197 - TYPICAL MAN. 253 00:08:09,200 --> 00:08:10,930 - [laughs] - TYPICAL MAN. 254 00:08:10,934 --> 00:08:13,104 - MEN ARE FROM MARS, WOMEN ARE FROM VENUS, 255 00:08:13,100 --> 00:08:14,430 OR WHATEVER THAT THEY SAY. 256 00:08:14,433 --> 00:08:17,573 - KEN, MY HUSBAND IS ANYTHING BUT A TYPICAL MAN. 257 00:08:17,567 --> 00:08:19,897 - THANK YOU. 258 00:08:19,900 --> 00:08:21,030 - ANYWAY, I JUST WANTED TO SAY THAT. 259 00:08:21,033 --> 00:08:22,503 - THANK YOU. 260 00:08:22,500 --> 00:08:26,600 - BYE, GORGEOUS. - ALL RIGHT, I'M GONNA GO. BYE. 261 00:08:29,633 --> 00:08:33,203 - I'D NEVER GO AGAINST MAURICIO NORMALLY. 262 00:08:33,200 --> 00:08:34,930 BUT I HAD TO DO IT TONIGHT. 263 00:08:34,934 --> 00:08:36,404 - WELL, EVEN WHEN HE SAID TO ME-- 264 00:08:36,400 --> 00:08:38,500 HE SAID, "OH, THAT'S NONSENSE." 265 00:08:38,500 --> 00:08:40,930 SOME OF IT IS NONSENSE TO YOU, BUT IT'S NOT TO ME. 266 00:08:40,934 --> 00:08:42,734 IF SOMEBODY WAS ATTACKING YOUR INTEGRITY, 267 00:08:42,734 --> 00:08:44,504 YOU'D FEEL THE SAME WAY. - ABSOLUTELY. 268 00:08:44,500 --> 00:08:47,100 - OF COURSE YOU WOULD. 269 00:08:47,100 --> 00:08:49,330 IT'S FUNNY HOW THINGS CHANGE SO QUICKLY, ISN'T IT? 270 00:08:49,333 --> 00:08:50,473 - YEAH. 271 00:08:50,467 --> 00:08:53,027 - I HATE THE FACT THAT KYLE AND MAURICIO 272 00:08:53,033 --> 00:08:55,433 AND KEN AND I ARE AT ODDS WITH THIS MATTER, 273 00:08:55,433 --> 00:08:56,933 BUT IT IS WHAT IT IS. 274 00:08:56,934 --> 00:08:58,104 I CAN'T CHANGE IT. 275 00:08:58,100 --> 00:08:59,730 - WHAT A NIGHTMARE. - SHALL WE-- 276 00:08:59,734 --> 00:09:01,134 - CAN WE STOP OFF AT THE POLO LOUNGE 277 00:09:01,133 --> 00:09:02,433 AND HAVE A DRINK? - LET'S GO TO THE POLO LOUNGE 278 00:09:02,433 --> 00:09:04,933 FOR A DRINK. - A CUP OF TEA OR-- 279 00:09:04,934 --> 00:09:06,174 - AND MAYBE-- 280 00:09:06,166 --> 00:09:07,766 - I HAVEN'T ACTUALLY GOT TO WORK TOMORROW. 281 00:09:07,767 --> 00:09:09,267 - YOU HAVEN'T? OH, MY GOD. 282 00:09:09,266 --> 00:09:10,596 THIS IS MY LUCKY NIGHT. 283 00:09:10,600 --> 00:09:14,030 - SO YOU CAN SPEND THE WHOLE DAY PUSHING ME ON MY SWING. 284 00:09:14,033 --> 00:09:16,733 - UM, I WAS THINKING OF OTHER THINGS. 285 00:09:16,734 --> 00:09:19,304 - EASY. 286 00:09:19,300 --> 00:09:21,030 - COMING UP... 287 00:09:21,033 --> 00:09:22,803 - THIS WAS PROBABLY A LITTLE BIT OF A PORTAL 288 00:09:22,800 --> 00:09:24,030 THAT YOU HAVE HERE. 289 00:09:24,033 --> 00:09:25,703 IT'S, LIKE, A DOOR TO THE OTHER DIMENSION. 290 00:09:25,700 --> 00:09:28,870 - THERE'S SOMEBODY HERE THAT WE CAN'T SEE. 291 00:09:40,367 --> 00:09:42,267 - THIS IS KIND OF BROKEN. 292 00:09:42,266 --> 00:09:44,566 - WELL, HONEY, THINGS THAT ARE BROKEN 293 00:09:44,567 --> 00:09:46,297 IS YOUR JOB. 294 00:09:46,300 --> 00:09:47,730 I DO NOT REPAIR THINGS. 295 00:09:47,734 --> 00:09:50,134 I DO EVERYTHING ELSE IN THIS HOUSE. 296 00:09:50,133 --> 00:09:51,233 YOU REPAIR. 297 00:09:51,233 --> 00:09:53,133 ENTIENDO, MI AMOR? 298 00:09:53,133 --> 00:09:56,133 - ENTIENDO. 299 00:09:58,834 --> 00:10:00,804 HONEY. - YES, MY LOVE? 300 00:10:00,800 --> 00:10:02,830 - I HOPE THEY GET HERE SOON. I'M EXCITED TO SEE THEM. 301 00:10:02,834 --> 00:10:04,304 I HAVEN'T SEEN THEM FOREVER. 302 00:10:04,300 --> 00:10:08,430 - I LIKE TO HAVE THIS ON 'CAUSE IT LOOKS PRETTY. 303 00:10:08,433 --> 00:10:10,573 - COME ON, LET'S GO. 304 00:10:10,567 --> 00:10:12,897 COME ON, COME ON. - I KNOW, I KNOW. 305 00:10:12,900 --> 00:10:14,630 YOU KNOW WHAT, I'M IN HEELS. 306 00:10:14,633 --> 00:10:15,733 PLEASE DON'T PUSH. 307 00:10:15,734 --> 00:10:19,534 - I CAN WALK ON THIS IN HEELS. 308 00:10:19,533 --> 00:10:20,703 [doorbell rings] 309 00:10:20,700 --> 00:10:22,130 - OOPS. both: THEY'RE HERE. 310 00:10:22,133 --> 00:10:25,673 - OKAY. 311 00:10:25,667 --> 00:10:27,797 - HI. - HELLO. 312 00:10:27,800 --> 00:10:29,170 - HOW ARE YOU? 313 00:10:29,166 --> 00:10:31,796 - HELLO. - SO GOOD TO SEE YOU. 314 00:10:31,800 --> 00:10:33,230 - GOOD TO SEE YOU. - HOW HAVE YOU BEEN? 315 00:10:33,233 --> 00:10:34,533 IT'S SO GOOD TO SEE YOU GUYS. 316 00:10:34,533 --> 00:10:36,573 - WE MISS YOU. - I MISSED YOU GUYS SO MUCH. 317 00:10:36,567 --> 00:10:37,727 I WAS JUST TELLING KYLE HOW MUCH I MISSED YOU GUYS. 318 00:10:37,734 --> 00:10:39,774 - HOW ARE YOU? - HOW MUCH I MISSED YOU. 319 00:10:39,767 --> 00:10:40,867 - WELL, YEAH. WE WERE IN NEW YORK. 320 00:10:40,867 --> 00:10:41,927 - YOU GOOD? 321 00:10:41,934 --> 00:10:42,934 - WE WERE IN NEW YORK FOR A WHILE. 322 00:10:42,934 --> 00:10:44,034 - I KNOW. 323 00:10:44,033 --> 00:10:45,203 - PAUL AND I NEEDED A BREAK 324 00:10:45,200 --> 00:10:47,570 FROM BRANDI'S TOXICITY. 325 00:10:47,567 --> 00:10:49,297 WE WANTED TO GET SOME FRESH AIR 326 00:10:49,300 --> 00:10:53,330 AND TRY TO GET AWAY FROM ALL THE NEGATIVE ENERGY. 327 00:10:53,333 --> 00:10:54,603 - HI. 328 00:10:54,600 --> 00:10:56,300 - YOU GUYS, THERE'S A LITTLE SOMETHING-- 329 00:10:56,300 --> 00:10:57,330 - OH, MY GOSH. 330 00:10:57,333 --> 00:11:00,133 - JUST A LITTLE NIBBLE FOR US. 331 00:11:00,133 --> 00:11:02,003 - SHOULD WE DRINK IT, OR SHOULD WE WAIT TILL-- 332 00:11:02,000 --> 00:11:03,370 - OF COURSE. 333 00:11:03,367 --> 00:11:04,627 - I DON'T KNOW. - WHATEVER HAS TO BE DONE. 334 00:11:04,633 --> 00:11:06,373 - [clears throat] ISN'T THAT NICE? 335 00:11:06,367 --> 00:11:09,727 - IT'S A SINGLE MALT. 336 00:11:09,734 --> 00:11:11,334 - IS FRUIT FIRST OR FRUIT DESSERT? 337 00:11:11,333 --> 00:11:13,133 - WELL, THERE'S EVERYTHING. - THE SALAD. 338 00:11:13,133 --> 00:11:15,433 - IT DOESN'T MATTER. - WHATEVER, WHO CARES. 339 00:11:15,433 --> 00:11:17,303 - I DON'T WANT ANY. I DON'T WANT IT. 340 00:11:17,300 --> 00:11:18,500 - YOU DON'T WANT IT? 341 00:11:18,500 --> 00:11:19,870 - [laughs] YOU'D LIKE SOME FRUIT FIRST? 342 00:11:19,867 --> 00:11:21,027 - WELL, YOU-- WELL, YOU KNOW WHAT? 343 00:11:21,033 --> 00:11:22,403 SO WHAT? - WHAT'S SO FUNNY? 344 00:11:22,400 --> 00:11:23,400 WHAT ARE YOU MAKING FUN OF? - SO I LIKE FRUIT FIRST. 345 00:11:23,400 --> 00:11:24,500 - I DON'T KNOW. 346 00:11:24,500 --> 00:11:25,700 HE'S LAUGHING AT OUR-- AT OUR-- 347 00:11:25,700 --> 00:11:27,570 - HE CAN'T MISS THE OPPORTUNITY FOR THAT... 348 00:11:27,567 --> 00:11:29,067 - TO TAKE A JAB. - SMALL LITTLE DIG. 349 00:11:29,066 --> 00:11:30,926 CHEERS. 350 00:11:30,934 --> 00:11:32,374 - WE MISSED YOU GUYS. 351 00:11:32,367 --> 00:11:33,997 - I HOPE YOUR TRIP WAS A SUCCESS. 352 00:11:34,000 --> 00:11:35,500 - YEAH, WE HAD-- WE HAD A GOOD TRIP. 353 00:11:35,500 --> 00:11:38,070 - IT'S WHY WE'VE BEEN MISSING YOU GUYS FOR A WHILE. 354 00:11:38,066 --> 00:11:39,566 BEEN A LITTLE M.I.A. 355 00:11:39,567 --> 00:11:41,267 - I KNOW. - UNDERSTANDABLY SO. 356 00:11:41,266 --> 00:11:43,726 - I KNOW LAST TIME WE SAW YOU WASN'T EXACTLY PLEASANT. 357 00:11:43,734 --> 00:11:45,174 - NO. [sighs] 358 00:11:45,166 --> 00:11:46,266 YOU ARE LYING! 359 00:11:46,266 --> 00:11:47,596 THAT'S A LIE. - I AM NOT LYING, BITCH. 360 00:11:47,600 --> 00:11:48,930 - ARE YOU CALLING MY WIFE A BITCH? 361 00:11:48,934 --> 00:11:51,134 - [bleep] YOU. - YOU'RE A PIECE OF [bleep]. 362 00:11:51,133 --> 00:11:53,233 - I FELT BAD BECAUSE IT WAS OUR EVENT, 363 00:11:53,233 --> 00:11:56,003 AND, YOU KNOW. 364 00:11:56,000 --> 00:11:57,230 - IT HAD NOTHING TO DO WITH YOU. 365 00:11:57,233 --> 00:12:00,033 IT HAD TO DO WITH THE CIRCUMSTANCE, 366 00:12:00,033 --> 00:12:04,873 AND UNFORTUNATELY, IT JUST, WITH BRANDI, 367 00:12:04,867 --> 00:12:07,627 I THINK IT WENT A LITTLE TOO FAR. 368 00:12:07,633 --> 00:12:08,933 - WAY TOO FAR. 369 00:12:08,934 --> 00:12:12,074 - AND WHATEVER PERSONAL ISSUES SHE HAS WITH ME 370 00:12:12,066 --> 00:12:14,666 OR WITH PAUL, WITH US TOGETHER, 371 00:12:14,667 --> 00:12:16,527 SHOULDN'T REALLY INCLUDE PEOPLE THAT I LOVE. 372 00:12:16,533 --> 00:12:21,603 AND SHE WAS, YOU KNOW, OUT OF LINE. 373 00:12:21,600 --> 00:12:23,530 - I FEEL BAD THAT THIS HAPPENED 374 00:12:23,533 --> 00:12:26,303 AT MAURICIO'S EVENT BECAUSE I LOST IT. 375 00:12:26,300 --> 00:12:29,430 YOU KNOW, IF SOMEONE, YOU KNOW, HAD AN ISSUE WITH YOU, 376 00:12:29,433 --> 00:12:31,433 YOU'RE GONNA REACT THE SAME WAY. - OF COURSE. 