Original subtitles

(announcer speaking in foreign language)

- [Announcer] Alitalia Flight 603 for London now boarding.

(reporters chattering)

- [Reporter] One more, please.

- [Reporter] Hold it right there for a moment.

- Over here. - Smile, just one more.

- [Reporter] Take off your glasses.

- [Reporter] One more, move aside.

- Smile, please. - Get down.

- [Reporter] Over here, Signora West.

- Move down, move down. - Smile.

- Brian!

- Get down. - A little more.

- Kathryn, dear.

How are you?

- [Reporter] Hold it a minute.

(announcer speaking in foreign language)

- [Reporter] How long will you remain in Italy?

- [Reporter] Is it true your husband left you $200 million?

- [Announcer] Alitalia Flight 603 for London

now boarding at gate three.

Last call.

(reporters chattering in foreign language)

#The stage was set the night we met#

#For fate had planned it so#

#And just one look was all it took#

#To set my heart aglow#

#Wholeheartedly with all of me#

#I proved how love should be#

#And the days we shared when you still cared#

#Were such sweet ecstasy#

#But then, but then I don't know when I

#You turn on me#

#And you lie to me#

#And so hopelessly#

#I hid the pride and hurt inside#

#Aware you'd soon be gone#

#But hoping yet you'd not forget#

#That I'd still wait for you#

IOn and on?

IOn and on?

- [Teresa] Welcome, Signora West.

- This is Teresa, your guardian angel.

Depend on her to take care of all your wants and pleasures.

She's efficient as an IBM.

- How do you do, Teresa?

- Grazie, signora.

Please call me Terry.

I stay some months in London, so I know some English.

Are you thirsty?

- Make us a cold drink, Teresa.

Look, silence and harmony.

The village is only a few kilometers.

The marina is just 20 minutes, if you like boating.

- Oh, I'm afraid I won't feel up to the sea.

- All right.

Well, here we are.

No one will bother you here.

- Oh, it's lovely.

Really lovely.

Brian, you've been perfect.

- Wait before saying so.

- Oh, the house is beautiful.

Oh, Brian!

- Now you can turn out pictures by Kathryn Somerset,

just the way you did when you were

a promising young artist in New York.

- Too much time has passed since then.

I'm afraid I've lost my spirit.

- Don't worry.

Be grateful that the future will hold

whatever your heart desires.

- There's been so much pain.

- The sorrow will diminish.

The future will lessen the misery you're now enduring.

Remember, you can take courage from the memory of Robert.

- And now that he's dead, how do I pick up the pieces?

Oh no!

Isn't there anything stronger to drink in this house?

- Of course, I'm sorry.

- Oh, try to understand, Brian.

I'm so low I need something to pick me up once in a while.

I know that I can pull myself together in time,

but I need a little freedom after what I've been through.

- I think I oughta remind you that this kind of freedom

isn't very good for your nervous system.

I'm worried that things could be messy due to a problem

turning up in the formal procedure in New York.

- I don't ever wanna ever go back to New York.

So, have you liquidated the estate?

- My dear girl, I've told you 10 times.

Two petroleum companies, four television stations,

a chain of department stores, they're not items

you can unload as you would a truck.

It's a big job and I need time.

- All right, Brian, I'll rely on you.

- The only thing that might cause a grievance

is the family mansion on Lake Michigan.

I've just heard from relatives of Robert.

- Oh, a horrible, cold old barn.

I could never stand being there.

- The letter was from Robert's two old aunts.

They're dead set against selling it.

- Why don't they buy it?

- Because they consider it property of the family.

- Oh, it's not important to me.

I'll give it to them.

- This you could do.

Of course, on the other hand, it might be best

to get the two old ladies out of our hair properly.

I'd recommend you take it easy and don't worry so much.

I'll telephone from New York and assign

our best attorneys to settle the probate.

- Oh, thank you, Brian.

You're a treasure.

(gentle music)

Teresa?

- Signora?

- Take that thing away.

I don't want it in here.

- It's messy in the cellar.

- I don't care where you put it

as long as I never have to see it or hear it.

- Here are the pills, Signora West.

A journalist has telephoned to see you.

- (sighs) Questions, questions, I'm sick of them.

They can go to hell.

Oh, I've got such a headache.

- Better try resting.

(horn honking)

(man speaking in foreign language)

This is Signora West's villa.

What is it you want?

- Please, I need tools and a telephone.

But you know that I'm cordially penitent, signora.

You see here a daring poor pilgrim and a miserable guy.

- I'm sorry, but it's impossible to help.

- Please, countess, be nice.

I tell you, I can fix the motor alone.

My passion is automobiles.

- But I've already told you��

- Teresa.

- Si, Signora West.

- Give the young man what he needs, and then send him away.

- Bravo, Signora West.

Good enough, eh?

- Talkin' to me?

- Get her that rose.

- Rose?

(speaking in foreign language)

- Pick it and take it to Mrs. West.

My name's Peter Donovan.

(upbeat music)

Screwdriver.

Pliers.

It's a matter of speaking the same language.

Well, that does it.

- [Kathryn] You mean you finished so fast?

- Not on your life.

It's inexorably broken.

Have to get a new part.

- Oh.

- To your wonderful eyes.

By the way, why don't you let me see them?

