Original subtitles

- PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS...

- HI. - OH, MY GOSH.

- HOW YOU'VE BEEN? - NICE.

- HELLO. - OH, HI.

- I'M SUCH A...

- THAT IS--UGH.

- HELLO.

- TAYLOR IS VERY MANIPULATIVE AND NOW SHE'S TRYING

TO DRAG KYLE INTO HER PROBLEMS WITH ME.

- YOU'RE BEING RUDE. - SHH.

- YOU THINK THIS IS FUNNY?

- WE'RE KNEE DEEP INTO SO MUCH PSYCHOTHERAPY

THAT I'M SICK OF MYSELF.

- IF I HAD TO GO TO SEE A THERAPIST,

I WOULD FEEL...WEAK.

- LIFE IN BEVERLY HILLS IS A GAME AND I MAKE THE RULES.

- I'M NOT THE RICHEST GIRL IN BEVERLY HILLS,

BUT I AM THE LUCKIEST.

- PEOPLE TRY TO FIGURE ME OUT, BUT I'M ONE OF A KIND.

- I FINALLY FOUND MY VOICE AND I'M NOT AFRAID TO USE IT.

- HAVING IT ALL IS EASY IF YOU'RE WILLING TO WORK FOR IT.

- DIAMONDS AREN'T A GIRL'S BEST FRIEND, FREEDOM IS.

- YAY.

- WHAT'D YOU FIND?

- SOMETHING THAT'LL BORE YOU, BUT I LOVE.

- THAT THING JUST BLINDED ME.

- LOOK HOW PERFECT THIS IS GONNA GO IN HERE.

THIS FRAME AND EVERYTHING. - OH, MY GOD.

WE HAVEN'T BEEN ABLE TO PUT THIS UP SINCE OUR LAST HOUSE.

- BUT NOW, IT'S GONNA GO REALLY WELL HERE.

- IT'S SO PRETTY. I LOVE IT.

- I HAVE TO FIND A GOOD SPOT FOR IT.

- I LOVE IT. - MOMMY.

- YOU WANNA SEE THE PICTURE AGAIN?

- IT'S RIGHT THERE, LOVE. - HERE.

- WHO IS THAT? - LET'S PUT IT RIGHT HERE.

- WHO IS THAT? - MOMMY.

- AND?

- SOME GUY. - SOME DUDE?

- [laughing]

OUR NEW HOME IS AROUND 7,000 SQUARE FEET

AND IT HAS SEVEN BEDROOMS.

SO NOW, EACH OF MY GIRLS HAS A ROOM FOR THEMSELVES,

AND MAURICIO AND I HAVE A ROOM,

AND WE HAVE A GYM THAT I HOPE I WILL USE.

HI, HONEY.

- OH, MY GOD, HI.

- HI. - HI.

- WHAT ARE WE DOING? - OH, MY GOD.

OH, MY GOD. THE CHANDELIERS.

- MOMMY.

- THEY'RE PRETTY, AREN'T THEY?

- I SWEAR TO GOD I'M LIKE... - MOMMY, FOR ME.

- [gasps] WHAT'S THIS?

IT SAYS, "THE PRINCESS SLEEPS HERE."

I CAN'T EVEN TELL YOU. I'M SO BLOWN AWAY.

- I'M SO GLAD.

- I REALLY GOT MY DREAM HOME.

I USED TO DRIVE PAST THIS HOUSE FOR A YEAR AND A HALF

AND PARK OUTSIDE AND STARED AT.

MY KIDS WOULD SAY, "WHAT ARE YOU DOING?"

AND I'D SAY, "THIS IS MY HOME."

I HAVE TO, LIKE, PUT MY ENERGY ON IT

SO THAT ANYBODY ELSE TAKES IT.

- ALL RIGHT, COME ON.

- HONEY, THIS IS NOT THE MAN CAVE.

- HE THINKS HE'S TAKING IT OVER. - ALL RIGHT, JUST A LITTLE BIT.

LIKE, A LITTLE--JUST A LITTLE TOWARDS YOU, GUYS, RIGHT THERE.

- MO. - ALL RIGHT.

- MO, WE'RE HAVING A PROBLEM WITH THIS BEING INSIDE HERE.

- OKAY, WHERE DO YOU WANT IT?

- WELL, I WANT IT IN THE GARAGE

AND KYLE WANTS IT IN THE MAN CAVE.

- WHERE DO YOU WANT IT?

- THIS IS NOT THE MAN CAVE.

- HONEY, I NEVER-- WE NEVER SAID THAT.

WE SAID THAT WE JUST WANTED THIS FOR--

IN THE INTERIM WHERE WE BOUGHT IT.

YOU'RE THE ONE THAT-- IT WAS YOUR IDEA.

- WELL, THAT WAS IN THE PAST BEFORE EVERYTHING STARTED--

- IT WAS A WEEK AGO, HER IDEA.

- WELL, THAT WAS SO LONG AGO.

- I DON'T KNOW WHAT IT IS EXACTLY ABOUT THIS HOUSE.

YOU KNOW, I KNOW THERE'S A LOT BIGGER HOMES IN L.A.

AND IT'S JUST AN ENERGY AROUND THIS HOUSE.

I JUST FELT AN INCREDIBLE CONNECTION TO IT.

IT'S SO UGLY. - IN THE GARAGE.

IN THE GARAGE. - SO WHAT DO YOU WANT?

- THE GARAGE? - THE GARAGE.

WITH THE CHANDELIER THAT GOES PERFECT IN THE GARAGE.

- TURN IT THE OTHER WAY.

- YEAH, TURN IT THIS WAY FOR NOW.

LET'S SEE HOW IT LOOKS THIS WAY.

- OKAY, I'M TELLING YOU NOW, IF WE LEAVE THIS IN HERE,

HE'S GONNA TALK US OUT OF GETTING FURNITURE FOR THIS ROOM.

- ALL RIGHT, BOYS, READY? - ONE, TWO, THREE.

- HOLD ON, STAY BACK, STAY BACK.

- SPIN.

- SPIN, SPIN, SPIN.

ALL RIGHT, HERE WE GO.

- OKAY, THAT LOOKS RIDICULOUS.

- OH, HOLD ON, WAIT.

[laughter] - HOLD ON.

THAT LOOKS REALLY BAD. WE GOT TO PUT IT BACK.

I'M SO SORRY.

- MAURICIO AND I KNOW HOW FORTUNATE WE ARE.

- OH, MY GOD, KYLE?

- [laughs] - KYLE?

- NO, DON'T LOOK AT MY EYEBROWS.

- KYLE!

- WE KNOW THAT WHAT WE HAVE IS SPECIAL

AND THAT NOT EVERYBODY HAS THAT.

- OH, MY GOD, THIS IS FANTASTIC.

LOOK AT IT.

- WE SEE IT WITH OUR FRIENDS AND WHAT THEY GO THROUGH.

MY MOM WOULDN'T LET ME TRIM MY EYEBROWS.

- THAT IS SO CUTE.

- THAT'S FROM A MOVIE I DID.

WE'RE NOT BLIND TO THAT.

WE KNOW WE'RE LUCKY.

WHAT HAVE I DONE?

- ROSIA?

- YEAH, MISS LISA?

- CAN YOU COME AND HELP ME FOR A SECOND?

- SURE, YEAH. - GOOD BOY.

MOMMY IS GOING AWAY FOR A COUPLE OF DAYS.

[sighs]

- YOU'RE LEAVING?

- YEAH.

I'VE GOT TO GO TO, UM, COLORADO...

- OH.

- WITH CAMILLE AND FRIENDS, YOU KNOW?

- UH-HUH. - TAYLOR AND KYLE.

- WITH MR. KEN? - NO.

- YOU'RE GOING WITHOUT MR. KEN?

- AND WITHOUT GIGGY AS WELL.

- GIGGY. - I KNOW.

WE'RE JUST GOING FOR A FEW DAYS.

CAMILLE IS SELLING HER HOUSE, SO SHE WANTS TO TAKE US ALL.

OH, GOOD BOY.

I'M GONNA MISS YOU.

- OH, YEAH, HE'S GONNA MISS YOU.

- MWAH.

OH, YOU LITTLE SEXY BOY.

COME ON THEN.

LET'S LEAVE HIM IN THERE. - OKAY.

- SO I'M GOING SKIING

AND I NEED A SKI JACKET.