377 00:12:31,433 --> 00:12:34,133 - I KNOW YOU'D SUPPORT US FOR SOMETHING LIKE THAT. 378 00:12:34,133 --> 00:12:35,433 - WE HAVE HAD YOUR BACK, JUST SO YOU KNOW THAT. 379 00:12:35,433 --> 00:12:36,773 - YEAH. NO, NO, NO. 380 00:12:36,767 --> 00:12:37,767 - WELL, I CAN TELL YOU, LIKE, I FLAT-OUT TOLD HER 381 00:12:37,767 --> 00:12:40,627 THAT SHE WAS COMPLETELY OUT OF LINE. 382 00:12:40,633 --> 00:12:42,533 SHE GOT VERY UPSET WITH ME. 383 00:12:42,533 --> 00:12:44,733 SHE TOLD ME TO [bleep] OFF, MOTHER[bleep], 384 00:12:44,734 --> 00:12:46,034 IS WHAT I GOT. 385 00:12:46,033 --> 00:12:47,073 - BUT DO YOU KNOW WHAT THE WEIRD THING IS? 386 00:12:47,066 --> 00:12:48,596 IF ANYBODY ELSE HAD SAID THAT TO MY HUSBAND, 387 00:12:48,600 --> 00:12:51,230 I THINK I WOULD HAVE FLOWN ACROSS THE ROOM. 388 00:12:51,233 --> 00:12:53,273 YOU DIDN'T EVEN BLINK. - I DIDN'T EVEN FLINCH. 389 00:12:53,266 --> 00:12:55,526 - I FEEL SORT OF STUCK IN THE MIDDLE 390 00:12:55,533 --> 00:12:59,303 WITH BEING FRIENDLY WITH BOTH ADRIENNE AND BRANDI. 391 00:12:59,300 --> 00:13:02,030 I DEFINITELY FEEL LIKE IT'S A BALANCING ACT 392 00:13:02,033 --> 00:13:04,373 WHEN YOU HAVE FRIENDS THAT ARE ARGUING. 393 00:13:04,367 --> 00:13:06,297 - YOU GUYS ARE GOOD FRIENDS. 394 00:13:06,300 --> 00:13:09,170 YOU SUPPORT US, YOU HAVE SUPPORTED US, 395 00:13:09,166 --> 00:13:10,426 THAT'S ALL THAT COUNTS. 396 00:13:10,433 --> 00:13:11,673 YOU KNOW, WE DON'T REALLY NEED 397 00:13:11,667 --> 00:13:13,227 TO HEAR AN APOLOGY. - TO BE HONEST WITH YOU... 398 00:13:13,233 --> 00:13:14,633 - WE NEED TO MOVE ON AND TAKE CARE OF OUR STUFF. 399 00:13:14,633 --> 00:13:17,633 - THIS IS A LOT OF TIME THAT'S NOT NECESSARY. 400 00:13:17,633 --> 00:13:18,773 I'D RATHER MOVE ON. 401 00:13:18,767 --> 00:13:20,197 IF SHE HAS AN ISSUE WITH ME, 402 00:13:20,200 --> 00:13:23,470 THEN CONFRONT ME-- CONFRONT ME FACE-TO-FACE. 403 00:13:23,467 --> 00:13:27,197 AND I WOULD APPRECIATE HER DOING THAT ACTUALLY. 404 00:13:43,467 --> 00:13:44,497 - HEY, GUYS. 405 00:13:44,500 --> 00:13:46,200 CAN TWO GUYS GIVE ME A HAND, PLEASE? 406 00:13:46,200 --> 00:13:48,200 THE FLOWERS ARE HERE. 407 00:13:48,200 --> 00:13:50,600 THANK YOU, SIR. OH, MY GOD, THEY'RE BEAUTIFUL. 408 00:13:50,600 --> 00:13:52,500 ALL RIGHT. 409 00:13:52,500 --> 00:13:54,800 SO, GUYS, LET'S TAKE ALL OF THEM. 410 00:13:54,800 --> 00:13:55,900 AND LET'S PUT THEM ALL ON THE BAR 411 00:13:55,900 --> 00:13:57,830 IN THE ROOM THERE, YEAH? 412 00:13:57,834 --> 00:13:58,904 YEAH, I CAN TAKE ONE TOO. 413 00:13:58,900 --> 00:14:00,000 CAN I HAVE ONE? 414 00:14:00,000 --> 00:14:01,800 - I USED TO BE MARRIED TO MOHAMED, 415 00:14:01,800 --> 00:14:05,070 AND OCCASIONALLY I HELP HIM FINALIZE 416 00:14:05,066 --> 00:14:07,496 THE INTERIORS OF THE MANSIONS THAT HE'S BUILDING. 417 00:14:07,500 --> 00:14:09,170 WHEN I WAS MARRIED TO MOHAMED, 418 00:14:09,166 --> 00:14:13,096 I WOULD DECORATE EVERY PROJECT THAT HE WAS BUILDING. 419 00:14:13,100 --> 00:14:15,570 WE WERE ACTUALLY A GREAT TEAM, WORK-WISE. 420 00:14:15,567 --> 00:14:17,627 AND OCCASIONALLY, MOHAMED WILL CALL ME 421 00:14:17,633 --> 00:14:19,433 AND SAY, "OH, I NEED HELP. COME AND LOOK AND GIVE ME-- 422 00:14:19,433 --> 00:14:21,973 YOU KNOW, GIVE ME SOME IDEAS TO DECORATE THIS 423 00:14:21,967 --> 00:14:23,427 OR HOW TO DO THAT." 424 00:14:23,433 --> 00:14:26,873 WE MIGHT NOT BE MARRIED ANYMORE, BUT HE'S STILL SMART ENOUGH 425 00:14:26,867 --> 00:14:28,227 TO LISTEN TO ME. 426 00:14:28,233 --> 00:14:29,873 LET'S JUST PUT THEM ALL ON THE BAR HERE. 427 00:14:29,867 --> 00:14:32,297 RIGHT HERE. LET'S LINE 'EM UP HERE. 428 00:14:32,300 --> 00:14:34,770 ALL RIGHT, OKAY, LET'S GET THE GUYS-- 429 00:14:34,767 --> 00:14:37,067 I WANT TO TRY TO FINISH THIS ROOM, OKAY? 430 00:14:37,066 --> 00:14:38,296 WE DON'T HAVE TOO MUCH TIME. 431 00:14:38,300 --> 00:14:39,600 WHEN I STOPPED MODELING, 432 00:14:39,600 --> 00:14:41,630 I STARTED TAGGING ALONG WITH MOHAMED. 433 00:14:41,633 --> 00:14:43,303 AND HE WAS ALREADY, AT THAT TIME, YOU KNOW, 434 00:14:43,300 --> 00:14:46,100 THE LARGEST DEVELOPER OF THE RITZ-CARLTON HOTELS. 435 00:14:46,100 --> 00:14:48,370 SO I JUST START TAGGING ALONG WITH HIM. 436 00:14:48,367 --> 00:14:51,097 THAT'S KIND OF HOW I GOT INTO, YOU KNOW, DECORATING. 437 00:14:51,100 --> 00:14:54,430 ALL RIGHT, GUYS, LET'S CENTER THIS. 438 00:14:54,433 --> 00:14:56,333 OH, MY GOD, THAT'S HEAVY, NO? 439 00:14:56,333 --> 00:14:57,433 - YEAH. A LITTLE HEAVY. 440 00:14:57,433 --> 00:14:58,903 - COME TO ME A LITTLE BIT. 441 00:14:58,900 --> 00:15:01,070 - [speaking Spanish] - BACKWARDS. 442 00:15:01,066 --> 00:15:03,626 - YOU GOTTA LEARN ENGLISH. 443 00:15:03,633 --> 00:15:05,703 - YEAH, I KNOW. - YOU KNOW? YOU'RE IN AMERICA. 444 00:15:05,700 --> 00:15:07,100 THEY SPEAK ENGLISH HERE. 445 00:15:07,100 --> 00:15:08,500 YOU KNOW, WHEN I COME TO AMERICA, 446 00:15:08,500 --> 00:15:10,070 I DON'T SPEAK NO ENGLISH. 447 00:15:10,066 --> 00:15:13,026 AND ALL I KNOW HOW TO SAY WAS "PLEASE," "THANK YOU," 448 00:15:13,033 --> 00:15:14,233 "YES," "NO." 449 00:15:14,233 --> 00:15:16,373 BUT EVERY NIGHT, BEFORE I GO TO SLEEP, I STUDY. 450 00:15:16,367 --> 00:15:18,697 - YES. - OKAY? SO YOU DO THE SAME. 451 00:15:18,700 --> 00:15:19,900 OKAY. 452 00:15:19,900 --> 00:15:21,870 WHEN IT COMES TO DAVID AND MOHAMED, 453 00:15:21,867 --> 00:15:23,897 IT'S JUST IMPORTANT FOR OUR CHILDREN 454 00:15:23,900 --> 00:15:27,570 THAT WE ALL GET ALONG AND THAT WE ALL ARE RESPECTFUL. 455 00:15:27,567 --> 00:15:31,367 BETWEEN US ALL, WE HAVE 12 KIDS AND STEP-KIDS. 456 00:15:31,367 --> 00:15:35,867 AND IT'S A BIG, BLENDED FAMILY, BUT WE LOVE IT. 457 00:15:40,533 --> 00:15:42,603 YEAH. OKAY. 458 00:15:42,600 --> 00:15:46,000 YEAH. IT'S A LITTLE BIG FOR HERE, 459 00:15:46,000 --> 00:15:49,530 BUT I THINK MAYBE ONCE WE LET IT BREATHE A LITTLE... 460 00:15:49,533 --> 00:15:51,733 BUT IT'S FINE TO SHOW IT. IT'S OKAY. 461 00:15:51,734 --> 00:15:55,074 THIS HOUSE IS SO IMPRESSIVE. IT'S SO INCREDIBLE. 462 00:15:55,066 --> 00:15:57,026 AND SINCE I JUST FINISHED DECORATING, 463 00:15:57,033 --> 00:15:58,833 I'D LOVE TO INVITE THE GIRLS, 464 00:15:58,834 --> 00:16:00,834 IF THEY'D BEHAVE APPROPRIATE, YES. 465 00:16:00,834 --> 00:16:03,704 GIVE ME FIVE. ENGLISH TONIGHT. 466 00:16:03,700 --> 00:16:05,130 WHAT ARE YOU GONNA DO TONIGHT WHEN YOU GET HOME? 467 00:16:05,133 --> 00:16:07,203 - LEARN ENGLISH. - YES! YES, YES, YES, YES. 468 00:16:07,200 --> 00:16:10,370 GOOD JOB. 469 00:16:26,066 --> 00:16:27,766 - I KNEW IT WAS YOU. 470 00:16:27,767 --> 00:16:29,567 - HI. - HOW ARE YA? 471 00:16:29,567 --> 00:16:30,997 - GOOD. HOW ARE YOU? - GOOD. 472 00:16:31,000 --> 00:16:32,330 - THANKS FOR COMING. - OKAY. 473 00:16:32,333 --> 00:16:34,903 SO WHERE DO I NEED TO GO? - IN HERE. 474 00:16:34,900 --> 00:16:38,030 AFTER ALL THE CRAZY FIGHTING AT DAR MAGHREB LAST NIGHT, 475 00:16:38,033 --> 00:16:39,933 THANK GOD LIFE GOES ON. 476 00:16:39,934 --> 00:16:43,104 THIS IS THE KIND OF THING I JUST WANTED TO SHOW YOU-- 477 00:16:43,100 --> 00:16:47,070 THESE PEOPLE THAT I FEEL. - MM-HMM. 478 00:16:47,066 --> 00:16:49,096 - THESE SPIRITS. YOU CALL THEM GHOSTS. 479 00:16:49,100 --> 00:16:52,100 THAT IS WHERE I HAVE FELT SOMEBODY SIT. 480 00:16:52,100 --> 00:16:53,600 - RIGHT--RIGHT HERE. - YEAH. 481 00:16:53,600 --> 00:16:57,030 I FEEL THAT THERE MIGHT BE SOMETHING IN THE HOUSE 482 00:16:57,033 --> 00:16:59,433 OTHER THAN...US. 483 00:16:59,433 --> 00:17:01,733 - OKAY, THERE'S THIS ONE THING THAT I FEEL 484 00:17:01,734 --> 00:17:05,504 IS THAT YOU HAVE THE SPIRIT OF YOUR FUTURE GRANDCHILDREN 485 00:17:05,500 --> 00:17:07,370 COMING TO YOU ALREADY. 486 00:17:07,367 --> 00:17:08,997 SO YOU'VE GOT A COUPLE OF LITTLE ONES HERE 487 00:17:09,000 --> 00:17:10,270 PLAYING ON THE BED. 488 00:17:10,266 --> 00:17:12,166 YES, YOU'RE GONNA HAVE SOME GRANDCHILDREN. 489 00:17:12,166 --> 00:17:15,466 NOW, THE OTHER THING IS THERE IS A WOMAN 490 00:17:15,467 --> 00:17:16,897 THAT SITS ON THE END OF THIS BED 491 00:17:16,900 --> 00:17:19,670 AND WATCHES OVER YOU THAT IS NOT YOUR MOTHER. 