- Is it necessary?

- Not at all, I'll take you on your word.

No, your word wasn't enough.

All right, never mind.

How far is it to town?

- I don't know, two or three miles, maybe four.

- Marvelous, I was afraid it was 50.

I'm sorry about having to leave the car here,

but I'll be back tomorrow morning with a mechanic.

- It's all right.

Would you like me to have Teresa drive you in?

- No, no, no, I prefer walking on my hands. (laughs)

Well, so long.

(soft guitar music)

(horn honking)

(upbeat jazz music)

- [Kathryn] What are you doing here?

- Trying to sleep and then I just happened

to bump into the horn.

Sorry.

- But I don't understand.

Didn't you go into town?

- You bet, six miles, 7,000 lira to pay for a new part,

and if the mechanic had come, it would've taken 12.

I just had seven.

- I see.

In other words, you didn't have the money for a hotel room.

- It happens at least once in your life.

(phone ringing)

- Just a moment.

Yes, hello?

Oh, it's you, Brian.

I was afraid you wouldn't call.

Saturday, perfect.

Let's see, today is��

- Wednesday.

- Yes, that's right, Wednesday.

All right, dear, I'll see you then.

Rig ht, good bye.

Haven't you been taught that it's rude

to enter a house without being invited?

- I was just looking.

After all, masterpieces are to be looked at.

Otherwise, why bother painting them.

- Well, I paint for myself.

Besides, I'm not a professional.

- It's perfect.

You used a mirror, right?

You've got a rather unusual belly button,

just like the Botticelli Venus.

- Oh, stop it.

Besides, what do you know about painting?

You're not an art critic, are you?

- Why not?

What do you know about me?

You're right.

In fact, I'm not a critic, not even an intellectual,

but I've forgotten all my manners,

I'm hungry as a wolf, and wolves do not apologize.

Goodnight, Mrs. West.

- Oh, wait a minute.

All right, stay here.

But don't touch anything.

(gentle music)

That's all I could find, but it should be enough for a wolf.

I didn't feel I should wake the housekeeper.

- You needn't have gone to the trouble.

- Here's a drink if you feel like it.

- Thank you.

- There, you can settle down here.

I hope you'll forgive me if I don't have a pair

of pajamas your size.

- I always sleep naked and I like the women

I sleep with to sleep naked, too.

- I see.

Well, goodnight.

#Da dee da da?

#Da dee da da?

#Da dee doo doo doo da#

#Da dee da da?

#Oh, dee doo day#

#Oh, dee doo dee doo da#

#Da dee da da?

#Dee doo day da#

#Dee ah da?

#Da da da dee da da?

#Da da dee da da?

(Kathryn gasps)

(sultry music)

(Kathryn laughing)

- Oh, you're so silly. (laughs)

Oh, be careful.

I don't want that old witch to catch on to anything.

- Well, I do.

You're a free woman.

What's more, you pay her.

Why are you afraid of her?

- One has to be afraid of everything these days,

especially when one's happy.

Besides, things are not easy for me now.

- But you are a widow, aren't you?

- [Kathryn] As of seven weeks.

- I suppose you loved your husband very much, didn't you?

- He died suddenly in a car crash.

- Very wisely, otherwise we wouldn't be here.

- Poor Robert.

He was a good man, but closed.

All he ever thought about was money.

- And you married him for money?

- No, I needed affection.

I thought an older an older man could give it to me.

But all he knew how to give was money.

- You want some advice to save your soul?

- Mm�hmm.

- Give away all the money you've got,

but not to the poor, to somebody richer than you.

We need not create rich people any more

than there already are.

(gentle music)

- She's coming back, later.

- Well, Mrs. West, have a nice trip and give London a smile.

- Thank you.

If you're ever in the neighborhood, do stop in.

- Goodbye.

- Clear everything away, Teresa.

That's all for tonight.

(horn honking)

(soft suspenseful music)

(leaves rustling)

(suspenseful music)

Peter?

Is that you, Peter?

Peter?

(Kathryn chuckles)

Oh, no.

- Are you afraid of getting dirty?

(sultry music)

- Oh yes, dirty me, dirty me, yes, yes, yes.

Oh, Peter.

I wanna devour you.

(bright music)

(phone ringing)

Don't move and don't say anything.

Wait, Teresa, I'll answer it.

- As you wish.

- And make me some strong black coffee.

- Si, signora.

(phone ringing)

- Hello?

- Kathryn? - Brian!

- [Brian] Shall I meet your plane?

- No, I prefer to drive.

Wait for me there.

- [Brian] Don't forget you're meeting Robert's aunts.

- Oh yes, don't worry, I'll wear the soberist dress I have.

- [Brian] Fine, see you in London.

- Right, bye.

Peter, hurry.

You've got to leave right away.

- Okay, but what's your trouble?

- Oh, I'm in a terrible rush.

If you stay, I'll never get to London.

Look, please don't be offended, Peter,

but I would like you to be in a position of independence

until I get back.

Here, take it.

- Were you used to being paid

before you married the rich man?

- Oh, forgive me.

It's just my maternal instinct.

Please go now, quietly.

- Okay, my would�be mother.

- When I get back from London, will we see each other again?

- It's up to you.

If you want me, just call.

Piazza Novona 19, top floor.