- THE PINK. - HUH?

- THE PINK ONE? UH, THIS ONE.

- UM...

WELL, WE'RE GOING TO COLORADO

TO SOMEWHERE CALLED BEAVER CREEK.

I'M QUITE A GOOD SKIER, BUT I'M A LITTLE RUSTY.

THE LAST TIME I WENT SKIING, THE SKIS WERE WOODEN,

SO IT'S QUITE A WHILE AGO.

- THIS ONE?

- UM, NO, I DON'T THINK SO.

- NO, OKAY.

HOW ABOUT THIS WHITE WITH THE HAT?

[dog barking] - HOLD ON.

WHAT DO YOU THINK? - WITH THE HAT?

- HUH? - WITH THE HAT?

- WEAR THIS? - YEAH.

- GOING TO CAMILLE'S HOUSE.

IT WAS A HIGH-RISK SITUATION,

BECAUSE I'VE REALLY THOUGHT ABOUT THIS.

THERE'S NO RETREATING FROM IT.

I'M NOT THAT CLOSE TO TAYLOR, BEING REALLY HONEST.

SO TO PUT US ALL IN THIS KIND OF MELTING POT,

I'M JUST PRAYING THAT EVERYTHING IS GONNA BE OKAY.

HMM.

COME ON, PUT OUT.

COME ON. COME ON.

MWAH.

OH, YOU'RE SO GOOD. I'M GONNA MISS YOU.

I'M GONNA MISS HIM. - YEAH.

HE'S GONNA MISS YOU TOO.

- YES, HE'S GONNA. MWAH.

OKAY. OKAY.

COME ON THEN. COME ON, GIGGY. COME ON.

- [laughter]

- VISCO.

VISCO. VISCO.

HERE, HERE, HERE, HERE, HERE, HERE.

UH-UH, UH-UH.

- SO THIS IS FOR THE VAIL TRIP?

- YEAH.

I'M JUST STARTING, ACTUALLY.

- HOW MANY BAGS ARE YOU PACKING?

- I HAVE THREE PIECES OF LUGGAGE.

I KNOW IT WAS ONLY TWO DAYS, BUT TWO OF THOSE BAGS,

I THINK WERE SHOES.

I LOVE SHOES. WHAT I CAN SAY?

- I MEAN, ARE YOU GONNA SKI OR...

- NO.

- CROSS-COUNTRY SKI OR YOUR KNEE OR WHAT?

- NO, BECAUSE I HAVEN'T GOTTEN THE BRACE YET.

I'VE GOTTA GET THAT BRACE.

I HAD A KNEE INJURY ACTUALLY SKIING.

MY MENISCUS TORE IN MY ACL, SO I'M NOT QUITE SURE

IF I'M GONNA GO SKIING.

- OH, JESUS.

- ARE YOU GONNA--WILL YOU DO ME A FAVOR PLEASE?

- OH.

- SINCE I'M GONNA BE GONE, CAN I

GIVE YOU INSTRUCTIONS FOR THE HOUSE?

- MY HANDS ARE FULL OF SALIVA NOW.

- DRIVE SLOW WHEN YOU'RE WITH THE KIDS, PLEASE.

FOCUS ON THE ROAD.

DON'T TURN AROUND TO ASK GAVIN

IF HE'S GOT HIS SEAT BELT ON AS YOU'RE DRIVING.

- THAT'S THE REARVIEW MIRROR.

- ASK AHEAD OF TIME AND PUT A SEAT BELT ON.

- I'M NOT THE ONE WHO GETS LOST DRIVING IN BEVERLY HILLS.

- NO, I DON'T GET LOST DRIVING IN BEVERLY HILLS.

IT'S NOT ABOUT GETTING LOST.

I'M SAYING DRIVE SLOW. - I DO DRIVE SLOW.

- I'M A LITTLE, YOU KNOW-- A LOT OF TENSION THERE,

BECAUSE I DON'T WANNA-- YOU KNOW, LEAVING THE KIDS

FOR THAT MANY DAYS, I'M A LITTLE NERVOUS.

ALSO, LOCK THE DOORS, KEEP THE DOG INSIDE.

- I KNOW TO DO ALL THAT.

YOU DON'T NEED TO REMIND ME TO SHUT THE DOORS.

- NO, I NEED TO REMIND YOU.

- NO, YOU DON'T.

CAN YOU, LIKE, GIVE ME ONE SECOND?

I GOT SALIVA ALL OVER HANDS.

ONE SECOND.

- UM, NO, NO, SERIOUSLY, CAN I GIVE INSTRUCTIONS?

- I NEED A TOWEL.

- ARE YOU LISTENING? PLEASE.

- [sighs]

- WOW. - WELL, I'M TIRED AND--

- YEAH, WE'RE BOTH TIRED, PAUL.

HE LEADS A VERY STRESSFUL LIFE.

I LEAD A VERY STRESSFUL LIFE.

THERE ARE SITUATIONS WHERE HE GIVES IT RIGHT BACK TO ME

AND I KNEW THAT GOING INTO THIS MARRIAGE AND SO DID HE.

- COME ON, VISCO. COME ON.

- NO, NO, NO, VISCO, VISCO, VISCO.

- YOU WANNA STAY THERE--WAIT.

NO, WAIT, COME HERE. [whistling]

- VISCO, I WANT HIM IN HERE. - COME HERE.

- VISCO. - COME BACK HERE.

- HERE, HERE, HERE.

- OKAY.

- GOOD BOY.

GUYS, VISCO.

- COME HERE.

[laughs]

- AND WHY WOULD HE DO THAT?

WHY WOULD YOU DO THAT?

- COMING UP...

- IF IT'S ABOUT SOMEBODY ELSE BEING IN THERAPY--

- BUT THAT'S ABOUT HIM.

- BUT I MEAN NO ONE REALLY ASKED FOR HIS OPINION.

- [grunts]

HI, THERE.

- BYE, HONEY.

- HEY. - [laughing]

- HOW ARE YOU? - HOW ARE YOU?

- ARE YOU READY FOR A FUN ADVENTURE?

- I HOPE.

- [scoffs] - [laughs]

- SOMEBODY SAID THERE'S A STORM COMING IN.

- NICE. WE'LL JUST STAY IN THE HOUSE.

- OH, MY GOSH. YEAH.

- IN THE FIREPLACE.

- THAT COULD BE DANGEROUS, ALL OF US IN ONE HOUSE?

- THAT'S TRUE. I TAKE THAT BACK.

- [laughter]

- I NOTICED LISA DIDN'T WANNA GO WITH ME.

SHE'S PROBABLY LIKE, "NO WAY.

IF SHE'S FIVE MINUTES LATE, I AM LEAVING."

YOU KNOW HOW SHE IS, RIGHT?

- THAT'S SO FUNNY.

- I'M NOT WAITING FIVE MINUTES.

- I'M VERY PUNCTUAL.

SO FOR ME, I SEE NO POINT IN ACTUALLY SITTING OUTSIDE

OF ADRIENNE'S HOUSE WAITING FOR HER, SO I GET MY OWN CAR

WHENEVER WE GO ANYWHERE.

- LADIES... - YOU NEED TO PUT ONE LIKE--

- I'M GONNA HAVE TO PUT ONE BAG UP AHEAD OF US.

- OKAY. - SURE, THAT'S FINE.

- IT'S OKAY? - YEAH.

- VERY GOOD.

- WHAT A SURPRISE.

- GOT TO GET TAGS ON MY BAGS.

- YEP.

- HOW ARE YOU DOING, BY THE WAY?

- WELL, YOU KNOW, WE'RE DOING ALL THIS THERAPY

AND WE'RE WORKING ON EVERYTHING, AND IT'S REALLY HEAVY STUFF.

- EVEN PEOPLE THAT HAVE A GOOD MARRIAGE HAVE TO WORK AT IT.

TRUST ME, I KNOW.

WE HAVE OUR MOMENTS.

AND IT LEADS TO-- SOMETHING SO SMALL

COULD LEAD TO A HUGE ARGUMENT.

- YEAH.

- IT'S AMAZING HOW THAT HAPPENS.

- IF I DON'T START SPEAKING UP ABOUT

THE LITTLE THINGS IN THE MOMENT...

- RIGHT.