492 00:17:19,667 --> 00:17:21,467 - WITH ALL THESE SPIRITS HERE, 493 00:17:21,467 --> 00:17:24,367 I DON'T FEEL LIKE I REALLY WANT TO GO ANYWHERE, RIGHT? 494 00:17:24,367 --> 00:17:26,897 - NO. - REBECCA TELLS ME 495 00:17:26,900 --> 00:17:28,270 THAT MY GRANDCHILDREN ARE IN THE HOUSE 496 00:17:28,266 --> 00:17:30,696 WITH SOME OTHER PEOPLE OR SPIRITS. 497 00:17:30,700 --> 00:17:33,100 IF THIS IS THE CASE, I'M REALLY HAPPY. 498 00:17:33,100 --> 00:17:36,330 SOMETIMES I THINK DEALING WITH THE OTHER SIDE 499 00:17:36,333 --> 00:17:38,873 WOULD BE EASIER THAN DEALING WITH THESE GIRLS. 500 00:17:38,867 --> 00:17:40,827 MAYBE. [laughs] 501 00:17:40,834 --> 00:17:43,834 THIS PARTICULAR AREA, I SEE HEARTS. 502 00:17:43,834 --> 00:17:47,834 YOU KNOW, AND I SEE--YOU KNOW, I SEE ALL KINDS OF HEARTS. 503 00:17:47,834 --> 00:17:51,174 - THIS IS PROBABLY A LITTLE BIT OF A PORTAL THAT YOU HAVE HERE. 504 00:17:51,166 --> 00:17:52,326 SO YOUR FAMILY-- - A LITTLE WHAT? 505 00:17:52,333 --> 00:17:53,333 - IT'S CALLED, LIKE, A PORTAL. 506 00:17:53,333 --> 00:17:55,803 THEY CAN COME THROUGH A VORTEX. 507 00:17:55,800 --> 00:17:58,170 IT'S LIKE A DOOR TO THE OTHER DIMENSION. 508 00:17:58,166 --> 00:17:59,696 SO THIS IS YOUR DOOR. 509 00:17:59,700 --> 00:18:02,930 - ARE WE OPENING UP-- - NO, IT'S ALREADY OPEN. 510 00:18:02,934 --> 00:18:05,404 - ARE THEY ALL GONNA COME RUNNING IN HERE, LIKE, 511 00:18:05,400 --> 00:18:08,600 "HI, WE'RE HERE"? - THE DOOR'S ALREADY OPEN. 512 00:18:08,600 --> 00:18:09,670 YOU DIDN'T OPEN IT. IT'S BEEN OPEN. 513 00:18:09,667 --> 00:18:12,367 - I MEAN, AS LONG AS NO CRAZY GUY 514 00:18:12,367 --> 00:18:14,427 COMES FLYING THROUGH THE FIREPLACE, 515 00:18:14,433 --> 00:18:19,733 AND, LIKE, "AAH! GET OUT!" 516 00:18:19,734 --> 00:18:21,474 - COMING UP... 517 00:18:21,467 --> 00:18:24,997 - SO I THINK IT'S BEAUTIFUL, BUT 14,000 IS, LIKE, TOO MUCH. 518 00:18:25,000 --> 00:18:28,500 - WHAT WOULD YOU FEEL COMFORTABLE PAYING FOR IT? 519 00:18:28,500 --> 00:18:30,900 - UM... 520 00:18:52,266 --> 00:18:54,696 - HI, MOHAMED. 521 00:18:54,700 --> 00:18:56,000 - HEY. - BABY, IT'S CRAZY. 522 00:18:56,000 --> 00:19:00,670 - HELLO, LADIES! - WE BROUGHT YOU A PRESENT. 523 00:19:00,667 --> 00:19:02,167 - MWAH. MWAH. 524 00:19:02,166 --> 00:19:03,566 HEY, MAMA. 525 00:19:03,567 --> 00:19:05,267 - DADDY, WE'RE GONNA NEED A LITTLE HELP IN A MINUTE. 526 00:19:05,266 --> 00:19:06,496 - LOOK WHAT WE BROUGHT YOU. HERE. LEMONS. 527 00:19:06,500 --> 00:19:08,700 - OH, MY GOD! LOOK AT THIS, ALL THESE LEMONS. 528 00:19:08,700 --> 00:19:10,630 - MOHAMED AND I, WE WERE MARRIED FOR SEVEN YEARS. 529 00:19:10,633 --> 00:19:13,933 AFTER THE DIVORCE, MY FOCUS WAS ALWAYS 530 00:19:13,934 --> 00:19:17,174 TO KEEP MOHAMED CLOSE AND KEEP HIM INVOLVED 531 00:19:17,166 --> 00:19:18,626 IN THE LIVES OF MY CHILDREN. 532 00:19:18,633 --> 00:19:20,003 BECAUSE AT THE END OF THE DAY, 533 00:19:20,000 --> 00:19:22,600 IT WASN'T REALLY ABOUT HOW I WAS FEELING ABOUT MOHAMED. 534 00:19:22,600 --> 00:19:24,570 IT WAS REALLY ABOUT HOW MY CHILDREN FELT 535 00:19:24,567 --> 00:19:25,797 ABOUT THEIR DADDY. 536 00:19:25,800 --> 00:19:28,970 SO WHAT DO YOU THINK OF THIS? - OH, MY GOD! 537 00:19:28,967 --> 00:19:31,567 THIS ROOM-- I WAS NOT EXPECTING THIS. 538 00:19:31,567 --> 00:19:33,567 I LOVE IT. - OH, YOU LOVE IT? GOOD. 539 00:19:33,567 --> 00:19:34,627 - I'M GOING TO SHOW YOU-- - GIVE ME FIVE. 540 00:19:34,633 --> 00:19:35,973 - YOU DID GOOD, YEAH, YOU DID GOOD. 541 00:19:35,967 --> 00:19:37,497 I LIKE THAT, I LIKE-- 542 00:19:37,500 --> 00:19:38,970 I'M GONNA HIRE YOU FOR THE REST OF THE JOB. 543 00:19:38,967 --> 00:19:40,327 - NOT BAD FOR AN EX-WIFE, HUH? 544 00:19:40,333 --> 00:19:41,633 - NO, NOT BAD FOR AN EX-WIFE. 545 00:19:41,633 --> 00:19:43,233 I'M GONNA KEEP YOU AROUND. YOU DID AN AMAZING JOB. 546 00:19:43,233 --> 00:19:45,633 I CAN TELL YOU THIS RIGHT NOW. 547 00:19:45,633 --> 00:19:47,233 - WELL, I'M GLAD YOU LIKE IT. - I'M THINKING ABOUT-- 548 00:19:47,233 --> 00:19:49,603 I WANT TO HIRE YOU TO DO THE REST OF THE HOUSE. 549 00:19:49,600 --> 00:19:50,670 - I'M SO EXPENSIVE. 550 00:19:50,667 --> 00:19:51,727 - AND FOR THAT, I'M GONNA ALLOW YOU 551 00:19:51,734 --> 00:19:53,674 TO SPEND MORE TIME WITH MY KIDS. 552 00:19:53,667 --> 00:19:56,367 - I DON'T THINK YOU CAN AFFORD ME, MOHAMED, SO... 553 00:19:56,367 --> 00:19:57,667 I THINK I'VE DONE A GREAT JOB 554 00:19:57,667 --> 00:19:59,727 IN ALWAYS TEACHING MY CHILDREN, YOU KNOW, 555 00:19:59,734 --> 00:20:01,574 DADDY'S WORKING TO MAKE MONEY, 556 00:20:01,567 --> 00:20:04,367 SO HE CAN SUPPORT THE HORSES 557 00:20:04,367 --> 00:20:06,827 AND GOING TO A GOOD SCHOOL AND ALL THESE IMPORTANT THINGS. 558 00:20:06,834 --> 00:20:10,704 DID YOU SEE THE OUTSIDE, GIRLS? 559 00:20:10,700 --> 00:20:14,170 - OH, MY GOSH, IT'S SO PRETTY. - ISN'T THAT PRETTY? 560 00:20:14,166 --> 00:20:18,826 HEY, DON'T SLOUCH. PUT YOUR BODY-- 561 00:20:18,834 --> 00:20:20,574 GIGI, HOW MANY TIMES I TOLD YOU? STOP SLOUCHING. 562 00:20:20,567 --> 00:20:21,767 - OH, MY GOD. [laughs] 563 00:20:21,767 --> 00:20:23,367 - YOU KNOW, IT'S LIKE, I TOLD YOU 564 00:20:23,367 --> 00:20:24,697 THAT YOU GOTTA, YOU KNOW, WALK LIKE-- 565 00:20:24,700 --> 00:20:25,870 - YOU ALSO TOLD ME TO STOP BITING MY NAILS... 566 00:20:25,867 --> 00:20:27,227 - WALK LIKE YOU'RE WALKING BACKWARDS. 567 00:20:27,233 --> 00:20:28,403 - AND YOU STILL HAVEN'T STOPPED, SO... 568 00:20:28,400 --> 00:20:29,500 - AND YOU'RE STILL BITING YOUR NAILS. 569 00:20:29,500 --> 00:20:30,830 - THERE'S NO OLIVES ON THESE. 570 00:20:30,834 --> 00:20:32,574 SO LISTEN, THESE ARE-- NO, THESE ARE MY OLIVE TREES. 571 00:20:32,567 --> 00:20:35,327 THEY FLEW THEM FROM ITALY. - YES. 572 00:20:35,333 --> 00:20:36,703 - THEY ARE ALL FEMALE, 573 00:20:36,700 --> 00:20:38,730 SO THEY ALL HAVE OLIVES WILL COME OFF, I'M SERIOUS. 574 00:20:38,734 --> 00:20:42,604 - OF COURSE YOUR DAD IS GONNA HAVE ALL FEMALE TREES. 575 00:20:42,600 --> 00:20:44,900 - OH, YEAH. [laughter] 576 00:20:44,900 --> 00:20:47,030 - WHEN YOU RAISE THREE CHILDREN TOGETHER, 577 00:20:47,033 --> 00:20:49,103 YOU KNOW, YOU'RE NOT ALWAYS GONNA AGREE. 578 00:20:49,100 --> 00:20:51,230 - YOU GUYS ARE CRAZY. 579 00:20:51,233 --> 00:20:53,073 - SHE CAN'T WALK ON GRASS. - YOU LOOK LIKE FOOLS. 580 00:20:53,066 --> 00:20:54,466 - I CAN'T WALK ON GRASS. - WHY? 581 00:20:54,467 --> 00:20:56,627 - BECAUSE I'M WEARING MY HEELS. - PULL MY PANTS UP. 582 00:20:56,633 --> 00:20:59,073 SOMETIMES WE CLASH A LITTLE BIT, 583 00:20:59,066 --> 00:21:01,396 BUT WE ALWAYS SEEM TO BE COMING BACK AROUND 584 00:21:01,400 --> 00:21:05,030 TO THE MAIN FOCUS, WHICH IS REALLY, YOU KNOW, 585 00:21:05,033 --> 00:21:06,573 ANWAR, BELLA, AND GIGI. 586 00:21:06,567 --> 00:21:09,497 - GIGI, YOU GUYS LOOK LIKE HIPPIES. 587 00:21:09,500 --> 00:21:12,100 - [laughs] WE ARE HIPPIES. 588 00:21:12,100 --> 00:21:15,400 - ARE YOU KIDDING ME? 589 00:21:22,600 --> 00:21:25,700 - I'M EXCITED. 590 00:21:27,033 --> 00:21:28,833 YOU'RE GONNA LOVE THIS STORE, BY THE WAY. 591 00:21:28,834 --> 00:21:31,274 - WAIT, I'M ALREADY-- 592 00:21:31,266 --> 00:21:34,666 - NO, LOOK AT HOW MUCH FUN THIS IS. 593 00:21:37,467 --> 00:21:38,627 - OH, MY GOD. - RIGHT? 594 00:21:38,633 --> 00:21:39,733 LIKE, THIS IS FANTASTIC, ISN'T IT? 595 00:21:39,734 --> 00:21:40,904 - LOOK AT THIS. 596 00:21:40,900 --> 00:21:43,330 I WENT TO BOCA RATON TO DO A BOOK SIGNING. 597 00:21:43,333 --> 00:21:45,773 I FELL IN LOVE WITH A STORE THERE. 598 00:21:45,767 --> 00:21:47,527 EVERY ONE OF MY FAVORITE DESIGNERS, 599 00:21:47,533 --> 00:21:48,773 ACCESSORIES, JEWELRY. 600 00:21:48,767 --> 00:21:51,227 I REACHED OUT TO THE OWNERS, AND I TOLD THEM, 601 00:21:51,233 --> 00:21:52,533 "I'M IN LOVE WITH THIS STORE, 602 00:21:52,533 --> 00:21:53,773 "AND I REALLY WANT TO PARTNER WITH YOU 603 00:21:53,767 --> 00:21:54,927 AND OPEN ONE IN BEVERLY HILLS." 604 00:21:54,934 --> 00:21:56,634 FAYE, STOP! 605 00:21:56,633 --> 00:21:59,403 - I'M JUST BLOCKING IT OUT. - BEHAVE YOURSELF! 