There's no phone, but the mailman comes.

(bright music)

(stately orchestral music)

- We've reached an accord that's perfectly rational.

The result is that the family mansion becomes your property.

In exchange, are you disposed to renounce all legal demands

on the estate of your nephew Robert?

- I think so.

- No, no, that's not so.

I'm not going to renounce a legacy we expected.

I would absolutely contest any attempt

to oppose the will of the past.

- [Aunt With Glasses] Mr. Osborne, could we buy the house?

- [Mr. Osborne] Legally, yes,

but you'll have to meet the price.

- [Aunt With Glasses] Then it's simpler to do as I say.

- [Janet] On the contrary.

The West mansion is worth more than mere money.

- [Aunt With Glasses] But Kathryn was his wife.

- It had the honor of having Lincoln as a guest one night.

- After all, it is the West family's oldest possession.

- And we can not forget the sentimental value.

- We can not equate sentimentality with economics.

- [Aunt With Glasses] Let's hear what Kathryn has to say.

- Oh, my dear aunties, the only thing I know

is that my poor Robert would've wanted me

to give you the family house.

- Oh no, irregardless, we Wests don't want any charity,

legal or personal.

- But Janet, don't be too offended.

It was just and generous of our precious niece.

- I have no nieces.

Our poor dear Robert is gone.

She's only the widow of my nephew.

- [Aunt With Glasses] Poor Robert,

he never lived to enjoy his life.

- A young woman and an older man?

It wasn't right.

- And we can not forget��

(dramatic music) (group chattering)

(women gasping)

- Oh my heavens. - Kathryn, you, Kathryn?

Please, a glass of water.

(disjointed music)

(airplane engines roaring)

Here's his telegram.

This is from the brokers for Delta Petroleum.

For the Pasadena residence, I can hope for the best,

even better than New York.

These are the Brazilian oil leases

for the counsel to administer during litigation, et cetera.

You can rest assured that you'll be even richer.

- Oh, you must be mad.

- Oh, where's my angel?

Come on, princess, you're invited to dinner.

- By whom?

- A lonely man who's fascinated by you

but who feels he's not worthy of your attention.

(soft eerie music)

(thunder rumbles)

(singer humming)

- Hello, Telegrams?

- [Operator] Destination, please.

- Rome, Piazza Novona 19.

Urgent.

- [Operator] Yes, the message, please.

Yes, yes, please.

- I'm sorry, I've changed my mind.

(gentle music)

Oh.

(thunder rumbling)

(thunder rumbling)

(door creaks)

(suspenseful music)

(Kathryn gasps)

Who's there?

(windows banging) (lightning cracking)

Teresa, is that you?

(suspenseful music)

(lightning cracking) (thunder rumbling)

(Kathryn gasps)

(lightning cracks) (thunder rumbles)

(door creaks)

#Dee da da da dee#

(door thuds)

(lightning cracks) (thunder rumbles)

#Da da da dee?

- Who's there?

(door slams)

(door rattling)

Let me out!

Let me out!

Let me out!

(gun firing)

Teresa!

Teresa, help!

(lightning cracks)

- Signora West. - Who's there?

Oh, Teresa.

- What caused you to scream?

- There's someone in the house, Teresa.

- Come along.

Come on. - Teresa, there's someone

in the house. - Come on, come on, come on.

(thunder rumbles)

- But I tell you, I can't have been dreaming.

The shower was on, the window was open.

And look there, the painting was always there.

Somebody must've taken it upstairs.

- You're not well tonight.

You're feeling terribly anxious, but it's only temporary.

Don't drive yourself crazy.

- The lights were on and then they went off.

In other words, you don't believe me.

- How can I when you depend so much on pills

to help you escape from reality?

You need rest, Signora West.

Go to your room, you'll feel better soon.

(suspenseful music)

(water pattering)

(lightning cracking) (thunder rumbling)

(dramatic music)

(phone ringing)

- Hello?

Hello?

Hello?

(intense electric guitar music)

(bright music)

- And the mountain came to Mohammad.

- You might've at least called.

- You hear anything?

It was cut off two months ago.

- No, I'm angry with you.

No, not here.

- Yes, here.

I didn't make any fuss about your damn rich house.

I live here, I bring my women here on this bed.

- Women like that?

- You're worse than she is.

Much worse.

(suspenseful music)

- Yeah, that's right.

I'm worse than she is.

I'm worse than all of them.

Oh yes, yes, yes, yes.

(sultry music)

Oh yes, I am the worst.

Hurt me, oh yes, hurt me.

- No, no, that's enough!

No more whores, now damn it, get her out.

- Stop it, you ass.

Can't you see she's a lady?

- And I ain't no fool.

- Hit the road, you impotent moron.

You can't understand these things.

- I ask you to forgive me.

This is my house.

I put this guy up because he told me he's got trouble.

Then for three months he doesn't pay.

- Come on, let's go, let's get out of here.

- Not so fast.

If you want these, pay up.

- Who cares?

It won't go anyway, there's no gas.

- How much does he owe you, please?

- 60,000 lira rent, then 18,000 more

I lent him to play poker.

So you got yourself a beautiful meal ticket at last, huh?

- No, don't!

- Thanks, dear lady, I'm sorry about this.