- EVEN IF IT'S THAT, YOU KNOW, A RESTAURANT

THAT HE WANTS TO GO TO THAT I'M-- DON'T WANNA GO TO.

- DON'T WANNA GO TO.

- YOU KNOW, JUST MAKING IT A POINT TO SAY,

"YOU KNOW, I REALLY DON'T WANT ITALIAN RIGHT NOW."

- YEAH.

- YOU KNOW, THAT'S IMPORTANT FOR ME TO SAY

THE LITTLE THINGS SO THAT I CAN BE STRONG ENOUGH.

- WOW, HAVE YOU ALWAYS FOR SIX YEARS GONE ALONG

WITH WHATEVER HE SAID?

- PRETTY MUCH.

I ALWAYS LIKE, "I DON'T CARE, WHATEVER YOU WANT."

- THAT'S AMAZING. - YEAH.

- I COULD NEVER DO THAT. - YEAH.

- THE BAD NEWS IS I'M STILL SICK,

AND THE GOOD NEWS IS I'M SO HYPER

THAT I DON'T KNOW WHAT TO DO WITH MYSELF.

I'VE HAD A CUP OF COFFEE AND I'M READY TO ROCK AND ROLL.

- YOU BROUGHT A PILLOW IN A SUITCASE?

- I ALWAYS CARRY ONE.

I'M NOT GONNA GO ANYWHERE WITHOUT MY PILLOW.

- COME ON.

- DON'T PUSH ME. DON'T PUSH ME.

I'M NOT READY YET.

I'M LIKE, "KIMBERLY, CALL 911.

"I CAN'T SLEEP. I'M SO--

I'VE BEEN CABIN FEVER. I'VE BEEN HOME SICK."

- COME ON, LET'S GO.

- I NEED TO TAKE MY TIME.

- KYLE AND KIM WERE DAWDLING AND MESSING ABOUT.

I FEEL LIKE A TEACHER ON A SCHOOL TRIP.

- OKAY. - SO SCARED.

- I LOVE THE JACKET.

WHAT ABOUT MY LUGGAGE?

- OKAY. - OH, COME ON.

HELP OUT.

OKAY, SO YOU GET THE THING, BUT LOOK AT MINE.

- GREAT. HOW DID I END UP WITH THIS?

- I HAVE A PASSPORT. - THIS IS LIKE--

- OKAY, YOU NEED YOUR LITTLE PAPER.

- I DON'T HAVE A LITTLE PAPER.

- YOU DO. - I DON'T HAVE A LITTLE PAPER.

WHERE DO I GET ONE?

- WHEN WE CHECK IN, WE'LL GET IT.

- HI, GIRLS.

HI.

I'M SO GLAD THAT I WORE A LITTLE HEEL TODAY,

BECAUSE I WAS NERVOUS.

- YOU LOOK CUTE. - I WAS GONNA WEAR MY MOGS.

- YOUR MOGS? I BROUGHT SOME.

- HI. - YOU LOOK GREAT.

- THANK YOU. - I'LL HELP YOU.

- IS THIS YOUR ONLY BAG?

- IT'S ALWAYS A LITTLE SCARY TO TRAVEL WITH MY SISTER,

BECAUSE YOU NEVER KNOW WHAT IS GONNA SET US OFF.

SO I HAVE HIGH HOPES.

I HAVE TO HOLD THIS.

YOUR UNRULY EYEBROWS.

- YOU KNOW WHAT? LEAVE THOSE ALONE.

THEY LIKE TO BE UNRULY.

SOMETHING--YOU HAVE TO LEAVE THOUGH--

YOU HAVE TO LEAVE A LITTLE BIT OF UNRULINESS IN ME.

- OH, BELIEVE ME, I'VE LEFT PLENTY.

- OH, BELIEVE ME.

UM, I WOULDN'T GO THERE IF I WERE YOU.

DON'T START WITH ME ON THIS TRIP, GIRLFRIEND.

HI, I'M KIM. - GOOD MORNING.

- WE ASK THAT YOU IMMEDIATELY MAKE YOUR WAY

TO THE GATE MARK 67A FOR AN ON-TIME DEPARTURE.

- I WANT TO SAY MY PRAYERS NOW, SO.

- YOU'RE WHAT? - I NEED TO SAY MY PRAYER NOW.

- BUT WE'RE ABOUT TO TAKE OFF.

- HERE'S ONE.

OH, NO, NEVER MIND.

- KIM LIKES HIM. KIM LIKES HIM.

- WHO?

- HELLO, WOULD YOU LIKE TO MEET MY SISTER?

- WE HAVEN'T EVEN BEEN OUT THE GATE, LIKE, 30 SECONDS.

- YEAH? KIM.

- MARK. - OH.

- I MEAN, I'M--

[indistinct chatter]

WHAT?

- KIM, WE HAVEN'T--

WE DIDN'T EVEN LEAVE 15 MINUTES AGO.

GIVE THE GUY A BREAK.

- HEY, YOUR BUTT. - BUNS OF STEEL.

- IT'S BUNS OF STEEL.

- ALL RIGHT. - OH, MY GOD.

- DO YOU KNOW THIS GUY?

- SHE'S A BOX-- LET HER DO IT.

- SHE'S THE BOXER.

[laughter]

- OH, [bleep].

- HERE WE GO.

I MEAN, I KNEW I WAS ON A SCHOOL TRIP TO A CERTAIN EXTENT,

BUT I DIDN'T REALIZE IT WAS KINDERGARTEN TRIP.

[laughter]

- OH, MY GOD.

- EXCUSE ME. [laughs]

- YOU RUN ME OVER AND ONE WILL DIE.

- [sighs] - OH.

- EXCUSE ME.

DO YOU KNOW HOW FAR IT'S GONNA BE TO CAMILLE'S?

- WE'RE GONNA HAVE TO MAKE A DETOUR TODAY.

THEY'RE DOING CONSTRUCTION ON I-70.

THEY HAVE IT CLOSED...

- WHAT? - WHAT?

- BECAUSE OF THE ROCKS AT GEORGETOWN.

WE HAVE A SOUTHERN HIGHWAY WE CAN TAKE.

IT'LL BE A FOUR-HOUR RIDE. - ARE YOU JOKING?

- ARE YOU KIDDING? - IS THAT A JOKE?

NOW, I'M LIKE--NOW, I WAS GETTING KIND OF EDGY.

- WAIT. FOUR--ARE YOU JOKING?

- IT'S A DANGER.

THEY GOT 25 MILES OF I-70 CLOSED.

- SO I THINK THIS IS BLOODY RIDICULOUS.

NO WAY.

I DON'T WANNA SPEND 4 1/2 HOURS

BECAUSE I KNOW SOMEBODY IS GONNA SAY SOMETHING

THAT WILL KICK IT OFF.

SERIOUS, FOUR HOURS NEXT TO ARMSTRONG?

JESUS. OH, GOD.

- OH, THE SUNSET LOOKS SO AMAZING RIGHT NOW.

- ISN'T IT PRETTY? - IT'S SO PRETTY.

THIS IS A GOOD TIME TO GO SNOWSHOEING

JUST A LITTLE BIT UP THE BACK.

AND JUST TOBOGGANING, YOU KNOW?

YOU KNOW, WE'LL TAKE THE KIDS OUT THIS TIME,

JUST WHEN THE SUN IS SETTING, THE LIGHT'S PERFECT.

IT'S BEEN A TOUGH YEAR.

SO HAVING THE GIRLS AT MY HOUSE

IS JUST WHAT I NEED RIGHT NOW.

I'M GONNA GO DOWNSTAIRS AND CHECK THE BEDROOMS,

MAKE SURE EVERYTHING LOOKS GOOD.

- OKAY.

- I WANTED TO CHECK THE LIGHT FIXTURE IN HERE

'CAUSE IT GOES WITH THE WHOLE CASTLE VIBE.

- IT DOES.

IT LOOKS LIKE A TURRET IN A CASTLE.

- YEAH.

OKAY, LET'S GO INTO MASON'S ROOM FIRST.

- OKAY.

- HE'S MY DATE.

ARE YOU MY DATE FOR THE EVENING? YOU GOT A BIG BELLY.

OH, OKAY.

BECAUSE OF MY DIVORCE SETTLEMENT,

I HAVE TO SELL THE BEAVER CREEK HOUSE.

I LOVE THIS HOUSE. I HELPED DESIGN IT.