606 00:21:59,400 --> 00:22:01,200 FAYE IS GOING TO BE DESIGNING THE STORE, 607 00:22:01,200 --> 00:22:03,700 AND TODAY WE ARE GOING TO LOOK FOR MANNEQUINS. 608 00:22:03,700 --> 00:22:07,200 - I HEAR THERE'S A, LIKE, THIS SASSY COUTURE MANNEQUIN LINE, 609 00:22:07,200 --> 00:22:10,730 AND THEN YOU HAVE, LIKE, A MORE SEXY LINE WITH A-- 610 00:22:10,734 --> 00:22:12,604 - MORE VOLUPTUOUS. - WHERE'S THAT? VOLUPTUOUS. 611 00:22:12,600 --> 00:22:13,870 - YEAH, 'CAUSE THESE ARE SO SKINNY, 612 00:22:13,867 --> 00:22:16,027 BUT THOSE ALSO, LIKE-- - RIGHT. 613 00:22:16,033 --> 00:22:19,173 - I STARTED FAYE RESNICK DESIGN 18 YEARS AGO, 614 00:22:19,166 --> 00:22:20,926 AND I DON'T THINK YOU FIND DESIGN, 615 00:22:20,934 --> 00:22:22,574 I THINK DESIGN FINDS YOU. 616 00:22:22,567 --> 00:22:23,627 I DON'T THINK IT'S SOMETHING YOU CAN LEARN, 617 00:22:23,633 --> 00:22:25,833 I THINK YOU'RE EITHER BORN WITH IT 618 00:22:25,834 --> 00:22:28,774 OR YOU'RE NOT. 619 00:22:31,800 --> 00:22:34,070 - SHOW US THE-- - JUST THE AVERAGE GIRL. 620 00:22:34,066 --> 00:22:35,266 WHERE IS SHE? - OVER THERE. 621 00:22:35,266 --> 00:22:36,696 - THIS IS THE AVERAGE GIRL IN BEVERLY HILLS. 622 00:22:36,700 --> 00:22:39,470 - LET'S GO TO THE ONE THAT'S EATEN A FEW DINNERS. 623 00:22:39,467 --> 00:22:40,967 [laughter] 624 00:22:40,967 --> 00:22:42,827 - THERE'S SO MANY DIFFERENT COLORS. 625 00:22:42,834 --> 00:22:45,934 I WASN'T EXPECTING THAT. - IT'S ALL IN THE DETAILS. 626 00:22:45,934 --> 00:22:48,934 - THAT IS INTERESTING. SO THEY HAVE MANNEQUINS... 627 00:22:48,934 --> 00:22:50,174 - STOP TOUCHING IT. - WITH BOOB JOBS. 628 00:22:50,166 --> 00:22:52,666 - YES. - HERS ARE BETTER THAN HERS. 629 00:22:52,667 --> 00:22:54,527 - NO, I LIKE HERS TOO. 630 00:22:54,533 --> 00:22:57,833 - THIS MUST BE, LIKE, THE ADULT TOY SECTION OR SOMETHING. 631 00:22:57,834 --> 00:22:59,374 - OH, YEAH, THOSE ARE A LITTLE BIT-- 632 00:22:59,367 --> 00:23:02,767 - HI. WELCOME TO MY STORE. [laughs] 633 00:23:02,767 --> 00:23:03,927 - I HAVE A LOT OF A-LISTER CLIENTS: 634 00:23:03,934 --> 00:23:05,774 AVRIL LAVIGNE, PARIS HILTON, 635 00:23:05,767 --> 00:23:08,067 NICK LACHEY, KEVIN CONNOLLY, 636 00:23:08,066 --> 00:23:11,366 WHICH IS A LOT OF FUN, VERY DEMANDING, 637 00:23:11,367 --> 00:23:14,697 SO IT IS REALLY EASY WORKING WITH KYLE. 638 00:23:14,700 --> 00:23:16,870 WE NEED, LIKE, 25 MANNEQUINS, KYLE. 639 00:23:16,867 --> 00:23:19,067 - WHAT? WHY SO MANY? - SO WE CAN GET--A LOT. 640 00:23:19,066 --> 00:23:20,726 WE'RE PUTTING 'EM ON TOP FOR DISPLAYS. 641 00:23:20,734 --> 00:23:21,834 WE'RE DOING THE JEAN DISPLAY. 642 00:23:21,834 --> 00:23:23,334 WE'RE DOING UNDER THE CHANDELIERS... 643 00:23:23,333 --> 00:23:25,473 - DOESN'T THAT SEEM A LOT? - SO WE'RE LOOKING AT 20 TO 25. 644 00:23:25,467 --> 00:23:27,367 YOU HAVE A 5,000-SQUARE-FOOT STORE. 645 00:23:27,367 --> 00:23:30,927 - OKAY. RIGHT NOW, THE STORE IS EMPTY. 646 00:23:30,934 --> 00:23:32,574 THERE'S ABSOLUTELY NOTHING IN IT. 647 00:23:32,567 --> 00:23:34,967 SO THE PRESSURE IS ON FOR FAYE TO GET THIS DONE. 648 00:23:34,967 --> 00:23:38,127 - I THINK WHAT SUZANNA IS GOING TO LET US DO IS, 649 00:23:38,133 --> 00:23:40,703 ESSENTIALLY, BRING TWO OF THEM IN THE CAR, 650 00:23:40,700 --> 00:23:42,670 AND DELIVER THE REST. 651 00:23:42,667 --> 00:23:43,867 - THIS STORE IS LIKE HAVING ANOTHER BABY. 652 00:23:43,867 --> 00:23:46,027 I FEEL LIKE I'M STARTING FROM BIRTH 653 00:23:46,033 --> 00:23:47,473 AND WATCHING IT GROW. 654 00:23:47,467 --> 00:23:50,467 AND I'M JUST GONNA BE NURTURING THIS NEW, LITTLE, HIP, 655 00:23:50,467 --> 00:23:52,027 FASHIONABLE BABY. 656 00:23:52,033 --> 00:23:53,473 - ABSOLUTELY, YES. 657 00:23:53,467 --> 00:23:56,497 - THANK YOU. SEE YOU NEXT TIME. - THANK YOU. BYE. 658 00:23:56,500 --> 00:23:57,870 - BYE, SUZANNA. APPRECIATE IT. 659 00:23:57,867 --> 00:24:00,727 IT'S GONNA BE A LOT TO JUGGLE BEING A MOM, 660 00:24:00,734 --> 00:24:02,304 A WIFE, AND A STORE OWNER, 661 00:24:02,300 --> 00:24:05,570 BUT PORTIA IS NOW IN SCHOOL EVERY DAY. 662 00:24:05,567 --> 00:24:07,897 I REALLY FEEL LIKE, AT THIS POINT IN MY LIFE, 663 00:24:07,900 --> 00:24:09,000 I CAN HANDLE IT. 664 00:24:09,000 --> 00:24:10,770 - THIS IS GONNA BE REALLY EMBARRASSING 665 00:24:10,767 --> 00:24:15,027 DRIVING DOWN THE STREET WITH YOUR NEW BEST FRIENDS. 666 00:24:15,033 --> 00:24:17,133 - WHAT'RE YOU TALKING ABOUT? - WHAT? 667 00:24:17,133 --> 00:24:19,233 THESE GIRLS ARE MORE REAL 668 00:24:19,233 --> 00:24:21,503 THAN SOME OF OUR FRIENDS IN BEVERLY HILLS, SO... 669 00:24:21,500 --> 00:24:22,500 - I LOVE IT. 670 00:24:22,500 --> 00:24:23,570 - [laughs] - IT'S TRUE. 671 00:24:23,567 --> 00:24:24,797 AND WE DON'T HAVE TO WORRY 672 00:24:24,800 --> 00:24:26,570 ABOUT WHAT COMES OUT OF THEIR MOUTH NEXT. 673 00:24:26,567 --> 00:24:27,567 - EXACTLY. - RIGHT? 674 00:24:27,567 --> 00:24:31,097 - [laughs] 675 00:24:42,300 --> 00:24:44,130 - HI, GUYS. - HI. 676 00:24:44,133 --> 00:24:45,633 - HELLO. - HI. 677 00:24:45,633 --> 00:24:47,003 - HI. HOW ARE YOU? - GOOD. HOW ARE YOU? 678 00:24:47,000 --> 00:24:49,600 - GOOD. NICE TO SEE YOU. NICE TO SEE YOU. 679 00:24:49,600 --> 00:24:51,130 - GREAT. 680 00:24:51,133 --> 00:24:53,103 - WELL, I'M GLAD YOU COULD COME. I'M GLAD WE COULD ALL HANG OUT. 681 00:24:53,100 --> 00:24:54,330 - YEAH. - WE HAD FUN THE OTHER NIGHT. 682 00:24:54,333 --> 00:24:56,003 - YEAH, IT WAS A GOOD TIME. - THE FOUR OF US. 683 00:24:56,000 --> 00:24:57,530 - YEAH, THAT WAS-- 684 00:24:57,533 --> 00:24:59,003 THAT PART-- OUR LITTLE TABLE WAS GOOD. 685 00:24:59,000 --> 00:25:00,100 - OUR LITTLE CORNER, YEAH. - OUR LITTLE AREA WAS FUN. 686 00:25:00,100 --> 00:25:01,730 - THE REST OF IT WAS NOT THAT FUN. 687 00:25:01,734 --> 00:25:03,204 - SAFE HAVEN OVER THERE. - YEAH. 688 00:25:03,200 --> 00:25:04,700 AT KYLE'S DINNER PARTY, 689 00:25:04,700 --> 00:25:06,870 I REALLY ENJOYED SPEAKING TO MARISA. 690 00:25:06,867 --> 00:25:08,197 WE ACTUALLY HIT IT OFF. 691 00:25:08,200 --> 00:25:10,030 - YOU HAVE BOYS, YEAH? - BOYS, YEAH. 692 00:25:10,033 --> 00:25:12,073 I DON'T LIKE TO SNUGGLE EXCEPT FOR WITH THE BOYS. 693 00:25:12,066 --> 00:25:13,796 THAT'S IT. OTHERWISE, IT DOESN'T REALLY HAPPEN. 694 00:25:13,800 --> 00:25:15,070 - WELL, NO, I'D RATHER SNUGGLE WITH MY KIDS THAN MY HUSBAND. 695 00:25:15,066 --> 00:25:16,496 - YEAH. [laughs] 696 00:25:16,500 --> 00:25:18,170 WHEN SHE INVITED ME TO DINNER, I WAS LIKE, 697 00:25:18,166 --> 00:25:19,596 "SURE. WHY NOT? LET'S DO THIS." 698 00:25:19,600 --> 00:25:22,930 - THIS IS GONNA BE ENJOYABLE, FUN, RELAXING... 699 00:25:22,934 --> 00:25:24,204 - YEAH. - GOOD FOOD. 700 00:25:24,200 --> 00:25:26,600 - I CAN'T BELIEVE YOU TWO ARE EVEN RELATED. 701 00:25:26,600 --> 00:25:28,000 LOOKING AT YOU, IT'S LIKE NOTHING ALIKE. 702 00:25:28,000 --> 00:25:30,370 - I KNOW, NOTHING. - NOT--NOTHING. RIGHT? 703 00:25:30,367 --> 00:25:31,367 - HE AND I LOOK MORE ALIKE. 704 00:25:31,367 --> 00:25:32,997 - YEAH. 705 00:25:33,000 --> 00:25:34,270 - PEOPLE SOMETIMES SAY, "ARE YOU--" 706 00:25:34,266 --> 00:25:36,026 - BUT PEOPLE DATE PEOPLE THAT LOOK LIKE EACH OTHER TOO. 707 00:25:36,033 --> 00:25:38,933 - I KNOW, BUT USUALLY MY KIND OF GUY IS, LIKE, DARK. 708 00:25:38,934 --> 00:25:41,034 - YEAH, MINE TOO. - DARK HAIR, LIKE YOUR EX. 709 00:25:41,033 --> 00:25:42,233 LIKE, I LOVE THAT LOOK. - [laughs] 710 00:25:42,233 --> 00:25:44,333 BUT WHAT ABOUT THIS? THIS IS SO HANDSOME. 711 00:25:44,333 --> 00:25:45,733 - NO, HE'S SO HANDSOME, BUT IT'S LIKE 712 00:25:45,734 --> 00:25:48,174 I ENDED UP MARRYING EXACTLY OPPOSITE 713 00:25:48,166 --> 00:25:49,626 OF WHAT I'M INTERESTED IN, LIKE-- 714 00:25:49,633 --> 00:25:51,303 - [laughs] - NO--[laughs] 715 00:25:51,300 --> 00:25:52,530 - THAT DID NOT-- 716 00:25:52,533 --> 00:25:54,803 THAT DID NOT SOUND GOOD. - CHECK, PLEASE. 717 00:25:54,800 --> 00:25:58,730 - I LIKE THE FACT THAT MARISA'S BLUNT AND HONEST, 718 00:25:58,734 --> 00:26:00,404 BUT I FEEL SORRY FOR DEAN A LITTLE BIT 719 00:26:00,400 --> 00:26:02,100 BECAUSE OF THE THINGS SHE TALKS ABOUT IN FRONT OF HIM, 720 00:26:02,100 --> 00:26:03,730 I THINK CAN BE A LITTLE DISRESPECTFUL. 