(children chattering)

- [Peddler] Flowers for signora?

- Put it on the bill.

(engine rattles)

Hey!

You tryin' to lose me after depriving me of a roof?

- I don't find it funny.

Why don't you behave decently and apologize?

- Well, I didn't ask you to come here to Rome.

- Oh, stop it, Peter.

I find the whole thing very distasteful.

- You're right, I'm sorry.

Take 'em.

(upbeat music)

- Teresa, prepare the guest room.

Mr. Donovan is spending a week with us.

(tires screech)

- Eva!

- Ciao!

- Come on!

I'd like you to meet my sister.

(gentle music)

(upbeat music)

(Kathryn laughs)

(dish clatters)

- Oh, I'm sorry.

- Please, try to be more careful when you dance.

- Ah, Teresa, don't bother.

Go to bed and get some sleep.

- (chuckles) Some sleep.

(Kathryn laughs)

- In my day I was fabulous. (laughs)

In my day I was famous for rock 'n roll.

- This is your day, Kathryn.

Ours is yet to come.

- Ah!

- Peter's right.

I'd give half my life to resemble you during the other half.

#All it took to set#

- If you only knew the admiration,

the enormous attraction I feel for you,

the melting sensation I get looking at you.

So feminine, so beautiful.

#How love should be#

#And the days we shared when you still cared#

- There, touching you to be sure you're real.

That's a thrill.

- Oh, Eva, you have so much inside

you can even give it away to someone like me,

rich with no purpose in life, who doesn't deserve it.

#And so hopelessly#

- Well, then. (chuckles)

If that's the way it's to be, teach me how to be young!

#But hoping yet you'd not forget#

- Good for you, come on.

- No.

#On and on?

IOn and on?

#But then, but then#

- Wonderful, go on!

#You tired of me#

#And you lied to me#

#And so#

- Oh, it's wonderful to be young.

#I hid the pride and hurt inside#

#Aware you'd soon be gone#

#But hoping yet#

- Hold it!

- Oh no, you monster, don't use the flash.

You'll burn everything out on me

and we'll turn out looking dreadful.

It has a special film that takes photos in this light.

Now, you can do whatever you want.

- Does it have an automatic shutter?

- Of course.

- Come on, all together, a family group.

(camera clicks)

- So, Eva, how do you like the house?

- It's lovely here.

Silent, enchanting.

It reminds me of our grandparents' house in Beverly Hills.

- It's an old dreary house full of old folks and dogs.

- Oh, he's lying.

I bet he's longing to go back.

- He's always doing that.

When he loves something, he says he hates it.

- Mm, at last.

- Not for me, thank you.

I am no teetotaler, but when I drink on an empty stomach

I don't trust myself to drive.

- But where do you have to go?

- Well, back to Rome, I suppose.

- Oh, not at all.

I've already arranged dinner here.

Unless you have something more important to do.

- I don't think there is anyone more important

than you, Kathryn, at least for the moment.

- Oh, well then come on, have a drink.

You won't be driving anywhere tonight.

(upbeat music) #You need some love, just tell me#

#Oh yeah#

#Yeah, anytime#

#You're feelin' down, just tell me#

#Yeah, anytime#

#I'll come around, just tell me#

#Don't worry#

#Baby, 'cause I'm the one#

#Now I'll be there to turn your sadness into fun#

#Late at night when it's dark and so cold#

#Girl, I'II promise you the warmest hand to hold#

#So, anytime#

#You need some love, just tell me#

#Yeah, anytime#

#You feel alone just tell me#

#Don't worry#

#Baby, 'cause I'm the one#

#I'll be there to turn your sadness into fun#

#Late at night when it's dark and so cold#

#Girl, I promise you the warmest hand to hold#

#Anytime you need some love, just tell me#

I And anytime you feel alone, just tell me#

#Don't worry#

#Girl, 'cause I will run I

#And I'll be there to turn your sadness into fun#

#Whenever, doo doo doo#

#Just tell me, baby#

#Come on and tell me#

#Doo doo, doo doo doo#

#Why don't ya come and tell me, baby#

#Doo doo doo#

#Come on and tell me#

#Doo doo, doo doo doo#

#Why don't you come and tell me, baby#

#Why don't ya tell me#

#Come on and tell me, baby#

#Come on and tell me#

#Doo doo, doo doo doo#

#Why don't you tell me, baby#

#Come on and tell me#

#Doo doo doo, doo doo#

#Why don't you come and tell me, baby#

#Come on and tell me#

#Why don't you come tell me, baby#

#Doo doo doo#

#Come on and tell me#

#Doo doo doo, doo doo#

(Kathryn groans)

- Oh, I wish I didn't feel so tired.

It's a pity to break up a night like tonight.

- Look, I've got some pills

that make you stop feeling tired.

I took one in the nightclub.

- It should be taken with four fingers of whiskey.

(gentle guitar music)

- Eva, I'd like to give her a kiss.

May I?

- You must. (chuckles)

- Oh, not now, darling.

- You must never say no to a guest, Kathryn.

Why should you hide when you make love?

There are so many ridiculous and repulsive things

and love is the most beautiful in the world.

- Quite right, sis.

Just think, there's people who count their money in public.

- People who slug each other in the ring.

- People who make war.