YOU KNOW, WE SPENT THANKSGIVINGS HERE.

MY DAUGHTER AND MY SON BOTH LEARNED TO SKI HERE.

IT'S GONNA BE SAD TO LET IT GO.

SO THIS IS CONSIDERED THE SECOND MASTER SUITE.

SO I'M FIGURING THIS IS PROBABLY WHERE, YOU KNOW,

MISS VANDERFABULOUS IS GONNA WANNA STAY.

- ABSOLUTELY. [laughter]

- HEY, I WOULD WANNA STAY HERE TOO.

I DON'T BLAME HER. - IT'S A GREAT ROOM.

- YEAH, IT'S A GREAT ROOM.

- LOOK HOW CUTE THIS LITTLE--TOWN?

IS THAT A TOWN? - IT IS A SUPER CUTE TOWN.

- LOOK AT THIS, HOW CUTE THIS IS.

- DO YOU KNOW WHAT I SAW GOING TO SQUAW VALLEY?

YOU KNOW THOSE OLD TRAIN TRACKS,

LIKE THE TRUE OLD, OLD TRAIN TRACKS?

I FELT LIKE IT WAS MAKING A MOVIE.

OH, MY GOD, I WAS ON THE DISNEY LOT AND I WAS LIKE--

- LITTLE HOUSE ON THE PRAIRIE.

- EXACTLY.

I WAS LIKE, "OH, MY GOSH,"

AND THEN I GOT OUT AND I PUT MY FEET IN THE WATER.

LIKE, AH! IT WAS AMAZING.

- KIM IS DEFINITELY OPENING UP.

SHE'S, YOU KNOW, TALKING.

- I WENT TO PARIS FOR THE FIRST TIME.

I RAN INTO THREE PEOPLE I KNEW.

ONE IN THE AIRPORT, TWO AT THE HOTEL.

ISN'T THAT WEIRD? - ISN'T THAT WEIRD?

- TELLING STORIES AND TALKING.

- BECAUSE I WAS REALIZING HOW MANY HOURS--

WHEN I WAS READY JUST TO RELEASE IT, LET IT GO.

- IT WAS A LOT OF TALKING.

- I'VE GOT THE SOLES OF HER FEET IN MY FACE.

IT'S EVEN MORE EFFECTIVE.

- BUT YOU KNOW WHAT'S REALLY BEAUTIFUL ABOUT IT,

TIPS OF THE SOLES?

AT LEAST THEY SAY "HEART AND SOUL."

- AT LEAST THEY DON'T SMELL.

- OH, FOR GOD'S SAKE.

- THIS IS GONNA BE A LONG DRIVE.

- CAN I ASK YOU A QUESTION? - GO AHEAD.

- WAS KEN MAD AT ME THE OTHER NIGHT?

- UM.

INNOCUOUS LITTLE QUESTION. THANKS, KYLE.

WELL, YOU SEEMED MAD AT HIM, DIDN'T YOU REALLY?

- NO, I WASN'T MAD.

I GUESS IT WAS THE CHOICE OF WORD THAT HE DIDN'T LIKE.

- YEAH. NO, HE DIDN'T LIKE IT.

HE KIND OF BELIEVES IN WHAT HE BELIEVES.

- HE DIDN'T LOOK VERY HAPPY TO ME WHEN YOU SAID THAT.

- HE WASN'T.

HE WAS PISSED OFF AT ME, I COULD TELL.

- OH, ABSOLUTELY, YEAH.

- WHY? - I DON'T KNOW WHY.

THAT WAS JUST--I MEAN, THAT WAS JUST THE WORD

THAT CAME TO MIND.

- THAT'S HIS OPINION AND HE'S ENTITLED TO IT.

- YEAH.

- BUT I MEAN, NO ONE REALLY ASKED FOR HIS OPINION.

- [laughs]

- TO ME, IT REALLY JUST SEEMS LIKE LISA

WANTED TO DEFEND KEN WHETHER HE WAS WRONG OR NOT.

- IF IT'S ABOUT SOMEBODY ELSE BEING IN THERAPY--

- BUT THAT'S ABOUT HIM.

- IF SOMEONE WAS GOING TO-- INTO REHAB...

- THAT'S ABOUT HIM.

- I WOULDN'T SAY, "OH, I WOULD NEVER GONNA DO THAT,

"BECAUSE THAT'S A SIGN OF WEAKNESS

THAT YOU WOULD NEED HELP FROM SOMEBODY ELSE."

- YEAH, BUT HE SAID IN HIS OPINION,

HE DOESN'T BELIEVE IN THERAPY AND THAT'S A VALID POINT TOO.

- I HEARD THAT. YES.

I JUST DIDN'T FEEL LIKE ANYBODY ASKED FOR HIS OPINION.

- WELL, I DON'T THINK YOU HAVE TO ASK SOMEBODY'S OPINION

WHEN YOU'RE SITTING AT DINNER PARTY.

- HE SAID THERAPY IS FOR WEAK PEOPLE.

THAT'S NOT-- - NO, HE DIDN'T.

HE SAYS HE SEES IT AS A SIGN OF WEAKNESS.

- WELL, I MEAN-- - BUT THAT'S HIS OPINION.

- THAT'S HIS OPINION. - YOU KNOW WHAT?

MAYBE YOU NEED TO HAVE THIS ARGUMENT WITH HIM.

END OF STORY, YOU KNOW?

- COMING UP...

- YOU'VE BEEN MAKING FUN OF ME FOR YEARS

FOR SPARKLE AND BLING AND NOW, LOOK, THERE'S ALL BLING-BLING.

- KIM, SPARKLES IS DIFFERENT THAN RHINESTONES.

- NO.

- YEAH!

YOU GUYS MADE IT! WHOO!

HEY, OH, MY GOD. YOU MADE IT.

HOW LONG DID IT TAKE YOU? FOREVER?

- SO WE REALLY JUST LOVE YOU OR WE WOULDN'T BE HERE.

[laughter] WE THOUGHT ABOUT--

- I'M SO GLAD YOU MADE IT.

- IT'S LIKE PLANES, TRAINS, AND AUTOMOBILES.

- AFTER EVERYTHING CAMILLE AND I HAVE BEEN THROUGH,

IT FEELS PRETTY STRANGE THAT I'M THIS EXCITED TO SEE HER, OKAY?

IT HAS A LITTLE SOMETHING TO DO WITH BEING TRAPPED

IN THE CAR WITH ALL THESE WOMEN.

- BEAUTIFUL.

GOSH.

LOOK AT THE--LOOK AT THE VIEWS.

- SO WE ARRIVED AT CAMILLE'S HOUSE.

I MEAN, IT'S JUST BEYOND GORGEOUS AS I KNEW IT WOULD BE.

AND I DO FEEL SORRY FOR HER.

I MEAN, YOU KNOW, SHE'S HAVING TO SELL ALL THESE HOUSES.

SHE'S GONNA BE DOWN TO JUST A COUPLE, SO YOU KNOW WHAT I MEAN.

IT'S, YOU KNOW, A DIRE SITUATION HERE.

- OKAY. COME ON DOWNSTAIRS.

OH, THIS IS THE GUEST BEDROOMS.

SO FIGURE OUT--I'M GONNA HAVE YOU GIRLS PICK

WHAT ROOM YOU WANNA STAY IN.

WE ARE ONE GUEST ROOM SHORT IN THE HOUSE,

SO TWO OF THE LADIES HAVE TO SHARE A ROOM.

I DIDN'T ASSIGN THE LADIES THEIR ROOMS,

BECAUSE WHAT'S THE FUN IN THAT?

I WANTED THE LADIES TO WORK IT OUT THEMSELVES.

THIS IS MASON'S LITTLE ROOM. - I'LL TAKE THIS ROOM.

I DON'T CARE. - REALLY?

I'M GONNA SHOW YOU ALL THE OTHER ROOMS TOO.

- KYLE WILL FEEL QUITE AT HOME WITH HIS NEW CRIB.

- I'M FINE WITH THIS ROOM. I'M GOOD WITH THIS ROOM.

- I'M FINE. WHERE--WHERE DO YOU SEE--

- NO, I'M GONNA SHOW AND THEN HERE, STRAIGHT AHEAD.

WELL, THIS ROOM HAS GREAT VIEWS.