721 00:26:03,734 --> 00:26:05,904 I JUST-- I FEEL BAD FOR HIM. 722 00:26:05,900 --> 00:26:07,600 WOW--SO, WHAT ARE YOU DOING RIGHT NOW? 723 00:26:07,600 --> 00:26:09,030 ARE YOU WORKING ON A MOVIE, OR... 724 00:26:09,033 --> 00:26:11,333 - I'VE GOT, UH... - FILLET. FILLET SOUNDS GOOD. 725 00:26:11,333 --> 00:26:13,503 - TWO INDEPENDENTS THAT LOOK LIKE THEY'RE GONNA SHOOT 726 00:26:13,500 --> 00:26:15,100 IN EUROPE IN THE FALL. - OH, AWESOME. 727 00:26:15,100 --> 00:26:16,800 DO YOU GO, THEN? - MAYBE A THIRD, YEAH. 728 00:26:16,800 --> 00:26:18,500 - OH. - YEAH. 729 00:26:18,500 --> 00:26:20,030 - MY HUSBAND DEAN IS A MOVIE PRODUCER. 730 00:26:20,033 --> 00:26:22,333 HE HAS FOLLOWED IN THE FOOTSTEPS OF HIS WHOLE ENTIRE FAMILY. 731 00:26:22,333 --> 00:26:25,873 HIS PARENTS, LILI ZANUCK AND HIS FATHER RICHARD ZANUCK 732 00:26:25,867 --> 00:26:27,867 ARE BIG HERE IN TOWN. 733 00:26:27,867 --> 00:26:30,027 MY HUSBAND REALLY ENJOYS WORKING ON INDEPENDENT FILMS. 734 00:26:30,033 --> 00:26:32,203 I WISH HE WOULD DO 735 00:26:32,200 --> 00:26:35,470 A STUDIO FILM WHERE HE MAKES A GREAT DEAL OF MONEY 736 00:26:35,467 --> 00:26:37,497 AND ALL OF THE PERKS THAT COME WITH THE STUDIO FILMS. 737 00:26:37,500 --> 00:26:39,730 HE'S GONNA BE FILMING ONE IN ITALY. 738 00:26:39,734 --> 00:26:42,174 - AND THEN ANOTHER ONE IN-- IN ROMANIA. 739 00:26:42,166 --> 00:26:44,696 - I WAS IN ROMANIA. IN BUCHAR--BUDAPE-- 740 00:26:44,700 --> 00:26:45,700 BUCHAREST? - YEAH, BUCHAREST. 741 00:26:45,700 --> 00:26:47,500 - MY EX SHOT A MOVIE THERE. 742 00:26:47,500 --> 00:26:50,070 AND I WAS ANNOYED LEAVING MY HUSBAND THERE. 743 00:26:50,066 --> 00:26:51,526 - REALLY? - YEAH. 744 00:26:51,533 --> 00:26:54,633 ALL THE GIRLS ARE STUNNING, AND THEY'RE HOOKERS, AND... 745 00:26:54,633 --> 00:26:56,433 YOU'RE--YOU'RE COMING BACK A HAPPY MAN. 746 00:26:56,433 --> 00:26:59,533 KIDDING. KIDDING, OBVIOUSLY. 747 00:26:59,533 --> 00:27:01,033 I COULDN'T SAY THAT, LIKE, TO SOME OF THE OTHER WOMEN 748 00:27:01,033 --> 00:27:02,433 'CAUSE THEY WOULD BE LIKE, "OH--" 749 00:27:02,433 --> 00:27:03,873 BUT YOU CAN SAY THAT KIND OF THING TO LISA. 750 00:27:03,867 --> 00:27:06,527 YOU CAN JOKE WITH HER ABOUT ANYTHING. 751 00:27:06,533 --> 00:27:07,873 - I AM VERY SIMILAR TO BRANDI. 752 00:27:07,867 --> 00:27:09,667 BRANDI AND I ACTUALLY HAVE A LOT OF THINGS IN COMMON 753 00:27:09,667 --> 00:27:11,397 IN TERMS OF WE SAY WHAT WE FEEL, 754 00:27:11,400 --> 00:27:13,570 WE DON'T REALLY THINK ABOUT IT AT FIRST. 755 00:27:13,567 --> 00:27:15,327 AND THEN AFTERWARDS I'LL THINK, 756 00:27:15,333 --> 00:27:16,573 "OH, MY GOD, SHOULD I HAVE SAID THAT?" 757 00:27:16,567 --> 00:27:19,097 - SO... 758 00:27:19,100 --> 00:27:21,030 NEXT WEEK I'M GOING TO VEGAS. 759 00:27:21,033 --> 00:27:24,403 I BROKERED THIS DEAL WITH THIS NIGHT SCHOOL FOR GIRLS. 760 00:27:24,400 --> 00:27:26,630 I WAS ASKED TO HOST THIS CLASS. 761 00:27:26,633 --> 00:27:28,733 IT'S CALLED BRANDI'S NIGHT SCHOOL FOR GIRLS, 762 00:27:28,734 --> 00:27:30,904 WHERE WE TEACH THE GIRLS 763 00:27:30,900 --> 00:27:34,000 HOW TO FIND THEIR SEXY AGAIN ON A STRIPPER POLE, 764 00:27:34,000 --> 00:27:37,000 AND THEN WE SEND THEM OUT FOR A NIGHTTIME OF VIP PARTYING. 765 00:27:37,000 --> 00:27:38,100 - WHO'S GOING? 766 00:27:38,100 --> 00:27:40,970 - I'VE TALKED TO LISA ABOUT IT. 100%. 767 00:27:40,967 --> 00:27:42,597 I SENT YOLANDA A TEXT. - OKAY. 768 00:27:42,600 --> 00:27:43,830 - I HAVEN'T HEARD BACK YET. 769 00:27:43,834 --> 00:27:45,174 - BUT IT'S NICE FOR YOU TO EXTEND THE INVITE. 770 00:27:45,166 --> 00:27:46,266 - YEAH, EXACTLY. 771 00:27:46,266 --> 00:27:47,626 SO YOU'RE IN? - YEAH, DEFINITELY. 772 00:27:47,633 --> 00:27:48,633 - OH, GOOD. 773 00:27:48,633 --> 00:27:51,033 - I COULD USE A LITTLE TIME AWAY 774 00:27:51,033 --> 00:27:54,873 TO, LIKE, SLEEP IN AND BE ALONE A LITTLE BIT. 775 00:27:54,867 --> 00:27:57,097 - [laughs] 776 00:27:57,100 --> 00:27:59,000 - WHAT? - I LOVE YOU, DEAN. 777 00:27:59,000 --> 00:28:00,530 - SHE'S BACK ON THIS TANGENT. 778 00:28:00,533 --> 00:28:02,973 - [laughs] - WHAT? 779 00:28:02,967 --> 00:28:04,567 - ON THAT NOTE... - OKAY. 780 00:28:04,567 --> 00:28:06,027 - TO ATTRACTIVE AND PROMISCUOUS. 781 00:28:06,033 --> 00:28:07,333 - IT WAS A GOOD NIGHT. - CHEERS. 782 00:28:07,333 --> 00:28:08,933 - THE FOUR OF US, HUH? - WE HAD FUN. 783 00:28:08,934 --> 00:28:11,234 - I'LL SEE YOU AT THE ART GALLERY TOMORROW, RIGHT? 784 00:28:11,233 --> 00:28:13,733 - YEAH, DEFINITELY. - OH, GOOD. 785 00:28:13,734 --> 00:28:15,474 - COMING UP... 786 00:28:15,467 --> 00:28:18,567 - TMZ STOPPED ME TO ASK ME SOMETHING ABOUT YOU. 787 00:28:18,567 --> 00:28:20,127 THEY WERE TELLING ME ABOUT YOUR CONCERT. 788 00:28:20,133 --> 00:28:21,803 - OF COURSE. - I HATE WHEN TMZ-- 789 00:28:21,800 --> 00:28:25,870 I HAVE TO LEARN THINGS ABOUT MY OWN FAMILY. 790 00:28:43,133 --> 00:28:45,633 - UGH. 791 00:28:48,633 --> 00:28:52,073 GO FOR IT, GIRLS. 792 00:28:58,867 --> 00:29:05,267 [phone line ringing] 793 00:29:05,266 --> 00:29:07,766 - HELLO. - HEY, KYLE. IT'S BRANDI. 794 00:29:07,767 --> 00:29:09,627 - HEY, WHAT'S GOING ON? 795 00:29:09,633 --> 00:29:11,933 - I ACTUALLY WAS CALLING BECAUSE I FIGURED 796 00:29:11,934 --> 00:29:15,574 YOU'RE PROBABLY GOING TO DANNY'S ART GALLERY OPENING TONIGHT. 797 00:29:15,567 --> 00:29:16,897 - I AM. 798 00:29:16,900 --> 00:29:18,670 - OKAY, SO I THOUGHT-- AND I JUST-- 799 00:29:18,667 --> 00:29:22,197 YOU KNOW, MAURICIO AND I HAD A LITTLE BIT OF... 800 00:29:22,200 --> 00:29:24,200 AN ISSUE THE LAST TIME WE SAW EACH OTHER, 801 00:29:24,200 --> 00:29:26,270 AND I JUST WANT TO KNOW THAT, MOVING FORWARD, 802 00:29:26,266 --> 00:29:28,966 WE'RE IN A GOOD PLACE, AND WE CAN GO AND HAVE FUN, 803 00:29:28,967 --> 00:29:31,967 AND THERE'S NO, LIKE, PROBLEM. 804 00:29:31,967 --> 00:29:34,397 - YOU KNOW WHAT, DON'T WORRY, BRANDI. 805 00:29:34,400 --> 00:29:37,670 I MEAN, I HAVE TO SAY, I WAS A LITTLE TAKEN ABACK, 806 00:29:37,667 --> 00:29:39,097 CALLING HIM A MOTHER[bleep]. 807 00:29:39,100 --> 00:29:40,470 both: [laugh] 808 00:29:40,467 --> 00:29:41,767 - I THINK THAT'S PROBABLY THE FIRST TIME 809 00:29:41,767 --> 00:29:43,027 ANYONE'S EVER CALLED HIM THAT, 810 00:29:43,033 --> 00:29:45,733 BUT, YOU KNOW, I REALLY DON'T HOLD A GRUDGE, 811 00:29:45,734 --> 00:29:48,104 AND I WOULD LIKE TO MOVE FORWARD AS WELL. 812 00:29:48,100 --> 00:29:50,770 - WELL, YOU KNOW WHAT THEY SAY, YOUR FIRSTS IN LIFE... 813 00:29:50,767 --> 00:29:53,667 [laughs] ARE YOUR MOST MEMORABLE. 814 00:29:53,667 --> 00:29:54,697 I'M KIDDING. - HOPEFULLY, IT'S THE FIRST 815 00:29:54,700 --> 00:29:56,700 AND LAST. - YES, HOPEFULLY. 816 00:29:56,700 --> 00:29:58,230 OKAY, PERFECT. I'LL SEE YOU LATER. 817 00:29:58,233 --> 00:30:01,773 - OKAY. SEE YOU LATER. BYE. - BYE. 818 00:30:20,700 --> 00:30:23,470 - THANK YOU. - YOU'RE WELCOME. 819 00:30:23,467 --> 00:30:27,727 - THANKS, JOHN. - YOU'RE WELCOME. 820 00:30:27,734 --> 00:30:30,534 - HELLO! 821 00:30:30,533 --> 00:30:33,103 WOW, IT'S BEAUTIFUL. 822 00:30:33,100 --> 00:30:36,030 HI. - OH, MY. OH, MY. 823 00:30:36,033 --> 00:30:37,903 WHAT'S UP, GIRLY GIRLS? - IT LOOKS AMAZING. 824 00:30:37,900 --> 00:30:39,270 - HOW YOU DOING? THANK YOU. - HOW ARE YOU? 825 00:30:39,266 --> 00:30:41,366 TONIGHT, MY FRIEND, DANIEL MALTZMAN, 826 00:30:41,367 --> 00:30:43,967 IS THROWING HIS GALLERY OPENING IN THE HEART OF BEVERLY HILLS, 827 00:30:43,967 --> 00:30:46,427 AND BECAUSE OF THE LOCATION AND HOW TALENTED HE IS, 828 00:30:46,433 --> 00:30:49,403 I'M SURE THE WHO'S WHO OF THE TOWN WILL SHOW UP. 829 00:30:49,400 --> 00:30:51,670 - THANK YOU. 830 00:30:54,567 --> 00:30:58,427 CAN'T STAY TOO LONG, DARLING, 'CAUSE WE'VE GOT DINNER AT 8:30. 831 00:30:58,433 --> 00:31:01,003 - OKAY. 832 00:31:01,000 --> 00:31:02,300 - WOW. 833 00:31:02,300 --> 00:31:03,430 THERE SHE IS. 834 00:31:03,433 --> 00:31:07,203 - LONG TIME NO SEE. - [laughs] HELLO. 835 00:31:07,200 --> 00:31:09,200 - HELLO. OH! - I'M DANIEL. 836 00:31:09,200 --> 00:31:10,730 VERY NICE TO SEE YOU... - HI, I'M LISA. 837 00:31:10,734 --> 00:31:11,904 - AND MEET YOU AGAIN, MET YOU BEFORE A COUPLE TIMES. 838 00:31:11,900 --> 00:31:12,930 - IS THIS YOUR GALLERY? 