- [Peter] How long is it since you've made love, sis?

- I never remember the last time.

I only think of the next.

- What you've done in the past seems like nothing

compared to what you'd like to do.

- Now, I order you to go to bed.

I will take your word for it.

- [Peter] Come on, Kathryn.

(gentle guitar music)

(gentle music)

- Kathryn, wake up, darling.

It's four in the afternoon.

- Oh, let me sleep, please.

- Come on, you've got to wake up.

(Kathryn groans)

- Oh, I can't.

- You'll end up harming yourself.

Take this.

You'll feel better in a moment.

(upbeat music)

Your move, Kathryn.

(phone ringing)

- Yes?

Yes, here she is.

- Hello?

Hello, Brian, how are you?

No, don't worry.

They're two kids from Boston.

Yes, the children of a friend of mine.

Tomorrow evening?

Perfect.

Till tomorrow night, then.

No, I'll come there.

Right, bye.

- Try and leave us and I'll bump you off.

(Kathryn laughs)

- Stop that!

(Eva gasps)

Moron.

- But Peter, it was only a joke.

- I don't tolerate jokes with guns!

- And I don't tolerate brutality.

- You prefer she'd shot you, you idiot?

- How dare you speak to me like that!

- And you keep your voice down,

all the Brooklyn comes out in you!

(dramatic music)

- (scoffs) Brooklyn.

(door thuds)

(tense music)

- I don't want you two to quarrel because of me.

- Oh, it's not because of you.

- It's because of me.

Come on, let's drop it.

- Oh, that's too easy.

Is that what you did as a little boy?

- Always.

But he means it when he says he's sorry.

- Well, there's nothing really to be sorry about anyway.

- Come here! - Oh!

Oh, stop it, Peter.

#Ba dee doo day#

#Ba dee doo dee doo da#

#Da dee da da?

#Dee doo day da dee ah da#

- Goodnight.

Good loving.

?Dada?

#Da da dee da da#

- [Kathryn] Me now.

- Perhaps, dear Kathryn, worry comes from caring.

- Mm, that's very sweet of you, Brian,

but there's really no need to worry.

I feel much better now.

You know, these two youngsters have been marvelous for me.

They've given me a new perspective on life, on youth.

- That so?

To be young requires the company of the young.

Excuse me, I didn't mean to sound like such an old man.

- Oh, that's not true.

But I must tell you frankly, Brian,

I have no intention of getting married again.

- I'm not asking you to marry me.

- No, but you were about to when I stopped you.

Anyway, you'll always be the closest person to me.

I'll never let you go.

- I've always felt the same way about you.

What's that?

- Oh, it's just something for the digestion.

I've had a problem with my liver lately.

That's why I would like to go home early if possible.

(upbeat jazz music)

- [Eva] Welcome back, you tramp.

(Kathryn laughs)

(gentle music)

(knuckles tapping)

(Kathryn gasps)

- No, no, no, no, no, no!

(Kathryn screams)

(eerie music)

- Can you talk, Signora West?

Can you say anything?

What happened?

Are you all right, Signora West, hm?

Do you feel any better?

This is Teresa.

Please, say something.

Do you want me to make you a cup of hot tea?

Ah good, here, drink.

Can you say anything?

You may have a concussion.

(singer humming)

- I just tripped, Teresa.

It's nothing, I'll be all right.

- Go back to bed, we'll look after her.

Come on.

- We didn't lie to you before.

My father and Eva's father were good friends,

our mothers, too, to the point that they divorced

and married each other.

So, we grew up together.

School together, vacations together, bed together,

ever since we were children.

- It's disgusting and you've deceived me so.

- You've helped us yourself.

- Why, are you jealous of something?

I'm the one who should be, but jealousy does not exist.

- Especially in the particular situation we're in.

- Why did you come here, Eva.

- I wanted to see who was stealing Peter from me.

And when I saw you, I realized he was right

and you made me fall in love, too.

- I made you fall in love?

- There are all kinds of love.

- And all sorts of pleasures.

When you came, we were thinking about you

as if you were here with us.

- [Kathryn] I was here with you?

#Dee doo day#

#Doo dee doo day#

#Da dee doo dee doo da#

#Da dee da da#

#Dee doo day da dee da da#

#Da da dee da da#

#Da da dee da da?

(disjointed music)

#I don't know when#

#I don't know when#

#I don't know when#

#I don't know when#

(singer vocalizing)

#I don't know#

#I don't know#

(singer vocalizing)

#I don't know#

#I don't know#

(singer vocalizing)

#I don't know#

#I don't know#

(singer vocalizing)

#I don't know#

#I don't know#

(singer vocalizing)

#I don't know#

#I don't know#

(singer vocalizing)

#Don't know#

- [Teresa] Signora West.

- Yes, what is it?

- [Teresa] Your breakfast, signora.

- I don't want anything.

Have you served the others?

- No, signora, I think they may have gone fishing.

- Oh well, then.

I wanna sleep.

- Should I prepare something special?

You have need of anything, Signora West?

- No, just some sleep.

- Only the free man doesn't need anyone to wait on him.

- We can get along perfectly well by ourselves

without that old bag spying on everything we say and do.

- Oh, but that's out of the question.

- Why#You're going off on a cruise

and you're closing down the house.