- THEN I'LL TAKE THAT. - OKAY, OKAY, OKAY, OKAY.

WE HAD A FRIEND THAT WAS REALLY INTO FLY FISHING,

SO THIS ROOM IS BASICALLY, YOU KNOW, DEDICATED TO HIM.

- LISA, JUST SO YOU KNOW, MY PURSE IS HERE.

- YOU GET THE FLIES, DARLING. [laughter]

- THIS IS GOOD.

- REALLY? FOR ME? - NO, FOR ME.

- FOR ME. - FOR ME.

- [laughter] - FOR US.

- WHOEVER TAKES THE BIGGER ONE SHOULD SHARE WITH TAYLOR THEN.

- THE ROOMS THAT HAVE THE BIGGER BEDS--WAIT, LOOK AT YOUR FACE.

- OH, MY GOD. THAT AIN'T HAPPENING.

I MEAN, I'VE JUST BEEN IN THE BACK OF A LIMO

WITH TAYLOR FOR FOUR HOURS.

I'M CERTAINLY NOT GONNA SLEEP WITH HER.

MM-MM.

- WAIT, IT MAKES MORE SENSE THEN,

IF SOMEONE HAS TO SHARE, MAYBE YOU AND I

TAKE A BIGGER BED AND SHARE.

MAYBE I GO IN WITH YOUR ROOM.

- OKAY. - YOU CAN SHARE THAT.

- AND THEN, YEAH, WE COULD DO THAT.

- OKAY.

I DEFINITELY DIDN'T WANNA SHARE WITH LISA.

I DEFINITELY DIDN'T WANNA SHARE WITH TAYLOR.

I THINK EVEN WITH ALL THE STUFF,

IT JUST MADE SENSE THAT MY SISTER AND I SHARE A ROOM.

- I OFFERED TO TAKE THE TWIN BED

WITH HER SON'S ROOM,

BUT THEN SOMEONE HAS TO SHARE,

SO THEN I THOUGHT I SHOULD PROBABLY GO WITH KIM.

- OKAY, I DON'T MIND.

- I DIDN'T HAVE-- I HAD A SINGLE BED

SO I FIGURED YOU EITHER SHARE WITH THEM OR WHATEVER.

SO I MOVED IN WITH KIM AND NOW YOU HAVE THE SINGLE BED.

I'M FEELING SHORT OF BREATH.

- I MANAGED TO SNEAK INTO THE BEST BEDROOM.

TOO LATE.

- WHAT ARE YOU WEARING TONIGHT?

- I THINK I'VE PACKED NOT INTELLIGENTLY.

- WHAT, DID YOU PACK FOR LAS VEGAS?

[laughter] FOR GOD SAKES.

- WELL, YOU KNOW, JUST TO ADD A LITTLE SPARKLE NOW AND THEN.

I WAS A LITTLE HESITANT GOING AWAY WITH KIM.

I DIDN'T THINK WE'D HAVE TO BE SHARING A BEDROOM.

HOW CUTE IS THIS? - CAN I JUST ASK YOU SOMETHING?

AREN'T YOU CONFUSED WITH WHAT'S TRIP WE'RE ON?

- THIS IS A SCARF.

- I UNDERSTAND THAT'S A SCARF. - IT'S A SCARF.

- BUT... - I LIKE SPARKLES.

- YOU KNOW WHAT?

YOU'VE BEEN MAKING FUN OF ME FOR YEARS

FOR SPARKLE AND BLING AND NOW--NOW YOU'RE ALL BLING-BLING.

- KIM, SPARKLES IS DIFFERENT THAN RHINESTONES.

- NO, SPARKLE AND BLING IS THE SAME.

- RHINESTONES. RHINESTONES.

- DON'T MESS WITH ME, GIRLFRIEND.

- [purring]

- WOW, OKAY.

THIS IS QUITE THE MONSTER DINNER.

- I THINK WE SHOULD GO SOMEPLACE FAR

WHERE THERE'RE SOME SINGLE GUYS.

NOT FOR ME, BUT FOR YOU AND KIM.

- KIM? - COME ON, THAT'S FUN.

- YEAH.

- AND IT'S FUN BECAUSE-- - LET'S GO.

- DON'T BE SAD. - IT'S NOT SAD, IT'S FUN.

YOU HAVE TO THINK OF IT AS FUN.

- AS LIFTING A LARGE WEIGHT OFF YOUR SHOULDERS.

- YES.

- A LARGE, SMELLY, HAIRY WEIGHT.

- HAIRY WEIGHT. [laughter]

- WITH BARNACLES ATTACHED TO IT.

- YES, YES. - THIS IS FREEDOM.

- HAIRY, SMELLY.

- YOU DUMPED THAT HAIRY LUG.

[laughter]

I FEEL LIKE CAMILLE NOW COMPARED TO A YEAR AGO

IS A COMPLETELY DIFFERENT PERSON.

I FEEL THAT SHE'S HAPPIER.

I FEEL THAT SHE'S MORE CONFIDENT.

I FEEL LIKE I'M HANGING OUT WITH A DIFFERENT GIRL.

- IT'S ABOUT TIME.

- I USED TO HAVE TO SCRAPE THOSE BARNACLES OFF.

[laughter]

NOW LET SOMEBODY ELSE SCRAPE THEM.

- OH, MY GOD.

OL' WHAT'S HER NAME'S GONNA HAVE FUN

SCRAPING THE BARNACLES NOW.

- WOW, SHE CAN WAX HIS BACK NOW.

LIKE, WHAT WAS THAT MEAN, THOUGH?

I'M CURIOUS, LIKE--

- I GUESS, YOU KNOW, MEN SOMETIMES GROOM THE--

- MANSCAPE? - YEAH, THEY MANSCAPE.

I WAS USUALLY DOING THE MANSCAPING IN THE BACK.

IT'D BE LIKE, YOU KNOW, YOU KNOW,

ME STARTING THE HEDGE TRIMMER.

[imitates head streamer sounds] UP KELSEY'S BACK.

- MANSCAPING. HOW DO THEY DO THAT?

COULD YOU SEE, LIKE, THEY DO IT LIKE THE GIRLS?

- WE'RE GOING TO EAT, FOR GOD'S SAKES.

AND I'M GONNA THINK ABOUT... [imitates machine sound]

YOU KNOW, SOME MAN GETTING HIS THING SHAVED OR WAXED.

I'M LIKE, "THIS IS SO INAPPROPRIATE.

WHY DO WE HAVE TO TALK ABOUT THIS?"

[laughter]

- GOD, WE'RE SO BAD.

- JESUS.

- HELLO LADIES, HOW WE DOING TONIGHT?

- THERE ARE SOME THINGS THAT REMAIN SACRED.

[overlapping chatter]

- HI. - THANK YOU, THANK YOU.

- OH, GREAT. OKAY.

- WHERE SHALL WE SIT? - THANK YOU.

- JUST ANYWHERE? - TAKE A SEAT WHEREVER.

- LADIES, WINE LIST, DRINKS.

- HOW WE DOING TONIGHT? - GOOD, HOW ARE YOU?

- I'M DOING GREAT. MY NAME'S MICHAEL.

I'LL BE TAKING CARE OF YOU TONIGHT.

A FEW THINGS WE ARE KNOWN FOR IS GONNA BE, UM, OUR MUSSELS.

UM, OUR MUSSELS ARE AWESOME.

THEY ARE DRY ROASTED IN AN OVEN.

- DO THE MUSSELS DO THE SAME THING OYSTERS DO?

- PARDON ME? I DON'T KNOW.

- I'M JUST JOKING.

- I DON'T KNOW IF THEY DO BUT THEY COULD.

- YOU KNOW WHAT, WHY DON'T WE BRING OUT SOME CHEESE AND--

- CHEESE AND--MIXTURE OF MEATS AND CHEESES?

YOU GOT IT. - YEAH.

JUST TO NIBBLE ON WHILE WE ARE WAITING.

- YOU GUYS, THERE ARE ACTUALLY CUTE GUYS OVER HERE I SAW.

- HUH? - REALLY?

- YEAH, THERE'S, LIKE, A BUNCH OF YOUNG--

- COLORADO MOUNTAIN BOYS? - YEAH, THERE IS.

- WELL, THEY LOOK CUTE AT THE BAR.

- WELL, YOU GOT TO GO FOR IT.

YOUR OTHER HALF'S KIND OF MOVED ON.