839 00:31:12,934 --> 00:31:16,604 YES, YEAH. - IT IS, YEAH. 840 00:31:20,266 --> 00:31:22,166 - THERE'S SOME SEXY STUFF HERE. 841 00:31:22,166 --> 00:31:25,166 - NO, I LIKE IT. I DIDN'T KNOW WHAT TO EXPECT. 842 00:31:28,300 --> 00:31:30,170 - HELLO. - HI! 843 00:31:30,166 --> 00:31:32,566 - HOW ARE YOU? - UGH, TIRED. 844 00:31:32,567 --> 00:31:34,327 HOW ARE YOU? - GOOD. 845 00:31:34,333 --> 00:31:37,403 - HI! YOU LOOK BEAUTIFUL. - HELLO! HI, SEXY, HOW ARE YOU? 846 00:31:37,400 --> 00:31:38,630 - HOW ARE YOU? GOOD. 847 00:31:38,633 --> 00:31:39,933 YOU SAID YOU'RE GONNA WEAR A DRESS, 848 00:31:39,934 --> 00:31:40,874 SO I THOUGHT I'D GO HOME AND WEAR A DRESS. 849 00:31:40,867 --> 00:31:42,467 - OH, NICE. THIS IS SEXY. 850 00:31:42,467 --> 00:31:45,067 - AS A DECORATOR, I LOVE GOING TO ART GALLERIES. 851 00:31:45,066 --> 00:31:47,266 YOU JUST NEVER KNOW WHEN YOU'RE GONNA FIND SOMETHING SPECIAL. 852 00:31:47,266 --> 00:31:49,296 - SHOULD--I WANT TO START IN THE BEGINNING AND LOOK. 853 00:31:49,300 --> 00:31:50,330 - YEAH, YEAH. - OKAY, COME ON, THEN. 854 00:31:50,333 --> 00:31:51,473 LET'S DO IT. - OKAY, ALL RIGHT, 855 00:31:51,467 --> 00:31:52,597 LET ME GIVE YOU GUYS A LITTLE TOUR HERE. 856 00:31:52,600 --> 00:31:54,600 - I ALREADY SAW ONE THAT TALKED TO ME... 857 00:31:54,600 --> 00:31:55,600 - PERFECT, I LOVE THAT. WE LIKE THAT. 858 00:31:55,600 --> 00:31:56,630 - THAT MIGHT WANT TO BE WITH ME. 859 00:31:56,633 --> 00:31:58,473 THIS ONE. - UH-HUH. 860 00:31:58,467 --> 00:32:00,527 - LOVE THAT. - UH-HUH. 861 00:32:00,533 --> 00:32:03,603 - I LOVE IT, AND HOW MUCH IS IT? - $14,000. 862 00:32:03,600 --> 00:32:06,730 - THE PAINTING IS NOT WORTH $14,000 TO ME. 863 00:32:06,734 --> 00:32:07,904 I'M GONNA HAVE TO, LIKE, 864 00:32:07,900 --> 00:32:12,430 WHEEL AND DEAL WITH HIM A LITTLE BIT. 865 00:32:14,100 --> 00:32:17,100 - HI. HOW ARE YOU? 866 00:32:21,333 --> 00:32:23,103 HI, HOW ARE YOU? GOOD TO SEE YOU. 867 00:32:23,100 --> 00:32:24,530 - HOW ARE YOU, KYLE? - I'M REALLY WELL, THANK YOU. 868 00:32:24,533 --> 00:32:26,133 - HELLO, DARLING. 869 00:32:26,133 --> 00:32:27,403 - I LIKE THAT GREEN. HOW ARE YOU? 870 00:32:27,400 --> 00:32:28,630 - GOOD. - HOW ARE YOU? 871 00:32:28,633 --> 00:32:30,533 - I LIKE THAT HAIR THING--OOH! - AH! 872 00:32:30,533 --> 00:32:31,733 - IT'S OKAY. - [laughs] 873 00:32:31,734 --> 00:32:33,634 YOU DID IT ON PURPOSE. JUST KIDDING. [laughs] 874 00:32:33,633 --> 00:32:35,433 YOU KNOW, I'VE KNOWN DANIEL FOR, LIKE, MORE THAN 20 YEARS. 875 00:32:35,433 --> 00:32:37,533 - I KNOW, AND I'VE KNOWN DANIEL FOR A LONG TIME TOO. 876 00:32:37,533 --> 00:32:38,703 AND YOU HAVE HIS PAINTING. - I HAVE HIS ART IN MY HOUSE. 877 00:32:38,700 --> 00:32:39,700 - I KNOW! 878 00:32:39,700 --> 00:32:41,070 THE ONE IN THE ENTRYWAY, 879 00:32:41,066 --> 00:32:43,226 I SAID LOOKS LIKE THE ONE THAT'S IN YOUR HOUSE. 880 00:32:43,233 --> 00:32:44,503 - THAT'S EXACTLY RIGHT. - A LITTLE BIT. 881 00:32:44,500 --> 00:32:45,570 YEAH, I THINK YOLANDA'S GETTING THAT ONE, 882 00:32:45,567 --> 00:32:46,827 SO--[laughs] - OH, IS SHE? 883 00:32:46,834 --> 00:32:50,904 IT ACTUALLY WOULD GO REALLY WELL IN HER HOUSE. 884 00:32:53,433 --> 00:32:54,673 - OKAY. [laughs] - YEAH, YEAH. 885 00:32:54,667 --> 00:32:55,667 - WHOO. 886 00:32:55,667 --> 00:32:57,527 - HI, GALS. HOW ARE YOU? 887 00:32:57,533 --> 00:32:59,003 - GOOD. - [sighs] 888 00:32:59,000 --> 00:33:00,430 - YOU HAVE TO COME TO VEGAS. 889 00:33:00,433 --> 00:33:03,003 - I REALLY WANT THE LADIES TO COME FOR MY TRIAL RUN 890 00:33:03,000 --> 00:33:04,930 FOR BRANDI'S NIGHT SCHOOL OUT FOR GIRLS 891 00:33:04,934 --> 00:33:06,934 AND LET LOOSE AND LET THEIR HAIR DOWN 892 00:33:06,934 --> 00:33:08,604 AND JUST HAVE FUN. 893 00:33:08,600 --> 00:33:10,570 - WHEN? 894 00:33:10,567 --> 00:33:13,997 - WHAT DAY? - TUESDAY. 895 00:33:14,000 --> 00:33:15,000 YOU DON'T HAVE TO. 896 00:33:15,000 --> 00:33:16,200 - NO, NO, YOU DO. - NO, 897 00:33:16,200 --> 00:33:17,770 IT SOUNDS LIKE SO MUCH FUN, BUT I CAN'T. 898 00:33:17,767 --> 00:33:19,967 - OH! - I HAVE SOME PEOPLE FLYING IN 899 00:33:19,967 --> 00:33:22,827 FROM DENVER FROM A DOMESTIC VIOLENCE ORGANIZATION 900 00:33:22,834 --> 00:33:24,634 THAT I'M GONNA START WORKING WITH, AND I'M DOING-- 901 00:33:24,633 --> 00:33:27,003 SHOOTING SOME STUFF FOR THEM, LIKE A PSA, 902 00:33:27,000 --> 00:33:29,200 AND IT'S ON WEDNESDAY. - OH, THAT'S AMAZING. 903 00:33:29,200 --> 00:33:30,530 - ON WEDNESDAY? OH. 904 00:33:30,533 --> 00:33:32,203 - BUT YOU GUYS GOTTA SEND ME SOME PICTURES. 905 00:33:32,200 --> 00:33:33,800 I WANT TO SEE WHAT I'M MISSING. 906 00:33:33,800 --> 00:33:35,930 - WE'VE GOTTA HAVE A LITTLE TALK WITH YOU. 907 00:33:35,934 --> 00:33:37,304 - ALL RIGHT. - I MEAN, I LOVE-- 908 00:33:37,300 --> 00:33:39,400 - I LIKE TO TALK. [laughs] - YOU DO? 909 00:33:39,400 --> 00:33:41,200 WELL, WHAT I REALLY WANT TO DO IS NEGOTIATE WITH YOU. 910 00:33:41,200 --> 00:33:42,930 - ALL RIGHT. - SO, YOU KNOW, 911 00:33:42,934 --> 00:33:44,734 WHEN I WALKED IN, WHEN I SAW THIS, 912 00:33:44,734 --> 00:33:47,174 IT SPEAKS ROMANCE TO ME. 913 00:33:47,166 --> 00:33:49,526 LIKE, I SEE--I COULD SEE MY HUSBAND AND I IN THIS. 914 00:33:49,533 --> 00:33:51,873 I DON'T KNOW WHY. SO I THINK IT'S BEAUTIFUL, 915 00:33:51,867 --> 00:33:55,627 BUT AS A FATHER'S DAY GIFT, $14,000 IS, LIKE, TOO MUCH, 916 00:33:55,633 --> 00:33:59,303 SO CAN WE, LIKE... LIKE, I DON'T KNOW. 917 00:33:59,300 --> 00:34:02,770 - WHAT WOULD YOU FEEL COMFORTABLE PAYING FOR IT? 918 00:34:02,767 --> 00:34:05,367 - UM... - DON'T INSULT ME. 919 00:34:05,367 --> 00:34:08,067 - I MEAN HALF. 50 OFF. 920 00:34:08,066 --> 00:34:10,596 JUST BECAUSE, YOU KNOW, LIKE I SAID, I'M A DECORATOR. 921 00:34:10,600 --> 00:34:12,600 WHATEVER I BUY, I ALWAYS GET 50. - 50 OFF? 922 00:34:12,600 --> 00:34:14,070 - BUT IT'LL BE IN OUR HOME. 923 00:34:14,066 --> 00:34:15,796 IT'LL BE SEEN BY SO MANY GREAT PEOPLE, 924 00:34:15,800 --> 00:34:18,300 AND, YOU KNOW, ISN'T THAT-- ISN'T THAT THE WAY IT WORKS? 925 00:34:18,300 --> 00:34:22,330 - IT IS WHAT IT'S ABOUT, BUT IF YOU LOOK AT THIS PIECE, 926 00:34:22,333 --> 00:34:25,073 AND YOU SEE THE AMOUNT OF WORK THAT'S IN THIS PIECE, 927 00:34:25,066 --> 00:34:26,866 WHAT IF I SAID TO YOU THIS-- 928 00:34:26,867 --> 00:34:31,367 $8,500 AT, LIKE, FINAL, LAST-OFFER PRICE. 929 00:34:31,367 --> 00:34:33,067 WOULD THAT BE SOMETHING THAT WOULD WORK FOR YOU? 930 00:34:33,066 --> 00:34:35,396 I MEAN, IT'S PRETTY CLOSE TO WHAT YOU WANT IT FOR, 931 00:34:35,400 --> 00:34:38,930 BUT JUST, OUT OF MYSELF, JUST BECAUSE THIS 932 00:34:38,934 --> 00:34:40,004 IS AN IMPORTANT PIECE TO ME-- 933 00:34:40,000 --> 00:34:41,100 - WELL, OKAY, TO MAKE-- YOU KNOW, LIKE-- 934 00:34:41,100 --> 00:34:42,200 - YEAH, YEAH, YEAH. 935 00:34:42,200 --> 00:34:44,070 - I ALWAYS SAY, "A GOOD DEAL IS MADE 936 00:34:44,066 --> 00:34:45,696 WHEN BOTH PEOPLE LEAVE A LITTLE ON THE TABLE." 937 00:34:45,700 --> 00:34:46,930 - THAT'S WHY I'M PUTTING A NUMBER THAT-- 938 00:34:46,934 --> 00:34:48,504 - SO YOU SAID $8,500, SO LET'S DO $8,000, 939 00:34:48,500 --> 00:34:49,570 SO WE'RE BOTH HAPPY. - OH, MAN, YOU'RE KILLING ME. 940 00:34:49,567 --> 00:34:51,167 - RIGHT IN BETWEEN THE TWO OF US. 941 00:34:51,166 --> 00:34:52,796 HOW ABOUT THAT? A DEAL? 942 00:34:52,800 --> 00:34:54,230 - YAY! 943 00:34:54,233 --> 00:34:56,273 - YOU GOT A DEAL. YOU GOT A-- - YOU GOT--YOU GOT A GREAT DEAL, 944 00:34:56,266 --> 00:34:57,726 I'M TELLING YOU. - YOU KNOW WHAT, IT'S BEAUTIFUL. 945 00:34:57,734 --> 00:34:59,374 - SHE'S AMAZING, AND SO ARE YOU. - YEAH, YEAH. YOU DID, YOU DID. 946 00:34:59,367 --> 00:35:01,627 - I GUESS DANIEL'S A GREAT ARTIST, 947 00:35:01,633 --> 00:35:04,233 BUT AS A NEGOTIATOR, MM, I DON'T KNOW. 948 00:35:04,233 --> 00:35:07,703 [laughs] MAYBE NOT THAT GOOD. 949 00:35:09,133 --> 00:35:11,303 - KENNETH, DO YOU MISS ME? 950 00:35:11,300 --> 00:35:12,530 - EXCUSE ME. - SORRY. 