- And you mean we stay here alone?

- No, Martino stays on.

He lives with his flowers, and besides, he's deaf.

- Tell me, Kathryn, before making up your mind.

Did you like it?

(dramatic music)

(upbeat music)

(phone ringing)

- Si?

(man speaking in foreign language)

The signora doesn't live here now.

Don't have the slimmest idea.

(man speaking in foreign language)

I like to be quite frank.

(man speaking in foreign language)

I don't care if it's important.

#Oh, anytime#

#You need some love, just tell me#

#Yeah, anytime#

- Oh, Eva, can't you turn that music down a little?

#Don't worry#

#Baby, 'cause I'm the one#

- Hey, turn it up!

- It's her.

#Sadness into fun I

#Oh yeah#

#Da da da, da da da?

#Yeah, anytime#

#Dadada#

#You're feelin' down#

- No!

No, no, no, no, no, no, no, no, no!

#Don't worry# (Kathryn crying out)

#Baby, 'cause I'm the one#

#And I'll be there to turn your �-#

- So, to the third question.

What do you think of yourself?

- Well, what do I think of myself?

When I think of myself I wanna vomit.

But I'm happy because I realize it.

Ya see, you two don't realize how nauseating you are.

There, I've told the truth.

(Kathryn gasps)

That makes us both more nauseating.

- Why did you do that?

Get outta the way, let's drink.

Come on, it's all over, Kathryn.

It's only a game.

- Yes, a game, a game of truth and I told the truth.

You won't screw me anymore with your drugs,

you slimy little bastards.

(glass breaks) You won't have my neck!

Go find somebody else for your degenerate games

and get out of my house.

I never wanna see you again.

You filth!

I loathe you.

(dramatic music)

(tense music)

Martino, do you hear me?

Take this away.

Don't forget, open the gate at five sharp.

But before and after that, don't open it for anyone.

- Five o'clock?

- Five!

(Martino murmuring)

(gentle music)

(car engine rumbling)

(suspenseful music)

What's the meaning of this?

Leave at once.

#Da da da dee da#

#Dee da da dee da#

- All right, how much do you want?

- She asked how much we want.

- How much do she think she's worth?

- I knew it was blackmail.

I haven't got time to lose, I'm expecting guests.

Say what you want and get out.

- We don't want your money.

We want you.

(dramatic music)

- It was certainly fortunate for Kathryn

that when Teresa suddenly walked out on her

she discovered you two.

- No doubt it's very peaceful in this desert.

- Desert?

Ms. West, what do you mean?

This is an earthly paradise.

I'm majoring in botany.

I've never seen any place as rich in fungi of all kinds.

- Oh really?

What are your interests, Signorina Donovan?

- Well, music, photography, too,

but actually I'm sort of, well, an old�fashioned girl

and I think I am too young to take

a serious interest in anything.

- I feel much pleasure whenever I hear such words

from the younger generation.

- No, no, not at all, young lady.

Continue on with those principals and you'll wind up

like us, taking care of alcoholics

without ever having had the pleasure of getting drunk.

- Are you feeling better, dear?

- Oh, much better, thank you.

In fact, I jotted down the notes you asked for.

- What papers?

- About the oil company.

If you start losing your memory, Brian,

I'll be forced to hire another attorney.

- Oh yes, I forgot, I'm sorry.

(gentle music)

Good, then it's possible to proceed.

Now, these are the details concerning the sale of the villa.

Now, your approval is necessary to complete the matter.

Please, sign here.

- We expect to see you in London, Kathy, dear.

Bye. - Bye, see you in Michigan.

Maybe the springtime.

- And also, I'm very grateful for the concern

you've shown for Kathryn.

- For us it's a pleasure, Mr. Sanders.

Kathryn is so sweet and unhappy.

- I'll telephone tomorrow from the airport.

- Don't forget.

Please call.

- (grunts) Ciao.

(tense music)

- Come back alone as soon as you can.

I am in danger.

- Shut the gate.

- Here, give this to her.

- Magnificent that you would even give a kick

to the rotting Mr. West.

- Mm, you'd give all your stinking millions

to have a taste of this, wouldn't you, Kathryn?

- We don't want them.

We like you.

Sweet and agreeable as you were long, long ago.

- That's all over now and I don't feel like drinking.

- You're a liar, Mrs. West.

You do feel like it.

Except you're also afraid.

This is the most exciting moment of your life.

- Why don't you surprise me and ask to have a drink?

- Stop it.

- What do you promise me ifI let you drink?

- Stop it.

- Ya hear that?

She wants to stop before we've even started.

(phone ringing) (Kathryn gasps)

- Hello, Brian!

Hello, Brian, can you hear me now?

Oh no, no, no, please, please.

(sultry music)

Oh no, no, no, don't hang up, Brian, stay on the line.

What?

Hello, Brian?

Oh, the letter.

Oh, it's nothing important.

I just wanted to hear about the dividends.

Oh well, it was nothing important.

I just wanted to know about the dividends.

Yes, I'm fine, bye.

#Yeah, anytime#

#Doo doo doo, doo doo doo#

#You're feelin' down, just tell me#

- Oh no, turn it down, please.

#Yeah, anytime#

- Having a little trouble, huh?

Come on, go to bed.

Go on to bed.