YOU'VE GOT TO-- YOU HAVE TO.

- WELL, HE MOVES QUICKLY.

I DON'T MOVE AS QUICKLY AS HE. - YEAH, TOO QUICKLY.

TOO QUICKLY. - YEAH.

I NEED TO TAKE MY TIME, HEAL, THINK ABOUT THINGS.

IT'S TRUST.

I HAVE TO GET--IT'S GONNA TAKE A WHILE TO TRUST AGAIN.

LISA DOESN'T KNOW WHAT IT'S LIKE OUT THERE.

SHE HASN'T DATED IN 30 YEARS.

IT'S TOUGH.

IT'S ROUGH OUT THERE.

- THIS LOOKS GOOD. OH, MY GOSH.

[overlapping chatter]

- THE RULES HAVE ALL CHANGED, LIKE--RIGHT?

- THERE ARE NO RULES. - THERE ARE NO RULES.

- I THINK THAT THE RULES HAVE CHANGED,

AND THAT'S THE THING IS YOU HAVE TO GO BACK TO THE OLD RULES.

- OH, I LIKE THAT.

- BECAUSE IF THEY DON'T KNOW YOU

AND THEN YOU GUYS ARE INTIMATE, THERE'S NOTHING TO MISS.

- NO, ABSOLUTELY. - THAT'S RIGHT.

THAT'S RIGHT. - NO RESPECT.

- HOW CAN YOU BE INTIMATE WITH SOMEBODY

THAT YOU DON'T KNOW?

- THAT'S RIGHT. - EXACTLY.

- YOU CAN'T LOOK ME IN THE EYE AND TOUCH MY FACE

OR TELL ME YOU WANT SOMETHING FROM ME

IF I DON'T FEEL SOMETHING FOR YOU.

AND HOW DO I KNOW THAT? - I HAVE TO FEEL SOMETHING.

WHEN I KISS SOMEBODY, I HAVE TO FEEL IT.

- YEAH.

- AND IT HAS TO BE WITH THE KISSING.

KISSING IS BIG.

- YEAH, IF HE'S A BAD KISSER, FORGET IT.

- FORGET IT. - OH, MY GOD.

- MY EX WAS A TERRIBLE KISSER. - NO, STOP!

[laughter]

- THERE WE GO!

- I REALLY AM ENJOYING MY TIME WITH CAMILLE RIGHT NOW.

BUT I NEVER KNOW WHEN HER LITTLE EVIL TWIN'S

GONNA COME OUT TO PLAY. [laughs]

- NOBODY WANTS TO ADMIT THEIR MISTAKES

ALTHOUGH WE ALL HAVE TO TO GET THROUGH LIFE.

IF WE DON'T ADMIT OUR MISTAKES,

THEN WE LIVE LIFE IN COMPLETE DENIAL.

- GOD, I'M NOT PERFECT. I'VE MADE ENOUGH.

- WELL, WE'VE ALL MADE MISTAKES.

YOU KNOW, I'D LIKE TO MEET THE PERFECT PERSON

THAT HASN'T MADE A MISTAKE YET.

SHOW ME ONE.

IN EVERY FAMILY, THERE'S SOME SMALL ISSUE...

- SMALL? - OR BIG.

- THAT REALLY IS QUITE BIG.

- EVERY FAMILY HAS THEIR STUFF, EVERY FAMILY.

I FEEL LIKE SOMETIMES HAVING ARGUMENTS CAN--

AND EVEN THOUGH IT'S PAINFUL, CAN HELP IN THE END.

I FEEL LIKE YOU AND I HAVE GONE THROUGH SO MUCH,

BUT WE'RE IN, LIKE, A GOOD PLACE WITH US.

- YEAH, AND I'M FEELING LIKE WE'RE IN--WE'RE IN A TRANSITION.

WELL, I'M WORKING VERY HARD ON WORKING THROUGH THIS,

'CAUSE IT HAS TO COME FROM ME NOW,

'CAUSE SHE'S PRETTY MUCH-- I THINK SHE SAID,

"WELL, I'M OVER THIS. I'M GOOD."

I'M NOT THERE YET.

I WANNA BE SO BAD, BUT IT'S TAKING ME

A LITTLE BIT LONGER THAN I THOUGHT.

- WELL, AS SIBLINGS, YOU KNOW--

- SIBLINGS?

- YOU KNOW EACH OTHER SO WELL AND YOU KNOW WHAT BUTTONS--

- YEAH, THE TRIGGER PARTS.

- EXACTLY. - YEAH.

- IT MAKES IT HARDER.

- COMING UP...

- KIM, GRAB HIM BY THE EARS, IT'S GONNA HELP.

- SHUT UP, LISA, SHUT UP! I'VE HAD ENOUGH OF YOU.

- SHUT UP, LISA, SHUT UP! I'VE HAD ENOUGH OF YOU.

[knock on door]

- SUNSHINE, ARE YOU AWAKE?

[laughs]

IS YOUR BRONCHITIS BAD AGAIN?

- YEAH.

- WELL, MOUNTAIN AIR.

- I HAVE A HORRIBLE HEADACHE TOO.

- YOU WANT SOMETHING? IT'S THE ALTITUDE.

DO YOU WANT SOME ADVIL?

- I'VE BEEN DRINKING WATER ALL NIGHT.

I'M RUNNING A FEVER.

I HAD BEEN UNDER THE WEATHER

AND I DON'T WANNA MISS IT, BUT I'M SICK

AND I'M REALLY WEAK.

- DO YOU WANT TEA?

ORANGE JUICE? WATER?

- I'M JUST GOING TO DRINK MY WATER.

- WATER.

OH, HONEY, I'M SORRY. OKAY.

GOOD MORNING.

- HELLO, DARLING.

SO YOU DON'T SLEEP EITHER? - NO.

- [laughs] - NOT SINCE 1976.

- OH, REALLY? - NO, NOT REALLY.

- IS THERE A REASON FOR THAT?

- [laughs] OH, PROBABLY.

WHAT ABOUT YOU? WHY DON'T YOU SLEEP?

- I DON'T KNOW.

I THINK I'M ON ENGLISH TIME STILL,

EVEN AFTER SIX YEARS.

OH, I'M GLAD I'M UP EARLY 'CAUSE I CAN SPEND

SOME NICE QUALITY TIME WITH TAYLOR.

WHERE ARE THOSE OTHER GIRLS WHEN I NEED THEM?

- HEY. - HEY.

- HEY, CUTIE PIE. YOU LOOK LIKE A LITTLE KID.

- SO I'M GONNA MAKE PANCAKES FOR EVERYBODY UNLESS--

- OKAY. I'LL MAKE YOU SCRAMBLED EGGS.

- OKAY, GOOD AND I'LL MAKE THE PANCAKES.

- YOU KNOW WHAT?

- KIM. - HELLO, GIRLS.

- YOU KNOW WHAT I THINK?

SHE NEEDS SOME ORANGE JUICE.

- I DON'T THINK SHE'S GOING.

- I'M NOT GONNA GO ANYWHERE TODAY.

- I DON'T KNOW.

- BY THE WAY, YOU WERE TALKING LAST NIGHT.

- IN THE SLEEP?

- NO, NOT IN SLEEP.

YOU--SHE WANTED TO TALK ALL NIGHT LONG.

- I LIKE TO CHAT BEFORE BED.

- I WAS IN A DEEP SLEEP, HAVING A DREAM.

YOU GO, "KYLE, I JUST THOUGHT OF SOMETHING,

DO YOU THINK CATHY AND DAH, DAH, DAH?"

I WAS LIKE--

- AND THEN, SHE LOOKS AT ME AND GOES, "DO YOU MIND?

I CAN'T BELIEVE YOU'RE STILL AWAKE."

IT WAS ONLY A MATTER OF SECONDS, BY THE WAY.

- I FALL ASLEEP LIKE THAT.

THE SECOND I GET IN BED, I'M ASLEEP.

I REALLY LOVE MY SISTER AND WANNA MOVE ON

EVEN IF WE DON'T RESOLVE EVERYTHING

FROM THE FIGHT THAT NIGHT.

- STOP IT.

- YOU ARE A LIAR AND SICK AND AN ALCOHOLIC.

- STOP IT.

- I REALLY NEED TO BE ABLE TO MOVE ON.