951 00:35:12,533 --> 00:35:15,473 [laughter] 952 00:35:15,467 --> 00:35:17,797 - JEEZ, AND I THOUGHT YOU WERE TALL. WHAT ABOUT THAT GUY? 953 00:35:17,800 --> 00:35:19,370 - YOU DON'T WANT TO COME TO VEGAS WITH US? 954 00:35:19,367 --> 00:35:21,767 - NO. - WHY? 955 00:35:21,767 --> 00:35:23,327 - I HAVE A LOT OF WORK TO DO HERE. 956 00:35:23,333 --> 00:35:25,103 - LOOK AT HIM, HANGING OUT WITH ALL THOSE TALL GIRLS 957 00:35:25,100 --> 00:35:26,370 OVER THERE. - I KNOW, RIGHT? 958 00:35:26,367 --> 00:35:28,697 THEY'RE HUGE. I MEAN, WE'RE THE NORMAL ONES. 959 00:35:28,700 --> 00:35:30,330 LIKE, IT'S WHY I FEEL LIKE A LITTLE DWARF 960 00:35:30,333 --> 00:35:31,833 WHEN I'M NEXT TO THEM. - I'M A LITTLE PORK CHOP. 961 00:35:31,834 --> 00:35:33,574 - THEY'RE, LIKE, 5'10", PLUS 6-INCH HEELS. 962 00:35:33,567 --> 00:35:34,967 - I KNOW. LOOK AT KEN, 963 00:35:34,967 --> 00:35:36,127 HE'S LIKE A LITTLE PIG IN [bleep] RIGHT NOW. 964 00:35:36,133 --> 00:35:38,203 HI, KEN. - HOW ARE YOU DOING, KEN? 965 00:35:38,200 --> 00:35:39,600 REMEMBER ME? - LOOK AT KEN. 966 00:35:39,600 --> 00:35:40,930 - WHY DID KEN LEAVE YOU? 967 00:35:40,934 --> 00:35:42,774 - LOOK AT KEN, WITH HIS HAND IN THE COOKIE JAR. 968 00:35:42,767 --> 00:35:44,297 - IT'S ACTUALLY IN HIS POCKET, PLAYING WITH HIMSELF. [laughs] 969 00:35:44,300 --> 00:35:46,970 - THOSE ARE TROUBLE MAKERS, YEAH. 970 00:35:46,967 --> 00:35:48,367 - KEN, SMILE. 971 00:35:48,367 --> 00:35:50,467 PUT YOUR TITTIES IN HIS FACE, PLEASE. 972 00:35:50,467 --> 00:35:51,697 ONE, TWO...SMILE. - AND HE LOOKS RIDICULOUS. 973 00:35:51,700 --> 00:35:53,600 LORD KNOWS. IT'S LIKE, LOOK TO THE RIGHT. 974 00:35:53,600 --> 00:35:55,300 NO, LOOK TO THE RIGHT. [laughs] 975 00:35:55,300 --> 00:35:56,330 - I AM TOO, NOW. - 'CAUSE YOU HAD 976 00:35:56,333 --> 00:35:58,233 ALL THESE BOOBIES IN YOUR FACE. 977 00:35:58,233 --> 00:36:00,403 - IS THIS HAPPINESS? 978 00:36:00,400 --> 00:36:02,670 - FIRST ONE'S BETTER. - WHO'S THAT BLOODY MIDGET 979 00:36:02,667 --> 00:36:05,627 IN THE MIDDLE OF THAT? [laughter] 980 00:36:10,533 --> 00:36:13,503 - WELL...I'VE ALREADY TALKED TO YOLANDA 981 00:36:13,500 --> 00:36:15,000 AND A LITTLE BIT TO LISA, 982 00:36:15,000 --> 00:36:17,100 BUT I HAVE A LITTLE VEGAS TRIP COMING UP, 983 00:36:17,100 --> 00:36:18,530 AND I WOULD LOVE FOR YOU TO COME. 984 00:36:18,533 --> 00:36:19,973 EVERYTHING SEEMS TO BE GOING GOOD 985 00:36:19,967 --> 00:36:22,027 BETWEEN KYLE AND I TONIGHT, SO I'M THINKING, 986 00:36:22,033 --> 00:36:23,703 IT'S PROBABLY SAFE TO INVITE HER TO VEGAS. 987 00:36:23,700 --> 00:36:25,700 I KNOW THAT YOU'RE PROBABLY WEARY 988 00:36:25,700 --> 00:36:27,730 ABOUT SPENDING A COUPLE DAYS AWAY WITH ME, 989 00:36:27,734 --> 00:36:30,504 BUT I PROMISE, IT'S GONNA BE ALL FUN, 990 00:36:30,500 --> 00:36:33,370 AND I'M GOING TO HOST THIS THING, 991 00:36:33,367 --> 00:36:35,167 BUT I'M-- WE'RE JUST PRACTICE HOSTING. 992 00:36:35,166 --> 00:36:37,566 - OKAY. - THIS WOMEN EMPOWERMENT GROUP, 993 00:36:37,567 --> 00:36:39,467 IT'S LIKE, THEY DO DIVORCE PARTIES-- 994 00:36:39,467 --> 00:36:41,227 - WE DON'T WANT TO COME. [laughs] 995 00:36:41,233 --> 00:36:42,503 I'M KIDDING, I'M KIDDING, I'M KIDDING. 996 00:36:42,500 --> 00:36:43,870 - WE'RE GONNA STAY AT THE FOUR SEASONS. 997 00:36:43,867 --> 00:36:45,897 IT'LL BE REALLY NICE AND RELAXING. 998 00:36:45,900 --> 00:36:48,470 - LET'S ALL GO AND MAKE IT FUN. - OH, YAY. 999 00:36:48,467 --> 00:36:50,697 - OH, THERE'S MY HUSBAND. 1000 00:36:50,700 --> 00:36:53,730 - OH. - HI, HONEY. 1001 00:36:53,734 --> 00:36:55,504 - HONEY, MY GOSH. - WHAT? 1002 00:36:55,500 --> 00:36:56,800 - YOU LOOK HOT. - DOESN'T SHE? 1003 00:36:56,800 --> 00:36:58,100 - I DO? THANK YOU. - YOU'LL BE TAKING HOME AN-- 1004 00:36:58,100 --> 00:37:01,030 - NO, YOU LOOK LIKE--A LITTLE ARABIC INFLUENCE, MAYBE. 1005 00:37:01,033 --> 00:37:02,233 SOMETHING, UH-- - A LITTLE-- 1006 00:37:02,233 --> 00:37:05,533 - IT'S HOT HIPPIE. - MORE LIKE HIPPIE. 1007 00:37:10,934 --> 00:37:13,234 - HI, GIRLS! 1008 00:37:13,233 --> 00:37:14,833 - HI. - HI, HONEY, HOW ARE YOU? 1009 00:37:14,834 --> 00:37:16,204 - I'M WELL. 1010 00:37:16,200 --> 00:37:17,770 - YOU KNOW MARISA. - HI. YES, THANKS. 1011 00:37:17,767 --> 00:37:18,897 - NICE TO SEE YA. 1012 00:37:18,900 --> 00:37:20,300 - I MET YOU A LONG TIME AGO. HI, HOW ARE YOU? 1013 00:37:20,300 --> 00:37:21,970 - GOOD. - THIS IS MY FRIEND, ROBIN. 1014 00:37:21,967 --> 00:37:24,267 THIS IS PARIS. - HI, HOW ARE YOU? 1015 00:37:24,266 --> 00:37:26,566 - UM... - SO PRETTY. 1016 00:37:26,567 --> 00:37:27,927 - SO YEAH, WE'VE BEEN TALKING ABOUT VEGAS. 1017 00:37:27,934 --> 00:37:29,134 - VEGAS. - WE'RE GOING-- 1018 00:37:29,133 --> 00:37:30,303 DOING A GIRLS' TRIP TO VEGAS. 1019 00:37:30,300 --> 00:37:32,170 - WHEN? - NEXT WEEK. 1020 00:37:32,166 --> 00:37:33,726 - NICE. - WANT TO COME? [laughs] 1021 00:37:33,734 --> 00:37:35,574 - I'M GONNA BE IN BRAZIL AT MY CONCERT NEXT WEEK. 1022 00:37:35,567 --> 00:37:37,997 - YOUR CONCERT? OH, MY GOD, THAT'S RIGHT. 1023 00:37:38,000 --> 00:37:40,970 - YEAH, IT'S GONNA BE, LIKE, 30-SOMETHING-THOUSAND PEOPLE. 1024 00:37:40,967 --> 00:37:43,127 I'M CLOSING FOR JENNIFER LOPEZ. 1025 00:37:43,133 --> 00:37:44,503 SO IT'S HUGE. - OH, MY GOD. 1026 00:37:44,500 --> 00:37:46,700 - IT'S, LIKE, MY FIRST CONCERT. 1027 00:37:46,700 --> 00:37:48,230 - I WAS GETTING IN MY CAR THE OTHER NIGHT, 1028 00:37:48,233 --> 00:37:50,633 AND TMZ STOPPED ME TO ASK ME SOMETHING ABOUT YOU. 1029 00:37:50,633 --> 00:37:51,803 - YES. 1030 00:37:51,800 --> 00:37:53,000 - THEY WERE TELLING ME ABOUT YOUR CONCERT. 1031 00:37:53,000 --> 00:37:54,930 - OF COURSE. - I'M LIKE, "WELL--OH, WAIT, 1032 00:37:54,934 --> 00:37:57,074 NO, I DIDN'T KNOW THAT. I MEAN, I KNOW SHE WAS IN--" 1033 00:37:57,066 --> 00:37:58,726 LIKE, OKAY, THANK YOU. 1034 00:37:58,734 --> 00:38:00,304 I HATE WHEN TMZ-- - [laughs] 1035 00:38:00,300 --> 00:38:02,230 - I HAVE TO LEARN THINGS ABOUT MY OWN FAMILY. 1036 00:38:02,233 --> 00:38:06,603 I'M LIKE, "WELL, OH, WAIT. NO, I DIDN'T KNOW THAT." 1037 00:38:10,300 --> 00:38:11,670 - IT'S FUNNY 'CAUSE IT'S LIKE, 1038 00:38:11,667 --> 00:38:13,067 I'LL LOOK AT HIM ACROSS THE ROOM, 1039 00:38:13,066 --> 00:38:14,966 AND I'M--MY SISTER ALWAYS SAYS-- SHE'S LIKE, "HE'S CUTE. 1040 00:38:14,967 --> 00:38:16,767 I DON'T KNOW WHY YOU THINK, LIKE, OTHER GUYS ARE CUTER." 1041 00:38:16,767 --> 00:38:18,827 I DON'T EVEN THINK HE'S THAT SEXY. 1042 00:38:18,834 --> 00:38:20,804 - HE'S ADORABLE. - I SAID, "YEAH, I KNOW." 1043 00:38:20,800 --> 00:38:21,900 I LOVE HIM. I DO. - YEAH, 1044 00:38:21,900 --> 00:38:23,030 BUT YOU'VE LOOKED AT HIM FOR SO LONG? 1045 00:38:23,033 --> 00:38:24,503 - BUT I'VE LOOKED AT HIM FOR SO LONG, 1046 00:38:24,500 --> 00:38:26,430 AND HE'S SO IN LOVE WITH ME, WHICH--I'M SO LUCKY. 1047 00:38:26,433 --> 00:38:28,503 - OH. - BUT WE MET SO YOUNG. 1048 00:38:28,500 --> 00:38:30,470 LIKE, I MET HIM WHEN I WAS 20, SO-- 1049 00:38:30,467 --> 00:38:32,567 - AND THAT'S--THOSE ARE THE ONES THAT USUALLY DON'T WORK OUT, 1050 00:38:32,567 --> 00:38:34,497 THOUGH. - I KNOW, THAT'S WHAT THEY SAY. 1051 00:38:34,500 --> 00:38:36,600 - RIGHT, SO YOU GOT REALLY-- DOUBLE LUCKY. 1052 00:38:36,600 --> 00:38:38,700 - YEAH, BUT I ALSO THINK I SHOULD'VE WAITED 1053 00:38:38,700 --> 00:38:40,670 TO GET MARRIED TILL I WAS, LIKE, IN MY 30s. 1054 00:38:40,667 --> 00:38:42,727 I THINK A WOMAN DOESN'T KNOW WHO SHE IS 1055 00:38:42,734 --> 00:38:43,874 UNTIL SHE'S IN HER 30s... - RIGHT. 1056 00:38:43,867 --> 00:38:45,197 - AND THEN TO GET MARRIED 1057 00:38:45,200 --> 00:38:47,830 WHEN YOU'RE 25, LIKE I WAS-- 1058 00:38:47,834 --> 00:38:49,374 AND THEN I WANTED TO HAVE A BABY RIGHT AWAY, 1059 00:38:49,367 --> 00:38:51,197 WHICH I DID, AND MY SON'S TEN. 1060 00:38:51,200 --> 00:38:53,300 - DEAN IS A LITTLE MORE IN LOVE WITH MARISA 1061 00:38:53,300 --> 00:38:54,530 THAN MARISA IS WITH DEAN. 1062 00:38:54,533 --> 00:38:56,373 I FEEL LIKE MARISSA'S MISSING SOMETHING. 1063 00:38:56,367 --> 00:38:59,667 STOP THROWING YOUR HUSBAND UNDER THE BUS. IT'S NOT COOL. 1064 00:38:59,667 --> 00:39:02,227 - NOW, I LOOK BACK, AND I'M LIKE, "I DIDN'T PARTY. 1065 00:39:02,233 --> 00:39:05,133 I DIDN'T DO ANYTHING," AND, YOU KNOW-- 1066 00:39:05,133 --> 00:39:06,933 SO IT'S JUST-- - WELL, NEVER TOO LATE TO START. 