#Don't worry#

- We wanna be alone.

Come on, move it.

#And I'll be there to turn your sadness �-#

#Girl, I'II promise you the warmest hand to hold#

#So, anytime#

#Doo doo doo, doo doo doo#

#You need some love, just tell me#

(Kathryn groans)

(suspenseful music)

(dramatic music)

(suspenseful music)

(Kathryn gasps)

#Anytime you need some love, just tell me#

#Doo doo doo#

#Yeah, anytime#

#Doo doo doo, doo doo doo#

#You feel alone#

- Stop it!

Stop it, let me out of here!

Stop it, let me out of here!

Stop it, stop it, let me out of here!

Oh please, please, stop it, let me out!

Let me out of here!

#Tell me, baby#

#Come on and tell me#

#Doo doo doo, doo doo doo#

#Why don't ya come on tell me, baby#

#Doo doo doo#

#Come on and tell me#

#Doo doo doo, doo doo doo#

- Oh no, no, no!

I Tell me#

- Oh!

#And tell me, baby#

#Doo doo doo#

#Come on and tell me#

#Doo doo doo#

#Why don't ya just tell me, baby#

(metal crunching)

#Tell me#

#Doo doo doo, doo doo doo#

#Just come on tell me, baby#

(metal crunching)

- What's happening?

- She shut herself in!

- Oh, Kathryn, what have you done?

What have you done, what are you doing?

Move back the car.

(Martino speaking in foreign language)

Move back the car!

Have you gone out of your mind?

- Signora, how you get locked in?

- I want to leave.

I wanna get out of here.

Where are the keys?

- You're sick, Kathryn. - The keys.

- Come on, let's go home.

Come with me.

- I don't want to, I want the keys.

Where are the keys to my car?

- Oh, signora. - I'll give you the keys.

Come with me.

(dramatic music)

- [Kathryn] They weren't there before.

- You're suffering from hallucinations, Kathryn.

You can't go away, not in this state.

Come on, be good.

(suspenseful music)

#Da da da dee da#

- Peter, Peter, look.

My God, he might fall.

Please, Peter, go get him, please.

- Where?

- [Eva] Up there, up there!

- Oh, the same old story.

I'll try from up above, wait.

(dramatic music)

- Where are you going?

No, wait, wait!

Stop!

(cat mewing) (suspenseful music)

- Here, kitty, kitty, kitty.

(cat mewing)

(tense music)

Wait a moment!

- Oh, thanks.

- Is it yours?

- Yes, she's been missing since this morning.

I'm living down the way.

- Where are you going?

Go back to bed.

- No, let me by.

No!

Let me by!

Let me by.

- Ow. (grunts)

You bitch, damn you.

- Let go.

You�� - Stop it.

Stop it.

Bitch, damn you.

Stop it!

Stop it.

- I'm leaving now, see you later.

- Yeah? - Thanks again.

- Who's that?

- Oh, that signor.

Oh, sometime he pass by here.

We talk away��

- Here, go into town and get some cigarettes, go on.

(dramatic music)

(suspenseful music)

- Oh no.

Don't beat me, no.

Oh no.

Oh, no, no, please.

Oh please.

Oh no, please, no. (crying out)

Oh no, ow, ow.

(horn honking)

(dramatic music)

- Martino!

No, don't go away!

Don't leave me!

Martino!

Wait!

Martino!

(engine revving)

Don't go away!

Don't leave me!

Martino!

- Grazie, grazie, signora.

Thank you very much.

- Bye.

(tense music)

#Day by day, by day, by day now#

(singer humming)

- There's not a drop left in the house.

Have you forgotten all our wonderful evenings?

- Where is the telephone?

- We're against technological progress

and we don't wanna be disturbed.

- Well, put the telephone back at once.

I wanna order some whiskey.

- Eva's gone in to lay on a supply,

but if you're really thirsty, I'll see what I can do.

(suspenseful music)

And I warn you, there's a padlock on the gate!

(footsteps tapping)

Here we are.

But if you want a drink, you've gotta be nice.

- No, no, don't come any closer.

- Well, I was just tryin' to be nice.

The fact is that we really don't have anymore fun with you

because you're a poor demented drunk!

(soft suspenseful music)

(lock clicking)

Hey, bring me a glass now.

- [Kathryn] Yes.

(tense music)

- Actually, you're a pretty nice girl.

- Get up.

(suspenseful music)

Stand up.

Give me the keys to the gate and the keys to the car.

- Don't do anything silly, Kathryn.

- Stop there.

Throw me the keys and then lock yourself inside.

(gun firing) (dramatic music)

(suspenseful music)

(Kathryn screams)

(suspenseful music)

(Kathryn screams)

(Kathryn sighs)

- Damn the day I ever got the idea of using red dye.

- You can thank me for having thought

of putting in those blanks.

- How is she?

- She's just waking up.

The sedative was weak.

- Be careful, huh?

This isn't the moment.

- Don't worry, it's pure science.

(phone ringing)

- Hello?

Yes?

West residence.

Ah, good evening, Mr. Sanders.

She's gone to Rome with my sister.

She's gone to do some shopping.

I see.

Well, I hope she'll be.

They should be back by that time, okay?

Be seeing you soon.