SO EVEN IF I HAVE TO BRUSH SOME THINGS UNDER THE CARPET,

I GUESS I'LL HAVE TO.

- ADRIENNE? - YES.

- WILL YOU CRACK AN EGG?

OKAY, NOW I'M SCARED. - CAN I CRACK IT ON YOUR HEAD?

- YOU CAN TRY.

- I KNOW IT.

- I DON'T WANT THAT SHELL IN THERE.

- NOT BAD, SEE? - THAT'S GOOD.

THAT'S THE FIRST STAGE.

WHOOPS.

- YOU'RE GETTING MORE SHELLS IN THERE THAN I AM.

- THERE'S NO SHELL IN THERE.

- OKAY, NOW--

- DID YOU WASH YOUR HANDS BEFORE...

- OH, I DID YESTERDAY. - HA HA!

[doorbell rings]

- OKAY SO--

- SOMEBODY AT THE DOOR?

OH, GOD, I'M IN MY PJs.

OKAY, HERE WE GO.

HEY, HI.

- HI. - HI.

- JOHN FLANAGAN.

- HI, CAMILLE GRAMMER. COME ON IN.

- NICE TO MEET YOU.

- SO YOU'RE GONNA-- YOU'VE GOT SKIS FOR US?

- WE'VE GOT SKIS AND BOOTS. - EQUIPMENT, BOOT.

- WE'RE GONNA FIX YOU GUYS ALL UP RIGHT NOW.

- OKAY, GREAT, FANTASTIC. COME ON IN.

WE'RE JUST, UH, MAKING BREAKFAST, SO...

GIRLS, WE'VE GOT OUR SKIS AND BOOTS HERE,

SO ANYBODY'S READY, JUST START FITTING.

- HELLO. - GOOD MORNING.

- HI.

- I NEVER SAW A SKI CONCIERGE BEFORE.

THIS IS A FIRST FOR ME, SO I DON'T KNOW

WHERE WE FIND THOSE KIND OF PEOPLE, BUT I LIKE IT.

- SO YOU'RE SKIING NOW? - I MIGHT.

I MIGHT--I MIGHT.

- WELL, ONE DAY WITH YOUR KNEE?

- I DON'T KNOW. SHOULD I?

- YOU KNOW WHAT, I THINK YOU SHOULD DO IT.

I THINK WE SHOULD WRAP YOUR KNEE UP.

WE'RE NOT GONNA GO ON ANY-- BE NICE AND EASY.

- DO YOU HAVE, LIKE, JUST A BRACE?

- YOU'LL BE DISAPPOINTED.

YOU'LL BE DISAPPOINTED IF YOU DON'T GO.

- I'M GOING TO GET MY LOUBOUTIN.

- I REALLY WANNA GO.

I WAS HESITANT TO SKI BECAUSE OF MY KNEE

BUT ALL THE OTHER GIRLS WERE GOING SKIING

AND I'M NOT GONNA BE LEFT OUT.

- EITHER OF YOU GET SET UP YET?

- NO, I DON'T KNOW. DID YOU?

- SHE NEEDS HELP.

- I NEED TO--I NEED MORE THAN A BOOT.

I DON'T HAVE ANY SOCKS ON.

- HERE, THESE ARE OVERLY THICK BUT--

- SO WHO IN THIS ROOM IS MARRIED?

[laughter]

- WHY IS THAT--

- OKAY.

- KIM, SINGLE, HUNKY CONCIERGE, DO THE MATH.

YOU KNOW, ANY PORT IN A STORM.

I THOUGHT, YEAH, OKAY. LET'S GO.

- KIM, YOU'RE TURNING RED. LIKE, BEET RED.

- [laughs] - WHY? ARE YOU NERVOUS?

- 'CAUSE I HAVEN'T BEEN FEELING WELL.

- OH, REALLY? - YEAH.

- YOU FEEL A LITTLE BETTER NOW, I SEE.

- ARE YOU MARRIED? - I'M NOT.

- OH.

- [laughs]

- HILARIOUS. - SWEET.

GOOD MORNING, HONEY.

- WOW! GOOD MORNING.

AND DID I INTRODUCE MYSELF?

I'M KIM, THE ONE WHO'S NOT FEELING GOOD TODAY.

- HI, I'M JOHN.

- OH, HI, JOHN. NICE TO MEET YOU.

- WHO IS NOT FEELING WELL AND WHO IS NOT MARRIED.

COINCIDENTALLY.

IT'S JUST LIKE CINDERELLA WITH THE GLASS SLIPPERS.

- EXACTLY.

- GO ON. - I'M TRYING!

- KIM, GRAB HIM BY THE EARS, IT'S GONNA HELP.

- SHUT UP, LISA. SHUT UP.

I'VE HAD ENOUGH OF YOU.

I WAS REALLY UNDER THE WEATHER.

THANK YOU VERY MUCH AND MAYBE I'LL SEE YOU OUT THERE.

THANK YOU, OKAY. - ABSOLUTELY.

- BUT, BOY, YOU WOULDN'T HAVE KNOWN IT

BY THE TIME I HIT THE SKI SLOPES.

- ARE YOU READY?

- KIM? - YEAH?

- OH. - THAT'S GOOD.

- SO, I HAVE THIS GORGEOUS LITTLE DR. ZHIVAGO.

I MEAN, IT'S FAUX FUR BUT IT'S JUST VERY PRETTY,

UH, WITH THIS LITTLE WHITE HAT.

AND I FELT VERY SAD THAT NOBODY

REALLY MENTIONED IT WHEN I CAME OUT.

THEY WERE LIKE, "HMM."

OKAY, HERE I AM.

- AHH, THE QUEEN HAS ARRIVED.

LISA'S WEARING A WHITE FLUFFY FUR PUFF.

SHE'S WEARING A POODLE ON HER HEAD.

- LISA, IF YOU FALL IN THE SNOW, WE'RE NEVER GONNA FIND YOU.

[laughter]

- THANK YOU, JOHN.

- HI, HOW ARE YOU? - HI, HI, HI.

HELLO, HI. [overlapping greetings]

- SO, BEAVER CREEK, ARE YOU READY TO TAKE

THESE CREAKY BEAVERS UP THE MOUNTAIN?

- WE ARE CERTAINLY.

- SPEAK FOR YOURSELF. - OKAY, LET'S DO IT.

[laughter]

- WHAT ARE WE DOING? - THREE AND THREE.

- OKAY.

WE'RE GOING THIS HIGH?

- YOU'VE GOT TO COME DOWN.

THAT'S THE WHOLE POINT OF SKIING.

- I GET IT.

- WAIT, LOOK AT WHAT THEY'RE DOING.

WE CAN GET A GOOD FEEL FOR WHAT WE NEED TO DO.

- HEY, HEY, J.J.

- HELLO. I'M SO GLAD TO SEE YOU.

- OH, IT'S SO GOOD TO SEE YOU.

- OH, IT'S GOOD TO SEE YOU.

- THIS IS KYLE. THIS IS J.J.

- I'M KIM, NICE TO MEET YOU. - YOU TOO.

SO WHAT WE'RE GONNA DO, YOU GUYS--

I KNOW SOME OF US HAD SKIED THIS YEAR AND SOME OF US HAVEN'T.

KIM, LISA, ADRIENNE.

- OKAY.

- CAMILLE IS A REALLY GOOD SKIER.

SHE GOES ALL THE TIME.

TAYLOR'S VERY GOOD.

AND KYLE WAS PRETTY GOOD TOO.

- CAMILLE, DO YOU WANNA STAY WITH THESE TWO?

- I'M GONNA HAVE--I'M GONNA SKI WITH KYLE AND TAYLOR, 'CAUSE--

- YOU GOT IT, OKAY - OKAY.

- AND WE'LL SEE YOU AT THE BOTTOM.

- SO WE SPLIT UP INTO GROUPS

AND "PROFESSIONALS" WENT THAT WAY

AND THOSE OF US WHO WEREN'T REAL COMFORTABLE

WENT ON DIFFERENT ROUTE.

- ALL RIGHTY, THEN.

- OH MY GOSH. SERIOUSLY, HOW DO YOU STOP?

- PUT YOUR FEET TOGETHER, THEN DO LIKE--

- LIKE THAT? - YES.

- OKAY.

- OH, THAT'S NOT FAIR.

- YEAH, BABY.