1067 00:39:06,934 --> 00:39:08,134 - I KNOW. - BOTTOMS UP. 1068 00:39:08,133 --> 00:39:09,473 [laughter] 1069 00:39:09,467 --> 00:39:11,167 - COMING UP... 1070 00:39:11,166 --> 00:39:12,426 - WHOA. 1071 00:39:12,433 --> 00:39:14,103 - I THOUGHT THAT WOULD LOOK AMAZING ON YOUR BAR. 1072 00:39:14,100 --> 00:39:15,800 - IT'S A NICE BOTTLE. - AMAZING. 1073 00:39:15,800 --> 00:39:17,870 - IT IS. - I DON'T LIKE IT. 1074 00:39:22,667 --> 00:39:24,197 - I CALL LISA THE OTHER DAY, 1075 00:39:24,200 --> 00:39:26,000 HER HOUSEKEEPER SAYS, "HOLD ON, KYLE--" 1076 00:39:26,000 --> 00:39:27,630 LISTEN. "I'M GONNA GET LISA FOR YOU." 1077 00:39:27,633 --> 00:39:29,603 SHE GETS LISA, LISA GETS ON THE PHONE, 1078 00:39:29,600 --> 00:39:32,370 SHE SAYS, "YOU JUST INTERRUPTED KEN AND I HAVING SEX." 1079 00:39:32,367 --> 00:39:33,427 - [gasps] - NOT WITH EACH OTHER. 1080 00:39:33,433 --> 00:39:35,233 [laughter] - THAT'S COFFEE HOUR. 1081 00:39:35,233 --> 00:39:38,673 - SHE'S LIKE, "KYLE, PLEASE, I'M RIGHT IN THE MIDDLE OF IT." 1082 00:39:38,667 --> 00:39:40,227 - THAT'S OKAY. THAT'S WHAT YOU DO 1083 00:39:40,233 --> 00:39:41,633 WHEN YOUR KIDS LEAVE HOME. 1084 00:39:41,633 --> 00:39:43,133 - LISTEN, WHY DON'T YOU TELL YOUR HOUSEKEEPER 1085 00:39:43,133 --> 00:39:44,433 NOT TO WAKE YOU, "A," 1086 00:39:44,433 --> 00:39:46,133 AND "B," YOU DIDN'T HAVE TO PICK UP THE PHONE. 1087 00:39:46,133 --> 00:39:49,033 - WELL, WE STILL CARRIED ON, EVEN WHEN YOU WERE ON THE PHONE. 1088 00:39:49,033 --> 00:39:50,973 - [laughs] - WHEN YOU'RE DOING IT ALL DAY, 1089 00:39:50,967 --> 00:39:52,797 YOU HAVE TO TAKE PHONE CALLS. - OH, YEAH. 1090 00:39:52,800 --> 00:39:54,470 I LIKE TO KNOW THAT MY CALL 1091 00:39:54,467 --> 00:39:56,227 IS PRIORITY OVER YOUR SEX WITH KEN. 1092 00:39:56,233 --> 00:39:58,903 [laughter] 1093 00:40:09,533 --> 00:40:11,073 - OOH. 1094 00:40:11,066 --> 00:40:12,866 - WHOA, WHAT DO WE GOT THERE? 1095 00:40:12,867 --> 00:40:14,227 - WHOA. 1096 00:40:14,233 --> 00:40:17,073 - I THOUGHT THAT WOULD LOOK AMAZING ON YOUR BAR. 1097 00:40:17,066 --> 00:40:18,066 - WOW. 1098 00:40:18,066 --> 00:40:19,366 - I DON'T LIKE IT. 1099 00:40:19,367 --> 00:40:21,067 - IT'S AMAZING. - IT'S A NICE BOTTLE. 1100 00:40:21,066 --> 00:40:22,826 - "AMAZING." - IT IS, IT'S AN AMAZ-- 1101 00:40:22,834 --> 00:40:23,834 - IT'S A NICE BOTTLE. - IT'S--THE TASTE-- 1102 00:40:23,834 --> 00:40:25,174 - AMAZING! - AMAZING. 1103 00:40:25,166 --> 00:40:26,996 - IT'S A GIN. IT'S A GIN. - A GIN? 1104 00:40:27,000 --> 00:40:28,830 - THE TASTE IS UNBELIEVABLE. - "GIN"? 1105 00:40:28,834 --> 00:40:31,174 - IT'LL LOOK AMAZING ON YOUR BAR. 1106 00:40:31,166 --> 00:40:33,326 - MAURICIO GIVES ME THIS BOTTLE OF GIN. 1107 00:40:33,333 --> 00:40:36,133 I DON'T KNOW WHETHER IT WAS A PEACE OFFERING OR NOT. 1108 00:40:36,133 --> 00:40:38,433 MAURICIO AND I HAD WORDS IN THE RESTAURANT, 1109 00:40:38,433 --> 00:40:40,903 AND I JUST DIDN'T LIKE THE WAY HE WAS 1110 00:40:40,900 --> 00:40:42,670 ATTACKING BRANDI THAT NIGHT. 1111 00:40:42,667 --> 00:40:44,797 - I MEAN, IF YOU WANT, WE COULD TASTE IT NOW. 1112 00:40:44,800 --> 00:40:46,030 I MEAN, I'LL GET YOU ANOTHER BOTTLE. 1113 00:40:46,033 --> 00:40:48,403 - I DON'T WANT TO TASTE IT NOW, I'M GOING. 1114 00:40:48,400 --> 00:40:49,830 - [laughs] - I'VE GOT DINNER 1115 00:40:49,834 --> 00:40:51,934 WITH RICK AND KATHY. - OH, YOU DO? 1116 00:40:51,934 --> 00:40:53,574 WHERE ARE YOU GOING? - I'M LATE. 1117 00:40:53,567 --> 00:40:55,297 - I THINK KEN IS JUST STILL HOLDING 1118 00:40:55,300 --> 00:40:58,070 A LITTLE BIT OF A GRUDGE, BUT WE CAN DISAGREE. 1119 00:40:58,066 --> 00:40:59,726 YOU KNOW, WHAT AM I GONNA DO? I'M GONNA GO KICK HIS ASS? 1120 00:40:59,734 --> 00:41:01,204 - WE HAVE TO GO. - WHERE ARE YOU GUYS GOING? 1121 00:41:01,200 --> 00:41:03,800 HOW ARE YOU? NICE TO SEE YOU. 1122 00:41:03,800 --> 00:41:06,330 - HI. - HI. [laughs] 1123 00:41:06,333 --> 00:41:08,003 - HI. - WHAT'S GOING ON? 1124 00:41:08,000 --> 00:41:11,030 - NOT A LOT. WELL, A LOT, BUT NOTHING I CAN-- 1125 00:41:11,033 --> 00:41:13,303 - SHARE WITH ME? - WELL, NOT RIGHT NOW. 1126 00:41:13,300 --> 00:41:14,800 - OKAY. - I MEAN--I MEAN, NO, IT'S... 1127 00:41:14,800 --> 00:41:16,230 NOT WORTH TALKING ABOUT RIGHT NOW. 1128 00:41:16,233 --> 00:41:19,473 - NO PROBLEM. [laughs] WE CAN SHARE IT AT ANOTHER TIME. 1129 00:41:19,467 --> 00:41:20,927 - HUH? YEAH, YEAH. - YOU CAN SHARE IT ANOTHER TIME. 1130 00:41:20,934 --> 00:41:22,204 - I WILL SEE YOU LATER. 1131 00:41:22,200 --> 00:41:23,370 - ALL RIGHT, COOL. - IT WAS SUPPOSED TO BE 8:00. 1132 00:41:23,367 --> 00:41:24,627 BYE, DARLING. - WHERE ARE YOU GUYS GOING? 1133 00:41:24,633 --> 00:41:25,903 - WE'RE GOING TO SUNSET TOWER. 1134 00:41:25,900 --> 00:41:27,070 - OH, NICE. ENJOY. - YEAH. 1135 00:41:27,066 --> 00:41:28,466 - TELL THEM I SAY HI. - ALL RIGHT, I WILL DO. 1136 00:41:28,467 --> 00:41:30,497 ENJOY. SO TAKE YOUR BOTTLE. - WE'RE JUST-- 1137 00:41:30,500 --> 00:41:32,270 - THANKS, BUDDY. 1138 00:41:32,266 --> 00:41:34,666 - BYE. BYE. - THANKS. BYE. 1139 00:41:34,667 --> 00:41:36,427 - LISA CAME UP, SAID HELLO. 1140 00:41:36,433 --> 00:41:38,003 IT WAS DEFINITELY NOT A GENUINE HELLO, 1141 00:41:38,000 --> 00:41:41,230 AND, UM, SHE OBVIOUSLY WAS STILL HOLDING A GRUDGE. 1142 00:41:41,233 --> 00:41:43,473 SHE WAS CERTAINLY PROTECTING BRANDI. 1143 00:41:43,467 --> 00:41:45,227 THAT WAS JUST WEIRD. - WHAT? WHAT WAS? 1144 00:41:45,233 --> 00:41:47,533 - UH, WITH LISA. WAS THAT-- WAS THAT WEIRD, THE WAY-- 1145 00:41:47,533 --> 00:41:49,633 WHAT LISA SAID TO ME OR ANYTHING LIKE THAT, 1146 00:41:49,633 --> 00:41:51,203 OR WAS THAT JUST ME? - WHAT DID SHE SAY? 1147 00:41:51,200 --> 00:41:52,530 - I DON'T KNOW, I THOUGHT-- I JUST THOUGHT IT WAS, LIKE, 1148 00:41:52,533 --> 00:41:53,973 A WEIRD WAY OF GREETING ME. SHE GOES-- 1149 00:41:53,967 --> 00:41:57,467 I GO, "HI, HOW ARE YOU? WHAT'S UP? WHAT'S GOING ON?" 1150 00:41:57,467 --> 00:42:01,467 AND SHE SAYS, "A LOT, BUT, UH, 1151 00:42:01,467 --> 00:42:03,467 I DON'T HAVE TIME TO TELL YOU ABOUT IT." 1152 00:42:03,467 --> 00:42:05,667 I'M LIKE, "OKAY, SO--" - NO. 1153 00:42:05,667 --> 00:42:06,927 - WELL, WHATEVER. I'M SO PAST THAT, IT'S NOT EVEN-- 1154 00:42:06,934 --> 00:42:08,204 - ANYWAY, WHO CARES? GO GET A DRINK. I LOVE YOU. 1155 00:42:08,200 --> 00:42:10,500 WE ALL KNOW THAT LISA-- IF SOMETHING BOTHERS HER, 1156 00:42:10,500 --> 00:42:12,470 OR SHE DOESN'T LIKE IT, SHE HAS NO PROBLEM SAYING IT TO YOU. 1157 00:42:12,467 --> 00:42:15,697 IT'S HARD WHEN YOU'RE CLOSE WITH SOMEONE 1158 00:42:15,700 --> 00:42:18,230 AND THERE'S SOME UNSPOKEN NEGATIVITY 1159 00:42:18,233 --> 00:42:19,703 BETWEEN THE TWO OF YOU. 1160 00:42:19,700 --> 00:42:21,500 IT'S VERY DIFFICULT, BUT IF YOU KEEP IT IN, 1161 00:42:21,500 --> 00:42:24,500 EVENTUALLY, THERE'S GONNA BE AN EXPLOSION. 1162 00:42:26,000 --> 00:42:27,300 - NEXT TIME, 1163 00:42:27,300 --> 00:42:29,270 ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 1164 00:42:29,266 --> 00:42:31,026 - FIND YOUR INNER SEXY! 1165 00:42:31,033 --> 00:42:32,933 SO, GIRLS, ARE YOU EXCITED? 1166 00:42:32,934 --> 00:42:34,674 WHOO! VEGAS! [cheers and applause] 1167 00:42:34,667 --> 00:42:35,667 - DO WE WEAR STRIPPER WEAR? 1168 00:42:35,667 --> 00:42:37,727 - SWALLOW, SWALLOW. - UGH! 1169 00:42:37,734 --> 00:42:39,804 - I JUST HAVE NEVER FELT THIS SEXUAL. 1170 00:42:39,800 --> 00:42:42,230 - YOU BETTER GIVE SOME OF THOSE PILLS TO LISA. 1171 00:42:42,233 --> 00:42:43,273 - HOW CAN I HELP YOU TODAY? 1172 00:42:43,266 --> 00:42:45,826 - THOUGHT MAYBE, UM, MY NOSE. 1173 00:42:45,834 --> 00:42:48,104 I KNOW HE KNOWS ABOUT NOSES. [chuckles] 1174 00:42:48,100 --> 00:42:50,630 - HI, BABY. - HI, MY LOVE. 1175 00:42:50,633 --> 00:42:54,003 MEN LOVE BEAUTIFUL WOMEN, AND THEY'LL [bleep] YOUR HUSBAND 1176 00:42:54,000 --> 00:42:55,300 FOR A CHANEL BAG. 1177 00:42:55,300 --> 00:42:58,170 - YOUR HUSBAND IS MORE IN LOVE WITH YOU 1178 00:42:58,166 --> 00:43:01,896 THAN YOU ARE WITH HIM. 1179 00:43:01,900 --> 00:43:04,030 - TO LEARN MORE ABOUT THE HOUSEWIVES, 1180 00:43:04,033 --> 00:43:05,903 GO TO BRAVOTV.COM.