- I'm sorry, darling, but I had to stop you

from saying anything funny.

- You've done too many funny things already.

Now, Mr. Sanders is on his way

and you've got to get rid of him.

- Bryan's coming here?

- Quite right.

You have to behave, and if you say one thing

we spill the beans.

- But no, our little Kathy will be perfect.

Now, get up and get yourself into shape.

God save you if you let yourself be seen in this condition.

No, later.

Now, you've got to get up and get dressed.

(disjointed music) (singer vocalizing)

#I don't know#

#I don't know#

#I don't know#

#I don't know#

#I don't know#

#I don't know#

(suspenseful music)

(door thuds)

- [Brian] I'm terribly sorry, but I absolutely must be

in New York tomorrow morning.

- [Peter] I don't know what to say, Mr. Sanders.

Every time they go to Rome they get lost in the shops,

go to the movies, stop by in some restaurant.

Quite frankly, I'm pretty fed up with trying

to keep up with those live wires.

- Maybe it's better that way.

Kathryn needs a little distraction.

How is she now?

- Well, I don't know really what to say.

Sometimes see seems perfectly well,

and then she gets sudden fits of depression.

Forgive me, Mr. Sanders, perhaps I shouldn't��

- No, no, tell me the truth, I beg you.

- Well, when she gets sad she drinks a lot,

and when she drinks a lot, she says she wants to die.

Then�� - Then?

- Then she takes sleeping pills

and she sleeps for 24 hours a day.

- [Brian] Yes, we really must convince her to take a cure.

I am very worried and I'd be very grateful, Mr. Donovan,

if you'd always keep me informed.

In any case, I'll be back in a week at the most.

- [Peter] What about the power of attorney?

- Thank you.

And tell Kathryn to sign this and dispatch it immediately

to the office of Carlini, who's my correspondent in Rome.

- And should Signora West have need of clarification,

this is my number to telephone.

(Kathryn groans)

- Mr. Donovan, you've been of considerable help.

Now, what Kathryn wanted to know

is what the total dividends come to.

Tell her these papers concern a 120 million

from the Italian branch.

_ [Peter] I see, 120 million.

(furniture clattering)

- What was that?

- [Peter] Ah, the cat's up to his old trick

of trying to steal a bottle of milk.

- [Brian] Well, tell Kathryn, Mrs. West, to call me.

Goodbye.

- Goodbye, gentlemen.

See you, Mr. Sanders.

(suspenseful music)

Keep your millions, you filthy bitch.

#Da da dee?

(upbeat music)

- If she doesn't get it over with quick.

I'm going out of my mind.

- It depends on you.

It's up to the last stage now.

(bell ringing)

- What is it?

- Quick, answer the bell.

- Telegram.

- Too bad you're so crazy.

You're so beautiful.

I could've loved you and made you happy.

All the fault of whiskey.

Would you like to make love one last time?

Only you and me?

(gentle music)

- Oh.

- Kathryn, your supper's ready.

(Kathryn screaming) (dramatic music)

- Let me out!

I'm going mad!

I'm going mad!

- 20 pills.

It'll be a painless suicide.

(upbeat music)

(dog barking)

(gentle music)

(door slams)

(dramatic music)

(suspenseful music)

- "It is our sad duty to inform you (gasps)

"of the death of your legal representative (gasps)

"Brian Sanders."

Oh no.

"In a plane crash returning home office."

Oh God.

Oh God, no.

(dramatic music)

(suspenseful music)

(Kathryn gasps)

- This is it.

- Let's wait at least 10 minutes.

- Okay.

(gentle music)

(suspenseful music)

(dramatic music)

(door slams)

(suspenseful music)

(Kathryn screams)

(suspenseful music)

(Kathryn g ru nts)

(body thuds)

(dramatic music)

(upbeat music)

- Bye�bye, Kathryn.

The party's over.

(upbeat music)

- Yoohoo!

Come on. (Eva laughing)

- [Eva] Uncle Brian, lend us the car.

- Absolutely, kids.

- If I don't get into the water, I'II explode.

- A beautiful day for swimming.

- Brian, you're a darling. - You two deserve a dip.

- Ciao.

- See ya later.

- Sir?

Excuse me, Mr. Sanders, you're wanted at Scotland Yard.

(upbeat music)

(Peter and Eva laughing)

- We're running out of gas.

- What do you care?

We got 3,000 oil wells out in Texas.

- We can double the price of oil.

There'd be less traffic on the road.

#Anytime#

- Listen to this, Kathryn's favorite tune. (laughs)

#Yeah, anytime#

#Doo doo doo, doo doo doo#

#You feel alone, just tell me#

#Don't worry#

#Girl, 'cause I'm the one#

#I'll be there to turn your sadness into fun#

(Eva screams)

(metal crunching)

#The stage was set the night we met#

#For fate had planned it so#

#And just one look was all it took#

#To set my heart aglow#

#Wholeheartedly with all of me I

#I proved how love should be#

#And the days we shared when you still cared#

#Were such sweet ecstasy#

#But then, but then I don't know when I

#You tired of me#

#And you lied to me#

#And so hopelessly#

#I hid the pride and hurt inside#

#Aware you'd soon be gone#

#But hoping yet you'd not forget#

#That I'd still wait for you#

#On and on?

#On and on?