- OH, FEELS SO GOOD.

I CAN'T BELIEVE HOW MANY YEARS IT'S BEEN SINCE I'VE DONE THIS.

I HADN'T SKIED IN 20 YEARS.

20 YEARS.

SOMETIMES I STILL FEEL LIKE I'M 20

'CAUSE I HAVE SO MUCH ENERGY.

MOST OF THE TIME, SOMETIMES.

- WHAT DO YOU THINK? YOU OKAY?

- I SPENT MOST OF THE DAY WAITING FOR ADRIENNE

ON THE MOUNTAIN.

I FELT SORRY FOR HER BECAUSE IT WAS HER SECOND TIME SKIING.

BUT I'M A PRETTY GOOD SKIER.

I'M GONNA GO A BIT FASTER.

THIS IS SO MUCH FUN. [laughs]

WHOO-HOO!

WAIT! [screams, laughs]

- LISA SAID SHE WAS HANGING BACK JUST TO HELP ME LEARN TO SKI.

I WONDER IS SHE HANGING BACK

BECAUSE SHE WANTS TO HELP ME LEARN TO SKI

OR IS SHE HANGING BACK BECAUSE SHE'S NOT

AS GOOD AS TAYLOR AND KYLE?

- OH, IT'S SO MUCH FUN.

- WHOO! - WHOA!

- YEAH!

BRAKING ADRIENNE. - GO, ADRIENNE.

- GORGEOUS, NICE FORM.

- OH, THANKS, TAYLOR.

- OH, SORRY, LOVE. - SUCH A COOL--

- [laughs]

[imitating Lisa] COME ON, DARLING, IT'S A JOKE.

- OF COURSE IT WOULD BE YOU.

- COMING UP...

- I'M SCARED.

- I WOULDN'T BE FIGHTING FOR SOMETHING

THAT REALLY IS NOT WORTH FIGHTING FOR, TO BE HONEST.

- LOOK. THEY'RE SERVING US COOKIES.

YES!

- WOULD YOU LIKE A COOKIE? - ABSOLUTELY.

- THIS IS MY FAVORITE THING IN THE ENTIRE WORLD.

- WELL, YOU'RE WELCOME. - THANK YOU SO MUCH.

- A HOT CHOCOLATE CHIP COOKIE.

- SIR, MAY I HAVE ANOTHER? - YES, HAVE ANOTHER.

- I GOT THE ONE WITH THE MOST CHOCOLATE CHIPS.

- MM. - THANK YOU SO MUCH.

- CHEERS.

- SO WE START THE DAY OFF WITH MOUNTAIN MEN CARRYING OUR SKIS,

WE SKI ON A BEAUTIFUL MOUNTAIN ALL DAY,

AND WE HAVE WARM CHOCOLATE CHIP COOKIES

AT THE END OF THE MOUNTAIN.

I WANNA LIVE HERE.

BEVERLY HILLS, BYE-BYE.

- YOU KNOW WHAT? WAIT, WAIT, WAIT.

ONE MORE. I'M SORRY.

- WELL, THANK YOU. - OKAY.

- THAT'S MINE.

[laughter] - I DON'T CARE.

- OH, THAT IS YOURS.

SOME OF THE GIRLS WERE TIRED AND WANTED TO TAKE A NAP

AND TAYLOR AND I DECIDED TO TAKE A JACUZZI OUTSIDE.

IT WAS ABSOLUTELY BEAUTIFUL OUT.

IT WAS SNOWING AND SUCH A BEAUTIFUL SETTING.

- YOU KNOW, I'VE SPENT MY WHOLE LIFE PRETTY MUCH ALONE.

I DIDN'T EVEN GET MARRIED TILL I WAS 34.

SO THE THOUGHT OF BEING ALONE AGAIN, MY GOD,

IT'S JUST SO FRIGHTENING TO ME MAYBE MORE THAN OTHER PEOPLE.

IT'S LIKE I'VE BEEN ALONE FOR THE MAJORITY OF MY LIFE.

I'M, YOU KNOW--I'VE ONLY BEEN A COUPLE FOR SIX YEARS.

SO IT'S ALMOST LIKE I'M SO BANKING EVERYTHING ON IT WORKING

SO THAT I ALMOST DON'T HAVE TO BE ALONE AGAIN.

- HOW LONG DO YOU THINK YOU'D GIVE IT?

IS THAT TOO--IS THAT TOO INTENSE OF A QUESTION?

- YOU KNOW WHAT? MY THERAPIST SAID A YEAR.

HE SAID IT WOULD TAKE A YEAR FOR ME

TO LET GO OF THE ANGER AND THE RESENTMENT.

- WHAT ARE YOU ANGRY ABOUT?

- JUST HOLDING MY VOICE FOR SO LONG.

AND SOMETIMES I THINK, "ARE WE EVER GONNA GET THERE?

OR DO I JUST...?"

- WERE YOU EVER THERE?

- NO.

I'VE NEVER BEEN THERE.

THE THOUGHT OF BEING ALONE,

IT WOULD BE A VACANCY IN MY HEART

AND JUST NOT HAVING SOMEONE THERE NEXT TO YOU,

IT WAS REALLY OVERWHELMING FOR ME.

I DON'T KNOW HOW I'M...

EVER GONNA LET GO OF THE RESENTMENT.

- WHAT IS ALL THE RESENTMENT?

WHAT'S IT ABOUT?

TAYLOR.

- IT'S JUST BEEN A LONG TIME.

I'M TIRED.

- YOU'RE TIRED OF DOING THIS?

- I'M JUST TIRED.

[sniffles]

IT'S BEEN A LOT OF YEARS.

- TAYLOR DOESN'T EVER REALLY SAY WHAT THE REAL ISSUE IS.

SHE JUST TELLS ME HOW SHE'S FEELING

AND SORT OF HINTS AT THINGS.

- I JUST WANT IT SO BADLY TO MAKE IT WORK.

- WHY?

WHY?

I'M SORRY TO SAY THAT.

I KNOW YOU HAVE A CHILD, BUT...

I DON'T UNDERSTAND.

- I'M SCARED.

- YOU'RE NEVER GONNA BE ALONE.

YOU HAVE YOUR FRIENDS.

- I LOVED HIM.

I DO.

- I WOULDN'T BE FIGHTING FOR SOMETHING THAT REALLY IS NOT

WORTH FIGHTING FOR, TO BE HONEST.

YOU'RE BLAMING YOURSELF, BUT IT'S NOT YOU.

I SEE A DIFFERENCE IN TAYLOR.

SHE'S LOST A LOT OF WEIGHT.

I SEE THAT SHE'S STRESSED AND SHE'S NOT EATING.

I FEEL LIKE SHE'S REALLY A...

BROKEN PERSON RIGHT NOW.

DON'T FALL INTO THAT TRAP.

YOU'RE STRONGER THAN YOU THINK, YOU KNOW?

YOU'RE NOT--YOU'RE NOT HAPPY.

- HMM.

- YOU'RE NOT.

- NEXT ON THE REAL HOUSEWIVES OF BEVERLY HILLS...

- TAYLOR IS IN A SUITCASE.

- AND I'M READY TO GO HOME.

- WHAT ELSE IS GOING ON WITH YOU?

- TAYLOR. COME ON, HON.

- WHAT? NO, WE DON'T, WAIT.

- JUST DON'T WITH ME.

I FEEL LIKE I'M BREAKING.

- YOU ARE.

YOU'RE HAVING A NERVOUS BREAKDOWN.

OKAY, I'M GONNA CALL KIM REAL QUICK.

- HELLO. - KIM.

- I DON'T HAVE TIME FOR THIS RIGHT NOW, WHO'S THIS?

- IT'S PAUL AND ADRIENNE.

- MY POWER WENT OUT.

I WOULD NEVER DO THIS TO YOU GUYS.

I FEEL SO BAD.

- KIM, IT'S OKAY, HONEY.

- 'CAUSE, YOU KNOW, IT'S A NICE AIRPORT

AND I LOVE THE PLANES OVER THERE SO, YOU KNOW,

BUT STILL, I'LL SEE YOU SOON.

- ALL RIGHT, HONEY, BYE.

- SHE SOUNDED LIKE SHE WAS INTOXICATED.

- TO LEARN MORE ABOUT THE HOUSEWIVES, GO TO BRAVOTV.COM.